WEBVTT

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<v Speaker 1>Oho Wimbo Kelly one.

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<v Speaker 2>Six from executive producers Lebron James, Maverick Carter and award

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<v Speaker 2>winning director Chris Ayre, The History Channel's new documentary Jim Thorpe,

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<v Speaker 2>lit By Lightning, offers a comprehensive exploration into the life

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<v Speaker 2>and legacy of the legendary Olympian and one of the

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<v Speaker 2>greatest all around athletes in our nation's history. Acclaimed filmmaker

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<v Speaker 2>Chris air tells the untold story of, as I said,

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<v Speaker 2>America's arguably greatest athlete of all time, a man who

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<v Speaker 2>played in the NFL, in Major League Baseball, and a

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<v Speaker 2>multi gold medalist at the nineteen twelve Games.

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<v Speaker 3>Jim Thorpe. I haven't seen that level of greatness in

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<v Speaker 3>so many sports.

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<v Speaker 4>And yet not many people remember his name.

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<v Speaker 1>Growing up on the reservation, he liked challenging his own body.

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<v Speaker 1>That was like a natural cross training. Jim Thorpe was

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<v Speaker 1>made for football.

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<v Speaker 4>He's running, he's kicking, he's tackling. Jim plays every minute

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<v Speaker 4>of a game, offense and defense. Jim Thorpe is at

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<v Speaker 4>the top of his game, and yet he was about

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<v Speaker 4>to level up again.

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<v Speaker 2>Of his achievement at the Stockholm Olympics.

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<v Speaker 5>I haven't seen that level of greatness.

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<v Speaker 4>The gold medals were taken away from it was an

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<v Speaker 4>enormous injustice.

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<v Speaker 6>Americans didn't see indigenous peoples as human beings.

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<v Speaker 1>He really created that sport.

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<v Speaker 5>He was the greatest athlete of all time and one

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<v Speaker 5>of the greatest Americans who ever lived. Jim Thorpe Lit

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<v Speaker 5>by Lightning premieres Monday, July seventh and eighth part of

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<v Speaker 5>History Honors two fifty only on the History Channel.

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<v Speaker 2>And Chris Air joins me now on the show. Chris,

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<v Speaker 2>good evening. Thank you for your work.

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<v Speaker 7>Great mode. Thanks for having me. I appreciate it, and

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<v Speaker 7>I'm excited to talk about Jim Thorpe Lit by Lightning.

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<v Speaker 1>I am a student of history.

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<v Speaker 2>I'm a student of sports history as well, and I

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<v Speaker 2>know that we have multiple generations which have grown up

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<v Speaker 2>with no knowledge of the significance and greatness of Jim Thorpe.

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<v Speaker 2>And that's probably why, or at least part of the

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<v Speaker 2>reason why you've done Jim Thorpe Lit by Lightning. But

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<v Speaker 2>just top line for me, the significance of his contributions

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<v Speaker 2>and exploits in telling the fullness of American history.

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<v Speaker 7>Well, I think it's important that we tell these stories

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<v Speaker 7>so people remember, we can reconfer on why somebody is

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<v Speaker 7>regarded with the admiration that they are. And Jim Thorpe

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<v Speaker 7>is part of that story. I mean, when you talk about,

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<v Speaker 7>you know, his accomplishments in athletics, they're still unparallel to

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<v Speaker 7>anyone else. When you talk about Lebron James, who's endorsed

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<v Speaker 7>this and as an executive producer and a goat himself,

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<v Speaker 7>and he's saying Jim Thorpe is the greatest athlete of

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<v Speaker 7>all time and one of the greatest Americans that ever lived.

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<v Speaker 7>It really gives you the scope of what we're talking

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<v Speaker 7>about here. So you know, the likes of which you know,

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<v Speaker 7>Barry Bonds, of Deon Sanders and Michael Jordan, all of

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<v Speaker 7>these are great, great goats. But Jim Thorpe is in

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<v Speaker 7>a category by himself. Like you said, he played professional

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<v Speaker 7>football in which he won nine championships with the Canton

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<v Speaker 7>Bulldogs of the American Football League which would become the NFL.

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<v Speaker 7>Jim Thorpe was the first president of the American Football League,

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<v Speaker 7>which became the NFL, So he is connected to the

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<v Speaker 7>history and the continuum of football today. He won collegiate

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<v Speaker 7>football championships against Penn State, against Harvard, and ultimately against

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<v Speaker 7>Army in a very famous game against Dwight Eisenhower, who

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<v Speaker 7>became President of the United States. Dwight Eisenhower. You know,

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<v Speaker 7>when Jim Thorpe passed away, wrote a telegram to his

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<v Speaker 7>wife in which he recounted how much he'd thought of

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<v Speaker 7>Jim Thorpe in those college days when he saw him

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<v Speaker 7>and said there was no other football player that was

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<v Speaker 7>comparable to him on that field that day. And then

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<v Speaker 7>you look at things like he played professional baseball, he

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<v Speaker 7>was a championship ballroom dancer, he played some basketball, and

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<v Speaker 7>what you highlighted was the King of Sweden in nineteen

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<v Speaker 7>twelve during the Stockholm Olympics touted him as the greatest

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<v Speaker 7>athlete in the world because he won the fifteen event

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<v Speaker 7>decathlon and the pentathlon gold medals in the same Olympics.

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<v Speaker 1>So when you put all.

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<v Speaker 7>That together, you recognize that no one else has had

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<v Speaker 7>that kind of achievement. And as recently as two thousand,

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<v Speaker 7>the Associated Press still voted him greatest athlete of all time,

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<v Speaker 7>and last year, interestingly enough, President Biden awarded him the

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<v Speaker 7>Presidential Medal of Freedom. And in twenty twenty two, the

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<v Speaker 7>Olympic Committee reinstated his gold medals that were taking away

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<v Speaker 7>due to a controversy. So he's the sole winner of

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<v Speaker 7>his own gold medals from the nineteen yeah the nineteen

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<v Speaker 7>twelve Stockholm Olympics.

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<v Speaker 2>Chris, do we know what motivated him to excel? Was

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<v Speaker 2>it something internal? Was it external with what was going

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<v Speaker 2>on in America at that time with him being an

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<v Speaker 2>indigenous athlete?

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<v Speaker 1>What do you think motivated him?

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<v Speaker 7>That's the greatest question. And for me as a filmmaker,

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<v Speaker 7>I think my first job is to entertain and the

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<v Speaker 7>second job is to really look at what drives the

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<v Speaker 7>character beyond the headlines of the accomplishments. And so with

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<v Speaker 7>Jim Thorpe, I actually can see something, you know inside

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<v Speaker 7>of him that I recognize as a native person. He

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<v Speaker 7>was born in eighteen eighty seven on the Second Fox

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<v Speaker 7>Indian Reservation. There was thunder and lightning all around the

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<v Speaker 7>night of his birth, and his mother named him, which

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<v Speaker 7>translates in English to bright path. By age nine, he

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<v Speaker 7>had lost his twin brother to pneumonia. By age eleven,

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<v Speaker 7>he'd lost both of his parents. He was taken forcibly

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<v Speaker 7>to Haskell Indian School, where he ran away multiple times

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<v Speaker 7>back home to Oklahoma, and finally he was taken to Carlisle,

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<v Speaker 7>Pennsylvania at age eleven years old and put there because

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<v Speaker 7>he couldn't run away anymore. And when I think about

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<v Speaker 7>somebody who comes from those beginnings, I started to recognize

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<v Speaker 7>that he needed a channel, you know, he needed a

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<v Speaker 7>place to put his emotion, his anger, his passion. And

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<v Speaker 7>sports became that vehicle. And I think to myself, if

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<v Speaker 7>he wouldn't have had sports, what might have become of him.

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<v Speaker 7>But he did all this before you know, social media

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<v Speaker 7>and thumb likes and endorsements, million dollar deals. He did

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<v Speaker 7>all this for a different reason. He did all this

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<v Speaker 7>for the passion of competition and the love of winning.

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<v Speaker 1>Hey, Chris, let me jumping there. Let me jumping there.

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<v Speaker 2>Because yes, he did it before social media and all

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<v Speaker 2>of these accoutrement that we come to know as normal today.

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<v Speaker 2>But what do you think Jim Thorpe might have become

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<v Speaker 2>as far as the figure, well the size of his

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<v Speaker 2>legacy if he had been born in the in the

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<v Speaker 2>world of ESPN, in the world of TikTok, the world

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<v Speaker 2>of social media, more generally.

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<v Speaker 7>I don't know exactly, mo I mean, that's the honest answer,

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<v Speaker 7>but I can I can say that I like to

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<v Speaker 7>think that he wouldn't have used those avenues for himself.

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<v Speaker 7>I think it was purely about the competition that he loved.

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<v Speaker 7>But he's certainly had a humility that wasn't just about himself.

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<v Speaker 7>And I can see that in his interviews. I can

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<v Speaker 7>see that throughout his life that he worked hard. He was,

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<v Speaker 7>you know, digging ditches in his later life, and I

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<v Speaker 7>see in his face that he wasn't shamed by what

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<v Speaker 7>he was doing. He was a prideful person that was

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<v Speaker 7>making himself useful from a generation that knew how to work,

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<v Speaker 7>a generation that came from the Great Depression, a generation

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<v Speaker 7>that came from World War One, a generation in which

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<v Speaker 7>he was put onto reservations, you know, as the first

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<v Speaker 7>Indians on reservations. And so when he was out there,

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<v Speaker 7>whether he was performing at his best as an athlete

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<v Speaker 7>or working digging ditches, or he was in a hundred

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<v Speaker 7>movies from the nineteen thirties in Hollywood, including King Kong,

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<v Speaker 7>he was working. He was not feeling sorry for himself.

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<v Speaker 7>He was putting one foot in front of the other,

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<v Speaker 7>and he was taking what was given to him and

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<v Speaker 7>turning it into success.

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<v Speaker 2>Jim Thorpe lit by Lightning, directed by My guests Right

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<v Speaker 2>Now Chris Air premierees Monday, July seventh at eight pm

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<v Speaker 2>on the History Channel. Chris as I said at the beginning,

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<v Speaker 2>I'm a student of history. I'm a student of sports history.

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<v Speaker 2>So I am overjoyed that this was done, and I

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<v Speaker 2>thank you for putting this together so this younger generation,

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<v Speaker 2>this social media generation, can learn about and fall in

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<v Speaker 2>love with Jim Thorpe as I did.

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<v Speaker 1>Thank you so much, sir, Thank.

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<v Speaker 7>You, Moe. I appreciate it.

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<v Speaker 2>It's Later with Mo Kelly CAFI AM six forty. We're

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<v Speaker 2>live everywhere on YouTube, Instagram, Facebook, and the iHeartRadio app.

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<v Speaker 3>You're listening to Later with Moe Kelly on demand from

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<v Speaker 3>KFI AM six forty.

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<v Speaker 1>Live everywhere on the iHeartRadio app.

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<v Speaker 2>And we told you at the beginning of the show

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<v Speaker 2>we would be monitoring the Dodger game to see if

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<v Speaker 2>Clayton Kershaw would be able to hit three thousand strikeouts

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<v Speaker 2>this outing. It's now the top of the fifth the

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<v Speaker 2>Chicago White Sox are playing at Dodger Stadium, Chicago White

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<v Speaker 2>Sox are up four to two. Top of the fifth inning,

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<v Speaker 2>they're two out. Clayton Kershaw is still two strikeouts away.

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<v Speaker 2>Oh yeah, two tryouts away. And so we're we're watching

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<v Speaker 2>right now.

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<v Speaker 5>To see there was a questionable call whether it was

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<v Speaker 5>going to get a strike too on this batter.

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<v Speaker 2>But I think you just walked to Chicago White Sox player.

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<v Speaker 2>But we're watching. We'll let you know if Clayton Kershaw

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<v Speaker 2>gets his three thousand strikeout tonight. So, speaking of games

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<v Speaker 2>for adults, Chuck E Cheese and we've talked about Chuck

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<v Speaker 2>E Cheese any number of times about how it's probably

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<v Speaker 2>the last place you want to go unless you want

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<v Speaker 2>to get into a fight or you know, get stabbed,

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<v Speaker 2>or I don't know, have your kids get into some

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<v Speaker 2>sort of altercation drive by shooting.

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<v Speaker 1>Chuck E Cheese is a dangerous place to go. I'm

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<v Speaker 1>just being honest.

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<v Speaker 2>I've been there on a couple of occasions and fights

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<v Speaker 2>have broken out, no exaggeration. Chuck E Cheese is self

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<v Speaker 2>aware to a certain degree, and they're having to reinvent themselves.

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<v Speaker 2>What they've proposed and have moved forward with doing is

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<v Speaker 2>they're opening new locations with these adult arcades, not that

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<v Speaker 2>type of adult, but adult as in catering to adults

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<v Speaker 2>of I would say the millennial generation and Gen X

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<v Speaker 2>generation as in arcade gabes. These new arcades will feature

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<v Speaker 2>retro favorites like Biz Pac Band, Donkey Kong alongside modern

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<v Speaker 2>titles including Jurassic Park, Halo, and Connect four Hoops. That's

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<v Speaker 2>not enough to get me in a Chuck E Cheese,

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<v Speaker 2>But they're trying to get people like.

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<v Speaker 1>Me in the Chuck E Cheese. It's not gonna work. Quote.

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<v Speaker 2>Chuck E Cheese has spent decades mastering their arcade experience.

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<v Speaker 2>It's in our DNA. That's David mckillops, CEO. Chuck's Arcade

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<v Speaker 2>is a natural evolution, an opportunity to extend our arcade,

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<v Speaker 2>our arcade legacy into new formats that engage both lifelong

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<v Speaker 2>fans and a new generation through a curated mix of

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<v Speaker 2>retro classics and cutting edge experiences.

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<v Speaker 5>The DNA was in the ballpit or on the slide. Yeah,

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<v Speaker 5>it could be in both places. It's not either or

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<v Speaker 5>a property.

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<v Speaker 6>No, Actually, it's it's on the it's on the salad bar.

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<v Speaker 6>It's there's DNA on on the game control handles. It's

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<v Speaker 6>that these these little crumb snatchers leave DNA everywhere.

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<v Speaker 5>I don't know if they ever cleaned the place ever,

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<v Speaker 5>or at least the one of the cars that I went

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<v Speaker 5>to was never clean. How would you clean the ballpit? No, no,

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<v Speaker 5>I'll tull I watched it. They there was a report

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<v Speaker 5>of a diaper. This this is the last time I went.

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<v Speaker 6>My son was what eight, and we went to a

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<v Speaker 6>birthday party there and there was at there was a

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<v Speaker 6>report of a diaper left in the ballpit. And what

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<v Speaker 6>they did is they came with a big like trash

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<v Speaker 6>bind scooped all the balls out and put them in

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<v Speaker 6>this solution. They spray the pit, mopped the pit, and

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<v Speaker 6>then I guess they took the balls in the back

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<v Speaker 6>and rinsed them really, you know, lathered them up and

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<v Speaker 6>brought the balls back and put them back in the

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<v Speaker 6>pit for kids to jump right back in.

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<v Speaker 1>Just burn it to the ground.

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<v Speaker 2>I remember the first time I went to Chuck E Cheese,

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<v Speaker 2>there was a it seemed like an older brother younger

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<v Speaker 2>brother combination playing ski ball and the older brother would

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<v Speaker 2>hand the ball to the younger brother and he would

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<v Speaker 2>run up on the lane and drop it yeah in

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<v Speaker 2>the top, and the tickets would come out, and I'm saying.

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<v Speaker 1>Like, is anyone watching this? No, no, is anyone gonna

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<v Speaker 1>intervene no mo.

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<v Speaker 6>I literally saw a mother there with at least three

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<v Speaker 6>or four kids, and she was just going around, just

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<v Speaker 6>making sure that she had each kid come to the

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<v Speaker 6>last last one on the end, and she was just

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<v Speaker 6>putting the balls in there, taking tickets and saying, go

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<v Speaker 6>go go, go to the counter.

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<v Speaker 1>Next he had come up here, ching ching, dang dick.

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<v Speaker 6>I'm like, what in the hell is this ghetto fabulous?

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<v Speaker 1>And this happened to get this place.

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<v Speaker 6>Look, I've been to Chuck E Cheese enough times with

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<v Speaker 6>my kids to know that is where the best fights

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<v Speaker 6>jump off. Surprisingly, TMZ was they're capturing all the squabbles

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<v Speaker 6>you know, all the time.

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<v Speaker 1>But damn that I thought it was normal.

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<v Speaker 2>I thought when you go to a pizza place, a

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<v Speaker 2>fight breaking out was normal. I'm being serious because Chuck

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<v Speaker 2>E Cheese people were always getting into it. The kids

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<v Speaker 2>were getting into it, the parents were getting into it.

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<v Speaker 2>Parents were getting into it with someone else's kids, which

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<v Speaker 2>make the parents of the kid who was getting into it.

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<v Speaker 2>The parents get into it, and I'm thinking, like, Okay,

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<v Speaker 2>this is what it's supposed to happen. And then I

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<v Speaker 2>went like to Roundtable and shakey. It's like everyone was polite. Yeah,

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<v Speaker 2>they deserve the food. There what kind of place of this?

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<v Speaker 1>There's just no entertainment. There's no fights.

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<v Speaker 6>Now at an adult Chuck E Cheese because of the

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<v Speaker 6>scar tissue that I've experienced at Chuck E Cheese. All

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<v Speaker 6>I imagine then is fights either in the arcade or

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<v Speaker 6>in the parking lot, just adult level.

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<v Speaker 1>I don't want to be near that.

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<v Speaker 5>What is Chuck E Cheese doing to rebrand their imaging

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<v Speaker 5>as the place to go to brawl?

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<v Speaker 2>I don't know if misspac band is a solution to

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<v Speaker 2>all of their problems. I know that they're having to

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<v Speaker 2>reinvent themselves, and it's difficult in a world where going

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<v Speaker 2>to a pizza parlor is probably not at the top

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<v Speaker 2>of anyone's list.

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<v Speaker 1>Going to a pizza.

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<v Speaker 2>Parlor and having a kid's birthday party is not the

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<v Speaker 2>type of flex that it used to be twenty five

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<v Speaker 2>thirty years ago. I'm not going to Chuck E Cheese

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<v Speaker 2>so I can play Miss pac Man.

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<v Speaker 1>I don't know who that is actually four.

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<v Speaker 2>Not only can I play Miss pac Man at home,

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<v Speaker 2>I don't have to pay for it and I don't

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<v Speaker 2>have to check my six Okay, quick.

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<v Speaker 6>Question, quock question? And I may have missed this because

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<v Speaker 6>I didn't hear you say it. Are they still having

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<v Speaker 6>the animatronic band at this adult.

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<v Speaker 2>No, they didn't say that. I thought they got rid

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<v Speaker 2>of the animatronic band. I don't know if it's a

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<v Speaker 2>part of it anymore.

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<v Speaker 1>You need that. It's not chuck E cheese without it.

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<v Speaker 5>The last time I heard they got rid of it,

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<v Speaker 5>and it's now like a digital screen.

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<v Speaker 6>But even at the even at this adult one, are

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<v Speaker 6>you going to have a digital weird you know, death

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<v Speaker 6>Murder band.

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<v Speaker 1>Of monkey shines? I don't know are you going to

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<v Speaker 1>do that?

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<v Speaker 5>Because as a gen xer or millennial, why would you

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<v Speaker 5>go to a place that has that.

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<v Speaker 1>And if you don't have it, why are you calling

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<v Speaker 1>it chuck e cheese? Al Right? I got something better?

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<v Speaker 1>You ready for this? All right? We're right.

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<v Speaker 5>It's a cat arcade in California in the city of

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<v Speaker 5>Rightwood called the per Ground. I gotta go to this

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<v Speaker 5>family run cat arcade with video games that houses adoptable cats.

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<v Speaker 1>I thought this is a real place. I think we've

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<v Speaker 1>got a Stephan.

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<v Speaker 2>You're correct, he wants to tell us that he's an

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<v Speaker 2>adult all these times, and now he's talking about going

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<v Speaker 2>to a cat arcade.

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<v Speaker 1>You're damn right.

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<v Speaker 5>I think I think we've got our next dude's day

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<v Speaker 5>trip lined up here the per ground.

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<v Speaker 1>Where is it again? Right Wood? Where is that?

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<v Speaker 5>I think that's something like an hour and a half away. Yeah,

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<v Speaker 5>that's an hour and a half away. Well worth it?

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<v Speaker 5>Is it?

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<v Speaker 1>Still?

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<v Speaker 5>Miss pac Man and Dunkey call, Let's see what they got.

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<v Speaker 5>You know they have home versions of that, right, you

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<v Speaker 5>know that?

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<v Speaker 1>Right? Yeah?

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<v Speaker 5>But you get a you get to play around cats.

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<v Speaker 5>And you know I'm a dog guy, right, Well I'm

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<v Speaker 5>a dog. I'm a dog guy too. But I would

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<v Speaker 5>I would actually go with you. I'm just so allergic

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<v Speaker 5>to cats, but I would love to see this Space

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<v Speaker 5>Invaders rampage the old school arcade cabinet games, but with cats.

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<v Speaker 1>With cats. Yeah, that's actually.

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<v Speaker 5>Cats like running around on the floor. Yeah, while you're

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<v Speaker 5>eating and everything. I don't know about the food situation.

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<v Speaker 5>There does appear to be tables, yeah, and the cats

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<v Speaker 5>and cats look somewhat bewildered. I think this looks like fun,

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<v Speaker 5>much more fun than a chucky sound a cleaner than

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<v Speaker 5>a check cheese. Well except cat litter in the corner

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<v Speaker 5>with DNA's from cats, not your children licking doorknock.

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<v Speaker 1>Does it make a difference, honestly if it's cat darn?

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<v Speaker 5>Oh yeah, because cats are cuter than children, and they

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<v Speaker 5>don't grow up to tell you that you embarrass them

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<v Speaker 5>and to give them money.

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<v Speaker 1>I'm not trying to take them home with me. Well,

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<v Speaker 1>that's the goal of the cat arcade. You can adopt

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<v Speaker 1>the cats. You can't.

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<v Speaker 6>You can'tnot adopt kids.

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<v Speaker 5>Discouraged from taking home children from from chuck e cheese

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<v Speaker 5>if you didn't bring them on. Yeah, that's that's called trafficking, can't.

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<v Speaker 5>I am six forty we live everywherey iHeartRadio app. Goodness, Mark,

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<v Speaker 5>I'm giving you time to reset like the life cerial

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<v Speaker 5>Michy of cats.

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<v Speaker 3>Here you're listening to Later with Moe Kelly on demand

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<v Speaker 3>from KFI A M six forty.

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<v Speaker 2>Styes Later with mo Kelly Live Everywhere now Heart Radio App.

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<v Speaker 2>And I got to tell you I fell in love

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<v Speaker 2>somewhere some time along the way with all things Dick Wolf.

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00:19:09.279 --> 00:19:11.279
<v Speaker 1>That's law and Order, doesn't matter.

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<v Speaker 2>If it's Law and Order, Law and Order SVU, law

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00:19:14.279 --> 00:19:19.359
<v Speaker 2>and Order, organized crime, criminal intent, doesn't matter. Love them all.

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<v Speaker 2>The only one that I didn't like was do you

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00:19:22.160 --> 00:19:22.960
<v Speaker 2>remember when they.

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00:19:22.799 --> 00:19:25.880
<v Speaker 5>Did Law and Order Los Angeles It was off for

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00:19:25.960 --> 00:19:26.839
<v Speaker 5>like half a season.

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<v Speaker 1>Yeah, it didn't make it. It did not make it.

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<v Speaker 1>It was bad. It was bad.

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<v Speaker 2>And one of the episodes it actually featured Harbor City

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00:19:33.920 --> 00:19:36.720
<v Speaker 2>where I grew up. Yeah, and I thought that was

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00:19:36.799 --> 00:19:39.720
<v Speaker 2>kind of a recipe for success because LA Law and

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<v Speaker 2>Order it did not.

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00:19:41.799 --> 00:19:43.279
<v Speaker 1>It did not last. Man. I thought it was like

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<v Speaker 1>a plug and play.

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<v Speaker 2>You just have the law and Order procedural, Just change

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<v Speaker 2>the city, that's it. Change some of the actors, you

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00:19:51.680 --> 00:19:54.440
<v Speaker 2>you know, do some crossovers every now and then and

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<v Speaker 2>it'll be fine.

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<v Speaker 1>But that doesn't always work.

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<v Speaker 2>But Law and Order, by and large, it has worked

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<v Speaker 2>despite wherever they put it. I did not know until

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<v Speaker 2>like maybe last week or so, there was a Law

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<v Speaker 2>and Order Toronto Criminal Intent, which has already had one

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<v Speaker 2>season in Canada and the CW has picked it up

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<v Speaker 2>for two seasons. But season one is going to start

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<v Speaker 2>airing here on the CW September twenty fourth. I'm thinking,

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<v Speaker 2>like number one, how did I not know this? And

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00:20:25.680 --> 00:20:28.640
<v Speaker 2>number two, I wonder I don't know this? And it

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00:20:28.680 --> 00:20:30.839
<v Speaker 2>is a Dick Wolf production, or at least he's getting

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<v Speaker 2>credit for it. I wonder whether this might be the

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<v Speaker 2>beginning of a trend where you start farming out these

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00:20:38.160 --> 00:20:41.960
<v Speaker 2>really populous shows but put them in different cities, like

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<v Speaker 2>you had CSI and you had CSI Miami, what have you?

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00:20:46.640 --> 00:20:50.079
<v Speaker 2>Or you have Chicago PD, Chicago Med and everything. But

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<v Speaker 2>if they started doing that internationally, I could see how

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00:20:54.400 --> 00:20:59.039
<v Speaker 2>that could catch on, and Law and Order Toronto CI

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00:20:59.119 --> 00:21:03.240
<v Speaker 2>Criminal Intent might be the beginning of that. Because when

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<v Speaker 2>we talk about how television and movie production has left,

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00:21:07.000 --> 00:21:12.799
<v Speaker 2>California has left the United States in some instances. For example,

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00:21:12.839 --> 00:21:16.640
<v Speaker 2>the show Suits which was on originally it was the

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00:21:16.720 --> 00:21:20.519
<v Speaker 2>USA Network and then they put it on Netflix or

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00:21:20.519 --> 00:21:22.680
<v Speaker 2>it should they re licensed it to Netflix and became

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<v Speaker 2>a big hit out of that.

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<v Speaker 1>They tried Suits La which bomb bom bombs. Yeah, it

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<v Speaker 1>must be LA. Just not to do so once in LA.

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<v Speaker 6>Yeah, well, you can't do another lawyer show in LA

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<v Speaker 6>because anything is going to peal to LA law. You

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00:21:37.880 --> 00:21:40.079
<v Speaker 6>can't do another show like you would think.

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<v Speaker 2>That, but LA lost forty years in the mirror now

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00:21:42.680 --> 00:21:45.839
<v Speaker 2>rearview mirror, but it's not the same television audience.

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00:21:46.319 --> 00:21:49.559
<v Speaker 6>Yeah, maybe maybe, But I think that that was something

401
00:21:49.599 --> 00:21:52.279
<v Speaker 6>that hit because there has not been a good legal

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00:21:52.359 --> 00:21:55.480
<v Speaker 6>show in LA since then. So there's something about what

403
00:21:55.559 --> 00:21:58.000
<v Speaker 6>they captured in LA Law and especially. I mean, I

404
00:21:58.039 --> 00:22:00.359
<v Speaker 6>think the reason that Law and Order LA did work

405
00:22:00.640 --> 00:22:03.640
<v Speaker 6>is because here in LA all we ever think about

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<v Speaker 6>is cops, uniformed officers. In Los Angeles, cops shows working.

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00:22:08.640 --> 00:22:11.680
<v Speaker 6>Cops shows work because we're too familiar with cops.

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00:22:11.680 --> 00:22:14.319
<v Speaker 1>We're not. We don't ever see or think.

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00:22:14.160 --> 00:22:17.640
<v Speaker 5>About detectives in the city of Angels We just don't.

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00:22:17.880 --> 00:22:21.920
<v Speaker 1>Yeah, there's even a long Beach PD show my wife

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<v Speaker 1>was washing. I can't remember.

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00:22:22.880 --> 00:22:24.839
<v Speaker 2>I don't know if it was on Prime or Netflix.

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00:22:24.880 --> 00:22:27.720
<v Speaker 2>But also, and it was it was actually directed by

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<v Speaker 2>Eric Lesau. Oh yes, and he also directed Chicago PD.

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00:22:33.720 --> 00:22:39.240
<v Speaker 2>So the police procedural works here in LA. You talk

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00:22:39.279 --> 00:22:42.559
<v Speaker 2>about nine to one one or all all of those shows?

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00:22:42.559 --> 00:22:45.039
<v Speaker 5>Wait, was that a reality show or am I thinking

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<v Speaker 5>of no, the one with Angela Bassett.

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<v Speaker 1>Oh, okay, never mind that, I was thinking of something else.

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00:22:49.880 --> 00:22:51.160
<v Speaker 1>I think that's the name of it. But I'm saying

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<v Speaker 1>nine or something. Yeah, where follows the Cops?

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00:22:53.920 --> 00:22:56.559
<v Speaker 2>I'd forgot no, no, no, no, no no, not a reality show.

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<v Speaker 6>This is oh okay, yeah, nine one one is with

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00:22:59.279 --> 00:23:02.519
<v Speaker 6>Angela Bassett that that's cops and firefighters and the like,

425
00:23:02.799 --> 00:23:06.359
<v Speaker 6>and those things work in LA because that's our familiarity,

426
00:23:06.400 --> 00:23:09.079
<v Speaker 6>that's what we see on TV. In a city like

427
00:23:09.160 --> 00:23:11.720
<v Speaker 6>New York, you may be as big as it is

428
00:23:11.759 --> 00:23:14.279
<v Speaker 6>and how things may get hidden a lot more. I

429
00:23:14.319 --> 00:23:16.799
<v Speaker 6>can see how we all think about detectives have to

430
00:23:16.799 --> 00:23:19.079
<v Speaker 6>get into that nitty gritty because how do you find

431
00:23:19.119 --> 00:23:21.920
<v Speaker 6>anything in New York. It's just too big, too expansive,

432
00:23:21.920 --> 00:23:25.039
<v Speaker 6>and stuff like that. I wonder though, for me, I'd

433
00:23:25.079 --> 00:23:28.160
<v Speaker 6>like to see a Law and Order shot somewhere in Asia,

434
00:23:28.160 --> 00:23:31.319
<v Speaker 6>whether it's Law and Order, Tokyo Law and Order, just

435
00:23:31.440 --> 00:23:33.359
<v Speaker 6>something like that, because I'd beg into that.

436
00:23:33.680 --> 00:23:35.920
<v Speaker 1>We're on the same page, because I think that's coming.

437
00:23:36.519 --> 00:23:39.519
<v Speaker 2>I think when you have a Law and Order CI

438
00:23:40.759 --> 00:23:45.680
<v Speaker 2>Toronto CI, you've always then acknowledged that Law and Order

439
00:23:45.720 --> 00:23:50.359
<v Speaker 2>with its twenty five seasons, the original has a worldwide recognition.

440
00:23:50.440 --> 00:23:54.680
<v Speaker 2>It's a worldwide brand, and now since TV is accessible

441
00:23:54.799 --> 00:23:58.720
<v Speaker 2>anywhere everywhere. It's not even probably an American perceived property.

442
00:23:58.880 --> 00:24:03.240
<v Speaker 2>It's just a show. And since it's a procedural, you

443
00:24:03.279 --> 00:24:04.000
<v Speaker 2>can do.

444
00:24:03.920 --> 00:24:09.759
<v Speaker 5>That just about anywhere on any continent if you apply

445
00:24:09.880 --> 00:24:13.480
<v Speaker 5>the same formula. And look, if you put us away,

446
00:24:13.559 --> 00:24:15.599
<v Speaker 5>it's Canada.

447
00:24:15.039 --> 00:24:17.279
<v Speaker 2>If you could do it in Canada, I'm sure you

448
00:24:17.279 --> 00:24:20.480
<v Speaker 2>could do it in Tokyo. A Law and Order Tokyo. Yeah,

449
00:24:20.480 --> 00:24:23.000
<v Speaker 2>that would work. Yeah, sign me up, sign me up. Yeah,

450
00:24:23.839 --> 00:24:28.640
<v Speaker 2>and we've seen I'll say, did you ever see? I know,

451
00:24:28.799 --> 00:24:31.599
<v Speaker 2>Mark did Tokyo Vice on HBO.

452
00:24:31.799 --> 00:24:32.400
<v Speaker 1>It's really good.

453
00:24:32.480 --> 00:24:35.799
<v Speaker 5>Yeah it was, and it basically was a cop procedural

454
00:24:36.240 --> 00:24:38.920
<v Speaker 5>at its heart. Well with a reporter, but you know,

455
00:24:38.960 --> 00:24:41.279
<v Speaker 5>a reporter is essentially detective without a gun.

456
00:24:41.920 --> 00:24:44.519
<v Speaker 2>But you can see how we will translate, no pun intended.

457
00:24:44.799 --> 00:24:47.920
<v Speaker 2>It would definitely work. Wait, wait minute, we're kipping over something.

458
00:24:48.039 --> 00:24:50.799
<v Speaker 1>Mark. Don't you have a connection to Law and Order?

459
00:24:51.000 --> 00:24:54.440
<v Speaker 5>I wrote tons of Law and Order mobile game scripts

460
00:24:54.480 --> 00:24:57.240
<v Speaker 5>for NBC Universal, to the point where I thought I

461
00:24:57.279 --> 00:25:02.599
<v Speaker 5>could represent myself in court if I had to. But yeah,

462
00:25:02.640 --> 00:25:04.720
<v Speaker 5>I got the formula down. I watched something like two

463
00:25:04.839 --> 00:25:08.880
<v Speaker 5>hundred episodes before I put pen to paper, so it's

464
00:25:08.920 --> 00:25:12.039
<v Speaker 5>in my DNA. It's just for a callback there to

465
00:25:12.119 --> 00:25:16.000
<v Speaker 5>the ballpit law and orders totally in my DNA. We

466
00:25:16.119 --> 00:25:19.480
<v Speaker 5>got to do a law and order KFI for all

467
00:25:19.519 --> 00:25:21.119
<v Speaker 5>the stuff that goes on around here. We need someone

468
00:25:21.160 --> 00:25:21.640
<v Speaker 5>to solve.

469
00:25:22.880 --> 00:25:25.240
<v Speaker 2>We need someone to solve the mystery of who took

470
00:25:25.279 --> 00:25:27.480
<v Speaker 2>a dump in the middle of the bathroom on the

471
00:25:27.519 --> 00:25:28.039
<v Speaker 2>fourth floor.

472
00:25:28.119 --> 00:25:29.759
<v Speaker 1>That is it should be a capital crime.

473
00:25:31.000 --> 00:25:34.160
<v Speaker 5>And it seems it seems Kershaw just got his three

474
00:25:34.200 --> 00:25:37.759
<v Speaker 5>thousand strikeout. Yes, he just got his three thousand strikeout

475
00:25:37.839 --> 00:25:41.079
<v Speaker 5>right now against the Chicago White Sox and they're stopping

476
00:25:41.160 --> 00:25:41.440
<v Speaker 5>the game.

477
00:25:41.559 --> 00:25:47.880
<v Speaker 2>Two. You may not be a baseball historian, but you're

478
00:25:47.960 --> 00:25:51.559
<v Speaker 2>looking at most likely the last picture to get three

479
00:25:51.599 --> 00:25:54.119
<v Speaker 2>thousand strikeouts in a major league. Now, there's Chris Sale

480
00:25:54.160 --> 00:25:57.119
<v Speaker 2>who has twenty five hundred. He's thirty six years old.

481
00:25:57.200 --> 00:25:59.720
<v Speaker 2>He has an outside shot, depends on how long he's

482
00:25:59.720 --> 00:26:02.079
<v Speaker 2>able to play at a certain level. But for a

483
00:26:02.119 --> 00:26:05.359
<v Speaker 2>pitcher to get three thousand strikeouts in today's game, where

484
00:26:05.400 --> 00:26:10.720
<v Speaker 2>you have middle relievers, you have setup men, closers, you

485
00:26:10.880 --> 00:26:14.160
<v Speaker 2>don't have pictures pitching as many innings or throwing as

486
00:26:14.240 --> 00:26:18.759
<v Speaker 2>many pitches in a game as they did in previous generations.

487
00:26:19.279 --> 00:26:24.000
<v Speaker 2>So Clayton Kershaw, first ballot Hall of Famer, one of

488
00:26:24.079 --> 00:26:26.440
<v Speaker 2>the greatest to ever pitch in the Dodgers' uniform.

489
00:26:26.519 --> 00:26:29.759
<v Speaker 5>And I say that inclusive of Sandy Kofax. And I

490
00:26:29.839 --> 00:26:32.119
<v Speaker 5>know that's high praise, but there's evidence to support it.

491
00:26:34.000 --> 00:26:38.920
<v Speaker 5>An absolute legend, three thousand strikeouts. It's Later with Mo

492
00:26:39.039 --> 00:26:41.680
<v Speaker 5>Kelly KFI AM six forty live everywhere in the iHeartRadio app.

493
00:26:42.279 --> 00:26:45.839
<v Speaker 3>You're listening to Later with Moe Kelly on demand from

494
00:26:45.960 --> 00:26:47.759
<v Speaker 3>KFI AM six forty.

495
00:26:50.400 --> 00:26:52.240
<v Speaker 1>Tays Conway Show tomorrow at four pm.

496
00:26:52.519 --> 00:26:54.640
<v Speaker 2>I'm not gonna be here, Bud, Steph, Bou switch together

497
00:26:54.799 --> 00:26:56.440
<v Speaker 2>the best of and it's fantastic.

498
00:26:56.839 --> 00:26:58.759
<v Speaker 1>So you got to be here tomorrow at four pm.

499
00:26:59.279 --> 00:27:01.920
<v Speaker 1>Guarantee you kind of a show of ard four pm?

500
00:27:03.160 --> 00:27:06.200
<v Speaker 1>Did you really put the show together? Stefan? Did you?

501
00:27:06.559 --> 00:27:08.839
<v Speaker 1>I really did? Is it really funny?

502
00:27:10.079 --> 00:27:11.960
<v Speaker 2>Well you have to listen to find out. Okay, that's

503
00:27:11.960 --> 00:27:15.559
<v Speaker 2>a nice tease. I'll definitely be listening. Okay, well maybe

504
00:27:15.640 --> 00:27:17.559
<v Speaker 2>not because I won't be here tomorrow. Oh my goodness,

505
00:27:18.319 --> 00:27:22.599
<v Speaker 2>we'll tell you about it later. Oh yeah, Buried the lead.

506
00:27:23.839 --> 00:27:27.440
<v Speaker 2>What is probably the worst part of going to the movies.

507
00:27:27.559 --> 00:27:30.279
<v Speaker 2>Is there one particular thing that we all can agree on?

508
00:27:31.519 --> 00:27:34.039
<v Speaker 2>Not everyone has to deal with kids kicking the back

509
00:27:34.079 --> 00:27:36.759
<v Speaker 2>of their chair. I have, but not all of us.

510
00:27:37.519 --> 00:27:39.759
<v Speaker 2>Not all of us have to deal with a dirty theater.

511
00:27:40.519 --> 00:27:43.319
<v Speaker 2>I've dealt with it, maybe you have, but not everyone

512
00:27:43.400 --> 00:27:47.480
<v Speaker 2>has the same experience. Is there one thing that we

513
00:27:47.839 --> 00:27:54.119
<v Speaker 2>all universally dislike when it comes to going to the

514
00:27:54.240 --> 00:27:54.880
<v Speaker 2>movie theater.

515
00:27:55.319 --> 00:28:00.880
<v Speaker 1>It's to love, to cry, to care because we need that.

516
00:28:01.480 --> 00:28:01.960
<v Speaker 3>All of us.

517
00:28:02.480 --> 00:28:04.279
<v Speaker 1>Well, yes, Nicole Kidman is part of it.

518
00:28:04.759 --> 00:28:08.400
<v Speaker 2>What if I told you that AMC Theaters, the biggest

519
00:28:08.480 --> 00:28:12.440
<v Speaker 2>theater chain in the United States, is going to add

520
00:28:12.599 --> 00:28:18.640
<v Speaker 2>twenty five to thirty minutes of previews before the movie starts.

521
00:28:19.160 --> 00:28:22.960
<v Speaker 2>I'm not talking about just video content. You know, you

522
00:28:23.079 --> 00:28:25.119
<v Speaker 2>come in and sit down in your chair, and they

523
00:28:25.200 --> 00:28:27.839
<v Speaker 2>have all sorts of like trivia games and have short

524
00:28:27.920 --> 00:28:28.759
<v Speaker 2>little vignettes.

525
00:28:29.000 --> 00:28:30.119
<v Speaker 1>I'm not talking about that.

526
00:28:30.880 --> 00:28:35.000
<v Speaker 2>I'm talking about twenty five to thirty minutes of previews

527
00:28:35.839 --> 00:28:36.799
<v Speaker 2>on top.

528
00:28:36.799 --> 00:28:39.640
<v Speaker 1>Of what you're there for.

529
00:28:39.960 --> 00:28:43.319
<v Speaker 2>So if the school, if the movie start time says

530
00:28:44.160 --> 00:28:49.000
<v Speaker 2>two PM, that's when the twenty five to thirty minutes

531
00:28:49.839 --> 00:28:52.440
<v Speaker 2>of previews will begin.

532
00:28:54.160 --> 00:28:56.519
<v Speaker 1>And I get it. You have these movie theaters which

533
00:28:56.519 --> 00:28:57.000
<v Speaker 1>are struggling.

534
00:28:57.039 --> 00:28:59.640
<v Speaker 2>We talk about it every single week, and I said

535
00:29:00.039 --> 00:29:01.759
<v Speaker 2>that you need a movie not only to do well,

536
00:29:01.839 --> 00:29:03.880
<v Speaker 2>but you need a movie to do well enough for

537
00:29:03.960 --> 00:29:06.440
<v Speaker 2>people to want to come to the theaters during the week.

538
00:29:06.920 --> 00:29:08.359
<v Speaker 2>Because they're open seven days a week.

539
00:29:08.400 --> 00:29:10.359
<v Speaker 5>It's not like they just come in on Friday, Saturday,

540
00:29:10.400 --> 00:29:14.720
<v Speaker 5>Sunday and that's enough to keep the doors open Monday, Tuesday, Wednesday, Thursday.

541
00:29:15.200 --> 00:29:18.680
<v Speaker 2>So you need people to support the movie theater every

542
00:29:18.839 --> 00:29:21.799
<v Speaker 2>single day. But in absence of that, they have to

543
00:29:21.880 --> 00:29:23.920
<v Speaker 2>make money somehow. And if you're not there to see

544
00:29:23.960 --> 00:29:27.319
<v Speaker 2>the movie during the week, or if a movie underperforms

545
00:29:27.599 --> 00:29:29.559
<v Speaker 2>and they have like theaters or Mark will tell you

546
00:29:29.599 --> 00:29:30.160
<v Speaker 2>about where.

547
00:29:30.039 --> 00:29:32.640
<v Speaker 1>He was literally the only person in the theater.

548
00:29:33.839 --> 00:29:38.759
<v Speaker 5>That happens pretty often. Yeah, that's not sustainable. These movie

549
00:29:38.799 --> 00:29:41.839
<v Speaker 5>theaters are looking for new ways to bring in other

550
00:29:41.960 --> 00:29:43.640
<v Speaker 5>forms of revenue. If you're not going to be there

551
00:29:43.880 --> 00:29:48.279
<v Speaker 5>but in seat also purchasing concessions, then there has to

552
00:29:48.359 --> 00:29:50.160
<v Speaker 5>be something else in which they can charge money for.

553
00:29:50.279 --> 00:29:53.960
<v Speaker 5>Oh my goodness, advertisements and it's the bane of our existence.

554
00:29:54.519 --> 00:29:56.119
<v Speaker 5>One of the hardest things to deal with are one

555
00:29:56.160 --> 00:29:58.440
<v Speaker 5>of the most obtrusive things to deal with in.

556
00:30:00.000 --> 00:30:02.200
<v Speaker 1>Streaming media is now ads are everywhere.

557
00:30:02.240 --> 00:30:06.160
<v Speaker 2>You might have paid for the originally highest tier where

558
00:30:06.160 --> 00:30:08.440
<v Speaker 2>you have a subscription price, and you're paying for the

559
00:30:08.519 --> 00:30:11.920
<v Speaker 2>highest subscription price and you're still seeing ads, like.

560
00:30:12.039 --> 00:30:17.519
<v Speaker 5>Amazon or Netflix or Hulu, that's so obnoxious. You pay

561
00:30:17.680 --> 00:30:19.960
<v Speaker 5>for a ticket, just like when you pay for a

562
00:30:20.079 --> 00:30:23.359
<v Speaker 5>streaming subscription and you still have to watch commercials on it,

563
00:30:23.440 --> 00:30:26.039
<v Speaker 5>still have to. I despise that, and some of the

564
00:30:26.160 --> 00:30:31.799
<v Speaker 5>streaming services they're not obtrusive like I think with It

565
00:30:31.880 --> 00:30:36.039
<v Speaker 5>depends on your tier, but Amazon, you either get all

566
00:30:36.119 --> 00:30:39.400
<v Speaker 5>the ads at the beginning of the movie, and depending

567
00:30:39.400 --> 00:30:41.920
<v Speaker 5>on the tier, you may get some over the course

568
00:30:42.039 --> 00:30:42.640
<v Speaker 5>of the movie.

569
00:30:42.720 --> 00:30:44.880
<v Speaker 1>Whatever you're watching now.

570
00:30:45.000 --> 00:30:47.640
<v Speaker 5>I know some people are watching our YouTube stream right

571
00:30:47.680 --> 00:30:49.480
<v Speaker 5>now and complaining about the ads which you're popping up.

572
00:30:49.480 --> 00:30:51.759
<v Speaker 2>We're working on it. We're working on it. We're doing

573
00:30:51.799 --> 00:30:55.519
<v Speaker 2>the best we can. But I think universally that's what

574
00:30:55.680 --> 00:30:59.079
<v Speaker 2>we most dislike about the movies. Now, if there's a

575
00:30:59.200 --> 00:31:00.920
<v Speaker 2>trailer to that, if you are hoping to see you

576
00:31:01.000 --> 00:31:03.000
<v Speaker 2>or you're excited to see that's different.

577
00:31:03.200 --> 00:31:06.200
<v Speaker 5>But that's one or two at the most. We're talking

578
00:31:06.200 --> 00:31:10.279
<v Speaker 5>about up to a half an hour. A bull before

579
00:31:10.319 --> 00:31:11.839
<v Speaker 5>you even get to the movie.

580
00:31:12.400 --> 00:31:14.440
<v Speaker 2>And if you're like Mark Rodger, who's a night owl

581
00:31:14.720 --> 00:31:16.799
<v Speaker 2>and he leaves here at let's say midnight, and he

582
00:31:16.799 --> 00:31:19.000
<v Speaker 2>gets to his twelve thirty movie, the movie's not gonna

583
00:31:19.000 --> 00:31:22.240
<v Speaker 2>start until one am at the earliest. Now, what I'm

584
00:31:22.279 --> 00:31:24.680
<v Speaker 2>gonna do for the few times that I'll go to

585
00:31:24.759 --> 00:31:28.240
<v Speaker 2>a movie theater, I am going to explicitly, if I'm

586
00:31:28.240 --> 00:31:31.359
<v Speaker 2>going to AMC, my favorite theater, if it says start

587
00:31:31.400 --> 00:31:34.200
<v Speaker 2>talking the movie two thirty, I'll roll my ass in

588
00:31:34.279 --> 00:31:39.000
<v Speaker 2>there at three o'clock. Why Why Because most of the

589
00:31:39.079 --> 00:31:42.000
<v Speaker 2>AMC theaters are reserved seating. I don't need to get

590
00:31:42.039 --> 00:31:45.279
<v Speaker 2>there early to save a seat, and if a fool

591
00:31:45.359 --> 00:31:47.720
<v Speaker 2>is sitting in my seat, we'll just have a misunderstanding.

592
00:31:48.240 --> 00:31:51.039
<v Speaker 2>But I'm not gonna get there early because usually I

593
00:31:51.039 --> 00:31:53.640
<v Speaker 2>would get there like fifteen twenty minutes before the start

594
00:31:53.640 --> 00:31:56.119
<v Speaker 2>talking about movie. So I get my food, go to

595
00:31:56.200 --> 00:31:58.039
<v Speaker 2>the restroom because I'm an old man, I got to

596
00:31:58.079 --> 00:32:01.880
<v Speaker 2>do that before the movie starts. Then sit down, check

597
00:32:01.920 --> 00:32:03.759
<v Speaker 2>my messages on my phone, whatever, so I can turn

598
00:32:03.799 --> 00:32:07.000
<v Speaker 2>on my phone and I'm ready for the movie. But

599
00:32:07.119 --> 00:32:09.839
<v Speaker 2>if I have an extra half hour, you know why,

600
00:32:09.880 --> 00:32:11.319
<v Speaker 2>am I gonna rush in there. Don't you have like

601
00:32:11.400 --> 00:32:13.240
<v Speaker 2>an AMC subscription?

602
00:32:13.880 --> 00:32:14.720
<v Speaker 1>I do, I do.

603
00:32:14.960 --> 00:32:16.880
<v Speaker 6>I have the pass and I use it a lot.

604
00:32:17.880 --> 00:32:19.640
<v Speaker 6>I'll be using again this week, and I can't remember

605
00:32:19.640 --> 00:32:22.319
<v Speaker 6>what I'm gonna go see. But now I know that

606
00:32:22.480 --> 00:32:24.400
<v Speaker 6>I don't have to rush in. I can go and

607
00:32:24.519 --> 00:32:27.559
<v Speaker 6>actually let my daughter order her chicken fingers, and i'd

608
00:32:27.599 --> 00:32:28.640
<v Speaker 6>be like, we're gonna.

609
00:32:28.400 --> 00:32:30.079
<v Speaker 1>Miss the trailers. I can say, no, no, no, no,

610
00:32:30.200 --> 00:32:32.319
<v Speaker 1>no no no, no, you got time. How long is

611
00:32:32.359 --> 00:32:34.400
<v Speaker 1>it gonna be? That'd be about fifteen to twenty minutes.

612
00:32:34.480 --> 00:32:37.880
<v Speaker 6>Sure, put on two, give me, give me the impossible

613
00:32:37.920 --> 00:32:39.839
<v Speaker 6>nuggets in one of those little mini burgers.

614
00:32:39.880 --> 00:32:41.759
<v Speaker 2>And we all know the impossible nuggets could take at

615
00:32:41.839 --> 00:32:43.200
<v Speaker 2>least a half an hour at least.

616
00:32:43.240 --> 00:32:46.079
<v Speaker 5>Still at least and you still the trailer still work.

617
00:32:46.119 --> 00:32:48.039
<v Speaker 5>There was still I caught like the last three.

618
00:32:48.240 --> 00:32:51.720
<v Speaker 6>Yeah, So this is good for everyone who's used to

619
00:32:51.799 --> 00:32:54.559
<v Speaker 6>being late real quick though, And I know how much

620
00:32:54.759 --> 00:32:57.200
<v Speaker 6>you wanted to hear just a little taste of what

621
00:32:57.359 --> 00:32:59.720
<v Speaker 6>it was like when kersher I hit three thousand.

622
00:33:00.039 --> 00:33:01.720
<v Speaker 1>We have just a moment it happened.

623
00:33:01.759 --> 00:33:03.640
<v Speaker 8>Okay, so far, that's all I could capture, all right,

624
00:33:05.279 --> 00:33:07.440
<v Speaker 8>Ervine risers ready to eruct.

625
00:33:16.599 --> 00:33:21.359
<v Speaker 1>Oh, he planned that three K for Kurshaw, got it?

626
00:33:22.519 --> 00:33:26.359
<v Speaker 8>He is probably probably practicing the mirror three k Kershaw,

627
00:33:27.240 --> 00:33:31.559
<v Speaker 8>three k the Kershaw. He probably did like a well,

628
00:33:31.559 --> 00:33:37.880
<v Speaker 8>we have a shatt with three K for Kershaw, three

629
00:33:38.039 --> 00:33:40.519
<v Speaker 8>K for Kershaw. Let's hear one more time because he practiced.

630
00:33:40.599 --> 00:33:41.880
<v Speaker 8>I want to give him his money's worth.

631
00:33:43.960 --> 00:33:52.920
<v Speaker 2>Irvine risers ready to eruct, Ready, turn for hers all.

632
00:33:58.519 --> 00:34:00.880
<v Speaker 2>I'll say that it's good that he didn't step on it. Afterwards,

633
00:34:00.920 --> 00:34:03.079
<v Speaker 2>he just let the crowd tell the story after that.

634
00:34:03.240 --> 00:34:05.440
<v Speaker 2>If you've ever listened to the late Vin Scully, he

635
00:34:05.680 --> 00:34:08.519
<v Speaker 2>was a master at that. He didn't try to fill

636
00:34:08.639 --> 00:34:14.000
<v Speaker 2>the time with unnecessary words. It's almost counterintuitive. You think

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<v Speaker 2>you have to describe everything. You have to let everyone

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<v Speaker 2>know what's going on. What is Kershaw doing? Is he

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<v Speaker 2>walking back to the dougt. No, just let the crowd

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<v Speaker 2>tell the story. Vin Scully was a master at that.

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<v Speaker 2>He would say a word or two and then he

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<v Speaker 2>would get out of the way and let everyone just

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<v Speaker 2>soak in the moment. And a lot of announcers today

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<v Speaker 2>they don't understand that, and I can't really second guess

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<v Speaker 2>them or what they're being told to do, but sometimes

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<v Speaker 2>they talk too much and we don't get to enjoy

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<v Speaker 2>the moment. I was kidding with him about the three

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<v Speaker 2>K for Kershaw, but he obviously took a page out

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<v Speaker 2>of Vin Scully's book, Just Get out of the Way.

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<v Speaker 1>Was here one more time? Ervine risers ready to erupt,

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<v Speaker 1>can't fin ange six forty alive, Everybody.

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<v Speaker 3>I Heart Radio app K S I N K O

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<v Speaker 3>S T h D two Los Angeles, Orange County, more

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<v Speaker 3>stimulating talk
