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<v Speaker 1>A Magnificent Montague stirring Marty Wallie. Yes, it's the magnificent Montague. Today,

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<v Speaker 1>Edwin Montague, to his great embarrassment, is known only as

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<v Speaker 1>Uncle goodtheart star of an afternoon radio program. But perhaps

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<v Speaker 1>a few of you older folks remember him when he

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<v Speaker 1>traveled the Shakespearean stage and was known as the Magnificent Molecule.

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<v Speaker 1>And although radio has brought him a living and dubious fame,

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<v Speaker 1>he still dreams of returning to the stage. Right now,

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<v Speaker 1>the Montaguo apartment is enjoying a little peace and quiet,

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<v Speaker 1>which means he is not home yet from his broadcast.

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<v Speaker 1>Lily and his wife and former leading Lady, and Agnes

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<v Speaker 1>the Maid are awaiting him for dinner. The telephone is ringing.

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<v Speaker 2>Okay, okay, the residents of Edwin Montague and Lily Boy

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<v Speaker 2>and Agnes the Maid on this and come in, Roger,

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<v Speaker 2>Oh hello, Sam, for sure Sam, and I'll be okay Sam,

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<v Speaker 2>Oh sure, Sam, I'll tell us.

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<v Speaker 3>Yeah, so long, Sam, Who you're kidding?

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<v Speaker 4>I know, I know it was Sam, But which Sam?

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<v Speaker 3>Which Sam?

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<v Speaker 2>How many? Sam's doing now?

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<v Speaker 3>Oh? Sam? Harrison across the hole.

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<v Speaker 2>Give this lady six over dollars in the case of snackers.

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<v Speaker 3>Who would he wore?

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<v Speaker 2>He and his wife Mith have something to ask you.

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<v Speaker 4>Oh, I hope they drop in before Edwin gets home.

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<v Speaker 4>You know how he feels about the house.

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<v Speaker 2>I know how he feels about everybody except Edwin Montague.

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<v Speaker 4>That's love, love, love, Stop, Agnes.

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<v Speaker 5>Just hope Sam and his wife get over here right

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<v Speaker 5>this minute.

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<v Speaker 2>I don't she's taking a bath.

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<v Speaker 3>Well, I hope Edwin's late.

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<v Speaker 4>Oh, Sam only wouldn't continually try and sell Edwin life insurance.

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<v Speaker 4>They're the only neighbors we have really ever had, and

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<v Speaker 4>you can have them.

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<v Speaker 3>Oh please, I know Sam can be.

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<v Speaker 2>A little trun No, she stopped trying with those corny jokes.

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<v Speaker 4>Now, Ages, we have to make them feel at home.

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<v Speaker 4>We're the only neighbors they know since they moved in

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<v Speaker 4>from Saint Louis.

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<v Speaker 6>Okay, I'll make them feel at home.

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<v Speaker 2>I'll put on a Saint Louis Cardinal uniform.

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<v Speaker 4>Oh, stop pretending you don't like the Harrisons. Don't they

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<v Speaker 4>pay you a dollar an hour and your night's off

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<v Speaker 4>for sitting with their daughter?

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<v Speaker 2>Gwendolyn share They do, and the kid takes it right

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<v Speaker 2>away from you. In Jen Rummy oh, no.

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<v Speaker 3>She beats.

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<v Speaker 2>My brain's off.

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<v Speaker 4>I'll like Sam, h I'm ready got here before Edwind arrives.

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<v Speaker 2>I'll get it.

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<v Speaker 3>Come in, Sam, Sam.

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<v Speaker 2>Out the monsters?

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<v Speaker 3>Hello, Edwin? What's this? Hello? Sam? Oh? Never mind? I

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<v Speaker 3>come into my own house and it's hello Sam.

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<v Speaker 2>So I said hello Sam, I thought your uncle Sam?

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<v Speaker 2>Who else do you look?

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<v Speaker 3>Last? Holy? Thank goodness. Agnes finally learned how to bark

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<v Speaker 3>out hello. At least we broke her of the habit

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<v Speaker 3>of jumping up on people licking their faces. Oh, I

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<v Speaker 3>did I sit down? You look tired? Can I, Agnes?

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<v Speaker 3>Get something? Years lost.

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<v Speaker 2>Some on mis de monic? You have something? I made

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<v Speaker 2>a batch of cookies especially for you. You can hardly

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<v Speaker 2>taste the icenices.

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<v Speaker 3>Leave him alone. After the day of degrading myself on

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<v Speaker 3>the radio, I have to come home to this. Well.

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<v Speaker 3>How would your program it? Oh? We gave the housewives

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<v Speaker 3>both barrels this afternoon with Uncle.

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<v Speaker 4>Goodhart doing good again?

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<v Speaker 3>Is the cottage on the sunny side of the lane?

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<v Speaker 3>I was nauseating? Did herd is walking through the woods?

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<v Speaker 3>And I find it? Little animal in a big trap?

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<v Speaker 2>What you do up your mouth and let it on.

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<v Speaker 3>The lay tire up the kitchen or something.

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<v Speaker 2>I'm not that masteric.

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<v Speaker 3>I wish I could find something funny in life. Radios

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<v Speaker 3>got me the Magnifism molecule, rescuing little birds from traps

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<v Speaker 3>and fixing the a little broken leg once again, shed

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<v Speaker 3>the boards and hamlet the fellow like Beth. Oh for

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<v Speaker 3>the smell of bereaspaint. It's been a long time. Yes.

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<v Speaker 3>Now the only time I smell grease paint is when

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<v Speaker 3>Agnes makes french fried potato's nuts.

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<v Speaker 2>How could I smell some?

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<v Speaker 3>They say?

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<v Speaker 2>I am in Frontina.

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<v Speaker 4>And miss Mercy take him.

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<v Speaker 3>Up on everything. There they are, I'll get it there.

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<v Speaker 3>Who are Edwin, Sam Harrison his wife Mark? I want

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<v Speaker 3>to ask? Oh, no, no, it wouldn't be nice to them.

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<v Speaker 2>Ah, mister and missus Harrison, how.

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<v Speaker 1>Do you do?

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<v Speaker 7>Miser and Missus Montague heard you program this afternoon, mister Montague,

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<v Speaker 7>And I said to Martha.

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<v Speaker 3>They pay him for that.

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<v Speaker 7>Yeah, that's just what I said, didn't I?

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<v Speaker 3>Martha, Jess, Well.

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<v Speaker 4>Don't just stand there in the hall.

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<v Speaker 3>No, yeah, yeah, come in a little. Sam.

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<v Speaker 4>You wanted to ask me something.

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<v Speaker 7>Now that you mentioned it, Yes, you see, Missus Montague

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<v Speaker 7>Martha and I belong to the parents Jesus Association of

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<v Speaker 7>the school our daughter Gwendoll in at ten Public School

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<v Speaker 7>thirty seven.

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<v Speaker 3>I know, and you want to know why we never

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<v Speaker 3>sent Agnes to school. Edwin, be serious, go on, mister Harrison.

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<v Speaker 7>Well, we are trying to raise money.

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<v Speaker 3>For some new playground equipment.

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<v Speaker 7>After all, we want our children to grow up with

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<v Speaker 7>healthy minds and healthy bodies.

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<v Speaker 3>Why Edwards tell me, miss Harrison, how are you going

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<v Speaker 3>to raise the money? Well, is Martha's idea.

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<v Speaker 7>We're going to have an amateur theatrical evening.

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<v Speaker 3>An amateur theatrical evening. Oh no, at theatrical evenings. We

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<v Speaker 3>want you to be in it. Lay back in, please

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<v Speaker 3>paint again the like the excitement. I'll be where everyone

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<v Speaker 3>can see me. You certainly will.

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<v Speaker 6>Be your taking tickets, ticket es, So I'll a ticket taker.

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<v Speaker 3>I suppose my wife Lily will be an usher. Oh no, no,

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<v Speaker 3>we understand. She has talent. Oh she has the talent

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<v Speaker 3>of the family. That's what the man said, Miss Harrison.

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<v Speaker 3>Is making her come as a shock to you. But

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<v Speaker 3>for years I was known as an actually as the

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<v Speaker 3>magnificent Molecue.

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<v Speaker 5>Oh, I do declare Now do you remember the magnificent Monedule.

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<v Speaker 3>Buy Georgia Dall comes back to me. Now, didn't you

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<v Speaker 3>appear in Saint Luis many times?

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<v Speaker 7>That's it, We saw you wrestle gorgeous George.

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<v Speaker 3>Look, mister Harrison Edwin.

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<v Speaker 4>Was regarded as the foremost Shakespearean actor in America. Thousands

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<v Speaker 4>of theatergoers still remember his voice.

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<v Speaker 2>And I have the broken hair drums to provid.

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<v Speaker 3>This is that your boys are the delivering coal in

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<v Speaker 3>the neighborhood Edwin, mister har Edward and I could do

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<v Speaker 3>a scene together for your pta theatrical Fine, fine, what

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<v Speaker 3>would you do seem through Shakespeare? Naturally?

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<v Speaker 7>Oh, I'm afraid that's impossible, mister Montague. You see, we

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<v Speaker 7>already have something from Shakespeare, the balcony scene from Romeo.

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<v Speaker 3>And Juliet Real. And who are the stellar actors about

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<v Speaker 3>to perpetrate this crime? Yeah, I'm Romeo, You're Romeo? Yes?

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<v Speaker 5>And guess who's Juliet Noo.

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<v Speaker 3>Shakespeare has lived in the hearts of men for three

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<v Speaker 3>hundred years, but he'll never survive this blow.

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<v Speaker 4>But let me we could do something else.

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<v Speaker 7>You could recite a poem, Shay, that would be Jim dandy,

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<v Speaker 7>a little mother goose for the kiddies, Mother Goose.

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<v Speaker 4>But now remember how beautiful you used to do the

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<v Speaker 4>minstrel boy.

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<v Speaker 3>Oh no, not that again, Quiet Edd go ahead, edits

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<v Speaker 3>the Minster, where the walls. He's gone, in the ranks

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<v Speaker 3>of death. You'll find him. His father's thought. He has

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<v Speaker 3>girded round and his wild hop slung behind him.

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<v Speaker 7>Beautiful Edwin by Gum that Irving Berlin can write lyrics,

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<v Speaker 7>serving blare.

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<v Speaker 3>There was a point of spirit, Nick.

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<v Speaker 4>Hayson, you can count and Ed and me to be there.

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<v Speaker 3>So good of you. Now wait, this is ridiculous. Lili

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<v Speaker 3>and I are famous for our rose in Shakespeare.

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<v Speaker 4>Now when Sam and Martha are doing Romeo and Juliet,

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<v Speaker 4>they have their hearts second.

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<v Speaker 5>Oh yes, indeed, yeah, I've been practicing that love scene

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<v Speaker 5>with mother all me, haven't I?

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<v Speaker 3>Mother? All this is delay. As long as you have me,

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<v Speaker 3>you might as well exploit my talent.

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<v Speaker 7>We're going to be all right, missus Montague.

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<v Speaker 3>After the show, we're having a buffet.

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<v Speaker 2>You can slice the blooney.

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<v Speaker 3>Everyone is doing something for the affair as long as

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<v Speaker 3>they're having cold cuts. Why don't you donate your tongue here?

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<v Speaker 2>Who needs a time, So I wait there.

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<v Speaker 4>Perhaps Evan and I could do as Shakespearean scene that

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<v Speaker 4>wouldn't constick for you Midsummer Night's dreams.

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<v Speaker 3>I can play a politic queen.

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<v Speaker 4>Of the Amazons, and Edwin can play bottom.

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<v Speaker 3>Hold on missus muday? Do you remember we're doing it

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<v Speaker 3>in the public school? Dorpe? Soy stupid? Now, don't be stupid?

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<v Speaker 3>Have the answer is a famous they playing I never played.

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<v Speaker 3>I never played the part of bottoms for e.

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<v Speaker 4>When you love it, you play a weaver who's falls

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<v Speaker 4>asleep in a forest.

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<v Speaker 8>Good a magic spell is cast over.

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<v Speaker 7>When Bottom wakes up, you have the head of.

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<v Speaker 3>A jackass, the head of attacker.

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<v Speaker 2>Here's why the bottom falls.

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<v Speaker 3>Out of the patio, Lily, Are you crazy? Here my

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<v Speaker 3>first appearance on the stage in years. You want me

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<v Speaker 3>to wear the head of a jackass. What'll people say?

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<v Speaker 2>Hasn't changed?

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<v Speaker 3>The bed?

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<v Speaker 1>And there?

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<v Speaker 3>When you return that vanishing cream we bought practice on

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<v Speaker 3>her birthday, tell them it didn't work. She's still around, Sam.

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<v Speaker 3>Whatever it is, you can count on us, right, Edwin?

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<v Speaker 3>Very well, we'll do something. Well, that's just George. Here

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<v Speaker 3>are some tickets for you to sell it, Okay, here's

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<v Speaker 3>taken ed. Make your friends bottom.

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<v Speaker 7>Better, get back and rehearse the balcony, saying I have

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<v Speaker 7>to practice climbing that balcony.

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<v Speaker 3>The other day I.

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<v Speaker 7>Fell down and almost split my head open.

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<v Speaker 3>He's the right, mother, he is.

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<v Speaker 7>Well, let's go Marta and I want to have a

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<v Speaker 7>martini before dinner.

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<v Speaker 3>Good.

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<v Speaker 7>We never drink, but we always have that one marginie

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<v Speaker 7>the voidinnery.

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<v Speaker 3>Isn't that right, mother? Good? Oh gad, it's people like

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<v Speaker 3>that who give neighbors a bad name.

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<v Speaker 4>Now, and when I like the Harrisons, that's Sam Harrison.

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<v Speaker 3>He's down to earth, not far enough.

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<v Speaker 4>Well, baby can help him.

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<v Speaker 3>Out with their pta theatricals. You will try and sell

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<v Speaker 3>the tickets, won't you, Edwin, Yes, yes, I'll sell them

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<v Speaker 3>to the people around my uncle good Heart radio program.

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<v Speaker 3>Oh that's nice. Yes, I've been trying to get even

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<v Speaker 3>with them for some time now.

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<v Speaker 4>Even it'll be fun.

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<v Speaker 3>We'll be one of our old scene, one of our

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<v Speaker 3>old seeds. Oh lily, how the mighty have faught The

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<v Speaker 3>magnifisent Molecules will give you one paid six sixty a

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<v Speaker 3>ticket to see it Hamlet, Macbeth Julius season. Well now

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<v Speaker 3>we see in public schools thirty seven forty cents with

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<v Speaker 3>cold cuts.

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<v Speaker 1>We'll be back with a magnificent Montogo in just a moment.

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<v Speaker 7>P R O g R E M bug.

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<v Speaker 1>Ugg and I'll back to the magnificent Montagu. It is

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<v Speaker 1>the day of the Pta piaprical. He is just finishing

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<v Speaker 1>his Uncle good Heart broadcast. Listen, and so Ronald, remember.

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<v Speaker 3>As you ride out on the highway, always keep your

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<v Speaker 3>head high the sun.

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<v Speaker 1>And so ends another episode of Uncle Goodheart, until he

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<v Speaker 1>beats you again in his little cottage on the sunny

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<v Speaker 1>side of the lane. Here is Uncle Goodheart with his

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<v Speaker 1>thought for the day.

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<v Speaker 3>When your neighbor comes home fighting drunk and attacks his

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<v Speaker 3>wife like an ogre, say to her as she's ducking

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<v Speaker 3>an axe. He's such a nice man when he's sober. Okay,

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<v Speaker 3>you're off the Anna coomodic. You're great show. You really

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<v Speaker 3>hit the listeners today. Someday they're going to strike back.

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<v Speaker 1>They love you.

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<v Speaker 8>The housewives have given you their heart.

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<v Speaker 3>Good good. As long as the housemaids don't give me

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<v Speaker 3>the knee, you're a big hit. The sponsor said he

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<v Speaker 3>was thinking of sending you a nice note. Oh come now,

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<v Speaker 3>he shouldn't go to the trouble of learning how to write.

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<v Speaker 3>Just for that peace. No jokes about a sponsor. Haha,

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<v Speaker 3>here's our directors. This is good show aways and it

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<v Speaker 3>was a high falutint humdinger im to do. It was

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<v Speaker 3>a good shaw, mister Montagu.

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<v Speaker 6>I was supposed to tell you something, but.

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<v Speaker 3>I forgot Sinza, I envy you. You can never get

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<v Speaker 3>a headache. There's nothing there ache. Didn't tried remember what

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<v Speaker 3>it was?

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<v Speaker 5>Let me see.

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<v Speaker 3>Isn't it awful? Not even a glimmer? All right, forget

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<v Speaker 3>about it. I did, I know you did. And of boys,

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<v Speaker 3>before I leave, I'd like to send you some ticket.

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<v Speaker 3>Take it for tonight. The PTA of Public School thirty

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<v Speaker 3>seven is having a theatrical eating. My wife and I

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<v Speaker 3>are appearing show mus amn it. You will take two here,

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<v Speaker 3>I thank you. How about you? Is there?

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<v Speaker 2>Well?

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<v Speaker 1>I don't know.

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<v Speaker 6>The wife and I were going bowling tonight.

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<v Speaker 3>Boldly. This is an evening of culture, and it's for

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<v Speaker 3>a good call. She sure loves the ball. How comes

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<v Speaker 3>in service is for the PTA.

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<v Speaker 8>She has her own ball.

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<v Speaker 3>I just tell her no bowling tonight. By by tell

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<v Speaker 3>I no bowling tonight, and she'll bowl. Me didn't even

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<v Speaker 3>bowl any night. Keep her in condition as a favorably.

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<v Speaker 3>Buy the ticket.

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<v Speaker 6>She's got muscles like a horse.

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<v Speaker 3>Don't we wait? I wait, My wife and I are

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<v Speaker 3>going to appear. You've never seen his act. This is

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<v Speaker 3>your chance, and it's cheaper than bowling. Is tab for

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<v Speaker 3>forty cents plus cold cut? Oh what are the details? Well,

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<v Speaker 3>there would be a scene form Romeo and Juliet, some poetry.

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<v Speaker 7>I don't mean that, but you asked for.

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<v Speaker 6>The detail about the cold cut. No, my wife can't

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<v Speaker 6>eat liver worse, and that's not the point. She breaks

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<v Speaker 6>out and bump all right, all right, don't take the ticket.

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<v Speaker 6>When he's the liver worth and she looks like a

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<v Speaker 6>bag of door knom all right, Jef, liverwort.

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<v Speaker 3>Is more important than Romeo and Juliet, Say, mister Montagule,

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<v Speaker 3>you're really going to do Romeo and Juliet. Not exactly.

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<v Speaker 3>Our neighbors, the Harrison's are doing it. It'll probably come

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<v Speaker 3>out like the liver worst, big bumps all over, slinger.

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<v Speaker 3>Why did you ask about Romeo and Juliet? Oh? I

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<v Speaker 3>just so I'd mentioned in a theater column this afternoon.

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<v Speaker 3>Max Darland is going to produce Romeo and Juliet for Broadway, maxco.

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<v Speaker 3>He's doing Romeo and Julia. Oh, he used to be

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<v Speaker 3>my bride. Imagine how far he'll get doing Shakespeare? Will

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<v Speaker 3>be Why that nip wit that ninga boop? That incompetently?

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<v Speaker 3>That's him? All right.

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<v Speaker 6>I just remember that's the man who's waiting on the

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<v Speaker 6>telephone for you.

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<v Speaker 3>Zins are you wears the phone? Here? I'll get the connection.

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<v Speaker 3>Waiting all this time? Get the connection?

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<v Speaker 6>Oh, Helen, would you connect mister Montague's call up?

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<v Speaker 3>What? No, really, Zinza get Max? Helen?

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<v Speaker 8>Will you send to call up?

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<v Speaker 3>Hello? Oh?

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<v Speaker 8>Here him mister Maia, Hello, May.

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<v Speaker 3>How are you my bled? What do you mean? Huh?

305
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<v Speaker 2>What do you mean?

306
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<v Speaker 3>Am I available? Durovio and Julia? What was I born for?

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<v Speaker 3>Be it your office at eight o'clock tonight? Try and

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<v Speaker 3>keep me from their bags? Canterern If there's the money,

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00:19:02.039 --> 00:19:04.640
<v Speaker 3>he rides again, Wait till I get home and tell

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<v Speaker 3>Lily Well, I said, I'll get it, Lily, Lily, it happened.

311
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<v Speaker 3>It's happened.

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<v Speaker 2>He was thrown off the air.

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<v Speaker 3>Quiet when you're late.

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<v Speaker 4>We've got to get to.

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00:19:22.079 --> 00:19:25.440
<v Speaker 3>The PTA at a Lily listen. Max Colan wants me

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00:19:25.519 --> 00:19:27.279
<v Speaker 3>to do Romeo. So that's wonderful, Edmund.

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00:19:27.440 --> 00:19:29.480
<v Speaker 4>Now let's sorry, Samon Martin lets an hour ago.

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<v Speaker 3>You don't understand. I can't be bothered without a theatrical snight.

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<v Speaker 3>I have to see Max in a few minutes.

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<v Speaker 4>And when you can't run out of don't they have

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00:19:37.240 --> 00:19:38.440
<v Speaker 4>you listed on the program early?

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<v Speaker 3>Are you mad? Max wants to see me to night tomorrow, lady,

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<v Speaker 3>do late. He may get forty seven's Lawrence Olivier any

324
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<v Speaker 3>other of those young squirts who think they can play Romeo.

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<v Speaker 5>But what about the people are.

326
00:19:50.880 --> 00:19:53.400
<v Speaker 3>Coming to see you tonight? I suppose they are unimportable.

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<v Speaker 3>Let them see me on Broadway for six sixty without

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<v Speaker 3>cold cuts, just fine hands. I mean, I'm in a hurry,

329
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<v Speaker 3>But tomorrow around me, I owe you an insult.

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<v Speaker 4>What will I tell the Harrisons and all the people

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<v Speaker 4>who are expecting.

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00:20:08.680 --> 00:20:11.960
<v Speaker 3>All tell him I've been drafted. TL Cad It's almost

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<v Speaker 3>eight o'clock. I've got see Mac.

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<v Speaker 8>Yes, mister Montague will send him right in. I must

335
00:20:27.960 --> 00:20:30.839
<v Speaker 8>be nuts getting involved with that monster again.

336
00:20:31.039 --> 00:20:33.640
<v Speaker 7>The ulcers he caused me the sleepless night.

337
00:20:38.240 --> 00:20:40.480
<v Speaker 3>When I heard Royo Engineer was going to be revived

338
00:20:40.519 --> 00:20:43.039
<v Speaker 3>on Brody. I said, whether I'm it or not, the

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00:20:43.200 --> 00:20:46.480
<v Speaker 3>best producer in New York is doing it, Maxico.

340
00:20:46.960 --> 00:20:48.400
<v Speaker 8>How could I do it without you?

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<v Speaker 3>Edwin? Now, Max, there are lots of other actors who

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00:20:51.799 --> 00:20:55.920
<v Speaker 3>can play Romeo, I know, but none can play it

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<v Speaker 3>like Maurice Evans. No, Mag's duncan who Maurice? Heaven?

344
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<v Speaker 8>That's who I'm getting to play Romeo.

345
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<v Speaker 3>Maurice Evans is playing Romeo? What am I playing? Juliet? No,

346
00:21:12.720 --> 00:21:17.079
<v Speaker 3>you're playing a father? I Edwin money, you playing a bit? No? Wait?

347
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<v Speaker 3>Ed when you are too old to play Romeo? Wol Max.

348
00:21:20.319 --> 00:21:23.640
<v Speaker 3>I always thought you'd reach the height of stupid the day,

349
00:21:24.200 --> 00:21:28.640
<v Speaker 3>but I estimated you. You reached new heights. I will

350
00:21:28.720 --> 00:21:29.200
<v Speaker 3>be Romeo.

351
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<v Speaker 8>Oh, for Heaven's sake, ed When when Shakespeare wrote the play,

352
00:21:32.680 --> 00:21:36.359
<v Speaker 8>Romeo was sixteen. If I put you on as Romeo,

353
00:21:36.599 --> 00:21:37.559
<v Speaker 8>people will think it's.

354
00:21:37.440 --> 00:21:43.759
<v Speaker 3>The original company. Why you won? Edwin? Please, let's not

355
00:21:44.039 --> 00:21:46.839
<v Speaker 3>start again. I want you in the play, but give

356
00:21:46.880 --> 00:21:49.480
<v Speaker 3>me a fighting chance, give me a fighting champ, give

357
00:21:49.519 --> 00:21:51.319
<v Speaker 3>me a chance to show you I can do Romeo.

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<v Speaker 3>I'll arrange an audition tomorrow. Lilian I am possible.

359
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<v Speaker 8>I'm signing the final papers with Maurice tomorrow morning.

360
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<v Speaker 3>Just let me read it for you.

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<v Speaker 1>Hello, oh hello, dear what oh no?

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<v Speaker 3>Was that tonight? Yes?

363
00:22:07.640 --> 00:22:09.519
<v Speaker 8>Here, yes here, yes, yes right away?

364
00:22:10.000 --> 00:22:11.359
<v Speaker 3>Sorry when that was my wife?

365
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<v Speaker 8>I got a run, Max, if you just head when

366
00:22:13.039 --> 00:22:15.319
<v Speaker 8>I'm late, My wife is dragging me to some horrible

367
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<v Speaker 8>affair tonight, PTA amateur show or something at Public School

368
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<v Speaker 8>thirty seve.

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<v Speaker 3>You just hear me, as Romeo when the thing has

370
00:22:21.960 --> 00:22:31.240
<v Speaker 3>started already. Sorry, Oh the stupid, ungrateful PTA Public School

371
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<v Speaker 3>thirty seven, ha ha, Max, you are going to hear me, yes, Romeo.

372
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<v Speaker 3>Oh God, I hope I've been tied. Sorry, mister, you

373
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<v Speaker 3>can't go backstage. It started. I'm on the program. Let

374
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<v Speaker 3>me through. Now here is he Oh oh Sam, I'll

375
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<v Speaker 3>fit you, mister, mounted you your wife is on stage.

376
00:23:00.160 --> 00:23:01.640
<v Speaker 3>She's just finishing that my.

377
00:23:01.880 --> 00:23:05.359
<v Speaker 4>Team knife sting, not the wound it makes lady no

378
00:23:05.599 --> 00:23:07.480
<v Speaker 4>heaven teeth through the blanket.

379
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<v Speaker 8>Of the dog to cry hole Pole.

380
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<v Speaker 3>I'll listen, Sam, you got here edwn Lily. I'm desperate, Sam,

381
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<v Speaker 3>listen Montague, Marta and I go on right now in

382
00:23:21.960 --> 00:23:24.960
<v Speaker 3>the balcony. Sam, please let Lily and me do the scene,

383
00:23:25.119 --> 00:23:29.200
<v Speaker 3>and how dare you I refuse? Damn, I must play Romeo.

384
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<v Speaker 3>My whole career is at take.

385
00:23:31.720 --> 00:23:34.000
<v Speaker 7>I'll buy insurance from you twenty year night.

386
00:23:34.240 --> 00:23:37.960
<v Speaker 3>Now the premium sam letter going on said, shame on you.

387
00:23:38.039 --> 00:23:40.799
<v Speaker 3>Ablen Max is out there. Lily, you must go on

388
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<v Speaker 3>with me. Never he well, I'll do it with Marca.

389
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<v Speaker 7>And now, ladies and gentlemen and friends of the PTA, mister.

390
00:23:53.119 --> 00:23:56.279
<v Speaker 3>Edwin Montague and my wife Martha Harrison will do the

391
00:23:56.400 --> 00:24:10.799
<v Speaker 3>balcony scene from Romeo and Juliet music. That's how what

392
00:24:11.160 --> 00:24:15.359
<v Speaker 3>light too young? The window breaks? It is the east

393
00:24:16.359 --> 00:24:22.200
<v Speaker 3>and Juliet is the sun rise, health fall and killed

394
00:24:22.359 --> 00:24:33.480
<v Speaker 3>the envious moon. Ah, it is my lady, Yes, it

395
00:24:33.799 --> 00:24:44.960
<v Speaker 3>is my love. She speaks, yet she says nothing. Let's

396
00:24:45.039 --> 00:24:50.680
<v Speaker 3>break this of her sheep, what shame star the daylight?

397
00:24:51.559 --> 00:24:56.200
<v Speaker 3>D's a lamp? Oh that I were a glove upon

398
00:24:56.319 --> 00:25:06.599
<v Speaker 3>that hand? My tie? Then touch that cheek yees Oh,

399
00:25:06.880 --> 00:25:16.279
<v Speaker 3>speak again, bright angel, She speaks again. Juliet, by a name,

400
00:25:16.960 --> 00:25:20.519
<v Speaker 3>I know how to tell thee who I am? My name,

401
00:25:20.759 --> 00:25:24.400
<v Speaker 3>dear saint is hateful to myself because he is an

402
00:25:24.519 --> 00:25:29.680
<v Speaker 3>enemy to me. I sweet Julio, I have a competent

403
00:25:30.559 --> 00:25:40.200
<v Speaker 3>and you yeah, all a Montague. Bless him, bless him night.

404
00:25:40.880 --> 00:25:45.039
<v Speaker 3>I'm afeard all this, she's but a dream. But I

405
00:25:45.119 --> 00:25:52.960
<v Speaker 3>don't lie, Julian, yees my heart, yea, my sweet, my dumb.

406
00:25:55.119 --> 00:26:04.680
<v Speaker 3>I go, But wilt thou leave me so Unsteio, Well,

407
00:26:04.960 --> 00:26:08.559
<v Speaker 3>I'm a fly. All that is ridiculous. Ring on the curtains,

408
00:26:12.079 --> 00:26:16.720
<v Speaker 3>Edwin had day Lily, I'm ruin, ruin, oh, mister Montague,

409
00:26:17.000 --> 00:26:20.799
<v Speaker 3>samnyar cry. It was the most beautiful thing I've heard

410
00:26:20.920 --> 00:26:25.359
<v Speaker 3>since Cohen on the telephone, Lily, I'll never show her

411
00:26:25.440 --> 00:26:28.000
<v Speaker 3>face again. Don't be silly, Edwin. As soon as it

412
00:26:28.119 --> 00:26:31.000
<v Speaker 3>was over, Max rush backstage, Lily, No, where is he?

413
00:26:31.200 --> 00:26:31.240
<v Speaker 8>No?

414
00:26:31.480 --> 00:26:35.079
<v Speaker 3>I sent that radcal packing you set you away? He

415
00:26:35.200 --> 00:26:38.720
<v Speaker 3>wanted matha matha for Romeo and Juliet. No. He wanted

416
00:26:38.720 --> 00:26:41.319
<v Speaker 3>to hurt his star in the revival of No No, Nonette,

417
00:26:42.039 --> 00:26:45.359
<v Speaker 3>No No You You.

418
00:27:10.279 --> 00:27:14.039
<v Speaker 1>Listen again next week, Friends to The Magnificent Montague, starring

419
00:27:14.319 --> 00:27:18.400
<v Speaker 1>Marty Woollie. The Magnificent Montague is written by Nap Hiking

420
00:27:18.480 --> 00:27:22.279
<v Speaker 1>and Billy Friedberg and Seymour as Lily, Pert, Kelton and

421
00:27:22.480 --> 00:27:26.440
<v Speaker 1>Agnes also heard tonight were Art Carney, Johnny Gibson and

422
00:27:26.680 --> 00:27:29.960
<v Speaker 1>John Griggs. Jack Ward at the organ. This is Don

423
00:27:30.079 --> 00:27:30.960
<v Speaker 1>Pardo speaking
