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<v Speaker 1>Welcome missus Marcia a Radio Eye. To day, I will

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<v Speaker 1>be reading National Geographic magazine dated May twenty twenty five,

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<v Speaker 1>which is donated by the publisher as a reminder. RADIOI

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<v Speaker 1>is a reading service intended for people who are blind

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<v Speaker 1>or have other disabilities that make it difficult to read

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<v Speaker 1>printed material. Please join me now for the continuation of

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<v Speaker 1>the article I began last time, entitled Rediscovering the Ancient

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<v Speaker 1>Empire that History Forgot. This article is by Andrew Currie,

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<v Speaker 1>inscribed on tablets of silver with copies made in clay.

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<v Speaker 1>The twelve fifty nine b c Accord promised mutual assistance

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<v Speaker 1>against invaders and a good piece and a good fraternity

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<v Speaker 1>between the Land of Egypt and the Land of Hati forever.

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<v Speaker 1>The agreement marked a pivotal shift in the annals of

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<v Speaker 1>state craft. Up until that moment, the rule was winner

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<v Speaker 1>take all. Peace treaties were the winner, dictating to the losers,

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<v Speaker 1>Shakner pointed out the Hittites and the Egyptians decided not

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<v Speaker 1>to continue that way. The Treaty of Kadesh describes the

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<v Speaker 1>two rulers as equals and peace as an end in itself.

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<v Speaker 1>It's the beginning of modern diplomacy, one reason. A copy

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<v Speaker 1>of the agreement hangs at the United Nations Headquarters in

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<v Speaker 1>New York City. A fragmented clay original found at Hitusha

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<v Speaker 1>in nineteen o six is on display at the Istanbul

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<v Speaker 1>Airport Museum. Diplomacy and religion were crucial tools for the Hittites,

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<v Speaker 1>who referred to their empire as the land of a

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<v Speaker 1>thousand Gods. When they conquered or took control of a

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<v Speaker 1>group of people, they permitted the subject subjugated to keep

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<v Speaker 1>their religious practices. Rather than wiping out local deities, they

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<v Speaker 1>folded them into the Hittite empire and pantheon. Holy statues

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<v Speaker 1>from temples thought to embody the gods themselves were transported

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<v Speaker 1>to Hittusha's temple district and worshiped there the way they

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<v Speaker 1>were at home. Temple archives record the problems with this approach,

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<v Speaker 1>like God's who didn't speak Hittite. In one example, after

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<v Speaker 1>a new god was brought from the island of Lesbo's,

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<v Speaker 1>Hittites realized that no one knew how to talk to it.

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<v Speaker 1>A sheep was sacrificed and its innards were examined to

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<v Speaker 1>determine if the new God could accept being worshiped Hittite's style. Yes,

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<v Speaker 1>was the answer discerned in the sheep's intestines. They didn't

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<v Speaker 1>want to anchor the gods. Villemin while, a hittitologist at

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<v Speaker 1>Leiden University in the Netherlands told me, but at the

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<v Speaker 1>same time, they're very pragmatic. It's kind of adorable. Was

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<v Speaker 1>also a key to their success. They were able to

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<v Speaker 1>bring people together not by brutal despotism, but by persuasion,

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<v Speaker 1>using religion and beliefs. Schachner said, that is unique. That

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<v Speaker 1>is what makes them so special. What we know about

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<v Speaker 1>the Hittites is, by the standards of ancient history, incredibly new.

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<v Speaker 1>Hittite writing wasn't unlocked until nineteen fifteen, when a linguist

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<v Speaker 1>in Prague named Bedrich Kirozhni realized that the unearthed tablets

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<v Speaker 1>were written in an Indo European language, the earliest known

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<v Speaker 1>example of a family that today includes everything from English

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<v Speaker 1>to Sanskrit. Over the past century, more than thirty thousand

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<v Speaker 1>remnants of clay tablets have been recovered from Hatusha and

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<v Speaker 1>other Hittite cities. More are found every year. That constant

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<v Speaker 1>flow of brand new information makes histitology one of the

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<v Speaker 1>most dynamic, fast moving fields of ancient history. Late one afternoon,

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<v Speaker 1>I found Daniel Schwemer, a researcher from Germany's University of Wurtzburg,

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<v Speaker 1>seated at a table in the German Archaeological Institute's dig

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<v Speaker 1>house in vojas Kala, the village next to Hittusha's ruins.

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<v Speaker 1>Schwemer is part of a small community of scholars who

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<v Speaker 1>specialized in reading and translating Hittite texts. Every autumny comes

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<v Speaker 1>to Hatusha to see what's been found during the summer's excavations.

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<v Speaker 1>Like unpacking Christmas presents, Schemer said, you really never know

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<v Speaker 1>what you'll get. Each new find has the potential to

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<v Speaker 1>change what we know about Bronze Age empires. It's an

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<v Speaker 1>area where history is still in the process of being written.

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<v Speaker 1>Schemer said. Documents are coming out of the ground nobody

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<v Speaker 1>has seen for thousands of years. Of course, answers to

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<v Speaker 1>a question that the heart of Hittite research remain elusive.

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<v Speaker 1>What happened to them? Theories abound, from political unrest to

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<v Speaker 1>climate change, but a lone explanation seems unlikely to be found.

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<v Speaker 1>There's no single reason why such a complex society disintegrates

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<v Speaker 1>and completely disappears from history. Schachner said instead, a perfect

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<v Speaker 1>storm of factors probably pushed Hittites to the limits and

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<v Speaker 1>then beyond. Raiders were a constant threat. For example, tribes

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<v Speaker 1>known as the Kaska living along the Black Sea coast

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<v Speaker 1>show up in tablets, destroying temples and desecrating statues before

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<v Speaker 1>dividing up the the priests, the holy priests, the priestesses,

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<v Speaker 1>the anointed ones, the musicians, the singers, the cooks, the bakers,

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<v Speaker 1>the plowmen, and the gardeners and making them their servants.

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<v Speaker 1>Natural disasters, too, strained the Hittite empire from time to time.

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<v Speaker 1>Recent finds from a site called Stepaneuva suggest powerful earthquakes

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<v Speaker 1>regularly rock the Hittite heartland about forty miles northeast of

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<v Speaker 1>Hatusha at the shop of Nuva's Palace and Tempel complex,

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<v Speaker 1>excavations rebuilt walls and floors that rippled like waves. Archaeologists

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<v Speaker 1>discovered buildings and storehouses consumed in a huge fire, all

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<v Speaker 1>clues the city was hit by a devastating quake. The

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<v Speaker 1>Hittite successfully handled these and different challenges for years until

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<v Speaker 1>suddenly they didn't. By about twelve fifty BC, the tablets

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<v Speaker 1>begin to show the strains of the empire's final century.

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<v Speaker 1>Pallas Infighting and royal assassination attempts grew rampant, making it

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<v Speaker 1>hard for Hatusha's leaders to maintain control over their subjects.

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<v Speaker 1>Epidemic diseases were a problem too. The tablets contained prayers

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<v Speaker 1>to ward off plagues and changes in language and writing styles.

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<v Speaker 1>In the empire's final decades, navy signs of social strife

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<v Speaker 1>or upheaval signs their multi ethnic state was under strain.

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<v Speaker 1>The latest findings suggest climate change in a series of

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<v Speaker 1>natural disasters helped accelerate the empire's decline. In a twenty

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<v Speaker 1>twenty three study, researchers analyzed preserved wood recovered from Gordian,

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<v Speaker 1>a city on the western outskirts of the Hittite Empire.

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<v Speaker 1>By measuring tree rings, they could tell nearby forests were

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<v Speaker 1>unusually stressed between eleven ninety eight and eleven ninety six BC,

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<v Speaker 1>evidence of a punishing three year drought right around the

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<v Speaker 1>time the Hittite Empire was ented. The drought may have

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<v Speaker 1>sparked famine. Archaeologists found empty grain depots at Hititusha, Chapineuva,

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<v Speaker 1>and other abandoned Hittite cities. Letters reflect the desperation of

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<v Speaker 1>Hittite kings who begged foreign leaders to send barley and

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<v Speaker 1>wheat as a matter of life and death, and invaders

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<v Speaker 1>referred to as sea peoples in Egyptian chronicles, caused chaos

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<v Speaker 1>that rippled all across the Mediterranean, weakening all alliances and

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<v Speaker 1>prompting mass migrations. That was the salt and pepper on

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<v Speaker 1>the Dish, says Ginch. Around eleven eighty b C. The

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<v Speaker 1>Hittites methodically abandoned their capital. There are no signs of

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<v Speaker 1>battle or conquest, no mass graves, no toppled towers or buildings, temples,

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<v Speaker 1>storehouses full of gold and silver vessels, gilded spears, and

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<v Speaker 1>booty from successful military campaigns elaborately described in festival instructions

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<v Speaker 1>and inventory lists but missing today must have been packed

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<v Speaker 1>up and evacuated. Afterward, the city burned, but in a

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<v Speaker 1>final irony, the flames that destroyed Hatusha preserved its history,

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<v Speaker 1>Too heavy to move from their archives, thousands of clay

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<v Speaker 1>tablets the Hittites amassed over the course of roughly four

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<v Speaker 1>centuries were left behind. Fire baked them into hard bricks,

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<v Speaker 1>helping them survive the ensuing centuries intact. The advantage for

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<v Speaker 1>us is that all these clay tablets were left behind

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<v Speaker 1>when everyone fled the capital. Schemer said, what remained was

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<v Speaker 1>the paperwork. Until a tablet emerges inscribed with an account

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<v Speaker 1>of Fatucia's last days, the mystery abides. The Hittites managed

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<v Speaker 1>to adapt to a harsh environment and grow into a

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<v Speaker 1>mighty empire despite their surroundings, until circumstances beyond their control

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<v Speaker 1>upset their delicate balancing act. The Hittites collapse and their

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<v Speaker 1>recent rediscovery as a testament to the importance of resilience

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<v Speaker 1>and good record keeping. Hittites clash with Egypt twelve seventy

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<v Speaker 1>four BC, turning point at Kadesh, a century before the

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<v Speaker 1>Hittite Empire vanished, its forces fought the Egyptians in what

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<v Speaker 1>is believed to be history's biggest East chariot battle. It

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<v Speaker 1>ended in a draw. Fifteen years after the conflict, the

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<v Speaker 1>empires settled their differences with one of the world's oldest

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<v Speaker 1>known peace treaties rivals of the Hittites in the early

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<v Speaker 1>thirteenth century BC. The Hittite Empire was just one of

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<v Speaker 1>the mighty powers that arose in the fertile lands of

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<v Speaker 1>the eastern Mediterranean and Mesopotamia. Ancient records show that while

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<v Speaker 1>they were connected through regular diplomacy and trade, each had

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<v Speaker 1>its own distinct language and culture. City of the Gods. Today,

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<v Speaker 1>some thirty three hundred years after the peak of the

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<v Speaker 1>Hittite Empire, the realms grandeur can be clipsed in the

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<v Speaker 1>ruins of the capital Atusha, an ancient stronghold dotted with

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<v Speaker 1>temples that honored a litany of deities. The capital's Great Temple,

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<v Speaker 1>Hittite social, political, and religious life centered on its temples.

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<v Speaker 1>Annual festivals, and Hittusha's impressive architecture projected power and promoted

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<v Speaker 1>a common culture emanating from the empire's corp Next, how

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<v Speaker 1>visiting the Titanic got a lot simpler by Canille Bromley.

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<v Speaker 1>Fresh advances in three D scanning technology are making it

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<v Speaker 1>possible to explore some of the hardest to reach in

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<v Speaker 1>most fragile sites on Earth. Last year, Parks Stevenson stood

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<v Speaker 1>next to the Titanic and walked slowly around it, gazing

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<v Speaker 1>up at the massive ship. He paused to look inside

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<v Speaker 1>one of the boiler rooms and at the position of

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<v Speaker 1>the controls on the engines. He noticed the number four

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<v Speaker 1>O one the ship's id, etched on the propeller blades.

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<v Speaker 1>Rusticles hung from the steel shell, Twisted metal and personal

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<v Speaker 1>trinkets from those long dead littered the ground. Stevenson, a

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<v Speaker 1>retired naval officer and Titanic historian, wasn't twelve thousand, five

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<v Speaker 1>hundred feet below the surface of the North Atlantic, of course.

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<v Speaker 1>He was in London inspecting the ship's digital Twin, a

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<v Speaker 1>one for one computer model made possible by advances in

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<v Speaker 1>remote three D scanning and mapping technology. The model is

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<v Speaker 1>so densely detailed a video rendering of it can be

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<v Speaker 1>projected to life size in a warehouse where researchers can

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<v Speaker 1>walk alongside it and zoom in and out on individual features,

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<v Speaker 1>like a steam valve from the boiler room, which the

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<v Speaker 1>scan revealed was left open, possibly to keep an emergency

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<v Speaker 1>generator running as the ship sank. The Titanic Twin adds

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<v Speaker 1>to a growing list of similar models made of archaeological

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<v Speaker 1>and cultural sites around the world that both preserve these

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<v Speaker 1>fragile places and provide a new means of exploring them.

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<v Speaker 1>Stevenson has seen the actual Titanic wreck twice since his

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<v Speaker 1>first dive in two thousand and five, but he didn't

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<v Speaker 1>catch so many details on his trips. You can only

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<v Speaker 1>see what's immediately in front of you, he says, of

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<v Speaker 1>peering through a submersibles roughly six inch viewport and camera views.

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<v Speaker 1>It's like being in a dark room and you have

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<v Speaker 1>a flashlight that's not very powerful. The digital twin, on

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<v Speaker 1>the other hand, gave him an unobstructed three one hundred

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<v Speaker 1>and sixty degree view of every gnarled, nook and cranny.

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<v Speaker 1>The scan at the storage ship was carried out over

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<v Speaker 1>three weeks in twenty twenty two by Magellan, a deep

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<v Speaker 1>sea mapping company based in the Channel Islands. Titanic the

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<v Speaker 1>Digital Resurrection, a new national geographic documentary streaming on Disney Plus,

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<v Speaker 1>tells the story of the effort. It is the largest

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<v Speaker 1>underwater three D scan ever made, amounting to sixteen terabytes

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<v Speaker 1>of data equivalent to the hard drive footprint of six

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<v Speaker 1>million E books. To create it, two remote operated robots

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<v Speaker 1>romantically named Romeo and Juliet traveled down to the wreck

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<v Speaker 1>and systematically canvassed the site, taking some seven hundred fifteen

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<v Speaker 1>thousand photos and millions of laser measurements. For Stevenson, the

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<v Speaker 1>quality of detail in the scan opens new lines of

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<v Speaker 1>inquiry into the sinking of the Titanic. The ship lies

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<v Speaker 1>broken in two pieces, with a bow and stern about

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<v Speaker 1>twenty six hundred feet apart. The hull descended in a

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<v Speaker 1>straight line and as largely still intact, the scan shows

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<v Speaker 1>it neatly wedged into the ocean floor. The stern, on

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<v Speaker 1>the other hand, is shattered, and researchers have never been

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<v Speaker 1>able to definitively say how that happened. When Stephenson looked

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<v Speaker 1>at the scan, though, he could immediately envision the back

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<v Speaker 1>half of the ship's spiraling as it sank and disintegrated

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<v Speaker 1>into rubble. At a first glance, he says, it just

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<v Speaker 1>made sense. In the past, a full grand scale of

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<v Speaker 1>the wreck could be depicted only through artistic renditions or

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<v Speaker 1>photomosaics created by humans. Neither method conveyed conveyed precise verisimilitude.

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<v Speaker 1>The machine run three D model, however, is exact. As

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<v Speaker 1>soon as I saw the Titanic digital twid images, Stevenson says,

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<v Speaker 1>I could tell number one, I'd never seen Titanic like

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<v Speaker 1>this before, and number two it felt right. The quest

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<v Speaker 1>to create exact models for more accessible surveying started over

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<v Speaker 1>a century ago. The technology that makes digital twinning possible

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<v Speaker 1>dates back to at least eighteen fifty eight, when a

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<v Speaker 1>German engineer named Albrech Maidenbauer was tasked with surveying a

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<v Speaker 1>church and nearly fell to his death while measuring the facade.

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<v Speaker 1>To avoid another dangerous climb, he worked out a way

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<v Speaker 1>to mathematically calculate the measurements of large objects from photos,

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<v Speaker 1>a technique he called photo grammatry. Today, photo grammatry, combined

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<v Speaker 1>with lidar, which uses lasers to measure distances, as well

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<v Speaker 1>as advanced computing power, produces models that can accurately replicate

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<v Speaker 1>the most minute details of enormous structures like Mount Rushmore

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<v Speaker 1>or the esthetic proportions of Mclangelo's David. The Italian Renaissance

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<v Speaker 1>master's sculpture was one of the first major artifacts to

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<v Speaker 1>be digitally modeled in two thousand by Stanford University. Though

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<v Speaker 1>not as massive as the Titanic, the statue's relatively large

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<v Speaker 1>size seventeen feet tall and twelve thousand, a hundred pounds

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<v Speaker 1>and finely chiseled details make it a good test for

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<v Speaker 1>how accurately three D technology might reproduce objects on a

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<v Speaker 1>grand scale to day. The tech is so precise that

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<v Speaker 1>in twenty twenty a team at the University of Florence

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<v Speaker 1>produced a three D printed copy accurate down to David's

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<v Speaker 1>resolute expression and every defect of the original stone. People

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<v Speaker 1>travel to see masterpieces of human creativity because they want

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<v Speaker 1>to feel the presence of something awesome or genius, but

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<v Speaker 1>too much of our presence can destroy places that are irreplaceable.

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<v Speaker 1>Hundreds have visited the Titanic, most of them at enormous expense,

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<v Speaker 1>including five on the ill fated titan submersible. These explorers

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<v Speaker 1>are the source of significant damage suffered by the wreck.

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<v Speaker 1>Human piloted submersibles have in it burdenly, stripped a mast

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<v Speaker 1>and gashed the bow. Beyond tourism, sites may be unpredictably

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<v Speaker 1>damaged by natural disasters, climate change, or war. In twenty nineteen,

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<v Speaker 1>three D documentation company si ARC created models of Nigeria's

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<v Speaker 1>ousen Osogbo Sacred Grove just before the sculpture laden forest

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<v Speaker 1>shrines were destroyed in a flood. Chance Kaufner, a program

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<v Speaker 1>manager for Google Arts and Culture, which supported si ARC

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<v Speaker 1>in these efforts, and hosts these models online hopes the

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<v Speaker 1>shrines can be rebuilt from the scans. Kaufnauer's group supported

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<v Speaker 1>similar efforts to create digital twins of a cathedral and

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<v Speaker 1>a historic government landmark in Ukraine that are now damaged

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<v Speaker 1>by the war. On an even grander scale, digital twins

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<v Speaker 1>can be made of not only buildings, statues, and shipwrecks,

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<v Speaker 1>but also entire cities, living or dead. Alison Emerson, and

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<v Speaker 1>archaeologist at Tulane University, is making a digital twin of

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<v Speaker 1>parts of Pompeii, a famously fragile site where she spent

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<v Speaker 1>the past sixteen years digging through layers of soil to

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<v Speaker 1>uncover the city's earliest history. Emerson says digital twinning is

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<v Speaker 1>the biggest leap forward for archaeology since photography our process

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<v Speaker 1>is inherently destructive. She says, of excavating a site, we

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<v Speaker 1>can never redo it. We can dig the site once,

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<v Speaker 1>and so the focus in modern archaeology has been on

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<v Speaker 1>recording as well as we possibly can. Her team's twin

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<v Speaker 1>of a block in the southeast of the city was

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<v Speaker 1>made with just a few hand held cameras. The model

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<v Speaker 1>allows them to visualize the site with the walls of

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<v Speaker 1>a room taken away, or a roof added, or how

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<v Speaker 1>the land looked before the building was constructed. They can

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<v Speaker 1>call up the model back in the lab and continue

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<v Speaker 1>conversations that previously would happen only in the field. Emerson's

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<v Speaker 1>work has revealed how one building at the site was

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<v Speaker 1>both a restaurant and a workshop for people manufactured read

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<v Speaker 1>baskets and mats, details that help her understand the city's

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<v Speaker 1>economy and the daily life of its working class. For

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<v Speaker 1>her part, Emerson plans to make her model of POMPEII

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<v Speaker 1>and the coompanying findings available to the public, avoiding a

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<v Speaker 1>common outcome for these projects. Because digital twins are expensive

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<v Speaker 1>to create, many ambitious projects end uplocked way in the

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<v Speaker 1>private archives of universities or governments. I did not want

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<v Speaker 1>the model to live on a team member's laptop, she says.

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<v Speaker 1>While Magellan has not announced any plans to make its

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<v Speaker 1>Titanic scans free to the public, the documentary itself shows

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<v Speaker 1>what's possible. Much of the existing research on the shipwreck

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<v Speaker 1>has been conducted by private expeditions that guard bindings, an

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<v Speaker 1>ongoing source of concern for scientists and citizen enthusiasts. Alike,

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<v Speaker 1>Stevenson remains concerned the wreck is not being treated as

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<v Speaker 1>an archaeological site. It's one of the most famous sites

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<v Speaker 1>in the world, and we don't even have the basic

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<v Speaker 1>baseline information needed to establish what's there at any particulegular time,

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<v Speaker 1>because you've had different explorers who don't share information. He says,

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<v Speaker 1>the digital twin has the potential to allow more visitors

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<v Speaker 1>to experience it in a less destructive and more collaborative way.

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<v Speaker 1>It's unlikely people will stop going to the Titanic wreck site.

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<v Speaker 1>Its draw has proven irresistible for those with enough money

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<v Speaker 1>and motivation. In two thousand and one, for example, a

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<v Speaker 1>couple exchanged vows crouched in a submersible perched on the bow.

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<v Speaker 1>A digital twin certainly doesn't replace sitting on the deck

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<v Speaker 1>of the Titanic, says Robert Ballard, an oceanographer and National

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<v Speaker 1>Geographic Explorer who discovered the wreck in nineteen eighty five

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<v Speaker 1>along with Jean Louis Michael, but he thinks it will

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<v Speaker 1>help preserve the wreck for those who cannot resist going themselves.

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<v Speaker 1>He offers two warnings, don't touch it, don't get married

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<v Speaker 1>on it. Next Australia's Great Big Camel Conundrum by Sean Williams.

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<v Speaker 1>Imported from the Middle East and Asia in the nineteenth century,

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<v Speaker 1>caials now thrive in Australia's air and out back, but

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<v Speaker 1>drought and climate change are raising tough questions about whether

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<v Speaker 1>they belong. Jack Carmody has built a sizeable YouTube following

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<v Speaker 1>by showing his viewers what it takes to run a

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<v Speaker 1>cattle station in the Australian outback. The rugged work of

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<v Speaker 1>mending troughs, reinforcing fences and shooting trespassers feral horses and donkeys,

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<v Speaker 1>that is, and one particularly destructive invasive species, camels, introduced

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<v Speaker 1>in the nineteenth century to help colonists survey the country's

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<v Speaker 1>vast interior. The creatures are now wrecking havoc across the

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<v Speaker 1>outback and decimating the Carmody family's ranch property, or what

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<v Speaker 1>Australians call a cattle station. At more than fifteen hundred

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<v Speaker 1>square miles, the property Prenty Downs is the size of

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<v Speaker 1>Rhode Island. So there's plenty of work to be done,

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<v Speaker 1>and in this modern Internet age, there's plenty of content

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<v Speaker 1>to be created on Carbony's channel, Jack out the Back

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<v Speaker 1>no videos are more popular than those focused on in

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<v Speaker 1>Spite against the camels, which the straight talking father of

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<v Speaker 1>three culls with his rifle, taking out nearly eight hundred

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<v Speaker 1>each year. The approach might seem alarming, but to Carmody

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<v Speaker 1>and other cattle farmers, it's simply the most rational solution

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<v Speaker 1>to a dire problem, like weeding the veggie patch, as

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<v Speaker 1>he puts it, and in a twist that is perhaps

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<v Speaker 1>good for YouTube and bad for cattle farming, the camels,

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<v Speaker 1>like stubborn weeds, keep coming back. Australia is now home

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<v Speaker 1>to the large world's largest feral camel population, with estimates

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<v Speaker 1>from several hundred thousand to as many as a million.

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<v Speaker 1>Females can give birth every two years and live up

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<v Speaker 1>to forty years in the wild, meaning the number of

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<v Speaker 1>camels can double every nine years. Weighing on average one

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<v Speaker 1>thousand pounds, they roam in herds from fewer than ten

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<v Speaker 1>to several hundred, trampling ecosystems and destroying infrastructure. Creatures are

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<v Speaker 1>voracious consumers of plants, eating with other wildlife and live stock,

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<v Speaker 1>and limiting food sources for aboriginal communities. They destabilize sand dunes,

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<v Speaker 1>which can lead to erosion. Camels also foulw water holes

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<v Speaker 1>with their droppings or by mobbing them, only to die

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<v Speaker 1>of thirst. Their carcasses poisoning what little water is left. Water,

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<v Speaker 1>in fact, is the source of the biggest problem. When

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<v Speaker 1>enough moisture rich plants are available, camels famously can subsist

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<v Speaker 1>for weeks on end without a drink, but when they

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<v Speaker 1>do go thirsty, they're insatiable. An adult camel can consume

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<v Speaker 1>fifty gallons in the day. When natural sources of water

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<v Speaker 1>dry up on Aboriginal land, pastoral territory, and cattle stations,

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<v Speaker 1>camels go looking for a drink wherever they can find it.

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<v Speaker 1>In the process, they often rip up pipes, destroy toilet blocks,

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<v Speaker 1>and knock air conditioners out of windows. What's even more

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<v Speaker 1>concerning is that a rising number of droughts is pushing

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<v Speaker 1>the animals into ever closer in frequent contact with humans.

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<v Speaker 1>One of the most damashing of these conflicts occurred in

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<v Speaker 1>twenty thirteen on a Northern Territory cattle station named Curtain Springs.

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<v Speaker 1>Six years earlier, feral camels, desperate for a drink, erect

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<v Speaker 1>one hundred miles of the station's fencing and i mean

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<v Speaker 1>just totally destroyed, says Lindy Severand, who runs the farm

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<v Speaker 1>with her family gone. Replacing the fencing cost about half

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<v Speaker 1>a million dollars. Ranchers have a legal obligation to remove

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<v Speaker 1>feral animals on their property. When she saw the camels

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<v Speaker 1>were back, Sovereign called the Australian Feral Camel Management Project,

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<v Speaker 1>which had called twenty seven thousand camels from the region

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<v Speaker 1>the previous year. Within forty eight hours, snipers arrived at

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<v Speaker 1>the property and over the next four days they shot

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<v Speaker 1>seventeen hundred camels dead from their helicopters. But the feral

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<v Speaker 1>camel calling program, budgeted for four years, ended in twenty

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<v Speaker 1>thirteen with little political will in cities to keep the

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<v Speaker 1>distant out project going, and feral camel numbers have only

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<v Speaker 1>gone up. According to biologist Tim Lowe, co founder of

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<v Speaker 1>Australia's Invasive Species Council, a private nonprofit, the current impact

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<v Speaker 1>of feral camels on farmers and rural Aboriginal Australians is

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<v Speaker 1>very substantial. Costs and damage and control less estimated at

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<v Speaker 1>twelve million dollars in twenty thirteen, are unknown today. Low

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<v Speaker 1>and other experts say if they can't get the population

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<v Speaker 1>under control, the country's next droughts will lead to more crises.

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<v Speaker 1>There are plenty of ideas, both practical and fanciful, for

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<v Speaker 1>what to do with the feral camels, but it's helpful

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<v Speaker 1>to understand why they were brought to Australia in the

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<v Speaker 1>first place. In the eighteen thirties, British colonists struggling to

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<v Speaker 1>survey the outback on horses that tired easily caught word

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<v Speaker 1>of camel's extraordinary endurance. The first camel to enter the

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<v Speaker 1>country arrived in eighteen forty from the Canary Islands, and

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<v Speaker 1>others followed from a rape via Afghanistan, British India, and

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<v Speaker 1>the Persian and Ottoman Empires. Colonists also brought in more

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<v Speaker 1>than two thousand camel operators or kamaliers, whom they collectively

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<v Speaker 1>called Afghans. Despite their disparate origins, camels helped open the

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<v Speaker 1>remote interior, transporting food and supplies, as well as gold

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<v Speaker 1>prospectors and workers building railway and telegraph systems. Then, the

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<v Speaker 1>White Australia Policy, enacted in nineteen oh one to prevent

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<v Speaker 1>non Europeans from immigrating, began to thin the number of

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<v Speaker 1>kamaliers as wood technology. By the nineteen thirties, cars and

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<v Speaker 1>railroads had rendered Australia's camel industry all but obsolete. Many

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<v Speaker 1>foreign kamaliers returned to their homelands and their camels, up

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<v Speaker 1>to ten thousand of them. Suddenly, jablists were set free

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<v Speaker 1>to Rome when traditional use for these wayward animals is

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<v Speaker 1>to enlist them in the camel trekking industry, which offers

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<v Speaker 1>a ruggedly authentic way for travelers to see most of

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<v Speaker 1>the remote parts of Australia's interior. Camel trekking was made

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<v Speaker 1>famous by Robin Davidson's nineteen eighty memoir Tracks about her

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<v Speaker 1>solo seventeen hundred mile journey by camel across the deserts

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<v Speaker 1>of Western Australia, and the industry now comprises a dozen operators.

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<v Speaker 1>One of the longest running is the Outback Camel Company.

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<v Speaker 1>Andrew Harper, who has owned the outfit since two thousand

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<v Speaker 1>and has twenty one camels, estimates that fewer than one

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<v Speaker 1>hundred camels around the country are being used for trekking.

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<v Speaker 1>We are governed by the seasons, says Harper, and with

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<v Speaker 1>limited numbers of people wanting to make desert treks. It's

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<v Speaker 1>not like your normal business model focused on exponential growth.

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<v Speaker 1>But there's also a more dramatic way to ride feral camels,

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<v Speaker 1>one that, like the animals themselves, has been imported from abroad.

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<v Speaker 1>Each year, more than four thousand people visit the Queensland

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<v Speaker 1>village of Boulia, population under five hundred, which hosts one

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<v Speaker 1>of Australia's most famous cat camel racing tournaments, a competition

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<v Speaker 1>where the purse totals some thirty thousand dollars. The animals

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<v Speaker 1>are temperamental, few heats pass without a buck or a bite,

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<v Speaker 1>and any jockeys worth their salt to have the scars

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<v Speaker 1>to prove it. Every single camel has got a different personality,

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<v Speaker 1>says jockey Bretlin beaver Neil. You hope you get a

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<v Speaker 1>good start and yeah, hold on. Camel treker Paddy mc

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<v Speaker 1>hugh founded the Bouliah Camel Races in nineteen ninety seven.

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<v Speaker 1>It remains a modest enterprise, as does the entire domestic

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<v Speaker 1>racing circuit, which has only about a hundred camels in competition,

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<v Speaker 1>but mc kew thinks that figure could grow tenfold. A

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<v Speaker 1>Formula one style circuit could connect Australian races with contests

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<v Speaker 1>in North Africa and in the Persian Gulf, where racing

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<v Speaker 1>camels can be worth over a million dollars. This concludes

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<v Speaker 1>readings from National Geographic Magazine for today. Your reader has

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<v Speaker 1>been Marsha. Thank you for listening, Keep on listening and

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<v Speaker 1>have a great j
