WEBVTT

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<v Speaker 1>Weird being way media Nike. Mister Walders.

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<v Speaker 2>Can see that guy with it now, he's an actor that.

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<v Speaker 1>I'm a cant driver. I'm the only camp driver in

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<v Speaker 1>his place.

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<v Speaker 2>Good evening and welcome to night, mister Walters a Taxi podcast.

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<v Speaker 2>I'm HP your co host and with me as always

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<v Speaker 2>as my co host, Father Malone. Father Malone, how are

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<v Speaker 2>you this evening? HB.

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<v Speaker 1>I got a we got a fifty percent chance of

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<v Speaker 1>a sure thing here to now we.

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<v Speaker 2>Are talking Taxi Season two, episode twenty two art work.

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<v Speaker 2>This was written by the Charles Brothers The Pride of Henderson, Nevada.

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<v Speaker 2>This is Glenn Charles and Les Charles, of course, and

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<v Speaker 2>directed by the erstwhile James Burrows reminder, we're doing these

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<v Speaker 2>shows in broadcast order and not in order of filming.

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<v Speaker 2>We opened in the garage as Tony positively bounds in

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<v Speaker 2>Father Blone. He rushes in excitedly. We've seen a few

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<v Speaker 2>times he's rushed in very excited about something lunkheaded, haven't we.

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<v Speaker 1>Oh yeah, and this reason is the best ever.

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<v Speaker 2>I actually like this setup. He says he's gonna make

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<v Speaker 2>everybody rich rich. I tell you he's got a tip

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<v Speaker 2>on a fight. You see, he can't lose. He overheard

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<v Speaker 2>someone at the gym talking about a fighter named Johnson

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<v Speaker 2>that has a broken hand, but he needs the money,

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<v Speaker 2>so he's still going to fight. And this gets Alex,

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<v Speaker 2>Bobby and even Jim reaching for their wallets. They're slavering because.

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<v Speaker 1>Jim, even Jim, Jim is no stranger of the gambling thing.

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<v Speaker 1>He went and bought a horse with the money he

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<v Speaker 1>won from gambling.

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<v Speaker 2>True, but it's not as if he's an inveterate gambler.

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<v Speaker 2>He goes with the flow. Oh, I think a little bit.

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<v Speaker 1>I just wonder about him enjoying boxing, being the burnout

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<v Speaker 1>hippie that he was, and it is.

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<v Speaker 2>Much, very much a pacifist. You would guess he would

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<v Speaker 2>maybe be opposed to the idea of a blood sport.

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<v Speaker 1>I think, particularly one where he knows one of the

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<v Speaker 1>contestants has a broken hand and he'll be profiting off

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<v Speaker 1>of that.

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<v Speaker 2>Tony asks Slaka if he wants in too. And Elaine

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<v Speaker 2>looking very chic by the way, in a purple jacket

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<v Speaker 2>with a matching scarf. I thought it was a good outfit.

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<v Speaker 2>What did you think?

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<v Speaker 1>I did not like it.

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<v Speaker 2>Because of the blue and purple mix.

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<v Speaker 1>Yeah, I did not like that mix and it seemed

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<v Speaker 1>ill fitting on her. And I might be allowing my

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<v Speaker 1>perception of her characterization here to reflect upon the outfit

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<v Speaker 1>because I didn't like. I hate when they make Elaine

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<v Speaker 1>the nag, the mom character of the garage, which is

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<v Speaker 1>what they start out with her here.

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<v Speaker 2>I don't disagree, but we're gonna see. This is an

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<v Speaker 2>art gallery focused episode, and I think when she has

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<v Speaker 2>these art gallery situations, they like to give her a

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<v Speaker 2>little more of an upscale, chic look, and I think

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<v Speaker 2>that's why she looks so so trendy in this.

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<v Speaker 1>I think I wasn't complaining about the trendiness, just the fit.

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<v Speaker 1>It seems not tailored very well. It's too loose. Basically,

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<v Speaker 1>I just want to in skin tight clothes, let's face it. Age.

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<v Speaker 2>When she sees Lata getting involved, that's when her motherly

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<v Speaker 2>instincts come in. But to your point, she becomes a

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<v Speaker 2>bit of a nag, although I will say that in

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<v Speaker 2>this case she's not nagging so much as expressing a

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<v Speaker 2>lot of concern. She doesn't harangue Alex like she's done

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<v Speaker 2>in the past. She doesn't get upset. She just says guys,

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<v Speaker 2>why are you involving Lata? He doesn't have a lot

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<v Speaker 2>of money. He's sending the money back home to his country.

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<v Speaker 2>She seems concerned rather than nagging to what I'm seeing.

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<v Speaker 2>I don't know.

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<v Speaker 1>Okay, how about this. She's a wet blanket. I hate

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<v Speaker 1>when she's a wet blanket. I'd like for her to

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<v Speaker 1>just go. That's great, guys. I hope you make a

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<v Speaker 1>lot of money and then you know what you should

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<v Speaker 1>do with that money afterwards, invest in art because I

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<v Speaker 1>got a scam going on the side.

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<v Speaker 2>Let's go again. She points out Locke doesn't have a

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<v Speaker 2>lot of money, he doesn't even know what he's betting on,

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<v Speaker 2>and but Tony is undeterred. He's excited. He says, it's

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<v Speaker 2>a sure thing.

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<v Speaker 1>By the way, the other thing is it not even

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<v Speaker 1>the mothering, not the nagging, but constantly treating Lotka like

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<v Speaker 1>he's a child is kind of insulting. He was just about,

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<v Speaker 1>he was just about to go back home and kill

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<v Speaker 1>his former neighbors. He can handle a bet on a

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<v Speaker 1>boxing match. He's not going to bet his life savings.

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<v Speaker 1>They're not going to let him.

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<v Speaker 2>Do that, probably not, but he's here.

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<v Speaker 1>He will even Wheeler would stop him from doing that.

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<v Speaker 2>Sure, he will continue to be the wide eyed nape

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<v Speaker 2>of the group until Simka gets into the picture. I

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<v Speaker 2>think I'd have accepted that.

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<v Speaker 1>I think if Reverend Jim can hang with them, then

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<v Speaker 1>soa can Loca. They're not steering him wrong, and they

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<v Speaker 1>could easily do it with Jim.

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<v Speaker 2>And that is interesting. I wonder why she doesn't advocate

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<v Speaker 2>for a Jim in the same way that she did.

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<v Speaker 1>She did in the exact same way, and then Jim

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<v Speaker 1>ended up winning enough to buy a racehorse.

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<v Speaker 2>That's true. Loca is confused and he asks Alex what

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<v Speaker 2>he would do if he were Laka, and this, I

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<v Speaker 2>gotta say, I love this because it was a nice

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<v Speaker 2>little bit of comedic foreshadowing. I'll call it that. What

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<v Speaker 2>it leads to is Alex doing this little quick impression

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<v Speaker 2>of Laca responding to Elane. Now, it's not the best

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<v Speaker 2>Loca impression that he's always done, but physically I thought

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<v Speaker 2>he did a wonderful job with the mannerisms. And what's

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<v Speaker 2>interesting is Loaca will eventually become Alex during his struggles

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<v Speaker 2>with dissociative identity disorder. Another season or two down the road,

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<v Speaker 2>how did you find I know we talked in the

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<v Speaker 2>last episode about Alex, the many faces of Alex. What

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<v Speaker 2>did you think of his impression of Laca.

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<v Speaker 1>I liked the impression. I thought him launching into it

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<v Speaker 1>felt hacky and sitcomy. The transition there just didn't feel

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<v Speaker 1>it felt forced. Also, the shuffle he does over to Louis,

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<v Speaker 1>or rather to Elaine, made me think of Charlie Chaplin

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<v Speaker 1>more than Laca. So then I was thinking about Laca

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<v Speaker 1>and Charlie Chaplin and their similarities. And then I was

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<v Speaker 1>just that it took me. I guess it took me

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<v Speaker 1>out of the scene. Hb. It was a good impression,

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<v Speaker 1>but it left me elsewhere then focused on the plot,

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<v Speaker 1>So maybe that digression wasn't necessary.

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<v Speaker 2>His his shuffle was a little bit chaplain esque. I

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<v Speaker 2>agree with you there in retrospect, it does look like

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<v Speaker 2>Charlie Chaplin.

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<v Speaker 1>I don't know.

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<v Speaker 2>I just thought I was charmed by it. And anyway,

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<v Speaker 2>Loca says he's in with the bet and Bobby goes.

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<v Speaker 1>No, no, no, no, no no.

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<v Speaker 2>Wait, okay, what did I miss?

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<v Speaker 1>I've done with this impression? Yet? How much of that

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<v Speaker 1>was a fuck you? To Andy Kaufman? From either the

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<v Speaker 1>writers or the other performers. Also, the line you know

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<v Speaker 1>you can make fun of it, but I know people

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<v Speaker 1>who talk like that is a really good funny line

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<v Speaker 1>that lack of throws back at him after the impression.

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<v Speaker 2>They've gone on record after the fact interviews all the

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<v Speaker 2>actors on Taxi, they've they've talked about what a handful

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<v Speaker 2>Andy Kaufman was, So yeah, I could see that being

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<v Speaker 2>a little bit of gentle ribbing on their part to

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<v Speaker 2>give it back to because he was known for falling,

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<v Speaker 2>you know, falling into these characters and becoming these characters

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<v Speaker 2>like Foreign Man and Elvis and all of this, and

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<v Speaker 2>Tony Clifton of course.

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<v Speaker 1>So yeah, maybe, I mean that might not necessarily be

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<v Speaker 1>So there is precedent on this show of characters impersonating

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<v Speaker 1>other characters. We had Bobby Wheeler doing it for Louis

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<v Speaker 1>at one point.

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<v Speaker 2>Yeah, so that was first season.

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<v Speaker 1>Yeah, in the grand tradition of Bobby Wheeler impersonating him,

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<v Speaker 1>will have Alex impersonate Lock. Yet, meanwhile, fuck you, Andy.

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<v Speaker 2>The scene is just a little nothing, but I just

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<v Speaker 2>thought it was clever. Nevertheless, Locke says he's in on

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<v Speaker 2>the bet and Bobby goes to call it in at

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<v Speaker 2>the payphone, but of course, in true taxi fashion, Bobby

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<v Speaker 2>learns on the phone that both fighters are named Johnson,

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<v Speaker 2>so there's no way for them to note which fighter

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<v Speaker 2>is going to be they should be betting on because

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<v Speaker 2>they're both named Johnson. So the sure thing goes out

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<v Speaker 2>the way.

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<v Speaker 1>Here's the thing, now, you got it. They're gonna be

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<v Speaker 1>odds for each of the fighters, right.

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<v Speaker 2>But I don't think it's as sophisticated as you're thinking

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<v Speaker 2>of it. Now we're talking about some.

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<v Speaker 1>You bed five dollars on each fighter, right, What is

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<v Speaker 1>the ratio of loss to win there?

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<v Speaker 2>You mean if you put an even amount on both.

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<v Speaker 1>Yeah, I put five dollars on both guys. I'm definitely

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<v Speaker 1>gonna lose five dollars, but will I in ten? And

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<v Speaker 1>if so, that's just even money. Right. But if it

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<v Speaker 1>was like a ten to one thing, so you were

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<v Speaker 1>gonna win fifty dollars and then you walk away with

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<v Speaker 1>forty five, that's still a pretty good bet. Could be.

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<v Speaker 2>And Jim actually, as part of a joke, that's exactly

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<v Speaker 2>what he says to do, we should put money on both.

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<v Speaker 2>We have fifty percent odds on a sure thing, so

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<v Speaker 2>he's probably not far off. I guess I don't know

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<v Speaker 2>how the odds would work we're talking about. I mean,

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<v Speaker 2>gambling is still illegal at this point in New York,

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<v Speaker 2>so you've got it's probably some shady bookie who knows

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<v Speaker 2>where he's pulling his odds from or whose odds maker is.

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<v Speaker 2>So it may not be quite as cut and dried,

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<v Speaker 2>but it might have been worth the shop anyway.

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<v Speaker 1>I never just can you just do that across the board?

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<v Speaker 2>Been on both No, because then everybody would do it

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<v Speaker 2>and there'd be no what.

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<v Speaker 1>I'm saying, are there things in place to keep people

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<v Speaker 1>from doing this?

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<v Speaker 2>Like, because I don't think it's as simple as well,

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<v Speaker 2>I will lose my initial bet on the one hand,

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<v Speaker 2>but the other side, because the way the odds work

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<v Speaker 2>the other side, the odds may be terrible, so you're

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<v Speaker 2>not gonna get even money back. You're probably gonna it

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<v Speaker 2>may be you bet a dollar to win fifty cents.

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<v Speaker 2>I just have to assume that if it was that

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<v Speaker 2>easy to do and that and dry, and everybody.

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<v Speaker 1>Would done it, Yeah, and it would all already be

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<v Speaker 1>a corrupted business.

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<v Speaker 2>More so than it already is. So Tony's sure thing

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<v Speaker 2>is out the window. They can't possibly go through with it.

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<v Speaker 2>And Elaine, of course, being to your parlance, the wet blanket,

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<v Speaker 2>she can't help but smile at this turn of events.

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<v Speaker 2>She launches into this speech about how she sees the

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<v Speaker 2>cabbys miss every day on so called sure things, but

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<v Speaker 2>at the art gallery, this is where the art gallery

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<v Speaker 2>comes in. She sees the rich getting richer all the time.

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<v Speaker 2>They were always gambling and they always hit just once,

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<v Speaker 2>and says she wants to see them win for a change,

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<v Speaker 2>and this sort.

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<v Speaker 1>Of Oceans eleven, She's like, putting the team together here,

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<v Speaker 1>we're going for this tittling bullshit. We should be going

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<v Speaker 1>for a big score. We're staking the same risk.

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<v Speaker 2>It's it's fun and that that that way, you're right.

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<v Speaker 2>Because as she's launching into this sort of little monologue,

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<v Speaker 2>like Alex is actually intrigued and he says, well, how

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<v Speaker 2>can they do that? And Elaine replies by well, by

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<v Speaker 2>making intelligent investments. Elaine says, she finds paintings that she

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<v Speaker 2>knows that's the year's But before we go into this,

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<v Speaker 2>I thought Elaine was just working in like a secretarial

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<v Speaker 2>role at the art gallery. Am I mistaken on this, Father.

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<v Speaker 1>Malone, No, you're not. She certainly was an appraiser.

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<v Speaker 2>Well, and that's but she's painting this picture, she says.

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<v Speaker 2>She finds paintings that she knows will go up in value,

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<v Speaker 2>she gets other people to invest in them, and then

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<v Speaker 2>they be rich. To my way of thinking, that she's

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<v Speaker 2>appraising artwork, she's like a broker of art that seems

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<v Speaker 2>a little out of her sphere of influence. I don't know,

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<v Speaker 2>maybe it's me.

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<v Speaker 1>You know, people in that position are making a commission

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<v Speaker 1>that would alleviate the need to be a cab driver.

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<v Speaker 2>Even if she's making let's say, let's call it five

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<v Speaker 2>percent commission, right, So five percent. So if somebody makes

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<v Speaker 2>one hundred thousand dollars, right, she stands to make a

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<v Speaker 2>five thousand dollars commission. If my math is right, that's

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<v Speaker 2>good money. Now, that's good money. That's great money in

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<v Speaker 2>nineteen eighty So why the hell is she still driving

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<v Speaker 2>a cab?

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<v Speaker 1>She's not, And I'll right that she has to be

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<v Speaker 1>because the writers have fucked this up, because they should

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<v Speaker 1>have just kept her as a receptionist. And she could

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<v Speaker 1>say something to the effect of listen, I'm not the

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<v Speaker 1>appraiser there, but nine times out of ten I know

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<v Speaker 1>what it is and he doesn't. No one listens to

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<v Speaker 1>me there yet, but I know.

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<v Speaker 2>You're one hundred percent right. They could have very easily

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<v Speaker 2>patched this hole in the logic by saying, I just

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<v Speaker 2>I sit there, I listen, I see what they're they're

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<v Speaker 2>betting on, and I know that they're wrong, and my

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<v Speaker 2>short things are always hitting. But I don't have the

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<v Speaker 2>money to spend the or the clout to make my

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<v Speaker 2>opinion really known. So and that would have actually given

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<v Speaker 2>her the motivation to push forward with this scheme with

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<v Speaker 2>the Cabby's, because then it really is an Ocean's eleven

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<v Speaker 2>type of situation where she's trying to get to get

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<v Speaker 2>ahead just once.

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<v Speaker 1>And it's above board and would only further her career

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<v Speaker 1>there if she proves that, you know, she can play

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<v Speaker 1>with play with them.

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<v Speaker 2>Would have been great. But as it stands, I'm willing

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<v Speaker 2>to overlook it because I liked where this episode is going.

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<v Speaker 2>Alex correctly points out to Elaine that if she does

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<v Speaker 2>it for these people, she could just as easily do

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<v Speaker 2>it for them, or for herself for that matter. Elaine

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<v Speaker 2>backs off At this point, she says that she doesn't

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<v Speaker 2>like to look at art that way. Alex continues to

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<v Speaker 2>try to persuade her, but go work.

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<v Speaker 1>At a museum, That's what he should have said that.

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<v Speaker 1>Oh yeah, why are you in a fucking art gallery?

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<v Speaker 1>Then why are you dealing with art that's making fucking

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<v Speaker 1>millions of dollars? What are you talking about right now? Eline,

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<v Speaker 1>you don't want to make money at this.

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<v Speaker 2>Well, for all of her professed love of purity of art,

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<v Speaker 2>the fact that she even admits that she's kind of

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<v Speaker 2>played the odds with the art market, so to speak,

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<v Speaker 2>it proves to me that she's not above this at all.

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<v Speaker 2>I think she's just, I don't know, she gets cold

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<v Speaker 2>feet because she doesn't want to prove to the Cabby's

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<v Speaker 2>that maybe she's not shouldn't have quite the cloud that

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<v Speaker 2>she indicates. I don't know, Maybe it's something like that.

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<v Speaker 2>Alex keeps trying to persuade her. She says she doesn't

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<v Speaker 2>want to use art to make money, she loves it,

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<v Speaker 2>and the rest of the Cabbys start plotting how much

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<v Speaker 2>money they could pull together for this scheme, even though

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<v Speaker 2>Elaine's kind of not really into it. Elini's firm. She's

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<v Speaker 2>not doing an end of story. And this is where

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<v Speaker 2>Alex again pulls out the old reverse psychology trick, where

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<v Speaker 2>he sort of stops and says, you know what, I

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<v Speaker 2>think you were just showing off for us, Elaine. You

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<v Speaker 2>don't know people in art, you don't And incredibly, Elaine

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<v Speaker 2>takes the bait almost immediately. Did you notice that she

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<v Speaker 2>doesn't she should understand what Alex is trying to put

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<v Speaker 2>over on her.

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<v Speaker 1>Don't you think she always falls for this?

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<v Speaker 2>She seems to maybe she trusts.

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<v Speaker 1>Again in the next episode she does, so, yeah, this

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<v Speaker 1>is a.

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<v Speaker 2>Thing anyway, Elaine, like I said, she takes the bait,

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<v Speaker 2>and she counters that you know what, I know of

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<v Speaker 2>an opportunity right now that we be a great investment opportunity.

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<v Speaker 2>There's an artist named Max Duffin who must be again

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<v Speaker 2>must be some member of the crew somewhere, and a

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<v Speaker 2>director who's going to be huge. She says, they could

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<v Speaker 2>get a painting at auction for two grand, and by

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<v Speaker 2>the end of the year it'll be worth five grand.

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<v Speaker 2>Now back to my favorite website, amortization dot org. Two

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<v Speaker 2>thousand dollars in nineteen eighty father alone would be worth

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<v Speaker 2>eight thousand in twenty twenty four. That's big money. That's

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00:16:20.639 --> 00:16:22.360
<v Speaker 2>a lot of money for them to pull together just

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<v Speaker 2>these caves and five thousand dollars. Let's say the investment

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<v Speaker 2>caps off at five grand return. That would be a

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<v Speaker 2>cool twenty thousand dollars in twenty twenty four.

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<v Speaker 1>Money.

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<v Speaker 2>That's pretty good. Split four or five ways or whatever.

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<v Speaker 2>That's not bad. That is big money.

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<v Speaker 1>That is big money.

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<v Speaker 2>Bobby gets even more excited, saying they could really make

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<v Speaker 2>a fortune if they continue to do this. Elaine says, well,

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<v Speaker 2>not a fortune, maybe one hundred grand apiece, which again

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00:16:54.279 --> 00:16:57.919
<v Speaker 2>would be four hundred thousand dollars in twenty twenty four.

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<v Speaker 2>Money can split a month.

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<v Speaker 1>This. We're so close to the end of this season

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<v Speaker 1>that this kind of pointed to a direction that the

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00:17:07.119 --> 00:17:10.319
<v Speaker 1>show could be in where they're all trading art while

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<v Speaker 1>driving cabs for an entire season. It could be like,

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<v Speaker 1>you know, taxi and art, and so they mainly cruise

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<v Speaker 1>the museum district.

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<v Speaker 2>Picking up artists and getting on one of the art school.

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<v Speaker 1>You know.

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<v Speaker 2>Alex makes an impassioned plea to a stubborn a Lane

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<v Speaker 2>to try and get her to agree to this caper,

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<v Speaker 2>he breaks out a recitation of a poem called If

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<v Speaker 2>by Rudyard Kipling, which I'm not I can't claim to

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<v Speaker 2>be familiar with Kipling, but but in a funny bit,

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<v Speaker 2>Jim basically takes over the recitation perfectly, much to his

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<v Speaker 2>own surprise, because he wraps up and he says, how

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<v Speaker 2>do I knowle that? So? I thought that was good.

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00:17:58.279 --> 00:18:02.279
<v Speaker 2>I loved seeing Christopher Lloyd involved anyway, and it's just

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<v Speaker 2>funny to see him take over this poem that Alex

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<v Speaker 2>is reciting. And Elaine is amused too, because she finally

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<v Speaker 2>decides to help all the caves. Bobby asks if she's

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00:18:14.319 --> 00:18:18.880
<v Speaker 2>sure it'll work, and Elaine admits that ghoulishly Duffin is

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<v Speaker 2>an old man in bad health, and when he dies,

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00:18:21.839 --> 00:18:25.400
<v Speaker 2>his artwork will go up in value, so it's it. Really,

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<v Speaker 2>this is the definition of a sure thing in her opinion.

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<v Speaker 1>Well remember you forever, Eddie.

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<v Speaker 2>This whole scheme is now piquing Louie's interest, as one

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<v Speaker 2>would expect, and he asks for more details on Duffin's

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<v Speaker 2>health because Louis figures that buying one of Duffin's paintings

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<v Speaker 2>is like betting that he's going to die, which is

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<v Speaker 2>actually kind of the core of Elaine's scheme, right, she

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<v Speaker 2>knows this guy's in bad health. Once he kicks the bucket,

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00:18:52.599 --> 00:18:55.319
<v Speaker 2>the paintings in a skyrocket and they'll make money. Simple.

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<v Speaker 1>It's a more refined dead Pool. The original Deadpool. What

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<v Speaker 1>that actually was was people with bet on who was

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<v Speaker 1>going to die that year. That's what a Deadpool actually is.

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00:19:04.559 --> 00:19:08.680
<v Speaker 1>Fucked remember that movie The Deadpool.

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<v Speaker 2>Oh with Clint Eastwoods at the Last Dirty Harry movie.

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<v Speaker 1>That is the last Dirty Harry movie, And that's about

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00:19:13.519 --> 00:19:15.960
<v Speaker 1>people betting on celebrities who are going to die and

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<v Speaker 1>then somebody actually killing the people on the list. Yeah.

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00:19:19.279 --> 00:19:23.039
<v Speaker 2>Liam Neeson was the like this director in that right,

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<v Speaker 2>he's directing music videos. Then he gets killed.

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<v Speaker 1>I think, yeah, well is he is? He? I forget?

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<v Speaker 1>I do remember that Jim Carrey is the star of

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<v Speaker 1>the music video lip Sync into Guns N' Roses Welcome

364
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<v Speaker 1>to the Jungle.

365
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<v Speaker 2>I remember that. Yeah.

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<v Speaker 1>I also remember seeing at the time Slash interviewed about

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<v Speaker 1>the song appearing in the film, and he said, oh, no,

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00:19:48.720 --> 00:19:51.599
<v Speaker 1>that's cool, but they had some like fucking dweeb like

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<v Speaker 1>singing the song in the movie.

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<v Speaker 2>One are the all time great comedic actors now slashers

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<v Speaker 2>in the movie. He has a little cameo in The

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<v Speaker 2>dead Pool.

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<v Speaker 1>Have to rewatch the dead Pool.

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<v Speaker 2>Yeah, that was a good movie, But that wasn't like

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<v Speaker 2>they had gotten so far from the notion of Harry Callahan,

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<v Speaker 2>the character the sort of break all the rules. It

377
00:20:12.920 --> 00:20:15.400
<v Speaker 2>was just a cop movie, but it was good. Right.

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<v Speaker 1>Remember when at the end of the first film he

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<v Speaker 1>throws his badge away and quits the force.

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<v Speaker 2>Good call on the dead Pool because now you say

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<v Speaker 2>Deadpool and everybody just thinks of Ryan Reynolds and the

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<v Speaker 2>character the murk with a mouth, speaking of the mouth's

383
00:20:31.119 --> 00:20:35.680
<v Speaker 2>big mouths. Louis wants in, but everybody refuses. Louis maintains

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00:20:35.720 --> 00:20:37.480
<v Speaker 2>that he's got a bank roll that can help them

385
00:20:37.519 --> 00:20:40.319
<v Speaker 2>score the painting. Laye calls for a discussion amongst the

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00:20:40.319 --> 00:20:43.960
<v Speaker 2>other cabbys. They try to hash out how much money

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<v Speaker 2>they have to pool for this.

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00:20:46.519 --> 00:20:49.000
<v Speaker 1>Here's one of my favorite parts of the episode, Alex

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00:20:49.400 --> 00:20:51.519
<v Speaker 1>confessing he doesn't have that much money because of all

390
00:20:51.559 --> 00:20:52.799
<v Speaker 1>the skiing he's been doing.

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00:20:52.960 --> 00:20:55.720
<v Speaker 2>I loved it's a nice callback to the last couple

392
00:20:55.720 --> 00:20:58.880
<v Speaker 2>of episodes where he's actually been you know, he's been

393
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<v Speaker 2>on his ski trip and he got back and whatever.

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00:21:01.000 --> 00:21:02.480
<v Speaker 1>I say that this so yeah. I also put to

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<v Speaker 1>Alex on more even footing with the other cabbies in

396
00:21:05.440 --> 00:21:08.920
<v Speaker 1>my mind, because in that first season they took pains

397
00:21:08.960 --> 00:21:12.759
<v Speaker 1>to show how stable he was, that he had a

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00:21:12.839 --> 00:21:14.960
<v Speaker 1>reserve of money that he could lend out to people

399
00:21:15.000 --> 00:21:18.480
<v Speaker 1>if necessary. Now knowing he's basically like everyone else living

400
00:21:18.599 --> 00:21:21.680
<v Speaker 1>check to check, I'm like, oh, that's I don't know.

401
00:21:21.759 --> 00:21:23.839
<v Speaker 1>It adds another dynamic to the show.

402
00:21:25.079 --> 00:21:28.279
<v Speaker 2>I agree, And it even just the notion that he's

403
00:21:28.480 --> 00:21:31.960
<v Speaker 2>in on all of this betting, and even the Tony

404
00:21:32.039 --> 00:21:34.519
<v Speaker 2>Sure thing at the very beginning. That to me, I

405
00:21:34.519 --> 00:21:36.920
<v Speaker 2>think they've done a good job in this season, especially

406
00:21:36.960 --> 00:21:39.880
<v Speaker 2>bringing him to your point on the same level as

407
00:21:39.920 --> 00:21:42.119
<v Speaker 2>the rest of the cabbies. He's no longer just this

408
00:21:42.960 --> 00:21:46.799
<v Speaker 2>unimpeachable voice of reason that they all go to. I

409
00:21:46.799 --> 00:21:49.119
<v Speaker 2>think he's a more human as a result, and I

410
00:21:49.240 --> 00:21:50.680
<v Speaker 2>like that about about this season.

411
00:21:50.880 --> 00:21:53.839
<v Speaker 1>I agree the Daredevil episode had been about Bobby Wheeler,

412
00:21:53.839 --> 00:21:57.119
<v Speaker 1>who would have cared, but it works because it's Alex Rieger.

413
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<v Speaker 2>Another great point. All together, they can only come up

414
00:22:02.880 --> 00:22:06.119
<v Speaker 2>with seven hundred dollars and they need two thousand to

415
00:22:06.599 --> 00:22:10.000
<v Speaker 2>buy this painting at auction, so reluctantly they take a

416
00:22:10.039 --> 00:22:13.319
<v Speaker 2>final vote and Louis is in. As we cut the commercial,

417
00:22:14.480 --> 00:22:17.440
<v Speaker 2>we cut back. We've got a new piece of b

418
00:22:17.559 --> 00:22:19.920
<v Speaker 2>roll that we haven't seen before. Bottom alone. This one

419
00:22:19.960 --> 00:22:23.920
<v Speaker 2>was interesting. It's the windows of an art gallery at night.

420
00:22:24.119 --> 00:22:26.440
<v Speaker 2>Did you look at this to try and figure out,

421
00:22:26.680 --> 00:22:30.240
<v Speaker 2>like I did, what this actually was in real life?

422
00:22:30.480 --> 00:22:32.519
<v Speaker 1>I did not. I was leaving. It is not you,

423
00:22:32.640 --> 00:22:36.319
<v Speaker 1>I'm hp. I'm very busy. Is this. I can't can't

424
00:22:36.319 --> 00:22:39.359
<v Speaker 1>be freeze framing and zooming in and then doing picture

425
00:22:39.440 --> 00:22:41.640
<v Speaker 1>searches online for taxi anymore.

426
00:22:41.680 --> 00:22:45.000
<v Speaker 2>Brother, I've spent far too much time doing this, and

427
00:22:45.039 --> 00:22:47.839
<v Speaker 2>I don't have any great revelation. I have to say.

428
00:22:48.119 --> 00:22:53.839
<v Speaker 2>It appears to be the Ryan Gallery r y N Gallery.

429
00:22:54.359 --> 00:22:57.640
<v Speaker 2>The number on the window is six 't eighty. But

430
00:22:57.839 --> 00:22:59.839
<v Speaker 2>try as I might, I couldn't find that there was

431
00:23:00.160 --> 00:23:05.160
<v Speaker 2>information on a Ryan Gallery in the eighties. A lot

432
00:23:05.200 --> 00:23:08.920
<v Speaker 2>of paintings are praised through this art gallery, but there's

433
00:23:08.960 --> 00:23:11.839
<v Speaker 2>really not much info that I could find beyond that.

434
00:23:12.279 --> 00:23:13.559
<v Speaker 1>I against you.

435
00:23:14.160 --> 00:23:14.640
<v Speaker 2>That's okay.

436
00:23:15.039 --> 00:23:16.640
<v Speaker 1>I don't think we're even going to see that footage

437
00:23:16.640 --> 00:23:17.200
<v Speaker 1>every again.

438
00:23:17.599 --> 00:23:21.000
<v Speaker 2>Probably well, maybe there's I think there's going to be

439
00:23:21.039 --> 00:23:23.960
<v Speaker 2>more hijinks at the art gallery at some point, so

440
00:23:24.079 --> 00:23:25.359
<v Speaker 2>maybe we will, maybe we won't.

441
00:23:25.440 --> 00:23:28.279
<v Speaker 1>But I was always do a weird freeze frame and

442
00:23:28.279 --> 00:23:29.960
<v Speaker 1>then a zoom into that freeze frame.

443
00:23:31.160 --> 00:23:33.880
<v Speaker 2>True. I just thought it was a missed opportunity because

444
00:23:33.880 --> 00:23:37.599
<v Speaker 2>it's rare that you get such a clear view of

445
00:23:38.039 --> 00:23:40.480
<v Speaker 2>the name of facade or a place they're going to

446
00:23:40.559 --> 00:23:44.160
<v Speaker 2>visit and a street number. But for some reason, I mean,

447
00:23:44.200 --> 00:23:46.519
<v Speaker 2>Google just doesn't work anymore. I don't know, but I

448
00:23:46.519 --> 00:23:49.599
<v Speaker 2>couldn't find any more information on it. It's too bad.

449
00:23:50.240 --> 00:23:53.319
<v Speaker 2>So we cut inside where a lane. Bobby and Alex

450
00:23:53.359 --> 00:23:57.000
<v Speaker 2>walk into the auction as a lane signs in side note,

451
00:23:57.680 --> 00:24:01.559
<v Speaker 2>Elaine is looking very powerful in a blue suit, like

452
00:24:01.559 --> 00:24:05.160
<v Speaker 2>a power suit, where Alex is wearing kind of a

453
00:24:05.240 --> 00:24:08.559
<v Speaker 2>light brown suit. Usually he wears the dark brown. We've

454
00:24:08.559 --> 00:24:11.079
<v Speaker 2>seen him in the dark brown when Zena's parents had

455
00:24:11.119 --> 00:24:13.240
<v Speaker 2>them over for dinner. That's what he was wearing. He

456
00:24:13.279 --> 00:24:16.359
<v Speaker 2>looks okay, but somehow father alone, I don't know if

457
00:24:16.400 --> 00:24:21.359
<v Speaker 2>you notice this, Bobby is looking so slumpy. He's got

458
00:24:21.359 --> 00:24:25.039
<v Speaker 2>a brown hounds tooth blazer and rust colored tie. Where's

459
00:24:25.079 --> 00:24:28.799
<v Speaker 2>the fashion plate? No cowboy attire. What's going on with Bobby?

460
00:24:29.319 --> 00:24:33.559
<v Speaker 1>I know what he is? His Viking helmet out for polishing, Like,

461
00:24:33.640 --> 00:24:35.319
<v Speaker 1>what is this bullshit?

462
00:24:36.359 --> 00:24:39.279
<v Speaker 2>His fashion can be hit or miss, but even the

463
00:24:39.359 --> 00:24:43.759
<v Speaker 2>misses you can see he's grasping for something trendy. There's

464
00:24:43.839 --> 00:24:46.319
<v Speaker 2>nothing trendy. It's all ill fitting and it just looks.

465
00:24:46.519 --> 00:24:48.400
<v Speaker 2>It doesn't look good on him at all. It's just very,

466
00:24:48.519 --> 00:24:49.599
<v Speaker 2>very bad look for him.

467
00:24:50.000 --> 00:24:53.480
<v Speaker 1>This smack's a Jeff Conaway walks onto the set super

468
00:24:53.559 --> 00:24:55.039
<v Speaker 1>late and they just go get out there.

469
00:24:56.599 --> 00:24:59.839
<v Speaker 2>Speaking of Bobby, he remarks about the thrill and co

470
00:25:00.160 --> 00:25:04.359
<v Speaker 2>into contact with great art, but Elaine tempers his excitement

471
00:25:04.359 --> 00:25:07.880
<v Speaker 2>by saying the art and lobby is just prints and reproductions.

472
00:25:07.920 --> 00:25:11.039
<v Speaker 2>It's all pretty much worthless. The real art is in

473
00:25:11.079 --> 00:25:14.119
<v Speaker 2>the other room, which we'll see in a minute. I

474
00:25:14.160 --> 00:25:17.400
<v Speaker 2>have things to say about that. Louis and Laca walk in.

475
00:25:18.000 --> 00:25:21.920
<v Speaker 2>Louis has his customary gray suit pink shirt. Well, Laka

476
00:25:22.160 --> 00:25:27.599
<v Speaker 2>is in an ill fitting salmon colored suit with huge lapels.

477
00:25:27.640 --> 00:25:30.519
<v Speaker 2>It kind of looked like do you remember my cousin

478
00:25:30.640 --> 00:25:35.160
<v Speaker 2>Vinnie When Vinnie's suit got mud splashed on it and

479
00:25:35.160 --> 00:25:37.359
<v Speaker 2>he had to go the only suit he could find

480
00:25:37.440 --> 00:25:40.440
<v Speaker 2>was at like the used clothing store or something, and

481
00:25:40.480 --> 00:25:44.319
<v Speaker 2>it was like a foghorn leghorn kind of a suit.

482
00:25:44.519 --> 00:25:46.240
<v Speaker 2>It kind of looked like that a little bit, didn't

483
00:25:46.400 --> 00:25:47.160
<v Speaker 2>Did you notice that?

484
00:25:48.160 --> 00:25:50.440
<v Speaker 1>Yes, you mean like the Seven Days Man?

485
00:25:51.000 --> 00:25:53.279
<v Speaker 2>Like, yeah, yeah, yeah, kind of. Yeah. I guess that's

486
00:25:53.400 --> 00:25:58.440
<v Speaker 2>ultimately what it is. Well, we're getting to him. Tony

487
00:25:58.480 --> 00:26:02.359
<v Speaker 2>and Jim stroll in somehow. By the way, Tony is

488
00:26:02.400 --> 00:26:05.160
<v Speaker 2>the easiest, breeziest of all of them. He's got a

489
00:26:05.160 --> 00:26:10.559
<v Speaker 2>blue suit, no tie. He looks very cool but sharp.

490
00:26:10.640 --> 00:26:13.880
<v Speaker 2>I thought he looked sharp now. Jim, however, has made

491
00:26:14.240 --> 00:26:18.440
<v Speaker 2>his Canadian tuxedo literal. He's got a tie on and

492
00:26:18.480 --> 00:26:21.240
<v Speaker 2>Bobby asks, well, why didn't you wear the suit? That

493
00:26:21.440 --> 00:26:23.240
<v Speaker 2>Maybe that's why Bobby doesn't have a suit, because he

494
00:26:23.319 --> 00:26:26.920
<v Speaker 2>loaned his suit to Reverend Jim to wear, and Jim

495
00:26:27.000 --> 00:26:29.680
<v Speaker 2>says it didn't fit. But wouldn't you know it, they

496
00:26:29.720 --> 00:26:32.079
<v Speaker 2>share the same necktie size. So ha ha.

497
00:26:33.200 --> 00:26:35.839
<v Speaker 1>Here we are besmirching the name of Jeff Conaway when

498
00:26:35.839 --> 00:26:39.240
<v Speaker 1>it's explained in the episode why he is wearing an

499
00:26:39.319 --> 00:26:40.279
<v Speaker 1>ill fitting outfit.

500
00:26:40.759 --> 00:26:42.559
<v Speaker 2>Yeah, but I don't buy that. I don't buy that.

501
00:26:42.680 --> 00:26:47.519
<v Speaker 2>Bobby would give his best outfit to Reverend Jim to wear.

502
00:26:47.599 --> 00:26:49.880
<v Speaker 2>I think he's giving him like he's going to the

503
00:26:49.920 --> 00:26:52.599
<v Speaker 2>back of the closet, going God, when did I buy this?

504
00:26:52.880 --> 00:26:55.319
<v Speaker 2>This will? Maybe Jim can make something out of this.

505
00:26:55.759 --> 00:26:58.480
<v Speaker 2>Elaine ushers them into the auction hall, where there's an

506
00:26:58.480 --> 00:27:03.279
<v Speaker 2>assemblage of people already seated. But here, I'm curious what

507
00:27:03.319 --> 00:27:05.720
<v Speaker 2>your impressions were. I got to hand it to the

508
00:27:05.759 --> 00:27:09.640
<v Speaker 2>set decoration. Yet again, it's entirely believable. There's a lectern

509
00:27:09.720 --> 00:27:12.079
<v Speaker 2>where the auctioneer is going to stand, there's a row

510
00:27:12.119 --> 00:27:15.720
<v Speaker 2>of flowers in front of the little stage. But the

511
00:27:15.799 --> 00:27:21.039
<v Speaker 2>most clever thing I thought was there's a center carpet

512
00:27:21.359 --> 00:27:24.519
<v Speaker 2>line running all the way to the back of the

513
00:27:24.559 --> 00:27:26.839
<v Speaker 2>stage effectively. And what it does is it gives the

514
00:27:26.880 --> 00:27:30.799
<v Speaker 2>illusion that this room is actually twice as big, like

515
00:27:30.839 --> 00:27:32.720
<v Speaker 2>this is a center aisle, like you would have it

516
00:27:32.839 --> 00:27:35.720
<v Speaker 2>like a wedding or a function hall. So I thought

517
00:27:35.720 --> 00:27:37.839
<v Speaker 2>it was really effective and it worked for me. What

518
00:27:37.880 --> 00:27:39.400
<v Speaker 2>did you think of the auction hall?

519
00:27:40.599 --> 00:27:43.279
<v Speaker 1>I didn't even register it was a set. I liked

520
00:27:43.319 --> 00:27:43.920
<v Speaker 1>it so much.

521
00:27:44.640 --> 00:27:45.559
<v Speaker 2>It was good, wasn't it.

522
00:27:45.960 --> 00:27:48.119
<v Speaker 1>Yeah? And you know what, it's funny because it's been

523
00:27:48.160 --> 00:27:54.480
<v Speaker 1>a while since they've wowed us with a off site set.

524
00:27:55.640 --> 00:27:57.559
<v Speaker 1>But yeah, no, I like this one a lot.

525
00:27:58.319 --> 00:28:00.960
<v Speaker 2>It was good. So the come in they try and

526
00:28:01.000 --> 00:28:04.319
<v Speaker 2>act cool. They file past the painting they're going to

527
00:28:04.400 --> 00:28:08.599
<v Speaker 2>bid on, and Louie and Tony express some surprise that

528
00:28:08.640 --> 00:28:10.799
<v Speaker 2>a painting like this would be worth so much. It's

529
00:28:10.880 --> 00:28:14.839
<v Speaker 2>just there's it's just like an abstract picture. There's nothing

530
00:28:14.880 --> 00:28:19.039
<v Speaker 2>really interesting about it. Tony remarks, it's untitled. For two

531
00:28:19.079 --> 00:28:21.799
<v Speaker 2>thousand dollars, you think they'd throw in a name, so

532
00:28:21.960 --> 00:28:25.799
<v Speaker 2>Tony ever, the simpleton. After some more banter about the painting,

533
00:28:26.200 --> 00:28:29.039
<v Speaker 2>they take their seats, but the front row is filled

534
00:28:29.079 --> 00:28:33.599
<v Speaker 2>and Louis does the old coughing fit routine, which clears

535
00:28:33.640 --> 00:28:36.480
<v Speaker 2>out the first two rows of seats and the Cabby's

536
00:28:36.559 --> 00:28:37.720
<v Speaker 2>take their place for the auction.

537
00:28:38.559 --> 00:28:40.039
<v Speaker 1>Ever done that something like that?

538
00:28:40.160 --> 00:28:45.960
<v Speaker 2>HP? Oh, all the time? Well it's less necessary now.

539
00:28:46.039 --> 00:28:48.559
<v Speaker 2>For example, would I would do it most often when

540
00:28:48.599 --> 00:28:52.440
<v Speaker 2>I went to the movies before they had assigned seats

541
00:28:52.480 --> 00:28:54.279
<v Speaker 2>that you could you could get the seat you wanted.

542
00:28:54.319 --> 00:28:55.960
<v Speaker 2>So yeah, I did that all the time. What about you?

543
00:28:57.200 --> 00:28:59.359
<v Speaker 1>I don't know that I did the coughing fit, but

544
00:29:00.240 --> 00:29:03.480
<v Speaker 1>pandemic when I was flying a lot. If it wasn't

545
00:29:03.480 --> 00:29:05.640
<v Speaker 1>going to be a full flight and I didn't want

546
00:29:05.680 --> 00:29:07.880
<v Speaker 1>someone to sit next to me, I certainly would take

547
00:29:08.000 --> 00:29:10.720
<v Speaker 1>the vomit bag out and just sort of have it

548
00:29:10.759 --> 00:29:13.640
<v Speaker 1>on my lap and look nervously at everyone who was

549
00:29:13.720 --> 00:29:17.079
<v Speaker 1>looking at potentially sitting next to me, and good lord,

550
00:29:17.119 --> 00:29:18.319
<v Speaker 1>they would just keep on moving.

551
00:29:18.960 --> 00:29:22.440
<v Speaker 2>HM. Much more subtle and effective, I think. So they

552
00:29:22.440 --> 00:29:25.799
<v Speaker 2>sit down and Elaine is fretting about the projected value

553
00:29:25.799 --> 00:29:28.359
<v Speaker 2>of the painting. It's going to go. It's projected to

554
00:29:28.400 --> 00:29:32.160
<v Speaker 2>go between one thousand and eighteen hundred bucks, and she

555
00:29:32.480 --> 00:29:34.960
<v Speaker 2>again goes back to Louis and says asks if he

556
00:29:35.000 --> 00:29:37.160
<v Speaker 2>has any more cash, but he says he sunk everything

557
00:29:37.200 --> 00:29:40.680
<v Speaker 2>into it. She says, you always talk about having money,

558
00:29:40.720 --> 00:29:42.440
<v Speaker 2>and he says, yeah, I have money, but most of

559
00:29:42.480 --> 00:29:46.200
<v Speaker 2>my cash is sunk in investments. Despite his better judgment.

560
00:29:46.240 --> 00:29:48.880
<v Speaker 2>Alex asks about these investments, and do you remember what

561
00:29:49.039 --> 00:29:52.000
<v Speaker 2>his big investment that he describes as father balone.

562
00:29:52.039 --> 00:29:53.599
<v Speaker 1>It's like a nursing home, right.

563
00:29:53.599 --> 00:29:57.599
<v Speaker 2>Yeah, it's a nursing home in Jersey. So the auction

564
00:29:57.759 --> 00:30:01.359
<v Speaker 2>starts in the first painting is a a nude, which

565
00:30:01.559 --> 00:30:05.799
<v Speaker 2>just the hearing about it gets the simpleton Banta all excited.

566
00:30:05.839 --> 00:30:08.240
<v Speaker 2>Oh yeah, I think he goes yes like one of those.

567
00:30:08.519 --> 00:30:10.960
<v Speaker 1>Can't take him anywhere. You know what, he's the best looking,

568
00:30:11.119 --> 00:30:13.920
<v Speaker 1>he's the sharpest, as you said looking, and then clearly

569
00:30:13.960 --> 00:30:16.279
<v Speaker 1>the dumbest just can't help himself.

570
00:30:17.160 --> 00:30:19.559
<v Speaker 2>What I love and what we should probably just mention

571
00:30:19.640 --> 00:30:23.160
<v Speaker 2>as this is all going is and maybe this is

572
00:30:23.160 --> 00:30:27.640
<v Speaker 2>a little foreshadowing for the Yellow Lights piece, but I

573
00:30:27.680 --> 00:30:32.359
<v Speaker 2>gotta say I love the whole ensemble is gathered in

574
00:30:32.440 --> 00:30:35.440
<v Speaker 2>the service of this scheme that they have going, and

575
00:30:36.440 --> 00:30:40.200
<v Speaker 2>it's such a delight. Tony seems like he's excited about it.

576
00:30:40.559 --> 00:30:45.079
<v Speaker 2>Everybody is pitching into the comedy and it's very very funny,

577
00:30:45.599 --> 00:30:48.880
<v Speaker 2>and I don't know, I just it's rollicking and I'm

578
00:30:48.920 --> 00:30:51.119
<v Speaker 2>really really here for it. What did you think so far?

579
00:30:51.759 --> 00:30:54.599
<v Speaker 1>I'd like to amend my earlier idea of a season

580
00:30:54.640 --> 00:30:57.559
<v Speaker 1>of them art brokering and instead a season of them

581
00:30:57.680 --> 00:31:01.920
<v Speaker 1>as art thieves, because I agree with you. I love

582
00:31:02.000 --> 00:31:03.720
<v Speaker 1>seeing them together and doing their thing.

583
00:31:04.519 --> 00:31:08.000
<v Speaker 2>It's we harp on this every single episode of when

584
00:31:08.000 --> 00:31:10.960
<v Speaker 2>we're rating the episode. Well, I say it all the time. Well,

585
00:31:11.160 --> 00:31:13.680
<v Speaker 2>there's not a lot of interaction between the caves or

586
00:31:13.720 --> 00:31:16.759
<v Speaker 2>this cavey's missing, or this actor is missing. But this

587
00:31:16.880 --> 00:31:23.119
<v Speaker 2>is it's so wonderful that they're all together. They're all funny,

588
00:31:23.119 --> 00:31:26.039
<v Speaker 2>they're all pitching in, they have the little bits. It's

589
00:31:26.079 --> 00:31:28.839
<v Speaker 2>just wonderful. I at this point, I'm just loving the

590
00:31:28.880 --> 00:31:32.839
<v Speaker 2>episode anyway. Like I said, there's this reveal of this

591
00:31:33.559 --> 00:31:37.480
<v Speaker 2>nude painting, and it's an abstract kind of cubist image,

592
00:31:37.480 --> 00:31:40.799
<v Speaker 2>which Jim stands up in surprise and says, O, my god,

593
00:31:41.039 --> 00:31:45.039
<v Speaker 2>I know her, and it's a completely unrecognizable it doesn't

594
00:31:45.039 --> 00:31:47.200
<v Speaker 2>even look like a human being. Of course, Jim is

595
00:31:47.200 --> 00:31:49.480
<v Speaker 2>going to go, I know her. I thought it was hilarious.

596
00:31:49.880 --> 00:31:53.880
<v Speaker 1>That line made me flash back because that bit was

597
00:31:54.039 --> 00:31:58.559
<v Speaker 1>used on WLVII TV fifty six and they're advertising for taxi.

598
00:31:58.680 --> 00:32:00.559
<v Speaker 1>That was one of the little clips that they use.

599
00:32:00.640 --> 00:32:01.559
<v Speaker 1>My god, I know her.

600
00:32:02.400 --> 00:32:05.359
<v Speaker 2>We fade out and we fade back in, giving the

601
00:32:05.359 --> 00:32:09.119
<v Speaker 2>impression that some time has passed and now their painting

602
00:32:09.200 --> 00:32:13.359
<v Speaker 2>is coming up for bidding. Louis figures a good strategy

603
00:32:13.799 --> 00:32:16.400
<v Speaker 2>is to make it sound like the painting is garbage,

604
00:32:16.920 --> 00:32:20.440
<v Speaker 2>so he starts carrying on. He's blowing raspberries and saying

605
00:32:20.480 --> 00:32:23.559
<v Speaker 2>stuff like yikes, how did that get in here. It's

606
00:32:23.559 --> 00:32:27.640
<v Speaker 2>great Louis slash Danny DeVito. He's awesome in this. They're

607
00:32:27.680 --> 00:32:31.079
<v Speaker 2>all great, but he's really funny. The bidding for this

608
00:32:31.200 --> 00:32:35.039
<v Speaker 2>painting starts at one thousand dollars, and Elaine is following

609
00:32:35.039 --> 00:32:39.240
<v Speaker 2>with her paddle the increasing bidding. It's basically between her

610
00:32:39.599 --> 00:32:42.400
<v Speaker 2>and an older gentleman behind them, who keeps out bidding

611
00:32:42.440 --> 00:32:46.839
<v Speaker 2>her pretty quickly. The bidding increases to the Cabby's limit

612
00:32:46.880 --> 00:32:50.319
<v Speaker 2>of two thousand dollars, but at the last minute it

613
00:32:50.319 --> 00:32:51.599
<v Speaker 2>looks like they're going to get it. But then at

614
00:32:51.640 --> 00:32:54.880
<v Speaker 2>the last minute, this other auction, this other bidder, goes

615
00:32:54.920 --> 00:32:58.000
<v Speaker 2>up to twenty one hundred, and Louis makes a threat

616
00:32:58.000 --> 00:33:00.759
<v Speaker 2>that this guy better not spend his tw years at

617
00:33:00.759 --> 00:33:03.319
<v Speaker 2>Sunset Acres, which I think is the place in Jersey

618
00:33:03.359 --> 00:33:07.319
<v Speaker 2>they referenced. Eventually, the painting is just priced out of

619
00:33:07.319 --> 00:33:11.920
<v Speaker 2>their reach entirely, and Louie actually lunges at that other

620
00:33:12.000 --> 00:33:15.440
<v Speaker 2>bitter and frustration. He's just so upset. I think it's

621
00:33:15.440 --> 00:33:19.759
<v Speaker 2>sold for twenty nine hundred dollars in total. And then

622
00:33:20.000 --> 00:33:23.880
<v Speaker 2>immediately after the gavel falls on the painting, somebody rushes

623
00:33:23.920 --> 00:33:27.519
<v Speaker 2>in and whispers to the auctioneer, and he then makes

624
00:33:27.559 --> 00:33:30.680
<v Speaker 2>this announcement to the assembled gathering that duff and Max

625
00:33:30.759 --> 00:33:33.920
<v Speaker 2>Duffin died earlier that morning, which I think at that

626
00:33:34.000 --> 00:33:38.680
<v Speaker 2>point Louis is moaning in just anguish at this. So

627
00:33:38.920 --> 00:33:41.039
<v Speaker 2>this is yet another I mean, what we're seeing here

628
00:33:41.079 --> 00:33:44.200
<v Speaker 2>basically Father Malone, And I'm surprised you haven't mentioned this.

629
00:33:44.200 --> 00:33:46.440
<v Speaker 2>This is another aspirational episode.

630
00:33:46.880 --> 00:33:49.480
<v Speaker 1>Here's why I would have brought this up in yellow lights.

631
00:33:49.640 --> 00:33:53.480
<v Speaker 1>Here's why I didn't bring it up because nine times

632
00:33:53.480 --> 00:33:56.599
<v Speaker 1>out of ten aspirational episodes on this show about one

633
00:33:57.000 --> 00:34:00.640
<v Speaker 1>character trying to get out of the garage. This is

634
00:34:00.720 --> 00:34:06.240
<v Speaker 1>the group just trying to get ahead. No one's escaping

635
00:34:06.279 --> 00:34:09.559
<v Speaker 1>the life, no one's getting rich, no one's fulfilling their

636
00:34:09.639 --> 00:34:13.039
<v Speaker 1>career goals. Here, They're just all pulling together in one direction.

637
00:34:13.400 --> 00:34:16.079
<v Speaker 1>So that kind of aspiration is very welcome.

638
00:34:17.440 --> 00:34:21.360
<v Speaker 2>True that this was never going to change their lives.

639
00:34:21.840 --> 00:34:25.920
<v Speaker 2>Anyone caves lives immeasurably. This was going to be a

640
00:34:26.000 --> 00:34:29.360
<v Speaker 2>nice side hustle for them and maybe help them get

641
00:34:29.400 --> 00:34:31.880
<v Speaker 2>over some of the hard times. But so I agree

642
00:34:31.880 --> 00:34:35.119
<v Speaker 2>with you there, this isn't aspirational in the truest sense.

643
00:34:35.880 --> 00:34:40.000
<v Speaker 2>And now we fade. I'm sorry, I skipped ahead.

644
00:34:40.360 --> 00:34:43.559
<v Speaker 1>Don't skip ahead, got to deal with the Maudlin part

645
00:34:43.559 --> 00:34:44.199
<v Speaker 1>of this episode.

646
00:34:44.320 --> 00:34:46.480
<v Speaker 2>Well, no, we're getting to it. But I liked it.

647
00:34:46.599 --> 00:34:49.920
<v Speaker 2>I liked it. So we cut to the lobby of

648
00:34:49.960 --> 00:34:54.400
<v Speaker 2>this auction house and Louis is just kicking himself forever

649
00:34:54.480 --> 00:34:56.840
<v Speaker 2>believing that this was going to work. I think he

650
00:34:56.840 --> 00:34:59.599
<v Speaker 2>says something to the effect of, for you, caves losing

651
00:34:59.679 --> 00:35:01.880
<v Speaker 2>as a w life, but for me, it's bad for

652
00:35:01.960 --> 00:35:06.280
<v Speaker 2>my system. He makes a lot of other loser cracks

653
00:35:06.320 --> 00:35:10.320
<v Speaker 2>at the rest of the Cabby's, and Bobby reckons this

654
00:35:10.480 --> 00:35:14.039
<v Speaker 2>is no great revelation, but he says that this proves

655
00:35:14.079 --> 00:35:16.880
<v Speaker 2>you got to have money to make money, and he

656
00:35:16.920 --> 00:35:20.280
<v Speaker 2>gets up and suggests they all go to Marios for

657
00:35:20.719 --> 00:35:24.360
<v Speaker 2>a beer, and they're all filing out, but then Alex says, no,

658
00:35:24.400 --> 00:35:26.159
<v Speaker 2>I want to stay. I want to check out the artwork.

659
00:35:26.199 --> 00:35:28.199
<v Speaker 2>He says, I came here to buy a piece of art,

660
00:35:28.199 --> 00:35:29.960
<v Speaker 2>and I'm going to buy a piece of art, even

661
00:35:29.960 --> 00:35:32.440
<v Speaker 2>if it's not original. He wants to buy something he likes.

662
00:35:33.119 --> 00:35:36.719
<v Speaker 2>Bobby agrees, and then the rest of the Cabby's all

663
00:35:36.719 --> 00:35:39.920
<v Speaker 2>come on board and they all start browsing through these

664
00:35:39.960 --> 00:35:44.239
<v Speaker 2>reproductions of art and paintings and things. And Alex is

665
00:35:44.239 --> 00:35:47.639
<v Speaker 2>looking at a bust of it's like Plato or Aristotle

666
00:35:47.719 --> 00:35:50.800
<v Speaker 2>or something I couldn't tell, and he decides to buy it.

667
00:35:51.360 --> 00:35:54.639
<v Speaker 2>And throughout the whole scene here's the Maudlin part. Elaine

668
00:35:54.719 --> 00:35:57.679
<v Speaker 2>is looking at all the cabbys with an almost motherly

669
00:35:57.840 --> 00:36:02.280
<v Speaker 2>pride because in her I'm sure she's saying, they get

670
00:36:02.280 --> 00:36:06.920
<v Speaker 2>it now. It's they're appreciating the art for something greater

671
00:36:07.119 --> 00:36:09.400
<v Speaker 2>than just something to make money off of.

672
00:36:09.920 --> 00:36:13.119
<v Speaker 1>No, that's not the Modlin part. The Modlin part was

673
00:36:13.760 --> 00:36:16.639
<v Speaker 1>Alex pyeing that fucking statue. That's the modlent.

674
00:36:17.480 --> 00:36:18.559
<v Speaker 2>How was that Madlin?

675
00:36:19.599 --> 00:36:21.639
<v Speaker 1>It just seems so I don't know, it just seemed

676
00:36:21.679 --> 00:36:25.039
<v Speaker 1>like a button I don't know, for whatever reason HP

677
00:36:25.719 --> 00:36:30.880
<v Speaker 1>that seemed tacked on everyone. If they hadn't done that,

678
00:36:31.039 --> 00:36:34.440
<v Speaker 1>and then they cut to everyone bought a painting for

679
00:36:34.480 --> 00:36:36.840
<v Speaker 1>some reason, that would have been more impactful for me.

680
00:36:37.199 --> 00:36:41.000
<v Speaker 2>I will say. Alex is very childlike about his fascination

681
00:36:41.239 --> 00:36:44.159
<v Speaker 2>with this bust, Like he picks it up and says,

682
00:36:44.360 --> 00:36:46.880
<v Speaker 2>all right, come on, we're gonna leave now. I don't know,

683
00:36:46.920 --> 00:36:50.480
<v Speaker 2>there's something he very potemic in his approach to this

684
00:36:50.639 --> 00:36:52.280
<v Speaker 2>bus that it was a little weird, but I didn't

685
00:36:52.280 --> 00:36:54.119
<v Speaker 2>think it was Maudlin. I thought it was a little weird,

686
00:36:54.159 --> 00:36:57.800
<v Speaker 2>but I was fine with it because he's he's trying

687
00:36:57.840 --> 00:36:59.840
<v Speaker 2>to get out of himself a little bit and make

688
00:36:59.840 --> 00:37:01.920
<v Speaker 2>the best of a bad situation. So I thought it

689
00:37:01.960 --> 00:37:02.280
<v Speaker 2>was fine.

690
00:37:02.360 --> 00:37:04.320
<v Speaker 1>Oh look, you know what, man, I would have bought

691
00:37:04.360 --> 00:37:06.119
<v Speaker 1>a piece of artwork too, you know what I mean,

692
00:37:06.280 --> 00:37:08.960
<v Speaker 1>like not bagging on the situation. I just felt like

693
00:37:10.840 --> 00:37:13.679
<v Speaker 1>they needed us to feel better right then and there.

694
00:37:13.840 --> 00:37:16.840
<v Speaker 1>So that's what we got because they didn't win. And

695
00:37:17.480 --> 00:37:19.079
<v Speaker 1>you know, I don't know whatever.

696
00:37:19.079 --> 00:37:20.480
<v Speaker 2>I mean, but how else do you end it? You

697
00:37:20.960 --> 00:37:23.360
<v Speaker 2>just haven't got to Marios and say, well, that's it.

698
00:37:24.039 --> 00:37:24.880
<v Speaker 2>You gotta have something.

699
00:37:24.960 --> 00:37:27.280
<v Speaker 1>No, well and no. They go to Marios and then

700
00:37:27.320 --> 00:37:30.599
<v Speaker 1>they start appraising the paintings and Marios, I look at

701
00:37:30.599 --> 00:37:35.639
<v Speaker 1>that thing, Tommy, Tommy, you take that down. We gotta

702
00:37:36.400 --> 00:37:38.039
<v Speaker 1>gotta get this place looking better. Man.

703
00:37:38.360 --> 00:37:40.639
<v Speaker 2>That is so ghost, Tommy, where did you get that?

704
00:37:41.119 --> 00:37:43.840
<v Speaker 2>We fade back into the garage and the Cabbys have

705
00:37:44.440 --> 00:37:47.320
<v Speaker 2>set up sort of a makeshift art gallery of all

706
00:37:47.440 --> 00:37:49.800
<v Speaker 2>the art work that they bought at the auction, and

707
00:37:49.880 --> 00:37:53.239
<v Speaker 2>Elaine is going from person to person giving her nodding

708
00:37:53.280 --> 00:37:58.039
<v Speaker 2>of approval, and according to Love's and the Official Taxi

709
00:37:58.039 --> 00:38:01.760
<v Speaker 2>Fan Guide, the actors were given their choice of paintings

710
00:38:02.119 --> 00:38:06.159
<v Speaker 2>from a small selection to reflect their character's personality, which

711
00:38:06.159 --> 00:38:07.639
<v Speaker 2>is why these are also.

712
00:38:07.679 --> 00:38:09.760
<v Speaker 1>I wish we had seen the full gamut of what

713
00:38:09.800 --> 00:38:12.000
<v Speaker 1>they were allowed to choose from, to see what was

714
00:38:12.079 --> 00:38:15.360
<v Speaker 1>left behind. Honestly, that's as important they chose.

715
00:38:15.840 --> 00:38:19.840
<v Speaker 2>The artwork they chose is all very on the nose, right,

716
00:38:19.960 --> 00:38:21.320
<v Speaker 2>So we start off with.

717
00:38:21.599 --> 00:38:24.480
<v Speaker 1>A lot of those paintings, HP, I Love, Can I

718
00:38:24.519 --> 00:38:26.440
<v Speaker 1>just say that I agree?

719
00:38:26.440 --> 00:38:29.559
<v Speaker 2>I wonder if it's the same thing is it's got

720
00:38:29.559 --> 00:38:34.800
<v Speaker 2>to be Bobby's, right, of course it's Bobby's. So we

721
00:38:34.840 --> 00:38:38.840
<v Speaker 2>start off with Laka, and Laka has bought a watercolor

722
00:38:39.079 --> 00:38:42.079
<v Speaker 2>of the nation's capital, which it makes sense because he's

723
00:38:42.320 --> 00:38:44.679
<v Speaker 2>the immigrant whose believes in America.

724
00:38:44.800 --> 00:38:47.480
<v Speaker 1>Whatever, it's terrible anyway, next it's.

725
00:38:47.320 --> 00:38:50.159
<v Speaker 2>Bad, and then the next one. Tony has picked out

726
00:38:50.199 --> 00:38:53.800
<v Speaker 2>the biggest painting of a seagull in flight that you've

727
00:38:53.840 --> 00:38:57.320
<v Speaker 2>ever seen. It's probably to match the scale of his

728
00:38:57.519 --> 00:39:01.719
<v Speaker 2>Easy Comics plaque of the giant dead fish plaque in

729
00:39:01.760 --> 00:39:03.559
<v Speaker 2>his wall. This is the only thing that dwarfs it.

730
00:39:04.039 --> 00:39:08.119
<v Speaker 1>Don't forget he's got gigantic barren walls. That apartment is

731
00:39:08.199 --> 00:39:10.719
<v Speaker 1>like two lofts, like split down the middle and caught

732
00:39:10.840 --> 00:39:13.360
<v Speaker 1>chopped in half. It's so weird, like he needs that.

733
00:39:14.320 --> 00:39:16.480
<v Speaker 2>He does need a lot of He's got a little wall.

734
00:39:16.360 --> 00:39:18.920
<v Speaker 1>Space thing in there, just like it's the idea that

735
00:39:18.960 --> 00:39:20.639
<v Speaker 1>he could look at some nature somehow.

736
00:39:21.119 --> 00:39:23.360
<v Speaker 2>Well. I sort of figured it was maybe a callback

737
00:39:23.400 --> 00:39:27.039
<v Speaker 2>to song Gonna Fly Now, the rocky theme. I thought

738
00:39:27.039 --> 00:39:30.400
<v Speaker 2>maybe that was part of why he chose to reaching

739
00:39:30.559 --> 00:39:33.960
<v Speaker 2>my man could be, could be. Then we get to

740
00:39:34.280 --> 00:39:36.960
<v Speaker 2>our favorite painting, both of us. Bobby's picked out a

741
00:39:37.000 --> 00:39:40.800
<v Speaker 2>realistic rendering of an electrical outlet. It's like something that

742
00:39:40.880 --> 00:39:42.880
<v Speaker 2>Andy Warhol has painted, right.

743
00:39:43.199 --> 00:39:46.840
<v Speaker 1>It's so much better. It's a fucking It's like a

744
00:39:47.039 --> 00:39:51.559
<v Speaker 1>four foot by three foot painting of an electrical socket.

745
00:39:51.599 --> 00:39:52.639
<v Speaker 1>I loved it.

746
00:39:52.639 --> 00:39:57.039
<v Speaker 2>It's awesome. It's perfectly proportional as a light socket. It

747
00:39:57.079 --> 00:40:00.119
<v Speaker 2>looks exactly, it's got shading, it look perfect. So that

748
00:40:00.199 --> 00:40:02.480
<v Speaker 2>was my favorite. But that's what Bobby picked out.

749
00:40:02.840 --> 00:40:05.000
<v Speaker 1>This is why we are not part of the art world.

750
00:40:05.159 --> 00:40:08.159
<v Speaker 2>You and I I think, so I gotta find It's

751
00:40:08.239 --> 00:40:16.400
<v Speaker 2>like there's no interpretation necessary. It's just a light socket beautiful.

752
00:40:17.239 --> 00:40:21.199
<v Speaker 2>Then we pan over and Alex is weirdly staring into

753
00:40:21.280 --> 00:40:24.239
<v Speaker 2>the eyes of the bust that he's bought of Plato

754
00:40:24.440 --> 00:40:31.000
<v Speaker 2>or whatever. And then Jim has bought this two thousand

755
00:40:31.119 --> 00:40:34.599
<v Speaker 2>and one esque painting of monolith, kind of.

756
00:40:34.519 --> 00:40:38.480
<v Speaker 1>With a cloud resting in the middle of a starfield

757
00:40:38.639 --> 00:40:39.159
<v Speaker 1>or something.

758
00:40:39.239 --> 00:40:42.079
<v Speaker 2>It's I thought it was like an island in the

759
00:40:42.079 --> 00:40:46.519
<v Speaker 2>middle of the water with heavenly lines coming off of it.

760
00:40:46.519 --> 00:40:52.599
<v Speaker 1>It was very, very much what art.

761
00:40:53.480 --> 00:40:56.119
<v Speaker 2>So. And then of course Louis walks in and he's

762
00:40:56.159 --> 00:40:58.719
<v Speaker 2>bought I don't know why this would have been on

763
00:40:58.800 --> 00:41:02.199
<v Speaker 2>sale and a reputable art auction, but he's bought a

764
00:41:02.320 --> 00:41:06.559
<v Speaker 2>cheesy black velvet nude. That's like the size. It's huge.

765
00:41:06.599 --> 00:41:10.239
<v Speaker 2>It's like four foot by two foot or something. It's big.

766
00:41:10.599 --> 00:41:14.599
<v Speaker 1>It's a landscape velvet oil painting. It's not a nude,

767
00:41:14.639 --> 00:41:18.480
<v Speaker 1>by the way. She's fully closed, sure, but it may

768
00:41:18.519 --> 00:41:20.599
<v Speaker 1>as well be a nude. I mean, she's a preveyor

769
00:41:20.679 --> 00:41:23.400
<v Speaker 1>of velvet paintings. I now am the proud owner of many.

770
00:41:23.559 --> 00:41:26.760
<v Speaker 1>I gotta say that it was a fine painting.

771
00:41:27.679 --> 00:41:28.239
<v Speaker 2>It was fine.

772
00:41:28.679 --> 00:41:30.880
<v Speaker 1>Of all the art purchased. Honestly, that's the one I

773
00:41:30.920 --> 00:41:31.920
<v Speaker 1>would probably hang.

774
00:41:32.960 --> 00:41:35.440
<v Speaker 2>Yeah, you just said you'd want the Bobby's painting of this.

775
00:41:35.559 --> 00:41:38.320
<v Speaker 1>I say, I love Bobby's painting, but when I really

776
00:41:38.360 --> 00:41:42.039
<v Speaker 1>consider it, I would think, what are you doing? Man's

777
00:41:42.199 --> 00:41:43.719
<v Speaker 1>It really is just a wall socket.

778
00:41:44.079 --> 00:41:46.800
<v Speaker 2>But Louise is just an excuse for a one final

779
00:41:46.880 --> 00:41:49.360
<v Speaker 2>laugh before the show is over. And we get that.

780
00:41:49.360 --> 00:41:50.000
<v Speaker 1>That's fine.

781
00:41:50.320 --> 00:41:52.840
<v Speaker 2>That is the end of the episode. Now, as is

782
00:41:52.880 --> 00:41:56.039
<v Speaker 2>our custom, let's talk yellow lights. What does a yellow

783
00:41:56.159 --> 00:41:59.280
<v Speaker 2>light me? Just a reminder we grave these on a

784
00:41:59.320 --> 00:42:02.239
<v Speaker 2>scale from one to five yellow lights. One is the

785
00:42:02.239 --> 00:42:06.079
<v Speaker 2>worst taxi episode and five is the best taxi episode.

786
00:42:06.920 --> 00:42:09.239
<v Speaker 2>And as is our custom, also, I'm gonna throw it

787
00:42:09.280 --> 00:42:12.599
<v Speaker 2>to you to give us your grade on artwork.

788
00:42:12.760 --> 00:42:17.199
<v Speaker 1>Father alone, you can consider me at the golf course, HB.

789
00:42:17.559 --> 00:42:23.360
<v Speaker 1>Because I'm on in four four four yellow lights?

790
00:42:24.119 --> 00:42:26.840
<v Speaker 2>Why did you knock it down one from perfection? Let

791
00:42:26.880 --> 00:42:27.639
<v Speaker 2>me ask that.

792
00:42:31.480 --> 00:42:33.360
<v Speaker 1>It's not. The ending was kind of modeless.

793
00:42:34.760 --> 00:42:37.519
<v Speaker 2>You're hung up on this Alex thing with the bust.

794
00:42:37.880 --> 00:42:41.840
<v Speaker 1>I didn't like it all right. Also, I also I

795
00:42:41.840 --> 00:42:44.320
<v Speaker 1>didn't like I didn't like Naggy Lane at the beginning.

796
00:42:45.840 --> 00:42:48.119
<v Speaker 2>I didn't mind it so much, and that's why I

797
00:42:48.199 --> 00:42:52.000
<v Speaker 2>gave it five yellow lights, the coveted five yellow lights,

798
00:42:52.199 --> 00:42:54.960
<v Speaker 2>because this, as I said before, Father Malone, you can

799
00:42:54.960 --> 00:42:57.760
<v Speaker 2>wag your you can nod your head or shake your

800
00:42:57.800 --> 00:43:01.679
<v Speaker 2>head at me all you want, but you did you

801
00:43:02.000 --> 00:43:03.880
<v Speaker 2>totally kind of like went like this.

802
00:43:04.000 --> 00:43:06.760
<v Speaker 1>Didn't at all. Listeners, he's lying there.

803
00:43:07.159 --> 00:43:09.239
<v Speaker 2>You gave me the gas face from just then. That's

804
00:43:09.280 --> 00:43:09.679
<v Speaker 2>what you did.

805
00:43:09.760 --> 00:43:13.599
<v Speaker 1>Always give you the gas face with the permanent gas look.

806
00:43:13.639 --> 00:43:16.800
<v Speaker 2>El Roy, el Roy Cohen gets the gas face. My

807
00:43:16.920 --> 00:43:19.960
<v Speaker 2>reasons are very simple. This is the rare instance where

808
00:43:20.000 --> 00:43:23.519
<v Speaker 2>all of the cabvi's are present and involved in the plot.

809
00:43:23.679 --> 00:43:28.079
<v Speaker 2>This to me is taxi ensemble comedy. It's finest. Five

810
00:43:28.159 --> 00:43:31.039
<v Speaker 2>yellow lights from me, four yellow lights from father.

811
00:43:31.079 --> 00:43:35.159
<v Speaker 1>Oh no, no, I'm amending mine. Now, okay, I'm going to three.

812
00:43:35.360 --> 00:43:39.400
<v Speaker 1>I'm going to three strictly out of spite. Okay, why

813
00:43:39.760 --> 00:43:41.400
<v Speaker 1>because you came at me for some head thing that

814
00:43:41.440 --> 00:43:45.440
<v Speaker 1>didn't occur. So I'm now nullifying your perfect score by

815
00:43:45.480 --> 00:43:46.840
<v Speaker 1>removing one of my stars.

816
00:43:47.079 --> 00:43:49.159
<v Speaker 2>Well, you know what, this is being recorded on zoom.

817
00:43:49.199 --> 00:43:50.840
<v Speaker 2>I'll play it back for you and you'll see that

818
00:43:50.880 --> 00:43:52.360
<v Speaker 2>you didn't know you were doing it, but you gave

819
00:43:52.360 --> 00:43:53.199
<v Speaker 2>me a shake of the head.

820
00:43:53.639 --> 00:43:58.079
<v Speaker 1>Listen, man, I'm bobbing, I'm bobbing, I'm weaving. That's what

821
00:43:58.239 --> 00:44:00.920
<v Speaker 1>I do over on my end of things. Okay, But

822
00:44:00.960 --> 00:44:01.800
<v Speaker 1>why would you take.

823
00:44:01.679 --> 00:44:04.800
<v Speaker 2>It out on the Why would you take it out

824
00:44:04.800 --> 00:44:06.760
<v Speaker 2>on the episode though that it's done nothing to you?

825
00:44:07.119 --> 00:44:09.199
<v Speaker 1>Who's taking out in the episode you did?

826
00:44:09.440 --> 00:44:12.159
<v Speaker 2>You're knocking it down one light just because I accuse

827
00:44:12.239 --> 00:44:13.280
<v Speaker 2>you of nodding your.

828
00:44:13.199 --> 00:44:18.039
<v Speaker 1>Head right, there are consequences to your actions in Sunshine Cab,

829
00:44:18.119 --> 00:44:19.480
<v Speaker 1>my man, whatever.

830
00:44:19.719 --> 00:44:23.159
<v Speaker 2>I you know what, there's such a thing called integrity.

831
00:44:22.639 --> 00:44:26.840
<v Speaker 1>Father Malone, bing bing bing, that's three three other lights?

832
00:44:28.000 --> 00:44:31.519
<v Speaker 2>All right? Anyway, before this thing gets docked even more,

833
00:44:31.559 --> 00:44:34.960
<v Speaker 2>we're going to stop it. There. Five for me, three

834
00:44:35.039 --> 00:44:37.079
<v Speaker 2>from Father Malone. That's going to do it for this

835
00:44:37.199 --> 00:44:40.960
<v Speaker 2>episode of night, Mister Walters, Father Malone, where can the

836
00:44:41.039 --> 00:44:43.599
<v Speaker 2>people find you when you're not clocked into the garage?

837
00:44:44.119 --> 00:44:46.480
<v Speaker 1>I have a show called Midnight Viewing. It's on twice

838
00:44:46.519 --> 00:44:49.280
<v Speaker 1>a week Mondays. It's Father Malone's weekly round up where

839
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<v Speaker 1>we look at all the new stuff that came out

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<v Speaker 1>over the weekend. And on Fridays it alternates between the

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<v Speaker 1>Horror Anthology podcast where we look at horror anthology television

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<v Speaker 1>currently looking at Tales from the Dark Side and anthologies Attack,

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<v Speaker 1>which I do with Antonio Lapour, where we look at

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<v Speaker 1>anthologies of every variety and genre.

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<v Speaker 2>Movie wise, I entreat you check out the weekly Roundup.

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<v Speaker 2>It's a great well. First of all, it's a great

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<v Speaker 2>primer for the kind of content that you can get

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<v Speaker 2>from Father Malone. I love it. It's a great capsule

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<v Speaker 2>of things that are coming out on streaming or any

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<v Speaker 2>new movies coming out that week. He gives you a

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<v Speaker 2>leg up on what to expect. He gives his opinion

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<v Speaker 2>on them. It's funny. I just love it. It's great.

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<v Speaker 2>It's a great way to start your week. And I'm gonna,

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<v Speaker 2>you know what, Father Malone, I'm going to listen to

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<v Speaker 2>that as soon as we're done recording this. That's what

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<v Speaker 2>I'm gonna do.

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<v Speaker 1>I'm sorry though.

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<v Speaker 2>As for myself, you can find me also in other

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<v Speaker 2>areas of the weirding Way Network. I do a podcast.

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<v Speaker 2>I've taken over a podcast called Noise Junkies, which is

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<v Speaker 2>a music podcast that I've been enjoying doing some new

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<v Speaker 2>episodes dropping on that, so please check that out. I'm

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<v Speaker 2>also an occasional guest on The Culture Cast with Chris

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<v Speaker 2>Dashu and I have a band campsite hpmusicplaces dot bandcamp

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<v Speaker 2>dot com. Hey father Blone, I just dropped a new album.

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<v Speaker 1>Oh my god, yes you did. It's really finally, man.

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<v Speaker 2>It's been how many years of me saying, well, new content.

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<v Speaker 2>So it's an album called Wired and Waiting. I'm very

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<v Speaker 2>very pleased with it. If you like kind of eighties synthwave, synthpop,

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<v Speaker 2>old eighties action movie soundtrack stuff, this is I get

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<v Speaker 2>you covered. Please check it out. It's free to listen to.

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<v Speaker 1>Quarter Flash in there too. Man, I've heard some quarter

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<v Speaker 1>Flash in there.

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<v Speaker 2>Quarterfly. I don't have any saxophone, though.

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<v Speaker 1>You don't need sacks to be quarter flash.

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<v Speaker 2>That's fair, That's fair. Anyway, it was a lot of

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<v Speaker 2>fun to do, and I'm so proud of this new album,

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<v Speaker 2>so please check it out. I think you'll be you'll

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<v Speaker 2>be happy listening to it. So anyway, like I said,

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<v Speaker 2>that's going to do it for this episode. Thank you

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<v Speaker 2>for listening. Please feel free to subscribe to this podcast,

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<v Speaker 2>write a review or ratus. We'd love to hear from

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<v Speaker 2>you in any manner you see fit So for myself

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<v Speaker 2>and for Father Malone. Thanks again for listening and we'll

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<v Speaker 2>see you next time. Thank mister Walders