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Speaker 1: Around Odd City and in the territory on West, there

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is just one way to handle the killers and the spoilers.

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And that's where the US Marshal and the Smell of

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Guns Smoke Gun moved, starring William Conrad, The story of

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the violon that moved west for young America and the

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story of a man who moved with it. I'm that man,

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Matt Dylon, United States Marshall, the first man they looked

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for and the less they want to meet. It's a chance,

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a job, and it makes un watchful and a little lonely.

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Hand me that bottle back. Send along, that's the trail.

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Speaker 2: I'm from Texas and I don't care right into.

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Speaker 1: Dodge over there on. Then don't you kill it? Come

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up and say the trailer use it. I'm just as dry. Yeah,

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I hope I never see another more phone. Shif I'm

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gonna set it down, be a par sender. That's easy

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like that. Or by tomorrow you'll wish it was back

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trailing scats you wish you'd never seen. Gods might turn

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that bottle by tomorrow. Maybe there won't be no dode.

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Maybe we ne horn that slum apart. Oh yeah, here

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the fluger hour and I look you out. There's a

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long bun. Start with it.

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Speaker 2: Tell him we're here, Zach, show them how we're living.

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Text that up, yo, put a bullet, throw his hat, zack,

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shoot his heels away, got down.

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Speaker 1: Off those horses. I'll get down and miss there. Want

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to come here, par all away from Texas. You're welcome here,

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but don't get any notions about shooting up this time.

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Who are you anyway? I'm a US Marshall. I'll check

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your gun until you're sober, and I'll say carrying. Oh

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what it takes my gun? Then you better ride right

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back to camp. Don't let them buffalo you, Zach. He will, mister,

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I'm staying me and my gun. It'll be Marshall for breakfast.

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If you try to stop me, huh, I won't. I'm

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gonna give you for doing that day what you can do.

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I've seen a whole thing. Another drunken cowboy with more

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fire than sense. Oh how you had to kill him? Yeah?

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Speaker 2: Oh, take it's gotten checked out.

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Speaker 1: No, don't go shoot me now, and I don't nobody

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he's gonna shoot me here, Come out and get out

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of your face. Come out.

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Speaker 2: Oh oh oh mister you bust in my head.

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Speaker 1: He'll be all right. But your friends that they try

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to shoot me. You killed him to keep him from

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killing me. And be trouble about this, Marshall, Why don't

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you get anything like that started? Oh no, not me.

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His brother, Hard Viewer. He's out the camp, but I

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know him, Marshall. He come after you, all right, I'll

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be here. No, it won't be like that. Howard wouldn't

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face the gunfidy. You shoot you in the back or

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out of a alley at night. I know, And Marshall,

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it will happen. You want to bury your friend Harry.

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You want to take him back to camp, I'll take

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him back to camp.

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Speaker 2: You know that you think a restaurant like jol Monica

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could at least make good coffee, mister food's bank.

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Speaker 1: And I never saw a woman here who didn't find

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the claws what everybody's cooking. But early women have more

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caps than men. Oh yeah, sure, sure, yeah, yeah. That

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man they had to shoot today, his brother. You got

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a friend of mine. Yeah, I suppose it's so kiddy.

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And I've been thinking you've never seen him. If he

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does ride into town, he won't be able to recognize

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him money. Yeah, that's that say that he would probably

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be the first man who tries to shoot me in

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my back. M I don't worry about it. I've been

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tried before and I'm still around some she's not very

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proud of the man that that's kind of early. Yeah,

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I WoT him in a kid, what did it at

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man Land? I guess the post up there. I wady

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tends his head. I wanna get a look at him.

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So many document yeah, yeah, uh no, it's probably somebody

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who's after me. Kiddy, you stay here, yes, right now,

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you're looking for me? Bullo, what your name is? Bulas?

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And I bet you're in the Marsha that's right? How

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he apply in this Fieler kill you my own way now,

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that's uh. And I'll take your gun. I take it

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alright now. Won't stop me. You just got another gun

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and shook me in the back and said if anyway,

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I can't look bill O, your brother tried to kill

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me and ain'd or done it if I hadn't stopped him.

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They ain't nobody killed. If people don't get by with it.

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I don't care what he done. Maybe you need a

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few days to think it over it. I ain't got

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a few days. I have no the go to jail

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for a while. I don't know. I ain't done nothing.

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Turn around and get moving. You're the Marshall. Yeah, what

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can I do for you? My name's Will Jacqueline and

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boss the Dragar heard we're holding up river come for hire, Beulah.

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Oh but I see, well turn him loose. I can't

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turn him loose. He didn't do a thing last night.

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He was just standing on the street the way I heard.

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He threatened to shoot me in the back. And he

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says he's so going to you killed his brother, didn't

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himself to the time, Chef, don't matter. You have to

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look out for yourself. But none of my men gonna

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lay in the Kansas jail when he ain't done nothing.

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None of you men's gonna walk around free waiting to

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put a bullet in my back either. Buck Jacqueline, you

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let billiou cool off every day or two, you'll get

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over it. Maybe I got eight men outside Marshall, and

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I got ten more with a Catholic camp. We come

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a long way. We had a hard drive. We're all

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Texans and no Dodge City. Marshall's gonna rub my nose

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in dirt about it's trying to check on. I walk

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below out of here. I'll turn him over to you

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when you have soldier hurt and are headed back to Texas.

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I warn him now, as long as he's set on

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killer leaf. Eighteen men, I got Marshall, and I count

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myself and fourteen of us. We'll be back tonight. We'll

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get it. Don't shoot, try it, but we'll do it.

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And after we get him, we'll really shoot your town.

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You people administrated the last Texas cowboy. You're going to tonight, Marshall,

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Sure you won't have a deal, Matt Probyn buy one? Yeah,

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he'll do you good. I can't be drinking now, doc Oh, Matt,

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I don't think it'll ride in like that tonight. Those

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cowboys always talk big. Maybe it just full of pinnagrafter

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the long drive they've made. You know they want to

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hoop and holly something pillows full of more than snager Doug. Yeah,

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two three shoes and knife and I the rules got

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a tieve is Marshall, Dylon yellow dot hellos? And what

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are you gonna do about those tixans? Marshall, I don't

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know mister Raisling, I hadn't given that much stock. Well

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you better start thinking, Marshall. I heard got them writing

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here this morning. He means. What he says that man

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and what did they say? Well, they're going to destroy Dodge.

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That's what him and all those wild Texans hes got.

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You've got to let that man out of Gail Marshall

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right away, mister Raiseling. The man I got in, Jay

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Elliams says, shoot me from ambush if I turn him way.

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I can't help that Marshall. I can they staying where

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he is till he comes to his senses. What about

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the rest of us? It's all right for you to

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save your own scheme, but what about us? Those cowboys

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will shoot up the town they need, burned my hotel down.

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And don't got all excited, mister Raisling. They want health

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matters on. Why don't you just forget about it, Jacque,

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One man ever show up at all? That's what I

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come to tell you. Oh what, Frank Paris rode by

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the drag Ar camp a little while ago, and he

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says those men were just about to leave for Dodge.

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It means they'll be here any minute now. What are

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you going to do? You don't have to get mixed

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up in this. You know Chester, I know. I'll take

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you a shot done to the k okay. Now that's

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what I say about ten feet apart any kind of

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it's doing all of'em. Yeah it is man you uh hello, Marshall,

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erecting like a fool jack. We'll say about that. You

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make trouble, the erring, the law be after you wherever

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you go. I don't worry nothing about no law. I

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was raised plumb pree wa all were. I'll sell your word.

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But that doesn't leave you afraid of former mob or

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rate of jail or shut up a town. What's the

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matter with your men? Anyway? It's the matter with you.

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You put Anderson man in jail. Any matter. What to

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kill somebody isn't very Inoson Jacqueline. You have to wait

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till he does it. I don't have to wait for nothing, Marshall.

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We've come for few of Let him have him, Marshall,

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turn the moose. Hurry you keep out of this reason.

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He is right, Marshall. You let him go, peace of boat.

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We'll leave town. You make us fight, we'll go right on. Fight.

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So you hurt him. He means you now you do anything. Yeah, Jacqueline,

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this is a shotgun. I'm holding. The first move you

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or any one of your men, may I'll cut you

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in two. What it may be we're too ninny. You

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die and so will your friend there, that right man next.

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This men ain't afraid to die, Marshall, but they ain't

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gonna get Trump calls now for the last time, turn

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him loose. I I can shoot me in the back

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of the first chance he gets that's your luck out.

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I through talking. Marshall gets it, man, And when you

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finish him, go rip this town wide? O't you know

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it from me? All right? Wait a minute, all right, Tessa,

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let's say don't get plot all right? Oh much night.

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Sometime here is your head, Martian. You and I have

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most been dead. If you haven't, I'm not doing it

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because you or me Chuck when I'm doing it because

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there too many other men who retired. Well, it don't

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matter long as you turning, all right, bring him over here,

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the park guy. Get a buyeh. You're going back to

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camp and you try to do something thinking while you're

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there here in Marsha you know what I'll be thinking

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about you sitting next to open window, walking down in

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Dock Street. I'm gonna kill you you wherever he was from,

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whatever kind of a life he'd let Bueau was a

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primitive man somewhere. He'd heard about revenge, A simple idea

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and I for an eye, and he's taking it to heart.

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I realized now that there was no sea letter with him.

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My man was incapable of change, and Jacqueline wasn't much better.

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But I forgot about Jacqueline. It was Bulleau who would

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be back still. Two days went by and there was

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no sign of it. Every tile. Jared ms Dillon must

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sit down there, all right, I said, Yeah, nobody can't

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shoot your here unless comes up in front. Yeah, it's

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not very likely with below. Mm. Well, I know it

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doesn't matter as menlike you mainway. Oh, I don't know.

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Chester to a rougher life. Maybe the war, A lot

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of things. The look you and me, that miss Giddy

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come up street? Yeah, oh she walking too fast for

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a look. I know. Yeah, I'm looking for you in

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heavy way, the trouble. Yeah, he goes back. Have you

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seen it now?

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Speaker 2: But tam did said he stopped, didn't for drink.

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Speaker 1: A little while ago, but it was just still away.

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Speaker 2: Hey.

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Speaker 1: Yeah, but he told Tim he's got a room at

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the dodge house. He might be there. Well, i'd like

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to find their little he find his kissing me. You

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didn't come along to a Chester four eyes her better

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than two s? Thanks city, What do you do? We

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finally missed to do him us. I'll get talking to

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him anymore, so maybe I can scarey him all this

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somehow do whole soap? Hoh, tell, that's brand people here going,

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it's Marshall. I'm looking for blows he here. I I

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don't want any show. I wanna know if he's here.

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Rasally he went upstairs a few minutes to good alright,

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which room? No, marsh I don't know what you're doing.

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I'm missing at least in one of those rooms. Yeah,

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who got him? Now? I don't know which one? He

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stay here Chester, and I'm gonna go him down the hall.

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He might come out of any one of those doors.

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Is it okay? Yeah, it's it's okay. I trust you.

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He didn't get you didn't know. I tried to, but

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it was too lady. He was already dying. Oh I

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sure am l hah. And he died about as uselessly

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as her mind cut them. No reason at all, No

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reason at all, jus and directed by Norman McDonald's stars

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William Conrad as Matt villain Us Marshall. The story was

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especially wiping for guns. Vote by John Meslin, featured in

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the past with McCarron, Lawrence Stockton, Harry Bartel and Jack Moyle,

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Harley bear Is Chester, Howard mcneer is doc, and Georgia

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Ellis is Kidding. Join us again next week for another

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story on guns. Most