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<v Speaker 1>Go on, not pagon, go not painted good we bragon

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<v Speaker 1>We're gonna code that word. Four finger Discounted.

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<v Speaker 2>Hey guys, Dan A here and welcome to four figure

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<v Speaker 2>discount where this week Guy and myself we're lucky to

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<v Speaker 2>be joined by comedian Tom witcamb to review the episode

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<v Speaker 2>All Singing, All Dancing, the final clip show of the

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<v Speaker 2>Golden Era, the one that showcases the many songs of

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<v Speaker 2>the Simpsons. We covered a lot of topics, including what

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<v Speaker 2>makes a good Simpsons song, the best Simpsons musical parodies,

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<v Speaker 2>and so much more. Plus we also covered Tom's career

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<v Speaker 2>and the impact that The Simpsons had on his comedy.

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<v Speaker 2>Before we get into that, though, I just want to

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<v Speaker 2>remind you that you can get early and add free

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<v Speaker 2>access to this show, as well as access to one

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<v Speaker 2>hundred hours of exclusive podcast by supporting us on Patreon

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<v Speaker 2>link that is in the description of this show. For now, though,

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<v Speaker 2>sit back and enjoy our chat with Tom Wickham as

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<v Speaker 2>we review All Singing or Dancing. Hey guys, welcome to

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<v Speaker 2>forfigure discap of the podcast where We'll Always Paint Your Wagon.

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<v Speaker 2>I'm Dando and I am Guy, and today we're very

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<v Speaker 2>lucky to be joined by the one and only Tom Wickham. Tom,

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<v Speaker 2>how are you doing, sir?

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<v Speaker 3>I'm very well, thanks. How are you guys?

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<v Speaker 2>Yes, doing fantastic.

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<v Speaker 4>We're very pleased to be joined by the Don Draper

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<v Speaker 4>of comedy. Hang on a second, happy to be joined

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<v Speaker 4>by the Pete Campbell of comedy.

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<v Speaker 3>I was going to say, the Don Draper, none of

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<v Speaker 3>those allegations hold up. I don't believe that they're baseless.

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<v Speaker 3>Those women can't be trusted.

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<v Speaker 4>What of absolute zero Kelvin coolness? Is that what you're

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<v Speaker 4>talking about?

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<v Speaker 2>Tom?

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<v Speaker 3>From the Don Draper to comedy to the Pete Campbell

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<v Speaker 3>to comedy A rapid de escalation. I was feeling pretty good.

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<v Speaker 4>I skipped the Lane Price stage.

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<v Speaker 3>Yes, lay In Price, I mean tragic ending, But what

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<v Speaker 3>a journey on the way.

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<v Speaker 4>There, MVP, you know while he was actually there. Absolutely

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<v Speaker 4>If you haven't watched mad Men, watch Madman otherwise you

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<v Speaker 4>don't know what the fuck we're talking about. But the

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<v Speaker 4>thing of it is that Tom, when he is not

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<v Speaker 4>making us laugh with his comedy styling's on stage, is

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<v Speaker 4>using his marketing magic to persuade us to buy things

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<v Speaker 4>that we definitely want and yeah, maybe need.

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<v Speaker 3>Yeah, predominantly Dick pills at the moment. That's my that's

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<v Speaker 3>my main concern.

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<v Speaker 2>How do you source them? Though?

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<v Speaker 3>From pilot dot com dot. You got to pilot of

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<v Speaker 3>com dot you use the code flog as twenty for

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<v Speaker 3>twenty dollars off your first order. I'm gonna plug my

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<v Speaker 3>podcast one here.

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<v Speaker 2>By the way, it's called a segue, and it's great

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<v Speaker 2>that you use the term flog.

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<v Speaker 3>Yeah, exactly, it's a perfect brand integration.

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<v Speaker 2>Really, let's talk about flog Cabin for those who unaware.

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<v Speaker 2>When did it start? Let's dive into it.

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<v Speaker 3>We're about one hundred and four episodes in, so we're

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<v Speaker 3>just what yeah, two years almost exactly two years. There

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<v Speaker 3>you go. It's a podcast with myself, my friends Daniel

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<v Speaker 3>Muglesman Andrew Hamilton too, more successful comedians than me. Yeah,

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<v Speaker 3>it's just kind of that classic comedians go on and

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<v Speaker 3>talk about either erections or bodily functions for a couple

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<v Speaker 3>of hours each week.

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<v Speaker 2>That's us.

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<v Speaker 4>It's not unlike ful thing Discount, except without the comedian aspect.

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<v Speaker 2>Oh really, how do you find trying to break out

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<v Speaker 2>of podcasting?

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<v Speaker 3>Now?

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<v Speaker 2>We're talking about it recently on the show. It's so saturated,

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<v Speaker 2>it's all we've been talking. It's so oversaturated now the

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<v Speaker 2>podcast market. How do you find trying to separate yourself

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<v Speaker 2>from the pack.

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<v Speaker 3>Yeah, as soon as we work out how, I'll let

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<v Speaker 3>you guys know. I like, I think it's very very hard.

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<v Speaker 3>I think, you know, as comedians, you can at least

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<v Speaker 3>kind of rest on the idea that even if you're

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<v Speaker 3>just making your own fans like you more, you don't

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<v Speaker 3>necessarily need to be growing. Like going deeper is really

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<v Speaker 3>valuable because you can sell tickets to things, and you can,

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<v Speaker 3>you know, get them to watch stuff online. Like there's

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<v Speaker 3>other avenues to kind of turn it into a career,

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<v Speaker 3>whereas if it was pure list no numbers. Oh, it's

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<v Speaker 3>so tough.

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<v Speaker 2>How long have you guys been doing this for twenty fifteen?

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<v Speaker 3>Yeah? Right, okay, so yeah, you guys, that's probably a

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<v Speaker 3>pretty I mean, you'd always like to start earlier, but

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<v Speaker 3>that's a pretty perfect time to start, right. That would

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<v Speaker 3>have been a good.

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<v Speaker 2>That's what I say. I always say in the podcast.

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<v Speaker 2>When I first started doing this, the people go, what

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<v Speaker 2>do you doing? I go, I do a podcast, And

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<v Speaker 2>people would go, well, what's a podcast? And now they say,

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<v Speaker 2>what are you doing? I do a podcast and the

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<v Speaker 2>response is, well, of course you do. Everyone does. Yeah,

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<v Speaker 2>me doesn't feel special anymore?

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<v Speaker 3>Yeah, for sure. So yeah, I don't know, like I

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<v Speaker 3>think especially it's really hard when I mean we genuinely

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<v Speaker 3>our only selling point is it's us like it, you know,

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<v Speaker 3>I think right now I'm loving I don't know if

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<v Speaker 3>you guys listen to Finn Versus History. No, Finn Taylor's

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<v Speaker 3>a British comedian and he does this podcast called Finn

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<v Speaker 3>Versus History, and it's like, it's kind of like the

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<v Speaker 3>rest is History that their tagline is a history podcast

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<v Speaker 3>for people who don't care about what actually happened, and

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<v Speaker 3>it's so funny. But I think just like the way

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<v Speaker 3>in of like this is a history podcast. This episode

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<v Speaker 3>is about World War two, this episode is about JFK.

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<v Speaker 3>Whatever is just a it's an easy sell to kind

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<v Speaker 3>of bring people in, whereas US it's just us chatting.

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<v Speaker 3>So it's like if you don't like us or eat,

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<v Speaker 3>it's a pretty hard sell to get people into it.

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<v Speaker 2>Yeah, we've got the lucky thing of having the Simpsons,

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<v Speaker 2>and everyone likes the Simpsons, so one hundred percent.

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<v Speaker 3>Yeah, I mean, is this do you guys have many competitors.

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<v Speaker 3>Are there are many other Simpsons? Like, are their rival Simpsons?

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<v Speaker 2>Now there are?

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<v Speaker 3>Now?

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<v Speaker 2>Yes, when we started, we were the second Simpsons podcast,

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<v Speaker 2>but COVID everyone went, we're bored, let's buy microphones to

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<v Speaker 2>talk about our favorite show at the Simpsons. So yeah,

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<v Speaker 2>if there's like two hundred of them now, oh.

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<v Speaker 3>God, what's not? Is the first one still going strong?

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<v Speaker 2>The first one is still going? Yeah, a long weekly still.

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<v Speaker 2>I think sometimes they miss but we're still going consecutive weekly.

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<v Speaker 2>But we don't see them as I don't seem as competitors.

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<v Speaker 2>You know, you seem as competitors. You just get to

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<v Speaker 2>drive yourself insane. You're just going to see if someone

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<v Speaker 2>else doing the same thing.

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<v Speaker 3>That makes sense.

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<v Speaker 2>But we're here to talk about all singing, all dancing.

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<v Speaker 2>But before we get into that and we dive into

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<v Speaker 2>the episode, tell us, what are your tom earliest memories

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<v Speaker 2>of watching the Simpsons.

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<v Speaker 3>Yeah, I mean, I was trying to pinpoint when I

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<v Speaker 3>started watching it. I mean I probably would have started

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<v Speaker 3>watching it before I was too young to really get it.

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<v Speaker 3>I think it would have been I would have watched

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<v Speaker 3>it when my parents will watching it, and it's that

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<v Speaker 3>classic thing I think especially of people of my age,

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<v Speaker 3>my generation of you rewatch old episodes and you get

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<v Speaker 3>all the things you totally missed the first time around.

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<v Speaker 3>I mean, my earliest memories of The Simpsons were just

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<v Speaker 3>being totally obsessed with it and just quoting it endlessly

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<v Speaker 3>to my parents. Just every situation had a Simpsons quote

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<v Speaker 3>to go with it, and they truly could not give

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<v Speaker 3>a shit at en.

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<v Speaker 2>I'd no idea what you're talking about.

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<v Speaker 3>Oh yeah, just like and you're trying to set it up,

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<v Speaker 3>and like, so home is here, and you know that

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<v Speaker 3>you know the guy from the school who he doesn't

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<v Speaker 3>teach their class. We teach the other class. And they

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<v Speaker 3>just like, we don't care at all about this, except

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<v Speaker 3>I do remember there was one quote that I said

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<v Speaker 3>to my mum once when I must have been like ten,

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<v Speaker 3>and she thought my delivery of it was really funny.

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<v Speaker 3>And that was the one time that I managed a

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<v Speaker 3>cracker with it, and then she would ask me to

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<v Speaker 3>do it sometimes and it was it was actually the

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<v Speaker 3>other episode I suggested we do, which is much a

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<v Speaker 3>pooer about nothing, and it's when Homer's on the phone

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<v Speaker 3>to I think it's Selma and he goes Selma, my dear,

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<v Speaker 3>how are you? Uh huh uh huh listen, shut up

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<v Speaker 3>for a second. My mom thought my delivery, that was

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<v Speaker 3>great and would asked me to do it, and I

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<v Speaker 3>was like, all right, I've cracked it here.

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<v Speaker 2>So that was and a stand up is born, I know.

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<v Speaker 3>And then and and then you have to find it.

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<v Speaker 3>You got to write your own stuff. You can't just

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<v Speaker 3>quote the Simpsons on stage all the time, even though

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<v Speaker 3>I think that would probably be better for most people.

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<v Speaker 2>It would.

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<v Speaker 4>Yeah, it's a stand up version of a reaction video

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<v Speaker 4>which was you all know, go gang Busses on YouTube.

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<v Speaker 4>But I think it's probably great that you started watching

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<v Speaker 4>at that young age. Even when you say I didn't

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<v Speaker 4>quite get the jokes on, not one hundred percent sure

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<v Speaker 4>what this is all about, You're almost getting comedy training

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<v Speaker 4>by osmosis.

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<v Speaker 3>I feel that way about. I agree, And especially I

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<v Speaker 3>loved like joke websites and joke books and things from

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<v Speaker 3>a young age and all the way through. And I

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<v Speaker 3>was always kind of like I loved street jokes and

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<v Speaker 3>being told jokes and parroting them to people. And I

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<v Speaker 3>do think you learn that sort of rhythm or that timing.

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<v Speaker 3>I think that is kind of inherent in me. And

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<v Speaker 3>I think, you know, the way that I do stand

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<v Speaker 3>up is super joke jokey. It's like a punchline. I

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<v Speaker 3>think that is quite It's formulaic, but in the best

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<v Speaker 3>kind of way. I just saw Did you guys, Have

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<v Speaker 3>you guys seen the new Naked Gun film?

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<v Speaker 2>No, not yet. I'm really con forward to it. I've

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<v Speaker 2>heard great things.

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<v Speaker 3>It's fantastic. But one of the things that I kind

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<v Speaker 3>of took for grant until I saw it was how

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<v Speaker 3>many formulas they have for jokes and that they kind

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<v Speaker 3>of invented in that series and they can keep going

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<v Speaker 3>back to the well and I think shows like The

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<v Speaker 3>Simpsons did that really well as well. Of like that

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<v Speaker 3>they just knew how to execute jokes so perfectly. So yeah,

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<v Speaker 3>and then I just think, like, again, I don't know,

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<v Speaker 3>especially in the sort of early Internet era, I thought

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<v Speaker 3>my obsession with The Simpsons was singular. I didn't think

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<v Speaker 3>anyone was obsessed as I was. And you know, I

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<v Speaker 3>remember downloading like early Microsoft Windows days, like desk top

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<v Speaker 3>theme packs where my little curse was a little yellow

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<v Speaker 3>hand and when I deleted something, it would make the

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<v Speaker 3>dough noise and stuff.

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<v Speaker 2>Like the cycle bin will be something exactly.

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<v Speaker 3>Yeah, all the games, all the Monopoly stuff, like I

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<v Speaker 3>just I was so obsessed with it from such a

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<v Speaker 3>young age. And it was that I again imagine especially

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<v Speaker 3>Australian Fox eight Saturday Sunday mornings, I think it was

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<v Speaker 3>nine am till midday was just SIMP repeat straight into

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<v Speaker 3>WWE raw. What else do you want?

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<v Speaker 2>Right? So? How so when did you grow up? So

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<v Speaker 2>when were you What was the ear of the Simpsons

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<v Speaker 2>when you were say like ten?

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<v Speaker 3>So what that was two thousand and two? So I

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<v Speaker 3>think this is the other thing, right, which is I

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<v Speaker 3>think the memories I have the Simpsons, my kind of

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<v Speaker 3>Simpsons heyday seems to be the time with the purists

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<v Speaker 3>say it started to get shit. I know, principal in

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<v Speaker 3>the Pauper is like the turning point in a lot

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<v Speaker 3>of people's minds, right, which is probably where I start

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<v Speaker 3>to get really invested, where the new ones make sense

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<v Speaker 3>to me and I'm kind of invested in it. I

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<v Speaker 3>remember the color changing. I remember when the yellow started

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<v Speaker 3>to get deeper yellow. I think it was probably yeah,

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<v Speaker 3>that sort of just change in quality, which I just

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<v Speaker 3>in terms of visual quality. I remember that seems to

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<v Speaker 3>be the part that really resonates with me. And then

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<v Speaker 3>I remember I was again very online internet kid, finding

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<v Speaker 3>my way around downloading new episodes from the States, just

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<v Speaker 3>as it was getting.

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<v Speaker 2>Truly terrible Kazah and whatnot.

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<v Speaker 3>Yeah, yeah, I remember, I remember really early days on

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<v Speaker 3>Kazar or Lime Wire, having like a couple of episodes

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<v Speaker 3>on my laptop and it was like flights if I

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<v Speaker 3>needed to, or long car trips I would watch. It

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<v Speaker 3>was the one where Bart's in the plastic bubble. Yeah,

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<v Speaker 3>I remember I had that one very early, and maybe

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<v Speaker 3>a couple of Treehouse of Horror ones. But then I

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<v Speaker 3>remember it was the one with RAFFI remember the one

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<v Speaker 3>with the he was the the children's entertainer things for

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<v Speaker 3>Maggie's like Barney. Yes, that's right, And I just remember

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<v Speaker 3>like being able to download it and feeling very proud

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<v Speaker 3>of myself of being able to get it. Will also think, God,

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<v Speaker 3>this is terrible.

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<v Speaker 2>It's interesting because you sort of so you see not

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<v Speaker 2>peak Simpsons, but you grew up with like the teen

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<v Speaker 2>ear and you see it as fine, where so many

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<v Speaker 2>so many people just turn a blind eye to it.

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<v Speaker 2>So what's your thoughts on the whole. We should say

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<v Speaker 2>modern Simpsons is no good anymore.

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<v Speaker 3>A few times I've caught episodes or little clips of episodes,

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<v Speaker 3>I'm like, this actually isn't terrible, but it's a different show.

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<v Speaker 3>It just isn't what it was, which is like true

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<v Speaker 3>all of them, right, Like I think Family Guys at

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<v Speaker 3>the Shame show it used to be. South Park isn't

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<v Speaker 3>the same show it used to be. They've all had

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<v Speaker 3>to evolve, which I don't hate, but I guess I

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<v Speaker 3>probably don't. What it is now is probably not what

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<v Speaker 3>I loved it for. I think I think like decent

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<v Speaker 3>era Simpson's like lasts a little bit longer than the

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<v Speaker 3>purest give it credit for. I mean, I have very

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<v Speaker 3>fond memories of a couple of travel episodes, like the

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<v Speaker 3>Japan episode. I really like there's an episode where they

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<v Speaker 3>get the tennis court that's always really pure in my

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<v Speaker 3>memory as well. For some reason, I think they're still

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<v Speaker 3>pretty good, and I still think it's fairly classic. But yeah,

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<v Speaker 3>I do think around in my mind it's more like

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<v Speaker 3>season sixteen or whatever feels like the real turning point.

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<v Speaker 3>I don't know if I can really stomach this anymore.

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<v Speaker 2>We just finished season twenty.

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<v Speaker 3>I know I felt for you.

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<v Speaker 2>So it's interesting now, we went in very We went

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<v Speaker 2>in with very low expectations, right, so we were at

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<v Speaker 2>the bottom. We weren't expecting greatness. But I tell you

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<v Speaker 2>there was probably maybe one or two episodes that weren't great.

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<v Speaker 2>There aren't bad episodes. There's just episodes where we just

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<v Speaker 2>kind of watched it going I'm feeling nothing, which I

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<v Speaker 2>guess is a bad episode in itself as well.

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<v Speaker 4>We did, of course season nineteen before that, and I

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<v Speaker 4>think that had one or two episodes where we were

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<v Speaker 4>legitimately insulted or just angry about the poor quality of

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<v Speaker 4>it all the way the storylines had gone on the

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<v Speaker 4>way the characters have been depicted, whereas with Yeah, season twenty,

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<v Speaker 4>as Dan I said, a lot of them were just like, eh,

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<v Speaker 4>it's fine and you're not incorrect, and that that can

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<v Speaker 4>be an even worse response. I mean, you sort of

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<v Speaker 4>want to be on one side of the You want

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<v Speaker 4>to eat the oscillate between I feel really good about

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<v Speaker 4>this or I feel really bad about this. You want

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<v Speaker 4>to be passionate one way or enough.

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<v Speaker 2>I think it helps with watching them in chronological order

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<v Speaker 2>as well. If you watch a classic episode and then

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<v Speaker 2>watch a season twenty, then you can see the big

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<v Speaker 2>difference in dropping comedy.

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<v Speaker 3>Sure, what's like peak season twenty? What's like a great

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<v Speaker 3>season twenty episode?

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<v Speaker 2>What was I like? I really like the one that's coming.

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<v Speaker 2>It's called Gone Making, Gone Guy. I wasn't a huge fan,

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<v Speaker 2>but I'm very big on the format bending episodes, like

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<v Speaker 2>there's one called Trilogy of Era, which has the linguo

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<v Speaker 2>Yes that season twenty is it?

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<v Speaker 3>No?

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<v Speaker 2>No, no, I'm just saying that those where it's not

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<v Speaker 2>your standard episode, it's format bending, and that one's very

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<v Speaker 2>much like that as a parody of the Da Vinci Code.

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<v Speaker 2>And what was the other? The National Treasure where Lisa

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<v Speaker 2>is looking for the Golden Child or whatever it turns

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<v Speaker 2>out to be, Maggie. I really like it was a

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<v Speaker 2>lot of fun. I think I find when it comes

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<v Speaker 2>to more modern episodes, I like the ones where they

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<v Speaker 2>break away for the norm a bit.

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<v Speaker 4>And when it came to twenty, I think I was

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<v Speaker 4>very keen on any teen He maya mo Yeah, I

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<v Speaker 4>mean I tend to like it when you get to

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<v Speaker 4>delve a little deeper into characters who you think you

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<v Speaker 4>know everything about, and you realize there were more shades

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<v Speaker 4>or more dimension to.

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<v Speaker 2>Their character than you first imagined.

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<v Speaker 4>They've been sort of ramping up moas less of a

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<v Speaker 4>hostile slash pathetic character and showing that there was, you know,

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<v Speaker 4>very very very very deep inside there was a heart.

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<v Speaker 2>Yes, they starts dating a little person called Meyer in

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<v Speaker 2>the episode.

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<v Speaker 3>Yes, that rings a bell I remember that. Yeah, okay,

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<v Speaker 3>because I just I just googled the gone Maggie Gone,

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<v Speaker 3>and that doesn't ring any bells to me. But yeah,

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<v Speaker 3>the the dating the little person that does, Yeah, that

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<v Speaker 3>does ring true a little bit.

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<v Speaker 2>And spoiler alert. They split up by the end because

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<v Speaker 2>status quo, but in a more because status Mo. Yeah, yes, exactly,

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00:14:02.679 --> 00:14:04.519
<v Speaker 2>and in a recent season, I think it's like two

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00:14:04.600 --> 00:14:06.440
<v Speaker 2>or three seasons ago, they got back together again and

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<v Speaker 2>then now a couple, which is nice.

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<v Speaker 3>Yeah, okay, right, very much. The post Oh what was

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00:14:13.679 --> 00:14:16.480
<v Speaker 3>the poo? What was it? Harry Kondabalu?

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<v Speaker 4>Oh what the documentary that he made the Problem show?

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<v Speaker 3>Yeah, yeah, it feels like a bit of a you know,

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<v Speaker 3>I don't know, Simpson's gone woke mad, isn't it. It's

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<v Speaker 3>just it's crazy, it's political Correctn's gone mad. Isn't it,

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<v Speaker 3>isn't it.

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<v Speaker 4>Speaking of silky, spilky, silky segways, this is a fine

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<v Speaker 4>talking about your style of comedy, which is, to use

348
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<v Speaker 4>a phrase from an old con and O'Brien's catch inappropriate. No,

349
00:14:41.639 --> 00:14:46.480
<v Speaker 4>but watching problematic and ignorant. Your your two shows that

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<v Speaker 4>you put on at the Sydney Comedy Festival them all.

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<v Speaker 3>Right, yeah, yeah, among other places, but they were recorded there.

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<v Speaker 2>Yeah.

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<v Speaker 4>I mean you strike me, Tom, looking at you looked

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<v Speaker 4>like a very sort of straight laced butter wouldn't melt

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<v Speaker 4>in your mouth kind of guy. But you get up

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<v Speaker 4>on stage and you say, well, you're not going insane

357
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<v Speaker 4>up there, but you're saying things that you know some

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<v Speaker 4>people might not expect coming from you. But it's also

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<v Speaker 4>you've got the spoonful of sugar and the dash of

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<v Speaker 4>arsenic in there as well, which strikes me as kind

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<v Speaker 4>of Simpson's esque in a lot of ways. I'm wondering

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<v Speaker 4>about maybe a correlation or any relationship between the comedy

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<v Speaker 4>you enjoyed growing up, like the Simpsons, and the comedy

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<v Speaker 4>that you do.

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<v Speaker 2>Now.

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<v Speaker 3>Yeah, it's interesting. I guess when you have no tragedies

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<v Speaker 3>of your own, you have to make light of other

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<v Speaker 3>people's you know. So, yeah, I think I have definitely

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<v Speaker 3>always been drawn to the more kind of I guess,

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<v Speaker 3>you know, offensive, And now the term would be like

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<v Speaker 3>edgy comedy, and now edgy has this really weird, sort

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<v Speaker 3>of backhanded compliment element to it. I don't think edgy

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<v Speaker 3>has ever really applauded anymore.

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<v Speaker 2>Which is sort of rolling your eyes a bit. Now,

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<v Speaker 2>is edgy?

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<v Speaker 4>Yeah, exactly as Mark Barron said there that day, it's

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<v Speaker 4>a bunch of guys in a podcast talking about the

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<v Speaker 4>last time they shit themselves as adults.

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<v Speaker 3>Oh for sure. And if you're into that makes you

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<v Speaker 3>listen to flog cap come up. But yeah, I think

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<v Speaker 3>I've all always enjoyed that. And I think again, I

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<v Speaker 3>was thinking about this question about how much The Simpsons

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<v Speaker 3>has influenced it, and I think more directly you would

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<v Speaker 3>look at something like a South Park or a family

385
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<v Speaker 3>Guy as a more a direct kind of reference for me,

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<v Speaker 3>which it is very kind of it's dealing with sort

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<v Speaker 3>of yeah for black and better term edgy topics or whatever.

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<v Speaker 3>But I do think, you know, the Simpsons is a

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<v Speaker 3>precursor to all of that. It was just because of

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<v Speaker 3>the time it existed and required to do it in

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<v Speaker 3>a slightly more I don't know, stealthy fashion. Yeah, for sure. Absolutely.

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<v Speaker 3>I think like there's a reason that you know, the

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00:16:30.240 --> 00:16:32.360
<v Speaker 3>Simpsons and sorry, the south Park and Family kind of

394
00:16:32.559 --> 00:16:35.120
<v Speaker 3>heyday was when you started hearing about things like political

395
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<v Speaker 3>coreckness gone mad and all that sort of stuff, right,

396
00:16:37.080 --> 00:16:38.759
<v Speaker 3>it was. It was when that stuff was pushing up

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00:16:38.759 --> 00:16:41.200
<v Speaker 3>against something, whereas the Simpsons did have to do it

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<v Speaker 3>in a more covert way.

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<v Speaker 2>So we just we just reviewed goo backs on our

400
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<v Speaker 2>south Park podcast as well. So you've got a south

401
00:16:46.639 --> 00:16:48.960
<v Speaker 2>Park podcast? Yeah, in season eight, now going down to

402
00:16:49.000 --> 00:16:51.279
<v Speaker 2>south Park check it out? Yeah, right, feel free to

403
00:16:51.279 --> 00:16:52.360
<v Speaker 2>appear as a guest on that show.

404
00:16:52.840 --> 00:16:57.720
<v Speaker 3>Sure, what are you doing after this?

405
00:16:58.559 --> 00:16:58.600
<v Speaker 2>That?

406
00:16:58.879 --> 00:17:00.519
<v Speaker 3>I see? That was? And again and this is kind

407
00:17:00.559 --> 00:17:02.679
<v Speaker 3>of like internet eras that Goobag's episode was one that

408
00:17:02.720 --> 00:17:05.319
<v Speaker 3>was on my laptop as well. Like that, I think

409
00:17:05.359 --> 00:17:07.240
<v Speaker 3>as the Simpsons was kind of descending, south Park was

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<v Speaker 3>really hitting highest and Family guide.

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<v Speaker 2>So I think a lot of the Simpsons fans who

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<v Speaker 2>grew up on The Simpsons feeling like it was the

413
00:17:12.599 --> 00:17:16.559
<v Speaker 2>cool show, migrated to south Park. That makes sense, it's

414
00:17:16.599 --> 00:17:19.119
<v Speaker 2>their comedy adolescence. Yeah, yeah, yeah, for sure.

415
00:17:19.519 --> 00:17:23.839
<v Speaker 3>But yeah, I think the impact of again, having started

416
00:17:23.839 --> 00:17:25.279
<v Speaker 3>watching it at such a young age, we don't have

417
00:17:25.279 --> 00:17:27.880
<v Speaker 3>the context of what preceded it, and you find out

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<v Speaker 3>so much of what the Simpsons did was just hadn't

419
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<v Speaker 3>really been done before, and you take it for granted

420
00:17:35.039 --> 00:17:38.200
<v Speaker 3>because you were seeing it at a time where you

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<v Speaker 3>didn't know what was groundbreaking, what was trendsetting.

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00:17:41.279 --> 00:17:42.039
<v Speaker 2>It just was.

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<v Speaker 3>So I'd be very surprised if there weren't things that

424
00:17:46.160 --> 00:17:48.880
<v Speaker 3>kind of crept in into the way that I do comedy,

425
00:17:48.960 --> 00:17:50.400
<v Speaker 3>and I guess just about everybody else.

426
00:17:50.519 --> 00:17:52.640
<v Speaker 2>I wonder if that kind of thing is possible now

427
00:17:52.720 --> 00:17:55.599
<v Speaker 2>because everything's on demand now, it's not really the TV

428
00:17:55.680 --> 00:17:57.839
<v Speaker 2>stations aren't dictating what kids watch now. I think it's

429
00:17:57.839 --> 00:18:00.279
<v Speaker 2>hard for one particular show to really infla what's an

430
00:18:00.359 --> 00:18:01.839
<v Speaker 2>entire generation of kids now?

431
00:18:02.079 --> 00:18:05.119
<v Speaker 3>Yeah, well, I think the Internet has just led to

432
00:18:05.359 --> 00:18:11.240
<v Speaker 3>such a severe kind of fractalization of content, right, Like

433
00:18:11.599 --> 00:18:14.640
<v Speaker 3>everybody is invested in their own little niches, and to

434
00:18:14.720 --> 00:18:17.720
<v Speaker 3>them it feels all encompassing and something that everybody is around,

435
00:18:17.759 --> 00:18:20.079
<v Speaker 3>and yet the people who are one or two steps

436
00:18:20.079 --> 00:18:21.519
<v Speaker 3>away from that have no idea. Like you know, I

437
00:18:21.559 --> 00:18:23.359
<v Speaker 3>always think about the fact my wife has no idea

438
00:18:23.400 --> 00:18:25.559
<v Speaker 3>who mister Beast is, and I wouldn't call myself a fan,

439
00:18:25.960 --> 00:18:28.759
<v Speaker 3>but he's one of the most influential figures in modern media,

440
00:18:28.920 --> 00:18:31.279
<v Speaker 3>and yet there are a whole group of people have

441
00:18:31.359 --> 00:18:34.160
<v Speaker 3>no idea, not even don't watch it, but have no

442
00:18:34.319 --> 00:18:37.759
<v Speaker 3>concept of even what it is. Your wife, Oh man,

443
00:18:38.079 --> 00:18:42.279
<v Speaker 3>what a simpler time. But yeah, I just don't think

444
00:18:42.279 --> 00:18:45.359
<v Speaker 3>it is possible. And as well as the fact that

445
00:18:45.400 --> 00:18:49.079
<v Speaker 3>streaming releases seasons full seasons at a time, and therefore

446
00:18:49.079 --> 00:18:52.000
<v Speaker 3>none of us are really watching things simultaneously, and those

447
00:18:52.039 --> 00:18:53.799
<v Speaker 3>few moments where we are they seem to become big

448
00:18:53.799 --> 00:18:56.559
<v Speaker 3>cultural moments, but they're the exception. So the Game of

449
00:18:56.640 --> 00:19:00.000
<v Speaker 3>Thrones and The Successions and these shows that have forced

450
00:19:00.160 --> 00:19:02.599
<v Speaker 3>us to watch them for watch them collectively have become

451
00:19:02.599 --> 00:19:05.079
<v Speaker 3>bigger cultural moments. But for the most part, we can't

452
00:19:05.079 --> 00:19:07.160
<v Speaker 3>discuss any show until we've all finished watching it. By

453
00:19:07.160 --> 00:19:08.440
<v Speaker 3>then it's not even interesting anymore.

454
00:19:08.519 --> 00:19:11.079
<v Speaker 4>Yeah, I don't think to go on from Dando's point,

455
00:19:11.119 --> 00:19:13.880
<v Speaker 4>and in your's time, I think in lieu of shows

456
00:19:13.960 --> 00:19:16.559
<v Speaker 4>being sort of the common currency or the common sort

457
00:19:16.559 --> 00:19:18.920
<v Speaker 4>of language that we have, it's probably a meme that

458
00:19:18.920 --> 00:19:20.839
<v Speaker 4>will catch on and everybody sort of knows what you

459
00:19:20.960 --> 00:19:24.119
<v Speaker 4>mean by that, or you can use it in any

460
00:19:24.160 --> 00:19:26.599
<v Speaker 4>sort of type of situation as a response or as a.

461
00:19:26.480 --> 00:19:27.480
<v Speaker 2>Call out or whatever.

462
00:19:27.960 --> 00:19:30.079
<v Speaker 4>Yeah, and usually they don't last all that long, which

463
00:19:30.119 --> 00:19:31.640
<v Speaker 4>can be a blessing in disguise. I mean, there was

464
00:19:31.680 --> 00:19:33.519
<v Speaker 4>a phase there where everyone's saying was, you know, everything

465
00:19:33.559 --> 00:19:36.880
<v Speaker 4>was very demure, everything was very whatever for about five

466
00:19:36.920 --> 00:19:38.960
<v Speaker 4>minutes or so, and thank god that five minutes is over.

467
00:19:39.319 --> 00:19:40.799
<v Speaker 4>But yeah, I think that might be sort of the

468
00:19:40.839 --> 00:19:44.880
<v Speaker 4>replacement of everyone knowing lines from The Simpsons and using

469
00:19:44.920 --> 00:19:46.279
<v Speaker 4>them in everyday conversation.

470
00:19:46.559 --> 00:19:49.759
<v Speaker 2>I think people the Simpsons live on now through meme culture.

471
00:19:49.799 --> 00:19:51.359
<v Speaker 2>I think, oh yeah, exoltly.

472
00:19:51.359 --> 00:19:54.319
<v Speaker 3>Yeah, one hundred percent. And I think, you know, things

473
00:19:54.359 --> 00:19:56.839
<v Speaker 3>move so quickly, so there probably won't be a podcast

474
00:19:56.880 --> 00:19:59.960
<v Speaker 3>about CEOs at Cold Blake concerts anytime soon. And yet

475
00:20:00.119 --> 00:20:03.079
<v Speaker 3>that was like the biggest cultural moment of this entire year,

476
00:20:03.240 --> 00:20:05.680
<v Speaker 3>and already it feels old hat and it happened a

477
00:20:05.680 --> 00:20:06.079
<v Speaker 3>week ago.

478
00:20:06.240 --> 00:20:08.039
<v Speaker 4>Yeah, Chris Martin's still trying to keep that alive. There

479
00:20:08.079 --> 00:20:09.799
<v Speaker 4>was a new story last night about.

480
00:20:09.720 --> 00:20:11.960
<v Speaker 2>Some couple who were I think trying to cause trying

481
00:20:11.960 --> 00:20:15.079
<v Speaker 2>to propose at a Coldplay concert using a sign yeah,

482
00:20:15.160 --> 00:20:16.200
<v Speaker 2>and of course he had to fault.

483
00:20:16.680 --> 00:20:19.279
<v Speaker 3>I can't imagine Chris Martin trying to overcapitalize on something

484
00:20:19.319 --> 00:20:20.720
<v Speaker 3>like that. That doesn't sound like something he had to do.

485
00:20:23.480 --> 00:20:25.200
<v Speaker 2>This show was brought to you by the four Finger

486
00:20:25.279 --> 00:20:28.279
<v Speaker 2>Discount Patreon, where you'll find over one hundred hours of

487
00:20:28.359 --> 00:20:32.880
<v Speaker 2>bonus podcasts, including exclusive Simpsons reviews and commentaries, as well

488
00:20:32.880 --> 00:20:36.079
<v Speaker 2>as exclusive episodes of Going Down to South Park, Tales

489
00:20:36.079 --> 00:20:40.319
<v Speaker 2>of Futurama, Bob's Pods, Speaking of the Hill, Talking Seifeld,

490
00:20:40.559 --> 00:20:43.200
<v Speaker 2>the One About Friends, and so much more. So go

491
00:20:43.240 --> 00:20:46.440
<v Speaker 2>ahead and join the family today at patreon dot com

492
00:20:46.440 --> 00:20:50.039
<v Speaker 2>slash four finger Discount, All Singing, all Dancing. Why did

493
00:20:50.079 --> 00:20:51.119
<v Speaker 2>you choose this episode?

494
00:20:51.640 --> 00:20:56.640
<v Speaker 3>I just I've always loved the musical elements of The Simpsons,

495
00:20:56.640 --> 00:21:00.039
<v Speaker 3>and I think of so a real foundational memory for

496
00:21:00.079 --> 00:21:02.079
<v Speaker 3>me the Simpsons is listening to that songs in the

497
00:21:02.160 --> 00:21:05.799
<v Speaker 3>Key of Springfield CD as I was falling asleep on

498
00:21:05.839 --> 00:21:09.839
<v Speaker 3>my Discman underneath my pillow as a youth. And then

499
00:21:09.880 --> 00:21:12.119
<v Speaker 3>eventually I think I ended up upgrading from that to

500
00:21:12.200 --> 00:21:15.839
<v Speaker 3>like I would burn my own CDs that had like

501
00:21:15.880 --> 00:21:18.480
<v Speaker 3>it was a combination of songs but also like little

502
00:21:19.160 --> 00:21:23.759
<v Speaker 3>clippable quotes and sound clips and sound bites from the show,

503
00:21:23.799 --> 00:21:25.960
<v Speaker 3>which is so lame, but it was a thing that

504
00:21:26.000 --> 00:21:26.400
<v Speaker 3>I loved.

505
00:21:26.799 --> 00:21:28.720
<v Speaker 2>No, no, it couldn't be lame. I did it as well,

506
00:21:29.000 --> 00:21:29.680
<v Speaker 2>did you really that?

507
00:21:30.000 --> 00:21:33.200
<v Speaker 3>But the thing of like having you know, just just

508
00:21:33.240 --> 00:21:36.759
<v Speaker 3>a quote Homer Simpsons saying something funny as you fall asleep.

509
00:21:36.480 --> 00:21:38.559
<v Speaker 2>Well that's like on those CDs, like you're saying songs

510
00:21:38.559 --> 00:21:40.640
<v Speaker 2>in the key. Just hearing dialogu from the Simpsons felt

511
00:21:40.640 --> 00:21:42.200
<v Speaker 2>so cool because it's not just on the TV. I'm

512
00:21:42.200 --> 00:21:43.920
<v Speaker 2>listening to it in the car or my Discman, Now,

513
00:21:43.920 --> 00:21:44.640
<v Speaker 2>it's so special.

514
00:21:45.440 --> 00:21:47.559
<v Speaker 4>YouTube gentlemen are being very millennial about this, so I'm

515
00:21:47.559 --> 00:21:50.359
<v Speaker 4>going to throw in an old man yelling at cloud

516
00:21:50.400 --> 00:21:52.759
<v Speaker 4>generation X style reference. This is very reminism of like

517
00:21:52.759 --> 00:21:56.039
<v Speaker 4>a Quentin Tarantino soundtrack where you get the like pulp

518
00:21:56.039 --> 00:21:58.960
<v Speaker 4>Fiction or Jackie Brown or whatever, where you get the

519
00:21:59.000 --> 00:22:01.279
<v Speaker 4>songs that are on the in the film, but they'd

520
00:22:01.279 --> 00:22:04.680
<v Speaker 4>be interspersed with bits of dialogue because dialogue was just

521
00:22:04.720 --> 00:22:06.680
<v Speaker 4>as sort of entertaining musical.

522
00:22:07.319 --> 00:22:10.599
<v Speaker 3>Yeah, yeah, absolutely, yeah, I remember that again back in

523
00:22:10.640 --> 00:22:14.200
<v Speaker 3>the kind of post an apstamare LimeWire days downloading. I

524
00:22:14.240 --> 00:22:15.680
<v Speaker 3>think it was it was either Stuck in the Middle

525
00:22:15.799 --> 00:22:17.880
<v Speaker 3>with You or one of those reservoir Dog tracks. And

526
00:22:17.880 --> 00:22:21.200
<v Speaker 3>they've always got the Stephen Wright radio.

527
00:22:21.160 --> 00:22:24.000
<v Speaker 4>Intro capability super sund of the seventies.

528
00:22:24.240 --> 00:22:27.599
<v Speaker 3>Yeah, exactly, so yes, no, So I really loved the

529
00:22:27.720 --> 00:22:31.039
<v Speaker 3>music and it was I liked how that has transitioned

530
00:22:31.079 --> 00:22:34.359
<v Speaker 3>to things like again back to south Park, Bigger Logo,

531
00:22:34.400 --> 00:22:36.559
<v Speaker 3>ron Cut, and the Team America movie, and then obviously

532
00:22:36.559 --> 00:22:38.839
<v Speaker 3>Book A Mormon and then A Family Guy also have

533
00:22:39.039 --> 00:22:42.160
<v Speaker 3>these kind of musical moments scattered throughout. So I kind

534
00:22:42.200 --> 00:22:44.119
<v Speaker 3>of just wanted to talk about the songs, and then

535
00:22:44.200 --> 00:22:46.759
<v Speaker 3>I because I know I knew all the songs really well,

536
00:22:47.039 --> 00:22:49.319
<v Speaker 3>but then watching the episode, I was like, this is

537
00:22:49.400 --> 00:22:52.279
<v Speaker 3>not a good episode of television, but it is a

538
00:22:52.319 --> 00:22:55.039
<v Speaker 3>good excuse to talk about a bunch of very good songs.

539
00:22:55.319 --> 00:22:58.440
<v Speaker 2>It felt important special twenty five years ago though, when

540
00:22:58.440 --> 00:23:00.640
<v Speaker 2>I was a kid watching this, because, as you were saying,

541
00:23:00.680 --> 00:23:03.079
<v Speaker 2>we didn't have YouTube, right, so we couldn't just go

542
00:23:03.160 --> 00:23:05.319
<v Speaker 2>on New to even find the song that we wanted

543
00:23:05.359 --> 00:23:07.240
<v Speaker 2>to listen to. So this felt like like one of

544
00:23:07.279 --> 00:23:09.960
<v Speaker 2>those so fresh compilation CD's, like the greatest Hit CD

545
00:23:10.319 --> 00:23:12.200
<v Speaker 2>with all the best clips in the one episode. So

546
00:23:12.519 --> 00:23:14.599
<v Speaker 2>they were necessary twenty five years ago, but now in

547
00:23:14.640 --> 00:23:16.240
<v Speaker 2>twenty twenty five, they just feel redundant.

548
00:23:16.440 --> 00:23:18.279
<v Speaker 3>That's really I never thought about that, But you're right.

549
00:23:18.359 --> 00:23:21.400
<v Speaker 3>The compilation episodes must have really served a purpose or

550
00:23:21.440 --> 00:23:23.440
<v Speaker 3>clip shows must have said the real purpose at the time.

551
00:23:23.640 --> 00:23:25.599
<v Speaker 3>They just don't anymore. I'd never really considered that.

552
00:23:25.720 --> 00:23:28.000
<v Speaker 2>Well, they filed a quota, they meant that the writers

553
00:23:28.039 --> 00:23:29.440
<v Speaker 2>didn't have to work as hard, and they just sort

554
00:23:29.440 --> 00:23:31.799
<v Speaker 2>of they just pad out an episode that they felt lazy,

555
00:23:31.960 --> 00:23:34.079
<v Speaker 2>but they did for people who just wanted to find

556
00:23:34.279 --> 00:23:36.039
<v Speaker 2>the best bits of a show, this is how you

557
00:23:36.160 --> 00:23:37.359
<v Speaker 2>got them, and serve as.

558
00:23:37.240 --> 00:23:39.119
<v Speaker 4>A reminder of, look, this is what we're capable of

559
00:23:39.200 --> 00:23:40.640
<v Speaker 4>as well. I mean, I don't think they're picking any

560
00:23:40.759 --> 00:23:45.200
<v Speaker 4>sort of dud songs to reminisce over. They're picking some

561
00:23:45.319 --> 00:23:46.599
<v Speaker 4>cherries there for sure.

562
00:23:46.680 --> 00:23:48.519
<v Speaker 3>And also this is in the context of I mean,

563
00:23:48.559 --> 00:23:50.599
<v Speaker 3>how many episodes of season? Is this twenty four episodes

564
00:23:50.680 --> 00:23:52.839
<v Speaker 3>or something like two ish or something. You forget that

565
00:23:52.920 --> 00:23:54.559
<v Speaker 3>that was kind of standard in a lot of television

566
00:23:54.599 --> 00:23:57.160
<v Speaker 3>as well, right, like especially, I mean I remember you know,

567
00:23:57.359 --> 00:24:01.039
<v Speaker 3>the Supernatural Days or whatever, those suits or stuff you

568
00:24:01.119 --> 00:24:02.880
<v Speaker 3>know right up until I think it was that Rider's

569
00:24:02.880 --> 00:24:05.119
<v Speaker 3>strike sort of the turning point. But there was a

570
00:24:05.240 --> 00:24:07.279
<v Speaker 3>lot of content that they had to feel, so it's

571
00:24:07.319 --> 00:24:09.880
<v Speaker 3>hard to really begrudge them for phoning one in from

572
00:24:09.880 --> 00:24:12.839
<v Speaker 3>time to time. But yeah, I think the thing that

573
00:24:12.920 --> 00:24:14.599
<v Speaker 3>I had gone on to read about this was and

574
00:24:14.720 --> 00:24:16.279
<v Speaker 3>I imagine we'll get to this, but that this was

575
00:24:16.440 --> 00:24:18.720
<v Speaker 3>actually kind of a marketing exercise four songs in the

576
00:24:18.759 --> 00:24:21.599
<v Speaker 3>key of Springfield, which I didn't realize. So I can

577
00:24:21.640 --> 00:24:23.480
<v Speaker 3>see why some people would get frustrated. But it's like,

578
00:24:23.480 --> 00:24:25.440
<v Speaker 3>how many good episodes of TV are you entitled to

579
00:24:25.599 --> 00:24:27.240
<v Speaker 3>in a year? Surely they can take a week off.

580
00:24:27.279 --> 00:24:29.160
<v Speaker 3>You're not paying for this. It's free entertainment, just one

581
00:24:29.200 --> 00:24:30.599
<v Speaker 3>hundred percent. Sit down, shut up, and enjoy it.

582
00:24:30.720 --> 00:24:30.880
<v Speaker 2>Yeah.

583
00:24:31.039 --> 00:24:34.559
<v Speaker 3>Yeah, so I I yes, I thought, great excuse to

584
00:24:34.599 --> 00:24:36.559
<v Speaker 3>talk about the songs, even though I think the episode

585
00:24:36.559 --> 00:24:38.160
<v Speaker 3>itself was a bit whatever.

586
00:24:38.079 --> 00:24:39.880
<v Speaker 2>Do you have a standout song of the Simpsons?

587
00:24:40.400 --> 00:24:42.680
<v Speaker 3>So I kind of because as I was watching it,

588
00:24:42.839 --> 00:24:44.720
<v Speaker 3>I was trying to kind of clock if there are

589
00:24:44.880 --> 00:24:48.319
<v Speaker 3>things that weren't in it that I that I would

590
00:24:48.319 --> 00:24:49.599
<v Speaker 3>have missed, and I think in watching it was the

591
00:24:49.720 --> 00:24:51.640
<v Speaker 3>kind of they kind of cracked all the hits, I think,

592
00:24:52.519 --> 00:24:55.160
<v Speaker 3>especially for the episode see My vest is Hard to

593
00:24:55.200 --> 00:24:57.680
<v Speaker 3>Go Past. I think that's fantastic. I also really like

594
00:24:57.759 --> 00:25:00.839
<v Speaker 3>the Stonecutters song. I really enjoyed that. In terms of

595
00:25:00.880 --> 00:25:02.759
<v Speaker 3>things that weren't in the episode, I have a real

596
00:25:02.839 --> 00:25:06.279
<v Speaker 3>soft spot for the Flaming mos Cheers kind of intro song.

597
00:25:06.559 --> 00:25:08.000
<v Speaker 2>Parody ones are always great, aren't they.

598
00:25:08.440 --> 00:25:12.279
<v Speaker 3>They are fantastic. Yeah, and also also parody all the

599
00:25:12.319 --> 00:25:15.640
<v Speaker 3>original means something to me is we're talking softball. I

600
00:25:15.920 --> 00:25:16.880
<v Speaker 3>always really enjoyed that too.

601
00:25:17.279 --> 00:25:19.599
<v Speaker 4>We had a mail bag episode recently where we were

602
00:25:19.799 --> 00:25:23.039
<v Speaker 4>answering questions from fans of the show, and I think

603
00:25:23.079 --> 00:25:25.960
<v Speaker 4>we were asked about our favorite songs and we trade

604
00:25:26.000 --> 00:25:27.559
<v Speaker 4>a few that were in this episode. I think one

605
00:25:27.559 --> 00:25:30.880
<v Speaker 4>of the ones that I mentioned that I really enjoyed.

606
00:25:30.920 --> 00:25:32.599
<v Speaker 4>I don't think they would have been really relevant in

607
00:25:32.720 --> 00:25:35.279
<v Speaker 4>this episode, but they were the Learning Lumpkin ones from.

608
00:25:36.680 --> 00:25:39.960
<v Speaker 2>Actually, have you revisited that episode for for a while. No,

609
00:25:40.559 --> 00:25:43.039
<v Speaker 2>it's revisited the music and that's fantastic, isn't it.

610
00:25:43.160 --> 00:25:45.000
<v Speaker 4>Yeah, and works in concert with a you know, a

611
00:25:45.079 --> 00:25:47.720
<v Speaker 4>really touching story as well, so it's you get the

612
00:25:47.759 --> 00:25:48.400
<v Speaker 4>best of both.

613
00:25:48.240 --> 00:25:50.559
<v Speaker 3>Worlds Now that I think about that. It is a

614
00:25:50.839 --> 00:25:53.039
<v Speaker 3>very kind of adult story, isn't it that one? Like

615
00:25:53.119 --> 00:25:56.599
<v Speaker 3>it's it's fair. It grapples with some pretty heady stuff you.

616
00:25:56.680 --> 00:25:58.519
<v Speaker 2>On the episode ever written by Matt Groening as well,

617
00:25:59.000 --> 00:25:59.839
<v Speaker 2>Is that right? Yeah?

618
00:26:00.359 --> 00:26:00.799
<v Speaker 3>There you go.

619
00:26:01.599 --> 00:26:04.119
<v Speaker 2>Colonel Homer is like what I consider like the hidden Gem.

620
00:26:04.920 --> 00:26:06.680
<v Speaker 2>No one seems to talk about it anymore, but Colonel

621
00:26:06.720 --> 00:26:10.640
<v Speaker 2>Homer revisit it because what season is that? That's season three? Three?

622
00:26:10.920 --> 00:26:15.599
<v Speaker 3>Yeah, okay, yeah, it's very early for me, Like it's again,

623
00:26:15.920 --> 00:26:18.160
<v Speaker 3>those were episodes I only would have seen in retrospect,

624
00:26:18.319 --> 00:26:21.200
<v Speaker 3>and the colors are so it's all so much darker,

625
00:26:21.279 --> 00:26:23.119
<v Speaker 3>and it's a little bit it just feels older.

626
00:26:24.079 --> 00:26:26.359
<v Speaker 2>What was your mentality then, so growing up? Did you

627
00:26:26.400 --> 00:26:29.200
<v Speaker 2>go back and revisit those earlier ones because it looked differently?

628
00:26:29.319 --> 00:26:30.559
<v Speaker 2>Did you go out it looks too old for me?

629
00:26:30.640 --> 00:26:34.079
<v Speaker 2>Because my kids now I'll put on HD Simpsons and

630
00:26:34.119 --> 00:26:36.680
<v Speaker 2>they almost prefer to watch it just because it looks better. Yeah,

631
00:26:37.000 --> 00:26:38.759
<v Speaker 2>I've got a seven year old and a four year old,

632
00:26:38.880 --> 00:26:42.160
<v Speaker 2>and they like they seem to just want to gravitate

633
00:26:42.160 --> 00:26:43.960
<v Speaker 2>towards the newer ones. I think there's like to look

634
00:26:43.960 --> 00:26:46.279
<v Speaker 2>at it it's just the visuals. It's brighter, it's widescreen,

635
00:26:46.359 --> 00:26:48.680
<v Speaker 2>it's fancier. I put on the old ones and they

636
00:26:48.839 --> 00:26:50.160
<v Speaker 2>enjoy them, but it's just like they go, why does

637
00:26:50.160 --> 00:26:51.079
<v Speaker 2>it look so old? You know?

638
00:26:51.319 --> 00:26:54.720
<v Speaker 3>Yeah, I think when I first started watching The Simpsons,

639
00:26:54.759 --> 00:26:58.839
<v Speaker 3>you are just you're left up to whatever Fox it's

640
00:26:58.880 --> 00:27:00.559
<v Speaker 3>going to give you, or Channel tens can to give you. Right,

641
00:27:00.640 --> 00:27:02.279
<v Speaker 3>so you watch what's on and you say thank you,

642
00:27:02.720 --> 00:27:04.000
<v Speaker 3>even if I would have liked it to have been

643
00:27:04.039 --> 00:27:06.480
<v Speaker 3>a little a different shade of yellow, but yeah, I

644
00:27:06.839 --> 00:27:08.960
<v Speaker 3>think you just kind of get this inherent thing of like, oh,

645
00:27:09.000 --> 00:27:13.039
<v Speaker 3>this isn't quite for me. Maybe not as in I

646
00:27:13.119 --> 00:27:14.759
<v Speaker 3>don't like it, but as in like, oh this was

647
00:27:14.839 --> 00:27:18.359
<v Speaker 3>made for a different type of viewer. Maybe still watch it,

648
00:27:18.480 --> 00:27:20.960
<v Speaker 3>but you just you can't help but escape. And there's

649
00:27:20.960 --> 00:27:23.119
<v Speaker 3>still some moments in that stuff I really like, but

650
00:27:23.200 --> 00:27:26.279
<v Speaker 3>it just it feels less. It just inherently feels that's relevant,

651
00:27:26.279 --> 00:27:29.759
<v Speaker 3>maybe just implicitly, but it's amazing. How like my wife

652
00:27:29.799 --> 00:27:33.000
<v Speaker 3>and I watching The Biggest Loser documentary at the moment.

653
00:27:32.880 --> 00:27:35.039
<v Speaker 2>Oh god, we watched it on the weekend. What's that on?

654
00:27:35.079 --> 00:27:36.640
<v Speaker 2>What's streaming? So that's on Netflix? Netflix?

655
00:27:36.759 --> 00:27:39.839
<v Speaker 3>Yeah, it's amazing what TV looked like in two thousand

656
00:27:39.839 --> 00:27:41.440
<v Speaker 3>and four or whatever. It's like, how the fuck will

657
00:27:41.440 --> 00:27:43.359
<v Speaker 3>we watch it? Where our TIV is that small that

658
00:27:43.480 --> 00:27:46.160
<v Speaker 3>we didn't notice how pixelated. Even these guys are enormous

659
00:27:46.160 --> 00:27:49.599
<v Speaker 3>and there's still like four pixels, So it's it's bizarre

660
00:27:49.640 --> 00:27:51.880
<v Speaker 3>how quickly those things move. So there's just like an

661
00:27:51.920 --> 00:27:54.279
<v Speaker 3>inherent old nurse and some of the voices are a

662
00:27:54.359 --> 00:27:57.279
<v Speaker 3>little different, I guess, and that sort of thing. But yeah,

663
00:27:57.559 --> 00:28:00.880
<v Speaker 3>it wasn't like a conscious thing to discredit. It just

664
00:28:00.920 --> 00:28:01.559
<v Speaker 3>feels different.

665
00:28:01.720 --> 00:28:04.000
<v Speaker 2>I guess it's the equivalent of in the mid nineties

666
00:28:04.039 --> 00:28:06.039
<v Speaker 2>my parents putting on a cartoon from the sixties and saying,

667
00:28:06.079 --> 00:28:09.240
<v Speaker 2>watch this and enjoy it. You know, you'll enjoy the Flintstones.

668
00:28:09.240 --> 00:28:12.599
<v Speaker 2>Brendan Well, I did enjoy the Flintstones. But for you, though, Tom,

669
00:28:12.680 --> 00:28:15.240
<v Speaker 2>what makes a good Simpsons song? For me? I prefer

670
00:28:15.319 --> 00:28:17.920
<v Speaker 2>to have as many of the town's people involved as possible,

671
00:28:17.920 --> 00:28:19.920
<v Speaker 2>which is why we put the spring in Springfoot is

672
00:28:19.960 --> 00:28:21.759
<v Speaker 2>my favorite Simpsons song. But for you personally, what do

673
00:28:21.839 --> 00:28:23.880
<v Speaker 2>you want out of a Simpson song? Yeah?

674
00:28:23.960 --> 00:28:26.599
<v Speaker 3>I think like there's an inherent catchiness that I like

675
00:28:26.759 --> 00:28:28.640
<v Speaker 3>a lot like there's things that get they're just earworms

676
00:28:28.680 --> 00:28:31.000
<v Speaker 3>that get stuck in your head. I like, I was

677
00:28:31.039 --> 00:28:35.480
<v Speaker 3>trying to think about how they're not necessarily gag heavy,

678
00:28:36.039 --> 00:28:40.480
<v Speaker 3>but some songs feel a lot more kind of dense

679
00:28:40.599 --> 00:28:42.680
<v Speaker 3>than others in a good way, where it's just there's

680
00:28:42.720 --> 00:28:44.720
<v Speaker 3>detail in that. I think about that Stonecutters song and

681
00:28:44.799 --> 00:28:47.480
<v Speaker 3>the interplay between like you know, the Martian popping up

682
00:28:47.559 --> 00:28:49.559
<v Speaker 3>and Steve Gutenberg being there and like all that sort

683
00:28:49.559 --> 00:28:52.960
<v Speaker 3>of stuff that I quite enjoy. I think also for

684
00:28:53.279 --> 00:28:55.240
<v Speaker 3>seeing my vest, that kind of the interplay between what

685
00:28:55.240 --> 00:28:58.400
<v Speaker 3>you're seeing or what you're hearing is fun, I think,

686
00:28:58.440 --> 00:29:01.839
<v Speaker 3>whereas compared to like I feel as if the Monorail

687
00:29:02.279 --> 00:29:04.960
<v Speaker 3>song an episode is meant to be this this triumph

688
00:29:04.960 --> 00:29:07.720
<v Speaker 3>and it's fantastic, But like watching it in the clip

689
00:29:07.960 --> 00:29:09.759
<v Speaker 3>was like, this is quite short, isn't it Like it's

690
00:29:09.839 --> 00:29:10.799
<v Speaker 3>over before you know it?

691
00:29:11.440 --> 00:29:12.000
<v Speaker 2>So I think it is.

692
00:29:12.079 --> 00:29:14.319
<v Speaker 3>It's that combination of like, yeah, catchiness and then and

693
00:29:14.400 --> 00:29:16.200
<v Speaker 3>then the kind of other jokes in it are the

694
00:29:16.240 --> 00:29:17.640
<v Speaker 3>little funny moments in it.

695
00:29:18.119 --> 00:29:20.279
<v Speaker 2>I think with the Mono Rail episode in general, just

696
00:29:20.319 --> 00:29:22.640
<v Speaker 2>having Conan's name attached to it just makes it just

697
00:29:22.680 --> 00:29:23.240
<v Speaker 2>feel cooler.

698
00:29:23.599 --> 00:29:24.160
<v Speaker 3>Is that what it is.

699
00:29:25.359 --> 00:29:27.519
<v Speaker 2>It's very wacky. And it was the first episode where

700
00:29:27.599 --> 00:29:30.640
<v Speaker 2>Matt Groening literally said to them, look, because he didn't

701
00:29:30.640 --> 00:29:32.079
<v Speaker 2>want to do the Lenar Nimoy gag at the end

702
00:29:32.119 --> 00:29:34.359
<v Speaker 2>where he disappears like Star Trek, right, he was very

703
00:29:34.440 --> 00:29:36.720
<v Speaker 2>much against that. He wanted to keep it as real

704
00:29:36.799 --> 00:29:39.400
<v Speaker 2>as possible, realistic as possible, and then he said, fine,

705
00:29:39.480 --> 00:29:41.480
<v Speaker 2>just go with it, right, and it worked and it's

706
00:29:41.680 --> 00:29:44.079
<v Speaker 2>like it just went crazy. People love that gag. And

707
00:29:44.119 --> 00:29:46.079
<v Speaker 2>then that's when Matt Grany went, fine, go have fun

708
00:29:46.119 --> 00:29:46.519
<v Speaker 2>with the show.

709
00:29:46.720 --> 00:29:48.880
<v Speaker 3>Yeah, yeah, that's cool. I mean, I love I love

710
00:29:48.920 --> 00:29:52.279
<v Speaker 3>Phil Hartman, and again all everything that he ever did

711
00:29:52.400 --> 00:29:54.759
<v Speaker 3>was before my time. But the more I find out

712
00:29:54.759 --> 00:29:56.559
<v Speaker 3>about him, and I love Troy McClure, and I love

713
00:29:56.599 --> 00:29:59.359
<v Speaker 3>Lionel Hearts and I think him having a bit of

714
00:29:59.440 --> 00:30:02.640
<v Speaker 3>a that character is so perfect for him and his voice.

715
00:30:03.400 --> 00:30:06.119
<v Speaker 3>So yeah, I can see why people get attached it.

716
00:30:06.119 --> 00:30:08.279
<v Speaker 3>And you're right, it is the Conan one. Even I mean,

717
00:30:08.400 --> 00:30:09.519
<v Speaker 3>how involved was Conan though?

718
00:30:09.519 --> 00:30:12.039
<v Speaker 2>You guys know he's from the writing stuff until he

719
00:30:12.519 --> 00:30:14.440
<v Speaker 2>had the Late Night Is that what he started with

720
00:30:14.599 --> 00:30:17.720
<v Speaker 2>Late Yeah? Yeah, yeah, so he was a head writer, right, No,

721
00:30:17.839 --> 00:30:19.400
<v Speaker 2>he was never head writer. No no, but he was

722
00:30:19.519 --> 00:30:21.759
<v Speaker 2>on the writing team. But the episodes he wrote were

723
00:30:22.400 --> 00:30:25.480
<v Speaker 2>Homer goes to college large versus the Monorail and he's

724
00:30:25.519 --> 00:30:27.160
<v Speaker 2>one that no one seems to really talk about, which

725
00:30:27.160 --> 00:30:28.400
<v Speaker 2>is one of my favorite ones. This new kid on

726
00:30:28.440 --> 00:30:30.440
<v Speaker 2>the block where Laura Powers moves in next door the

727
00:30:31.200 --> 00:30:34.640
<v Speaker 2>older girl. Oh oh yeah, she starts dating Jimbo at

728
00:30:34.640 --> 00:30:36.519
<v Speaker 2>the end and Mode comes to kill him that one,

729
00:30:36.920 --> 00:30:38.680
<v Speaker 2>And that's They've got the B plot of Homer with

730
00:30:38.759 --> 00:30:40.599
<v Speaker 2>the OI you can Eat buffet. That's the B plot.

731
00:30:41.039 --> 00:30:46.319
<v Speaker 2>Oh yeah, so just absolute bang. It's from Conan I think. Yeah.

732
00:30:46.359 --> 00:30:49.519
<v Speaker 4>The reason that I'm that I enjoyed the Monorail song

733
00:30:49.640 --> 00:30:52.039
<v Speaker 4>so much is just I feel the ingenuity not just

734
00:30:52.240 --> 00:30:55.640
<v Speaker 4>of La Lanley, but also I'm just sort of swept

735
00:30:55.720 --> 00:30:57.839
<v Speaker 4>up in his spiel. You know, I'm like, oh God,

736
00:30:57.880 --> 00:31:00.200
<v Speaker 4>I'd be all over a monorail of this general was

737
00:31:00.240 --> 00:31:02.240
<v Speaker 4>selling it to me. But then you you've got sort

738
00:31:02.240 --> 00:31:04.240
<v Speaker 4>of like a triple layer of ingenuity because you can

739
00:31:04.319 --> 00:31:06.240
<v Speaker 4>feel what Phil Harton's bringing to the table as well,

740
00:31:06.359 --> 00:31:08.559
<v Speaker 4>just the joy in his performance. And then you're thinking

741
00:31:08.559 --> 00:31:10.920
<v Speaker 4>about Conan Or and well, I guess everyone in the

742
00:31:10.960 --> 00:31:14.720
<v Speaker 4>writing room sort of adding their two cents to it. Yeah,

743
00:31:14.720 --> 00:31:16.440
<v Speaker 4>it just feels like everybody's sort of working at the

744
00:31:16.480 --> 00:31:19.640
<v Speaker 4>peak of their powers, even if it is brief. Yeah,

745
00:31:19.759 --> 00:31:22.279
<v Speaker 4>but no, for mine just works just so well. And

746
00:31:22.359 --> 00:31:25.519
<v Speaker 4>it's one of those things as well where everybody gets

747
00:31:25.559 --> 00:31:27.680
<v Speaker 4>a moment and it all feels relevant to their characters

748
00:31:27.720 --> 00:31:29.720
<v Speaker 4>as well. So yeah, that's why I'm the big fan

749
00:31:29.759 --> 00:31:30.079
<v Speaker 4>of that one.

750
00:31:30.119 --> 00:31:31.519
<v Speaker 2>And if you haven't seen it, he did do a

751
00:31:31.599 --> 00:31:33.359
<v Speaker 2>live performance of it. Have you seen that time?

752
00:31:33.440 --> 00:31:35.240
<v Speaker 3>I have seen that at the Hollywood Bowl.

753
00:31:35.400 --> 00:31:37.559
<v Speaker 2>Yes, yeah, very very good. All right, So shall we

754
00:31:37.599 --> 00:31:39.839
<v Speaker 2>get into our favorite moments from all singing and all dancing.

755
00:31:39.920 --> 00:31:44.319
<v Speaker 2>Let's get in my favorite. I really liked that line

756
00:31:44.319 --> 00:31:46.680
<v Speaker 2>at the start when Homer returns from the video store

757
00:31:47.240 --> 00:31:49.000
<v Speaker 2>and he says they're putting on the waiting li for exale?

758
00:31:49.240 --> 00:31:51.720
<v Speaker 2>What is it waiting to exale? But then he not

759
00:31:51.759 --> 00:31:54.000
<v Speaker 2>the whole air breath. Yeah, it's great joke.

760
00:31:54.400 --> 00:31:56.839
<v Speaker 4>What I loved about that though, was just that I

761
00:31:56.880 --> 00:31:58.759
<v Speaker 4>don't know if you'll appreciate this time as a stand up,

762
00:31:58.759 --> 00:32:00.480
<v Speaker 4>but it just had that kind of mind and have laughter.

763
00:32:01.200 --> 00:32:02.680
<v Speaker 4>What there's that gift from the sins as well with

764
00:32:02.759 --> 00:32:05.079
<v Speaker 4>the stand up guys going eh eh, doing a hand

765
00:32:05.160 --> 00:32:07.759
<v Speaker 4>jester almost but like home was waiting for the reactions,

766
00:32:07.880 --> 00:32:10.519
<v Speaker 4>Like the joke's kind of hackney, but it's also kind

767
00:32:10.559 --> 00:32:12.279
<v Speaker 4>of perfect. I loved it for that reason.

768
00:32:12.839 --> 00:32:14.640
<v Speaker 3>No, I agree. I think it's a it's a it's

769
00:32:14.680 --> 00:32:16.480
<v Speaker 3>a great like it's a joke joke, which I love,

770
00:32:16.640 --> 00:32:17.440
<v Speaker 3>Thank you for very good.

771
00:32:17.559 --> 00:32:18.960
<v Speaker 2>And being a clip show, it's hard to sort of

772
00:32:19.000 --> 00:32:20.720
<v Speaker 2>find favorite moments, isn't it, because there's just not much

773
00:32:20.720 --> 00:32:21.720
<v Speaker 2>original content in.

774
00:32:21.759 --> 00:32:23.839
<v Speaker 3>There, especially because and I know we're meant to be

775
00:32:23.839 --> 00:32:25.400
<v Speaker 3>talking about favorite moments, it's not going to be shoting

776
00:32:25.400 --> 00:32:27.599
<v Speaker 3>on the episode yet. But like I think the sort

777
00:32:27.599 --> 00:32:30.200
<v Speaker 3>of jukebox musical approach. I don't even know it's called,

778
00:32:30.279 --> 00:32:31.960
<v Speaker 3>but you know what do they there's a name for it,

779
00:32:32.039 --> 00:32:34.519
<v Speaker 3>like Hamilton, where they they're singing the whole time once

780
00:32:34.559 --> 00:32:37.440
<v Speaker 3>the musical starts. And I think that stuff in between

781
00:32:37.920 --> 00:32:39.440
<v Speaker 3>the clips is so forgettable.

782
00:32:39.759 --> 00:32:42.720
<v Speaker 2>Oh absolutely, I actually I didn't mind that. I thought

783
00:32:42.720 --> 00:32:44.480
<v Speaker 2>at least they're having fun with the concept. It's not

784
00:32:44.599 --> 00:32:46.599
<v Speaker 2>just hey, here's a bunch of clips, at least because

785
00:32:46.640 --> 00:32:48.359
<v Speaker 2>it's a musical that they're showing all the songs. At

786
00:32:48.440 --> 00:32:49.920
<v Speaker 2>least they turned it into something different.

787
00:32:50.519 --> 00:32:52.079
<v Speaker 3>Yeah, I get that, but I just feel like they

788
00:32:52.200 --> 00:32:56.160
<v Speaker 3>did the most first thought version, Like they weren't really

789
00:32:56.240 --> 00:32:57.839
<v Speaker 3>too funny in the way they did that, Whereas I

790
00:32:57.839 --> 00:32:59.599
<v Speaker 3>think that waiting to exhale thing, You're right, that's it's

791
00:32:59.599 --> 00:33:01.319
<v Speaker 3>a good jo did a joke joke up front? I

792
00:33:01.480 --> 00:33:01.640
<v Speaker 3>like that.

793
00:33:01.960 --> 00:33:03.759
<v Speaker 4>Yeah, I think I've written down could live without the

794
00:33:03.799 --> 00:33:04.640
<v Speaker 4>Snake interludes.

795
00:33:04.960 --> 00:33:08.279
<v Speaker 2>Yeah, particularly him pointing a gun at Maggie. I was like,

796
00:33:08.759 --> 00:33:10.480
<v Speaker 2>I just don't think that. I feel that that's a

797
00:33:10.519 --> 00:33:12.400
<v Speaker 2>reason for cancelation in twenty twenty five, and I think

798
00:33:12.400 --> 00:33:13.519
<v Speaker 2>you would do that anymore right.

799
00:33:13.720 --> 00:33:16.160
<v Speaker 3>Also, he pulls the trigger five times, he goes to

800
00:33:16.319 --> 00:33:18.039
<v Speaker 3>kill the entire Simpsons family.

801
00:33:18.480 --> 00:33:20.079
<v Speaker 2>Yeah, I just couldn't believe that he pointed a gun

802
00:33:20.160 --> 00:33:22.359
<v Speaker 2>at the baby and pulled and pulled the trigger. Grand

803
00:33:22.519 --> 00:33:24.480
<v Speaker 2>there was a bullet in. But I thought and apparently

804
00:33:24.519 --> 00:33:26.039
<v Speaker 2>the senses weren't happy with that, and I thought it

805
00:33:26.079 --> 00:33:28.200
<v Speaker 2>was probably a good reason when I'm all for dark comedy,

806
00:33:28.240 --> 00:33:30.359
<v Speaker 2>but pointing a gun maybe because silm my dad. Now

807
00:33:30.359 --> 00:33:32.079
<v Speaker 2>I don't know, but I was like, oh, boy.

808
00:33:32.759 --> 00:33:34.759
<v Speaker 3>Well, because Snake was always a crook, but he was

809
00:33:34.839 --> 00:33:38.079
<v Speaker 3>never just like a psychopath and he's like, for some reason,

810
00:33:38.160 --> 00:33:40.720
<v Speaker 3>he's killing all the Simpsons for no reason, Like for

811
00:33:40.960 --> 00:33:43.759
<v Speaker 3>what for a copy of Paint Your Wagon on VHS?

812
00:33:44.000 --> 00:33:45.039
<v Speaker 2>Was that? Was that why he was doing it? I

813
00:33:45.079 --> 00:33:46.319
<v Speaker 2>thought he was just breaking him because he didn't like

814
00:33:46.359 --> 00:33:48.240
<v Speaker 2>the singing. Oh is that what it was? I thought.

815
00:33:48.359 --> 00:33:50.079
<v Speaker 4>I thought he was on the run from someone, like

816
00:33:50.160 --> 00:33:51.799
<v Speaker 4>he needed somewhere to sort of whole up. It was like,

817
00:33:51.839 --> 00:33:53.200
<v Speaker 4>oh God, I've come to a house where people are

818
00:33:53.200 --> 00:33:54.160
<v Speaker 4>singing for no reason.

819
00:33:54.240 --> 00:33:54.839
<v Speaker 2>Here is snake.

820
00:33:55.359 --> 00:33:58.599
<v Speaker 4>Yeah, basically speaking of Paint your Wagon, that's probably I mean,

821
00:33:59.200 --> 00:34:01.599
<v Speaker 4>this was I guess original to this episode.

822
00:34:01.640 --> 00:34:03.680
<v Speaker 2>I mean, that wasn't in anything else, was it this? No?

823
00:34:03.799 --> 00:34:05.559
<v Speaker 4>No, no, this is the framing device for this episode.

824
00:34:05.839 --> 00:34:07.400
<v Speaker 4>It's something that I enjoyed. I mean, it's been a

825
00:34:07.400 --> 00:34:10.920
<v Speaker 4>while since I've watched this episode, but the whole as

826
00:34:10.960 --> 00:34:12.639
<v Speaker 4>I said, I'm generation X, I'm a little bit older.

827
00:34:12.639 --> 00:34:15.280
<v Speaker 4>But so I've got memories of Lee Marvin, whereas you know,

828
00:34:15.639 --> 00:34:18.119
<v Speaker 4>other people are going to go, who's this old crustacean?

829
00:34:19.239 --> 00:34:21.920
<v Speaker 4>But I love how they referred him as always drunken, violent,

830
00:34:21.960 --> 00:34:26.559
<v Speaker 4>which Lee Marvin reportedly was okay, But I think it

831
00:34:26.599 --> 00:34:29.800
<v Speaker 4>was Dan c who's doing the singing voice for Lee Marvin,

832
00:34:29.840 --> 00:34:31.440
<v Speaker 4>which was really good. I mean, I queued up some

833
00:34:31.719 --> 00:34:33.760
<v Speaker 4>clips from Paint Your Wagon before we started a recording

834
00:34:33.800 --> 00:34:36.360
<v Speaker 4>to day Lee Marvin is actually doing that kind of

835
00:34:36.440 --> 00:34:38.920
<v Speaker 4>singing in Paint Your Wagon. He's a lot like Leonard Cohen.

836
00:34:39.199 --> 00:34:42.119
<v Speaker 4>I mean, I was surprised, so clean east with singing

837
00:34:42.159 --> 00:34:44.519
<v Speaker 4>voice not that great Lee Marvin's.

838
00:34:44.719 --> 00:34:48.719
<v Speaker 2>I actually have the Paint Your Wagon vinyls. What the heck?

839
00:34:50.079 --> 00:34:51.159
<v Speaker 3>Jmie Spencer's that head?

840
00:34:51.320 --> 00:34:53.840
<v Speaker 2>Well. I bought this for four dollars at the record

841
00:34:53.960 --> 00:34:55.840
<v Speaker 2>sale last year. I thought I didn't know it was

842
00:34:55.840 --> 00:34:57.480
<v Speaker 2>a real thing. I grew up just thinking that this

843
00:34:57.639 --> 00:34:59.039
<v Speaker 2>was just a made up movie because it just seemed

844
00:34:59.079 --> 00:35:01.199
<v Speaker 2>so ridiculous. Obviously it's is it a musical? It is

845
00:35:01.760 --> 00:35:03.840
<v Speaker 2>a musical, Yeah, but it's not about painting wagon and

846
00:35:03.960 --> 00:35:06.559
<v Speaker 2>things like that, right, No. Essentially, it's kind of like

847
00:35:06.639 --> 00:35:09.920
<v Speaker 2>a musical version of Deadwood. Okay. But I'm just I've

848
00:35:09.960 --> 00:35:11.639
<v Speaker 2>saw it and I thought, wait, that's a real thing.

849
00:35:11.719 --> 00:35:13.079
<v Speaker 2>I have to took a photo of it, put on

850
00:35:13.119 --> 00:35:15.000
<v Speaker 2>the page and whatnot, and yeah, I just thought this

851
00:35:15.079 --> 00:35:17.079
<v Speaker 2>was just a made up, ridiculous musical that the Simpsons

852
00:35:17.159 --> 00:35:18.320
<v Speaker 2>just thought they'd put together for the show.

853
00:35:18.639 --> 00:35:21.119
<v Speaker 3>I discovered the same thing because I googled Paint your

854
00:35:21.159 --> 00:35:24.760
<v Speaker 3>Wagon looking for like the song, and the first thing

855
00:35:24.800 --> 00:35:27.840
<v Speaker 3>comes up as a Wikipedia page for the Lee Marvin movie.

856
00:35:27.880 --> 00:35:29.639
<v Speaker 3>I'm like, I had no idea it was actually I

857
00:35:29.800 --> 00:35:31.719
<v Speaker 3>know it was real. So is it, like you say,

858
00:35:31.840 --> 00:35:33.880
<v Speaker 3>musical version of Deadwood? Is it dark? Like? Is it

859
00:35:34.039 --> 00:35:36.000
<v Speaker 3>meant to be kind of brooding? Or is it a pistack?

860
00:35:36.320 --> 00:35:40.840
<v Speaker 4>It's a serious story with it's not necessarily a deep

861
00:35:40.880 --> 00:35:43.119
<v Speaker 4>and meaningful musical, but nor is it kind of a

862
00:35:43.800 --> 00:35:48.159
<v Speaker 4>all sing all dancing romp. Right, Okay, Yeah, it's a

863
00:35:48.679 --> 00:35:51.920
<v Speaker 4>light drama with songs, l like Western drama with songs.

864
00:35:51.960 --> 00:35:54.280
<v Speaker 2>So does Clint Eastwood actually sing it? He does? Yeah?

865
00:35:54.559 --> 00:35:56.880
<v Speaker 4>Really, you can find clips of it on YouTube. I mean,

866
00:35:57.119 --> 00:35:59.280
<v Speaker 4>I actually recommend checking out the song Born under a

867
00:35:59.320 --> 00:36:02.280
<v Speaker 4>Wandering Star. It's Lee Marbin song. And like I said,

868
00:36:02.400 --> 00:36:02.880
<v Speaker 4>he's got.

869
00:36:02.760 --> 00:36:07.679
<v Speaker 2>This throaty bourbon for breakfast. Possibly true.

870
00:36:07.960 --> 00:36:09.239
<v Speaker 4>Leonard Cohen is kind of voice.

871
00:36:09.400 --> 00:36:11.039
<v Speaker 3>Yeah, Okay, check that out.

872
00:36:11.119 --> 00:36:13.320
<v Speaker 2>Yeah, Paint your Wagon anyway, let's give it some trivia.

873
00:36:13.719 --> 00:36:16.199
<v Speaker 3>Next question, you there eating the Beast.

874
00:36:16.960 --> 00:36:19.599
<v Speaker 2>My first question for you, gentlemen, is what color do

875
00:36:19.719 --> 00:36:24.280
<v Speaker 2>they actually paint the wagon green green? Correct, not red

876
00:36:24.400 --> 00:36:29.440
<v Speaker 2>with blood? I did that with blood. Or My first

877
00:36:29.519 --> 00:36:32.880
<v Speaker 2>question is what kind of pine is the wagon made of?

878
00:36:33.119 --> 00:36:35.159
<v Speaker 2>Oh that's my next question. I'll let you answer it, Tom.

879
00:36:35.440 --> 00:36:38.840
<v Speaker 3>Ponder rose pine. I this was one of these things

880
00:36:38.880 --> 00:36:40.440
<v Speaker 3>that I missed that I would always sing to myself

881
00:36:40.440 --> 00:36:41.719
<v Speaker 3>when I was a kid. I don't know what I

882
00:36:41.880 --> 00:36:43.760
<v Speaker 3>thought it was, but I definitely didn't know. Was ponder

883
00:36:44.079 --> 00:36:45.360
<v Speaker 3>just made up a word? That's what I used to do?

884
00:36:45.719 --> 00:36:48.199
<v Speaker 2>Yeah? Yeah, do do you finally still do that now?

885
00:36:48.239 --> 00:36:49.760
<v Speaker 2>With songs from your child or that you've never bothered

886
00:36:49.760 --> 00:36:51.239
<v Speaker 2>to look at the lyrics for you like, I'm just

887
00:36:51.280 --> 00:36:52.440
<v Speaker 2>going to go with the sound that I used to

888
00:36:52.440 --> 00:36:53.199
<v Speaker 2>make when I was a child.

889
00:36:54.280 --> 00:36:57.679
<v Speaker 3>Yeah, yeah, easier that way, I think I I thought

890
00:36:57.800 --> 00:37:00.760
<v Speaker 3>it was oh so fine, was what I thought they

891
00:37:00.800 --> 00:37:03.960
<v Speaker 3>were saying. Okay, because the wood is fine, oh so fine?

892
00:37:04.320 --> 00:37:08.679
<v Speaker 2>Yeah, well right, you've just told my other question. He

893
00:37:08.840 --> 00:37:09.840
<v Speaker 2>was from others, mister Davis.

894
00:37:10.079 --> 00:37:12.199
<v Speaker 4>The b Sharps are performing Baby on Board on top

895
00:37:12.199 --> 00:37:15.079
<v Speaker 4>of most bar. The Young paper Boy is selling a

896
00:37:15.119 --> 00:37:17.920
<v Speaker 4>copy of the Springfield Shopper. What is the main headline

897
00:37:18.039 --> 00:37:21.559
<v Speaker 4>on the cover of the Springfield Shopper? Oh, God, it's

898
00:37:21.599 --> 00:37:23.480
<v Speaker 4>in relation to the bee sharps. It has nothing to

899
00:37:23.519 --> 00:37:24.119
<v Speaker 4>do with the shapes.

900
00:37:24.159 --> 00:37:25.400
<v Speaker 2>If that wouldn't make sense with it now, I have

901
00:37:25.519 --> 00:37:26.639
<v Speaker 2>no idea. Do you know, Tom?

902
00:37:27.480 --> 00:37:30.320
<v Speaker 3>I remember thinking it as I was watching.

903
00:37:31.000 --> 00:37:33.679
<v Speaker 2>Is it something about like, here's a clue, it's weather related?

904
00:37:34.199 --> 00:37:35.400
<v Speaker 3>Weather related? Oh, I'm out.

905
00:37:35.440 --> 00:37:38.320
<v Speaker 2>Then, I don't know, no idea. Snowstorm hits the Midwest,

906
00:37:38.800 --> 00:37:39.360
<v Speaker 2>hits the Midwest.

907
00:37:39.360 --> 00:37:40.159
<v Speaker 3>It's getting that.

908
00:37:40.280 --> 00:37:41.679
<v Speaker 2>It's just it's just it's not what he said it

909
00:37:41.880 --> 00:37:43.960
<v Speaker 2>says it is, all right, one more question. We'll get

910
00:37:44.000 --> 00:37:46.000
<v Speaker 2>into this. Well, I imagine we'll all know this.

911
00:37:46.119 --> 00:37:49.559
<v Speaker 4>But where has Lar Lanley sold monorails in the past?

912
00:37:49.880 --> 00:37:50.320
<v Speaker 2>That's easy.

913
00:37:50.679 --> 00:37:52.079
<v Speaker 3>Oh, this is again one of these things that I

914
00:37:52.119 --> 00:37:55.920
<v Speaker 3>got kind of Ogdenville, something in North Haverbrook. What's the

915
00:37:55.960 --> 00:37:56.400
<v Speaker 3>middle one?

916
00:37:57.000 --> 00:38:02.679
<v Speaker 2>Ogdenville. It's not unlike Broadway. I was gonna say, I'm

917
00:38:02.719 --> 00:38:07.400
<v Speaker 2>out Broadway, Brockway, Rockway, Ogdenville and North have Brook and

918
00:38:07.559 --> 00:38:08.880
<v Speaker 2>by gummy put them on the map.

919
00:38:09.360 --> 00:38:11.000
<v Speaker 3>God, that's a great line. Have you guys did you

920
00:38:11.079 --> 00:38:13.719
<v Speaker 3>I brought up before ever watched Supernatural? Do you give

921
00:38:13.760 --> 00:38:14.639
<v Speaker 3>a do you know?

922
00:38:14.760 --> 00:38:17.440
<v Speaker 2>The show? Bits and pieces? So I never really got

923
00:38:17.480 --> 00:38:18.880
<v Speaker 2>into it, but more life always goes This looks like

924
00:38:18.880 --> 00:38:20.360
<v Speaker 2>a show we should get into it. And I'm like, ah,

925
00:38:20.639 --> 00:38:22.400
<v Speaker 2>do I want to commit fifteen seasons to this show?

926
00:38:22.679 --> 00:38:23.440
<v Speaker 2>Is it worth committing to?

927
00:38:23.760 --> 00:38:27.400
<v Speaker 3>Probably not, But there is a moment in it where

928
00:38:27.440 --> 00:38:29.480
<v Speaker 3>there is a series of attacks happening, and they happen

929
00:38:29.519 --> 00:38:32.039
<v Speaker 3>in Ogdenville, Brockway and north have Rock and it's just

930
00:38:32.119 --> 00:38:34.280
<v Speaker 3>like this little it's totally walked over. They don't make

931
00:38:34.280 --> 00:38:35.800
<v Speaker 3>a big song and dance about it a little eastrike,

932
00:38:35.800 --> 00:38:37.119
<v Speaker 3>which ilways appreciated.

933
00:38:37.199 --> 00:38:39.000
<v Speaker 2>Best kind of gag. I find that a lot, not

934
00:38:39.119 --> 00:38:41.000
<v Speaker 2>just even with kids shows, where you just see the

935
00:38:41.039 --> 00:38:43.199
<v Speaker 2>little Simpsons gags hidden throughout which the kids have no

936
00:38:43.360 --> 00:38:45.800
<v Speaker 2>idea about, but the adults watching the parents go, I

937
00:38:45.880 --> 00:38:47.559
<v Speaker 2>know you did there. Blue is a big one for that.

938
00:38:47.639 --> 00:38:49.280
<v Speaker 2>And we actually had the guy that made the music

939
00:38:49.320 --> 00:38:51.960
<v Speaker 2>for Blue Josh Bush, on the on the podcast. Yeah,

940
00:38:52.400 --> 00:38:54.760
<v Speaker 2>and he was so heavily influenced by the Simpsons when

941
00:38:54.760 --> 00:38:57.239
<v Speaker 2>he wrote the music for Bluey that makes sense. Yeah,

942
00:38:57.440 --> 00:39:01.159
<v Speaker 2>And he said he tried to basically replicate songs in

943
00:39:01.199 --> 00:39:03.320
<v Speaker 2>the Key of Springfield with the first Bluey album. And

944
00:39:03.400 --> 00:39:04.920
<v Speaker 2>once you hear him say that, you go, you know

945
00:39:05.000 --> 00:39:06.599
<v Speaker 2>what it actually makes a lot of sense because I'm

946
00:39:06.599 --> 00:39:08.159
<v Speaker 2>a big fan of blu In music. No, the kids

947
00:39:08.199 --> 00:39:10.199
<v Speaker 2>love it, so it's always on. But it's actually really good,

948
00:39:10.280 --> 00:39:12.880
<v Speaker 2>uplifting music. But in between the songs it has little

949
00:39:12.920 --> 00:39:15.320
<v Speaker 2>bits of dialogue from that particular episode as well.

950
00:39:15.760 --> 00:39:18.679
<v Speaker 3>Yeah, right, that's cool. Oh nice. I have absolutely no

951
00:39:18.840 --> 00:39:20.559
<v Speaker 3>reason to like Bluey, but I really do. I have

952
00:39:20.639 --> 00:39:22.280
<v Speaker 3>no kids or anything. I have a friend who has kids,

953
00:39:22.320 --> 00:39:23.880
<v Speaker 3>and he's like, blue is actually quite good. And I think,

954
00:39:23.920 --> 00:39:26.000
<v Speaker 3>you know, they've done such a good job, like the

955
00:39:26.280 --> 00:39:28.559
<v Speaker 3>cricket episode of the State of Origin episode, giving people

956
00:39:28.719 --> 00:39:32.079
<v Speaker 3>like adults or reason to engage with it, and it's fantastic,

957
00:39:32.280 --> 00:39:33.440
<v Speaker 3>so impressive if you.

958
00:39:34.039 --> 00:39:36.280
<v Speaker 2>My wife wasn't into cricket, right, and then she watched

959
00:39:36.320 --> 00:39:38.440
<v Speaker 2>the Bluey episode about cricket and it's almost like it

960
00:39:38.480 --> 00:39:40.800
<v Speaker 2>explains to someone, this is what cricket's about.

961
00:39:40.639 --> 00:39:43.000
<v Speaker 3>You know, yeah, one hundred percent. And as Australians we

962
00:39:43.239 --> 00:39:46.599
<v Speaker 3>need a talking dog to explain emotions to us. Whoever, Like,

963
00:39:46.760 --> 00:39:48.400
<v Speaker 3>I really care about this, but I don't know how

964
00:39:48.440 --> 00:39:48.800
<v Speaker 3>to put it.

965
00:39:49.199 --> 00:39:50.920
<v Speaker 4>We need a talking dog to explain most things to

966
00:39:51.039 --> 00:39:53.440
<v Speaker 4>or something, Yeah, exactly albut needs to get someone like.

967
00:39:53.440 --> 00:39:56.199
<v Speaker 2>That in the cabinet. That dog could sell anything. Oh man,

968
00:39:57.760 --> 00:39:59.960
<v Speaker 2>all right, so the visual aid of all singing all down.

969
00:40:00.000 --> 00:40:02.360
<v Speaker 2>It was January fourth, nineteen ninety eight. The top three

970
00:40:02.440 --> 00:40:05.119
<v Speaker 2>films at the US box office when this episode aired.

971
00:40:05.239 --> 00:40:09.000
<v Speaker 2>Number one, Titanic, number two, Tomorrow Never Dies, Double O seven,

972
00:40:09.199 --> 00:40:11.519
<v Speaker 2>number three. As good as it gets, God, we used

973
00:40:11.519 --> 00:40:12.480
<v Speaker 2>to build things in this country.

974
00:40:13.840 --> 00:40:14.800
<v Speaker 3>What's as good as it gets?

975
00:40:15.480 --> 00:40:18.760
<v Speaker 4>That's Jack Nicholson and Helen Hunt. It's by James L.

976
00:40:18.800 --> 00:40:19.880
<v Speaker 4>Brooks of The Simpsons.

977
00:40:20.039 --> 00:40:20.679
<v Speaker 3>Oh wow, there you go.

978
00:40:20.800 --> 00:40:23.920
<v Speaker 2>It's the best at the best actress, I believe. So. Yeah,

979
00:40:23.960 --> 00:40:26.639
<v Speaker 2>it went best film as well. No, no, it's Titanic. Titanic.

980
00:40:26.719 --> 00:40:28.320
<v Speaker 2>The Titanic went best film. It did.

981
00:40:28.760 --> 00:40:30.719
<v Speaker 4>James Cameron was king of the world. He declared it

982
00:40:30.760 --> 00:40:33.440
<v Speaker 4>to all in sundry and everyone kind of went, this guy, do.

983
00:40:33.639 --> 00:40:36.119
<v Speaker 2>Your thoughts on Titanic? Tom still never seen it? You've

984
00:40:36.159 --> 00:40:38.280
<v Speaker 2>never seen it? Look, it's one of those things where

985
00:40:38.280 --> 00:40:39.760
<v Speaker 2>you just sort of have to have seen it. I mean,

986
00:40:39.840 --> 00:40:42.239
<v Speaker 2>I I was what ten when that movie came out,

987
00:40:42.280 --> 00:40:44.519
<v Speaker 2>so it was just it was everywhere what we what

988
00:40:44.679 --> 00:40:47.199
<v Speaker 2>you were? You born nineteen ninety two two, So yeah,

989
00:40:47.199 --> 00:40:49.159
<v Speaker 2>I'm not surprised me you haven't seen it, Okay.

990
00:40:49.320 --> 00:40:52.519
<v Speaker 3>So I think I actually talking about fiin versus history.

991
00:40:52.559 --> 00:40:54.159
<v Speaker 3>Before they just did an episode of The Titanic they

992
00:40:54.239 --> 00:40:56.440
<v Speaker 3>listened to and they bring up about you know, because

993
00:40:56.480 --> 00:40:58.639
<v Speaker 3>James Cameron's a huge scene nerd, and like he brought

994
00:40:58.639 --> 00:41:00.159
<v Speaker 3>a lot of a lot of things that he in

995
00:41:00.199 --> 00:41:01.719
<v Speaker 3>the film he kind of brought through with it. I

996
00:41:01.760 --> 00:41:03.840
<v Speaker 3>think it's a combination of like there's a weird thing

997
00:41:03.880 --> 00:41:08.119
<v Speaker 3>about films that have become cultural centerpieces where I feel

998
00:41:08.159 --> 00:41:10.360
<v Speaker 3>like I already know so much of it. I know

999
00:41:10.440 --> 00:41:12.320
<v Speaker 3>how it ends, I know what the thing is, I

1000
00:41:12.400 --> 00:41:14.239
<v Speaker 3>know all the key scenes, like it's been parodied in

1001
00:41:14.360 --> 00:41:16.599
<v Speaker 3>everything a million times. So it's like I feel the

1002
00:41:16.639 --> 00:41:19.440
<v Speaker 3>same way about the sixth sense, where I know it

1003
00:41:19.559 --> 00:41:22.480
<v Speaker 3>is this cultural landmark, and yet I know that I

1004
00:41:23.079 --> 00:41:24.480
<v Speaker 3>know the thing that made.

1005
00:41:24.320 --> 00:41:26.159
<v Speaker 2>It what it is. If you know the twist, it

1006
00:41:26.280 --> 00:41:27.280
<v Speaker 2>just there's no point, is there?

1007
00:41:27.360 --> 00:41:28.000
<v Speaker 3>So what's the point?

1008
00:41:28.079 --> 00:41:31.639
<v Speaker 4>But there is, I'm sure, But because then you get

1009
00:41:31.679 --> 00:41:33.960
<v Speaker 4>pleasantly surprised when you watch something like Titanic all the

1010
00:41:34.000 --> 00:41:36.320
<v Speaker 4>sixth sense and you realize the skill that's gone into it,

1011
00:41:36.480 --> 00:41:40.000
<v Speaker 4>the yeah, the power of the performances, or that you

1012
00:41:40.119 --> 00:41:42.960
<v Speaker 4>know the virtuosity of the filmmaking technique.

1013
00:41:42.599 --> 00:41:44.119
<v Speaker 2>And it's a pleasant surprise in that regard.

1014
00:41:44.199 --> 00:41:47.039
<v Speaker 4>Yeah, you think you know everything and then to discover

1015
00:41:47.119 --> 00:41:49.079
<v Speaker 4>a little bit more is kind of like, oh wow, Okay.

1016
00:41:49.199 --> 00:41:51.880
<v Speaker 3>I'm sure either there's there's I mean, especially with the

1017
00:41:52.039 --> 00:41:55.000
<v Speaker 3>quality of the cast and the director and all the accolades.

1018
00:41:55.280 --> 00:41:57.960
<v Speaker 3>But I think probably the more honest reason I haven't

1019
00:41:58.039 --> 00:41:59.559
<v Speaker 3>was I just always it was a chick film. I

1020
00:41:59.679 --> 00:42:02.360
<v Speaker 3>just all thought it was a film for chicks, and

1021
00:42:02.480 --> 00:42:04.880
<v Speaker 3>I think as a young boy that was just like, no,

1022
00:42:05.079 --> 00:42:06.840
<v Speaker 3>you can't like that, Like, why would I watch it?

1023
00:42:07.000 --> 00:42:07.679
<v Speaker 3>What's the risk?

1024
00:42:07.840 --> 00:42:08.480
<v Speaker 2>Is? I enjoy it?

1025
00:42:08.519 --> 00:42:09.519
<v Speaker 3>And then I like a girl thing.

1026
00:42:10.400 --> 00:42:12.039
<v Speaker 2>But there's also the element of it's not something you're

1027
00:42:12.039 --> 00:42:13.360
<v Speaker 2>going to have on a date note because it goes

1028
00:42:13.400 --> 00:42:14.599
<v Speaker 2>for so long as well, You're like, I don't have

1029
00:42:14.599 --> 00:42:16.360
<v Speaker 2>to sit for three hours and watch it. I want

1030
00:42:16.360 --> 00:42:17.719
<v Speaker 2>to commit to a ninety minute chick flick.

1031
00:42:17.960 --> 00:42:20.039
<v Speaker 3>I made a New Year's resolution this year that I

1032
00:42:20.159 --> 00:42:22.400
<v Speaker 3>was going to watch all ten Best Picture nominees, and

1033
00:42:22.559 --> 00:42:25.039
<v Speaker 3>every time I go onto Netflix, just that the thumbnail

1034
00:42:25.119 --> 00:42:27.559
<v Speaker 3>of Wicked is just like staring at me. I'm like,

1035
00:42:27.639 --> 00:42:30.440
<v Speaker 3>I don't want to watch this. I don't care so long.

1036
00:42:30.639 --> 00:42:32.000
<v Speaker 2>My kids keep asking to watch it. I'm like, no,

1037
00:42:32.119 --> 00:42:38.440
<v Speaker 2>that's too scary. That's great, but yeah, yeah, So Titanic

1038
00:42:38.519 --> 00:42:39.880
<v Speaker 2>was number one at the US box off was number

1039
00:42:39.920 --> 00:42:41.320
<v Speaker 2>one for a long time, wasn't it. Oh?

1040
00:42:41.440 --> 00:42:44.519
<v Speaker 4>Yes, from ninety seven into Yeah. I think it was

1041
00:42:45.119 --> 00:42:47.480
<v Speaker 4>in the top ten for something like four months, maybe

1042
00:42:47.480 --> 00:42:51.079
<v Speaker 4>even more. Actually no, sorry, it was in cinemas for

1043
00:42:51.760 --> 00:42:52.360
<v Speaker 4>over a year.

1044
00:42:52.440 --> 00:42:55.639
<v Speaker 2>Yeah, that's crazy, that's wid. This show is brought to

1045
00:42:55.719 --> 00:42:58.159
<v Speaker 2>you by the four figure Discount Patreon, where you'll find

1046
00:42:58.239 --> 00:43:02.159
<v Speaker 2>over one hundred hours of bonus podcasts, including exclusive Simpson's

1047
00:43:02.239 --> 00:43:05.960
<v Speaker 2>reviews and commentaries, as well as exclusive episodes of Going

1048
00:43:06.000 --> 00:43:09.800
<v Speaker 2>Down to South Park, Tales of Futurama, Bob's Pods, Speaking

1049
00:43:09.880 --> 00:43:13.039
<v Speaker 2>of the Hill, Talking Sifould, the One about Friends, and

1050
00:43:13.280 --> 00:43:15.719
<v Speaker 2>so much more. So go ahead and join the family

1051
00:43:15.800 --> 00:43:19.480
<v Speaker 2>today at patreon dot com slash four finger discount. The

1052
00:43:19.599 --> 00:43:22.679
<v Speaker 2>episode was directed by Mark Irvin, written by Steve O'Donnell,

1053
00:43:22.719 --> 00:43:24.079
<v Speaker 2>and the catch gag was the one where the floor

1054
00:43:24.079 --> 00:43:26.079
<v Speaker 2>it's a treadmill. The family get onto the catch except

1055
00:43:26.079 --> 00:43:27.480
<v Speaker 2>for home and it gets stuck and it gets going

1056
00:43:27.559 --> 00:43:30.480
<v Speaker 2>underneath the whole thing. So an think a nice shout

1057
00:43:30.480 --> 00:43:32.360
<v Speaker 2>out to the Jetsons. Yes, that's right, Yeah it is

1058
00:43:32.400 --> 00:43:32.760
<v Speaker 2>too hot.

1059
00:43:32.880 --> 00:43:34.639
<v Speaker 3>Yeah, this is a question you guys are definitely the

1060
00:43:34.639 --> 00:43:36.320
<v Speaker 3>answer to. And I think I know the answer. I

1061
00:43:36.360 --> 00:43:38.079
<v Speaker 3>just want to check. Is every couch gag you nick

1062
00:43:38.320 --> 00:43:39.480
<v Speaker 3>the couch gag?

1063
00:43:39.559 --> 00:43:40.760
<v Speaker 2>They repeat them often they do.

1064
00:43:41.079 --> 00:43:44.039
<v Speaker 4>Yeah, Oh, they're environmentally friendly. They recycle a few gags.

1065
00:43:44.159 --> 00:43:46.119
<v Speaker 2>Yeah, yeah, right, Like the big song and dance one

1066
00:43:46.199 --> 00:43:48.199
<v Speaker 2>with the circus. That one gets used a lot. That's

1067
00:43:48.239 --> 00:43:51.079
<v Speaker 2>the one where they back in the classic era, if

1068
00:43:51.119 --> 00:43:53.039
<v Speaker 2>an episode was running short, throw that one out there

1069
00:43:53.039 --> 00:43:54.760
<v Speaker 2>because it goes fight forty seconds. You know, that's how

1070
00:43:54.760 --> 00:43:56.360
<v Speaker 2>they pat them out. You find it a lot more

1071
00:43:56.679 --> 00:43:59.760
<v Speaker 2>in season twenty now even, but really modern ones. They

1072
00:43:59.800 --> 00:44:01.840
<v Speaker 2>have couch gags now where I'll bring in a you know,

1073
00:44:01.920 --> 00:44:04.559
<v Speaker 2>an artist to do this particular couch gag or a

1074
00:44:04.639 --> 00:44:06.239
<v Speaker 2>new director and it might go for like two and

1075
00:44:06.280 --> 00:44:08.039
<v Speaker 2>a half minutes. And I'm sitting here thinking, Jesus Christ,

1076
00:44:08.119 --> 00:44:09.840
<v Speaker 2>it's a short film as opposed to a couch gag.

1077
00:44:10.880 --> 00:44:12.159
<v Speaker 2>It's their way of padding them out.

1078
00:44:12.760 --> 00:44:13.719
<v Speaker 3>That's interesting. I didn't know that.

1079
00:44:14.559 --> 00:44:16.559
<v Speaker 2>But the episode kicks off with Homer and Bart getting

1080
00:44:16.599 --> 00:44:19.400
<v Speaker 2>home from the video store. We got the popcorn.

1081
00:44:19.800 --> 00:44:21.320
<v Speaker 3>Did you get waiting to exhale?

1082
00:44:22.079 --> 00:44:24.280
<v Speaker 1>They put us on a waiting to exhale waiting list,

1083
00:44:24.400 --> 00:44:25.800
<v Speaker 1>but they said, don't hold your breast.

1084
00:44:26.519 --> 00:44:28.480
<v Speaker 2>I just think it's amazing that there was a time

1085
00:44:28.480 --> 00:44:30.119
<v Speaker 2>where you'd have to put your name down on a

1086
00:44:30.199 --> 00:44:33.840
<v Speaker 2>list to potentially hire a film, you know, down the line.

1087
00:44:33.880 --> 00:44:35.679
<v Speaker 2>Because now we just have everything at our fingertips. We

1088
00:44:35.719 --> 00:44:37.239
<v Speaker 2>can just I can pull up my phone and download

1089
00:44:37.239 --> 00:44:38.440
<v Speaker 2>and moving whenever I want you now and have it

1090
00:44:38.960 --> 00:44:40.719
<v Speaker 2>read to watch in five minutes. But there was a

1091
00:44:40.800 --> 00:44:42.480
<v Speaker 2>time where you have to go to a store and

1092
00:44:42.559 --> 00:44:44.000
<v Speaker 2>they tell you, sorry, we haven't got any copies in.

1093
00:44:44.079 --> 00:44:45.679
<v Speaker 2>You have to go put my name down, please wait

1094
00:44:45.719 --> 00:44:47.199
<v Speaker 2>for that phone call, then go back to the store,

1095
00:44:47.239 --> 00:44:49.599
<v Speaker 2>pick it up, return it, rewind it potentially. It was

1096
00:44:49.679 --> 00:44:53.159
<v Speaker 2>just crazy times you have to delay gratification like some caveman.

1097
00:44:53.679 --> 00:44:55.440
<v Speaker 2>It's just it was so much better it was.

1098
00:44:55.599 --> 00:44:59.559
<v Speaker 3>I mean again, it's classic. Like I'm nostalgic for a

1099
00:44:59.639 --> 00:45:03.760
<v Speaker 3>time I barely remember. But I just think every time

1100
00:45:03.800 --> 00:45:06.480
<v Speaker 3>I start a film now on TV, I'm like, are

1101
00:45:06.519 --> 00:45:08.199
<v Speaker 3>you sure this is the best film you could be watching?

1102
00:45:08.280 --> 00:45:10.519
<v Speaker 3>If there are literally so many a million others you

1103
00:45:10.559 --> 00:45:12.239
<v Speaker 3>could be watching right now, or a TV show, or

1104
00:45:12.239 --> 00:45:13.599
<v Speaker 3>read a book or put your phone on. It's just

1105
00:45:13.719 --> 00:45:16.760
<v Speaker 3>like just the idea of we've come back with this video.

1106
00:45:17.079 --> 00:45:19.480
<v Speaker 3>We paid nine dollars for it. We're fucking watching it

1107
00:45:20.320 --> 00:45:22.320
<v Speaker 3>three times, getting your money's worth. Whether you like it

1108
00:45:22.400 --> 00:45:23.159
<v Speaker 3>or not, we're watching it.

1109
00:45:23.760 --> 00:45:25.639
<v Speaker 2>But there wasn't that thrill though, of hiring something that

1110
00:45:25.679 --> 00:45:28.519
<v Speaker 2>you weren't quite sure about as well, and the excitement

1111
00:45:28.559 --> 00:45:30.199
<v Speaker 2>of getting home going I hope this is good, and

1112
00:45:30.199 --> 00:45:32.920
<v Speaker 2>then most often it wasn't. But you know, sometimes you'd

1113
00:45:32.960 --> 00:45:35.440
<v Speaker 2>find a classic and it would become your personal classic,

1114
00:45:35.559 --> 00:45:37.920
<v Speaker 2>like I love this for me. A movie that everyone

1115
00:45:38.000 --> 00:45:39.960
<v Speaker 2>hates but I love was called Mac and Me from

1116
00:45:40.000 --> 00:45:43.400
<v Speaker 2>the eighties, like an et rip off right, oh speak

1117
00:45:44.119 --> 00:45:47.639
<v Speaker 2>Paul Rudd always Paris parodies on Cone and he says,

1118
00:45:47.639 --> 00:45:48.840
<v Speaker 2>he's a clip for my movie, and he shows the

1119
00:45:48.840 --> 00:45:50.519
<v Speaker 2>clip of the kid in the wheelchair falling off a cliff.

1120
00:45:51.480 --> 00:45:53.119
<v Speaker 2>So that's Mac and Me. But for me, I was like,

1121
00:45:53.360 --> 00:45:55.000
<v Speaker 2>and you got to the point where the guy the

1122
00:45:55.079 --> 00:45:56.519
<v Speaker 2>video store said, you just want to keep it, mate,

1123
00:45:56.519 --> 00:45:57.719
<v Speaker 2>because no one else hires this movie.

1124
00:45:58.320 --> 00:45:58.800
<v Speaker 3>So fun.

1125
00:45:59.480 --> 00:46:01.760
<v Speaker 4>I was thinking had this last night actually, because you know,

1126
00:46:01.800 --> 00:46:03.159
<v Speaker 4>there's a lot of talk about the death of the

1127
00:46:03.239 --> 00:46:05.840
<v Speaker 4>mid budget movie, and everything's either a blockbuster of these

1128
00:46:05.920 --> 00:46:08.280
<v Speaker 4>days or a very small, sort of under the radar.

1129
00:46:08.119 --> 00:46:09.039
<v Speaker 2>Cult hit, niche thing.

1130
00:46:09.119 --> 00:46:11.719
<v Speaker 4>Yeah, yeah, niche thing. But like these mid level movies

1131
00:46:11.719 --> 00:46:14.119
<v Speaker 4>still exists. You'll just find them on Disney Plus or

1132
00:46:14.199 --> 00:46:17.119
<v Speaker 4>on Prime or whatever. They don't have a lot of publicity.

1133
00:46:17.199 --> 00:46:20.400
<v Speaker 4>And I know, I thought, Okay, I'm going to run something.

1134
00:46:20.239 --> 00:46:22.719
<v Speaker 2>I've heard a little bit about. It could be garbage,

1135
00:46:22.719 --> 00:46:23.119
<v Speaker 2>but it could be.

1136
00:46:23.119 --> 00:46:26.000
<v Speaker 4>A little gem called any Meaning, starring Astralian actor Samara

1137
00:46:26.079 --> 00:46:29.199
<v Speaker 4>Weaver as this getaway driver. It's like a very sub

1138
00:46:29.320 --> 00:46:30.639
<v Speaker 4>Tarantino crime caper.

1139
00:46:32.360 --> 00:46:33.159
<v Speaker 2>It was garbage.

1140
00:46:33.960 --> 00:46:36.039
<v Speaker 4>I turned it off halfway thround, like I really don't

1141
00:46:36.039 --> 00:46:38.400
<v Speaker 4>have enough time left in my life for this bullshit.

1142
00:46:38.480 --> 00:46:39.920
<v Speaker 2>But in ninety ninety eight you would have committed to

1143
00:46:39.960 --> 00:46:41.880
<v Speaker 2>the whole things you paid for it. Quite possibly, that's

1144
00:46:41.920 --> 00:46:42.199
<v Speaker 2>the point.

1145
00:46:42.400 --> 00:46:42.599
<v Speaker 1>Yeah.

1146
00:46:42.719 --> 00:46:42.920
<v Speaker 2>Yeah.

1147
00:46:42.920 --> 00:46:45.719
<v Speaker 4>But at the same times, like, okay, but these gems

1148
00:46:45.800 --> 00:46:47.360
<v Speaker 4>might be out there. I've got to sort of not

1149
00:46:47.559 --> 00:46:49.960
<v Speaker 4>just say, oh, well, it's a new Avengers product or

1150
00:46:50.000 --> 00:46:51.480
<v Speaker 4>a new Star Wars product or something.

1151
00:46:51.519 --> 00:46:53.360
<v Speaker 2>It's like, it's all licenses now, isn't it.

1152
00:46:53.719 --> 00:46:55.480
<v Speaker 4>I don't I don't know what this could be. This

1153
00:46:55.559 --> 00:46:57.280
<v Speaker 4>could be great, or it could be garbage. Turned out

1154
00:46:57.320 --> 00:46:58.760
<v Speaker 4>to be garbage, But what are you going to do?

1155
00:46:59.239 --> 00:47:01.800
<v Speaker 3>There's this idea in marketing they talk about like I

1156
00:47:01.800 --> 00:47:03.039
<v Speaker 3>don't know if you've heard this before. This might be

1157
00:47:03.119 --> 00:47:06.199
<v Speaker 3>very boring, but there's this thing called like maximizers and satisfies.

1158
00:47:06.280 --> 00:47:06.880
<v Speaker 3>You ever heard of these?

1159
00:47:07.039 --> 00:47:08.639
<v Speaker 2>I haven't tell me about. I'm interested.

1160
00:47:08.840 --> 00:47:11.679
<v Speaker 3>A maximizer is it's a way of thinking about something

1161
00:47:11.719 --> 00:47:13.599
<v Speaker 3>that you're buying or choosing. And a maximizer was like,

1162
00:47:13.639 --> 00:47:16.960
<v Speaker 3>I'm trying to get the best possible thing possible, whereas

1163
00:47:17.000 --> 00:47:18.800
<v Speaker 3>a satisfier like I'm just looking for it to tick

1164
00:47:18.840 --> 00:47:20.519
<v Speaker 3>the following boxes. And it's fine. And this guy makes

1165
00:47:20.559 --> 00:47:22.079
<v Speaker 3>his point like there's a time when if you went

1166
00:47:22.239 --> 00:47:24.159
<v Speaker 3>out to buy a pair of jeans, you went to

1167
00:47:24.199 --> 00:47:26.079
<v Speaker 3>the Jeens store and you made the best decision with

1168
00:47:26.719 --> 00:47:28.679
<v Speaker 3>with what you had to choose from, and you went home,

1169
00:47:28.719 --> 00:47:30.239
<v Speaker 3>and if you didn't like the jeans, it was the

1170
00:47:30.320 --> 00:47:32.800
<v Speaker 3>Jens's fault, like it was whoever made the jeens. Whereas

1171
00:47:32.880 --> 00:47:34.519
<v Speaker 3>now you go to a Geen store and you have

1172
00:47:34.599 --> 00:47:40.960
<v Speaker 3>a million like bootcut, straight line, thin leg, whatever, blue, black, gray, navy,

1173
00:47:41.800 --> 00:47:43.480
<v Speaker 3>and if you've chosen the wrong one. It's on you,

1174
00:47:43.840 --> 00:47:46.480
<v Speaker 3>like you had the perfect pair of jeans in there somewhere,

1175
00:47:46.559 --> 00:47:48.400
<v Speaker 3>you just didn't pick them. And it feels the same

1176
00:47:48.440 --> 00:47:50.599
<v Speaker 3>way right where it's like it used to be okay

1177
00:47:50.719 --> 00:47:53.199
<v Speaker 3>with watching a garbage movie, like that wasn't a problem

1178
00:47:53.599 --> 00:47:55.639
<v Speaker 3>because you just did the best with what you had,

1179
00:47:55.639 --> 00:47:57.199
<v Speaker 3>Whereas now it's like, well, you could have watched something

1180
00:47:57.280 --> 00:47:59.079
<v Speaker 3>good and you didn't, so I guess you're an idiot

1181
00:47:59.079 --> 00:48:01.079
<v Speaker 3>and you dwell on it, oh for sure, and you

1182
00:48:01.199 --> 00:48:02.840
<v Speaker 3>just like, what a wasted three hours? I could have

1183
00:48:02.840 --> 00:48:04.960
<v Speaker 3>spent that watching the Simpsons for my podcast.

1184
00:48:05.159 --> 00:48:07.400
<v Speaker 2>So good versus good enough essentially?

1185
00:48:07.639 --> 00:48:09.679
<v Speaker 3>Oh for sure? Yeah? Yeah, like oh no, the best

1186
00:48:09.920 --> 00:48:10.679
<v Speaker 3>versus good enough?

1187
00:48:10.760 --> 00:48:11.079
<v Speaker 2>That's right.

1188
00:48:11.159 --> 00:48:14.239
<v Speaker 3>Yeah, but yeah, my, just while we're doing mid level

1189
00:48:14.360 --> 00:48:15.639
<v Speaker 3>kind of like things that throw under the radar, have

1190
00:48:15.719 --> 00:48:16.639
<v Speaker 3>you guys seen Companion?

1191
00:48:17.480 --> 00:48:17.960
<v Speaker 2>Not yet?

1192
00:48:18.559 --> 00:48:23.199
<v Speaker 3>Fantastic it's on It's on HBO HBO Max, And it's

1193
00:48:23.199 --> 00:48:24.760
<v Speaker 3>one of those movies of like the less you know

1194
00:48:24.800 --> 00:48:27.679
<v Speaker 3>about it, the better. But it's kind of like near

1195
00:48:27.880 --> 00:48:30.559
<v Speaker 3>future sci fi sort of thing. It really really great.

1196
00:48:30.639 --> 00:48:33.320
<v Speaker 2>Loved it, And that name Companion is not what I

1197
00:48:33.440 --> 00:48:36.039
<v Speaker 2>relate to sci fi either. Yeah, it makes sense when

1198
00:48:36.039 --> 00:48:37.599
<v Speaker 2>you see it again. It's this weird thing, like even

1199
00:48:37.679 --> 00:48:39.320
<v Speaker 2>just seeing the poster kind of give something away a

1200
00:48:39.400 --> 00:48:41.519
<v Speaker 2>little bit. And I've kind of heard things about it,

1201
00:48:41.559 --> 00:48:43.360
<v Speaker 2>but I think if you go in totally totally blankets

1202
00:48:43.639 --> 00:48:45.360
<v Speaker 2>just I was like that with Galaxy Quest. You ever

1203
00:48:45.400 --> 00:48:48.719
<v Speaker 2>seen Galaxy Quest? No, if you like sci fi, check

1204
00:48:48.719 --> 00:48:52.480
<v Speaker 2>out Galaxy Quest. You'll absolutely love it. It's Tim Allen,

1205
00:48:52.519 --> 00:48:54.960
<v Speaker 2>it's nineteen ninety nine. I think it is. So you

1206
00:48:54.960 --> 00:48:56.000
<v Speaker 2>look at the post and your game and I aren't

1207
00:48:56.000 --> 00:48:58.280
<v Speaker 2>going to watch this, but no, it's it's a parody

1208
00:48:58.400 --> 00:49:00.880
<v Speaker 2>of sci fi essentially, but with love with heart.

1209
00:49:00.960 --> 00:49:03.559
<v Speaker 4>Yeah, Tim al Sigourney Weaver and the late Alan Rickman.

1210
00:49:03.800 --> 00:49:07.280
<v Speaker 3>Interest Okay, because yeah, like I said, I saw Naked Gun,

1211
00:49:07.559 --> 00:49:10.079
<v Speaker 3>loved it and loved parodies growing up. Loved the Naked Gun,

1212
00:49:10.119 --> 00:49:12.679
<v Speaker 3>loved air Plane, loved the scare movie franchise. But I've

1213
00:49:12.719 --> 00:49:15.119
<v Speaker 3>never seen that. I've never seen space Balls either, which

1214
00:49:15.159 --> 00:49:16.559
<v Speaker 3>I believe is the other one people talk about.

1215
00:49:16.719 --> 00:49:19.119
<v Speaker 2>Yeah, we just reviewed Spaceballs on the Movie Guy with

1216
00:49:19.199 --> 00:49:22.519
<v Speaker 2>Lynda Malton, and it's yeah, it's oh really, it's got

1217
00:49:22.599 --> 00:49:24.840
<v Speaker 2>this nostalgia for it now, but it's not that great

1218
00:49:24.840 --> 00:49:25.039
<v Speaker 2>as it.

1219
00:49:25.199 --> 00:49:28.000
<v Speaker 4>It's when Melbo Brooks was starne to lose his speedball

1220
00:49:28.000 --> 00:49:29.159
<v Speaker 4>a little bit loser ball.

1221
00:49:29.440 --> 00:49:32.360
<v Speaker 2>Okay, yeah, it's fine. I mean, if you like Star Wars,

1222
00:49:32.400 --> 00:49:34.440
<v Speaker 2>you like it more. I guess you're yeah, you're Star

1223
00:49:34.480 --> 00:49:36.760
<v Speaker 2>Wars fan. No, yeah, then probably won't care.

1224
00:49:37.039 --> 00:49:37.559
<v Speaker 3>Let's move on.

1225
00:49:39.639 --> 00:49:41.800
<v Speaker 2>But Lisa, she wanted Emma, but of course somebody didn't

1226
00:49:41.800 --> 00:49:43.880
<v Speaker 2>get that. He got Joshua Logan's Paint Your Wagon and

1227
00:49:43.880 --> 00:49:46.719
<v Speaker 2>Shoo Up Western with Clint Eastwood and Lee Marvin and

1228
00:49:46.840 --> 00:49:49.440
<v Speaker 2>Barton Hope. They're expecting bloody Mayhem, but instead they get

1229
00:49:49.519 --> 00:49:51.840
<v Speaker 2>a musical. You know, they're singing March. Why an't they

1230
00:49:51.920 --> 00:49:54.440
<v Speaker 2>killing each other? And there was that time, as we're discussing,

1231
00:49:54.480 --> 00:49:56.159
<v Speaker 2>you'd hire a movie and you're excited for what you

1232
00:49:56.199 --> 00:49:58.400
<v Speaker 2>thought it was going to be and it's just not that. Yeah,

1233
00:49:58.719 --> 00:50:00.199
<v Speaker 2>a movie I always bring up and I know as

1234
00:50:00.199 --> 00:50:02.480
<v Speaker 2>we're gonna talking about it was my I would have

1235
00:50:02.519 --> 00:50:05.280
<v Speaker 2>been year nine birthday party, maybe fourteen ish, and there

1236
00:50:05.320 --> 00:50:07.440
<v Speaker 2>was a movie called Bloodsucking Freaks and it was sort

1237
00:50:07.480 --> 00:50:09.480
<v Speaker 2>of hid in this dark corner of the video store

1238
00:50:09.519 --> 00:50:12.159
<v Speaker 2>and the front cover looked awesome. It was like, you know,

1239
00:50:12.280 --> 00:50:14.920
<v Speaker 2>graphic design murder and whatnot. On the back cover there

1240
00:50:14.960 --> 00:50:16.679
<v Speaker 2>was naked women. I was like, this is perfect for

1241
00:50:16.719 --> 00:50:18.559
<v Speaker 2>a fourteen year old party, and we put it on

1242
00:50:18.800 --> 00:50:21.159
<v Speaker 2>and it was not what we were expecting. It was

1243
00:50:21.800 --> 00:50:22.199
<v Speaker 2>what is it?

1244
00:50:22.519 --> 00:50:24.880
<v Speaker 4>It's sort of like some weird indie art movie, but

1245
00:50:24.960 --> 00:50:28.079
<v Speaker 4>incredibly transgressive. It's like John Waters making a horror movie.

1246
00:50:28.400 --> 00:50:30.880
<v Speaker 2>All right. They torture women on stage and the people

1247
00:50:30.960 --> 00:50:32.920
<v Speaker 2>in the audience don't realize that they're actually killing the women,

1248
00:50:32.960 --> 00:50:35.320
<v Speaker 2>but they're just like women getting their arms cut off

1249
00:50:35.360 --> 00:50:37.320
<v Speaker 2>and things. We're sitting there going, who's gonna say it?

1250
00:50:37.440 --> 00:50:41.280
<v Speaker 2>This is? This is weird? Right, And suddenly we've talked

1251
00:50:41.280 --> 00:50:42.679
<v Speaker 2>about on the show in the past. How about you?

1252
00:50:43.239 --> 00:50:45.320
<v Speaker 4>If you're known as the film guy or you know,

1253
00:50:45.440 --> 00:50:47.679
<v Speaker 4>the person who likes pop culture in your sort of

1254
00:50:47.760 --> 00:50:50.920
<v Speaker 4>circle of friends or whatever, you're generally gonna be entrusted with, like, oh, guy,

1255
00:50:50.960 --> 00:50:52.400
<v Speaker 4>I'll bring us over a movie. And I've done this

1256
00:50:52.480 --> 00:50:54.480
<v Speaker 4>in the past where I brought over Hey, guys, I

1257
00:50:54.519 --> 00:50:56.239
<v Speaker 4>have for scaring a lot of pressure and it turns

1258
00:50:56.280 --> 00:50:58.960
<v Speaker 4>out to be something just wildly gross and in appropriate

1259
00:50:58.960 --> 00:51:01.559
<v Speaker 4>that just makes everyone feeling comfortable as opposed like a

1260
00:51:01.639 --> 00:51:02.199
<v Speaker 4>jump scare.

1261
00:51:02.480 --> 00:51:04.320
<v Speaker 2>It's kind of like, what kind of.

1262
00:51:04.400 --> 00:51:06.559
<v Speaker 4>Sick freak are you that you brought this over and

1263
00:51:06.599 --> 00:51:07.679
<v Speaker 4>thought it would entertain this.

1264
00:51:08.239 --> 00:51:10.559
<v Speaker 3>There's just nothing worse when you put it on and

1265
00:51:10.800 --> 00:51:13.280
<v Speaker 3>you're kind of watching it through their eyes and you're like,

1266
00:51:13.320 --> 00:51:16.199
<v Speaker 3>I've made a horrible decision. Here just look it around,

1267
00:51:16.360 --> 00:51:18.719
<v Speaker 3>like please please like this bit, please like this bit.

1268
00:51:18.800 --> 00:51:20.159
<v Speaker 2>It's like when you're telling a story and you can

1269
00:51:20.199 --> 00:51:21.920
<v Speaker 2>tell halfway through the person you're talking to has no

1270
00:51:22.079 --> 00:51:24.639
<v Speaker 2>interest or any other like do I keep the story

1271
00:51:24.719 --> 00:51:25.639
<v Speaker 2>or just to stop?

1272
00:51:26.599 --> 00:51:28.119
<v Speaker 3>Yeah, And then you get interrupted and you have to

1273
00:51:28.199 --> 00:51:29.800
<v Speaker 3>make the decision of whether you're going to revert it

1274
00:51:29.920 --> 00:51:32.599
<v Speaker 3>or not. If I just don't say anything else, will

1275
00:51:32.599 --> 00:51:34.320
<v Speaker 3>anyone bring up that I was in the middle of

1276
00:51:34.719 --> 00:51:35.800
<v Speaker 3>the third act of my story.

1277
00:51:36.199 --> 00:51:38.559
<v Speaker 4>It's a kin to when you, Yeah, you're sitting there

1278
00:51:38.599 --> 00:51:40.639
<v Speaker 4>to watch Netflix or something it's like or whatever with

1279
00:51:41.119 --> 00:51:43.360
<v Speaker 4>either your friends or your partner, and like, I'd like

1280
00:51:43.440 --> 00:51:45.239
<v Speaker 4>to show you this thing I really really enjoy They

1281
00:51:45.320 --> 00:51:46.880
<v Speaker 4>get to take a leak halfway through it, no need

1282
00:51:46.920 --> 00:51:51.760
<v Speaker 4>to stop, It's fine, Oh fuck, god damn it.

1283
00:51:51.920 --> 00:51:53.559
<v Speaker 2>What do you know for in your group? Like you're

1284
00:51:53.639 --> 00:51:55.639
<v Speaker 2>the what guy? Like I'm the Simpsons guy. He's the

1285
00:51:55.719 --> 00:51:57.480
<v Speaker 2>movie guy. What are you, tom Well?

1286
00:51:57.519 --> 00:51:59.280
<v Speaker 3>I mean, like, in my non comedy friends, I'm the

1287
00:51:59.320 --> 00:51:59.760
<v Speaker 3>comedy guy.

1288
00:52:00.239 --> 00:52:02.599
<v Speaker 2>A lot of your friends comedians? Or do you have

1289
00:52:02.679 --> 00:52:04.639
<v Speaker 2>like a separate group of friends who are comedians and

1290
00:52:04.679 --> 00:52:06.320
<v Speaker 2>separate group of friends who are not comedians?

1291
00:52:06.519 --> 00:52:08.960
<v Speaker 3>Yeah, I mean, like, it's a funny thing about comedy writerers.

1292
00:52:09.039 --> 00:52:10.880
<v Speaker 3>You just spend so much time in the same spaces

1293
00:52:10.920 --> 00:52:13.440
<v Speaker 3>and around the same people. Like it's like any job, right, Like,

1294
00:52:13.800 --> 00:52:16.920
<v Speaker 3>you just spend so much time around those people. And

1295
00:52:16.960 --> 00:52:19.760
<v Speaker 3>I'm also I'm thirty two. A lot of my friends

1296
00:52:19.760 --> 00:52:21.679
<v Speaker 3>are having kids, Like I'm just I kind of have

1297
00:52:21.800 --> 00:52:24.119
<v Speaker 3>my school friends and the group that have kind of

1298
00:52:24.159 --> 00:52:26.639
<v Speaker 3>coalesced around that, and then I have my comedy friends.

1299
00:52:26.639 --> 00:52:28.480
<v Speaker 3>The difference is I see my comedy friends four times

1300
00:52:28.480 --> 00:52:30.800
<v Speaker 3>a week. Can I see my school friends twice a year?

1301
00:52:30.960 --> 00:52:31.559
<v Speaker 2>That's all you need?

1302
00:52:31.639 --> 00:52:33.360
<v Speaker 3>Though, right, Oh, it's a bit march actually, I'd like

1303
00:52:33.400 --> 00:52:34.119
<v Speaker 3>to get it down to one.

1304
00:52:35.559 --> 00:52:37.159
<v Speaker 4>Well, the stories that you repeat when you see your

1305
00:52:37.159 --> 00:52:38.880
<v Speaker 4>school friends, you know, they can get a little little

1306
00:52:38.920 --> 00:52:40.519
<v Speaker 4>stale if you're seeing each other twice a year, but

1307
00:52:40.559 --> 00:52:41.920
<v Speaker 4>once a year's do.

1308
00:52:42.000 --> 00:52:44.360
<v Speaker 2>You find you tweet the stories every time you tell them.

1309
00:52:44.599 --> 00:52:46.679
<v Speaker 2>Every time you retell something happened in year ten, is

1310
00:52:46.679 --> 00:52:49.519
<v Speaker 2>that something slightly different happened? The fish gets a little bigger.

1311
00:52:49.880 --> 00:52:52.360
<v Speaker 3>Yeah. Maybe, I don't know. Like, I think it's funny

1312
00:52:52.440 --> 00:52:56.840
<v Speaker 3>how those stories they just get pushed further and further

1313
00:52:56.880 --> 00:52:59.000
<v Speaker 3>back into the recesses of your mind, Like I totally forgot,

1314
00:52:59.000 --> 00:53:01.840
<v Speaker 3>I haven't thought about that person or that thing and forever.

1315
00:53:03.159 --> 00:53:06.000
<v Speaker 3>My friend actually from the from the podcast, Dan Muggleson

1316
00:53:06.000 --> 00:53:07.239
<v Speaker 3>has this joke. I don't think he's ever been able

1317
00:53:07.280 --> 00:53:09.239
<v Speaker 3>to make it work your stage. I think it's so funny,

1318
00:53:09.559 --> 00:53:11.000
<v Speaker 3>he said to me. It was like, I think the

1319
00:53:11.079 --> 00:53:12.880
<v Speaker 3>best thing about having an affair was you get to

1320
00:53:12.920 --> 00:53:17.599
<v Speaker 3>pull out your old anecdotes again, Like and I'm noticing it.

1321
00:53:17.679 --> 00:53:19.400
<v Speaker 3>My sister's got a new boyfriend and I'm watching my

1322
00:53:19.519 --> 00:53:22.480
<v Speaker 3>parents do they're like their their classic hits at dinners

1323
00:53:22.519 --> 00:53:24.400
<v Speaker 3>when he's there, Like, oh fuck, we're hearing this again

1324
00:53:24.719 --> 00:53:26.960
<v Speaker 3>all right. The time my dad's got a hat trick

1325
00:53:27.000 --> 00:53:29.119
<v Speaker 3>at hockey and mom didn't watch. It's like, oh god,

1326
00:53:29.360 --> 00:53:29.960
<v Speaker 3>no one cares.

1327
00:53:30.159 --> 00:53:31.880
<v Speaker 2>I find I'm driving down the road and have my

1328
00:53:31.960 --> 00:53:33.440
<v Speaker 2>wife and I go, do you know what that? And

1329
00:53:33.519 --> 00:53:35.280
<v Speaker 2>my wife's like, yeah, I know You've told me every

1330
00:53:35.320 --> 00:53:36.880
<v Speaker 2>time we drive down this street, and I'm like, oh no,

1331
00:53:36.920 --> 00:53:37.639
<v Speaker 2>I'm getting old.

1332
00:53:38.480 --> 00:53:40.679
<v Speaker 3>I'm all out of anecdotes. I have nothing left to contribute.

1333
00:53:42.199 --> 00:53:44.039
<v Speaker 4>You just see the lights that of leave your partnerspace

1334
00:53:44.119 --> 00:53:45.280
<v Speaker 4>every time. You're sort of recounty.

1335
00:53:45.400 --> 00:53:48.039
<v Speaker 2>But tell us how you met? Oh okay, well you've

1336
00:53:48.039 --> 00:53:51.519
<v Speaker 2>got you've got your rips. You do you do? You

1337
00:53:51.599 --> 00:53:53.599
<v Speaker 2>and your wife have a routine like for what sorry

1338
00:53:53.679 --> 00:53:54.880
<v Speaker 2>is like, hey you met on not my wife, not

1339
00:53:54.960 --> 00:53:56.800
<v Speaker 2>we We've got a routine down pat where we tell it.

1340
00:53:56.840 --> 00:53:58.559
<v Speaker 2>We know which who's gonna tell what part? What the

1341
00:53:58.679 --> 00:53:59.679
<v Speaker 2>zinger is? That kind of thing.

1342
00:54:00.159 --> 00:54:03.679
<v Speaker 3>No, I prefer that she joins the audience at that

1343
00:54:03.719 --> 00:54:04.679
<v Speaker 3>point and I'll tell the story.

1344
00:54:04.800 --> 00:54:07.679
<v Speaker 2>Okay, yeah, I know your place, so I'll find it.

1345
00:54:07.719 --> 00:54:09.400
<v Speaker 2>Locked with comedians, a lot of them don't like to

1346
00:54:09.519 --> 00:54:11.440
<v Speaker 2>be out with at parties. Do you are you the opposite?

1347
00:54:11.480 --> 00:54:13.039
<v Speaker 2>Like when you go to a party, are you very

1348
00:54:13.239 --> 00:54:15.320
<v Speaker 2>social or do you sort of like trying to stand

1349
00:54:15.360 --> 00:54:17.000
<v Speaker 2>back let everyone else just do that kind of.

1350
00:54:17.480 --> 00:54:19.519
<v Speaker 3>If I'm at a party something already has gone wrong,

1351
00:54:20.679 --> 00:54:22.639
<v Speaker 3>I'd rather not be there at all. I don't know,

1352
00:54:22.760 --> 00:54:24.960
<v Speaker 3>like I'm not a because I also think the person

1353
00:54:25.000 --> 00:54:27.480
<v Speaker 3>I'm on stage, like, I'm not just telling stories from

1354
00:54:27.480 --> 00:54:29.679
<v Speaker 3>my life, I'm like telling a joke that I thought

1355
00:54:29.719 --> 00:54:32.400
<v Speaker 3>of very that I very specifically wrote. I'm very like

1356
00:54:32.559 --> 00:54:35.960
<v Speaker 3>introverted in especially in big groups. I'm the kind of

1357
00:54:35.960 --> 00:54:38.199
<v Speaker 3>guy more at a party, like I'll get stuck in

1358
00:54:38.480 --> 00:54:41.079
<v Speaker 3>one corner with one person for better or for worse,

1359
00:54:41.199 --> 00:54:43.519
<v Speaker 3>and then we'll either be awkward to leave or just

1360
00:54:43.639 --> 00:54:46.639
<v Speaker 3>like be too comfortable to meet anyone else. But no,

1361
00:54:46.800 --> 00:54:49.000
<v Speaker 3>I think, like my I think my wife just has

1362
00:54:49.039 --> 00:54:51.280
<v Speaker 3>a terrible mind for details, and it really frustrates me.

1363
00:54:51.440 --> 00:54:52.719
<v Speaker 3>She's like, and we're here, and like, no, we weren't.

1364
00:54:52.760 --> 00:54:54.599
<v Speaker 3>We were somewhere else. Let me take this. I've got

1365
00:54:54.639 --> 00:54:55.039
<v Speaker 3>it from here.

1366
00:54:56.079 --> 00:54:56.519
<v Speaker 2>Sit down.

1367
00:54:59.119 --> 00:55:01.079
<v Speaker 3>But yeah, so yeah, I think for my school friends,

1368
00:55:01.159 --> 00:55:04.840
<v Speaker 3>I'm the comedy guy. Like that's the thing now, which

1369
00:55:04.920 --> 00:55:06.719
<v Speaker 3>is interesting. I have some friends who listen to my

1370
00:55:06.800 --> 00:55:08.599
<v Speaker 3>podcast and they're like, it's really weird because it feels

1371
00:55:08.599 --> 00:55:10.239
<v Speaker 3>as if I know everything that's happening in your life

1372
00:55:10.239 --> 00:55:14.039
<v Speaker 3>and you have no idea what's happening in my And

1373
00:55:14.320 --> 00:55:16.320
<v Speaker 3>then for my comedy friends, I don't know.

1374
00:55:16.519 --> 00:55:16.840
<v Speaker 2>I don't know.

1375
00:55:16.920 --> 00:55:19.840
<v Speaker 3>I like, I'm probably you know, my comedy friends I'm

1376
00:55:19.840 --> 00:55:21.760
<v Speaker 3>the guy that has an actual job. Is probably the

1377
00:55:21.840 --> 00:55:24.440
<v Speaker 3>thing your job advertising.

1378
00:55:25.000 --> 00:55:26.599
<v Speaker 2>I thought it was something in marketing because you had

1379
00:55:26.639 --> 00:55:30.039
<v Speaker 2>your what was it, yeah, maximizers and your maximizing satisfiers.

1380
00:55:30.119 --> 00:55:32.320
<v Speaker 3>Yes, that's a ted talk I watched a while ago.

1381
00:55:33.800 --> 00:55:35.599
<v Speaker 2>You know, all about a B testing. I'm assuming.

1382
00:55:36.000 --> 00:55:38.760
<v Speaker 3>Oh yeah, oh it's all about a B testing. I'm

1383
00:55:38.840 --> 00:55:43.880
<v Speaker 3>I'm b personally, but yeah, it's yeah, Jesus crast.

1384
00:55:45.400 --> 00:55:49.880
<v Speaker 2>This conversation is over. I'm not submitted. I'm sorry.

1385
00:55:49.880 --> 00:55:51.880
<v Speaker 4>I'm not I'm not trying to detegrate to the fine

1386
00:55:51.960 --> 00:55:53.719
<v Speaker 4>art and science of marketing and all that, but I

1387
00:55:53.800 --> 00:55:57.039
<v Speaker 4>was doing little research and finding out about a B testing.

1388
00:55:57.039 --> 00:55:59.760
<v Speaker 4>It's like, oh, so you're basically giving his options. Yeah,

1389
00:56:00.079 --> 00:56:01.079
<v Speaker 4>giving us two options here?

1390
00:56:01.280 --> 00:56:03.039
<v Speaker 3>Yeah, god forbid, why you got a problem with that.

1391
00:56:04.880 --> 00:56:06.719
<v Speaker 2>Of this headline? But we could also try this one.

1392
00:56:07.559 --> 00:56:10.719
<v Speaker 3>Well, It's like, and again kind of this, the bigger

1393
00:56:10.840 --> 00:56:12.559
<v Speaker 3>kind of conversation happened around all this, and it goes

1394
00:56:12.599 --> 00:56:15.000
<v Speaker 3>back to the fact there are no mid tier kind

1395
00:56:15.079 --> 00:56:16.760
<v Speaker 3>of movies anymore, and we're just do the same thing.

1396
00:56:16.760 --> 00:56:18.840
<v Speaker 3>It's like, no one wants to take a risk, No

1397
00:56:18.960 --> 00:56:21.920
<v Speaker 3>one in any position of decision making wants to take

1398
00:56:21.920 --> 00:56:24.599
<v Speaker 3>a risk, so it's like I need data to prove

1399
00:56:24.679 --> 00:56:26.840
<v Speaker 3>that this is a good thing before I'm ever going

1400
00:56:26.920 --> 00:56:28.360
<v Speaker 3>to put my name next to it. It's the same

1401
00:56:28.400 --> 00:56:31.599
<v Speaker 3>reason it's like it's very hard to like become an

1402
00:56:31.679 --> 00:56:35.360
<v Speaker 3>overnight success or whatever in any in any kind of entertainment,

1403
00:56:35.639 --> 00:56:38.039
<v Speaker 3>any position of entertainment, whether it's comedy or music or whatever.

1404
00:56:38.480 --> 00:56:40.920
<v Speaker 3>The reps are waiting for the Internet to tell them

1405
00:56:40.960 --> 00:56:44.760
<v Speaker 3>that something is reliable, so they need data and evidence

1406
00:56:44.800 --> 00:56:46.199
<v Speaker 3>to be like no, no, no, this this is fine.

1407
00:56:46.239 --> 00:56:47.639
<v Speaker 3>This is going to be a hit. And if it is,

1408
00:56:47.719 --> 00:56:49.119
<v Speaker 3>and it's not on me, it's on the numbers.

1409
00:56:49.559 --> 00:56:49.760
<v Speaker 2>Yeah.

1410
00:56:50.159 --> 00:56:52.000
<v Speaker 3>I think it's the same with like, you know, advertising

1411
00:56:52.039 --> 00:56:54.039
<v Speaker 3>now is just like it's you don't really get as

1412
00:56:54.119 --> 00:56:57.320
<v Speaker 3>much of these like huge million dollar campaigns out of nowhere,

1413
00:56:57.360 --> 00:57:00.320
<v Speaker 3>like let's see how this goes. It's more like lots

1414
00:57:00.360 --> 00:57:02.039
<v Speaker 3>of little Facebook ads and if that works, will put

1415
00:57:02.039 --> 00:57:03.440
<v Speaker 3>more money into it. Then we'll turn into the TV

1416
00:57:03.559 --> 00:57:06.280
<v Speaker 3>and if that works, we'll buy some billboards. It's much

1417
00:57:06.320 --> 00:57:07.559
<v Speaker 3>more risk averse across everything.

1418
00:57:07.599 --> 00:57:09.880
<v Speaker 2>I think does being a comedian help with your work?

1419
00:57:09.960 --> 00:57:11.760
<v Speaker 2>Do you think being able to just talk to people

1420
00:57:12.360 --> 00:57:13.519
<v Speaker 2>just sort of be charming.

1421
00:57:14.360 --> 00:57:15.960
<v Speaker 3>I think a lot of the skills are similar. I think,

1422
00:57:16.039 --> 00:57:19.840
<v Speaker 3>especially like people in advertising love saying that stand up

1423
00:57:19.880 --> 00:57:24.559
<v Speaker 3>comedians are sort of like they they are the best

1424
00:57:24.639 --> 00:57:27.800
<v Speaker 3>example of what advertising should be because they're observers of

1425
00:57:27.920 --> 00:57:30.800
<v Speaker 3>human behavior and whatever. But I think it's like it's

1426
00:57:31.000 --> 00:57:33.760
<v Speaker 3>all the same thing, right, which is noticing something interesting

1427
00:57:33.800 --> 00:57:36.159
<v Speaker 3>and saying it in an interesting way is kind of

1428
00:57:36.199 --> 00:57:37.199
<v Speaker 3>what advertising seeks to do.

1429
00:57:37.400 --> 00:57:39.199
<v Speaker 4>I think, Well, you're trying to bring people around your

1430
00:57:39.239 --> 00:57:42.159
<v Speaker 4>way of thinking in a lot of ways. Yeah, in

1431
00:57:42.239 --> 00:57:45.039
<v Speaker 4>both ways, be persuasive.

1432
00:57:44.920 --> 00:57:47.519
<v Speaker 3>You're constructed. Yeah, in some cases you're constructing an argument.

1433
00:57:47.559 --> 00:57:50.519
<v Speaker 3>In others you like, you're just trying to say something

1434
00:57:50.559 --> 00:57:52.320
<v Speaker 3>in a way that will make people stop and pay

1435
00:57:52.320 --> 00:57:53.199
<v Speaker 3>attention to that's right.

1436
00:57:53.280 --> 00:57:56.400
<v Speaker 2>Yeah, we're getting back to the episodes where Lee Marvin right,

1437
00:57:57.039 --> 00:58:00.840
<v Speaker 2>and despite him being always drunk and violent, Tho sings.

1438
00:58:02.880 --> 00:58:06.519
<v Speaker 1>Who that Lee mar of them could do such marvelous sports,

1439
00:58:06.800 --> 00:58:07.800
<v Speaker 1>He's dreamy.

1440
00:58:11.840 --> 00:58:14.199
<v Speaker 2>Why did they have to screw up a perfectly serviceable

1441
00:58:14.280 --> 00:58:16.719
<v Speaker 2>wagon story with all that fruity singing?

1442
00:58:16.960 --> 00:58:18.440
<v Speaker 3>I thought it was to talping fun.

1443
00:58:18.800 --> 00:58:23.199
<v Speaker 2>Singing is the lowest form of communication. Are you singing

1444
00:58:23.239 --> 00:58:25.920
<v Speaker 2>all the time? No? I don't I hate to rhyme.

1445
00:58:26.320 --> 00:58:28.400
<v Speaker 2>You like musicals, don't you, Dad?

1446
00:58:28.719 --> 00:58:29.639
<v Speaker 1>No, I don't.

1447
00:58:29.880 --> 00:58:33.719
<v Speaker 3>I think they're bad. They're fake and phony and totally wrong.

1448
00:58:34.280 --> 00:58:39.199
<v Speaker 2>Wake up, Dad, you're singing us song. Now we've noticed

1449
00:58:39.800 --> 00:58:42.239
<v Speaker 2>reviewing the SIMS is obviously the first twenty seasons a

1450
00:58:42.320 --> 00:58:44.320
<v Speaker 2>lot of mentions of the word fruity, isn't it?

1451
00:58:45.480 --> 00:58:48.280
<v Speaker 4>Well, it's the polite version of the F word, shall

1452
00:58:48.360 --> 00:58:51.039
<v Speaker 4>we say? It's the version you can get away with

1453
00:58:51.119 --> 00:58:51.840
<v Speaker 4>in prime time?

1454
00:58:51.960 --> 00:58:53.599
<v Speaker 2>Yeah? It is. Yeah. But then he breaks out and

1455
00:58:53.679 --> 00:58:56.480
<v Speaker 2>singing as well, and Marge puts in some VHS tapes

1456
00:58:56.519 --> 00:58:58.119
<v Speaker 2>to show him clips of him singing in the past.

1457
00:58:58.159 --> 00:59:00.920
<v Speaker 2>We've got the b Shop song, and we put the

1458
00:59:00.960 --> 00:59:03.159
<v Speaker 2>Spring in spring Ford, which is my personal favorite as well.

1459
00:59:03.480 --> 00:59:06.320
<v Speaker 2>But then Bart calls him the lame miserable. Was he

1460
00:59:06.360 --> 00:59:09.719
<v Speaker 2>call him the lame misrab la? Yeah, he's as lame

1461
00:59:09.719 --> 00:59:12.480
<v Speaker 2>as a brother, as as Lee Marvin. Then Homer chokes him,

1462
00:59:12.480 --> 00:59:14.199
<v Speaker 2>which is a gay. They don't really do anymore, do they.

1463
00:59:14.559 --> 00:59:16.079
<v Speaker 2>We have a season twenty and the sort of stop

1464
00:59:16.199 --> 00:59:17.559
<v Speaker 2>that they've gone air it just seems a bit maybe

1465
00:59:17.559 --> 00:59:19.800
<v Speaker 2>a bit too cartoon, yeah, or a little too close

1466
00:59:19.800 --> 00:59:20.159
<v Speaker 2>to home.

1467
00:59:20.400 --> 00:59:23.039
<v Speaker 3>Yeah, possibly there was like a little bit of controversy

1468
00:59:23.079 --> 00:59:25.199
<v Speaker 3>about the choking after a while, right, like it became

1469
00:59:25.280 --> 00:59:27.000
<v Speaker 3>the thing that people were not impressed with.

1470
00:59:27.199 --> 00:59:29.360
<v Speaker 2>But in this time or just now, because people like

1471
00:59:29.400 --> 00:59:30.960
<v Speaker 2>to be offended about many things.

1472
00:59:31.440 --> 00:59:33.280
<v Speaker 3>Oh yeah, I think over time. I think if you

1473
00:59:33.360 --> 00:59:35.679
<v Speaker 3>guys are noticing it, around season twenty, I feel like

1474
00:59:35.719 --> 00:59:38.280
<v Speaker 3>I remember there being some discussions about whether or not

1475
00:59:38.360 --> 00:59:40.079
<v Speaker 3>that was an appropriate thing to be putting on television.

1476
00:59:40.280 --> 00:59:41.960
<v Speaker 4>Yeah, I think that we were reaching a stage where

1477
00:59:41.960 --> 00:59:44.199
<v Speaker 4>it was either this is inappropriate or it just hackeneings

1478
00:59:44.280 --> 00:59:44.920
<v Speaker 4>just played out.

1479
00:59:45.360 --> 00:59:48.239
<v Speaker 3>Yeah, it's funny that you know, in an episode where

1480
00:59:48.320 --> 00:59:51.320
<v Speaker 3>Homer call Singing gay, we're more worried about the cartoon violence.

1481
00:59:52.599 --> 00:59:54.239
<v Speaker 2>Well, it's like, I think it's the same people who

1482
00:59:54.800 --> 00:59:56.239
<v Speaker 2>you know, he said those articles where they go I

1483
00:59:56.360 --> 00:59:59.000
<v Speaker 2>just watched Friends for the first time, and it's very complicated.

1484
00:59:59.039 --> 01:00:01.119
<v Speaker 2>It's like it was releasing the nineties. Can we just

1485
01:00:01.159 --> 01:00:01.599
<v Speaker 2>calm down?

1486
01:00:02.760 --> 01:00:05.360
<v Speaker 3>Yeah, yeah, it's the same as it speaks lother thing, right, Like,

1487
01:00:05.480 --> 01:00:07.840
<v Speaker 3>can you believe that they were willing to put that

1488
01:00:07.960 --> 01:00:11.000
<v Speaker 3>thing on TV that we all really enjoyed for a while, Like, yeah,

1489
01:00:11.039 --> 01:00:12.360
<v Speaker 3>we all watched it, we all had a great time.

1490
01:00:12.440 --> 01:00:12.840
<v Speaker 2>How dare we.

1491
01:00:13.239 --> 01:00:13.400
<v Speaker 3>Yeah.

1492
01:00:14.519 --> 01:00:16.239
<v Speaker 2>This show is brought to you by the four Finger

1493
01:00:16.320 --> 01:00:19.199
<v Speaker 2>Discount Patreon, where you will find over one hundred hours

1494
01:00:19.280 --> 01:00:23.719
<v Speaker 2>of bonus podcasts, including exclusive Simpsons reviews and commentaries, as

1495
01:00:23.760 --> 01:00:26.559
<v Speaker 2>well as exclusive episodes of Going Down to South Park,

1496
01:00:26.800 --> 01:00:31.400
<v Speaker 2>Tales of Futurama, Bob's Pods, Speaking of the Hill, Talking Sifeld,

1497
01:00:31.599 --> 01:00:34.199
<v Speaker 2>the One About Friends, and so much more. So go

1498
01:00:34.320 --> 01:00:37.320
<v Speaker 2>ahead and join the family today at patreon dot com

1499
01:00:37.519 --> 01:00:40.760
<v Speaker 2>slash four finger Discount. But yeah, so this is where

1500
01:00:40.800 --> 01:00:43.039
<v Speaker 2>Bart mox Homer. Then they show clips of him singing

1501
01:00:43.079 --> 01:00:45.920
<v Speaker 2>the boy Scouts in the Hood song, which is Springfield Springfield?

1502
01:00:46.000 --> 01:00:49.400
<v Speaker 2>What's that? A parody of New York York from on

1503
01:00:49.519 --> 01:00:51.840
<v Speaker 2>the Town, I believe the Mickuman he says, it's more

1504
01:00:51.840 --> 01:00:54.239
<v Speaker 2>of a millhouse thing. But this is where our man's

1505
01:00:54.280 --> 01:00:57.599
<v Speaker 2>snake enters. And yeah, it just it just felt completely

1506
01:00:58.360 --> 01:01:00.360
<v Speaker 2>forged ind in it, just like, you know, we have

1507
01:01:00.480 --> 01:01:04.280
<v Speaker 2>to get something happening, so his snake, we need connective tissue. Yeah.

1508
01:01:04.480 --> 01:01:06.000
<v Speaker 2>But then but then we come back from the commercial

1509
01:01:06.199 --> 01:01:08.239
<v Speaker 2>and he starts they start singing, and he just leaves,

1510
01:01:08.239 --> 01:01:09.880
<v Speaker 2>and it's just like, and I read on wiki how

1511
01:01:09.920 --> 01:01:11.559
<v Speaker 2>they thought that was a funny game because it's almost

1512
01:01:11.559 --> 01:01:12.760
<v Speaker 2>like a screw you to the audience, and I'm like,

1513
01:01:12.800 --> 01:01:14.559
<v Speaker 2>we're already putting a clip show on the last thing

1514
01:01:14.599 --> 01:01:16.320
<v Speaker 2>you want to be doing is screwing the audience. Right,

1515
01:01:16.679 --> 01:01:17.239
<v Speaker 2>what does he does?

1516
01:01:17.280 --> 01:01:18.760
<v Speaker 3>He leave because he's out of bullets? Is that why

1517
01:01:18.800 --> 01:01:19.119
<v Speaker 3>he leaves?

1518
01:01:19.400 --> 01:01:21.039
<v Speaker 2>No, he goes. It's just too weird that you guys

1519
01:01:21.079 --> 01:01:22.760
<v Speaker 2>are singing I'm going to leave. That's the first time

1520
01:01:22.840 --> 01:01:26.000
<v Speaker 2>he leaves. All right, Yeah, so you make you way

1521
01:01:26.079 --> 01:01:27.960
<v Speaker 2>too weird to be hostages when you're singing at me,

1522
01:01:28.000 --> 01:01:29.920
<v Speaker 2>someone's going to leave, and then home is actually sad

1523
01:01:30.039 --> 01:01:32.679
<v Speaker 2>that he that he's left. At least the points out

1524
01:01:32.679 --> 01:01:34.320
<v Speaker 2>that a lot of people in Springfield sing their songs.

1525
01:01:34.400 --> 01:01:36.599
<v Speaker 2>Is where we get the who needs the Quickie Mark song?

1526
01:01:37.000 --> 01:01:39.519
<v Speaker 2>We get the sending the Clowns, Crusty, the Clown Special,

1527
01:01:39.639 --> 01:01:41.360
<v Speaker 2>and the Semi Vest, which you would have been a

1528
01:01:41.400 --> 01:01:43.519
<v Speaker 2>fan of I as a kid. See, I wasn't a

1529
01:01:43.559 --> 01:01:44.920
<v Speaker 2>bit in the Beast fan when I was a kid.

1530
01:01:44.920 --> 01:01:46.679
<v Speaker 2>I never really watched those early I think I may

1531
01:01:46.679 --> 01:01:48.480
<v Speaker 2>have watched The Little Mermaid, but I was the first

1532
01:01:48.519 --> 01:01:50.840
<v Speaker 2>Disney film Michael remembers like a Laddin and Lion King

1533
01:01:51.159 --> 01:01:53.519
<v Speaker 2>so I had no idea that this was a Disney parody.

1534
01:01:54.239 --> 01:01:57.519
<v Speaker 3>I think, yeah, I probably kind of knew it, but

1535
01:01:57.599 --> 01:01:59.599
<v Speaker 3>I don't think of it as one. I couldn't tell

1536
01:01:59.679 --> 01:02:02.320
<v Speaker 3>you any of the lyrics have been my guest apart

1537
01:02:02.320 --> 01:02:04.320
<v Speaker 3>from being my guest, but I could tell you all

1538
01:02:04.360 --> 01:02:04.960
<v Speaker 3>the lyrics.

1539
01:02:04.760 --> 01:02:06.320
<v Speaker 2>To And that's why I think a lot of the

1540
01:02:06.320 --> 01:02:08.239
<v Speaker 2>Simpons parodies work, because that does work in their own

1541
01:02:08.320 --> 01:02:08.880
<v Speaker 2>right as well.

1542
01:02:08.960 --> 01:02:10.800
<v Speaker 3>Yeah, because I actually sorry to backtrack. I just want

1543
01:02:10.800 --> 01:02:11.920
<v Speaker 3>to bring this up because I had this for my

1544
01:02:12.119 --> 01:02:14.079
<v Speaker 3>Like again, I don't think many of the lyrics and

1545
01:02:14.119 --> 01:02:15.599
<v Speaker 3>these songs are out and that funny. Like, I think

1546
01:02:15.599 --> 01:02:17.360
<v Speaker 3>they're very clever, and I think they're well written. But

1547
01:02:17.440 --> 01:02:20.480
<v Speaker 3>I do think in we put the Spring in Springfield,

1548
01:02:20.519 --> 01:02:22.920
<v Speaker 3>the opening line of you could close down modes of

1549
01:02:22.920 --> 01:02:26.800
<v Speaker 3>the quickie mart and nobody would care very funny.

1550
01:02:27.400 --> 01:02:28.800
<v Speaker 2>And he's like looking around, what do you mean?

1551
01:02:30.159 --> 01:02:31.639
<v Speaker 4>I've must have been I've got a big laugh out

1552
01:02:31.719 --> 01:02:34.000
<v Speaker 4>of who needs the quickie mark? Where I think it's

1553
01:02:34.039 --> 01:02:36.719
<v Speaker 4>some I pose things. I'm sorry about the salmonell and moment.

1554
01:02:36.719 --> 01:02:40.400
<v Speaker 3>Oh yeah, that's okay, that's okay again one of those

1555
01:02:40.400 --> 01:02:41.360
<v Speaker 3>things when I was a kid, I think I had

1556
01:02:41.400 --> 01:02:43.239
<v Speaker 3>no idea what Salmonell was, and in hindsight, you're right,

1557
01:02:43.239 --> 01:02:45.039
<v Speaker 3>it's like, Wow, he's very nonchalant.

1558
01:02:45.159 --> 01:02:46.639
<v Speaker 2>Someone now it's just a fun word to say. It's

1559
01:02:46.639 --> 01:02:48.920
<v Speaker 2>almost like the salsa gag on. So you a Seinfeld fan?

1560
01:02:50.119 --> 01:02:51.760
<v Speaker 3>I was thinking about this. No, I'm not, And I

1561
01:02:51.760 --> 01:02:54.000
<v Speaker 3>don't really know why. Everyone who I know who loves

1562
01:02:54.039 --> 01:02:56.519
<v Speaker 3>Seinfeld has the same taste that I do. I just

1563
01:02:56.599 --> 01:02:59.119
<v Speaker 3>never really got into it. Big Friend's household, Bill, big

1564
01:02:59.159 --> 01:03:01.000
<v Speaker 3>Will and Gray's Household, not Segnfeld.

1565
01:03:01.639 --> 01:03:03.559
<v Speaker 2>We had gooxy on and he was the same. He's like,

1566
01:03:03.679 --> 01:03:06.360
<v Speaker 2>all my friends love Seinfeld and he goes as a comedian.

1567
01:03:06.400 --> 01:03:08.679
<v Speaker 2>You almost feel like you have to say that you

1568
01:03:08.800 --> 01:03:10.679
<v Speaker 2>are a fan of Signfeld otherwise people will look down

1569
01:03:10.719 --> 01:03:10.880
<v Speaker 2>on you.

1570
01:03:11.199 --> 01:03:11.760
<v Speaker 3>Yeah, for sure.

1571
01:03:11.960 --> 01:03:13.440
<v Speaker 4>Okay, so we're putting Tom down as a guest for

1572
01:03:13.639 --> 01:03:17.519
<v Speaker 4>going down to South Park, not for talking sign podcast.

1573
01:03:17.679 --> 01:03:21.960
<v Speaker 2>Of course, every Day Wear House all. That's how we

1574
01:03:22.000 --> 01:03:26.079
<v Speaker 2>pay our mortgage. Mate, what shows that people like growing

1575
01:03:26.159 --> 01:03:29.039
<v Speaker 2>up on? Yes, so this is where what happens after this?

1576
01:03:29.079 --> 01:03:30.840
<v Speaker 2>We've got those songs yet, Lisa then says, because they

1577
01:03:30.920 --> 01:03:32.679
<v Speaker 2>overheard him sing mister Burns singing the song that's but

1578
01:03:33.079 --> 01:03:34.960
<v Speaker 2>I save the puppies and busses it, but it wasn't

1579
01:03:34.960 --> 01:03:36.360
<v Speaker 2>worth seeing him to do the song and dance. But

1580
01:03:36.400 --> 01:03:37.559
<v Speaker 2>this is where Snake re enters.

1581
01:03:38.800 --> 01:03:42.440
<v Speaker 3>I'm back, sir, resume wearding your pounds.

1582
01:03:43.039 --> 01:03:46.639
<v Speaker 1>Okay, because of you all, I got a tune in

1583
01:03:46.760 --> 01:03:49.599
<v Speaker 1>my head and the only way to stop it is

1584
01:03:49.679 --> 01:03:51.079
<v Speaker 1>to make you all dead.

1585
01:03:53.079 --> 01:03:56.239
<v Speaker 2>I knew I should have shut dead window. We come back,

1586
01:03:56.280 --> 01:03:57.920
<v Speaker 2>and this is where Snake pulls the trigger on all

1587
01:03:57.920 --> 01:04:00.239
<v Speaker 2>of them and realizes he has no AMMO. But so

1588
01:04:00.360 --> 01:04:02.440
<v Speaker 2>this is where Snake's left again, and Homer says, even

1589
01:04:02.480 --> 01:04:04.320
<v Speaker 2>the criminals are beginning to kroon. This is where we

1590
01:04:04.400 --> 01:04:07.480
<v Speaker 2>get the clips of the Monorail song, the Garden of Eden,

1591
01:04:07.480 --> 01:04:10.239
<v Speaker 2>where Bart from bart Selsey Soul, and we get the

1592
01:04:10.280 --> 01:04:13.039
<v Speaker 2>Stonecutter song. And honestly, like I know you said before,

1593
01:04:13.039 --> 01:04:14.599
<v Speaker 2>you love the Stonecutter SONGE know you're a big fan.

1594
01:04:14.760 --> 01:04:17.280
<v Speaker 2>I've never quite loved the Stonecutter song as much as

1595
01:04:17.320 --> 01:04:20.400
<v Speaker 2>everybody else, and I can't exactly pinpoint why. Maybe it's

1596
01:04:20.440 --> 01:04:23.719
<v Speaker 2>because everyone loves it, I don't know, but I don't know.

1597
01:04:23.920 --> 01:04:26.519
<v Speaker 2>Just it's fun to sing, but I just I'm just

1598
01:04:26.599 --> 01:04:28.840
<v Speaker 2>never been a huge fan as much as everybody else.

1599
01:04:29.480 --> 01:04:32.599
<v Speaker 3>I mean, I love that episode and I love the

1600
01:04:32.760 --> 01:04:36.800
<v Speaker 3>Stonecutters as a thing. Like imb it's yeah, I don't know.

1601
01:04:36.920 --> 01:04:39.920
<v Speaker 3>I have a memory. I'm looking out my my my

1602
01:04:40.039 --> 01:04:42.119
<v Speaker 3>marathon choices and it wasn't in there, and I think

1603
01:04:42.119 --> 01:04:45.440
<v Speaker 3>maybe it should be. But like I loved all of

1604
01:04:45.519 --> 01:04:48.840
<v Speaker 3>the little like the ring that opens the vending machine

1605
01:04:48.920 --> 01:04:53.360
<v Speaker 3>and the secret doorway with the you know, the tunnel

1606
01:04:53.400 --> 01:04:55.519
<v Speaker 3>straight through to work, like all that stuff. So I

1607
01:04:55.559 --> 01:04:57.199
<v Speaker 3>don't know whether it's just like the episode as a whole,

1608
01:04:57.239 --> 01:05:00.039
<v Speaker 3>and that song is emblematic of it. But yeah, I

1609
01:05:00.039 --> 01:05:01.719
<v Speaker 3>don't know why. I just I do really like it.

1610
01:05:01.960 --> 01:05:03.880
<v Speaker 4>This sounds like someone who believes in the Illuminati.

1611
01:05:04.000 --> 01:05:06.920
<v Speaker 3>Tom Well, yeah, someone who's done their research.

1612
01:05:08.320 --> 01:05:12.360
<v Speaker 2>I'm glad you did the Red Stonecutters for me. That

1613
01:05:12.440 --> 01:05:14.719
<v Speaker 2>episode is one I always throw to people when they

1614
01:05:14.760 --> 01:05:16.800
<v Speaker 2>go they ruined canon, you know, the principle and the

1615
01:05:16.840 --> 01:05:19.079
<v Speaker 2>porpi you brought up earlier. How people say that so

1616
01:05:19.119 --> 01:05:21.679
<v Speaker 2>with the show went downhill because they retconned a character,

1617
01:05:21.679 --> 01:05:23.320
<v Speaker 2>blah blah blah, and I go, have you watched the

1618
01:05:23.320 --> 01:05:27.840
<v Speaker 2>stone Cutters episode. There's no reference to the Stonecutters after that. Yeah, absolutely,

1619
01:05:27.960 --> 01:05:29.840
<v Speaker 2>canon doesn't exist in the Simpsons when you really think

1620
01:05:29.880 --> 01:05:30.159
<v Speaker 2>about it.

1621
01:05:30.599 --> 01:05:33.760
<v Speaker 3>Yeah, yeah, that is true. Yeah, every episode is kind

1622
01:05:33.760 --> 01:05:34.599
<v Speaker 3>of a clean slate.

1623
01:05:35.280 --> 01:05:37.960
<v Speaker 4>I think it's one of the insidious things about current

1624
01:05:38.000 --> 01:05:41.000
<v Speaker 4>pop culture is the reliance on law and canon or

1625
01:05:41.159 --> 01:05:43.519
<v Speaker 4>just strict adherence to It's like, man, just let a

1626
01:05:43.559 --> 01:05:44.199
<v Speaker 4>story be a story.

1627
01:05:44.519 --> 01:05:46.119
<v Speaker 3>Well even I mean, if you look at again, this

1628
01:05:46.320 --> 01:05:48.159
<v Speaker 3>is much more in the new world of it. But

1629
01:05:48.719 --> 01:05:52.760
<v Speaker 3>I like how every ten years they do a margin

1630
01:05:52.880 --> 01:05:56.599
<v Speaker 3>Homer kind of origins episode and it's in a different decade. Yeah,

1631
01:05:56.679 --> 01:05:58.360
<v Speaker 3>Like I think they obviously that.

1632
01:05:58.519 --> 01:05:58.679
<v Speaker 2>You know.

1633
01:05:59.079 --> 01:06:00.760
<v Speaker 3>The problem with canon is I was like, once you've

1634
01:06:00.840 --> 01:06:03.159
<v Speaker 3>had the same characters with the same age for thirty

1635
01:06:03.199 --> 01:06:05.199
<v Speaker 3>five years or however long, like you kind of need

1636
01:06:05.239 --> 01:06:06.199
<v Speaker 3>to start throwing some stuff out.

1637
01:06:06.199 --> 01:06:08.000
<v Speaker 2>Surely, well, there's new kids watching the show, and it

1638
01:06:08.000 --> 01:06:09.800
<v Speaker 2>would make sense to them that the Simpsons would have

1639
01:06:09.840 --> 01:06:10.880
<v Speaker 2>been growing up in the nineties.

1640
01:06:11.159 --> 01:06:11.920
<v Speaker 3>Yeah, exactly.

1641
01:06:12.079 --> 01:06:14.360
<v Speaker 2>Yeah. Well there's an episode called that ninety Show which

1642
01:06:14.360 --> 01:06:16.079
<v Speaker 2>is where Homer forms the grunge band. Do you remember

1643
01:06:16.119 --> 01:06:16.360
<v Speaker 2>that one?

1644
01:06:16.920 --> 01:06:19.800
<v Speaker 3>Yeah? Vaguely. They're kind of like Nirvana esque, right.

1645
01:06:20.000 --> 01:06:23.400
<v Speaker 2>Fucking hate that episode. We really liked it. We both

1646
01:06:23.599 --> 01:06:24.320
<v Speaker 2>really enjoyed it.

1647
01:06:25.119 --> 01:06:27.159
<v Speaker 3>But is that again because they're kind of doing a

1648
01:06:27.239 --> 01:06:29.960
<v Speaker 3>reboot because they've done other episodes of like their sort

1649
01:06:30.000 --> 01:06:32.559
<v Speaker 3>of margin Homer getting Together, right, and that was more

1650
01:06:33.920 --> 01:06:36.559
<v Speaker 3>Uh yeah, yeah, So I guess it's maybe that that

1651
01:06:37.000 --> 01:06:39.760
<v Speaker 3>people feel like their version of events is being attacked

1652
01:06:39.840 --> 01:06:40.880
<v Speaker 3>or something, or people.

1653
01:06:40.719 --> 01:06:42.639
<v Speaker 2>Were saying it's just it doesn't make sense that why

1654
01:06:42.880 --> 01:06:44.519
<v Speaker 2>we watched the Simpsons in the nineties, so how could

1655
01:06:44.519 --> 01:06:46.719
<v Speaker 2>they possibly be teens in the nineties, and like because

1656
01:06:46.800 --> 01:06:50.079
<v Speaker 2>it's a fucking cartoon calming. Yeah, Like I thought, it

1657
01:06:50.119 --> 01:06:53.199
<v Speaker 2>was just really interesting seeing the Simpsons living through the

1658
01:06:53.320 --> 01:06:56.960
<v Speaker 2>era of the nineties mm because we had what like

1659
01:06:57.039 --> 01:06:58.880
<v Speaker 2>glycerine was this track they used it or he had

1660
01:06:58.920 --> 01:07:01.400
<v Speaker 2>his own version of Glysteren but it's just they watching

1661
01:07:01.440 --> 01:07:03.599
<v Speaker 2>Signe Fad on TV, and it was just weird seeing

1662
01:07:03.599 --> 01:07:06.360
<v Speaker 2>the Simpsons living in the nineties but in it from

1663
01:07:06.360 --> 01:07:07.760
<v Speaker 2>a nostalgic aspect.

1664
01:07:08.079 --> 01:07:09.599
<v Speaker 3>Yeah, I don't know if you guys do a BoJack

1665
01:07:09.639 --> 01:07:10.920
<v Speaker 3>Horseman podcast.

1666
01:07:10.679 --> 01:07:13.440
<v Speaker 2>But we're thinking about it. We've been told we should

1667
01:07:13.960 --> 01:07:16.400
<v Speaker 2>because they do that great like throwback gag.

1668
01:07:16.440 --> 01:07:18.039
<v Speaker 3>If they do an eighties, they do a nineties, they

1669
01:07:18.119 --> 01:07:19.920
<v Speaker 3>do it two thousands and each one, and they have

1670
01:07:20.000 --> 01:07:22.280
<v Speaker 3>like the little moments that they trade off from one another.

1671
01:07:22.519 --> 01:07:23.119
<v Speaker 3>I think it's fun.

1672
01:07:23.360 --> 01:07:25.599
<v Speaker 2>Like, we've just launched a Bob's Burgers one, so maybe

1673
01:07:25.639 --> 01:07:28.239
<v Speaker 2>BoJack can be next. Maybe for TV Launch pod, Yeah,

1674
01:07:28.440 --> 01:07:30.599
<v Speaker 2>we've got another podcast where we just review the pot.

1675
01:07:30.480 --> 01:07:33.039
<v Speaker 3>How many podcasts do you have? This is insane? Like

1676
01:07:33.159 --> 01:07:35.239
<v Speaker 3>eight that's crazy stuff.

1677
01:07:35.400 --> 01:07:37.400
<v Speaker 2>Yeah, a lot of It's now just we've got we

1678
01:07:37.599 --> 01:07:39.320
<v Speaker 2>review the first few seasons, throw them out there, and

1679
01:07:39.360 --> 01:07:40.239
<v Speaker 2>then if you want to hear the rest of you

1680
01:07:40.440 --> 01:07:41.320
<v Speaker 2>to subscribe on Patreon.

1681
01:07:41.719 --> 01:07:42.280
<v Speaker 3>That makes sense.

1682
01:07:42.440 --> 01:07:45.760
<v Speaker 2>Yeah, summer on hiatus. Yeah, you know, we'll let the

1683
01:07:45.840 --> 01:07:47.719
<v Speaker 2>patrons well for this month. We're going to be reviewing

1684
01:07:47.760 --> 01:07:49.400
<v Speaker 2>this show for the next three months or whatever. But

1685
01:07:50.519 --> 01:07:51.920
<v Speaker 2>what was like, what was I going to say? I

1686
01:07:51.960 --> 01:07:53.760
<v Speaker 2>can't remember. We've got another show called TV Launch but

1687
01:07:53.800 --> 01:07:56.800
<v Speaker 2>where we just review the pilot episodes of shows. It's

1688
01:07:56.800 --> 01:07:59.000
<v Speaker 2>something different each week, and sometimes we don't know what

1689
01:07:59.039 --> 01:08:01.159
<v Speaker 2>the show's about, and it's like, we keep watching this show.

1690
01:08:01.199 --> 01:08:04.239
<v Speaker 2>If we watched this episode, was this a successful pilot? Yeah?

1691
01:08:04.400 --> 01:08:07.480
<v Speaker 3>Interesting? What are the best pilots? What have been the

1692
01:08:07.639 --> 01:08:10.000
<v Speaker 3>I think We're Wreaking Bad is one of my favorite parakings.

1693
01:08:10.079 --> 01:08:13.519
<v Speaker 2>Yeah, we're on the X Miles pilots. Yeah, and I

1694
01:08:13.559 --> 01:08:15.679
<v Speaker 2>think we're pretty big on the Wire pilot, right, Yeah,

1695
01:08:15.719 --> 01:08:18.399
<v Speaker 2>there was no sorry the Shield, the Shield pilot.

1696
01:08:18.479 --> 01:08:22.199
<v Speaker 3>Oh yeah, I tried to after I loved Breaking Bad,

1697
01:08:22.279 --> 01:08:24.119
<v Speaker 3>I watched it endlessly, Like I think I've watched the

1698
01:08:24.199 --> 01:08:28.239
<v Speaker 3>whole thing through at least five times. And the Shield

1699
01:08:28.600 --> 01:08:31.079
<v Speaker 3>and the Sopranos and the Wire the ones people always

1700
01:08:31.079 --> 01:08:33.000
<v Speaker 3>bring up as the sort of like, you know, the

1701
01:08:33.319 --> 01:08:35.520
<v Speaker 3>genesis of that ended up with Breaking Bad. So I

1702
01:08:35.640 --> 01:08:37.680
<v Speaker 3>remember trying to watch The Shield for a while and

1703
01:08:37.800 --> 01:08:40.520
<v Speaker 3>kind of lost interest, but but I vaguely enjoyed it.

1704
01:08:40.640 --> 01:08:41.520
<v Speaker 2>Have you seen The Wire?

1705
01:08:42.439 --> 01:08:44.880
<v Speaker 3>I haven't, And I like I tried to say, I know,

1706
01:08:45.119 --> 01:08:47.159
<v Speaker 3>I really should, I should just I should just do

1707
01:08:47.239 --> 01:08:48.359
<v Speaker 3>it now that HBO Max.

1708
01:08:48.319 --> 01:08:52.039
<v Speaker 2>Is the thing, yeah, and every season is different, but okay,

1709
01:08:52.119 --> 01:08:54.359
<v Speaker 2>they did they add to the cast, but it's like this,

1710
01:08:54.680 --> 01:08:58.199
<v Speaker 2>that original cast still exists, but so it's main They've

1711
01:08:58.199 --> 01:09:00.000
<v Speaker 2>got the main cop cast, but then all the side

1712
01:09:00.239 --> 01:09:03.119
<v Speaker 2>characters they're off doing their thing, but they'll slowly sort

1713
01:09:03.119 --> 01:09:05.119
<v Speaker 2>of come back and it just builds into this giant

1714
01:09:05.279 --> 01:09:06.960
<v Speaker 2>city of characters. Yeah.

1715
01:09:07.000 --> 01:09:10.800
<v Speaker 4>Wow, Okay, And as a contrast, if we're spooking HBO

1716
01:09:10.840 --> 01:09:15.520
<v Speaker 4>Max friend of the pod. May I make my old

1717
01:09:15.560 --> 01:09:19.239
<v Speaker 4>man Generation X case for SOW called Moonlighting? Okay, from

1718
01:09:19.239 --> 01:09:22.840
<v Speaker 4>the mid eighties, Bruce my man, Bruce Willis introducing Bruce

1719
01:09:22.880 --> 01:09:23.520
<v Speaker 4>Willis to the world.

1720
01:09:24.079 --> 01:09:24.960
<v Speaker 3>Bruce Willis on TV.

1721
01:09:25.319 --> 01:09:27.399
<v Speaker 2>Oh my, have you never heard of this? He started

1722
01:09:27.439 --> 01:09:28.000
<v Speaker 2>on television.

1723
01:09:28.600 --> 01:09:29.399
<v Speaker 3>I had no idea.

1724
01:09:30.279 --> 01:09:32.039
<v Speaker 2>It is Bruce Willis with hair.

1725
01:09:32.159 --> 01:09:35.840
<v Speaker 4>Yeah, romantic comedy set in the Detective Agency, where yeah,

1726
01:09:35.880 --> 01:09:39.680
<v Speaker 4>Bruce Willison, Sybil Shepherd. Will they want or won't they?

1727
01:09:39.880 --> 01:09:41.279
<v Speaker 4>Frenemies slash lovers?

1728
01:09:41.840 --> 01:09:45.239
<v Speaker 3>Man this size first time we're all there on that hairline, right,

1729
01:09:49.520 --> 01:09:51.720
<v Speaker 3>I mean, thank god, he looks fantastic bald, What a

1730
01:09:51.880 --> 01:09:54.039
<v Speaker 3>what an absolute asset to have?

1731
01:09:54.319 --> 01:09:56.119
<v Speaker 2>You know, I can relate.

1732
01:09:58.199 --> 01:09:59.960
<v Speaker 4>Honestly, Yeah, because this is a show that came out

1733
01:10:00.000 --> 01:10:02.680
<v Speaker 4>when I was a teenager, when I was about sixteen

1734
01:10:02.760 --> 01:10:06.920
<v Speaker 4>or seventeen, and I remember thinking everyceeding hell, I wouldn't

1735
01:10:06.920 --> 01:10:08.600
<v Speaker 4>be so bad, lucky, It's not going to happen to me.

1736
01:10:09.079 --> 01:10:11.319
<v Speaker 4>And then of course in you mid twenties, like, oh no,

1737
01:10:11.479 --> 01:10:13.079
<v Speaker 4>I'm going the way of all Willis.

1738
01:10:13.600 --> 01:10:14.439
<v Speaker 2>Yeah, but.

1739
01:10:16.159 --> 01:10:18.560
<v Speaker 4>Look, don't go much further than maybe season two and

1740
01:10:18.640 --> 01:10:21.399
<v Speaker 4>a half. But it really sort of goes off the rails.

1741
01:10:21.720 --> 01:10:24.319
<v Speaker 4>But certainly the first two seasons are just fantastic.

1742
01:10:24.479 --> 01:10:26.720
<v Speaker 2>Yeah yeah, right. But but Homer says, Marge is now

1743
01:10:26.800 --> 01:10:29.159
<v Speaker 2>convincing that there's more terrible things than musical. Comedy is

1744
01:10:29.159 --> 01:10:31.319
<v Speaker 2>where everyone sings. And that's when a long running series

1745
01:10:31.319 --> 01:10:33.640
<v Speaker 2>does a cheesy clip show. I guess they always pike

1746
01:10:33.680 --> 01:10:35.239
<v Speaker 2>fund of themselves and they do clip shows. This is

1747
01:10:35.239 --> 01:10:38.119
<v Speaker 2>their way of saying sorry to the audience. I don't know. Yeah,

1748
01:10:38.159 --> 01:10:39.640
<v Speaker 2>a little bit of an escape patch of themselves. A

1749
01:10:39.640 --> 01:10:42.000
<v Speaker 2>bit of self awareness goes a long way, Yeah, Snake.

1750
01:10:43.079 --> 01:10:44.960
<v Speaker 3>So it's funny, isn't it that I think like there

1751
01:10:45.039 --> 01:10:46.840
<v Speaker 3>was a long period of time where just being self

1752
01:10:46.880 --> 01:10:48.800
<v Speaker 3>aware was more than enough for those things, and we

1753
01:10:48.880 --> 01:10:50.159
<v Speaker 3>were like, oh, well, at least they call it out,

1754
01:10:50.199 --> 01:10:51.960
<v Speaker 3>whereas I think that has just been done to death now.

1755
01:10:51.960 --> 01:10:53.039
<v Speaker 3>I was like, no, you still did it.

1756
01:10:53.279 --> 01:10:53.640
<v Speaker 2>You can't.

1757
01:10:53.720 --> 01:10:55.520
<v Speaker 3>Oh yeah, you can't just bring it up and assume

1758
01:10:55.560 --> 01:10:57.960
<v Speaker 3>that it's all okay. Now, Yes, I do not accept

1759
01:10:58.000 --> 01:11:02.199
<v Speaker 3>your apology. Yeah, an apology. It was just like, well,

1760
01:11:02.199 --> 01:11:05.279
<v Speaker 3>at least we know. But Snake returns, they say they're

1761
01:11:05.319 --> 01:11:07.479
<v Speaker 3>done now, so he leaves. He has no beef of them.

1762
01:11:07.720 --> 01:11:09.600
<v Speaker 3>Margined and asked who wants dinner. They all run off

1763
01:11:09.640 --> 01:11:11.359
<v Speaker 3>and as she's closing the window, she's humming a tunes.

1764
01:11:11.359 --> 01:11:13.079
<v Speaker 3>So Snake shoots the window out and that's the end

1765
01:11:13.159 --> 01:11:15.960
<v Speaker 3>of the episode. Well almost, given that you have the credits.

1766
01:11:16.039 --> 01:11:19.920
<v Speaker 3>What happens at the credits, Well, miss and Snake is

1767
01:11:20.000 --> 01:11:21.960
<v Speaker 3>not happy about this, Like, I can still hear this music,

1768
01:11:22.079 --> 01:11:24.880
<v Speaker 3>maw Well, I think I've ever listened to the credits

1769
01:11:25.000 --> 01:11:28.600
<v Speaker 3>full episode, because I yes, I as it ended, I

1770
01:11:28.640 --> 01:11:30.479
<v Speaker 3>was like, is this where this happens? And yeah, he starts,

1771
01:11:30.600 --> 01:11:33.119
<v Speaker 3>he starts shooting at the credits at the great film.

1772
01:11:33.319 --> 01:11:35.600
<v Speaker 4>Yeah, and they very sneakily try to put put the

1773
01:11:35.680 --> 01:11:38.199
<v Speaker 4>volume up during the k Yeah you.

1774
01:11:38.199 --> 01:11:41.960
<v Speaker 2>Can still hear it, man, Yeah, you two greasy films.

1775
01:11:43.479 --> 01:11:44.399
<v Speaker 3>Al right in the way?

1776
01:11:44.479 --> 01:11:46.479
<v Speaker 2>Was was that a great snake or a terrible snake?

1777
01:11:46.520 --> 01:11:48.680
<v Speaker 2>That was that was a mid tier snake?

1778
01:11:48.960 --> 01:11:54.000
<v Speaker 3>Okay, that's so funny because your reaction made it to

1779
01:11:54.119 --> 01:11:57.479
<v Speaker 3>that makes it seem like you're expecting a compliment, because

1780
01:11:57.720 --> 01:11:59.640
<v Speaker 3>I've got to say, by saying mid tier, that felt

1781
01:11:59.680 --> 01:12:02.159
<v Speaker 3>general to me. And you were still offended by that

1782
01:12:02.239 --> 01:12:04.680
<v Speaker 3>stetory of my life. You were offended by the lack

1783
01:12:04.760 --> 01:12:07.000
<v Speaker 3>of a compliment on that stake impression.

1784
01:12:08.720 --> 01:12:10.399
<v Speaker 2>But yeah, so let's look, that's the end of I'm

1785
01:12:10.399 --> 01:12:12.079
<v Speaker 2>All Seeing All Dancing episode that we you know, it

1786
01:12:12.159 --> 01:12:13.439
<v Speaker 2>was fine, it's a clip show. What are you going

1787
01:12:13.479 --> 01:12:15.039
<v Speaker 2>to do about it? But let's talk about the specials

1788
01:12:15.079 --> 01:12:16.479
<v Speaker 2>that you've got available on YouTube. Do you have any

1789
01:12:16.479 --> 01:12:18.039
<v Speaker 2>specials coming up that we should be looking out for.

1790
01:12:18.279 --> 01:12:19.319
<v Speaker 3>I have a new special come out.

1791
01:12:19.359 --> 01:12:19.680
<v Speaker 2>When will this?

1792
01:12:19.720 --> 01:12:20.920
<v Speaker 3>When will this be put out?

1793
01:12:21.199 --> 01:12:22.359
<v Speaker 2>When would you like it to come out?

1794
01:12:22.479 --> 01:12:25.039
<v Speaker 3>Well, I have a special coming out on the eleventh

1795
01:12:25.079 --> 01:12:26.199
<v Speaker 3>of September, so this.

1796
01:12:26.199 --> 01:12:28.560
<v Speaker 2>Would be out, So this would be out soon because

1797
01:12:28.560 --> 01:12:30.319
<v Speaker 2>I'm sure this comes out before that date.

1798
01:12:30.680 --> 01:12:33.880
<v Speaker 3>Fantastic, So on YouTube on September eleventh, I have a

1799
01:12:33.960 --> 01:12:36.479
<v Speaker 3>special called Selfie's at the nine to eleven Museum, hence

1800
01:12:36.520 --> 01:12:38.960
<v Speaker 3>the release date, so I would love for people to

1801
01:12:38.960 --> 01:12:40.279
<v Speaker 3>go and check that out. And then I have to

1802
01:12:40.319 --> 01:12:42.279
<v Speaker 3>have the full length specially Ignorant and Problematic, both of

1803
01:12:42.319 --> 01:12:44.720
<v Speaker 3>my YouTube and then the fog Kevin podcast in new

1804
01:12:44.720 --> 01:12:46.760
<v Speaker 3>episodes every Thursday wherever you get your podcasts.

1805
01:12:47.000 --> 01:12:48.720
<v Speaker 2>Well, we'll talk about like your comedy, right, so you

1806
01:12:48.760 --> 01:12:51.279
<v Speaker 2>know you're releasing it on September eleven, What is like?

1807
01:12:51.399 --> 01:12:53.680
<v Speaker 2>What does your mom say about this kind of edgy

1808
01:12:53.760 --> 01:12:56.119
<v Speaker 2>tom is she like, is she just used to it

1809
01:12:56.239 --> 01:12:56.600
<v Speaker 2>by now?

1810
01:12:57.239 --> 01:12:59.199
<v Speaker 3>My parents my parents love it. But my parents have

1811
01:12:59.279 --> 01:13:01.600
<v Speaker 3>similar senses if you here, like, I think they kind

1812
01:13:01.640 --> 01:13:02.000
<v Speaker 3>of get it.

1813
01:13:02.239 --> 01:13:04.840
<v Speaker 2>Said, they're like Simpson. So yeah, and my dad like

1814
01:13:04.960 --> 01:13:07.159
<v Speaker 2>my my My biggest.

1815
01:13:06.880 --> 01:13:09.840
<v Speaker 3>Memory of my dad laughing. You know that's because I've

1816
01:13:09.880 --> 01:13:11.640
<v Speaker 3>been bringing Family Guy up a lot, but you guys haven't.

1817
01:13:11.640 --> 01:13:13.760
<v Speaker 3>So I imagined maybe it is you guys into that, and.

1818
01:13:13.880 --> 01:13:15.960
<v Speaker 2>I just stopped watching it. Never went back to it.

1819
01:13:16.159 --> 01:13:16.920
<v Speaker 2>Not really my bag.

1820
01:13:17.319 --> 01:13:19.880
<v Speaker 3>Yeah, okay, so early on, there's that you remember, there's

1821
01:13:19.880 --> 01:13:23.199
<v Speaker 3>that hipp acac scene where they all they drink the

1822
01:13:23.359 --> 01:13:25.760
<v Speaker 3>there's like a tincture that makes you vomit. It's for

1823
01:13:25.880 --> 01:13:28.000
<v Speaker 3>when people in Majestic poison whatever, and they do a

1824
01:13:28.079 --> 01:13:30.600
<v Speaker 3>competition where they all drink it and they have to

1825
01:13:30.600 --> 01:13:32.560
<v Speaker 3>see who can last longer without throwing up, and they

1826
01:13:32.640 --> 01:13:34.960
<v Speaker 3>just spend up throwing up all over each other for

1827
01:13:35.000 --> 01:13:36.880
<v Speaker 3>about two minutes. And I just have a memory of

1828
01:13:36.920 --> 01:13:39.520
<v Speaker 3>my dad just pissing himself at that, Like no matter

1829
01:13:39.560 --> 01:13:41.239
<v Speaker 3>how many times they've seen it, Like, my dad was

1830
01:13:41.319 --> 01:13:45.319
<v Speaker 3>the Family Guy DVDs for Christmas every year, So yeah, yeah,

1831
01:13:45.399 --> 01:13:48.000
<v Speaker 3>So they're all well into this stuff and they like

1832
01:13:48.119 --> 01:13:51.239
<v Speaker 3>that stuff, and I think they're all fine with it.

1833
01:13:51.319 --> 01:13:55.439
<v Speaker 3>I also think you are more likely to enjoy what

1834
01:13:55.560 --> 01:13:57.560
<v Speaker 3>I do if you've already brought into the idea that

1835
01:13:57.600 --> 01:13:59.760
<v Speaker 3>I'm a good guy and I think my mum is

1836
01:13:59.760 --> 01:14:02.720
<v Speaker 3>all be there. I think it's more of like you

1837
01:14:02.800 --> 01:14:04.399
<v Speaker 3>see it for the first time, and some people are like,

1838
01:14:04.560 --> 01:14:06.920
<v Speaker 3>is he is he serious? Does he really feel? Does

1839
01:14:06.960 --> 01:14:09.720
<v Speaker 3>he really think? All these things? So that's the kind

1840
01:14:09.720 --> 01:14:12.039
<v Speaker 3>of challenge of anyone who does the kind of comedy

1841
01:14:12.079 --> 01:14:13.359
<v Speaker 3>that I do, is you really need people to buy

1842
01:14:13.399 --> 01:14:14.680
<v Speaker 3>in that this is a joke and it's all done

1843
01:14:14.680 --> 01:14:17.119
<v Speaker 3>in good faith and it's done for the right reasons,

1844
01:14:17.159 --> 01:14:20.159
<v Speaker 3>because it's often not right. And I think it's kind

1845
01:14:20.199 --> 01:14:22.039
<v Speaker 3>of my responsibility as a comedian is to make people

1846
01:14:22.039 --> 01:14:23.920
<v Speaker 3>feel that way and make them know how I actually

1847
01:14:23.960 --> 01:14:25.920
<v Speaker 3>feel versus what I'm saying just the stir shit.

1848
01:14:26.359 --> 01:14:26.800
<v Speaker 2>That's the thing.

1849
01:14:26.840 --> 01:14:28.640
<v Speaker 4>I'm not about to name any names or anything like that,

1850
01:14:28.760 --> 01:14:34.279
<v Speaker 4>but there are certain YouTubers perhaps who will say quite

1851
01:14:34.359 --> 01:14:37.159
<v Speaker 4>inflammatory things under the guise of well, I'm just asking

1852
01:14:37.279 --> 01:14:40.079
<v Speaker 4>questions and things like that. I get the feeling you're

1853
01:14:40.159 --> 01:14:42.560
<v Speaker 4>trying to you know, do a bit of a juxtaposition here,

1854
01:14:42.600 --> 01:14:44.800
<v Speaker 4>but really, I think this is actually just what you think.

1855
01:14:45.279 --> 01:14:48.760
<v Speaker 3>Oh yeah, for sure. And yeah, I think there's versions

1856
01:14:48.800 --> 01:14:51.720
<v Speaker 3>of that as well, where it's like I'm just saying

1857
01:14:52.319 --> 01:14:54.439
<v Speaker 3>I think some comedians have wanted to be taken seriously

1858
01:14:54.479 --> 01:14:56.520
<v Speaker 3>in certain formats and not seriously in other formats, and

1859
01:14:56.520 --> 01:14:58.399
<v Speaker 3>I think that becomes a problem right where you're like, well,

1860
01:14:58.479 --> 01:15:00.239
<v Speaker 3>over here is where I share my opinions, but over

1861
01:15:00.279 --> 01:15:01.600
<v Speaker 3>here is where I'm just being funny, And it's like,

1862
01:15:01.600 --> 01:15:02.760
<v Speaker 3>but they always kind of conflate.

1863
01:15:02.960 --> 01:15:05.119
<v Speaker 4>Yeah, you've been Diagram's kind of a circle there, buddy,

1864
01:15:05.399 --> 01:15:05.920
<v Speaker 4>after a while.

1865
01:15:06.039 --> 01:15:09.159
<v Speaker 3>Yeah, So yeah, I think you just need to kind

1866
01:15:09.199 --> 01:15:11.680
<v Speaker 3>of hope people know you're coming from the right place

1867
01:15:11.720 --> 01:15:14.039
<v Speaker 3>and that you don't actually think the horrible things you're thinking.

1868
01:15:14.119 --> 01:15:16.239
<v Speaker 2>You're saying, you don't come across like you're just going

1869
01:15:16.319 --> 01:15:18.520
<v Speaker 2>up on the stage and ranting. It's clearly that you're

1870
01:15:18.560 --> 01:15:19.920
<v Speaker 2>setting up punchlines here.

1871
01:15:20.439 --> 01:15:22.279
<v Speaker 3>Yeah, I think so. I think that also helps, is

1872
01:15:22.359 --> 01:15:26.039
<v Speaker 3>like my stuff is so clearly a joke, not in

1873
01:15:26.199 --> 01:15:28.239
<v Speaker 3>the intention, but in like the format. It is very

1874
01:15:28.359 --> 01:15:30.479
<v Speaker 3>much like set up punchline sort of stuff. So hopefully

1875
01:15:30.520 --> 01:15:31.600
<v Speaker 3>that makes it obvious.

1876
01:15:32.600 --> 01:15:34.359
<v Speaker 4>This is I don't really I mean, we can probably

1877
01:15:34.439 --> 01:15:35.560
<v Speaker 4>edit this out. What do you think of a guy, NA,

1878
01:15:36.079 --> 01:15:37.920
<v Speaker 4>are you aware of going named Anthony Jesslnik?

1879
01:15:38.079 --> 01:15:40.359
<v Speaker 3>Yeah, I love Jesslinic. Jesslnick was probably like one of

1880
01:15:40.439 --> 01:15:41.439
<v Speaker 3>my biggest influences.

1881
01:15:41.479 --> 01:15:43.640
<v Speaker 2>I think, Yeah, that's the vibe that I'm getting when

1882
01:15:43.680 --> 01:15:45.840
<v Speaker 2>I was watching. When I was watching Problematic as well.

1883
01:15:46.000 --> 01:15:47.880
<v Speaker 3>I had to be very careful not to just be

1884
01:15:48.039 --> 01:15:51.159
<v Speaker 3>jess Onnick because he's so specific. So and you think

1885
01:15:51.159 --> 01:15:55.720
<v Speaker 3>about what he does, like he was an English major

1886
01:15:55.960 --> 01:16:02.520
<v Speaker 3>at university, and he loved Brettie Snellis and American Psycho

1887
01:16:02.600 --> 01:16:04.000
<v Speaker 3>and all that sort of stuff, and you can see

1888
01:16:04.039 --> 01:16:05.560
<v Speaker 3>like he kind of is he He talks about how

1889
01:16:05.600 --> 01:16:07.880
<v Speaker 3>his comedy is kind of like a horror movie, and

1890
01:16:08.039 --> 01:16:10.079
<v Speaker 3>I think I love that. I love comedians who don't

1891
01:16:10.119 --> 01:16:11.840
<v Speaker 3>exist in the same world as the rest of us,

1892
01:16:12.000 --> 01:16:14.800
<v Speaker 3>as in, like Jesslink's character couldn't fit in in the

1893
01:16:15.039 --> 01:16:17.920
<v Speaker 3>in the real world because he's like a serial killer, slash.

1894
01:16:18.119 --> 01:16:19.359
<v Speaker 2>You know, absolute sociopath.

1895
01:16:19.680 --> 01:16:22.680
<v Speaker 3>Yeah, exactly, So I love that. I love j Just's

1896
01:16:22.720 --> 01:16:23.399
<v Speaker 3>He's fantastic.

1897
01:16:24.439 --> 01:16:26.720
<v Speaker 2>It makes sense he's an English major. His book recommendations

1898
01:16:26.760 --> 01:16:28.079
<v Speaker 2>are fantastic.

1899
01:16:28.319 --> 01:16:29.560
<v Speaker 3>I've been doing that too recently.

1900
01:16:29.680 --> 01:16:31.600
<v Speaker 2>Yeah, guy, he just became best friends.

1901
01:16:32.680 --> 01:16:34.840
<v Speaker 3>Well, maybe where can your snake impression? We'll get there.

1902
01:16:36.479 --> 01:16:37.720
<v Speaker 2>Can you get a snake impression?

1903
01:16:37.880 --> 01:16:39.399
<v Speaker 3>Absolutely not? But I know my I know my.

1904
01:16:41.159 --> 01:16:43.760
<v Speaker 4>To quote Clarice, what a man's got to know his limitation, Yeah,

1905
01:16:43.840 --> 01:16:44.640
<v Speaker 4>I clearly do not.

1906
01:16:45.960 --> 01:16:48.840
<v Speaker 3>I did a I did a joke recently on stage

1907
01:16:48.840 --> 01:16:51.279
<v Speaker 3>where I did a German accent and I came off

1908
01:16:51.319 --> 01:16:52.640
<v Speaker 3>stage it didn't and it didn't go great, And I

1909
01:16:52.680 --> 01:16:53.960
<v Speaker 3>came uf stage and I said to my friends, like,

1910
01:16:53.960 --> 01:16:55.520
<v Speaker 3>I feel like every time I do an accent on stage,

1911
01:16:55.520 --> 01:16:57.279
<v Speaker 3>everyone in the audience is going he doesn't want to

1912
01:16:57.279 --> 01:16:59.640
<v Speaker 3>do that accent. He knows he doesn't feel comfortable doing

1913
01:16:59.640 --> 01:16:59.880
<v Speaker 3>this out.

1914
01:17:01.199 --> 01:17:03.039
<v Speaker 2>How do you handle when a job not, when a

1915
01:17:03.119 --> 01:17:05.079
<v Speaker 2>joke bombs, when it just doesn't give get the reaction

1916
01:17:05.159 --> 01:17:06.920
<v Speaker 2>you expected it or do you just go in not

1917
01:17:07.039 --> 01:17:10.159
<v Speaker 2>expecting your gags to get a great reaction and then

1918
01:17:10.199 --> 01:17:11.760
<v Speaker 2>that way it depends.

1919
01:17:12.239 --> 01:17:14.960
<v Speaker 3>So if you've done the joke a lot and you

1920
01:17:15.239 --> 01:17:17.960
<v Speaker 3>know it's hit rate, like there are certain you have

1921
01:17:18.079 --> 01:17:20.479
<v Speaker 3>your set and you're like, okay, this is as close

1922
01:17:20.600 --> 01:17:21.399
<v Speaker 3>to a sure thing as.

1923
01:17:21.319 --> 01:17:23.319
<v Speaker 2>I have who do you test on before you do that.

1924
01:17:24.000 --> 01:17:26.079
<v Speaker 3>Oh, there is a period of time. There is a

1925
01:17:26.119 --> 01:17:27.560
<v Speaker 3>time where you just have to tell an audience for

1926
01:17:27.600 --> 01:17:29.840
<v Speaker 3>the first time and you just have to swallow the consequences.

1927
01:17:30.880 --> 01:17:33.600
<v Speaker 3>So if it's something that you trust and you've done

1928
01:17:33.640 --> 01:17:35.680
<v Speaker 3>it a lot of times, an audience doesn't laugh, you

1929
01:17:35.800 --> 01:17:38.439
<v Speaker 3>are learning something about the audience. And I probably then

1930
01:17:38.720 --> 01:17:42.079
<v Speaker 3>am less precious about their responses to anything, because I'm like, well,

1931
01:17:42.079 --> 01:17:43.800
<v Speaker 3>you didn't laugh at the thing that always works, and

1932
01:17:43.840 --> 01:17:45.880
<v Speaker 3>therefore you're just gonna be a hard crowd. I'll try

1933
01:17:45.920 --> 01:17:47.680
<v Speaker 3>when you have a bit if I don't, like I

1934
01:17:47.800 --> 01:17:50.159
<v Speaker 3>was playing a hard game to start with. But then

1935
01:17:50.159 --> 01:17:51.600
<v Speaker 3>there's the other thing, which is what you're talking about,

1936
01:17:51.640 --> 01:17:53.720
<v Speaker 3>which is like, I have this thing I think it's

1937
01:17:53.840 --> 01:17:55.720
<v Speaker 3>so funny, and then you say it to a crowd

1938
01:17:55.760 --> 01:17:59.039
<v Speaker 3>the first time and they disagree and you're just like, well,

1939
01:17:59.039 --> 01:18:00.720
<v Speaker 3>I guess I was wrong, or you have to try

1940
01:18:00.720 --> 01:18:03.119
<v Speaker 3>it again or whatever. But there is it's frustrating when

1941
01:18:03.119 --> 01:18:05.479
<v Speaker 3>you think you have a slam dunk and they're just

1942
01:18:05.560 --> 01:18:07.159
<v Speaker 3>not interested at all. You have to kind of like

1943
01:18:07.239 --> 01:18:09.399
<v Speaker 3>work out what it was. Was it like, did they

1944
01:18:09.479 --> 01:18:11.239
<v Speaker 3>not understand what I was trying to say, did they

1945
01:18:11.279 --> 01:18:13.000
<v Speaker 3>not know where to laugh? Did they think what I

1946
01:18:13.039 --> 01:18:15.600
<v Speaker 3>said was too offensive or whatever? You got to kind

1947
01:18:15.640 --> 01:18:19.039
<v Speaker 3>of reverse engineer where where the mark was missed?

1948
01:18:19.079 --> 01:18:21.039
<v Speaker 2>Am I so out of touch? Or as the audience wrong?

1949
01:18:21.199 --> 01:18:21.399
<v Speaker 1>Yeah?

1950
01:18:21.479 --> 01:18:22.880
<v Speaker 3>Yeah, you're children who are wrong.

1951
01:18:23.039 --> 01:18:26.000
<v Speaker 4>Yeah, it's one thing I did like I'm im it

1952
01:18:26.079 --> 01:18:28.199
<v Speaker 4>might have been a problematic. But where you display either

1953
01:18:28.239 --> 01:18:31.079
<v Speaker 4>the confidence or the faux confidence to be like, I've

1954
01:18:31.119 --> 01:18:33.279
<v Speaker 4>got no idea why you didn't like that? That absolutely

1955
01:18:33.479 --> 01:18:38.680
<v Speaker 4>slays or does that? I think it's fantastic, clearly. Yeah again,

1956
01:18:38.800 --> 01:18:39.920
<v Speaker 4>clearland the children are wrong.

1957
01:18:40.680 --> 01:18:42.600
<v Speaker 3>There are times where you're just like, really, you didn't

1958
01:18:42.680 --> 01:18:43.359
<v Speaker 3>like that? That's weird.

1959
01:18:43.399 --> 01:18:45.920
<v Speaker 2>People seem to like that, and that can work as

1960
01:18:45.920 --> 01:18:46.720
<v Speaker 2>a joke in itself.

1961
01:18:47.159 --> 01:18:48.600
<v Speaker 3>Yeah, it's sometimes you just need to call it out.

1962
01:18:48.640 --> 01:18:50.479
<v Speaker 3>And I think, you know, if you have the confidence

1963
01:18:50.520 --> 01:18:52.960
<v Speaker 3>to be like, no, I trust me. I think I know.

1964
01:18:53.399 --> 01:18:55.479
<v Speaker 2>I was gonna say, do you call that out when

1965
01:18:55.520 --> 01:18:57.359
<v Speaker 2>the audience doesn't respond or do you just move on?

1966
01:18:58.279 --> 01:19:01.920
<v Speaker 3>Depends? I think sometimes if you call out how bad

1967
01:19:02.000 --> 01:19:04.319
<v Speaker 3>it's going, it can go either way, like, because sometimes

1968
01:19:04.359 --> 01:19:06.880
<v Speaker 3>it can just serve to remind people that it's going badly. Yeah,

1969
01:19:06.880 --> 01:19:08.800
<v Speaker 3>and they're like, oh is it you be like, you

1970
01:19:08.880 --> 01:19:10.800
<v Speaker 3>guys hate this and they go, oh do we Okay,

1971
01:19:10.960 --> 01:19:13.119
<v Speaker 3>I guess we'll keep hating it then, Whereas there are

1972
01:19:13.119 --> 01:19:14.600
<v Speaker 3>other times where you can kind of play with it,

1973
01:19:14.720 --> 01:19:16.800
<v Speaker 3>especially if like you've been good, you know, you've made

1974
01:19:16.800 --> 01:19:18.560
<v Speaker 3>them laugh before, and then you don't. You can kind

1975
01:19:18.600 --> 01:19:19.119
<v Speaker 3>of play with that.

1976
01:19:19.560 --> 01:19:23.039
<v Speaker 2>Your self deprecations. Yeah, like a bit of Russian roulette sometimes.

1977
01:19:23.319 --> 01:19:23.560
<v Speaker 3>Yeah.

1978
01:19:23.760 --> 01:19:25.640
<v Speaker 2>Have the ever been like downfalls of being a stand

1979
01:19:25.680 --> 01:19:27.359
<v Speaker 2>up comedian that you weren't prepared.

1980
01:19:27.039 --> 01:19:31.039
<v Speaker 3>For or expected in like life more broadly, or.

1981
01:19:31.479 --> 01:19:33.720
<v Speaker 2>In anything, whether it be performing on stage or just

1982
01:19:33.840 --> 01:19:37.159
<v Speaker 2>how your social circle handle treats you because now you're

1983
01:19:37.159 --> 01:19:40.239
<v Speaker 2>a comedian? No, is it the life you expected? Yeah?

1984
01:19:42.079 --> 01:19:45.079
<v Speaker 3>I don't know, Like I think, do you feel.

1985
01:19:44.880 --> 01:19:46.479
<v Speaker 2>The need to have to be funny when you're around

1986
01:19:46.520 --> 01:19:47.720
<v Speaker 2>your non comedian friends?

1987
01:19:48.399 --> 01:19:50.399
<v Speaker 3>No? Not really. I think I do think being a

1988
01:19:50.439 --> 01:19:53.399
<v Speaker 3>comedian has made me funnier in general, just because you

1989
01:19:53.520 --> 01:19:55.239
<v Speaker 3>kind of understand the structure of jokes a little bit

1990
01:19:55.279 --> 01:19:56.720
<v Speaker 3>better and you can kind of talk in them a

1991
01:19:56.760 --> 01:19:59.479
<v Speaker 3>little bit, sort of like you get better at an instrument,

1992
01:19:59.520 --> 01:20:01.760
<v Speaker 3>You can improve more freely, even though that's not what

1993
01:20:01.880 --> 01:20:03.640
<v Speaker 3>you you don't go on stage and revise every night.

1994
01:20:03.680 --> 01:20:05.920
<v Speaker 3>But you kind of you know what notes to hit

1995
01:20:06.079 --> 01:20:07.640
<v Speaker 3>or whatever, you know the structures do.

1996
01:20:07.680 --> 01:20:09.319
<v Speaker 2>You find it? You just do that naturally. Now it's

1997
01:20:09.399 --> 01:20:13.279
<v Speaker 2>just you because you are more learned and you're more

1998
01:20:13.439 --> 01:20:15.479
<v Speaker 2>experienced with being doing the stand up that you just

1999
01:20:15.800 --> 01:20:17.640
<v Speaker 2>everything you say comes out as a joke, even whether

2000
01:20:17.680 --> 01:20:18.079
<v Speaker 2>you mean.

2001
01:20:18.000 --> 01:20:20.039
<v Speaker 3>It or not. Not always, but I think, you know, like,

2002
01:20:20.159 --> 01:20:21.880
<v Speaker 3>if I'm going to say this to be the funniest

2003
01:20:21.880 --> 01:20:23.680
<v Speaker 3>way as possible, I need this word to be the end,

2004
01:20:23.800 --> 01:20:25.560
<v Speaker 3>and I need the rhythm to be there, and that

2005
01:20:25.640 --> 01:20:27.960
<v Speaker 3>would and sometimes you it's it's embarrassing, but you walk

2006
01:20:27.960 --> 01:20:30.640
<v Speaker 3>away from conversation where you've said something, you said a

2007
01:20:30.760 --> 01:20:33.239
<v Speaker 3>joke in passing, and I walk away and I'm like, oh,

2008
01:20:33.279 --> 01:20:34.880
<v Speaker 3>I should have said it this way. If I'd said,

2009
01:20:34.960 --> 01:20:36.479
<v Speaker 3>if I said this at the end is stead of that,

2010
01:20:36.560 --> 01:20:39.960
<v Speaker 3>that would have landed a little bit better. But I

2011
01:20:39.960 --> 01:20:42.920
<v Speaker 3>don't know. I think probably the most unexpected thing, and

2012
01:20:43.000 --> 01:20:45.079
<v Speaker 3>it's because it wasn't the case when I started. It's like,

2013
01:20:45.199 --> 01:20:47.880
<v Speaker 3>how online maybe, I mean, this is your career right,

2014
01:20:48.039 --> 01:20:50.960
<v Speaker 3>how online you have to be and putting things out

2015
01:20:51.000 --> 01:20:56.119
<v Speaker 3>and feeling the need to understand social content and trends

2016
01:20:56.359 --> 01:20:58.560
<v Speaker 3>and podcasts and all of these things like that has

2017
01:20:58.800 --> 01:21:00.960
<v Speaker 3>I wasn't really expecting that going in, and there's and

2018
01:21:01.039 --> 01:21:03.399
<v Speaker 3>there's there's positive negatives, right, Like you have a thing

2019
01:21:03.439 --> 01:21:05.319
<v Speaker 3>that goes online and goes really well. There's a huge

2020
01:21:05.359 --> 01:21:07.319
<v Speaker 3>dopamine hit to that, and that's very exciting. And people

2021
01:21:07.680 --> 01:21:10.079
<v Speaker 3>you get fans, which is kind of bizarre, which is,

2022
01:21:10.319 --> 01:21:13.239
<v Speaker 3>you know, I didn't really you kind of think you're

2023
01:21:13.279 --> 01:21:15.000
<v Speaker 3>gonna be huge whatever you don't think about. Just the

2024
01:21:15.039 --> 01:21:17.239
<v Speaker 3>reality is if there's a person out there who thinks

2025
01:21:17.319 --> 01:21:18.880
<v Speaker 3>what I do is really great and looks forward to

2026
01:21:18.880 --> 01:21:20.279
<v Speaker 3>the thing I put out, and that's just a weird

2027
01:21:20.359 --> 01:21:22.720
<v Speaker 3>relationship to have to someone that you don't think about

2028
01:21:22.720 --> 01:21:26.039
<v Speaker 3>when you set out to do it. Yeah, oh it's

2029
01:21:26.079 --> 01:21:27.880
<v Speaker 3>gonna be great, you guys. I'm sure if you guys

2030
01:21:27.920 --> 01:21:30.159
<v Speaker 3>start like nine or ten more podcasts I reckon, you

2031
01:21:30.239 --> 01:21:32.680
<v Speaker 3>might find someone starting to really dig it.

2032
01:21:33.239 --> 01:21:35.000
<v Speaker 2>This show is brought to you by the four Fingered

2033
01:21:35.039 --> 01:21:38.000
<v Speaker 2>Discount Patreon, where you'll find over one hundred hours of

2034
01:21:38.119 --> 01:21:42.600
<v Speaker 2>bonus podcasts, including exclusive Simpsons reviews and commentaries, as well

2035
01:21:42.640 --> 01:21:45.800
<v Speaker 2>as exclusive episodes of Going Down to South Park, Tales

2036
01:21:45.840 --> 01:21:50.119
<v Speaker 2>of Futurama, Bob's pods, Speaking of the Hill, Talking Siefeld,

2037
01:21:50.319 --> 01:21:52.880
<v Speaker 2>the one about friends, and so much more. So go

2038
01:21:53.039 --> 01:21:56.039
<v Speaker 2>ahead and join the family today at patreon dot com.

2039
01:21:56.199 --> 01:21:59.720
<v Speaker 2>Slash four finger discount insane That then the jokes aside.

2040
01:21:59.720 --> 01:22:01.560
<v Speaker 2>Sometimes we do get emails of people saying, you know,

2041
01:22:01.600 --> 01:22:03.479
<v Speaker 2>I was in hospital for six weeks and your podcast

2042
01:22:03.560 --> 01:22:05.399
<v Speaker 2>got me through it. And sometimes you forget that you're

2043
01:22:05.439 --> 01:22:07.760
<v Speaker 2>not just throwing this shit out into the wall and

2044
01:22:07.800 --> 01:22:09.079
<v Speaker 2>just seeing what happens, like you know, just going into

2045
01:22:09.119 --> 01:22:11.279
<v Speaker 2>the universe and nothing's happening. People are absorbing what you're

2046
01:22:11.319 --> 01:22:14.079
<v Speaker 2>throwing out there, and it does affect people for sure.

2047
01:22:14.039 --> 01:22:17.000
<v Speaker 3>And I think unfortunately it's that kind of hedonic treadmill

2048
01:22:17.079 --> 01:22:21.960
<v Speaker 3>thing of whatever you have. Wouldn't you know it's actually

2049
01:22:22.039 --> 01:22:25.319
<v Speaker 3>favorite simce it's quote I'd trade it all. I'd trade

2050
01:22:25.319 --> 01:22:29.600
<v Speaker 3>it all in for a little more like it's it's

2051
01:22:30.439 --> 01:22:32.479
<v Speaker 3>you know I have. You know, with our podcast, we've

2052
01:22:32.520 --> 01:22:35.439
<v Speaker 3>we've sort of you start to plateau as happens and

2053
01:22:36.399 --> 01:22:38.800
<v Speaker 3>you go, God, it's so annoying. I would I just

2054
01:22:38.880 --> 01:22:40.359
<v Speaker 3>wish we'd hit and there was a period of time

2055
01:22:40.359 --> 01:22:41.880
<v Speaker 3>where the numbers we're getting now I would have killed

2056
01:22:41.920 --> 01:22:43.680
<v Speaker 3>for and I think it's with all this stuff, like you,

2057
01:22:43.840 --> 01:22:46.279
<v Speaker 3>you always the grass is always green. It would always

2058
01:22:46.279 --> 01:22:47.600
<v Speaker 3>be better for just a little bit more than this

2059
01:22:47.640 --> 01:22:48.600
<v Speaker 3>would be great, though, wouldn't it.

2060
01:22:49.560 --> 01:22:53.399
<v Speaker 2>Yeah. I remember our very first podcast a different co host,

2061
01:22:53.479 --> 01:22:55.880
<v Speaker 2>Ray maybe back in the beginning, and it was thirteen downloads,

2062
01:22:56.119 --> 01:22:57.720
<v Speaker 2>and you went, I'm not doing it anymore, Like mate,

2063
01:22:57.840 --> 01:23:00.439
<v Speaker 2>just just keep doing it, Just keep doing it. And

2064
01:23:00.520 --> 01:23:02.359
<v Speaker 2>now it's like nearly ten million, you know, So it's

2065
01:23:02.399 --> 01:23:03.800
<v Speaker 2>just persist.

2066
01:23:04.319 --> 01:23:06.439
<v Speaker 3>Yeah, it is all of attrition, isn't it.

2067
01:23:06.479 --> 01:23:08.800
<v Speaker 2>It is? Indeed, But before we go, let you leave,

2068
01:23:09.079 --> 01:23:10.399
<v Speaker 2>We've got a question for you. We asked this for

2069
01:23:10.439 --> 01:23:13.439
<v Speaker 2>all of our guests. Now it's nineteen ninety eight. Channel

2070
01:23:13.479 --> 01:23:15.039
<v Speaker 2>ten have called you up. They said, Tom, we're gonna

2071
01:23:15.039 --> 01:23:17.720
<v Speaker 2>be putting together a Simpsons marathon on a on a

2072
01:23:17.760 --> 01:23:21.159
<v Speaker 2>Friday night. Five episodes? What episodes are you given us?

2073
01:23:21.640 --> 01:23:24.520
<v Speaker 2>And yeah, okay, so I it's a hard one, right,

2074
01:23:24.520 --> 01:23:26.439
<v Speaker 2>there's no perfect five. So I just kind of picked

2075
01:23:26.640 --> 01:23:28.079
<v Speaker 2>tried to pick some that I thought were kind of

2076
01:23:28.079 --> 01:23:31.720
<v Speaker 2>reflective of me. More generally, I love the Hank Scorpio

2077
01:23:31.760 --> 01:23:33.000
<v Speaker 2>episode You Only Move Twice.

2078
01:23:33.199 --> 01:23:37.279
<v Speaker 3>I think I love all of that. I think again,

2079
01:23:37.359 --> 01:23:39.319
<v Speaker 3>I think I've probably chosen as everything you said earlier

2080
01:23:39.319 --> 01:23:40.520
<v Speaker 3>in the episode, he's kind of like, I don't know

2081
01:23:40.520 --> 01:23:43.319
<v Speaker 3>if it counts genre bending, but the ones where they

2082
01:23:43.439 --> 01:23:45.960
<v Speaker 3>sort of feel like there are kind of a step

2083
01:23:46.000 --> 01:23:47.760
<v Speaker 3>removed from the everyday Springfield stuff.

2084
01:23:48.119 --> 01:23:50.159
<v Speaker 2>The Symptoms are the only Springfield characters that appear and

2085
01:23:50.239 --> 01:23:51.520
<v Speaker 2>after the first couple of minutes.

2086
01:23:51.560 --> 01:23:54.640
<v Speaker 3>So yeah, right, that makes sense. But yeah, it's I

2087
01:23:55.000 --> 01:23:56.680
<v Speaker 3>like that sort of the new world that they're in

2088
01:23:56.800 --> 01:23:59.319
<v Speaker 3>in that new town. I love Hank Scorpio. I think

2089
01:23:59.319 --> 01:24:02.640
<v Speaker 3>he's very funny. Well yeah, all the little like kind

2090
01:24:02.680 --> 01:24:06.439
<v Speaker 3>of bond asides throughout I think are very funny.

2091
01:24:06.520 --> 01:24:08.720
<v Speaker 2>Albert Brooks as as Hank, Is that right?

2092
01:24:08.840 --> 01:24:09.000
<v Speaker 3>Yeah?

2093
01:24:09.760 --> 01:24:12.239
<v Speaker 2>Basically, let I say, here, just speaking to the microphone

2094
01:24:12.239 --> 01:24:13.319
<v Speaker 2>for two hours and we'll work around it.

2095
01:24:13.800 --> 01:24:17.119
<v Speaker 3>Yeah, okay, cool. And then I had a fish called Selma.

2096
01:24:17.720 --> 01:24:22.520
<v Speaker 3>I like, I say, I love Phil Hartman, and I

2097
01:24:22.960 --> 01:24:24.880
<v Speaker 3>really like Troy McClure.

2098
01:24:25.079 --> 01:24:27.600
<v Speaker 2>That Planet of the Apes play is unbelievable.

2099
01:24:27.760 --> 01:24:29.640
<v Speaker 3>That's what I was gonna say. Actually to the songs

2100
01:24:29.680 --> 01:24:32.399
<v Speaker 3>that didn't end up like I do, I do really

2101
01:24:32.600 --> 01:24:36.680
<v Speaker 3>like doctors as and Chimpannee to Chimpanzee, Like.

2102
01:24:36.680 --> 01:24:37.279
<v Speaker 2>That's so good.

2103
01:24:37.359 --> 01:24:37.920
<v Speaker 3>A lot of fun.

2104
01:24:37.960 --> 01:24:40.159
<v Speaker 2>I'm so glad we got that from Phil before he

2105
01:24:40.279 --> 01:24:43.920
<v Speaker 2>left us. Mm yeah, yeah, I think taking from us. Yeah,

2106
01:24:44.279 --> 01:24:47.720
<v Speaker 2>they were such those two characters. I'm right about that, right,

2107
01:24:47.760 --> 01:24:51.680
<v Speaker 2>I'm definitely Lionel Hudson Promic Clau. They're just like four

2108
01:24:52.079 --> 01:24:54.840
<v Speaker 2>sort of what easily could have been kind of background characters.

2109
01:24:54.920 --> 01:24:58.840
<v Speaker 2>So so many great moments, so many great lions, which

2110
01:24:58.960 --> 01:25:02.000
<v Speaker 2>I'm a big fan of. I have much a power

2111
01:25:02.000 --> 01:25:04.239
<v Speaker 2>about nothing, which is probably again just back to that.

2112
01:25:04.399 --> 01:25:06.960
<v Speaker 2>It is at one line the someone my idea, how I,

2113
01:25:07.159 --> 01:25:08.439
<v Speaker 2>which I think is a great line, but it also

2114
01:25:08.520 --> 01:25:09.640
<v Speaker 2>just has a bit of a meaning for me.

2115
01:25:09.920 --> 01:25:13.359
<v Speaker 3>That's the immigrants one, right, yeah, yeah, immigrants, Yeah, yeah,

2116
01:25:13.520 --> 01:25:15.760
<v Speaker 3>And I saw actually I saw that meme recently where

2117
01:25:15.760 --> 01:25:17.439
<v Speaker 3>they're asking, you know, what were the what was the

2118
01:25:17.520 --> 01:25:23.239
<v Speaker 3>cause of the Civil War? Just just say slavery, itchy

2119
01:25:23.279 --> 01:25:26.720
<v Speaker 3>and scratchy land. Again, I just I like I like

2120
01:25:26.800 --> 01:25:29.000
<v Speaker 3>that world. I like being on the chee scratch I

2121
01:25:29.159 --> 01:25:32.600
<v Speaker 3>like where nothing can ever possibly go wrong, and that's

2122
01:25:32.640 --> 01:25:33.079
<v Speaker 3>the first.

2123
01:25:32.880 --> 01:25:35.199
<v Speaker 2>Thing that ever went wrong. It's funny they actually mocked

2124
01:25:35.239 --> 01:25:37.520
<v Speaker 2>John Tavolta in that right, he's the guy behind the bar.

2125
01:25:38.159 --> 01:25:40.560
<v Speaker 2>And that episode aired just before pulp fiction came out

2126
01:25:40.600 --> 01:25:41.680
<v Speaker 2>and his whole career researching.

2127
01:25:41.800 --> 01:25:45.920
<v Speaker 3>Oh yeah, right, yeah, that's funny, Okay. And then I

2128
01:25:46.000 --> 01:25:47.479
<v Speaker 3>had to pick a tree House of Horror. I love

2129
01:25:47.520 --> 01:25:50.560
<v Speaker 3>the treehous Horror series, and I was tossing up between

2130
01:25:50.600 --> 01:25:54.239
<v Speaker 3>five and six, and I think, like six really stinks

2131
01:25:54.239 --> 01:25:56.720
<v Speaker 3>out in my mind, Like I just it just seems my.

2132
01:25:56.760 --> 01:25:59.079
<v Speaker 2>Personal factic was the first one I ever remember watching

2133
01:25:59.119 --> 01:25:59.840
<v Speaker 2>as a new episode.

2134
01:26:00.239 --> 01:26:03.760
<v Speaker 3>Yeah right, okay. I just the mascots coming to life

2135
01:26:04.039 --> 01:26:07.479
<v Speaker 3>and the night more on Elm Street kind of parody,

2136
01:26:07.560 --> 01:26:08.920
<v Speaker 3>like they just they really live in the moment. But

2137
01:26:09.039 --> 01:26:11.880
<v Speaker 3>I ultimately, I ultimately yeah, the three D and Homer

2138
01:26:11.960 --> 01:26:14.319
<v Speaker 3>showing up at the end in the real world was very,

2139
01:26:14.439 --> 01:26:17.760
<v Speaker 3>very bizarre. This is a cube slowed down akehead like

2140
01:26:18.319 --> 01:26:22.159
<v Speaker 3>it's a square. But I ended up going with five

2141
01:26:23.239 --> 01:26:27.279
<v Speaker 3>because I love the shinning. I think that was really great.

2142
01:26:27.600 --> 01:26:30.760
<v Speaker 3>I liked that repeat gag of Willie getting killed and

2143
01:26:30.840 --> 01:26:35.600
<v Speaker 3>every one it's fantastic. Yeah, But I genuinely generally love

2144
01:26:35.680 --> 01:26:37.439
<v Speaker 3>the Treeouts of Horror series. I think I will I

2145
01:26:37.439 --> 01:26:38.479
<v Speaker 3>will always change into one of those.

2146
01:26:38.640 --> 01:26:41.039
<v Speaker 2>It just feels like genuine horror. Number five, It's it's

2147
01:26:41.039 --> 01:26:42.640
<v Speaker 2>the pinnacle, I think, and to the point where a

2148
01:26:42.680 --> 01:26:44.279
<v Speaker 2>lot of kids who grew up in the nineties called

2149
01:26:44.319 --> 01:26:45.520
<v Speaker 2>the Shining the shinning.

2150
01:26:45.399 --> 01:26:47.439
<v Speaker 3>Just by yeah, it's just the shin.

2151
01:26:47.960 --> 01:26:49.760
<v Speaker 2>It's actually called the shining, but no, it's the shinning.

2152
01:26:50.119 --> 01:26:52.199
<v Speaker 3>Well is it? To your point? Like I think, especially

2153
01:26:52.199 --> 01:26:54.479
<v Speaker 3>in the earlier ones, the sort of the way they

2154
01:26:54.600 --> 01:26:58.079
<v Speaker 3>walked the line between funny and scary was very impressive,

2155
01:26:59.039 --> 01:27:01.000
<v Speaker 3>and I thought like that was some really scary moments

2156
01:27:01.039 --> 01:27:02.359
<v Speaker 3>of this. I think that night my Elm Street one

2157
01:27:02.479 --> 01:27:04.239
<v Speaker 3>was pretty scary and then I was looking at like

2158
01:27:04.479 --> 01:27:07.800
<v Speaker 3>the raven always stuck in my head and as a kid,

2159
01:27:07.920 --> 01:27:08.840
<v Speaker 3>it's like, what is this?

2160
01:27:09.039 --> 01:27:11.279
<v Speaker 2>I didn't like it at all? What is going on here?

2161
01:27:11.680 --> 01:27:13.119
<v Speaker 3>I don't know if I enjoyed it? And I think

2162
01:27:13.159 --> 01:27:15.199
<v Speaker 3>I probably, like in hindsight, and now I hear that

2163
01:27:15.359 --> 01:27:17.760
<v Speaker 3>poem and like, there's a there's a bunch of clips online,

2164
01:27:17.760 --> 01:27:22.640
<v Speaker 3>there's one of oh James L. Jones does it, and

2165
01:27:22.800 --> 01:27:25.039
<v Speaker 3>it is it's it's fantastic. And the idea that the

2166
01:27:25.079 --> 01:27:27.159
<v Speaker 3>Simpsons introduced me to that poem, I think, and and

2167
01:27:27.319 --> 01:27:29.119
<v Speaker 3>a ground Poe generally I think is very cool.

2168
01:27:29.359 --> 01:27:32.720
<v Speaker 2>It's a ballsy move too. By the sha because it

2169
01:27:32.800 --> 01:27:34.960
<v Speaker 2>is the kids show still season two. When that episode airs,

2170
01:27:35.000 --> 01:27:37.239
<v Speaker 2>the kids are expecting kids stuff and that airs, and

2171
01:27:37.359 --> 01:27:39.520
<v Speaker 2>it's not scary. It's just, I would say, dare say

2172
01:27:39.560 --> 01:27:40.560
<v Speaker 2>boring for a little kid?

2173
01:27:40.840 --> 01:27:45.239
<v Speaker 3>M Yeah, yeah, yeah, I agree, it's but yeah, I

2174
01:27:45.479 --> 01:27:47.520
<v Speaker 3>don't know that I enjoyed it, but yet it like

2175
01:27:47.920 --> 01:27:49.199
<v Speaker 3>occupies a big part of my mind.

2176
01:27:49.239 --> 01:27:51.720
<v Speaker 2>So you remember it? Yeah? Yeah, yeah, Well that's so

2177
01:27:51.800 --> 01:27:53.319
<v Speaker 2>let's wart up for me. And so Treots of Horror

2178
01:27:53.439 --> 01:27:56.560
<v Speaker 2>five much poor about Nothing? You only moved twice, a

2179
01:27:56.600 --> 01:27:58.680
<v Speaker 2>fish caught, Salma and itching and scratchy Land.

2180
01:27:58.840 --> 01:27:59.119
<v Speaker 3>That's it.

2181
01:27:59.399 --> 01:28:00.600
<v Speaker 2>It's a good one kicking off with.

2182
01:28:00.600 --> 01:28:03.640
<v Speaker 3>Though, Oh, first one, I want to ease into it,

2183
01:28:03.680 --> 01:28:07.520
<v Speaker 3>don't maybe, ah, maybe much of about nothing because you

2184
01:28:07.640 --> 01:28:09.760
<v Speaker 3>probably you're in Springfield, right. The rest of them all

2185
01:28:09.840 --> 01:28:10.359
<v Speaker 3>seem to take that.

2186
01:28:10.800 --> 01:28:12.840
<v Speaker 2>The most normal of the episodes.

2187
01:28:12.880 --> 01:28:15.199
<v Speaker 4>Yeah, yes, yeah, Tom, I'd like to think you've given

2188
01:28:15.279 --> 01:28:17.680
<v Speaker 4>us a marathon satisfier as opposed to a maximum.

2189
01:28:19.600 --> 01:28:21.039
<v Speaker 3>Well, actually it'd be the other that I would like.

2190
01:28:21.119 --> 01:28:22.520
<v Speaker 3>But well I'll take it.

2191
01:28:23.600 --> 01:28:26.119
<v Speaker 2>All right, Well, won't forget you? Follow Tom on Instagram

2192
01:28:26.239 --> 01:28:29.039
<v Speaker 2>It's at Tom Wickham Comedy. Your YouTube channel, what's your

2193
01:28:29.039 --> 01:28:29.600
<v Speaker 2>YouTube channel?

2194
01:28:30.119 --> 01:28:31.000
<v Speaker 3>Oh, Tom.

2195
01:28:31.840 --> 01:28:33.520
<v Speaker 2>I believe it's Tom. Just go to YouTube in that

2196
01:28:33.600 --> 01:28:35.800
<v Speaker 2>search bar, top Tom w Wickim comedy or Tom Wickham

2197
01:28:35.840 --> 01:28:36.680
<v Speaker 2>and it'll all come up.

2198
01:28:36.920 --> 01:28:37.359
<v Speaker 3>I'll be there.

2199
01:28:37.439 --> 01:28:39.920
<v Speaker 2>Subscribe to all this stuff and listen to Folkevin wherever

2200
01:28:40.000 --> 01:28:40.920
<v Speaker 2>you find your podcast.

2201
01:28:41.159 --> 01:28:42.079
<v Speaker 3>Awesome. Thank you so much
