Speaker 1: Around Odd City and in the territory on West, there
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and the Smell of
Guns Smoke Gun moved, starring William Conrad, The story of
the violon that moved west for young America and the
story of a man who moved with it. I'm that man,
Matt Dylon, United States Marshall, the first man they looked
for and the less they want to meet. It's a chance,
a job, and it makes un watchful and a little lonely.
Hand me that bottle back. Send along, that's the trail.
Speaker 2: I'm from Texas and I don't care right into.
Speaker 1: Dodge over there on. Then don't you kill it? Come
up and say the trailer use it. I'm just as dry. Yeah,
I hope I never see another more phone. Shif I'm
gonna set it down, be a par sender. That's easy
like that. Or by tomorrow you'll wish it was back
trailing scats you wish you'd never seen. Gods might turn
that bottle by tomorrow. Maybe there won't be no dode.
Maybe we ne horn that slum apart. Oh yeah, here
the fluger hour and I look you out. There's a
long bun. Start with it.
Speaker 2: Tell him we're here, Zach, show them how we're living.
Text that up, yo, put a bullet, throw his hat, zack,
shoot his heels away, got down.
Speaker 1: Off those horses. I'll get down and miss there. Want
to come here, par all away from Texas. You're welcome here,
but don't get any notions about shooting up this time.
Who are you anyway? I'm a US Marshall. I'll check
your gun until you're sober, and I'll say carrying. Oh
what it takes my gun? Then you better ride right
back to camp. Don't let them buffalo you, Zach. He will, mister,
I'm staying me and my gun. It'll be Marshall for breakfast.
If you try to stop me, huh, I won't. I'm
gonna give you for doing that day what you can do.
I've seen a whole thing. Another drunken cowboy with more
fire than sense. Oh how you had to kill him? Yeah?
Speaker 2: Oh, take it's gotten checked out.
Speaker 1: No, don't go shoot me now, and I don't nobody
he's gonna shoot me here, Come out and get out
of your face. Come out.
Speaker 2: Oh oh oh mister you bust in my head.
Speaker 1: He'll be all right. But your friends that they try
to shoot me. You killed him to keep him from
killing me. And be trouble about this, Marshall, Why don't
you get anything like that started? Oh no, not me.
His brother, Hard Viewer. He's out the camp, but I
know him, Marshall. He come after you, all right, I'll
be here. No, it won't be like that. Howard wouldn't
face the gunfidy. You shoot you in the back or
out of a alley at night. I know, And Marshall,
it will happen. You want to bury your friend Harry.
You want to take him back to camp, I'll take
him back to camp.
Speaker 2: You know that you think a restaurant like jol Monica
could at least make good coffee, mister food's bank.
Speaker 1: And I never saw a woman here who didn't find
the claws what everybody's cooking. But early women have more
caps than men. Oh yeah, sure, sure, yeah, yeah. That
man they had to shoot today, his brother. You got
a friend of mine. Yeah, I suppose it's so kiddy.
And I've been thinking you've never seen him. If he
does ride into town, he won't be able to recognize
him money. Yeah, that's that say that he would probably
be the first man who tries to shoot me in
my back. M I don't worry about it. I've been
tried before and I'm still around some she's not very
proud of the man that that's kind of early. Yeah,
I WoT him in a kid, what did it at
man Land? I guess the post up there. I wady
tends his head. I wanna get a look at him.
So many document yeah, yeah, uh no, it's probably somebody
who's after me. Kiddy, you stay here, yes, right now,
you're looking for me? Bullo, what your name is? Bulas?
And I bet you're in the Marsha that's right? How
he apply in this Fieler kill you my own way now,
that's uh. And I'll take your gun. I take it
alright now. Won't stop me. You just got another gun
and shook me in the back and said if anyway,
I can't look bill O, your brother tried to kill
me and ain'd or done it if I hadn't stopped him.
They ain't nobody killed. If people don't get by with it.
I don't care what he done. Maybe you need a
few days to think it over it. I ain't got
a few days. I have no the go to jail
for a while. I don't know. I ain't done nothing.
Turn around and get moving. You're the Marshall. Yeah, what
can I do for you? My name's Will Jacqueline and
boss the Dragar heard we're holding up river come for hire, Beulah.
Oh but I see, well turn him loose. I can't
turn him loose. He didn't do a thing last night.
He was just standing on the street the way I heard.
He threatened to shoot me in the back. And he
says he's so going to you killed his brother, didn't
himself to the time, Chef, don't matter. You have to
look out for yourself. But none of my men gonna
lay in the Kansas jail when he ain't done nothing.
None of you men's gonna walk around free waiting to
put a bullet in my back either. Buck Jacqueline, you
let billiou cool off every day or two, you'll get
over it. Maybe I got eight men outside Marshall, and
I got ten more with a Catholic camp. We come
a long way. We had a hard drive. We're all
Texans and no Dodge City. Marshall's gonna rub my nose
in dirt about it's trying to check on. I walk
below out of here. I'll turn him over to you
when you have soldier hurt and are headed back to Texas.
I warn him now, as long as he's set on
killer leaf. Eighteen men, I got Marshall, and I count
myself and fourteen of us. We'll be back tonight. We'll
get it. Don't shoot, try it, but we'll do it.
And after we get him, we'll really shoot your town.
You people administrated the last Texas cowboy. You're going to tonight, Marshall,
Sure you won't have a deal, Matt Probyn buy one? Yeah,
he'll do you good. I can't be drinking now, doc Oh, Matt,
I don't think it'll ride in like that tonight. Those
cowboys always talk big. Maybe it just full of pinnagrafter
the long drive they've made. You know they want to
hoop and holly something pillows full of more than snager Doug. Yeah,
two three shoes and knife and I the rules got
a tieve is Marshall, Dylon yellow dot hellos? And what
are you gonna do about those tixans? Marshall, I don't
know mister Raisling, I hadn't given that much stock. Well
you better start thinking, Marshall. I heard got them writing
here this morning. He means. What he says that man
and what did they say? Well, they're going to destroy Dodge.
That's what him and all those wild Texans hes got.
You've got to let that man out of Gail Marshall
right away, mister Raiseling. The man I got in, Jay
Elliams says, shoot me from ambush if I turn him way.
I can't help that Marshall. I can they staying where
he is till he comes to his senses. What about
the rest of us? It's all right for you to
save your own scheme, but what about us? Those cowboys
will shoot up the town they need, burned my hotel down.
And don't got all excited, mister Raisling. They want health
matters on. Why don't you just forget about it, Jacque,
One man ever show up at all? That's what I
come to tell you. Oh what, Frank Paris rode by
the drag Ar camp a little while ago, and he
says those men were just about to leave for Dodge.
It means they'll be here any minute now. What are
you going to do? You don't have to get mixed
up in this. You know Chester, I know. I'll take
you a shot done to the k okay. Now that's
what I say about ten feet apart any kind of
it's doing all of'em. Yeah it is man you uh hello, Marshall,
erecting like a fool jack. We'll say about that. You
make trouble, the erring, the law be after you wherever
you go. I don't worry nothing about no law. I
was raised plumb pree wa all were. I'll sell your word.
But that doesn't leave you afraid of former mob or
rate of jail or shut up a town. What's the
matter with your men? Anyway? It's the matter with you.
You put Anderson man in jail. Any matter. What to
kill somebody isn't very Inoson Jacqueline. You have to wait
till he does it. I don't have to wait for nothing, Marshall.
We've come for few of Let him have him, Marshall,
turn the moose. Hurry you keep out of this reason.
He is right, Marshall. You let him go, peace of boat.
We'll leave town. You make us fight, we'll go right on. Fight.
So you hurt him. He means you now you do anything. Yeah, Jacqueline,
this is a shotgun. I'm holding. The first move you
or any one of your men, may I'll cut you
in two. What it may be we're too ninny. You
die and so will your friend there, that right man next.
This men ain't afraid to die, Marshall, but they ain't
gonna get Trump calls now for the last time, turn
him loose. I I can shoot me in the back
of the first chance he gets that's your luck out.
I through talking. Marshall gets it, man, And when you
finish him, go rip this town wide? O't you know
it from me? All right? Wait a minute, all right, Tessa,
let's say don't get plot all right? Oh much night.
Sometime here is your head, Martian. You and I have
most been dead. If you haven't, I'm not doing it
because you or me Chuck when I'm doing it because
there too many other men who retired. Well, it don't
matter long as you turning, all right, bring him over here,
the park guy. Get a buyeh. You're going back to
camp and you try to do something thinking while you're
there here in Marsha you know what I'll be thinking
about you sitting next to open window, walking down in
Dock Street. I'm gonna kill you you wherever he was from,
whatever kind of a life he'd let Bueau was a
primitive man somewhere. He'd heard about revenge, A simple idea
and I for an eye, and he's taking it to heart.
I realized now that there was no sea letter with him.
My man was incapable of change, and Jacqueline wasn't much better.
But I forgot about Jacqueline. It was Bulleau who would
be back still. Two days went by and there was
no sign of it. Every tile. Jared ms Dillon must
sit down there, all right, I said, Yeah, nobody can't
shoot your here unless comes up in front. Yeah, it's
not very likely with below. Mm. Well, I know it
doesn't matter as menlike you mainway. Oh, I don't know.
Chester to a rougher life. Maybe the war, A lot
of things. The look you and me, that miss Giddy
come up street? Yeah, oh she walking too fast for
a look. I know. Yeah, I'm looking for you in
heavy way, the trouble. Yeah, he goes back. Have you
seen it now?
Speaker 2: But tam did said he stopped, didn't for drink.
Speaker 1: A little while ago, but it was just still away.
Speaker 2: Hey.
Speaker 1: Yeah, but he told Tim he's got a room at
the dodge house. He might be there. Well, i'd like
to find their little he find his kissing me. You
didn't come along to a Chester four eyes her better
than two s? Thanks city, What do you do? We
finally missed to do him us. I'll get talking to
him anymore, so maybe I can scarey him all this
somehow do whole soap? Hoh, tell, that's brand people here going,
it's Marshall. I'm looking for blows he here. I I
don't want any show. I wanna know if he's here.
Rasally he went upstairs a few minutes to good alright,
which room? No, marsh I don't know what you're doing.
I'm missing at least in one of those rooms. Yeah,
who got him? Now? I don't know which one? He
stay here Chester, and I'm gonna go him down the hall.
He might come out of any one of those doors.
Is it okay? Yeah, it's it's okay. I trust you.
He didn't get you didn't know. I tried to, but
it was too lady. He was already dying. Oh I
sure am l hah. And he died about as uselessly
as her mind cut them. No reason at all, No
reason at all, jus and directed by Norman McDonald's stars
William Conrad as Matt villain Us Marshall. The story was
especially wiping for guns. Vote by John Meslin, featured in
the past with McCarron, Lawrence Stockton, Harry Bartel and Jack Moyle,
Harley bear Is Chester, Howard mcneer is doc, and Georgia
Ellis is Kidding. Join us again next week for another
story on guns. Most