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Speaker 1: Come in welcome. I'm e. G.

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Speaker 2: Marshall. All of us are selfish to some degree. We

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protect our own desires and dreams, but within reason. For

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we inhabit a world where we must make certain compromises

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and respect other people's feelings. We had better for the

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quickest way to lose everything is to try to have

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everything the way we want it. For then the fates

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that dog all our heels have a way of catching up.

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Speaker 3: There's no going back, no going forward.

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Speaker 4: Where do I go from here?

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Speaker 5: You Wrent Jevy wanting.

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Speaker 1: To your writing.

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Speaker 5: The not the con England limmon you.

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Speaker 2: Our mystery drama The Plastic Man was written especially for

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the Mystery Theater by Ian Martin and stars Don Scardino.

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It is sponsored in part by Buick Motor Division. I'll

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be back shortly with Act one. As I said in

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the beginning, this is a story of an extraordinarily selfish man,

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a sort of product of our times. George Hartford, who

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could well be named the Plastic Man. Note his action

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and reaction to the oldest and most productive relationship in

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the history of man.

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Speaker 1: Come on, Jane, knock it off. It isn't the end

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of the world.

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Speaker 6: Not yours, George. You've made that quite clear.

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Speaker 1: I wanted to lay it on the table. No messing around,

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a clean break, the least sweat, the least sweat.

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Speaker 3: Well, it's one description for the end.

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Speaker 1: Of a of a love.

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Speaker 6: Of fair I suppose.

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Speaker 1: Now.

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Speaker 6: Don't get me wrong, Babe, I really don't anymore.

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Speaker 1: You shook me up, but you woke me up. Now

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you're with it, kid. Look if we don't swing anymore.

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Speaker 6: Oh, I love your succinct statement in mod lingo we

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don't swing anymore? May I remind you that we were

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going to be married. I wasn't swinging with you. I

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thought I was building something.

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Speaker 1: For the future, okay, Jane, So it just didn't work

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out like that someone else.

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Speaker 3: Oh, you're cutting out.

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Speaker 6: Because this was getting just a little too serious for you.

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Speaker 3: It might be the end of fun and games.

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Speaker 6: You were on the point of being asked to contribute

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something in return.

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Speaker 1: Jane doesn't have to be all this much of a dragon.

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Speaker 4: Oh, ferish the thought.

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Speaker 6: I wouldn't want to ruffle your peacock feathers for the moment,

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but just one comment.

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Speaker 3: You are heading for a rude awakening.

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Speaker 6: Someday one of your women won't be as accommodating as

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I am.

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Speaker 1: Stop the car. What are you talking about? You're only

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halfway home.

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Speaker 6: I just discovered I'm not even that far. All I

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want is to get off.

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Speaker 1: George, any big bread? How's it going? Mat fine? Just fine? Hey?

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What are you doing home so early? I thought you

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had a big heavy date with Jane. We split split

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it just like that, just like that? What was the quarrel?

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I was getting kind of heavy, so I wanted out.

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How did she take it?

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Speaker 4: Oh?

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Speaker 1: You know, Dame's big fuss over. Nothing got anything to

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eat in the joint, Nothing but humble pie, a little bread. Huh.

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Speaker 2: Hey, cupboard is bear and you wouldn't eat any of

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it even if it was there.

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Speaker 1: So I'll settle for a beer. Then maybe I'll do

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a little prowling, pick up a pizza, and who knows,

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maybe even something more. Nurse hmm, you.

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Speaker 2: Know you got to do something about that sex drive,

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or one of these days you're gonna get your head

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caught in a ringer.

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Speaker 1: Okay, why don't you give me a reading shrink? Huh?

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I'm all stretched out on the couch. How'd you like

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to probe my inner psyche?

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Speaker 2: You haven't got a psyche. All you got is one

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large itch and no conscience.

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Speaker 1: Oh so much for brotherly love. I can't even get

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a free treatment from the family psychiatrist. So you don't

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want to talk to me.

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Speaker 2: I'll have to hold it, George. Matter of fact, I

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do want to talk to you. I'm moving out.

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Speaker 1: Hey, wait a minute, I'm that bad. You really sare me?

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Speaker 2: No, No, that's beside the point at the moment. You know,

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I'm a full resident now and Fran just got a raised,

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so we've been looking at apartments. We figured we can

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go ahead and now get married.

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Speaker 1: It's a ball in Shane. Huh, it's a big step man.

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Why Russia. Well, I wouldn't expect you to understand, George.

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I want to live with Fran. Okay, fine, but marriage?

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Who needs it these days? Look, why tie yourself down.

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I wouldn't expect you to understand that either, George. Oh,

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come on, old sober sides. You just don't see where

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it's at. I mean, like today is all wide open.

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It doesn't work that way for everybody, George. Okay, okay,

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what's your bag is yours and what's mine is mine?

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Speaker 2: The trouble is gorgeous, Gee, you keep trapping the other sex,

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and it's like you were a bounty hunter.

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Speaker 1: It worries me.

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Speaker 2: Why well, first of all, because some pretty nice girls

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get damn roughed up by you, Jane for one.

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Speaker 1: Oh come on, look, don't make me sound like a

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child molester. Any day I play around with is old

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enough to know the score. It's more than just a game.

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He's an obsession, my friend, And as.

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Speaker 7: A psychiatrist, I don't particularly like its implications.

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Speaker 1: Oh oh, brother, here we go with a don war

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on casting over a bit again. It's basically an inferiority complex,

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and I'm driven to prove myself or else it's an

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edifice complex down deep in my ear or whatever. I

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hated pop and I.

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Speaker 2: Will well, yeah, yeah, it may be funny to you,

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but you might be surprised if you could understand how

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much basic truth there is in it. But that isn't

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the main thing, So what is? It's just your arrogant,

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selfish insensitivity.

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Speaker 1: You know what you are. You're a plastic man.

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Speaker 2: You haven't got one real human emotion in you, And

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I'm sorry for all the nice girls you've twisted up inside.

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Give the next one a break, Let her know about

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you from the start, so at least she goes into

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it with her eyes open.

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Speaker 1: You got the wrong idea about women, math. They're a

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hell of a lot tougher than we are.

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Speaker 7: I am not gonna get trapped in an argument. I

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just hope you don't get trapped one of these days

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with one of them who won't be as obliging as

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they all have been up to now. Your luck can't

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last forever, sooner or later you are gonna get caught

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in a buzzsaw.

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Speaker 1: Don't say I didn't want you. My brother Matt was

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a good guy, but just a little square. And the chicks, well,

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you know how it is. You take them as they come.

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Like I say, it's a big world. And if you

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want to hang yourself up with one old lady permanently, that's.

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Speaker 4: Your own business. Me I like to hang loose.

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Speaker 1: I never figured old George here we'll get hung up

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on one and surely not the way it happened. Hi,

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you dropped your son oil in the sand?

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Speaker 4: Oh did I? You're very kind? Are you one of

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the staff here?

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Speaker 1: No? I'm a guest?

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Speaker 4: What? Oh? Just your I mean black one of them?

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Speaker 1: Thanks for the good word. These jocks that work. The

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staff here are really built. No, I'm just taking a

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week off from the daily grind. And the friend said,

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these club pacificos really sway. I don't know, maybe I

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missed the season until now.

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Speaker 4: What do you mean, Well, I haven't run into you

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up till now.

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Speaker 1: You just get here.

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Speaker 4: Well, I know we've been here a couple of days,

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but we drove down. We've been touring the countryside.

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Speaker 1: Some hot work this weather. Me. I'll take the water

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or a nice long drink by the pool. H Hey,

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it's about that time. Can I buy you what? Well?

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Speaker 4: I why not? If you will wait long enough for

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me to take one quick dip in the seat, wash

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the sand off.

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Speaker 1: She came up from that beach lounger and one long,

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fluid move like a cat, my breed. I watched her

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run down and into the water for one piece suit.

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He didn't hide any of that figure, long waist, long legs.

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The club was beginning to live up to its reputation.

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They're no law right right, How many beads do you want? Hey?

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I said? The drinks are on me.

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Speaker 4: Huh, I pay my own freight the way we travel.

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Speaker 1: Ah, there's that we again groom me husband, and he

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lets you out without a leash.

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Speaker 4: It's a free country. He's confined to our cabin. He

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picked up amoebic dysentery some years ago in India.

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Speaker 1: It was hell to get rid of India. You travel

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a lot, he does.

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Speaker 4: He's a parapsychologist.

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Speaker 1: I heard the word plw me in a little deeper.

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Speaker 4: It's the branch of psychology that deals with unexplained phenomena clairvoyants, esp.

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Mental telepathy.

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Speaker 1: Ask a silly question, you get out a complex answer,

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So no more questions except like, well, my name's George,

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George Hartford, what's yours?

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Speaker 4: You're not an insurance salesman?

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Speaker 1: No cars? Business is a little slow right now. That's

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why I thought i'd catch a week off, or was

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till I met Did I catch your name?

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Speaker 4: Or Laura? Laura Prentice? Here's looking at you.

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Speaker 1: That's fair enough. It's all I've done since I set

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eyes on you.

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Speaker 4: I noticed, listen, it's.

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Speaker 1: Kind of hot out here in the sun. My cabin

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is air conditioned, so is ours. Well, I just meant,

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why disturb your husband? Now?

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Speaker 4: That is definitely not a silly question here.

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Speaker 1: What's this?

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Speaker 4: My deeds buy us both another drink, George, and let's

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see how cool your pad really is?

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Speaker 1: What? Oh?

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Speaker 4: Why did I do this?

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Speaker 1: Come on, Laura, there's no crime.

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Speaker 4: I know it isn't to you. Some of us are

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fashioned a little differently.

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Speaker 1: Hey, that's only an illusion, baby. It's natural, and whatever

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is natural is right.

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Speaker 4: You wouldn't understand it isn't morals I'm concerned with.

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Speaker 1: Well then what.

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Speaker 4: Oh?

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Speaker 3: I could never make you understand in a million years, George.

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Speaker 1: So that's the kiss off? Huh?

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Speaker 4: It ought to be, but.

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Speaker 3: It's too good for me to have the strength of

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will to let it go that easily.

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Speaker 1: No, you're talking, no, not to you.

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Speaker 4: Tomorrow, away from the club, I have my car. We'll

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drive somewhere for the day. I'll say I'm going shopping

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in Puerto Valerso or Guadalajara. You're the lucky sinner. You

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don't need any excuse. I'll meet you at the parking

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lot after breakfast.

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Speaker 1: Oh how do I find you?

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Speaker 4: It isn't hard. It's the only green Mercedes and the

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license plate is sixty nine ninety nine. I wanted seven

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thousand for luck, but I never could swing it till tomorrow.

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If you want to risk it.

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Speaker 1: She was kind of offbeat, this chick and married and all,

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so I might have passed her up if it hadn't

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been for the car I flipped when I saw it,

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a Mercedes fifty six gold Wing Coop in British racing green.

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Like she said, I mean classic zero to sixty and

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nine seconds flat, quick ratio, steering, independent suspension and handles

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like as part of the road. Plus the price tag

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twelve to fifteen thou in mint condition, And this baby was.

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While I was drooling over it, my other babe, also

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mint condition, arrived.

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Speaker 3: This yours a gift from my husband.

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Speaker 1: You know what you've got here?

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Speaker 4: I ought to. It's what I asked for.

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Speaker 1: I never saw a fifty six in green before.

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Speaker 4: It took a little digging to find it. I wanted

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it to match my eyes, Cat's arrest, the better to

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see you with. Do you want to drive it?

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Speaker 1: Do I climb in? Big Mama?

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Speaker 4: You can like my car only if it's second after me.

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Speaker 1: It's a tough choice, but I like your moving parts better. Okay,

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we're too straight.

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Speaker 4: To hell, lover.

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Speaker 1: Or heaven. I started up that dream boat, and she

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was heaven under my hands, just as Laura would be later.

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But I didn't know was that her husband was watching

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us and the living hell that was in store for me.

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Speaker 2: It's hard to have much sympathy, if any, for our

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00:15:44,200 --> 00:15:48,720
plastic man George. He's an expert in taking without giving.

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But you may have a little sympathy soon as we

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watch a punishment which is infinitely more infernal.

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Speaker 1: Than the crime. I'll be back shortly with that too.

254
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Speaker 2: To watch George Hartford drive that Mercedes that hugged the road,

255
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floating as though on rails and cornering to perfection. To

256
00:16:18,519 --> 00:16:22,240
watch his face and the fanaticism of the fattest suffusing

257
00:16:22,279 --> 00:16:26,519
it was to know our plastic man had an achilles heel,

258
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one spot where he was vulnerable his passion for classic cars.

259
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Speaker 1: And in Laura he had found an unlikely companion.

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Speaker 4: It looks as if I lost him just when I

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found you.

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Speaker 1: Oh I'm sorry, Bebe, But a car like this, I mean,

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like man, this is far out. I know.

264
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Speaker 4: Why do you think I wanted? It took four years

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of begging and other things to get it to.

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Speaker 1: Greatest feeling in the world. Right it was, or at

267
00:17:00,639 --> 00:17:06,319
least a substitute till till there was us huh.

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Speaker 4: If I'm really included in come again, forget it. It's

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our karma too late to offer you a way out.

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Speaker 1: He lost me somewhere.

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Speaker 4: I should probably never have found you. George, there could

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be danger. You want to turn back.

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Speaker 1: I don't make all this. You mean your husband? Yes,

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well what is he? I mean King Karna, the god force?

275
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Speaker 4: Oh no, Horace is quite small and very mild and

276
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very rich. I'm quite willing to admit the last is

277
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what attracted me to him. I didn't know then about

278
00:17:47,599 --> 00:17:51,400
about the other the other, what how deep his interest

279
00:17:51,440 --> 00:17:55,480
in psychical research was, or how powerful some of the

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forces involved are.

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Speaker 1: Mabe, you know something, Babe, you're talking kind of weird.

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Speaker 4: Six years with Horras would make any woman a little

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00:18:02,799 --> 00:18:08,440
off peak. I've been walking in a bad dream. You

284
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woke me up losing. Oh look, there's a motel Georgie

285
00:18:13,240 --> 00:18:17,279
or whatever you call them in Old Mexico. It's too

286
00:18:17,359 --> 00:18:19,880
much talking. That gets everybody into trouble.

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Speaker 1: Now you're talking, Laura, but making sense. There was still

288
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early in the afternoon, but something wakened me suddenly. For

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a moment, I didn't where I was then as my

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00:18:37,799 --> 00:18:41,160
eyes focused on the bright yellow ceilings of the casser Romantica.

291
00:18:42,039 --> 00:18:44,119
I realized that the windows were coming from the girl

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by my side. Oh, Laura, hey, hey baby, oh hey.

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Speaker 3: Oh George, don't say anything that just told me.

294
00:19:00,319 --> 00:19:05,720
Speaker 1: Hold me a moment, suh. Okay, hey, hey, stay loose.

295
00:19:06,519 --> 00:19:08,559
We didn't blow up the capitol or anything. I mean,

296
00:19:08,680 --> 00:19:09,960
we're not on the wanted list.

297
00:19:10,359 --> 00:19:15,440
Speaker 3: He knows who Horace knows what about us?

298
00:19:16,839 --> 00:19:19,319
Speaker 1: And if you got a guilty conscience, No.

299
00:19:19,039 --> 00:19:23,839
Speaker 4: No, this isn't conscience. It's beyond it. Let me go, George,

300
00:19:24,119 --> 00:19:24,559
Let me go.

301
00:19:25,160 --> 00:19:25,799
Speaker 1: Where are you going?

302
00:19:26,559 --> 00:19:29,680
Speaker 3: I just have to get up to the window and

303
00:19:29,759 --> 00:19:30,559
get some there.

304
00:19:32,720 --> 00:19:34,960
Speaker 1: Here. Why don't you wrap something around you?

305
00:19:36,960 --> 00:19:44,039
Speaker 4: Will that make me decent? All right? George?

306
00:19:44,920 --> 00:19:45,000
Speaker 1: What?

307
00:19:46,920 --> 00:19:48,359
Speaker 4: You're a very selfish man.

308
00:19:50,279 --> 00:19:52,400
Speaker 3: I know this is just a casual affair for you

309
00:19:52,519 --> 00:19:53,480
that you drifted into.

310
00:19:54,400 --> 00:19:55,920
Speaker 4: I suppose I shouldn't.

311
00:19:55,480 --> 00:19:59,319
Speaker 3: Worry about you, but you asked for it.

312
00:20:01,000 --> 00:20:07,279
Speaker 4: Let me say it once. I'm sorry, but it's way

313
00:20:07,319 --> 00:20:11,480
too late for either of us to back out. Now,

314
00:20:12,599 --> 00:20:14,240
let's get dressed and back to the club.

315
00:20:14,440 --> 00:20:17,400
Speaker 1: I'll say one thing for you, Laura. You do come

316
00:20:17,480 --> 00:20:21,160
up with the surprises, but I must say this is

317
00:20:21,240 --> 00:20:23,200
one bummer of a so long Dad.

318
00:20:23,640 --> 00:20:27,880
Speaker 3: Oh, you and I haven't finished, George, We've only begun.

319
00:20:29,359 --> 00:20:30,920
Speaker 4: That's part of the karma too.

320
00:20:34,079 --> 00:20:37,480
Speaker 1: I didn't like this whole gig. I was into something

321
00:20:37,680 --> 00:20:40,960
I couldn't grab. Kind of a nowhere for me because

322
00:20:40,960 --> 00:20:44,279
I'm the one who usually decides where it's at. Driving

323
00:20:44,279 --> 00:20:46,920
to the bus stop too, I had this crazy notion

324
00:20:47,160 --> 00:20:49,920
that maybe it was the Mercedes fifty six I'd missed

325
00:20:49,920 --> 00:20:55,359
more than her. It was all mixed up, and coming

326
00:20:55,400 --> 00:20:57,960
home to my cabin late in the evening, just at dark,

327
00:20:59,000 --> 00:21:02,759
I got shook up. Some Laura, have.

328
00:21:02,759 --> 00:21:07,000
Speaker 7: A nice bus ride, mister Hartford, Who the hell are you?

329
00:21:07,839 --> 00:21:10,759
Speaker 1: What are you doing in my cabin? I'm sorry?

330
00:21:10,000 --> 00:21:13,000
Speaker 7: I thought for me in a sense, it was kind

331
00:21:13,039 --> 00:21:14,839
of a home away from home.

332
00:21:15,720 --> 00:21:18,599
Speaker 1: How'd you get in here? I locked the door? How

333
00:21:18,599 --> 00:21:25,559
could you lock it? Against Laura's husband? Laura? Uh? Oh, yeah,

334
00:21:25,119 --> 00:21:29,960
I met her on the beach. Hi, mister Prennis, interesting

335
00:21:30,240 --> 00:21:35,839
to meet you, mister Hartford. I guess Laura missus Prenis

336
00:21:35,839 --> 00:21:39,920
mentioned my name. Can I get you a drink? No? Thanks?

337
00:21:41,240 --> 00:21:43,559
Speaker 7: Can I get you a cover up for your embarrassment?

338
00:21:44,359 --> 00:21:48,200
What I think we can dispense with unnecessary questions.

339
00:21:48,359 --> 00:21:53,240
Speaker 1: I want you to leave my wife alone now just

340
00:21:53,240 --> 00:21:53,720
a minute.

341
00:21:53,839 --> 00:21:56,720
Speaker 7: I know what's happened between you and Laura, who happens

342
00:21:56,759 --> 00:22:00,359
to be my wife. You didn't know what you were

343
00:22:00,359 --> 00:22:03,839
getting into. I considered having you roughed up, but I'll

344
00:22:03,920 --> 00:22:08,640
let that go. Excuse me, I must leave now. I'll

345
00:22:08,640 --> 00:22:13,160
say goodbye for all of us. If you have a

346
00:22:13,240 --> 00:22:14,799
brame in your head.

347
00:22:14,640 --> 00:22:24,640
Speaker 1: Mister Hartford, you'll echo that sentiment, just for curiosity's sake.

348
00:22:25,359 --> 00:22:27,920
With a slight flapping under my heart. I checked the

349
00:22:27,960 --> 00:22:32,799
following morning. The fix was gone, and the desk clerk

350
00:22:32,839 --> 00:22:37,599
informed me so were the apprentices. I breathed easier, lived

351
00:22:37,640 --> 00:22:40,400
out my week without a pigeon worth making a pass at,

352
00:22:40,839 --> 00:22:44,000
and went back to my office in Los Angeles. It

353
00:22:44,119 --> 00:22:47,640
was nice to get back to plain living. Hey you

354
00:22:47,720 --> 00:22:50,079
look great, George. You picked up a lot of sun.

355
00:22:50,680 --> 00:22:54,680
That's about all that was going there. Man, how about you?

356
00:22:54,680 --> 00:22:57,759
You set the wedding day? Yep? Three weeks from the day.

357
00:22:57,799 --> 00:22:59,839
Can you make it? Hey? Can you see me? Not?

358
00:23:00,160 --> 00:23:04,240
Speaker 2: No, I'll get you turn down another opportunity to be

359
00:23:04,240 --> 00:23:04,880
best man?

360
00:23:05,400 --> 00:23:09,240
Speaker 1: Okay, work me over, I deserve it, I guess.

361
00:23:09,480 --> 00:23:14,400
Speaker 2: George, what's the matter? Don't tell me the leopard is

362
00:23:14,480 --> 00:23:17,359
changing his spots. You meet someone on your little cruise

363
00:23:17,480 --> 00:23:18,720
casing Mexican talent.

364
00:23:19,400 --> 00:23:25,920
Speaker 1: I met someone not Mexican, just real offbeat. What do

365
00:23:25,960 --> 00:23:27,640
you think of parapsychology?

366
00:23:27,720 --> 00:23:27,880
Speaker 3: Man?

367
00:23:28,799 --> 00:23:32,079
Speaker 2: Oh, brother, I mean in more ways than one. I

368
00:23:32,119 --> 00:23:34,000
have enough trouble handling my own.

369
00:23:33,839 --> 00:23:36,519
Speaker 1: Specialty in the vagaries of the human brain.

370
00:23:36,799 --> 00:23:42,240
Speaker 7: Psyche you condition, however you define it, parapsychology, that's another

371
00:23:42,279 --> 00:23:42,960
breed of cat.

372
00:23:44,640 --> 00:23:51,839
Speaker 1: Cat Huh, nothing, but you didn't answer. Wow, I don't

373
00:23:51,880 --> 00:23:54,000
know how to answer. It's it's a gray area.

374
00:23:54,119 --> 00:23:57,240
Speaker 7: The research is too new, too limited to prove anything

375
00:23:57,279 --> 00:23:57,920
or mean much.

376
00:23:58,920 --> 00:24:04,119
Speaker 1: Why uh, just an idle question. Don't try to kid me, George.

377
00:24:04,160 --> 00:24:08,759
Nothing you ask is idle. Okay. I met a dame

378
00:24:08,799 --> 00:24:10,440
who was hung up on this scene, and I just

379
00:24:10,519 --> 00:24:12,240
wondered how much there might be to it.

380
00:24:12,599 --> 00:24:16,680
Speaker 7: Well, you want my opinion, it's not too much. That's

381
00:24:16,720 --> 00:24:19,480
in general, but specifically for you.

382
00:24:19,599 --> 00:24:23,559
Speaker 1: If you're asking my advice, give her a wide berth.

383
00:24:24,480 --> 00:24:26,680
Speaker 2: Your life is mixed up enough as it is without

384
00:24:26,759 --> 00:24:31,839
voluntarily trying to complicate it any further. Okay, All right on,

385
00:24:32,559 --> 00:24:36,519
because no matter how much I object to your personal life.

386
00:24:37,519 --> 00:24:40,440
If you're my brother means I I have a lot

387
00:24:40,480 --> 00:24:42,240
to me To know you'll be standing next to me

388
00:24:42,279 --> 00:24:43,079
when I get married.

389
00:24:44,359 --> 00:24:47,279
Speaker 1: I'd have to be dead or nowhere before I missed that.

390
00:24:50,000 --> 00:24:52,119
The day after I had lunch with my brother Matt,

391
00:24:52,359 --> 00:24:56,079
she rolled into my dealer's lot, I should say they

392
00:24:57,039 --> 00:25:01,799
the Mercedes fifty six English grew with that unforgettable license

393
00:25:01,839 --> 00:25:07,519
plate and the equally unforgettable Laura behind the wheel. I

394
00:25:07,559 --> 00:25:12,359
had no escape. Our office building is all glass. As

395
00:25:12,480 --> 00:25:15,000
the lesser of two evils, I went out to meet

396
00:25:15,000 --> 00:25:19,880
her myself. Yes, madam, what can I do for you?

397
00:25:21,319 --> 00:25:24,440
Speaker 4: Of all people? How could you ask?

398
00:25:24,519 --> 00:25:27,839
Speaker 1: Are you crazy? Blowing in here? Doesn't your husband is.

399
00:25:27,880 --> 00:25:29,759
Speaker 3: On the other side of the world in India.

400
00:25:30,400 --> 00:25:32,079
Speaker 4: He's gone on retreat for a month.

401
00:25:32,839 --> 00:25:33,759
Speaker 1: Whatever that means.

402
00:25:33,920 --> 00:25:36,319
Speaker 4: It means he's in transcendental meditation.

403
00:25:36,640 --> 00:25:39,839
Speaker 3: You'd call it out of this world. It also means

404
00:25:40,079 --> 00:25:41,000
I am free.

405
00:25:41,680 --> 00:25:44,319
Speaker 1: Look, Laura, I like to swing as much as the

406
00:25:44,400 --> 00:25:47,720
next man. But baby, I think we ought to drop it.

407
00:25:48,920 --> 00:25:54,279
That little guy scared me and you, yes, and me.

408
00:25:55,839 --> 00:26:00,920
You really got through. You got to me. I can't

409
00:26:00,960 --> 00:26:05,720
comb you out, so climb in this time.

410
00:26:05,839 --> 00:26:08,640
Speaker 4: I'll be driving, and I'll show you I can handle

411
00:26:08,640 --> 00:26:10,480
this baby, just as well as you can.

412
00:26:11,599 --> 00:26:13,920
Speaker 1: I can't just walk out of my business like that.

413
00:26:15,559 --> 00:26:17,839
I'll tell you what. I'll meet you in half an hour.

414
00:26:17,920 --> 00:26:20,680
It's a Wiltshire and Beverly northwest corner.

415
00:26:20,720 --> 00:26:22,599
Speaker 4: That's a date, don't you miss it.

416
00:26:26,519 --> 00:26:29,440
Speaker 1: It was a date, all right, a date with destiny,

417
00:26:30,480 --> 00:26:33,680
though how could I have known it? Then I cleaned

418
00:26:33,720 --> 00:26:36,599
up my desk, turned the agency over to my head salesman,

419
00:26:36,640 --> 00:26:39,480
then drove out of the lot. I parked my heap

420
00:26:39,559 --> 00:26:41,480
short of Beverly and walked the rest of the way.

421
00:26:42,680 --> 00:26:45,680
She was waiting for me. I climbed in and we

422
00:26:45,799 --> 00:26:54,680
drove off of her house in bel air. God for

423
00:26:55,000 --> 00:27:01,640
to stealing. Now you will move after shots.

424
00:27:02,640 --> 00:27:03,960
Speaker 4: What you heard him too?

425
00:27:04,640 --> 00:27:06,000
Speaker 1: What are you talking about Haras?

426
00:27:06,079 --> 00:27:08,480
Speaker 4: My husband? He knows about us.

427
00:27:09,920 --> 00:27:12,799
Speaker 1: You gotta be kidding. I mean, if he really is

428
00:27:12,839 --> 00:27:13,599
in India.

429
00:27:13,359 --> 00:27:13,920
Speaker 3: Oh he's there.

430
00:27:13,960 --> 00:27:15,200
Speaker 4: It doesn't make any difference.

431
00:27:15,680 --> 00:27:18,839
Speaker 1: Look, I don't dig any of this. It's too wide out.

432
00:27:19,799 --> 00:27:22,240
All I know is I'm getting out right now. I

433
00:27:22,279 --> 00:27:26,279
never should have climbed back in. We're committed now, No way, baby,

434
00:27:26,480 --> 00:27:27,759
it's out of our hands.

435
00:27:28,799 --> 00:27:30,440
Speaker 4: Horace doesn't want me back.

436
00:27:31,000 --> 00:27:33,599
Speaker 3: How do you know he's telling me right now?

437
00:27:34,440 --> 00:27:35,119
Speaker 1: From India?

438
00:27:35,359 --> 00:27:38,480
Speaker 4: I warned you you were getting into something beyond your understanding.

439
00:27:38,680 --> 00:27:41,440
Speaker 1: Okay, so great now I'm on my way out.

440
00:27:41,559 --> 00:27:45,279
Speaker 4: You can't. This just isn't a silly girl who's trying

441
00:27:45,319 --> 00:27:47,440
to hang on. I told you the moment I laid

442
00:27:47,440 --> 00:27:51,920
eyes on you, I knew you were my karma. If

443
00:27:52,079 --> 00:27:57,160
what's this karma? Jive my fate and yours. You can try,

444
00:27:58,200 --> 00:27:59,640
but you'll never escape me.

445
00:28:00,839 --> 00:28:04,519
Speaker 1: Don't kid yourself. I know when I've had enough, I'm

446
00:28:04,559 --> 00:28:10,599
blowing this scene and this is goodbye. I lit out

447
00:28:10,599 --> 00:28:13,359
of there like my tail was on fire. Matt had

448
00:28:13,400 --> 00:28:15,400
warned me I'd get caught in a nutcrack on one

449
00:28:15,440 --> 00:28:18,480
of these days, and this looked like one of them.

450
00:28:18,640 --> 00:28:24,440
And man, it was weird. When I read about the

451
00:28:24,519 --> 00:28:28,839
crash the next day, I felt like a real heel,

452
00:28:29,119 --> 00:28:31,200
but I heaved a sigh of relief just the same.

453
00:28:32,400 --> 00:28:36,599
I didn't have any feeling of guilt, or did I?

454
00:28:36,799 --> 00:28:40,200
Why should I? If only I had known what she

455
00:28:40,319 --> 00:28:44,640
was thinking on that last ride, maybe how could I know?

456
00:28:48,480 --> 00:28:56,319
Speaker 4: There's no going back, there's no going forward. Where do

457
00:28:56,480 --> 00:28:56,799
I go?

458
00:28:57,079 --> 00:28:57,119
Speaker 3: For?

459
00:28:57,319 --> 00:29:08,559
Speaker 1: He Lord only one wing to do. You're writing over

460
00:29:09,079 --> 00:29:13,319
nion the car.

461
00:29:15,279 --> 00:29:18,559
Speaker 5: Still be caring matters anymore?

462
00:29:18,720 --> 00:29:40,640
Speaker 1: Now you gambled, now roused us. I read it in

463
00:29:40,680 --> 00:29:45,640
the morning papers. Woman plunges to fiery death off Coldwater Canyon.

464
00:29:46,680 --> 00:29:51,960
Both car and drive were completely destroyed by fire. Police

465
00:29:52,000 --> 00:29:55,200
determined by one remaining license plate that the victim must

466
00:29:55,240 --> 00:29:59,519
have been missus Laura Prentice. I felt kind of sick,

467
00:30:01,000 --> 00:30:01,960
but relief.

468
00:30:03,440 --> 00:30:12,240
Speaker 2: That was the end of that, Only, as we shall discover,

469
00:30:12,839 --> 00:30:15,680
that was not the end of either car or driver.

470
00:30:16,480 --> 00:30:17,119
Speaker 1: The world is.

471
00:30:17,160 --> 00:30:19,880
Speaker 2: Full of George Hartford's who get away with murder in

472
00:30:19,960 --> 00:30:23,799
a general sense, But odds have a way of evening up,

473
00:30:24,319 --> 00:30:27,279
and this time George isn't going to get away with anything.

474
00:30:28,079 --> 00:30:42,640
I'll return shortly with Act three. This story is a snowball,

475
00:30:43,480 --> 00:30:48,279
starting from microscopic beginnings, gathering momentum and mass as it

476
00:30:48,400 --> 00:30:52,200
rushes down the hill, the tension and terror building from

477
00:30:52,319 --> 00:30:57,559
nothing to a massive and inevitable crash, and like the snowball,

478
00:30:58,119 --> 00:31:01,079
being fractionalized into nothing again.

479
00:31:04,759 --> 00:31:06,519
Speaker 1: It was less than a week since Laura and the

480
00:31:06,599 --> 00:31:10,359
Mercedes fifty six had been burned to cinders. I was

481
00:31:10,400 --> 00:31:13,400
crossing the canyon from my pad and van Nye taking

482
00:31:13,480 --> 00:31:16,240
Matt over to meet his bride. What's the matter with

483
00:31:16,319 --> 00:31:20,440
you lately, George, Ah, don't worry about me. Let's concentrate

484
00:31:20,480 --> 00:31:21,200
on the big date.

485
00:31:21,319 --> 00:31:21,480
Speaker 6: Huh.

486
00:31:22,039 --> 00:31:24,680
Speaker 1: How many days to the wedding? Man? A little over

487
00:31:24,759 --> 00:31:26,039
a week? Can't wait?

488
00:31:27,440 --> 00:31:29,279
Speaker 2: But that makes me kind of sad, little brother. I

489
00:31:29,319 --> 00:31:31,200
wish you could meet a girl you could settle down with.

490
00:31:31,960 --> 00:31:36,200
Speaker 1: I'm off Dames for the moment. This girl, I hey,

491
00:31:37,400 --> 00:31:40,960
what kind of crazy? It's the Mercedes and Laura at

492
00:31:41,000 --> 00:31:45,319
the wheel. D it's the.

493
00:31:45,480 --> 00:31:46,240
Speaker 7: Matter with you?

494
00:31:47,400 --> 00:31:50,680
Speaker 1: You got your mind? I did go off the road, Matt.

495
00:31:50,720 --> 00:31:53,240
That's crazy broad with a Ramdan' dust head on? Are

496
00:31:53,319 --> 00:31:57,000
you talking about the green Mercedes that came round the bend?

497
00:31:57,680 --> 00:31:58,359
Speaker 4: Didn't you see it?

498
00:31:59,119 --> 00:32:02,839
Speaker 1: Or her? On? What ben coming the other way headed

499
00:32:02,880 --> 00:32:04,000
towards us? George?

500
00:32:04,519 --> 00:32:07,799
Speaker 2: We haven't passed any cars coming or going in the

501
00:32:07,880 --> 00:32:08,759
last few minutes.

502
00:32:09,400 --> 00:32:12,000
Speaker 1: We just about rammed one going the opposite way less

503
00:32:12,119 --> 00:32:15,480
than a minute ago. A green Mercedes, yeah, fifty six,

504
00:32:15,599 --> 00:32:17,720
a classic. Didn't you see it?

505
00:32:17,920 --> 00:32:17,960
Speaker 6: No?

506
00:32:18,359 --> 00:32:20,079
Speaker 7: I didn't because it wasn't there.

507
00:32:25,359 --> 00:32:29,039
Speaker 1: I tell you, plain as day. It was broad daylight.

508
00:32:29,359 --> 00:32:32,640
Speaker 2: I saw it and her, I tell you a green

509
00:32:32,759 --> 00:32:35,319
Mercedes with a girl named Laura at the wheel.

510
00:32:35,559 --> 00:32:37,759
Speaker 1: Yes, the same girl and the.

511
00:32:37,839 --> 00:32:40,200
Speaker 2: Same car you say you read about in the paper

512
00:32:40,240 --> 00:32:40,920
a few days ago.

513
00:32:40,960 --> 00:32:44,720
Speaker 1: Who went up in flames. That must have been some coincidence,

514
00:32:44,759 --> 00:32:46,000
a mistake. I don't know.

515
00:32:46,279 --> 00:32:49,119
Speaker 2: We're gonna check it out, George. That you said the

516
00:32:49,200 --> 00:32:50,640
police found a license.

517
00:32:50,319 --> 00:32:53,119
Speaker 1: Plate, Yes, but they didn't give the numbers in the paper.

518
00:32:53,319 --> 00:32:56,519
Speaker 7: But if it should be six nine ninety nine, you'd

519
00:32:56,559 --> 00:32:59,000
have to agree with me. There wasn't any car today

520
00:32:59,160 --> 00:33:02,400
that you had to boy right. But I saw what

521
00:33:02,880 --> 00:33:07,920
you saw could have been a hallucination. Now we better

522
00:33:08,160 --> 00:33:09,359
pin it down right now.

523
00:33:13,640 --> 00:33:16,319
Speaker 1: I could have told Matt what he'd find out. I

524
00:33:16,400 --> 00:33:19,359
knew it even before he checked with the police. I

525
00:33:19,440 --> 00:33:23,519
knew the plate number would be six, and I knew

526
00:33:23,559 --> 00:33:27,759
something else. It didn't matter what he found out. I

527
00:33:27,880 --> 00:33:30,759
hadn't seen the last of the green Mercedes fifty six

528
00:33:31,039 --> 00:33:35,000
or the girl who drove it, dead or alive. I

529
00:33:35,079 --> 00:33:37,279
took a fast powder and went out to get loaded.

530
00:33:43,440 --> 00:33:46,039
Speaker 4: The name's Jinny Jenny Brake.

531
00:33:47,039 --> 00:33:49,599
Speaker 1: Oh, George here, George Hartford.

532
00:33:49,880 --> 00:33:53,200
Speaker 4: So now it wasn't if find you a drink?

533
00:33:54,279 --> 00:33:55,759
Speaker 1: Sure, what's your poison?

534
00:33:56,359 --> 00:33:59,039
Speaker 4: You laugh, I could use.

535
00:33:58,960 --> 00:34:04,519
Speaker 3: One, says neck, plain soda, anything soft, funny?

536
00:34:04,599 --> 00:34:09,760
Speaker 1: Huh No, except why would you? What are you wasting

537
00:34:09,800 --> 00:34:10,760
your time on a guy like me?

538
00:34:10,880 --> 00:34:10,920
Speaker 2: For?

539
00:34:11,239 --> 00:34:11,400
Speaker 3: Oh?

540
00:34:11,679 --> 00:34:12,159
Speaker 4: I know?

541
00:34:13,360 --> 00:34:17,199
Speaker 6: I come here sometimes and either I'm too shy to

542
00:34:17,280 --> 00:34:20,239
say hello to anyone, or I don't like the guys

543
00:34:20,239 --> 00:34:21,320
who try to turn me on.

544
00:34:22,639 --> 00:34:25,360
Speaker 4: I'm lonely, That's why I come.

545
00:34:26,880 --> 00:34:27,920
Speaker 1: You really want that drink?

546
00:34:28,159 --> 00:34:31,559
Speaker 4: No, I'm up to here already so much.

547
00:34:33,159 --> 00:34:35,599
Speaker 1: How'd you like to drive me home, Jenny, and then

548
00:34:35,599 --> 00:34:37,400
I'll give you a car fare back to your path.

549
00:34:38,679 --> 00:34:40,599
Speaker 4: When do I leave from my place.

550
00:34:40,760 --> 00:34:43,840
Speaker 1: Right after you drop me at my door? I'm not

551
00:34:43,960 --> 00:34:45,119
looking to make out tonight.

552
00:34:45,480 --> 00:34:48,559
Speaker 6: That's a new line, could be the beginning of a

553
00:34:48,679 --> 00:34:49,760
beautiful friendship.

554
00:34:50,960 --> 00:35:00,199
Speaker 4: Come on, I'll take a chance. You don't se that

555
00:35:00,360 --> 00:35:01,039
loaded to me.

556
00:35:02,360 --> 00:35:07,639
Speaker 1: I'm not. I've got other problems. You got a habit, No,

557
00:35:07,880 --> 00:35:11,440
nothing like that. I got a bigger monkey on my back.

558
00:35:11,960 --> 00:35:14,679
Speaker 4: You're kind of screwed up, George, and I'm sorry for you.

559
00:35:15,840 --> 00:35:18,559
Speaker 3: I'd honestly like to help if I could.

560
00:35:19,760 --> 00:35:23,239
Speaker 1: I don't think anyone can. I guess I went out

561
00:35:23,320 --> 00:35:24,800
and bought my own private set.

562
00:35:25,760 --> 00:35:27,039
Speaker 2: Look out, what is this case?

563
00:35:27,079 --> 00:35:31,079
Speaker 1: You see it that we're saying any string war. You

564
00:35:31,199 --> 00:35:34,239
got to get out of the way. Didn't you see

565
00:35:34,280 --> 00:35:40,559
the car? It went right through us, as if we

566
00:35:40,679 --> 00:35:43,480
weren't there. What car there wasn't any car?

567
00:35:44,559 --> 00:35:48,039
Speaker 4: Boy? Are you on some trip? Boy?

568
00:35:48,159 --> 00:35:48,480
Speaker 3: George?

569
00:35:48,519 --> 00:35:49,400
Speaker 8: I had it with you.

570
00:35:50,199 --> 00:35:51,320
Speaker 3: There's a bus stop here.

571
00:35:51,360 --> 00:35:54,519
Speaker 4: I can find my own way home. You don't need company.

572
00:35:55,119 --> 00:35:57,079
What you need is a head doctor.

573
00:36:01,039 --> 00:36:04,119
Speaker 1: I don't know how long I lay apart there. I'd

574
00:36:04,159 --> 00:36:08,239
closed my eyes, maybe I went to sleep, But all

575
00:36:08,239 --> 00:36:11,840
of a sudden I realized that the Mercedes had driven

576
00:36:11,960 --> 00:36:15,360
up alongside of me, and Laura was leaning towards me

577
00:36:15,480 --> 00:36:15,840
to talk.

578
00:36:16,840 --> 00:36:20,440
Speaker 4: Come on, George, I've been looking for you.

579
00:36:21,880 --> 00:36:26,039
Speaker 1: Let me go. No, I can't.

580
00:36:27,039 --> 00:36:29,880
Speaker 4: I'm not ready sooner or later?

581
00:36:30,840 --> 00:36:34,719
Speaker 1: Why not? No, I'm waiting for you.

582
00:36:35,920 --> 00:36:38,480
Speaker 4: How long do I have to wait?

583
00:36:39,760 --> 00:36:40,760
Speaker 1: My car was still running.

584
00:36:41,119 --> 00:36:43,199
Speaker 9: I threw into first and cut out sharp in the

585
00:36:43,320 --> 00:36:46,360
tastic the hood of my car, bumper all the way

586
00:36:46,360 --> 00:36:48,519
to the windshield, cut through the Mercedes like it was

587
00:36:48,639 --> 00:36:51,679
drawn in mid air or just wasn't there at all.

588
00:36:53,000 --> 00:36:55,760
Speaker 1: I don't remember how I got home or to bed.

589
00:36:57,039 --> 00:36:58,920
I only know that with the help of five or

590
00:36:59,079 --> 00:37:02,760
six black cows, I found myself able to face my

591
00:37:02,880 --> 00:37:06,599
brother Matt the next morning. So you proved it to yourself.

592
00:37:07,360 --> 00:37:11,960
The car, the woman was a hallucination. No, she was there.

593
00:37:12,840 --> 00:37:14,280
I heard her speak twice.

594
00:37:14,400 --> 00:37:17,400
Speaker 2: Now, George, I checked out the license plate with a

595
00:37:17,440 --> 00:37:18,840
friend at police headquarters.

596
00:37:18,880 --> 00:37:21,360
Speaker 7: There's no doubt that she crashed in that car.

597
00:37:21,599 --> 00:37:24,280
Speaker 1: And why do I keep seeing her and hearing her.

598
00:37:24,320 --> 00:37:27,440
It's a fixation, guilt reflex. So get rid of it

599
00:37:27,519 --> 00:37:30,719
for me. Well, that's your job. And oh sir, that's

600
00:37:30,880 --> 00:37:31,440
your job.

601
00:37:31,559 --> 00:37:35,639
Speaker 2: If you can't, I can't, well possibly, certainly not alone.

602
00:37:35,920 --> 00:37:39,360
Speaker 1: You gotta have help, George. That's what I'm asking you for. No,

603
00:37:39,639 --> 00:37:43,119
not me, my own brother Amy. That much of a

604
00:37:43,199 --> 00:37:45,079
hail to you is not the point.

605
00:37:45,239 --> 00:37:47,679
Speaker 7: I just started my residency in psychiatry.

606
00:37:47,760 --> 00:37:50,000
Speaker 1: You're way beyond me, George. Well, then give me a

607
00:37:50,119 --> 00:37:53,920
man to go to, some doctor who can handle me.

608
00:37:58,599 --> 00:38:02,679
She was always there, trailing me in the fifty six,

609
00:38:03,639 --> 00:38:07,760
not fifteen feet behind me. But that wasn't the worst part.

610
00:38:09,119 --> 00:38:11,679
Speaker 10: Through the car, I could see the line of traffic

611
00:38:11,800 --> 00:38:15,280
stretching behind her, with sometimes a car coming up behind

612
00:38:15,360 --> 00:38:18,599
and cutting right through the spectral green vehicle that wasn't

613
00:38:18,679 --> 00:38:20,119
there for anyone but me.

614
00:38:21,840 --> 00:38:24,360
Speaker 1: I made up my mind to have it out and

615
00:38:24,519 --> 00:38:26,079
headed for the house in bel Air.

616
00:38:34,719 --> 00:38:38,760
Speaker 7: Come in, mister hartfriend, I've been expecting you.

617
00:38:39,880 --> 00:38:44,239
Speaker 1: Thank you as I need to thank me. Oh well, anyway,

618
00:38:45,639 --> 00:38:48,440
Thank heaven you're here. I thought you might still be

619
00:38:48,519 --> 00:38:49,000
in India.

620
00:38:49,039 --> 00:38:53,559
Speaker 7: Oh no, I came back from my wife's death. But

621
00:38:55,079 --> 00:38:58,199
four I landed from the plane at the moment she

622
00:38:58,320 --> 00:39:03,719
went over the cliff. You see, I knew she was going,

623
00:39:04,800 --> 00:39:09,320
But but how could I sent her to her deaths?

624
00:39:10,599 --> 00:39:11,079
Speaker 1: You know she.

625
00:39:12,719 --> 00:39:17,480
Speaker 4: She's following me. I can't get rid of her or

626
00:39:17,639 --> 00:39:17,920
the car.

627
00:39:18,159 --> 00:39:22,880
Speaker 1: I know. And you came to ask me for help. Yes,

628
00:39:23,639 --> 00:39:29,000
I please, please help me. You must help yourself, George.

629
00:39:29,840 --> 00:39:32,599
Speaker 2: You didn't hesitate to in the beginning, when it was

630
00:39:32,679 --> 00:39:34,400
something that didn't belong to you.

631
00:39:35,400 --> 00:39:39,480
Speaker 1: Why hold back now? What do you mean you'll never

632
00:39:39,599 --> 00:39:43,880
be rid of her as long as you live. Why

633
00:39:44,039 --> 00:39:51,480
don't you join her? George, yessie, as she is, she's

634
00:39:51,599 --> 00:39:58,679
waiting for you. Sign. I was outside the house, the

635
00:39:58,760 --> 00:40:02,039
door shut in my face, and parked in the driveway

636
00:40:02,119 --> 00:40:06,199
facing me was the green Mercedes. I went a little brasik,

637
00:40:06,360 --> 00:40:09,360
hurling myself into my own car, ramming her into first

638
00:40:09,400 --> 00:40:12,079
and driving in a scattering of gravel and dust, straight

639
00:40:12,239 --> 00:40:16,079
through that infernal vision. I smashed into sunset, turning left

640
00:40:16,119 --> 00:40:19,639
in a screech of tires, heading for Cold Water Canyon

641
00:40:19,679 --> 00:40:23,079
and back to the valley. But all the time my

642
00:40:23,239 --> 00:40:30,159
nemesis followed me, riding up my back, tailgating me. Then

643
00:40:30,320 --> 00:40:33,400
at the top of the hill, suddenly riding on air

644
00:40:34,079 --> 00:40:37,760
right out over the valley, the Mercedes drew abreast of me.

645
00:40:38,679 --> 00:40:40,280
Speaker 4: Why don't you shine.

646
00:40:42,039 --> 00:40:42,719
Speaker 5: Hi away?

647
00:40:51,400 --> 00:40:52,000
Speaker 1: All right?

648
00:40:52,719 --> 00:40:55,800
Speaker 3: Damn it, have it your way here I come.

649
00:41:08,159 --> 00:41:13,239
Speaker 1: I'm so sorry that your poor brother.

650
00:41:13,960 --> 00:41:16,480
Speaker 2: I'm so sorry for so many things, fram for what

651
00:41:16,599 --> 00:41:20,679
he was, for what he made of himself, for the

652
00:41:20,800 --> 00:41:24,679
help I couldn't give him, but most of all for

653
00:41:24,800 --> 00:41:26,280
calling him a plastic man.

654
00:41:27,320 --> 00:41:31,599
Speaker 1: What do you mean, don turns out he wasn't. There

655
00:41:31,719 --> 00:41:34,119
was a chink in his armor, whether he knew it

656
00:41:34,199 --> 00:41:37,000
or not, his conscience.

657
00:41:37,880 --> 00:41:42,840
Speaker 4: You mean me for that woman's suicide, the one with

658
00:41:42,960 --> 00:41:43,800
the Mercedes.

659
00:41:44,360 --> 00:41:49,199
Speaker 1: Yes, they hadn't even had time to repair the guardrail.

660
00:41:50,480 --> 00:41:53,239
He went right through the same gap she did.

661
00:41:55,800 --> 00:42:00,599
Speaker 2: Well, no sense agonizing about its sun is done.

662
00:42:02,480 --> 00:42:14,679
Speaker 1: At least she won't be haunting him anymore. I wonder.

663
00:42:15,760 --> 00:42:18,880
Speaker 2: There's quite a legend grown up about that stretch of road.

664
00:42:19,760 --> 00:42:22,800
On misty nights or dark ones, with the moon seen

665
00:42:22,920 --> 00:42:26,760
fitfully through clouds, a lot of people swear they pass

666
00:42:26,800 --> 00:42:32,119
a Mercedes colored English green. Some say the woman was driving,

667
00:42:32,280 --> 00:42:35,360
some say the man. But then that would be easy

668
00:42:35,440 --> 00:42:39,360
to confuse, since by now the paint is peeling, the

669
00:42:39,480 --> 00:42:43,199
clothing is half rotted away, and the figures themselves are

670
00:42:43,280 --> 00:42:47,079
little more than skin and bone. The hands that grasp

671
00:42:47,239 --> 00:42:49,800
the wheel those of a skeleton.

672
00:42:51,000 --> 00:42:51,960
Speaker 1: I'll be back shortly.

673
00:43:03,039 --> 00:43:07,159
Speaker 2: One further note, Shortly after Fran and Matt were married,

674
00:43:07,599 --> 00:43:09,920
a large sum of money was given to them by

675
00:43:09,960 --> 00:43:14,440
an anonymous source. And at the same time, Horace stripped

676
00:43:14,480 --> 00:43:17,360
himself of all his possessions and gave the bulk of

677
00:43:17,400 --> 00:43:20,239
his fortune to the school for Psychic Research, where he

678
00:43:20,320 --> 00:43:21,280
had taught so long.

679
00:43:22,239 --> 00:43:25,000
Speaker 1: He left for India and was never heard of again.

680
00:43:25,920 --> 00:43:29,559
Speaker 2: One story has it that he sits in meditation somewhere

681
00:43:29,679 --> 00:43:33,039
high in the Himalayas, treated by the nearby villagers as

682
00:43:33,079 --> 00:43:40,159
a holy man. Perhaps so, but is it meditation or expiation?

683
00:43:41,639 --> 00:43:46,519
We'll never know. Our cast included Don Scardino, Joan Loring, Russell,

684
00:43:46,559 --> 00:43:50,440
Horton and Catherine Byers. The entire production was under the

685
00:43:50,519 --> 00:43:57,760
direction of Hyman Brown. And now a preview of our

686
00:43:57,880 --> 00:43:58,639
next tale.

687
00:44:00,000 --> 00:44:03,000
Speaker 1: Lieutenant Kaufman, I was sent in here to see you.

688
00:44:04,000 --> 00:44:04,679
How can I help?

689
00:44:05,559 --> 00:44:08,280
Speaker 11: A man named Tom Beckmuth was murdered last night?

690
00:44:08,760 --> 00:44:09,159
Speaker 1: That's right?

691
00:44:10,039 --> 00:44:14,440
Speaker 11: Do you have any information that would yes? I I'm

692
00:44:14,519 --> 00:44:19,079
responsible for his death. What are you saying, mister Wilson,

693
00:44:19,480 --> 00:44:22,400
Roger Wilson, I caused his death.

694
00:44:23,199 --> 00:44:25,360
Speaker 1: Are you confessing to the crime.

695
00:44:26,400 --> 00:44:28,800
Speaker 8: I suppose that's the only way to put it. I

696
00:44:30,800 --> 00:44:35,800
I wished him dead. You wished him dead? Yes, Lieutenant,

697
00:44:36,440 --> 00:44:40,679
I wished him dead. I wished it with all my strengths.

698
00:44:41,199 --> 00:44:43,639
Speaker 2: He was killed by two shots from a thirty eight

699
00:44:43,719 --> 00:44:44,559
caliber pistol.

700
00:44:44,679 --> 00:44:50,280
Speaker 11: Now did you fire them? That's immaterial, mister Wilson. You

701
00:44:50,559 --> 00:44:51,480
don't look well at all.

702
00:44:51,679 --> 00:44:53,760
Speaker 1: Now I'll have an officer see you to your home.

703
00:44:54,039 --> 00:44:54,639
This is E. G.

704
00:44:54,920 --> 00:44:58,360
Speaker 2: Marshall inviting you to return to our Mystery Theater for

705
00:44:58,519 --> 00:45:06,159
another adventure in the macabre. Until next time, pleasant dreams.

