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<v Speaker 1>Are you dog doll? Line? Four? There gos ate up

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<v Speaker 1>damn doll? Are you dolly doll?

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<v Speaker 2>Wine?

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<v Speaker 1>Four? There gos ate up damn dolls?

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<v Speaker 2>She are you sing? Laugh like at home Land? He's

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<v Speaker 2>simper the maps forty.

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<v Speaker 1>Spark She.

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<v Speaker 2>Like, I don't laugh, it's don't lass and stowhee fynt?

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<v Speaker 2>How are you sure?

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<v Speaker 1>Are you.

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<v Speaker 2>Nor Kington? Miss lawns fine like Macy stustom? Are lett

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<v Speaker 2>it be? Come humble then you clips? Are you?

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<v Speaker 3>Don't?

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<v Speaker 2>Don't?

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<v Speaker 1>Are you.

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<v Speaker 2>Fine? Like macy Stuto? Let it be color on the clips?

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<v Speaker 2>Are you shto wherehead? Are you slight? Are you wait

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<v Speaker 2>and shitt? So sweet?

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<v Speaker 1>Are you?

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<v Speaker 2>Are you wor word? Will it become the.

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<v Speaker 1>Attention pastures? Like eighty eight to the Optic Nerve is

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<v Speaker 1>now boarding Gate seventeen scheduled to depart at time thirty AF.

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<v Speaker 4>Welcome everyone to tonight.

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<v Speaker 5>On the Occult Rejects, we're biting into a very specific

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<v Speaker 5>kind of forbidden fruit, the kind that doesn't promise purity

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<v Speaker 5>or certainty at all, or even maybe uncertainty. It promises

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<v Speaker 5>paradigm whiplash. Our guest on the Occult Rejects is Thumper Forge,

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<v Speaker 5>also known as Horkos Gardinerian high priest, a voice in

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<v Speaker 5>modern pagan media and someone who moves comfortably between traditional

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<v Speaker 5>witchcraft structures and the grinning, reality bending current of chaos,

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<v Speaker 5>magic and discordian Is. His book, The Chaos, Apple, Magic

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<v Speaker 5>and Discordianism for the postmodern witch is a guide to

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<v Speaker 5>weaponizing belief as a tool, bending it, swapping it, breaking it,

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<v Speaker 5>and rebuilding it while dancing with airis and laughing at

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<v Speaker 5>the parts of the universe that take themselves.

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<v Speaker 4>A little bit too seriously.

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<v Speaker 5>So, if you've ever wondered whether magic is about faith, focus, story, psychology,

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<v Speaker 5>or a cosmic prank that still somehow works, this episode

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<v Speaker 5>tonight is here for you.

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<v Speaker 4>Boom beautiful.

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<v Speaker 5>So on this fine occult Rejects time, we should probably

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<v Speaker 5>introduce the panel of brilliant rejects.

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<v Speaker 4>As you can tell in the far corner.

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<v Speaker 5>We have the Cardinal electric Head himself, the King of Kings,

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<v Speaker 5>the Great Nicholas. I'm using his voice and I'm throwing

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<v Speaker 5>it over to him. Introduce yourself, Nick.

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<v Speaker 3>What is what's going on? Thank you so much? That

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<v Speaker 3>was amazing. Oh that was great. Yeah. If people wondering,

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<v Speaker 3>uh yeah, my broadcasters.

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<v Speaker 6>Are working and it's just a complete mess. So I'm

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<v Speaker 6>using the laptop and ye whatever. So thank you very

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<v Speaker 6>much for doing the introduction. I never could have done

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<v Speaker 6>it as well as you or even sounded the audio quality.

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<v Speaker 4>Wouldn't have sounded as well either, So yeah.

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<v Speaker 3>I think I think I'm gonna have to start using

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<v Speaker 3>you now one actually, So thank you, because I honestly

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<v Speaker 3>I hate doing intros, I really do, so.

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<v Speaker 6>You got the job. No thanks, but yeah, I really

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<v Speaker 6>appreciate it. Brandon Thumper. I'm really excited to have you on.

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<v Speaker 6>Like I was saying before, you know, I want to

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<v Speaker 6>tell people too his book. Yeah, I read I don't know,

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<v Speaker 6>probably maybe the first forty pages just keeping a real

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<v Speaker 6>but it reads completely different than most, Like it really

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<v Speaker 6>was something that I was like, oh, I feel like

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<v Speaker 6>I'm being told a storytelling, you know what I'm saying,

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<v Speaker 6>or it's like, oh, it's like like one of my boys,

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<v Speaker 6>like having a funny conversation with me, you know, like

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<v Speaker 6>we're hanging out, you know.

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<v Speaker 3>So it's a really good read, and I'm.

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<v Speaker 6>Promoting it because it's just written a little bit differently

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<v Speaker 6>and I liked it, so, uh, yeah, I'm really excited

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<v Speaker 6>to have you on and and there is a lot

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<v Speaker 6>of information actually in there. That is one thing I'll say.

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<v Speaker 6>You're not going to get some chaos magic book that

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<v Speaker 6>is like you know, yeah, it was all right, not

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<v Speaker 6>too bad. There's a ton of information in the ship

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<v Speaker 6>to so definitely check it out. And Thumper, thank you

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<v Speaker 6>so much for coming on. Man again, I was really excited.

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<v Speaker 7>To have you on.

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<v Speaker 6>And uh yeah, uh, I guess I'll pass it on

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<v Speaker 6>to uh Judith, let's go, No Jen, Jen, my bad,

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<v Speaker 6>my bed.

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<v Speaker 3>We'll get Jim forget about it, Okay.

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<v Speaker 8>No problem.

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<v Speaker 9>I'm I'm cool if Judith finding a day, but I'll

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<v Speaker 9>take it.

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<v Speaker 3>No, then I'll forget you at the top and then

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<v Speaker 3>I'll suck it all up.

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<v Speaker 9>Well, what's up boss? Thank you so much, mister ninety three,

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<v Speaker 9>and of course brother Brandon for that amazing uh intro

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<v Speaker 9>for the whole show. I'm Jin the Ninja. I host

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<v Speaker 9>a show called Threshold Saints and we'll try out my

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<v Speaker 9>new tagline which is chaos, love and hypersition in the

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<v Speaker 9>a of Flux. So if you interested in my show

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<v Speaker 9>Threshold Saints, you can check it out on ig Spotify,

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<v Speaker 9>and of course my substack, which is Threshold Saints subsack

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<v Speaker 9>dot com, as well as at Threshold Saints on ig

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<v Speaker 9>and x Twitter, or you can follow me on my

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<v Speaker 9>personal account at Wukong Reborn which is wu Kong Reborn.

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<v Speaker 9>And I have a lot of episodes coming out and

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<v Speaker 9>a very very very special episode with David him Smith

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<v Speaker 9>coming up and it's going to be pretty epic, so

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<v Speaker 9>look out for that. And uh yeah, I'm really excited.

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<v Speaker 9>I love Obviously my background is more chaos magic, so

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<v Speaker 9>this is kind of the kind of show that I

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<v Speaker 9>would love to do. And so I appreciate everybody on

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<v Speaker 9>the panel, And thank you so much Thumper for and

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<v Speaker 9>Nick for having you.

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<v Speaker 3>Nice. No, thank you, thank you sir.

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<v Speaker 6>Actually I think I got that guy coming on soon myself,

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<v Speaker 6>Mike Baker wanted to actually try to come on with them,

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<v Speaker 6>so we're going to schedule a date. So nice, nice,

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<v Speaker 6>look forward to that coming out.

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<v Speaker 3>Robbie, what is going on?

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<v Speaker 10>Yes, doing great. Been working on illustrations and just a

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<v Speaker 10>lot of pushing inc the last few weeks. I'm Robbie

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<v Speaker 10>Marx or R Marx artist illustrator and if anybody wants

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<v Speaker 10>to check out any of my other stuff, I have

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<v Speaker 10>my metamind Cast podcast as well as all my miscellaneous

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<v Speaker 10>art on my social media et cetera, et cetera. But

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<v Speaker 10>you can check out my link tree which is link

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<v Speaker 10>tree r M A r X and that'll pull up

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<v Speaker 10>everything for you. And yeah, thanks for having me, and

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<v Speaker 10>I'm excited about this.

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<v Speaker 2>Yeah, thank you, Robbie.

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<v Speaker 3>Unlast, but not least the Loon or Self Judith, what

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<v Speaker 3>is up?

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<v Speaker 1>Hi?

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<v Speaker 3>Thank you for having me.

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<v Speaker 11>I am so excited for this discussion. Unfortunately I haven't

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<v Speaker 11>read the book yet, but I am motivated to read

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<v Speaker 11>the book. You could catch me on YouTube and on

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<v Speaker 11>x as the Loon. I do more of self inner development,

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<v Speaker 11>and I have an episodisode coming with one on one

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<v Speaker 11>with doctor Rachel you remember her nick, and we're just

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<v Speaker 11>going to have two occult females having a chat. And

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<v Speaker 11>I have a couple of more things coming up. So

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<v Speaker 11>check me out on Twitter and on it.

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<v Speaker 9>Nice get it?

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<v Speaker 2>You get it?

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<v Speaker 6>That is what's nice? Listen all right? So Thumper, Well, unfortunately,

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<v Speaker 6>it's like the same question I asked everybody who comes

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<v Speaker 6>on the show that's in to the occult, what.

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<v Speaker 3>Got you into this?

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<v Speaker 6>Like how did you find yourself one day saying, Oh,

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<v Speaker 6>this is what I'm going to get into, and I'm

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<v Speaker 6>going to make this all you a life journey.

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<v Speaker 8>You know, when I was about twelve years old, I

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<v Speaker 8>was flipping through a newspaper in like my parents' sitting room,

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<v Speaker 8>and I found there was an article about a coven

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<v Speaker 8>of witches going to see the Witches of Eastwick in

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<v Speaker 8>the theater, and it was sort of a fluffy kind

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<v Speaker 8>of human interest piece, and I think in retrospect it

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<v Speaker 8>may have been Lord Cabot in her coven, but I

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<v Speaker 8>didn't realize that there were actual witches in the world.

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<v Speaker 8>And so twelve year old me looked up and looked

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<v Speaker 8>at my parents and said, I'm going to be a witch.

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<v Speaker 8>And my good Episcopalian parents were like, you know, maybe

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<v Speaker 8>we table this, we don't focus on for now. But

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<v Speaker 8>that got the idea stuck in my head. And I

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<v Speaker 8>had always been interested in mythology and different religion and

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<v Speaker 8>just so in my late teens and early twenties, I

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<v Speaker 8>just started reading a bunch of books on witchcraft and paganism.

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<v Speaker 8>And in my late twenties, I was very skeptical about

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<v Speaker 8>a lot of the things I was reading, especially when

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<v Speaker 8>it came to Wicca, so I went and found a

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<v Speaker 8>Gardenerian Tuvin because I was like, where did this come from?

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<v Speaker 8>Like you guys have to like I wanted to know,

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<v Speaker 8>like the reality behind it, and I ended up sticking

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<v Speaker 8>with that and then eventually stumbled into Discordianism kind of

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<v Speaker 8>by accident. It was very similar in that Airis had

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<v Speaker 8>always been my favorite goddess when I would read about mythology,

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<v Speaker 8>and then to learn that there was a whole religion

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<v Speaker 8>devoted to her really really just struck a chord with me.

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<v Speaker 8>And not long after that, I pratt fell into chaos magic,

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<v Speaker 8>and uh so I've been kind of doing all of

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<v Speaker 8>the above ever since.

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<v Speaker 6>Nice, what what is it now as we get into

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<v Speaker 6>this book?

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<v Speaker 3>What was it with this book.

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<v Speaker 6>For I guess chaos magic and Discordanism that you thought

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<v Speaker 6>was different or that they needed this book?

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<v Speaker 7>Like?

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<v Speaker 6>What's different about this book than what's out there already?

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<v Speaker 6>What did you think you were handing to the people.

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<v Speaker 6>That's a little different if it was.

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<v Speaker 8>What I really wanted to focus on was the idea

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<v Speaker 8>of chaos witchcraft. Especially in online spaces. There's been sort

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<v Speaker 8>of a growing identity of the chaos witch a lot

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<v Speaker 8>of people identifying as chast witches and nobody really knowing

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<v Speaker 8>what that meant, you know, people kind of having a

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<v Speaker 8>very broad general idea of chaos magic, people having a

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<v Speaker 8>very broad general idea of witchcraft and combining the two

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<v Speaker 8>as an identity, but not really knowing what that meant

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<v Speaker 8>or having having any direction as to what they should

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<v Speaker 8>do with that. So that's what I was really trying

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<v Speaker 8>to write for. Is you want to be a cast,

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<v Speaker 8>which great, here is here are resources for you, here's

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<v Speaker 8>information about that specifically.

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<v Speaker 2>Nice.

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<v Speaker 3>Nice, heyboy, I have any questions before I keep going?

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<v Speaker 3>Yeah right, uh, I know you.

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<v Speaker 6>I mean I think you mentioned also Uhian witchcraft and

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<v Speaker 6>all that stuff too.

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<v Speaker 3>Yeah, would you would you want to give like.

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<v Speaker 6>A little bit maybe a little bit of an idea

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<v Speaker 6>for people what that is, because I'll be telling us

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<v Speaker 6>I've never really had any ring on the show for

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<v Speaker 6>that either, So like some people might be interested just

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<v Speaker 6>getting a little bit of an idea of like what

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<v Speaker 6>actually does that entail.

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<v Speaker 8>You know, Gardnerian Gardenerian witchcraft. The way the best way

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<v Speaker 8>to think about it is it was what came like

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<v Speaker 8>a generation before Wicka. The very condensed history is there

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<v Speaker 8>was this British guy named Gerrel Gardner who had been

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<v Speaker 8>living overseas for number of years, retired, moved back to

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<v Speaker 8>England and got involved with a Rosicrucian order in the

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<v Speaker 8>New Forest area of England. And in that group he

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<v Speaker 8>met or in that organization he met kind of an

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<v Speaker 8>inner circle of people who called themselves witches and really

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<v Speaker 8>all they wanted to do was like practice witchcraft and

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<v Speaker 8>punch nachi, not scenes, and he fell in with them,

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<v Speaker 8>and that was in nineteen thirty nine. In nineteen fifty one,

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<v Speaker 8>I think it was was when the anti witchcraft laws

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<v Speaker 8>in England were repealed, And by nineteen fifty four he

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<v Speaker 8>had published a book called Witchcraft Today, which basically said

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<v Speaker 8>I am a witch and I am part of the coven,

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<v Speaker 8>and here's here's a little bit about us. It's an

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<v Speaker 8>initiatory practice, so you have to go through an initiation

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<v Speaker 8>to be a part of it. It is oath bound,

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<v Speaker 8>meaning to take osad initiation, not to reveal the things

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<v Speaker 8>that you've been experiencing. But modern wick or the idea

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<v Speaker 8>of Wicca kind of grew out of that. Some people

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<v Speaker 8>who came along shortly after he passed away in nineteen

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<v Speaker 8>sixty four had kind of found the word wicca and

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<v Speaker 8>were identifying themselves as wicked versus just calling themselves witches,

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<v Speaker 8>and that word stuck. But the Gardnerian tradition is just

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<v Speaker 8>sort of the precursor to what we now know is wicked.

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<v Speaker 1>Thank you.

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<v Speaker 4>Side note.

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<v Speaker 5>Gerald Gardner was initiated into the OTO by Alistair Crowley.

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<v Speaker 8>He did he was given a charter by Crowley in

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<v Speaker 8>that at some point in the mid to late forties

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<v Speaker 8>where thirteen forty seven, thank you, thank you. Yeah, he

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<v Speaker 8>didn't ever really do anything with the charter, and there

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<v Speaker 8>is floating around out there. There is like Alistair Crawley's

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<v Speaker 8>handwritten charter that Cardner kind of got from him on

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<v Speaker 8>Crowley's deathbed. So he did have proof that he was

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<v Speaker 8>a member or that he had authority within the OTO,

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<v Speaker 8>although he didn't he didn't ever really pursue that. And

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<v Speaker 8>while he was in the early uh in his kind

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<v Speaker 8>of the early days of his practice, he incorporated a

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<v Speaker 8>lot of Crawley into his witchcraft. And then some of

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<v Speaker 8>the witches who came along to practice with him took

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<v Speaker 8>all the they called it Crowley Andity, and they pulled

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<v Speaker 8>it all out and replaced it with their own original right,

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<v Speaker 8>so the Crowley didn't get passed down along with everything else.

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<v Speaker 6>I think, I think I had so many I had

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<v Speaker 6>somebody on the show recently where I think we're talking

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<v Speaker 6>about the Charge of the Goddess and how much that

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<v Speaker 6>seemed to like it was even very heavily taken from

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<v Speaker 6>Alison Crowley.

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<v Speaker 9>I think in the Book of the Law.

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<v Speaker 8>Yeah, a couple of sources it came from.

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<v Speaker 7>There was the Book of the Little influenced it.

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<v Speaker 8>There was also a passage in Charles Scott free Leland's

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<v Speaker 8>Roady a Gospel of the Witches.

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<v Speaker 7>Which was published in eighteen ninety nine.

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<v Speaker 8>But a lot of this put that film and getting

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<v Speaker 8>filtered through a woman named During Valiente, who Gardner initiated

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<v Speaker 8>in nineteen fifty three, and she rewrote a lot of stuff,

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<v Speaker 8>including the Charge of the Goddess.

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<v Speaker 6>Nice if you can also, because uh, I haven't, I've

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<v Speaker 6>only had like maybe two people on for Chaos Magic too.

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<v Speaker 6>Can you give me, like, you know definitions I guess

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<v Speaker 6>chaos magic versus discordium and witchcraft, Like where do they overlap?

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<v Speaker 3>And that where do they? I mean they kind of

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<v Speaker 3>overlap a little bit, maybe could you maybe give that,

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<v Speaker 3>you know, give that definition of people.

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<v Speaker 8>Sure chaos magic is, you know, I would love to

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<v Speaker 8>say it's we get together and shoot chaos from our

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<v Speaker 8>hands or that, or that we are like you know,

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<v Speaker 8>out in the eighth or doing doing chaotic things. But

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<v Speaker 8>it's really just an experimental approach to magical practice with

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<v Speaker 8>an emphasis on getting results. Of the idea of chaos

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<v Speaker 8>in modern context, people tend to see it as meaning

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<v Speaker 8>chaotic or meaning frenetic or kind of undisciplined or all

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<v Speaker 8>over the place. But within the framework of chaos magic,

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<v Speaker 8>the chaos is more of the Greek idea of chaos,

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<v Speaker 8>sort of like the primordial entity that existed before anything else.

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<v Speaker 8>So chaos is potential, and within chaos magic, the idea

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<v Speaker 8>is to take that potential or take potential and turn

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<v Speaker 8>it into not only possibility but probability, if that makes sense.

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<v Speaker 8>And the idea of chaos also kind of promotes the

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<v Speaker 8>idea that we can kind of go in any direction

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<v Speaker 8>we want to to accomplish our others. If you think

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<v Speaker 8>of you've probably seen the chaos star, the kind of

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<v Speaker 8>eight pointed star with the arrows. Yes, that was kind

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<v Speaker 8>of conceived by an author named Peter J. Carroll, who

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<v Speaker 8>attached a different color of magic to each arrow, which

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<v Speaker 8>he sort of lifted from the Cabitalistic tree of life.

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<v Speaker 8>If you move like moving through the separophemy in Hermetic Karbala,

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<v Speaker 8>you started melcouth, you start at the earth, and then

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<v Speaker 8>you kind of work your way up through the different

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<v Speaker 8>spheres as part of the great work to you know,

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<v Speaker 8>become part of the divine or merge with the divine.

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<v Speaker 8>In chaos magic, we're in the center and we can

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<v Speaker 8>go off in any direction we want to, based on

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<v Speaker 8>what our interest is or what we're trying to accomplish.

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<v Speaker 8>So that is, in a nutshell, what chaos magic is.

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<v Speaker 8>Discordianism is a modern parody religion based on the worship

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<v Speaker 8>of the Greek goddess Eiras, who is the goddess of discord,

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<v Speaker 8>who is sort of a minor player in classical Greek mythology.

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<v Speaker 8>But the founders of Discordism in the late fifties learned

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<v Speaker 8>of you know, we're read something about Greek mythology and

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<v Speaker 8>learned there was a goddess of discord, and they thought

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<v Speaker 8>that was hilarious. So they decided to base a religion

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<v Speaker 8>around her. It was absolutely supposed to be a joke.

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<v Speaker 8>It was supposed to be a parody of organized religion

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<v Speaker 8>and just sort of a way to stewer organized religion.

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<v Speaker 8>But it caught on and people started taking it seriously.

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<v Speaker 8>So there are a lot of people out there taking

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<v Speaker 8>the not serious, very very seriously in practicing religion based

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<v Speaker 8>on that. And then witchcraft is that's one of those

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<v Speaker 8>things where you've asked, you know, ask ten people, get

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<v Speaker 8>a lot of answers. But in my mind, witchcraft is

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<v Speaker 8>just unauthorized magic. It is magical practice that is not

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<v Speaker 8>approved of by whatever the authorities or dominant groups happened

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<v Speaker 8>to be in a given culture. Chaos magic practitioners tend

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<v Speaker 8>to refer to themselves as magicians because they're still kind

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<v Speaker 8>of working within a societal structure, a chaos which, on

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<v Speaker 8>the other hand, is working sort of outside of the

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<v Speaker 8>dominant paradigm and kind of doing their own thing, not

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<v Speaker 8>only for their own benefit, but to kind of do

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<v Speaker 8>what they can to influence the world around. Hopefully any

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<v Speaker 8>of that made sense, I can try again.

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<v Speaker 10>It didn't well, And you said, you know, Airis, I mean,

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<v Speaker 10>she is a rather minor character in regard to the

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<v Speaker 10>whole story of discord and sowing that chaos and rolling

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<v Speaker 10>that golden apple in for the goddesses to determine, you know,

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<v Speaker 10>which one is the most beautiful. But at the same time,

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<v Speaker 10>she's also the spark or the catalyst that started the

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<v Speaker 10>Trojan War exactly.

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<v Speaker 8>And the thing with Aris, and I mentioned this in

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<v Speaker 8>the cast Apple, the thing with her mate, with that

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<v Speaker 8>kind of foundational myths of the Wedding of Thetis, is

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<v Speaker 8>that at any time someone could have made a different

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<v Speaker 8>decision and prevented the Trujan war.

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<v Speaker 7>Aris.

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<v Speaker 8>You know, Aris gave them opportunities, and all that had

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<v Speaker 8>to do was was make a different decision. In my mind,

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<v Speaker 8>if you're at a wedding banquet and a golden apple

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<v Speaker 8>marked for the fairest rolls into the room, you give

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<v Speaker 8>it to the bride. It's her special day, right, But

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<v Speaker 8>the goddesses didn't do that.

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<v Speaker 1>You know.

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<v Speaker 8>The reason they were having a wedding was because Zeus

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<v Speaker 8>had arranged a marriage because there was a prophecy that

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<v Speaker 8>any son of Thetus would overthrow him, so he was

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<v Speaker 8>trying to prevent that from happening. You know, the goddesses

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<v Speaker 8>all tried to bribe the judge. Hermes, you know, could

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<v Speaker 8>have picked a different judge. It just it was one

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<v Speaker 8>bad decision after another, and so the fault of it

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<v Speaker 8>can't really lie with Eiras. All she did was thrown

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<v Speaker 8>into the room and everybody mad decisions that resulted in

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<v Speaker 8>the well and.

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<v Speaker 10>That's the chaos.

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<v Speaker 7>Yeah, that is the.

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<v Speaker 8>But yeah, she she's always she's painted as the villain

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<v Speaker 8>of the story in retrospect. She was the milind one.

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<v Speaker 10>Yeah.

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<v Speaker 5>And an interesting story about the Principal Discordia or the

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<v Speaker 5>Lord Omar Kayam.

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<v Speaker 4>The guy who wrote it.

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<v Speaker 5>Carrie, interesting enough, has his own chaos, which is he

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<v Speaker 5>was brought in on charges of assassinating JFK. And so

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<v Speaker 5>a lot of people thought that, you know, so he

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<v Speaker 5>has this whole thing where he was maybe brainwashed into

379
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<v Speaker 5>thinking or like a man Cherian style candidate that like,

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00:21:21.119 --> 00:21:24.119
<v Speaker 5>because you know, Oswald was kind of thrown to the wolves.

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<v Speaker 5>But at the same time, Carry Thornley wrote a book

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<v Speaker 5>before the Principal Discordia that talked about this defector who

383
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<v Speaker 5>was upset with the United States, and that was actually

384
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<v Speaker 5>Oswald himself.

385
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<v Speaker 4>So they actually knew each other, Oswald and Carry they.

386
00:21:40.359 --> 00:21:45.119
<v Speaker 8>Were believes they were roommates at one point that Discordia.

387
00:21:45.160 --> 00:21:48.359
<v Speaker 8>There was Greg Hill, who renamed himself not Eclipse Younger,

388
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<v Speaker 8>and Carry Thornley, who renamed himself Lord O Markaiam Ravenhurst.

389
00:21:53.759 --> 00:21:57.160
<v Speaker 8>And Greg Hill was like an IBM programmer and was

390
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<v Speaker 8>sort of this very chill, quiet guy. Carry Thornley was

391
00:22:00.920 --> 00:22:05.559
<v Speaker 8>very countercultural, and yeah, wrote a whole book about you know,

392
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<v Speaker 8>like you were saying, kind of talking about his old

393
00:22:09.519 --> 00:22:14.000
<v Speaker 8>his old buddy Lee Harvey Oswald. He ended up under

394
00:22:14.079 --> 00:22:17.480
<v Speaker 8>a lot of scrutiny because of that. I don't know

395
00:22:17.559 --> 00:22:19.480
<v Speaker 8>that he thought that decision through very well.

396
00:22:20.200 --> 00:22:23.039
<v Speaker 5>Well, it's interesting how he became the very chaos that

397
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<v Speaker 5>Carry Thornton is, the very chaos that he was talking about.

398
00:22:25.640 --> 00:22:28.720
<v Speaker 5>It's very meta and if you got this many layered

399
00:22:28.799 --> 00:22:31.759
<v Speaker 5>nature of what's going on in the conspiratorial realms of

400
00:22:31.799 --> 00:22:34.559
<v Speaker 5>the sixties with the jfk assassination and then all of

401
00:22:34.559 --> 00:22:38.720
<v Speaker 5>a sudden, the same guy coincidentally creates the princip a Discordia,

402
00:22:39.079 --> 00:22:43.000
<v Speaker 5>and this this very thing that was disrupting the sixties counterculture,

403
00:22:43.240 --> 00:22:48.000
<v Speaker 5>which some think wasn't even counterculture, that actually was an

404
00:22:48.000 --> 00:22:51.240
<v Speaker 5>inorganic creation of the CIA's MK.

405
00:22:51.240 --> 00:22:52.599
<v Speaker 7>Ultra program right.

406
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<v Speaker 8>And you know it's funny that you would mention that

407
00:22:55.160 --> 00:22:58.880
<v Speaker 8>because in an interview one time, somebody asked carry Thornley

408
00:22:59.519 --> 00:23:02.640
<v Speaker 8>if he thought RAS was real, because, you know, like

409
00:23:02.680 --> 00:23:04.359
<v Speaker 8>I was saying earlier, the idea of this religion was

410
00:23:04.400 --> 00:23:06.279
<v Speaker 8>supposed to be a joke. It was supposed to be parady,

411
00:23:06.400 --> 00:23:11.000
<v Speaker 8>was supposed to be taken seriously. And so somebody asked Thornley,

412
00:23:11.039 --> 00:23:14.759
<v Speaker 8>you know, is RIS real? And his response was, if

413
00:23:14.799 --> 00:23:16.759
<v Speaker 8>I knew this was all going to come true, I

414
00:23:16.799 --> 00:23:19.920
<v Speaker 8>would have picked Venus very much. They did not mean

415
00:23:20.000 --> 00:23:23.160
<v Speaker 8>to create something, but by not intending to do so,

416
00:23:23.240 --> 00:23:26.440
<v Speaker 8>they ended up, you know, creating this religion that that

417
00:23:26.799 --> 00:23:28.359
<v Speaker 8>ended up being very real for a lot of people.

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<v Speaker 9>I actually have a couple of questions about Discordianism, a thumber.

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00:23:34.640 --> 00:23:37.759
<v Speaker 9>Who would you say is I know you addressed some

420
00:23:37.799 --> 00:23:41.119
<v Speaker 9>of them, but who would you say are important Discordians

421
00:23:41.119 --> 00:23:43.480
<v Speaker 9>for people to be aware of? Because I know it's

422
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<v Speaker 9>a kind of a controversial label, one that people have

423
00:23:49.240 --> 00:23:52.480
<v Speaker 9>cast dispersions against me sometimes simply because of some of

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00:23:52.480 --> 00:23:55.920
<v Speaker 9>my work on Tracy Twyman and you know, association with

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00:23:56.039 --> 00:23:58.599
<v Speaker 9>some leftown path people. So I just want to hear like,

426
00:23:58.759 --> 00:24:02.440
<v Speaker 9>who do you think is interesting Discordians that people should

427
00:24:02.480 --> 00:24:06.680
<v Speaker 9>know about? And do you have any connections with a

428
00:24:07.200 --> 00:24:08.000
<v Speaker 9>greater network?

429
00:24:09.200 --> 00:24:12.160
<v Speaker 8>So the Discordians I think people should probably know about

430
00:24:12.279 --> 00:24:14.640
<v Speaker 8>are as we were talking before we went on Robert

431
00:24:14.640 --> 00:24:20.160
<v Speaker 8>Anton Wilson, who outside of the Principia Discordia, his works

432
00:24:20.880 --> 00:24:24.720
<v Speaker 8>were very influential to Discordianism and he built on some

433
00:24:24.839 --> 00:24:33.319
<v Speaker 8>ideas that became kind of core to Discordianism. The Discordians

434
00:24:33.319 --> 00:24:35.799
<v Speaker 8>that people don't know are Discordians. And this is going

435
00:24:35.880 --> 00:24:38.680
<v Speaker 8>to be a very gen X kind of thing. But

436
00:24:38.799 --> 00:24:40.519
<v Speaker 8>have you ever heard of a band called the KLF

437
00:24:43.240 --> 00:24:46.240
<v Speaker 8>or They were sometimes known as the Nine Wards. They

438
00:24:46.240 --> 00:24:48.680
<v Speaker 8>had hits in the nineties, Three Am Eternal, They had

439
00:24:48.720 --> 00:24:50.839
<v Speaker 8>one song where Tandy Wnette. They were kind of a

440
00:24:50.920 --> 00:24:52.920
<v Speaker 8>dance band, but Tandy Winnette was the lead singer on

441
00:24:52.920 --> 00:24:55.319
<v Speaker 8>one of their songs. If you've ever gone to a

442
00:24:55.319 --> 00:24:57.559
<v Speaker 8>basketball game and you hear the doctor Who.

443
00:24:57.559 --> 00:24:59.599
<v Speaker 7>Song, the Doctor Who?

444
00:25:00.079 --> 00:25:03.279
<v Speaker 8>That was the KLF as the Time Awards. But they

445
00:25:03.279 --> 00:25:05.759
<v Speaker 8>were a Discordian band and they worked a lot of

446
00:25:05.839 --> 00:25:09.880
<v Speaker 8>Discordian concepts into their lyrics and they were huge in Britain.

447
00:25:10.200 --> 00:25:12.640
<v Speaker 8>They were they had a few hits in the US,

448
00:25:12.680 --> 00:25:17.599
<v Speaker 8>but they were huge overseas, and their fame kind of

449
00:25:17.640 --> 00:25:20.440
<v Speaker 8>came to an end because one day they announced that

450
00:25:20.480 --> 00:25:25.640
<v Speaker 8>they were going to burn a million pounds basically, you know,

451
00:25:25.640 --> 00:25:28.559
<v Speaker 8>a million pounds being just British currency. They were going

452
00:25:28.599 --> 00:25:31.039
<v Speaker 8>to burn a million dollars worth of it. And so

453
00:25:31.079 --> 00:25:32.759
<v Speaker 8>they went out to like a boat house and they

454
00:25:32.799 --> 00:25:37.039
<v Speaker 8>piled up stacks of British pound notes into a million

455
00:25:37.279 --> 00:25:38.960
<v Speaker 8>and set it on fire, and there were news crews

456
00:25:39.000 --> 00:25:41.920
<v Speaker 8>there and they burned a million pounds and everybody sort

457
00:25:41.960 --> 00:25:44.519
<v Speaker 8>of stood there awkwardly, and then the news crewise just

458
00:25:44.519 --> 00:25:49.359
<v Speaker 8>turned off their cameras and left, and it was very

459
00:25:49.440 --> 00:25:51.400
<v Speaker 8>I think it was very meaningful for them, or they

460
00:25:51.400 --> 00:25:54.839
<v Speaker 8>felt like they were doing something very meaningful, and afterwards

461
00:25:54.880 --> 00:25:57.759
<v Speaker 8>they were like, crap, we just destroyed a bunch of money.

462
00:25:58.240 --> 00:26:00.400
<v Speaker 8>It kind of realized that there wasn't really point to

463
00:26:00.440 --> 00:26:04.400
<v Speaker 8>it after all. Those are the names that I think

464
00:26:04.720 --> 00:26:10.480
<v Speaker 8>in terms of like Discordianism quietly influencing pop culture, those

465
00:26:10.480 --> 00:26:13.480
<v Speaker 8>are the names I think people should know. There are

466
00:26:13.480 --> 00:26:16.960
<v Speaker 8>other authors out there like Adam Golightly or go Rightly

467
00:26:17.839 --> 00:26:22.519
<v Speaker 8>and Bretton Clutterbuck who have done a lot of research

468
00:26:22.519 --> 00:26:25.319
<v Speaker 8>into the history of Discordianism and who are who are

469
00:26:25.759 --> 00:26:28.160
<v Speaker 8>publishing books that have a lot of information that just

470
00:26:28.160 --> 00:26:29.400
<v Speaker 8>people just don't normally.

471
00:26:29.079 --> 00:26:29.640
<v Speaker 7>Have access to.

472
00:26:30.440 --> 00:26:33.279
<v Speaker 8>So anyone who's interested in Discordianism should definitely look up

473
00:26:33.279 --> 00:26:37.880
<v Speaker 8>those authors. And then there is a website called Principia

474
00:26:37.920 --> 00:26:41.880
<v Speaker 8>Discordia dot com which has the Principia Online free to

475
00:26:41.920 --> 00:26:45.799
<v Speaker 8>read with forums where a lot of just random discordian

476
00:26:46.799 --> 00:26:48.720
<v Speaker 8>concepts get tossed around to the forums as well.

477
00:26:50.839 --> 00:26:53.400
<v Speaker 9>Thank you so much, appreciate that. That was a great answer.

478
00:26:54.279 --> 00:26:55.839
<v Speaker 7>Thank you.

479
00:26:55.839 --> 00:26:57.960
<v Speaker 3>You want to ask this some of big five dollars

480
00:26:57.960 --> 00:26:58.160
<v Speaker 3>for it.

481
00:26:58.240 --> 00:27:04.559
<v Speaker 6>So do you know the relationship between Discoridianism and intuitionism mathematics?

482
00:27:05.279 --> 00:27:06.920
<v Speaker 7>I do not, actually.

483
00:27:08.720 --> 00:27:11.680
<v Speaker 5>Interesting, I don't. This isn't a correct answer, obviously, but

484
00:27:12.160 --> 00:27:14.680
<v Speaker 5>there is a answer, and that answer would be maybe

485
00:27:15.000 --> 00:27:17.519
<v Speaker 5>some So when principal Discordia or and Discordanism, they have

486
00:27:17.559 --> 00:27:20.559
<v Speaker 5>the law of fives right. And then there's also the

487
00:27:20.640 --> 00:27:23.960
<v Speaker 5>idea of twenty three Skidoo, which is also then put

488
00:27:24.039 --> 00:27:28.039
<v Speaker 5>into the Book of Lies a whole chapter called twenty

489
00:27:28.119 --> 00:27:32.400
<v Speaker 5>three Skidoo, which is basically, get out, get out, get

490
00:27:32.440 --> 00:27:34.240
<v Speaker 5>out as fast as possible, you know what I mean,

491
00:27:35.319 --> 00:27:38.200
<v Speaker 5>and so you can and so, and throughout the Illuminatus

492
00:27:38.200 --> 00:27:42.799
<v Speaker 5>trilogy there was the two equals two plus three equals five.

493
00:27:43.240 --> 00:27:48.319
<v Speaker 5>There's the two to the two equals three degrees as

494
00:27:48.359 --> 00:27:50.720
<v Speaker 5>you walk up the Kabbalist try of life, which is

495
00:27:50.720 --> 00:27:53.759
<v Speaker 5>a you know, the degree structure of the Hermetic order

496
00:27:53.759 --> 00:27:56.200
<v Speaker 5>of the Golden Dawn. And so what they do is

497
00:27:56.240 --> 00:27:58.799
<v Speaker 5>they play. And then in the in the Taoist Ian

498
00:27:58.920 --> 00:28:04.039
<v Speaker 5>Yong's symbol, they actually principal Discordia took that as their symbol.

499
00:28:04.119 --> 00:28:06.759
<v Speaker 5>But instead of the two circles one black, one white,

500
00:28:06.799 --> 00:28:10.440
<v Speaker 5>it's one is the apple and one is the pentagon,

501
00:28:11.000 --> 00:28:15.160
<v Speaker 5>which is five. Then so it's order and chaos or

502
00:28:15.440 --> 00:28:18.640
<v Speaker 5>discord thank you, thank you, and yeah. And so it's

503
00:28:18.680 --> 00:28:21.920
<v Speaker 5>like maybe that could be related mathematically to whatever they're

504
00:28:21.960 --> 00:28:22.559
<v Speaker 5>talking about.

505
00:28:23.599 --> 00:28:26.240
<v Speaker 8>It certainly could be, and I will say hopefully this

506
00:28:26.279 --> 00:28:32.319
<v Speaker 8>ties in that a lot of like just as the

507
00:28:32.400 --> 00:28:35.799
<v Speaker 8>Internet was about to become a seeing, a lot of

508
00:28:35.920 --> 00:28:41.119
<v Speaker 8>computer programmers were both cast magicians and discordias. In England

509
00:28:41.200 --> 00:28:44.200
<v Speaker 8>when cast magic was sort of building steam in the seventies,

510
00:28:46.240 --> 00:28:49.039
<v Speaker 8>it was heavily influenced by ceremonial magic when it kind

511
00:28:49.039 --> 00:28:52.240
<v Speaker 8>of got important to the States. It got heavily influenced

512
00:28:52.240 --> 00:28:57.079
<v Speaker 8>by Discordianism. So all these kind of early computer programmers

513
00:28:57.880 --> 00:29:01.359
<v Speaker 8>were heavily influenced by this scordion and cast magic as

514
00:29:01.400 --> 00:29:02.680
<v Speaker 8>they were constructing the Internet.

515
00:29:05.440 --> 00:29:10.000
<v Speaker 10>Also, you have William Burrow's twenty three theory that he

516
00:29:10.079 --> 00:29:15.000
<v Speaker 10>has with the ship Captains and all the later got

517
00:29:15.079 --> 00:29:18.680
<v Speaker 10>kind of picked up within Robert Anton Wilson and the

518
00:29:18.720 --> 00:29:21.000
<v Speaker 10>Illuminatus kind of trilogy.

519
00:29:21.680 --> 00:29:25.279
<v Speaker 8>Yeah, within Discordianism, as was mentioned, there is the law

520
00:29:25.319 --> 00:29:30.720
<v Speaker 8>of fives that everything somehow equals five, and through that

521
00:29:30.759 --> 00:29:32.920
<v Speaker 8>the number twenty three became sacred because people is three

522
00:29:33.000 --> 00:29:36.440
<v Speaker 8>is five. But the yeah, the twenty three enigma is

523
00:29:36.839 --> 00:29:40.480
<v Speaker 8>is a crazy, crazy thing to dive into. Yeah, in

524
00:29:40.559 --> 00:29:43.519
<v Speaker 8>terms of the number of bizarre things that have happened

525
00:29:43.559 --> 00:29:47.480
<v Speaker 8>on the twenty third of a month, or that there's

526
00:29:47.519 --> 00:29:49.920
<v Speaker 8>actually a movie called I think it might just be

527
00:29:49.920 --> 00:29:53.440
<v Speaker 8>called twenty three, but it's it's just absolutely fascinating when

528
00:29:53.519 --> 00:29:56.039
<v Speaker 8>we when you go down that rabbit hole, you'll find

529
00:29:56.039 --> 00:29:59.799
<v Speaker 8>some crazy, crazy stuff. Oh yeah, I think the re

530
00:30:00.079 --> 00:30:02.279
<v Speaker 8>and why the number five was picked to be sacred

531
00:30:02.279 --> 00:30:06.759
<v Speaker 8>in Discordionism was again just sort of arbitrary to be funny,

532
00:30:06.880 --> 00:30:09.359
<v Speaker 8>and you know, just it's a number that can't really

533
00:30:09.400 --> 00:30:12.680
<v Speaker 8>be evenly divided into or whatever, so they it was

534
00:30:12.759 --> 00:30:18.240
<v Speaker 8>picked arbitrarily. But in Greek mythology, especially in the work

535
00:30:18.240 --> 00:30:21.319
<v Speaker 8>of Hesiod, the fifth day of the month was always

536
00:30:21.319 --> 00:30:25.440
<v Speaker 8>considered inauspicious because that was the day that Air escaped

537
00:30:25.480 --> 00:30:31.880
<v Speaker 8>birth to her son Horcas, and so, without intending to,

538
00:30:32.200 --> 00:30:36.039
<v Speaker 8>greg Hill and Cary Thornley inadvertently referenced classical Greek mythology

539
00:30:36.039 --> 00:30:39.319
<v Speaker 8>when they picked that number as sacred heras well.

540
00:30:39.359 --> 00:30:41.839
<v Speaker 10>And also with the five, the number, you know, you

541
00:30:41.920 --> 00:30:45.160
<v Speaker 10>have that pint alpha, you have the drooven foot, which

542
00:30:45.200 --> 00:30:48.839
<v Speaker 10>is the druide used to wear the star on their sandals.

543
00:30:49.160 --> 00:30:52.359
<v Speaker 10>You have this this idea of the five to the ten,

544
00:30:52.839 --> 00:30:55.880
<v Speaker 10>turning the man on his head and tapping horn. So

545
00:30:55.960 --> 00:30:59.119
<v Speaker 10>there's a lot of symbolical elements within the five itself

546
00:30:59.400 --> 00:31:02.519
<v Speaker 10>that relate to us as human beings.

547
00:31:02.920 --> 00:31:06.039
<v Speaker 8>Especially in the first edition of the Principi of Discordia,

548
00:31:06.079 --> 00:31:09.599
<v Speaker 8>there was a little kind of infographic of an upright

549
00:31:09.640 --> 00:31:13.000
<v Speaker 8>pentagram that was labeled good, and then there was an

550
00:31:13.000 --> 00:31:16.039
<v Speaker 8>inverted pentagram next to it that was labeled bad, and

551
00:31:16.839 --> 00:31:19.319
<v Speaker 8>the pentagram turned in a ninety degree eagle that was

552
00:31:19.440 --> 00:31:24.440
<v Speaker 8>labeled aristesque. So is the idea being that within Discordianism

553
00:31:24.440 --> 00:31:27.519
<v Speaker 8>there isn't really good or bad existence.

554
00:31:27.519 --> 00:31:29.359
<v Speaker 7>We're going in a different direction totally.

555
00:31:29.519 --> 00:31:31.839
<v Speaker 10>And that's kind of with any god or goddess that

556
00:31:31.880 --> 00:31:34.559
<v Speaker 10>you look at in the ancient world. There's always that,

557
00:31:34.640 --> 00:31:37.240
<v Speaker 10>you know, the life giver and.

558
00:31:37.160 --> 00:31:39.400
<v Speaker 7>The storm bringer as far as.

559
00:31:39.240 --> 00:31:40.440
<v Speaker 10>The dichotomy of the.

560
00:31:41.039 --> 00:31:43.559
<v Speaker 7>Two exactly exactly.

561
00:31:45.240 --> 00:31:47.400
<v Speaker 8>And that was one thing about Discordianism that I think

562
00:31:47.519 --> 00:31:50.839
<v Speaker 8>really appealed to me early on was that, you know,

563
00:31:50.880 --> 00:31:53.519
<v Speaker 8>within colastal mythology and within all world mythology, you know,

564
00:31:53.599 --> 00:31:55.480
<v Speaker 8>we do see the good and the bad of the gods.

565
00:31:55.480 --> 00:31:58.279
<v Speaker 8>We see we see the creative forces, we see the

566
00:31:58.279 --> 00:32:01.440
<v Speaker 8>destructive forces. And Harris was always just sort of this

567
00:32:01.680 --> 00:32:05.880
<v Speaker 8>kind of quasi villainous character. So within Accordianism, she has

568
00:32:05.920 --> 00:32:10.480
<v Speaker 8>given that creative side and she yeah, where she has

569
00:32:10.519 --> 00:32:15.519
<v Speaker 8>lifted up and seen as as more fun loving and happy,

570
00:32:15.559 --> 00:32:17.960
<v Speaker 8>go lucky versus just this kind of dour little character

571
00:32:17.960 --> 00:32:18.799
<v Speaker 8>from great mythology.

572
00:32:19.200 --> 00:32:19.400
<v Speaker 4>Right.

573
00:32:20.319 --> 00:32:23.680
<v Speaker 10>And well, it's interesting because I came across the principal

574
00:32:23.720 --> 00:32:28.680
<v Speaker 10>Discordia before the Internet really even happened, and I didn't

575
00:32:28.720 --> 00:32:31.200
<v Speaker 10>know it had anything to do with Robert Anton Wilson

576
00:32:31.279 --> 00:32:34.640
<v Speaker 10>until later and kind of just tie in all that

577
00:32:34.720 --> 00:32:38.799
<v Speaker 10>together and it's yeah, it's just been an interesting journey

578
00:32:39.119 --> 00:32:41.759
<v Speaker 10>going down the whole chaos road.

579
00:32:42.079 --> 00:32:42.240
<v Speaker 3>You know.

580
00:32:43.279 --> 00:32:47.680
<v Speaker 8>Robert Anton Wilson really developed the idea of the word schnord,

581
00:32:48.599 --> 00:32:51.319
<v Speaker 8>which in the parcipit of Discordia as just sort of

582
00:32:51.319 --> 00:32:54.799
<v Speaker 8>a random, throwaway, nonsense word, but then he built a

583
00:32:54.880 --> 00:33:00.599
<v Speaker 8>whole concept around it, where a is some thing put

584
00:33:00.759 --> 00:33:05.960
<v Speaker 8>in tech in print media specifically that makes you uncomfor

585
00:33:06.079 --> 00:33:08.519
<v Speaker 8>You can't people, everyone in the world is conditioned not

586
00:33:08.599 --> 00:33:12.799
<v Speaker 8>to be able to see the flwords. But they were

587
00:33:12.839 --> 00:33:16.559
<v Speaker 8>you put into like serious news articles and left out

588
00:33:16.720 --> 00:33:20.960
<v Speaker 8>of advertisements. So if you're reading a newspaper, you wouldn't

589
00:33:20.960 --> 00:33:22.799
<v Speaker 8>want you'd get uncomfortable if you tried to read what

590
00:33:22.839 --> 00:33:25.720
<v Speaker 8>was actually happening in the world, and instead you would

591
00:33:25.759 --> 00:33:28.359
<v Speaker 8>be drawn to the pretty pictures in the advertisements.

592
00:33:28.640 --> 00:33:28.839
<v Speaker 7>Right.

593
00:33:28.920 --> 00:33:32.400
<v Speaker 8>And so as characters go through their initiations and the

594
00:33:32.400 --> 00:33:35.480
<v Speaker 8>Illuminatus trilogy, there's the whole concept of I can see

595
00:33:35.480 --> 00:33:37.119
<v Speaker 8>the flords where one day they open up the bar

596
00:33:37.240 --> 00:33:40.759
<v Speaker 8>and they see the word snord everywhere, and they are deconditioning.

597
00:33:40.839 --> 00:33:43.880
<v Speaker 8>They are getting over those blocks that have been put

598
00:33:43.880 --> 00:33:45.839
<v Speaker 8>to keep them under control, right.

599
00:33:45.960 --> 00:33:49.640
<v Speaker 10>And well, and I don't know, you get into Robert

600
00:33:49.680 --> 00:33:55.200
<v Speaker 10>Anton Wilson in regard to him talking about his relationship,

601
00:33:55.599 --> 00:33:58.559
<v Speaker 10>his internal relationship with the ideas of the age of

602
00:33:58.680 --> 00:34:01.880
<v Speaker 10>mystic Sufi's and kind of when you go down that

603
00:34:02.000 --> 00:34:05.480
<v Speaker 10>Sufi road, you have this idea that nothing is either

604
00:34:06.759 --> 00:34:11.000
<v Speaker 10>you know, right or wrong, that everything that it gets

605
00:34:11.039 --> 00:34:13.599
<v Speaker 10>into kind of the cop the ideas of like cosmic

606
00:34:13.840 --> 00:34:15.960
<v Speaker 10>justice and kind of some of these things that are

607
00:34:16.000 --> 00:34:19.920
<v Speaker 10>outside of the scope of what the human understanding of.

608
00:34:20.320 --> 00:34:23.719
<v Speaker 10>You know, the dichotomy, dualism of right and wrong is.

609
00:34:23.400 --> 00:34:27.599
<v Speaker 8>Exactly exactly that's so many, at least according to Discordanism.

610
00:34:28.320 --> 00:34:33.119
<v Speaker 8>So many of those binary things are artificial constructions right there.

611
00:34:33.199 --> 00:34:35.199
<v Speaker 7>They are. They are man made.

612
00:34:35.119 --> 00:34:40.119
<v Speaker 8>Arbitrary concepts, and like order and disorder are man made

613
00:34:40.119 --> 00:34:44.360
<v Speaker 8>concepts that are a fractional reflection of creation and destruction.

614
00:34:46.239 --> 00:34:49.840
<v Speaker 8>But nothing really exists on a binary. Everything is a bimodality,

615
00:34:50.280 --> 00:34:54.079
<v Speaker 8>right Like you know, like if we think of of gender,

616
00:34:54.280 --> 00:34:56.199
<v Speaker 8>a lot of people will say gender as man and woman,

617
00:34:56.280 --> 00:34:58.400
<v Speaker 8>but they're you know, there are things that are definitely masculine.

618
00:34:58.440 --> 00:35:00.440
<v Speaker 8>There are things that are sort of masculine, things that

619
00:35:00.480 --> 00:35:02.719
<v Speaker 8>are kind of feminine but not really, there are things

620
00:35:02.719 --> 00:35:03.159
<v Speaker 8>that are.

621
00:35:03.199 --> 00:35:05.440
<v Speaker 7>That cannot be different.

622
00:35:06.119 --> 00:35:09.119
<v Speaker 8>Yeah, it's all kind of a spectrum with with high

623
00:35:09.119 --> 00:35:11.880
<v Speaker 8>points on it, and everything in the world really is

624
00:35:11.920 --> 00:35:14.280
<v Speaker 8>a lot more like that than just a binary or

625
00:35:14.320 --> 00:35:15.360
<v Speaker 8>a binary right and wrong.

626
00:35:15.960 --> 00:35:18.679
<v Speaker 10>Right, everything kind of lays in a gray area.

627
00:35:19.360 --> 00:35:26.639
<v Speaker 8>Yeah, Yeah, which is is I think tough for people

628
00:35:26.719 --> 00:35:30.159
<v Speaker 8>to get the brain around at times. Right, a lot

629
00:35:30.199 --> 00:35:32.199
<v Speaker 8>more comfortable to think in terms of right and wrong.

630
00:35:33.119 --> 00:35:37.400
<v Speaker 8>But that especially with like online pulkler and social media,

631
00:35:38.960 --> 00:35:40.519
<v Speaker 8>we get so caught up in the idea of right

632
00:35:40.519 --> 00:35:43.360
<v Speaker 8>and wrong that if somebody says some like, if somebody

633
00:35:43.440 --> 00:35:45.480
<v Speaker 8>puts out an idea that is different than the way

634
00:35:45.599 --> 00:35:48.400
<v Speaker 8>I would want to do it, instead of going, oh,

635
00:35:48.400 --> 00:35:49.559
<v Speaker 8>well that's how they do it, I'm going to do

636
00:35:49.559 --> 00:35:51.960
<v Speaker 8>things my way, the gut response is, well, you're telling

637
00:35:51.960 --> 00:35:53.679
<v Speaker 8>me I'm wrong because you're doing differently than me. And

638
00:35:53.719 --> 00:35:55.239
<v Speaker 8>if you're right, that means I have to be wrong,

639
00:35:55.760 --> 00:35:57.480
<v Speaker 8>and it's like we can we can all kind of

640
00:35:57.480 --> 00:35:57.840
<v Speaker 8>be right.

641
00:35:58.159 --> 00:36:01.320
<v Speaker 10>There's a thousand ways to do everything exactly.

642
00:36:03.159 --> 00:36:03.440
<v Speaker 1>Done one.

643
00:36:05.440 --> 00:36:10.360
<v Speaker 5>Yeah, fascinating enough, Also, is that the Discordians are using

644
00:36:10.480 --> 00:36:16.119
<v Speaker 5>the yin and the young symbol, which are two things

645
00:36:16.199 --> 00:36:18.519
<v Speaker 5>that then, you know, in the Daoist culture you have

646
00:36:18.800 --> 00:36:21.639
<v Speaker 5>or in Daoism you have Wu, which is the all nothingness,

647
00:36:21.679 --> 00:36:25.119
<v Speaker 5>the primordial ooz or chaos that separates into in and

648
00:36:25.280 --> 00:36:29.679
<v Speaker 5>yong and from one from nothing to you know, to

649
00:36:29.679 --> 00:36:33.320
<v Speaker 5>to the many. And so it's fascinating this how that

650
00:36:33.440 --> 00:36:36.519
<v Speaker 5>kind of works to explode into the myriad of many

651
00:36:36.599 --> 00:36:40.840
<v Speaker 5>things as then we move ourselves back up towards the

652
00:36:41.320 --> 00:36:47.000
<v Speaker 5>all primordial chaos organizational skill. Uh, it's just a fascinating

653
00:36:47.000 --> 00:36:49.440
<v Speaker 5>thing to think about as well when you move into

654
00:36:49.440 --> 00:36:52.519
<v Speaker 5>the un and the young, which isn't right or wrong obviously,

655
00:36:53.119 --> 00:36:57.840
<v Speaker 5>but it has this more young you know, it's two

656
00:36:57.840 --> 00:37:02.320
<v Speaker 5>full yin you know, to nothingness. And so these are

657
00:37:02.360 --> 00:37:05.599
<v Speaker 5>the things when they spin, right, that's the dynamism of

658
00:37:05.639 --> 00:37:08.239
<v Speaker 5>the tyching practice as they are working with the spiral

659
00:37:08.760 --> 00:37:12.079
<v Speaker 5>as that when you're doing it, you're creating the all everything,

660
00:37:12.119 --> 00:37:14.079
<v Speaker 5>the nuance within the world, so to speak.

661
00:37:15.079 --> 00:37:19.840
<v Speaker 8>Absolutely, the primordial chaos of Daoism is actually personified within

662
00:37:19.880 --> 00:37:25.159
<v Speaker 8>the percincity of discordia because in Daoism that primordial force

663
00:37:25.360 --> 00:37:29.159
<v Speaker 8>is called hung men or Hung Moan, and that name

664
00:37:29.280 --> 00:37:34.360
<v Speaker 8>translates to h It's like basically means either primordial miss

665
00:37:35.119 --> 00:37:41.440
<v Speaker 8>vast obscurity, or big goose dummy. And in Taoist philosophy,

666
00:37:42.559 --> 00:37:45.800
<v Speaker 8>Hung Meng is sort of this character who is very

667
00:37:45.880 --> 00:37:48.159
<v Speaker 8>much a trickster, and he's this primordial chaos, but he

668
00:37:48.199 --> 00:37:49.719
<v Speaker 8>just sort of pops up every once in a while

669
00:37:49.760 --> 00:37:52.880
<v Speaker 8>to shake things up. And in the Principia he is

670
00:37:52.920 --> 00:37:55.519
<v Speaker 8>listed as one of the apostles of Rais and he

671
00:37:55.559 --> 00:38:00.920
<v Speaker 8>sort of represents Daoism in Eastern thought and personifies the

672
00:38:00.960 --> 00:38:03.960
<v Speaker 8>contributions that those philosophies bring into Discordianism.

673
00:38:05.880 --> 00:38:08.800
<v Speaker 6>I have somebody asking here double entendres a form of

674
00:38:08.880 --> 00:38:09.599
<v Speaker 6>chaos magic.

675
00:38:11.440 --> 00:38:12.360
<v Speaker 7>They certainly could be.

676
00:38:13.599 --> 00:38:15.639
<v Speaker 10>That one of the double and triples.

677
00:38:16.280 --> 00:38:20.599
<v Speaker 9>Yeah, all magicians are word cells, and all magic is words.

678
00:38:21.280 --> 00:38:23.760
<v Speaker 9>That is the truth. That is from all the times

679
00:38:23.800 --> 00:38:27.239
<v Speaker 9>that like we have spent it doing the show, Like

680
00:38:27.480 --> 00:38:30.360
<v Speaker 9>all the people I've interviewed on my show, every single

681
00:38:30.760 --> 00:38:36.079
<v Speaker 9>magician left hand path, right hand path, institutional, non institutional

682
00:38:36.480 --> 00:38:39.800
<v Speaker 9>in general, they do have a writing practice in a way,

683
00:38:39.880 --> 00:38:42.360
<v Speaker 9>and so you must you must admit, like look at

684
00:38:42.360 --> 00:38:46.599
<v Speaker 9>Austin Osman spare like maybe the you know, primordial we'll

685
00:38:46.599 --> 00:38:52.039
<v Speaker 9>call him primordial Discordian. It's it's poems, it's illustrations, it's

686
00:38:52.119 --> 00:38:55.840
<v Speaker 9>mimetic before mimetics was a thing. And so you must

687
00:38:55.880 --> 00:38:59.519
<v Speaker 9>admit that the technology for a lot of chaos is

688
00:38:59.559 --> 00:39:01.400
<v Speaker 9>the words, right, I mean, but I just want to

689
00:39:01.400 --> 00:39:04.280
<v Speaker 9>say that it's It's absolutely true. The magician is the

690
00:39:04.320 --> 00:39:05.199
<v Speaker 9>words well of.

691
00:39:08.239 --> 00:39:12.159
<v Speaker 8>I think to find out if something is an expression

692
00:39:12.199 --> 00:39:14.920
<v Speaker 8>of cast magic, the best way to find out is

693
00:39:14.960 --> 00:39:18.559
<v Speaker 8>to try it out. And chast magic is very much

694
00:39:18.639 --> 00:39:22.119
<v Speaker 8>learned by doing so. If there is if somebody has

695
00:39:22.159 --> 00:39:26.920
<v Speaker 8>an idea of using double entendres and magical practice, do it,

696
00:39:26.960 --> 00:39:30.480
<v Speaker 8>see what happens. Like chast magic is all about the

697
00:39:30.599 --> 00:39:33.679
<v Speaker 8>f around and find out which you know, it's so

698
00:39:33.760 --> 00:39:38.519
<v Speaker 8>many occult disciplines there. You know, there's the idea of

699
00:39:38.440 --> 00:39:42.880
<v Speaker 8>of you know, guidelines and warnings and and you know, uh,

700
00:39:43.239 --> 00:39:46.559
<v Speaker 8>don't do X because X, you know Y and Z

701
00:39:46.760 --> 00:39:49.840
<v Speaker 8>will happen and you will the pendulum will swing back

702
00:39:49.920 --> 00:39:52.519
<v Speaker 8>upon you. And in cast magic, it's like, well, I'm

703
00:39:52.519 --> 00:39:54.760
<v Speaker 8>going to do it and see what happens. And if

704
00:39:54.800 --> 00:39:55.920
<v Speaker 8>it doesn't work the way I want it to, well

705
00:39:55.920 --> 00:39:59.679
<v Speaker 8>try something else. You know, belief very much is a tool.

706
00:40:00.000 --> 00:40:05.360
<v Speaker 8>And if if I'm going into a magical experiment, I'm

707
00:40:05.400 --> 00:40:07.480
<v Speaker 8>not going to go into it believing that if I

708
00:40:07.519 --> 00:40:09.320
<v Speaker 8>do this wrong, something bad is going to happen to me.

709
00:40:10.840 --> 00:40:13.039
<v Speaker 8>That's that doesn't do me any good. That's a belief

710
00:40:13.039 --> 00:40:16.559
<v Speaker 8>I can set aside for a different paradigm and focus

711
00:40:16.639 --> 00:40:17.199
<v Speaker 8>on I want.

712
00:40:17.079 --> 00:40:17.719
<v Speaker 7>To get results.

713
00:40:17.760 --> 00:40:21.480
<v Speaker 8>I'm going into this as objectively as possible to see

714
00:40:21.519 --> 00:40:22.960
<v Speaker 8>what happens and what can I do to make it

715
00:40:22.960 --> 00:40:23.760
<v Speaker 8>work better next time?

716
00:40:25.599 --> 00:40:28.679
<v Speaker 6>If you can too, I mean, I know we uh

717
00:40:29.079 --> 00:40:32.280
<v Speaker 6>touched on it, be full of on the practical I mean,

718
00:40:32.280 --> 00:40:35.719
<v Speaker 6>I guess, I guess I would say, all it's kind

719
00:40:35.719 --> 00:40:39.079
<v Speaker 6>of like hands on with chaos magic, he practical side.

720
00:40:40.199 --> 00:40:42.599
<v Speaker 3>What would be some practical technique? What would be techniques

721
00:40:42.639 --> 00:40:43.679
<v Speaker 3>behind chaos magic?

722
00:40:43.760 --> 00:40:47.519
<v Speaker 8>Or I think there really are And I'd say this

723
00:40:47.599 --> 00:40:50.000
<v Speaker 8>after just going off on nothing as a binary, there

724
00:40:50.000 --> 00:40:52.960
<v Speaker 8>are two really good places to start within chaos magic

725
00:40:53.079 --> 00:40:56.920
<v Speaker 8>and those are those are notice in paradigm.

726
00:40:56.559 --> 00:40:59.639
<v Speaker 6>Shifting night I was going to ask you about.

727
00:40:59.639 --> 00:41:05.280
<v Speaker 8>The paradigm is just basically what can be described as

728
00:41:05.280 --> 00:41:08.639
<v Speaker 8>getting into a tan state. It's the mental state necessary

729
00:41:08.639 --> 00:41:12.360
<v Speaker 8>to work magic. There are a lot of different ways

730
00:41:12.400 --> 00:41:15.840
<v Speaker 8>to do it. There there's excitatory methods where you you know,

731
00:41:16.000 --> 00:41:17.960
<v Speaker 8>dance around a whole bunch until you're kind of tranced

732
00:41:18.000 --> 00:41:21.199
<v Speaker 8>out and then you can make magic. There are inhibitory

733
00:41:21.679 --> 00:41:27.280
<v Speaker 8>you know, meditation, quiet meditation, trying to you know, center

734
00:41:27.360 --> 00:41:29.440
<v Speaker 8>yourself and be calm and still and get into that

735
00:41:29.480 --> 00:41:34.559
<v Speaker 8>state road Hypnosis is a form of nosising is a

736
00:41:34.559 --> 00:41:36.480
<v Speaker 8>form of nosis. When you know, like if you've ever

737
00:41:36.719 --> 00:41:39.480
<v Speaker 8>back in school, if you were ever writing a paper

738
00:41:39.760 --> 00:41:41.639
<v Speaker 8>and daydreaming and then you look down and you're just

739
00:41:41.679 --> 00:41:46.079
<v Speaker 8>like doodling on the page, that's a gnostic state. So

740
00:41:46.159 --> 00:41:50.880
<v Speaker 8>that's just something to keep in mind as we're trying

741
00:41:50.920 --> 00:41:55.559
<v Speaker 8>to practice within a charismatic Chasmatic paradigm is getting into

742
00:41:55.599 --> 00:42:00.679
<v Speaker 8>that kind of flow state. Paradigm shifting is basically the

743
00:42:00.760 --> 00:42:02.079
<v Speaker 8>ability to change belief.

744
00:42:02.079 --> 00:42:06.599
<v Speaker 7>It will the There's a there's.

745
00:42:06.360 --> 00:42:08.559
<v Speaker 8>A couple of sayings within chasm magic of belief as

746
00:42:08.599 --> 00:42:13.760
<v Speaker 8>a tool, a phrase that pops up a lot, which

747
00:42:14.480 --> 00:42:17.039
<v Speaker 8>specifically because of the illumin Host trilogy, nothing is true,

748
00:42:17.119 --> 00:42:20.880
<v Speaker 8>everything is permitted, or as it says in the Principiate Discordia,

749
00:42:20.920 --> 00:42:24.920
<v Speaker 8>everything is true. Even false things are true. So we

750
00:42:25.000 --> 00:42:27.320
<v Speaker 8>get to kind of decide what we believe, and we

751
00:42:27.360 --> 00:42:29.320
<v Speaker 8>can believe whatever we need to do to accomplish the

752
00:42:29.320 --> 00:42:34.119
<v Speaker 8>work at hand. It I think that sort of trips

753
00:42:34.119 --> 00:42:39.039
<v Speaker 8>people up sometimes because they think in terms of like, well, okay,

754
00:42:39.039 --> 00:42:41.519
<v Speaker 8>but I'm gonna so I'm gonna worship Greek gods, but

755
00:42:41.559 --> 00:42:44.679
<v Speaker 8>then I'm gonna worship Norse gods. But can I worship

756
00:42:44.679 --> 00:42:47.400
<v Speaker 8>a Greek and Norse god together? That's not really paradigm shifting.

757
00:42:47.519 --> 00:42:52.679
<v Speaker 8>That's just sort of an eclectic approached paganism, you know,

758
00:42:53.079 --> 00:42:57.159
<v Speaker 8>a paradigm shift would be okay. I normally tend to

759
00:42:57.239 --> 00:43:01.639
<v Speaker 8>think in sort of pantheistic terms, but for the purposes

760
00:43:01.800 --> 00:43:07.519
<v Speaker 8>of this working, I'm going to not believe in any gods.

761
00:43:07.519 --> 00:43:10.360
<v Speaker 8>I'm going to approach this as an atheist or i

762
00:43:10.800 --> 00:43:14.920
<v Speaker 8>approach this as a henotheist, and I'm going to say

763
00:43:14.960 --> 00:43:18.559
<v Speaker 8>that Eris is my primary goddess and she is the

764
00:43:18.559 --> 00:43:19.840
<v Speaker 8>one who is partant to me, and I'm not going

765
00:43:19.880 --> 00:43:21.639
<v Speaker 8>to worry about other gods, whether they exist or not.

766
00:43:23.320 --> 00:43:27.320
<v Speaker 8>It's it's those isms set of the paradigm, like how

767
00:43:27.320 --> 00:43:31.840
<v Speaker 8>we how we see spirituality as a whole. It doesn't

768
00:43:31.840 --> 00:43:35.440
<v Speaker 8>exist yet, Things that haven't been believed, you know, whether

769
00:43:35.480 --> 00:43:40.440
<v Speaker 8>it's our values or our perception of the divine, those

770
00:43:40.440 --> 00:43:44.000
<v Speaker 8>things kind of shift on their own organically. Paradigm shifting

771
00:43:44.159 --> 00:43:47.480
<v Speaker 8>is doing it intentionally, right. The best example that I

772
00:43:47.639 --> 00:43:51.960
<v Speaker 8>that I have on hand for for paradigm shifting is there.

773
00:43:52.119 --> 00:43:54.079
<v Speaker 8>And this is really because I often get asked, what's

774
00:43:54.079 --> 00:43:58.199
<v Speaker 8>the difference between eclectic witchcraft and chaos witchcraft? And in

775
00:43:58.280 --> 00:44:02.000
<v Speaker 8>eclectic witchcraft, we are assembling a practice around our beliefs,

776
00:44:02.840 --> 00:44:04.440
<v Speaker 8>like we have an idea of what witchcraft is and

777
00:44:04.480 --> 00:44:06.159
<v Speaker 8>maybe what God's we want to venerate, and we're going

778
00:44:06.239 --> 00:44:09.159
<v Speaker 8>to figure out how to do that. Within chaos witchcraft,

779
00:44:09.239 --> 00:44:12.880
<v Speaker 8>we are assembling beliefs around our practice. And the best

780
00:44:12.920 --> 00:44:14.760
<v Speaker 8>example I can say I've been able to take up

781
00:44:14.800 --> 00:44:19.599
<v Speaker 8>so far is there is an old Irish folk charm

782
00:44:19.880 --> 00:44:23.119
<v Speaker 8>that comes from a book called Mystic Charm Irish Charms,

783
00:44:23.159 --> 00:44:25.800
<v Speaker 8>Mystic Cures and Superstitions by Lady Jane Wilde.

784
00:44:25.800 --> 00:44:26.599
<v Speaker 7>Oscar Wilde's mom.

785
00:44:26.719 --> 00:44:29.800
<v Speaker 8>She was a folkworist, so she had collected the spell

786
00:44:30.760 --> 00:44:34.039
<v Speaker 8>on how to become invisible, and it was you get

787
00:44:34.320 --> 00:44:37.239
<v Speaker 8>the heart of a raven and you cut it open

788
00:44:37.360 --> 00:44:39.800
<v Speaker 8>and you put three black beans in it, and then

789
00:44:39.880 --> 00:44:42.280
<v Speaker 8>you bury the heart, and then the bean the bean

790
00:44:42.320 --> 00:44:44.760
<v Speaker 8>tree grows, and then you take one of the beans

791
00:44:44.760 --> 00:44:47.440
<v Speaker 8>and place it under your mouth and you like recite

792
00:44:47.480 --> 00:44:50.239
<v Speaker 8>an invocation to Satan and then you can become visible.

793
00:44:52.039 --> 00:44:55.599
<v Speaker 8>And so let's if I'm going to go through it right, like,

794
00:44:55.679 --> 00:44:58.920
<v Speaker 8>let's say I've decided to try the spell and I

795
00:44:59.039 --> 00:45:01.000
<v Speaker 8>just happened to have a raven heart lying around, because

796
00:45:01.000 --> 00:45:03.360
<v Speaker 8>of course I do. And you have to have a

797
00:45:03.360 --> 00:45:06.280
<v Speaker 8>black handled knife as well. The color black is very important.

798
00:45:06.320 --> 00:45:10.159
<v Speaker 8>It all ties in because as well, so blackbird, black knives,

799
00:45:10.199 --> 00:45:14.599
<v Speaker 8>black being. I happen to have a raven heart, I've

800
00:45:14.599 --> 00:45:17.599
<v Speaker 8>got some black beings. I'm down to do this. And

801
00:45:17.599 --> 00:45:20.559
<v Speaker 8>then I get to the invocation to Satan. If I'm

802
00:45:20.559 --> 00:45:22.880
<v Speaker 8>coming at it from an eclective point of view, I'm

803
00:45:22.920 --> 00:45:25.760
<v Speaker 8>going to go, well, Satan really is a part of

804
00:45:25.760 --> 00:45:28.480
<v Speaker 8>my pagan beliefs. So I'm going to start thinking about

805
00:45:28.639 --> 00:45:33.599
<v Speaker 8>what gods or goddesses might relate to invisibility and what

806
00:45:33.679 --> 00:45:36.159
<v Speaker 8>God and goddesses might relate to vegetation, because this is

807
00:45:36.199 --> 00:45:39.199
<v Speaker 8>something growing and is there a connection there? Well, HETEs

808
00:45:39.280 --> 00:45:41.760
<v Speaker 8>is sort of about invisibility, and he had that magic

809
00:45:41.840 --> 00:45:43.840
<v Speaker 8>helmet that made him invisible and his wife is Persephony

810
00:45:43.840 --> 00:45:46.920
<v Speaker 8>and choose the goddess of vegetation. So I can rewrite

811
00:45:46.920 --> 00:45:50.760
<v Speaker 8>the invocation to Hades and Persephony and it'll probably work

812
00:45:50.840 --> 00:45:53.679
<v Speaker 8>because like I'm doing everything else correctly, so this it

813
00:45:53.719 --> 00:45:58.719
<v Speaker 8>would just be easier to worship Satan for five seconds.

814
00:46:00.360 --> 00:46:03.519
<v Speaker 8>Like I'm gonna do my little location to Satan. I'm

815
00:46:03.559 --> 00:46:06.679
<v Speaker 8>gonna pop the Bible in my mouth. If I turn invisible, noted.

816
00:46:06.800 --> 00:46:08.920
<v Speaker 8>If I don't turn invisible, then maybe I'll try it.

817
00:46:08.920 --> 00:46:14.239
<v Speaker 8>With's taking gods and seeing I love it, and that's

818
00:46:14.320 --> 00:46:16.719
<v Speaker 8>that's for me. That's the big difference. That's assembling the

819
00:46:16.719 --> 00:46:17.760
<v Speaker 8>belief around the practice.

820
00:46:18.840 --> 00:46:23.320
<v Speaker 6>Yeah, all right, did any of you guys have any

821
00:46:23.320 --> 00:46:25.119
<v Speaker 6>more Did any of you guys have any more questions

822
00:46:25.119 --> 00:46:26.159
<v Speaker 6>on maybe on the paradigm shift.

823
00:46:26.199 --> 00:46:26.920
<v Speaker 7>I want to jump over.

824
00:46:26.880 --> 00:46:30.039
<v Speaker 3>Decisions, so in case anybody have something on that or

825
00:46:30.079 --> 00:46:31.039
<v Speaker 3>any other questions.

826
00:46:31.679 --> 00:46:33.960
<v Speaker 5>Do you think that you need an actual paradigm to

827
00:46:34.000 --> 00:46:34.519
<v Speaker 5>be able to.

828
00:46:34.400 --> 00:46:35.199
<v Speaker 7>Make it a shift?

829
00:46:36.880 --> 00:46:41.199
<v Speaker 8>H That's a good question, and I uh, I think

830
00:46:41.199 --> 00:46:46.880
<v Speaker 8>the term paradigm is fairly broad. I think just actually

831
00:46:46.920 --> 00:46:49.800
<v Speaker 8>I'm gonna go back to the principia because within the

832
00:46:49.840 --> 00:46:53.519
<v Speaker 8>Principitouscordia culture is defined as a group of people who

833
00:46:53.519 --> 00:46:55.360
<v Speaker 8>are looking through the world, looking at the world through

834
00:46:55.400 --> 00:46:59.320
<v Speaker 8>a particular grid. Each culture has their own grid. And

835
00:46:59.840 --> 00:47:03.840
<v Speaker 8>if we don't necessarily have a belief system to shift

836
00:47:03.880 --> 00:47:06.719
<v Speaker 8>into or out of, we can still shift our perception.

837
00:47:06.800 --> 00:47:09.719
<v Speaker 8>We can still look at things the way someone else

838
00:47:09.800 --> 00:47:11.400
<v Speaker 8>might look at it, and that would still count as

839
00:47:11.400 --> 00:47:11.840
<v Speaker 8>a shift.

840
00:47:12.639 --> 00:47:16.480
<v Speaker 10>Well. And Robert d'antowen Wilson, he specifically talks about this

841
00:47:16.639 --> 00:47:20.360
<v Speaker 10>in regard to the mind tunnels.

842
00:47:20.639 --> 00:47:22.880
<v Speaker 8>Yeah, reality tunnels, reality tunnels.

843
00:47:22.920 --> 00:47:28.079
<v Speaker 5>Yeah, yeah, yeah, so and so we're trying to always

844
00:47:28.199 --> 00:47:32.039
<v Speaker 5>talk about the concrete reality, the objective truth, but in

845
00:47:32.079 --> 00:47:36.840
<v Speaker 5>doing so, our language is adding different levels of abstractions.

846
00:47:36.880 --> 00:47:39.559
<v Speaker 5>And he has it as a pyramidal structure going all

847
00:47:39.599 --> 00:47:43.079
<v Speaker 5>the way up to the general abstraction of whatever truth

848
00:47:43.199 --> 00:47:44.440
<v Speaker 5>or freedom or these things are.

849
00:47:44.800 --> 00:47:47.599
<v Speaker 4>But it's reports of reports, and through.

850
00:47:47.440 --> 00:47:51.599
<v Speaker 5>Our changing of paradigm, we change our understanding of the

851
00:47:51.760 --> 00:47:56.480
<v Speaker 5>actual concrete truth in and of itself, which is there.

852
00:47:56.559 --> 00:47:59.760
<v Speaker 5>Because without that we can't have or talk about anything

853
00:48:00.079 --> 00:48:00.639
<v Speaker 5>that's right.

854
00:48:00.960 --> 00:48:03.320
<v Speaker 10>That's very platonic in nat very.

855
00:48:03.119 --> 00:48:07.360
<v Speaker 8>Patonic, and I'm a platonist, So there's that I randomly

856
00:48:07.400 --> 00:48:09.920
<v Speaker 8>have an anecdote that ties into what you're saying about

857
00:48:09.920 --> 00:48:13.519
<v Speaker 8>the about perception we've been talking about Robert ATW.

858
00:48:13.519 --> 00:48:14.920
<v Speaker 7>Wilson and the Illuminatus Trilogy.

859
00:48:15.480 --> 00:48:19.639
<v Speaker 8>It was turned into a nine hour stage play directed

860
00:48:19.639 --> 00:48:22.360
<v Speaker 8>by and productions of it happened and it was directed

861
00:48:22.360 --> 00:48:25.800
<v Speaker 8>by a guy named Ken Campbell, and one night during

862
00:48:25.800 --> 00:48:29.159
<v Speaker 8>a performance backstage, he and his wife conceived the daughter,

863
00:48:29.960 --> 00:48:33.679
<v Speaker 8>and uh, her name, her name was Daisy, Daisy Aris

864
00:48:33.679 --> 00:48:35.719
<v Speaker 8>Campbell was her full name. They named her after Aarics

865
00:48:36.360 --> 00:48:38.159
<v Speaker 8>And she grew up to be sort of a free

866
00:48:38.199 --> 00:48:41.960
<v Speaker 8>spirit and a performer and a libertine. And one day

867
00:48:42.880 --> 00:48:46.119
<v Speaker 8>some her family got together and said, hey, Daisy, uh,

868
00:48:46.199 --> 00:48:48.960
<v Speaker 8>we're gonna we need to go file a police report,

869
00:48:49.239 --> 00:48:52.519
<v Speaker 8>and uh, you're the only You're the only reliable.

870
00:48:52.119 --> 00:48:53.519
<v Speaker 7>Witness we have. Will you come with us?

871
00:48:53.559 --> 00:48:55.800
<v Speaker 8>And she said okay, sure, and they get in the

872
00:48:55.840 --> 00:48:59.000
<v Speaker 8>car and it turns out they were like, surprise, we're

873
00:48:59.039 --> 00:49:02.079
<v Speaker 8>not going to go give a statement. We're having you institutionalized.

874
00:49:02.119 --> 00:49:04.559
<v Speaker 8>We just needed to get you in more. And she

875
00:49:04.719 --> 00:49:06.280
<v Speaker 8>threw a fit and she was like, I am not

876
00:49:06.480 --> 00:49:08.599
<v Speaker 8>I am not insane. I do not need to be institutionalized.

877
00:49:08.639 --> 00:49:10.199
<v Speaker 8>All I need right now is a copy of Soap

878
00:49:10.199 --> 00:49:13.360
<v Speaker 8>Opera Digest. And she threw this huge fit about Soap

879
00:49:13.360 --> 00:49:16.199
<v Speaker 8>Opera Digest, so big that they pulled over, and she

880
00:49:16.280 --> 00:49:18.119
<v Speaker 8>stormed into a convenience store and bought a copy of

881
00:49:18.159 --> 00:49:21.440
<v Speaker 8>Soap Opera Digests and she tore it open and the

882
00:49:21.559 --> 00:49:24.960
<v Speaker 8>article she turned to the headline was Daisy Goes Crazy

883
00:49:25.880 --> 00:49:27.559
<v Speaker 8>and so the most magazine. And she got back in

884
00:49:27.559 --> 00:49:29.679
<v Speaker 8>the car and she said, I'd like to institutional.

885
00:49:29.119 --> 00:49:31.559
<v Speaker 10>Lifestyle please synchronicities.

886
00:49:32.360 --> 00:49:35.719
<v Speaker 8>Yeah, and that is my favorite discordant story at all time.

887
00:49:35.800 --> 00:49:43.599
<v Speaker 6>Yeah, yeah, all right, so, uh sigils?

888
00:49:44.159 --> 00:49:44.360
<v Speaker 1>Yes?

889
00:49:44.840 --> 00:49:46.239
<v Speaker 3>Is that like a big Is that a big part

890
00:49:46.239 --> 00:49:47.280
<v Speaker 3>of your chaos magic?

891
00:49:48.679 --> 00:49:50.920
<v Speaker 8>The way it is, the way I do them is

892
00:49:50.920 --> 00:49:53.320
<v Speaker 8>differently than a lot of people do them. I think

893
00:49:53.519 --> 00:49:58.840
<v Speaker 8>sigils the modern concept of sigils is really comes from

894
00:49:59.639 --> 00:50:03.840
<v Speaker 8>often husband Spaar's work filtered through an early cast magician

895
00:50:03.920 --> 00:50:09.679
<v Speaker 8>named Gray Sherwin, and has now within modern occult spaces

896
00:50:09.719 --> 00:50:12.639
<v Speaker 8>been very crystallized. Like you write out your intent and

897
00:50:12.679 --> 00:50:14.519
<v Speaker 8>you cross out the letters and you put the letters

898
00:50:14.519 --> 00:50:17.519
<v Speaker 8>into a pattern and you create a sigil. And a

899
00:50:17.519 --> 00:50:20.079
<v Speaker 8>lot of people think that is how you make sigels.

900
00:50:20.559 --> 00:50:24.440
<v Speaker 8>That is one way of making sigils. The way I

901
00:50:24.559 --> 00:50:26.039
<v Speaker 8>make them, and I talk about this in the book,

902
00:50:26.320 --> 00:50:29.400
<v Speaker 8>is almost sort of automatic writing, where I sort of

903
00:50:30.039 --> 00:50:31.639
<v Speaker 8>get a story going in my head of what I

904
00:50:31.639 --> 00:50:33.920
<v Speaker 8>want to see happen, of the reality that I that

905
00:50:33.960 --> 00:50:36.519
<v Speaker 8>I want to perceive, that I want to experience, and

906
00:50:36.559 --> 00:50:39.840
<v Speaker 8>then I just sort of without looking at the paper,

907
00:50:40.000 --> 00:50:41.679
<v Speaker 8>just let my hand kind of holding the pen do

908
00:50:41.719 --> 00:50:44.400
<v Speaker 8>whatever it wants, and when the story comes to a

909
00:50:44.440 --> 00:50:46.719
<v Speaker 8>close in my head, then I have my sgul that

910
00:50:46.760 --> 00:50:49.880
<v Speaker 8>I can do whatever I want with. I do think

911
00:50:49.880 --> 00:50:51.159
<v Speaker 8>sigils are very efficient.

912
00:50:52.079 --> 00:50:52.480
<v Speaker 1>They are.

913
00:50:55.480 --> 00:50:57.400
<v Speaker 7>They are a good way of.

914
00:50:59.159 --> 00:51:01.920
<v Speaker 8>Kind of getting into that gnostic state, especially in the

915
00:51:02.119 --> 00:51:06.920
<v Speaker 8>inhibitory way of you know, whether it's you know, just

916
00:51:07.039 --> 00:51:09.480
<v Speaker 8>drawing a doodle or whether it's breaking down letters and

917
00:51:09.519 --> 00:51:12.840
<v Speaker 8>rearranging them to create a shape. All those help us

918
00:51:12.880 --> 00:51:16.559
<v Speaker 8>get into that gnostic state and then we Yeah, I

919
00:51:16.599 --> 00:51:18.280
<v Speaker 8>think I think they are very convenient. I think they're

920
00:51:18.360 --> 00:51:22.039
<v Speaker 8>very efficient. But I will I will die on the hill.

921
00:51:22.519 --> 00:51:24.920
<v Speaker 8>There is an infinite variety of ways to make ways

922
00:51:24.920 --> 00:51:28.360
<v Speaker 8>to make them.

923
00:51:28.599 --> 00:51:31.719
<v Speaker 5>Don't you think that there are better ways than other ways?

924
00:51:31.800 --> 00:51:33.440
<v Speaker 1>Though or not?

925
00:51:33.639 --> 00:51:35.280
<v Speaker 7>I think there are.

926
00:51:37.320 --> 00:51:39.519
<v Speaker 8>I think the right way to make sigils is always

927
00:51:39.519 --> 00:51:42.599
<v Speaker 8>going to be individual because the way I make sigils

928
00:51:42.639 --> 00:51:45.000
<v Speaker 8>may not, you know, may not work for somebody else.

929
00:51:45.039 --> 00:51:47.840
<v Speaker 8>A friend of mine made amazing sigils using the kind

930
00:51:47.880 --> 00:51:51.000
<v Speaker 8>of standard write the letters out that worked so well

931
00:51:51.039 --> 00:51:53.000
<v Speaker 8>for her that never worked quite as well for me.

932
00:51:54.119 --> 00:51:58.519
<v Speaker 8>The doodling method gets meet great results. I really I

933
00:51:58.559 --> 00:52:00.880
<v Speaker 8>think that the when it comes to just witchcraft or

934
00:52:00.880 --> 00:52:03.840
<v Speaker 8>magic in general, I don't think there's ever a right

935
00:52:03.920 --> 00:52:08.880
<v Speaker 8>or wrong. I do think there's inefficient. And if we

936
00:52:09.400 --> 00:52:11.320
<v Speaker 8>with sigils, if we get it in our heads that

937
00:52:11.320 --> 00:52:13.760
<v Speaker 8>there's only this very specific way to do it and

938
00:52:13.840 --> 00:52:15.559
<v Speaker 8>we have to do it that way, whether it works

939
00:52:15.559 --> 00:52:17.519
<v Speaker 8>for us or not, that's inefficient.

940
00:52:19.880 --> 00:52:20.079
<v Speaker 3>You know.

941
00:52:20.119 --> 00:52:22.360
<v Speaker 8>Finding a better way for us individually is always going

942
00:52:22.400 --> 00:52:22.920
<v Speaker 8>to work better.

943
00:52:23.400 --> 00:52:23.599
<v Speaker 1>Yeah.

944
00:52:23.599 --> 00:52:27.119
<v Speaker 10>And I think as an artist, when you're creating a

945
00:52:27.199 --> 00:52:33.840
<v Speaker 10>creation process of manufacturing whatever your perceived reality is, and

946
00:52:34.119 --> 00:52:37.679
<v Speaker 10>if you break it down to a formulae or make

947
00:52:37.719 --> 00:52:43.159
<v Speaker 10>it formulaic, it kind of loses spontity in the natural

948
00:52:43.360 --> 00:52:48.519
<v Speaker 10>energy of creativity. So I think that that variety of

949
00:52:49.239 --> 00:52:53.239
<v Speaker 10>you know, possibility, leaves kind of the embers to grow

950
00:52:53.320 --> 00:52:54.039
<v Speaker 10>over the arder.

951
00:52:55.440 --> 00:52:55.880
<v Speaker 7>I don't think.

952
00:52:55.960 --> 00:52:57.760
<v Speaker 8>I don't think having a framework is ever a bad

953
00:52:57.760 --> 00:53:00.719
<v Speaker 8>idea of likes something that I know works for me.

954
00:53:00.760 --> 00:53:02.559
<v Speaker 8>So I'm gonna stick within that framework because i know

955
00:53:02.599 --> 00:53:06.079
<v Speaker 8>I get results. But I'm never going to be afraid

956
00:53:06.079 --> 00:53:11.559
<v Speaker 8>to experiment within that framework, right right, you know, And

957
00:53:12.199 --> 00:53:16.320
<v Speaker 8>that's how our practices can get very very specialized but

958
00:53:16.400 --> 00:53:19.480
<v Speaker 8>very uniquely tailor does where they may not look anything else,

959
00:53:19.519 --> 00:53:21.320
<v Speaker 8>but if I'm getting results, I'm not gonna worry about.

960
00:53:21.079 --> 00:53:24.639
<v Speaker 10>That, right And and with money art form the craft,

961
00:53:25.199 --> 00:53:28.840
<v Speaker 10>you're essentially learning your pool and then you learn the

962
00:53:28.920 --> 00:53:34.800
<v Speaker 10>nuance elements of how to you know, slightly manipulated them

963
00:53:34.880 --> 00:53:39.280
<v Speaker 10>to get more exact, you know, servitude out of them.

964
00:53:40.280 --> 00:53:42.320
<v Speaker 3>Oh yes, now there's you have some other things you

965
00:53:42.400 --> 00:53:43.960
<v Speaker 3>hit that from that interesting.

966
00:53:43.800 --> 00:53:48.280
<v Speaker 6>Moon water and uh, I mean you got classic practices moonwater,

967
00:53:48.360 --> 00:53:49.400
<v Speaker 6>cord coting and anointing.

968
00:53:49.559 --> 00:53:52.480
<v Speaker 3>What does chaos and discording and framing adds to these basics.

969
00:53:54.840 --> 00:54:00.119
<v Speaker 8>So with moonwater specifically, moonwater is something that for some

970
00:54:00.199 --> 00:54:03.239
<v Speaker 8>reason like gets under my skin when and I think

971
00:54:03.920 --> 00:54:06.519
<v Speaker 8>that the moonwater craze seems to have died down in

972
00:54:06.559 --> 00:54:12.039
<v Speaker 8>online spaces, but for a while, like you know, you know, hey, witches,

973
00:54:12.280 --> 00:54:16.199
<v Speaker 8>who's making moon water? Tonight and like you're putting water

974
00:54:16.239 --> 00:54:20.559
<v Speaker 8>in the jar and the moon controls the tides. Water

975
00:54:20.679 --> 00:54:23.440
<v Speaker 8>is all. We don't have to make the water more moonish, right,

976
00:54:23.639 --> 00:54:28.119
<v Speaker 8>Like that used to just make me crazy, so but

977
00:54:28.199 --> 00:54:32.079
<v Speaker 8>people were also really stressing out about it, like, you know,

978
00:54:32.239 --> 00:54:37.039
<v Speaker 8>did I did I make my moonwater correctly? Moon water incorrectly?

979
00:54:37.480 --> 00:54:41.880
<v Speaker 8>So I wanted to give some ideas of like variations

980
00:54:41.880 --> 00:54:45.320
<v Speaker 8>of just putting water on the windowsill at night and

981
00:54:45.400 --> 00:54:48.639
<v Speaker 8>getting into the idea of willow water and you know,

982
00:54:48.679 --> 00:54:53.679
<v Speaker 8>of soaking water, willow clicks and water, because the main ingredient,

983
00:54:53.840 --> 00:54:55.880
<v Speaker 8>which is an old help tonic and is you know,

984
00:54:56.039 --> 00:54:59.000
<v Speaker 8>farmers will pour willow water into the roots of plants

985
00:54:59.679 --> 00:55:01.320
<v Speaker 8>and the bill is a tree that's sort of ruled

986
00:55:01.320 --> 00:55:06.519
<v Speaker 8>by the moon. But it's the ingredients in willow that

987
00:55:06.599 --> 00:55:10.519
<v Speaker 8>make it use make it useful as like a topical anesthetic.

988
00:55:12.159 --> 00:55:15.199
<v Speaker 8>Are the same are process to make aspirin?

989
00:55:15.800 --> 00:55:16.039
<v Speaker 10>Yes?

990
00:55:16.559 --> 00:55:18.400
<v Speaker 8>So I was like, if you really want like useful

991
00:55:18.440 --> 00:55:21.360
<v Speaker 8>moon water, My whole thing was like, get an aspirin.

992
00:55:21.440 --> 00:55:24.719
<v Speaker 8>It's a little little, tiny moon And if you've got

993
00:55:24.760 --> 00:55:26.840
<v Speaker 8>a tiny little pan, you can carve a tiny little

994
00:55:26.880 --> 00:55:29.559
<v Speaker 8>sigil on your aspirin and dissolve that water. You have

995
00:55:29.679 --> 00:55:32.559
<v Speaker 8>just made willow water, which is a traditional lunar water.

996
00:55:34.039 --> 00:55:36.440
<v Speaker 8>I wanted people to think outside the box in that

997
00:55:36.480 --> 00:55:39.679
<v Speaker 8>respect and not get so caught up in the idea

998
00:55:39.679 --> 00:55:44.119
<v Speaker 8>of right and wrong over something so simple as putting

999
00:55:44.199 --> 00:55:44.800
<v Speaker 8>water in.

1000
00:55:44.760 --> 00:55:45.800
<v Speaker 7>A jar on the window.

1001
00:55:46.599 --> 00:55:49.800
<v Speaker 10>And interestingly, as far as the whole willow thing within

1002
00:55:49.880 --> 00:55:53.239
<v Speaker 10>the towel mood, they talk about not planting a willow

1003
00:55:53.239 --> 00:55:56.239
<v Speaker 10>tree next to a well because the roots were going

1004
00:55:56.280 --> 00:55:58.960
<v Speaker 10>into the well and by drinking that water on a

1005
00:55:59.000 --> 00:56:02.320
<v Speaker 10>regular basis, it'll actually pull the energy.

1006
00:56:02.039 --> 00:56:02.480
<v Speaker 1>Out of you.

1007
00:56:03.880 --> 00:56:09.280
<v Speaker 8>That makes sense absolutely, that that numbing quality of the willow.

1008
00:56:11.679 --> 00:56:13.840
<v Speaker 8>But so that's like with the with the moon water.

1009
00:56:13.960 --> 00:56:15.360
<v Speaker 8>That was kind of my take on it, of like,

1010
00:56:15.400 --> 00:56:17.400
<v Speaker 8>we don't have to get stressed out about this, and

1011
00:56:17.440 --> 00:56:19.559
<v Speaker 8>we can do it, and we can find other efficient

1012
00:56:19.559 --> 00:56:25.800
<v Speaker 8>ways to do it. With cord cutting people that that's

1013
00:56:25.840 --> 00:56:27.639
<v Speaker 8>another thing where people get really caught up in the

1014
00:56:27.639 --> 00:56:31.119
<v Speaker 8>cord cutting spells and the elaborate tying the you know,

1015
00:56:31.159 --> 00:56:33.159
<v Speaker 8>the piece of thread to the two candles, and you

1016
00:56:33.280 --> 00:56:36.199
<v Speaker 8>like candles, and then you watch the cord burn and

1017
00:56:36.239 --> 00:56:37.719
<v Speaker 8>it's a terrible fire hazard.

1018
00:56:38.199 --> 00:56:38.960
<v Speaker 7>But it's also not.

1019
00:56:38.960 --> 00:56:42.199
<v Speaker 8>Ancient traditional witchcraft, Like the way people are doing it

1020
00:56:42.199 --> 00:56:45.960
<v Speaker 8>now comes from the Chilling Adventures of Sabrina season three.

1021
00:56:46.239 --> 00:56:50.519
<v Speaker 8>I think where does this spell? And it got well

1022
00:56:50.559 --> 00:56:52.800
<v Speaker 8>pop culture has always had an, you know, an impact

1023
00:56:52.800 --> 00:56:56.559
<v Speaker 8>on the occulture, and so after that episode came out,

1024
00:56:56.719 --> 00:56:59.679
<v Speaker 8>suddenly all these people were casting cord cutting spells and

1025
00:56:59.800 --> 00:57:01.880
<v Speaker 8>with in a couple of years. People did not realize

1026
00:57:01.880 --> 00:57:04.960
<v Speaker 8>where it had come from. And we're stressing out about

1027
00:57:05.000 --> 00:57:06.840
<v Speaker 8>it because the way people were doing it with the

1028
00:57:06.880 --> 00:57:12.559
<v Speaker 8>two candles and the thread is more divinatory than anything else, Like,

1029
00:57:12.679 --> 00:57:14.960
<v Speaker 8>how are these two people connected, which one is having

1030
00:57:14.960 --> 00:57:18.159
<v Speaker 8>more influence over the other? Is this a healthy relationship?

1031
00:57:18.519 --> 00:57:21.480
<v Speaker 8>Is this the you know? Did I just burn my

1032
00:57:21.519 --> 00:57:23.559
<v Speaker 8>house down? Like? There's a lot of questions to be

1033
00:57:23.599 --> 00:57:28.800
<v Speaker 8>answered with that. So my take on cord cutting was, well,

1034
00:57:28.920 --> 00:57:30.960
<v Speaker 8>you know, light the candle, if you want to do

1035
00:57:30.960 --> 00:57:33.159
<v Speaker 8>the chords, that's great. Cut the cord yourself, get scissors.

1036
00:57:33.760 --> 00:57:36.400
<v Speaker 8>You imposed your will on the situation. Don't leave it

1037
00:57:36.480 --> 00:57:39.440
<v Speaker 8>up to chance, you know. And then I followed it

1038
00:57:39.519 --> 00:57:41.559
<v Speaker 8>up with and don't post the results on the internet

1039
00:57:41.599 --> 00:57:45.280
<v Speaker 8>because of your cord nobody. You don't need to get

1040
00:57:45.320 --> 00:57:47.679
<v Speaker 8>on Instagram to tell everybody you're doing it because you

1041
00:57:47.679 --> 00:57:52.039
<v Speaker 8>have just reinforced the cords, you know. I was like,

1042
00:57:52.840 --> 00:57:55.280
<v Speaker 8>I like, randomly, when I was writing that particular second,

1043
00:57:55.280 --> 00:57:56.559
<v Speaker 8>I kind of like went off on this whole thing

1044
00:57:56.599 --> 00:58:00.440
<v Speaker 8>about block your exes. Like I was, just like, you've

1045
00:58:00.480 --> 00:58:02.119
<v Speaker 8>got if you're going to do the spell to cut

1046
00:58:02.159 --> 00:58:04.119
<v Speaker 8>people out, you have to cut them out too. You

1047
00:58:04.159 --> 00:58:06.239
<v Speaker 8>have to do the work in the real world to

1048
00:58:06.320 --> 00:58:10.639
<v Speaker 8>bolster you know, cutting the string between your candles.

1049
00:58:10.719 --> 00:58:15.760
<v Speaker 5>When you do said spells or rituals or anything in

1050
00:58:15.800 --> 00:58:19.239
<v Speaker 5>that magical realm, say, for instance, even though to me

1051
00:58:19.360 --> 00:58:22.119
<v Speaker 5>it sounds kind of ridiculous, but like you want to

1052
00:58:22.199 --> 00:58:25.239
<v Speaker 5>find a new girlfriend that's going to resonate with you,

1053
00:58:25.760 --> 00:58:27.920
<v Speaker 5>or a new boyfriend or a new partner or whatever,

1054
00:58:28.039 --> 00:58:30.199
<v Speaker 5>or whatever it is that you know that people do

1055
00:58:30.280 --> 00:58:32.800
<v Speaker 5>if you want to find love. Right, And what he

1056
00:58:32.920 --> 00:58:35.559
<v Speaker 5>states is, yes, do your ritual, do your magic, do

1057
00:58:35.639 --> 00:58:38.880
<v Speaker 5>your thing, but realize that you're not actually doing it

1058
00:58:38.960 --> 00:58:41.800
<v Speaker 5>to manifest a person out there in the world. What

1059
00:58:41.880 --> 00:58:44.800
<v Speaker 5>you're doing it is to vibrate your nervous system to

1060
00:58:44.960 --> 00:58:48.480
<v Speaker 5>change you alchemically, so you can magnetize and rise to

1061
00:58:48.519 --> 00:58:51.840
<v Speaker 5>the frequency of the individual that's already out there in

1062
00:58:51.880 --> 00:58:57.360
<v Speaker 5>the world. So you can then it like rearranges the discord,

1063
00:58:57.519 --> 00:59:00.880
<v Speaker 5>the chaos, if the of the universe into a chance

1064
00:59:00.920 --> 00:59:03.760
<v Speaker 5>happenstance that all of a sudden you can become the

1065
00:59:03.840 --> 00:59:06.280
<v Speaker 5>person that you're trying to attract, right, And I think

1066
00:59:06.280 --> 00:59:08.920
<v Speaker 5>that's kind of similar to something that you were stating

1067
00:59:08.920 --> 00:59:10.639
<v Speaker 5>at the very end, which I think is very important

1068
00:59:10.840 --> 00:59:14.239
<v Speaker 5>and also grounds the whole work and understanding that you're

1069
00:59:14.320 --> 00:59:18.440
<v Speaker 5>not actually manipulating like other people, which I think is

1070
00:59:18.480 --> 00:59:22.320
<v Speaker 5>something that is awful to do. You want to make

1071
00:59:22.360 --> 00:59:26.079
<v Speaker 5>sure you're only ever manipulating your own nervous system. And

1072
00:59:26.119 --> 00:59:29.400
<v Speaker 5>this goes back to Robert Anton Wilson talking about where

1073
00:59:29.519 --> 00:59:32.880
<v Speaker 5>his one of his people was Timothy Leary. And even

1074
00:59:32.960 --> 00:59:35.320
<v Speaker 5>though Timothy Leary in the conspiracy world they want to

1075
00:59:35.360 --> 00:59:37.639
<v Speaker 5>throw a lot of shade on him, if they were

1076
00:59:37.679 --> 00:59:41.039
<v Speaker 5>to read his work like the Eight Circuits of Consciousness,

1077
00:59:41.079 --> 00:59:43.400
<v Speaker 5>the bio saying, you know, what they would understand is

1078
00:59:43.440 --> 00:59:46.119
<v Speaker 5>that he had two laws and the first one was

1079
00:59:46.199 --> 00:59:50.480
<v Speaker 5>you know, one of them was don't change without their

1080
00:59:50.559 --> 00:59:53.519
<v Speaker 5>knowing anybody else's consciousness, which I think is really important,

1081
00:59:53.599 --> 00:59:56.960
<v Speaker 5>especially because he was doing work on LSD for Harvard

1082
00:59:57.480 --> 00:59:59.679
<v Speaker 5>at that time. You know what I mean, and so

1083
00:59:59.719 --> 01:00:01.960
<v Speaker 5>it's like, I think it's it's important talk when it

1084
01:00:02.000 --> 01:00:04.039
<v Speaker 5>comes to chaos magic in and of itself, because it

1085
01:00:04.079 --> 01:00:05.960
<v Speaker 5>gets a little chaotic.

1086
01:00:07.639 --> 01:00:09.480
<v Speaker 9>I'm actually going to follow you up round in, but

1087
01:00:09.639 --> 01:00:12.840
<v Speaker 9>not correct you this time, because I actually I actually

1088
01:00:12.920 --> 01:00:15.360
<v Speaker 9>agree with you. I think that it is I think

1089
01:00:15.400 --> 01:00:19.559
<v Speaker 9>the idea of a causality in magic is actually really important,

1090
01:00:19.599 --> 01:00:23.639
<v Speaker 9>and I think that people should actually consider. I know

1091
01:00:23.760 --> 01:00:25.840
<v Speaker 9>that you said to thump her about like imposing your

1092
01:00:25.880 --> 01:00:28.480
<v Speaker 9>well for cord cutting, and I'm not against that, but

1093
01:00:28.559 --> 01:00:30.800
<v Speaker 9>I also think, like how much do you want to

1094
01:00:30.800 --> 01:00:34.599
<v Speaker 9>implicate yourself? You know, Like we have an rass figure

1095
01:00:34.679 --> 01:00:37.880
<v Speaker 9>in I'm a Vagoriana Buddhist, so for me, we have

1096
01:00:37.920 --> 01:00:40.800
<v Speaker 9>an Airas figure in dharma. Her name is Eka Jatti.

1097
01:00:40.880 --> 01:00:43.239
<v Speaker 9>I've spoken about her many times on the show and

1098
01:00:43.280 --> 01:00:46.920
<v Speaker 9>on my show, and you know she's she's the goddess

1099
01:00:46.920 --> 01:00:50.079
<v Speaker 9>of mamos, which is the Tibetan word for chaos. So

1100
01:00:50.239 --> 01:00:52.679
<v Speaker 9>they're very similar. I'm not saying they're exactly the same,

1101
01:00:52.760 --> 01:00:55.960
<v Speaker 9>but they have they have an overlap, we'll say. And

1102
01:00:56.039 --> 01:01:00.519
<v Speaker 9>so I like to look at if for my own practices,

1103
01:01:00.599 --> 01:01:03.239
<v Speaker 9>I try and be a causal Now I understand, like

1104
01:01:03.320 --> 01:01:06.199
<v Speaker 9>I am a sorcerer also, so I get that it's

1105
01:01:06.239 --> 01:01:09.239
<v Speaker 9>never going to be one hundred percent perfect, and I

1106
01:01:09.320 --> 01:01:12.800
<v Speaker 9>recognize and accept that. But I try, and I think

1107
01:01:12.800 --> 01:01:15.159
<v Speaker 9>that it is about view like that's how we would

1108
01:01:15.199 --> 01:01:17.800
<v Speaker 9>say in like a Buddhist sorcery way, It's about like

1109
01:01:17.960 --> 01:01:21.400
<v Speaker 9>how you view it. Do you cultivate bodichiita? Do you

1110
01:01:21.599 --> 01:01:24.039
<v Speaker 9>like do all these preliminary things that would be a

1111
01:01:24.039 --> 01:01:27.760
<v Speaker 9>way to make like your sorcery a causal. So I try.

1112
01:01:27.800 --> 01:01:30.280
<v Speaker 9>I do think what Brandon is saying is important because

1113
01:01:30.280 --> 01:01:32.199
<v Speaker 9>I think that people should not want to implicate their

1114
01:01:32.280 --> 01:01:37.559
<v Speaker 9>karma so deeply in an whether you agree with my framing,

1115
01:01:38.079 --> 01:01:41.400
<v Speaker 9>not you Thumber, but just anyone listening broadly if they

1116
01:01:41.480 --> 01:01:44.079
<v Speaker 9>agree with my a and of the daughter framework or not,

1117
01:01:44.320 --> 01:01:46.920
<v Speaker 9>or they still think we're in Caliyuga, which the contrast

1118
01:01:46.920 --> 01:01:49.159
<v Speaker 9>say we're not. So I don't think we are. So

1119
01:01:50.039 --> 01:01:52.199
<v Speaker 9>I just sim I'm saying that do you want to

1120
01:01:52.199 --> 01:01:54.679
<v Speaker 9>be stuck in the degraded a on? I personally don't.

1121
01:01:54.760 --> 01:01:57.159
<v Speaker 9>I want to move forward with the aon. That's just me.

1122
01:01:57.760 --> 01:01:59.800
<v Speaker 9>So I think that this idea of like a cause

1123
01:01:59.840 --> 01:02:04.119
<v Speaker 9>out and looking to lighten your karmic load. Maybe you

1124
01:02:04.159 --> 01:02:07.840
<v Speaker 9>could say is actually important to think about. Just think about,

1125
01:02:08.000 --> 01:02:09.920
<v Speaker 9>just as an idea.

1126
01:02:10.840 --> 01:02:15.400
<v Speaker 4>Got nice, nice gin, I can be.

1127
01:02:15.360 --> 01:02:18.320
<v Speaker 9>Good to you. I'm not just leftime path and evil.

1128
01:02:18.719 --> 01:02:19.320
<v Speaker 7>I know you can.

1129
01:02:19.519 --> 01:02:21.400
<v Speaker 4>I know, and I see within your eyes that I've

1130
01:02:21.440 --> 01:02:22.199
<v Speaker 4>never truly saw.

1131
01:02:27.000 --> 01:02:28.880
<v Speaker 8>I do like the idea of a causality, and I

1132
01:02:28.920 --> 01:02:31.639
<v Speaker 8>do think one thing that tripped a lot of modern

1133
01:02:31.719 --> 01:02:37.599
<v Speaker 8>practitioners is kind of fear of consequence. And you know,

1134
01:02:37.679 --> 01:02:40.760
<v Speaker 8>if I, if I do something, you know, people are

1135
01:02:40.920 --> 01:02:43.280
<v Speaker 8>and it's it's where people get caught up in either

1136
01:02:44.239 --> 01:02:46.039
<v Speaker 8>a lot well today people get caught up in like

1137
01:02:46.199 --> 01:02:48.119
<v Speaker 8>bashing the idea of the threefold law, you know, and

1138
01:02:48.159 --> 01:02:50.880
<v Speaker 8>that's wicked and that's silly. And then somebody people mention

1139
01:02:50.960 --> 01:02:52.400
<v Speaker 8>a love spell and they be like, oh no, if

1140
01:02:52.440 --> 01:02:55.159
<v Speaker 8>you cast a love spell, that will rebound back upon

1141
01:02:55.239 --> 01:02:58.440
<v Speaker 8>you somewhere between two and four times. Right Like, they're

1142
01:02:58.440 --> 01:03:00.440
<v Speaker 8>still caught up in that idea of the content sequence.

1143
01:03:01.000 --> 01:03:04.320
<v Speaker 8>But all actions have consequence. Consequence is not necessarily a

1144
01:03:04.360 --> 01:03:09.360
<v Speaker 8>bad thing, right Like if I if I write a

1145
01:03:09.400 --> 01:03:13.199
<v Speaker 8>glowing five star review for a friend's book and that

1146
01:03:13.239 --> 01:03:16.840
<v Speaker 8>results in the book selling better, that's a good consequence. Right,

1147
01:03:17.039 --> 01:03:20.960
<v Speaker 8>Like it's like I still still my actions. It's just

1148
01:03:21.039 --> 01:03:24.679
<v Speaker 8>the consequence worked out well for everyone. Consequences don't have

1149
01:03:24.719 --> 01:03:26.960
<v Speaker 8>to be negative. And we also and we don't have

1150
01:03:27.119 --> 01:03:30.880
<v Speaker 8>to always be worried about, you know, how much damage

1151
01:03:30.880 --> 01:03:33.239
<v Speaker 8>are we doing. We can also just kind of think

1152
01:03:33.239 --> 01:03:36.880
<v Speaker 8>in terms of, you know, how can I how can

1153
01:03:36.920 --> 01:03:39.039
<v Speaker 8>I make things work out for not only myself but

1154
01:03:39.039 --> 01:03:41.079
<v Speaker 8>for the people around me? You know, how can I

1155
01:03:41.079 --> 01:03:45.199
<v Speaker 8>have these things where I'm causing the least amount of

1156
01:03:45.480 --> 01:03:48.400
<v Speaker 8>collateral collateral damage while still getting the results I want?

1157
01:03:50.400 --> 01:03:51.840
<v Speaker 4>Yeah, And I think it's something to think about.

1158
01:03:51.840 --> 01:03:54.519
<v Speaker 5>Also how important especially in the magical world, but not

1159
01:03:54.559 --> 01:03:58.000
<v Speaker 5>even that, just everyday life. There are there is a

1160
01:03:58.079 --> 01:04:02.960
<v Speaker 5>real dichotomy between harm and dissonance, and we hear it

1161
01:04:03.000 --> 01:04:07.679
<v Speaker 5>in music and it is two opposite polls of That's

1162
01:04:07.679 --> 01:04:10.880
<v Speaker 5>why sacred geometry works. That's why the music of the

1163
01:04:10.880 --> 01:04:14.280
<v Speaker 5>Spheares was talking about with the Pythagorian cults and how

1164
01:04:14.320 --> 01:04:18.079
<v Speaker 5>we could create music itself, you kind of these things,

1165
01:04:18.199 --> 01:04:20.800
<v Speaker 5>you know, and so it's like that would be something

1166
01:04:20.840 --> 01:04:24.599
<v Speaker 5>to think about when we're trying to understand while it's

1167
01:04:24.599 --> 01:04:28.079
<v Speaker 5>you know, it's the least possible consequence, but at the

1168
01:04:28.119 --> 01:04:30.159
<v Speaker 5>same time, it's like, can we also try to make

1169
01:04:30.199 --> 01:04:35.320
<v Speaker 5>it so consequence is harmonious with things, because when it's dissonant,

1170
01:04:35.800 --> 01:04:39.079
<v Speaker 5>that's when karma, we could say, is produced because we're

1171
01:04:39.119 --> 01:04:42.840
<v Speaker 5>kind of going against the flow. Or in Crolly's words

1172
01:04:42.840 --> 01:04:45.039
<v Speaker 5>of the AA, it's that every man and every woman

1173
01:04:45.159 --> 01:04:47.760
<v Speaker 5>is a star. And so when he's talking about that,

1174
01:04:47.800 --> 01:04:50.519
<v Speaker 5>what that means is that we are all in the

1175
01:04:50.679 --> 01:04:55.800
<v Speaker 5>universe as stars moving perfectly with the harmony of the spheres.

1176
01:04:56.199 --> 01:05:00.400
<v Speaker 5>And it's when my interpretation is that when we move

1177
01:05:00.679 --> 01:05:04.519
<v Speaker 5>through the world in a dissonance state, that's when all

1178
01:05:04.519 --> 01:05:07.719
<v Speaker 5>of a sudden stars collide. And we could use moral

1179
01:05:07.760 --> 01:05:10.559
<v Speaker 5>ambiguous terms, which I think is really important. But you know,

1180
01:05:10.599 --> 01:05:13.400
<v Speaker 5>because this is like, well that just happens in the universe, Well,

1181
01:05:13.400 --> 01:05:16.239
<v Speaker 5>it's like, well, then look, can we also understand that

1182
01:05:16.239 --> 01:05:22.320
<v Speaker 5>that has its own levels of chaotic dissonant reflections through

1183
01:05:22.559 --> 01:05:27.199
<v Speaker 5>the cause effect making machine of the universe. These things

1184
01:05:27.239 --> 01:05:29.760
<v Speaker 5>I ponder continuously.

1185
01:05:29.920 --> 01:05:37.119
<v Speaker 3>What managed to I guess you over time, results of revelations.

1186
01:05:36.639 --> 01:05:42.239
<v Speaker 8>You know, both are important because I still like getting results,

1187
01:05:42.880 --> 01:05:49.599
<v Speaker 8>But revelation and understanding has become the older I get,

1188
01:05:49.599 --> 01:05:55.239
<v Speaker 8>the more important that gets you know I think fifteen. No,

1189
01:05:55.440 --> 01:05:58.079
<v Speaker 8>if you had ask me that, I would say, I

1190
01:05:58.079 --> 01:06:01.320
<v Speaker 8>don't have to understand something for it to work, and

1191
01:06:01.360 --> 01:06:02.800
<v Speaker 8>I would be more caught up in the in the

1192
01:06:02.800 --> 01:06:09.639
<v Speaker 8>work itself. Today, what I find so fascinating, especially about

1193
01:06:09.639 --> 01:06:12.440
<v Speaker 8>the cult, is like the more is learning more about

1194
01:06:12.440 --> 01:06:16.039
<v Speaker 8>the history and the connections and and you know where

1195
01:06:16.079 --> 01:06:19.320
<v Speaker 8>ideas came from, and how new ideas connect to old ideas,

1196
01:06:19.519 --> 01:06:24.840
<v Speaker 8>and the uh one of the biggest I think I

1197
01:06:25.000 --> 01:06:27.480
<v Speaker 8>mentioned this in the book towards the end, but as

1198
01:06:27.480 --> 01:06:31.800
<v Speaker 8>an example, several years ago, I was introduced to listenmancy

1199
01:06:31.800 --> 01:06:35.239
<v Speaker 8>listmantic divination, divination with stones, and it was sort of

1200
01:06:35.280 --> 01:06:38.920
<v Speaker 8>pitched to me as like, this is like ancient witchcraft.

1201
01:06:39.119 --> 01:06:43.320
<v Speaker 8>This is you know, the the ancient seers of Greece

1202
01:06:43.360 --> 01:06:45.960
<v Speaker 8>and Rome would cast the pebbles and see the future.

1203
01:06:46.679 --> 01:06:48.320
<v Speaker 7>And I was I.

1204
01:06:48.239 --> 01:06:50.760
<v Speaker 8>Started looking into it, and I started experimenting with it,

1205
01:06:50.760 --> 01:06:52.280
<v Speaker 8>and it worked really well for me, and the more

1206
01:06:52.360 --> 01:06:53.880
<v Speaker 8>I Dug and Doug and Doug, cause I was like,

1207
01:06:53.880 --> 01:06:56.400
<v Speaker 8>but I want to find the source of this, Like

1208
01:06:56.440 --> 01:06:59.000
<v Speaker 8>what documents do we have that ancient Greeks and Romans

1209
01:06:59.039 --> 01:07:02.400
<v Speaker 8>were throwing were casting the pebbles? And I was able

1210
01:07:02.440 --> 01:07:04.639
<v Speaker 8>to trace the history of modern litzmancy all the way

1211
01:07:04.679 --> 01:07:08.480
<v Speaker 8>back to nineteen seventy eight and a book on Witchcraft

1212
01:07:08.480 --> 01:07:11.480
<v Speaker 8>for Tomorrow by Duren Valiante where she has a section

1213
01:07:11.800 --> 01:07:18.000
<v Speaker 8>on listomancy and the practice of listmancy continued, but nobody

1214
01:07:18.079 --> 01:07:20.760
<v Speaker 8>remembered to write down where they found it. So today

1215
01:07:20.880 --> 01:07:22.800
<v Speaker 8>when you pick up a book on lismancy, it is

1216
01:07:23.239 --> 01:07:26.480
<v Speaker 8>the origin of the Listhmantic divination are shrouded in history,

1217
01:07:27.159 --> 01:07:29.199
<v Speaker 8>and no they're not. They're shrouded in nineteen seventy eight.

1218
01:07:30.400 --> 01:07:33.119
<v Speaker 8>But on the one hand, I get results from them,

1219
01:07:33.119 --> 01:07:35.119
<v Speaker 8>so it doesn't matter that they come from the seventies

1220
01:07:35.119 --> 01:07:39.119
<v Speaker 8>instead of you know, antiquity. But I also find it

1221
01:07:39.239 --> 01:07:42.280
<v Speaker 8>so fascinating that they came from nineteen seventy eight and

1222
01:07:42.320 --> 01:07:45.119
<v Speaker 8>that this one witch in England figured this out on

1223
01:07:45.159 --> 01:07:48.199
<v Speaker 8>our own and created a system that could be replicated,

1224
01:07:49.400 --> 01:07:53.960
<v Speaker 8>And that history is more interesting to me whether than

1225
01:07:54.000 --> 01:07:56.400
<v Speaker 8>if it had been well, this is how an ancient

1226
01:07:56.400 --> 01:08:01.159
<v Speaker 8>Greek was doing, like the learning problems of it. Of wow,

1227
01:08:01.239 --> 01:08:04.960
<v Speaker 8>this which in the seventies just invented this. That's amazing.

1228
01:08:05.719 --> 01:08:08.000
<v Speaker 8>That revelation is cooler to be than anything else.

1229
01:08:10.000 --> 01:08:12.400
<v Speaker 9>I want to respond to that really quick, because I

1230
01:08:12.440 --> 01:08:17.079
<v Speaker 9>find that really interesting also that you said from nineteen

1231
01:08:17.119 --> 01:08:19.359
<v Speaker 9>seventy eight, simply because this is true for a lot

1232
01:08:19.399 --> 01:08:21.520
<v Speaker 9>of modern magic. It does seem to be true for

1233
01:08:21.680 --> 01:08:23.760
<v Speaker 9>a lot of modern magic. It seems to be a

1234
01:08:23.800 --> 01:08:29.399
<v Speaker 9>lot of recreation, like not just not just not just

1235
01:08:29.439 --> 01:08:31.920
<v Speaker 9>from the you know, the New Age, like nineteen se

1236
01:08:31.960 --> 01:08:33.920
<v Speaker 9>I'm not putting it down because some of that stuff

1237
01:08:33.960 --> 01:08:36.479
<v Speaker 9>does work, and I think that you're very very prescient

1238
01:08:36.560 --> 01:08:39.119
<v Speaker 9>that you say that that you can get results from it,

1239
01:08:39.159 --> 01:08:43.119
<v Speaker 9>because you can because it is based on older ideas,

1240
01:08:43.399 --> 01:08:45.760
<v Speaker 9>but we don't even know what those ideas are. Which

1241
01:08:45.800 --> 01:08:50.520
<v Speaker 9>is sometimes my issue with some of the institutional formations

1242
01:08:50.520 --> 01:08:53.359
<v Speaker 9>of magic is that they will pretend I call it

1243
01:08:53.359 --> 01:08:56.000
<v Speaker 9>the Great Wewiz King's Larp. I'm sorry, I'm not trying

1244
01:08:56.000 --> 01:08:57.680
<v Speaker 9>to find anyone, but I thought it is what I

1245
01:08:57.760 --> 01:09:02.319
<v Speaker 9>call it. You know, they they tend to project themselves

1246
01:09:02.359 --> 01:09:05.479
<v Speaker 9>into the antiquity. We don't know what the fuck they

1247
01:09:05.520 --> 01:09:09.159
<v Speaker 9>were practicing, just to speak really plainly, and so it's

1248
01:09:09.319 --> 01:09:13.520
<v Speaker 9>really difficult to then be like, Okay, this is what

1249
01:09:13.520 --> 01:09:15.600
<v Speaker 9>we're going to do in twenty twenty six, just like

1250
01:09:15.640 --> 01:09:19.119
<v Speaker 9>these quote unquote ancient Wei was kinges, Well, we can't

1251
01:09:19.199 --> 01:09:21.880
<v Speaker 9>do that, so we have to actually use what is pragmatic,

1252
01:09:22.000 --> 01:09:24.359
<v Speaker 9>what actually worked, and if it comes from a during

1253
01:09:24.439 --> 01:09:27.159
<v Speaker 9>val Ante book, so be it. What's the big deal?

1254
01:09:28.279 --> 01:09:31.800
<v Speaker 10>And it's just a matter of each individual finding these

1255
01:09:31.840 --> 01:09:35.119
<v Speaker 10>necessary tools to be able to draw out, you know,

1256
01:09:36.000 --> 01:09:37.319
<v Speaker 10>and make these things workable.

1257
01:09:38.319 --> 01:09:42.520
<v Speaker 5>Yeah, I'm gonna say I like what everything Buddy's saying,

1258
01:09:42.560 --> 01:09:46.359
<v Speaker 5>because there is something definitely beautiful about the idea that

1259
01:09:46.439 --> 01:09:50.399
<v Speaker 5>everything stems from the human nervous system body mind, sysogy,

1260
01:09:50.479 --> 01:09:52.760
<v Speaker 5>you know. So it's like, of course we're going to

1261
01:09:52.800 --> 01:09:55.119
<v Speaker 5>be able to tap into these things if we have

1262
01:09:55.239 --> 01:10:01.279
<v Speaker 5>the right passion, madness and different things like that. But

1263
01:10:01.399 --> 01:10:04.520
<v Speaker 5>what's really important I think also why it's like, not

1264
01:10:04.720 --> 01:10:09.039
<v Speaker 5>all things are magic. I believe in magic and all things,

1265
01:10:09.640 --> 01:10:13.199
<v Speaker 5>but not all things are magic, and so it seems

1266
01:10:13.199 --> 01:10:16.479
<v Speaker 5>to be a contradiction, but it's not. Because if you

1267
01:10:16.600 --> 01:10:19.760
<v Speaker 5>want to hammer and nail, it's the best thing to

1268
01:10:19.880 --> 01:10:22.439
<v Speaker 5>use as a hammer. You can use your shoe. It

1269
01:10:22.560 --> 01:10:25.359
<v Speaker 5>just might take longer. And so there's something really interesting

1270
01:10:25.399 --> 01:10:28.760
<v Speaker 5>with that. It's like there are structoral systems that can

1271
01:10:28.760 --> 01:10:31.680
<v Speaker 5>be used by individual practitioners, and we may not know

1272
01:10:31.800 --> 01:10:34.960
<v Speaker 5>exactly how that came through time. But what I'm coming

1273
01:10:35.000 --> 01:10:37.840
<v Speaker 5>to understand more is that if we can use the

1274
01:10:37.920 --> 01:10:42.800
<v Speaker 5>term philosophy, right, the philosophia this thing where you can

1275
01:10:42.920 --> 01:10:46.520
<v Speaker 5>learn how to critically think, how to analyze, and how

1276
01:10:46.560 --> 01:10:51.159
<v Speaker 5>to break things down in a structoral that love of wisdom,

1277
01:10:51.279 --> 01:10:53.960
<v Speaker 5>break it down in a way, you know, then we

1278
01:10:54.119 --> 01:10:57.479
<v Speaker 5>can Actually that's how magic works, right, is that you

1279
01:10:57.560 --> 01:11:00.840
<v Speaker 5>have a science and art of causing change with your will.

1280
01:11:00.920 --> 01:11:04.560
<v Speaker 5>Even though it's like a massively hated definition, especially by

1281
01:11:04.600 --> 01:11:07.560
<v Speaker 5>those who are who have stemmed them through the different

1282
01:11:07.600 --> 01:11:10.680
<v Speaker 5>institutions and organizations like the Golden Dawn, these things like that.

1283
01:11:10.680 --> 01:11:12.079
<v Speaker 5>They want to go away from things like that. But

1284
01:11:12.119 --> 01:11:16.239
<v Speaker 5>it's like, if we can find the science of it,

1285
01:11:16.359 --> 01:11:19.760
<v Speaker 5>and you know, and I don't mean this functional mechanistic science,

1286
01:11:19.800 --> 01:11:22.960
<v Speaker 5>but that philosophia, that love of wisdom, that ability to

1287
01:11:23.560 --> 01:11:27.159
<v Speaker 5>put yourself into a state of ecstasy. That's why another

1288
01:11:28.239 --> 01:11:31.920
<v Speaker 5>Crowley book or thing that he wrote was The The

1289
01:11:32.319 --> 01:11:36.880
<v Speaker 5>Enthusiastic Ecstasy, right this and that's you know done, yeah exactly,

1290
01:11:36.960 --> 01:11:39.760
<v Speaker 5>that's done through either your divine dance or the harmony

1291
01:11:39.760 --> 01:11:41.479
<v Speaker 5>of the spheres for the Apollo. That's how you can

1292
01:11:41.479 --> 01:11:44.640
<v Speaker 5>break it into the Apollonian, the Dionesian. But there is

1293
01:11:44.880 --> 01:11:49.199
<v Speaker 5>something that you can do to gain the best results,

1294
01:11:49.279 --> 01:11:52.600
<v Speaker 5>and it's not everything. So it's like there's a it's

1295
01:11:52.600 --> 01:11:54.800
<v Speaker 5>a fine line if that, if any of that makes sense.

1296
01:11:55.079 --> 01:11:57.359
<v Speaker 8>That was one thing that for me was very refreshing

1297
01:11:57.399 --> 01:12:03.319
<v Speaker 8>about both discordyanisment chaos magic is that neither system makes

1298
01:12:03.319 --> 01:12:09.279
<v Speaker 8>any bones about being ancient. And you know, the pioneers

1299
01:12:09.279 --> 01:12:12.880
<v Speaker 8>of chaos magic, we're taking structural systems and reworking them

1300
01:12:12.920 --> 01:12:16.079
<v Speaker 8>to try to make them more efficient. Discordianism took this

1301
01:12:16.199 --> 01:12:18.840
<v Speaker 8>one myth from Greek mythology and built something entirely new

1302
01:12:18.840 --> 01:12:21.359
<v Speaker 8>out of it, and they were very open about that.

1303
01:12:21.960 --> 01:12:24.760
<v Speaker 8>And you know, throughout the history of occultism, I think

1304
01:12:24.760 --> 01:12:27.880
<v Speaker 8>it really started picking up steam with the rights of theosophy.

1305
01:12:27.920 --> 01:12:31.840
<v Speaker 8>But even pre theosophy, you know, the guy in the

1306
01:12:31.920 --> 01:12:35.039
<v Speaker 8>late seventeen hundreds who started using tarot cards for divination

1307
01:12:35.880 --> 01:12:37.840
<v Speaker 8>didn't say, hey, guys, look what I can do.

1308
01:12:38.239 --> 01:12:41.239
<v Speaker 7>He said, oh, this comes to us from ancient Egypt.

1309
01:12:41.720 --> 01:12:45.159
<v Speaker 10>And it was like, no, it was.

1310
01:12:44.439 --> 01:12:48.760
<v Speaker 8>An Anglican priest in seventeen ninety nine, the Key of Almen,

1311
01:12:52.000 --> 01:12:55.880
<v Speaker 8>it was. It was the fifteen hundreds, but not much

1312
01:12:55.920 --> 01:12:58.520
<v Speaker 8>further back than that, but even back then it was

1313
01:12:58.560 --> 01:13:01.680
<v Speaker 8>this idea, but this is ancient, which means it's real

1314
01:13:01.880 --> 01:13:05.640
<v Speaker 8>and valid, and well it doesn't right.

1315
01:13:05.800 --> 01:13:10.520
<v Speaker 10>I was gonna say the Bohemian Taro that is by Pappus,

1316
01:13:11.079 --> 01:13:14.119
<v Speaker 10>it claims to be the most ancient book in the world,

1317
01:13:14.199 --> 01:13:16.680
<v Speaker 10>and you know, so, yeah, you consist, but this is

1318
01:13:17.079 --> 01:13:20.520
<v Speaker 10>something you consistently need to get it like the templars

1319
01:13:20.840 --> 01:13:25.079
<v Speaker 10>you know later on claiming lineage or the resecrutions even

1320
01:13:25.279 --> 01:13:29.000
<v Speaker 10>claiming lineage, and it just adds. It's this power multiplier.

1321
01:13:29.319 --> 01:13:34.159
<v Speaker 10>It's a way to excite the nervous system in a

1322
01:13:34.199 --> 01:13:37.840
<v Speaker 10>way that you're participating with something that echoes back into

1323
01:13:37.880 --> 01:13:40.840
<v Speaker 10>the dawn of you know, human thinking in the mind

1324
01:13:41.000 --> 01:13:43.279
<v Speaker 10>and and who we are as a species.

1325
01:13:43.880 --> 01:13:50.399
<v Speaker 8>Yeah, and theosophy really introduced that utopian idea that before,

1326
01:13:50.479 --> 01:13:52.359
<v Speaker 8>you know, before all this modern stuff was going on

1327
01:13:52.880 --> 01:14:00.079
<v Speaker 8>human and that's what it's. Modern cultures, without realizing that

1328
01:14:00.159 --> 01:14:05.720
<v Speaker 8>are still thinking in terms of ancient utopia, when if

1329
01:14:05.720 --> 01:14:09.119
<v Speaker 8>we transported them back to that time very quickly, they'd

1330
01:14:09.119 --> 01:14:10.600
<v Speaker 8>be like, this is not a utopia, this is not.

1331
01:14:12.760 --> 01:14:12.960
<v Speaker 7>Right.

1332
01:14:14.039 --> 01:14:16.800
<v Speaker 8>But we do have that sort of idealism about accultism

1333
01:14:16.840 --> 01:14:18.640
<v Speaker 8>a lot of times, and that needs me in order

1334
01:14:18.680 --> 01:14:19.640
<v Speaker 8>to be valid.

1335
01:14:20.279 --> 01:14:20.479
<v Speaker 7>You know.

1336
01:14:20.520 --> 01:14:22.199
<v Speaker 8>One of the big one thing I hear a lot

1337
01:14:22.279 --> 01:14:25.159
<v Speaker 8>about in social media when people are complaining about Wika

1338
01:14:25.600 --> 01:14:28.800
<v Speaker 8>it's new, but rich Craft is old, and I'm like, well,

1339
01:14:28.880 --> 01:14:31.159
<v Speaker 8>all your witch coming from the same sources that Wika did.

1340
01:14:32.119 --> 01:14:36.680
<v Speaker 8>You're just you're, yeah, you're you're you're promoting this ancient

1341
01:14:36.680 --> 01:14:39.479
<v Speaker 8>witch cult idea that you are also saying has been discredited,

1342
01:14:39.520 --> 01:14:41.439
<v Speaker 8>and yet you are still wanting us to believe it.

1343
01:14:42.319 --> 01:14:46.000
<v Speaker 5>Yeah, yeah, And that's just That's exactly what Francis Dame

1344
01:14:46.079 --> 01:14:50.760
<v Speaker 5>Yeats was wrote about in her Hermitica Traditions with Geodorno

1345
01:14:50.760 --> 01:14:55.119
<v Speaker 5>Bruno is that there's this great argument that thoth Hermes

1346
01:14:55.279 --> 01:14:59.840
<v Speaker 5>the thrice Great was this ancient, ancient you know, and

1347
01:15:00.039 --> 01:15:03.560
<v Speaker 5>her Meticism is this ancient, ancient, ancient thing from thousand

1348
01:15:03.560 --> 01:15:07.920
<v Speaker 5>two thousand DC, when really it actually was the syncretic

1349
01:15:08.079 --> 01:15:14.600
<v Speaker 5>integration of Platonism, Neoplatonism, Stoicism, and their philosophies had actually

1350
01:15:14.640 --> 01:15:16.960
<v Speaker 5>reached a point where they couldn't They were like, we

1351
01:15:17.000 --> 01:15:19.000
<v Speaker 5>don't know what else to do, and then all of

1352
01:15:19.039 --> 01:15:23.199
<v Speaker 5>a sudden they integrate all these ritual and the different things,

1353
01:15:23.239 --> 01:15:24.439
<v Speaker 5>and all of a sudden they come up with her

1354
01:15:24.439 --> 01:15:27.279
<v Speaker 5>Meticism when you know, even though you know, integrating the

1355
01:15:27.319 --> 01:15:30.800
<v Speaker 5>Gnostic texts as well and the Emerald tablets that were

1356
01:15:30.840 --> 01:15:33.199
<v Speaker 5>you know, before them, but it's a fastcame. It's just

1357
01:15:33.279 --> 01:15:36.960
<v Speaker 5>a sac same thing of like, oh, Hermes the Thrice,

1358
01:15:37.079 --> 01:15:37.840
<v Speaker 5>you know, that whole thing.

1359
01:15:38.279 --> 01:15:41.680
<v Speaker 10>Yeah, And interestingly with Hermes, you know, from t Hoodie

1360
01:15:41.840 --> 01:15:46.800
<v Speaker 10>to Thaw to Hermes the Mercury, it's always been kind

1361
01:15:46.840 --> 01:15:51.319
<v Speaker 10>of related to the idea of it's the conscious brain

1362
01:15:51.920 --> 01:15:55.560
<v Speaker 10>of society as a whole, and all of these scientific

1363
01:15:55.680 --> 01:16:00.560
<v Speaker 10>works are kind of the the process of humanity kind

1364
01:16:00.560 --> 01:16:04.720
<v Speaker 10>of bringing forth these ideas as the mind of the divine.

1365
01:16:05.640 --> 01:16:08.600
<v Speaker 5>Yeah, yeah, nice, and I will I do want the

1366
01:16:08.640 --> 01:16:11.680
<v Speaker 5>audience to know there is such thing as the Tholth cult,

1367
01:16:12.079 --> 01:16:14.560
<v Speaker 5>there is such thing as the Hermes cult. There was

1368
01:16:15.359 --> 01:16:19.000
<v Speaker 5>and there are the theogia, right, the divine workings of

1369
01:16:19.079 --> 01:16:24.199
<v Speaker 5>ancient Egyptian and the orphic mysteries and the Pythagorene mysteries

1370
01:16:24.520 --> 01:16:26.520
<v Speaker 5>that stem through and you can see it written in

1371
01:16:26.560 --> 01:16:30.039
<v Speaker 5>Plato's works. And so it's not that those things weren't happening,

1372
01:16:30.520 --> 01:16:35.720
<v Speaker 5>it's that the Hermetic tradition is in thousands of years old,

1373
01:16:35.800 --> 01:16:39.000
<v Speaker 5>but it's a syncretized understanding of those things, similar to

1374
01:16:39.479 --> 01:16:43.840
<v Speaker 5>what you're talking about, Thumper, with witchcraft and wiganism. It

1375
01:16:43.880 --> 01:16:46.359
<v Speaker 5>is that amalgamation of things, and now we have a

1376
01:16:46.359 --> 01:16:49.279
<v Speaker 5>new label for it. So for the modern thinker to think,

1377
01:16:49.319 --> 01:16:49.840
<v Speaker 5>then it's.

1378
01:16:49.720 --> 01:16:56.319
<v Speaker 8>Ancient, yeah, absolutely, and modern witchcraft it's it's I'm far

1379
01:16:56.359 --> 01:16:58.000
<v Speaker 8>too old to be on TikTok, but they let me

1380
01:16:58.000 --> 01:17:03.159
<v Speaker 8>on anyway. But that's one thing that I put a

1381
01:17:03.199 --> 01:17:08.720
<v Speaker 8>lot of effort into pointing out the origins of current

1382
01:17:08.720 --> 01:17:13.439
<v Speaker 8>witchcraft trends and ideas, because a lot of what people

1383
01:17:13.960 --> 01:17:19.520
<v Speaker 8>present as traditional witchcraft is an amalgamation of WICCA, chaos

1384
01:17:19.560 --> 01:17:22.520
<v Speaker 8>magic and who do. Because in the late two thousands

1385
01:17:22.520 --> 01:17:25.319
<v Speaker 8>there was this big online thing where the movie The

1386
01:17:25.359 --> 01:17:27.119
<v Speaker 8>Skeleton Key came out in two thousand and six, a

1387
01:17:27.159 --> 01:17:30.840
<v Speaker 8>bunch of pagans Google who Do, found an online correspondence course,

1388
01:17:30.920 --> 01:17:33.399
<v Speaker 8>appropriated a whole bunch of it. Again, did not write

1389
01:17:33.399 --> 01:17:35.840
<v Speaker 8>down their sources. So ten years later everybody was like,

1390
01:17:36.279 --> 01:17:38.760
<v Speaker 8>this is ancient traditional witchcraft, and I'm like, that's a

1391
01:17:38.800 --> 01:17:42.840
<v Speaker 8>sour jar from nineteen thirty nine. That is not ancient

1392
01:17:42.880 --> 01:17:45.960
<v Speaker 8>traditional witchcraft. That is African American folk magic, right. White

1393
01:17:45.960 --> 01:17:50.359
<v Speaker 8>people set it down right, but people don't. People don't

1394
01:17:50.439 --> 01:17:53.159
<v Speaker 8>know the history, and there's sort of this collective amnesia

1395
01:17:53.239 --> 01:17:58.079
<v Speaker 8>around it at times where painting and evolving, which is great,

1396
01:17:58.680 --> 01:18:00.840
<v Speaker 8>but it would help to know where it comes from,

1397
01:18:00.880 --> 01:18:03.319
<v Speaker 8>so we're not always so we're not always claiming that

1398
01:18:03.399 --> 01:18:04.800
<v Speaker 8>it is ten thousand years old.

1399
01:18:06.880 --> 01:18:09.199
<v Speaker 9>I want to respond to that as like someone who

1400
01:18:09.399 --> 01:18:11.439
<v Speaker 9>has well, like Nick and I have done shows on

1401
01:18:11.840 --> 01:18:15.439
<v Speaker 9>like different afrosyncritic traditions. Okayeah, we did a long form

1402
01:18:15.439 --> 01:18:20.199
<v Speaker 9>series on that, and I'm regretting his name now de

1403
01:18:20.279 --> 01:18:24.680
<v Speaker 9>Lawrence Company. Laurence Company published from Chicago, So I'm quite

1404
01:18:24.720 --> 01:18:28.520
<v Speaker 9>familiar with the who doo sort of methodology and like

1405
01:18:28.560 --> 01:18:30.920
<v Speaker 9>the history. I think that's a really great point you

1406
01:18:30.960 --> 01:18:34.119
<v Speaker 9>brought up how there was an infusion especially in that

1407
01:18:34.279 --> 01:18:37.560
<v Speaker 9>like the Catherine Ironwood like all her you know, all

1408
01:18:37.560 --> 01:18:40.239
<v Speaker 9>her books, and her book is really good, like her book,

1409
01:18:40.359 --> 01:18:43.000
<v Speaker 9>her her book. I'm not saying it's like better than

1410
01:18:43.000 --> 01:18:44.920
<v Speaker 9>any her book in twenty twenty six, but I was

1411
01:18:44.960 --> 01:18:47.479
<v Speaker 9>saying that I would personally still I mean, I still

1412
01:18:47.479 --> 01:18:49.319
<v Speaker 9>own it and I still think it's one of my

1413
01:18:49.359 --> 01:18:51.800
<v Speaker 9>best her books. So I'm just saying, like you want,

1414
01:18:51.840 --> 01:18:56.199
<v Speaker 9>like some real real shit. It's it's good. And I

1415
01:18:56.239 --> 01:19:00.039
<v Speaker 9>also think that I think it was even before. I

1416
01:19:00.079 --> 01:19:02.720
<v Speaker 9>think it was like the Hermann Slater like the kind

1417
01:19:02.760 --> 01:19:05.119
<v Speaker 9>of like the oil making that kind of like New

1418
01:19:05.199 --> 01:19:09.600
<v Speaker 9>York chaos, magic, leftime path, like Oto crowd. I think

1419
01:19:09.600 --> 01:19:12.800
<v Speaker 9>that they were also like very much informed by like

1420
01:19:12.880 --> 01:19:15.840
<v Speaker 9>the kind of like card readers of the Bronx and

1421
01:19:15.880 --> 01:19:20.159
<v Speaker 9>the Botanica culture of like I guess it's Brooklyn, but

1422
01:19:20.239 --> 01:19:22.920
<v Speaker 9>like Harlem and like all all of those kinds of things.

1423
01:19:22.920 --> 01:19:25.479
<v Speaker 9>Like I think that magic and I've said this so

1424
01:19:25.479 --> 01:19:28.960
<v Speaker 9>many times, so I apologize, But you know, magic works

1425
01:19:29.319 --> 01:19:33.119
<v Speaker 9>better together because gnosis and knowledge worked better together because

1426
01:19:33.159 --> 01:19:36.439
<v Speaker 9>only in synthesis can you actually understand the contour of

1427
01:19:36.479 --> 01:19:40.399
<v Speaker 9>the truth. So like what actually works, That's what I think.

1428
01:19:40.439 --> 01:19:40.840
<v Speaker 3>I don't know.

1429
01:19:42.000 --> 01:19:43.640
<v Speaker 9>Oh, hold up, hold, I was second thought. I had

1430
01:19:43.680 --> 01:19:44.399
<v Speaker 9>you read it again.

1431
01:19:45.720 --> 01:19:50.479
<v Speaker 8>About the background place. No, I absolutely agree with you,

1432
01:19:50.560 --> 01:19:54.880
<v Speaker 8>and I think that what especially when you mentioned Herman Slater, right,

1433
01:19:54.880 --> 01:19:56.439
<v Speaker 8>he was the owner of what was originally called the

1434
01:19:56.439 --> 01:19:59.039
<v Speaker 8>Warlock Shop and then eventually became Magical Child. This this

1435
01:19:59.119 --> 01:20:03.000
<v Speaker 8>kind of iconic a cult shop in New York and

1436
01:20:03.199 --> 01:20:05.039
<v Speaker 8>he was putting out he was you know, he had

1437
01:20:05.039 --> 01:20:07.880
<v Speaker 8>a publishing arm and was putting out books on how

1438
01:20:07.920 --> 01:20:11.760
<v Speaker 8>to make magical oils that was very influenced by.

1439
01:20:13.159 --> 01:20:13.760
<v Speaker 7>A lot of.

1440
01:20:14.079 --> 01:20:18.760
<v Speaker 8>By the folk magic of marginalized groups who were also

1441
01:20:18.840 --> 01:20:23.520
<v Speaker 8>shopping at Magical Child. And the same thing with the

1442
01:20:24.000 --> 01:20:27.720
<v Speaker 8>store in my area that the first time I went there,

1443
01:20:28.239 --> 01:20:30.000
<v Speaker 8>I was expecting kind of a new age bookstore, and

1444
01:20:30.039 --> 01:20:32.880
<v Speaker 8>I walked into what appeared to be a Yarborea and

1445
01:20:32.920 --> 01:20:35.520
<v Speaker 8>I was like, this feels a little weird and appropriate

1446
01:20:35.560 --> 01:20:38.279
<v Speaker 8>of why are we, you know, keeping all the neat

1447
01:20:38.960 --> 01:20:41.159
<v Speaker 8>high end new Age astrology books next to all the

1448
01:20:42.039 --> 01:20:45.239
<v Speaker 8>Africa Arabean religious products. And I just mentioned something in

1449
01:20:45.239 --> 01:20:47.600
<v Speaker 8>passing to the owner and she was like, oh, well,

1450
01:20:47.800 --> 01:20:51.399
<v Speaker 8>we have all these customers coming in who practice these

1451
01:20:51.439 --> 01:20:53.600
<v Speaker 8>religions and they don't want to have to drive all

1452
01:20:53.640 --> 01:20:55.760
<v Speaker 8>the way across town to the Mojo store on the

1453
01:20:55.800 --> 01:20:57.439
<v Speaker 8>other side of downtown, so they asked me to start

1454
01:20:57.479 --> 01:21:00.600
<v Speaker 8>carrying it. So you know that, I think something very

1455
01:21:00.600 --> 01:21:04.399
<v Speaker 8>similar happened in New York, where Slater was carrying products

1456
01:21:04.439 --> 01:21:09.159
<v Speaker 8>and manufacturing products for a specific customer base, which in

1457
01:21:09.199 --> 01:21:12.600
<v Speaker 8>itself is kind of syncretic. What happened with Lucky Mojo

1458
01:21:13.039 --> 01:21:18.319
<v Speaker 8>was that when the pagan community discovered this online who

1459
01:21:18.359 --> 01:21:21.920
<v Speaker 8>Do resource, there was an idea at the time that

1460
01:21:22.039 --> 01:21:26.600
<v Speaker 8>anything magical was pagan, that if that Christians could not

1461
01:21:26.640 --> 01:21:29.039
<v Speaker 8>practice magic, that you couldn't be Christian and believe in magic.

1462
01:21:29.840 --> 01:21:32.279
<v Speaker 8>So these Pagans were sort of flooding into these online

1463
01:21:32.279 --> 01:21:35.960
<v Speaker 8>spaces that were designed for who Do and for African

1464
01:21:36.000 --> 01:21:39.000
<v Speaker 8>American root work, and we're asking things like, well, how

1465
01:21:39.000 --> 01:21:42.000
<v Speaker 8>do you reconcile this Christianity with your pagan beliefs? And

1466
01:21:42.039 --> 01:21:44.840
<v Speaker 8>the roots were like, well, we're not pagan. And the

1467
01:21:44.880 --> 01:21:47.520
<v Speaker 8>Pagans got this idea of like we must save the

1468
01:21:47.600 --> 01:21:51.000
<v Speaker 8>magic from the Christians, right, And they also didn't really

1469
01:21:51.039 --> 01:21:52.640
<v Speaker 8>want to follow rules, so they didn't want to be

1470
01:21:53.000 --> 01:21:55.119
<v Speaker 8>you know, we're witches. Nobody tells us what to do.

1471
01:21:55.279 --> 01:21:58.000
<v Speaker 8>So they were you know, like signing up for the

1472
01:21:58.079 --> 01:22:02.520
<v Speaker 8>Lucky Mojor course, getting the textbook and plagiarizing it, or

1473
01:22:03.039 --> 01:22:05.560
<v Speaker 8>getting the textbook, bailing from the course and setting up

1474
01:22:05.560 --> 01:22:09.680
<v Speaker 8>a website announcing themselves as a spiritual worker. And I

1475
01:22:09.720 --> 01:22:11.359
<v Speaker 8>was like, huh, funny, last week you were a high

1476
01:22:11.359 --> 01:22:16.319
<v Speaker 8>priestess Evanana and now you're a spiritual worker. Interesting, but

1477
01:22:16.600 --> 01:22:18.479
<v Speaker 8>that's where you know. Today we hear a lot about

1478
01:22:18.479 --> 01:22:21.920
<v Speaker 8>cultural appropriation and the Pagans are very, you know, strong

1479
01:22:21.960 --> 01:22:24.760
<v Speaker 8>fielding about cultural appropriation, but they don't really know what

1480
01:22:24.800 --> 01:22:29.600
<v Speaker 8>it is and they choose not to remember actual appropriation

1481
01:22:29.720 --> 01:22:33.359
<v Speaker 8>happening in real time. I may have gone a little

1482
01:22:33.600 --> 01:22:36.439
<v Speaker 8>there ideo for that, I have strong feelings about it.

1483
01:22:38.920 --> 01:22:41.960
<v Speaker 9>I think this is an interesting question. Sorry guys, but

1484
01:22:42.399 --> 01:22:44.079
<v Speaker 9>do you think that what you're raising number is an

1485
01:22:44.079 --> 01:22:47.640
<v Speaker 9>interesting question? Like what is cultural appropriation as it relates

1486
01:22:47.640 --> 01:22:51.239
<v Speaker 9>to magic? Like for me personally, I'm mixed. I've grown

1487
01:22:51.479 --> 01:22:53.840
<v Speaker 9>everybody knows I have grown up. I grew up in

1488
01:22:53.840 --> 01:22:58.159
<v Speaker 9>Asia and Canada and the US, all three throughout my

1489
01:22:58.319 --> 01:23:02.560
<v Speaker 9>entire life, and I'm by Raylf. So for me, I

1490
01:23:02.600 --> 01:23:06.439
<v Speaker 9>don't personally believe in cultural appropriation as long as people

1491
01:23:06.479 --> 01:23:10.840
<v Speaker 9>are approaching the system with just a general respect, as

1492
01:23:10.880 --> 01:23:13.920
<v Speaker 9>you should with all magical things, and you're not taking

1493
01:23:13.960 --> 01:23:18.239
<v Speaker 9>them outside of the context of which they are understood.

1494
01:23:18.359 --> 01:23:21.239
<v Speaker 9>So I'm totally okay with people using different Obviously, that's

1495
01:23:21.319 --> 01:23:25.159
<v Speaker 9>very chaos magic like using very like, you know, utilizing

1496
01:23:25.199 --> 01:23:27.600
<v Speaker 9>the different methods like a honey jar is a great

1497
01:23:27.800 --> 01:23:31.600
<v Speaker 9>wealth draw it's a great wealth tool that it shouldn't

1498
01:23:31.600 --> 01:23:33.760
<v Speaker 9>just be like, oh, yeah, you can't use Hyjohn because

1499
01:23:33.760 --> 01:23:36.159
<v Speaker 9>you're not from this thing. No, I mean I think

1500
01:23:36.159 --> 01:23:38.640
<v Speaker 9>that you can. I just think that you should actually

1501
01:23:38.680 --> 01:23:41.479
<v Speaker 9>know the story, like understand like Rayer Rabbit and the

1502
01:23:41.880 --> 01:23:44.960
<v Speaker 9>you know, the whole mythology is behind it, both Native

1503
01:23:45.039 --> 01:23:48.000
<v Speaker 9>and African American. I think that that's a really important

1504
01:23:48.079 --> 01:23:51.239
<v Speaker 9>like the lore building. People forget about that, and I

1505
01:23:51.239 --> 01:23:53.000
<v Speaker 9>think that's also what you're referring to when you're talking

1506
01:23:53.039 --> 01:23:55.760
<v Speaker 9>about like the cultural amnesia. People have forgotten the lore.

1507
01:23:55.840 --> 01:23:58.479
<v Speaker 9>But the lore is at least well, we'll say one tenth,

1508
01:23:58.479 --> 01:24:02.439
<v Speaker 9>we'll say one magic number, one tenth of like all

1509
01:24:02.560 --> 01:24:04.600
<v Speaker 9>kind of like and like the way that you build

1510
01:24:04.640 --> 01:24:06.479
<v Speaker 9>your own paradigm. If you want to use a really

1511
01:24:06.600 --> 01:24:09.399
<v Speaker 9>chaos magic kind of framework, you need the lore, like

1512
01:24:09.479 --> 01:24:12.720
<v Speaker 9>you want to use forty K like the slaw Niche

1513
01:24:12.800 --> 01:24:15.560
<v Speaker 9>and instead of eras and like all those like little

1514
01:24:15.640 --> 01:24:19.000
<v Speaker 9>dudes like LDR's and all that. That's fine, but you

1515
01:24:19.079 --> 01:24:20.720
<v Speaker 9>still have to know the lore and you have to

1516
01:24:20.760 --> 01:24:23.960
<v Speaker 9>understand how like the classes and the systems and the

1517
01:24:24.000 --> 01:24:28.439
<v Speaker 9>little you know, machine guns work properly, because it won't

1518
01:24:28.479 --> 01:24:30.479
<v Speaker 9>really make sense. It's not a it has to have

1519
01:24:30.520 --> 01:24:34.800
<v Speaker 9>an internal coherent logic. So I just I really, but

1520
01:24:34.880 --> 01:24:37.119
<v Speaker 9>I think it's important to have the discussion because it

1521
01:24:37.119 --> 01:24:39.600
<v Speaker 9>does come up a lot, like what is cultural appropriation

1522
01:24:39.720 --> 01:24:44.520
<v Speaker 9>in magic? And like for me, I just think if

1523
01:24:44.520 --> 01:24:47.880
<v Speaker 9>someone wants to pray to Green Tara, that's fine, that's great.

1524
01:24:47.960 --> 01:24:52.199
<v Speaker 9>I highly think I think that's amazing, like because I

1525
01:24:52.199 --> 01:24:55.000
<v Speaker 9>think it actually will start to transform their minds, even

1526
01:24:55.039 --> 01:24:58.359
<v Speaker 9>if they don't think it will. It's just because everything

1527
01:24:58.439 --> 01:25:01.399
<v Speaker 9>is so online, Like there's so much much information, Like

1528
01:25:01.439 --> 01:25:04.680
<v Speaker 9>you can look up so much who do root work stuff?

1529
01:25:04.720 --> 01:25:07.119
<v Speaker 9>You can work, look up you can go resor Neil

1530
01:25:07.439 --> 01:25:10.680
<v Speaker 9>thir Hurston. I mean her book's really good if you

1531
01:25:10.760 --> 01:25:13.239
<v Speaker 9>are just wanting to learn, like who do candle magic?

1532
01:25:13.319 --> 01:25:16.039
<v Speaker 9>And like basic saint magic from like the Bahamas or

1533
01:25:16.079 --> 01:25:19.720
<v Speaker 9>from Jamaica and how they were actually working. It's very basic.

1534
01:25:20.000 --> 01:25:22.479
<v Speaker 9>I don't mean basic in like a a like a

1535
01:25:22.520 --> 01:25:24.680
<v Speaker 9>bad way. I mean basic is in like the their

1536
01:25:24.760 --> 01:25:27.439
<v Speaker 9>color correspondences are very different than the ones that people

1537
01:25:27.520 --> 01:25:31.359
<v Speaker 9>normally use. Their saint correspondences are are different. But it's

1538
01:25:31.399 --> 01:25:36.479
<v Speaker 9>just it's simple. It's like very it's householder, it's everyone

1539
01:25:36.560 --> 01:25:40.239
<v Speaker 9>can actually access the technologies needed to do it. So

1540
01:25:40.359 --> 01:25:42.720
<v Speaker 9>I think that there's a great system for especially for

1541
01:25:42.760 --> 01:25:45.720
<v Speaker 9>American magicians since they're here on the land that is

1542
01:25:45.800 --> 01:25:49.119
<v Speaker 9>like America, Like why not tap into that like greater

1543
01:25:49.279 --> 01:25:51.479
<v Speaker 9>knowledge of root work. That's just my opinion, but you

1544
01:25:51.520 --> 01:25:54.159
<v Speaker 9>can definitely number. You can feel free to disagree or

1545
01:25:54.199 --> 01:25:55.159
<v Speaker 9>anything you want to say.

1546
01:25:57.640 --> 01:26:01.880
<v Speaker 8>I agree, especially when you said context because when it

1547
01:26:01.880 --> 01:26:06.000
<v Speaker 8>comes to cultural corporation, context is key. The way I

1548
01:26:06.079 --> 01:26:09.760
<v Speaker 8>define cultural corporation is, first of all, it's not really

1549
01:26:09.800 --> 01:26:14.680
<v Speaker 8>something one person does by themselves, unless you're going but

1550
01:26:14.800 --> 01:26:17.600
<v Speaker 8>for the most part, it is it is something that

1551
01:26:17.960 --> 01:26:20.960
<v Speaker 8>is cultural, like that is a group that is a

1552
01:26:21.000 --> 01:26:25.359
<v Speaker 8>group is doing, so I define it as cultural corporation

1553
01:26:25.479 --> 01:26:32.039
<v Speaker 8>occurs when a dominant group adopts the traditions or fashions,

1554
01:26:32.119 --> 01:26:37.479
<v Speaker 8>or music or magical practices of a marginalized group, takes

1555
01:26:37.520 --> 01:26:42.039
<v Speaker 8>those things out of context and then either prevents the

1556
01:26:42.079 --> 01:26:45.399
<v Speaker 8>marginalized group from having access to those things, condemns the

1557
01:26:45.439 --> 01:26:50.119
<v Speaker 8>marginalized group for continuing to practice those things, or pretends

1558
01:26:50.119 --> 01:26:53.000
<v Speaker 8>that the marginalized or that those things did not originate

1559
01:26:53.039 --> 01:26:57.039
<v Speaker 8>within the marginalized group. So it's it's a complete It

1560
01:26:57.079 --> 01:27:00.560
<v Speaker 8>has to do with the removing the context when in

1561
01:27:00.600 --> 01:27:04.239
<v Speaker 8>regards to paganism and who do you know, folk magic

1562
01:27:04.239 --> 01:27:07.119
<v Speaker 8>in general and witchcraft and these things, you know, always

1563
01:27:07.119 --> 01:27:09.279
<v Speaker 8>have fuzzy edges. Things are going to drift in from

1564
01:27:09.319 --> 01:27:13.560
<v Speaker 8>folk matt from one one regional folk magic practice to

1565
01:27:13.680 --> 01:27:17.199
<v Speaker 8>him other. Like four thieves vinegar pops up in folk

1566
01:27:17.239 --> 01:27:22.159
<v Speaker 8>magic across the US, and it's an old Renaissance Italian

1567
01:27:22.159 --> 01:27:26.279
<v Speaker 8>health tonic that's used in magic in the US today.

1568
01:27:26.319 --> 01:27:30.880
<v Speaker 8>But the it's like something like a sour jar is

1569
01:27:30.920 --> 01:27:34.039
<v Speaker 8>a really good idea or what people talk about return

1570
01:27:34.079 --> 01:27:37.920
<v Speaker 8>to send your spells right now. Those are things that

1571
01:27:38.680 --> 01:27:43.720
<v Speaker 8>originated within the multiple practices of marginalized groups. So when

1572
01:27:43.760 --> 01:27:47.760
<v Speaker 8>somebody says, you know, this road opener spell is ancient

1573
01:27:47.760 --> 01:27:50.560
<v Speaker 8>traditional witchcraft, no it's not. That's not where it can

1574
01:27:50.720 --> 01:27:53.159
<v Speaker 8>It did not come from Europe, you know, the which

1575
01:27:53.239 --> 01:27:56.800
<v Speaker 8>is the old European witches were not casting their road

1576
01:27:56.840 --> 01:27:59.680
<v Speaker 8>opener spells and their return to sender spells. Those are

1577
01:27:59.680 --> 01:28:03.640
<v Speaker 8>things that came out of the faulk magic of marginalized groups.

1578
01:28:03.640 --> 01:28:06.600
<v Speaker 8>But we are pretending that it's ancient traditional witchcraft that

1579
01:28:06.680 --> 01:28:10.359
<v Speaker 8>is appropriative the fact that all these Pagans swooped in

1580
01:28:10.359 --> 01:28:15.479
<v Speaker 8>and started incorporating who do into their practices, but taking

1581
01:28:15.520 --> 01:28:17.720
<v Speaker 8>it out of the context of African American fault magic,

1582
01:28:17.920 --> 01:28:21.239
<v Speaker 8>disregarding the lore behind it, and just rebranding it as

1583
01:28:21.279 --> 01:28:25.159
<v Speaker 8>witchcraft is appropriative. And it wasn't just one person doing it.

1584
01:28:25.159 --> 01:28:26.920
<v Speaker 7>It was one.

1585
01:28:26.760 --> 01:28:30.039
<v Speaker 8>Community descending it to another community and taking everything to

1586
01:28:30.039 --> 01:28:37.600
<v Speaker 8>make that's one person. Like if I were to go

1587
01:28:37.720 --> 01:28:39.359
<v Speaker 8>pick up a book on Hudu and flip through it

1588
01:28:39.399 --> 01:28:42.079
<v Speaker 8>and be like, oh, hey, a freezer spyle, I want

1589
01:28:42.079 --> 01:28:44.960
<v Speaker 8>to give that a shot. That's not appropriative, right, That's

1590
01:28:45.000 --> 01:28:48.560
<v Speaker 8>just me trying something in my kitchen. But if I

1591
01:28:48.600 --> 01:28:50.239
<v Speaker 8>were to make a TikTok video and say today we're

1592
01:28:50.239 --> 01:28:52.720
<v Speaker 8>going to talk about the ancient traditional European witchcraft of

1593
01:28:52.720 --> 01:28:55.520
<v Speaker 8>freezer spells, I've taken the freezer spell out of its

1594
01:28:55.560 --> 01:28:58.880
<v Speaker 8>context and I'm claiming ownership of it, and I'm disregarding

1595
01:28:58.880 --> 01:29:02.239
<v Speaker 8>where it came from.

1596
01:29:01.079 --> 01:29:01.279
<v Speaker 7>You know.

1597
01:29:01.439 --> 01:29:06.159
<v Speaker 8>And the big thing with with the kids today, with

1598
01:29:06.199 --> 01:29:09.159
<v Speaker 8>their with their blue hair and their pronouns, I'm two

1599
01:29:09.479 --> 01:29:13.239
<v Speaker 8>genics for my own good is you know, they think

1600
01:29:13.239 --> 01:29:16.760
<v Speaker 8>of wick as cultural appropriation. They don't know why wickeed

1601
01:29:16.840 --> 01:29:19.439
<v Speaker 8>is cultural appropriation. They have just decided that Wicket is

1602
01:29:19.439 --> 01:29:23.760
<v Speaker 8>the source of the cultural appropriation because that way, especially

1603
01:29:23.760 --> 01:29:26.680
<v Speaker 8>since so many occult practitioners and online spaces are of

1604
01:29:26.720 --> 01:29:31.520
<v Speaker 8>European descent, it makes it's a way of absolving themselves

1605
01:29:31.520 --> 01:29:35.039
<v Speaker 8>of anything wickeds appropriate. I'm not wicked, so I'm not

1606
01:29:35.119 --> 01:29:39.760
<v Speaker 8>capable of doing that, and by doing that, they are

1607
01:29:39.880 --> 01:29:44.800
<v Speaker 8>ignoring their own appropriated behaviors and inclinations, and they're not

1608
01:29:44.800 --> 01:29:46.560
<v Speaker 8>realizing that it's not a wicked problem. It is a

1609
01:29:46.560 --> 01:29:54.159
<v Speaker 8>white people problem. Again with the rants, I sometimes about

1610
01:29:54.159 --> 01:29:55.840
<v Speaker 8>things too well, it's.

1611
01:29:56.319 --> 01:29:57.000
<v Speaker 7>The dice.

1612
01:29:58.680 --> 01:29:59.079
<v Speaker 2>Online.

1613
01:29:59.079 --> 01:30:02.319
<v Speaker 11>I don't go to those, and I do have a

1614
01:30:02.520 --> 01:30:07.640
<v Speaker 11>pagan background Wiccan background, so I'm kind of surprised that

1615
01:30:08.640 --> 01:30:11.039
<v Speaker 11>maybe it's the newer what they call the baby witches

1616
01:30:11.560 --> 01:30:16.319
<v Speaker 11>go into these spaces because you mentioned earlier that you

1617
01:30:16.479 --> 01:30:24.720
<v Speaker 11>are initiated into I want to say Alexandrian or Gardenerian Gardenerian.

1618
01:30:25.119 --> 01:30:27.920
<v Speaker 11>I'm sorry I always mix the two up. I do apologize,

1619
01:30:28.439 --> 01:30:33.520
<v Speaker 11>but within WICCA and Paganism, you do have that initia

1620
01:30:33.920 --> 01:30:37.039
<v Speaker 11>that you know, you go through initiations too, and you

1621
01:30:37.119 --> 01:30:40.239
<v Speaker 11>have to keep your ols. So I'm trying to figure

1622
01:30:40.279 --> 01:30:43.640
<v Speaker 11>out why do they think it's okay because a lot

1623
01:30:43.680 --> 01:30:51.119
<v Speaker 11>of those Caribbean religions are also initiatory and they also

1624
01:30:51.199 --> 01:30:54.640
<v Speaker 11>have their secrets to just dive in there, and they're

1625
01:30:54.680 --> 01:30:56.840
<v Speaker 11>not as nice as the Wicked community. I'm just going

1626
01:30:56.880 --> 01:30:59.239
<v Speaker 11>to say it that way and just grab the stuff

1627
01:31:00.319 --> 01:31:05.520
<v Speaker 11>and say it's ours. And there's a lot of habits.

1628
01:31:05.560 --> 01:31:07.680
<v Speaker 11>I guess I haven't been around to see because I've

1629
01:31:07.680 --> 01:31:09.800
<v Speaker 11>been doing my own work that.

1630
01:31:11.159 --> 01:31:12.039
<v Speaker 7>This whole discussion.

1631
01:31:12.439 --> 01:31:14.840
<v Speaker 11>I'm like, Oh, as a ceremonial magician, I used to

1632
01:31:14.880 --> 01:31:18.680
<v Speaker 11>try these techniques, so they were familiar to me. So

1633
01:31:18.720 --> 01:31:21.000
<v Speaker 11>I'm like, where's a chaos part? But if that's what

1634
01:31:21.039 --> 01:31:22.319
<v Speaker 11>they're calling chaos magic.

1635
01:31:24.359 --> 01:31:29.079
<v Speaker 8>Within online spaces, especially online and cult spaces, terms get trendy,

1636
01:31:29.199 --> 01:31:34.279
<v Speaker 8>ideas get trendy, and people have a tendency of adopting

1637
01:31:34.319 --> 01:31:37.920
<v Speaker 8>those terms without understanding where they come from. So the

1638
01:31:38.000 --> 01:31:40.840
<v Speaker 8>idea of chaos magic got popular for a while and

1639
01:31:40.880 --> 01:31:42.800
<v Speaker 8>people were like, oh, I I got it, but they

1640
01:31:42.840 --> 01:31:46.159
<v Speaker 8>didn't have the context, so they just thought chaos meant

1641
01:31:46.159 --> 01:31:50.279
<v Speaker 8>some sloppy and disciplined and crazy and like fly by

1642
01:31:50.319 --> 01:31:56.359
<v Speaker 8>the seat of your pants. In the late nineties. By

1643
01:31:56.359 --> 01:31:58.520
<v Speaker 8>the late nineties, WICKA was starting to get very trendy.

1644
01:32:00.079 --> 01:32:02.720
<v Speaker 8>Most modern Pagans was in the US sort of like

1645
01:32:02.920 --> 01:32:05.720
<v Speaker 8>you know this, this witchcraft came over from England to

1646
01:32:05.800 --> 01:32:10.760
<v Speaker 8>New York, the term Wicca started coming into use. The

1647
01:32:10.760 --> 01:32:13.119
<v Speaker 8>modern pagan community kind of grew out of the Wicked

1648
01:32:13.159 --> 01:32:16.960
<v Speaker 8>community and developed at something. Wicca itself tended to evolve

1649
01:32:16.960 --> 01:32:21.000
<v Speaker 8>where there's Gardnerian and Alexandrian, but non initiatory. Wicked became

1650
01:32:21.000 --> 01:32:26.039
<v Speaker 8>in saying eclectic. Wicca became a thing, and by the

1651
01:32:26.119 --> 01:32:28.680
<v Speaker 8>nineties this idea of wick it was very trendy. The

1652
01:32:28.760 --> 01:32:31.439
<v Speaker 8>New Age industry kind of jumped on it and started

1653
01:32:32.359 --> 01:32:34.000
<v Speaker 8>calling a kind of a whole lot of stuff that

1654
01:32:34.079 --> 01:32:38.359
<v Speaker 8>wasn't really wick and wicked, you know, or just sort

1655
01:32:38.399 --> 01:32:42.800
<v Speaker 8>of kind of just processing wicca along with an amalgamation

1656
01:32:42.840 --> 01:32:45.520
<v Speaker 8>of a whole bunch of different ideas, usually Eastern ideas

1657
01:32:46.880 --> 01:32:51.279
<v Speaker 8>and Hinduism, and sort of using Wicca as like the

1658
01:32:51.359 --> 01:32:54.119
<v Speaker 8>type face on the packaging for back they were saying it.

1659
01:32:54.960 --> 01:32:59.039
<v Speaker 8>So younger occultists today who don't know the history of

1660
01:32:59.039 --> 01:33:01.760
<v Speaker 8>Wicked and don't realize there was a whole that there

1661
01:33:01.760 --> 01:33:05.720
<v Speaker 8>were generations of Wickans before the New Age Wicca of

1662
01:33:05.760 --> 01:33:08.960
<v Speaker 8>the early two thousands see that, and they think that's

1663
01:33:09.000 --> 01:33:11.319
<v Speaker 8>all Wicke is. And they pick up a book on

1664
01:33:11.359 --> 01:33:13.479
<v Speaker 8>Wicca and I'm paraphrasing a lot of things there, but

1665
01:33:13.479 --> 01:33:15.720
<v Speaker 8>they pick up a book on Wicca, they open it up,

1666
01:33:15.880 --> 01:33:18.199
<v Speaker 8>they see the mention of white sage and they go,

1667
01:33:18.560 --> 01:33:24.640
<v Speaker 8>this is cultural appropriation. And because white white sage is

1668
01:33:24.640 --> 01:33:28.119
<v Speaker 8>a closed practice, white sage is a plant. The religious

1669
01:33:28.199 --> 01:33:33.319
<v Speaker 8>use of white white stage is part of a closed community.

1670
01:33:34.720 --> 01:33:37.800
<v Speaker 8>But there's this idea that well, that this is appropriation,

1671
01:33:37.840 --> 01:33:41.119
<v Speaker 8>which is just appropriation. But because they don't know the

1672
01:33:41.159 --> 01:33:44.720
<v Speaker 8>history of their practices, they don't realize that a lot

1673
01:33:44.760 --> 01:33:49.119
<v Speaker 8>of their own practices are rooted in Wicca, and that

1674
01:33:49.399 --> 01:33:53.479
<v Speaker 8>you know that the modern pagan movement is the holidays

1675
01:33:53.600 --> 01:33:56.039
<v Speaker 8>and the Wheel of the Year and the ritual practices

1676
01:33:56.199 --> 01:33:58.760
<v Speaker 8>and the four Elements and the ritual knife and blessed

1677
01:33:58.800 --> 01:34:03.039
<v Speaker 8>b all of that came from Wicca, and they don't

1678
01:34:03.079 --> 01:34:06.159
<v Speaker 8>realize it. So they are still practicing Wicked today while

1679
01:34:06.199 --> 01:34:09.039
<v Speaker 8>condemning Wicca for being something that they refused to identify

1680
01:34:09.119 --> 01:34:14.399
<v Speaker 8>as it's a it's a it's a strange space. I

1681
01:34:14.479 --> 01:34:17.039
<v Speaker 8>was not online for about ten years. I was doing

1682
01:34:17.039 --> 01:34:20.920
<v Speaker 8>other stuff and I left online space with when everybody

1683
01:34:20.960 --> 01:34:23.640
<v Speaker 8>was like, we're wicked. We came back on and everybody

1684
01:34:23.680 --> 01:34:24.880
<v Speaker 8>was condemning Wika, and I was like.

1685
01:34:25.359 --> 01:34:29.279
<v Speaker 6>Miss something that I had noticed, Like I guess kind

1686
01:34:29.279 --> 01:34:31.039
<v Speaker 6>of with the chaos magic first off, a lot of

1687
01:34:31.079 --> 01:34:33.079
<v Speaker 6>the I'm just gonna keep it real, a lot of

1688
01:34:33.079 --> 01:34:36.399
<v Speaker 6>the younger crowd just seemed to have like kind of

1689
01:34:36.479 --> 01:34:38.479
<v Speaker 6>like just kind.

1690
01:34:38.279 --> 01:34:39.079
<v Speaker 7>Of screwed that up.

1691
01:34:39.119 --> 01:34:41.159
<v Speaker 3>And then but also and I.

1692
01:34:41.039 --> 01:34:42.920
<v Speaker 6>And I think because it just seemed to resonate one

1693
01:34:42.960 --> 01:34:45.279
<v Speaker 6>with the other, I also noticed a lot of people

1694
01:34:45.319 --> 01:34:47.479
<v Speaker 6>then gravitating towards like, well, I'm going to be into

1695
01:34:47.560 --> 01:34:49.920
<v Speaker 6>like Thelma because I could take do what that will

1696
01:34:50.119 --> 01:34:52.880
<v Speaker 6>fuck that off just as much as I'm fucking off

1697
01:34:52.920 --> 01:34:55.039
<v Speaker 6>the idea of chaos magic. And it all basically comes

1698
01:34:55.039 --> 01:34:56.479
<v Speaker 6>down to I'm gonna do whatever the fuck I want

1699
01:34:56.520 --> 01:34:58.720
<v Speaker 6>when I want, you know what I'm saying. And it's

1700
01:34:58.760 --> 01:35:00.680
<v Speaker 6>just like I did notice even like a lot of

1701
01:35:00.680 --> 01:35:03.319
<v Speaker 6>that even happening with the misunderstanding of both. It's like

1702
01:35:03.359 --> 01:35:05.680
<v Speaker 6>somehow it's amazing how they I just noticed a lot

1703
01:35:05.680 --> 01:35:07.600
<v Speaker 6>of them kind of come together or a lot of

1704
01:35:07.680 --> 01:35:10.279
<v Speaker 6>chaos magicians would have like athleenic edge to them.

1705
01:35:10.560 --> 01:35:13.000
<v Speaker 3>I just sawt in seeing this was like a thing.

1706
01:35:13.600 --> 01:35:15.039
<v Speaker 3>You know, at one point.

1707
01:35:15.159 --> 01:35:17.720
<v Speaker 8>There are trends within occult spaces, just like there are

1708
01:35:17.760 --> 01:35:24.920
<v Speaker 8>anywhere else, and it, you know, there is the chaos.

1709
01:35:25.079 --> 01:35:28.840
<v Speaker 8>The trend of chast witchcraft or chass magic tends to

1710
01:35:28.880 --> 01:35:32.399
<v Speaker 8>be evening out a little bit. I think the reason

1711
01:35:32.439 --> 01:35:36.960
<v Speaker 8>why there was such a sudden interest in it again

1712
01:35:37.000 --> 01:35:40.560
<v Speaker 8>has to do with pop culture because in by the

1713
01:35:40.600 --> 01:35:43.399
<v Speaker 8>mid eighties in England, people were writing about the death

1714
01:35:43.439 --> 01:35:46.880
<v Speaker 8>of chaos magic, that this is all coming to an end,

1715
01:35:47.199 --> 01:35:50.520
<v Speaker 8>like the paradigm is over. And then suddenly in the

1716
01:35:50.560 --> 01:35:53.279
<v Speaker 8>mid mid to light two thousands people have this renewed

1717
01:35:53.279 --> 01:35:56.920
<v Speaker 8>interest and it has to do with Marvel Comics because

1718
01:35:57.239 --> 01:36:00.000
<v Speaker 8>the character of the Scarlet Witch, who's this you know,

1719
01:36:00.119 --> 01:36:04.319
<v Speaker 8>kind of cor avenger. Her power set was redefined and

1720
01:36:04.600 --> 01:36:08.359
<v Speaker 8>was and somebody at Marvel picked up the term chaos magic.

1721
01:36:09.000 --> 01:36:11.800
<v Speaker 8>So the term chast magic started getting into everybody's head again.

1722
01:36:12.520 --> 01:36:16.479
<v Speaker 8>And then the Scarlet which was incorporated into the cinematic universe.

1723
01:36:16.920 --> 01:36:21.600
<v Speaker 8>There was the One Division limited seriesies and there's this

1724
01:36:21.720 --> 01:36:25.520
<v Speaker 8>idea which is a chaos magic. And suddenly in online

1725
01:36:25.520 --> 01:36:27.399
<v Speaker 8>spaces you see all these kids going, I'm a.

1726
01:36:27.439 --> 01:36:32.119
<v Speaker 7>Chast witch and they don't know about history of cast magic.

1727
01:36:32.239 --> 01:36:35.399
<v Speaker 8>They don't you know, they don't understand the idea of

1728
01:36:35.399 --> 01:36:37.239
<v Speaker 8>of principle or discipline or all these things that are

1729
01:36:37.279 --> 01:36:40.279
<v Speaker 8>kind of inherent to cast magic. They just know the

1730
01:36:40.399 --> 01:36:43.479
<v Speaker 8>term and it resonates with them, but they don't realize

1731
01:36:43.520 --> 01:36:45.239
<v Speaker 8>how it got into their heads in the first place.

1732
01:36:46.960 --> 01:36:48.640
<v Speaker 7>And it's not about that it came.

1733
01:36:48.520 --> 01:36:50.960
<v Speaker 8>From pop culture, but it's like it should be acknowledged.

1734
01:36:52.319 --> 01:36:56.520
<v Speaker 10>I think also you have the uh hundred million culture

1735
01:36:57.000 --> 01:36:59.840
<v Speaker 10>in William Burrow's kind of being a big promoter of

1736
01:37:00.039 --> 01:37:04.399
<v Speaker 10>chaos magic with this cut up method. And yeah, he

1737
01:37:04.520 --> 01:37:11.199
<v Speaker 10>writes about in the was it the Reds series? He

1738
01:37:11.560 --> 01:37:13.800
<v Speaker 10>wrote there at the end, you know.

1739
01:37:14.319 --> 01:37:17.640
<v Speaker 5>Yeah that And I mean I think I feel like

1740
01:37:17.680 --> 01:37:20.760
<v Speaker 5>I talk about it all the time, but Grant Morrison

1741
01:37:21.239 --> 01:37:26.960
<v Speaker 5>and The Invisibles was the he just like exploded chaos

1742
01:37:26.960 --> 01:37:29.720
<v Speaker 5>magic all over everyone's face, if you know what I'm saying.

1743
01:37:29.800 --> 01:37:32.359
<v Speaker 5>And it's like that is one of the main reasons

1744
01:37:32.359 --> 01:37:38.720
<v Speaker 5>he even using certain ecstatic disciplines to make sure his

1745
01:37:38.800 --> 01:37:43.199
<v Speaker 5>comic book series even was able to continue or very

1746
01:37:43.359 --> 01:37:46.039
<v Speaker 5>you know, it's very chaos magic. I find it fascinating

1747
01:37:46.079 --> 01:37:50.680
<v Speaker 5>to think that chaos magic itself seems to be quite appropriating,

1748
01:37:50.960 --> 01:37:53.600
<v Speaker 5>you know what I mean. Like it's basically having the

1749
01:37:53.680 --> 01:37:57.960
<v Speaker 5>ability to take from all these places, put it together

1750
01:37:58.039 --> 01:38:01.279
<v Speaker 5>and then be all like, I don't like structure, and

1751
01:38:01.359 --> 01:38:03.239
<v Speaker 5>I don't like any of these things, and yet I'm

1752
01:38:03.279 --> 01:38:07.039
<v Speaker 5>gonna take all these structoral practices and put it in

1753
01:38:06.640 --> 01:38:09.720
<v Speaker 5>a frickin boiling pod and call it magic. And I'm

1754
01:38:09.760 --> 01:38:13.640
<v Speaker 5>not hating, but I'm just saying, it's a fascinating thing.

1755
01:38:13.479 --> 01:38:16.239
<v Speaker 4>With our culture this day.

1756
01:38:17.239 --> 01:38:18.880
<v Speaker 8>It's a really good example of what he called He

1757
01:38:18.920 --> 01:38:22.199
<v Speaker 8>coined the term hyper syndrome, which is sigil that moves

1758
01:38:22.199 --> 01:38:22.600
<v Speaker 8>through time.

1759
01:38:23.319 --> 01:38:24.800
<v Speaker 7>So a story, a.

1760
01:38:24.800 --> 01:38:29.199
<v Speaker 8>Play, a movie, you know, any kind of visual art like,

1761
01:38:30.439 --> 01:38:34.560
<v Speaker 8>it's a sigil that is is continually moving forward and

1762
01:38:34.640 --> 01:38:37.479
<v Speaker 8>changing things as it moves through time. And with The

1763
01:38:37.479 --> 01:38:41.439
<v Speaker 8>Invisible specifically, he really tied that storyline to himself and

1764
01:38:41.520 --> 01:38:44.439
<v Speaker 8>works that he was trying to do, and as the

1765
01:38:44.560 --> 01:38:48.079
<v Speaker 8>one character in specific in particular within The Invisibles start,

1766
01:38:48.119 --> 01:38:50.319
<v Speaker 8>he started writing the character having health problems, and he

1767
01:38:50.359 --> 01:38:51.760
<v Speaker 8>developed all those health problems.

1768
01:38:52.479 --> 01:38:56.520
<v Speaker 5>Yes, that's why he so Graham Morrison dressed up with

1769
01:38:56.920 --> 01:39:00.279
<v Speaker 5>all leather bald Head designed his character to be like

1770
01:39:00.319 --> 01:39:01.800
<v Speaker 5>that and all of a sudden, He's like, I want

1771
01:39:01.800 --> 01:39:03.399
<v Speaker 5>my character to fall in love with a bunch of

1772
01:39:03.439 --> 01:39:04.199
<v Speaker 5>hot redheads.

1773
01:39:04.239 --> 01:39:06.960
<v Speaker 4>And so in his life came a bunch of hot redheads.

1774
01:39:07.279 --> 01:39:10.520
<v Speaker 5>And I think it's really fascinating to see the dangers

1775
01:39:10.840 --> 01:39:14.039
<v Speaker 5>of these things because he started not ever having to

1776
01:39:14.079 --> 01:39:19.239
<v Speaker 5>have a real relationship because he didn't understand the underpinnings

1777
01:39:19.239 --> 01:39:22.399
<v Speaker 5>of how magic works. It's like, you can, unless you're descriptive,

1778
01:39:22.600 --> 01:39:24.319
<v Speaker 5>You're just gonna get a bunch of hot red heads

1779
01:39:24.319 --> 01:39:25.680
<v Speaker 5>who are going to run all over your heart and

1780
01:39:25.720 --> 01:39:28.199
<v Speaker 5>then fall away eventually. And then, Yeah, he hurt himself

1781
01:39:28.199 --> 01:39:30.159
<v Speaker 5>in the comic, and then he hurt himself there, thus

1782
01:39:30.159 --> 01:39:32.600
<v Speaker 5>saying I will never hurt myself again in the comic

1783
01:39:33.159 --> 01:39:34.680
<v Speaker 5>because I don't want to be in the hospital for

1784
01:39:34.680 --> 01:39:36.279
<v Speaker 5>the last week Mark.

1785
01:39:36.840 --> 01:39:38.760
<v Speaker 10>I was going to say, Philip K.

1786
01:39:38.880 --> 01:39:39.079
<v Speaker 7>Dick.

1787
01:39:39.159 --> 01:39:42.199
<v Speaker 10>He also wrote himself into his work and into balance.

1788
01:39:42.279 --> 01:39:44.840
<v Speaker 10>That's in exactly how he was going to die. Yeah,

1789
01:39:45.119 --> 01:39:48.640
<v Speaker 10>and so you know, when you're using these mechanisms, these

1790
01:39:48.760 --> 01:39:53.039
<v Speaker 10>vehicles of the creative force, you really have to be

1791
01:39:53.159 --> 01:39:56.640
<v Speaker 10>aware of the intensity and the power that they possess.

1792
01:39:57.399 --> 01:40:03.239
<v Speaker 8>Yeah, this magician named our culture Aiden Walker, who in

1793
01:40:03.319 --> 01:40:06.119
<v Speaker 8>one of his books, and they cannot remember that changing

1794
01:40:06.159 --> 01:40:08.079
<v Speaker 8>fate or tempting fate, something about fate.

1795
01:40:08.399 --> 01:40:09.840
<v Speaker 7>Weaving fate is the name of the book.

1796
01:40:10.520 --> 01:40:18.079
<v Speaker 8>And he presents a hypersential idea with journal where he

1797
01:40:18.319 --> 01:40:21.079
<v Speaker 8>incorporates some folk matchic ideas, and there's like you get

1798
01:40:21.079 --> 01:40:22.479
<v Speaker 8>your books that you're going to write in and you

1799
01:40:22.520 --> 01:40:24.760
<v Speaker 8>go to the Crossroads at midnight and some of the

1800
01:40:24.760 --> 01:40:25.840
<v Speaker 8>Devil and.

1801
01:40:25.880 --> 01:40:26.520
<v Speaker 7>It's the whole thing.

1802
01:40:27.640 --> 01:40:31.600
<v Speaker 8>But then you treat that book like your diary basically,

1803
01:40:32.319 --> 01:40:35.159
<v Speaker 8>and every day you come home and you write about

1804
01:40:35.159 --> 01:40:38.199
<v Speaker 8>your day, but you write about your day as if

1805
01:40:38.239 --> 01:40:41.359
<v Speaker 8>you were living the life that you actually won. So

1806
01:40:41.479 --> 01:40:43.680
<v Speaker 8>like if I really wanted to be a flight attendant

1807
01:40:43.880 --> 01:40:47.039
<v Speaker 8>and come home from my retail management job and be like, man,

1808
01:40:47.119 --> 01:40:49.479
<v Speaker 8>today was really rough at the airline, but this worked

1809
01:40:49.479 --> 01:40:50.920
<v Speaker 8>out well and I got to meet all these great

1810
01:40:50.920 --> 01:40:53.600
<v Speaker 8>people on the flight. And this flight was delayed, but

1811
01:40:53.600 --> 01:40:55.319
<v Speaker 8>we ended up getting to go to this other destination.

1812
01:40:55.840 --> 01:40:59.279
<v Speaker 8>And so you're, basically he calls it telling true lies.

1813
01:40:59.880 --> 01:41:03.399
<v Speaker 8>You're you're writing the life you want as if it

1814
01:41:03.439 --> 01:41:07.640
<v Speaker 8>was already happening, which is I think where one thing

1815
01:41:07.680 --> 01:41:11.399
<v Speaker 8>about that differentiates chaos magic is there is you know

1816
01:41:11.520 --> 01:41:13.319
<v Speaker 8>there is the fuck around, but there is definitely the

1817
01:41:13.399 --> 01:41:15.640
<v Speaker 8>find out and we tend to learn on lessons that way.

1818
01:41:16.279 --> 01:41:18.640
<v Speaker 8>So we look at the hypercentials of Grant Morrison and

1819
01:41:18.640 --> 01:41:22.279
<v Speaker 8>Philip K. Dick and the effects that those hyperstentials had

1820
01:41:22.279 --> 01:41:24.880
<v Speaker 8>on their health and well being, and then we look

1821
01:41:24.920 --> 01:41:30.039
<v Speaker 8>at Aiden Walker's Walker's hypercentual, which is, I've learned lessons

1822
01:41:30.039 --> 01:41:31.880
<v Speaker 8>from what they went through, and so we're not going

1823
01:41:31.920 --> 01:41:33.159
<v Speaker 8>to do it that way. We're going to do it

1824
01:41:33.159 --> 01:41:37.479
<v Speaker 8>in a way that benefits us and doesn't injo ourselves

1825
01:41:37.560 --> 01:41:39.359
<v Speaker 8>or ruin our life lives.

1826
01:41:40.439 --> 01:41:43.079
<v Speaker 6>Uh, Thumper, was there a Is there anything that you

1827
01:41:43.079 --> 01:41:44.199
<v Speaker 6>would like to add about your mom?

1828
01:41:44.359 --> 01:41:44.760
<v Speaker 9>Anybody?

1829
01:41:46.680 --> 01:41:46.880
<v Speaker 3>You know?

1830
01:41:47.119 --> 01:41:50.880
<v Speaker 8>I I've actually had a blast night and I feel like.

1831
01:41:52.680 --> 01:41:52.760
<v Speaker 7>That.

1832
01:41:52.880 --> 01:41:54.960
<v Speaker 8>I don't know if I have anything else I want

1833
01:41:55.079 --> 01:41:59.680
<v Speaker 8>to add.

1834
01:41:59.199 --> 01:41:59.960
<v Speaker 7>I will I say.

1835
01:42:00.119 --> 01:42:01.640
<v Speaker 8>The only thing that I would say about the book

1836
01:42:01.680 --> 01:42:06.880
<v Speaker 8>itself is that, to quote Phil hein the cast edition,

1837
01:42:06.880 --> 01:42:11.800
<v Speaker 8>Phil high magic should be fun and so if and

1838
01:42:11.840 --> 01:42:15.640
<v Speaker 8>when people get a hold of the chaos Apple approach

1839
01:42:15.720 --> 01:42:20.199
<v Speaker 8>it as a tool to have fun with, you know,

1840
01:42:20.479 --> 01:42:23.039
<v Speaker 8>like like the spells in the book, the experiments in

1841
01:42:23.079 --> 01:42:27.960
<v Speaker 8>the book. I would like people to take an enjoyment

1842
01:42:27.960 --> 01:42:31.279
<v Speaker 8>of magical practice out of it, So I hope that's

1843
01:42:31.279 --> 01:42:32.279
<v Speaker 8>what people get out of it.

1844
01:42:32.920 --> 01:42:37.439
<v Speaker 3>I love it. I had a lot of fun for real. Yeah,

1845
01:42:37.439 --> 01:42:39.439
<v Speaker 3>and I guess, I guess we'll wrap it up. I

1846
01:42:39.479 --> 01:42:42.960
<v Speaker 3>honestly can't think of anything else bredon. Please let everybody

1847
01:42:42.960 --> 01:42:44.079
<v Speaker 3>know where they can fund your stuff.

1848
01:42:44.439 --> 01:42:49.319
<v Speaker 5>Ohy, great, thank you, Thank you Thumper. Great to meet

1849
01:42:49.439 --> 01:42:55.840
<v Speaker 5>you everyone, Golden Chaos Apple, make sure it doesn't create chaos.

1850
01:42:56.079 --> 01:42:58.520
<v Speaker 5>Figure it out. Read the book. He's probably got it

1851
01:42:58.560 --> 01:43:00.560
<v Speaker 5>in there. And how are you gonna walk through the

1852
01:43:00.640 --> 01:43:03.800
<v Speaker 5>chaos with a light step and a smile on your face?

1853
01:43:05.079 --> 01:43:08.960
<v Speaker 5>And always Nick, thank you for having me on. I

1854
01:43:09.159 --> 01:43:12.600
<v Speaker 5>love these conversations. This is how we meet new people,

1855
01:43:12.680 --> 01:43:15.439
<v Speaker 5>and we are trying to find our way through this

1856
01:43:15.520 --> 01:43:18.600
<v Speaker 5>ocean of chaos. Head on over to megas in the

1857
01:43:18.640 --> 01:43:22.239
<v Speaker 5>media because you should already be subscribed.

1858
01:43:22.800 --> 01:43:23.560
<v Speaker 4>That's all I got.

1859
01:43:23.680 --> 01:43:25.720
<v Speaker 5>Just go over to Instagram, go over to x make

1860
01:43:25.760 --> 01:43:28.399
<v Speaker 5>sure you follow every one of these people on this panel.

1861
01:43:28.640 --> 01:43:32.239
<v Speaker 5>We're trying to find myth, meaning and magic in this strange,

1862
01:43:32.319 --> 01:43:35.800
<v Speaker 5>chaotic world. Again, thank you Thumper, and I love everybody

1863
01:43:35.800 --> 01:43:36.399
<v Speaker 5>on this panel.

1864
01:43:36.399 --> 01:43:36.920
<v Speaker 4>Thank you guys.

1865
01:43:37.720 --> 01:43:38.880
<v Speaker 6>Yeah, thank you for joining us.

1866
01:43:38.960 --> 01:43:39.640
<v Speaker 2>I really appreciate it.

1867
01:43:39.680 --> 01:43:43.000
<v Speaker 4>Thank you for doing the man, appreciate it anytime.

1868
01:43:43.439 --> 01:43:47.720
<v Speaker 3>Hell yeah, please let everybody know what's up with you.

1869
01:43:47.840 --> 01:43:49.760
<v Speaker 3>What's up with all of your all the stuff that

1870
01:43:49.760 --> 01:43:54.439
<v Speaker 3>you would do that you do well, your endeavors. You

1871
01:43:54.560 --> 01:43:58.680
<v Speaker 3>muted who's that jin Oh?

1872
01:43:58.760 --> 01:44:02.279
<v Speaker 9>Sorry, boss, I was I didn't hear who you said.

1873
01:44:02.279 --> 01:44:04.560
<v Speaker 9>I thought it was Judith. I was like, in my mind,

1874
01:44:04.600 --> 01:44:06.800
<v Speaker 9>I was like, okay, I apologize. That's so my bad.

1875
01:44:07.279 --> 01:44:10.960
<v Speaker 9>So thank you, Brandon. That was a really awesome both

1876
01:44:11.000 --> 01:44:15.039
<v Speaker 9>intro and outro little bars you dropped. So thank you.

1877
01:44:15.039 --> 01:44:18.000
<v Speaker 9>You're making me kind of look like a side as

1878
01:44:18.159 --> 01:44:19.680
<v Speaker 9>like the side piece to the show.

1879
01:44:19.760 --> 01:44:19.960
<v Speaker 1>Now.

1880
01:44:20.000 --> 01:44:22.600
<v Speaker 9>I was never want to ask me to do the

1881
01:44:22.640 --> 01:44:30.239
<v Speaker 9>intro again anyway. Brand and are actually friends. Just like,

1882
01:44:30.399 --> 01:44:33.840
<v Speaker 9>just keep that in mind everybody listening. We really are friends.

1883
01:44:34.520 --> 01:44:37.039
<v Speaker 9>So thank you so much, Thumper. It was honestly a

1884
01:44:37.119 --> 01:44:39.199
<v Speaker 9>huge like, it was like really cool to do this.

1885
01:44:39.680 --> 01:44:44.239
<v Speaker 9>I re released. Unfortunately last year almost at this time

1886
01:44:44.319 --> 01:44:46.760
<v Speaker 9>last year, one of the boys who I did the

1887
01:44:47.600 --> 01:44:50.760
<v Speaker 9>five part the first series on Tracy Twyman, not on

1888
01:44:50.760 --> 01:44:53.680
<v Speaker 9>her biography but on the metaphysics of her work. We

1889
01:44:53.720 --> 01:44:55.960
<v Speaker 9>did a five part series. Unfortunately, one of the boys

1890
01:44:55.960 --> 01:44:58.840
<v Speaker 9>passed away around this time last year, so I re

1891
01:44:58.840 --> 01:45:01.760
<v Speaker 9>released his episode, gave it some new art, new Keno,

1892
01:45:02.319 --> 01:45:05.239
<v Speaker 9>new hyper sigil, and I just dropped it on IG

1893
01:45:05.600 --> 01:45:08.319
<v Speaker 9>and X so people. I encourage people to check it out.

1894
01:45:08.319 --> 01:45:11.119
<v Speaker 9>It's my third episode I ever recorded on my show

1895
01:45:11.479 --> 01:45:14.560
<v Speaker 9>and I love Zach, so shout out Zach RP my brother,

1896
01:45:14.720 --> 01:45:18.000
<v Speaker 9>and people can check me out on Twitter at Wukanrieborn

1897
01:45:18.119 --> 01:45:21.520
<v Speaker 9>w uk oh and g Reborn or on at Threshold Saints,

1898
01:45:21.520 --> 01:45:25.800
<v Speaker 9>which is both for IG and Twitter and of course substack.

1899
01:45:25.880 --> 01:45:27.680
<v Speaker 9>And you can check out all of our Gray Lodge

1900
01:45:27.680 --> 01:45:30.600
<v Speaker 9>work at the True Gray Lodge dot com t r

1901
01:45:30.920 --> 01:45:34.880
<v Speaker 9>ve gray Lodge dot com because it's plus ultra all

1902
01:45:34.920 --> 01:45:38.199
<v Speaker 9>the way up. And yeah, thank you guys so much.

1903
01:45:38.239 --> 01:45:44.119
<v Speaker 9>I appreciate it, Brandon, of course, Robbie, Judith and mister

1904
01:45:44.199 --> 01:45:47.960
<v Speaker 9>ninety three Nick and of course Thumper awesome show rock

1905
01:45:48.039 --> 01:45:48.760
<v Speaker 9>on guys.

1906
01:45:49.279 --> 01:45:50.920
<v Speaker 3>Yeah, that was a blessed and thank you very much

1907
01:45:50.920 --> 01:45:51.359
<v Speaker 3>for making it.

1908
01:45:51.399 --> 01:45:52.640
<v Speaker 2>Jen, I really appreciate it.

1909
01:45:53.560 --> 01:45:56.640
<v Speaker 3>And Robbie Marx what is all. Please let everybody know

1910
01:45:56.640 --> 01:45:57.960
<v Speaker 3>where they can find your great stuff.

1911
01:45:58.600 --> 01:46:00.479
<v Speaker 10>It was great hanging out with everybody of the old

1912
01:46:00.520 --> 01:46:02.319
<v Speaker 10>faces and the new faces. Good to meet you.

1913
01:46:02.399 --> 01:46:02.720
<v Speaker 7>Thumper.

1914
01:46:04.119 --> 01:46:08.079
<v Speaker 10>As far as my work, I'm currently working on illustrations

1915
01:46:08.079 --> 01:46:11.000
<v Speaker 10>from my Memrod book, which I got about eight or

1916
01:46:11.079 --> 01:46:14.760
<v Speaker 10>nine of them complete. And then if you want to

1917
01:46:14.800 --> 01:46:17.079
<v Speaker 10>check out my various works, you can go to my

1918
01:46:17.119 --> 01:46:19.560
<v Speaker 10>link tree which is link tree r M r X

1919
01:46:19.920 --> 01:46:22.520
<v Speaker 10>and you can find my metamind cast there which I

1920
01:46:22.680 --> 01:46:26.399
<v Speaker 10>just did an episode on learning to Lucid Dream. I

1921
01:46:26.520 --> 01:46:30.359
<v Speaker 10>just released an episode on the creation of the human

1922
01:46:30.439 --> 01:46:33.560
<v Speaker 10>in the demon Haunted World, and then the one this

1923
01:46:33.600 --> 01:46:38.760
<v Speaker 10>week was the bloodline of the first Divine Couple leading

1924
01:46:38.800 --> 01:46:41.920
<v Speaker 10>into the Secrets of Enoch. So go over there and

1925
01:46:42.039 --> 01:46:45.479
<v Speaker 10>check out my link tree and all the things that

1926
01:46:45.520 --> 01:46:48.800
<v Speaker 10>I have to offer. And again, Nick, I appreciate it

1927
01:46:48.840 --> 01:46:49.479
<v Speaker 10>as always.

1928
01:46:49.560 --> 01:46:50.359
<v Speaker 7>Thanks.

1929
01:46:50.720 --> 01:46:53.800
<v Speaker 3>I always appreciate you here, Robbie, thank you very much.

1930
01:46:54.359 --> 01:46:57.640
<v Speaker 3>And last but not least, Judith please let him aright.

1931
01:46:57.439 --> 01:47:01.720
<v Speaker 11>Know, thank you for having me. Brandon. You're gonna have

1932
01:47:01.760 --> 01:47:03.600
<v Speaker 11>to teach me how to do an intro like you do.

1933
01:47:04.239 --> 01:47:05.159
<v Speaker 4>It is awesome.

1934
01:47:08.640 --> 01:47:12.119
<v Speaker 11>It's been a pleasure again, Jen every time.

1935
01:47:12.880 --> 01:47:13.239
<v Speaker 7>Robbie.

1936
01:47:13.239 --> 01:47:15.359
<v Speaker 11>This is the second time I've been with you, so

1937
01:47:15.800 --> 01:47:19.960
<v Speaker 11>it's a pleasure. Thumper, thank you so much. I am

1938
01:47:20.039 --> 01:47:23.720
<v Speaker 11>actually going to get your book because from what Nick

1939
01:47:23.760 --> 01:47:27.760
<v Speaker 11>has said so far. I like your format the way

1940
01:47:27.800 --> 01:47:31.760
<v Speaker 11>you present it, and I don't think you realize you

1941
01:47:31.840 --> 01:47:33.920
<v Speaker 11>also add a little element because I got to read

1942
01:47:33.920 --> 01:47:36.720
<v Speaker 11>the little intro a little bit of discernment in there,

1943
01:47:37.399 --> 01:47:40.680
<v Speaker 11>uh to warm to advise people that use that. So

1944
01:47:41.079 --> 01:47:45.720
<v Speaker 11>I'm looking forward to that and anyone else. You could

1945
01:47:45.720 --> 01:47:49.239
<v Speaker 11>find me on YouTube and on x as the Loon

1946
01:47:49.880 --> 01:47:57.680
<v Speaker 11>and I do more self awareness, more mindfulness and working

1947
01:47:57.720 --> 01:47:59.800
<v Speaker 11>on yourself before you start taking work like this.

1948
01:48:01.439 --> 01:48:05.439
<v Speaker 9>Thank you, Thank you very much, Judith. I really appreciate

1949
01:48:05.479 --> 01:48:06.079
<v Speaker 9>you making it here.

1950
01:48:06.720 --> 01:48:09.399
<v Speaker 6>And h thump please if you want to let everybody

1951
01:48:09.439 --> 01:48:11.359
<v Speaker 6>know what's up, let them know where you can find

1952
01:48:11.399 --> 01:48:12.920
<v Speaker 6>anything usage want to promote.

1953
01:48:12.600 --> 01:48:13.039
<v Speaker 3>And the mook.

1954
01:48:14.399 --> 01:48:16.439
<v Speaker 8>Okay, well, first of all, thank you guys so much

1955
01:48:16.439 --> 01:48:19.479
<v Speaker 8>for having me I had last. I tend not to

1956
01:48:19.479 --> 01:48:21.840
<v Speaker 8>know how periods work, so I will just steamroll through

1957
01:48:21.840 --> 01:48:23.680
<v Speaker 8>a conversation. That's great.

1958
01:48:24.439 --> 01:48:25.680
<v Speaker 7>I really enjoyed it here.

1959
01:48:26.560 --> 01:48:30.800
<v Speaker 8>You can find me at someforge dot com or pretty

1960
01:48:30.880 --> 01:48:36.399
<v Speaker 8>much anywhere at fivefold law, what work fivefold Law, and

1961
01:48:37.000 --> 01:48:40.720
<v Speaker 8>I am currently working on the first draft of my

1962
01:48:40.840 --> 01:48:44.439
<v Speaker 8>next book, which will be sort of a spiritual sequel

1963
01:48:44.479 --> 01:48:48.479
<v Speaker 8>to The casts Apple. While getting more into world mythology

1964
01:48:48.520 --> 01:48:51.680
<v Speaker 8>and pop culture. One thing I did forget to say

1965
01:48:51.720 --> 01:48:54.079
<v Speaker 8>about the casts Apple, just the people know what they're

1966
01:48:54.079 --> 01:48:57.600
<v Speaker 8>getting into. Some of the pages are intentionally upside down.

1967
01:48:57.800 --> 01:49:01.760
<v Speaker 8>Oh yeah, well I've caught that. My only one star

1968
01:49:01.840 --> 01:49:03.840
<v Speaker 8>review on Amazon came from somebody who got thought he

1969
01:49:03.880 --> 01:49:04.560
<v Speaker 8>got a misprint.

1970
01:49:05.720 --> 01:49:07.359
<v Speaker 7>So I want people know that that was done.

1971
01:49:09.239 --> 01:49:12.920
<v Speaker 8>But yeah, that's uh that five full law everywhere thumperforge

1972
01:49:13.680 --> 01:49:17.840
<v Speaker 8>dot com and uh, I will wonder about here anytime.

1973
01:49:17.520 --> 01:49:17.880
<v Speaker 9>You want me.

1974
01:49:18.680 --> 01:49:22.640
<v Speaker 3>Yeah, I definitely had him last. And I noticed that too,

1975
01:49:22.640 --> 01:49:25.479
<v Speaker 3>with the upside down with like I mean, I don't know.

1976
01:49:25.560 --> 01:49:27.479
<v Speaker 3>For me, I just knew that was tom purpose.

1977
01:49:27.720 --> 01:49:32.319
<v Speaker 6>I just didn't yeah, especially because it was also it's

1978
01:49:32.359 --> 01:49:35.079
<v Speaker 6>also like I think it's the Discordian parts.

1979
01:49:34.840 --> 01:49:39.720
<v Speaker 8>Right, Yeah, yeah, that was Discordian dance breaks and just

1980
01:49:39.720 --> 01:49:42.800
<v Speaker 8>a little stop and reorient and think about things in

1981
01:49:42.840 --> 01:49:46.079
<v Speaker 8>a different way. And it was actually somebody on the

1982
01:49:46.159 --> 01:49:48.760
<v Speaker 8>design team at the publisher came up with the idea

1983
01:49:49.640 --> 01:49:53.199
<v Speaker 8>and I wasn't entirely sold on it. So I went

1984
01:49:53.439 --> 01:50:00.319
<v Speaker 8>to my most like like grumpy, curmudgeonly friend and I said, Hey,

1985
01:50:00.399 --> 01:50:02.039
<v Speaker 8>if some of the pages in the book were upside down,

1986
01:50:02.039 --> 01:50:03.960
<v Speaker 8>what would you think, And he said, I think that

1987
01:50:04.000 --> 01:50:06.239
<v Speaker 8>would mean that I should stop and reorient and change

1988
01:50:06.279 --> 01:50:07.920
<v Speaker 8>the way I'm looking at it. I was like, we's old.

1989
01:50:09.840 --> 01:50:11.800
<v Speaker 8>So yeah, everybody, for the most part, everybody seems to

1990
01:50:11.800 --> 01:50:13.439
<v Speaker 8>get it. But I always sort of offer that disclis,

1991
01:50:15.560 --> 01:50:16.239
<v Speaker 8>so people aren't you.

1992
01:50:17.279 --> 01:50:20.319
<v Speaker 6>And I said before, the book to me reads differently.

1993
01:50:20.399 --> 01:50:21.880
<v Speaker 6>It's not going to be a to me. It's in

1994
01:50:22.000 --> 01:50:25.319
<v Speaker 6>your everyday magic book, you know. I think it's a

1995
01:50:25.359 --> 01:50:26.279
<v Speaker 6>little bit more personal.

1996
01:50:26.479 --> 01:50:28.600
<v Speaker 3>I don't know. I liked it so far from what

1997
01:50:28.640 --> 01:50:31.720
<v Speaker 3>I read. I highly suggest that if you're into chaos magic.

1998
01:50:31.800 --> 01:50:33.479
<v Speaker 6>I just I feel like if I tell you to

1999
01:50:33.560 --> 01:50:35.439
<v Speaker 6>check this book out and snack it and be like

2000
01:50:35.520 --> 01:50:38.840
<v Speaker 6>every other book you read. So, uh, check it out

2001
01:50:38.840 --> 01:50:41.439
<v Speaker 6>if you're into that stuff and thump very amazing.

2002
01:50:41.520 --> 01:50:41.800
<v Speaker 9>Again.

2003
01:50:41.920 --> 01:50:44.520
<v Speaker 3>I was very happy for being on. If you coming on,

2004
01:50:44.560 --> 01:50:46.439
<v Speaker 3>we'll definitely get you on the future if you have one.

2005
01:50:46.560 --> 01:50:46.840
<v Speaker 1>We had.

2006
01:50:47.000 --> 01:50:48.680
<v Speaker 3>I had a blast, so I would love to get

2007
01:50:48.680 --> 01:50:49.359
<v Speaker 3>you back on again.

2008
01:50:49.880 --> 01:50:52.640
<v Speaker 6>And uh, thank you everybody that showed up, and thank

2009
01:50:52.680 --> 01:50:54.319
<v Speaker 6>you everybody in the chat. There's a lot of people

2010
01:50:54.319 --> 01:50:56.079
<v Speaker 6>in chat, and that's what's up, and that's where we

2011
01:50:56.119 --> 01:50:58.359
<v Speaker 6>do it live and until the next one.

2012
01:50:58.479 --> 01:51:00.520
<v Speaker 3>Everybody be well late yeah,
