WEBVTT

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<v Speaker 1>MIGGI, I hit on on MIGGI, I.

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<v Speaker 2>He's on.

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<v Speaker 1>Jump be headline.

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<v Speaker 3>When you had that gassline, jump belly playing, when you

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<v Speaker 3>hit that assline, don't be awadsline, when.

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<v Speaker 4>You hit up.

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<v Speaker 1>Dad that that can love me? You're right? Ah yeah

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<v Speaker 1>dad here that I can last on. Let me tell

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<v Speaker 1>you that want to get done looking the mirror, say yes,

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<v Speaker 1>I'm the best best best, best, best best best, Wait

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<v Speaker 1>for the best best best.

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<v Speaker 3>Just one night's over, rug me, burk me up, get

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<v Speaker 3>exasize and burn me up.

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<v Speaker 1>Sleep big boy bus turned me up and turned me up.

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<v Speaker 1>Just one night.

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<v Speaker 5>Word.

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<v Speaker 2>Since he is back on the cruise show, let's get it,

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<v Speaker 2>let's go, let's go. Shout the DJ Fuse for that intro.

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<v Speaker 1>Thank you DJ Fuse for sure mixed. You should have

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<v Speaker 1>been at the show.

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<v Speaker 2>Yeah that for real. Now got to open up you

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<v Speaker 2>know sure pause? Absolutely yeah, yea, I said open up.

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<v Speaker 2>I don't know. I don't know. Since he is here

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<v Speaker 2>back on the cruise, so good to have you back.

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<v Speaker 2>Thank you very much for your time and energy and

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<v Speaker 2>the music. We appreciate you.

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<v Speaker 1>Thank you for having me again.

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<v Speaker 2>Absolutely, you look great. You look happy.

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<v Speaker 1>I am happy. You look I'm extremely happy, happy for you.

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<v Speaker 2>It took smiles.

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<v Speaker 1>Yeah, I was stressed to you're so sure, But this

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<v Speaker 1>year I've been so happy, extremely happy.

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<v Speaker 2>Did we learn to shake things off, let things go

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<v Speaker 2>and we're not in control of maybe and.

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<v Speaker 1>What we can be in control off we take control

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<v Speaker 1>and cut it off?

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<v Speaker 2>Okay?

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<v Speaker 1>You know? So that's what I've been doing mostly, Like

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<v Speaker 1>if the energy is better on me, I'm just like, yeah,

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<v Speaker 1>you gotta go.

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<v Speaker 4>Was there a certain like turning point for you at

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<v Speaker 4>that like that you start thinking that way?

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<v Speaker 1>Yes, I found myself I think early December, just sitting

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<v Speaker 1>on the couch like in total depression for like days,

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<v Speaker 1>and my son would watch me doing that and my

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<v Speaker 1>auntie and my people, and I just like I was like,

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<v Speaker 1>what is this? This is not even me, you know, like,

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<v Speaker 1>what the hell is happening? What am I doing? I

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<v Speaker 1>need to get it together? And that's when I decided

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<v Speaker 1>to be like, you know what sacrifices just have to

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<v Speaker 1>be made now?

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<v Speaker 6>Absolutely did say cut off with a lot of conviction.

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<v Speaker 2>So what or who did you cut off?

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<v Speaker 6>And what was that process like after detaching yourself from then?

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<v Speaker 2>Was it Americans that got you into the.

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<v Speaker 1>Plast it's so dark here, sorry to say, Oh my god.

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<v Speaker 1>It's like so much sensitivity, so much fakeness, so much

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<v Speaker 1>you know, it's everywhere. But I feel like just me

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<v Speaker 1>being a new space, like it came with a lot,

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<v Speaker 1>you know, and just dealing with new people. It's like

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<v Speaker 1>you don't know if you should let them go or

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<v Speaker 1>you should give them some chances. So yeah, it was

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<v Speaker 1>just more about me staying authentic to myself again and

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<v Speaker 1>not like listen to anybody and just follow my core,

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<v Speaker 1>you know how I really feel. Yeah, and anyone who

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<v Speaker 1>wasn't aligned with that just yeah, had to say.

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<v Speaker 2>Sometimes you're like, I don't even give family this many chances, Like, yeah, yeah.

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<v Speaker 1>I don't because at the end of the day, I

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<v Speaker 1>am in love with my craft and my business. It's

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<v Speaker 1>my purpose, you know. So I do try to give

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<v Speaker 1>chances to get stuff right, but you know, sometimes it

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<v Speaker 1>just doesn't work out.

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<v Speaker 2>Yeah.

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<v Speaker 7>I'm glad you say authenticity because I do feel like

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<v Speaker 7>when you're authentic to yourself, that's what you really that's

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<v Speaker 7>when you attract what's really.

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<v Speaker 2>Meant for you, and that's when you're flying.

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<v Speaker 6>When you're pretending to be something that you're attracting ship.

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<v Speaker 1>But it's so weird though, because I feel like you

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<v Speaker 1>never really know when you're pretending to be something you're not.

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<v Speaker 1>Probably you're telling yourself that, let me try this and

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<v Speaker 1>see if it can be me, as in like it's

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<v Speaker 1>the growth period, you know, let me see if this

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<v Speaker 1>is my evolution. You don't know if oh, you're faking

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<v Speaker 1>it until after a while you're like, this is not

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<v Speaker 1>making me happy. Then you know, you know when you

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<v Speaker 1>do it sometimes.

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<v Speaker 2>Because I think you're trying, you're trying to see if

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<v Speaker 2>this is where I'm going or this is where I'm at,

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<v Speaker 2>and this is the vibe, and then you realize this isn't.

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<v Speaker 1>Me and this is not what everybody figures it out.

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<v Speaker 1>Getting a job, you know you don't like it because

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<v Speaker 1>you've done it for so long, until you go start

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<v Speaker 1>your own business.

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<v Speaker 2>We're all walking around this planet trying to just figure

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<v Speaker 2>it out as parents, as friends, as sisters and brothers

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<v Speaker 2>and performers. Right, never gets lid here. Congratulations, that's out everywhere,

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<v Speaker 2>crazy crazy project, big vibes on there. Yeah, you're talking

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<v Speaker 2>that shit as you should though, Right, that's that's where

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<v Speaker 2>you that's what that confidence is, right, or that's what

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<v Speaker 2>that confidence sounds like, that's me, that's you.

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<v Speaker 1>Yeah, I'm a very confident person.

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<v Speaker 5>You know.

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<v Speaker 1>I love to empower women. I love to give attitude

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<v Speaker 1>and energy and emotions in my tracks. So as I said,

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<v Speaker 1>you know when you hear the accidents and you hear

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<v Speaker 1>it just come effortlessly, it's just like why you even

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<v Speaker 1>fight it anymore?

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<v Speaker 2>You know?

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<v Speaker 4>I think one of my favorite tricks on that album

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<v Speaker 4>was played with coiler rat and like, just because it

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<v Speaker 4>exudes confidence, I think, And how do you channel that confidence?

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<v Speaker 4>Like did it start like growing up or did you

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<v Speaker 4>like as an adult, were you like okay, now I

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<v Speaker 4>have to come?

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<v Speaker 2>Made you feel away? Jack? What made you feel away?

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<v Speaker 4>Because I feel like, like you said, you love to

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<v Speaker 4>empower women, and I think empowering women is making them

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<v Speaker 4>feel that they can't talk like you know, sexually, they

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<v Speaker 4>can be you know, rugged, they can be like that.

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<v Speaker 1>And I feel like you definitely exude that for sure,

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<v Speaker 1>because that was instilled in me by my parents. No,

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<v Speaker 1>my auntie and my mom. They're both strong women and

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<v Speaker 1>they impored me, and it's what makes me who I am. Now,

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<v Speaker 1>you know why I can speak so confident and so bosstly,

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<v Speaker 1>you know, because my Auntie will keep drilling in my head.

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<v Speaker 1>Don't make no man take you for enough. Who don't

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<v Speaker 1>do this, don't you know? Like she was always the

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<v Speaker 1>dont stone stone stone stones, So it's like it was like, okay,

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<v Speaker 1>she definitely. It's like I had a rulebook growing up.

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<v Speaker 5>You know.

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<v Speaker 1>She instilled real principles and values and self love. That's important,

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<v Speaker 1>very important, and a lots of people don't get that,

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<v Speaker 1>and so me as the voice, you know, it's also

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<v Speaker 1>a part of my job to help to instill that

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<v Speaker 1>in other people who are not that fortunate to have

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<v Speaker 1>people like my aunt and my mom around around them.

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<v Speaker 6>Do you feel like you're paying homage to them in

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<v Speaker 6>doing so? My parents like yeah, and just sharing that,

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<v Speaker 6>you know, through your musical values.

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<v Speaker 1>Yeah, yeah, yeah.

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<v Speaker 2>Yeah.

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<v Speaker 1>My Auntie looks at me now and she's so happy

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<v Speaker 1>with how I turned out to be, and that's the

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<v Speaker 1>best feeling, you know, Like, even though I'm in this industry,

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<v Speaker 1>she still knows that I make decisions based on how

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<v Speaker 1>I feel and the authenticity and and not just chasing

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<v Speaker 1>after cloud or money.

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<v Speaker 2>That's right, that's right. Can fans call you Auntie?

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<v Speaker 1>Is that Okay, no, sir, let me just say I'm

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<v Speaker 1>under thirty. I'm a young child. Baby.

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<v Speaker 2>But you know that's.

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<v Speaker 6>That's right.

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<v Speaker 4>How is it being a working moment?

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<v Speaker 1>It's getting harder now, I must admit, because you know,

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<v Speaker 1>he's growing up and he's becoming his own individual with

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<v Speaker 1>his own thoughts. So you have to be mindful of

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<v Speaker 1>you know, the times that I leave now and how

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<v Speaker 1>long i'm leaving for. You know, the things that I

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<v Speaker 1>might say on stage. You know, I have to be

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<v Speaker 1>very careful now. But the good thing is he still

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<v Speaker 1>supports me. You know, he loves me. He shows me

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<v Speaker 1>endless love, so he doesn't make it too hard. He

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<v Speaker 1>still supports me. Child's love is different, Oh it is.

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<v Speaker 2>That's true love.

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<v Speaker 1>It's my favorite.

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<v Speaker 2>Yeah.

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<v Speaker 1>I want to have like four more.

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<v Speaker 2>Wants a few, baby Mama.

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<v Speaker 6>I used to think that for whatever reason in my

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<v Speaker 6>head as mature.

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<v Speaker 1>You know, it's not it's not healthy. Yeah, no, imagine

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<v Speaker 1>one over here, one over there.

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<v Speaker 2>Yeah, it's not healthy.

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<v Speaker 4>We were convinced for a second he had a kid

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<v Speaker 4>in Mexico.

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<v Speaker 2>That I'm still I still think he does.

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<v Speaker 6>It's something I got kids in Mexico.

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<v Speaker 2>You have friends right where you think to yourself, I

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<v Speaker 2>know he is, or he's got kids in another country somewhere,

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<v Speaker 2>because the way they are.

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<v Speaker 1>For sure, especially in my industry, Yeah, they actually do.

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<v Speaker 2>You know, what's your what? What's your son's favorite song

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<v Speaker 2>of yours?

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<v Speaker 1>He loves Blessed, Oh my God, sadly he loves the

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<v Speaker 1>side Chick song. When I hear him thinking that right out, Yeah,

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<v Speaker 1>he loves a lot of my songs. He loves Stars

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<v Speaker 1>from the album Heat and Run is surprisingly not really

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<v Speaker 1>his favorite at all. He likes to Die for You. Yeah.

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<v Speaker 2>I was gonna say, don't let him listen to die

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<v Speaker 2>for you, I know, but he's listening to die for you.

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<v Speaker 1>The thing is with my child, like I try not

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<v Speaker 1>to keep everything from him too much because that's how

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<v Speaker 1>I was raised. And actually, I feel like when you

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<v Speaker 1>hide stuff from the kids, that's when they sneak around

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<v Speaker 1>and they do it. When you let them know and

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<v Speaker 1>you teach them that it's wrong and what's right, like

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<v Speaker 1>they're more of a stand up person because that's how

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<v Speaker 1>I was. You know, absolutely, I know a lot of

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<v Speaker 1>people who their parents thought they were saints and they

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<v Speaker 1>broke their little virginity from.

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<v Speaker 2>Like, oh God, then they found out.

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<v Speaker 1>Me I was in a long time and I was

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<v Speaker 1>exposed to you know.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, strict parents make the sneakiest kids. Yeah, yeah, yeah,

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<v Speaker 1>my auntie was strict, but not when it came on

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<v Speaker 1>to sex. Like she used to teach me about that

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<v Speaker 1>from a young age.

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<v Speaker 2>Did she use like certain words to protect you or

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<v Speaker 2>was it just no?

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<v Speaker 1>She was very respectful about it. She like, let me

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<v Speaker 1>know what a virgin is, you know from the early

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<v Speaker 1>on times, you know so, but she would let me

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<v Speaker 1>know that. You know, You're like, I don't want to

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<v Speaker 1>know about this, like yet.

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<v Speaker 8>No.

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<v Speaker 1>I was a very freaking girl of a success. She

219
00:10:07.840 --> 00:10:11.200
<v Speaker 1>didn't hide anything from me at all. But she never

220
00:10:11.279 --> 00:10:14.399
<v Speaker 1>really over exposed me either, if right, she was just

221
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<v Speaker 1>being like a great parent.

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<v Speaker 2>Oh that's great, that's great, congratulations on work me out.

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<v Speaker 1>Thank you.

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<v Speaker 2>Crazy sounds great. I like tap out as well. I

225
00:10:22.080 --> 00:10:24.679
<v Speaker 2>love tap tap Out is crazy red Flag with Anita.

226
00:10:24.799 --> 00:10:28.639
<v Speaker 2>I love that sound. I think both both sounds meshed

227
00:10:28.799 --> 00:10:29.200
<v Speaker 2>very well.

228
00:10:29.360 --> 00:10:31.960
<v Speaker 1>Yeah, you know, that was my first time collabing with

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<v Speaker 1>her as well. I love because we have everyone who

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<v Speaker 1>is on my album, we actually have a relationship.

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<v Speaker 2>You know.

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00:10:38.320 --> 00:10:41.039
<v Speaker 1>Me and Anita were cool. We partied together, me and Cooy,

233
00:10:41.879 --> 00:10:45.919
<v Speaker 1>Me and whisked work together before. Masaca is like one

234
00:10:45.960 --> 00:10:49.480
<v Speaker 1>of my closest friends in the industry. So yeah, I

235
00:10:49.600 --> 00:10:52.240
<v Speaker 1>think they were the right people to choose for the album.

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<v Speaker 1>You know, it was authentic, well done.

237
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<v Speaker 2>Why close out the album with the single.

238
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<v Speaker 1>Because it was not supposed to be there, I'm being honest.

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00:11:03.320 --> 00:11:07.240
<v Speaker 1>He fought for it, yes, because when I turned in

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<v Speaker 1>the album, I was like, there's just something missing, man,

241
00:11:10.480 --> 00:11:15.759
<v Speaker 1>It's still something missing from you. Yeah, it needs another element,

242
00:11:16.000 --> 00:11:19.039
<v Speaker 1>it needs something else. You know, hit and rounds already

243
00:11:19.080 --> 00:11:22.240
<v Speaker 1>out and it hit, but I still needed another factor

244
00:11:22.279 --> 00:11:24.279
<v Speaker 1>on the album for people to be like, wow, let

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00:11:24.360 --> 00:11:26.720
<v Speaker 1>me go listen to this, you know, just by the

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<v Speaker 1>name alone. And so I did the song and I said,

247
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<v Speaker 1>you know what, it's cool. Let me send it to

248
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<v Speaker 1>a Whiz because I did a song with him before,

249
00:11:36.159 --> 00:11:38.360
<v Speaker 1>and I feel like I don't have any authentic you know,

250
00:11:38.559 --> 00:11:41.320
<v Speaker 1>Afrobea's artists on the project either. You know, we did

251
00:11:41.399 --> 00:11:44.159
<v Speaker 1>some Afrobets vibe, but we didn't have an artist. And

252
00:11:44.240 --> 00:11:46.480
<v Speaker 1>because I worked him before, I sent him the track

253
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<v Speaker 1>and he actually loved it and he did it like less.

254
00:11:49.200 --> 00:11:52.600
<v Speaker 2>Than three nahow that's how you know though, right.

255
00:11:52.639 --> 00:11:54.879
<v Speaker 1>Yes, the vibe was real, and then we met on

256
00:11:55.000 --> 00:11:57.919
<v Speaker 1>sets for the first time and it was like, yeah,

257
00:11:58.000 --> 00:11:59.360
<v Speaker 1>humans with myself in so many.

258
00:11:59.279 --> 00:12:00.320
<v Speaker 2>Ways, chemistry is there.

259
00:12:00.480 --> 00:12:02.399
<v Speaker 1>It is there. It shows very cool person.

260
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<v Speaker 8>Man.

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00:12:02.840 --> 00:12:07.120
<v Speaker 2>Congratulations, that's crazy. Yo. What's something that you cook that

262
00:12:07.360 --> 00:12:10.440
<v Speaker 2>no one can see you at? Like, no one's better

263
00:12:10.480 --> 00:12:10.720
<v Speaker 2>than you?

264
00:12:11.559 --> 00:12:21.919
<v Speaker 1>Lord everything. I haven't tried the steaks yet, and the ribs,

265
00:12:22.039 --> 00:12:24.159
<v Speaker 1>I haven't tried that yet. Yeah, I haven't tried it.

266
00:12:24.200 --> 00:12:25.879
<v Speaker 2>All right, Well, there's a ribs place down the street.

267
00:12:25.919 --> 00:12:26.399
<v Speaker 2>Don't try that.

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00:12:26.559 --> 00:12:29.679
<v Speaker 1>I would say, fish, fish, steamfish.

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00:12:29.799 --> 00:12:31.960
<v Speaker 6>What kind of fish, steamfish, steamfish?

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00:12:32.159 --> 00:12:36.200
<v Speaker 1>Would crow you know things buck strong? They can get

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00:12:36.240 --> 00:12:37.559
<v Speaker 1>like to him, baby, Mama's.

272
00:12:39.919 --> 00:12:42.759
<v Speaker 2>Get some fish. Man. We got to go to Whole Foods. Yeah.

273
00:12:42.960 --> 00:12:46.720
<v Speaker 1>Actually fish steam fish. Yeah, that's one of my specialties.

274
00:12:46.759 --> 00:12:47.399
<v Speaker 1>And curry chicken.

275
00:12:48.639 --> 00:12:49.960
<v Speaker 2>That is the cooking pass down.

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00:12:50.639 --> 00:12:53.720
<v Speaker 1>Yes, my mom was actually the chef of the family,

277
00:12:53.759 --> 00:12:57.039
<v Speaker 1>and everybody in my family can cook, the males, every

278
00:12:57.759 --> 00:13:01.919
<v Speaker 1>female son right now, he's cooking, yes, right, and he

279
00:13:02.039 --> 00:13:05.399
<v Speaker 1>loves it. Man, my auntie, I don't cook at home

280
00:13:05.679 --> 00:13:08.000
<v Speaker 1>like she does. All she does it and I'm so happy.

281
00:13:08.120 --> 00:13:10.759
<v Speaker 5>Yeah, and respectfully you have to let her do that right, respectfully,

282
00:13:13.200 --> 00:13:16.440
<v Speaker 5>I'd be like, you gotta do it because you got

283
00:13:16.519 --> 00:13:19.200
<v Speaker 5>the hands. So I just need there coming home from work,

284
00:13:19.440 --> 00:13:22.279
<v Speaker 5>feed up and like my home is very homey I

285
00:13:22.399 --> 00:13:25.240
<v Speaker 5>have everything I need there, fed, I get love, I

286
00:13:25.320 --> 00:13:26.679
<v Speaker 5>get yeah great, That's.

287
00:13:26.559 --> 00:13:27.000
<v Speaker 1>How I said.

288
00:13:27.440 --> 00:13:29.519
<v Speaker 2>And then you're in the studio and you're chefing up music.

289
00:13:29.360 --> 00:13:31.440
<v Speaker 1>Too, yep, right, which makes it easier.

290
00:13:31.559 --> 00:13:33.600
<v Speaker 2>Yeah, I think so right. I think you you you

291
00:13:33.679 --> 00:13:36.279
<v Speaker 2>almost combine the two because there's ingredients in music as

292
00:13:36.360 --> 00:13:39.639
<v Speaker 2>well as far as features and certain sounds and mixes.

293
00:13:39.759 --> 00:13:42.960
<v Speaker 1>And I always say melodies is like flavors and music,

294
00:13:43.159 --> 00:13:46.240
<v Speaker 1>you know, so two. And I feel like so many

295
00:13:46.360 --> 00:13:49.480
<v Speaker 1>artists like we're so in touch with food and music.

296
00:13:50.559 --> 00:13:51.600
<v Speaker 6>I always say, I.

297
00:13:51.679 --> 00:13:54.480
<v Speaker 7>Said, like music is like food. Right when it's authentic

298
00:13:55.399 --> 00:13:58.000
<v Speaker 7>and real, people are going to consume that, you know, wait.

299
00:13:57.960 --> 00:13:59.799
<v Speaker 2>For it and they'll come back.

300
00:14:00.639 --> 00:14:03.399
<v Speaker 1>You don't need that fancy marshing, no gourmet.

301
00:14:04.240 --> 00:14:07.240
<v Speaker 6>If it's authentic and it's good, they'll fucking consume it.

302
00:14:07.399 --> 00:14:07.840
<v Speaker 1>It's true.

303
00:14:08.279 --> 00:14:09.559
<v Speaker 6>I've always said that it's crazy.

304
00:14:09.679 --> 00:14:09.840
<v Speaker 2>Yep.

305
00:14:09.919 --> 00:14:13.120
<v Speaker 1>It's so weird too, because I don't consume like real

306
00:14:13.240 --> 00:14:16.240
<v Speaker 1>food from like out of ports. You know so right,

307
00:14:16.320 --> 00:14:18.440
<v Speaker 1>if I feel like for some doubles, you will never

308
00:14:18.519 --> 00:14:20.480
<v Speaker 1>see me eat doubles outside of Trinidad.

309
00:14:20.759 --> 00:14:22.639
<v Speaker 2>Mm hmm. Ever, why is that?

310
00:14:23.159 --> 00:14:25.799
<v Speaker 1>Because I probably it's better to get it from where

311
00:14:25.799 --> 00:14:29.480
<v Speaker 1>it's actually originated. You know, Jork chicken. Nobody can give

312
00:14:29.519 --> 00:14:31.559
<v Speaker 1>you JR Chicken in La Nah. You crazy?

313
00:14:31.679 --> 00:14:32.559
<v Speaker 2>I heard there's some fire.

314
00:14:33.080 --> 00:14:34.039
<v Speaker 1>Wait till I go back to Ja.

315
00:14:37.120 --> 00:14:38.440
<v Speaker 2>Flight. I've never been in Jamaica.

316
00:14:39.120 --> 00:14:44.440
<v Speaker 1>Well, from here, I'm like hours five to six hours

317
00:14:44.480 --> 00:14:47.000
<v Speaker 1>from here to Miami and then like a two hour

318
00:14:47.080 --> 00:14:49.960
<v Speaker 1>flight from Miami to Jamaica. Two hours man, yeah yeah,

319
00:14:50.320 --> 00:14:51.559
<v Speaker 1>and three hours from New York.

320
00:14:51.759 --> 00:14:53.559
<v Speaker 2>You plan on linking up a Vibes cartel.

321
00:14:53.879 --> 00:14:55.120
<v Speaker 6>He's home, let's see.

322
00:14:55.600 --> 00:14:55.759
<v Speaker 2>You know.

323
00:14:55.799 --> 00:14:58.519
<v Speaker 1>I like to have the people waiting for surprises.

324
00:14:58.639 --> 00:15:00.240
<v Speaker 2>That's right, Okay, something in the works.

325
00:15:02.559 --> 00:15:05.200
<v Speaker 4>What would you say is the best fruit that's homegrown

326
00:15:05.360 --> 00:15:05.919
<v Speaker 4>in Jamaica?

327
00:15:07.519 --> 00:15:11.480
<v Speaker 1>M Oh my god. I love fruits. I love guns, mango,

328
00:15:11.720 --> 00:15:13.240
<v Speaker 1>stark fruits.

329
00:15:13.799 --> 00:15:14.039
<v Speaker 6>Listen.

330
00:15:14.240 --> 00:15:16.360
<v Speaker 1>My favorite mango is East India mango. I would eat

331
00:15:16.399 --> 00:15:17.879
<v Speaker 1>one of that every day and it makes me so

332
00:15:18.200 --> 00:15:22.639
<v Speaker 1>fat in all the right places. East Indian mango, Indian mango.

333
00:15:23.039 --> 00:15:28.519
<v Speaker 1>I love that mango. I Lovelichi too or Lichi is different. Yeah,

334
00:15:28.639 --> 00:15:32.120
<v Speaker 1>it's more softer, it's more fleshy, sweeter, and people really

335
00:15:32.200 --> 00:15:32.600
<v Speaker 1>kill for that.

336
00:15:34.000 --> 00:15:36.159
<v Speaker 6>WHAT'SI I know you spelled it like l y c

337
00:15:36.480 --> 00:15:36.679
<v Speaker 6>h E.

338
00:15:37.120 --> 00:15:37.879
<v Speaker 1>Yeah, what is it?

339
00:15:38.000 --> 00:15:39.200
<v Speaker 6>What does it look like? It's a fruit?

340
00:15:39.320 --> 00:15:41.879
<v Speaker 1>Yeah, it's like pink. It's like pink on the outside

341
00:15:41.919 --> 00:15:44.000
<v Speaker 1>and white in the middle. And you suck on the sea.

342
00:15:44.279 --> 00:15:46.360
<v Speaker 2>Easy now, easy take it.

343
00:15:46.840 --> 00:15:53.879
<v Speaker 1>Wanted to know, he asked the question. But I Lovelichi,

344
00:15:54.039 --> 00:15:54.759
<v Speaker 1>I love like she too.

345
00:15:54.960 --> 00:15:58.120
<v Speaker 2>Yeah, chero like cheryld there he is. When you're in

346
00:15:58.159 --> 00:16:00.279
<v Speaker 2>the studio and you're creating, right, do you need to

347
00:16:00.440 --> 00:16:03.799
<v Speaker 2>be isolated? Does there need to be people around?

348
00:16:04.039 --> 00:16:05.600
<v Speaker 1>I don't like a lot of people in my sessions.

349
00:16:05.600 --> 00:16:05.960
<v Speaker 2>I got it.

350
00:16:06.240 --> 00:16:08.919
<v Speaker 1>I hate a lot of talking in my sessions. I'm

351
00:16:08.960 --> 00:16:10.759
<v Speaker 1>not one of those artists that, you know, I have

352
00:16:10.879 --> 00:16:13.559
<v Speaker 1>to have a big ball and chat and put up strippers.

353
00:16:13.200 --> 00:16:15.960
<v Speaker 2>To the to the studio now blunts and strippers.

354
00:16:16.000 --> 00:16:19.360
<v Speaker 1>No, yeah, no, I know. I like to be in

355
00:16:19.480 --> 00:16:21.519
<v Speaker 1>my elements. I like to think through, like to work

356
00:16:21.559 --> 00:16:26.720
<v Speaker 1>with producers who can also give ideas. You know, mostly

357
00:16:27.519 --> 00:16:29.440
<v Speaker 1>three four people in my room.

358
00:16:29.919 --> 00:16:33.120
<v Speaker 2>Wow, it's very tight circle. Yeah, it's Okay, are you sick?

359
00:16:33.600 --> 00:16:35.039
<v Speaker 1>No, I just feel a little bit grow up in this.

360
00:16:35.399 --> 00:16:38.399
<v Speaker 6>That happened, Jorge, the fact.

361
00:16:39.720 --> 00:16:48.919
<v Speaker 2>That's real, that's real, real, You're.

362
00:16:48.840 --> 00:16:51.320
<v Speaker 1>Going too far. Some things are to be kept secret.

363
00:16:55.840 --> 00:16:57.200
<v Speaker 2>Is that a new tattoo? It is?

364
00:16:57.480 --> 00:17:00.519
<v Speaker 1>It is? Is that? How long I haven't been to?

365
00:17:00.960 --> 00:17:01.840
<v Speaker 2>How long it's been?

366
00:17:01.960 --> 00:17:04.240
<v Speaker 1>Because you are the third person that asked me about

367
00:17:04.240 --> 00:17:04.680
<v Speaker 1>my tattoo.

368
00:17:04.720 --> 00:17:06.599
<v Speaker 2>Yeah, I don't think we saw that the last time.

369
00:17:06.920 --> 00:17:07.480
<v Speaker 1>That's crazy.

370
00:17:07.519 --> 00:17:08.079
<v Speaker 2>What does it mean?

371
00:17:08.559 --> 00:17:08.920
<v Speaker 1>I don't know.

372
00:17:09.640 --> 00:17:11.720
<v Speaker 2>Okay, that's cool too.

373
00:17:12.599 --> 00:17:15.519
<v Speaker 1>I love dragons. I love dragons, and it has been

374
00:17:15.880 --> 00:17:18.160
<v Speaker 1>my logo ever since I came into the game. I

375
00:17:18.240 --> 00:17:21.519
<v Speaker 1>think it represents strength as well. And I love tribal looks.

376
00:17:21.519 --> 00:17:23.480
<v Speaker 1>I love tribal tattoos. I don't know if it's the

377
00:17:23.519 --> 00:17:26.319
<v Speaker 1>East Indian in me, but yeah, it's Asian and East Indian.

378
00:17:26.640 --> 00:17:28.519
<v Speaker 2>You plan on going higher? The whole arm is gonna

379
00:17:28.519 --> 00:17:29.279
<v Speaker 2>get done. What do you think?

380
00:17:29.319 --> 00:17:32.440
<v Speaker 1>I don't think so. No. I like soe tattoos, sexy tattoos.

381
00:17:32.519 --> 00:17:34.319
<v Speaker 1>You know I can still look good in a wedding dress.

382
00:17:34.720 --> 00:17:38.519
<v Speaker 2>Okay, So, no tattoo on your nackall something small on

383
00:17:38.559 --> 00:17:39.920
<v Speaker 2>your face. Yeah.

384
00:17:40.079 --> 00:17:41.599
<v Speaker 1>When I join a gang, I'll be sure to let

385
00:17:41.599 --> 00:17:41.799
<v Speaker 1>you know.

386
00:17:44.559 --> 00:17:46.960
<v Speaker 2>You are in LA. You can get put on by

387
00:17:47.039 --> 00:17:47.720
<v Speaker 2>like four pm.

388
00:17:49.160 --> 00:17:53.000
<v Speaker 6>I tell you, do you think dragons are actually real?

389
00:17:53.119 --> 00:17:53.559
<v Speaker 2>Over real?

390
00:17:53.839 --> 00:17:56.240
<v Speaker 1>I wish they were real. I mean I read in

391
00:17:56.319 --> 00:17:58.720
<v Speaker 1>the Bible that they are real, and they're coming up

392
00:17:58.799 --> 00:18:01.559
<v Speaker 1>under this out of the sea in the second coming.

393
00:18:02.480 --> 00:18:03.880
<v Speaker 1>So I have no doubts.

394
00:18:04.599 --> 00:18:04.759
<v Speaker 2>You know.

395
00:18:04.920 --> 00:18:10.400
<v Speaker 1>I do believe in giants. We had dinosaurs, a couple,

396
00:18:10.960 --> 00:18:12.039
<v Speaker 1>you know, mystical creatures.

397
00:18:12.039 --> 00:18:13.799
<v Speaker 2>I don't believe their Halloween is coming up.

398
00:18:14.519 --> 00:18:18.359
<v Speaker 1>Ghosts. I do believe in ghosts. I believe in evil spirits,

399
00:18:18.720 --> 00:18:20.960
<v Speaker 1>which we call goes and duppy for Jemmy A Kuhann

400
00:18:21.400 --> 00:18:22.240
<v Speaker 1>for Jemmy Kuhn.

401
00:18:22.440 --> 00:18:25.720
<v Speaker 6>Duppy, duppy U P p y Yeah, duppy, duppy.

402
00:18:25.559 --> 00:18:28.839
<v Speaker 1>Duppy Yeah, I like to learn duppy.

403
00:18:29.279 --> 00:18:29.519
<v Speaker 2>Yeah.

404
00:18:29.680 --> 00:18:30.640
<v Speaker 1>I do believe in ghosts.

405
00:18:30.680 --> 00:18:34.200
<v Speaker 2>Yeah. So besides worked me out right, you fought to

406
00:18:34.279 --> 00:18:36.799
<v Speaker 2>get the song on the project. It's the last song

407
00:18:36.880 --> 00:18:40.559
<v Speaker 2>on the project, right. Was there another song that was

408
00:18:40.839 --> 00:18:44.640
<v Speaker 2>tough for you in that process for this project?

409
00:18:46.000 --> 00:18:49.680
<v Speaker 1>I would say Stars, Yeah, that won't really touch home.

410
00:18:50.559 --> 00:18:54.880
<v Speaker 1>It was scoring by Sam Smith and it felt so

411
00:18:55.079 --> 00:18:58.440
<v Speaker 1>real to me because it's like, don't go chasing stars

412
00:18:58.559 --> 00:19:00.680
<v Speaker 1>like leave them where they are, like, you will get there,

413
00:19:01.079 --> 00:19:03.759
<v Speaker 1>don't rush the process. And to me, I was really

414
00:19:03.839 --> 00:19:06.400
<v Speaker 1>feel like I was rushing the process, you know, like

415
00:19:06.480 --> 00:19:08.039
<v Speaker 1>I want it now, I have to have it now.

416
00:19:08.240 --> 00:19:09.920
<v Speaker 1>As a liber I don't know if that's a trait,

417
00:19:10.039 --> 00:19:13.000
<v Speaker 1>but is it a thing? Maybe maybe another liber in

418
00:19:13.039 --> 00:19:16.920
<v Speaker 1>the room we ask her, is it a liver thing?

419
00:19:18.880 --> 00:19:21.279
<v Speaker 1>I think when we want something, we want it now.

420
00:19:21.920 --> 00:19:26.160
<v Speaker 6>Yeah, that's definitely, but I want it.

421
00:19:26.200 --> 00:19:28.599
<v Speaker 1>I'm gonna get it, yeah for sure, exactly.

422
00:19:29.799 --> 00:19:32.000
<v Speaker 2>Yeah, yeah, no, you don't rush.

423
00:19:32.640 --> 00:19:35.000
<v Speaker 1>Yeah, sometimes I don't rush, but I feel like I

424
00:19:35.200 --> 00:19:36.480
<v Speaker 1>was rushing. You know.

425
00:19:36.839 --> 00:19:39.559
<v Speaker 2>Yeah, that is music, right since you record a lot

426
00:19:39.599 --> 00:19:41.680
<v Speaker 2>of it, you're very proud of it, you have it there,

427
00:19:42.079 --> 00:19:43.920
<v Speaker 2>and then it starts to look like just a pile

428
00:19:44.000 --> 00:19:45.799
<v Speaker 2>of music and you're like, yo, why am I sitting

429
00:19:45.839 --> 00:19:47.400
<v Speaker 2>on this? This needs to get out right.

430
00:19:48.240 --> 00:19:52.160
<v Speaker 1>Mmm. I don't rush to put up music because it

431
00:19:52.240 --> 00:19:55.920
<v Speaker 1>has to be the right time and has the for me.

432
00:19:56.079 --> 00:19:58.759
<v Speaker 1>I think that artists were in touch with the environments,

433
00:19:59.319 --> 00:20:02.400
<v Speaker 1>like we can when the time is to be setting

434
00:20:02.440 --> 00:20:05.119
<v Speaker 1>a new trend, when the time is to be wearing jeans,

435
00:20:05.359 --> 00:20:07.759
<v Speaker 1>you know, like we just know, we just know what

436
00:20:07.839 --> 00:20:10.480
<v Speaker 1>the people would want. I think we just I don't know.

437
00:20:10.880 --> 00:20:12.640
<v Speaker 1>I don't know how to explain it. Other artists will

438
00:20:12.720 --> 00:20:15.440
<v Speaker 1>know what I'm talking about. Yeah, it's a feeling like

439
00:20:15.519 --> 00:20:17.359
<v Speaker 1>we just know it's not a time for this or

440
00:20:17.359 --> 00:20:18.599
<v Speaker 1>it's the time for that, so I don't rush to

441
00:20:18.640 --> 00:20:19.240
<v Speaker 1>put out music.

442
00:20:19.920 --> 00:20:20.119
<v Speaker 2>Yeah.

443
00:20:20.319 --> 00:20:22.960
<v Speaker 8>You mentioned that earlier, that everyone on the album you

444
00:20:23.160 --> 00:20:26.000
<v Speaker 8>have a friendship or a relationship with, And is that

445
00:20:26.200 --> 00:20:29.039
<v Speaker 8>like a I guess the standard that you have when

446
00:20:29.079 --> 00:20:30.880
<v Speaker 8>it comes to making music with other artists.

447
00:20:32.640 --> 00:20:35.720
<v Speaker 1>Before I didn't know any better. I would just be like, okay,

448
00:20:36.119 --> 00:20:37.960
<v Speaker 1>we collab in. You guys put me this big name.

449
00:20:38.000 --> 00:20:40.440
<v Speaker 1>I cool, just dope, it's a big name. But then

450
00:20:40.480 --> 00:20:44.000
<v Speaker 1>I realized that that don't do nothing at all for

451
00:20:44.160 --> 00:20:47.839
<v Speaker 1>you as the smaller artist. That doesn't do anything for you,

452
00:20:48.440 --> 00:20:50.079
<v Speaker 1>you know, because if the song is not good, it's

453
00:20:50.200 --> 00:20:52.359
<v Speaker 1>just not good, right, It doesn't matter who you put

454
00:20:52.440 --> 00:20:54.400
<v Speaker 1>on there. It doesn't matter how much money you paid.

455
00:20:54.599 --> 00:20:56.640
<v Speaker 2>I was gonna say, does it matter how much money

456
00:20:56.680 --> 00:20:58.480
<v Speaker 2>you put behind it? If it's a wax song.

457
00:20:58.640 --> 00:21:01.440
<v Speaker 1>Now, if the label's gonnae a ton of money, yes,

458
00:21:01.480 --> 00:21:05.519
<v Speaker 1>it's gonna work. Because people we've heard, we've heard like

459
00:21:05.720 --> 00:21:08.000
<v Speaker 1>songs that it's like, what is this? But you start

460
00:21:08.079 --> 00:21:10.440
<v Speaker 1>singing it because of how much you've heard this song.

461
00:21:10.640 --> 00:21:14.200
<v Speaker 2>Here we play songs that are like what is this? Real?

462
00:21:14.319 --> 00:21:20.359
<v Speaker 2>Shit about it? Far from you?

463
00:21:20.519 --> 00:21:20.680
<v Speaker 3>You know?

464
00:21:21.480 --> 00:21:24.640
<v Speaker 1>You know what I'm talking about, you know. But I

465
00:21:24.799 --> 00:21:26.880
<v Speaker 1>think that at the end of the day, even if

466
00:21:26.920 --> 00:21:29.480
<v Speaker 1>you don't a ton of money, yes, it will go somewhere,

467
00:21:29.519 --> 00:21:32.359
<v Speaker 1>but it will never last because it's just not sticking.

468
00:21:32.440 --> 00:21:33.519
<v Speaker 1>It's just being forced on.

469
00:21:34.240 --> 00:21:34.400
<v Speaker 3>You know.

470
00:21:34.559 --> 00:21:36.240
<v Speaker 1>You want music that people are gonna be like, oh,

471
00:21:36.359 --> 00:21:39.200
<v Speaker 1>this is my song still ten years later. There has

472
00:21:39.240 --> 00:21:39.880
<v Speaker 1>to be authentic.

473
00:21:40.400 --> 00:21:44.119
<v Speaker 7>I also think like, in a way, if you're trying

474
00:21:44.160 --> 00:21:46.000
<v Speaker 7>to go for the big features, off for it, you're

475
00:21:46.079 --> 00:21:48.720
<v Speaker 7>rushing one the process and too, like how do you

476
00:21:48.799 --> 00:21:51.079
<v Speaker 7>surpass big features like that early in your career?

477
00:21:51.200 --> 00:21:54.559
<v Speaker 1>Yeah, you know what I'm saying. I'm like, I'll wait

478
00:21:54.640 --> 00:21:58.039
<v Speaker 1>for the Rihanna collab. Let me, let me, let me

479
00:21:58.200 --> 00:22:01.400
<v Speaker 1>learn a thing or two before I step into you know,

480
00:22:02.720 --> 00:22:06.559
<v Speaker 1>Yeah exactly. I'm very patient when it comes on to features.

481
00:22:06.640 --> 00:22:09.759
<v Speaker 1>I'm not rushing to collabor with anyone. That's one thing

482
00:22:09.839 --> 00:22:10.240
<v Speaker 1>for sure.

483
00:22:10.480 --> 00:22:15.720
<v Speaker 2>Okay, yeah, would be crazy, it would be crazy, holy ship,

484
00:22:16.519 --> 00:22:17.480
<v Speaker 2>that would be crazy.

485
00:22:17.480 --> 00:22:19.519
<v Speaker 6>Visionary it's happened. Yeah, let's happen.

486
00:22:19.640 --> 00:22:21.720
<v Speaker 2>Let's do it, Let's do it. Yeah, let's get let's

487
00:22:21.720 --> 00:22:28.960
<v Speaker 2>get here next year. Okay, we have some time. Do

488
00:22:29.079 --> 00:22:31.839
<v Speaker 2>you take family with you on tour? And I do travel.

489
00:22:32.440 --> 00:22:34.759
<v Speaker 1>Listen, as soon as my son gets a break, he's like,

490
00:22:34.880 --> 00:22:38.400
<v Speaker 1>I'm coming. That's right, he's coming. He comes everywhere as

491
00:22:38.440 --> 00:22:39.599
<v Speaker 1>long as he's not in school.

492
00:22:40.000 --> 00:22:41.000
<v Speaker 2>Yeah, it's all good.

493
00:22:41.160 --> 00:22:43.160
<v Speaker 1>He loves to travel, he loves to be around me,

494
00:22:43.960 --> 00:22:46.160
<v Speaker 1>he loves to see what I'm doing, he loves the starlight,

495
00:22:47.000 --> 00:22:49.160
<v Speaker 1>he loves to hop on stage. It's not shy. It's

496
00:22:49.200 --> 00:22:53.200
<v Speaker 1>all very outspoken, very very confident. So yeah, and it's

497
00:22:53.240 --> 00:22:55.039
<v Speaker 1>an experience too. You know, I will be there working,

498
00:22:55.079 --> 00:22:57.720
<v Speaker 1>and as long as I see my family enjoying the amenities,

499
00:22:58.160 --> 00:23:00.640
<v Speaker 1>and they're like doing the beach and in the food

500
00:23:00.759 --> 00:23:03.039
<v Speaker 1>free of course, like that makes me happy as when

501
00:23:03.079 --> 00:23:03.480
<v Speaker 1>I'm working.

502
00:23:03.519 --> 00:23:08.359
<v Speaker 2>Okay, okay, Yeah. Was there a lyric or line in

503
00:23:09.359 --> 00:23:12.079
<v Speaker 2>in this album where you thought to yourself, we may

504
00:23:12.200 --> 00:23:15.119
<v Speaker 2>maybe second guessed it, maybe thought to yourself. I don't

505
00:23:15.119 --> 00:23:15.920
<v Speaker 2>know if I should say this.

506
00:23:16.359 --> 00:23:19.920
<v Speaker 1>Yes, die for you the entire song. Yeah, I know,

507
00:23:21.440 --> 00:23:24.799
<v Speaker 1>I said to Russian, like Russian me die for somebody

508
00:23:24.920 --> 00:23:27.799
<v Speaker 1>or Roger. I said, no, let's let's swap.

509
00:23:27.559 --> 00:23:27.960
<v Speaker 5>It like this.

510
00:23:29.119 --> 00:23:32.279
<v Speaker 1>I'm yearning for the d Okay, I'm not going to

511
00:23:32.519 --> 00:23:35.519
<v Speaker 1>die for it, you know. And that's what I was like, Yeah,

512
00:23:35.599 --> 00:23:38.160
<v Speaker 1>we gotta make it come off like that. But I

513
00:23:38.200 --> 00:23:40.119
<v Speaker 1>think in the end people actually still thought I was

514
00:23:40.319 --> 00:23:41.319
<v Speaker 1>saying like I'll die for.

515
00:23:43.480 --> 00:23:45.720
<v Speaker 2>I don't know you said it in the song.

516
00:23:46.720 --> 00:23:49.519
<v Speaker 1>No, A lot of people don't read into it. But

517
00:23:49.839 --> 00:23:51.960
<v Speaker 1>that's not what I'm saying. But it's easy to be

518
00:23:52.079 --> 00:23:52.680
<v Speaker 1>perceived like that.

519
00:23:52.839 --> 00:23:55.839
<v Speaker 2>Yeah, that's all right. You know, you know your truth,

520
00:23:56.480 --> 00:23:57.079
<v Speaker 2>you know what it is.

521
00:23:57.240 --> 00:23:58.119
<v Speaker 1>And it's a nice song too.

522
00:23:58.160 --> 00:23:59.039
<v Speaker 2>It's a very nice song.

523
00:23:59.039 --> 00:24:03.119
<v Speaker 1>I like the vibe be sexty, that's right, and that's

524
00:24:03.240 --> 00:24:03.839
<v Speaker 1>very important.

525
00:24:04.119 --> 00:24:06.279
<v Speaker 2>Yeah it is, I think, right, Yeah, you gotta feel good.

526
00:24:06.319 --> 00:24:08.440
<v Speaker 2>You gotta feel like a lot of people walking around,

527
00:24:08.440 --> 00:24:10.359
<v Speaker 2>including myself, it just don't feel good. You know.

528
00:24:10.440 --> 00:24:12.480
<v Speaker 1>It's one of my favorites from the project for sure.

529
00:24:12.680 --> 00:24:15.279
<v Speaker 2>Yeah, good for you. It's amazing. It never gets laid here,

530
00:24:15.559 --> 00:24:16.960
<v Speaker 2>so the party is just NonStop?

531
00:24:17.640 --> 00:24:19.279
<v Speaker 1>Is that home Lost music? I feel like all the

532
00:24:19.359 --> 00:24:22.480
<v Speaker 1>records on the album you can still play like when

533
00:24:22.519 --> 00:24:26.000
<v Speaker 1>I'm five years more into my career and be like, Okay,

534
00:24:26.240 --> 00:24:28.480
<v Speaker 1>I'm still rocking to this. That's right because some of

535
00:24:28.519 --> 00:24:31.119
<v Speaker 1>the songs on there, we've done them like two years before.

536
00:24:32.519 --> 00:24:35.200
<v Speaker 2>Yeah, you've been hanging on to it.

537
00:24:35.440 --> 00:24:39.160
<v Speaker 1>Yeah yeah, I realized until I realized, like, why was

538
00:24:39.240 --> 00:24:42.279
<v Speaker 1>I holding on to for so long? Should have been dropped?

539
00:24:42.640 --> 00:24:44.720
<v Speaker 2>That's right. You know, me and Letcher are working on

540
00:24:44.799 --> 00:24:47.640
<v Speaker 2>a song, and by that I mean we haven't done anything,

541
00:24:48.799 --> 00:24:52.359
<v Speaker 2>but it's the idea behind it is a gender reveal song,

542
00:24:53.240 --> 00:24:56.920
<v Speaker 2>my gender review song, which is timeless. It is timeless.

543
00:24:57.359 --> 00:24:58.799
<v Speaker 6>It's like a happy birthday song.

544
00:24:59.160 --> 00:25:04.039
<v Speaker 1>You know, he's gonna every year, you know, based on

545
00:25:04.160 --> 00:25:05.680
<v Speaker 1>what he want to do with his life.

546
00:25:06.599 --> 00:25:09.599
<v Speaker 2>Making an answer That means that was crazy. It was

547
00:25:09.680 --> 00:25:10.119
<v Speaker 2>his idea.

548
00:25:10.559 --> 00:25:12.480
<v Speaker 1>Yeah, yeah, he got no ideas though.

549
00:25:15.079 --> 00:25:15.759
<v Speaker 2>Just think about it.

550
00:25:16.000 --> 00:25:17.599
<v Speaker 6>Okay, the happy birthday song.

551
00:25:18.000 --> 00:25:20.759
<v Speaker 1>Time it is time. It is gender reveal song.

552
00:25:21.880 --> 00:25:24.960
<v Speaker 2>That's be kind of crazy, right, kind of party. What

553
00:25:25.119 --> 00:25:28.079
<v Speaker 2>Jeremiah said? Jeremi said, whose is it? He's a line

554
00:25:28.119 --> 00:25:29.119
<v Speaker 2>in the song should be Who's is?

555
00:25:32.200 --> 00:25:35.119
<v Speaker 6>There's I think there's something there. Yeah, it's something worth exploring.

556
00:25:35.480 --> 00:25:37.039
<v Speaker 1>It is you want to collab, Let's do it.

557
00:25:38.119 --> 00:25:41.440
<v Speaker 2>Let's go. Hey, I'm in this year too. Man, look

558
00:25:41.519 --> 00:25:41.720
<v Speaker 2>at me.

559
00:25:41.920 --> 00:25:44.440
<v Speaker 6>I got some ideas that maybe at one point I

560
00:25:44.480 --> 00:25:46.599
<v Speaker 6>can show you. Shout out Russian though.

561
00:25:46.599 --> 00:25:47.519
<v Speaker 2>He's a super dope producer.

562
00:25:47.599 --> 00:25:48.440
<v Speaker 1>Yeah he is, he is.

563
00:25:48.519 --> 00:25:52.759
<v Speaker 2>He is sure never gets late here, shinceia. We appreciate

564
00:25:52.839 --> 00:25:55.440
<v Speaker 2>the time always in the music. Yeah, shout out the

565
00:25:55.480 --> 00:25:57.160
<v Speaker 2>fuse for that crazy intro as well.

566
00:25:57.319 --> 00:25:58.359
<v Speaker 1>Yeah, I loved it.

567
00:25:58.640 --> 00:26:01.000
<v Speaker 2>This is Lama Lama red for John. We have a

568
00:26:01.160 --> 00:26:03.079
<v Speaker 2>lot of artists come through. Read it on beat. You

569
00:26:03.119 --> 00:26:05.839
<v Speaker 2>think you could do it, let's try give it a shot.

570
00:26:06.160 --> 00:26:07.279
<v Speaker 1>I don't even know this book.

571
00:26:07.799 --> 00:26:09.480
<v Speaker 2>You wanna.

572
00:26:10.039 --> 00:26:11.640
<v Speaker 1>I think I saw Glorilla's but what.

573
00:26:12.079 --> 00:26:13.279
<v Speaker 2>Yeah, Gloria killed.

574
00:26:13.440 --> 00:26:15.440
<v Speaker 6>We're gonna put it one of your beats and you

575
00:26:15.640 --> 00:26:18.920
<v Speaker 6>just actually wrapped to it, sing to it. Work me out?

576
00:26:19.119 --> 00:26:23.759
<v Speaker 1>Yes, do I get a yes?

577
00:26:23.839 --> 00:26:24.119
<v Speaker 2>Of course?

578
00:26:27.720 --> 00:26:28.839
<v Speaker 1>Let me see how many pages?

579
00:26:28.920 --> 00:26:30.119
<v Speaker 2>No, No, you don't have to do the whole book?

580
00:26:30.319 --> 00:26:35.200
<v Speaker 2>Oh yeah, people do three, four pages, six seven, eight pages.

581
00:26:35.279 --> 00:26:36.759
<v Speaker 6>But in Dragon would do the whole book.

582
00:26:36.759 --> 00:26:39.519
<v Speaker 1>I'm just saying, oh my.

583
00:26:39.599 --> 00:26:42.960
<v Speaker 7>God, who's who's doing the whole book?

584
00:26:43.319 --> 00:26:44.799
<v Speaker 2>Like we forgot to tell them they didn't have to

585
00:26:44.839 --> 00:26:45.480
<v Speaker 2>do the whole book?

586
00:26:46.000 --> 00:26:49.720
<v Speaker 1>Was yeah, yea, this book is.

587
00:26:52.079 --> 00:26:53.880
<v Speaker 2>Think you need to see any examples.

588
00:26:55.319 --> 00:26:55.880
<v Speaker 1>I saw something.

589
00:26:56.000 --> 00:27:03.359
<v Speaker 2>Yeah, we need headphones though, we need, but not come

590
00:27:03.440 --> 00:27:08.880
<v Speaker 2>here talking about ship. Listen, you don't have to do

591
00:27:09.079 --> 00:27:11.880
<v Speaker 2>one straight shots. We don't have to do one straight shot.

592
00:27:11.880 --> 00:27:13.559
<v Speaker 2>You can stop, you get it's all in the editing, right,

593
00:27:13.680 --> 00:27:20.480
<v Speaker 2>oh Lord, making Jamaic it as fun, some l a ship,

594
00:27:20.559 --> 00:27:21.960
<v Speaker 2>make it Jamaican as fun, homie.

595
00:27:22.680 --> 00:27:24.000
<v Speaker 1>Okay, I'm doing a test run.

596
00:27:24.920 --> 00:27:31.960
<v Speaker 2>Yo, I shouldn't see it. Yeah, check you brought out

597
00:27:32.039 --> 00:27:33.880
<v Speaker 2>left the gun play last night in l A.

598
00:27:34.720 --> 00:27:37.440
<v Speaker 1>He was on stage, not on my step. Maybe he was,

599
00:27:37.880 --> 00:27:41.480
<v Speaker 1>Oh so he was. Okay, Yeah I was late. I

600
00:27:41.559 --> 00:27:42.200
<v Speaker 1>didn't even see.

601
00:27:42.200 --> 00:27:44.920
<v Speaker 4>You're never lated to a concert, that's yeah.

602
00:27:44.839 --> 00:27:47.200
<v Speaker 1>Because I had a war of manfunction. Let's be clear

603
00:27:48.759 --> 00:27:49.519
<v Speaker 1>of my control.

604
00:27:50.920 --> 00:27:52.519
<v Speaker 2>Din't want to don't want to stop.

605
00:27:52.599 --> 00:27:55.680
<v Speaker 1>But I got there like like what ten oh three?

606
00:27:56.359 --> 00:27:58.799
<v Speaker 2>Yeah? Yeah, like you had to hit the stage just

607
00:27:58.880 --> 00:28:01.960
<v Speaker 2>the second you guys as soon as I that's right?

608
00:28:02.720 --> 00:28:05.119
<v Speaker 2>All right again? You know?

609
00:28:07.000 --> 00:28:09.960
<v Speaker 1>Oh yeah, say one jam your gun style.

610
00:28:10.480 --> 00:28:23.599
<v Speaker 2>Yeah, cruise show Lama Lama, l a. I see lo

611
00:28:23.839 --> 00:28:24.279
<v Speaker 2>my Lama.

612
00:28:24.480 --> 00:28:27.440
<v Speaker 1>Red Pajama reads a story with his mama.

613
00:28:27.920 --> 00:28:31.960
<v Speaker 3>Mama gets his baby here, Mama Lama go down tears

614
00:28:32.319 --> 00:28:34.079
<v Speaker 3>Lama Lama red pajama.

615
00:28:34.559 --> 00:28:38.400
<v Speaker 1>He's alone. We don't you mama. Mama Lama wants a drink.

616
00:28:38.920 --> 00:28:43.440
<v Speaker 3>Mama's that donkey cheesy A Lama red pajama CODs don't

617
00:28:43.880 --> 00:28:47.920
<v Speaker 3>ya A Lama Mama says it Choosi up too, Mama Lama.

618
00:28:48.200 --> 00:28:53.440
<v Speaker 3>Mama's a lama res pajama resting for his mama.

619
00:28:53.799 --> 00:28:56.559
<v Speaker 1>Mama, you don't yet, Mama.

620
00:28:56.400 --> 00:29:02.119
<v Speaker 3>Lamaterd Lama Lama red pajama with spsavely for is Mama

621
00:29:02.720 --> 00:29:07.440
<v Speaker 3>Malama starts the morn, Ma Malama, here's the one Sam.

622
00:29:07.279 --> 00:29:10.920
<v Speaker 1>Lama red pajama listens quiet for is Mama?

623
00:29:11.240 --> 00:29:13.160
<v Speaker 3>What is Mama Lama doing?

624
00:29:13.440 --> 00:29:15.400
<v Speaker 1>Baby Lama starts booth booing.

625
00:29:17.799 --> 00:29:24.640
<v Speaker 2>Take so excuse me, so sh see a cruise show

626
00:29:24.680 --> 00:29:25.519
<v Speaker 2>real nitty two or three.

627
00:29:29.680 --> 00:29:31.079
<v Speaker 1>I'll try to sit on some clothes.

628
00:29:31.119 --> 00:29:31.279
<v Speaker 6>You know

629
00:29:33.240 --> 00:29:33.839
<v Speaker 2>You, Jamaica
