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Speaker 1: W M N h rip the novels.

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Speaker 2: We're back from the brands.

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Speaker 3: And sunrise some tree's of the and ansidering posy.

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Speaker 4: Let's all moving in a way Again't pay.

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Speaker 3: I don't know how you do it.

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Speaker 5: T me say not that.

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Speaker 4: Burn see the oas in some.

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Speaker 3: Honything that they need to say away.

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Speaker 4: Senator, Yes, the w w W.

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Speaker 3: Got the psy honey Whatson it say what not thy

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past lightly because that was all.

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Speaker 4: He feels different now and the leading may have to

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say the hall or see meeting the sunrise.

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Speaker 3: Fidy th the days stay away said to.

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Speaker 6: Yeah, mistic gno turns down.

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Speaker 1: The maid came on. Then I thought, Fane, you.

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Speaker 5: Got something there.

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Speaker 3: It is fireous b.

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Speaker 5: Y disguise.

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Speaker 4: Do they know I am na say looking at me

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not Let p say Api burning.

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Speaker 7: Sus in sunrise.

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Speaker 4: Finything the day the joy said to have met for

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s Afi coming.

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Speaker 8: Singapis him sunrise finything a day say.

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Speaker 4: Any he said to us.

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Speaker 2: That is orchids in the sunrise. The band they are

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here with us in studio under the horizon. We've got

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all three members here. Welcome everybody. We're gonna talk with them.

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We're gonna get caught up really looking forward to this.

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This is Matt Connorton Unleashed and of course we are

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live from the studios of w m n H ninety

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five point three FM and Glorious Manchester, New Hampshire. And

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of course you can stream the show. Go to Matt

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connorton dot com, slash live rather live streaming options, social

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media links, contact and Fosho archives, et cetera, et cetera.

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Just don't bother with the Facebook link because Facebook has

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restricted me from streaming live till December. I have no

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idea why, because they don't tell you when they do

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this soup. But you can stream it on YouTube and

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of course it is a radio show, so if you're

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in the Manchester area you can just stream it or

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actually just listen to it, I should say, at ninety

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five point three FM on your FM dial. Jenny is

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here of course at the news table, and let me

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get those mics up because joining us in studio we

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have and let me get that camera on them too

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for those of you watching the video feed. So there's

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Matt Palmer, Jordan's Sweet and is he McIntyre all here

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with us a live in studio. Good morning, Good morning, morning. Yes, yes,

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so under the horizon. Great to uh great to have here.

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The last time Jenny and I saw you, of course,

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was at Bad Burger's, right, and uh, yeah, you've come

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a long way. You're a lot heavier than it used

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to be, which is really nice. I like it. Yeah,

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sounding amazing. So we're gonna get caught up, We're gonna

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get in everything. But we should uh and Jordan, this

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is more you and I talking about this, I suppose,

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but we should. Let's get the sad part out of

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the way and we won't spend a lot of time

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on it. But of course we both we lost a

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hero of ours.

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Speaker 9: Big, big influence on me, definitely the main reason why

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I play guitar. And you know, like obviously there's other

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influences that I have, but like you know, Van Halen, Dimebag,

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but I think Ace was definitely my biggest reason to

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be playing guitar.

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Speaker 7: I mean, yeah, you know, I don't know if it

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was his sound, the look, the you.

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Speaker 9: Know, whole band itself, kiss or his solo acts, but

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the guy just had some something for me.

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Speaker 7: And I was just like wow, yeah, like this is

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where it's at.

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Speaker 2: Like, yeah, yeah, do you have a favorite Ace Frayley solo.

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Speaker 7: Honestly, the solo from was it Love Them and Leave Them?

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Speaker 2: I think?

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Speaker 7: Is that? Oh yeah, I like that when Yeah, that's

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a pretty good solo rock and roll over.

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Speaker 9: I feel like a lot of people don't really listen

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to that album that much, and you know, don't really

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listen to the solos on there, but that's got some

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good guitar work on there, honestly. Yeah, So that's definitely

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one of my favorite ones.

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Speaker 2: My personal favorite has always been Strange Ways, Right.

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Speaker 7: Yeah, that's another good one.

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Speaker 2: I love that solo. And now, did you guys play

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with Ace? Did you do a show with Ace or

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did you know? But you you went? Right?

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Speaker 7: We went saw him, We met him that that was

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a cool time.

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Speaker 2: Yeah.

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Speaker 9: I think we had tried at some point, just didn't

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really fall through. Yeah, I mean stuff like that happens

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all the time. You try to playing gig, doesn't fall through.

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Speaker 7: It is what it is, you know.

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Speaker 9: But yeah, we did get to meet the guy. Yeah,

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definitely a pretty cool time. He did put on a

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pretty good show that night too, which you know, it

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was a good time to see you know, Yeah, everybody

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seem to have a good time there too, So yeah, yeah.

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Speaker 2: No, it's uh yeah, it's and that's one of the

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things that you know that Mike knows this, I'm sure

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has thought about this. You know, as you get older,

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your heroes they start to die off, right yeah, and

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you know, and you're experiencing a hero dying you know,

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you're you're young, and you're you know, your heroes are

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already dying off.

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Speaker 7: Yeah yeah right, I mean like within this year, I mean,

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how many people have we lost?

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Speaker 2: Yeah?

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Speaker 9: We lost Auzzye, we lost Ace, we lost was it

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Brian Wilson from Beach Boy lost him? We lost DeAngelo? Right, yeah,

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it's just everybody's just rolling. I'm like, dude, what happened?

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Speaker 5: Yeah?

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Speaker 7: They had another five years in you. I thought these

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people were immortally.

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Speaker 5: I know, I know.

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Speaker 2: Yeah, No, it's it's it's hard, but but that's cool though,

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that you know, he was such an inspiration to you

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and uh and and why picked up the guitar. That's

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that's great.

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Speaker 7: Yeah, I'm glad that I got to experience him.

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Speaker 2: It's wonderful that you got to meet him. Yeah, absolutely,

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absolutely good memories. Yes, yes, Well, so we'll talk about

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what's been going on with the band. Uh, dying to

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hear from all three of you on this and uh,

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you know, it looks like you're doing a lot of

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good stuff, making a lot of progress, playing a lot

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of shows. You got a busy, busy schedule. Did you

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play last night? Somewhere?

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Speaker 7: We did?

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Speaker 10: We played Halloween Show. It was a creep fest in Cranston,

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Rhode Island at pub On Park. It was a great show, yeah,

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hosted by Ramboutacon and Voltage Entertainment and we got to

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play with obviously our extended family and Scarecrow Hill.

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Speaker 5: Ye.

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Speaker 10: Yeah, we've heard great friends with them, but we also

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got to meet a lot of new friends there among Ghosts, Forever's,

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Falling Grace, Providence, all great guys, all great bands. It

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was an amazing, amazing night, amazing show. Yeah, and it

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was fun. It was fun to actually do something on

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Halloween night rather than just like sit at home watch

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you know, the Evil Dead for the ninetieth time in

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the row or whatever.

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Speaker 5: Right.

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Speaker 7: But yeah, we've been we've been busy.

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Speaker 10: We've been you know, working on the upcoming Albu a

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lot of that and editing and mixing right now, so we're.

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Speaker 7: Looking music videos, yeah, yeah, music.

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Speaker 10: We've been doing music videos for the second album and

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you know, just keep working.

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Speaker 2: Mm hmm. I'm really curious to know about the evolution

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of the sound because you're I mean, you know, the

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song for people hearing you for the first time, of course,

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the song we displayed, you know, it's dark and heavy

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and whatnot, right, but seeing you live because Jenny and

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I the first time we saw it was when you

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were opening for Great White, right, you.

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Speaker 7: Know, and way in the earlier stage.

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Speaker 5: Yeah.

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Speaker 2: Yeah, And then when we saw you at Bad Burger,

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you know, it was it was louder, it was heavier.

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Oh and before that too, well, when we saw you

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at Jewel Oh yeah, yeah, because because I remember that

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night saying, I was like, wow, they've they've definitely gotten heavier.

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Speaker 7: Things have changed.

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Speaker 11: Yeah, yeah, I think with like all the shows that

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we've been playing, and also a lot of the new

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bands that we meet, like, it's definitely influenced our perspective

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and our performance. And I'd also say, for at least

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for me, like a big change in a monumental like

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I guess point in my career was Milwaukee Metalfest, Like

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seeing all the bands there, it definitely changed something in me,

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and I don't think it's been the same sense seeing

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the energy.

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Speaker 10: That those bands brought, you know, like whether it was

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you know, like the big bands like you know, Guar

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and Arch Enemy, you know, or Down or Chimera obviously,

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but you know, even some of the smaller bands that

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we checked out. Like I remember there was one band

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in particular that we checked on the second stage, a Fugitive. Yeah,

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there were this thrash band that like we didn't know

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anything about, but we went in there and like next thing,

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you know, we look around and we see like bodies

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flying all over the place and we're like, all right, yeah,

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this is you know, this is a little more like

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what we're into here. And it was just like that

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whole experience. You know, not only was it great and

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was great to you know, have the opportunity and to

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play in, you know, an event like that, but you know,

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to look around and see all these bands and grab

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little bits of you know, influence from everyone. I'd say

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that overall, that's really what we do. You know, we

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try to pick up influences of things, you know, because

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we as much as we're in our you know, in

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our own band, to we're our own you know, style

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or whatever. We are still fans and when we go

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to shows, you know, it's like we're going to see

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our favorite bands and all that. So we uh, you know,

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take little bits and pieces and we're like, all right, like,

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you know that's cool. What if we try to take

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it and twist it in our own way? And I

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think with the whole you know, getting heavier thing, I

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think we all kind of liked when we did stuff

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that was a little more heavy and it was a

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little more outside of our comfort zone. Yeah, coming out

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of the first album. Yeah, and we just fell in

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love with it. Yeah, like this is this is where

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we're having I.

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Speaker 11: Also think it's just us getting more comfortable on stage,

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Like we're more comfortable in performing and just I guess

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being different in front of other people.

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Speaker 7: Yeah, being more true to ourselves right right.

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Speaker 9: Our stage show definitely evolved a lot more after you know,

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we got heavier. I mean dud Like as much as

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I remember the the you know, original days and you know,

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the first couple of months of us being a band,

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and I enjoy looking back. I I so much more

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appreciate and take pride in the stage show that we've

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developed now because of our heavier sound and all of

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our you know, more mature evolutions that we've done with

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the music and you know, the bands that we've met.

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I mean, you know, a lot of our stage show

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in a sense has taken part from other bands, and

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we'd taken you know, influences from other bands.

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Speaker 7: But at the end of the day, I really feel.

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Speaker 9: Like our evolution has just been from us just being heavier,

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you know, like you can't exactly be you know, jumping

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around and whipping your hair around when you're playing some

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like softer rock. Right, it's not as good as the time.

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I mean, it's still a good time, but it doesn't

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hit us hard, you know.

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Speaker 2: For us, of course, if you are just showing us

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we've got all three members of Under the Horizon or

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here with us in studio, it sounds like like, did

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you ever have a conversation about sounding heavier? Because it

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sounds like it just sort of happened organically, like you

238
00:14:33,080 --> 00:14:36,840
never really that's my impression I would say it, Yeah.

239
00:14:37,639 --> 00:14:40,639
Speaker 7: It just happened. I think it really was just like

240
00:14:40,799 --> 00:14:42,840
every couple of practices.

241
00:14:42,320 --> 00:14:45,200
Speaker 9: Somebody would do something like, you know, Maddie would throwing

242
00:14:45,360 --> 00:14:48,399
like a little scream or is he would you know,

243
00:14:48,600 --> 00:14:51,759
throwing a scream or throwing a pinch harmonic or whatever.

244
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And we were just like, oh, we can do this,

245
00:14:55,240 --> 00:14:58,039
Like we don't have to play like kiss like we

246
00:14:58,120 --> 00:15:01,799
can we can be Pantera. And I think that's kind

247
00:15:01,840 --> 00:15:03,919
of where it all evolved. We were like, oh, so

248
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we can do this, so why don't we try to

249
00:15:07,279 --> 00:15:08,279
do it right?

250
00:15:08,519 --> 00:15:14,399
Speaker 2: Yeah? Yeah, exactly, yeah, exactly. The songs that that are

251
00:15:14,480 --> 00:15:16,519
going to be on the new isn't Is it going

252
00:15:16,600 --> 00:15:17,960
to be in another Epeter is going to be an

253
00:15:17,960 --> 00:15:19,799
album or what full album album?

254
00:15:20,240 --> 00:15:20,679
Speaker 5: This time?

255
00:15:20,840 --> 00:15:25,519
Speaker 10: We with the first the first release, it was kind

256
00:15:25,559 --> 00:15:29,480
of I like to say it was an unintentional EP Yeah,

257
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we didn't.

258
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Speaker 7: We honestly all.

259
00:15:32,000 --> 00:15:35,080
Speaker 10: I think we're very surprised when we like edited it

260
00:15:35,320 --> 00:15:37,480
down and we were like, oh my god, it's only

261
00:15:37,679 --> 00:15:41,600
thirty minutes. Yeah, Like we were like, oh no, but

262
00:15:42,120 --> 00:15:44,919
you know, even though obviously we still love it, but yeah,

263
00:15:45,039 --> 00:15:49,480
this one is a full, full fledged album. Okay, I

264
00:15:49,559 --> 00:15:53,919
think around like ten twelve tracks, ything like that. Okay,

265
00:15:54,320 --> 00:15:55,519
thirteen tracks.

266
00:15:55,240 --> 00:15:59,799
Speaker 2: Thirteen yeah, excellent, excellent. Now, the in terms of how

267
00:15:59,840 --> 00:16:02,159
you approach recording, has that changed at all with the

268
00:16:02,720 --> 00:16:05,360
heavier sound or is it kind of the same erth It's.

269
00:16:05,399 --> 00:16:07,159
Speaker 11: About the same, but I think we put in a

270
00:16:07,320 --> 00:16:12,360
lot more time and also at a lot like extra tracks,

271
00:16:12,440 --> 00:16:14,879
I'd say, really yeah, yeah, a lot.

272
00:16:15,279 --> 00:16:15,480
Speaker 2: Yeah.

273
00:16:15,559 --> 00:16:19,759
Speaker 10: I think the approach and like how we executed the

274
00:16:19,840 --> 00:16:22,360
recording is very much like still kind of the same,

275
00:16:22,519 --> 00:16:26,320
but we you know, this time we sat down and

276
00:16:26,440 --> 00:16:30,600
were like all right, like we want you know, this

277
00:16:30,799 --> 00:16:33,559
is going to be like a statement. We wanted it

278
00:16:33,639 --> 00:16:37,000
to be, you know, statement of this is us, this

279
00:16:37,200 --> 00:16:40,440
is who we are. And you know, like as he said,

280
00:16:40,559 --> 00:16:42,879
try and stuff, you know, more stuff in the studio

281
00:16:43,039 --> 00:16:45,879
now that we're you know, more comfortable and we're you know,

282
00:16:46,039 --> 00:16:48,639
hearing different sounds. Like there were so many times where

283
00:16:49,080 --> 00:16:51,799
we would just be doing like someone would play something

284
00:16:51,840 --> 00:16:54,399
completely random, like Jordan would just do something that was

285
00:16:54,559 --> 00:16:58,480
like it it wasn't even meant for this song or whatever,

286
00:16:58,519 --> 00:17:00,519
and he was just like practicing and I'm like, wait, wait, wait,

287
00:17:00,759 --> 00:17:01,559
what are you doing there?

288
00:17:01,799 --> 00:17:02,600
Speaker 5: Yeah? Record?

289
00:17:02,879 --> 00:17:07,240
Speaker 9: Yeah, yeah, yeah, I think, I mean, I think the

290
00:17:07,359 --> 00:17:10,319
second album is definitely a lot more mature, and it

291
00:17:10,480 --> 00:17:13,559
has all the same you know, recording styles, and obviously

292
00:17:13,640 --> 00:17:15,480
there's a couple of tonal changes in there. But I

293
00:17:15,559 --> 00:17:18,039
think it really differs from the first album, because I

294
00:17:18,119 --> 00:17:20,880
mean the first album was like an experiment. We were

295
00:17:20,960 --> 00:17:24,000
just like, well, we have original songs and we could

296
00:17:24,200 --> 00:17:28,000
make an album or EP, I guess, and we were

297
00:17:28,079 --> 00:17:29,839
just like, well, let's send it and see what we

298
00:17:29,880 --> 00:17:30,160
can do.

299
00:17:30,319 --> 00:17:31,920
Speaker 7: But now we're like, we're.

300
00:17:31,799 --> 00:17:34,079
Speaker 9: Going to make this like a platinum sounding record and

301
00:17:34,200 --> 00:17:36,200
people are going to listen to it, you know, Yeah,

302
00:17:36,599 --> 00:17:37,559
we're gonna get it done.

303
00:17:37,759 --> 00:17:43,759
Speaker 2: Yeah, exactly exactly. Do you as as you're recording this,

304
00:17:43,880 --> 00:17:46,640
do you ever think about, well, let me put it

305
00:17:46,680 --> 00:17:48,559
this way, is it ever? Are you ever concerned with

306
00:17:48,759 --> 00:17:51,599
can we replicate this live? Like if we're if we

307
00:17:51,759 --> 00:17:53,559
record it this way, what we're going for?

308
00:17:53,920 --> 00:17:54,119
Speaker 12: Yeah?

309
00:17:54,359 --> 00:17:54,480
Speaker 7: Can?

310
00:17:54,599 --> 00:17:57,200
Speaker 11: I would say that, like we already play a lot

311
00:17:57,200 --> 00:17:58,880
of this stuff live, Like I feel like the live

312
00:17:58,920 --> 00:18:00,440
stuff came before how we were going.

313
00:18:00,359 --> 00:18:01,319
Speaker 13: To play it on the record.

314
00:18:01,720 --> 00:18:03,559
Speaker 2: That's good. Yeah, that makes it easier.

315
00:18:03,680 --> 00:18:06,160
Speaker 11: Yeah, especially at least for me vocally, Like I've changed

316
00:18:06,160 --> 00:18:08,079
a lot in the last couple of months, and so

317
00:18:08,200 --> 00:18:10,240
some of the stuff that I've actually had to even

318
00:18:10,279 --> 00:18:12,640
go back to re record vocals because I'm like that's

319
00:18:12,720 --> 00:18:16,559
not heavy enough, it's not there. So yeah, i'd say

320
00:18:16,599 --> 00:18:19,519
the live performance, like how we perform it there has

321
00:18:20,000 --> 00:18:22,319
definitely come before the actual recording style.

322
00:18:22,519 --> 00:18:25,359
Speaker 2: Yeah, yeah, because whereas it's only three of you, by

323
00:18:25,359 --> 00:18:27,839
the way, So I mean I assume the long term

324
00:18:27,920 --> 00:18:29,480
plan is to keep it the three of you. I mean,

325
00:18:29,519 --> 00:18:32,680
if you you've never discussed like adding a fourth member,

326
00:18:33,319 --> 00:18:35,039
not maybe the.

327
00:18:35,119 --> 00:18:36,559
Speaker 7: Beginning or something.

328
00:18:36,799 --> 00:18:39,839
Speaker 9: Yeah, I think we we thought about adding a fourth

329
00:18:39,920 --> 00:18:43,319
member before we even had original music really, and I

330
00:18:43,400 --> 00:18:45,920
think that was the first and last time we ever

331
00:18:46,000 --> 00:18:46,599
considered it.

332
00:18:46,839 --> 00:18:49,920
Speaker 7: Yeah, because it's just like you know, it's it's just

333
00:18:50,119 --> 00:18:51,119
the dynamics.

334
00:18:51,440 --> 00:18:53,000
Speaker 2: It's so good the way it is.

335
00:18:53,279 --> 00:18:57,160
Speaker 9: Yeah, it's it's hard to not only is it hard

336
00:18:57,200 --> 00:18:59,720
to adapt to having a fourth member, because now you're like,

337
00:19:00,319 --> 00:19:02,400
we got to figure out, you know, is he.

338
00:19:02,799 --> 00:19:04,440
Speaker 7: Can they play on time?

339
00:19:04,640 --> 00:19:07,880
Speaker 9: Can they adapt to our style that we have in

340
00:19:08,000 --> 00:19:11,759
our sound, But you're also risking the dynamics of the

341
00:19:11,880 --> 00:19:14,960
band falling apart. Now now it's well, we're not a

342
00:19:15,039 --> 00:19:18,720
three person boat. Now we have four people, and we

343
00:19:18,960 --> 00:19:22,880
now risk having two camps if somebody disagrees, and now

344
00:19:22,920 --> 00:19:24,920
it's a two on two or it's a three on one,

345
00:19:25,039 --> 00:19:28,519
And it's like there's just too many, too many potential

346
00:19:28,599 --> 00:19:29,359
problems for us.

347
00:19:29,440 --> 00:19:32,519
Speaker 10: Sorry about you, And I think you know we're all

348
00:19:32,920 --> 00:19:35,400
you know, as I'm sure that you know any other

349
00:19:35,559 --> 00:19:37,880
musician who's listening to this, or you know, even the

350
00:19:38,400 --> 00:19:41,640
other musicians in this room here, can you know relate that.

351
00:19:42,279 --> 00:19:45,319
You know, we've all been in bands that it's like

352
00:19:46,400 --> 00:19:50,119
you have like the ideal amount of people, you know

353
00:19:50,160 --> 00:19:52,519
what I mean, Like, oh, well, great, we have you know,

354
00:19:53,000 --> 00:19:56,920
two guitar players and a you know, dedicated lead singer

355
00:19:57,039 --> 00:20:00,200
who you know, and a dedicated bass player and one ever.

356
00:20:00,400 --> 00:20:03,799
But in all of those bands where like there's way

357
00:20:03,880 --> 00:20:08,200
too many cooks in this kitchen. And this band was

358
00:20:08,319 --> 00:20:11,359
really about the three of us, you know, coming from

359
00:20:11,480 --> 00:20:15,119
our separate projects and being like, hey, we work really

360
00:20:15,200 --> 00:20:18,160
well together, and we're really tight, and we are we

361
00:20:18,319 --> 00:20:23,000
really understand our language, like we're writing stuff half the time.

362
00:20:23,519 --> 00:20:26,319
You know, we won't even have to like talk about

363
00:20:26,440 --> 00:20:28,160
much of like okay, well what do we do next

364
00:20:28,240 --> 00:20:30,759
for this next section? It's just organic. We all are

365
00:20:30,880 --> 00:20:33,799
just kind of like interlinked with each other. Yeah, and

366
00:20:34,200 --> 00:20:36,519
I think it, you know, really works out. We just

367
00:20:36,640 --> 00:20:40,880
haven't wanted to, you know, mess that up in any way.

368
00:20:42,279 --> 00:20:45,720
Speaker 2: I think that's smart. Yeah, And and the three of

369
00:20:45,799 --> 00:20:49,680
you are able to get such a big sound with

370
00:20:49,880 --> 00:20:52,400
only three of you, so you don't need a fourth

371
00:20:52,440 --> 00:20:53,160
person anyway.

372
00:20:53,599 --> 00:20:54,279
Speaker 7: It's it's.

373
00:20:56,279 --> 00:20:56,400
Speaker 5: Right.

374
00:20:56,559 --> 00:21:01,920
Speaker 9: Yeah, it's interesting because I mean we I've heard that

375
00:21:02,160 --> 00:21:05,319
where people are like, oh, you guys are very full

376
00:21:05,440 --> 00:21:07,440
for a three piece yeah, which yeah, I.

377
00:21:07,480 --> 00:21:08,880
Speaker 7: Mean is partially why.

378
00:21:08,960 --> 00:21:11,119
Speaker 9: I mean there's always the stereotype you need a lead

379
00:21:11,200 --> 00:21:13,480
and a rhythm guitar player, you need all the people

380
00:21:13,640 --> 00:21:15,599
to make the big sound. But I think it really

381
00:21:15,920 --> 00:21:18,039
just depends on how you play your instrument, you know,

382
00:21:18,279 --> 00:21:21,319
like like you know, I can have a full sound

383
00:21:21,480 --> 00:21:23,880
in a solo by just throwing octaves in there is

384
00:21:23,960 --> 00:21:25,960
he can have a full sound by just growling and

385
00:21:26,079 --> 00:21:28,359
you know, layering tracks in the studio or even just

386
00:21:28,440 --> 00:21:29,079
doing it live.

387
00:21:29,559 --> 00:21:32,200
Speaker 7: Maddie bangs his drums like an ape.

388
00:21:32,400 --> 00:21:36,079
Speaker 9: Yeah, like you know, you know, it's like it really

389
00:21:36,200 --> 00:21:38,400
just goes to show like if you can play your

390
00:21:38,440 --> 00:21:40,480
instrument in a certain way, you can make a full

391
00:21:40,559 --> 00:21:42,400
sound out of minimal amount of people.

392
00:21:42,599 --> 00:21:44,960
Speaker 2: That's a good way of putting it. Yeah, yeah, exactly.

393
00:21:45,519 --> 00:21:48,119
And you can hear, like you can clearly hear everything,

394
00:21:48,240 --> 00:21:50,440
like if you because if you're playing a solo and

395
00:21:50,519 --> 00:21:53,519
you don't have an extra guitarist playing rhythm, you can

396
00:21:53,920 --> 00:21:55,440
you can hear what is he's doing on bass. You

397
00:21:55,480 --> 00:21:57,359
can hear all the drums right, all the you know,

398
00:21:57,440 --> 00:21:59,839
the double kick and everything. You can clearly hear it right,

399
00:22:00,039 --> 00:22:01,920
you know what man's playing. So I think, no, I

400
00:22:01,960 --> 00:22:06,160
think that's smart. That makes a lot of sense. Yeah,

401
00:22:06,200 --> 00:22:08,319
do get that a lot? Like are people surprised? Do

402
00:22:08,440 --> 00:22:08,920
they tell you that?

403
00:22:09,880 --> 00:22:10,200
Speaker 13: Almost?

404
00:22:10,279 --> 00:22:13,480
Speaker 11: I think everything, I feel like there's always somebody who's like, yeah,

405
00:22:13,480 --> 00:22:14,880
you guys sound like huge.

406
00:22:15,119 --> 00:22:16,680
Speaker 2: Yeah, yeah, yeah, that's great.

407
00:22:16,759 --> 00:22:19,200
Speaker 9: We get a lot of surprise because I mean, we're

408
00:22:19,240 --> 00:22:21,920
all young and we're playing and lately we've been playing

409
00:22:22,000 --> 00:22:26,359
with people who are, you know, honestly veterans in the

410
00:22:26,599 --> 00:22:29,279
in the music industry, and like they've been here for

411
00:22:29,680 --> 00:22:33,640
decades years, you know, like and people are like, oh,

412
00:22:34,279 --> 00:22:38,079
young individuals with a room full of forty year olds,

413
00:22:39,119 --> 00:22:41,720
how is this gonna go? And when we go on stage,

414
00:22:41,960 --> 00:22:43,960
just you know, we blow them away, and you know,

415
00:22:44,440 --> 00:22:46,640
they they honestly they come up to us and they're like,

416
00:22:46,880 --> 00:22:48,200
I wasn't expecting that, but.

417
00:22:48,200 --> 00:22:50,279
Speaker 7: I'm glad that I was here. You know, Yeah, yeah,

418
00:22:51,559 --> 00:22:52,319
it's definitely.

419
00:22:52,519 --> 00:22:55,640
Speaker 9: I'm grateful that we can actually put that out and

420
00:22:55,920 --> 00:22:58,519
you know, we put on a good show and people

421
00:22:58,599 --> 00:23:01,720
are excited to see us. People are even getting any

422
00:23:01,799 --> 00:23:04,519
surprise because I mean, they can see us. But if

423
00:23:04,559 --> 00:23:07,400
they're not surprised by us, are we really doing our

424
00:23:07,519 --> 00:23:08,039
job right?

425
00:23:08,359 --> 00:23:10,000
Speaker 5: Right? Yeah?

426
00:23:11,480 --> 00:23:13,079
Speaker 2: I won't say who it is on the air, but

427
00:23:13,200 --> 00:23:15,160
Jenny and I had had a conversation actually it was

428
00:23:15,200 --> 00:23:16,519
after you on the show, the first time we had

429
00:23:16,519 --> 00:23:20,480
a conversation with somebody who we wanted to to connect

430
00:23:20,759 --> 00:23:24,000
you with. Who reacted? Do you do you remember this? Jenny?

431
00:23:24,000 --> 00:23:25,720
I won't say what it is, but who reacted like,

432
00:23:25,839 --> 00:23:28,480
oh they're kids, I don't know you know who I'm

433
00:23:28,480 --> 00:23:31,119
talking about, and funny enough, so you did end up

434
00:23:31,160 --> 00:23:33,359
working with them. And again I won't say on the

435
00:23:33,400 --> 00:23:35,519
air who it was, but you know, but I don't

436
00:23:35,519 --> 00:23:37,160
know if they would even mind, but it's somebody you

437
00:23:37,200 --> 00:23:39,279
did end up working with. So it all worked out

438
00:23:39,440 --> 00:23:42,000
and I think they were very happy that they they

439
00:23:42,079 --> 00:23:44,119
worked with you on a show. I'll tell you off

440
00:23:44,119 --> 00:23:47,519
air afterward who it was. But but but yeah, but

441
00:23:47,759 --> 00:23:50,400
now are you all like, like, are any of you

442
00:23:50,480 --> 00:23:52,200
still in school at this point? What is a you're

443
00:23:52,240 --> 00:23:53,039
in college now right?

444
00:23:53,160 --> 00:23:53,359
Speaker 5: Yeah?

445
00:23:53,440 --> 00:23:55,920
Speaker 2: Yeah yeah, and then what about you guys you're both

446
00:23:55,960 --> 00:23:56,880
out of high school now right?

447
00:23:57,000 --> 00:23:58,720
Speaker 7: Yeah, we both were both graduating.

448
00:23:58,799 --> 00:24:01,240
Speaker 2: That's what I thought. Yeah, yeah, yeah, so you're not

449
00:24:01,400 --> 00:24:02,920
you know, it's not like your kids.

450
00:24:02,799 --> 00:24:06,119
Speaker 7: Anymore, right, I mean where it's grown as much as

451
00:24:06,160 --> 00:24:06,400
we can.

452
00:24:06,519 --> 00:24:09,960
Speaker 2: There you go out, there, you go, there, you go.

453
00:24:10,240 --> 00:24:12,000
Now how now, what's the show schedule been?

454
00:24:12,079 --> 00:24:12,119
Speaker 5: Like?

455
00:24:12,160 --> 00:24:13,640
Speaker 2: It looks like you've been really busy, Like are you

456
00:24:13,720 --> 00:24:15,079
playing every weekend or.

457
00:24:16,240 --> 00:24:18,359
Speaker 11: I mean, if we're not not doing a show, we're

458
00:24:18,359 --> 00:24:22,279
definitely doing like music videos or yeah, editing or something.

459
00:24:22,440 --> 00:24:23,559
Speaker 13: There's no there's no break.

460
00:24:23,920 --> 00:24:26,559
Speaker 2: Yeah, oh you're working hard. You're working hard. Is that

461
00:24:26,640 --> 00:24:27,680
hard with going to school?

462
00:24:27,920 --> 00:24:28,799
Speaker 14: Is that it?

463
00:24:29,119 --> 00:24:29,240
Speaker 5: Only?

464
00:24:29,319 --> 00:24:32,200
Speaker 13: It can be a handful because uh I also work

465
00:24:32,279 --> 00:24:33,000
on top of it all.

466
00:24:33,240 --> 00:24:33,839
Speaker 2: Yeah. Yeah.

467
00:24:34,079 --> 00:24:36,359
Speaker 11: Basically it's like a six am to ten thirty at

468
00:24:36,440 --> 00:24:39,400
night thing, and then the weekends are my I guess

469
00:24:39,480 --> 00:24:40,119
show times.

470
00:24:40,400 --> 00:24:43,160
Speaker 2: Yeah yeah, no, it's a lot. It's a lot to handle.

471
00:24:43,680 --> 00:24:47,039
But and and are all of you you're all only

472
00:24:47,079 --> 00:24:50,000
in this band, right, are any of you doing no? No, yeah,

473
00:24:50,039 --> 00:24:51,079
anything this band?

474
00:24:51,200 --> 00:24:54,839
Speaker 10: Yeah, we're all in this band, and all our creative

475
00:24:54,960 --> 00:24:56,599
energy goes towards.

476
00:24:56,440 --> 00:24:59,319
Speaker 2: That's great this band. That's great. Yeah, especially for you

477
00:24:59,400 --> 00:25:01,599
because every drummer I know is in ten different bands

478
00:25:01,640 --> 00:25:02,920
because nobody can find a drummer.

479
00:25:03,200 --> 00:25:07,400
Speaker 10: Yeah, yeah, it is a I feel like that is

480
00:25:07,480 --> 00:25:09,240
the thing with us, is that we all kind of

481
00:25:09,920 --> 00:25:15,000
end up becoming like, you know, musical swingers in a way.

482
00:25:15,039 --> 00:25:18,039
We we're all just kind of all over the place.

483
00:25:18,160 --> 00:25:21,759
But I mean I think that you know, now, you know,

484
00:25:21,920 --> 00:25:25,400
after I spent you know, years moving around with different

485
00:25:25,440 --> 00:25:28,920
projects and all that, Like, I couldn't be happier, you know,

486
00:25:29,039 --> 00:25:32,799
than to be with where we are now, I think

487
00:25:32,880 --> 00:25:37,279
that this is the band that I always you know,

488
00:25:37,640 --> 00:25:39,400
wanted to do and be in.

489
00:25:39,759 --> 00:25:43,440
Speaker 2: Yeah. Yeah, yeah, that's outstanding if you're just joining us.

490
00:25:43,559 --> 00:25:46,599
Under the horizon is here with us in studio. And

491
00:25:47,279 --> 00:25:49,119
now who are some of the who are some of

492
00:25:49,119 --> 00:25:51,279
the acts that you've that you've played with, because you

493
00:25:51,359 --> 00:25:54,160
you've played with some national acts, right, yeah.

494
00:25:54,640 --> 00:25:58,519
Speaker 10: So we we played with Great White and Queen's Reich

495
00:25:58,680 --> 00:26:01,480
last year, oh yeah, and then we met up and

496
00:26:01,559 --> 00:26:04,400
then we opened up again for Great White at the

497
00:26:04,440 --> 00:26:06,559
two Polow not too long ago, about a month ago.

498
00:26:08,400 --> 00:26:10,799
But other than that, we've been you know, playing with

499
00:26:10,839 --> 00:26:14,759
a lot of of the you know, higher up local

500
00:26:14,920 --> 00:26:18,720
acts obviously, as we have already mentioned a couple of times,

501
00:26:18,759 --> 00:26:21,319
and the whole thing Scarecrow Hill, we've done a lot

502
00:26:21,400 --> 00:26:24,960
of shows with them. Yeah, we've done some shows with Sepsis.

503
00:26:25,119 --> 00:26:30,920
We have some more upcoming shows with Stepsis. Actually, ye be.

504
00:26:30,920 --> 00:26:34,000
Speaker 2: There right down the road, coming right out. Yeah that's true.

505
00:26:34,000 --> 00:26:35,960
It's already November, so it's only a couple of weeks away.

506
00:26:37,519 --> 00:26:40,680
Speaker 9: Oh my god, Yeah, it's coming around the corner. Yeah,

507
00:26:41,039 --> 00:26:41,960
really look out.

508
00:26:44,119 --> 00:26:47,200
Speaker 10: But yeah, a bunch of bands, a bunch of you know,

509
00:26:47,200 --> 00:26:52,039
a bunch of people, dead Man's Trigger, Silent Season, oh yeah, yeah,

510
00:26:52,640 --> 00:26:59,160
the Great Curtain, Yeah, Saving by the Right, Yeah yeah,

511
00:26:59,160 --> 00:27:01,119
a lot of a lot of and you know that

512
00:27:01,440 --> 00:27:04,920
we've you know, really been trying to reach out to

513
00:27:05,000 --> 00:27:09,960
every band we can because we want to be in

514
00:27:10,759 --> 00:27:14,240
in the scene with these people, so meeting them, talking

515
00:27:14,319 --> 00:27:20,960
to them and you know, sharing you know, musical conversations, notes, experiences, whatever.

516
00:27:20,759 --> 00:27:21,400
Speaker 7: You want to say.

517
00:27:21,480 --> 00:27:25,279
Speaker 10: I think has you know, catapulted us not only as

518
00:27:25,319 --> 00:27:27,880
a band, but as people. You know, I'd say we

519
00:27:28,559 --> 00:27:32,279
have a lot more confidence now walking into a venue,

520
00:27:32,799 --> 00:27:34,359
you know, when it's like, oh, we know all the

521
00:27:34,440 --> 00:27:36,720
bands on this bill, Yeah, and we're you know there,

522
00:27:36,839 --> 00:27:39,519
we're friends with them and yeah that always helps. Yeah,

523
00:27:39,599 --> 00:27:40,079
it's great.

524
00:27:40,319 --> 00:27:43,759
Speaker 2: Yeah, it helps a lot. Yeah, absolutely. Why don't we

525
00:27:43,799 --> 00:27:48,200
play another another track? But what should you know? I'll

526
00:27:48,240 --> 00:27:50,160
let you pick. This is you know, of course from

527
00:27:50,200 --> 00:27:53,039
the original EP. And I can't wait to hear the

528
00:27:53,119 --> 00:27:57,559
new stuff. But what should we play from? I got

529
00:27:57,599 --> 00:27:58,000
it opened?

530
00:27:58,000 --> 00:27:59,640
Speaker 7: So that's a great question.

531
00:28:01,519 --> 00:28:03,160
Speaker 10: Why don't we do Why don't we do a little

532
00:28:03,160 --> 00:28:04,480
bit if I don't want to be you, let's wake

533
00:28:04,519 --> 00:28:05,720
these people up this morning.

534
00:28:05,920 --> 00:28:09,240
Speaker 2: I don't want to be Yeah, and tell us about

535
00:28:09,279 --> 00:28:10,640
this song before we play it.

536
00:28:11,759 --> 00:28:15,720
Speaker 10: This song it's about when I was in fifth grade,

537
00:28:16,799 --> 00:28:18,880
they had this class or whatever where you would go

538
00:28:19,039 --> 00:28:21,440
in and you would talk to a guidance counselor about

539
00:28:21,480 --> 00:28:24,720
what you wanted to be, and she would go onto

540
00:28:24,799 --> 00:28:28,000
this government website and type in and they would give

541
00:28:28,079 --> 00:28:29,839
you like some hourly like.

542
00:28:31,319 --> 00:28:34,240
Speaker 7: Estimated hourly wage or salary that you would get.

543
00:28:34,640 --> 00:28:36,359
Speaker 10: So I was like, I want to be a musician,

544
00:28:36,799 --> 00:28:39,920
and she's like, well, it doesn't really pay that well,

545
00:28:39,960 --> 00:28:42,240
and blah blah blah. You should be a marine biologist

546
00:28:42,400 --> 00:28:44,960
or whatever instead and I'm like, no, thanks, Yeah, So

547
00:28:45,519 --> 00:28:47,240
this song is about you know, she told me that

548
00:28:47,319 --> 00:28:49,440
I was never gonna make it when it came to music,

549
00:28:49,599 --> 00:28:51,880
and you know, I think she even said that I

550
00:28:51,880 --> 00:28:54,200
would end up being homeless and collecting.

551
00:28:53,960 --> 00:28:57,000
Speaker 7: Oh my god, tips from bars that I would play at.

552
00:28:57,119 --> 00:29:00,960
And I'm like, Katie, you're a school teacher, like I don't.

553
00:29:01,599 --> 00:29:04,160
I don't really know what the comparison is here. So anyways,

554
00:29:04,240 --> 00:29:06,559
this song is about my aggravation towards her.

555
00:29:06,960 --> 00:29:10,559
Speaker 2: Did the website listen hourly wage for being a musician.

556
00:29:11,799 --> 00:29:14,559
Speaker 10: He was like, you know, you can make anywhere from

557
00:29:14,640 --> 00:29:18,279
like five bucks an hour to like twenty bucks an hour.

558
00:29:18,319 --> 00:29:20,400
And I literally said, I'm like, but we don't make

559
00:29:20,559 --> 00:29:24,359
hourly wages, right yeah, alf the time, we don't even

560
00:29:24,400 --> 00:29:27,359
get paid, So how can you even make that equation?

561
00:29:27,720 --> 00:29:27,880
Speaker 5: Right?

562
00:29:28,079 --> 00:29:28,200
Speaker 3: Right?

563
00:29:28,799 --> 00:29:31,279
Speaker 2: Oh that's funny, that's funny. All right, very good. This

564
00:29:31,400 --> 00:29:32,759
is a great track. This is I Don't want to

565
00:29:32,799 --> 00:29:32,960
be you.

566
00:29:33,160 --> 00:29:37,839
Speaker 7: This is under the horizon wadd.

567
00:29:36,960 --> 00:30:01,519
Speaker 8: Bosta Tuesday as the misery of where you don't care

568
00:30:01,759 --> 00:30:02,799
about my dreams?

569
00:30:03,279 --> 00:30:08,200
Speaker 4: Now at least take tarantings. You may not understand, which

570
00:30:08,319 --> 00:30:11,960
I can understand. I'd rather live my life.

571
00:30:12,559 --> 00:30:14,160
Speaker 7: You ain't want y'all I do far.

572
00:30:15,920 --> 00:30:21,519
Speaker 5: I don't wanna pay you. I don't wanna f you.

573
00:30:26,400 --> 00:30:29,599
Speaker 3: Don't take that's that I don't need you wanna live

574
00:30:29,960 --> 00:30:33,079
like I'll repeat, I'm as well spin in my eye.

575
00:30:33,680 --> 00:30:38,640
Speaker 12: If you watch my dreams, you may not understand, which

576
00:30:38,720 --> 00:30:39,960
I may understand.

577
00:30:40,759 --> 00:30:42,440
Speaker 1: I'd rather live my life.

578
00:30:43,079 --> 00:30:44,880
Speaker 4: They work, don't if.

579
00:30:46,279 --> 00:30:47,279
Speaker 1: I don't wanna pay you.

580
00:30:51,000 --> 00:30:51,960
Speaker 5: I don't wanna fee you.

581
00:30:56,680 --> 00:31:01,079
Speaker 2: Okay, you wanna be in a fand just grow up

582
00:31:01,119 --> 00:31:01,680
and pace it.

583
00:31:02,039 --> 00:31:03,720
Speaker 7: You'll member about to ask me your life.

584
00:31:04,039 --> 00:31:04,720
Speaker 5: You're a joke.

585
00:31:05,000 --> 00:31:05,960
Speaker 12: I don't want to be you.

586
00:31:09,680 --> 00:31:10,680
Speaker 13: I don't want to be you.

587
00:31:14,400 --> 00:31:20,000
Speaker 5: I don't want to be out you want to be you.

588
00:31:23,799 --> 00:31:28,039
Speaker 12: I want to be you may not understand what got

589
00:31:28,160 --> 00:31:33,039
good understand. I'm rather into my life then what you're

590
00:31:33,160 --> 00:31:38,599
not your father? You may not understand you got good understand.

591
00:31:39,359 --> 00:31:40,960
Speaker 1: I rather under my life.

592
00:31:41,640 --> 00:31:43,279
Speaker 4: I'm like, I'm not your father.

593
00:31:44,880 --> 00:31:46,559
Speaker 1: I don't want to beat.

594
00:31:49,519 --> 00:31:50,519
Speaker 7: I don't want to be you.

595
00:31:51,880 --> 00:31:53,359
Speaker 5: Don't don't don't.

596
00:31:54,240 --> 00:31:58,039
Speaker 1: I don't want to pay you, don't don't don't.

597
00:31:58,920 --> 00:32:00,000
Speaker 7: I don't want to be your.

598
00:32:07,319 --> 00:32:09,720
Speaker 2: That that ought to get the blood pumping, I don't

599
00:32:09,759 --> 00:32:11,920
want to be you by Under the Horizon. Love that

600
00:32:12,079 --> 00:32:14,000
track that is so catchy and I love the I

601
00:32:14,079 --> 00:32:15,920
love the backstory there, Matt, that's really good.

602
00:32:16,279 --> 00:32:17,200
Speaker 7: Thank you.

603
00:32:17,640 --> 00:32:19,440
Speaker 2: If you are just joining us, Under the Horizon is

604
00:32:19,440 --> 00:32:22,319
here with us in studio. We have Matt Palmer, Jordan's

605
00:32:22,319 --> 00:32:25,599
Sweet and Izzie McIntyre here with us on this uh

606
00:32:25,960 --> 00:32:29,279
Saturday and uh sounding sounding great. Can't wait to hear

607
00:32:29,319 --> 00:32:31,119
the new stuff and and we might we might even

608
00:32:31,160 --> 00:32:34,119
hear something from the won't won't say anything official, but

609
00:32:34,200 --> 00:32:36,720
we might hear something on the show in the coming

610
00:32:36,759 --> 00:32:40,519
weeks sneak a little sneak peak to the album. Yeah,

611
00:32:40,759 --> 00:32:43,359
so if you are, if you are a regular listener

612
00:32:43,400 --> 00:32:44,839
of the show, you want to make sure you tune

613
00:32:44,839 --> 00:32:48,319
in every week because you might hear something new very

614
00:32:48,400 --> 00:32:52,279
soon from from Under the Horizon. Well, which does raise

615
00:32:52,319 --> 00:32:54,359
a question, do you have kind of a long term

616
00:32:54,400 --> 00:32:55,480
do you have any kind of an e t A

617
00:32:55,640 --> 00:32:58,319
on when, uh when when the new when the new

618
00:32:58,319 --> 00:32:59,200
one might be coming outer.

619
00:32:59,519 --> 00:33:03,640
Speaker 10: We're looking about four months out now, Okay, so early

620
00:33:04,279 --> 00:33:08,640
early twenty twenty six. Okay, we're gonna you know, we're

621
00:33:08,640 --> 00:33:12,440
thinking probably around like springtime. Or so so ideally you know,

622
00:33:12,640 --> 00:33:16,440
before you know, the big show season, so then we

623
00:33:16,599 --> 00:33:20,119
can you know, release the album and then you know,

624
00:33:20,319 --> 00:33:24,119
we'll have a whole schedule of shows for you know,

625
00:33:24,839 --> 00:33:26,920
people to you know, come out.

626
00:33:26,920 --> 00:33:27,480
Speaker 7: Check it out.

627
00:33:27,680 --> 00:33:32,880
Speaker 10: And yeah, yeah, so about four months, so sooner. It's

628
00:33:33,039 --> 00:33:36,200
it's sooner than you think, you know. Okay, we've been

629
00:33:36,640 --> 00:33:40,519
we've been saying that because this has this album has

630
00:33:40,640 --> 00:33:44,680
taken a long time, but we're making it through soon.

631
00:33:44,960 --> 00:33:46,599
Speaker 7: We're looking at about four months.

632
00:33:46,519 --> 00:33:51,720
Speaker 2: So okay, okay, excellent. Do you have other elements like

633
00:33:51,880 --> 00:33:54,440
like artwork and stuff. Have you decided on that yet

634
00:33:54,519 --> 00:33:58,000
or a you're waiting until the album's done or we we've.

635
00:33:58,559 --> 00:34:02,480
Speaker 10: I can't say that we've a fished really decided on anything,

636
00:34:02,680 --> 00:34:05,799
but it has all been in conversation.

637
00:34:06,920 --> 00:34:07,079
Speaker 5: You know.

638
00:34:07,200 --> 00:34:10,480
Speaker 10: Obviously that's all stuff we got to coordinate. But i'd

639
00:34:10,559 --> 00:34:14,199
say that, you know, we've had conversations on all of that,

640
00:34:14,320 --> 00:34:16,599
and I think we all basically have the same vision

641
00:34:16,639 --> 00:34:19,679
of what we want. It's just you know, get you know,

642
00:34:20,000 --> 00:34:22,760
having the time, you know, once we're done doing all

643
00:34:22,800 --> 00:34:24,880
the other stuff, to be like, okay, this is what

644
00:34:24,960 --> 00:34:27,599
we're gonna do. Go let's send it, you know, send

645
00:34:27,639 --> 00:34:29,039
it to all the companies and all that.

646
00:34:29,400 --> 00:34:32,519
Speaker 2: Yeah, Yeah, it's a yeah, there's a lot of a

647
00:34:32,599 --> 00:34:33,760
lot of work that goes into it.

648
00:34:33,920 --> 00:34:34,320
Speaker 7: For sure.

649
00:34:34,920 --> 00:34:39,000
Speaker 2: I'm curious too about what what goes into the decision to, like,

650
00:34:39,159 --> 00:34:41,519
because you're doing a full album because there's so many

651
00:34:41,559 --> 00:34:44,519
different ways to release music now, and you know, you

652
00:34:44,599 --> 00:34:45,960
could do you can you can do an album, you

653
00:34:46,000 --> 00:34:48,039
can do an EP, obviously, you can do you know,

654
00:34:48,119 --> 00:34:50,079
a lot of artists now just do a series of singles,

655
00:34:50,559 --> 00:34:52,519
you know, they kind of do the inverse where and

656
00:34:52,760 --> 00:34:56,360
maybe those singles coalesce into an album eventually, which is

657
00:34:56,440 --> 00:34:58,039
completely different than the way I was like when I

658
00:34:58,159 --> 00:35:00,159
was growing up. You know, it was you know, for

659
00:35:00,159 --> 00:35:02,599
a single goes to radio six eight weeks before the album,

660
00:35:02,679 --> 00:35:04,840
then the album comes out. Then if everything goes well,

661
00:35:05,079 --> 00:35:06,960
you get a second single, maybe a third single. But

662
00:35:07,400 --> 00:35:09,360
now it's like there's so many different ways to do

663
00:35:09,440 --> 00:35:09,719
it now.

664
00:35:09,920 --> 00:35:12,159
Speaker 11: It's kind of I think the plan with this album

665
00:35:12,320 --> 00:35:15,000
we've we've I guess heard from a lot of other

666
00:35:15,079 --> 00:35:18,360
bands that leasing like song at a time usually works

667
00:35:18,400 --> 00:35:22,199
better because unfortunately, in this day and age, people's attention

668
00:35:22,360 --> 00:35:25,119
spans are a lot lower so to keep people's like

669
00:35:25,599 --> 00:35:28,480
I guess, attention. You know, yeah, sometimes it's easier to

670
00:35:28,480 --> 00:35:30,079
you know, give them something to chew on and then

671
00:35:30,280 --> 00:35:31,920
come back like a week or two later and get

672
00:35:32,039 --> 00:35:32,559
something else.

673
00:35:32,880 --> 00:35:33,079
Speaker 7: Yeah.

674
00:35:33,360 --> 00:35:36,239
Speaker 2: Yeah, So when you do, is it important to you

675
00:35:36,760 --> 00:35:39,719
as a band to have like, uh yeah, I don't know,

676
00:35:39,880 --> 00:35:41,880
like is there any kind of a theme to these

677
00:35:42,199 --> 00:35:44,920
or something that kind of binds the songs together that

678
00:35:45,000 --> 00:35:45,519
are going.

679
00:35:45,440 --> 00:35:47,800
Speaker 7: To be on the new album or absolutely. I mean

680
00:35:47,920 --> 00:35:48,760
I'd say that.

681
00:35:50,440 --> 00:35:53,679
Speaker 10: When we when we went into writing this record, we

682
00:35:53,840 --> 00:35:56,920
had kind of a vision where like, Okay, we want

683
00:35:57,000 --> 00:36:00,960
to you know, still be ourselves, but we want to

684
00:36:01,000 --> 00:36:05,400
be heavier. We want to be darker, more gothic, and

685
00:36:05,599 --> 00:36:10,719
we wanted to you know, implement more elements of you know,

686
00:36:10,920 --> 00:36:12,880
some of the other stuff that we'd been listening to.

687
00:36:13,199 --> 00:36:17,920
You know, like Izzy has put some of her classical

688
00:36:18,480 --> 00:36:22,719
influences in on this album and gothic influences, and I

689
00:36:22,840 --> 00:36:26,679
know from me and Jordan, there's some you know, influences

690
00:36:26,719 --> 00:36:32,280
from bands like Tool and you know heavier bands Pantera, Yeah,

691
00:36:32,599 --> 00:36:35,159
stuff like that, and even you know, some new metal

692
00:36:35,239 --> 00:36:39,679
stuff like you know, slip Nod and you know, Limp

693
00:36:39,760 --> 00:36:42,159
and just whatever you know tickles our brain.

694
00:36:42,440 --> 00:36:42,599
Speaker 7: Yeah.

695
00:36:42,599 --> 00:36:45,679
Speaker 10: And then but I'd say overall, where like we wanted

696
00:36:45,760 --> 00:36:49,880
to be heavier, more encompassing, darker.

697
00:36:50,320 --> 00:36:53,239
Speaker 2: Yeah yeah. And how is the live show, because you

698
00:36:53,440 --> 00:36:56,239
touched on it earlier, the live show, how is that?

699
00:36:56,840 --> 00:36:58,800
How has that changed? You mentioned that's also kind of

700
00:36:58,880 --> 00:37:01,920
changed as the music is has gotten heavier, Like are

701
00:37:01,960 --> 00:37:04,000
there are there specific elements that have changed or is

702
00:37:04,000 --> 00:37:06,360
it just how you all kind of perform individually on

703
00:37:06,480 --> 00:37:07,360
stage or I.

704
00:37:07,440 --> 00:37:09,679
Speaker 13: Think our energies really have changed.

705
00:37:09,679 --> 00:37:12,480
Speaker 11: I think we've put a lot more energy into our performance,

706
00:37:12,639 --> 00:37:15,719
and I mean there's some added I guess stage gimmicks

707
00:37:15,760 --> 00:37:17,800
as well, And I would.

708
00:37:17,599 --> 00:37:18,159
Speaker 13: Just say more.

709
00:37:18,280 --> 00:37:21,360
Speaker 11: I guess maybe for Jordan, like the movement that he

710
00:37:21,519 --> 00:37:24,880
moves a lot more. I feel a lot more exaggerated.

711
00:37:26,719 --> 00:37:29,760
We get off stage two for anyone who hasn't seen us,

712
00:37:29,840 --> 00:37:32,519
and we try to interact the crowd. But I say,

713
00:37:32,639 --> 00:37:35,280
just overall, our energy is a lot higher than I think.

714
00:37:35,239 --> 00:37:35,880
Speaker 5: It used to be.

715
00:37:36,320 --> 00:37:36,519
Speaker 2: Yeah.

716
00:37:36,760 --> 00:37:39,800
Speaker 9: Yeah, Because I mean I remember watching like the Great

717
00:37:39,840 --> 00:37:42,559
White Video, you know, when we first played the show

718
00:37:42,599 --> 00:37:46,400
that you guys get to and like it's just drag

719
00:37:46,920 --> 00:37:51,559
drag drag. I'm just watching I'm barely moving. We're all

720
00:37:51,719 --> 00:37:55,519
like we're young, so I mean, dude, like, you know,

721
00:37:55,719 --> 00:37:57,800
obviously you got to cut a little slack as we

722
00:37:57,840 --> 00:38:00,719
were young. Yeah, you know, first little bit in the

723
00:38:00,880 --> 00:38:04,079
music industry. But like, yeah, now it's just like we

724
00:38:04,280 --> 00:38:09,519
actually function like a real theatrical I guess band.

725
00:38:09,880 --> 00:38:10,599
Speaker 7: How things are.

726
00:38:10,920 --> 00:38:15,360
Speaker 9: The music's good, theatrics are good, and we've all just

727
00:38:15,519 --> 00:38:19,199
grown to have our own like you know, building the band,

728
00:38:19,239 --> 00:38:23,119
but also us individually all have our little gimmicks and

729
00:38:23,559 --> 00:38:27,119
you know, our personalization to ourselves that way.

730
00:38:27,199 --> 00:38:29,400
Speaker 7: It's not just like you're a group of kids.

731
00:38:29,800 --> 00:38:34,599
Speaker 9: It's just you all are three musicians with three separate talents,

732
00:38:34,840 --> 00:38:38,639
and you make one big unit. Right, So it's definitely

733
00:38:38,719 --> 00:38:40,920
cool to see that, you know, turn out in the live.

734
00:38:40,840 --> 00:38:43,480
Speaker 2: Oh yeah, I just realized as you were talking about

735
00:38:43,519 --> 00:38:45,400
that too. That was a great white show. That was

736
00:38:45,880 --> 00:38:47,360
was that? That wasn't your first show, was it?

737
00:38:47,480 --> 00:38:47,840
Speaker 5: Or was it.

738
00:38:50,039 --> 00:38:51,159
Speaker 2: Second? What was the first one?

739
00:38:52,119 --> 00:38:57,400
Speaker 11: It was Rochester Arts Center probably, and it was mostly

740
00:38:57,519 --> 00:39:00,000
just honestly for like friends and family.

741
00:39:00,480 --> 00:39:00,679
Speaker 5: Yeah.

742
00:39:00,880 --> 00:39:05,599
Speaker 9: Yeah, it was very interesting going from like fifteen people

743
00:39:05,719 --> 00:39:08,000
on our first gag and then it was like five

744
00:39:08,159 --> 00:39:11,400
hundred the next day and you're like, oh, well, this is.

745
00:39:11,440 --> 00:39:13,960
Speaker 7: Where we're at now, Like yeah, see, that didn't even

746
00:39:14,000 --> 00:39:14,880
occur to me until now.

747
00:39:14,960 --> 00:39:16,159
Speaker 2: That must have been wild too.

748
00:39:16,280 --> 00:39:19,159
Speaker 7: It was I remember having insane.

749
00:39:19,360 --> 00:39:22,199
Speaker 9: There were a lot of nerves backstage right before we

750
00:39:22,320 --> 00:39:25,079
went on stage, and I can imagine yeah, yeah, and

751
00:39:25,519 --> 00:39:28,039
Mike had to give us the little coaches speech and

752
00:39:28,199 --> 00:39:30,159
be like, this could be your life for the rest

753
00:39:30,199 --> 00:39:32,440
of your lives, and this could be the breaking point.

754
00:39:32,519 --> 00:39:35,119
Speaker 7: You guys got to lock in, and I'm like, okay,

755
00:39:35,679 --> 00:39:36,320
let's lock in.

756
00:39:36,719 --> 00:39:39,920
Speaker 2: Yeah, no, I need. It was great. It was excellent,

757
00:39:41,519 --> 00:39:44,639
you know. It's and also too, you know, so to

758
00:39:44,719 --> 00:39:46,599
be in front of a crowd that size so quickly,

759
00:39:47,079 --> 00:39:49,480
and also, I mean, you guys don't sound like great White,

760
00:39:49,559 --> 00:39:51,519
so there's always right. I mean, I don't know if

761
00:39:51,519 --> 00:39:53,760
you were nervous about that at all, but I mean

762
00:39:54,320 --> 00:39:56,800
I think I think broadly speaking, people who are fans

763
00:39:56,840 --> 00:39:58,760
of rock music are fans of rock music and like

764
00:39:58,800 --> 00:40:02,440
a lot of different genres and so yeah, but so

765
00:40:02,760 --> 00:40:05,159
it's easy to overthink it. But still it must have been.

766
00:40:05,360 --> 00:40:06,440
I mean, it had to be in the back of

767
00:40:06,519 --> 00:40:09,039
your minds, like this is this crowd gonna like.

768
00:40:09,119 --> 00:40:09,559
Speaker 7: Us it is.

769
00:40:09,840 --> 00:40:11,960
Speaker 11: It definitely is almost I think with any show that

770
00:40:12,039 --> 00:40:15,639
we play, regardless of where it is, we always think, like, one,

771
00:40:15,679 --> 00:40:18,800
do we really work well genre wise with other bands.

772
00:40:18,559 --> 00:40:20,679
Speaker 13: And people gonna like it? Because you know, when you

773
00:40:20,960 --> 00:40:23,280
go from like lighter rock to the metal, it's kind

774
00:40:23,280 --> 00:40:24,280
of like jarring.

775
00:40:24,599 --> 00:40:25,320
Speaker 2: Yeah. Yeah.

776
00:40:25,440 --> 00:40:30,440
Speaker 9: And you know, we've we've had bands that, unfortunately, we

777
00:40:30,639 --> 00:40:33,239
just find it hard to you know, really do gigs

778
00:40:33,320 --> 00:40:35,320
with them because it's like, not only do we have

779
00:40:35,480 --> 00:40:37,960
to pertain to the crowd, but the bands also have

780
00:40:38,079 --> 00:40:39,880
to pertain to us, and we also have to have

781
00:40:40,000 --> 00:40:44,639
compatibility with those bands musically yea. And that evolution has

782
00:40:44,840 --> 00:40:46,880
kind of put a little bit of a stick in

783
00:40:46,920 --> 00:40:49,920
the road where it's like, how many gigs can we

784
00:40:50,039 --> 00:40:54,079
really do for the more older hard rock you know

785
00:40:54,280 --> 00:40:58,440
listening people, and you know, but all in the same time,

786
00:40:58,599 --> 00:41:00,800
can we really do that many metal shows because we're

787
00:41:00,880 --> 00:41:05,159
not like metalcore or like anything, you know, very crazy

788
00:41:05,320 --> 00:41:08,239
crazy like that. Right, So we kind of fall into

789
00:41:08,320 --> 00:41:11,719
this again, like we had this before, this little middle

790
00:41:11,760 --> 00:41:14,480
ground where we're not exactly metal, but we're not exactly

791
00:41:14,559 --> 00:41:15,159
hard rocks.

792
00:41:15,199 --> 00:41:17,280
Speaker 7: So now we're trying to even it out a little bit.

793
00:41:17,440 --> 00:41:19,159
But yeah, we make it work.

794
00:41:19,320 --> 00:41:22,119
Speaker 2: Yeah, you know what we do absolutely.

795
00:41:22,320 --> 00:41:25,519
Speaker 10: I mean i'd say that, you know, I think, you know,

796
00:41:25,599 --> 00:41:29,079
we we sit, you know, we think about that, but

797
00:41:29,159 --> 00:41:31,719
i'd say that overall, I think we always end up

798
00:41:31,719 --> 00:41:34,880
coming to the same conclusion of we got to be ourselves,

799
00:41:35,039 --> 00:41:37,400
and we always go out there and we you know,

800
00:41:37,639 --> 00:41:42,239
show fully ourselves one hundred and ten percent, and we figure,

801
00:41:42,840 --> 00:41:45,679
you know, if the people like it, they like it,

802
00:41:45,760 --> 00:41:47,679
and if they don't, whatever, they can walk out and

803
00:41:47,719 --> 00:41:49,559
go smoke a tube out in the parking lot or

804
00:41:49,599 --> 00:41:53,159
something like that. But yeah, I mean we've never really

805
00:41:53,280 --> 00:41:55,320
had much of an issue with that. We've played in

806
00:41:55,880 --> 00:41:58,119
front of a bunch of different crowds, you know, whether

807
00:41:58,199 --> 00:42:02,719
it be Great White or Juggalos at the Lethal weekend there,

808
00:42:04,400 --> 00:42:06,480
and it always, it always ends up great, and we

809
00:42:06,559 --> 00:42:09,880
always end up you know, meeting new fans, meeting new friends,

810
00:42:10,039 --> 00:42:16,880
and you know, having you know, honestly meeting fans that

811
00:42:16,960 --> 00:42:19,719
we might not have met if we were to you know,

812
00:42:20,079 --> 00:42:23,360
exclusively do shows with like a band that we were

813
00:42:23,480 --> 00:42:27,239
exactly like, right, you know, so that we really love doing,

814
00:42:27,639 --> 00:42:29,519
you know, as much as you know, sure we might

815
00:42:29,599 --> 00:42:31,599
in the moment be like, oh my God, are they gonna,

816
00:42:31,920 --> 00:42:33,599
you know, like this, are they going to like that?

817
00:42:33,719 --> 00:42:37,159
At the end of the day, we like being ourselves

818
00:42:37,280 --> 00:42:41,480
to show people to you know, hopefully widen the you know,

819
00:42:41,559 --> 00:42:44,960
bring more people in. Music is about you know, speaking

820
00:42:45,039 --> 00:42:48,280
where words can't and including everyone and you know, all

821
00:42:49,079 --> 00:42:52,840
working together to bring some wonderful art out into the world.

822
00:42:53,000 --> 00:42:55,159
So we love, we love doing stuff like that.

823
00:42:55,559 --> 00:42:59,320
Speaker 2: Yeah, yeah, well said, Well, the time goes quickly. So

824
00:42:59,480 --> 00:43:01,360
thank you all three of you for are joining us today.

825
00:43:02,880 --> 00:43:05,960
Always wonderful to have you on. I do want to

826
00:43:06,039 --> 00:43:09,079
close out the show with one more song of yours.

827
00:43:09,440 --> 00:43:10,840
I'm going to give you a minute. You can take

828
00:43:10,880 --> 00:43:12,559
a minute to think about it though, because while you're

829
00:43:12,559 --> 00:43:16,320
thinking about that, Jenny, for listeners who don't know, you

830
00:43:16,719 --> 00:43:19,679
showed nothing, you showed up. What did I show up

831
00:43:19,760 --> 00:43:23,480
in John Oliver's show. I did last week tonight, last weekend.

832
00:43:23,599 --> 00:43:25,880
Speaker 15: So I did with some other people that I have

833
00:43:26,079 --> 00:43:30,079
had the honor and privilege of fighting alongside of for

834
00:43:30,159 --> 00:43:31,199
the last number of years.

835
00:43:31,440 --> 00:43:31,679
Speaker 2: Yeah.

836
00:43:31,880 --> 00:43:34,079
Speaker 15: Yeah, it was really exciting to be on John Oliver's show.

837
00:43:34,079 --> 00:43:36,880
If you haven't seen it, it's streaming on YouTube and

838
00:43:37,039 --> 00:43:39,320
you can also find it on Jencoffee dot com.

839
00:43:39,559 --> 00:43:42,559
Speaker 2: Yes, E N N C O F f UI dot com.

840
00:43:42,920 --> 00:43:44,880
Speaker 7: Keep up with all the good trouble I'm getting into.

841
00:43:45,039 --> 00:43:49,039
Speaker 2: Yeah, so congratulations on that. Thank you, absolutely absolutely, and

842
00:43:49,119 --> 00:43:50,679
I do want to thank everyone who joined us today.

843
00:43:50,719 --> 00:43:52,960
Of course Eric Pilcher and Charles Richardson who were with

844
00:43:53,039 --> 00:43:56,840
us in the second hour. Uh and in the first hour,

845
00:43:56,880 --> 00:43:59,760
of course we had Eleanor and Andre don't forget tonight

846
00:44:00,280 --> 00:44:06,719
Terminus Underground. They've got vices inc. Grim the acronym and

847
00:44:07,199 --> 00:44:10,360
Island of Alaska. That's gonna be a great show. And Jenny,

848
00:44:10,440 --> 00:44:12,400
you and I are going to be there next Saturday

849
00:44:12,559 --> 00:44:14,360
on the eighth, on November eighth, We're gonna be a

850
00:44:14,440 --> 00:44:16,880
Terminus Underground that night for that show. But we'll talk

851
00:44:16,880 --> 00:44:19,320
about that next week. We will, we will. Yeah, So

852
00:44:19,480 --> 00:44:21,000
lots of lots of good stuff going on.

853
00:44:22,199 --> 00:44:23,920
Speaker 15: Thank you for remembering that I'm here.

854
00:44:23,960 --> 00:44:30,400
Speaker 2: Yes, of course, yes, I know. Where's the best place

855
00:44:30,440 --> 00:44:32,000
to go online for people to keep up with everything

856
00:44:32,079 --> 00:44:33,280
under the horizon is doing.

857
00:44:33,519 --> 00:44:39,599
Speaker 9: Anywhere dot Org, Facebook, Instagram, literally any social media if

858
00:44:39,719 --> 00:44:42,960
you if you exist on the platform, we exist on

859
00:44:43,079 --> 00:44:48,119
your for you page outstanding. Yeah, you basically just load

860
00:44:48,199 --> 00:44:51,239
up any social media if you use websites under the

861
00:44:51,320 --> 00:44:52,159
Horizon dot org.

862
00:44:52,280 --> 00:44:54,719
Speaker 7: We got all our gigs merch.

863
00:44:55,159 --> 00:44:55,320
Speaker 5: You know.

864
00:44:55,679 --> 00:44:58,119
Speaker 9: Our first album is on there for free listen and

865
00:44:58,320 --> 00:45:00,639
you can go on the Spotify from there. Yeah, listen

866
00:45:00,679 --> 00:45:03,840
to it from there. We got our little news part,

867
00:45:04,159 --> 00:45:07,960
you know, keep us updated as well. We have a

868
00:45:08,039 --> 00:45:09,480
couple of live shows coming up.

869
00:45:09,599 --> 00:45:12,079
Speaker 2: We do when's the next show? Or mentioned the next

870
00:45:12,119 --> 00:45:14,239
couple if you want to, so the we.

871
00:45:14,320 --> 00:45:16,199
Speaker 7: Only got a couple. We got a couple of shows

872
00:45:16,280 --> 00:45:17,280
left for the year. Here.

873
00:45:17,800 --> 00:45:20,719
Speaker 10: The next show we got is next Friday. We're going

874
00:45:20,760 --> 00:45:23,320
to be up at Rumors in Biddeford, Maine, which is

875
00:45:23,360 --> 00:45:26,039
a new venue that we've never played at. Cool, but

876
00:45:27,199 --> 00:45:31,360
we're doing that with our friends Scarecrow Hill Defined Perspective

877
00:45:31,599 --> 00:45:36,480
and Paradise is canceled. The next Friday, on the fourteenth,

878
00:45:36,519 --> 00:45:39,039
we're going to be at the Cannery and Southbridge, mass

879
00:45:39,199 --> 00:45:43,639
with three Degrees. They're an amazing manor James keenan tribute band.

880
00:45:43,719 --> 00:45:46,320
Oh cool, so they do you know tool perfect Circle

881
00:45:46,400 --> 00:45:47,039
plus a furth.

882
00:45:47,159 --> 00:45:47,639
Speaker 7: They're great.

883
00:45:47,960 --> 00:45:51,480
Speaker 10: Yea, As we said, the fifteenth, we're going to be

884
00:45:51,639 --> 00:45:56,239
right here in Manchester City at the Jewel Nightclub, yes,

885
00:45:56,360 --> 00:46:00,760
that's going to be an amazing show there and then sixteenth,

886
00:46:00,920 --> 00:46:03,000
it's not really a show, but we're going to be

887
00:46:03,039 --> 00:46:06,440
going to New England Music Awards because we got nominated

888
00:46:06,519 --> 00:46:07,760
for Metal Act Year.

889
00:46:07,840 --> 00:46:10,719
Speaker 2: Congratulations, excellent, excellent.

890
00:46:11,119 --> 00:46:14,280
Speaker 7: And then for the last show of the year.

891
00:46:14,360 --> 00:46:17,239
Speaker 10: If anyone who's listening is looking for a concert that's

892
00:46:17,280 --> 00:46:19,960
maybe a little bit different than the normal experience, uh,

893
00:46:20,480 --> 00:46:24,360
you can come see us December thirteenth and fall River.

894
00:46:24,760 --> 00:46:27,679
We're going to be doing a show with midget wrestling.

895
00:46:30,000 --> 00:46:32,039
Is this is this with loud entertainment, This is with

896
00:46:32,159 --> 00:46:36,639
loud what you said and louds and loud entertained excellent. Yeah,

897
00:46:36,719 --> 00:46:40,159
so we do songs you see midget wrestling, metal and

898
00:46:40,239 --> 00:46:40,960
midget wrestling.

899
00:46:41,039 --> 00:46:43,400
Speaker 7: It's a great night. It's great. It's so much fun,

900
00:46:43,960 --> 00:46:44,679
so much fun.

901
00:46:45,000 --> 00:46:47,719
Speaker 10: So check out those who come see us live. We

902
00:46:47,800 --> 00:46:51,679
can't wait to see you guys in the pit. Outstanding, outstanding.

903
00:46:52,039 --> 00:46:53,800
And what are we going to play to end the show?

904
00:46:54,039 --> 00:46:54,760
Speaker 2: What do you want to go with?

905
00:46:55,000 --> 00:46:55,880
Speaker 13: Under the Horizon?

906
00:46:56,199 --> 00:47:00,440
Speaker 2: Under the Horizon track? Very good, very good, We get

907
00:47:00,480 --> 00:47:03,559
that ready and yeah, thank you all, Thank you all

908
00:47:03,559 --> 00:47:07,000
again so much having goes here, just waiting for the

909
00:47:07,079 --> 00:47:09,440
track to load up. I'm trying downloading it from uh

910
00:47:10,320 --> 00:47:13,639
Google drive and it's running a little slow, which is

911
00:47:14,360 --> 00:47:17,719
not because of any particular reason other than it does

912
00:47:17,760 --> 00:47:20,079
that once in a while. But here it comes okay,

913
00:47:20,159 --> 00:47:22,599
there it is under the horizon, under the horizon, by

914
00:47:22,800 --> 00:47:26,199
under the horizon. To close out this week's Matt Connorton Unleashed,

915
00:47:26,239 --> 00:47:49,719
Thanks everybody, come.

916
00:47:53,320 --> 00:47:53,960
Speaker 5: Last night.

917
00:48:00,079 --> 00:48:01,280
Speaker 8: I to go.

918
00:48:03,559 --> 00:48:12,519
Speaker 3: People know you wus loves.

919
00:48:13,480 --> 00:48:15,320
Speaker 5: E mon s A.

920
00:48:18,599 --> 00:48:25,719
Speaker 3: Withsta it'ssten I not to come.

921
00:48:28,039 --> 00:48:31,679
Speaker 5: Wait for I love.

922
00:48:34,199 --> 00:48:42,039
Speaker 1: Just want to tell my love be star.

923
00:48:44,440 --> 00:48:44,800
Speaker 5: Y s.

924
00:48:46,679 --> 00:48:48,960
Speaker 1: I love lies.

925
00:49:00,119 --> 00:49:05,119
Speaker 5: You user and sent you.

926
00:49:09,440 --> 00:49:12,800
Speaker 1: Hing this thestack.

927
00:49:14,199 --> 00:49:16,159
Speaker 5: There's no nor ho.

928
00:49:19,159 --> 00:49:24,320
Speaker 1: Inal thing him that.

929
00:49:24,800 --> 00:49:35,159
Speaker 3: Historical the conchie, it's no you still.

930
00:49:36,920 --> 00:49:50,440
Speaker 1: I just want to I'm on the girl.

931
00:49:54,559 --> 00:49:57,880
Speaker 4: It is my heart on the.

932
00:50:00,079 --> 00:50:46,000
Speaker 5: Oh fee s say what's the host?

933
00:50:46,119 --> 00:50:47,480
Speaker 6: People seen the.

934
00:50:50,199 --> 00:50:54,119
Speaker 1: Mos be the so longing.

935
00:50:55,320 --> 00:50:56,559
Speaker 5: A strong people.

936
00:51:29,079 --> 00:51:34,480
Speaker 2: You are listening to Mattconnerton Unleashed wmn H ninety five

937
00:51:34,559 --> 00:51:39,360
point three and now the American radio premiere of the

938
00:51:39,440 --> 00:51:43,760
new single from Jamie Higgs. This is called sweet Talk.

939
00:52:00,320 --> 00:52:00,679
Speaker 5: It's so.

940
00:52:02,440 --> 00:52:10,800
Speaker 16: You're not enough anymore, said, I've been riding around, crawling

941
00:52:10,960 --> 00:52:12,400
through the doll.

942
00:52:15,280 --> 00:52:15,599
Speaker 5: Said me.

943
00:52:15,760 --> 00:52:24,920
Speaker 16: You away, said you need some space, how lailing things

944
00:52:25,760 --> 00:52:27,760
just falling the same.

945
00:52:31,079 --> 00:52:34,639
Speaker 4: I'll be fall rolling heaven into the bad weather.

946
00:52:35,440 --> 00:52:37,280
Speaker 7: Just guys, eve the fighting the sky.

947
00:52:39,000 --> 00:52:44,159
Speaker 4: It's all dalling night okay, light squeezes.

948
00:52:43,679 --> 00:53:06,679
Speaker 14: Echoing through the night outside having side, so you'll not

949
00:53:07,079 --> 00:53:12,559
show anymore boys hopper.

950
00:53:12,639 --> 00:53:16,400
Speaker 16: It seems God walk out the door.

951
00:53:19,440 --> 00:53:24,199
Speaker 5: Giving up. Could I give some mom.

952
00:53:27,159 --> 00:53:29,000
Speaker 4: Maybe God again.

953
00:53:29,599 --> 00:53:37,519
Speaker 1: Walking through the store, and we though from having ens

954
00:53:37,599 --> 00:53:38,679
of value.

955
00:53:38,280 --> 00:53:41,119
Speaker 4: Weather this guy see the funnest guy.

956
00:53:42,840 --> 00:53:44,519
Speaker 1: We falk all night.

957
00:53:47,000 --> 00:53:48,480
Speaker 4: Voices an't going into.

958
00:53:48,440 --> 00:53:57,159
Speaker 5: The side how beside.

959
00:54:05,840 --> 00:54:24,400
Speaker 1: It's the ridings the d my mind.

960
00:54:31,079 --> 00:54:35,559
Speaker 16: And we fall from heaven into by the weather, just.

961
00:54:35,639 --> 00:54:37,440
Speaker 4: Causing a fun escape.

962
00:54:39,039 --> 00:54:44,079
Speaker 16: It's all them night find some daylight voices.

963
00:54:43,679 --> 00:54:44,599
Speaker 5: That going.

964
00:54:48,440 --> 00:54:49,760
Speaker 16: He it side.

965
00:54:52,280 --> 00:55:08,400
Speaker 5: Have it side habit sid moby saw. We saw

966
00:55:19,760 --> 00:55:19,800
Speaker 8: A