WEBVTT

1
00:00:01.639 --> 00:00:19.440
<v Speaker 1>Welcome friends, Jacky.

2
00:00:18.039 --> 00:00:21.039
<v Speaker 2>Welcome to Movie Film. It's episode three forty seven. I

3
00:00:21.079 --> 00:00:22.760
<v Speaker 2>am Zaki has Son. I'm here with Brian Hall.

4
00:00:23.039 --> 00:00:25.519
<v Speaker 3>Hey, that's going, Zachie, it's going.

5
00:00:25.559 --> 00:00:28.839
<v Speaker 2>I'm excited to discuss our movie for today. Oh Man,

6
00:00:28.920 --> 00:00:31.839
<v Speaker 2>me too, But we have we have other business before that.

7
00:00:32.119 --> 00:00:34.240
<v Speaker 2>But what have what have you seen? Other than that?

8
00:00:34.759 --> 00:00:37.320
<v Speaker 2>I should say, you know, you and I we had

9
00:00:37.320 --> 00:00:40.359
<v Speaker 2>a really fun discussion just just a couple of days

10
00:00:40.359 --> 00:00:43.600
<v Speaker 2>ago talking about the new Evil Dead movie, the new

11
00:00:43.640 --> 00:00:47.640
<v Speaker 2>Minions movie. We did a deep dive into obsession.

12
00:00:48.679 --> 00:00:51.840
<v Speaker 3>Yes, we finally got into spoiler territory. So I think

13
00:00:51.880 --> 00:00:54.159
<v Speaker 3>that conversation was about forty minutes long. I mean it

14
00:00:54.200 --> 00:00:58.039
<v Speaker 3>was like a full on spoiler filled review and it

15
00:00:58.119 --> 00:01:00.320
<v Speaker 3>was really fun, like hearing your your t on it

16
00:01:00.320 --> 00:01:01.719
<v Speaker 3>because you just watched it recently.

17
00:01:02.240 --> 00:01:06.000
<v Speaker 2>Yeah. And if you are hearing us say this and

18
00:01:06.040 --> 00:01:08.599
<v Speaker 2>you're like, wait, I don't remember that, well, that's because

19
00:01:08.760 --> 00:01:10.439
<v Speaker 2>you got to head over to our Patreon feed to

20
00:01:10.439 --> 00:01:10.719
<v Speaker 2>hear that.

21
00:01:11.120 --> 00:01:13.719
<v Speaker 3>Yeah, it's part of one of our bonus conversations that

22
00:01:13.719 --> 00:01:15.599
<v Speaker 3>we drop over there about twice a month over at

23
00:01:15.599 --> 00:01:20.400
<v Speaker 3>patreon dot com. Slash MOVIEFILM podcasted has all our commentaries,

24
00:01:20.439 --> 00:01:24.439
<v Speaker 3>all our regular episodes without ads and bonus conversations where

25
00:01:24.480 --> 00:01:28.519
<v Speaker 3>we'll get into reviews occasionally, trailer talk, just all sorts

26
00:01:28.560 --> 00:01:31.159
<v Speaker 3>of conversations that just don't fit into the regular episode, So.

27
00:01:31.719 --> 00:01:35.359
<v Speaker 2>You never know what's going to pop up over there exactly.

28
00:01:36.200 --> 00:01:38.400
<v Speaker 3>You know, I have to This is a little out

29
00:01:38.439 --> 00:01:40.159
<v Speaker 3>of date now, but I just had to share this

30
00:01:40.200 --> 00:01:42.480
<v Speaker 3>with you because I thought you might appreciate it. But

31
00:01:43.400 --> 00:01:47.959
<v Speaker 3>going back to Disclosure Day, Yes, So I had to

32
00:01:48.000 --> 00:01:54.400
<v Speaker 3>call customer service the other day for something, and while

33
00:01:54.400 --> 00:01:57.359
<v Speaker 3>the woman was working on whatever, she said, you know,

34
00:01:57.480 --> 00:02:00.359
<v Speaker 3>I've been wanting to check out the movie Disclosure Day.

35
00:02:00.959 --> 00:02:02.079
<v Speaker 3>She's like, have you have you seen?

36
00:02:02.400 --> 00:02:04.159
<v Speaker 2>How in the hell does that come up?

37
00:02:04.400 --> 00:02:06.840
<v Speaker 3>I am sure we were talking about movies or something.

38
00:02:06.879 --> 00:02:08.479
<v Speaker 3>I don't remember, but she was like, I'm interested in

39
00:02:08.560 --> 00:02:11.759
<v Speaker 3>Disclosure Day. Have you seen it? And I go yeah.

40
00:02:11.800 --> 00:02:14.919
<v Speaker 3>She goes, oh is it good? And I went here's

41
00:02:14.960 --> 00:02:20.599
<v Speaker 3>the thing and I was like, look, I yes, I

42
00:02:20.639 --> 00:02:23.080
<v Speaker 3>mean if you like Spielberg. And I went into like

43
00:02:23.120 --> 00:02:27.319
<v Speaker 3>a real like confusing ramble about my feelings about it,

44
00:02:27.439 --> 00:02:31.439
<v Speaker 3>and she you could hear her. She was just like, well,

45
00:02:31.800 --> 00:02:36.159
<v Speaker 3>I like E. T. And then I was like yeah,

46
00:02:36.080 --> 00:02:39.560
<v Speaker 3>go see it. I was like, she didn't ask for

47
00:02:39.680 --> 00:02:43.520
<v Speaker 3>like a seven minute And so then later I have

48
00:02:43.560 --> 00:02:46.319
<v Speaker 3>a friend named Carly and she and I play Cinematrix

49
00:02:46.360 --> 00:02:48.280
<v Speaker 3>every morning, like we send the puzzles to each other.

50
00:02:48.560 --> 00:02:51.039
<v Speaker 3>And then this was like a week or two ago,

51
00:02:51.080 --> 00:02:53.280
<v Speaker 3>She's like, oh, I have a Friday afternoon off. I

52
00:02:53.319 --> 00:02:55.439
<v Speaker 3>was thinking about seeing Disclosure Day? Should I Should I

53
00:02:55.520 --> 00:02:59.400
<v Speaker 3>check it out? I was like, well, and then I

54
00:02:59.439 --> 00:03:03.319
<v Speaker 3>wrote this paragraph trying to explain my complicated feelings on it,

55
00:03:03.599 --> 00:03:06.520
<v Speaker 3>and she literally wrote back, I don't understand any of

56
00:03:06.560 --> 00:03:07.240
<v Speaker 3>what you just said.

57
00:03:09.159 --> 00:03:11.280
<v Speaker 2>She's like, yeah, I'm not reading all that, but I'm

58
00:03:11.319 --> 00:03:13.639
<v Speaker 2>sorry that happened, or I'm happy for you.

59
00:03:14.000 --> 00:03:16.719
<v Speaker 3>Exactly, yes, exactly. But I was like, yeah, I just

60
00:03:16.759 --> 00:03:19.120
<v Speaker 3>really need to figure out I still haven't whittled down

61
00:03:19.960 --> 00:03:22.039
<v Speaker 3>like a bite sized version of how I feel about

62
00:03:22.039 --> 00:03:24.240
<v Speaker 3>that movie. But I thought you might appreciate that.

63
00:03:24.400 --> 00:03:25.719
<v Speaker 2>How many times have you seen it?

64
00:03:26.159 --> 00:03:26.520
<v Speaker 3>Twice?

65
00:03:26.919 --> 00:03:31.000
<v Speaker 2>Twice? Okay? Yeah, okay, well yeah, i'd say your feelings

66
00:03:31.000 --> 00:03:33.599
<v Speaker 2>are pretty locked in at this point. Yeah.

67
00:03:33.680 --> 00:03:35.560
<v Speaker 3>No, for sure, they just use a lot of words

68
00:03:36.560 --> 00:03:40.520
<v Speaker 3>because they're complicated, but you know, and something else. Sorry,

69
00:03:40.560 --> 00:03:42.240
<v Speaker 3>I just have to bring this up because this happened

70
00:03:42.280 --> 00:03:45.120
<v Speaker 3>right before we got on air. Have you heard I

71
00:03:45.159 --> 00:03:48.080
<v Speaker 3>got an advertisement, like a suggested thing, I think for

72
00:03:48.759 --> 00:03:52.479
<v Speaker 3>a video game called Powerwash Simulator. Have you heard of this?

73
00:03:53.080 --> 00:03:53.199
<v Speaker 2>No?

74
00:03:53.599 --> 00:03:56.840
<v Speaker 3>So apparently it's a video game where all you do

75
00:03:56.919 --> 00:04:00.479
<v Speaker 3>is operate a powerwasher. Okay, and so you you know

76
00:04:00.520 --> 00:04:03.599
<v Speaker 3>you've seen these videos. They're sort of soothing to a

77
00:04:03.639 --> 00:04:05.479
<v Speaker 3>certain set of people where it's like, you know, you

78
00:04:05.479 --> 00:04:07.639
<v Speaker 3>have a dirty carpet or a house it's just caked

79
00:04:07.639 --> 00:04:10.840
<v Speaker 3>in mud and grime. But you work a powerwasher. Someone

80
00:04:10.840 --> 00:04:14.800
<v Speaker 3>works a powerwasher and slowly, you know, line by line,

81
00:04:14.840 --> 00:04:17.040
<v Speaker 3>takes all this grime off of the house. Well, someone

82
00:04:17.079 --> 00:04:22.160
<v Speaker 3>turned that into a video game and for powerwasher No sorry,

83
00:04:22.199 --> 00:04:26.800
<v Speaker 3>Powerwash Simulator two there is a Star Wars edition. Wow,

84
00:04:26.879 --> 00:04:30.720
<v Speaker 3>so now you can powerwash at at walkers like the

85
00:04:30.759 --> 00:04:34.600
<v Speaker 3>Millennium Falcon and this is available on Xbox PS five

86
00:04:34.720 --> 00:04:38.879
<v Speaker 3>the switch And I was like, I want to do that.

87
00:04:39.240 --> 00:04:44.439
<v Speaker 3>Oh wow, I just thought that was such an interesting thing.

88
00:04:44.639 --> 00:04:48.720
<v Speaker 2>I don't know, doesn't Powerwash Simulator sound like something it

89
00:04:48.759 --> 00:04:52.199
<v Speaker 2>would be like Conan you know, those like cable channels.

90
00:04:53.120 --> 00:04:58.439
<v Speaker 3>Yes, yes it does. But I love that because I've

91
00:04:58.439 --> 00:05:01.639
<v Speaker 3>seen those videos before. And I do find them soothing,

92
00:05:02.319 --> 00:05:06.040
<v Speaker 3>and it's funny that enough people feel that same way

93
00:05:06.120 --> 00:05:07.759
<v Speaker 3>that they've made a video game out of it, and

94
00:05:07.800 --> 00:05:09.399
<v Speaker 3>even someone is like, you know, what'd be kind of cool.

95
00:05:09.399 --> 00:05:11.079
<v Speaker 3>I kind of want to I kind of want to

96
00:05:11.079 --> 00:05:15.639
<v Speaker 3>Powerwasha X Wing. I just I don't know, I haven't

97
00:05:15.680 --> 00:05:17.920
<v Speaker 3>looked at the price yet, but let's just say I'm interested.

98
00:05:18.680 --> 00:05:20.360
<v Speaker 2>Well, there you go, they got the Brian vote.

99
00:05:20.480 --> 00:05:21.399
<v Speaker 3>Yeah.

100
00:05:21.439 --> 00:05:23.839
<v Speaker 2>Well, well, have you have you seen anything else? Anything

101
00:05:23.879 --> 00:05:25.920
<v Speaker 2>we didn't talk about in our in our bonus show?

102
00:05:26.360 --> 00:05:28.680
<v Speaker 3>Yeah, I know, we've got a full episode here. So

103
00:05:28.720 --> 00:05:30.720
<v Speaker 3>I'll go through these a little quickly, but I do

104
00:05:30.800 --> 00:05:34.000
<v Speaker 3>want to mention that this past weekend I got to

105
00:05:34.079 --> 00:05:37.079
<v Speaker 3>see a concert. It was the music of Wes Anderson

106
00:05:38.000 --> 00:05:41.959
<v Speaker 3>at the Hollywood Bowl, And so you know the Hollywood

107
00:05:42.319 --> 00:05:45.040
<v Speaker 3>Bowl out here in Los Angeles. They'll do all sorts

108
00:05:45.079 --> 00:05:48.000
<v Speaker 3>of things. They have the La Philharmonic playing Mozart and

109
00:05:48.040 --> 00:05:50.800
<v Speaker 3>then sometimes the music of John Williams, or they'll have

110
00:05:51.079 --> 00:05:52.439
<v Speaker 3>I know, Muse is going to be here in a

111
00:05:52.480 --> 00:05:56.800
<v Speaker 3>couple of weeks, but they'll do these really interesting specific

112
00:05:57.040 --> 00:06:01.079
<v Speaker 3>sorts of programs sometimes, like I mean, the music of

113
00:06:01.079 --> 00:06:05.040
<v Speaker 3>Wes Anderson and I love Wes Anderson, as longtime listeners know,

114
00:06:06.079 --> 00:06:08.160
<v Speaker 3>and at first I was like, oh, that sounds really interesting.

115
00:06:08.199 --> 00:06:09.600
<v Speaker 3>I wonder what that would be like. And I wasn't

116
00:06:09.639 --> 00:06:10.800
<v Speaker 3>sure if I was going to go or not, and

117
00:06:10.839 --> 00:06:13.639
<v Speaker 3>I ended up going at the last minute. And I

118
00:06:13.639 --> 00:06:15.920
<v Speaker 3>don't know how I could have possibly missed this, Like

119
00:06:16.040 --> 00:06:22.639
<v Speaker 3>this was so special. It was m seed by Bill Murray,

120
00:06:23.600 --> 00:06:26.120
<v Speaker 3>so that was pretty fun. He came out in a

121
00:06:26.839 --> 00:06:30.439
<v Speaker 3>zizu you know white sorry read tuk, you know, like

122
00:06:30.519 --> 00:06:32.439
<v Speaker 3>his character in that film, and a cigarette in his mouth,

123
00:06:32.480 --> 00:06:34.680
<v Speaker 3>and you know, just like hello and welcome to the bowl,

124
00:06:35.160 --> 00:06:38.000
<v Speaker 3>which is funny. And Beck and his band were basically

125
00:06:38.040 --> 00:06:41.399
<v Speaker 3>the house band. LA Philharmonic performed, Jackson Brown was there,

126
00:06:41.560 --> 00:06:48.079
<v Speaker 3>Jeff Goldbloom and his jazz ensemble performed, and they played

127
00:06:48.160 --> 00:06:51.360
<v Speaker 3>all these songs from the soundtracks of Wes Anderson films,

128
00:06:52.920 --> 00:06:56.920
<v Speaker 3>which I know, of course, but I didn't realize how

129
00:06:57.399 --> 00:07:02.279
<v Speaker 3>much those things had been ingrained into me. Like suddenly,

130
00:07:02.319 --> 00:07:04.439
<v Speaker 3>as I was listening to these songs, I was like, oh,

131
00:07:04.519 --> 00:07:06.959
<v Speaker 3>I know these note for note, I mean not just

132
00:07:07.560 --> 00:07:10.639
<v Speaker 3>the you know, British Invasion tracks and things from Rushmore

133
00:07:10.720 --> 00:07:13.680
<v Speaker 3>or whatever, but just even the score from Grand Budapest

134
00:07:13.800 --> 00:07:17.040
<v Speaker 3>and it I actually got a little emotional a couple

135
00:07:17.079 --> 00:07:20.600
<v Speaker 3>of times because I realized that these this music has

136
00:07:20.639 --> 00:07:25.199
<v Speaker 3>been in my life for thirty years, which I just

137
00:07:25.279 --> 00:07:27.800
<v Speaker 3>never considered. But I saw Bottle Rocket when I was

138
00:07:27.839 --> 00:07:31.920
<v Speaker 3>sixteen years old, amazing, yeah, and being in an enormous

139
00:07:32.040 --> 00:07:34.879
<v Speaker 3>venue like this and hearing what I would think are

140
00:07:35.040 --> 00:07:38.639
<v Speaker 3>deep cuts, you know, from a deep cut of a

141
00:07:38.639 --> 00:07:43.279
<v Speaker 3>film performed live with clips from Bottle Rocket playing on

142
00:07:43.319 --> 00:07:47.519
<v Speaker 3>these giant screens. And then I also so it reminded

143
00:07:47.560 --> 00:07:49.920
<v Speaker 3>me of being sixteen and being in my friend Jason's

144
00:07:49.920 --> 00:07:52.759
<v Speaker 3>basement and us discovering this movie together and being like, wow,

145
00:07:52.839 --> 00:07:55.600
<v Speaker 3>like this is now our favorite filmmaker, you know, and

146
00:07:55.680 --> 00:07:59.360
<v Speaker 3>just that exciting feeling of becoming a sinophile in your teens,

147
00:07:59.480 --> 00:08:02.800
<v Speaker 3>you know. And I remember then because I loved him

148
00:08:03.360 --> 00:08:08.000
<v Speaker 3>Anderson and being in college and convincing my friends in

149
00:08:08.040 --> 00:08:09.560
<v Speaker 3>college we got to go see the Royal Ten and

150
00:08:09.600 --> 00:08:13.480
<v Speaker 3>bombs this filmmakers amazing, and I remember us walking out

151
00:08:13.519 --> 00:08:15.439
<v Speaker 3>of the theater and there's a group of us and

152
00:08:15.560 --> 00:08:19.399
<v Speaker 3>all almost all of them were like, sorry, man, this

153
00:08:19.439 --> 00:08:21.639
<v Speaker 3>isn't for us, you know, and you know, everyone kind

154
00:08:21.639 --> 00:08:24.519
<v Speaker 3>of break breaking apart, but there was one guy I'll

155
00:08:24.560 --> 00:08:27.079
<v Speaker 3>never forget. His name is Andrew Wagner, and he just

156
00:08:27.319 --> 00:08:29.120
<v Speaker 3>it was like Charlie Brown. He was like Linus and

157
00:08:29.160 --> 00:08:31.399
<v Speaker 3>I was like Charlie Brown. Everyone walked away, and then

158
00:08:31.399 --> 00:08:33.320
<v Speaker 3>he put his hand actually on my shoulder and went

159
00:08:33.720 --> 00:08:37.039
<v Speaker 3>I loved it. I was like, oh, really, you know,

160
00:08:37.080 --> 00:08:38.559
<v Speaker 3>it's like you're finding your people.

161
00:08:39.200 --> 00:08:40.000
<v Speaker 2>That's hilarious.

162
00:08:40.480 --> 00:08:42.720
<v Speaker 3>I remember listening to the Grand Budapest soundtrack when I

163
00:08:42.720 --> 00:08:44.840
<v Speaker 3>started at Bob's Burgers, and I was kind of nervous

164
00:08:44.879 --> 00:08:46.840
<v Speaker 3>and didn't know anybody, so like it brought me back

165
00:08:46.879 --> 00:08:51.039
<v Speaker 3>to that time. It was surprisingly emotional and really really

166
00:08:51.080 --> 00:08:54.720
<v Speaker 3>special and satisfying. So I'm so so thankful I got

167
00:08:54.720 --> 00:08:58.080
<v Speaker 3>to check that out this past weekend. A what a strange,

168
00:08:58.159 --> 00:09:00.960
<v Speaker 3>unique thing, kind of an only in La kind of experience,

169
00:09:01.039 --> 00:09:04.279
<v Speaker 3>you know. Yeah, and I have to mention this too

170
00:09:04.279 --> 00:09:05.679
<v Speaker 3>because I thought this was funny. I went with our

171
00:09:05.679 --> 00:09:09.440
<v Speaker 3>friend Busha, who's also a big Wes Anderson fan, and

172
00:09:09.480 --> 00:09:11.120
<v Speaker 3>there was a moment when I was looking at Bill

173
00:09:11.159 --> 00:09:13.519
<v Speaker 3>Murray on stage and I thought, wow, that's.

174
00:09:13.360 --> 00:09:17.200
<v Speaker 4>A ghostbuster, Like you know what I mean, He's right there,

175
00:09:17.279 --> 00:09:21.080
<v Speaker 4>like he fought the state puffed marshmallow man and and

176
00:09:21.120 --> 00:09:23.600
<v Speaker 4>then literally, I mean less than a minute later, Busha

177
00:09:23.879 --> 00:09:24.840
<v Speaker 4>turned to me and went.

178
00:09:25.039 --> 00:09:29.639
<v Speaker 3>That's Peter Venkman. It's like, yeah, we are exactly on

179
00:09:29.679 --> 00:09:30.600
<v Speaker 3>the same page right now.

180
00:09:30.759 --> 00:09:31.559
<v Speaker 2>That's really funny.

181
00:09:31.639 --> 00:09:33.799
<v Speaker 3>So anyway, that was a really cool experience. And you

182
00:09:33.840 --> 00:09:36.000
<v Speaker 3>and I've been to the Bowl before, right, We saw

183
00:09:36.639 --> 00:09:37.600
<v Speaker 3>Weird Al there.

184
00:09:37.639 --> 00:09:39.519
<v Speaker 2>That was We've been there a few times. We saw

185
00:09:39.559 --> 00:09:42.039
<v Speaker 2>Weird How we saw John Williams. We watched Star Wars

186
00:09:42.080 --> 00:09:42.639
<v Speaker 2>in concert.

187
00:09:43.200 --> 00:09:46.679
<v Speaker 3>Oh yeah, yeah, Well they had the live orchestra scoring. Yeah, yeah,

188
00:09:46.799 --> 00:09:48.399
<v Speaker 3>which you've done a couple of times. I remember you

189
00:09:48.440 --> 00:09:50.240
<v Speaker 3>went with your kids to see Empire, right.

190
00:09:50.799 --> 00:09:54.519
<v Speaker 2>Uh, Empire and a Jurassic Park at the at the

191
00:09:54.519 --> 00:09:55.759
<v Speaker 2>San Francisco Symphony.

192
00:09:56.039 --> 00:09:58.720
<v Speaker 3>Yeah, those are really special events if they do those

193
00:09:58.720 --> 00:10:02.519
<v Speaker 3>in your area. To see a live orchestra playing the

194
00:10:02.600 --> 00:10:05.039
<v Speaker 3>soundtrack to a film as you're watching it is a

195
00:10:05.039 --> 00:10:05.840
<v Speaker 3>really special thing.

196
00:10:06.240 --> 00:10:09.840
<v Speaker 2>Yeah. And I've said before what the trick is, find

197
00:10:09.879 --> 00:10:13.440
<v Speaker 2>a movie where you know every note of the score,

198
00:10:14.840 --> 00:10:18.759
<v Speaker 2>because what that does that that allows you to really

199
00:10:18.799 --> 00:10:21.200
<v Speaker 2>savor the fact that it is being performed live because

200
00:10:21.200 --> 00:10:27.200
<v Speaker 2>you notice the subtle differences, which I think makes it

201
00:10:27.240 --> 00:10:28.440
<v Speaker 2>makes it a little extra, you.

202
00:10:28.360 --> 00:10:34.840
<v Speaker 3>Know, well, two of the things I'll mention real fast.

203
00:10:35.000 --> 00:10:38.759
<v Speaker 3>I teased this in the bonus episode, but I watched

204
00:10:39.320 --> 00:10:42.159
<v Speaker 3>a movie called How to Make a Killing That's Right,

205
00:10:42.200 --> 00:10:46.080
<v Speaker 3>which came out earlier this year stars Glenn Pwell and

206
00:10:47.240 --> 00:10:51.120
<v Speaker 3>see the IMDb summary says disowned at birth by his

207
00:10:51.159 --> 00:10:55.759
<v Speaker 3>obscenely wealthy family. Blue collar said to pop up interrupt

208
00:10:55.879 --> 00:11:03.639
<v Speaker 3>the log line, He's a capitalism, I know, disowned at

209
00:11:03.639 --> 00:11:07.120
<v Speaker 3>birth by his obscenely wealthy family. Blue collar Beckett Redfellow

210
00:11:07.159 --> 00:11:10.639
<v Speaker 3>will stop at nothing to reclaim his inheritance, no matter

211
00:11:10.679 --> 00:11:14.240
<v Speaker 3>how many relatives stand in his way. So basically, he's

212
00:11:14.240 --> 00:11:16.440
<v Speaker 3>going to knock off all his relatives till he's the

213
00:11:16.519 --> 00:11:21.720
<v Speaker 3>last person standing to get his inheritance. And you know,

214
00:11:21.759 --> 00:11:24.600
<v Speaker 3>it's funny. I saw this trailer and it looked intriguing,

215
00:11:24.840 --> 00:11:26.480
<v Speaker 3>but I gotta admit there was a little part of

216
00:11:26.519 --> 00:11:29.200
<v Speaker 3>me it was like turning my stomach a bit, like

217
00:11:29.559 --> 00:11:33.039
<v Speaker 3>just the idea of watching a fun movie about someone

218
00:11:33.080 --> 00:11:36.799
<v Speaker 3>being blase just murdering people for money, Like it just

219
00:11:36.879 --> 00:11:38.440
<v Speaker 3>kind of I was like, I don't know, like I'm

220
00:11:38.480 --> 00:11:40.440
<v Speaker 3>intrigued by the premise, but it's also makes me feel

221
00:11:40.440 --> 00:11:45.480
<v Speaker 3>a little ichy. But it was on HBO Max, and

222
00:11:45.519 --> 00:11:46.679
<v Speaker 3>so I was like, well, I can at least give

223
00:11:46.679 --> 00:11:48.519
<v Speaker 3>it a shot now here from the comfort of my

224
00:11:48.559 --> 00:11:53.759
<v Speaker 3>living room. And I really enjoyed this. I think what's

225
00:11:54.360 --> 00:12:01.320
<v Speaker 3>interesting about it is this movie isn't a bouncy romp,

226
00:12:02.639 --> 00:12:04.360
<v Speaker 3>you know. I think the trailer might have done that

227
00:12:04.399 --> 00:12:08.039
<v Speaker 3>to try to make it seem inviting, you know, but

228
00:12:08.120 --> 00:12:11.240
<v Speaker 3>this this movie kind of lives in the gray area

229
00:12:11.399 --> 00:12:14.240
<v Speaker 3>about like you kind of understand why he feels scorned

230
00:12:14.279 --> 00:12:16.960
<v Speaker 3>by this family and have these bitter feelings, but it

231
00:12:17.000 --> 00:12:20.240
<v Speaker 3>doesn't celebrate what he's doing. Like this movie isn't a

232
00:12:20.240 --> 00:12:22.919
<v Speaker 3>pop song, you know what I mean. And I really

233
00:12:22.919 --> 00:12:24.840
<v Speaker 3>appreciated that. And so then I looked up, like, oh,

234
00:12:24.919 --> 00:12:28.159
<v Speaker 3>who made this? And it was John Patton Ford who

235
00:12:28.200 --> 00:12:32.120
<v Speaker 3>did Emily the Criminal with Aubrey Plaza. Yeah, Yeah, which

236
00:12:32.120 --> 00:12:34.879
<v Speaker 3>I really liked and is a similar sort of movie

237
00:12:34.919 --> 00:12:37.200
<v Speaker 3>where it's a person who's a bit of an underdog.

238
00:12:37.320 --> 00:12:39.440
<v Speaker 3>Life has not been fair to her and she gets

239
00:12:39.440 --> 00:12:43.080
<v Speaker 3>involved in credit card scams, which is funny because in

240
00:12:43.080 --> 00:12:45.039
<v Speaker 3>real life, if I met someone who did credit card

241
00:12:45.080 --> 00:12:47.360
<v Speaker 3>scams and scanned old people, I'd probably punch them in

242
00:12:47.399 --> 00:12:50.039
<v Speaker 3>the face, you know, like you don't these these are

243
00:12:50.120 --> 00:12:54.759
<v Speaker 3>the true scumbags of our time, right, But they also

244
00:12:54.919 --> 00:12:57.759
<v Speaker 3>make this character an interesting person. So you don't like

245
00:12:57.799 --> 00:13:00.159
<v Speaker 3>what they're doing, but you're intrigued by why they're doing

246
00:13:00.159 --> 00:13:01.720
<v Speaker 3>it and how they're doing it. And I'd say this

247
00:13:01.759 --> 00:13:05.360
<v Speaker 3>movie does something kind of the same and I like that.

248
00:13:05.559 --> 00:13:08.559
<v Speaker 3>I like that it doesn't make you feel comfortable all

249
00:13:08.600 --> 00:13:11.039
<v Speaker 3>the time, but it does make you think, well, what's

250
00:13:11.039 --> 00:13:13.279
<v Speaker 3>gonna happen next, What's gonna happen next? And it turns

251
00:13:13.279 --> 00:13:18.720
<v Speaker 3>out to be a pretty entertaining yarn So and Glenn Powell.

252
00:13:18.759 --> 00:13:22.360
<v Speaker 3>When it started, it's just inevitable. I thought, Glenn Powell,

253
00:13:23.080 --> 00:13:23.919
<v Speaker 3>is he a movie star?

254
00:13:24.480 --> 00:13:24.559
<v Speaker 4>Like?

255
00:13:25.200 --> 00:13:26.840
<v Speaker 3>Do I like this guy? And it's funny because I

256
00:13:26.840 --> 00:13:29.440
<v Speaker 3>did go in like, okay, interesting, he doesn't like have

257
00:13:29.679 --> 00:13:32.480
<v Speaker 3>me immediately like some stars do. And by the end

258
00:13:32.519 --> 00:13:35.039
<v Speaker 3>of it, I was like, I really like Glenn Powell.

259
00:13:35.320 --> 00:13:36.480
<v Speaker 3>He gets me every time.

260
00:13:36.679 --> 00:13:40.000
<v Speaker 2>I feel like you have this discussion with yourself about

261
00:13:40.000 --> 00:13:41.120
<v Speaker 2>every eight months.

262
00:13:41.360 --> 00:13:45.519
<v Speaker 3>Yeah, yeah, yeah, he's great. He's perfect in this role too.

263
00:13:45.639 --> 00:13:50.559
<v Speaker 2>In particular, he's locked in as the day trading dude

264
00:13:50.600 --> 00:13:53.799
<v Speaker 2>bro from the Dark Knight rises and then you have

265
00:13:53.879 --> 00:13:56.240
<v Speaker 2>to remember, oh wait, he's capable of other things beyond

266
00:13:56.320 --> 00:13:56.840
<v Speaker 2>just that.

267
00:13:56.759 --> 00:13:59.399
<v Speaker 3>Maybe a little bit, you know what he has resting

268
00:14:00.120 --> 00:14:04.840
<v Speaker 3>dude bro from Dark Knight Rise's face. I respect that, right,

269
00:14:04.879 --> 00:14:07.799
<v Speaker 3>but he is charming and he is a good actor,

270
00:14:07.960 --> 00:14:11.840
<v Speaker 3>and I he had a lot working against him in

271
00:14:11.879 --> 00:14:14.159
<v Speaker 3>this movie because you should really not like this person,

272
00:14:15.080 --> 00:14:17.840
<v Speaker 3>but you you're willing to go on this journey with

273
00:14:17.919 --> 00:14:20.679
<v Speaker 3>him and see what happens next. So it's dark, you know,

274
00:14:20.759 --> 00:14:24.759
<v Speaker 3>I'll mention that, but it's it's a good yarn and

275
00:14:24.799 --> 00:14:27.320
<v Speaker 3>I think people will enjoy it as like a a

276
00:14:27.399 --> 00:14:30.440
<v Speaker 3>thing they haven't seen that's streaming on HBO Max.

277
00:14:30.879 --> 00:14:36.240
<v Speaker 2>So all right, uh well this this has been kind

278
00:14:36.279 --> 00:14:37.799
<v Speaker 2>of a kind of a slow week for me. You know,

279
00:14:37.879 --> 00:14:42.080
<v Speaker 2>I got in the Odyssey. Yeah, yeah, which will be

280
00:14:42.240 --> 00:14:44.279
<v Speaker 2>which will be unpacking just a little bit better than that.

281
00:14:44.320 --> 00:14:46.919
<v Speaker 2>You know, I'm just me. I'm enjoyed the summer. You know,

282
00:14:46.960 --> 00:14:49.480
<v Speaker 2>the kids are home, they're home from school, they're out

283
00:14:49.519 --> 00:14:52.480
<v Speaker 2>and about, so you know, I'm spending my day hiding

284
00:14:52.480 --> 00:14:56.519
<v Speaker 2>out away from them, just trying to trying to get

285
00:14:56.519 --> 00:14:57.720
<v Speaker 2>away as much as I can.

286
00:14:58.039 --> 00:14:58.600
<v Speaker 3>Yeah.

287
00:14:58.759 --> 00:15:02.840
<v Speaker 2>My youngest got a hold of a sharpie yesterday, so

288
00:15:02.919 --> 00:15:04.759
<v Speaker 2>that's that's fun.

289
00:15:05.759 --> 00:15:08.080
<v Speaker 3>Yeah, well, does he have a future. I mean, is

290
00:15:08.080 --> 00:15:11.559
<v Speaker 3>he gonna put himself through college with his art?

291
00:15:12.279 --> 00:15:16.279
<v Speaker 2>At this point He's gonna have to because the math

292
00:15:16.320 --> 00:15:16.840
<v Speaker 2>ain't math.

293
00:15:16.879 --> 00:15:18.879
<v Speaker 3>And I'm not sure he found his voice yet, but

294
00:15:18.960 --> 00:15:19.840
<v Speaker 3>you know, we'll give him time.

295
00:15:20.080 --> 00:15:24.039
<v Speaker 2>Fingers crossed. You never know. You know, you know my

296
00:15:24.559 --> 00:15:27.960
<v Speaker 2>daughter and you know this. She's she does these these

297
00:15:28.080 --> 00:15:33.000
<v Speaker 2>very elaborate arts and crafts things. Oh yeah, she's nine,

298
00:15:33.159 --> 00:15:36.840
<v Speaker 2>and she just I mean she she watches like YouTube

299
00:15:36.919 --> 00:15:39.080
<v Speaker 2>videos about how to make things, and you know she

300
00:15:39.200 --> 00:15:42.320
<v Speaker 2>and and you saw this recently. She she makes, for example,

301
00:15:42.360 --> 00:15:46.639
<v Speaker 2>these little uh you know, like fit in your hand

302
00:15:47.639 --> 00:15:49.440
<v Speaker 2>replicas of backpacks.

303
00:15:50.320 --> 00:15:52.679
<v Speaker 3>Yeah. When we were up there, Sean and I are visiting you,

304
00:15:53.000 --> 00:15:55.440
<v Speaker 3>she was like, we were gonna make these together, okay,

305
00:15:55.919 --> 00:15:59.320
<v Speaker 3>And so she took us into another room. She had scissors,

306
00:15:59.360 --> 00:16:02.799
<v Speaker 3>a glue gun, all the materials, and I was a

307
00:16:02.840 --> 00:16:04.919
<v Speaker 3>little like, okay, let's see what this is. And then

308
00:16:04.919 --> 00:16:07.759
<v Speaker 3>she makes this amazing little backpack you would buy in

309
00:16:07.840 --> 00:16:10.639
<v Speaker 3>the store that you could put your keys in or

310
00:16:10.679 --> 00:16:13.639
<v Speaker 3>you know, change or money or whatever. And I was, yeah,

311
00:16:13.639 --> 00:16:14.240
<v Speaker 3>it was amazing.

312
00:16:14.639 --> 00:16:17.120
<v Speaker 2>Yeah, she had you guys sitting there doing them. She

313
00:16:17.200 --> 00:16:19.399
<v Speaker 2>was walking back and forth, she had a switch. She

314
00:16:19.600 --> 00:16:23.200
<v Speaker 2>was if you were working too slowly, you know. Yes,

315
00:16:23.759 --> 00:16:25.600
<v Speaker 2>so she's she's got that figured out.

316
00:16:25.639 --> 00:16:26.519
<v Speaker 3>She's tough but fair.

317
00:16:26.879 --> 00:16:31.320
<v Speaker 2>She's she's got a sweat shop monitoring job in her future.

318
00:16:35.080 --> 00:16:39.759
<v Speaker 2>Were very hopeful anyway, So yeah, you know, maybe maybe

319
00:16:39.799 --> 00:16:41.480
<v Speaker 2>she can teach the baby some of that.

320
00:16:42.000 --> 00:16:44.559
<v Speaker 3>Yeah, there you go. Yes, well, I guess it runs

321
00:16:44.559 --> 00:16:45.080
<v Speaker 3>in the family.

322
00:16:46.600 --> 00:16:46.720
<v Speaker 5>Uh.

323
00:16:47.240 --> 00:16:49.039
<v Speaker 2>You know what, these kids, they got to be. They

324
00:16:49.080 --> 00:16:55.279
<v Speaker 2>gotta be self starters at this point, right, you know, Uh,

325
00:16:55.519 --> 00:16:57.240
<v Speaker 2>I should say the baby, it's fun, you know, he

326
00:16:57.240 --> 00:17:00.519
<v Speaker 2>he's he started recognizing super heroes.

327
00:17:01.120 --> 00:17:04.279
<v Speaker 3>Oh, okay, I remember this, right down to your first son,

328
00:17:04.480 --> 00:17:08.240
<v Speaker 3>where he could go through you had the Marvel superhero

329
00:17:08.720 --> 00:17:12.279
<v Speaker 3>like trading cards. Yeah, in a binder, and I remember

330
00:17:12.279 --> 00:17:14.480
<v Speaker 3>you would flip the pages and point at a character.

331
00:17:14.680 --> 00:17:18.880
<v Speaker 3>And he was so young and he'd go Hulk, Captain America. Yeah,

332
00:17:18.960 --> 00:17:21.920
<v Speaker 3>so so all the way down to your your your last.

333
00:17:21.720 --> 00:17:24.119
<v Speaker 2>Well he would he would if I if I said,

334
00:17:24.279 --> 00:17:26.960
<v Speaker 2>where's Hulk, he would point to him like he he

335
00:17:27.519 --> 00:17:29.599
<v Speaker 2>He didn't talk as much my first one.

336
00:17:29.920 --> 00:17:31.119
<v Speaker 3>Oh that's right, that's right.

337
00:17:31.559 --> 00:17:34.519
<v Speaker 2>My youngest. Meanwhile, you know, like we got him Spider Man,

338
00:17:34.599 --> 00:17:38.640
<v Speaker 2>pajamas and he points he goes Superman and I'm like, no,

339
00:17:38.839 --> 00:17:43.480
<v Speaker 2>God damn it. And then he I I you know,

340
00:17:43.559 --> 00:17:46.240
<v Speaker 2>he found like a Superman plush he goes, he Man.

341
00:17:46.279 --> 00:17:52.359
<v Speaker 2>I'm like, son of a bitch. So it's a little

342
00:17:52.359 --> 00:17:55.559
<v Speaker 2>frustrating this kid. I don't know. I don't know.

343
00:17:56.440 --> 00:17:58.519
<v Speaker 3>Well, at least he's showing uh an interest.

344
00:17:59.119 --> 00:18:01.000
<v Speaker 2>Listen either do writer, don't do it at all.

345
00:18:01.000 --> 00:18:02.640
<v Speaker 3>That's what I'm saying, you know, that's for Actually I

346
00:18:02.640 --> 00:18:07.000
<v Speaker 3>think your daughter would agree. Yeah, seriously, where's that switch?

347
00:18:08.680 --> 00:18:10.839
<v Speaker 3>I was like dancing around it. I was like, do

348
00:18:10.880 --> 00:18:12.119
<v Speaker 3>I make a joke about a switch?

349
00:18:12.240 --> 00:18:12.319
<v Speaker 4>Like?

350
00:18:12.400 --> 00:18:14.599
<v Speaker 3>I wasn't sure.

351
00:18:16.559 --> 00:18:18.839
<v Speaker 2>I think. Look, she's tough. But she told you guys,

352
00:18:18.839 --> 00:18:21.119
<v Speaker 2>she she said, go cut me a switch. And you're like,

353
00:18:24.519 --> 00:18:30.039
<v Speaker 2>it's like handing you a shovel, and yeah, but I

354
00:18:30.079 --> 00:18:32.039
<v Speaker 2>don't I don't know how she does all that. I mean,

355
00:18:32.200 --> 00:18:34.039
<v Speaker 2>they're quite quite good, quite.

356
00:18:33.960 --> 00:18:35.359
<v Speaker 3>Well done, you know, so talented.

357
00:18:35.480 --> 00:18:37.640
<v Speaker 2>Yeah the little backpacks.

358
00:18:38.000 --> 00:18:40.160
<v Speaker 3>Yeah, oh yeah, I have it right here next to

359
00:18:40.240 --> 00:18:40.559
<v Speaker 3>the desk.

360
00:18:41.279 --> 00:18:45.720
<v Speaker 2>You better. Yeah, you don't want her asking And and

361
00:18:45.759 --> 00:18:49.839
<v Speaker 2>then you're like, oh I misplaced it, you know, Yeah,

362
00:18:50.279 --> 00:18:52.640
<v Speaker 2>that's not gonna go. Well, hey, Anyway, we got some

363
00:18:52.680 --> 00:18:59.000
<v Speaker 2>listener letters, Brian, you have for me?

364
00:18:59.680 --> 00:19:02.720
<v Speaker 1>Hey, teen thousand lasts all addressed.

365
00:19:08.160 --> 00:19:08.200
<v Speaker 5>You?

366
00:19:10.359 --> 00:19:13.880
<v Speaker 2>All right, Well, hey, you know our last I don't

367
00:19:13.880 --> 00:19:15.920
<v Speaker 2>even know it was. It was when we talked about Supergirl.

368
00:19:15.960 --> 00:19:17.119
<v Speaker 2>Is that our last regular show?

369
00:19:17.440 --> 00:19:20.440
<v Speaker 3>Yes, which I think is going to be streaming next week?

370
00:19:21.240 --> 00:19:21.920
<v Speaker 3>Which is is it?

371
00:19:22.079 --> 00:19:24.720
<v Speaker 2>Really? Because I know Masters Universe that's going to be

372
00:19:24.720 --> 00:19:27.359
<v Speaker 2>on the twenty first, So that's next week as we're

373
00:19:27.359 --> 00:19:27.799
<v Speaker 2>recording this.

374
00:19:27.839 --> 00:19:29.119
<v Speaker 3>Oh, I'm sorry, July twenty eighth.

375
00:19:30.359 --> 00:19:34.200
<v Speaker 2>Okay, well that's nuts that. Yeah, well we'll talk about

376
00:19:34.200 --> 00:19:36.200
<v Speaker 2>that in a second. But here's a note we got

377
00:19:36.240 --> 00:19:39.559
<v Speaker 2>from Rob Kelly in response to that episode, and he says,

378
00:19:39.599 --> 00:19:42.240
<v Speaker 2>great show, guys. I had you in my ears while jogging,

379
00:19:42.240 --> 00:19:45.160
<v Speaker 2>which always makes the time go by faster, essential when

380
00:19:45.240 --> 00:19:49.519
<v Speaker 2>jogging during a blazing Florida summer. The good news is

381
00:19:49.559 --> 00:19:51.359
<v Speaker 2>it's a blazing summer pretty much wherever we go in

382
00:19:51.359 --> 00:19:54.640
<v Speaker 2>the country right now. This is when Zachie mentioned having

383
00:19:54.680 --> 00:19:58.319
<v Speaker 2>seen Masters of Universe four times already. I almost gasped.

384
00:19:58.759 --> 00:20:01.440
<v Speaker 2>With a full time job a podcast and at last count,

385
00:20:01.480 --> 00:20:09.559
<v Speaker 2>approximately seventeen children accurate, I thought, how the hell does

386
00:20:09.599 --> 00:20:11.319
<v Speaker 2>he have time to see any movie in the theater

387
00:20:11.400 --> 00:20:14.079
<v Speaker 2>four times, which made me want to ask, was there

388
00:20:14.119 --> 00:20:16.480
<v Speaker 2>a movie you saw in the theater multiple times and

389
00:20:17.000 --> 00:20:19.480
<v Speaker 2>after time passed you look back and went, Wow, I

390
00:20:19.480 --> 00:20:23.119
<v Speaker 2>don't even like that movie anymore. I'm not saying that's

391
00:20:23.119 --> 00:20:25.319
<v Speaker 2>what's going to happen at Masters of the Universe. You

392
00:20:25.440 --> 00:20:28.000
<v Speaker 2>goddamn right it won't. But for me, I saw The

393
00:20:28.039 --> 00:20:30.200
<v Speaker 2>Phantom Menace in the summer of ninety nine a total

394
00:20:30.279 --> 00:20:34.720
<v Speaker 2>of nine times in the theater, nine times, nine and

395
00:20:34.839 --> 00:20:38.359
<v Speaker 2>ninety nine. Having completely convinced myself what I saw was good,

396
00:20:38.640 --> 00:20:42.440
<v Speaker 2>time has proven otherwise for me. I'm glad, he said.

397
00:20:42.799 --> 00:20:44.640
<v Speaker 2>I'm glad, he said for me, because you know people

398
00:20:44.680 --> 00:20:50.000
<v Speaker 2>are going to be like jumping through the speaker related

399
00:20:50.480 --> 00:20:53.200
<v Speaker 2>while on my jog I imagine a scenario where Zachi

400
00:20:53.279 --> 00:20:57.759
<v Speaker 2>cloned himself multiplicity style using a three D printer. He

401
00:20:57.920 --> 00:21:00.400
<v Speaker 2>props that version up on the sofa so you can

402
00:21:00.440 --> 00:21:02.880
<v Speaker 2>still be Dad while also seeing Masters of the Universe

403
00:21:02.920 --> 00:21:05.640
<v Speaker 2>for the fifth time. This fake Zachi comes with several

404
00:21:05.799 --> 00:21:11.759
<v Speaker 2>pre recorded phrases to further the illusion. It's no Magnificent Amber.

405
00:21:11.799 --> 00:21:14.960
<v Speaker 2>Since I just sent some more comics to be bound,

406
00:21:15.680 --> 00:21:19.880
<v Speaker 2>you've got a great movie. Waiting for you. Hey, let's

407
00:21:19.880 --> 00:21:21.160
<v Speaker 2>watch Planet of the Apes again.

408
00:21:22.640 --> 00:21:25.200
<v Speaker 3>Your wife would not even know the difference like you

409
00:21:25.200 --> 00:21:27.200
<v Speaker 3>guys would. Beginning you should be getting into bed like

410
00:21:27.240 --> 00:21:30.039
<v Speaker 3>a night Zachie, like, let's watch Planet of the Apes again.

411
00:21:30.400 --> 00:21:32.599
<v Speaker 3>That's right, I love you too. Turn out the light.

412
00:21:34.079 --> 00:21:37.839
<v Speaker 2>Rob ends with I may have heat stroke. I just

413
00:21:39.720 --> 00:21:44.119
<v Speaker 2>last part first. Uh. Rob is one of many people

414
00:21:44.160 --> 00:21:47.599
<v Speaker 2>who has said that you've got a great movie waiting

415
00:21:47.640 --> 00:21:51.440
<v Speaker 2>for you is like one of my catchphrases, which I

416
00:21:51.480 --> 00:21:55.359
<v Speaker 2>gotta say, as catchphrases go, I am happy to take

417
00:21:55.400 --> 00:21:59.680
<v Speaker 2>that on. Yeah right, yeah, totally, like if that's something

418
00:21:59.720 --> 00:22:03.880
<v Speaker 2>people associate with me saying, you know, I think that's good.

419
00:22:04.200 --> 00:22:05.039
<v Speaker 2>I think that's nice.

420
00:22:05.240 --> 00:22:11.359
<v Speaker 3>I think that encapsulates well the spirit of this show,

421
00:22:11.400 --> 00:22:15.240
<v Speaker 3>you know. I mean sometimes online you'll see younger people

422
00:22:15.319 --> 00:22:17.599
<v Speaker 3>being like, hey, I just saw this great movie it's

423
00:22:17.599 --> 00:22:20.960
<v Speaker 3>called The Godfather, and people will jump on them, you know,

424
00:22:21.039 --> 00:22:23.880
<v Speaker 3>and it's like, why make someone feel bad about discovering

425
00:22:23.880 --> 00:22:28.519
<v Speaker 3>something great, you know? Or if I guess more related

426
00:22:28.559 --> 00:22:31.200
<v Speaker 3>to this, if they haven't seen The Godfather or they

427
00:22:31.200 --> 00:22:34.519
<v Speaker 3>haven't seen something that's a classic, instead of jumping on them,

428
00:22:34.599 --> 00:22:37.519
<v Speaker 3>you haven't seen that? What just go, hey, you got

429
00:22:37.519 --> 00:22:39.640
<v Speaker 3>a great movie waiting for you. You should check that out,

430
00:22:39.799 --> 00:22:44.039
<v Speaker 3>you know, encourage them exactly. Yeah, come on, come on, people,

431
00:22:44.079 --> 00:22:46.519
<v Speaker 3>let's be better. Come on.

432
00:22:47.720 --> 00:22:50.599
<v Speaker 2>Well, and you know, I you know, speaking of The Godfather,

433
00:22:50.680 --> 00:22:53.039
<v Speaker 2>you know, I screened that in my classes every semester,

434
00:22:53.119 --> 00:22:54.720
<v Speaker 2>and I always say, you know, because I'm always like,

435
00:22:54.720 --> 00:22:56.240
<v Speaker 2>who's seen it? And you know, maybe a one or

436
00:22:56.279 --> 00:22:57.759
<v Speaker 2>two have seen it, And I'm always like, well, you know,

437
00:22:58.880 --> 00:23:01.680
<v Speaker 2>I'm glad I get to be part of this experience

438
00:23:01.680 --> 00:23:02.839
<v Speaker 2>for you the first time you watch.

439
00:23:02.640 --> 00:23:04.880
<v Speaker 3>The Godfather exactly. Yeah.

440
00:23:05.400 --> 00:23:07.039
<v Speaker 2>I think the trick is like you don't want to

441
00:23:07.039 --> 00:23:11.240
<v Speaker 2>overhype something. Sure, so that's why you're never like, oh,

442
00:23:11.279 --> 00:23:13.119
<v Speaker 2>this is considered one of the grace movies ever made.

443
00:23:13.319 --> 00:23:16.200
<v Speaker 2>Play you know, you're right, right, right, you know, I

444
00:23:16.200 --> 00:23:19.079
<v Speaker 2>feel like that's what messes up, like like Citizen Kane. Right,

445
00:23:19.079 --> 00:23:23.440
<v Speaker 2>people always lead with that, right, And I think that's

446
00:23:23.440 --> 00:23:25.559
<v Speaker 2>a mistake because I think Citizen Kane, you just you

447
00:23:25.640 --> 00:23:27.279
<v Speaker 2>just be like, you know, it's a it's a story

448
00:23:27.720 --> 00:23:31.359
<v Speaker 2>about it's a tragedy about a man who has everything

449
00:23:31.440 --> 00:23:33.359
<v Speaker 2>and and it just hollows him out inside.

450
00:23:33.400 --> 00:23:36.359
<v Speaker 3>Well, you know, you say something like that and you

451
00:23:36.440 --> 00:23:38.359
<v Speaker 3>might even be like, you know, it's an older film,

452
00:23:38.359 --> 00:23:40.599
<v Speaker 3>but you may be surprised how much you you find

453
00:23:40.599 --> 00:23:44.400
<v Speaker 3>yourself invested in it. Exactly right, because because when you

454
00:23:44.480 --> 00:23:47.240
<v Speaker 3>start with, oh, you know, most surveys will say it's

455
00:23:47.319 --> 00:23:48.599
<v Speaker 3>one of the greatest movies of all time.

456
00:23:48.839 --> 00:23:50.799
<v Speaker 2>Well, when you when you tell that to like a

457
00:23:50.799 --> 00:23:53.640
<v Speaker 2>fifteen year old, you're asking them to hate it, right,

458
00:23:54.400 --> 00:23:56.519
<v Speaker 2>because they're like, I don't I don't want to follow

459
00:23:56.599 --> 00:24:03.599
<v Speaker 2>your your structures. I'd my own thing, you know anyway.

460
00:24:03.680 --> 00:24:06.200
<v Speaker 2>So that's why I didn't realize that that's like a

461
00:24:06.279 --> 00:24:07.440
<v Speaker 2>thing that I say enough for.

462
00:24:07.400 --> 00:24:08.160
<v Speaker 3>It to be a catchphrase.

463
00:24:08.200 --> 00:24:09.880
<v Speaker 2>But like I said, on the other hand, hey let's

464
00:24:09.920 --> 00:24:12.160
<v Speaker 2>watch Planet of the Apes again. Well, ask my kids.

465
00:24:12.160 --> 00:24:15.000
<v Speaker 2>And that is indeed something that I will say quite often.

466
00:24:15.279 --> 00:24:21.759
<v Speaker 2>Right as far as movies watched multiple times, well, and

467
00:24:21.759 --> 00:24:23.920
<v Speaker 2>actually before we even get to that, Masters the Universe,

468
00:24:23.960 --> 00:24:26.599
<v Speaker 2>I did see four times in the theater that it

469
00:24:26.599 --> 00:24:28.960
<v Speaker 2>it did work out. I did not regret any of that.

470
00:24:29.000 --> 00:24:30.799
<v Speaker 2>I enjoyed it each time. But it just sort of

471
00:24:30.839 --> 00:24:33.440
<v Speaker 2>worked out where like I went to the press screening

472
00:24:33.799 --> 00:24:35.680
<v Speaker 2>and then you know, my brother wanted to see it,

473
00:24:36.079 --> 00:24:38.359
<v Speaker 2>and then my wife separately wanted to see it, and

474
00:24:38.400 --> 00:24:40.039
<v Speaker 2>she's like, well, I'd rather watch it with you, and

475
00:24:40.079 --> 00:24:42.680
<v Speaker 2>I was like okay, and then you and Sean were like,

476
00:24:42.759 --> 00:24:43.519
<v Speaker 2>let's go see.

477
00:24:43.319 --> 00:24:45.720
<v Speaker 3>It, and we made it work by going at ten

478
00:24:45.799 --> 00:24:46.440
<v Speaker 3>thirty at night.

479
00:24:47.119 --> 00:24:47.680
<v Speaker 2>That is true.

480
00:24:47.720 --> 00:24:49.119
<v Speaker 3>So we were there the whole day. I think your

481
00:24:49.160 --> 00:24:52.119
<v Speaker 3>kids eventually went to bed and then that's how we got.

482
00:24:51.920 --> 00:24:54.680
<v Speaker 2>Out, and we're like, hey man time yea. I know,

483
00:24:55.920 --> 00:24:58.359
<v Speaker 2>so that is rare. I don't. I don't often do that,

484
00:24:58.400 --> 00:25:01.119
<v Speaker 2>although although I think, my gosh, I'm I probably watched

485
00:25:01.359 --> 00:25:04.440
<v Speaker 2>I think Avengers End Game. I saw that four times.

486
00:25:06.240 --> 00:25:08.880
<v Speaker 2>But that is it is rare, especially these days. It

487
00:25:08.920 --> 00:25:12.359
<v Speaker 2>is rarer. And I will definitely not watch a movie

488
00:25:12.480 --> 00:25:16.960
<v Speaker 2>multiple times if I'm not if I'm not you know,

489
00:25:17.000 --> 00:25:21.880
<v Speaker 2>feeling it right. But but I will say, speaking a

490
00:25:21.880 --> 00:25:23.839
<v Speaker 2>Planet of the Apes two thousand and one, I watched

491
00:25:23.880 --> 00:25:28.480
<v Speaker 2>the Timberton Planet of the Apes I'm going to say

492
00:25:28.480 --> 00:25:33.559
<v Speaker 2>at least three times, probably four times, trying to convince

493
00:25:33.599 --> 00:25:37.359
<v Speaker 2>myself each time that it wasn't in fact, not very good.

494
00:25:38.240 --> 00:25:43.720
<v Speaker 3>Yeah. Yeah, well, going back to Phantom Menace, I remember

495
00:25:43.720 --> 00:25:45.839
<v Speaker 3>we were all trying to convince ourselves that it was

496
00:25:45.880 --> 00:25:47.759
<v Speaker 3>better than it was back then, and I think we've

497
00:25:47.759 --> 00:25:50.000
<v Speaker 3>come around on it in a certain from a certain

498
00:25:50.039 --> 00:25:53.359
<v Speaker 3>point of from a certain point of view, Yeah, in

499
00:25:53.680 --> 00:25:56.480
<v Speaker 3>some ways. But yeah, I remember seeing it multiple times

500
00:25:56.640 --> 00:25:59.640
<v Speaker 3>and sort of quieting voices in my head.

501
00:26:03.279 --> 00:26:07.200
<v Speaker 2>So I think I'm gonna say I saw Phantom Menace

502
00:26:07.400 --> 00:26:11.440
<v Speaker 2>twice the whole way through in the theater, and then

503
00:26:12.039 --> 00:26:14.759
<v Speaker 2>I know I would just like sneak in and watch

504
00:26:14.799 --> 00:26:16.640
<v Speaker 2>the lightsaber fight. I did that at least a couple

505
00:26:16.640 --> 00:26:21.359
<v Speaker 2>of times. But for me that was different because I

506
00:26:21.400 --> 00:26:24.039
<v Speaker 2>watched Phantom Menace. I was more clear eyed. Because I

507
00:26:24.039 --> 00:26:25.759
<v Speaker 2>watched it, I was like, this isn't really working for me.

508
00:26:26.319 --> 00:26:29.000
<v Speaker 2>And then I watched it again to be like just

509
00:26:29.039 --> 00:26:31.200
<v Speaker 2>sort of test my hypothesis about the first one. I

510
00:26:31.200 --> 00:26:37.160
<v Speaker 2>was like, no, that's that's true. Yeah, but that was

511
00:26:37.240 --> 00:26:40.119
<v Speaker 2>me nine and ninety nine though. I respect that Rob's

512
00:26:40.799 --> 00:26:45.359
<v Speaker 2>that's impressive. Yeah, very What about you, Brian, What's what's

513
00:26:45.359 --> 00:26:47.680
<v Speaker 2>a movie you saw multiple times that you did not

514
00:26:47.920 --> 00:26:52.680
<v Speaker 2>like that you realize later you didn't like Man as much.

515
00:26:54.039 --> 00:26:55.799
<v Speaker 3>I'm not sure, if I'm being honest off the top

516
00:26:55.799 --> 00:26:57.279
<v Speaker 3>of my head, like something that I was trying to

517
00:26:57.319 --> 00:26:59.960
<v Speaker 3>force myself to like, I'm not sure.

518
00:27:00.079 --> 00:27:03.160
<v Speaker 2>I the movie or even something that you look back

519
00:27:03.200 --> 00:27:07.519
<v Speaker 2>on you're like, like, maybe you liked it then, but

520
00:27:07.599 --> 00:27:09.599
<v Speaker 2>you look at it now you're like, I don't know.

521
00:27:11.319 --> 00:27:13.400
<v Speaker 3>Yeah, I'm still not quite sure, but I am relating

522
00:27:13.440 --> 00:27:19.240
<v Speaker 3>to your story about seeing something multiple times with different people. Yeah,

523
00:27:19.279 --> 00:27:19.960
<v Speaker 3>and yeah.

524
00:27:19.799 --> 00:27:21.079
<v Speaker 2>You do that a lot.

525
00:27:21.279 --> 00:27:21.559
<v Speaker 1>Yeah.

526
00:27:21.680 --> 00:27:23.720
<v Speaker 3>Well, the one that I remember most was I saw

527
00:27:23.799 --> 00:27:27.160
<v Speaker 3>Children of Men four times. Wow, probably in less than

528
00:27:27.200 --> 00:27:31.799
<v Speaker 3>two weeks. And that's that's a lot. Yeah. But it

529
00:27:31.839 --> 00:27:33.680
<v Speaker 3>was funny because I didn't want to tell anyone because

530
00:27:33.680 --> 00:27:35.759
<v Speaker 3>I knew if I said that I had seen it,

531
00:27:36.079 --> 00:27:38.480
<v Speaker 3>they would be like, oh no, no, no, then we're not

532
00:27:38.519 --> 00:27:39.599
<v Speaker 3>going to do it. I was like, no, no, no, I

533
00:27:39.599 --> 00:27:40.559
<v Speaker 3>want you guys to see it.

534
00:27:41.160 --> 00:27:45.279
<v Speaker 2>There is nothing more Brian than what you just said.

535
00:27:46.880 --> 00:27:49.680
<v Speaker 3>Well, I told the final person, Okay, I was like,

536
00:27:49.720 --> 00:27:51.279
<v Speaker 3>this is the fourth time I've seen it, you know.

537
00:27:51.359 --> 00:27:52.799
<v Speaker 3>I had probably only been out for like two weeks.

538
00:27:52.839 --> 00:27:54.559
<v Speaker 3>And she was like what. She's like, why don't you

539
00:27:54.559 --> 00:27:56.240
<v Speaker 3>say something? I'm like, well, because I wanted you to

540
00:27:56.279 --> 00:27:58.079
<v Speaker 3>see it, you know. And then I saw it with

541
00:27:58.119 --> 00:28:00.640
<v Speaker 3>my brother and I saw probably Chad that I you know,

542
00:28:01.240 --> 00:28:05.759
<v Speaker 3>and I do remember feeling like this movie's a lot

543
00:28:06.359 --> 00:28:10.799
<v Speaker 3>I mean, it is a great movie, fantastic movie, but

544
00:28:10.880 --> 00:28:15.279
<v Speaker 3>our times in two weeks, good lord. Yeah, yeah, but yeah,

545
00:28:15.279 --> 00:28:17.279
<v Speaker 3>I'll do that occasionally because that's the thing though, is

546
00:28:17.319 --> 00:28:21.519
<v Speaker 3>I do want to experience these things with people, right,

547
00:28:21.680 --> 00:28:26.119
<v Speaker 3>Like Disclosure day, you know, I wanted I saw it

548
00:28:26.160 --> 00:28:28.480
<v Speaker 3>and we had our feelings, and then I had a

549
00:28:28.480 --> 00:28:30.000
<v Speaker 3>friend that wanted to see it, and I want to

550
00:28:30.000 --> 00:28:33.039
<v Speaker 3>be there with this person while it's happening and then

551
00:28:33.079 --> 00:28:35.519
<v Speaker 3>have the discussion afterwards. And I always want to see

552
00:28:35.519 --> 00:28:39.680
<v Speaker 3>stuff with my brother and get his opinion. Actually, the Odyssey, right,

553
00:28:39.920 --> 00:28:43.079
<v Speaker 3>I'm seeing it again this coming Saturday at seven thirty

554
00:28:43.119 --> 00:28:45.359
<v Speaker 3>am because that's the only time my brother can see it.

555
00:28:46.079 --> 00:28:48.279
<v Speaker 3>But I'm like more than happy to do it because

556
00:28:48.319 --> 00:28:51.319
<v Speaker 3>it means something to me to be there while he's

557
00:28:51.359 --> 00:28:54.000
<v Speaker 3>watching it and then have that discussion when he's walking out.

558
00:28:54.359 --> 00:28:56.960
<v Speaker 3>So I'm not able to do that as much these days,

559
00:28:57.119 --> 00:28:59.279
<v Speaker 3>but that is something that I'm still willing to do,

560
00:28:59.519 --> 00:29:03.839
<v Speaker 3>and like it's not a chore, like I actually enjoy it.

561
00:29:03.960 --> 00:29:08.000
<v Speaker 3>But four times is a bit much. But yeah, but yeah, yeah,

562
00:29:08.079 --> 00:29:09.400
<v Speaker 3>that's I'm okay with that.

563
00:29:10.079 --> 00:29:11.880
<v Speaker 2>See, I mean, as far as I'm concerned, there is

564
00:29:11.920 --> 00:29:16.559
<v Speaker 2>no seven thirty am on a weekend, So yeah, I

565
00:29:16.599 --> 00:29:17.880
<v Speaker 2>have nothing but respect.

566
00:29:18.039 --> 00:29:19.440
<v Speaker 3>Well you know what part of that is. I mean,

567
00:29:19.440 --> 00:29:21.079
<v Speaker 3>I'm sure we would have been happier at like nine

568
00:29:21.240 --> 00:29:24.440
<v Speaker 3>thirty maybe, but we If you're gonna see this, well,

569
00:29:24.480 --> 00:29:27.880
<v Speaker 3>if you're able, it'd be nice to see this movie

570
00:29:27.960 --> 00:29:31.599
<v Speaker 3>in true imax. And so imax is a hot commodity

571
00:29:31.640 --> 00:29:34.039
<v Speaker 3>for this particular film. It was shot entirely in the

572
00:29:34.079 --> 00:29:37.359
<v Speaker 3>IMAX format. And all the other times and there are

573
00:29:37.680 --> 00:29:40.880
<v Speaker 3>many of them, they're all sold out. So seven thirty am,

574
00:29:41.039 --> 00:29:44.400
<v Speaker 3>which is still about half sold out. Wow, that's the

575
00:29:44.400 --> 00:29:48.400
<v Speaker 3>only time we could get seats. So hey, it's all good.

576
00:29:48.519 --> 00:29:49.160
<v Speaker 2>I respect it.

577
00:29:49.279 --> 00:29:49.960
<v Speaker 3>I respect it.

578
00:29:51.359 --> 00:29:53.599
<v Speaker 2>Well well okay, well thank you for sharing that. So

579
00:29:54.480 --> 00:29:57.319
<v Speaker 2>you know, the the real moral of the story is

580
00:29:57.359 --> 00:30:01.000
<v Speaker 2>Brian is a good friend to have. He'll go see that.

581
00:30:01.039 --> 00:30:02.759
<v Speaker 2>You know, it doesn't matter if you've seen it already.

582
00:30:02.799 --> 00:30:04.240
<v Speaker 2>He wants to experience it with you.

583
00:30:04.640 --> 00:30:05.440
<v Speaker 3>I do.

584
00:30:06.359 --> 00:30:12.720
<v Speaker 2>I just that's that's impressive. Well, thank you for that, Rob,

585
00:30:13.759 --> 00:30:15.799
<v Speaker 2>and I will be watching Masters of the Universe again,

586
00:30:15.839 --> 00:30:18.119
<v Speaker 2>not on the big screen, but in digital very shortly,

587
00:30:18.319 --> 00:30:19.319
<v Speaker 2>so looking forward to that.

588
00:30:19.519 --> 00:30:21.720
<v Speaker 3>Yeah, I'm glad, you know, by the way, just because

589
00:30:21.759 --> 00:30:25.799
<v Speaker 3>I know how much Masters of the Universe means to

590
00:30:25.839 --> 00:30:27.359
<v Speaker 3>you and has meant to you through your life. That

591
00:30:27.400 --> 00:30:29.079
<v Speaker 3>makes me very happy that that is the reaction you

592
00:30:29.079 --> 00:30:29.880
<v Speaker 3>had to that movie.

593
00:30:30.319 --> 00:30:33.160
<v Speaker 2>You know, I really like it's It's so funny because

594
00:30:33.200 --> 00:30:35.079
<v Speaker 2>I see so many people online are like, man, it

595
00:30:35.119 --> 00:30:39.279
<v Speaker 2>sucks that it flopped, and I'm like, well again, you know,

596
00:30:39.599 --> 00:30:42.279
<v Speaker 2>just based on our conversations here, I had no illusions

597
00:30:43.039 --> 00:30:46.559
<v Speaker 2>about it not flopping, So it was really I just

598
00:30:46.599 --> 00:30:52.839
<v Speaker 2>wanted to be good. You know, We've had one Master's

599
00:30:52.960 --> 00:30:55.640
<v Speaker 2>Universe live action movie for forty years, and I've lived

600
00:30:56.000 --> 00:31:01.599
<v Speaker 2>a perfectly contented life, soditional one. That's totally fine.

601
00:31:01.720 --> 00:31:04.640
<v Speaker 3>You know, you really put it into perspective for me,

602
00:31:04.720 --> 00:31:07.359
<v Speaker 3>because yeah, I'm I'm bummed that there's a little stink

603
00:31:07.440 --> 00:31:09.279
<v Speaker 3>on it and bummed that maybe it won't get the

604
00:31:09.319 --> 00:31:11.920
<v Speaker 3>sequel that I would hope it would get. But then

605
00:31:12.000 --> 00:31:14.759
<v Speaker 3>you are like, well, it's like The Rocketeer, and I

606
00:31:14.799 --> 00:31:17.319
<v Speaker 3>was like, oh, and I adore The Rocketeer. I don't

607
00:31:17.319 --> 00:31:19.319
<v Speaker 3>think of the Rocketeer of having any stink on it.

608
00:31:19.359 --> 00:31:23.200
<v Speaker 3>I think it's a wonderful movie from my childhood that

609
00:31:23.240 --> 00:31:25.599
<v Speaker 3>I still love. And so and it was a flop

610
00:31:25.640 --> 00:31:28.559
<v Speaker 3>when it came out, and so, yeah, you're right. I

611
00:31:28.559 --> 00:31:32.400
<v Speaker 3>think this movie will probably become like The Rocketeer.

612
00:31:31.960 --> 00:31:35.640
<v Speaker 2>I suspect, you know, and there's a long tradition of this.

613
00:31:35.720 --> 00:31:39.079
<v Speaker 2>I mean Flash Gordon from nineteen eighty and you know,

614
00:31:39.119 --> 00:31:41.559
<v Speaker 2>even Dick Tracy, which is considered an underperformer. All of

615
00:31:41.559 --> 00:31:45.039
<v Speaker 2>these movies have you know, have a legacy, and this

616
00:31:45.119 --> 00:31:46.960
<v Speaker 2>is this is going to be part of that pot.

617
00:31:47.160 --> 00:31:47.759
<v Speaker 3>Yeah, I think.

618
00:31:47.799 --> 00:31:51.039
<v Speaker 2>So here's a movie that is not going to be

619
00:31:51.279 --> 00:31:53.839
<v Speaker 2>part of that pot. And this is an email we

620
00:31:53.920 --> 00:31:58.480
<v Speaker 2>got in response to our commentary track for Independence Day Resurgence.

621
00:32:00.200 --> 00:32:02.359
<v Speaker 2>She dropped just a few weeks ago. This is from

622
00:32:02.440 --> 00:32:04.799
<v Speaker 2>Adamo who says, just to be clear, I'm not saying

623
00:32:04.839 --> 00:32:08.559
<v Speaker 2>that people can't grow and change over time, but does

624
00:32:08.599 --> 00:32:11.000
<v Speaker 2>this count as growth or just a lack of resolve

625
00:32:11.079 --> 00:32:14.920
<v Speaker 2>to stand firm in your core fundamental beliefs. And then

626
00:32:14.920 --> 00:32:17.880
<v Speaker 2>he included an audio file do we want to I

627
00:32:17.920 --> 00:32:18.480
<v Speaker 2>want to play that.

628
00:32:18.680 --> 00:32:19.039
<v Speaker 3>Let's do.

629
00:32:21.680 --> 00:32:22.400
<v Speaker 2>Now now?

630
00:32:23.000 --> 00:32:26.480
<v Speaker 6>In order to head off the questions in advance, we

631
00:32:26.519 --> 00:32:28.880
<v Speaker 6>will not be doing Independence Day Resurgence.

632
00:32:29.920 --> 00:32:30.799
<v Speaker 2>Do not ask.

633
00:32:32.240 --> 00:32:34.920
<v Speaker 6>That is that is not that movie does not exist

634
00:32:34.960 --> 00:32:39.160
<v Speaker 6>in this no Jo Once was enough.

635
00:32:40.960 --> 00:32:45.480
<v Speaker 2>Okay, So so that was in our Independence Day commentary track.

636
00:32:45.519 --> 00:32:47.359
<v Speaker 3>I believe, yes, Okay.

637
00:32:48.039 --> 00:32:51.160
<v Speaker 2>So first of all, I should say this is proof

638
00:32:51.960 --> 00:32:55.759
<v Speaker 2>that I do not listen to our show, right like

639
00:32:55.799 --> 00:32:58.480
<v Speaker 2>I I we speak, we do this, and then it

640
00:32:58.599 --> 00:33:02.759
<v Speaker 2>just goes into the into the pile, and that's it.

641
00:33:02.839 --> 00:33:05.079
<v Speaker 2>I this is proof positive because I have I believe

642
00:33:05.119 --> 00:33:08.720
<v Speaker 2>I said that unless Adam has some elaborate, deep fake

643
00:33:08.759 --> 00:33:10.200
<v Speaker 2>AI program.

644
00:33:10.200 --> 00:33:12.359
<v Speaker 3>Right right, Actually, it'd be funny if it ended with

645
00:33:12.400 --> 00:33:14.799
<v Speaker 3>you also be like, also, I'm a big stupid head.

646
00:33:14.839 --> 00:33:16.920
<v Speaker 3>This is Zachi.

647
00:33:18.039 --> 00:33:19.880
<v Speaker 2>I have no memory of having said that.

648
00:33:20.680 --> 00:33:23.680
<v Speaker 3>I never think about the fact that the thing that's

649
00:33:23.720 --> 00:33:28.279
<v Speaker 3>coming out of my mouth could become exhibit A.

650
00:33:29.119 --> 00:33:35.240
<v Speaker 2>It's true. But yeah, so I again I proof I

651
00:33:35.240 --> 00:33:37.599
<v Speaker 2>don't listen to the show. But Adam says, I'm not mad,

652
00:33:37.720 --> 00:33:43.039
<v Speaker 2>Zachi just disappointed. For the record, only you guys could

653
00:33:43.039 --> 00:33:45.880
<v Speaker 2>make me listen to a commentary for Independence Day Resurgence.

654
00:33:46.119 --> 00:33:49.079
<v Speaker 2>And while the commentaries for Jaws and the Og Independence

655
00:33:49.160 --> 00:33:51.480
<v Speaker 2>Day have become part of my Fourth of July routine

656
00:33:51.519 --> 00:33:53.799
<v Speaker 2>for the past few years, A warm hug while I

657
00:33:53.839 --> 00:33:56.640
<v Speaker 2>putter around, grilled doze in my hammock, et cetera. I

658
00:33:56.640 --> 00:33:59.119
<v Speaker 2>don't think I'll be adding this one to that tradition

659
00:33:59.759 --> 00:34:01.640
<v Speaker 2>as always, thanks again for a fun show.

660
00:34:03.000 --> 00:34:05.880
<v Speaker 3>Well, that means a lot to me that he still

661
00:34:05.960 --> 00:34:09.000
<v Speaker 3>enjoys listening to Jaws and the first Independence Day.

662
00:34:09.480 --> 00:34:11.599
<v Speaker 2>That's amazing and fair.

663
00:34:12.079 --> 00:34:12.400
<v Speaker 3>Fair.

664
00:34:14.199 --> 00:34:17.599
<v Speaker 2>I think what it came down to is when you

665
00:34:17.639 --> 00:34:19.519
<v Speaker 2>and I were, you know, we just bad ideas back

666
00:34:19.559 --> 00:34:23.519
<v Speaker 2>and forth about something fun to drop over the holiday,

667
00:34:25.039 --> 00:34:27.199
<v Speaker 2>and I mentioned I was like, well, Independence Day too

668
00:34:27.280 --> 00:34:30.079
<v Speaker 2>is ten years old. You know that could be fun

669
00:34:30.199 --> 00:34:34.960
<v Speaker 2>to talk through. And I think we had a fun discussion,

670
00:34:35.079 --> 00:34:36.400
<v Speaker 2>is my sense. You know.

671
00:34:36.920 --> 00:34:42.159
<v Speaker 3>I think we have come to realize that even less

672
00:34:42.199 --> 00:34:45.599
<v Speaker 3>successful movies can be fun to workshop together, you know,

673
00:34:45.719 --> 00:34:49.920
<v Speaker 3>because it's connected to something we do love. So it's

674
00:34:49.960 --> 00:34:53.239
<v Speaker 3>a return to that world, which is always interesting at least,

675
00:34:53.599 --> 00:34:55.519
<v Speaker 3>And then if it doesn't work, it's kind of fun

676
00:34:55.559 --> 00:34:58.280
<v Speaker 3>to go through and see, well this does work, why

677
00:34:58.360 --> 00:35:00.639
<v Speaker 3>doesn't this ultimately feel this way by the end? Then

678
00:35:00.840 --> 00:35:02.920
<v Speaker 3>and then you and I end up workshopping things and

679
00:35:03.000 --> 00:35:05.880
<v Speaker 3>riffing and kind of having fun with it, and those

680
00:35:05.920 --> 00:35:08.000
<v Speaker 3>end up being some of my favorite commentaries.

681
00:35:08.719 --> 00:35:11.320
<v Speaker 2>I yeah, I do, I feel like and you know,

682
00:35:12.079 --> 00:35:14.719
<v Speaker 2>feel free to correct me if I'm wrong. I feel

683
00:35:14.719 --> 00:35:17.480
<v Speaker 2>like that's kind of like we found a lane when

684
00:35:17.519 --> 00:35:20.679
<v Speaker 2>it comes to you know, quote unquote bad movies that

685
00:35:20.760 --> 00:35:24.599
<v Speaker 2>differentiates us from how did this get made? Or or

686
00:35:24.639 --> 00:35:26.800
<v Speaker 2>we hate movies or you know, and those guys do

687
00:35:26.840 --> 00:35:27.880
<v Speaker 2>what they do very well.

688
00:35:28.039 --> 00:35:31.239
<v Speaker 3>Love the Yeah, I love those guys, but that.

689
00:35:31.320 --> 00:35:34.039
<v Speaker 2>Our approach is more, Yeah, we're kind of we're doing

690
00:35:34.079 --> 00:35:35.320
<v Speaker 2>an autopsy a little bit.

691
00:35:38.199 --> 00:35:38.400
<v Speaker 5>You know.

692
00:35:38.440 --> 00:35:41.000
<v Speaker 2>In the case of Independence Day Resurgence, obviously there was

693
00:35:41.039 --> 00:35:45.000
<v Speaker 2>a lot to there was a lot of necrotic tissue

694
00:35:45.039 --> 00:35:51.320
<v Speaker 2>to work with. I mean it, truly. That was the

695
00:35:51.360 --> 00:35:52.920
<v Speaker 2>first time in ten years I had seen it.

696
00:35:53.280 --> 00:35:56.599
<v Speaker 3>Yeah, same, and you know it it was.

697
00:35:56.719 --> 00:35:59.320
<v Speaker 2>Yeah, it's quite It's quite a thing, that movie.

698
00:35:59.440 --> 00:35:59.920
<v Speaker 3>Yeah it is.

699
00:36:00.440 --> 00:36:05.280
<v Speaker 2>So Hopefully hopefully people found the experience of listening to

700
00:36:05.360 --> 00:36:07.039
<v Speaker 2>us talk through it interesting even if they haven't seen

701
00:36:07.079 --> 00:36:07.400
<v Speaker 2>the movie.

702
00:36:07.480 --> 00:36:09.480
<v Speaker 3>Yep, I agreed, all right.

703
00:36:10.039 --> 00:36:13.199
<v Speaker 2>Last note here we got from Hey Sean Coyle. Hey

704
00:36:14.039 --> 00:36:17.159
<v Speaker 2>like this guy, he says, ohla movie film chumps popping

705
00:36:17.159 --> 00:36:19.320
<v Speaker 2>in today for a few reasons. Firstly, I was listening

706
00:36:19.320 --> 00:36:22.039
<v Speaker 2>to a recent episode where listener and Mega Masters of

707
00:36:22.039 --> 00:36:25.679
<v Speaker 2>the Universe fan shared his experience watching the film and

708
00:36:25.719 --> 00:36:27.760
<v Speaker 2>how it related to his love for he Man, which

709
00:36:27.840 --> 00:36:30.679
<v Speaker 2>was shared by his now late father, and that's our

710
00:36:31.400 --> 00:36:34.239
<v Speaker 2>friend Mike Snyder. By the way. By the end of

711
00:36:34.239 --> 00:36:36.760
<v Speaker 2>the story, I found myself in tears remembering all the

712
00:36:36.800 --> 00:36:40.039
<v Speaker 2>things I shared with my father now past. Whenever I

713
00:36:40.079 --> 00:36:42.519
<v Speaker 2>rewatch an episode of Cheers or have burgers going on

714
00:36:42.559 --> 00:36:44.440
<v Speaker 2>the grill while the sounds of a baseball game are

715
00:36:44.480 --> 00:36:47.000
<v Speaker 2>broadcast in the background, it's like he's right there with me.

716
00:36:47.599 --> 00:36:51.199
<v Speaker 2>That Masters of the Universe story was absolutely wonderful. Speaking

717
00:36:51.199 --> 00:36:53.000
<v Speaker 2>of which, Brian, when are you going to start your

718
00:36:53.039 --> 00:36:57.320
<v Speaker 2>cheers binge? So we can discuss this year? This year,

719
00:36:58.519 --> 00:37:03.960
<v Speaker 2>this year we'll see clock a stick and Brian, I

720
00:37:04.000 --> 00:37:07.800
<v Speaker 2>know secondarily I'm right there with you, fellows regarding our

721
00:37:07.840 --> 00:37:11.440
<v Speaker 2>feelings on Toy Story five. But there was one thing

722
00:37:11.519 --> 00:37:15.440
<v Speaker 2>I wanted to add. Is it me or does Bonnie

723
00:37:15.679 --> 00:37:20.599
<v Speaker 2>have terrible parents? Hmm? Okay, maybe not terrible, as they

724
00:37:20.639 --> 00:37:23.400
<v Speaker 2>clearly show an awareness for her sadness, But the entire

725
00:37:23.480 --> 00:37:26.800
<v Speaker 2>movie hinges on the idea that Bonnie's parents have set

726
00:37:26.800 --> 00:37:29.559
<v Speaker 2>absolutely zero boundaries when it comes to screen time. It

727
00:37:29.599 --> 00:37:32.639
<v Speaker 2>was the only problem that kept nagging at me during

728
00:37:32.719 --> 00:37:34.960
<v Speaker 2>the movie. But Disney has shown over the course of

729
00:37:34.960 --> 00:37:37.239
<v Speaker 2>forever that parents are only necessary to a story if

730
00:37:37.280 --> 00:37:39.360
<v Speaker 2>one of them dies so that their child can become

731
00:37:39.400 --> 00:37:40.599
<v Speaker 2>Queen of the Sea or some shit.

732
00:37:42.239 --> 00:37:45.599
<v Speaker 3>I give you a queen of the sea.

733
00:37:46.400 --> 00:37:48.760
<v Speaker 2>What would have helped is that as Bonnie and Blaze

734
00:37:48.800 --> 00:37:50.320
<v Speaker 2>go off to play in the front yard and other

735
00:37:50.400 --> 00:37:53.079
<v Speaker 2>kids start to gather, that we see the parents, noticing this,

736
00:37:53.360 --> 00:37:55.159
<v Speaker 2>set their own phones down and go out to the

737
00:37:55.239 --> 00:37:57.760
<v Speaker 2>kids play from the front porch, or even connect with

738
00:37:57.840 --> 00:38:01.239
<v Speaker 2>other now unplugged neighbors over the picket fence.

739
00:38:02.400 --> 00:38:04.559
<v Speaker 3>That would have been a nice because I thought the

740
00:38:04.639 --> 00:38:07.159
<v Speaker 3>movie did a good job of showing that the parents

741
00:38:07.480 --> 00:38:11.000
<v Speaker 3>are also susceptible to this, especially Blaze's dad, And it's

742
00:38:11.000 --> 00:38:13.559
<v Speaker 3>not like he's doing anything wrong necessarily. It looks like

743
00:38:13.599 --> 00:38:16.960
<v Speaker 3>he's working occasionally, but he is almost always seen in

744
00:38:16.960 --> 00:38:20.960
<v Speaker 3>front of a screen because either a that's how life is,

745
00:38:21.480 --> 00:38:24.320
<v Speaker 3>yeah in some ways. And also I think he was

746
00:38:24.400 --> 00:38:27.079
<v Speaker 3>chatting with friends at one point, so it was showing

747
00:38:27.159 --> 00:38:30.760
<v Speaker 3>that it's not just a problem for like kids, which

748
00:38:30.800 --> 00:38:33.400
<v Speaker 3>I kind of respected. But along those lines, I think

749
00:38:33.440 --> 00:38:35.280
<v Speaker 3>that that's a pretty good note, Like it would be

750
00:38:35.360 --> 00:38:37.480
<v Speaker 3>kind of nice, especially if you have a strange kid

751
00:38:37.519 --> 00:38:39.440
<v Speaker 3>playing with your kid in the front yard for the

752
00:38:39.440 --> 00:38:41.320
<v Speaker 3>first time, Like maybe you'd sit on the porch and

753
00:38:41.360 --> 00:38:42.320
<v Speaker 3>just kind of a.

754
00:38:42.280 --> 00:38:43.800
<v Speaker 2>New kid, not a strange kid.

755
00:38:44.360 --> 00:38:45.840
<v Speaker 3>Well, you know what I'm saying, A stranger.

756
00:38:46.400 --> 00:38:49.280
<v Speaker 2>I love if a weird kid is playing with your.

757
00:38:49.960 --> 00:38:53.760
<v Speaker 3>Yea, some psycho comes over to your house now, But

758
00:38:53.760 --> 00:38:55.639
<v Speaker 3>you know what I'm saying, Like I could see I

759
00:38:55.679 --> 00:38:57.559
<v Speaker 3>could see that where it's like, oh, then put the

760
00:38:57.559 --> 00:38:59.840
<v Speaker 3>phone down and the parents kind of sit and cuddle

761
00:38:59.920 --> 00:39:02.039
<v Speaker 3>up a little bit on a patio swing and kind

762
00:39:02.079 --> 00:39:05.119
<v Speaker 3>of watch happily as the kids play.

763
00:39:05.320 --> 00:39:07.840
<v Speaker 2>I don't know, see, I would have liked mom and

764
00:39:07.920 --> 00:39:10.559
<v Speaker 2>dad to They look at Blaze and Bonnie, then they

765
00:39:10.599 --> 00:39:13.000
<v Speaker 2>look at each other. Then they get a hammer and

766
00:39:13.039 --> 00:39:17.119
<v Speaker 2>they like break their phones, and then they go into

767
00:39:17.159 --> 00:39:19.320
<v Speaker 2>Bonnie's room and they get lily Pad, and lily Pad

768
00:39:19.400 --> 00:39:21.719
<v Speaker 2>is like no, no, we cant and we just we

769
00:39:21.719 --> 00:39:24.440
<v Speaker 2>we end on the other toys look of horror, as

770
00:39:24.480 --> 00:39:26.719
<v Speaker 2>like the hammer is coming down on lily.

771
00:39:26.559 --> 00:39:29.079
<v Speaker 3>Yeah, yeah, stop stop, it's already dead.

772
00:39:29.280 --> 00:39:31.960
<v Speaker 2>Yeah that would have been my ending. Yeah, That's why

773
00:39:32.000 --> 00:39:37.239
<v Speaker 2>I'm not in charge of Pixar though. Uh Sean continues third,

774
00:39:37.440 --> 00:39:40.559
<v Speaker 2>regarding Supergirl and the frequent use of t Bou Guardians

775
00:39:40.639 --> 00:39:44.039
<v Speaker 2>or Timu gun In reviews and discussions yours included, it

776
00:39:44.039 --> 00:39:46.480
<v Speaker 2>feels like James Gunn and DC are all in on

777
00:39:46.519 --> 00:39:49.280
<v Speaker 2>a vibe that audiences have already grown tired of. Now,

778
00:39:49.320 --> 00:39:52.159
<v Speaker 2>with Clayface being the next offering, you could make the

779
00:39:52.280 --> 00:39:54.400
<v Speaker 2>argument that it feels like James Gunn is making these

780
00:39:54.400 --> 00:39:57.639
<v Speaker 2>movies for himself and his fans and not properly servicing

781
00:39:57.840 --> 00:40:01.599
<v Speaker 2>the source material and the greater DC universe. No one

782
00:40:01.760 --> 00:40:04.239
<v Speaker 2>should ever expect to repeat the long play model of

783
00:40:04.280 --> 00:40:07.760
<v Speaker 2>the MCU that culminated so masterfully in Avengers Endgame. But

784
00:40:08.039 --> 00:40:11.039
<v Speaker 2>James Gunn Superman, which I very much enjoyed, in spite

785
00:40:11.039 --> 00:40:14.440
<v Speaker 2>of some of the unsavory or two off kilter gun isms,

786
00:40:14.679 --> 00:40:17.639
<v Speaker 2>moments and characters, did a wonderful job of showcasing that

787
00:40:17.719 --> 00:40:21.079
<v Speaker 2>this world was filled with vibrant, interesting characters and that

788
00:40:21.159 --> 00:40:24.119
<v Speaker 2>dealing with alien blob attacks was just an everyday thing.

789
00:40:24.480 --> 00:40:26.840
<v Speaker 2>I couldn't wait to see what this universe's version of

790
00:40:26.840 --> 00:40:29.360
<v Speaker 2>Flash and Mister Miracle and Aquaman and Green Arrow and

791
00:40:29.360 --> 00:40:31.800
<v Speaker 2>Black Canary and Booster Gold and a Wonder Woman and

792
00:40:31.880 --> 00:40:36.280
<v Speaker 2>Batman would look like, But instead we get Clayface. What

793
00:40:36.360 --> 00:40:39.119
<v Speaker 2>are your thoughts on this current direction and after the

794
00:40:39.199 --> 00:40:42.559
<v Speaker 2>lackluster box office from Supergirl, do you foresee any drastic

795
00:40:42.679 --> 00:40:46.440
<v Speaker 2>or reactionary pivots in their master plan? Keep on movie

796
00:40:46.440 --> 00:40:51.000
<v Speaker 2>filming here, Old pal Shan, And what I will say is,

797
00:40:51.039 --> 00:40:55.000
<v Speaker 2>thank you Sean for those questions. Luckily for you and

798
00:40:55.079 --> 00:40:57.639
<v Speaker 2>everyone else, we actually did have this discussion, right, Brian.

799
00:40:57.920 --> 00:40:59.159
<v Speaker 3>We did? Yes? Wow?

800
00:40:59.199 --> 00:41:01.679
<v Speaker 2>Was this on a bonus Ofis this was a bonus episode?

801
00:41:01.679 --> 00:41:01.760
<v Speaker 4>Oh?

802
00:41:01.800 --> 00:41:01.960
<v Speaker 2>Wow?

803
00:41:02.000 --> 00:41:03.199
<v Speaker 3>I get them confused sometimes.

804
00:41:03.400 --> 00:41:03.599
<v Speaker 2>Yeah.

805
00:41:03.639 --> 00:41:06.199
<v Speaker 3>Yeah, yeah, we talked about this very thing.

806
00:41:06.760 --> 00:41:09.880
<v Speaker 2>Yeah, we held court for almost an hour. So hey,

807
00:41:09.880 --> 00:41:12.079
<v Speaker 2>if you want to hear that conversation, jump over to

808
00:41:12.119 --> 00:41:13.199
<v Speaker 2>the Patreon page.

809
00:41:13.599 --> 00:41:18.639
<v Speaker 3>Yeah. Yeah, I do think it's interesting. I mean, just

810
00:41:18.639 --> 00:41:20.000
<v Speaker 3>to touch on it briefly here to.

811
00:41:20.679 --> 00:41:23.400
<v Speaker 2>Well, we should say real quick, as of this recording,

812
00:41:23.440 --> 00:41:30.079
<v Speaker 2>Supergirl is the lowest grossing DC movie in like twenty years.

813
00:41:30.760 --> 00:41:34.119
<v Speaker 3>Yeah. Well, I mean, then to kind of build on

814
00:41:34.159 --> 00:41:37.679
<v Speaker 3>the conversation we had because we have new information. We've

815
00:41:37.719 --> 00:41:42.239
<v Speaker 3>just learned that Matt Reeves The Batman Part two has

816
00:41:42.280 --> 00:41:46.280
<v Speaker 3>been pushed again and that will be coming out now

817
00:41:46.320 --> 00:41:50.480
<v Speaker 3>in February of twenty twenty eight. So with all of

818
00:41:50.480 --> 00:41:54.639
<v Speaker 3>this in mind, it makes me think Yeah, with the

819
00:41:54.679 --> 00:42:00.519
<v Speaker 3>second movie out of guns DC Universe performing disaster slee.

820
00:42:00.800 --> 00:42:03.679
<v Speaker 2>Yeah, like no sugarcoating whatsoever.

821
00:42:03.920 --> 00:42:06.679
<v Speaker 3>Yeah, it feels like they really need to sort of

822
00:42:06.760 --> 00:42:12.239
<v Speaker 3>establish the known beloved pillars of DC for us, to

823
00:42:12.519 --> 00:42:15.719
<v Speaker 3>like to ground us and make us feel confident that

824
00:42:15.760 --> 00:42:17.519
<v Speaker 3>we're going to be in this univers verse for the

825
00:42:17.519 --> 00:42:20.559
<v Speaker 3>next couple of years. And so I think that means Batman.

826
00:42:20.599 --> 00:42:26.280
<v Speaker 3>I think that means Flash Wonder Woman. And with Reeves

827
00:42:26.280 --> 00:42:28.199
<v Speaker 3>movie now not coming out till twenty twenty eight, does

828
00:42:28.199 --> 00:42:30.000
<v Speaker 3>that mean we're not going to get a gun Batman

829
00:42:30.159 --> 00:42:35.000
<v Speaker 3>till twenty nine later? Like that doesn't feel great.

830
00:42:35.519 --> 00:42:38.000
<v Speaker 2>But have they ever said that, like they're gonna wait

831
00:42:38.079 --> 00:42:40.559
<v Speaker 2>till Reeves finishes telling his story before they do the

832
00:42:40.639 --> 00:42:42.079
<v Speaker 2>DCU Batman that I never know?

833
00:42:42.519 --> 00:42:45.039
<v Speaker 3>No, Actually the opposite. I think he was saying that

834
00:42:45.079 --> 00:42:46.639
<v Speaker 3>they were going to do like a brave and bold

835
00:42:46.679 --> 00:42:47.440
<v Speaker 3>kind of thing, right.

836
00:42:47.760 --> 00:42:50.679
<v Speaker 2>Yeah, and they're not like waiting for for for Reeves

837
00:42:50.719 --> 00:42:52.000
<v Speaker 2>to finish Grown Roses.

838
00:42:52.119 --> 00:42:56.840
<v Speaker 3>So yeah, I'm true, true, but it just well, I

839
00:42:56.840 --> 00:42:58.679
<v Speaker 3>don't know. I guess I don't even know what to

840
00:42:58.679 --> 00:43:01.199
<v Speaker 3>say about that because we we don't know what their

841
00:43:01.199 --> 00:43:03.719
<v Speaker 3>plan is, but they might want to let us in

842
00:43:03.840 --> 00:43:07.400
<v Speaker 3>on it, you know, like Marvel does occasionally. You know,

843
00:43:07.440 --> 00:43:09.920
<v Speaker 3>they'll show what a phase is going to look like

844
00:43:09.960 --> 00:43:11.920
<v Speaker 3>and the people we can expect coming up, so we

845
00:43:11.920 --> 00:43:13.840
<v Speaker 3>can go, oh great, Well, at least I can look

846
00:43:13.880 --> 00:43:16.840
<v Speaker 3>forward to that. But to Seawn's point, for people that

847
00:43:17.000 --> 00:43:22.960
<v Speaker 3>are feeling a little nervous about DC at the moment,

848
00:43:24.000 --> 00:43:27.000
<v Speaker 3>you know, clay Face being next on the calendar isn't

849
00:43:27.079 --> 00:43:30.079
<v Speaker 3>like a oh few, okay, we're good. Yeah's you know,

850
00:43:30.119 --> 00:43:32.440
<v Speaker 3>for the majority of people, right.

851
00:43:33.280 --> 00:43:35.880
<v Speaker 2>It's an odd choice. I mean, I've said for a

852
00:43:35.960 --> 00:43:40.119
<v Speaker 2>little while that I think, at least as it pertains

853
00:43:40.119 --> 00:43:42.039
<v Speaker 2>to Supergirl, if you're going to do a Supergirl movie,

854
00:43:42.079 --> 00:43:44.920
<v Speaker 2>you should have done it after Man of Tomorrow, right,

855
00:43:46.360 --> 00:43:49.360
<v Speaker 2>because Man of the idea here is like Supergirl sets

856
00:43:49.440 --> 00:43:51.559
<v Speaker 2>up her status quo leading into Man of Tomorrow, and

857
00:43:51.599 --> 00:43:54.800
<v Speaker 2>I think that's just a mistake because there wasn't enough

858
00:43:54.880 --> 00:43:57.599
<v Speaker 2>rooting interest from her based on her cameo at the

859
00:43:57.639 --> 00:44:00.440
<v Speaker 2>end of Superman. So put her in manat Tomorrow. She

860
00:44:00.480 --> 00:44:03.960
<v Speaker 2>gets a decent role, I presume, and then and then

861
00:44:04.000 --> 00:44:06.239
<v Speaker 2>you set up, you know, whatever you're gonna do in

862
00:44:06.280 --> 00:44:10.679
<v Speaker 2>the Woman Tomorrow adaptation. Just ill conceived. I mean it sucks.

863
00:44:10.719 --> 00:44:13.239
<v Speaker 2>I mean that's the bottom line, right, I I wish

864
00:44:13.320 --> 00:44:15.159
<v Speaker 2>the movie had done better, but I also wish the

865
00:44:15.199 --> 00:44:19.360
<v Speaker 2>movie was better. Yeah, Sam, Right, and I you know,

866
00:44:19.599 --> 00:44:23.719
<v Speaker 2>like that's really it because people didn't show up and

867
00:44:23.760 --> 00:44:25.960
<v Speaker 2>then it just dropped like a stone. So it's you know,

868
00:44:26.800 --> 00:44:29.360
<v Speaker 2>uh well, I mean there's a conversation we're gonna have

869
00:44:29.360 --> 00:44:31.280
<v Speaker 2>it just a little bit about just the broader box

870
00:44:31.320 --> 00:44:36.000
<v Speaker 2>office trends this this summer, you know. Uh but thank

871
00:44:36.000 --> 00:44:39.760
<v Speaker 2>you for that, Sean, And like I said, uh, more

872
00:44:39.800 --> 00:44:42.880
<v Speaker 2>of that on the bonus feed, so so definitely check

873
00:44:42.920 --> 00:44:45.199
<v Speaker 2>that out. Hey we got a new trailer.

874
00:44:44.920 --> 00:44:48.440
<v Speaker 3>Bright coming soon to theaters.

875
00:44:49.679 --> 00:44:51.480
<v Speaker 2>So hey, I don't know if you know. This year

876
00:44:51.719 --> 00:44:59.159
<v Speaker 2>is the fiftieth anniversary of Rocky Wow five zero crazy right, Yeah,

877
00:44:59.400 --> 00:45:02.360
<v Speaker 2>it's it's nuts to I mean we're hitting that point

878
00:45:02.360 --> 00:45:05.599
<v Speaker 2>now where so many of the like our stuff is

879
00:45:06.760 --> 00:45:10.719
<v Speaker 2>nudging up to and blowing past fifty years. Next year's

880
00:45:10.880 --> 00:45:16.199
<v Speaker 2>Star Wars obviously wow strange, Like, I mean, you know,

881
00:45:16.239 --> 00:45:19.119
<v Speaker 2>we're hit once we're into the stuff from the eighties

882
00:45:19.320 --> 00:45:20.280
<v Speaker 2>being fifty plus.

883
00:45:20.719 --> 00:45:22.239
<v Speaker 3>Yeah, then it's gonna feel really weird.

884
00:45:22.440 --> 00:45:25.880
<v Speaker 2>Yeah, I'm gonna have like a decade long existential crisis. Right,

885
00:45:26.519 --> 00:45:31.480
<v Speaker 2>you know, but in order to celebrate the fiftieth anniversary

886
00:45:31.599 --> 00:45:38.119
<v Speaker 2>of Rocky, we have coming up on MGM V MGM

887
00:45:38.239 --> 00:45:41.760
<v Speaker 2>on this in theaters, right I think so? Yeah, okay

888
00:45:41.840 --> 00:45:44.000
<v Speaker 2>from Amazon MGYM, so it'll be on prime video at

889
00:45:44.039 --> 00:45:49.840
<v Speaker 2>some point. It's the making of Rocky called I Play Rocky,

890
00:45:50.920 --> 00:45:52.760
<v Speaker 2>direct by Peter Fairley. Yeah.

891
00:45:52.800 --> 00:45:54.840
<v Speaker 3>I just saw that on named I did not know

892
00:45:54.880 --> 00:45:55.920
<v Speaker 3>that he.

893
00:45:56.079 --> 00:45:58.519
<v Speaker 2>Of Green Book of all that.

894
00:45:58.599 --> 00:45:59.960
<v Speaker 3>Yeah, yes, that's true.

895
00:46:00.320 --> 00:46:06.000
<v Speaker 2>That's his claim to him. And and there's something about Mary.

896
00:46:05.880 --> 00:46:08.400
<v Speaker 3>Yeah and dumb and dummer and this.

897
00:46:08.920 --> 00:46:10.760
<v Speaker 2>Witness the duality of man.

898
00:46:11.000 --> 00:46:15.280
<v Speaker 3>Yeah, yeah, exactly. Actually that's hilarious. And yeah, his sizzle

899
00:46:15.280 --> 00:46:18.440
<v Speaker 3>reel you could show Jeff Daniels having explosive diary on

900
00:46:18.519 --> 00:46:22.360
<v Speaker 3>a toilet and then to Beagle Mortensen solving racism.

901
00:46:26.440 --> 00:46:29.840
<v Speaker 2>So this is a film that they just dropped the

902
00:46:29.840 --> 00:46:32.519
<v Speaker 2>trailer in the last forty eight hours as we're talking

903
00:46:32.519 --> 00:46:38.400
<v Speaker 2>about it. Anthony Ippolito plays a young Sylvester Stallone. We

904
00:46:38.440 --> 00:46:39.880
<v Speaker 2>want to play some of the audio from this, let's

905
00:46:39.880 --> 00:46:41.599
<v Speaker 2>do it. Are you delusional?

906
00:46:42.400 --> 00:46:44.119
<v Speaker 6>You don't get the looks to be a movie star,

907
00:46:45.400 --> 00:46:47.920
<v Speaker 6>not to mention you talk like you got rocks in

908
00:46:47.960 --> 00:46:48.440
<v Speaker 6>your mouth.

909
00:46:50.320 --> 00:46:52.639
<v Speaker 3>Yeah, I know I don't look like Einstein, but I

910
00:46:52.679 --> 00:46:53.320
<v Speaker 3>got a brain.

911
00:46:53.920 --> 00:46:55.320
<v Speaker 2>The only way when we get to show people is

912
00:46:55.360 --> 00:46:56.760
<v Speaker 2>we don't have to write a script for myself.

913
00:46:57.079 --> 00:46:57.880
<v Speaker 5>Yes, so do that.

914
00:46:59.360 --> 00:47:08.480
<v Speaker 2>Ry slip and give yourself the best part. So I

915
00:47:08.519 --> 00:47:10.719
<v Speaker 2>have said for years, you know, because in my film classes,

916
00:47:10.760 --> 00:47:13.320
<v Speaker 2>I talk about the making of Rocky and I'm like,

917
00:47:13.599 --> 00:47:15.960
<v Speaker 2>the way Rocky got made, I mean, it's like a

918
00:47:16.039 --> 00:47:20.800
<v Speaker 2>movie itself. So yeah, I mean, I'm not saying I

919
00:47:21.119 --> 00:47:23.199
<v Speaker 2>had it was an original thought from me, but I'm

920
00:47:23.320 --> 00:47:25.079
<v Speaker 2>you know, the fact that they're making a movie about

921
00:47:25.079 --> 00:47:31.760
<v Speaker 2>the making of Rocky it feels very appropriate. I have

922
00:47:31.840 --> 00:47:35.000
<v Speaker 2>to say. I was skeptical. Yeah, and then I hit

923
00:47:35.079 --> 00:47:38.199
<v Speaker 2>play on the trailer and by the end of by

924
00:47:38.199 --> 00:47:39.920
<v Speaker 2>the end of the trailer, I was like, man, I

925
00:47:39.960 --> 00:47:42.000
<v Speaker 2>want to watch this movie same.

926
00:47:42.239 --> 00:47:44.519
<v Speaker 3>I mean, that's the thing. Movies like this can either

927
00:47:44.559 --> 00:47:50.320
<v Speaker 3>be really really hammy and on the nose, and I

928
00:47:50.360 --> 00:47:52.199
<v Speaker 3>feel bad. I don't know why I feel bad picking

929
00:47:52.199 --> 00:47:55.840
<v Speaker 3>on this movie, but that Jimmy Stewart movie, right. For

930
00:47:55.880 --> 00:47:58.000
<v Speaker 3>some reason, I feel this weird sort of like thing

931
00:47:58.000 --> 00:48:02.159
<v Speaker 3>where I'm being mean when I.

932
00:48:00.840 --> 00:48:03.480
<v Speaker 2>Like well, because when one presumes it's being made with

933
00:48:03.599 --> 00:48:04.880
<v Speaker 2>its heart in the right place.

934
00:48:05.760 --> 00:48:08.480
<v Speaker 3>Yes, but it does have that sort of real on

935
00:48:08.559 --> 00:48:12.199
<v Speaker 3>the nose, almost like Hallmark movie, you know, sort of

936
00:48:12.199 --> 00:48:15.039
<v Speaker 3>thing to it where it just feels like, I don't know,

937
00:48:15.280 --> 00:48:17.719
<v Speaker 3>a little too saccharine and all that sorts of things

938
00:48:17.760 --> 00:48:19.480
<v Speaker 3>you just don't know with these, yeah, things that look

939
00:48:19.559 --> 00:48:22.400
<v Speaker 3>back nostalgically a stuff that we know we already love.

940
00:48:22.960 --> 00:48:24.480
<v Speaker 3>But yeah, when I watched this trailer, I was like,

941
00:48:24.559 --> 00:48:28.039
<v Speaker 3>holy cow, I'm pumped up. Yeah, like it really got me.

942
00:48:28.079 --> 00:48:33.159
<v Speaker 3>And it does look like a really fascinating underdog story

943
00:48:33.239 --> 00:48:36.199
<v Speaker 3>much like Rocky, So I'm all in on this.

944
00:48:36.840 --> 00:48:39.360
<v Speaker 2>Well, it gives me vibes kind of I mean different,

945
00:48:39.440 --> 00:48:42.039
<v Speaker 2>but similar to the offer you know about the making

946
00:48:42.079 --> 00:48:43.239
<v Speaker 2>of The Godfather, which.

947
00:48:43.079 --> 00:48:45.840
<v Speaker 3>I thought was so good and just underseen that is

948
00:48:45.880 --> 00:48:47.559
<v Speaker 3>a really really fun series.

949
00:48:48.119 --> 00:48:51.960
<v Speaker 2>Well that honestly that should have been a movie. Yeah,

950
00:48:52.320 --> 00:48:53.719
<v Speaker 2>you know, I think I think a lot of this

951
00:48:53.760 --> 00:48:55.800
<v Speaker 2>stuff it becomes a streaming series and then it's just

952
00:48:55.840 --> 00:48:59.559
<v Speaker 2>forgotten about. Yeah, and we're talking about the Offer, we

953
00:48:59.559 --> 00:49:02.800
<v Speaker 2>should say Anthony Apolito, who plays Sylvester Stallone in this

954
00:49:02.840 --> 00:49:05.880
<v Speaker 2>new movie. He also played al Pacino in The Offer.

955
00:49:07.280 --> 00:49:13.480
<v Speaker 3>Oh, I can see it. I could see. It's so

956
00:49:13.519 --> 00:49:15.280
<v Speaker 3>funny because when you put him in the context of

957
00:49:15.280 --> 00:49:18.119
<v Speaker 3>Sylvester Stallone, it's like, whoa, that guy looks exactly like

958
00:49:18.159 --> 00:49:23.639
<v Speaker 3>Sylvester Stallone, but young al Pacino, Like this guy has

959
00:49:23.719 --> 00:49:25.119
<v Speaker 3>resting seventies guy face.

960
00:49:25.599 --> 00:49:28.599
<v Speaker 2>Yeah, right, seventies Italian American face.

961
00:49:28.840 --> 00:49:29.760
<v Speaker 3>Yes. Yeah.

962
00:49:30.599 --> 00:49:34.800
<v Speaker 2>He'll play Tony Danza in the Saxi Behind the Scenes biopic.

963
00:49:35.239 --> 00:49:36.000
<v Speaker 3>Yeah, yeah, yeh.

964
00:49:36.599 --> 00:49:43.320
<v Speaker 2>Can we get Anthony Apolito think Samantha right, Angela get

965
00:49:43.400 --> 00:49:46.360
<v Speaker 2>right in that one, Brian make an offer?

966
00:49:49.440 --> 00:49:52.480
<v Speaker 3>Yeah, And that did have kind of a fun, bouncy

967
00:49:52.639 --> 00:49:55.719
<v Speaker 3>almost like gets shorty ish sort of Hollywood, what a

968
00:49:55.760 --> 00:49:59.559
<v Speaker 3>wacky place. But you know, it's not a comedy, but

969
00:49:59.760 --> 00:50:02.719
<v Speaker 3>it some fun whereas this, I like that, This didn't

970
00:50:03.559 --> 00:50:09.519
<v Speaker 3>for me lean into the hokey, saccharine hammy winky sort

971
00:50:09.519 --> 00:50:11.639
<v Speaker 3>of thing like remember this wink? You know, like it

972
00:50:11.800 --> 00:50:15.119
<v Speaker 3>looks very sincere and well performed and well executed.

973
00:50:16.159 --> 00:50:18.000
<v Speaker 2>Yeah, I mean, well, we we've got I mean it's

974
00:50:18.039 --> 00:50:20.679
<v Speaker 2>it's pretty pretty solid cast. Right. We got Matt Dillon

975
00:50:20.800 --> 00:50:25.440
<v Speaker 2>as Stallone's dad, Stephen James as Carl Weathers.

976
00:50:26.559 --> 00:50:29.559
<v Speaker 3>He looks incredible. Yeah, yeah, it sounds incredible too.

977
00:50:31.719 --> 00:50:35.639
<v Speaker 2>Toby Kibble as Robert chartaf Uh. I think the story,

978
00:50:35.840 --> 00:50:37.599
<v Speaker 2>you know, this is one of those things, right, I

979
00:50:37.639 --> 00:50:40.199
<v Speaker 2>mean again, I've talked about this in my classes. I'm like,

980
00:50:40.360 --> 00:50:44.199
<v Speaker 2>stallone gets this idea and you know, inspired by you know,

981
00:50:44.280 --> 00:50:48.320
<v Speaker 2>the Chuck Webner fight, Mhammad Ali writes the script and

982
00:50:48.320 --> 00:50:52.119
<v Speaker 2>and it's it's this is this is the historical record

983
00:50:52.159 --> 00:50:54.119
<v Speaker 2>that they love the script. And they're like, we want

984
00:50:54.119 --> 00:50:56.599
<v Speaker 2>to make it a star vehicle for for Ryan O'Neil

985
00:50:56.679 --> 00:50:59.320
<v Speaker 2>or whoever. We'll give you this much money. No, we'll

986
00:50:59.320 --> 00:50:59.960
<v Speaker 2>give you this much mone.

987
00:51:00.159 --> 00:51:00.239
<v Speaker 1>No.

988
00:51:00.320 --> 00:51:01.920
<v Speaker 2>They keep up in the ante and he's like no,

989
00:51:03.000 --> 00:51:08.719
<v Speaker 2>because he has the clarity at that moment in his life,

990
00:51:08.760 --> 00:51:13.159
<v Speaker 2>while he's living in a shoe box apartment with no prospects,

991
00:51:13.159 --> 00:51:16.440
<v Speaker 2>he has the clarity to say, if if this movie

992
00:51:16.440 --> 00:51:19.039
<v Speaker 2>gets made and in success and I'm not in it,

993
00:51:19.519 --> 00:51:21.320
<v Speaker 2>I will live with that regret for the rest of

994
00:51:21.320 --> 00:51:24.320
<v Speaker 2>my life. Right. And now you think about like, who

995
00:51:25.760 --> 00:51:29.400
<v Speaker 2>whoever has that that much clarity, you know what I mean?

996
00:51:29.519 --> 00:51:32.480
<v Speaker 3>Yeah, and believe in themselves? Right, I mean it's I

997
00:51:32.559 --> 00:51:34.360
<v Speaker 3>love stories like this, and I remember, even with the

998
00:51:34.400 --> 00:51:36.920
<v Speaker 3>Steve Jobs book and other sorts, of stories where you

999
00:51:37.039 --> 00:51:42.559
<v Speaker 3>know these decisions wind lead to massive success. Yeah, but

1000
00:51:42.679 --> 00:51:44.599
<v Speaker 3>you think of them in that moment and they don't

1001
00:51:44.639 --> 00:51:47.199
<v Speaker 3>know that and they still stick to their guns. It's

1002
00:51:47.280 --> 00:51:49.360
<v Speaker 3>just so inspiring, it really is.

1003
00:51:49.480 --> 00:51:52.519
<v Speaker 2>Yeah. So I mean, here we are, like we already

1004
00:51:52.519 --> 00:51:56.280
<v Speaker 2>know well St Leicester Stallone has had an extraordinary career

1005
00:51:57.280 --> 00:52:02.079
<v Speaker 2>still going yep, and so you know the fact that

1006
00:52:02.079 --> 00:52:05.960
<v Speaker 2>that he I mean think imagine being sliced alone at

1007
00:52:05.960 --> 00:52:10.559
<v Speaker 2>that moment. Be like, they're gonna make a movie about

1008
00:52:10.760 --> 00:52:14.800
<v Speaker 2>you holding out for more money, like right, you know

1009
00:52:14.840 --> 00:52:15.280
<v Speaker 2>what I mean?

1010
00:52:15.400 --> 00:52:17.320
<v Speaker 3>Yeah, yeah, in that hard moment. Yeah, like you said

1011
00:52:17.360 --> 00:52:19.280
<v Speaker 3>in his shoe box apartment where he could really use

1012
00:52:19.320 --> 00:52:21.000
<v Speaker 3>the money and he keeps saying no because he believes

1013
00:52:21.000 --> 00:52:23.320
<v Speaker 3>in himself. Not only is your movie gonna get made

1014
00:52:23.320 --> 00:52:25.199
<v Speaker 3>and win Oscars and you're gonna become one of the

1015
00:52:25.199 --> 00:52:27.480
<v Speaker 3>most known stars on the planet, They're gonna make a

1016
00:52:27.639 --> 00:52:31.360
<v Speaker 3>movie about this moment, this moment you standing your ground.

1017
00:52:31.480 --> 00:52:34.840
<v Speaker 2>Yeah, it's gonna be so iconic that all of this

1018
00:52:34.920 --> 00:52:38.000
<v Speaker 2>is gonna be like Shorthand for a making of movie.

1019
00:52:38.039 --> 00:52:42.760
<v Speaker 2>You know, amazing. So this Anthony Appolito, I mean, the

1020
00:52:42.800 --> 00:52:45.039
<v Speaker 2>resemblance is impressive.

1021
00:52:45.400 --> 00:52:49.199
<v Speaker 3>It's uncanny down to like the most subtle sorts of

1022
00:52:49.199 --> 00:52:50.519
<v Speaker 3>features on his face.

1023
00:52:52.679 --> 00:52:55.159
<v Speaker 2>Very much looks like him, the one. I don't even

1024
00:52:55.199 --> 00:52:58.119
<v Speaker 2>know if this is a qualm. This is just a

1025
00:52:58.159 --> 00:53:02.039
<v Speaker 2>reaction based on the trailer. It feels like he's doing

1026
00:53:02.199 --> 00:53:04.400
<v Speaker 2>Rocky more than he's doing Sylvester Stallone.

1027
00:53:04.639 --> 00:53:06.320
<v Speaker 3>I see that, Yeah, you know what I mean?

1028
00:53:06.440 --> 00:53:09.639
<v Speaker 2>Yeah, And maybe this is just because the trailer's just

1029
00:53:09.639 --> 00:53:16.079
<v Speaker 2>putting certain bits in there, right, But I mean the

1030
00:53:16.159 --> 00:53:19.519
<v Speaker 2>thought I had it's kind of a Jaafar Jackson situation, right,

1031
00:53:19.639 --> 00:53:22.199
<v Speaker 2>like is he going to be so identified with Sylvester

1032
00:53:22.199 --> 00:53:24.199
<v Speaker 2>Stallone that he won't be able to find other stuff?

1033
00:53:24.239 --> 00:53:24.480
<v Speaker 2>You know?

1034
00:53:24.719 --> 00:53:26.639
<v Speaker 3>That's the thing. It's almost a miracle how much he

1035
00:53:26.679 --> 00:53:29.239
<v Speaker 3>looks like him. But will that be something we're unable

1036
00:53:29.239 --> 00:53:31.280
<v Speaker 3>to shake when in other roles? I don't know.

1037
00:53:31.960 --> 00:53:35.000
<v Speaker 2>And then meanwhile, you know they're shooting the John Rambo

1038
00:53:35.280 --> 00:53:36.719
<v Speaker 2>right now, the Rambo prequel.

1039
00:53:37.159 --> 00:53:38.800
<v Speaker 3>Oh yeah, that.

1040
00:53:38.840 --> 00:53:41.840
<v Speaker 2>Has a Noah Sentinao as as a Rambo.

1041
00:53:42.280 --> 00:53:42.800
<v Speaker 3>Interesting.

1042
00:53:42.880 --> 00:53:45.880
<v Speaker 2>Okay, so this is just the year for like young Stallone.

1043
00:53:45.880 --> 00:53:47.199
<v Speaker 3>Projects basically, that's funny.

1044
00:53:48.440 --> 00:53:51.599
<v Speaker 2>I'm I'm sure Amazon MGM is very excited because they're

1045
00:53:51.599 --> 00:53:53.760
<v Speaker 2>they're looking at a brand new franchise because in a

1046
00:53:53.800 --> 00:53:55.519
<v Speaker 2>couple of years, we get to do I play Rocky

1047
00:53:55.800 --> 00:54:00.159
<v Speaker 2>in the sequel to Rocky Yes, right, thirty I play

1048
00:54:00.280 --> 00:54:05.920
<v Speaker 2>Rocky in Creed Yes, Yes, and then and then fifty

1049
00:54:06.000 --> 00:54:09.519
<v Speaker 2>years from now, I play the guy playing Rocky and

1050
00:54:09.679 --> 00:54:14.559
<v Speaker 2>I play Rocky. Yeah, I'm looking forward to that one.

1051
00:54:14.639 --> 00:54:20.800
<v Speaker 2>God willing in twenty seventy six, you and I we'll

1052
00:54:20.840 --> 00:54:22.000
<v Speaker 2>go watch that together.

1053
00:54:22.280 --> 00:54:28.480
<v Speaker 3>I remember seeing I play Rocky playing Rocky. That's what

1054
00:54:28.519 --> 00:54:36.519
<v Speaker 3>I'm open for. Dude, You've made me snort twice this episode.

1055
00:54:37.000 --> 00:54:39.159
<v Speaker 2>When does this come out? November twenty twenty six.

1056
00:54:39.400 --> 00:54:41.199
<v Speaker 3>Yeah. Amazon having a heck of a year. I mean,

1057
00:54:41.239 --> 00:54:42.800
<v Speaker 3>they had Project hill Mary one of the.

1058
00:54:42.719 --> 00:54:45.480
<v Speaker 2>Most they've had their ups and downs.

1059
00:54:45.920 --> 00:54:48.760
<v Speaker 3>Well, it's certainly, but I mean this year, you know, like,

1060
00:54:49.599 --> 00:54:52.159
<v Speaker 3>you know, I just had someone recently this past week

1061
00:54:52.239 --> 00:54:54.280
<v Speaker 3>tell me they watched Hill Mary for the first time,

1062
00:54:54.960 --> 00:54:57.480
<v Speaker 3>and even after all the hype and people recommending it,

1063
00:54:57.480 --> 00:54:59.559
<v Speaker 3>they're like, this movie is so good.

1064
00:55:00.000 --> 00:55:00.559
<v Speaker 2>Oh yeah, yeah.

1065
00:55:00.559 --> 00:55:02.400
<v Speaker 3>I was like, Wow, when's the last time a movie

1066
00:55:02.599 --> 00:55:08.400
<v Speaker 3>just captured such a broad audience's imagination. Yeah, it's amazing.

1067
00:55:08.599 --> 00:55:11.519
<v Speaker 2>Well, that's that's the story of the box office this

1068
00:55:11.599 --> 00:55:14.119
<v Speaker 2>year is the highs are very high, even as the

1069
00:55:14.159 --> 00:55:18.119
<v Speaker 2>lowers are very low. And I think that is itself,

1070
00:55:18.480 --> 00:55:20.199
<v Speaker 2>you know, illuminating.

1071
00:55:20.360 --> 00:55:22.119
<v Speaker 3>Yeah.

1072
00:55:22.159 --> 00:55:32.280
<v Speaker 2>Speaking of which, Hey, we have some headlines extra well

1073
00:55:32.400 --> 00:55:34.880
<v Speaker 2>right off the bat, this is this is a story

1074
00:55:34.960 --> 00:55:41.360
<v Speaker 2>that that I mean, it broke my heart seeing this headline. Yeah,

1075
00:55:42.280 --> 00:55:43.800
<v Speaker 2>Sam Neil has passed away.

1076
00:55:45.320 --> 00:55:47.280
<v Speaker 3>Last thing I expected to pop up on my phone.

1077
00:55:48.320 --> 00:55:53.880
<v Speaker 2>Yeah, I mean, he had been fighting cancer, right. However,

1078
00:55:53.960 --> 00:55:56.800
<v Speaker 2>he did announce earlier this year, a few months ago,

1079
00:55:56.840 --> 00:56:02.039
<v Speaker 2>that he was cancer free, and indeed he he died

1080
00:56:02.199 --> 00:56:06.480
<v Speaker 2>of pneumonia. Yeah, and you know, I mean he was

1081
00:56:06.519 --> 00:56:09.159
<v Speaker 2>seventy eight years old, which see seventy eight is is

1082
00:56:09.239 --> 00:56:11.000
<v Speaker 2>kind of this age range where it's like you're not

1083
00:56:11.079 --> 00:56:15.480
<v Speaker 2>a young man obviously, but it's you don't expect somebody

1084
00:56:15.480 --> 00:56:18.920
<v Speaker 2>to pass away suddenly at that age, right exactly, like

1085
00:56:19.000 --> 00:56:24.159
<v Speaker 2>I you know, I think, you know, I don't know.

1086
00:56:24.199 --> 00:56:27.920
<v Speaker 2>I just I just thought we'd get more performances from him,

1087
00:56:28.039 --> 00:56:28.320
<v Speaker 2>you know.

1088
00:56:28.679 --> 00:56:31.480
<v Speaker 3>And we'd been seeing quite a bit of him recently,

1089
00:56:31.519 --> 00:56:34.280
<v Speaker 3>I mean, even returning to the role of Alan Grant,

1090
00:56:34.440 --> 00:56:37.519
<v Speaker 3>and he turned up in some of the Thorr movies.

1091
00:56:37.639 --> 00:56:41.000
<v Speaker 3>You know, he just he was still a presence.

1092
00:56:41.000 --> 00:56:43.880
<v Speaker 2>Still a presence, and I mean, I'll be honest, this

1093
00:56:43.920 --> 00:56:47.079
<v Speaker 2>one hit me really really hard. Yeah.

1094
00:56:47.199 --> 00:56:49.880
<v Speaker 3>Same, I got kind of emotional, and I was not

1095
00:56:49.960 --> 00:56:50.559
<v Speaker 3>expecting that.

1096
00:56:51.679 --> 00:56:55.760
<v Speaker 2>Well, I think, I mean obviously for you and I,

1097
00:56:55.760 --> 00:56:58.280
<v Speaker 2>I mean, we do have such a specific relationship with

1098
00:56:58.400 --> 00:57:02.719
<v Speaker 2>Jurassic Park, and he is so integral in that movie

1099
00:57:02.760 --> 00:57:05.440
<v Speaker 2>that you know, we just sort of formed a real

1100
00:57:05.639 --> 00:57:12.400
<v Speaker 2>relationship with Sam Neil as Alan Grant, you know. And yeah,

1101
00:57:12.440 --> 00:57:14.719
<v Speaker 2>to your point, you know, I'm like, I'm glad we

1102
00:57:14.760 --> 00:57:16.599
<v Speaker 2>got to see him play that role one last time.

1103
00:57:17.159 --> 00:57:21.679
<v Speaker 2>You know, I think the movie did justice to his character.

1104
00:57:21.920 --> 00:57:24.840
<v Speaker 2>Even if the movie was hit or miss, you know.

1105
00:57:25.440 --> 00:57:27.880
<v Speaker 3>We were definitely at the very least happy to see

1106
00:57:27.920 --> 00:57:29.599
<v Speaker 3>him again, you know.

1107
00:57:31.039 --> 00:57:35.760
<v Speaker 2>And and just you know, beyond just the sadness we

1108
00:57:35.840 --> 00:57:38.360
<v Speaker 2>feel as fans, and you know what I you know,

1109
00:57:38.360 --> 00:57:41.599
<v Speaker 2>obviously what his family's going through. I mean, I think

1110
00:57:41.679 --> 00:57:49.920
<v Speaker 2>something very beautiful has been the almost uniform admiration for

1111
00:57:50.079 --> 00:57:57.519
<v Speaker 2>his kindness and just just decency. There are no bad

1112
00:57:57.639 --> 00:57:59.679
<v Speaker 2>Sam Neil stories. Yeah.

1113
00:57:59.679 --> 00:58:03.599
<v Speaker 3>I kept seeing a word come up which was protective, hm,

1114
00:58:03.920 --> 00:58:07.159
<v Speaker 3>you know, with the child actors from Jurassic Park, Lord Dern,

1115
00:58:07.440 --> 00:58:09.320
<v Speaker 3>and I just I found that very interesting and like

1116
00:58:09.360 --> 00:58:12.519
<v Speaker 3>what a what a quality that you would love to

1117
00:58:12.639 --> 00:58:14.800
<v Speaker 3>have someone say about you. It's like they're very protective

1118
00:58:14.800 --> 00:58:16.159
<v Speaker 3>of me. I felt very safe with them.

1119
00:58:16.800 --> 00:58:20.039
<v Speaker 2>Yeah, I mean there was a there was a you know,

1120
00:58:20.280 --> 00:58:24.079
<v Speaker 2>Arianna Richards, who who played Lex in Jurassic Park. She

1121
00:58:24.159 --> 00:58:28.119
<v Speaker 2>posted posted something nice on on Instagram. Joe Mazzello, who

1122
00:58:28.199 --> 00:58:32.039
<v Speaker 2>was tim Uh. He posted a video which I mean

1123
00:58:32.119 --> 00:58:35.880
<v Speaker 2>I got I got choked up watching it. You know

1124
00:58:36.119 --> 00:58:42.000
<v Speaker 2>how he had he how he didn't even realize Sam

1125
00:58:42.119 --> 00:58:46.519
<v Speaker 2>Neil was still like following him right this many decades

1126
00:58:46.599 --> 00:58:48.800
<v Speaker 2>later and just saying, you know, keep it up, Joey.

1127
00:58:48.960 --> 00:58:50.639
<v Speaker 3>You know, yeah, I think he had just had a

1128
00:58:50.679 --> 00:58:51.719
<v Speaker 3>movie come out or something.

1129
00:58:51.760 --> 00:58:52.119
<v Speaker 2>That's right.

1130
00:58:52.159 --> 00:58:54.760
<v Speaker 3>Sam commented on it like, yeah, keep it up, that's great,

1131
00:58:54.800 --> 00:58:56.079
<v Speaker 3>and he's like, oh, I didn't even know you were

1132
00:58:56.119 --> 00:58:57.039
<v Speaker 3>tracking what I was up to.

1133
00:58:58.079 --> 00:59:00.440
<v Speaker 2>Just the like the little kindnesses, you know, mm hmm.

1134
00:59:01.440 --> 00:59:08.039
<v Speaker 2>I saw Bryce Howard she posted. Sam was exactly who

1135
00:59:08.119 --> 00:59:13.639
<v Speaker 2>you hoped he'd be. Funny, warm, wickedly self deprecating, endlessly kind,

1136
00:59:14.159 --> 00:59:17.639
<v Speaker 2>a beautiful human being who happened to also be Alan

1137
00:59:17.719 --> 00:59:23.920
<v Speaker 2>Grant and what a career by the way, Like I mean,

1138
00:59:23.920 --> 00:59:26.480
<v Speaker 2>obviously Jurassic Park right, that's the thing. I mean, you

1139
00:59:26.559 --> 00:59:28.880
<v Speaker 2>and I included like that's what immediately what we think of.

1140
00:59:28.960 --> 00:59:32.679
<v Speaker 2>But but what range you know a hunt Fred October.

1141
00:59:32.800 --> 00:59:38.679
<v Speaker 3>Oh my gosh, I would like to have seen Montana. Yeah, yeah, right, heartbreaking.

1142
00:59:38.519 --> 00:59:42.760
<v Speaker 2>You know, by Centennial Man. You know there's a movie

1143
00:59:42.800 --> 00:59:45.760
<v Speaker 2>I come back to again and again. I was telling Amana.

1144
00:59:45.840 --> 00:59:48.079
<v Speaker 2>I was like, when Robin Williams died, I watched by

1145
00:59:48.159 --> 00:59:51.000
<v Speaker 2>Centennial Man, When James Horner died, I watched by Centennial Man.

1146
00:59:51.239 --> 00:59:54.440
<v Speaker 2>And now I want to watch by Centennial Man again. Yep,

1147
00:59:55.000 --> 01:00:02.199
<v Speaker 2>you know, oh gosh, I mean, you know, Dead Calm

1148
01:00:02.360 --> 01:00:04.920
<v Speaker 2>in the Mouth of Madness, Event Horizon, like Hide for

1149
01:00:05.000 --> 01:00:08.639
<v Speaker 2>the Wilder People, Hunt for the Wilder People. Yeah. Yeah.

1150
01:00:09.039 --> 01:00:11.639
<v Speaker 2>Julian Dannison, who starred in that film. He also posted

1151
01:00:11.639 --> 01:00:15.679
<v Speaker 2>a lovely remembrance of him. Of course, he played the

1152
01:00:15.760 --> 01:00:19.440
<v Speaker 2>He played the actor playing Odin in Thor Ragnarok, right,

1153
01:00:20.559 --> 01:00:26.840
<v Speaker 2>you know Escape Plan that stallone Schwartzenegger. Oh yeah, he

1154
01:00:26.880 --> 01:00:28.840
<v Speaker 2>had like a key supporting role in that. You know.

1155
01:00:29.239 --> 01:00:32.199
<v Speaker 3>Yeah, you know what it was always like a characteristic

1156
01:00:32.639 --> 01:00:35.840
<v Speaker 3>was sort of a warmth. Right when he's playing the

1157
01:00:35.880 --> 01:00:38.519
<v Speaker 3>doctor in this prison, It's not like someone with a

1158
01:00:38.519 --> 01:00:40.760
<v Speaker 3>cigarette hanging out of his mouth, who doesn't believe anybody.

1159
01:00:40.760 --> 01:00:43.800
<v Speaker 3>There's a little bit of a you realize you could

1160
01:00:44.000 --> 01:00:48.239
<v Speaker 3>if there's anyone you could possibly trust in this hellish place. Yeah,

1161
01:00:48.280 --> 01:00:50.679
<v Speaker 3>maybe it's this guy. And I think of a bicentennial man.

1162
01:00:50.719 --> 01:00:53.920
<v Speaker 3>You could have the inventor of this cyborg sort of character,

1163
01:00:54.280 --> 01:00:56.760
<v Speaker 3>be a little wacky or a little unhinged or you know,

1164
01:00:56.800 --> 01:00:59.920
<v Speaker 3>but there's a warmth. There's a fatherly quality to that character,

1165
01:01:00.119 --> 01:01:03.239
<v Speaker 3>you know, I mean, frankly, the thing to me that

1166
01:01:03.360 --> 01:01:07.199
<v Speaker 3>encapsulates him so strongly. I just rewatched Jurrassic Park. I

1167
01:01:07.199 --> 01:01:12.079
<v Speaker 3>mentioned it's my favorite line, and it's my brother and I.

1168
01:01:12.119 --> 01:01:17.159
<v Speaker 3>His favorite line is after the t Rex situation and

1169
01:01:17.239 --> 01:01:19.239
<v Speaker 3>Lex is freaking out and saying, you know, he left

1170
01:01:19.280 --> 01:01:21.119
<v Speaker 3>us about the lawyer he left us, and then he

1171
01:01:21.159 --> 01:01:24.920
<v Speaker 3>gets this incredible Spielberg heroque shot That's not what I'm

1172
01:01:24.960 --> 01:01:29.400
<v Speaker 3>gonna do. And it's funny because you know, Harrison Ford

1173
01:01:29.719 --> 01:01:33.039
<v Speaker 3>was who Steven Spielberg originally wanted for that role, and

1174
01:01:33.079 --> 01:01:36.079
<v Speaker 3>you can I can picture that version, but it feels

1175
01:01:36.079 --> 01:01:38.000
<v Speaker 3>a little bit more like a movie star. It feels

1176
01:01:38.039 --> 01:01:41.880
<v Speaker 3>a little bit more you're not exactly sure what he's

1177
01:01:41.880 --> 01:01:44.800
<v Speaker 3>always thinking, you know, with this guy. But what Sam

1178
01:01:44.880 --> 01:01:50.320
<v Speaker 3>Neil brought to that character was what seems to be

1179
01:01:50.360 --> 01:01:54.800
<v Speaker 3>inherently him, which is a stoicism, but like a warmth,

1180
01:01:55.800 --> 01:02:02.679
<v Speaker 3>you know, and a graciousness and like a dad energy frankly,

1181
01:02:02.960 --> 01:02:05.360
<v Speaker 3>And what I love is, you know, I think about

1182
01:02:05.400 --> 01:02:07.400
<v Speaker 3>the We talk often about the movie Home Alone and

1183
01:02:07.440 --> 01:02:10.360
<v Speaker 3>why it's endured, and we say, because it's more than

1184
01:02:11.159 --> 01:02:14.599
<v Speaker 3>a boy just throwing pink cans at burglars. It's about

1185
01:02:14.599 --> 01:02:16.440
<v Speaker 3>a child learning to grow up a little and think

1186
01:02:16.440 --> 01:02:20.079
<v Speaker 3>about other people. There's a warmth and there's a humanity.

1187
01:02:20.199 --> 01:02:21.840
<v Speaker 3>That is the secret sauce to that movie, and that's

1188
01:02:21.840 --> 01:02:23.760
<v Speaker 3>why people still love it all these years later. And

1189
01:02:23.840 --> 01:02:26.400
<v Speaker 3>I think that's the secret sauce to Jurassic Park, because

1190
01:02:26.440 --> 01:02:29.280
<v Speaker 3>it's not just about people getting eaten by dinosaurs. We

1191
01:02:29.360 --> 01:02:31.519
<v Speaker 3>start with a guy who was a little grumpy and

1192
01:02:31.599 --> 01:02:34.719
<v Speaker 3>doesn't like kids, or thinks he doesn't like kids, and

1193
01:02:34.760 --> 01:02:36.920
<v Speaker 3>over the course of the movie, I've always loved the

1194
01:02:36.920 --> 01:02:38.480
<v Speaker 3>moment too where he goes up into the tree and

1195
01:02:38.519 --> 01:02:40.360
<v Speaker 3>Tim's scared and he's like, I threw up. He's like,

1196
01:02:40.639 --> 01:02:43.719
<v Speaker 3>I won't tell anyone you threw up. It's so like

1197
01:02:44.239 --> 01:02:49.239
<v Speaker 3>dad like and warm, and then we have you know,

1198
01:02:49.280 --> 01:02:51.159
<v Speaker 3>when the kids cuddle up with him in the tree

1199
01:02:51.199 --> 01:02:53.599
<v Speaker 3>and he's a little surprised by it, but they feel

1200
01:02:53.639 --> 01:02:56.519
<v Speaker 3>immediately comfortable with this guy. And then we end with

1201
01:02:56.599 --> 01:02:58.519
<v Speaker 3>the movie with them falling asleep on him in the

1202
01:02:58.519 --> 01:03:02.199
<v Speaker 3>helicopter and he gives that really nice smile, that lovely

1203
01:03:02.199 --> 01:03:04.559
<v Speaker 3>smile to Lord Dern, Like, that's the secret sauce of

1204
01:03:04.639 --> 01:03:05.159
<v Speaker 3>Jurassic Park.

1205
01:03:05.239 --> 01:03:08.320
<v Speaker 2>Well, and one moment you didn't mention is when he

1206
01:03:09.039 --> 01:03:10.800
<v Speaker 2>touches the electrified fence.

1207
01:03:11.320 --> 01:03:15.679
<v Speaker 3>Yes, yes, the playfulness, right, and that incredible smile he

1208
01:03:15.760 --> 01:03:17.840
<v Speaker 3>gives that funny dad joke. He just made a great

1209
01:03:17.920 --> 01:03:22.519
<v Speaker 3>dad joke, you know, and it's just, yeah, like that's

1210
01:03:22.559 --> 01:03:26.119
<v Speaker 3>something only he could bring to that character. That's why

1211
01:03:26.159 --> 01:03:27.960
<v Speaker 3>we still love that character so much. And I think

1212
01:03:28.000 --> 01:03:32.480
<v Speaker 3>that's why that movie especially endures in our hearts, yeah,

1213
01:03:32.519 --> 01:03:33.400
<v Speaker 3>all these years later.

1214
01:03:34.800 --> 01:03:39.559
<v Speaker 2>Yeah, And and you know that's sort of like, in

1215
01:03:39.639 --> 01:03:44.960
<v Speaker 2>terms of cinematic legacy, you know, Jurassic Park ensures that

1216
01:03:45.480 --> 01:03:49.079
<v Speaker 2>Sam Neil will be watched and admired for for forever,

1217
01:03:49.400 --> 01:03:52.280
<v Speaker 2>right above and beyond all the other work that he did,

1218
01:03:52.320 --> 01:03:58.440
<v Speaker 2>But just as important, more important is his legacy of

1219
01:03:58.559 --> 01:04:02.360
<v Speaker 2>just kindness and and that's not something you can fake.

1220
01:04:04.840 --> 01:04:07.599
<v Speaker 2>It's it's something that that I think all of us

1221
01:04:07.639 --> 01:04:09.119
<v Speaker 2>can learn from. I mean, you and I we've just

1222
01:04:09.119 --> 01:04:12.639
<v Speaker 2>been sharing, you know, texts back and forth, the various

1223
01:04:12.639 --> 01:04:17.679
<v Speaker 2>people uh uh telling stories about him, you know, and

1224
01:04:17.719 --> 01:04:20.559
<v Speaker 2>it's like that that's not you know, that, that's not

1225
01:04:20.840 --> 01:04:26.800
<v Speaker 2>a manufactured persona. That's what's there, right, you.

1226
01:04:26.760 --> 01:04:30.159
<v Speaker 3>Know, right, and it shined through in his roles.

1227
01:04:30.800 --> 01:04:36.239
<v Speaker 2>Yeah, you know, absolutely so so just truly like for

1228
01:04:36.239 --> 01:04:40.400
<v Speaker 2>for for the world of film. I mean it really it.

1229
01:04:41.239 --> 01:04:46.719
<v Speaker 2>I'm sad for all of the performances that were yet

1230
01:04:46.760 --> 01:04:50.079
<v Speaker 2>to come that we're not we're not going to see.

1231
01:04:50.280 --> 01:04:53.000
<v Speaker 2>But but what a what a legacy to leave behind,

1232
01:04:53.039 --> 01:04:54.119
<v Speaker 2>both on screen and off.

1233
01:04:54.559 --> 01:04:55.199
<v Speaker 3>Absolutely.

1234
01:04:55.800 --> 01:04:58.280
<v Speaker 2>Oh and and one thing I did want to mention

1235
01:04:58.320 --> 01:05:00.800
<v Speaker 2>about Sam neil He a couple of years ago, three

1236
01:05:00.880 --> 01:05:03.760
<v Speaker 2>years ago, he put out an autobiography called Did I

1237
01:05:03.760 --> 01:05:04.440
<v Speaker 2>Ever Tell You This?

1238
01:05:05.199 --> 01:05:07.280
<v Speaker 3>Oh, now that you say it, I remember that.

1239
01:05:07.320 --> 01:05:11.159
<v Speaker 2>Yeah, yeah, And and I had back in the day,

1240
01:05:11.159 --> 01:05:13.519
<v Speaker 2>you know, I downloaded the audio book and I listened

1241
01:05:13.519 --> 01:05:16.639
<v Speaker 2>to it, and so I've been listening to that the

1242
01:05:16.719 --> 01:05:17.599
<v Speaker 2>last couple of days.

1243
01:05:19.000 --> 01:05:21.679
<v Speaker 3>Well now that, yeah, i'd really like to listen to that.

1244
01:05:21.760 --> 01:05:23.599
<v Speaker 3>I think I'm assuming he narrates it.

1245
01:05:24.079 --> 01:05:25.039
<v Speaker 2>Yeah, he read it.

1246
01:05:25.239 --> 01:05:28.559
<v Speaker 3>Yeah, he has such like a soothing, you know, demeanor.

1247
01:05:28.599 --> 01:05:30.559
<v Speaker 3>I bet it's a pleasant thing to listen to.

1248
01:05:30.719 --> 01:05:32.559
<v Speaker 2>I really, because I know a lot of folks right

1249
01:05:32.559 --> 01:05:37.199
<v Speaker 2>now are definitely feeling that. You know, it's hard to

1250
01:05:37.199 --> 01:05:40.840
<v Speaker 2>to really sum up, you know, the loss of like

1251
01:05:40.880 --> 01:05:44.679
<v Speaker 2>a celebrity who you didn't know, But we do form

1252
01:05:44.760 --> 01:05:46.360
<v Speaker 2>these parasocial relationships.

1253
01:05:46.440 --> 01:05:46.719
<v Speaker 3>I think.

1254
01:05:46.840 --> 01:05:51.920
<v Speaker 2>I think that's that's valid, you know. But I found

1255
01:05:51.920 --> 01:05:54.360
<v Speaker 2>personally over the last few days just listening to this audiobook,

1256
01:05:54.400 --> 01:05:58.320
<v Speaker 2>I just found it very pleasant. You know. It's just

1257
01:05:58.320 --> 01:06:00.719
<v Speaker 2>just sort of a way of connecting and remembering.

1258
01:06:01.159 --> 01:06:04.440
<v Speaker 3>Yeah, well, I definitely want to maybe go on audible

1259
01:06:04.480 --> 01:06:06.079
<v Speaker 3>and yeah I give that a download.

1260
01:06:06.239 --> 01:06:08.199
<v Speaker 2>Yeah, Like I said, it's called Did I ever tell

1261
01:06:08.239 --> 01:06:08.519
<v Speaker 2>you this?

1262
01:06:09.400 --> 01:06:09.679
<v Speaker 3>Nice?

1263
01:06:10.960 --> 01:06:16.280
<v Speaker 2>So Sam Neil rip In other news, Hey, Mowana is

1264
01:06:16.320 --> 01:06:17.320
<v Speaker 2>in theaters.

1265
01:06:17.199 --> 01:06:19.639
<v Speaker 3>Again again again again.

1266
01:06:20.119 --> 01:06:23.800
<v Speaker 2>Well, I don't mean the twenty sixteen animated film. I

1267
01:06:23.840 --> 01:06:31.239
<v Speaker 2>mean the scene for seeing Gus Van Sant's style live

1268
01:06:31.280 --> 01:06:32.119
<v Speaker 2>action remake.

1269
01:06:32.320 --> 01:06:35.679
<v Speaker 3>I have not heard anyone make that comparison. That is genius.

1270
01:06:36.480 --> 01:06:39.000
<v Speaker 3>That is genius. Well, and also I say again again again,

1271
01:06:39.039 --> 01:06:41.880
<v Speaker 3>because there was a sequel just like a year ago or.

1272
01:06:41.840 --> 01:06:44.400
<v Speaker 2>Something, right, it was last year, right, and it made

1273
01:06:44.480 --> 01:06:45.519
<v Speaker 2>a billion plus.

1274
01:06:46.119 --> 01:06:49.480
<v Speaker 3>There you go, people like Mohana, well, man.

1275
01:06:49.280 --> 01:06:52.559
<v Speaker 2>This is so this one. And I should say I

1276
01:06:52.559 --> 01:06:57.039
<v Speaker 2>have not seen My wife did see it, and she's like, yeah,

1277
01:06:57.039 --> 01:07:01.960
<v Speaker 2>it's like the exact same thing. But it opened in

1278
01:07:02.119 --> 01:07:03.360
<v Speaker 2>like Supergirl territory.

1279
01:07:03.679 --> 01:07:05.199
<v Speaker 3>M yeah, they're close to it.

1280
01:07:05.239 --> 01:07:08.639
<v Speaker 2>Forty three million dollars in North America. This is like

1281
01:07:08.679 --> 01:07:10.679
<v Speaker 2>a two hundred and fifty million dollar movie.

1282
01:07:11.000 --> 01:07:11.440
<v Speaker 5>Wow.

1283
01:07:11.599 --> 01:07:14.320
<v Speaker 3>And that's before marketing and all the other fun.

1284
01:07:14.239 --> 01:07:16.280
<v Speaker 2>Yeah, so a factor in another one hundred millions. So

1285
01:07:16.320 --> 01:07:22.039
<v Speaker 2>I mean this thing is cooked. Yeah, right, And I

1286
01:07:22.119 --> 01:07:27.119
<v Speaker 2>am sort of fascinated at this movie's existence because it

1287
01:07:27.159 --> 01:07:29.519
<v Speaker 2>really does feel like something no one was asking for.

1288
01:07:30.840 --> 01:07:34.559
<v Speaker 3>Well, and the conversation around these Disney live action remix

1289
01:07:34.639 --> 01:07:37.880
<v Speaker 3>is always like, is this These are just cynical cash grabs, right,

1290
01:07:38.679 --> 01:07:41.119
<v Speaker 3>Like they're taking stuff from their catalog that already exists,

1291
01:07:41.119 --> 01:07:43.639
<v Speaker 3>it's already beloved, and then they're just making a live

1292
01:07:43.639 --> 01:07:46.679
<v Speaker 3>action version because they know it's guaranteed millions for them,

1293
01:07:46.960 --> 01:07:50.559
<v Speaker 3>whether or not anyone ever even enjoys them or will

1294
01:07:50.559 --> 01:07:53.559
<v Speaker 3>ever revisit them, like, are these the choices when you

1295
01:07:53.639 --> 01:07:55.880
<v Speaker 3>know you want to show your kid snow White? Are

1296
01:07:55.880 --> 01:07:57.519
<v Speaker 3>you ever going to show them the live action Snowhite?

1297
01:07:57.519 --> 01:07:59.239
<v Speaker 3>Are you going to show them the original snow White?

1298
01:07:59.400 --> 01:07:59.559
<v Speaker 2>Right?

1299
01:07:59.599 --> 01:08:03.280
<v Speaker 3>You know, so it feels a little cynical, but this one,

1300
01:08:04.239 --> 01:08:08.039
<v Speaker 3>you know, was like, well, this is undeniably cynical because

1301
01:08:08.320 --> 01:08:10.440
<v Speaker 3>this movie's not even ten years old and we're already

1302
01:08:10.440 --> 01:08:14.679
<v Speaker 3>remaking it. And yeah, they just know or they assumed

1303
01:08:15.519 --> 01:08:18.840
<v Speaker 3>everyone would show up and it would make a billion dollars.

1304
01:08:19.000 --> 01:08:21.840
<v Speaker 2>Well, yeah, well, and it feels like they were they

1305
01:08:21.880 --> 01:08:25.119
<v Speaker 2>were banking a lot on the appeal of seeing Dwayne

1306
01:08:25.199 --> 01:08:30.800
<v Speaker 2>Johnson play Maui in real life. Yeah, which I mean

1307
01:08:30.840 --> 01:08:34.319
<v Speaker 2>clearly they were overestimating the appeal of that proposition.

1308
01:08:35.119 --> 01:08:37.640
<v Speaker 3>Well, and do you also think that they were worried

1309
01:08:37.680 --> 01:08:39.680
<v Speaker 3>about him aging out of it a little bit? So

1310
01:08:39.720 --> 01:08:42.119
<v Speaker 3>it's like, let's do it while the getting's good.

1311
01:08:42.680 --> 01:08:45.399
<v Speaker 2>Yeah, so I'm sure. I'm sure that was a factor.

1312
01:08:46.319 --> 01:08:48.800
<v Speaker 2>Although it's interesting because I was talking to some of

1313
01:08:48.840 --> 01:08:52.880
<v Speaker 2>my students about this, you know, this past semester, and

1314
01:08:52.920 --> 01:08:54.239
<v Speaker 2>I was like, well, you know, I mean, you gotta

1315
01:08:54.239 --> 01:08:56.720
<v Speaker 2>have Dwayne Johnson, Like we was going to play Maui, Like,

1316
01:08:56.960 --> 01:08:57.880
<v Speaker 2>we don't care about that.

1317
01:08:58.279 --> 01:08:59.359
<v Speaker 3>Oh, really interesting.

1318
01:08:59.800 --> 01:09:04.439
<v Speaker 2>There's no inherent necessity in their minds of having Dwayne

1319
01:09:04.479 --> 01:09:05.720
<v Speaker 2>Johnson playing Maui.

1320
01:09:06.880 --> 01:09:09.800
<v Speaker 3>H maybe that's something that would have made more since

1321
01:09:10.039 --> 01:09:12.960
<v Speaker 3>fifteen years ago or something where he was this big

1322
01:09:13.079 --> 01:09:16.159
<v Speaker 3>superstar that everybody at least seemed to like, whether or

1323
01:09:16.159 --> 01:09:17.079
<v Speaker 3>not they liked his movies.

1324
01:09:17.479 --> 01:09:20.640
<v Speaker 2>Well, so that's the the There's sort of an intermingling

1325
01:09:20.680 --> 01:09:25.079
<v Speaker 2>of several factors here, right. Number one, this is this

1326
01:09:25.479 --> 01:09:29.119
<v Speaker 2>entire summer is proving the proposition. And this is just

1327
01:09:29.199 --> 01:09:32.520
<v Speaker 2>like the cherry on top that if you wheel out

1328
01:09:32.640 --> 01:09:36.680
<v Speaker 2>the same old thing, if you if you have a

1329
01:09:36.680 --> 01:09:40.840
<v Speaker 2>wheelbarro of shit and tell people it's sugar, they will

1330
01:09:40.920 --> 01:09:47.600
<v Speaker 2>eventually stop turning up. Right. And look, last year Leelo

1331
01:09:47.680 --> 01:09:49.159
<v Speaker 2>and Stitch made a billion.

1332
01:09:48.880 --> 01:09:52.960
<v Speaker 3>Plus mm hmm yeah yeah right.

1333
01:09:53.119 --> 01:09:58.319
<v Speaker 2>And so's the what's the missing ingredient? I think time, right,

1334
01:09:58.399 --> 01:10:02.800
<v Speaker 2>Leelo and Stitch was twenty plus years ago, So I

1335
01:10:02.840 --> 01:10:07.520
<v Speaker 2>think it really needs to be an intergenerational prospect right

1336
01:10:07.880 --> 01:10:12.199
<v Speaker 2>where somebody takes their kids, right. I think Moana has

1337
01:10:12.239 --> 01:10:14.479
<v Speaker 2>not been around long enough. I also think, and this

1338
01:10:14.560 --> 01:10:19.119
<v Speaker 2>is something you and I talked about during our Troy commentary.

1339
01:10:19.279 --> 01:10:22.960
<v Speaker 2>How it just it looks unappealing.

1340
01:10:23.239 --> 01:10:23.600
<v Speaker 3>M M.

1341
01:10:23.840 --> 01:10:28.119
<v Speaker 2>Yeah, it's it looks like live action people plopped into

1342
01:10:29.119 --> 01:10:33.079
<v Speaker 2>the same exact digital environments from the animated film yep,

1343
01:10:33.760 --> 01:10:35.760
<v Speaker 2>and it's not doing anything different. So, I mean all

1344
01:10:35.760 --> 01:10:41.399
<v Speaker 2>of these factors, right, But to me, big picture, it's like, well,

1345
01:10:41.439 --> 01:10:45.960
<v Speaker 2>the Rock is a diminished people's champion at this point.

1346
01:10:46.399 --> 01:10:48.119
<v Speaker 3>Yeah, that's part of it for sure.

1347
01:10:48.399 --> 01:10:50.920
<v Speaker 2>It's kind of a bummer, right because I mean, during

1348
01:10:50.960 --> 01:10:53.439
<v Speaker 2>the life of this podcast, we've seen him be a

1349
01:10:53.560 --> 01:10:59.199
<v Speaker 2>stride Hollywood like a colossus. Yeah, but everything that goes

1350
01:10:59.279 --> 01:11:00.159
<v Speaker 2>up comes down.

1351
01:11:00.680 --> 01:11:03.760
<v Speaker 3>Yeah. And I guess what I'm really fascinated by is

1352
01:11:03.800 --> 01:11:06.720
<v Speaker 3>it did seem like these Disney live action remakes were

1353
01:11:06.760 --> 01:11:10.479
<v Speaker 3>just fishing a barrel. That's right, because a couple movies

1354
01:11:10.520 --> 01:11:15.079
<v Speaker 3>aside they were, Yeah, And so it just seemed like,

1355
01:11:15.119 --> 01:11:18.039
<v Speaker 3>whether or not anyone felt this was cynical, it was

1356
01:11:18.079 --> 01:11:20.079
<v Speaker 3>still going to succeed in spite of all of that.

1357
01:11:20.279 --> 01:11:23.199
<v Speaker 3>And so it's just amazing to me that for the

1358
01:11:23.239 --> 01:11:27.119
<v Speaker 3>first time people kind of said no, not this time.

1359
01:11:27.880 --> 01:11:31.479
<v Speaker 2>Well, that's the thing, right, because because snow White flopped

1360
01:11:31.600 --> 01:11:36.199
<v Speaker 2>last year and this opened somewhere in the same range, right, Yeah,

1361
01:11:36.239 --> 01:11:38.319
<v Speaker 2>but you could chalk that up to you know, the

1362
01:11:39.119 --> 01:11:45.319
<v Speaker 2>dwarves looked vaguely hideous, yeah, and the you know, you know,

1363
01:11:45.399 --> 01:11:49.079
<v Speaker 2>some people said, oh, Rachel Ziggler made political comments, and

1364
01:11:49.119 --> 01:11:50.880
<v Speaker 2>there was a backlash of that. Who knows, But I

1365
01:11:51.239 --> 01:11:54.119
<v Speaker 2>think fundamentally the real reason that one flopped is that

1366
01:11:55.479 --> 01:11:59.159
<v Speaker 2>I don't know anybody who has like a deep like

1367
01:11:59.560 --> 01:12:02.800
<v Speaker 2>love of the Disney snow White.

1368
01:12:02.720 --> 01:12:02.880
<v Speaker 5>You know.

1369
01:12:03.520 --> 01:12:05.960
<v Speaker 3>Yeah, that's just more an important part of its history

1370
01:12:05.960 --> 01:12:07.840
<v Speaker 3>than I think people who are dressing up like snow

1371
01:12:07.840 --> 01:12:09.479
<v Speaker 3>White or exactly.

1372
01:12:09.520 --> 01:12:12.760
<v Speaker 2>So it's so it lacks that that you know, parents

1373
01:12:12.800 --> 01:12:15.119
<v Speaker 2>taking their kids with them factor.

1374
01:12:14.880 --> 01:12:18.560
<v Speaker 3>Yeah, or even probably maybe most importantly with a lot

1375
01:12:18.560 --> 01:12:22.239
<v Speaker 3>of these dizzy movies, the songs, and I mean like

1376
01:12:22.239 --> 01:12:24.640
<v Speaker 3>the soundtracks that you're playing in the minivan when you're

1377
01:12:24.680 --> 01:12:26.600
<v Speaker 3>driving the kids around, Like, I don't know that many

1378
01:12:26.640 --> 01:12:28.800
<v Speaker 3>people are playing the snow White soundtrack, right.

1379
01:12:28.800 --> 01:12:32.760
<v Speaker 2>Hi ho, Hi ho. Nobody's playing that, right And and

1380
01:12:33.840 --> 01:12:36.000
<v Speaker 2>you know, so it's almost like between the two between

1381
01:12:36.000 --> 01:12:37.760
<v Speaker 2>snow White and Wan and we have the poles like

1382
01:12:37.800 --> 01:12:39.960
<v Speaker 2>that one the original is too old, this one, the

1383
01:12:40.000 --> 01:12:46.600
<v Speaker 2>original is too new. But why I wanted to bring

1384
01:12:46.640 --> 01:12:48.880
<v Speaker 2>this up is I think we're seeing is sort of

1385
01:12:48.920 --> 01:12:56.159
<v Speaker 2>the tale of the Summer because we have enough underperformers

1386
01:12:56.199 --> 01:13:00.039
<v Speaker 2>and overperformers to start mapping out what people are responding to. Right. So,

1387
01:13:00.039 --> 01:13:03.479
<v Speaker 2>so we have Mawana, we have Supergirl Mastered the Universe,

1388
01:13:03.520 --> 01:13:10.319
<v Speaker 2>obviously massive underperformers, right, which just speaks to the fact

1389
01:13:10.319 --> 01:13:13.840
<v Speaker 2>that it's people are not interested in those. And you

1390
01:13:13.840 --> 01:13:15.600
<v Speaker 2>can't say, oh, people aren't going to the movies anymore

1391
01:13:15.600 --> 01:13:18.600
<v Speaker 2>because of course obsession back rooms huge hits. But guess

1392
01:13:18.640 --> 01:13:23.039
<v Speaker 2>what Franchise Pictures Toy Story five headed for a billion dollars?

1393
01:13:25.239 --> 01:13:31.520
<v Speaker 2>You know, uh that that proves that, Well, it's not

1394
01:13:31.560 --> 01:13:34.039
<v Speaker 2>like people are just rejecting anything with the number at

1395
01:13:34.039 --> 01:13:40.640
<v Speaker 2>the end, right, I just and and obviously the Odyssey

1396
01:13:40.760 --> 01:13:42.720
<v Speaker 2>is going to be a I mean we're staring at

1397
01:13:42.760 --> 01:13:45.840
<v Speaker 2>the barrel of a massive, massive opening. And then you

1398
01:13:45.880 --> 01:13:48.119
<v Speaker 2>mentioned Project Hill Mary earlier, this earlier, this year is

1399
01:13:48.119 --> 01:13:50.239
<v Speaker 2>not a summer movie. But guess what huge hit people

1400
01:13:50.239 --> 01:13:54.199
<v Speaker 2>showed up? So what what what can we infer based

1401
01:13:54.239 --> 01:13:55.039
<v Speaker 2>on all.

1402
01:13:54.880 --> 01:13:58.720
<v Speaker 3>Of these I'm curious, what do you think?

1403
01:13:59.239 --> 01:14:03.840
<v Speaker 2>Well? I think for me, it's really if you build it,

1404
01:14:03.880 --> 01:14:07.159
<v Speaker 2>they'll come m hm, right, But it has to be

1405
01:14:07.199 --> 01:14:13.520
<v Speaker 2>a sturdy construct. I think I think Toy Story five. Look,

1406
01:14:14.039 --> 01:14:17.560
<v Speaker 2>what has worked in that franchise favor is that they

1407
01:14:17.840 --> 01:14:22.479
<v Speaker 2>wait mm hmm right. So again it's like, oh, they

1408
01:14:22.479 --> 01:14:24.760
<v Speaker 2>thought they were done with three. Oh why are they

1409
01:14:24.800 --> 01:14:26.760
<v Speaker 2>making another one? It's like, oh, it's a cynical cash

1410
01:14:26.760 --> 01:14:30.079
<v Speaker 2>grap okay, But they still waited nine years before they

1411
01:14:30.079 --> 01:14:33.840
<v Speaker 2>made the fourth one. They waited, you know, seven years

1412
01:14:33.840 --> 01:14:35.159
<v Speaker 2>before they made the fifth one.

1413
01:14:35.760 --> 01:14:39.640
<v Speaker 3>And I think that really shows a savviness with the audience.

1414
01:14:39.640 --> 01:14:44.119
<v Speaker 3>Because if you build a new Mowana, we like Moana one,

1415
01:14:44.479 --> 01:14:46.319
<v Speaker 3>so then you make a Mawana two, Well, people want

1416
01:14:46.359 --> 01:14:48.840
<v Speaker 3>to see the further adventures of those characters. But if

1417
01:14:48.880 --> 01:14:51.039
<v Speaker 3>you just, like you were saying, do like a karaoke

1418
01:14:51.239 --> 01:14:54.119
<v Speaker 3>or a pyche Gus van sant psycho of the first one, Yep,

1419
01:14:54.239 --> 01:14:56.600
<v Speaker 3>people sniffed that out and was like, well no, I

1420
01:14:56.600 --> 01:14:59.720
<v Speaker 3>mean and I do. I would like to believe that

1421
01:14:59.760 --> 01:15:02.359
<v Speaker 3>people people saw how it looked and kind of even

1422
01:15:02.359 --> 01:15:03.640
<v Speaker 3>subconsciously rejected it.

1423
01:15:05.159 --> 01:15:07.119
<v Speaker 2>That's the thing. How do you spend that much money

1424
01:15:07.159 --> 01:15:08.640
<v Speaker 2>and have it seem so lifeless?

1425
01:15:08.680 --> 01:15:10.039
<v Speaker 3>You know, I know, I know.

1426
01:15:11.720 --> 01:15:15.960
<v Speaker 2>It's odd, and I think that again, it's not that

1427
01:15:16.000 --> 01:15:18.760
<v Speaker 2>people are rejecting sequels out of hand. It's just give

1428
01:15:18.840 --> 01:15:21.319
<v Speaker 2>us something new, even if it's infamiliar trappings.

1429
01:15:22.479 --> 01:15:24.359
<v Speaker 3>Yeah, I mean, like you said, I mean toy story.

1430
01:15:24.399 --> 01:15:26.920
<v Speaker 3>If they had a toy story like two three years ago,

1431
01:15:27.119 --> 01:15:29.359
<v Speaker 3>I don't know that would have had as big an

1432
01:15:29.399 --> 01:15:32.199
<v Speaker 3>opening this year. But those are characters we still love.

1433
01:15:32.279 --> 01:15:36.720
<v Speaker 3>They know it. They took their time and we showed up,

1434
01:15:36.880 --> 01:15:38.680
<v Speaker 3>you know. And then also I like that there are

1435
01:15:38.720 --> 01:15:41.640
<v Speaker 3>the surprises Project tail Mary. I never would have guessed

1436
01:15:41.680 --> 01:15:43.880
<v Speaker 3>it would have done as well as it did, but

1437
01:15:44.000 --> 01:15:46.640
<v Speaker 3>someone trusted their gut and was like, hey, this book's great,

1438
01:15:46.760 --> 01:15:50.239
<v Speaker 3>this is going to make a great movie. And it

1439
01:15:50.359 --> 01:15:52.560
<v Speaker 3>worked because it was good and people believed in it

1440
01:15:52.600 --> 01:15:56.000
<v Speaker 3>and they made a good movie. And Obsession, you know,

1441
01:15:56.640 --> 01:15:58.439
<v Speaker 3>that could have just been one of those horror things

1442
01:15:58.439 --> 01:16:01.359
<v Speaker 3>that got released on shutter and and you know, certain

1443
01:16:01.760 --> 01:16:03.520
<v Speaker 3>people are aware of it and then you never hear

1444
01:16:03.520 --> 01:16:06.119
<v Speaker 3>about it again. But it's like, there's something to this,

1445
01:16:06.199 --> 01:16:08.600
<v Speaker 3>and so people showed up and word of mouth is

1446
01:16:08.600 --> 01:16:11.000
<v Speaker 3>great and made more money than anyone could have imagined.

1447
01:16:11.079 --> 01:16:14.359
<v Speaker 3>Like the good stuff rising to the top. It's like

1448
01:16:14.359 --> 01:16:15.840
<v Speaker 3>the way you'd like for it to work.

1449
01:16:15.920 --> 01:16:18.920
<v Speaker 2>It's it's actually a reassuring story when you look at

1450
01:16:18.960 --> 01:16:21.880
<v Speaker 2>the overall trajectory of the box office this summer.

1451
01:16:21.960 --> 01:16:24.600
<v Speaker 3>Yeah, and the variety of the things that are succeeding. Yeah,

1452
01:16:24.640 --> 01:16:27.560
<v Speaker 3>that's right, like the good stuff. People are seem to

1453
01:16:27.560 --> 01:16:29.920
<v Speaker 3>be sniffing it out and showing up for it.

1454
01:16:30.359 --> 01:16:33.319
<v Speaker 2>Yeah, for the most part. And by the way, you know,

1455
01:16:33.359 --> 01:16:35.399
<v Speaker 2>you look at Disclosure Day. I think Disclosure Day is

1456
01:16:35.399 --> 01:16:38.840
<v Speaker 2>an interesting test case, right, because it's not it's not

1457
01:16:38.920 --> 01:16:41.479
<v Speaker 2>a sequel or a franchise picture. But I mean, I

1458
01:16:41.880 --> 01:16:45.880
<v Speaker 2>suppose Spielberg himself is the franchise, you know, right, and

1459
01:16:46.479 --> 01:16:48.159
<v Speaker 2>say what you will. I mean, I think it'll end

1460
01:16:48.239 --> 01:16:53.840
<v Speaker 2>up underperforming. But people did turn up opening weekend. Yeah,

1461
01:16:54.199 --> 01:16:58.479
<v Speaker 2>so there was curiosity at play. Yeah, so people are like,

1462
01:16:58.560 --> 01:17:01.760
<v Speaker 2>this is what I'm saying. People are interested and something different.

1463
01:17:01.840 --> 01:17:04.640
<v Speaker 2>And when I say different, it I don't mean they

1464
01:17:04.640 --> 01:17:08.319
<v Speaker 2>don't want franchise. They want something different within that franchise.

1465
01:17:09.439 --> 01:17:12.159
<v Speaker 2>And so the reaction to Supergirls very telling. First of all,

1466
01:17:12.199 --> 01:17:13.840
<v Speaker 2>people didn't even show up. People that did see it

1467
01:17:14.000 --> 01:17:16.279
<v Speaker 2>are like, well, it just feels like the same old thing.

1468
01:17:17.439 --> 01:17:18.760
<v Speaker 2>It feels like a million other.

1469
01:17:18.600 --> 01:17:20.600
<v Speaker 3>Things, right, right.

1470
01:17:21.600 --> 01:17:25.960
<v Speaker 2>Again, you look at you look at the Odyssey and

1471
01:17:26.000 --> 01:17:28.600
<v Speaker 2>what are we hearing? Oh? You know the Imax screens

1472
01:17:28.800 --> 01:17:31.720
<v Speaker 2>are sold out. Yeah, I was actually just looking this

1473
01:17:31.800 --> 01:17:34.840
<v Speaker 2>morning before we got on at the AMC just right

1474
01:17:34.840 --> 01:17:38.399
<v Speaker 2>by my house, and I mean two o'clock show completely

1475
01:17:38.399 --> 01:17:41.319
<v Speaker 2>sold out. You know, there's like a handful of seats left.

1476
01:17:42.880 --> 01:17:45.000
<v Speaker 2>Spider Man is going to be a hit in a few.

1477
01:17:44.800 --> 01:17:47.479
<v Speaker 3>Weeks because we love Spider Man and we haven't seen him.

1478
01:17:47.359 --> 01:17:49.760
<v Speaker 2>In a while exactly, and it's gonna be something different, right, So,

1479
01:17:49.840 --> 01:17:52.000
<v Speaker 2>I mean, I think all of this is actually kind

1480
01:17:52.039 --> 01:17:53.600
<v Speaker 2>of reassuring in a weird way.

1481
01:17:53.880 --> 01:17:57.319
<v Speaker 3>I do too, Actually, I like what this summer sort

1482
01:17:57.359 --> 01:17:59.039
<v Speaker 3>of seems to be telling.

1483
01:17:59.479 --> 01:18:03.199
<v Speaker 2>Now. So that said, and this is something we mentioned recently.

1484
01:18:04.239 --> 01:18:06.199
<v Speaker 2>You know, Paramount is still kicking the tires on a

1485
01:18:06.199 --> 01:18:12.000
<v Speaker 2>new G I. Joe movie, yes, which, like I I

1486
01:18:12.319 --> 01:18:14.800
<v Speaker 2>suspect that might not be a worthy investment, but I

1487
01:18:14.840 --> 01:18:19.199
<v Speaker 2>am interested because Danny McBride, who is a professed not

1488
01:18:19.279 --> 01:18:21.399
<v Speaker 2>just G I. Joe fan, but specifically a fan of

1489
01:18:21.439 --> 01:18:24.359
<v Speaker 2>the Marvel Comics run of G I. Joe, which is

1490
01:18:24.439 --> 01:18:27.920
<v Speaker 2>just that's my you know, that's my lingua franca. You know,

1491
01:18:27.960 --> 01:18:33.159
<v Speaker 2>that's like that's my er text, you know. So that

1492
01:18:33.479 --> 01:18:38.159
<v Speaker 2>for him, That's that's what's inspired him. So he wrote

1493
01:18:38.199 --> 01:18:41.079
<v Speaker 2>a script and it's just been announced as of this morning.

1494
01:18:41.319 --> 01:18:45.520
<v Speaker 2>He's also directing that movie. He's making his directorial debut,

1495
01:18:46.640 --> 01:18:48.600
<v Speaker 2>and it's looking like the film is going to star

1496
01:18:48.720 --> 01:18:54.760
<v Speaker 2>Bradley Cooper. Interesting and that actually the McBride of it

1497
01:18:54.800 --> 01:18:56.640
<v Speaker 2>is is kind of interesting because he's never directed, and

1498
01:18:56.680 --> 01:18:58.399
<v Speaker 2>I'm like, well, if he obviously he must have a

1499
01:18:58.399 --> 01:19:00.800
<v Speaker 2>hell of a pitch for Paramount to hire to direct it, right,

1500
01:19:01.399 --> 01:19:04.319
<v Speaker 2>But like, Bradley Cooper does not need to do a

1501
01:19:04.359 --> 01:19:05.359
<v Speaker 2>Gi Joe movie.

1502
01:19:05.439 --> 01:19:10.239
<v Speaker 3>Yeah, he's off playing Leonard Bernstein and like, yeah.

1503
01:19:09.319 --> 01:19:11.960
<v Speaker 2>He's well removed from the Hangover days.

1504
01:19:12.119 --> 01:19:14.159
<v Speaker 3>Yeah, so there must be something here.

1505
01:19:14.680 --> 01:19:20.359
<v Speaker 2>That's where I'm like, hmm, interesting, you know, because initially,

1506
01:19:20.439 --> 01:19:22.920
<v Speaker 2>initially Chris Hamswerth was attached, and that actually had made

1507
01:19:23.000 --> 01:19:25.279
<v Speaker 2>less interested than Bradley Cooper.

1508
01:19:25.159 --> 01:19:27.079
<v Speaker 3>Agreed, even though I'm always sort of sticking up for

1509
01:19:27.159 --> 01:19:29.600
<v Speaker 3>him and wondering why he's not a bigger star. Yeah,

1510
01:19:29.640 --> 01:19:34.439
<v Speaker 3>but he's done some shit yeah yeah. Yeah. So I

1511
01:19:35.279 --> 01:19:38.239
<v Speaker 3>also wonder when I first heard about this if this

1512
01:19:38.319 --> 01:19:42.840
<v Speaker 3>was one of those window closing sorts of things been there. Yeah,

1513
01:19:42.920 --> 01:19:45.079
<v Speaker 3>you know, because the last two or three G I

1514
01:19:45.159 --> 01:19:47.680
<v Speaker 3>Joe movies, I'm sure they did okay, but they didn't

1515
01:19:47.680 --> 01:19:48.560
<v Speaker 3>set the world on fire.

1516
01:19:48.880 --> 01:19:52.479
<v Speaker 2>Well, I mean, the first one did well enough to

1517
01:19:52.479 --> 01:19:57.960
<v Speaker 2>warrant a sequel. Yeah, sequel. I think it made a

1518
01:19:58.000 --> 01:20:01.159
<v Speaker 2>little under five hundred worldwide, which just like rarefied air

1519
01:20:01.239 --> 01:20:01.760
<v Speaker 2>at this point.

1520
01:20:02.000 --> 01:20:02.880
<v Speaker 3>Yeah.

1521
01:20:02.920 --> 01:20:05.800
<v Speaker 2>The third one came out during or just after the pandemic,

1522
01:20:05.840 --> 01:20:09.560
<v Speaker 2>so that one just totally died. I would say, unlike

1523
01:20:09.680 --> 01:20:13.920
<v Speaker 2>Masters of the Universe Gi Joe, there is still well

1524
01:20:13.960 --> 01:20:15.840
<v Speaker 2>you know what mass is the universe too, right, I mean,

1525
01:20:15.840 --> 01:20:18.319
<v Speaker 2>they are making toys, It's just it's aimed at collectors.

1526
01:20:18.319 --> 01:20:20.520
<v Speaker 2>So g I Joe is in like the exact same

1527
01:20:21.359 --> 01:20:25.319
<v Speaker 2>box as as Masters of the Universe. Mm hm so

1528
01:20:25.520 --> 01:20:28.239
<v Speaker 2>if I I mean, we're way out here. I don't

1529
01:20:28.239 --> 01:20:30.000
<v Speaker 2>even know if they ever call action on this thing.

1530
01:20:31.279 --> 01:20:34.199
<v Speaker 2>But I think it's a risky proposition, is what I

1531
01:20:34.239 --> 01:20:34.680
<v Speaker 2>would say.

1532
01:20:34.840 --> 01:20:38.439
<v Speaker 3>I agree, But what excites me about it? With those

1533
01:20:38.520 --> 01:20:42.880
<v Speaker 3>previous films, I don't remember them at all. I don't remember.

1534
01:20:43.000 --> 01:20:45.119
<v Speaker 3>They didn't feel like GI Joe movies to me in

1535
01:20:45.159 --> 01:20:46.800
<v Speaker 3>my mind, even though I'm not the hugest fan, You're

1536
01:20:46.800 --> 01:20:49.000
<v Speaker 3>the big GI Joe guy, But like they just felt like,

1537
01:20:50.279 --> 01:20:53.680
<v Speaker 3>you know, uh, fanciful military movies, you know, like slight

1538
01:20:53.800 --> 01:20:56.800
<v Speaker 3>sci fi leanings, but like mostly yeah, and I don't

1539
01:20:56.800 --> 01:20:58.520
<v Speaker 3>remember anything about them. I don't remember the characters. I

1540
01:20:58.520 --> 01:21:00.359
<v Speaker 3>remember The Rock was in one of them. Don't remember

1541
01:21:00.399 --> 01:21:03.600
<v Speaker 3>anything about that other than that he was. But this,

1542
01:21:03.760 --> 01:21:06.479
<v Speaker 3>I like is coming from a real fan, like you

1543
01:21:06.520 --> 01:21:09.359
<v Speaker 3>said of the of the text, and a guy with

1544
01:21:09.439 --> 01:21:12.439
<v Speaker 3>a very distinct interesting voice.

1545
01:21:13.079 --> 01:21:13.399
<v Speaker 2>Yeah.

1546
01:21:13.439 --> 01:21:15.880
<v Speaker 3>So that that's what makes me excited about this, that

1547
01:21:15.960 --> 01:21:19.359
<v Speaker 3>this could at least be interesting. Whether or not, you know,

1548
01:21:19.399 --> 01:21:21.000
<v Speaker 3>the audience is there for it, I don't know, but

1549
01:21:21.800 --> 01:21:25.399
<v Speaker 3>I like Masters of the Universe. I suppose where I'm sitting,

1550
01:21:25.439 --> 01:21:27.560
<v Speaker 3>it doesn't matter. I just hope it's good.

1551
01:21:28.720 --> 01:21:34.319
<v Speaker 2>Yeah. I think that McBride comes at it a' lah.

1552
01:21:34.359 --> 01:21:38.640
<v Speaker 2>Travis Knight m M. You know who was clearly he

1553
01:21:38.680 --> 01:21:40.880
<v Speaker 2>grew up with with Masters of Universe and he brought

1554
01:21:40.880 --> 01:21:43.800
<v Speaker 2>that to it, you know. And that's now I should say,

1555
01:21:43.800 --> 01:21:46.439
<v Speaker 2>actually the second jed Jo PHILM Jedjo Retaliation, that's the

1556
01:21:46.439 --> 01:21:47.920
<v Speaker 2>one at the Rock that's strict by John M.

1557
01:21:48.000 --> 01:21:48.920
<v Speaker 3>Cho Oh.

1558
01:21:48.960 --> 01:21:51.600
<v Speaker 2>Yeah, yeah, who you had opportunity to work with recently,

1559
01:21:53.199 --> 01:21:57.359
<v Speaker 2>and uh, I could tell he was a fan. Yeah,

1560
01:21:57.520 --> 01:22:00.319
<v Speaker 2>you know, unlike Stephen Summers. He did the first film,

1561
01:22:00.319 --> 01:22:01.920
<v Speaker 2>and I was like, Stephen, this is like a paycheck

1562
01:22:01.960 --> 01:22:02.800
<v Speaker 2>for Stephen Summers.

1563
01:22:03.039 --> 01:22:03.399
<v Speaker 3>Sure.

1564
01:22:03.920 --> 01:22:06.680
<v Speaker 2>You know, it's like Michael Bay doing Transformers. You know,

1565
01:22:06.720 --> 01:22:09.720
<v Speaker 2>it's like, well, he doesn't. He wants to make like

1566
01:22:09.960 --> 01:22:14.479
<v Speaker 2>military you know, a glorified military ad which happens to

1567
01:22:14.560 --> 01:22:15.760
<v Speaker 2>have transforming robots in it.

1568
01:22:16.159 --> 01:22:18.960
<v Speaker 3>Yeah, so then you stand down the wacky edges of

1569
01:22:19.000 --> 01:22:21.039
<v Speaker 3>what makes the property the property, But like, no, I

1570
01:22:21.039 --> 01:22:22.359
<v Speaker 3>want it to look like the thing. That's what I

1571
01:22:22.359 --> 01:22:24.039
<v Speaker 3>loved about Masters of the Universe. It got kind of

1572
01:22:24.600 --> 01:22:26.399
<v Speaker 3>goofy at the end. I was like, yes, right that

1573
01:22:26.600 --> 01:22:27.079
<v Speaker 3>it should be.

1574
01:22:27.640 --> 01:22:32.239
<v Speaker 2>Michael Bay's idea of goofy is like racist robots.

1575
01:22:32.399 --> 01:22:33.800
<v Speaker 3>It's crazy that you're not even joking.

1576
01:22:34.199 --> 01:22:37.239
<v Speaker 2>Nope, that's a real thing. Look it up, kids, that happened. Yes,

1577
01:22:37.279 --> 01:22:41.039
<v Speaker 2>that actually happened. So so anyway, I mean, I we're

1578
01:22:41.159 --> 01:22:44.399
<v Speaker 2>so far ahead of the starting gate as far as

1579
01:22:44.439 --> 01:22:47.439
<v Speaker 2>the g I Jode thing. I'm I'm curious. I'm I'm

1580
01:22:47.439 --> 01:22:49.960
<v Speaker 2>definitely more intrigued this morning than I was like a

1581
01:22:49.960 --> 01:22:54.359
<v Speaker 2>week ago. Yeah, but I yeah, to our point, you know,

1582
01:22:54.439 --> 01:22:58.680
<v Speaker 2>the window, if it's not closed, it's closing fast. But

1583
01:22:58.840 --> 01:23:00.960
<v Speaker 2>you know, maybe it's a good thing. You know, the

1584
01:23:01.000 --> 01:23:04.720
<v Speaker 2>movies need to change. Sure, yeah, change can be good.

1585
01:23:05.039 --> 01:23:11.239
<v Speaker 2>Yeah to every season, that's right, speaking of to every season.

1586
01:23:11.439 --> 01:23:14.239
<v Speaker 2>The lead character of our movie that we're about to

1587
01:23:14.239 --> 01:23:17.920
<v Speaker 2>talk about go experiences many seasons. Let's talk about it

1588
01:23:17.920 --> 01:23:19.399
<v Speaker 2>on the other side of this.

1589
01:23:24.720 --> 01:23:28.279
<v Speaker 3>And now we're pleased to bring you our features.

1590
01:23:31.439 --> 01:23:34.760
<v Speaker 2>And we are back. And you know what else is back? Brian?

1591
01:23:35.119 --> 01:23:38.319
<v Speaker 2>What's that? Zachy? Why it's the sacking of Troy?

1592
01:23:38.960 --> 01:23:41.880
<v Speaker 3>Do we just leave this party right?

1593
01:23:42.119 --> 01:23:42.359
<v Speaker 2>Yes?

1594
01:23:42.600 --> 01:23:45.039
<v Speaker 3>And by the way, I gotta say I felt very

1595
01:23:45.600 --> 01:23:49.680
<v Speaker 3>prepped for this after we had just done our Troy

1596
01:23:49.800 --> 01:23:53.039
<v Speaker 3>commentary because the story was fresh in my mind. It

1597
01:23:53.119 --> 01:23:57.159
<v Speaker 3>covers different you know, areas that are referenced in this movie,

1598
01:23:57.159 --> 01:24:00.359
<v Speaker 3>but we don't explicitly see so I don't know, people

1599
01:24:00.359 --> 01:24:02.479
<v Speaker 3>want to check out revisit Troy and want to listen

1600
01:24:02.520 --> 01:24:04.439
<v Speaker 3>to our commentary for that, I think they might get

1601
01:24:04.439 --> 01:24:06.079
<v Speaker 3>something out of it.

1602
01:24:06.079 --> 01:24:09.439
<v Speaker 2>It has been interesting over the last few weeks. Just

1603
01:24:09.520 --> 01:24:13.960
<v Speaker 2>I mean, I had the thought about us doing a

1604
01:24:13.960 --> 01:24:16.880
<v Speaker 2>Troy commentary like like six months ago, right when I

1605
01:24:16.960 --> 01:24:18.560
<v Speaker 2>knew that the audisty was coming. But it feels like

1606
01:24:18.600 --> 01:24:20.239
<v Speaker 2>a lot of other folks had the same idea of

1607
01:24:20.279 --> 01:24:20.960
<v Speaker 2>revisiting it.

1608
01:24:22.000 --> 01:24:24.239
<v Speaker 3>Yeah, but you were ahead of it, and I remember

1609
01:24:24.399 --> 01:24:26.680
<v Speaker 3>when you suggested it to me, I was like, I

1610
01:24:26.720 --> 01:24:28.760
<v Speaker 3>totally understand. This is a good idea, but I hadn't

1611
01:24:28.760 --> 01:24:31.479
<v Speaker 3>thought about that movie in twenty some years. So I

1612
01:24:31.600 --> 01:24:33.760
<v Speaker 3>was like, well, yeah, I guess, I guess that makes sense.

1613
01:24:33.800 --> 01:24:35.479
<v Speaker 3>That was the feeling that I had, like, I guess

1614
01:24:35.479 --> 01:24:37.199
<v Speaker 3>this makes sense. And then when I watched it, I

1615
01:24:37.319 --> 01:24:39.399
<v Speaker 3>enjoyed revisiting it, and I do think it was a

1616
01:24:39.399 --> 01:24:42.359
<v Speaker 3>great conversation. But yes, now I'm seeing it pop up

1617
01:24:42.399 --> 01:24:45.640
<v Speaker 3>everywhere and like honest trailers and all these other sorts

1618
01:24:45.680 --> 01:24:48.960
<v Speaker 3>of things. So you were ahead of it weeks ago.

1619
01:24:50.439 --> 01:24:54.119
<v Speaker 2>Well, I'm I'm glad we revisited it, and I'm I'm

1620
01:24:54.199 --> 01:24:57.720
<v Speaker 2>glad that we were able to point out where Troy

1621
01:24:57.960 --> 01:25:01.720
<v Speaker 2>the film is stick to the original story and where

1622
01:25:01.760 --> 01:25:04.159
<v Speaker 2>it veers, because I think, at least for me, that

1623
01:25:04.199 --> 01:25:07.479
<v Speaker 2>was a good refresher and it prepped me for what

1624
01:25:07.520 --> 01:25:08.640
<v Speaker 2>we see in the Odyssey.

1625
01:25:09.279 --> 01:25:13.600
<v Speaker 3>Yeah, and during the commentary, you are way better versed

1626
01:25:13.600 --> 01:25:15.399
<v Speaker 3>in this story than I am, and so you were

1627
01:25:15.399 --> 01:25:20.319
<v Speaker 3>pointing out, well, Troy sort of tweaks this so this

1628
01:25:20.359 --> 01:25:24.000
<v Speaker 3>person has this feeling about this, but that's not exactly

1629
01:25:24.000 --> 01:25:27.640
<v Speaker 3>what happens in the original story. And I was thankful

1630
01:25:27.680 --> 01:25:29.680
<v Speaker 3>to have that context in my mind when I was

1631
01:25:29.720 --> 01:25:32.840
<v Speaker 3>watching The Odyssey, because some people behave in ways that

1632
01:25:32.880 --> 01:25:34.560
<v Speaker 3>I was like, Oh, well, that's a little different than

1633
01:25:34.600 --> 01:25:36.880
<v Speaker 3>they look on it in Troy, but makes sense because

1634
01:25:36.880 --> 01:25:37.600
<v Speaker 3>of what you explained.

1635
01:25:38.920 --> 01:25:42.199
<v Speaker 2>Well, the Odyssey is in theaters, yes, and I.

1636
01:25:42.159 --> 01:25:44.439
<v Speaker 3>Have to ask before we get into it. I'm curious

1637
01:25:44.439 --> 01:25:46.439
<v Speaker 3>what format you saw it in. And I'm also curious

1638
01:25:46.479 --> 01:25:49.279
<v Speaker 3>if you saw the Dune three preview.

1639
01:25:51.039 --> 01:25:54.439
<v Speaker 2>Well, so I saw it at the big Imax in

1640
01:25:55.159 --> 01:25:58.239
<v Speaker 2>downtown San Francisco, the one you and I have been to.

1641
01:25:58.319 --> 01:26:01.279
<v Speaker 2>We watched a dial of Destiny there. Yeah, and the

1642
01:26:01.399 --> 01:26:04.880
<v Speaker 2>promise was that we would be watching the seventy milimeter print,

1643
01:26:05.560 --> 01:26:08.039
<v Speaker 2>but unfortunately the morning of we got an email saying, hey,

1644
01:26:08.039 --> 01:26:11.960
<v Speaker 2>we're having issues with the projector Oh no, so we're

1645
01:26:11.960 --> 01:26:15.119
<v Speaker 2>going to show the digital copy.

1646
01:26:15.039 --> 01:26:19.159
<v Speaker 3>Okay, but still on the enormous true Imax screen.

1647
01:26:19.560 --> 01:26:22.479
<v Speaker 2>Yeah. So I did miss out on seventy, but I

1648
01:26:22.720 --> 01:26:24.560
<v Speaker 2>hope I'll get the change. I mean, now that joint

1649
01:26:24.640 --> 01:26:28.279
<v Speaker 2>is just like booked up from now until until you know,

1650
01:26:28.439 --> 01:26:29.439
<v Speaker 2>several years from now.

1651
01:26:29.600 --> 01:26:32.439
<v Speaker 3>Yeah, because tickets went on sale literally a year ago,

1652
01:26:32.520 --> 01:26:35.880
<v Speaker 3>July fifteenth, twenty twenty five. So that's what's crazy to

1653
01:26:35.880 --> 01:26:38.000
<v Speaker 3>be the people who are at the first showings yesterday,

1654
01:26:38.720 --> 01:26:40.840
<v Speaker 3>but their tickets a year in advance, so that was

1655
01:26:40.880 --> 01:26:42.079
<v Speaker 3>not dedication. Yeah.

1656
01:26:42.199 --> 01:26:45.319
<v Speaker 2>Yeah, so I didn't get the seventy milimeter experience. I

1657
01:26:45.319 --> 01:26:47.840
<v Speaker 2>did get the massive Imax experience, which I'm glad for.

1658
01:26:48.239 --> 01:26:53.640
<v Speaker 2>There was no Dune promo in front of it, however, Oh.

1659
01:26:53.399 --> 01:26:56.119
<v Speaker 3>That must have been attached then I'm guessing.

1660
01:26:55.760 --> 01:26:58.520
<v Speaker 2>Too that, yeah, because because Dune is Warner Brothers, so.

1661
01:26:59.279 --> 01:27:02.199
<v Speaker 3>Yeah, or I'm just thinking, even like they didn't have

1662
01:27:02.239 --> 01:27:04.119
<v Speaker 3>it on a DCP or something like that must be

1663
01:27:05.439 --> 01:27:07.720
<v Speaker 3>attached to the actual reels of the film.

1664
01:27:07.439 --> 01:27:08.439
<v Speaker 2>Then, gotcha, gotcha?

1665
01:27:08.439 --> 01:27:12.920
<v Speaker 3>Okay, yeah, yeah. I saw it at the Chinese theater

1666
01:27:13.560 --> 01:27:16.399
<v Speaker 3>and it was seventy millimeters Imax, which I didn't know.

1667
01:27:18.239 --> 01:27:23.079
<v Speaker 3>So that was pretty amazing and overwhelming. And it did

1668
01:27:23.159 --> 01:27:26.680
<v Speaker 3>I will say this, then it did have the Dune preview,

1669
01:27:27.640 --> 01:27:33.359
<v Speaker 3>and I was like, holy crap, dude, I was not

1670
01:27:33.479 --> 01:27:38.239
<v Speaker 3>prepared honestly. I mean, the past two movies have continued

1671
01:27:38.239 --> 01:27:45.239
<v Speaker 3>to show us really amazing, colossal you know vision. This

1672
01:27:45.680 --> 01:27:49.439
<v Speaker 3>was like, and this is no slight against Denny and

1673
01:27:49.479 --> 01:27:51.840
<v Speaker 3>his vision, because this is his vision. It's amazing. But

1674
01:27:51.920 --> 01:27:54.399
<v Speaker 3>I was like, this looks like if Christopher Nolan did

1675
01:27:54.439 --> 01:27:59.800
<v Speaker 3>Star Wars. Really it's epic, epic, and it's funny because

1676
01:27:59.800 --> 01:28:03.359
<v Speaker 3>I was the my buddy who's like, I know, I like,

1677
01:28:03.359 --> 01:28:05.319
<v Speaker 3>I've enjoyed Doom, but I don't really care about it

1678
01:28:05.359 --> 01:28:07.159
<v Speaker 3>that much. I'm not sure I'm really looking forward to three.

1679
01:28:07.439 --> 01:28:09.439
<v Speaker 3>As soon as it was over, he leaned over and

1680
01:28:09.439 --> 01:28:13.760
<v Speaker 3>he went, I'm in. So it's a battle scene and

1681
01:28:13.800 --> 01:28:16.119
<v Speaker 3>it is epic.

1682
01:28:16.960 --> 01:28:19.439
<v Speaker 2>I'm in. Well, I mean I'm already on board obviously,

1683
01:28:19.479 --> 01:28:22.560
<v Speaker 2>but now now I'm even more on board. I've moved

1684
01:28:22.640 --> 01:28:26.680
<v Speaker 2>further on board. I was on an aisle seat, now

1685
01:28:26.720 --> 01:28:28.720
<v Speaker 2>I'm now I'm in the middle.

1686
01:28:28.840 --> 01:28:30.720
<v Speaker 3>You're in the middle, sparely in the middle, tied up

1687
01:28:30.760 --> 01:28:32.439
<v Speaker 3>to the mast or whatever.

1688
01:28:32.600 --> 01:28:36.880
<v Speaker 2>That's right, yep, So real quick, before we get into

1689
01:28:36.920 --> 01:28:41.640
<v Speaker 2>our discussion about thought, we're recording this the Friday morning after.

1690
01:28:42.199 --> 01:28:46.520
<v Speaker 2>It's a preview night and it's already on pace. For

1691
01:28:47.159 --> 01:28:50.600
<v Speaker 2>let's see the biggest Thursday previews of twenty twenty six,

1692
01:28:51.239 --> 01:28:56.319
<v Speaker 2>seventeen point six million dollars. That's just in previews. So

1693
01:28:56.920 --> 01:28:59.159
<v Speaker 2>this is going to end up doing very well. I

1694
01:28:59.199 --> 01:29:01.319
<v Speaker 2>don't think it's going to be front loaded, so I

1695
01:29:01.319 --> 01:29:02.960
<v Speaker 2>would not be surprised at all if we see one

1696
01:29:03.039 --> 01:29:07.520
<v Speaker 2>hundred million dollars plus opening weekend. That seems that seems

1697
01:29:07.520 --> 01:29:09.039
<v Speaker 2>like we're well on our way to that.

1698
01:29:09.600 --> 01:29:12.159
<v Speaker 3>Yeah, And I mean I had reserved seats, so I'm

1699
01:29:12.199 --> 01:29:13.600
<v Speaker 3>used to just being able to walk in and go

1700
01:29:13.680 --> 01:29:16.039
<v Speaker 3>right where I had sat. But there was a line

1701
01:29:16.119 --> 01:29:19.520
<v Speaker 3>outside the theater that went all the way down the

1702
01:29:19.520 --> 01:29:20.800
<v Speaker 3>block just to wait to get in.

1703
01:29:21.239 --> 01:29:23.680
<v Speaker 2>I mean there when I went to the press screening,

1704
01:29:23.920 --> 01:29:26.079
<v Speaker 2>there was a there was a line for the press screening.

1705
01:29:26.920 --> 01:29:27.239
<v Speaker 3>Yeah.

1706
01:29:27.399 --> 01:29:27.640
<v Speaker 2>Yeah.

1707
01:29:27.640 --> 01:29:29.680
<v Speaker 3>And then when I got out, it was about ten

1708
01:29:29.720 --> 01:29:31.439
<v Speaker 3>at night, there was another line. And then I saw

1709
01:29:31.479 --> 01:29:35.159
<v Speaker 3>on Instagram on the Chinese Theater's page, they had a

1710
01:29:35.239 --> 01:29:38.800
<v Speaker 3>video of the line waiting for the one fifty am screening.

1711
01:29:39.039 --> 01:29:42.880
<v Speaker 2>Good lord. Yeah, that's that's too rich for my blood

1712
01:29:42.960 --> 01:29:43.319
<v Speaker 2>right there.

1713
01:29:43.479 --> 01:29:44.960
<v Speaker 3>That's yeah, that's dedication.

1714
01:29:45.159 --> 01:29:51.560
<v Speaker 2>I'm not doing that. So okay, well, well I will

1715
01:29:52.159 --> 01:29:55.720
<v Speaker 2>I will say that. You know, normally, you and I

1716
01:29:55.800 --> 01:29:57.359
<v Speaker 2>you know, and people listen to the show. Note like

1717
01:29:57.359 --> 01:30:03.640
<v Speaker 2>we don't talk about our our responses after we watch it.

1718
01:30:04.560 --> 01:30:08.439
<v Speaker 2>Occasionally I make an exception, and I've done that twice. Now.

1719
01:30:09.920 --> 01:30:14.439
<v Speaker 2>Three years ago, after I watched Oppenheimer, I pulled up

1720
01:30:14.439 --> 01:30:18.520
<v Speaker 2>my phone and I texted you F and Christopher Nolan yep.

1721
01:30:19.560 --> 01:30:21.840
<v Speaker 2>And then now three years later, I walk out of

1722
01:30:21.840 --> 01:30:24.439
<v Speaker 2>the Odyssey and I just text you F and Christopher

1723
01:30:24.520 --> 01:30:29.600
<v Speaker 2>Nolan yep. It has become my now traditional post Nolan

1724
01:30:29.760 --> 01:30:35.680
<v Speaker 2>movie text. Yes, so you knew you already knew that

1725
01:30:35.680 --> 01:30:39.960
<v Speaker 2>that I loved it. See you better have loved it?

1726
01:30:43.000 --> 01:30:43.640
<v Speaker 2>What'd you think?

1727
01:30:44.600 --> 01:30:47.640
<v Speaker 3>Well, now I'm happy to know where that TSG Entertainment

1728
01:30:47.920 --> 01:30:51.560
<v Speaker 3>vanity logo card comes from. You know what I'm talking

1729
01:30:51.560 --> 01:30:54.720
<v Speaker 3>about with the guy, yes, shooting the arrow through the ACEIs.

1730
01:30:54.880 --> 01:30:56.720
<v Speaker 3>I always was like, huh, I wonder what that is.

1731
01:30:57.520 --> 01:30:59.479
<v Speaker 2>I want to say, actually, before we even get into it,

1732
01:30:59.560 --> 01:31:04.119
<v Speaker 2>there something oddly soothing about the sound when Odysseus shoots

1733
01:31:04.119 --> 01:31:09.600
<v Speaker 2>an arrow. I was like, I think that's my new

1734
01:31:09.640 --> 01:31:12.640
<v Speaker 2>ASMR is shooting era.

1735
01:31:16.239 --> 01:31:25.960
<v Speaker 3>Yeah, this this is why there are movie theaters. This

1736
01:31:26.159 --> 01:31:35.039
<v Speaker 3>is a colossal spectacle that it's it's it's almost overwhelming, honestly,

1737
01:31:35.239 --> 01:31:42.359
<v Speaker 3>and nobody is doing this but Nolan and I don't

1738
01:31:42.359 --> 01:31:45.920
<v Speaker 3>know if anyone else can. I don't given the resources,

1739
01:31:46.039 --> 01:31:49.720
<v Speaker 3>the resources he is afforded, of course, but also just

1740
01:31:49.840 --> 01:31:53.960
<v Speaker 3>the scope, Like nobody is making movies of this scope

1741
01:31:54.800 --> 01:31:59.880
<v Speaker 3>like Nolan, and he is successful at it. So this

1742
01:32:00.199 --> 01:32:06.399
<v Speaker 3>is an experience, right, like it was. You're watching these

1743
01:32:06.479 --> 01:32:09.520
<v Speaker 3>ships and I'm sure there's trickery and things at play,

1744
01:32:09.560 --> 01:32:12.760
<v Speaker 3>but like he is so committed to doing as much

1745
01:32:12.760 --> 01:32:16.680
<v Speaker 3>as possible in camera. Yeah, and I'm certain this movie.

1746
01:32:16.800 --> 01:32:19.279
<v Speaker 3>See that's the thing like with Tom Cruise and him

1747
01:32:19.279 --> 01:32:22.199
<v Speaker 3>saying he does his own stunts, I'm sure he does

1748
01:32:22.600 --> 01:32:25.000
<v Speaker 3>a lot more stunts than many actors do. But like,

1749
01:32:25.479 --> 01:32:27.239
<v Speaker 3>I'm sure there are a lot of stunt people who

1750
01:32:27.319 --> 01:32:29.800
<v Speaker 3>are doing things in here we're not aware of that

1751
01:32:29.840 --> 01:32:34.760
<v Speaker 3>are like, hmmm, a little grumbly, that's right. I'm sure

1752
01:32:34.760 --> 01:32:36.279
<v Speaker 3>there are a lot of visual effects in this movie,

1753
01:32:36.319 --> 01:32:39.680
<v Speaker 3>so I don't want to say like, yeah, no visual effects,

1754
01:32:39.960 --> 01:32:42.039
<v Speaker 3>way to go, Nolan. I'm sure there are tons, but

1755
01:32:42.199 --> 01:32:45.439
<v Speaker 3>you don't notice them. And what he does is the

1756
01:32:45.479 --> 01:32:48.279
<v Speaker 3>thing why we always go back to Jurassic Park saying

1757
01:32:48.840 --> 01:32:51.079
<v Speaker 3>why is this movie from nineteen ninety three with these

1758
01:32:51.079 --> 01:32:53.920
<v Speaker 3>computer effects look better than movies now? And it's because

1759
01:32:54.000 --> 01:33:00.760
<v Speaker 3>of the perfect employment yea, you know, the judicious employment

1760
01:33:01.039 --> 01:33:04.479
<v Speaker 3>of this we need a computer, this I think will

1761
01:33:04.520 --> 01:33:07.439
<v Speaker 3>look and land better if we try it practically, and

1762
01:33:07.520 --> 01:33:09.720
<v Speaker 3>the perfect marriage of those two things. And that's what

1763
01:33:09.800 --> 01:33:13.039
<v Speaker 3>I think he is continuing to do. And that's why

1764
01:33:13.239 --> 01:33:16.039
<v Speaker 3>I didn't Everything looked real to me in this movie

1765
01:33:16.560 --> 01:33:19.840
<v Speaker 3>as crazy as a cyclops. Somehow looked real to me

1766
01:33:21.079 --> 01:33:27.359
<v Speaker 3>in this movie. And yes, I mean this is why

1767
01:33:27.399 --> 01:33:30.640
<v Speaker 3>we go to the theater. I recommend go check this out.

1768
01:33:31.000 --> 01:33:33.119
<v Speaker 3>I do want to say specifically for myself, and I

1769
01:33:33.159 --> 01:33:35.119
<v Speaker 3>said this when it was announced that they were going

1770
01:33:35.159 --> 01:33:38.439
<v Speaker 3>to do this movie. I'm not a big Greek mythology person,

1771
01:33:39.560 --> 01:33:42.359
<v Speaker 3>and even as a kid when they taught us these

1772
01:33:42.359 --> 01:33:45.319
<v Speaker 3>stories in school, I just kind of didn't connect with them.

1773
01:33:46.560 --> 01:33:48.279
<v Speaker 3>And I'll admit there was a point in the middle

1774
01:33:48.359 --> 01:33:50.960
<v Speaker 3>of this movie where we are going through sort of

1775
01:33:51.000 --> 01:33:54.920
<v Speaker 3>these episodes, and some episodes I connected with a little

1776
01:33:54.920 --> 01:33:56.760
<v Speaker 3>bit more than others, and I was a little like,

1777
01:33:56.840 --> 01:34:00.279
<v Speaker 3>oh no, like I'm admiring the grandeur of all this

1778
01:34:00.560 --> 01:34:01.840
<v Speaker 3>and the accomplishment of all this.

1779
01:34:01.880 --> 01:34:04.000
<v Speaker 2>But you're talking about the middle portion.

1780
01:34:04.000 --> 01:34:05.680
<v Speaker 3>Yeah, of the Odyssey, the.

1781
01:34:05.680 --> 01:34:08.119
<v Speaker 2>God damn it, stay on the boat.

1782
01:34:08.359 --> 01:34:12.920
<v Speaker 3>Yes, yes, yes, So I did have this feeling like, oh, okay,

1783
01:34:12.920 --> 01:34:16.479
<v Speaker 3>like I again, scope incredible, but like, am I connecting

1784
01:34:16.520 --> 01:34:19.239
<v Speaker 3>with this? But this is a three hour movie? Like

1785
01:34:19.720 --> 01:34:25.359
<v Speaker 3>stick with it, you know what I mean? And I

1786
01:34:25.439 --> 01:34:27.119
<v Speaker 3>still don't know that I'm like going to go off

1787
01:34:27.119 --> 01:34:29.439
<v Speaker 3>now and read all these stories and feel differently about them.

1788
01:34:29.600 --> 01:34:31.680
<v Speaker 3>But what I do think is that Nolan found a

1789
01:34:31.720 --> 01:34:39.039
<v Speaker 3>way to really make me connect with the humanity in

1790
01:34:39.079 --> 01:34:42.479
<v Speaker 3>these fantastical tales and then it all comes together in

1791
01:34:42.520 --> 01:34:48.760
<v Speaker 3>the end to something that just feels human and exhilarating

1792
01:34:49.399 --> 01:34:53.399
<v Speaker 3>and emotional. And my theater was cheering over and over

1793
01:34:53.479 --> 01:34:55.520
<v Speaker 3>and I don't clap a lot in theaters, and I

1794
01:34:55.880 --> 01:34:59.039
<v Speaker 3>think I spontaneously clapped like two or three times just

1795
01:34:59.079 --> 01:35:01.920
<v Speaker 3>because it was like, oh, I was so swept up

1796
01:35:01.960 --> 01:35:04.760
<v Speaker 3>in it. I just had to let my body, had

1797
01:35:04.760 --> 01:35:09.319
<v Speaker 3>to let up that release. So, yes, this is something

1798
01:35:09.319 --> 01:35:11.199
<v Speaker 3>I can't wait to watch again because it's a lot

1799
01:35:11.239 --> 01:35:17.159
<v Speaker 3>of movie. It's overwhelming. Yeah, but yeah, that was my

1800
01:35:17.239 --> 01:35:19.399
<v Speaker 3>journey with it, like halfway through, like, yeah, these are

1801
01:35:19.399 --> 01:35:21.760
<v Speaker 3>tales that sometimes I connect with and sometimes I don't,

1802
01:35:23.079 --> 01:35:25.079
<v Speaker 3>but then when it all came together at the end,

1803
01:35:25.119 --> 01:35:27.720
<v Speaker 3>and looking at it as a whole. Like, I mean,

1804
01:35:27.960 --> 01:35:31.199
<v Speaker 3>this is a huge achievement. I really enjoyed it and

1805
01:35:31.239 --> 01:35:32.319
<v Speaker 3>I can't wait to watch it again.

1806
01:35:33.680 --> 01:35:37.319
<v Speaker 2>It may well be a career best performance by Matt

1807
01:35:37.399 --> 01:35:41.479
<v Speaker 2>Damon totally. I mean it's you know, and that's saying

1808
01:35:41.479 --> 01:35:47.600
<v Speaker 2>something because my man doesn't miss he's he is consistently good.

1809
01:35:48.039 --> 01:35:50.600
<v Speaker 3>And you think about it. In Interstellar, he plays the

1810
01:35:50.640 --> 01:35:53.439
<v Speaker 3>heel yeah, like one of the like a person you

1811
01:35:53.479 --> 01:35:56.359
<v Speaker 3>just want to punch so bad, you know what I mean?

1812
01:35:57.159 --> 01:35:59.600
<v Speaker 3>And then here, you know, it's just amazing. Yeah, like

1813
01:35:59.680 --> 01:36:04.000
<v Speaker 3>he he when you look at him, some actors disappear

1814
01:36:04.119 --> 01:36:06.239
<v Speaker 3>and I don't know that Damon always disappears, but he

1815
01:36:06.279 --> 01:36:10.399
<v Speaker 3>always does become that person. Does that make sense?

1816
01:36:11.000 --> 01:36:13.960
<v Speaker 2>Well, I mean when you say that, the same guy

1817
01:36:13.960 --> 01:36:19.319
<v Speaker 2>who played Odysseus plays you know, Sonny in Air. Yeah,

1818
01:36:19.439 --> 01:36:21.319
<v Speaker 2>you know that's reflective of his range.

1819
01:36:21.439 --> 01:36:23.079
<v Speaker 3>That's well, that's a good point, you know.

1820
01:36:23.600 --> 01:36:24.159
<v Speaker 2>Yeah.

1821
01:36:24.199 --> 01:36:27.800
<v Speaker 3>And what I like about this character too is you know,

1822
01:36:27.880 --> 01:36:31.239
<v Speaker 3>I'm sort of conditioned watching a lot of American movies

1823
01:36:31.279 --> 01:36:33.720
<v Speaker 3>to have an idea of what a hero looks like,

1824
01:36:33.840 --> 01:36:36.079
<v Speaker 3>what American movies tell me a hero is like, and

1825
01:36:36.119 --> 01:36:38.079
<v Speaker 3>then occasionally he'll do stuff in this movie where I'm like,

1826
01:36:38.159 --> 01:36:38.720
<v Speaker 3>what are you doing?

1827
01:36:38.800 --> 01:36:39.000
<v Speaker 2>Bro?

1828
01:36:39.520 --> 01:36:42.319
<v Speaker 3>Yeah, you know, and it took me a second thing

1829
01:36:42.359 --> 01:36:46.600
<v Speaker 3>to be like, oh, he's not like some stoic, perfect hero.

1830
01:36:46.760 --> 01:36:50.319
<v Speaker 3>He you know, there's in some translations I think he's

1831
01:36:50.319 --> 01:36:54.279
<v Speaker 3>introduced as a complicated man. Yeah, and he is. He

1832
01:36:54.319 --> 01:36:56.800
<v Speaker 3>does some things where you're like, dude, no, what yea?

1833
01:36:57.279 --> 01:36:59.560
<v Speaker 3>But I like that, and I once I got used

1834
01:36:59.600 --> 01:37:02.279
<v Speaker 3>to that and settled into he's not going to be

1835
01:37:02.359 --> 01:37:07.319
<v Speaker 3>that Matt Damon. Yes, you know, you know, follow that

1836
01:37:07.359 --> 01:37:09.159
<v Speaker 3>man anywhere. It's like, no, sometimes he does things I

1837
01:37:09.199 --> 01:37:11.319
<v Speaker 3>don't agree with and I don't sometimes you don't like

1838
01:37:11.399 --> 01:37:17.079
<v Speaker 3>them apples, yes, yes, I like that. It's it's makes

1839
01:37:17.119 --> 01:37:19.159
<v Speaker 3>it a complex story, you.

1840
01:37:19.079 --> 01:37:22.279
<v Speaker 2>Know, before we get into the details. Speaking of Matt Damon,

1841
01:37:22.319 --> 01:37:24.359
<v Speaker 2>I read an interview with him last week where he

1842
01:37:24.439 --> 01:37:27.000
<v Speaker 2>was talking about his just getting in shape for the role,

1843
01:37:27.039 --> 01:37:30.359
<v Speaker 2>and he's like, you know, a lot of times I'll

1844
01:37:30.399 --> 01:37:33.159
<v Speaker 2>be like, oh, what is my like when are you

1845
01:37:33.199 --> 01:37:36.560
<v Speaker 2>going to shoot like my shirtless scene? And then he

1846
01:37:36.720 --> 01:37:38.680
<v Speaker 2>just prepares for that. But he's like, for this one,

1847
01:37:38.720 --> 01:37:40.520
<v Speaker 2>I just wanted to be more steady. I wanted to

1848
01:37:40.520 --> 01:37:43.600
<v Speaker 2>have more of a normal physique and have it be

1849
01:37:43.640 --> 01:37:45.560
<v Speaker 2>something achievable for me at my age. I'm like, Okay,

1850
01:37:45.640 --> 01:37:47.760
<v Speaker 2>rock on and then we see him with his shirt off,

1851
01:37:47.960 --> 01:37:50.920
<v Speaker 2>I know, and I'm like, you son of a pitch.

1852
01:37:52.880 --> 01:37:54.560
<v Speaker 3>Yeah, oh that's that's steady for you.

1853
01:37:55.000 --> 01:38:02.520
<v Speaker 2>Yeah, this is that's just mean. Yeah, that's not right Ryan.

1854
01:38:03.479 --> 01:38:06.560
<v Speaker 3>But it's funny because I mean you think about, yeah,

1855
01:38:06.600 --> 01:38:09.399
<v Speaker 3>these people rowing boats and you know they would be

1856
01:38:09.479 --> 01:38:12.600
<v Speaker 3>really fit, yeah, right, like just by necessity really or

1857
01:38:12.640 --> 01:38:14.560
<v Speaker 3>just the life that they're leading. And I thought, yeah,

1858
01:38:14.560 --> 01:38:15.880
<v Speaker 3>that came across.

1859
01:38:18.199 --> 01:38:20.199
<v Speaker 2>So a couple of points we're talking, We're talking about

1860
01:38:20.239 --> 01:38:22.720
<v Speaker 2>Nolan and sort of what you said as far as

1861
01:38:22.760 --> 01:38:25.479
<v Speaker 2>like he's like the only guy who can make movies

1862
01:38:25.520 --> 01:38:28.520
<v Speaker 2>like this. Certainly at this point this is his moment.

1863
01:38:28.640 --> 01:38:32.119
<v Speaker 2>And you know, when we were discussing Troy, you know,

1864
01:38:32.159 --> 01:38:34.000
<v Speaker 2>we were talking about the irony of the fact that

1865
01:38:34.039 --> 01:38:37.199
<v Speaker 2>he was attached to do that movie and then just

1866
01:38:37.279 --> 01:38:40.960
<v Speaker 2>the wheel of fate was spinning in a different direction.

1867
01:38:41.239 --> 01:38:44.239
<v Speaker 2>He gets moved off of that, he does Batman and

1868
01:38:44.279 --> 01:38:47.560
<v Speaker 2>then you know, away he goes. But he never lost

1869
01:38:47.640 --> 01:38:51.520
<v Speaker 2>the itch to do something in the in the Homeric tradition, right,

1870
01:38:52.520 --> 01:38:54.800
<v Speaker 2>And what you realize is, well, he couldn't have made

1871
01:38:54.800 --> 01:38:56.039
<v Speaker 2>this movie in two thousand and four.

1872
01:38:56.960 --> 01:38:58.640
<v Speaker 3>Oh, totally like that.

1873
01:38:58.760 --> 01:39:02.359
<v Speaker 2>You know, it's like Fate had other plans for him.

1874
01:39:03.039 --> 01:39:08.920
<v Speaker 2>Mm hmmm. He is Odysseus, that's right. Yeah, this, I

1875
01:39:08.960 --> 01:39:13.159
<v Speaker 2>mean thematically, what you realize is is the same way

1876
01:39:13.199 --> 01:39:17.520
<v Speaker 2>Spielberg has the pining for the father, uh you know,

1877
01:39:17.600 --> 01:39:19.800
<v Speaker 2>thematic terrain. I think what you realize at Nolan he

1878
01:39:19.840 --> 01:39:22.600
<v Speaker 2>has the pining for the children or child thematic terrain.

1879
01:39:23.199 --> 01:39:25.439
<v Speaker 3>Yeah. Well that's interesting, yeah.

1880
01:39:25.199 --> 01:39:31.319
<v Speaker 2>Right, very similar, right, and and it's it was very

1881
01:39:31.359 --> 01:39:35.239
<v Speaker 2>gratifying to me watching this because I I I've always

1882
01:39:35.319 --> 01:39:37.880
<v Speaker 2>enjoyed the story of the Odyssey. You know, I remember

1883
01:39:38.399 --> 01:39:40.479
<v Speaker 2>I was in I was telling my son that my

1884
01:39:40.560 --> 01:39:44.239
<v Speaker 2>son is he's my second one. He's he's he's like

1885
01:39:44.279 --> 01:39:46.000
<v Speaker 2>a huge Nolan pant. So it's like, oh, we're gonna

1886
01:39:46.039 --> 01:39:48.760
<v Speaker 2>go catch the early one. And he's like, and he

1887
01:39:48.960 --> 01:39:50.960
<v Speaker 2>just he spent the last month like listening to the

1888
01:39:51.000 --> 01:39:55.359
<v Speaker 2>audio book of the Odyssey, the Emily Wilson translation, which

1889
01:39:55.399 --> 01:39:57.279
<v Speaker 2>is what this one is based on. And I didn't,

1890
01:39:57.560 --> 01:39:59.319
<v Speaker 2>I mean, I haven't read it since high school. But

1891
01:39:59.359 --> 01:40:01.479
<v Speaker 2>I was telling him, He's like, did you read it

1892
01:40:01.520 --> 01:40:03.000
<v Speaker 2>when you were younger? I was like, well even before

1893
01:40:03.039 --> 01:40:06.800
<v Speaker 2>high school. I you know, we were studying the Odyssey

1894
01:40:07.000 --> 01:40:11.920
<v Speaker 2>in fourth grade and we watched a film strip series.

1895
01:40:12.319 --> 01:40:13.920
<v Speaker 2>Yeah remember film strips?

1896
01:40:14.239 --> 01:40:15.039
<v Speaker 3>Yep, yep.

1897
01:40:15.439 --> 01:40:17.239
<v Speaker 2>Like a portion of our audience is like, I don't

1898
01:40:17.239 --> 01:40:17.720
<v Speaker 2>know what that is.

1899
01:40:18.319 --> 01:40:21.560
<v Speaker 3>Yeah, that's your Why do you want to explain it?

1900
01:40:21.760 --> 01:40:23.720
<v Speaker 2>Oh it's I mean I'm trying. It's like you have

1901
01:40:23.960 --> 01:40:29.319
<v Speaker 2>a strip of film and it's it's like in time

1902
01:40:29.439 --> 01:40:32.760
<v Speaker 2>with like an audio tape, and you would like listen

1903
01:40:32.800 --> 01:40:36.439
<v Speaker 2>to the audio and then you would have you know, slides. Basically,

1904
01:40:36.439 --> 01:40:37.279
<v Speaker 2>it's like a slide show.

1905
01:40:37.760 --> 01:40:39.279
<v Speaker 3>Yeah, yeah, right right.

1906
01:40:40.279 --> 01:40:41.840
<v Speaker 2>And so it was like the whole Odyssey and we

1907
01:40:41.840 --> 01:40:45.399
<v Speaker 2>spent you know, maybe a week going over it, you know,

1908
01:40:46.600 --> 01:40:50.239
<v Speaker 2>and I just I remember being so like pulled in

1909
01:40:50.279 --> 01:40:52.920
<v Speaker 2>to the emotion of it and everything else that it.

1910
01:40:53.359 --> 01:40:54.920
<v Speaker 2>Watching this movie it took me back to that.

1911
01:40:55.479 --> 01:40:56.760
<v Speaker 3>Oh that's great, you know.

1912
01:40:57.159 --> 01:41:00.760
<v Speaker 2>And again it's like I don't I don't remember the

1913
01:41:01.000 --> 01:41:04.439
<v Speaker 2>the intricate details of the story, but you know the episodes,

1914
01:41:04.439 --> 01:41:08.680
<v Speaker 2>you know, the the Cyclops and and Circe and you

1915
01:41:08.680 --> 01:41:12.239
<v Speaker 2>know Calypso et cetera. You know, the return to Ithaca.

1916
01:41:12.279 --> 01:41:14.880
<v Speaker 2>So you know, it hit all those bases but more

1917
01:41:14.920 --> 01:41:20.920
<v Speaker 2>importantly for me it it does the work to make

1918
01:41:23.319 --> 01:41:26.119
<v Speaker 2>to make the film culminate in an emotionally satisfying way.

1919
01:41:26.479 --> 01:41:28.640
<v Speaker 3>Oh man, yeah.

1920
01:41:28.239 --> 01:41:32.640
<v Speaker 2>It ended, and without spoiling it, it ended, and I was like, yes, yes.

1921
01:41:33.600 --> 01:41:37.279
<v Speaker 3>Yeah, yeah, yeah yeah. There were so many times where

1922
01:41:37.319 --> 01:41:40.319
<v Speaker 3>I thought the movie could end here, like would be

1923
01:41:40.319 --> 01:41:43.960
<v Speaker 3>really satisfying if things were handled right now, and it

1924
01:41:44.079 --> 01:41:48.079
<v Speaker 3>keeps going, and I I was like, well, I guess

1925
01:41:48.079 --> 01:41:49.920
<v Speaker 3>that's just how the story goes, but I wonder if

1926
01:41:49.960 --> 01:41:51.760
<v Speaker 3>there's a way, like you could sort of synch this up,

1927
01:41:51.760 --> 01:41:53.239
<v Speaker 3>and it might, you know, you could, you could end

1928
01:41:53.239 --> 01:41:56.199
<v Speaker 3>this right now if you wanted. But I was completely wrong.

1929
01:41:57.560 --> 01:42:02.880
<v Speaker 3>The way that it is is executed is just so satisfying,

1930
01:42:03.199 --> 01:42:07.279
<v Speaker 3>and I love that it felt very Sometimes you watch

1931
01:42:07.319 --> 01:42:11.279
<v Speaker 3>movies like this and they feel a little like statues

1932
01:42:11.439 --> 01:42:15.640
<v Speaker 3>walking around and interacting with one another, but all the

1933
01:42:15.720 --> 01:42:21.720
<v Speaker 3>characters here felt very human, you know, Penelope's experience and

1934
01:42:22.279 --> 01:42:27.159
<v Speaker 3>even ultimately what we learn is Odysseus's experience and why

1935
01:42:27.199 --> 01:42:31.520
<v Speaker 3>he feels the way he does. I connected with it

1936
01:42:31.640 --> 01:42:34.239
<v Speaker 3>very much and loved that it was kind of a

1937
01:42:35.319 --> 01:42:39.600
<v Speaker 3>there are you know, seemingly gods and bigger things interacting

1938
01:42:39.600 --> 01:42:41.760
<v Speaker 3>with this story, but it really is about the things

1939
01:42:41.800 --> 01:42:45.479
<v Speaker 3>happening inside of everyone that this is really about. And

1940
01:42:45.560 --> 01:42:48.039
<v Speaker 3>I thought that was executed really well.

1941
01:42:48.760 --> 01:42:52.039
<v Speaker 2>Yeah. I you know, in our conversation about Troy, first

1942
01:42:52.039 --> 01:42:56.199
<v Speaker 2>of all, I should say I was surprised how much

1943
01:42:56.560 --> 01:43:02.560
<v Speaker 2>this film echoes Troy in what way? Well, specifically in

1944
01:43:02.680 --> 01:43:07.039
<v Speaker 2>terms of the fall of Troy. Yeah, oh yes, yes,

1945
01:43:07.520 --> 01:43:12.159
<v Speaker 2>you know, thematically and I would say visually very similar

1946
01:43:12.199 --> 01:43:16.600
<v Speaker 2>in terms of how they're depicted. But what both films

1947
01:43:16.680 --> 01:43:19.800
<v Speaker 2>did in different ways is they put the gods at

1948
01:43:20.159 --> 01:43:24.880
<v Speaker 2>arm's length. Yes, And you know that was something we

1949
01:43:24.920 --> 01:43:28.119
<v Speaker 2>talked about with with Troy, where Peterson was like, well,

1950
01:43:29.880 --> 01:43:34.439
<v Speaker 2>you know, we don't. We want to make it like

1951
01:43:34.560 --> 01:43:38.079
<v Speaker 2>the people are making the decisions, you know, as opposed

1952
01:43:38.119 --> 01:43:41.920
<v Speaker 2>to Lawrence Olivier in a toga. You know. And I

1953
01:43:41.960 --> 01:43:44.000
<v Speaker 2>remember thinking before I saw The Odyssey, I was like, well,

1954
01:43:44.000 --> 01:43:46.880
<v Speaker 2>the Odyssey is I mean, it is a fantasy story,

1955
01:43:47.000 --> 01:43:53.359
<v Speaker 2>so you know, you can't pretend it's history, right, And

1956
01:43:53.760 --> 01:43:55.680
<v Speaker 2>that is true. Nolan did approach it that way, but

1957
01:43:55.760 --> 01:43:59.199
<v Speaker 2>even still, he found an interesting way of weaving in

1958
01:44:00.079 --> 01:44:03.920
<v Speaker 2>the gods that to me is very much in line

1959
01:44:03.920 --> 01:44:08.079
<v Speaker 2>with with Peterson's approach. To Troy. Mm hmmm, where And

1960
01:44:08.119 --> 01:44:09.800
<v Speaker 2>I don't think this is a spoiler, but you know,

1961
01:44:11.880 --> 01:44:16.439
<v Speaker 2>there's there's enough vaguary about the gods as they are

1962
01:44:16.520 --> 01:44:19.079
<v Speaker 2>present in this film, you know what I mean?

1963
01:44:19.720 --> 01:44:22.319
<v Speaker 3>No, totally. I mean there are like there are shots

1964
01:44:22.359 --> 01:44:27.920
<v Speaker 3>with you know, Zendea as Athena, and Odysseus is seemingly

1965
01:44:27.960 --> 01:44:31.039
<v Speaker 3>interacting with her, but then they'll do another angle and

1966
01:44:31.039 --> 01:44:34.000
<v Speaker 3>you'll see he's by himself, So it could be something internal.

1967
01:44:34.359 --> 01:44:36.399
<v Speaker 2>Is it just is he just imagining something?

1968
01:44:36.520 --> 01:44:36.760
<v Speaker 3>You know?

1969
01:44:37.239 --> 01:44:37.479
<v Speaker 2>Right?

1970
01:44:37.760 --> 01:44:39.439
<v Speaker 3>Right? But I found all this stuff very moving.

1971
01:44:39.920 --> 01:44:43.439
<v Speaker 2>No, I I agree, because because what it's doing is

1972
01:44:44.800 --> 01:44:49.279
<v Speaker 2>it's it's by virtue of framing the Athena character that way,

1973
01:44:49.279 --> 01:44:52.279
<v Speaker 2>it's actually giving some greater insight into into Odysseus's character

1974
01:44:52.479 --> 01:44:54.720
<v Speaker 2>and that you know, we see that play out and

1975
01:44:55.640 --> 01:44:59.840
<v Speaker 2>by the time the movie ends. You know, I like

1976
01:45:00.199 --> 01:45:03.439
<v Speaker 2>the ambiguity, and obviously that's a that's a place that

1977
01:45:03.439 --> 01:45:08.560
<v Speaker 2>that Nolan enjoys being. But I think what it ultimately

1978
01:45:08.560 --> 01:45:12.439
<v Speaker 2>allows is that you have this very expansive, fantastical story,

1979
01:45:12.520 --> 01:45:20.720
<v Speaker 2>but it's it's situated and concentrated within one person's trauma.

1980
01:45:21.399 --> 01:45:22.199
<v Speaker 3>M right.

1981
01:45:22.199 --> 01:45:25.880
<v Speaker 2>So it's three hours of going through o diseas's ptsd

1982
01:45:26.680 --> 01:45:33.079
<v Speaker 2>M and that that's not meant to be a deterrent.

1983
01:45:33.520 --> 01:45:35.399
<v Speaker 2>That's to me, that's fascinating.

1984
01:45:35.840 --> 01:45:38.479
<v Speaker 3>Yeah. Yeah, that's the good stuff. Honestly. I mean it

1985
01:45:38.960 --> 01:45:43.119
<v Speaker 3>feels meaty and and human, you know, for for such

1986
01:45:43.159 --> 01:45:45.880
<v Speaker 3>a fantastical and potentially dusty tail.

1987
01:45:46.640 --> 01:45:48.880
<v Speaker 2>Yeah. And and I will say, going in, you know,

1988
01:45:49.359 --> 01:45:52.079
<v Speaker 2>from the trailers, I was like, oh, is the Ithaca

1989
01:45:52.239 --> 01:45:53.880
<v Speaker 2>stuff really gonna work for me?

1990
01:45:55.000 --> 01:45:55.640
<v Speaker 3>The Suitors?

1991
01:45:56.039 --> 01:45:58.920
<v Speaker 2>Yeah, the Suitors and just sort of you know, you know,

1992
01:46:00.319 --> 01:46:05.560
<v Speaker 2>Penelope waiting and Telemachus pining and you know, uh, but

1993
01:46:05.680 --> 01:46:07.680
<v Speaker 2>I loved all that stuff. That was so like, I

1994
01:46:08.920 --> 01:46:11.640
<v Speaker 2>feel like, and I was on board for all of

1995
01:46:11.840 --> 01:46:14.279
<v Speaker 2>the various episodes, which we'll talk about more in spoilers,

1996
01:46:14.279 --> 01:46:19.359
<v Speaker 2>But to me, I think the last third was the

1997
01:46:19.399 --> 01:46:23.439
<v Speaker 2>most interesting part of the movie for me. See, do

1998
01:46:23.479 --> 01:46:25.079
<v Speaker 2>we want to get into spoilers.

1999
01:46:24.960 --> 01:46:25.680
<v Speaker 3>Yeah, I let's do it.

2000
01:46:29.840 --> 01:46:37.319
<v Speaker 2>Spoiler spoil away merrill.

2001
01:46:38.000 --> 01:46:43.680
<v Speaker 3>Yeah. There was a moment where, you know, the men

2002
01:46:43.880 --> 01:46:46.199
<v Speaker 3>are stranded on a beach, these soldiers, and I was like, wow,

2003
01:46:46.199 --> 01:46:48.680
<v Speaker 3>Nolan really does love soldiers stranded on a beach.

2004
01:46:50.239 --> 01:46:52.640
<v Speaker 2>That Dunkirk shades of Dunkirk can't.

2005
01:46:52.880 --> 01:46:55.119
<v Speaker 3>Yeah, but I guess this isn't spoiler stuff, but I

2006
01:46:55.199 --> 01:46:59.359
<v Speaker 3>also wanted to comment on the score. You know, Nolan

2007
01:46:59.399 --> 01:47:04.479
<v Speaker 3>does this thing where sometimes his movies can feel like

2008
01:47:05.479 --> 01:47:08.920
<v Speaker 3>expansive montages, you know what I mean, Like there's a

2009
01:47:09.000 --> 01:47:11.840
<v Speaker 3>real sort of we don't need to sit in this scene.

2010
01:47:11.840 --> 01:47:13.720
<v Speaker 3>We're just going to show you enough of what's important

2011
01:47:13.720 --> 01:47:16.479
<v Speaker 3>here then go to something else. And there's score that

2012
01:47:16.600 --> 01:47:20.239
<v Speaker 3>isn't changing for each moment. It's just droning and pounding

2013
01:47:20.279 --> 01:47:23.079
<v Speaker 3>and pulling you through all these moments collected together, so

2014
01:47:23.119 --> 01:47:26.319
<v Speaker 3>it feels sort of montage like, right, and this one

2015
01:47:26.359 --> 01:47:29.359
<v Speaker 3>didn't do that as much, but there are definitely that

2016
01:47:29.359 --> 01:47:34.439
<v Speaker 3>that characteristic of his is present here and it really

2017
01:47:34.439 --> 01:47:36.920
<v Speaker 3>works to amazing effect. I mean, just the ending where

2018
01:47:36.920 --> 01:47:42.279
<v Speaker 3>everything like the screws are tightening and the scores you

2019
01:47:42.359 --> 01:47:45.720
<v Speaker 3>just feel your body like getting dease and you're waiting

2020
01:47:45.760 --> 01:47:49.920
<v Speaker 3>for that release and it's just it works so beautifully.

2021
01:47:52.000 --> 01:47:58.079
<v Speaker 3>Well spoiler if I'll say, going back to yes, the

2022
01:47:58.079 --> 01:48:02.520
<v Speaker 3>gods aspect is up for interpretation, but there are fantastical

2023
01:48:02.560 --> 01:48:05.600
<v Speaker 3>things happening in this movie that's right, right, And one

2024
01:48:05.640 --> 01:48:07.720
<v Speaker 3>of the things that I loved, which is just the

2025
01:48:07.920 --> 01:48:11.880
<v Speaker 3>perfect way for Nolan to interpret this, but it's still fantastical,

2026
01:48:11.960 --> 01:48:12.479
<v Speaker 3>is hades?

2027
01:48:13.560 --> 01:48:14.000
<v Speaker 2>Yeah?

2028
01:48:14.119 --> 01:48:18.239
<v Speaker 3>Oh yeah, I loved it. It was such a brilliant

2029
01:48:18.399 --> 01:48:21.039
<v Speaker 3>Instead of having him go through some sort of cave

2030
01:48:21.199 --> 01:48:23.600
<v Speaker 3>and there's like flames and a river and you know,

2031
01:48:23.760 --> 01:48:29.880
<v Speaker 3>like whatever, just these sort of shadowy people slowly emerging

2032
01:48:29.920 --> 01:48:33.600
<v Speaker 3>from this like soil. I just I thought that was

2033
01:48:33.640 --> 01:48:36.359
<v Speaker 3>executed so well. And that the dead can't speak unless

2034
01:48:36.399 --> 01:48:39.199
<v Speaker 3>they put the blood little you know, the blood in

2035
01:48:39.239 --> 01:48:41.319
<v Speaker 3>their mouths and that's what gives them the ability to speak.

2036
01:48:41.359 --> 01:48:42.880
<v Speaker 3>Maybe that's from the story. I don't know, but I

2037
01:48:43.000 --> 01:48:46.720
<v Speaker 3>just it was just the right amount of Maybe that's it.

2038
01:48:48.000 --> 01:48:52.960
<v Speaker 3>Some fantasy just gets a little too away from my

2039
01:48:53.000 --> 01:48:56.560
<v Speaker 3>fingertips for me to buy into it, right, So Nolan

2040
01:48:56.640 --> 01:48:59.159
<v Speaker 3>is the perfect guy to bring this story to me

2041
01:49:01.079 --> 01:49:04.760
<v Speaker 3>where I can wrap my arms around it. But it

2042
01:49:04.840 --> 01:49:08.840
<v Speaker 3>is still fantastical, right, And it just really hit a

2043
01:49:08.840 --> 01:49:10.680
<v Speaker 3>sweet spot for me, and that that scene I think

2044
01:49:10.760 --> 01:49:13.479
<v Speaker 3>is the perfect example of that. I don't know what

2045
01:49:13.520 --> 01:49:14.000
<v Speaker 3>about for you.

2046
01:49:14.359 --> 01:49:16.680
<v Speaker 2>Well, it is funny that that Nolan sort of gets

2047
01:49:17.199 --> 01:49:20.479
<v Speaker 2>pegged as like the realism guy right when you look

2048
01:49:20.479 --> 01:49:25.560
<v Speaker 2>at like he made Interstellar, he made Inception. You know,

2049
01:49:25.760 --> 01:49:30.000
<v Speaker 2>these these are hard sci fi, hard fantasy stories, right,

2050
01:49:31.520 --> 01:49:34.000
<v Speaker 2>And so it's I think it's just sort of like

2051
01:49:34.199 --> 01:49:36.960
<v Speaker 2>a general aesthetic that he embodies that people sort of

2052
01:49:36.960 --> 01:49:39.199
<v Speaker 2>be like, oh, realism. It's like, yeah, but he makes

2053
01:49:39.319 --> 01:49:40.560
<v Speaker 2>he makes fantasy films.

2054
01:49:40.640 --> 01:49:43.920
<v Speaker 3>You know. That's a key word that you just said, aesthetic. Yeah,

2055
01:49:43.960 --> 01:49:47.079
<v Speaker 3>he says realism aesthetic for like you said, hard sci

2056
01:49:47.079 --> 01:49:47.880
<v Speaker 3>fi concepts.

2057
01:49:48.319 --> 01:49:51.439
<v Speaker 2>Yeah. Well, and and and yeah to your point, right,

2058
01:49:51.560 --> 01:49:53.359
<v Speaker 2>it's I mean you look at like the Odyssey, right,

2059
01:49:53.359 --> 01:49:58.720
<v Speaker 2>and you can you can imagine the sort of Lord

2060
01:49:58.760 --> 01:50:04.199
<v Speaker 2>of the Rings esque version, and Nolan goes in a

2061
01:50:04.199 --> 01:50:07.000
<v Speaker 2>different way. And I think the project ends up richer

2062
01:50:07.039 --> 01:50:09.680
<v Speaker 2>as a result, because it's more reflective of his sensibilities.

2063
01:50:10.159 --> 01:50:10.279
<v Speaker 4>Uh.

2064
01:50:10.359 --> 01:50:15.920
<v Speaker 2>And it stands apart and and kind of what we're

2065
01:50:15.920 --> 01:50:21.039
<v Speaker 2>alluding to, I think the fantasy elements all are in

2066
01:50:21.159 --> 01:50:23.880
<v Speaker 2>service of the journey of the character. Right. And this

2067
01:50:23.920 --> 01:50:30.319
<v Speaker 2>is where I think it differs tonally from the original

2068
01:50:30.359 --> 01:50:34.039
<v Speaker 2>story in that in that the original story is sort

2069
01:50:34.079 --> 01:50:44.319
<v Speaker 2>of vignette, you know, whereas here we're much we're foregrounding. Ah,

2070
01:50:44.399 --> 01:50:47.159
<v Speaker 2>we already know kind of where Odysseus ends up, because

2071
01:50:47.159 --> 01:50:50.560
<v Speaker 2>we're doing the usual you know, Nolan jumping around thing,

2072
01:50:51.800 --> 01:50:54.399
<v Speaker 2>and so I think that frames the story in a way.

2073
01:50:54.479 --> 01:50:58.119
<v Speaker 2>Where as as as we're jumping around in time, we

2074
01:50:58.199 --> 01:51:01.039
<v Speaker 2>have the ballast of like we know where you know

2075
01:51:01.119 --> 01:51:04.600
<v Speaker 2>what the present is m hm, where he's on the

2076
01:51:04.600 --> 01:51:08.119
<v Speaker 2>island with Calypso I think that helps, you.

2077
01:51:08.079 --> 01:51:10.960
<v Speaker 3>Know, Yeah, I saw I haven't read a lot of

2078
01:51:11.319 --> 01:51:14.720
<v Speaker 3>other people's takes on this, but I did see someone say, Okay, well,

2079
01:51:14.760 --> 01:51:18.359
<v Speaker 3>the time jumping stuff worked, but maybe it's time for

2080
01:51:18.439 --> 01:51:20.800
<v Speaker 3>him to retire that. And I was like, he can

2081
01:51:20.840 --> 01:51:23.399
<v Speaker 3>retire it, well, you know, yeah, that's how he cut

2082
01:51:23.399 --> 01:51:26.079
<v Speaker 3>off his hand, you know. I agreed, I mean, yeah,

2083
01:51:26.319 --> 01:51:29.560
<v Speaker 3>but I was like, well, as long as it's working, why, Yeah,

2084
01:51:29.560 --> 01:51:32.720
<v Speaker 3>Like I didn't. I didn't find it to be a gimmick.

2085
01:51:33.439 --> 01:51:34.600
<v Speaker 3>I found it very effective.

2086
01:51:35.479 --> 01:51:42.600
<v Speaker 2>Yeah, I think that Nolan doesn't think linearly. I think

2087
01:51:42.640 --> 01:51:46.479
<v Speaker 2>that's reflected in the stories he tells. H right, going

2088
01:51:46.520 --> 01:51:51.640
<v Speaker 2>from Memento to now every one of these well, I

2089
01:51:51.640 --> 01:51:54.000
<v Speaker 2>mean not so much the Dark Knight sequels, but even

2090
01:51:54.239 --> 01:51:57.560
<v Speaker 2>Batman begins jumps back and forth in time. I think

2091
01:51:57.560 --> 01:52:01.119
<v Speaker 2>that's just how he views stories. Yeah, you know, And

2092
01:52:01.119 --> 01:52:07.079
<v Speaker 2>and so in a way, by by by eschewing linearity,

2093
01:52:07.119 --> 01:52:11.960
<v Speaker 2>he's able to have the various portions of the story

2094
01:52:11.960 --> 01:52:13.920
<v Speaker 2>pay off each other in a much more meaningful way.

2095
01:52:14.159 --> 01:52:21.039
<v Speaker 2>I don't just as Oppenheimer ended exactly where it needed

2096
01:52:21.039 --> 01:52:22.439
<v Speaker 2>to in the way it needed to. I feel the

2097
01:52:22.439 --> 01:52:29.319
<v Speaker 2>same way about about this. And by the way, Oppenheimer

2098
01:52:29.439 --> 01:52:33.920
<v Speaker 2>and The Odyssey are like are it's it's it's like

2099
01:52:33.960 --> 01:52:37.680
<v Speaker 2>a it's a hell of a double feature because because

2100
01:52:37.680 --> 01:52:39.800
<v Speaker 2>they're both telling kind of the same story.

2101
01:52:40.000 --> 01:52:40.920
<v Speaker 3>Yeah that's true.

2102
01:52:41.079 --> 01:52:44.000
<v Speaker 2>Yeah, you know, yeah, remarkable, Like what a weird sentence

2103
01:52:44.079 --> 01:52:45.079
<v Speaker 2>to say, but it's true.

2104
01:52:45.439 --> 01:52:50.199
<v Speaker 3>Yeah, yeah, you know, yeah, a man's tortured soul.

2105
01:52:50.760 --> 01:52:57.319
<v Speaker 2>Yeah, sort of reckoning with the aftermath of what he instigated,

2106
01:52:58.359 --> 01:52:58.680
<v Speaker 2>you know.

2107
01:52:59.319 --> 01:53:02.239
<v Speaker 3>Which I like because, again not being super familiar with

2108
01:53:02.279 --> 01:53:08.720
<v Speaker 3>this story, when the Trojan horse is dragged in, you know,

2109
01:53:08.760 --> 01:53:12.520
<v Speaker 3>through the walls, it's funny because that was amazing too.

2110
01:53:12.560 --> 01:53:15.359
<v Speaker 3>I mean, the very similitude and whatever you want, realism,

2111
01:53:15.359 --> 01:53:17.760
<v Speaker 3>whatever you want to say about Nolan just making it

2112
01:53:17.800 --> 01:53:20.680
<v Speaker 3>look like, yeah, you need like a hundred hundreds of

2113
01:53:20.720 --> 01:53:22.039
<v Speaker 3>dudes and rope.

2114
01:53:22.159 --> 01:53:24.439
<v Speaker 2>And before you proceed, I just want to say one thing.

2115
01:53:24.720 --> 01:53:28.600
<v Speaker 2>Watching the movie, you see the half buried horse and

2116
01:53:28.800 --> 01:53:32.279
<v Speaker 2>just instinctually, I know, you know, where this is headed.

2117
01:53:32.560 --> 01:53:35.199
<v Speaker 2>I'm like, huh, looks like Planet of the Apes. Yeah,

2118
01:53:36.039 --> 01:53:37.880
<v Speaker 2>just just a fleeting thought. And then you send me

2119
01:53:37.920 --> 01:53:39.720
<v Speaker 2>a clip from an interview. I did not convey that

2120
01:53:39.760 --> 01:53:41.600
<v Speaker 2>thought that you send me a clip from interview. He's like, yeah,

2121
01:53:41.600 --> 01:53:43.079
<v Speaker 2>I was thinking a kind of like Planet of the Apes.

2122
01:53:43.199 --> 01:53:48.359
<v Speaker 2>I'm like, son of a bitch, you did it, crazy,

2123
01:53:48.399 --> 01:53:50.720
<v Speaker 2>so bit you did it? Sorry, go on.

2124
01:53:50.960 --> 01:53:52.520
<v Speaker 3>Oh the second I saw it, I was like, zechy,

2125
01:53:53.600 --> 01:53:56.520
<v Speaker 3>just send it to you. And that was an idea

2126
01:53:56.600 --> 01:53:59.680
<v Speaker 3>he had since the early two thousands. Yeah, when he

2127
01:53:59.720 --> 01:54:02.359
<v Speaker 3>was helping Troy, which is kind of cool. It makes sense.

2128
01:54:02.680 --> 01:54:05.079
<v Speaker 3>He was like, wow, that's something and it just never

2129
01:54:05.159 --> 01:54:10.399
<v Speaker 3>left his mind. But yeah, I love seeing you know,

2130
01:54:10.600 --> 01:54:12.560
<v Speaker 3>you watch movies and you can imagine. It's like, yeah,

2131
01:54:12.600 --> 01:54:14.760
<v Speaker 3>we get thirty guys and they push the horse through

2132
01:54:14.760 --> 01:54:17.359
<v Speaker 3>the walls and it's like, no, that would be really hard.

2133
01:54:17.520 --> 01:54:20.239
<v Speaker 3>There's like a lot of human beings inside that thing,

2134
01:54:20.399 --> 01:54:22.359
<v Speaker 3>Like this thing is going to be heavy. And I

2135
01:54:22.399 --> 01:54:24.479
<v Speaker 3>thought they conveyed really well, just no, this is like

2136
01:54:24.520 --> 01:54:29.000
<v Speaker 3>a real task getting this thing inside. But as I

2137
01:54:29.079 --> 01:54:32.119
<v Speaker 3>was watching it, that sequence and the men leaving the

2138
01:54:32.159 --> 01:54:36.960
<v Speaker 3>horse and sneaking through Troy as it sleeps. I was like, man,

2139
01:54:37.000 --> 01:54:39.399
<v Speaker 3>this is brilliant, wow clever, Like I was sort of

2140
01:54:39.399 --> 01:54:42.079
<v Speaker 3>taken with it, like wow, what a great idea. But

2141
01:54:43.319 --> 01:54:48.399
<v Speaker 3>I like then you see them sack Troy and it's horrifying. Yeah,

2142
01:54:48.439 --> 01:54:54.119
<v Speaker 3>it's awful, like assaulting women and just pillaging and murdering

2143
01:54:54.159 --> 01:54:57.520
<v Speaker 3>and whatever. And so I was a little surprised, like, oh,

2144
01:54:57.560 --> 01:54:59.840
<v Speaker 3>this reminds me of Troy. It's not shown as this

2145
01:55:00.119 --> 01:55:04.239
<v Speaker 3>like accomplishment. And then that winds up being what the

2146
01:55:04.279 --> 01:55:07.680
<v Speaker 3>movie is about. That is Odysseus when he's reckoning with

2147
01:55:07.720 --> 01:55:09.960
<v Speaker 3>things at the end, why he resisted going home for

2148
01:55:09.960 --> 01:55:13.119
<v Speaker 3>so long? It's like, am I the man who left

2149
01:55:13.119 --> 01:55:15.159
<v Speaker 3>this place? Like who am I?

2150
01:55:15.159 --> 01:55:15.239
<v Speaker 2>Do?

2151
01:55:15.319 --> 01:55:19.239
<v Speaker 3>I even like who I am? Anymore? Should I come home?

2152
01:55:19.399 --> 01:55:22.800
<v Speaker 3>Like I just found that so rich and understandable relatable

2153
01:55:23.119 --> 01:55:24.520
<v Speaker 3>in this fantastic tale, you know.

2154
01:55:25.239 --> 01:55:28.119
<v Speaker 2>Yeah, for Odysseus having come up with the idea of

2155
01:55:28.199 --> 01:55:32.560
<v Speaker 2>the horses the equivalent of Oppenheimer, yes, detonating the bomb,

2156
01:55:32.600 --> 01:55:35.000
<v Speaker 2>you know, like perfect. And that's the way the movies

2157
01:55:35.479 --> 01:55:38.399
<v Speaker 2>frame it, like this is like history. There is before

2158
01:55:38.399 --> 01:55:39.119
<v Speaker 2>and there is after.

2159
01:55:39.960 --> 01:55:42.880
<v Speaker 3>Yeah, it's about the spiritual toll that he's carrying.

2160
01:55:43.199 --> 01:55:48.640
<v Speaker 2>That's right. You know, it is interesting. You know, the

2161
01:55:50.000 --> 01:55:57.720
<v Speaker 2>the Cyclops is first of all, freaking freaking scary looking amazing, right,

2162
01:55:57.920 --> 01:56:00.640
<v Speaker 2>Like I mean, it's like you go into the movie

2163
01:56:00.680 --> 01:56:02.560
<v Speaker 2>you kind of have a sense of what a cyclops

2164
01:56:02.600 --> 01:56:05.479
<v Speaker 2>is going to look like, yes, and they're like, no,

2165
01:56:05.960 --> 01:56:08.439
<v Speaker 2>we're gonna We're gonna give you some nightmares, you know what.

2166
01:56:08.479 --> 01:56:13.119
<v Speaker 3>I liked too having the eye sideways yep. I was like, huh,

2167
01:56:13.119 --> 01:56:15.800
<v Speaker 3>that's interesting. But then you notice that the nose is

2168
01:56:15.840 --> 01:56:18.600
<v Speaker 3>a little off. It's like, no, yeah, this guy's face

2169
01:56:18.640 --> 01:56:20.680
<v Speaker 3>is just kind of messed up, and that explains why

2170
01:56:20.760 --> 01:56:22.920
<v Speaker 3>he has one eye, you know, like there he had

2171
01:56:22.960 --> 01:56:25.600
<v Speaker 3>to think through, like well, why why is this way?

2172
01:56:25.920 --> 01:56:26.239
<v Speaker 2>That's right?

2173
01:56:26.279 --> 01:56:27.079
<v Speaker 3>And it works.

2174
01:56:28.399 --> 01:56:30.760
<v Speaker 2>Yeah, And and that's again, you know, in in the

2175
01:56:30.800 --> 01:56:34.000
<v Speaker 2>original story, that's very much you know, the the Cyclops

2176
01:56:34.039 --> 01:56:37.079
<v Speaker 2>is under the protection of Poseidon, and so Odysseus is

2177
01:56:37.119 --> 01:56:40.479
<v Speaker 2>and his men offend Poseidon and that's what causes this,

2178
01:56:40.880 --> 01:56:43.840
<v Speaker 2>and they they do certainly leave that in, but again

2179
01:56:43.880 --> 01:56:45.880
<v Speaker 2>it's like, well, is this just their beliefs and they're

2180
01:56:45.920 --> 01:56:46.640
<v Speaker 2>reading into it.

2181
01:56:47.640 --> 01:56:47.840
<v Speaker 5>You know.

2182
01:56:49.279 --> 01:56:52.520
<v Speaker 3>By the way, as horrifying as that monster was, I

2183
01:56:52.520 --> 01:56:55.239
<v Speaker 3>felt really bad for it. Oh yeah, Like when he

2184
01:56:55.680 --> 01:56:58.560
<v Speaker 3>I mean, you know, because he eats a couple soldiers

2185
01:56:58.560 --> 01:57:01.520
<v Speaker 3>sort of like the Rand Corps and Gmorian Guard or whatever.

2186
01:57:02.920 --> 01:57:05.680
<v Speaker 3>We get that moment. But yeah, when they poke it

2187
01:57:05.680 --> 01:57:08.000
<v Speaker 3>in the eye and he's he's yelping, I was like, oh,

2188
01:57:08.000 --> 01:57:09.960
<v Speaker 3>this poor guy.

2189
01:57:10.199 --> 01:57:13.520
<v Speaker 2>Yeah, no, it's and I'm sure that's by design. That

2190
01:57:13.600 --> 01:57:15.960
<v Speaker 2>was Bill Irwin, by the way, as the Cyclops.

2191
01:57:16.560 --> 01:57:17.600
<v Speaker 3>Yeah, I saw that later.

2192
01:57:17.920 --> 01:57:21.039
<v Speaker 2>Right, he's tars I think, right, and an interstellar.

2193
01:57:22.119 --> 01:57:24.279
<v Speaker 3>But the blend, sorry, just before we move on from that,

2194
01:57:24.359 --> 01:57:27.880
<v Speaker 3>the blend of having a real cuman so I don't

2195
01:57:27.880 --> 01:57:29.960
<v Speaker 3>know what it is. Usually in the past it'd be

2196
01:57:29.960 --> 01:57:32.960
<v Speaker 3>rear projection or something. But the way that they blended

2197
01:57:33.079 --> 01:57:37.239
<v Speaker 3>the soldiers looking a size we understand, and then having

2198
01:57:37.279 --> 01:57:39.479
<v Speaker 3>a real human being playing the Cyclops and having them

2199
01:57:39.479 --> 01:57:42.760
<v Speaker 3>meld together, it looked believable.

2200
01:57:43.159 --> 01:57:46.119
<v Speaker 2>Yeah. Well the same with the giants that they encounter

2201
01:57:46.159 --> 01:57:50.239
<v Speaker 2>on the other island. Yeah, I mean you're sort of

2202
01:57:50.279 --> 01:57:52.000
<v Speaker 2>you're looking for the seams a little bit, you know.

2203
01:57:52.359 --> 01:57:53.760
<v Speaker 3>Huh.

2204
01:57:54.039 --> 01:57:57.920
<v Speaker 2>So I had my friend Sawud who listens to the show,

2205
01:57:57.960 --> 01:57:59.279
<v Speaker 2>so I'm going to shout out. He was like, you know,

2206
01:57:59.359 --> 01:58:02.239
<v Speaker 2>is it gonna be scary for kids? And I said, well,

2207
01:58:02.239 --> 01:58:04.840
<v Speaker 2>you know, the Cyclops might be borderline, but I feel

2208
01:58:04.840 --> 01:58:07.319
<v Speaker 2>like Circe, the whole Surce scene, that's gonna be like

2209
01:58:07.439 --> 01:58:09.840
<v Speaker 2>generational trauma for a lot of Yeah.

2210
01:58:09.960 --> 01:58:13.319
<v Speaker 3>Yeah, I think you think of a movie like The

2211
01:58:13.359 --> 01:58:16.920
<v Speaker 3>Witches or something that was like PG in nineteen ninety

2212
01:58:17.000 --> 01:58:19.399
<v Speaker 3>or whatever like it. To me, it feels like that

2213
01:58:20.520 --> 01:58:21.399
<v Speaker 3>level of scary.

2214
01:58:21.800 --> 01:58:24.960
<v Speaker 2>Yeah. I mean it's I'm as a grown up. I

2215
01:58:25.000 --> 01:58:26.640
<v Speaker 2>was like, eh, right, but I'm like, if you're a

2216
01:58:26.640 --> 01:58:30.000
<v Speaker 2>little kid, oh yeah, as you're watching Samantha Morton just

2217
01:58:30.079 --> 01:58:33.279
<v Speaker 2>like do like silly putty to people and turning him

2218
01:58:33.279 --> 01:58:34.279
<v Speaker 2>into pigs and suff.

2219
01:58:34.600 --> 01:58:36.800
<v Speaker 3>Yes, yes, I don't mean to undermine it. I mean,

2220
01:58:36.960 --> 01:58:39.439
<v Speaker 3>I just I just it reminds me of some of

2221
01:58:39.479 --> 01:58:41.640
<v Speaker 3>the horrifying things that people thought were okay to show it.

2222
01:58:41.760 --> 01:58:44.439
<v Speaker 2>If you see it at the right slash wrong age,

2223
01:58:44.479 --> 01:58:47.199
<v Speaker 2>depending how you look at it, Yes, that's gonna stay

2224
01:58:47.199 --> 01:58:48.039
<v Speaker 2>with you.

2225
01:58:47.680 --> 01:58:50.319
<v Speaker 3>And you're right, there will be memes in twenty years

2226
01:58:50.359 --> 01:58:52.960
<v Speaker 3>talking about this. Was the like when we talk about

2227
01:58:53.159 --> 01:58:55.680
<v Speaker 3>the horse dying and never ending story and you know,

2228
01:58:55.720 --> 01:58:57.680
<v Speaker 3>those sorts of things for our generation. You're right, I

2229
01:58:57.720 --> 01:58:59.960
<v Speaker 3>think another generation this will be their trauma.

2230
01:58:59.680 --> 01:59:00.640
<v Speaker 2>I have a feeling.

2231
01:59:01.439 --> 01:59:04.960
<v Speaker 3>Yeah, and she's incredible, by the way, Samantha Morton was great. Yeah,

2232
01:59:05.039 --> 01:59:09.279
<v Speaker 3>so like something's wrong with her, you know, and then

2233
01:59:09.279 --> 01:59:13.199
<v Speaker 3>it's just slowly reveals herself. And but she never turns

2234
01:59:13.199 --> 01:59:15.760
<v Speaker 3>into a cackling witch or anything. You know. She she

2235
01:59:15.880 --> 01:59:17.840
<v Speaker 3>feels like very specific.

2236
01:59:18.439 --> 01:59:21.439
<v Speaker 2>Well, I I think that's what makes it work, right,

2237
01:59:21.520 --> 01:59:25.239
<v Speaker 2>like like her whole you know, where she's like, you know,

2238
01:59:25.279 --> 01:59:28.920
<v Speaker 2>a bunch of armed people show up and how am

2239
01:59:28.920 --> 01:59:30.720
<v Speaker 2>I supposed to react? And you hear say that, You're

2240
01:59:30.720 --> 01:59:32.359
<v Speaker 2>like that's fair.

2241
01:59:33.680 --> 01:59:36.159
<v Speaker 3>Yeah, and they are the I don't remember what the

2242
01:59:36.199 --> 01:59:38.359
<v Speaker 3>wording is, but they are the bad people on the

2243
01:59:38.079 --> 01:59:40.239
<v Speaker 3>sea people, the sea people. Yeah.

2244
01:59:40.359 --> 01:59:44.920
<v Speaker 2>Yeah, yeah, one thing I will say so, So I

2245
01:59:45.079 --> 01:59:50.560
<v Speaker 2>liked him Esh Patel as as Odysseus's you know, executive

2246
01:59:50.600 --> 01:59:53.920
<v Speaker 2>officer totally, I thought, I thought. But I think the

2247
01:59:53.960 --> 01:59:56.520
<v Speaker 2>problem is that other than him, the rest of the

2248
01:59:56.600 --> 01:59:59.680
<v Speaker 2>crew was kind of just a big mob.

2249
02:00:00.920 --> 02:00:02.920
<v Speaker 3>That's a good point because I was thinking that he

2250
02:00:03.159 --> 02:00:05.359
<v Speaker 3>as the right hand man, sort of feels like us

2251
02:00:05.399 --> 02:00:08.520
<v Speaker 3>sometimes like what are you doing? You'll stop? So I

2252
02:00:08.560 --> 02:00:11.239
<v Speaker 3>really related to him. But that's a good point. Yeah,

2253
02:00:11.279 --> 02:00:13.199
<v Speaker 3>the others just feel sort of like a crowd.

2254
02:00:13.560 --> 02:00:16.439
<v Speaker 2>I think if there is a critique and it's a

2255
02:00:16.439 --> 02:00:19.079
<v Speaker 2>minor one, I would have liked a little bit more

2256
02:00:19.439 --> 02:00:21.439
<v Speaker 2>of a sense of who these people are, so that

2257
02:00:21.640 --> 02:00:24.239
<v Speaker 2>as their numbers start to dwindle, we feel that a

2258
02:00:24.239 --> 02:00:26.600
<v Speaker 2>little bit more like we feel it in the sense

2259
02:00:26.640 --> 02:00:28.920
<v Speaker 2>of like, well, I would not want to have my

2260
02:00:28.960 --> 02:00:32.279
<v Speaker 2>head bitten off by a cyclops. Therefore, I know, but

2261
02:00:33.079 --> 02:00:34.800
<v Speaker 2>we don't. I mean, they all kind of look the

2262
02:00:34.840 --> 02:00:36.680
<v Speaker 2>same too when they're were in the armor and stuff,

2263
02:00:36.680 --> 02:00:40.239
<v Speaker 2>you know, right right. I wonder if there was a

2264
02:00:40.239 --> 02:00:41.520
<v Speaker 2>way to lick that.

2265
02:00:42.119 --> 02:00:44.720
<v Speaker 3>Yeah, maybe give one or two or three more people

2266
02:00:45.239 --> 02:00:49.880
<v Speaker 3>distinct personalities, or cast them with recognizable faces. Yeah, different

2267
02:00:49.920 --> 02:00:52.479
<v Speaker 3>voices of reason. You know, this guy's the hot head,

2268
02:00:52.479 --> 02:00:55.760
<v Speaker 3>this guy is the nervous one, this is yeah.

2269
02:00:55.760 --> 02:00:58.119
<v Speaker 2>Oh. I also wanted to mention I loved how they

2270
02:00:58.159 --> 02:01:03.920
<v Speaker 2>executed the sirens sequence. Yeah, oh, he's same, brilliant where

2271
02:01:05.159 --> 02:01:07.119
<v Speaker 2>you know this is like, you know, put put wax

2272
02:01:07.239 --> 02:01:10.319
<v Speaker 2>in the cruise ears so that they don't hear it,

2273
02:01:10.319 --> 02:01:13.279
<v Speaker 2>and then you know when jimeshputelity puts he puts the

2274
02:01:13.279 --> 02:01:16.319
<v Speaker 2>wax in his ears, we shift to his point of view. Yes, brilliant,

2275
02:01:16.319 --> 02:01:18.039
<v Speaker 2>So we never hear the Sirens song.

2276
02:01:18.039 --> 02:01:19.920
<v Speaker 3>Yeah, because what could you possibly pit?

2277
02:01:20.600 --> 02:01:24.640
<v Speaker 2>Exactly so, and we just see Odysseus just going out

2278
02:01:24.680 --> 02:01:25.720
<v Speaker 2>of his mind. Brilliant.

2279
02:01:26.079 --> 02:01:28.439
<v Speaker 3>But I also loved my theater laughed a little bit.

2280
02:01:28.560 --> 02:01:31.399
<v Speaker 3>I think with the movie where he's like, time me up,

2281
02:01:31.439 --> 02:01:38.319
<v Speaker 3>I want to hear it. Yeah, like bro, he's like

2282
02:01:38.399 --> 02:01:42.399
<v Speaker 3>kind of giddy about it. But then I did love

2283
02:01:42.439 --> 02:01:44.640
<v Speaker 3>that we couldn't hear it, but we're watching the reaction

2284
02:01:44.760 --> 02:01:46.960
<v Speaker 3>on his face, like this is the worst possible thing

2285
02:01:47.000 --> 02:01:50.079
<v Speaker 3>you could hear, Like you think, these beautiful women singing

2286
02:01:50.079 --> 02:01:53.880
<v Speaker 3>this song, it may be difficult to resist, but yeah,

2287
02:01:53.880 --> 02:01:55.560
<v Speaker 3>I want to I want to hear it too. I'm

2288
02:01:55.640 --> 02:01:57.920
<v Speaker 3>kind of what could that possibly be? But seeing that

2289
02:01:57.960 --> 02:01:59.640
<v Speaker 3>it ends up being sort of a nightmare for him

2290
02:01:59.680 --> 02:02:02.039
<v Speaker 3>to hear, yeah, is really cool to watch.

2291
02:02:02.359 --> 02:02:12.000
<v Speaker 2>Yeah. Oh uh, we have. We talked right past Tom

2292
02:02:12.039 --> 02:02:14.840
<v Speaker 2>Holland and and all the all the ethic stuff. I mean,

2293
02:02:15.039 --> 02:02:17.920
<v Speaker 2>we'll talk about more about the final sequence. But I

2294
02:02:17.960 --> 02:02:21.319
<v Speaker 2>wanted to mention John Legzamo is awesome in this so good,

2295
02:02:23.000 --> 02:02:24.840
<v Speaker 2>like just just essential, you know.

2296
02:02:25.319 --> 02:02:31.439
<v Speaker 3>Yeah, like immediately has this persona or something where you're like, Okay,

2297
02:02:31.439 --> 02:02:32.239
<v Speaker 3>I'm with this guy.

2298
02:02:32.359 --> 02:02:36.279
<v Speaker 2>M H yeah, yes, right, and they do the thing

2299
02:02:36.399 --> 02:02:38.560
<v Speaker 2>where the faithful dog is waiting for his master to

2300
02:02:38.600 --> 02:02:39.199
<v Speaker 2>come home.

2301
02:02:39.199 --> 02:02:44.479
<v Speaker 3>Which I knew because of you, because of the Troy commentary. Yes, which, dude,

2302
02:02:44.600 --> 02:02:47.000
<v Speaker 3>if you could have heard my theater just when the

2303
02:02:47.079 --> 02:02:51.239
<v Speaker 3>tail wagged, actually we can, I ask real quickly, because

2304
02:02:51.239 --> 02:02:53.680
<v Speaker 3>you were in a theater full of critics. I mean,

2305
02:02:53.680 --> 02:02:57.600
<v Speaker 3>what was the energy like in the room.

2306
02:02:57.920 --> 02:03:02.199
<v Speaker 2>You know, the crowd was island throughout the movie, and

2307
02:03:02.199 --> 02:03:03.680
<v Speaker 2>then the credits come up and it was just the

2308
02:03:03.680 --> 02:03:07.399
<v Speaker 2>whole room you know, went into applause. It was a

2309
02:03:07.399 --> 02:03:09.640
<v Speaker 2>great experience. I mean they were enraptured, you know that.

2310
02:03:10.399 --> 02:03:12.800
<v Speaker 2>It was very It was funny because it was very

2311
02:03:12.840 --> 02:03:17.520
<v Speaker 2>similar to when I watched Interstellar recently, you know, about

2312
02:03:17.520 --> 02:03:19.920
<v Speaker 2>a year or so ago, where nobody wanted to get

2313
02:03:20.000 --> 02:03:23.760
<v Speaker 2>up to go to the bathroom. You know, with Interstellar,

2314
02:03:23.800 --> 02:03:28.880
<v Speaker 2>I SAIDs before where I remember after the water planet

2315
02:03:29.279 --> 02:03:33.880
<v Speaker 2>and McConaughey watches the video from his kids and he's crying.

2316
02:03:34.119 --> 02:03:37.159
<v Speaker 2>You know, after that scene, people started getting up to

2317
02:03:37.159 --> 02:03:39.640
<v Speaker 2>go to the bathroom. It was like, it's understanding, like,

2318
02:03:39.680 --> 02:03:41.760
<v Speaker 2>you know, we need to see that scene. Yeah, yeah,

2319
02:03:42.079 --> 02:03:44.920
<v Speaker 2>you know this one. It was I mean, it's a

2320
02:03:44.920 --> 02:03:48.920
<v Speaker 2>long movie. So I I admired the the you know,

2321
02:03:49.039 --> 02:03:54.640
<v Speaker 2>the the the fortitude of people's bowels outed yours.

2322
02:03:55.079 --> 02:03:57.039
<v Speaker 3>I prepared my body, I have to say.

2323
02:03:57.840 --> 02:04:01.920
<v Speaker 2>I so I'm I I got a slurpee, which in

2324
02:04:01.960 --> 02:04:07.239
<v Speaker 2>hindsight was a miscalculation because because but by the time

2325
02:04:07.279 --> 02:04:10.000
<v Speaker 2>they were going down the whirlpool, I was I was nearing.

2326
02:04:10.520 --> 02:04:12.960
<v Speaker 3>Myself as concerned.

2327
02:04:14.520 --> 02:04:16.640
<v Speaker 2>No, but but the crowd was totally that was totally

2328
02:04:16.640 --> 02:04:18.640
<v Speaker 2>into it. And that's I mean really like, I think

2329
02:04:18.720 --> 02:04:24.760
<v Speaker 2>the movie does the work of establishing the various stakes

2330
02:04:25.359 --> 02:04:29.319
<v Speaker 2>right smartly, cutting back and forth between Ithaca and Odysseus,

2331
02:04:29.520 --> 02:04:33.359
<v Speaker 2>so that by the time Odysseus returns, we're fully invested

2332
02:04:33.399 --> 02:04:35.039
<v Speaker 2>in what's going to happen and we don't know what's

2333
02:04:35.079 --> 02:04:37.239
<v Speaker 2>going to happen. I think that's also helpful. You know,

2334
02:04:39.439 --> 02:04:44.399
<v Speaker 2>I thought Tom Holland was was you know, did the

2335
02:04:44.399 --> 02:04:47.159
<v Speaker 2>work he you know, I think we feel we feel

2336
02:04:47.199 --> 02:04:48.279
<v Speaker 2>invested in him.

2337
02:04:48.800 --> 02:04:51.680
<v Speaker 3>I agree. I mean he's I know, he's getting older,

2338
02:04:51.720 --> 02:04:54.399
<v Speaker 3>but like he still does have a boyish quality to him.

2339
02:04:54.560 --> 02:04:56.840
<v Speaker 2>He's got a couple of years he left of boyishness before.

2340
02:04:57.239 --> 02:05:00.720
<v Speaker 3>Yeah, which works perfectly. You know, Like I him as

2341
02:05:00.720 --> 02:05:05.479
<v Speaker 3>someone you know who's misses his dad or we can't

2342
02:05:05.479 --> 02:05:07.000
<v Speaker 3>even miss him. He's never met him, but like he

2343
02:05:07.199 --> 02:05:10.560
<v Speaker 3>yearns for his dad, he wants to come into his

2344
02:05:10.600 --> 02:05:12.960
<v Speaker 3>own but he also feels like he could be bullied

2345
02:05:13.119 --> 02:05:17.680
<v Speaker 3>slightly by certain people. And I love that sequence when

2346
02:05:18.039 --> 02:05:20.800
<v Speaker 3>that guy when everything's going down at the end and

2347
02:05:20.840 --> 02:05:24.039
<v Speaker 3>the guy is up in the upper room dropping the weapons,

2348
02:05:24.079 --> 02:05:26.319
<v Speaker 3>and Tom Holland is the perfect person to feel like,

2349
02:05:26.359 --> 02:05:28.760
<v Speaker 3>I want him to take this guy on. I hope

2350
02:05:28.760 --> 02:05:30.920
<v Speaker 3>he can do it. And you know what I'm saying

2351
02:05:30.960 --> 02:05:33.479
<v Speaker 3>as opposed to someone who's going up there and you're like, oh,

2352
02:05:33.520 --> 02:05:35.720
<v Speaker 3>he'll do it, you know. And I don't mean that

2353
02:05:35.760 --> 02:05:37.399
<v Speaker 3>in a negative way, Like I just think that's a

2354
02:05:37.439 --> 02:05:41.439
<v Speaker 3>great characterization, Like let's watch him prove that he can

2355
02:05:41.439 --> 02:05:41.680
<v Speaker 3>do it.

2356
02:05:42.720 --> 02:05:45.479
<v Speaker 2>You know what's funny is is just the night before

2357
02:05:46.039 --> 02:05:48.479
<v Speaker 2>I watched The Odyssey, I was watching a Spider Man

2358
02:05:48.680 --> 02:05:51.840
<v Speaker 2>Homecoming and you know, Logan Marshall Green is in that

2359
02:05:55.039 --> 02:05:58.199
<v Speaker 2>Logan Marshall Green, who is he? Like the actor in general?

2360
02:05:58.239 --> 02:06:03.239
<v Speaker 2>Yeahert so he he's well in the Odyssey. He's the

2361
02:06:03.239 --> 02:06:06.399
<v Speaker 2>guy that that that Tom Holland fights.

2362
02:06:06.760 --> 02:06:08.039
<v Speaker 3>Okay, I'm looking him up now.

2363
02:06:08.039 --> 02:06:10.119
<v Speaker 2>But he's in Marshall's. You know, he's the guy, he's

2364
02:06:10.239 --> 02:06:12.640
<v Speaker 2>Casey's like friend and boss.

2365
02:06:13.520 --> 02:06:17.039
<v Speaker 3>Oh okay, you know what I'm talking about it Yeah, no, yeah,

2366
02:06:17.039 --> 02:06:19.439
<v Speaker 3>I'm looking him up now and I see him.

2367
02:06:19.920 --> 02:06:21.920
<v Speaker 2>So he he he has like a small role in

2368
02:06:21.960 --> 02:06:23.560
<v Speaker 2>Spider Man home Coming, and I'm like, you know, this

2369
02:06:23.600 --> 02:06:29.039
<v Speaker 2>guy he gives off like uh he you know, like

2370
02:06:29.600 --> 02:06:34.840
<v Speaker 2>stand in John Burnenthal energy. Yeah, totally, especially in Marshall's

2371
02:06:35.000 --> 02:06:36.840
<v Speaker 2>very much. So yeah, so it was funny seeing him

2372
02:06:36.840 --> 02:06:38.840
<v Speaker 2>in this. I was like, hey, it's standing John Berthall

2373
02:06:38.840 --> 02:06:40.560
<v Speaker 2>and then we're gonna see actual John Burthall in a

2374
02:06:40.560 --> 02:06:44.760
<v Speaker 2>little bit. Anyway. That's just a random thought. But speaking

2375
02:06:44.800 --> 02:06:49.119
<v Speaker 2>of John berenthal So, so he plays Menilaus a very

2376
02:06:49.159 --> 02:06:52.760
<v Speaker 2>different Menilais than Brendan Gleeson in tro Yes. Yes, And

2377
02:06:52.760 --> 02:06:54.680
<v Speaker 2>and this gets to what I said during in our

2378
02:06:54.760 --> 02:06:57.319
<v Speaker 2>Troy commentary. I was like, the in the story Menilais

2379
02:06:57.359 --> 02:07:00.159
<v Speaker 2>is a little more sympathetic, a little more complicated, And

2380
02:07:00.199 --> 02:07:04.279
<v Speaker 2>I think this movie handles that pretty well. Like I

2381
02:07:04.279 --> 02:07:05.880
<v Speaker 2>don't think you come off being like, oh, he's a

2382
02:07:05.880 --> 02:07:07.119
<v Speaker 2>good guy, but you are like, well, I don't know

2383
02:07:07.119 --> 02:07:10.920
<v Speaker 2>if he's a bad guy necessarily either you know, yeah,

2384
02:07:10.960 --> 02:07:13.640
<v Speaker 2>and I think burnhal conveys that. I thought the way

2385
02:07:13.680 --> 02:07:16.039
<v Speaker 2>they depict everything that happened to Agamemnon, I thought that

2386
02:07:16.119 --> 02:07:18.840
<v Speaker 2>was great, Yes, right, because I think I did talk

2387
02:07:18.840 --> 02:07:24.479
<v Speaker 2>about that in our commentary. And then of course Helen

2388
02:07:24.640 --> 02:07:31.680
<v Speaker 2>Helen of Troy, Well, what kind of woke nonsense is this? Jeez,

2389
02:07:32.039 --> 02:07:34.159
<v Speaker 2>here's what I love. Here's what I love. For the

2390
02:07:34.239 --> 02:07:36.720
<v Speaker 2>last six months or whatever it's been, you've got these

2391
02:07:36.920 --> 02:07:40.079
<v Speaker 2>these just I'm gonna say, rage grifters.

2392
02:07:41.079 --> 02:07:42.880
<v Speaker 3>Yes, that's a that's a good term.

2393
02:07:43.079 --> 02:07:49.520
<v Speaker 2>Who've been monetizing? Uh, just just hate you know, yeah?

2394
02:07:49.640 --> 02:07:52.479
<v Speaker 2>Oh no, Helen of Troy is black. Oh no, there's

2395
02:07:52.800 --> 02:07:55.359
<v Speaker 2>you know, Elliott Page's in this So what are they

2396
02:07:55.359 --> 02:07:56.159
<v Speaker 2>doing in here? You know?

2397
02:07:56.399 --> 02:07:58.079
<v Speaker 3>And then and right down to even just like the

2398
02:07:58.159 --> 02:08:01.439
<v Speaker 3>armor doesn't look good? Yeah, like just what are you

2399
02:08:01.479 --> 02:08:06.000
<v Speaker 3>just knives out for this thing? For unknown reasons? Monetization?

2400
02:08:06.199 --> 02:08:09.119
<v Speaker 2>Maybe I don't know, that's that's exactly what it is, right,

2401
02:08:09.520 --> 02:08:11.439
<v Speaker 2>And you know, when it comes to Elliott Page, like, oh,

2402
02:08:11.560 --> 02:08:15.680
<v Speaker 2>Elliot Page is playing Achilles. Page is not playing Achilles, right,

2403
02:08:15.840 --> 02:08:19.560
<v Speaker 2>And and once that became very clear, that talking point

2404
02:08:19.600 --> 02:08:22.920
<v Speaker 2>shifted to, well, you know, in the story. When Odysseus

2405
02:08:23.000 --> 02:08:26.600
<v Speaker 2>you know, descends to Hades, he encounters the shade of Achilles,

2406
02:08:28.560 --> 02:08:31.960
<v Speaker 2>who tells him, you know, I was fighting for glory

2407
02:08:32.000 --> 02:08:33.920
<v Speaker 2>and there's no glory. There was no point to any

2408
02:08:33.920 --> 02:08:36.479
<v Speaker 2>of it. And so in this they have syn on

2409
02:08:36.560 --> 02:08:40.039
<v Speaker 2>the Ellip Page character. This is this is Hollywood. This

2410
02:08:40.119 --> 02:08:43.239
<v Speaker 2>is their their woke agenda. See they're they're swapping in

2411
02:08:43.640 --> 02:08:47.159
<v Speaker 2>Elliott Page for Achilles, right right. And I'm like, you know,

2412
02:08:48.720 --> 02:08:57.399
<v Speaker 2>I just want you people, you fing losers, to die angry,

2413
02:08:57.439 --> 02:09:04.920
<v Speaker 2>just just here streaming down your face, angry dying.

2414
02:09:05.359 --> 02:09:10.960
<v Speaker 3>That's it's so funny because I was feeling like, let

2415
02:09:10.960 --> 02:09:14.560
<v Speaker 3>it go, not me, open your heart, like your world

2416
02:09:14.600 --> 02:09:16.880
<v Speaker 3>for some reason is this like grim black and white,

2417
02:09:16.960 --> 02:09:18.600
<v Speaker 3>like let the color in now.

2418
02:09:18.720 --> 02:09:22.119
<v Speaker 2>But see, this is this is what their algorithms. This

2419
02:09:22.199 --> 02:09:25.399
<v Speaker 2>is how their algorithms have microwaved their brains.

2420
02:09:25.880 --> 02:09:30.359
<v Speaker 3>Yes, you know what, there's no fixing that, you know

2421
02:09:31.039 --> 02:09:33.840
<v Speaker 3>something for some maybe, But I really would like to

2422
02:09:33.840 --> 02:09:37.199
<v Speaker 3>believe that some people can have their hearts opened. I do.

2423
02:09:38.960 --> 02:09:39.920
<v Speaker 2>I respect that, Brian.

2424
02:09:40.880 --> 02:09:42.760
<v Speaker 3>I hope that's my hope. That's my hope.

2425
02:09:42.760 --> 02:09:44.359
<v Speaker 2>But all of that is to say I wanted to

2426
02:09:44.399 --> 02:09:46.920
<v Speaker 2>mention this sin On in the in the underworld scene,

2427
02:09:47.000 --> 02:09:49.520
<v Speaker 2>and and why that matters, Why it matters that it

2428
02:09:49.600 --> 02:09:52.239
<v Speaker 2>is that character and not Achilles, who has no bearing

2429
02:09:52.239 --> 02:09:54.039
<v Speaker 2>on any of the story. It wouldn't it wouldn't mean

2430
02:09:54.079 --> 02:09:58.079
<v Speaker 2>anything if Odysseus meets Achilles, who cares, right, right? We

2431
02:09:58.159 --> 02:10:03.119
<v Speaker 2>need this character because we see the backstory when you know,

2432
02:10:03.199 --> 02:10:06.479
<v Speaker 2>twenty years ago when Odysseus went for war, I mean

2433
02:10:06.479 --> 02:10:12.439
<v Speaker 2>all of it. It matters. It's meaningful and what that

2434
02:10:12.560 --> 02:10:18.239
<v Speaker 2>character represents for Odysseus. This character died because of his lie.

2435
02:10:19.359 --> 02:10:22.159
<v Speaker 2>That matters. That matters in this story that we're watching.

2436
02:10:22.479 --> 02:10:26.600
<v Speaker 3>Yeah, yeah, and I love that whole sequence. And then

2437
02:10:26.600 --> 02:10:30.079
<v Speaker 3>seeing all the soldiers, Oh my gosh, you know, I mean,

2438
02:10:30.359 --> 02:10:33.319
<v Speaker 3>I love me a good ghost army. I've talked about this,

2439
02:10:33.399 --> 02:10:35.840
<v Speaker 3>you know, bed knobs and broomsticks. I've always been fascinated

2440
02:10:35.840 --> 02:10:38.880
<v Speaker 3>by the ghost army and the return of the King. Yeah,

2441
02:10:39.039 --> 02:10:44.239
<v Speaker 3>it's just something cool and scary and intriguing and delicious

2442
02:10:44.239 --> 02:10:46.359
<v Speaker 3>about a ghost army. And so then when yeah, he

2443
02:10:46.399 --> 02:10:49.960
<v Speaker 3>has to literally see the shades of all his fallen men,

2444
02:10:50.159 --> 02:10:52.319
<v Speaker 3>and then they chase him and he's like back.

2445
02:10:52.119 --> 02:10:58.239
<v Speaker 2>To the boat. Now here's a question Yeah, Benny Safty

2446
02:10:58.319 --> 02:11:02.359
<v Speaker 2>Blaze an Agamemnon. Why don't they show his face?

2447
02:11:02.880 --> 02:11:05.119
<v Speaker 3>I yeah, I didn't even know that by the way

2448
02:11:05.279 --> 02:11:07.079
<v Speaker 3>that he was playing him, I don't know.

2449
02:11:08.159 --> 02:11:10.399
<v Speaker 2>I was like trying to place the voice. And then

2450
02:11:10.439 --> 02:11:12.159
<v Speaker 2>we see from the back when they take the helmet

2451
02:11:12.199 --> 02:11:13.520
<v Speaker 2>off and he sees curly hair. I was like, oh,

2452
02:11:13.560 --> 02:11:14.319
<v Speaker 2>that's Benny's safety.

2453
02:11:15.199 --> 02:11:15.479
<v Speaker 3>Wow.

2454
02:11:15.920 --> 02:11:18.039
<v Speaker 2>You know, but I was wondering about that, you know,

2455
02:11:20.000 --> 02:11:22.640
<v Speaker 2>I and I'm sure there is an artistic reason, but

2456
02:11:22.680 --> 02:11:23.439
<v Speaker 2>I was just wondering about that.

2457
02:11:23.520 --> 02:11:25.399
<v Speaker 3>Yeah, I was gonna say, yeah, I mean, obviously it's

2458
02:11:25.439 --> 02:11:27.600
<v Speaker 3>a decision and he wants us to feel a certain way,

2459
02:11:27.640 --> 02:11:31.479
<v Speaker 3>but I'm not. I mean maybe because he takes his

2460
02:11:31.600 --> 02:11:32.479
<v Speaker 3>orders from him.

2461
02:11:33.479 --> 02:11:38.399
<v Speaker 2>Right, So so I you know, possibly by by making

2462
02:11:39.479 --> 02:11:43.319
<v Speaker 2>Agamemnon like a faceless presence, it puts the onus more

2463
02:11:43.359 --> 02:11:47.600
<v Speaker 2>on Odysseus. Yeah right, you know that this is a

2464
02:11:47.640 --> 02:11:49.800
<v Speaker 2>thing he did. You can't pawn it off on Well.

2465
02:11:49.840 --> 02:11:51.880
<v Speaker 2>I did it because that guy, you know, the king,

2466
02:11:52.199 --> 02:11:53.399
<v Speaker 2>ordered me to that type of thing.

2467
02:11:54.439 --> 02:11:57.199
<v Speaker 3>Yeah, yeah, that makes sense, you know, you know, real

2468
02:11:57.239 --> 02:12:00.399
<v Speaker 3>quick before we get to the ending. Yeah, and the suitors,

2469
02:12:00.439 --> 02:12:01.720
<v Speaker 3>I know you want to talk about that. I do

2470
02:12:01.760 --> 02:12:06.119
<v Speaker 3>want to say, uh, before I forget going back to

2471
02:12:06.319 --> 02:12:10.520
<v Speaker 3>Zendia and the Athena thing and it possibly it could

2472
02:12:10.520 --> 02:12:13.600
<v Speaker 3>be in his head or whatever. I was so struck

2473
02:12:13.640 --> 02:12:16.279
<v Speaker 3>by that moment during the sacking of Troy where she's

2474
02:12:16.319 --> 02:12:20.119
<v Speaker 3>in those soldiers' arms and they're gonna put the sword,

2475
02:12:20.159 --> 02:12:22.119
<v Speaker 3>you like, cut her head off, right, And I was like, wait,

2476
02:12:22.199 --> 02:12:24.640
<v Speaker 3>what I don't understand. And then when you see her

2477
02:12:24.720 --> 02:12:30.560
<v Speaker 3>statue get beheaded, I was like, brilliant, Yeah, brilliant and

2478
02:12:30.760 --> 02:12:36.439
<v Speaker 3>just whatever she is, whatever she means to Odysseus, right,

2479
02:12:36.479 --> 02:12:37.399
<v Speaker 3>that's what that is?

2480
02:12:38.159 --> 02:12:41.520
<v Speaker 2>That right exactly, because because that when we see her

2481
02:12:41.800 --> 02:12:45.159
<v Speaker 2>for real in Troy, what is that a real person

2482
02:12:45.279 --> 02:12:47.720
<v Speaker 2>who Odysseus witnessed being killed?

2483
02:12:48.119 --> 02:12:51.119
<v Speaker 3>H Well, and because they say you don't know when

2484
02:12:51.159 --> 02:12:53.880
<v Speaker 3>you entertained strangers who could be a god and who isn't? Right?

2485
02:12:54.159 --> 02:12:56.840
<v Speaker 2>Yeah, I mean I think all that worked. Actually, And

2486
02:12:57.159 --> 02:12:58.800
<v Speaker 2>while we're talking about the gods, I wanted to mention

2487
02:12:58.840 --> 02:13:00.920
<v Speaker 2>Calypso because we haven't really talked to about Charlie's Thearren.

2488
02:13:02.319 --> 02:13:04.399
<v Speaker 2>I think my only complaint is I would have liked

2489
02:13:05.439 --> 02:13:08.039
<v Speaker 2>more of her and just have a greater sense of

2490
02:13:08.960 --> 02:13:13.920
<v Speaker 2>her connection to Odysseus and and why she has kept

2491
02:13:14.000 --> 02:13:15.800
<v Speaker 2>him there you know she, I mean we mentioned that

2492
02:13:15.800 --> 02:13:17.159
<v Speaker 2>she fell in love with him.

2493
02:13:17.319 --> 02:13:18.760
<v Speaker 3>Yeah, and I want to know how I can sign

2494
02:13:18.840 --> 02:13:20.000
<v Speaker 3>up for a situation like that.

2495
02:13:20.199 --> 02:13:23.680
<v Speaker 2>Yeah, seven years on an island with Charlie's theren. Don't

2496
02:13:23.680 --> 02:13:25.239
<v Speaker 2>threaten me with a good time, right.

2497
02:13:26.279 --> 02:13:28.520
<v Speaker 3>No, I'm with you. I'm with you. It's you sort

2498
02:13:28.520 --> 02:13:32.399
<v Speaker 3>of have to process it yourself a little bit. The

2499
02:13:32.439 --> 02:13:35.439
<v Speaker 3>movie doesn't sort of you know, it's just very matter

2500
02:13:35.479 --> 02:13:37.640
<v Speaker 3>of fact, and we're already caught up in what's happened,

2501
02:13:37.640 --> 02:13:38.880
<v Speaker 3>like it's just being told to us.

2502
02:13:39.199 --> 02:13:41.600
<v Speaker 2>Yeah. I mean, basically, if you of construct the timeline,

2503
02:13:41.640 --> 02:13:46.399
<v Speaker 2>we have the we have the sacking of Troy Odysseus leaves,

2504
02:13:46.520 --> 02:13:51.800
<v Speaker 2>he has one shitty year, it's just the worst year

2505
02:13:51.880 --> 02:13:54.439
<v Speaker 2>any person can have, and then he has seven years

2506
02:13:54.479 --> 02:13:58.600
<v Speaker 2>on an island of Charlie's there, right, which he viewed

2507
02:13:58.600 --> 02:14:06.520
<v Speaker 2>as as torture. Okay, let's talk about the ending.

2508
02:14:06.880 --> 02:14:11.000
<v Speaker 3>Yeah, yeah, well, yes, even her like she she's a

2509
02:14:11.079 --> 02:14:13.560
<v Speaker 3>very matter of fact in the way that she presents everything,

2510
02:14:13.600 --> 02:14:15.920
<v Speaker 3>and it would be interesting to see even her a

2511
02:14:15.920 --> 02:14:19.199
<v Speaker 3>little more I don't know, attracted to him or like

2512
02:14:19.359 --> 02:14:21.199
<v Speaker 3>in love with him. She says she's in love with him,

2513
02:14:21.199 --> 02:14:24.720
<v Speaker 3>but it doesn't I wasn't feeling that. Yeah, but yeah,

2514
02:14:25.000 --> 02:14:29.439
<v Speaker 3>so I understand what you're saying anyway, Yes, the ending, Yeah,

2515
02:14:29.479 --> 02:14:31.479
<v Speaker 3>we get well, we get to it's it's a it's

2516
02:14:31.520 --> 02:14:36.199
<v Speaker 3>Spider Man versus Batman. Yeah, that's right, with Jason Bourne

2517
02:14:36.239 --> 02:14:40.840
<v Speaker 3>looking on, Yeah. Yeah, and Catwoman.

2518
02:14:40.600 --> 02:14:43.960
<v Speaker 2>Yeah, exactly, all fighting for the for the attention of Catwoman.

2519
02:14:44.199 --> 02:14:45.159
<v Speaker 3>Yeah.

2520
02:14:45.239 --> 02:14:49.960
<v Speaker 2>I said in our Dark Knight Rises commentary track, we

2521
02:14:49.960 --> 02:14:52.600
<v Speaker 2>were this is four years ago and we were talking

2522
02:14:52.600 --> 02:14:55.319
<v Speaker 2>about Anne Hathaway in the film, and you know, we

2523
02:14:55.319 --> 02:14:57.640
<v Speaker 2>were complimenting her performance, and I was I was making

2524
02:14:57.680 --> 02:14:59.680
<v Speaker 2>a joke. I was like, oh, well, Anne Hathaway, she's

2525
02:14:59.720 --> 02:15:03.199
<v Speaker 2>like forty now, so there's no roles left for her

2526
02:15:03.239 --> 02:15:08.000
<v Speaker 2>in Hollywood except to play Tom Holland's mom in Something Right.

2527
02:15:08.640 --> 02:15:11.479
<v Speaker 2>And I was joking because I was commenting on how

2528
02:15:11.520 --> 02:15:13.880
<v Speaker 2>Hollywood treats women over.

2529
02:15:13.720 --> 02:15:14.520
<v Speaker 3>A certain age.

2530
02:15:15.479 --> 02:15:18.359
<v Speaker 2>I did not think Christopher Nolan would listen to our

2531
02:15:18.399 --> 02:15:23.920
<v Speaker 2>commentary track and be like, say, that's a good idea,

2532
02:15:24.000 --> 02:15:26.800
<v Speaker 2>but I buy both. I thought they were It's actually

2533
02:15:26.800 --> 02:15:29.359
<v Speaker 2>I think this is a fantastic performance by Aneathaway. She's

2534
02:15:29.520 --> 02:15:30.319
<v Speaker 2>really good in this.

2535
02:15:30.600 --> 02:15:34.199
<v Speaker 3>Yeah, the emotions just feel so guttural and real and

2536
02:15:34.840 --> 02:15:39.279
<v Speaker 3>just what, you know, trying to keep herself composed by

2537
02:15:40.000 --> 02:15:44.600
<v Speaker 3>you know, anguishing her her missing husband and angry. Yeah,

2538
02:15:44.640 --> 02:15:47.600
<v Speaker 3>you know, like all of it. She's she's sad, she's angry,

2539
02:15:47.720 --> 02:15:51.439
<v Speaker 3>she's desperate. Uh it's yeah. I was like, oh, she's

2540
02:15:51.479 --> 02:15:52.479
<v Speaker 3>gonna get nominated.

2541
02:15:53.239 --> 02:15:55.520
<v Speaker 2>Oh yeah, oh no, that's a coming. Yeah. Didn't you

2542
02:15:55.560 --> 02:15:58.720
<v Speaker 2>just want to see her smack around me a goth? Yes?

2543
02:15:58.960 --> 02:16:01.119
<v Speaker 3>Well I did love her moment where she's like you

2544
02:16:01.199 --> 02:16:04.640
<v Speaker 3>this pearl? Yeah right right if I did, Like, she's like, yeah,

2545
02:16:04.680 --> 02:16:07.640
<v Speaker 3>your place is down there and she shuts the little

2546
02:16:07.680 --> 02:16:10.560
<v Speaker 3>you do it. Yeah, that was great.

2547
02:16:11.399 --> 02:16:13.439
<v Speaker 2>Pattinson is a lot of fun to watch in this,

2548
02:16:13.560 --> 02:16:15.479
<v Speaker 2>and it was funny. I was I was feeling like

2549
02:16:15.560 --> 02:16:19.560
<v Speaker 2>bipolar because I just last week watched The Batman. Oh

2550
02:16:19.560 --> 02:16:22.079
<v Speaker 2>okay parts of The Batman, and I'm like, man, he's

2551
02:16:22.079 --> 02:16:24.520
<v Speaker 2>such a good Batman, And I'm like, man, he's able

2552
02:16:24.520 --> 02:16:29.239
<v Speaker 2>to bounce effortlessly between wildly different characters, you know.

2553
02:16:29.479 --> 02:16:31.600
<v Speaker 3>Yeah him, And I was happy to see Corey Hawkins.

2554
02:16:31.680 --> 02:16:33.879
<v Speaker 2>Corey Hawkins also liked him. Yeah.

2555
02:16:33.920 --> 02:16:35.520
<v Speaker 3>For me, the first time I saw him was when

2556
02:16:35.559 --> 02:16:37.639
<v Speaker 3>he played doctor dre and straight out of Compton, and

2557
02:16:37.639 --> 02:16:39.280
<v Speaker 3>I just thought he made such an impression and I

2558
02:16:39.280 --> 02:16:41.200
<v Speaker 3>haven't seen him a lot, and I liked the two

2559
02:16:41.239 --> 02:16:44.159
<v Speaker 3>of them just being these uchebags, you know, like he

2560
02:16:44.280 --> 02:16:46.559
<v Speaker 3>just so badly want to see them get their come.

2561
02:16:46.440 --> 02:16:50.879
<v Speaker 2>Up and you want their upons to happen. So yeah, well, I,

2562
02:16:51.639 --> 02:16:54.399
<v Speaker 2>like I said earlier, there's nothing like the sound of

2563
02:16:54.440 --> 02:17:00.600
<v Speaker 2>Odysseus just letting arrows fly. Yes, what was so the whole?

2564
02:17:00.680 --> 02:17:02.879
<v Speaker 2>The whole, I mean, this is the thing right where.

2565
02:17:03.159 --> 02:17:05.799
<v Speaker 2>I mean I know the story right broadly, so I

2566
02:17:05.840 --> 02:17:07.600
<v Speaker 2>know where it called many is, but I like how

2567
02:17:08.479 --> 02:17:10.719
<v Speaker 2>even still, I was like, what's going to happen? Right?

2568
02:17:10.719 --> 02:17:11.959
<v Speaker 2>And I think that's the real trick.

2569
02:17:12.559 --> 02:17:14.040
<v Speaker 3>Well, that's the thing, right, And that's what I was

2570
02:17:14.079 --> 02:17:18.440
<v Speaker 3>alluding to earlier, was when he Odysseus is dressed up

2571
02:17:18.479 --> 02:17:21.200
<v Speaker 3>like the beggar and he goes into the place and

2572
02:17:21.239 --> 02:17:24.200
<v Speaker 3>then you know the I think it was Pattinson like

2573
02:17:24.239 --> 02:17:27.399
<v Speaker 3>spits or maybe it was uh Korrey Hawkins spits into

2574
02:17:27.440 --> 02:17:30.600
<v Speaker 3>the bowl at krey Hocken, And so I was like

2575
02:17:30.639 --> 02:17:33.719
<v Speaker 3>ready for him to go all Schwartzenegger and like, oh yeah,

2576
02:17:33.760 --> 02:17:35.920
<v Speaker 3>and then like take the robe off and then just

2577
02:17:36.040 --> 02:17:38.719
<v Speaker 3>like pul out his lightsaber and just hack everybody down.

2578
02:17:38.920 --> 02:17:41.479
<v Speaker 3>You're like, that's what I was expecting and I wanted that,

2579
02:17:42.200 --> 02:17:44.479
<v Speaker 3>but right, and but then it just keeps going and going.

2580
02:17:44.520 --> 02:17:46.639
<v Speaker 3>I'm like, where are we going this? I know it's

2581
02:17:46.680 --> 02:17:48.639
<v Speaker 3>going somewhere and this is what the story is, but.

2582
02:17:48.639 --> 02:17:51.360
<v Speaker 2>I mean, this is this is a total righteous vengeance situation.

2583
02:17:51.799 --> 02:17:54.120
<v Speaker 3>Yes, oh totally. But like I thought you could have

2584
02:17:54.159 --> 02:17:56.239
<v Speaker 3>had that big moment there, and maybe a modern story

2585
02:17:56.280 --> 02:17:59.319
<v Speaker 3>would have, but it is so much more satisfying where it.

2586
02:18:02.200 --> 02:18:04.239
<v Speaker 3>I mean, because it's not even just like then he

2587
02:18:04.280 --> 02:18:07.239
<v Speaker 3>gets this nice reunion with Penelope. It's like he gets

2588
02:18:07.280 --> 02:18:10.760
<v Speaker 3>to really spill his soul in a unique way to

2589
02:18:10.879 --> 02:18:15.479
<v Speaker 3>her before it's revealed, and her just finally just giving up,

2590
02:18:16.040 --> 02:18:19.680
<v Speaker 3>but setting up that unique, you know, challenge for the

2591
02:18:19.760 --> 02:18:23.440
<v Speaker 3>suitors to have to complete, and it's just so satisfying.

2592
02:18:23.879 --> 02:18:27.319
<v Speaker 2>Yeah. I mean, well, I think one of the great

2593
02:18:27.319 --> 02:18:30.079
<v Speaker 2>applause moments if I had been with a more applaud

2594
02:18:32.200 --> 02:18:36.079
<v Speaker 2>centric crowd, is when Corey Hawkin goes, you're Odysseus arrow.

2595
02:18:35.959 --> 02:18:42.079
<v Speaker 3>In the throat, dude, my theater erupted, erupted. Well, and

2596
02:18:42.120 --> 02:18:44.479
<v Speaker 3>then that moment too, where it's in the trailer and

2597
02:18:44.520 --> 02:18:46.639
<v Speaker 3>I was like, oh, yeah, that's a good moment where

2598
02:18:48.479 --> 02:18:51.399
<v Speaker 3>Odysseus is like, you know, I'm taking I'm coming back

2599
02:18:51.440 --> 02:18:54.239
<v Speaker 3>for all of it, or whatever he says. But in

2600
02:18:54.280 --> 02:18:56.600
<v Speaker 3>this screening, with all of the context and he's like

2601
02:18:56.639 --> 02:18:59.000
<v Speaker 3>I'm here for all of it, my theater just went

2602
02:18:59.159 --> 02:19:02.959
<v Speaker 3>yes because we knew something amazing was about to happen.

2603
02:19:05.000 --> 02:19:08.799
<v Speaker 2>He is just launching arrows left, right and center. Yeah, yeah,

2604
02:19:08.879 --> 02:19:11.840
<v Speaker 2>very It was very cathartic, and you know.

2605
02:19:12.120 --> 02:19:16.280
<v Speaker 3>He's obviously showing great skill, but it wasn't like you know,

2606
02:19:16.399 --> 02:19:19.200
<v Speaker 3>the Rock where he's just hits, he doesn't get scathed,

2607
02:19:19.479 --> 02:19:22.799
<v Speaker 3>and he is hitting everybody. There's challenge and he gets pummeled.

2608
02:19:22.799 --> 02:19:25.719
<v Speaker 3>And then I loved it was so satisfying when Tom

2609
02:19:25.760 --> 02:19:28.159
<v Speaker 3>Holland is up there and he takes that guy out

2610
02:19:28.159 --> 02:19:31.280
<v Speaker 3>and he drops the sword down through the hole, you know,

2611
02:19:31.559 --> 02:19:33.760
<v Speaker 3>and he's got arrows sticking out of his back and

2612
02:19:33.799 --> 02:19:36.239
<v Speaker 3>he's fighting everybody off. Oh amazing.

2613
02:19:37.920 --> 02:19:39.840
<v Speaker 2>Yeah. I mean he looked like a pincushion at the

2614
02:19:39.920 --> 02:19:40.440
<v Speaker 2>end of it, you.

2615
02:19:40.399 --> 02:19:41.840
<v Speaker 3>Know, yeah, yeah.

2616
02:19:41.920 --> 02:19:45.559
<v Speaker 2>I was also you know, at the climax with Pattinson,

2617
02:19:45.879 --> 02:19:49.879
<v Speaker 2>I was waiting for the usual thing where he's got

2618
02:19:49.879 --> 02:19:52.040
<v Speaker 2>his enemy dead to rights and he's like you're not

2619
02:19:52.120 --> 02:19:55.120
<v Speaker 2>worth it, you know, Oh yeah sure, And I'm like, no, no,

2620
02:19:55.159 --> 02:19:56.159
<v Speaker 2>this guy got to die.

2621
02:19:56.559 --> 02:19:59.079
<v Speaker 3>Yeah yeah, that was pretty sad.

2622
02:19:59.319 --> 02:19:59.440
<v Speaker 4>You know.

2623
02:19:59.479 --> 02:20:01.879
<v Speaker 3>I love too the but it wasn't just like some

2624
02:20:02.040 --> 02:20:04.280
<v Speaker 3>pithy line than a sword through the chest or something.

2625
02:20:04.520 --> 02:20:07.959
<v Speaker 3>He like actually gave a message when you go to hell, yeah,

2626
02:20:08.040 --> 02:20:12.840
<v Speaker 3>you know, like, yeah, tell my men, Yeah, then I

2627
02:20:12.879 --> 02:20:15.680
<v Speaker 3>will go into exile to honor them. Thank you soon,

2628
02:20:18.360 --> 02:20:21.360
<v Speaker 3>which is kind of colder and cooler in a way,

2629
02:20:21.440 --> 02:20:23.760
<v Speaker 3>like I'm going to dispatch you in a second, but

2630
02:20:23.840 --> 02:20:25.000
<v Speaker 3>you're going to do something for me.

2631
02:20:25.520 --> 02:20:26.040
<v Speaker 2>Yeah.

2632
02:20:26.159 --> 02:20:26.840
<v Speaker 3>Yeah.

2633
02:20:26.879 --> 02:20:30.600
<v Speaker 2>Well, so speaking of of Odysseus going to exile, that's

2634
02:20:30.600 --> 02:20:34.399
<v Speaker 2>a change from the story, Oh tell me, because in

2635
02:20:34.440 --> 02:20:37.040
<v Speaker 2>the story he returns to Ithaca, he defeats the suitors,

2636
02:20:37.040 --> 02:20:42.840
<v Speaker 2>he claims his thrown the end, and I think Nolan

2637
02:20:42.959 --> 02:20:46.760
<v Speaker 2>found a more elegant way to end the story. I mean,

2638
02:20:46.840 --> 02:20:49.239
<v Speaker 2>I was like, because it for a second there it

2639
02:20:49.239 --> 02:20:53.639
<v Speaker 2>seems like he's going to die, right, And I was like, oh, okay,

2640
02:20:54.000 --> 02:20:55.559
<v Speaker 2>you know, and and I was like I'm not sure

2641
02:20:55.559 --> 02:20:58.399
<v Speaker 2>how I feel about that. And then you know, that

2642
02:20:58.399 --> 02:21:00.719
<v Speaker 2>that itself was a mistrect And then I'm like, you know,

2643
02:21:00.879 --> 02:21:06.520
<v Speaker 2>to quote Brian Chef's kiss, Yeah, it feels tonally and

2644
02:21:06.520 --> 02:21:11.399
<v Speaker 2>spiritually right to me. Yeah. Well, especially because by virtue

2645
02:21:11.440 --> 02:21:13.879
<v Speaker 2>of how how he chooses to wrap it up, we

2646
02:21:13.879 --> 02:21:20.239
<v Speaker 2>we end on Odysseus uh after uh Troy or in

2647
02:21:20.360 --> 02:21:24.760
<v Speaker 2>Troy to help us understand why he makes the decision

2648
02:21:24.799 --> 02:21:28.280
<v Speaker 2>he made right, He's not he has to pay a

2649
02:21:28.319 --> 02:21:30.120
<v Speaker 2>cost for what he did.

2650
02:21:30.399 --> 02:21:32.680
<v Speaker 3>Right. He wouldn't feel right just sitting back on a

2651
02:21:32.719 --> 02:21:36.200
<v Speaker 3>throne as king, right exactly. He's got to uh, you know,

2652
02:21:36.319 --> 02:21:37.239
<v Speaker 3>a tone a little bit.

2653
02:21:37.520 --> 02:21:39.799
<v Speaker 2>And and we've been on enough of a journey with

2654
02:21:39.799 --> 02:21:43.239
<v Speaker 2>Telemachus where we know this kid has earned it as well.

2655
02:21:43.959 --> 02:21:48.280
<v Speaker 2>He's earned the throne right, you know. And that's that's tricky,

2656
02:21:48.399 --> 02:21:52.520
<v Speaker 2>you know, because because I think the danger is like

2657
02:21:52.799 --> 02:21:55.959
<v Speaker 2>you don't spend enough time on on Telemachus or with

2658
02:21:56.000 --> 02:22:00.920
<v Speaker 2>Telemachus to to see that he himself is is just

2659
02:22:01.000 --> 02:22:03.680
<v Speaker 2>as worthy of admiration or following, you know, but they

2660
02:22:03.680 --> 02:22:05.760
<v Speaker 2>manage both. Yeah.

2661
02:22:05.799 --> 02:22:08.879
<v Speaker 3>I wonder if it'd be a circumstance like with Stephen

2662
02:22:08.959 --> 02:22:11.719
<v Speaker 3>King in the Mist where he saw the film ending

2663
02:22:11.879 --> 02:22:13.600
<v Speaker 3>was like, oh that was a good idea. Yeah, I

2664
02:22:13.600 --> 02:22:16.639
<v Speaker 3>actually liked that better. If Homer could see this and go, oh,

2665
02:22:16.760 --> 02:22:21.040
<v Speaker 3>very good, I see what you did.

2666
02:22:21.440 --> 02:22:24.000
<v Speaker 2>Yeah, I mean I think it works, and I think,

2667
02:22:24.040 --> 02:22:27.600
<v Speaker 2>I mean it stays true to the broad strokes of

2668
02:22:27.600 --> 02:22:30.280
<v Speaker 2>what Homer did, you know, but it also a just

2669
02:22:31.520 --> 02:22:34.319
<v Speaker 2>based on the specific story that Nolan is telling, right,

2670
02:22:34.360 --> 02:22:40.280
<v Speaker 2>and much more about the lasting impact of trauma. It

2671
02:22:40.360 --> 02:22:44.639
<v Speaker 2>all worked for me, man, I'm and it. Honestly, it

2672
02:22:44.680 --> 02:22:46.559
<v Speaker 2>makes me really happy that there's gonna be a lot

2673
02:22:46.559 --> 02:22:51.200
<v Speaker 2>of people watching this movie because because I think it's

2674
02:22:51.920 --> 02:22:55.479
<v Speaker 2>you know, sometimes faith has to be rewarded.

2675
02:22:58.040 --> 02:22:58.079
<v Speaker 3>C.

2676
02:22:58.239 --> 02:23:02.920
<v Speaker 2>Montage from the end of Dark Knight, Right's right. You know,

2677
02:23:03.120 --> 02:23:06.479
<v Speaker 2>people people have been waiting for this and they're going

2678
02:23:06.559 --> 02:23:09.120
<v Speaker 2>to walk out satisfied. That makes me really happy.

2679
02:23:09.239 --> 02:23:13.840
<v Speaker 3>I think so too. I think I saw a short

2680
02:23:14.000 --> 02:23:16.440
<v Speaker 3>sort of summery you put on social media where you

2681
02:23:16.440 --> 02:23:17.920
<v Speaker 3>said this is going to be like Lord of the Rings.

2682
02:23:17.959 --> 02:23:20.719
<v Speaker 3>People are going to keep coming back to this, you

2683
02:23:20.719 --> 02:23:22.479
<v Speaker 3>know this, that's how this movie is going to live on,

2684
02:23:22.520 --> 02:23:24.000
<v Speaker 3>And I agree, I think so too.

2685
02:23:25.680 --> 02:23:26.680
<v Speaker 2>Yeah, I have a feeling.

2686
02:23:27.200 --> 02:23:31.120
<v Speaker 3>Yeah, And it's one thing that it's good, but it's

2687
02:23:31.159 --> 02:23:36.520
<v Speaker 3>also a great theatrical experience and if you have the ability,

2688
02:23:37.040 --> 02:23:40.879
<v Speaker 3>you know, the time and the everything. I highly recommend

2689
02:23:40.959 --> 02:23:46.479
<v Speaker 3>going out and seeing this because this was the first

2690
02:23:46.520 --> 02:23:49.200
<v Speaker 3>movie shot every frame was shot with an Imax camera,

2691
02:23:49.920 --> 02:23:51.879
<v Speaker 3>and I know not everyone can get to Imax screens.

2692
02:23:51.920 --> 02:23:57.159
<v Speaker 3>There's actually a limited amount in the world. But everything

2693
02:23:57.200 --> 02:24:00.680
<v Speaker 3>that is in the frame, you know, just the effort

2694
02:24:00.879 --> 02:24:05.719
<v Speaker 3>and the colossal just scope of this film is just

2695
02:24:06.520 --> 02:24:11.399
<v Speaker 3>something worth seeing as big and as loud as possible. Yeah,

2696
02:24:11.559 --> 02:24:14.319
<v Speaker 3>So that's just it. It's like a bonus to just

2697
02:24:14.319 --> 02:24:15.040
<v Speaker 3>being a good.

2698
02:24:14.840 --> 02:24:16.280
<v Speaker 2>Movie to totally agree.

2699
02:24:16.520 --> 02:24:17.239
<v Speaker 3>Yeah.

2700
02:24:17.479 --> 02:24:20.159
<v Speaker 2>Nice. Well, two big thumbs up for the Odyssey.

2701
02:24:20.760 --> 02:24:22.559
<v Speaker 3>Yeah, yeah, very nice.

2702
02:24:22.639 --> 02:24:25.440
<v Speaker 2>Well, well, everybody listening, let us know your thoughts on

2703
02:24:25.479 --> 02:24:27.600
<v Speaker 2>the Odissey and let us know your thoughts on our thoughts.

2704
02:24:27.680 --> 02:24:30.399
<v Speaker 2>You can email us at moviefilmpodcast at gmail dot com.

2705
02:24:30.399 --> 02:24:32.959
<v Speaker 2>You can also hit like on our Facebook page Facebook

2706
02:24:32.959 --> 02:24:35.959
<v Speaker 2>dot com slash movie Film Podcast and message us there.

2707
02:24:36.120 --> 02:24:38.559
<v Speaker 2>As always, please go to Apple podcast, leave review, leave

2708
02:24:38.559 --> 02:24:40.680
<v Speaker 2>a star rating. Every little bit helps, And if you're

2709
02:24:40.719 --> 02:24:43.440
<v Speaker 2>listening to this show on YouTube, please hit like, hit subscribe,

2710
02:24:43.440 --> 02:24:46.360
<v Speaker 2>and leave comments because we do read those on the show.

2711
02:24:46.639 --> 02:24:47.879
<v Speaker 2>We also have a Patreon page.

2712
02:24:47.879 --> 02:24:50.600
<v Speaker 3>Bran Yes if you head over to patreon dot com

2713
02:24:50.600 --> 02:24:53.840
<v Speaker 3>slash Moviefilm podcast and hit subscribe for only five dollars

2714
02:24:53.879 --> 02:24:57.079
<v Speaker 3>a month, you'll find every commentary we've ever done and

2715
02:24:57.280 --> 02:25:00.680
<v Speaker 3>every episode moving forward absolutely add free. And we also

2716
02:25:00.719 --> 02:25:03.040
<v Speaker 3>have bonus conversations that we drop over there about twice

2717
02:25:03.040 --> 02:25:05.879
<v Speaker 3>a month, and we just dropped two I think the

2718
02:25:05.879 --> 02:25:09.399
<v Speaker 3>first two weeks of July, and there we talk about

2719
02:25:10.280 --> 02:25:12.879
<v Speaker 3>full spoiler discussion of the movie Obsession. We talk about

2720
02:25:12.920 --> 02:25:16.920
<v Speaker 3>trailers and movie news, Supergirl box Office, Yeah, Supergirl box

2721
02:25:16.959 --> 02:25:19.840
<v Speaker 3>Office and that Obsession review is I mean, we really

2722
02:25:19.879 --> 02:25:21.639
<v Speaker 3>went into it was like a forty minute conversation. It

2723
02:25:21.680 --> 02:25:24.719
<v Speaker 3>was a lot of fun. So you can find that

2724
02:25:24.799 --> 02:25:27.600
<v Speaker 3>exclusively over on this feed. Our free feed will always

2725
02:25:27.600 --> 02:25:29.639
<v Speaker 3>be available, but this is our way of providing what

2726
02:25:29.680 --> 02:25:32.040
<v Speaker 3>we believe is the most satisfying way to enjoy the show.

2727
02:25:32.159 --> 02:25:36.680
<v Speaker 3>So no commercials, ads, butting into the conversation. Plus, your

2728
02:25:36.680 --> 02:25:38.760
<v Speaker 3>subscription goes a long way and helping to support us

2729
02:25:38.799 --> 02:25:41.559
<v Speaker 3>and helping to sustain producing the show. So if you're

2730
02:25:41.559 --> 02:25:44.120
<v Speaker 3>interested enable, please head over to patreon dot com slash

2731
02:25:44.200 --> 02:25:46.879
<v Speaker 3>Movie Film Podcast and subscribe. We'd be very grateful.

2732
02:25:47.440 --> 02:25:49.079
<v Speaker 2>And if you're looking for me online. You can find

2733
02:25:49.079 --> 02:25:52.399
<v Speaker 2>me on social media at Zaki's Corner, That Zakis Corner.

2734
02:25:52.440 --> 02:25:54.959
<v Speaker 2>You can also find my reviews at the San Francisco

2735
02:25:55.040 --> 02:25:57.079
<v Speaker 2>Chronicle and also at the rap What About You Brian.

2736
02:25:57.319 --> 02:25:59.559
<v Speaker 3>You can find episodes I've written of Puppy Dog Pals

2737
02:25:59.600 --> 02:26:03.719
<v Speaker 3>and Young Jeda Adventures streaming on Disney Plus.

2738
02:26:02.760 --> 02:26:05.120
<v Speaker 2>And with that on behalf of my partner Brian Hall.

2739
02:26:05.159 --> 02:26:07.000
<v Speaker 2>My name is Zachie Hasan. This has been movie film

2740
02:26:07.040 --> 02:26:10.520
<v Speaker 2>three forty seven. Thank you everybody for listening to take

2741
02:26:10.600 --> 02:26:12.799
<v Speaker 2>us out. Here is a clip from a couple of

2742
02:26:12.879 --> 02:26:16.520
<v Speaker 2>years back of Sam Neil, the late Great Sam Neil,

2743
02:26:16.920 --> 02:26:21.559
<v Speaker 2>telling us about what he dreams of, and I think

2744
02:26:21.600 --> 02:26:24.440
<v Speaker 2>it's something we can all dream of. Rest in peace,

2745
02:26:24.639 --> 02:26:27.920
<v Speaker 2>mister Neil. We will miss you very very much.

2746
02:26:28.639 --> 02:26:36.399
<v Speaker 5>Do I have a dream? I think I'd like a

2747
02:26:36.559 --> 02:26:40.079
<v Speaker 5>night where there's no dreams. I'd like a morning when

2748
02:26:40.079 --> 02:26:44.959
<v Speaker 5>I wake up and there's really nothing on the news,

2749
02:26:45.200 --> 02:26:48.600
<v Speaker 5>when everything just returns to dull.

2750
02:26:50.399 --> 02:26:56.360
<v Speaker 7>And there's nothing to report, and there's no pestilence and

2751
02:26:56.440 --> 02:27:06.159
<v Speaker 7>there's no war and there's no aggression, and people that just.

2752
02:27:02.959 --> 02:27:05.760
<v Speaker 5>Just leaving it alone and getting on with each other.

2753
02:27:07.360 --> 02:27:12.200
<v Speaker 7>Will might be nice the surface three foot high.

2754
02:27:12.280 --> 02:27:17.120
<v Speaker 5>Today, chickens are laying in central Ittago in New Zealand.

2755
02:27:19.520 --> 02:27:25.680
<v Speaker 5>The football will be played as usual on Saturday. Someone

2756
02:27:26.559 --> 02:27:30.079
<v Speaker 5>might win, but probably everyone will just have a draw.

2757
02:27:32.479 --> 02:27:36.920
<v Speaker 5>There's nothing happening. That's my dream.

2758
02:27:37.079 --> 02:27:37.440
<v Speaker 2>It's just

2759
02:27:39.680 --> 02:27:41.440
<v Speaker 5>Been nice.
