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Speaker 1: And right now joining us. We have BPS records this here, Hello, Hello, Hello,

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So let's let's have all three of you introduce yourselves

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and tell us who you are and what you do

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in BPS Records, and then we'll, you know, we'll talk

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about your involvement in tonight's show, of course, but yeah,

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go ahead, introduce yourselves.

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Speaker 2: I'm Rita, Rita his last song Rita. Okay, as we

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just discussed, I'm the owner, counter creator all the above

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as well.

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Speaker 1: Very good. Welcome, and you I'm Jonathan Jonathan okay, welcome.

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And what do you do in.

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Speaker 3: This basically anything the boss tells me.

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Speaker 1: Whatever Rita tells you.

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Speaker 2: Okay, that's the only part. T make sure that I

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do everything that I'm.

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Speaker 1: Supposed Okay, very good. And you I'm Remy and same

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whatever you do Whateverta says pretty much. Yeah, did you

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say Remy? Yeah? Okay, welcome Remy. So, uh now tell

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us about your involvement in the show tonight with us

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swarmy fast, as I believe we have firmly established. I'm

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now one certain it is Tafia not.

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Speaker 2: But uh in Lowell, I gotta tell you, I looked

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it up when we were listening to the other interview,

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it is a lustrous silk, a fine silk, but its

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original Latin was too shine.

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Speaker 1: Okay, so they kind of right, right, it might be

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ta feta if it were a Greek restaurant, right, but

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it's but it's not. I mean, there could be Greek

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food there. I have no idea, but uh, okay, so

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what is uh? So BPS Records is one of the

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sponsors of Tonight's.

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Speaker 2: Evannas sponsored partner with with Obviously it's our first year.

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We are very very happy to be here. It's it's

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like finding your people, right, Like we're out out there

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doing all this stuff on our own. It felt like

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for so long, and then it was like organically, here

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we are with the rest of our planet, you know.

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I mean, so we're very very happy to be here,

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happy to be a part of it. He ove us

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right into the hosting of it, which is great. I

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love being an EMC at my live show, so I

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was like, it's perfect for me. Yeah, But just being

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in the thick of it, anything we can do to

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participate and make it happen is you know, what we're

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all about.

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Speaker 1: So it sounds like so BBS Records. It sounds like

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it's been around for a while.

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Speaker 2: So it's so funny when people ask me that because

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it feels like forever and not forever.

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Speaker 1: Okay, you know what I.

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Speaker 2: Mean, because we're just it's our life, so we're constantly building,

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living and creating. We started the company in twenty fourteen,

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but it was like two years of We only started

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it legally so we didn't lose it, right, We registered

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the name and did it, and then it was like

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about two years are really going, Okay, yeah, this is

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what I want to do. This is what I want

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to be doing with the rest of my life. Okay,

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I mean so, and it kind of just grew from

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there and it's milestone after milestone, just popping up like

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a little brush.

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Speaker 1: Fires Okay, you know what I mean.

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Speaker 2: Okay, an end goal because, like like Will was saying earlier,

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if you're constantly doing it, then you're not finished, right,

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you know what I mean. So we're very similar in

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that aspect of it.

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Speaker 1: Right exactly what was what was kind of the genesis

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of it? Like what made you want to start this?

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Speaker 2: So I've been creating my whole life. So when I

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say that it was twenty fourteen, I realized that it

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was I've just been doing it my whole life. Yeah,

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so there was, you know, just living living it. My

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mother's a singer. My mother actually hooks in New Hampshire

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out on bail band. I want to throw that out there.

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I know she's listening, okay, but she's always been. It's

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been our lifestyle, so it's never been a job. So

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just kind of branding it is what happened in twenty fourteen.

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Speaker 1: Okay.

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Speaker 2: So you know, my I have children that are creators.

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So you know, one day I was like, what are

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we going to do with there's no platform for the

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beautiful mind? So that's a BPS stands for okay. So

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and you know everybody's saying it's hobbies, it's this, it's that,

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and all this original artwork is being brushed side, you know.

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So kind of you know, organically went together itself that way.

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Speaker 1: You said, so BPS, what is BPS sand for?

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Speaker 3: Exactly?

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Speaker 1: Beautiful People's Society, Beautiful people Society.

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Speaker 2: Okay, So it's it was a platform for art, okay,

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and just kind of grew into its own individual departments. Okay,

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we do everything for ourselves. So the independent artist, like

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the label itself is the label for the independent artist.

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So there's not we're all making money off of our

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own talents, and we're offering what we have for our

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talents to other people. So we all get up to

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that top where we want to be.

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Speaker 1: Appropriately okay, bye bye.

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Speaker 2: Not it's not a crab barrel, you know what I mean?

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So I guess that's that's the best way I can answer.

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Speaker 1: So is because obviously, you know, I hear I hear

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the word records in the title. So but it sounds

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like it's not necessarily a traditional record label, or I

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mean it is because the nature of record labels has

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changed so much over the years too, you.

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Speaker 2: Know, yes, so it's more like a production management as well.

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So we do have the recording studios in Middletown, Connecticut,

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so there's live recording, there's venue with it's like a

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venue as well. And then we have a I like

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to call it My Little Whiskey a go go because

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that's basically what it's turned into, where we filter at

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our restaurant. So it's like a cabaret lounge, you know,

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the old dinner in a show, but it's all original music.

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And then we take we do uh, we do a

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live stream show everybody likes to call out a podcast.

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I hate that word really, but yeah, only because we've

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we've kind of channeled in it a little bit differently.

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It's it's similar to what we see here, so I

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love seeing that, but there's there's none of that going

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on down there, you know, So we do it live

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in the restaurant. So all all that the label has

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turned into from there is this, the recording and the

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traditional stuff, but it's just so much more, you know,

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and then bringing it to the front for the public

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to see, to participate that. We do a lot of

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hard work behind these scenes, as you know, as you

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run around and do all the same stuff that I'm doing.

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Speaker 1: Oh yeah, yeah, So bring it to the forefront.

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Speaker 2: So our listeners are peers, maybe other you know, people

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networking with us can see that hard work. So that's yeah,

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it's a little of it of all the above.

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Speaker 1: Now, how often at the restaurant do you do this

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where you have so so you have the performers come in.

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Speaker 2: Yes, every Wednesday we do our show. Okay, it's an

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interview and then they do like a preset performance, okay,

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a preview performance because then we book them after that. Okay,

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they get like their own showcase stage. Oh interesting, yeah, okay,

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So it's usually like a two week window so we

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can market. You can see. You don't want to go

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to places and be like, damn, I don't know who's playing,

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or only go to places because you know who's playing, right,

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So you kind of get a little preview on the show.

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Speaker 1: Okay, okay, it works out very well. And then so

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so they do that, so that happens on Wednesdays, and

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then if you book them, that's on a Friday or Saturday.

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Speaker 2: Yeah, so the Spotlight is on Friday. We do live

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music six days a week. Oh wow, except for the

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school year. We're family first, so Mondays we're closed to

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take care of our little ones. But Tuesday we do

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open my comedy. Oh but it's grown into filtering. So

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everything we do we all, like I said, offer to

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other artists. So we've got a comedian that comes in

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and does a similar version of on my set of

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his podcast that's now his live stream. Oh okay, so

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we do the production for him and such. It's so great.

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It's the only day we don't do music. Oh okay, yeah,

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but it's art and art and creating is the big.

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Speaker 1: Factor for Yeah, yeah, owning.

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Speaker 2: Your inner potentials to whatever that craft is.

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Speaker 1: Now, do you now when you talk about some of

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the other the other things that you do, I mean,

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do you do you release music with artists or do

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you do you get into that.

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Speaker 2: Part of So we before the pandemic, everything was a

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little bit different, right, So we're still trying to find

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our bearings and isolating things for that. But we definitely did.

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And but our goal is a little bit bigger in

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that aspect. You know, we don't we don't want to

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down anybody else's in the way they're doing it, but

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we want to do it better. So we want to

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have our own applications for original music that all goes

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much like band camp. I think you referred to band camp. Yeah,

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I think they're one hundred percent profits to the artists.

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Speaker 1: Correct, No, they they take I think they take ten

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to fifteen percent, depending on what it is.

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Speaker 2: Oh yeah, but we've been misinformed. A lot of my

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guests were saying that they were on the artists. That's

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good to know.

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Speaker 1: I mean, something could have changed. I could be wrong,

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but the last I knew, they they took a percent.

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At least if you're if you're selling music through band camp,

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now it might be different. If you're selling merch and

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you're shipping it yourself, that might be different. Okay, I'm

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not sure.

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Speaker 2: So we want to do it one hundred percent of

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the artists.

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Speaker 3: Okay.

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Speaker 2: Our big thing is getting the airplay for music, getting

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everything to the forefront, like we said, and it's the

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same thing with that. When we get that, you know,

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organized enough to do it right, it'll be all that.

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And there's no reason for me to make money off

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other people's talents. I've clearly got enough of my own.

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I just got to keep participating and not doing it

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for everybody else instead of myself. And then that's the thing.

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So we want to do that. We all should be.

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There's no there's no room for the starving artists more

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that we're all this talented and we can all be

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helping each other. So that's the goal for that as

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far as the distribution. But you know, we do everything

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in the label paired for the artist, so there's no

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come sign up with us and we promise you all

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this stuff. It's it's if you are. We don't go

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out looking for the artists. It's got to be organic.

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You know, we're not paying our bills off our record label.

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You know, it's it's literally a platform to help the

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whole movement. So every single agreement of I hate the

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word contract because we're not we're not we're not selling anything, right,

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but it's a deal. When you come and say this

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is what I need from my career, how do I

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get this done? We all need to help each other,

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right or at least get out. So it itemizes down

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one stop shop for you. All of our departments open

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up because the studio is not just music, So we

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do the portraits. We've got the film department so you

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could do your videos, and at the studio you could

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do your your own versions of your podcasts and your shows.

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Your album covers the long nine yards. Yeah, and you

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know we're all we want is the credit. We want

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the branding credit. That's the thing for me because it's

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such an.

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Speaker 1: Overall company, you know, right right.

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Speaker 2: Think about like when you see the little Playboy bunny

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everywhere everybody knows what that means.

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Speaker 1: Right, Yeah, that's what we're going for exactly. Now, are

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there are there artists performing? Are their bands performing tonight

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at Swarmy Fest with whom you're currently working.

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Speaker 2: Or not the year, not this year. We definitely wanted

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to just participate wherever they put us in. But you

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bet your bottom dollar, I'm gunning for a whole bunch

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of stuff next year.

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Speaker 1: Yeah, yeah, no doubt, no doubt. Now, So I'm curious

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Jonathan and Remy, how did you both get involved in this?

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Speaker 3: Uh?

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Speaker 2: I forgot two years ago, two but I think two

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years ago you came in for.

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Speaker 3: I came in for the oil wrestling thing.

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Speaker 4: Yeah.

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Speaker 1: Oil was like sounds sick, I'm doing it. And that's

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how we met and now we're besties. Yeah wait what really?

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Speaker 2: Yeah you hung up.

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Speaker 1: On the one that that's the thing, Like people still

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do that.

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Speaker 2: Well, so all right, we're supposed to be a thing. Yeah,

244
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it's it's so I'm gonna have to bring it up

245
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because it originated here my old partner, the late Great

246
00:11:48,200 --> 00:11:53,000
Captain Chris local DJ around here in Manchester need to

247
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karaoke DJ okay. But he and I were at places

248
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cage myself a little bit but nineteen ninety five and

249
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they were doing uh karaoke and someone pulled out a

250
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pool and they filled it with yello okay, and I

251
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was like, you know what would make this so much

252
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better and it kind of developed into that. So we

253
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went and bought this big blow up wrestling matt type ring. Yeah,

254
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and we went on tour. We grabbed six girls and

255
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we went on tour and it was the best thing

256
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that I ever did to keep myself in shape.

257
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Speaker 1: And wow, it was great.

258
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Speaker 2: So we're bringing it back since he passed away, We're

259
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gonna bring it back and just bring it on a

260
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whole different level. Okay, and that will be next year

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for sure, Okay at Swarmy Fest.

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Speaker 1: Okay, Oh wow, all right. Interesting. Interesting. So that's that's

263
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how you that's how you met.

264
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Speaker 5: Yeah, that's how we met and signed up for it,

265
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and it didn't happen, sadly, but it's gonna happen.

266
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Speaker 2: It's gonna Hapenna, it's gonna be right. Yeah, But I

267
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do have her and she's so very talented, so I

268
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have her in every aspect of everything we do.

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Speaker 1: Okay.

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Speaker 2: Within our company, everybody is an artist or a creator

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of some sort.

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Speaker 1: Yeah, so we're.

273
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Speaker 2: All kind of just up an overreached apartment and doing

274
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everything together. So it's pretty beautiful.

275
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Speaker 1: Yeah, yeah, excellent. And then Jonathan, how did you get involved.

276
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Speaker 3: So I got involved. Let's say.

277
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Speaker 4: Last year August, I actually came down. Uh, she had

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a studio middle time, as she said, I was saying,

279
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and I did some rappings things like that at the studio,

280
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and then when she opened up her lounge, I came

281
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down every Thursday night. Every Thursday night we do a

282
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musicians jam there.

283
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Speaker 3: It's a great time.

284
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Speaker 4: We make music on the spot, all unrehearsed, you know,

285
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all kind of freestyle.

286
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Speaker 2: Uh.

287
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Speaker 4: We have a drummer that comes there, he's the host.

288
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The guitar player always comes down, bass player, and then

289
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usually I just.

290
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Speaker 3: Do the vocals.

291
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Speaker 4: But we met there, and you know, it's been a

292
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kind of a partnership ever since. We kind of developed

293
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more into a oh got to be closer, Yeah see

294
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there you go. Yeah, but yeah we met. We met

295
00:14:08,799 --> 00:14:12,840
there at the lounge and a nice Thursday night, and

296
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I've kind of been linked at the hip ever since.

297
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Speaker 1: So excellent.

298
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Speaker 2: This tends to happen in this industry because we're doing

299
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so much and it feels so good to create, right.

300
00:14:24,679 --> 00:14:28,360
So it's the support that that we have in each

301
00:14:28,399 --> 00:14:31,720
one of our departments or venues is just like it's overwhelming.

302
00:14:31,720 --> 00:14:33,960
In a positive way. Like, it's just it's like my

303
00:14:34,039 --> 00:14:37,720
children graduating from school, you know what I mean, It's

304
00:14:37,840 --> 00:14:40,919
actually happening. Everything I believe in is happening. Did you

305
00:14:40,919 --> 00:14:41,919
see it with the support?

306
00:14:42,120 --> 00:14:45,320
Speaker 1: Yeah, that's excellent. Now who else is involved? Are there

307
00:14:45,360 --> 00:14:47,200
other people currently involved in BPS?

308
00:14:47,240 --> 00:14:49,840
Speaker 2: Oh? Yeah, so big shout out to some of them people.

309
00:14:50,519 --> 00:14:53,480
We've got our drum master that he was referring to

310
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on our open jam. Chuck Peterson from the Adventures of

311
00:14:56,840 --> 00:15:00,960
Thatteya's Black I'm on my show, is lead singer of

312
00:15:01,000 --> 00:15:05,000
his band, is the host of my show Everyond Love Daddy.

313
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There's just a little little bit of everybody from all

314
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the bands in the work that we've we've been through

315
00:15:13,159 --> 00:15:16,120
along the way. It's just where they're all keepers, you know,

316
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so if something's going down, they're like, I want to

317
00:15:18,879 --> 00:15:20,279
so a little bit of everybody.

318
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Speaker 1: Did I hear the Adventures of Thaddeus Black That that's

319
00:15:23,919 --> 00:15:25,799
the name of a band. That's a cool name.

320
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Speaker 2: You've got to look at that band up man. Yeah,

321
00:15:28,440 --> 00:15:34,320
for sure, all original Connecticut natives, phenomenal, phenomenal music.

322
00:15:35,559 --> 00:15:37,559
Speaker 1: Now you mentioned something about your show, do you also

323
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do uh? Do you have a podcast or something.

324
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Speaker 2: Or I'm gonna have to figure out what to call it.

325
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Speaker 1: Well, that's right, you don't like you don't like that.

326
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Speaker 2: I don't know. I don't know why. It's just the

327
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stigma I think of. You know, it's not the same, right,

328
00:15:51,799 --> 00:15:54,320
so that for me is important. But it's you know,

329
00:15:54,320 --> 00:15:58,840
it's not that big of a deal. It's called BPS Talks. Currently,

330
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we ared film it live at hot Rod Spotlight Lounge

331
00:16:02,559 --> 00:16:07,679
on Main Street in Middletown, Connecticut, but we only are

332
00:16:07,759 --> 00:16:10,519
airing it on the Facebook, okay, because we're gonna be

333
00:16:10,559 --> 00:16:13,080
We're in transition of doing some really big things with

334
00:16:13,120 --> 00:16:18,080
the show, so in some colleagues that haven't quite we

335
00:16:18,120 --> 00:16:19,679
haven't quite made it terms with it yet, so I

336
00:16:19,679 --> 00:16:20,440
don't want to mention it.

337
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Speaker 1: But sure, sure, you know, bringing.

338
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Speaker 2: It to the next level, and then we'll have it

339
00:16:23,480 --> 00:16:26,320
on other platforms. Yeah, you know, we keep them up there.

340
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You can link everything on the website links to every

341
00:16:28,799 --> 00:16:32,639
department we have, so it's a big, long splash page.

342
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Speaker 1: Okay, okay, Yeah, It's funny the term podcast it's become,

343
00:16:37,399 --> 00:16:41,159
it's become a broader term over the years because when

344
00:16:41,159 --> 00:16:45,720
I first started, I think I think I I think

345
00:16:45,799 --> 00:16:49,879
I first started doing podcasting, and I think it was

346
00:16:49,879 --> 00:16:52,919
two thousand and six. Wow, is that long ago. Well,

347
00:16:52,919 --> 00:16:55,080
we didn't call it, but the term podcast you didn't

348
00:16:55,080 --> 00:16:57,559
even hear that word yet, right, so at that time,

349
00:16:57,679 --> 00:17:01,000
but we were streaming, so we call that. My friends

350
00:17:01,000 --> 00:17:03,080
and I who are doing it, we called it internet radio,

351
00:17:03,519 --> 00:17:05,960
which is a term you never hear now now now

352
00:17:06,039 --> 00:17:09,960
literally anything you know, like like obviously we're live on

353
00:17:10,079 --> 00:17:12,559
FM radio right now, but we're also streaming to Facebook

354
00:17:12,559 --> 00:17:16,079
and YouTube and everything, and so so it's like we're

355
00:17:16,079 --> 00:17:18,680
podcasting but at the same time. But it used to

356
00:17:18,680 --> 00:17:21,720
be like then, when the term podcast started being used,

357
00:17:21,720 --> 00:17:25,480
it seems like people referred to that as anything that

358
00:17:25,599 --> 00:17:29,359
was recorded, like recorded audio of a show was a podcast,

359
00:17:29,599 --> 00:17:32,079
but if you were going live, it was still called

360
00:17:32,119 --> 00:17:35,880
internet radio. But then over time podcasts just became you know,

361
00:17:35,920 --> 00:17:38,559
if you're streaming, it's podcasting, if you're podcasting, you're streaming.

362
00:17:38,599 --> 00:17:40,359
And it's just kind of well.

363
00:17:40,200 --> 00:17:42,319
Speaker 2: It brings me back to like my whole, you know,

364
00:17:42,839 --> 00:17:46,559
plan or my whole the importance of my movement is

365
00:17:46,599 --> 00:17:49,279
bringing all that hard work that we're doing to the forefront.

366
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And I think I just always felt like it was

367
00:17:51,880 --> 00:17:54,079
being taken away with that whole like you said it

368
00:17:54,119 --> 00:17:57,519
was this, it was that. Yeah, So kind of combining

369
00:17:57,559 --> 00:18:01,000
the two is how I'm overcoming that negative stick for me. Yeah,

370
00:18:01,160 --> 00:18:05,640
with with my podcast clients, right yeah, and I'm I'm

371
00:18:05,799 --> 00:18:07,519
true and true to my word and what I believe in.

372
00:18:07,599 --> 00:18:10,279
So if I catch myself being hypocritical, I'm like, Okay,

373
00:18:10,279 --> 00:18:11,079
how do we fix this?

374
00:18:11,319 --> 00:18:11,519
Speaker 3: Right?

375
00:18:11,599 --> 00:18:13,920
Speaker 2: What do we do about it? Because creating is creating?

376
00:18:14,039 --> 00:18:17,240
So yeah, open the platform for the podcast guys, Let's

377
00:18:17,240 --> 00:18:20,039
show them how it's done. There you go, there, you go,

378
00:18:20,200 --> 00:18:22,000
really and they love it. They love every minute.

379
00:18:22,039 --> 00:18:24,920
Speaker 1: No, absolutely, if you are just joining us. We have

380
00:18:24,960 --> 00:18:27,920
BPS Records here with us talking about well, of course

381
00:18:28,079 --> 00:18:30,880
getting to know them and and all about BPS Records

382
00:18:30,920 --> 00:18:33,279
and of course they're a very important part of Swarmy

383
00:18:33,319 --> 00:18:37,160
Fest tonight at Taffada in Lowell. I believe doors are

384
00:18:37,240 --> 00:18:40,920
at five pm five yeah, and Jenny and I will

385
00:18:40,920 --> 00:18:44,680
be there of course, and yes, yes, really looking forward

386
00:18:44,720 --> 00:18:48,119
to that. Have you, as BPS Records been involved in

387
00:18:48,160 --> 00:18:50,720
other shows like this, like what Swarmy Fest is?

388
00:18:51,200 --> 00:18:55,640
Speaker 2: We it's it's crazy because I was saying, like it's

389
00:18:55,640 --> 00:18:58,359
so odd for me, I'm kind of appreciating being like

390
00:18:58,519 --> 00:19:02,079
the newcomer to swarm with because I had the weight

391
00:19:02,160 --> 00:19:05,799
up my shoulders usually always because they're always my productions.

392
00:19:06,400 --> 00:19:10,119
So now since we've opened the lounge, it's a tracted

393
00:19:10,200 --> 00:19:13,440
all these other great productions, where now it's just here's

394
00:19:13,480 --> 00:19:16,960
my room, here's my floor. Yeah, and it's really nice

395
00:19:17,039 --> 00:19:20,319
to always add to everything like that. But yeah, we

396
00:19:20,319 --> 00:19:26,279
did cet Rocks Rock. We were just listening earlier. Yeah,

397
00:19:26,319 --> 00:19:28,079
Bob the April with c t Rocks. He's been doing

398
00:19:28,079 --> 00:19:30,160
it for years as well. I mean I had never

399
00:19:30,200 --> 00:19:32,279
heard of him, right, So because I'm we're all so

400
00:19:32,480 --> 00:19:35,519
focused on our movements and what we're doing, right. So

401
00:19:35,559 --> 00:19:37,400
he had a spot show up and I was like,

402
00:19:37,559 --> 00:19:40,240
he's like, can we do twelve bands in your place?

403
00:19:41,000 --> 00:19:43,079
And I was like wait, Like he thought it was

404
00:19:43,119 --> 00:19:45,640
gonna be a problem. I'm like absolutely. He's like great,

405
00:19:45,640 --> 00:19:47,279
So he's just gonna give me the place all day.

406
00:19:47,279 --> 00:19:49,200
What about your other customers? They said, well, they're gonna

407
00:19:49,240 --> 00:19:51,119
have to listen to the music, right, you know what

408
00:19:51,160 --> 00:19:55,680
I mean. But and it was twelve original phenomenal bands

409
00:19:56,200 --> 00:19:59,640
you had. You know, your you always have your solo

410
00:19:59,720 --> 00:20:02,519
acts where you're like okay, I see where they're going,

411
00:20:02,680 --> 00:20:05,279
you know what I mean. But the point of it

412
00:20:05,400 --> 00:20:08,119
was just the promotion of the independent art and they

413
00:20:08,200 --> 00:20:10,920
just kept going. When things went wrong, I was always like,

414
00:20:10,920 --> 00:20:13,079
give them my card, like I know how to fix

415
00:20:13,160 --> 00:20:16,400
that much time, you know, But that was like one

416
00:20:16,440 --> 00:20:22,400
of my favorites. Soundhoum Productions. That's another one we do.

417
00:20:22,599 --> 00:20:28,160
Uh it's four four original bands back to back, okay,

418
00:20:28,160 --> 00:20:32,319
and it's like, you know, ska, punk, punk, folk, you

419
00:20:32,359 --> 00:20:35,920
know everything. Were actually twenty twenty five. We have a

420
00:20:35,960 --> 00:20:37,960
lot more that we're going to be doing as far

421
00:20:37,960 --> 00:20:40,000
as answering that question, So yeah, I know. We got

422
00:20:40,119 --> 00:20:45,079
Eric Raboska from Highest Frequency Record Records in Connecticut. He's

423
00:20:45,119 --> 00:20:47,680
gonna come take over the first Saturday of every month

424
00:20:47,799 --> 00:20:51,519
and kind of do the same thing, but a totally

425
00:20:51,559 --> 00:20:55,359
different line of musicians. Phenomenal. Yeah, there's so much great

426
00:20:55,559 --> 00:20:57,960
hard work out there. Oh yeah, And I just want

427
00:20:58,000 --> 00:21:00,759
everyone to see like we're not just paying and record

428
00:21:00,839 --> 00:21:04,880
labels to play our music, like we're doing everything, you know,

429
00:21:05,000 --> 00:21:07,359
and that goes for everyone. That's a part of the movements.

430
00:21:07,559 --> 00:21:09,440
Speaker 1: Yeah. Do you ever have anyone approach you? Do you

431
00:21:09,480 --> 00:21:11,599
ever have a musician who approaches you who wants to

432
00:21:11,640 --> 00:21:15,759
work with you, but they're not. They're just not ready.

433
00:21:15,839 --> 00:21:18,480
Speaker 2: Boy do I are? So that agreement that I was

434
00:21:18,519 --> 00:21:21,640
telling you about, it's funny because it's now disclosed with

435
00:21:21,680 --> 00:21:25,200
what I'm intolerant to. Okay, right, So because I don't

436
00:21:25,240 --> 00:21:27,359
have time for that, you know, being a mother as

437
00:21:27,400 --> 00:21:30,599
well as being a mother of all my creations, I

438
00:21:30,640 --> 00:21:32,839
really just don't have time for that. So if you

439
00:21:32,920 --> 00:21:36,640
don't have discipline to your own career, you don't even

440
00:21:36,680 --> 00:21:39,599
have to have a plan. But the dedication, the discipline

441
00:21:39,759 --> 00:21:43,279
and the poise of what they taught you in karate

442
00:21:43,400 --> 00:21:45,400
class for crying out, you know what I mean. We've

443
00:21:45,480 --> 00:21:48,200
learned everything we need to know in kindergarten about life.

444
00:21:48,640 --> 00:21:51,000
If you don't have that, then there's nothing we could

445
00:21:51,000 --> 00:21:53,480
do for you. You know, you may need a lot,

446
00:21:53,559 --> 00:21:56,000
which is great and fine, but that's the core stuff

447
00:21:56,039 --> 00:21:58,640
you have to come with. Your drive is the most

448
00:21:58,680 --> 00:22:01,519
important thing to original use it. You know, we all

449
00:22:01,559 --> 00:22:03,640
have our ups and downs. I have my days where

450
00:22:03,640 --> 00:22:06,240
I'm like, what am I doing? I didn't go to

451
00:22:06,279 --> 00:22:07,720
the beach at all this year? Like you know what

452
00:22:07,799 --> 00:22:10,480
I mean? But it goes that way.

453
00:22:10,599 --> 00:22:16,039
Speaker 4: So we say they party like rock stars before they

454
00:22:16,079 --> 00:22:16,440
make it.

455
00:22:16,640 --> 00:22:19,519
Speaker 2: Yeah. Yeah, that's the biggest downfall. It's like, what are

456
00:22:19,519 --> 00:22:23,119
you doing? So we do have a lot of mostly positive,

457
00:22:23,599 --> 00:22:25,039
but you do have a lot of people that come

458
00:22:25,079 --> 00:22:27,799
and then. And I'm really a stickler with it. I

459
00:22:27,920 --> 00:22:30,319
love I love everything, and I want to help everyone.

460
00:22:30,400 --> 00:22:33,200
But if in the first three seconds of what you

461
00:22:33,319 --> 00:22:35,359
play for me, I don't want to hear it anymore.

462
00:22:36,200 --> 00:22:37,720
You know, you got a little more work to do.

463
00:22:37,839 --> 00:22:41,279
And I know that sounds harsh, but it's real. It's

464
00:22:41,279 --> 00:22:44,079
about being being realistic with where you are and what

465
00:22:44,119 --> 00:22:48,279
you want. But we never turn anybody away, you know,

466
00:22:48,480 --> 00:22:50,480
if you come around and you need help, even with

467
00:22:50,559 --> 00:22:55,559
those beautiful mind problems that we have, you know, all squirrel,

468
00:22:55,720 --> 00:22:59,599
you know, we just we attend to that. But if

469
00:22:59,599 --> 00:23:02,240
you're just not good, you're not good and someone should

470
00:23:02,240 --> 00:23:05,000
tell you that, right. I know it sounds rough.

471
00:23:04,960 --> 00:23:06,920
Speaker 1: No, but it's true. It's true. You're not You're not

472
00:23:06,960 --> 00:23:11,240
doing anybody any favors by, you know, pretending that they've

473
00:23:11,279 --> 00:23:12,759
got something that they don't have.

474
00:23:12,839 --> 00:23:15,920
Speaker 2: Right and you and it can weaken it can weaken

475
00:23:16,000 --> 00:23:19,079
their path and they're creating if you put them in

476
00:23:19,160 --> 00:23:22,400
a room with people that might make them feel insecure

477
00:23:22,400 --> 00:23:24,759
about where they're at, and you don't do that, so

478
00:23:24,839 --> 00:23:27,400
being honest with that. But I do have some people

479
00:23:27,440 --> 00:23:30,359
that just think that there's some place that they're not

480
00:23:30,599 --> 00:23:33,039
and I'll kindly tell them, you know, just mn't you

481
00:23:33,079 --> 00:23:35,720
do this, come on back, you know. But we always

482
00:23:35,759 --> 00:23:39,599
create a platform to perform. So at the studio, that's

483
00:23:39,640 --> 00:23:41,799
where you can work out those kinks and you go

484
00:23:41,839 --> 00:23:44,160
down there, Hey, take the room for a night through yourself.

485
00:23:44,160 --> 00:23:48,000
A concert be the the highlight, right, because that's important

486
00:23:48,039 --> 00:23:50,319
if you can't. We talk about that all the time.

487
00:23:51,160 --> 00:23:53,640
If you have five people in a band, but we're

488
00:23:53,640 --> 00:23:55,599
all supposed to be supporting one another, but it is

489
00:23:55,759 --> 00:23:58,680
very hard when all your friends are musicians. You can't

490
00:23:58,680 --> 00:24:02,319
be anywhere, right, I mean everywhere at the same time. Yeah, yeah,

491
00:24:02,359 --> 00:24:04,440
but we will look at you know, the crowds that

492
00:24:04,480 --> 00:24:06,279
come in. If you can five people in a band

493
00:24:06,319 --> 00:24:09,039
and not one person comes, I mean, you've got a mom,

494
00:24:09,079 --> 00:24:10,720
you've got a wife, you've got a brother, you've got

495
00:24:10,759 --> 00:24:13,880
a husband, and someone should be coming to support you, right,

496
00:24:14,240 --> 00:24:17,000
So like those are the kinks I think, like you know,

497
00:24:17,079 --> 00:24:19,799
putting the horse car before the horse and stuff like that.

498
00:24:20,240 --> 00:24:22,680
So we offer that platform at the studio for them

499
00:24:22,680 --> 00:24:24,319
to get that stuff out of the way and learn

500
00:24:24,400 --> 00:24:25,839
that organically.

501
00:24:26,079 --> 00:24:26,640
Speaker 3: Yeah.

502
00:24:26,960 --> 00:24:29,160
Speaker 1: I feel like, uh, you know, in my my own

503
00:24:29,200 --> 00:24:33,160
experience working with musicians and I used to play in bands,

504
00:24:33,160 --> 00:24:34,839
and but I also you know, I do other things

505
00:24:34,880 --> 00:24:37,119
in the industry, and I feel like I've all I've

506
00:24:37,160 --> 00:24:39,039
got an axiom. I've always sad everybody wants to be

507
00:24:39,079 --> 00:24:40,880
a rock star, but only as long as it's easy.

508
00:24:41,000 --> 00:24:45,240
Oh yeah, you know, and then you know some some people,

509
00:24:45,279 --> 00:24:47,839
you know, they're like, whoa, there's actual work involved. It's

510
00:24:47,880 --> 00:24:50,200
not all you know, it's not all glamorous, and no

511
00:24:50,599 --> 00:24:51,000
it is not.

512
00:24:52,200 --> 00:24:53,799
Speaker 2: You got those people that come in and they're like,

513
00:24:53,839 --> 00:24:56,039
you got to listen to my song right now. I'm

514
00:24:56,119 --> 00:24:58,759
it like that they're going to be discovered, and it's

515
00:24:58,759 --> 00:25:00,799
like I have to be the bad guy. This is

516
00:25:00,880 --> 00:25:03,559
this is why we're the independent label for the independent artist.

517
00:25:03,960 --> 00:25:05,319
You know, we're not going to lie to you, We're

518
00:25:05,319 --> 00:25:07,039
not going to do all that, yeah know what I mean.

519
00:25:07,200 --> 00:25:09,960
Speaker 1: Yeah. The other delusion that I've always talked about is

520
00:25:09,960 --> 00:25:14,279
the mythical record company scout. You know, you know the

521
00:25:14,279 --> 00:25:16,759
guys who play, you know, the same bar every weekend,

522
00:25:16,839 --> 00:25:19,759
and they're they're just convinced that you know, any any

523
00:25:19,880 --> 00:25:23,240
any weekend now that this mythical record company scout is

524
00:25:23,240 --> 00:25:24,799
going to walk in during their set and be so

525
00:25:24,839 --> 00:25:27,200
impressed with what they see and handing them a five

526
00:25:27,240 --> 00:25:29,240
album deal. And it's so true.

527
00:25:29,400 --> 00:25:32,519
Speaker 2: Yeah, that's why I you know, we I like to

528
00:25:32,559 --> 00:25:34,880
call it my movement rather than my label because of

529
00:25:34,960 --> 00:25:38,200
that stigma with it too. Yeah, And they're like, oh,

530
00:25:38,440 --> 00:25:42,759
nobody gets discovered this. This stuff is hard, man, Like

531
00:25:42,799 --> 00:25:45,799
we aren't me can't remember the last time. She ate,

532
00:25:46,000 --> 00:25:50,119
like where you ago? You know what I mean. We're

533
00:25:50,160 --> 00:25:54,000
just we're constantly doing it, and they just don't get

534
00:25:54,039 --> 00:25:57,160
that if you can't, and I get like, there is

535
00:25:57,200 --> 00:26:00,599
the part time artist right that is working in nine

536
00:26:00,640 --> 00:26:02,000
to five because you have to have a nine to

537
00:26:02,000 --> 00:26:04,599
five too, right to cover it all unless you can

538
00:26:04,640 --> 00:26:07,359
be one hundred percent in it. Yeah, But like I

539
00:26:07,400 --> 00:26:10,640
only see my children because I've created family friendly businesses.

540
00:26:11,200 --> 00:26:13,799
So you know, my teenagers in the kitchen cook and

541
00:26:13,839 --> 00:26:16,400
he's making beats in the studio. My ten year old's

542
00:26:16,400 --> 00:26:19,119
telling my bartenders how to run the computer. Like, you

543
00:26:19,160 --> 00:26:21,720
know what I mean, you got to find a way

544
00:26:21,480 --> 00:26:24,720
to bring the two together to do that. For the

545
00:26:24,759 --> 00:26:27,279
part time artists, we still give them that same love,

546
00:26:27,359 --> 00:26:30,400
like creating is creating and I love that they don't

547
00:26:30,440 --> 00:26:33,039
even care where their music goes. They're just you played

548
00:26:33,039 --> 00:26:33,759
that at your place?

549
00:26:33,920 --> 00:26:35,119
Speaker 1: Yes, right right?

550
00:26:35,359 --> 00:26:38,599
Speaker 2: You know, so it's really just the movement of the

551
00:26:38,640 --> 00:26:39,599
creating and stuff.

552
00:26:39,759 --> 00:26:44,440
Speaker 1: Yeah, totally. What would you say is the biggest misconception

553
00:26:44,519 --> 00:26:46,799
that you run into when when you know these artists

554
00:26:46,880 --> 00:26:50,440
come to you, what are the biggest expectation they have

555
00:26:50,519 --> 00:26:52,279
that maybe they shouldn't or you.

556
00:26:52,160 --> 00:26:55,720
Speaker 2: Know, oh well, if I'm going to pick one or

557
00:26:55,799 --> 00:26:57,880
you don't have to pick it. The first one that

558
00:26:57,920 --> 00:26:59,920
comes to mind is that I'm going to do your job,

559
00:27:01,000 --> 00:27:03,960
you know what I mean? And because I'm guilty of that,

560
00:27:04,680 --> 00:27:06,640
I will catch myself going why is this so hard?

561
00:27:06,640 --> 00:27:10,839
Because it's not my job, it's not my career, and

562
00:27:10,920 --> 00:27:12,599
I want to help, but I want to do all that.

563
00:27:12,640 --> 00:27:15,799
It's that nurturing part, you know. But sometimes I got

564
00:27:15,839 --> 00:27:17,759
to turn around and switch the hat and be like, wait,

565
00:27:18,559 --> 00:27:22,640
you're supposed to do this. I had an artist that phenomenal,

566
00:27:22,640 --> 00:27:25,599
he had so much potential and he still does that

567
00:27:25,680 --> 00:27:28,960
I signed with and it was always my fault that

568
00:27:29,119 --> 00:27:31,119
something wasn't getting done and I would go back to

569
00:27:31,160 --> 00:27:34,240
my meeting minutes because now I keep meeting minutes. You

570
00:27:34,279 --> 00:27:36,680
were supposed to do this by this state, so I

571
00:27:36,720 --> 00:27:39,680
could do all this yours, you know. And they just

572
00:27:39,720 --> 00:27:43,960
don't understand the value and importance of keeping that that system.

573
00:27:44,160 --> 00:27:47,359
Like I can't shut down the house because you today

574
00:27:47,440 --> 00:27:49,279
wanted to do what you're supposed to do two months ago,

575
00:27:49,759 --> 00:27:52,960
And why am I not where I'm supposed to be? Well, yeah,

576
00:27:53,440 --> 00:27:55,799
you know, you have to do the work. So yeah,

577
00:27:55,839 --> 00:27:57,880
that's the biggest thing that that we're just going to do.

578
00:27:57,920 --> 00:28:02,119
Their jobs are not a management label. We are having

579
00:28:02,119 --> 00:28:06,680
a hard enough time managing all our businesses, right Yeah.

580
00:28:06,720 --> 00:28:09,200
And then that and other than that is like the

581
00:28:09,319 --> 00:28:14,000
organic nature of real original music, Like I will not

582
00:28:14,119 --> 00:28:17,160
let people sing over their own tracks. If you if

583
00:28:17,200 --> 00:28:19,000
you don't know the difference between a show mix and

584
00:28:19,000 --> 00:28:22,440
a performance mix and a track, we got to bring

585
00:28:22,480 --> 00:28:24,839
you way back in the step in the process because

586
00:28:26,039 --> 00:28:28,359
that value is so different, you know what I mean,

587
00:28:28,839 --> 00:28:31,720
if you run into that a lot, a lot more

588
00:28:31,799 --> 00:28:36,599
than you would think. Yeah, the only it's it's it's

589
00:28:36,799 --> 00:28:40,000
kind of genre specifically more you know, there's a lot

590
00:28:40,039 --> 00:28:41,920
of hip hop. I would love to take over the

591
00:28:41,960 --> 00:28:44,279
hip hop world right now in Connecticut because there's some

592
00:28:44,359 --> 00:28:48,799
phenomenal people, but the stigma because of that, it's so

593
00:28:48,920 --> 00:28:51,920
hard that people are just you know, it's kind of

594
00:28:52,000 --> 00:28:54,680
like a quick buck, I guess for them to start them,

595
00:28:54,720 --> 00:28:57,279
but they just really don't do it right. So that

596
00:28:57,319 --> 00:28:59,319
would be a full time job for me. I take

597
00:28:59,400 --> 00:29:05,400
on that, but not as much in you know, other genres,

598
00:29:05,400 --> 00:29:07,039
you know what I mean, You do get a lot

599
00:29:07,119 --> 00:29:09,799
of people that, Like we had a big shout out

600
00:29:09,839 --> 00:29:13,119
to Jamie Starchild and the Dream Factory. He was a

601
00:29:13,160 --> 00:29:15,279
guest on our show last week. I was an honor

602
00:29:15,359 --> 00:29:19,000
to have him there and seeing he's got the same

603
00:29:19,079 --> 00:29:21,200
views as us too, Like that's big for me seeing

604
00:29:21,240 --> 00:29:25,240
these national big stars that are like, yeah, let's do this.

605
00:29:25,319 --> 00:29:26,759
What can I do with you? And I'm like what,

606
00:29:27,319 --> 00:29:28,799
you know what I mean, I'm star struck on my

607
00:29:28,839 --> 00:29:31,279
own show, trying to keep it together. But he did

608
00:29:31,279 --> 00:29:34,000
this one man show and it was fifteen minutes and

609
00:29:34,039 --> 00:29:36,279
I needed more, but he was you know what I mean.

610
00:29:36,839 --> 00:29:38,519
So if you had your eyes close, it would be

611
00:29:38,559 --> 00:29:41,759
like a Prince song because he did everything and he sang,

612
00:29:41,920 --> 00:29:45,640
and so you'll have your your stuff sometimes on backtracking

613
00:29:45,680 --> 00:29:49,720
when you're an independent, original by yourself artist. But you know,

614
00:29:49,759 --> 00:29:53,599
we strongly love that when it's your craft. Yes, but

615
00:29:53,680 --> 00:29:57,839
if it's happening because you're not ready to perform, meaning

616
00:29:57,880 --> 00:30:01,599
you don't have a band, and again, put put your

617
00:30:01,759 --> 00:30:03,720
your priorities in order to get to where you need

618
00:30:03,759 --> 00:30:04,240
to be with your.

619
00:30:04,200 --> 00:30:10,480
Speaker 1: Grad Yeah, sure, yeah, absolutely, any any like sort of

620
00:30:10,720 --> 00:30:15,400
success stories or anybody who you've worked with who's really

621
00:30:15,480 --> 00:30:18,319
kind of, you know, gone to that next level, who

622
00:30:18,400 --> 00:30:20,240
you want to kind of give some shine to, anybody

623
00:30:20,279 --> 00:30:22,000
you want to mention or oh.

624
00:30:21,920 --> 00:30:26,279
Speaker 2: Gosh, I feel that. Oh my god, I don't think

625
00:30:26,319 --> 00:30:28,240
I can do that, And everybody's gonna be mad at me.

626
00:30:29,440 --> 00:30:32,680
For me though, what it is is like I used

627
00:30:32,680 --> 00:30:36,240
to always tell everybody when they're like my contracts, right, yeah,

628
00:30:36,359 --> 00:30:38,240
they're like, this has got to be a gimmick. You

629
00:30:38,279 --> 00:30:39,720
don't want anything for me, You're not going to do

630
00:30:39,720 --> 00:30:42,160
this for me different And I'm like, yeah, I mean

631
00:30:42,240 --> 00:30:46,039
if you come to me and someone finds you like

632
00:30:46,079 --> 00:30:48,599
they all think it's gonna happen, right, Hell, yea, I'll

633
00:30:48,599 --> 00:30:50,240
sign you out of that. I just let them, Know,

634
00:30:50,319 --> 00:30:52,839
I looked you up, like, yeah, that's the thing, Like

635
00:30:53,720 --> 00:30:56,880
wherever they go from there is not about that. To

636
00:30:56,920 --> 00:30:59,279
answer that question. There's a ton of people out there

637
00:30:59,319 --> 00:31:04,119
finally living through music, doing what they love appropriately, and

638
00:31:04,240 --> 00:31:05,599
you know, I don't want to take credit for that,

639
00:31:05,640 --> 00:31:07,599
but I love being a part of it, you know

640
00:31:07,640 --> 00:31:12,640
what I mean. So even like, even with my ties

641
00:31:12,680 --> 00:31:15,000
with the Avengs of That is Black, I have no

642
00:31:15,599 --> 00:31:18,240
connections in any way, shape or form to their artistry

643
00:31:18,319 --> 00:31:21,039
and what they do other than their participate in my movement.

644
00:31:21,599 --> 00:31:25,000
And for me, what I do for that is we

645
00:31:25,119 --> 00:31:27,880
non stop promote and market as well. So it's it

646
00:31:28,039 --> 00:31:30,400
goes both ways in every every area of it. You know,

647
00:31:30,440 --> 00:31:33,119
we'll go to their shows, the pr that we do

648
00:31:33,720 --> 00:31:38,599
for our guests, the eliminating of these crazy, outrageous fees

649
00:31:38,720 --> 00:31:41,000
for artists, because if you're a part of our movement,

650
00:31:41,400 --> 00:31:44,960
it means you've been on our show, you've attended our places,

651
00:31:45,279 --> 00:31:47,799
and then you get this member access for pricing, right

652
00:31:47,799 --> 00:31:50,000
because we do have to make money, right, Yeah, of course,

653
00:31:50,240 --> 00:31:52,599
So all of my talents are making money. I'm making

654
00:31:52,680 --> 00:31:54,960
T shirts for the public as well as for bands.

655
00:31:55,279 --> 00:31:57,839
You know, small businesses helping each other. So it's really

656
00:31:57,839 --> 00:32:02,160
this really big web of our artistry and basically change

657
00:32:02,160 --> 00:32:04,319
in the world so we can all afford it. Yeah. Yeah,

658
00:32:04,359 --> 00:32:07,799
you know, my Building and Zoning department told me I

659
00:32:07,839 --> 00:32:11,160
rewrote the Chamber of Commerce. So the way my brain

660
00:32:11,200 --> 00:32:13,000
works just out in the hallway, I was like, you

661
00:32:13,000 --> 00:32:14,519
know what we're going to do that. We're going to

662
00:32:14,559 --> 00:32:17,599
make bps a chamber of arts, and it's make it

663
00:32:17,640 --> 00:32:18,759
happen for the state, you know.

664
00:32:18,960 --> 00:32:24,839
Speaker 1: Yeah, yeah, So what's the Is there a kind of

665
00:32:24,839 --> 00:32:29,400
a what's an example of something that artists need that

666
00:32:29,400 --> 00:32:31,920
they don't know that they need, like when they come

667
00:32:31,960 --> 00:32:34,279
to you, something that you can do for them that

668
00:32:34,319 --> 00:32:36,720
they didn't even think was important.

669
00:32:37,079 --> 00:32:38,319
Speaker 3: Oh, that's a great question.

670
00:32:39,839 --> 00:32:43,119
Speaker 2: Structure first of all. Structure right away, that's the most

671
00:32:43,559 --> 00:32:46,480
valuable for the beautiful minds. We want to do everything

672
00:32:46,480 --> 00:32:51,079
all at once, right, Yeah, the things like the branding,

673
00:32:51,200 --> 00:32:54,599
branding yourself. I think people think that the work itself

674
00:32:54,680 --> 00:32:55,279
is branding.

675
00:32:55,519 --> 00:32:56,920
Speaker 1: Yeah, and it's not.

676
00:32:57,119 --> 00:32:59,680
Speaker 2: And if you are all like I'm all over the place,

677
00:32:59,839 --> 00:33:02,920
I keep opening businesses because I have that much more

678
00:33:02,960 --> 00:33:07,160
to do in the brain. But at the end of

679
00:33:07,160 --> 00:33:10,799
the day, if there isn't a line of branding for it.

680
00:33:10,960 --> 00:33:13,000
Like if you're doing rock today and then you're doing

681
00:33:13,000 --> 00:33:17,519
wrap tomorrow, that's phenomenal talent, but how do you organize

682
00:33:17,519 --> 00:33:20,440
it to maintain that, you know, for for the long

683
00:33:20,519 --> 00:33:23,119
term event, And so that I think is the most

684
00:33:23,160 --> 00:33:27,000
part is really situating a plan. And I'll have a

685
00:33:27,039 --> 00:33:30,599
plan sometimes most of the time. Plan is to get

686
00:33:30,799 --> 00:33:34,359
famous most of these people, but like we're always talking about,

687
00:33:34,440 --> 00:33:36,960
you know, just in common conversation, like Will and I

688
00:33:37,079 --> 00:33:39,079
and you know, my guys on my show and everyone

689
00:33:39,079 --> 00:33:42,039
that we know down there for musicians, like Jamie said

690
00:33:42,039 --> 00:33:43,920
it best, We're like, where do you see yourself in

691
00:33:43,960 --> 00:33:48,799
the future. He's like, hopefully still working like this. If

692
00:33:48,799 --> 00:33:51,240
I get like Will said earlier, if I get there.

693
00:33:51,160 --> 00:33:52,160
Speaker 3: Then I'm done.

694
00:33:52,440 --> 00:33:56,240
Speaker 2: You know, there should just for us, we're doing what

695
00:33:56,319 --> 00:33:59,359
are our main and long term goal is regardless of

696
00:33:59,400 --> 00:34:02,000
the outcome, you know what I mean. So even if

697
00:34:02,039 --> 00:34:05,359
for some reason I'm not able to juggle all this

698
00:34:05,440 --> 00:34:08,199
phenomenal stuff and it doesn't pass off to my kids

699
00:34:08,320 --> 00:34:10,760
or some other great young artists, I'm still going to

700
00:34:10,800 --> 00:34:12,840
be in my own studios and I'm still going to

701
00:34:12,880 --> 00:34:15,440
be talking everybody's ear off on my shows.

702
00:34:15,559 --> 00:34:16,199
Speaker 3: You know what I mean.

703
00:34:16,320 --> 00:34:18,400
Speaker 2: So yeah, yeah, I got to keep creating.

704
00:34:18,599 --> 00:34:22,760
Speaker 1: Yeah, Now, if someone wants to uh so you know

705
00:34:23,599 --> 00:34:25,639
this show. You know, we know a lot of industry

706
00:34:25,679 --> 00:34:29,719
people listen and a lot of musicians listen. If someone's

707
00:34:29,760 --> 00:34:32,119
interested in working with you, like, what should they do?

708
00:34:32,159 --> 00:34:34,800
What's the best way to go about reaching out?

709
00:34:34,920 --> 00:34:37,079
Speaker 2: So I got a lot of avenues. But if you

710
00:34:37,119 --> 00:34:39,159
go to the website, you can always click my email.

711
00:34:39,239 --> 00:34:42,719
But the problem is I've got so many emails. So

712
00:34:42,840 --> 00:34:45,039
I did put my personal cell phone on my website.

713
00:34:45,079 --> 00:34:46,639
I know a lot of people say not to do that.

714
00:34:47,440 --> 00:34:49,960
My text me call me, I will get back to you,

715
00:34:50,119 --> 00:34:52,360
and that is the best way reach out directly or

716
00:34:52,400 --> 00:34:54,760
come on down. Yeah, you know I am. I live

717
00:34:54,800 --> 00:34:57,920
at my lounge unfortunately, because that's like the hub for everything,

718
00:34:58,000 --> 00:35:01,719
right yeah, but I'm so as soon as we're remodeling

719
00:35:01,719 --> 00:35:03,880
the studio right now, so in a couple of weeks

720
00:35:03,880 --> 00:35:05,840
I'll probably be glued to the studio again, you know,

721
00:35:06,199 --> 00:35:09,920
And so you just come down. I'm at five point

722
00:35:09,920 --> 00:35:12,000
forty four Main Street in Middletown, Connecticut.

723
00:35:12,199 --> 00:35:12,480
Speaker 1: Okay.

724
00:35:12,719 --> 00:35:17,880
Speaker 2: The website is bpslife dot com and some great stuff

725
00:35:17,920 --> 00:35:19,960
on there. So all my merch on there are from

726
00:35:20,000 --> 00:35:23,960
other artists as well. Okay, so this kind of grows

727
00:35:24,039 --> 00:35:27,079
into everyone else's platform, and I don't take any of

728
00:35:27,119 --> 00:35:29,599
their money, you know, I take whatever I would have

729
00:35:29,840 --> 00:35:33,960
because we make everything in house. So whatever the customer

730
00:35:34,039 --> 00:35:36,280
is buying, we take it. We take it off the

731
00:35:36,360 --> 00:35:38,400
VIC you know what we would have charged you anyways

732
00:35:38,440 --> 00:35:39,239
as a merchandise.

733
00:35:39,360 --> 00:35:40,440
Speaker 1: Okay, you know what I mean.

734
00:35:40,559 --> 00:35:44,000
Speaker 2: So everybody platforms. It's like because that other one Etsy,

735
00:35:44,159 --> 00:35:46,280
everybody uses Etsy. And I was like, no, no, no,

736
00:35:46,440 --> 00:35:49,599
this is all wrong. We gotta do this right here

737
00:35:49,639 --> 00:35:52,280
on the ground level, right, so you know, check out

738
00:35:52,320 --> 00:35:54,599
some of that stuff on there, because it's artists sharing

739
00:35:54,599 --> 00:35:57,039
each other's work. But that's the best way to reach me.

740
00:35:57,119 --> 00:35:59,360
Either drop in and say stop what you're doing. I

741
00:35:59,400 --> 00:36:01,960
need to talk to you. I like that best. I'm

742
00:36:02,000 --> 00:36:02,760
old fashioned.

743
00:36:02,800 --> 00:36:07,800
Speaker 1: Yeah, yeah, no, that's great. That's great. Before we run

744
00:36:07,840 --> 00:36:11,719
out of time too, let me just ask you, so,

745
00:36:11,920 --> 00:36:14,239
what what do you want Anything that we didn't talk

746
00:36:14,280 --> 00:36:16,159
about that you want to make sure people know about

747
00:36:16,159 --> 00:36:19,800
BPS records and and or anything about the show tonight

748
00:36:19,840 --> 00:36:22,159
too that maybe we didn't talk about today that you

749
00:36:22,159 --> 00:36:24,000
want to make sure people know because obviously you're going

750
00:36:24,039 --> 00:36:26,000
to be there. I assume, well all three of you

751
00:36:26,039 --> 00:36:27,960
be there tonight. Yes, excellent, excellent.

752
00:36:28,639 --> 00:36:32,039
Speaker 2: We definitely want to We want to reach out to

753
00:36:32,239 --> 00:36:37,639
as target as much of New England. And uh, it's

754
00:36:37,719 --> 00:36:39,280
nostalgic for me to be here, so I'd love to

755
00:36:39,320 --> 00:36:41,159
get some artists from up here to come down there.

756
00:36:41,159 --> 00:36:44,280
We just want to cross pollinade, I said the other day. Yeah,

757
00:36:44,320 --> 00:36:46,599
it's it's the biggest thing. You know. We do everything

758
00:36:46,639 --> 00:36:49,920
local in Connecticut, but I lived here for most of

759
00:36:49,960 --> 00:36:52,199
my adult life, so I would love to be able

760
00:36:52,239 --> 00:36:57,800
to Manchester. Yeah. I'm originally from Lynn, mass but they

761
00:36:57,880 --> 00:37:00,679
forced me here in fifth grade. Oh no, I did

762
00:37:00,719 --> 00:37:04,400
not come easily, but Lynn never come out the way

763
00:37:04,480 --> 00:37:06,239
went in asked for water, We'll give you Gin. Never

764
00:37:06,280 --> 00:37:10,239
trust a girl from Lynn. But yeah, so for me,

765
00:37:10,320 --> 00:37:13,280
it's just reach out. I want. Everybody's like, oh, well,

766
00:37:13,280 --> 00:37:15,679
what kind of genres? All genres. I don't care if

767
00:37:15,679 --> 00:37:16,880
you made up your own genre.

768
00:37:17,119 --> 00:37:17,320
Speaker 1: Yeah.

769
00:37:17,599 --> 00:37:19,880
Speaker 2: We have a lot of the ability of connecting. We

770
00:37:19,920 --> 00:37:22,079
have a lot of networking, and we have a great

771
00:37:22,280 --> 00:37:26,199
roster of other labels and everything we're doing. You know,

772
00:37:26,199 --> 00:37:28,760
we've all kind of just got together and we're doing it,

773
00:37:28,840 --> 00:37:31,800
so yeah, whenever you got bring it on. Yeah, that's

774
00:37:31,840 --> 00:37:34,039
that's basically what it is. We're so honored to be

775
00:37:34,119 --> 00:37:37,599
here tonight with uh with with the swarmy fests that

776
00:37:37,920 --> 00:37:41,239
I just want to let it rock and meet everybody

777
00:37:41,320 --> 00:37:43,440
and then see what we do next year. You know,

778
00:37:43,480 --> 00:37:45,840
we're we're in for the long haul with with Sepsis,

779
00:37:45,880 --> 00:37:47,880
so you're going to be seeing a lot of different

780
00:37:47,920 --> 00:37:50,039
things with us as we cross Polony.

781
00:37:50,280 --> 00:37:53,039
Speaker 1: Excellent, excellent and being in Connecticut too. You must cross

782
00:37:53,079 --> 00:37:54,800
paths with Dead by Wednesday.

783
00:37:55,000 --> 00:37:56,519
Speaker 2: Yeah, we loved it by Wednesday.

784
00:37:56,480 --> 00:37:56,960
Speaker 1: Yeah.

785
00:37:57,079 --> 00:38:00,559
Speaker 2: I I just saw them at Toad's Place. Yeah, I

786
00:38:00,559 --> 00:38:03,480
was like forgotten Toad's places. I've been so on the grind,

787
00:38:03,960 --> 00:38:05,880
but they were down there with Sepsis and a couple

788
00:38:05,920 --> 00:38:07,280
of bands. It was a great show.

789
00:38:07,480 --> 00:38:10,039
Speaker 1: Last time I saw them, no joke, was like fifteen

790
00:38:10,119 --> 00:38:13,320
years ago because I used to do I used to

791
00:38:13,360 --> 00:38:15,239
promote a lot of shows like I used to do shows. Well,

792
00:38:15,280 --> 00:38:16,840
you probably remember the Uptown Tavern.

793
00:38:16,960 --> 00:38:18,159
Speaker 2: Oh yeah, I worked there.

794
00:38:18,280 --> 00:38:18,800
Speaker 1: Oh you did.

795
00:38:18,920 --> 00:38:20,400
Speaker 2: I was a good old martiner there.

796
00:38:20,719 --> 00:38:25,039
Speaker 1: When we may have, we may we've probably met, we

797
00:38:25,119 --> 00:38:27,079
must have. It's very likely you and I have met

798
00:38:27,119 --> 00:38:27,920
before at some point.

799
00:38:28,199 --> 00:38:32,159
Speaker 2: It isn't my real hair. Oh really, it's funny.

800
00:38:32,800 --> 00:38:34,320
Speaker 3: Many we must have.

801
00:38:34,480 --> 00:38:36,760
Speaker 2: I did think your name sounded familiar when I was

802
00:38:36,800 --> 00:38:37,920
like I got in all this guys.

803
00:38:38,719 --> 00:38:41,199
Speaker 1: Yeah, oh yeah, yeah, most likely we've met, but yeah

804
00:38:41,199 --> 00:38:45,119
I had, I had DoD by Wednesday. There might have

805
00:38:45,159 --> 00:38:47,559
been more than fifteen years actually, but anyway, that was

806
00:38:47,559 --> 00:38:49,599
the last time I saw them was at the Uptown.

807
00:38:49,840 --> 00:38:52,159
Speaker 2: Yeah, we did a lot of it was spiderwork, remember

808
00:38:52,159 --> 00:38:54,519
the spider Yes, yes, we did a lot of good

809
00:38:54,559 --> 00:38:55,480
stuff over there too.

810
00:38:55,679 --> 00:38:59,519
Speaker 1: Yeah. Yeah, absolutely, well, really looking forward tonight. Thank you

811
00:38:59,519 --> 00:39:01,800
all three of you for coming in, very very happy.

812
00:39:03,000 --> 00:39:06,599
This has been wonderful swarmy fest of course tonight at

813
00:39:06,920 --> 00:39:09,639
Taffa or is it it's Club Taffida technically right? Is

814
00:39:09,639 --> 00:39:12,519
it a music hall? Taffita music Hall? Thank you? I

815
00:39:12,639 --> 00:39:14,239
got it. I knew there was more name.

816
00:39:16,639 --> 00:39:17,039
Speaker 2: Shine.

817
00:39:17,199 --> 00:39:18,360
Speaker 1: Have you have you been there already?

818
00:39:18,360 --> 00:39:21,119
Speaker 2: Event I hadn't been, but we had you know, a group,

819
00:39:21,159 --> 00:39:23,639
Wise sent videos and everybody went to check it out. Yeah,

820
00:39:23,679 --> 00:39:25,480
so we we saw it video footage.

821
00:39:25,519 --> 00:39:27,360
Speaker 3: But yeah, it's take a nice place.

822
00:39:27,480 --> 00:39:29,719
Speaker 1: Yeah, yeah it does, it does. Yeah, looking forward to

823
00:39:29,760 --> 00:39:32,280
it should also Jenny you want to plug your website

824
00:39:32,280 --> 00:39:35,840
and mention the art the next art showing at Mosaic.

825
00:39:36,039 --> 00:39:38,639
Speaker 5: Absolutely, you can check me out at gen Coffee dot com.

826
00:39:38,719 --> 00:39:41,239
J E N N C O f f uy dot

827
00:39:41,280 --> 00:39:44,599
com find all my musings, artwork and so forth there,

828
00:39:44,800 --> 00:39:47,679
and don't forget to check out the Mosaic Art Collective

829
00:39:47,760 --> 00:39:50,719
dot com for more information on the next show, Small

830
00:39:50,800 --> 00:39:54,480
Wonders Miniature art show opening on November eighth. Right here

831
00:39:54,480 --> 00:39:57,480
in the Queens City located in the Daily Mirror building

832
00:39:57,559 --> 00:39:58,760
is sixty six an over.

833
00:39:58,639 --> 00:40:05,480
Speaker 1: Suite, yes to, and then we should also mention too

834
00:40:04,679 --> 00:40:08,679
after Swarmy Fest, which is tonight, the next big festival

835
00:40:08,679 --> 00:40:10,280
that we're involved in is spelfy.

836
00:40:10,039 --> 00:40:12,519
Speaker 5: Fest selfie fest that's going to come up on November

837
00:40:12,559 --> 00:40:15,840
twenty fourth, be held right near us here at Jewel Yes,

838
00:40:15,880 --> 00:40:20,199
and we'll have more information coming soon, but we're excited.

839
00:40:20,480 --> 00:40:24,880
Yea loots bands, music artisans and they're actually doing this

840
00:40:24,920 --> 00:40:27,719
as a fundraising event to raise awareness and funds for

841
00:40:27,760 --> 00:40:32,239
the treatment of Complex regional pain syndrome in the organization RSCSA,

842
00:40:32,800 --> 00:40:35,480
which is the national organization here in the United States

843
00:40:35,480 --> 00:40:36,960
for people with CRPS like me.

844
00:40:37,280 --> 00:40:41,599
Speaker 1: Yes, absolutely, Sister Witch Company at eleven ninety three hooks

845
00:40:41,599 --> 00:40:44,679
It Road in hooks It. They've got the big lighting

846
00:40:44,719 --> 00:40:48,039
of the Yule Tree coming up on November twenty second

847
00:40:48,159 --> 00:40:50,559
from five thirty to nine thirty pm. And then they've

848
00:40:50,599 --> 00:40:52,400
got the I should look at the email to make

849
00:40:52,400 --> 00:40:53,800
sure I get it right, because I have a hard

850
00:40:53,800 --> 00:40:58,000
time saying it. The Magical Market, Small Business Psychic event

851
00:40:58,480 --> 00:41:00,800
that's going to be on November thirtieth from eleven thirty

852
00:41:00,840 --> 00:41:02,840
am to six pm. And you can get more information

853
00:41:02,920 --> 00:41:05,480
on that and everything they've got going on there at

854
00:41:05,519 --> 00:41:09,000
Sister Witch Company dot com. And we'll close the show

855
00:41:09,039 --> 00:41:12,840
out with one more Sepsis track but BPS Records. Thank

856
00:41:12,880 --> 00:41:14,639
you again, all three of you. This has been wonderful.

857
00:41:14,960 --> 00:41:17,639
We hope to see you tonight in Lowell at the

858
00:41:17,840 --> 00:41:22,840
Taffada Music Hall Music Hall, Yes, music Hall, Tafada Music Hall.

859
00:41:22,840 --> 00:41:24,119
Trying to make sure I get the name right now

860
00:41:24,119 --> 00:41:28,239
that we've established it's not a food, it's a what

861
00:41:28,280 --> 00:41:28,840
did you say it.

862
00:41:28,880 --> 00:41:32,840
Speaker 2: Was a place to shine now I think also lustrous

863
00:41:33,039 --> 00:41:33,960
silk fabric.

864
00:41:34,360 --> 00:41:38,079
Speaker 1: Yes, yes, oh yes, that's true. Yes, very good, very good,

865
00:41:38,400 --> 00:41:40,280
all right, And if you miss any part of today's show,

866
00:41:40,320 --> 00:41:41,679
it'll be up in just a little bit into my

867
00:41:41,719 --> 00:41:43,960
website Matt connorton dot com. And that's it for us

868
00:41:43,960 --> 00:41:46,079
for now. Hope to see you tonight. Bye everybody, Bye

869
00:41:46,079 --> 00:41:46,440
bye