WEBVTT

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<v Speaker 1>What's up on Kyle Gowner and welcome by Shock.

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<v Speaker 2>Hello, and welcome everyone to the third annual Shelf Shock

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<v Speaker 2>Rewind Awards with Me tonight is Michelle Kisner, my co host. Michelle,

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<v Speaker 2>thanks for doing it this year.

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<v Speaker 3>Thanks for asking me on. I'm really excited to see

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<v Speaker 3>all the winners tonight.

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<v Speaker 2>How about you tell everybody what you do for physical

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<v Speaker 2>media before we get into this.

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<v Speaker 3>Well, I am mostly, like you know, a working film critic,

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<v Speaker 3>and I also do essay work. You might have seen

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<v Speaker 3>me and some I've done stuff for Arrow, I've done

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<v Speaker 3>stuff for Vinegar Syndrome, Umbrella just recently Terror Vision Severing.

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<v Speaker 3>So I've been in quite a few boutique releases and

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<v Speaker 3>I have a lot of stuff coming up this year

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<v Speaker 3>too that hasn't been announced. But that's mostly what I do,

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<v Speaker 3>just film critic and essay writer.

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<v Speaker 2>Before we get too deep into this, wanted to say

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<v Speaker 2>thanking Michelle, but also a second person who helped create

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<v Speaker 2>this thing with me very first year. Let's bring on

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<v Speaker 2>mister Steven Billings.

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<v Speaker 4>Oh sorry, I wasn't ready.

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<v Speaker 5>Wow this quickly. Wow.

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<v Speaker 4>Thank you guys, Thank you guys for having me back

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<v Speaker 4>on at the beginning of the show just for charity,

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<v Speaker 4>just to throw me back in back in here.

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<v Speaker 5>I'm like that benefactor.

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<v Speaker 4>I'm like the benefactor, Like he the owner of the

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<v Speaker 4>football team that nobody wants to hear from.

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<v Speaker 5>But he's got to come in and like be like, hey, guys,

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<v Speaker 5>what's up.

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<v Speaker 3>You know, I don't do anything I.

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<v Speaker 2>Did stuck by the scenes. Appreciate me.

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<v Speaker 4>Yeah, but it's awesome. Third year, Ryan, did you think

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<v Speaker 4>it was going to make it this far?

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<v Speaker 2>Honestly, No, definitely not especially. I mean we just got

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<v Speaker 2>an intro from Kyle freakin Gellner, who's like one of

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<v Speaker 2>the biggest names in horror. That's a big deal.

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<v Speaker 4>Exactly, man. And and you know, I'm not as I'm

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<v Speaker 4>not with it, you know, Like Ryan is doing most

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<v Speaker 4>of this work. Man, He's he's killing it. He's getting

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<v Speaker 4>all these people, he's making connections. He's doing a fantastic

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<v Speaker 4>job keeping this alive. I do some I do video

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<v Speaker 4>work for it, that's it, you know. But Ian's killing

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<v Speaker 4>this thing. He's keeping this dream alive that me and

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<v Speaker 4>Ian started a few years ago.

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<v Speaker 5>And it's it's looking beautiful.

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<v Speaker 6>Man.

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<v Speaker 5>I love it.

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<v Speaker 4>This is getting funner and funner every year. So Michelle.

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<v Speaker 4>I'm glad to see. I like that we're doing a

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<v Speaker 4>new host co host every year. It's good to see

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<v Speaker 4>new faces.

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<v Speaker 7>And there's my co host.

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<v Speaker 8>Hi.

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<v Speaker 4>Now usually you're used to seeing every year I do

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<v Speaker 4>an ad. You know there is gonna be something this year. Unfortunately,

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<v Speaker 4>she will not be starring in any Wives Love Physical

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<v Speaker 4>Media this year. I didn't get to do that one

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<v Speaker 4>with the wife and the kid. But she is going

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<v Speaker 4>to say hey real quick and so you can see

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<v Speaker 4>her grow up through every shelf shock. But I do

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<v Speaker 4>have something for you guys this year. You'll see it

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<v Speaker 4>midway through the show. I hope you guys enjoy it.

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<v Speaker 4>But yeah, that's it. That's all I got. I just

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<v Speaker 4>want to say good luck tonight to all the nominees.

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<v Speaker 4>Who's gonna win? Who knows. There's some great releases this year.

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<v Speaker 4>One of my favorite, I'm gonna get on my throat

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<v Speaker 4>out there real quick from cip Roadkill Nice is like

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<v Speaker 4>my favorite release last year. I think it is nominated

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<v Speaker 4>for something, so it's getting crazy. So hopefully that wins

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<v Speaker 4>something tonight. But yeah, that's all our guy guys. I'm

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<v Speaker 4>gonna let you guys get this show started and got

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<v Speaker 4>this too. It's awesome. Good shirt, my favorite shirt.

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<v Speaker 2>Having night, Stephen, thank you so much.

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<v Speaker 5>See Yeah.

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<v Speaker 2>Okay, so before we get into our first award, really

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<v Speaker 2>wanted to shout out tonight that the show this year

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<v Speaker 2>is all the dedication to Lee Gambon, who we lost

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<v Speaker 2>last May. The last time that we did this in February,

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<v Speaker 2>Lee was once again in the comments as we were live,

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<v Speaker 2>championing how great this was and wishing that we could

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<v Speaker 2>do it over and over and over again. In fact,

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<v Speaker 2>if you go back and watch last year's you see

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<v Speaker 2>him ask if we can do it every six months,

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<v Speaker 2>and I say, God, know, that is so much work.

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<v Speaker 2>But Lee himself is the one that got me into

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<v Speaker 2>this industry, so I have to say thank you to him.

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<v Speaker 2>He was an incredible person who I think about often

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<v Speaker 2>and just honored to be able to do this in

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<v Speaker 2>his name tonight. And on that note, I think it's

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<v Speaker 2>time that we bring in our first award.

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<v Speaker 9>Hello.

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<v Speaker 5>I'm Chris O'Neil.

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<v Speaker 10>I am a filmmaker who has contributed several video essays

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<v Speaker 10>and audio commentaries to various physical media releases, and I

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<v Speaker 10>am also the cinema programmer here of the Triscal Art

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<v Speaker 10>Center in Cork, Ireland, where we're filming this segment, and

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<v Speaker 10>today I am presenting the award for Best pre Code

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<v Speaker 10>Silent Film Release.

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<v Speaker 11>Dante's Inferno, Tear Vision, Hackson from Radiance Films, Laurel and

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<v Speaker 11>Hardy Year two Flicker Alley, Luis Fuyad The Complete Crime

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<v Speaker 11>Serials nineteen thirteen to nineteen eighteen Eureka Entertainment Pandora's Box

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<v Speaker 11>Criterion Collection.

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<v Speaker 5>So there are two awards.

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<v Speaker 10>The first is for the Creator's Selection Committee and the

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<v Speaker 10>winner of the Best pre Code Silent Film as voted

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<v Speaker 10>by the Creator's Selection Committee release is Luis Fuad The

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<v Speaker 10>Complete Crime Serials nineteen thirteen to nineteen eighteen from Eureka Entertainment,

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<v Speaker 10>and the winner as voted by the community is Hickson

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<v Speaker 10>by Radiance Films.

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<v Speaker 12>Yeah, I mean, you know, I never really think about

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<v Speaker 12>these things in advance. At anytime there's a win, it's

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<v Speaker 12>a great surprise, you know. And obviously we poured a

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<v Speaker 12>lot of love into Hackson, and yeah, I'm glad that

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<v Speaker 12>people have appreciated it, and and you know, all the

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<v Speaker 12>hard worker is kind of being rewarded in a way.

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<v Speaker 12>It was it was a bit of a different one

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<v Speaker 12>for us because it was our first silent film, so

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<v Speaker 12>it may have bought some people by surprise, but you know,

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<v Speaker 12>we're fans of all kinds of cinema at Radiance and

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<v Speaker 12>hopefully the first of many silent three years.

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<v Speaker 13>So yeah, it's an honor to receive the award.

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<v Speaker 14>Thank you very much.

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<v Speaker 2>All right, congratulations to Radiance. Got Hackson right here, incredible

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<v Speaker 2>look and release. This is a good time to be

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<v Speaker 2>able to share with everybody that in each category we're

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<v Speaker 2>gonna have two winters to night. One is from the

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<v Speaker 2>Creator Selection Committee, which is essentially our version of the Academy.

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<v Speaker 2>We've got a bunch of creators that are YouTuber's podcasters,

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<v Speaker 2>people from these labels, filmmakers, people that you would be

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<v Speaker 2>pretty surprised to hear are wanting to be involved in this,

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<v Speaker 2>but I'm so stoked that they would want to do it.

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<v Speaker 2>So you are going to see a lot of really

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<v Speaker 2>great things picked on by them. So essentially they're picking

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<v Speaker 2>what they want and then the community you all also

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<v Speaker 2>got to pick as well. So in every single category

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<v Speaker 2>we're gonna have two winners. Silent film is a really

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<v Speaker 2>overlooked one, so I'm glad that we can shine a

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<v Speaker 2>light on that. Any thoughts on Hackson or the Louis

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<v Speaker 2>fuiad release there, Michelle, So Hackson.

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<v Speaker 3>I didn't pick up because I like already had a

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<v Speaker 3>release and I'm trying to not double dip on things.

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<v Speaker 3>But it's a fantastic movie. I mean, if I already

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<v Speaker 3>didn't have it, I would have totally got that set

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<v Speaker 3>because it's beautiful. So yeah, definitely deserve that one, for sure.

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<v Speaker 2>It absolutely did. But also the exact opposite of silent

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<v Speaker 2>films is contemporary suiting films. And to that we go

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<v Speaker 2>to one of my favorite people, my dear friend, mister

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<v Speaker 2>Jeremy Long.

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<v Speaker 15>Hi one ticket for the ignore her star Wars stuff

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<v Speaker 15>on Dave, Dave, Dave Jamdy Christ.

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<v Speaker 16>How many times do I have to tell you, Papa Rozzi,

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<v Speaker 16>that I'm not Dave Gruel, Okay.

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<v Speaker 17>I'm Jeremy Long, the male portn star.

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<v Speaker 2>No, the comedian.

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<v Speaker 6>I wrote Clickbait the Netflix show.

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<v Speaker 18>Well, whoever you are, can you present the Award for

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<v Speaker 18>the Best Contemporary Studio Relief.

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<v Speaker 16>Hey guys, it's me Jeremy Long, comedian writer, and.

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<v Speaker 19>Hey listen, and I guess apparently Dave Gruhle with a

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<v Speaker 19>lot of guys.

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<v Speaker 9>Suppose.

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<v Speaker 16>Anyways, it's an honor to be back for a year

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<v Speaker 16>three of the Shop Shock rewind Awards, and once again

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<v Speaker 16>for the third year in a row, I'll be presenting

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<v Speaker 16>the award for Best Contemporary Studio Release. Without further ado,

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<v Speaker 16>let's just dive right into it. The nominees are.

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<v Speaker 19>You may remember last year I dressed up as Barbie

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<v Speaker 19>to announce the award for Best Contemporary Studio Release. Well,

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<v Speaker 19>unfortunately for you, I created an only fan since then,

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<v Speaker 19>So no free content this year.

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<v Speaker 2>But if you want the.

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<v Speaker 5>Link, viam me after the show.

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<v Speaker 6>Don't know Ryan.

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<v Speaker 19>Okay now one of the nominees.

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<v Speaker 3>Civil War four K Amazon exclusive, A twenty four lions Gate,

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<v Speaker 3>The Fall Guy four K, Universal Studios, furiosa A Mad

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<v Speaker 3>Max Saga four K Warner Brothers. I Saw the Tea

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<v Speaker 3>bo a twenty four Shop exclusive, Love Lies Bleeding four K,

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<v Speaker 3>a twenty four Shop exclusive.

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<v Speaker 16>Welcome Back, and the winner both the CSC and community

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<v Speaker 16>vote is.

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<v Speaker 20>Some role please, furios I'm Mad Max.

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<v Speaker 16>Saga on four K, and unfortunately you caught me out

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<v Speaker 16>in about at the movies, so you're probably wondering does

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<v Speaker 16>he have the release to hold up? And the answer

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<v Speaker 16>is nope. Back to you, Ryan and Michelle, Dave.

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<v Speaker 3>Girl, you heard that.

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<v Speaker 2>Yeah, that is a big deal. Mad Max is continuing

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<v Speaker 2>to put out incredible films. I love the people love

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<v Speaker 2>that one, and yeah, a big deal for freaking George

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<v Speaker 2>Miller in his least old eighties doing this stuff. I

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<v Speaker 2>love it.

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<v Speaker 3>Yeah, you know, and I felt like that movie kind

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<v Speaker 3>of got pooped on a lot by people, but I

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<v Speaker 3>thought it was pretty good. Like I mean, obviously it's

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<v Speaker 3>not Fury Road because that's nothing will ever be Fury

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<v Speaker 3>Road ever again. But I thought it was good for

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<v Speaker 3>what it was. And you know, guys eighty making movies

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<v Speaker 3>and they're like that action pack that's pretty crazy. So

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<v Speaker 3>let's ask earlier if I was wearing a Mullahulan Maholland

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<v Speaker 3>Drive shirt and I am. That is shout out my

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<v Speaker 3>boy David Lynch, who passed away unfortunately as we all know.

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<v Speaker 3>But I had the warrant tribute. But then I like,

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<v Speaker 3>you know, I angled my camera terribly so you can't

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<v Speaker 3>ever see it.

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<v Speaker 2>So yeah, congratulations to mad Max Fury not Fury Road Furio.

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<v Speaker 2>So mad Max Saga love that Warner Brothers is doing

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<v Speaker 2>great stuff with that but not only are we getting

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<v Speaker 2>obviously brand new titles released on physical media, but studios

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<v Speaker 2>are still doing their best with catalog titles and for

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<v Speaker 2>that we are already into.

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<v Speaker 21>Our My name is Kevin Tutor and I'm one of

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<v Speaker 21>the hosts of Almost Major, a movie podcast where we

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<v Speaker 21>talk about the mini major studios and the film's they

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<v Speaker 21>release today. I'm here to talk about the best studio

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<v Speaker 21>catalog releases. But first let's go to the nominees.

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<v Speaker 11>A Nightmare on Elm Street four k, Warner Brothers, Bringing

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<v Speaker 11>Out the Dead four k from Paramount Pictures Chinatown four k,

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<v Speaker 11>Paramount Pictures, north By Northwest four k from Warner Brothers,

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<v Speaker 11>The Searchers four k from Warner Archive.

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<v Speaker 21>And the winner as the creator's community voted for nine

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<v Speaker 21>Mare on Elm Street four k, and also that was

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<v Speaker 21>the community's vote as well, because that's a two for

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<v Speaker 21>two and I did something that is very papped for this.

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<v Speaker 2>Please hand me this dog. What the fuck is this?

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<v Speaker 2>Kevin is amazing. Everybody needs to go check out the

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<v Speaker 2>Almost Major podcast. Congrats to Warner again for the Nightmare

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<v Speaker 2>Elm Street four K. I got the UK version of

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<v Speaker 2>this one, and of course now we're seeing an indication

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<v Speaker 2>that we are getting a full box set on four

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<v Speaker 2>K this year potentially, which is I'm.

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<v Speaker 3>Glad I waited because I was like, if they did

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<v Speaker 3>that one, maybe they're coming, you know. And again, I'm

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<v Speaker 3>trying not to double it. I'm trying to be an

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<v Speaker 3>informed consumer.

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<v Speaker 22>You know.

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<v Speaker 2>I wish I would have done the same. Yes, although

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<v Speaker 2>I won't be too upset. We'll see what they can do.

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<v Speaker 3>With it different extras.

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<v Speaker 2>Anyways, you got a history of Nightmaray and Elm Street.

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<v Speaker 2>When's the first time you watched that one?

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<v Speaker 3>Gosh, when I was a kid, that was one of

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<v Speaker 3>the horror movies that I watched with my dad. We

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<v Speaker 3>watched like pretty much everyone that came out until we'll

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<v Speaker 3>be like, you know, after my parents got force, obviously

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<v Speaker 3>I adn't seem as much. But yeah, especially Dream Warrior.

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<v Speaker 3>That was the one we watched together all the time,

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<v Speaker 3>we had it on tape. And yeah, so that's still

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<v Speaker 3>my favorite one too, is the third one. So if

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<v Speaker 3>they throw a four K out of that one, I

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<v Speaker 3>will buy that immediately.

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<v Speaker 2>In a heartbeat. We are going to do one more

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<v Speaker 2>award before our first giveaway, so everybody get ready for that.

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<v Speaker 2>When we do giveaways tonight, We're going to have to

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<v Speaker 2>have a question and the first person that we see

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<v Speaker 2>a correct answer from your getting it. We'll explain that

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<v Speaker 2>after we do this award, though, Let's go over to

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<v Speaker 2>Dustin with Best Animation Release.

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<v Speaker 9>Tape.

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<v Speaker 15>Oh Hi, I'm Dustin Putman, physical media enthusiast, author of

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<v Speaker 15>The Front File, two time guests of Reconnected, and film

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<v Speaker 15>critic to literally thousands of reviews at the film file

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<v Speaker 15>dot com.

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<v Speaker 5>I'm so pleased to be here today to present.

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<v Speaker 15>The twenty twenty five Shelf Shock Rewind Award for Best

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<v Speaker 15>Animation Release. Animation is a medium in which, quite literally

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<v Speaker 15>anything could be made possible, the only limit being the

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<v Speaker 15>imagination of the artists involved, and it is because of

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<v Speaker 15>this that it's one of my favorite categories. The nominees

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<v Speaker 15>for Best Animation Release are.

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<v Speaker 11>The Boy and the Heron four K Steelbook from Shout Studios,

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<v Speaker 11>Fella Day four K DEF, Crocodile Tamla twenty ten, A

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<v Speaker 11>Punk Cat in Space def Crocodile Transformers one, four K Steelbook,

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<v Speaker 11>Paramount Pictures, The Wild Robot four K from Universal Studios.

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<v Speaker 15>Oh, it seems like the cats might have already gotten

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<v Speaker 15>into the envelope.

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<v Speaker 23>Hello everybody, my name is Honam, and I borrowed Danny's

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<v Speaker 23>phone to announce the winner for both the community vote

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<v Speaker 23>and the Creator's Selection Commity vote, the award goes to

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<v Speaker 23>Fella Day four K. Congratulations to def Crocodile for this

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<v Speaker 23>tacastic release.

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<v Speaker 11>By now.

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<v Speaker 24>That that honestly surprises me, given the other titles that

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<v Speaker 24>were in the in the the running, I mean, I'm

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<v Speaker 24>glad it was, you know, obviously my favorite and anxiously

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<v Speaker 24>waiting for this disc to come out for so long,

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<v Speaker 24>So that's that's awesome. When I saw the nominations list,

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<v Speaker 24>I'm like, oh, well, it's nice to be nominated.

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<v Speaker 25>Honestly for the director, Michael Shack, for Paul Boulder, for

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<v Speaker 25>all of the incredible members of the animation team who

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<v Speaker 25>supported this release.

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<v Speaker 6>So happy.

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<v Speaker 25>You know, this movie really kind of slipped between the

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<v Speaker 25>cracks when it came out.

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<v Speaker 6>It never got an official.

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<v Speaker 25>Release in the US. And it's such a dark, amazing

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<v Speaker 25>kind of combination of a cult thriller film noir detective

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<v Speaker 25>story with cats and catacombs and skeletons and all sorts

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<v Speaker 25>of crazy stuff. And even given the insane world we

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<v Speaker 25>find ourselves in right now. It's got a very kind

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<v Speaker 25>of prescient sort of socio political message as well about

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<v Speaker 25>ethnic cleansing. Not to give any spoilers away, but I

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<v Speaker 25>think it's a good moment for people to watch Felladay

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<v Speaker 25>and kind of pay attention to what it's saying. So

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<v Speaker 25>I'm so happy. It took a long time to get

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<v Speaker 25>this one released. Was not easy, So I'm so happy

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<v Speaker 25>that people are appreciating the work of Michael Shack and

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<v Speaker 25>his credible team of artists and animators, and I think

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<v Speaker 25>they're super excited that this film that they clearly put

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<v Speaker 25>a ton of creativity and love and passion into. You know,

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<v Speaker 25>it's taken more than thirty years, but finally people are

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<v Speaker 25>coming around to appreciating it the way they love Watership

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<v Speaker 25>Down or The Plague Dogs, or a lot of other

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<v Speaker 25>animated films that were clearly made for an adult audience.

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<v Speaker 6>You know, which is which is tough? Which is tough.

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<v Speaker 25>Apparently when the film came out, they sort of marketed

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<v Speaker 25>it in Germany for kids, and I can't even imagine

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<v Speaker 25>being a kid at that time going to see Feladay.

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<v Speaker 2>All right, here is Peladay four K an incredible release.

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<v Speaker 2>I had some people asking earlier where the good doctor

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<v Speaker 2>was Doctor Will Doddson. He's on this release. Go check

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<v Speaker 2>out the commentary. He and I discuss this film and

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<v Speaker 2>it's a it's a really great release, incredible film. One

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<v Speaker 2>thing that we don't get a chance to honor during

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<v Speaker 2>these a lot is indie studios. We get a lot

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<v Speaker 2>of places like Scream Team Releasing or independent filmmakers that

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<v Speaker 2>put out their own films. So like this year, one

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<v Speaker 2>of the big ones was Chris biggles Potter Noster and

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<v Speaker 2>The Mission of Light. This is an incredible one. Everybody

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<v Speaker 2>should go check this out. But Scream Team Releasing, like

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<v Speaker 2>I said, is an indie studio and they've got this

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<v Speaker 2>release Close Calls. This is gonna be our first giveaway

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<v Speaker 2>of the nights. Michelle, why don't you go ahead and

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<v Speaker 2>announce that giveaway?

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<v Speaker 3>All right? So the trivia question for Close Calls from

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<v Speaker 3>Scream Team Releasing is what was Close Calls director Richard

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<v Speaker 3>Stringham's day job before becoming a writer and director.

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<v Speaker 2>And now we'll let you go look that up. Why

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<v Speaker 2>don't we repeat that one?

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<v Speaker 3>Just know that off the top of their head. For sure,

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<v Speaker 3>nobody would cheat and look that up. At all.

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<v Speaker 2>First of all, that gets it is going to win. Promise.

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<v Speaker 2>Indie studios and indie film is a big deal. Everybody

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<v Speaker 2>should check those out. Things like Kickstarter and indie Gogo

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<v Speaker 2>are home to some of the future actors that you'll

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<v Speaker 2>see in years that are making indie horror that are

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<v Speaker 2>oh good god, these comments are hilarious. Hey Jack Cane,

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<v Speaker 2>you are our winner for tonight. Please go ahead and

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<v Speaker 2>send your address to Shelfshockrewind at gmail dot com. I

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<v Speaker 2>will get this out to you this week and thank

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<v Speaker 2>you for trying. Everybody that said deep fry cook or

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<v Speaker 2>porn fluffer. Uh sorry, maybe next time. All right, So

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<v Speaker 2>that is our first giveaway. But that brings us to

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<v Speaker 2>a pretty dang big category, and that is best Martial

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<v Speaker 2>Arts Release, which has been ramping up in competition over

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<v Speaker 2>the last few years with a huge number of titles.

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<v Speaker 2>Let's see what we can check out for best Martial

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<v Speaker 2>Arts Release, everybody.

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<v Speaker 26>This is Kala from Kaleb's Kung Fu Cinema. First off,

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<v Speaker 26>I want to thank Ryan and Michelle for asking me

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<v Speaker 26>to be a presenter on this year's Shelf Shock Rewind Awards.

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<v Speaker 26>For those of who do not know me, I am

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<v Speaker 26>a host for a YouTube channel called Kalbs Kung Fu Cinema.

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<v Speaker 26>I've been doing that for about five years now, and

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<v Speaker 26>I really just use this channel to talk about things

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<v Speaker 26>that I love, which are martial arts movies and other

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<v Speaker 26>action movies. And I also like to document my ever

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<v Speaker 26>growing collection of Blu Rays.

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<v Speaker 6>DVDs and the like.

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<v Speaker 26>But enough about me, Yes, today, I am here to

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<v Speaker 26>present the award for Best Martial Arts Release. Obviously, there

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<v Speaker 26>are many releases that came out the previous year that

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<v Speaker 26>are deserving of this award, but as we all know,

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<v Speaker 26>here at the Shelf Shock Rewind Awards, we're here to

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<v Speaker 26>see who will be taking it home. So the nominees

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<v Speaker 26>for Best Martial Arts Release are.

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<v Speaker 27>The Game of Clones, Bruce Boitation Collection Volume one, Severian Films,

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<v Speaker 27>Golden Harvest Volume one, Supernatural Shockers, Shock Studios, The Heroic Trio,

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<v Speaker 27>Executioners four K, Criterion Collection, Ninja Terminator, Neon Eagle Video,

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<v Speaker 27>Shasco Volume three, Errow Video.

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<v Speaker 26>And the award for Best Martial Arts Release has voted

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<v Speaker 26>by the Creator Selection Committee Goes too. It is a

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<v Speaker 26>tie between Shasco Volume three and Game of Clones Volume one,

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<v Speaker 26>and the award as voted by the community, goes to

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<v Speaker 26>Game of Clones Volume one. Thank you and congrats to

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<v Speaker 26>our winners.

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<v Speaker 28>Thank you, thank you for this award for the I

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<v Speaker 28>think it's the best martial arts release of the year.

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<v Speaker 3>What is so Yes, we are working on more so

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<v Speaker 3>we thank.

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<v Speaker 2>You, oh Man, David Gregory went all that for that.

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<v Speaker 2>I'm so grateful. I've got Shasco Volume three here, really

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<v Speaker 2>incredible release from Arrow, and you've got Game of Clones

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<v Speaker 2>Volume one. We get a volume two coming eventually. No

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<v Speaker 2>word on a release date.

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<v Speaker 3>Yet, but through my mind that this came out, like

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<v Speaker 3>these movies have been so hard to find. There are

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<v Speaker 3>like all bootlegs, Like that's all I got rid of,

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<v Speaker 3>like all my bootlegs because of this release. Like how

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<v Speaker 3>cool is this? This is like we're living in a

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<v Speaker 3>golden age. Guys, appreciate it right now because the hell.

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<v Speaker 2>It's a pretty impossible release and the fact that it's

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<v Speaker 2>volume one huge deal.

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<v Speaker 3>I do want to give a little bit more of

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<v Speaker 3>a shout out to be a Terminator because I fucking

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<v Speaker 3>love this movie so hard and this release is incredible.

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<v Speaker 3>Like if you like Ninja Terminator, this is the release

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<v Speaker 3>to get. And I had the original movie that like

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<v Speaker 3>they stole parts of to like combine it into to

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<v Speaker 3>make Ninja t It's just this release is fantastic, so

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<v Speaker 3>like I'm just giving this, I'm just giving it a

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<v Speaker 3>little extra love. You know, I didn't win, but it

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<v Speaker 3>won in my heart.

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<v Speaker 2>Okay, Well, even then, Neon Eagle Video does not get

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<v Speaker 2>enough attention. The titles that they're putting out are really fun.

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<v Speaker 2>They sell out very quickly.

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<v Speaker 26>There.

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<v Speaker 2>They're doing great work, mostly under the guys of Jared

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<v Speaker 2>Honor who's also from Mondo Micabro. Great curation, really good time.

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<v Speaker 2>Martial arts a major Heyday right now through home video

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<v Speaker 2>of course, and really maybe only second to horror, which

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<v Speaker 2>seems to win no matter what. That's always the big

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<v Speaker 2>release that people love is anything related to horror slashers.

425
00:26:33.920 --> 00:26:38.680
<v Speaker 2>So it's a time for our best horror release haping.

426
00:26:39.480 --> 00:26:43.400
<v Speaker 29>My name is Katie. I make videos on YouTube about

427
00:26:43.519 --> 00:26:47.400
<v Speaker 29>horror movies. I have a specific interest in euro horror

428
00:26:47.440 --> 00:26:50.880
<v Speaker 29>and Italian horror, so feel free to stop by my

429
00:26:51.000 --> 00:26:55.079
<v Speaker 29>channel and say hello. That channel is Katie of the Night.

430
00:26:56.000 --> 00:27:00.240
<v Speaker 29>But more importantly, I am here today to present to

431
00:27:00.440 --> 00:27:06.279
<v Speaker 29>you the best Horror release category in Shelf shock Rewind Awards.

432
00:27:07.359 --> 00:27:30.279
<v Speaker 29>The nominees for Best Horror Release are.

433
00:27:22.680 --> 00:27:26.599
<v Speaker 11>All the Haunts Bres a compendium of FULK Horror Volume two,

434
00:27:27.200 --> 00:27:32.960
<v Speaker 11>Severin Films, The Blair Witch Project from Second Site Films,

435
00:27:35.480 --> 00:27:41.359
<v Speaker 11>The Hitcher four K Second Site Films, Hush four K,

436
00:27:41.799 --> 00:27:46.759
<v Speaker 11>Screen Factory Opera four K from Severin Films.

437
00:27:49.279 --> 00:27:52.839
<v Speaker 29>It is now time to present the winner of Best

438
00:27:53.000 --> 00:28:03.119
<v Speaker 29>Horror Release. The winner of Best Horror Release, as voted

439
00:28:03.200 --> 00:28:08.920
<v Speaker 29>by the Creator's Selection Committee is All the Haunts be Ours,

440
00:28:09.279 --> 00:28:15.720
<v Speaker 29>a compendium of Folk Horror Volume two by Severin, and

441
00:28:16.000 --> 00:28:20.720
<v Speaker 29>the winner, as voted by the community is All the

442
00:28:20.799 --> 00:28:26.039
<v Speaker 29>Haunts Bres. A compendium of Folk Horror Volume two from Severin.

443
00:28:28.519 --> 00:28:32.079
<v Speaker 2>All right, this is a reminder of all the hard

444
00:28:32.079 --> 00:28:34.839
<v Speaker 2>work that goes on these box sets. This thing is

445
00:28:35.000 --> 00:28:38.240
<v Speaker 2>a legendary release, just like the first one was. The

446
00:28:38.319 --> 00:28:42.319
<v Speaker 2>first release won a ton of awards here when it

447
00:28:42.519 --> 00:28:44.559
<v Speaker 2>first came out, and now we have a second volume.

448
00:28:44.640 --> 00:28:47.480
<v Speaker 2>So that might not be the last time you hear

449
00:28:47.720 --> 00:28:52.559
<v Speaker 2>that title announced tonight. But next we have our next

450
00:28:52.599 --> 00:28:55.559
<v Speaker 2>surprise of the night. We had our little celebrity intro,

451
00:28:55.839 --> 00:28:57.880
<v Speaker 2>but we had somebody that wanted to share some of

452
00:28:57.920 --> 00:29:01.960
<v Speaker 2>their favorite releases from twenty twenty five, So let's shoot

453
00:29:02.000 --> 00:29:02.759
<v Speaker 2>over to that video.

454
00:29:03.480 --> 00:29:03.559
<v Speaker 6>Hi.

455
00:29:03.680 --> 00:29:07.480
<v Speaker 7>My name is Francis Gloopi. I'm a filmmaker, physical media

456
00:29:07.920 --> 00:29:13.039
<v Speaker 7>collector enthusiast. I just realized I'm wearing a physical media hat.

457
00:29:13.359 --> 00:29:19.359
<v Speaker 7>That was not intentional, but here we are anyway. Ryan

458
00:29:19.880 --> 00:29:22.599
<v Speaker 7>and Jeremy I wrote The Disconnected, asked me to come

459
00:29:22.640 --> 00:29:24.839
<v Speaker 7>on and talk about some of my favorite releases of

460
00:29:24.920 --> 00:29:28.559
<v Speaker 7>twenty twenty four. There was a lot to choose from,

461
00:29:29.079 --> 00:29:31.920
<v Speaker 7>so this was tough, but I picked five. I'll try

462
00:29:31.960 --> 00:29:34.599
<v Speaker 7>and make it quick. I'm going to start with Pat

463
00:29:34.640 --> 00:29:37.160
<v Speaker 7>Garrett and Billy the Kid from Criterion on four K.

464
00:29:38.200 --> 00:29:42.400
<v Speaker 7>This thing is gorgeous. It has the fiftieth Anniversar release,

465
00:29:42.640 --> 00:29:45.319
<v Speaker 7>which is, you know, maybe the closest thing we're going

466
00:29:45.400 --> 00:29:48.240
<v Speaker 7>to get to peckan Pause, original vision original cut for

467
00:29:48.279 --> 00:29:55.200
<v Speaker 7>this movie. Next up is The Conversation from Lionsgate Limited.

468
00:29:55.359 --> 00:29:58.640
<v Speaker 7>This thing is just a beast. This is one movie,

469
00:29:59.599 --> 00:30:02.599
<v Speaker 7>and yeah, it has a tape in here of the soundtrack.

470
00:30:02.680 --> 00:30:07.920
<v Speaker 7>It features Laurent Duro's artwork. It's just gorgeous. Next up

471
00:30:08.079 --> 00:30:12.440
<v Speaker 7>is Rolling Thunder from Shout Studios. This is one of

472
00:30:12.440 --> 00:30:16.720
<v Speaker 7>my favorite movies, and yeah, Jackson Stewart and I actually

473
00:30:16.720 --> 00:30:20.039
<v Speaker 7>did a commentary track on this thing. I promise that's

474
00:30:20.240 --> 00:30:22.039
<v Speaker 7>not why I chose it. It really is one of

475
00:30:22.079 --> 00:30:25.079
<v Speaker 7>my favorite movies and it's a beautiful transfer. But if

476
00:30:25.119 --> 00:30:28.119
<v Speaker 7>you want to listen to Jackson and I just kind

477
00:30:28.119 --> 00:30:30.440
<v Speaker 7>of geek out about this thing for the entire runtime,

478
00:30:30.920 --> 00:30:37.400
<v Speaker 7>there it is. Next up is Opera from seven and forte. Again,

479
00:30:37.599 --> 00:30:42.119
<v Speaker 7>just a beautiful release and it's our gentle it it's finest.

480
00:30:42.160 --> 00:30:47.160
<v Speaker 7>So that's in there. And last is Cannibal the Musical

481
00:30:47.279 --> 00:30:51.359
<v Speaker 7>from Benninger Syndrome to Gosser Video. I've been waiting for

482
00:30:51.440 --> 00:30:54.519
<v Speaker 7>this for so long. I'm such a big fan of

483
00:30:54.559 --> 00:30:58.519
<v Speaker 7>Matt and Trey and just everything they do. There's in

484
00:30:58.559 --> 00:31:02.240
<v Speaker 7>the booklet, there's an essay from Walter Shaw. I'm just

485
00:31:02.279 --> 00:31:08.079
<v Speaker 7>so happy if this thing exists anyway. So those are

486
00:31:08.079 --> 00:31:10.799
<v Speaker 7>my five picks. Thank you so much for having me.

487
00:31:11.160 --> 00:31:13.400
<v Speaker 7>I hope you all enjoyed the rest of the Nichel

488
00:31:13.519 --> 00:31:17.400
<v Speaker 7>Shock Relined Awards, and yeah, go Physical Media. Thanks so much.

489
00:31:19.519 --> 00:31:20.920
<v Speaker 2>If you would have told me two years ago when

490
00:31:20.920 --> 00:31:22.359
<v Speaker 2>we were doing this for the first time, that the

491
00:31:22.400 --> 00:31:24.440
<v Speaker 2>director of one of my favorite movies of last year

492
00:31:24.880 --> 00:31:27.400
<v Speaker 2>was going to be sharing his favorite picks on the show,

493
00:31:27.400 --> 00:31:28.880
<v Speaker 2>I would have laughed so hard at you.

494
00:31:30.920 --> 00:31:33.440
<v Speaker 3>And he picked some good stuff. I had that Rolling

495
00:31:33.440 --> 00:31:35.039
<v Speaker 3>Thunder set. It is a great set. That was actually

496
00:31:35.079 --> 00:31:38.279
<v Speaker 3>the first time I watched the movie as well, so

497
00:31:39.079 --> 00:31:40.279
<v Speaker 3>and it's fantastic film.

498
00:31:40.359 --> 00:31:43.839
<v Speaker 2>Very dark, sure is, and it's one of the better

499
00:31:43.960 --> 00:31:46.319
<v Speaker 2>transfer Shout has worked on the last couple of years,

500
00:31:46.319 --> 00:31:50.319
<v Speaker 2>that's for sure. Yeah, look great, all right. One area

501
00:31:50.359 --> 00:31:54.000
<v Speaker 2>that gets overlooked a lot in physical media is documentaries.

502
00:31:54.079 --> 00:31:56.200
<v Speaker 2>I love documentaries a lot, and I'm glad that we've

503
00:31:56.200 --> 00:31:59.920
<v Speaker 2>seen a bit of an uptick in some documentary release.

504
00:32:00.319 --> 00:32:03.559
<v Speaker 2>So now we go over to somebody who just released

505
00:32:03.640 --> 00:32:07.200
<v Speaker 2>a pretty incredible documentary himself. Let's go here from RYE Levy.

506
00:32:09.519 --> 00:32:13.319
<v Speaker 30>Hello, everybody, my name is Ry Levy. I am a

507
00:32:13.480 --> 00:32:17.240
<v Speaker 30>documentary filmmaker and I am honored to be able to

508
00:32:17.279 --> 00:32:21.599
<v Speaker 30>be here to present the Physical Media Award for Best

509
00:32:21.599 --> 00:32:27.319
<v Speaker 30>Documentary Feature Release. Documentary feature films have often been a

510
00:32:27.359 --> 00:32:31.200
<v Speaker 30>little overlooked in the physical media space. However, we've seen

511
00:32:31.240 --> 00:32:36.000
<v Speaker 30>an increase of incredibly beautiful and wonderful releases in that spectrum.

512
00:32:36.519 --> 00:32:39.319
<v Speaker 30>I have benefited from this with my own film Out

513
00:32:39.359 --> 00:32:43.720
<v Speaker 30>in the Ring and I'm also thrilled to have just

514
00:32:43.880 --> 00:32:48.640
<v Speaker 30>made a film about this exact topic of physical media collecting,

515
00:32:49.160 --> 00:32:53.599
<v Speaker 30>called Boutique to Preserve and Collect. So I am absolutely

516
00:32:53.680 --> 00:33:26.279
<v Speaker 30>honored to present the award for Best Documentary Feature.

517
00:33:14.920 --> 00:33:19.200
<v Speaker 3>American Movie four K Sony Pictures, The Battle of Chile

518
00:33:19.920 --> 00:33:27.920
<v Speaker 3>It Chris Films, Enter the Clones of Bruce, Seven Films, Papatopolis, Terror,

519
00:33:28.000 --> 00:33:32.519
<v Speaker 3>Vision Scala, Severn Films.

520
00:33:35.880 --> 00:33:41.519
<v Speaker 30>In both categories, the Creator Selection Committee Award and the

521
00:33:41.599 --> 00:33:47.400
<v Speaker 30>Community Award to my very good friend David Gregory, director

522
00:33:47.519 --> 00:33:51.920
<v Speaker 30>of Enter the Clones of Bruce, released by the incredible

523
00:33:52.079 --> 00:33:58.720
<v Speaker 30>Several Films. Congratulations David, and to all the other nominees

524
00:33:58.759 --> 00:33:59.319
<v Speaker 30>and winners.

525
00:34:03.079 --> 00:34:03.920
<v Speaker 5>Oh thank you.

526
00:34:04.599 --> 00:34:04.880
<v Speaker 17>Wow.

527
00:34:05.599 --> 00:34:08.840
<v Speaker 31>This is a real honor. Thank you so much to

528
00:34:09.000 --> 00:34:14.239
<v Speaker 31>CSC and community for voting a documentary among the best

529
00:34:16.159 --> 00:34:20.280
<v Speaker 31>documentary releases. And I want to give thanks on behalf

530
00:34:20.320 --> 00:34:22.079
<v Speaker 31>of my co producers who I couldn't have done it

531
00:34:22.119 --> 00:34:27.400
<v Speaker 31>without Frank Jang, Michael Wirth, Vivian Jang and Jim Koons.

532
00:34:27.920 --> 00:34:32.000
<v Speaker 31>And yeah, this is beautiful. It is actually because it's

533
00:34:32.039 --> 00:34:34.679
<v Speaker 31>a piece of the staircase of the original Texas Chains

534
00:34:34.719 --> 00:34:37.400
<v Speaker 31>or Massacre House, and it's another special Easter egg for

535
00:34:37.719 --> 00:34:38.440
<v Speaker 31>the community.

536
00:34:38.760 --> 00:34:39.119
<v Speaker 5>Thanks.

537
00:34:39.320 --> 00:34:42.079
<v Speaker 31>Here is a photo of Bruce Leigh One of a

538
00:34:42.159 --> 00:34:49.920
<v Speaker 31>kind board on a train circa nineteen eighty two.

539
00:34:50.119 --> 00:34:52.599
<v Speaker 3>Cooler board on a train than I've looked in my

540
00:34:52.760 --> 00:34:53.480
<v Speaker 3>entire life.

541
00:34:53.880 --> 00:34:59.719
<v Speaker 2>It's annoying, isn't it? Oh Man, that is so cool.

542
00:35:00.119 --> 00:35:02.440
<v Speaker 2>I love that people have loved this documentary. They worked

543
00:35:02.599 --> 00:35:05.880
<v Speaker 2>their tail off on these things. Severin puts so much

544
00:35:05.920 --> 00:35:09.400
<v Speaker 2>time into their box sets and this one is no

545
00:35:09.559 --> 00:35:12.519
<v Speaker 2>joke either. And if you've not picked it up, don't forget.

546
00:35:12.519 --> 00:35:15.760
<v Speaker 2>Buying it from their website gets you an exclusive film,

547
00:35:15.800 --> 00:35:17.519
<v Speaker 2>like if you buy the wide release, you don't get

548
00:35:17.559 --> 00:35:20.239
<v Speaker 2>the extra disc. So check it out on their site

549
00:35:20.280 --> 00:35:25.440
<v Speaker 2>if you were looking into it after tonight's show. Now

550
00:35:25.480 --> 00:35:28.920
<v Speaker 2>we get into some of the technical things. I am

551
00:35:28.960 --> 00:35:32.239
<v Speaker 2>a big fan of, you know, audio quality and video

552
00:35:32.320 --> 00:35:35.480
<v Speaker 2>quality like the rest of them, although I don't even

553
00:35:35.480 --> 00:35:38.199
<v Speaker 2>have a proper audio setup. So this is one that

554
00:35:38.320 --> 00:35:40.159
<v Speaker 2>I rely on some other people to be able to

555
00:35:40.199 --> 00:35:42.760
<v Speaker 2>look at this in a better light. And I couldn't

556
00:35:42.800 --> 00:35:45.199
<v Speaker 2>think of anybody that would be better to present this

557
00:35:45.559 --> 00:35:48.440
<v Speaker 2>than somebody who runs audio on feature films and TV.

558
00:35:48.800 --> 00:35:50.360
<v Speaker 2>My friend Brian Dembinski.

559
00:35:51.079 --> 00:35:53.400
<v Speaker 32>My name is Brian Dembinsky, and I write the out

560
00:35:53.400 --> 00:35:56.679
<v Speaker 32>of print column for the Physical Media Advocate. I also

561
00:35:56.800 --> 00:36:01.960
<v Speaker 32>review long forgotten movies on letter LD for days as

562
00:36:01.960 --> 00:36:04.840
<v Speaker 32>a day job by my production sound mixer, and I've

563
00:36:04.880 --> 00:36:07.519
<v Speaker 32>done a fair share of TV shows and films, so

564
00:36:07.599 --> 00:36:09.719
<v Speaker 32>I know how important it is to hear the dialogue

565
00:36:09.760 --> 00:36:12.760
<v Speaker 32>and how bad sound can sink a good movie. However,

566
00:36:12.760 --> 00:36:15.199
<v Speaker 32>when the sound is great, it takes the movie watching

567
00:36:15.280 --> 00:36:19.400
<v Speaker 32>experience to a whole other level. This year, the nominations

568
00:36:19.400 --> 00:36:21.679
<v Speaker 32>for Best Audio Presentation.

569
00:36:21.280 --> 00:36:39.960
<v Speaker 11>Are Alien Romulus four K, Twentieth Century Studios, Civil War

570
00:36:40.199 --> 00:36:44.400
<v Speaker 11>four K, Amazon Exclusive A twenty four and Lions Game,

571
00:36:46.920 --> 00:36:52.960
<v Speaker 11>Dune Part two four K, Warner Brothers, Godzilla minus one

572
00:36:53.079 --> 00:36:59.360
<v Speaker 11>four K from Toho Opera four K, several films.

573
00:37:02.880 --> 00:37:06.440
<v Speaker 32>The winner for Best Audio Presentation as voted by the

574
00:37:06.519 --> 00:37:15.039
<v Speaker 32>Creators Selection Committee is Godzilla minus one from Toho Congratulations,

575
00:37:15.800 --> 00:37:18.400
<v Speaker 32>and the winner for Best Audio Presentation I was voted

576
00:37:18.400 --> 00:37:25.519
<v Speaker 32>for by the community is also Godzilla minus one from Toho. Congratulations.

577
00:37:25.599 --> 00:37:25.920
<v Speaker 17>Toho.

578
00:37:26.239 --> 00:37:28.599
<v Speaker 32>I can't wait to hear what gets released in twenty

579
00:37:28.639 --> 00:37:29.239
<v Speaker 32>twenty five.

580
00:37:31.320 --> 00:37:33.320
<v Speaker 2>I don't have this one. I really need to pick

581
00:37:33.360 --> 00:37:33.880
<v Speaker 2>this one up.

582
00:37:34.159 --> 00:37:40.320
<v Speaker 3>Oh god, it's a very sexy set with all the

583
00:37:40.360 --> 00:37:41.719
<v Speaker 3>extras don't have subtitles.

584
00:37:43.679 --> 00:37:46.039
<v Speaker 2>That is a monster of a release, that's for sure.

585
00:37:47.880 --> 00:37:54.199
<v Speaker 3>Look at that except his award for Okay, well put

586
00:37:54.239 --> 00:37:54.599
<v Speaker 3>that away.

587
00:37:54.599 --> 00:37:56.119
<v Speaker 2>I mean they did that with the oscars, so it

588
00:37:56.159 --> 00:38:00.880
<v Speaker 2>makes sense to do it here. Love it with audio.

589
00:38:00.920 --> 00:38:02.880
<v Speaker 2>We got to go straight to video. And I know

590
00:38:02.920 --> 00:38:05.039
<v Speaker 2>that I made the joke about the last one being upsete.

591
00:38:05.039 --> 00:38:07.639
<v Speaker 2>Oh look at that. Got Celestian said, is Godzilla here

592
00:38:07.639 --> 00:38:12.400
<v Speaker 2>to accept his award before you did it? That was great.

593
00:38:14.320 --> 00:38:17.280
<v Speaker 2>Let's go straight to Australia to talk about the best

594
00:38:17.519 --> 00:38:19.840
<v Speaker 2>video presentation. Hello.

595
00:38:20.360 --> 00:38:23.199
<v Speaker 33>My name is John Matthews and my involvement with the

596
00:38:23.199 --> 00:38:26.239
<v Speaker 33>physical media world is on the podcast side. I'm involved

597
00:38:26.280 --> 00:38:29.880
<v Speaker 33>with Indicator casts but also quite heavily involved with Imprint

598
00:38:29.920 --> 00:38:32.920
<v Speaker 33>casts with my colleague and co host, Tony Mitches. I'm

599
00:38:32.960 --> 00:38:35.280
<v Speaker 33>also involved with some of the Facebook groups like the

600
00:38:35.280 --> 00:38:39.039
<v Speaker 33>Imprint group and also the Indicator group. And today we're

601
00:38:39.039 --> 00:38:41.360
<v Speaker 33>honored to be presenting this. I'll pass it over to

602
00:38:41.360 --> 00:38:42.400
<v Speaker 33>my colleague Tony.

603
00:38:42.840 --> 00:38:45.679
<v Speaker 34>Hi, everybody, my name is Tony Mitchis. I'm also involved

604
00:38:46.119 --> 00:38:50.079
<v Speaker 34>heavily involved in the Facebook community groups is for the

605
00:38:50.119 --> 00:38:53.199
<v Speaker 34>Imprint Film's Black Like in Span group, and the Imprint

606
00:38:53.239 --> 00:38:56.599
<v Speaker 34>Cast Facebook pages and of course co host with my

607
00:38:56.639 --> 00:38:59.800
<v Speaker 34>partner and colleague John here for Imprint Cast as well

608
00:38:59.800 --> 00:39:03.880
<v Speaker 34>as frequent collaborator on Indicator Cast. And I would like

609
00:39:03.920 --> 00:39:07.760
<v Speaker 34>to thank Michelle and Ryan personally for inviting us along

610
00:39:08.039 --> 00:39:10.880
<v Speaker 34>to be a part of the Shelf Shop Round Awards

611
00:39:11.039 --> 00:39:12.239
<v Speaker 34>for the second time in the row.

612
00:39:12.519 --> 00:39:15.079
<v Speaker 33>So we're very honored to be talking and presenting the

613
00:39:15.119 --> 00:39:19.480
<v Speaker 33>best Video Presentation category. Obviously, in this world of physical media,

614
00:39:19.599 --> 00:39:22.519
<v Speaker 33>video presentation is very important with the amount of extensive

615
00:39:22.519 --> 00:39:23.960
<v Speaker 33>work put into restorations.

616
00:39:24.159 --> 00:39:26.840
<v Speaker 34>Well, it is important for film lovers in particular because,

617
00:39:26.960 --> 00:39:29.840
<v Speaker 34>as John and I rip you us basically like we

618
00:39:29.960 --> 00:39:33.320
<v Speaker 34>love watching movies in thirty five millimeter or seventy millimeter

619
00:39:33.440 --> 00:39:37.199
<v Speaker 34>on film at the cinema, but also in the physical

620
00:39:37.239 --> 00:39:40.920
<v Speaker 34>media world, even though you won't get that exact same feel,

621
00:39:41.079 --> 00:39:43.360
<v Speaker 34>at least you have to have a decent presentation on

622
00:39:43.440 --> 00:39:46.880
<v Speaker 34>home video now with four K, can't get any better

623
00:39:46.880 --> 00:39:47.119
<v Speaker 34>than this.

624
00:39:47.400 --> 00:39:50.159
<v Speaker 33>It's very important now because the bar has been raised

625
00:39:50.159 --> 00:39:52.920
<v Speaker 33>from various labels and it seems like every month we're

626
00:39:52.920 --> 00:39:55.920
<v Speaker 33>getting more and more amazing releases, and I think the

627
00:39:56.039 --> 00:39:57.880
<v Speaker 33>four K format has pushed it to a whole new

628
00:39:57.960 --> 00:40:01.360
<v Speaker 33>level and labels that of just you know, working with

629
00:40:01.400 --> 00:40:06.039
<v Speaker 33>the new technology and obviously the HDR technology in various formats,

630
00:40:06.320 --> 00:40:08.480
<v Speaker 33>it really has pushed it up to the next level.

631
00:40:08.559 --> 00:40:12.039
<v Speaker 33>So we're I guess honored to be presenting this because

632
00:40:12.400 --> 00:40:16.039
<v Speaker 33>we're very spoilt as film lovers to have amazing presentations

633
00:40:16.519 --> 00:40:19.639
<v Speaker 33>with new releases month or months. So yes, we're we're

634
00:40:19.679 --> 00:40:22.599
<v Speaker 33>proud to announce us. And the nominees are.

635
00:40:35.760 --> 00:40:39.000
<v Speaker 3>The Case of the Bloody Iris four K, Celluloid Dreams

636
00:40:40.159 --> 00:40:45.960
<v Speaker 3>Opera four K seven Films, the Hitcher four K, Second

637
00:40:46.000 --> 00:40:52.239
<v Speaker 3>Site Films, the Keep four K Vinegar Syndrome, the Silence

638
00:40:52.280 --> 00:40:54.800
<v Speaker 3>of the Lambs four K Ero Video.

639
00:40:57.400 --> 00:41:02.199
<v Speaker 34>Okay, And the CSC winner for Best Video Presentation goes

640
00:41:02.239 --> 00:41:06.920
<v Speaker 34>to the Hitcher four K from Second Site Films.

641
00:41:07.639 --> 00:41:12.039
<v Speaker 33>And the Community winner for Best Video Presentation also goes

642
00:41:12.079 --> 00:41:15.360
<v Speaker 33>to the Hitcher four K from Second Side Films.

643
00:41:15.719 --> 00:41:19.320
<v Speaker 34>Congratulations, well deserved released, I'll tell you that right now.

644
00:41:20.159 --> 00:41:23.159
<v Speaker 33>Absolutely, And just to comment, the amount of time that

645
00:41:23.199 --> 00:41:24.880
<v Speaker 33>was put into this was worth it. I know there

646
00:41:24.920 --> 00:41:27.000
<v Speaker 33>was a long wait on the Hitcher as you know, Tony,

647
00:41:27.280 --> 00:41:29.400
<v Speaker 33>I think they announced it maybe two years ago, but

648
00:41:29.559 --> 00:41:31.960
<v Speaker 33>it was worth it because what we got was one

649
00:41:32.000 --> 00:41:34.159
<v Speaker 33>of the best possible video presentations we could have got

650
00:41:34.199 --> 00:41:35.400
<v Speaker 33>for the film in four K.

651
00:41:35.960 --> 00:41:36.840
<v Speaker 6>Couldn't agree more.

652
00:41:37.440 --> 00:41:39.639
<v Speaker 34>Thank you all and congratulations once again.

653
00:41:40.440 --> 00:41:45.440
<v Speaker 2>Thank you here it is the hitcher four K one

654
00:41:45.480 --> 00:41:48.360
<v Speaker 2>that people have been waiting for years for in a

655
00:41:48.519 --> 00:41:53.880
<v Speaker 2>ginormous release from Second Site. They never fail to put

656
00:41:53.920 --> 00:41:58.360
<v Speaker 2>out literally the definitive release of the films that they're releasing.

657
00:41:58.519 --> 00:42:00.360
<v Speaker 3>Yeah, I got to replace. I had the call the

658
00:42:00.679 --> 00:42:03.519
<v Speaker 3>German Blue Blue Ray. I think it was like an

659
00:42:03.599 --> 00:42:06.920
<v Speaker 3>upscaled It didn't look great. Also, I don't understand German,

660
00:42:07.000 --> 00:42:09.559
<v Speaker 3>so I couldn't read any of the extras. Well, this

661
00:42:09.679 --> 00:42:11.920
<v Speaker 3>was in English, so I enjoyed it quite a bit more.

662
00:42:12.960 --> 00:42:15.840
<v Speaker 2>It's a big deal, huge release. Not to mention the

663
00:42:15.880 --> 00:42:18.639
<v Speaker 2>fact that the studio allowed Second Sight to go back

664
00:42:18.719 --> 00:42:21.320
<v Speaker 2>to the actual elements, which was one of the main

665
00:42:21.360 --> 00:42:24.280
<v Speaker 2>reasons why this was delayed for so so long. And

666
00:42:24.320 --> 00:42:27.000
<v Speaker 2>now we have a film that people wanted for years.

667
00:42:27.320 --> 00:42:29.079
<v Speaker 2>And funny enough, many of the ones that we're covering

668
00:42:29.119 --> 00:42:31.719
<v Speaker 2>tonight we're on that list of like this will never

669
00:42:31.760 --> 00:42:34.000
<v Speaker 2>be able to be released, and somehow we're holding them

670
00:42:34.039 --> 00:42:37.159
<v Speaker 2>our hand. Twenty twenty four was a massive year for

671
00:42:37.199 --> 00:42:40.280
<v Speaker 2>Grail titles for everybody. And one of the reasons that

672
00:42:40.320 --> 00:42:43.239
<v Speaker 2>we're allowed to revel in those is all the great

673
00:42:43.280 --> 00:42:45.880
<v Speaker 2>retailers that we have. So in the US we've got

674
00:42:45.920 --> 00:42:50.719
<v Speaker 2>places like Diabolic DVD, Orbit DVD, Brother Bellile, Atomic Movie Store,

675
00:42:50.800 --> 00:42:54.679
<v Speaker 2>Grindhouse Video, there's some more. In Canada you've got rough

676
00:42:54.679 --> 00:42:58.039
<v Speaker 2>Cut Video. The UK has a handful of shops like

677
00:42:58.360 --> 00:43:01.880
<v Speaker 2>Treasured Films, there's Deaf there's a couple of new stop

678
00:43:02.239 --> 00:43:04.199
<v Speaker 2>shops that just opened. I think one is called Lime

679
00:43:04.280 --> 00:43:09.159
<v Speaker 2>Wire if I remember. Right over in Australia we've got

680
00:43:09.159 --> 00:43:12.559
<v Speaker 2>dead ENDDVD and a couple others. So I really want

681
00:43:12.559 --> 00:43:16.199
<v Speaker 2>everybody right now to in the chat shout out your

682
00:43:16.199 --> 00:43:18.639
<v Speaker 2>favorite what's your favorite retailer to get physical media from

683
00:43:18.679 --> 00:43:22.280
<v Speaker 2>other than direct from the labels themselves, which is always

684
00:43:22.280 --> 00:43:24.440
<v Speaker 2>a great place to buy them. Make sure that you

685
00:43:25.280 --> 00:43:28.519
<v Speaker 2>continue to support that way. But if you're going to

686
00:43:28.559 --> 00:43:30.800
<v Speaker 2>be buying from a third party retailer, put your favorite

687
00:43:30.800 --> 00:43:33.199
<v Speaker 2>one in the chat. And the main reason for that

688
00:43:33.440 --> 00:43:37.480
<v Speaker 2>is I have our next giveaway. Our next giveaway is

689
00:43:37.559 --> 00:43:42.639
<v Speaker 2>going to be a Brother Belile fifty dollars gift card.

690
00:43:42.960 --> 00:43:45.840
<v Speaker 2>You can check that out. But in return for this

691
00:43:45.920 --> 00:43:48.360
<v Speaker 2>gift card. Let's give a shout out to Brother Belile

692
00:43:48.360 --> 00:43:52.840
<v Speaker 2>by watching this short video. Spot love physical media.

693
00:43:53.119 --> 00:43:57.599
<v Speaker 35>Want to support small business, Come check out Brotherblile dot

694
00:43:57.639 --> 00:44:03.519
<v Speaker 35>com a sibling selection of footique releases from all regions, collectors, editions, imports, media, books,

695
00:44:03.519 --> 00:44:05.920
<v Speaker 35>deal books, box that's four K Blu Ray Final Wow.

696
00:44:07.119 --> 00:44:12.719
<v Speaker 35>All orders over one free, all in stock items ship

697
00:44:12.719 --> 00:44:14.000
<v Speaker 35>immediately at no extra costs.

698
00:44:14.079 --> 00:44:16.639
<v Speaker 3>I'm careful with the movie.

699
00:44:17.119 --> 00:44:22.239
<v Speaker 35>Go come check out www dot Brotherbelile dot com today.

700
00:44:25.039 --> 00:44:27.039
<v Speaker 2>So if you've never given Brother Belile a try, give

701
00:44:27.079 --> 00:44:29.559
<v Speaker 2>them a try today. They do really great with shipping.

702
00:44:29.760 --> 00:44:32.079
<v Speaker 2>And the big thing is you can pre order five

703
00:44:32.119 --> 00:44:34.480
<v Speaker 2>things with five different pre order dates and they will

704
00:44:34.480 --> 00:44:37.000
<v Speaker 2>ship as soon as they're in stock, not when the

705
00:44:37.079 --> 00:44:38.960
<v Speaker 2>last one gets in stock, as soon as each one

706
00:44:39.000 --> 00:44:41.440
<v Speaker 2>is in stock, at no additional cost to you. Check

707
00:44:41.599 --> 00:44:46.880
<v Speaker 2>them out. Uh. As far as our giveaway, looking to

708
00:44:47.039 --> 00:44:50.480
<v Speaker 2>the chat for the answer to our next question, and

709
00:44:50.840 --> 00:44:53.679
<v Speaker 2>we've been so caught up on Bruce floitation tonight, let's

710
00:44:53.840 --> 00:44:57.920
<v Speaker 2>discuss one more question surrounding that. Here is the question

711
00:44:57.960 --> 00:45:01.119
<v Speaker 2>for the giveaway. Uh, you are again gonna get a

712
00:45:01.159 --> 00:45:05.960
<v Speaker 2>fifty dollars Brother bliad gift card, and please answer soon

713
00:45:05.960 --> 00:45:09.000
<v Speaker 2>as you can. Here we Go, Which Bruce ploitation film

714
00:45:09.039 --> 00:45:13.639
<v Speaker 2>has Bruce Lee in quotes teaming up with Popeye? Which

715
00:45:13.679 --> 00:45:16.480
<v Speaker 2>Bruce ploitation film is Bruce Lee teaming up with Popeye?

716
00:45:17.119 --> 00:45:20.159
<v Speaker 2>Please give an answer there. So, Michelle, what's your favorite

717
00:45:20.199 --> 00:45:20.760
<v Speaker 2>retail store?

718
00:45:22.800 --> 00:45:25.920
<v Speaker 3>Die Back? They're my favorites, and I also like Orbit,

719
00:45:26.039 --> 00:45:29.440
<v Speaker 3>Like basically I just bounced between them. They're like I'm

720
00:45:30.199 --> 00:45:34.800
<v Speaker 3>in a three way with them right now, like, go

721
00:45:34.840 --> 00:45:36.400
<v Speaker 3>to Diabolic and if they don't have it, I'll go

722
00:45:36.440 --> 00:45:38.000
<v Speaker 3>to Orbit and then just go back and forth. But

723
00:45:38.000 --> 00:45:41.199
<v Speaker 3>they're both fantastic. I do most of my pre ordering

724
00:45:41.400 --> 00:45:44.599
<v Speaker 3>with Diabolic actually because they've just never let me down.

725
00:45:44.760 --> 00:45:47.559
<v Speaker 3>It's like funny. I'll see people online and they'll be like, oh,

726
00:45:47.599 --> 00:45:50.320
<v Speaker 3>I pre ordered it from Amazon and like the cover

727
00:45:50.480 --> 00:45:52.280
<v Speaker 3>was ripped in half, and I also got it three

728
00:45:52.280 --> 00:45:55.840
<v Speaker 3>months later. Never had an issue with Diabodic on time,

729
00:45:56.039 --> 00:45:59.960
<v Speaker 3>perfectly packed, no dings anything. So I mean, if you want,

730
00:46:00.280 --> 00:46:01.639
<v Speaker 3>I think they're the best for preorders.

731
00:46:01.639 --> 00:46:05.880
<v Speaker 2>Honestly done. Caster, you are the winner of the fifty

732
00:46:05.920 --> 00:46:08.480
<v Speaker 2>dollars brother Belile gift card. Please send an email to

733
00:46:08.559 --> 00:46:11.800
<v Speaker 2>me at shelf Shock rewind at gmail dot com. Let

734
00:46:11.800 --> 00:46:13.840
<v Speaker 2>me know you on the Brother Belile gift card and

735
00:46:14.000 --> 00:46:17.559
<v Speaker 2>I will get that email to you as soon as possible. Man,

736
00:46:17.599 --> 00:46:19.960
<v Speaker 2>there's a lot of frustrated people saying the dragon lives again.

737
00:46:20.159 --> 00:46:23.719
<v Speaker 2>I'm sorry. Somehow even my wife answered the dragon lives again.

738
00:46:24.679 --> 00:46:31.000
<v Speaker 2>You must have googled that very quickly. Well done. All right,

739
00:46:31.639 --> 00:46:35.199
<v Speaker 2>we just got done talking about best video presentation. But

740
00:46:35.280 --> 00:46:38.559
<v Speaker 2>one of the great things with video presentation is just

741
00:46:38.840 --> 00:46:41.840
<v Speaker 2>the way that we've seen the upgrades, whether something is

742
00:46:41.880 --> 00:46:44.679
<v Speaker 2>going from VHS all the way to four K, getting

743
00:46:44.679 --> 00:46:47.679
<v Speaker 2>a first time on disc release or anything like that,

744
00:46:48.119 --> 00:46:51.440
<v Speaker 2>it is a huge chance to see what we can

745
00:46:51.519 --> 00:46:53.400
<v Speaker 2>get out of some of these films. And I figured

746
00:46:53.800 --> 00:46:57.599
<v Speaker 2>the best person to talk about that is a VHS enthusiast.

747
00:46:57.719 --> 00:47:05.719
<v Speaker 2>So let's send it over to lunch Meet VHS. Yo,

748
00:47:05.800 --> 00:47:06.679
<v Speaker 2>what's up everybody?

749
00:47:06.760 --> 00:47:10.920
<v Speaker 36>Josh from Lunchmate here, lunch meet VHS on the internets.

750
00:47:11.920 --> 00:47:15.159
<v Speaker 36>How you doing, glad to.

751
00:47:15.119 --> 00:47:17.199
<v Speaker 5>Be here, Thanks for having me.

752
00:47:18.400 --> 00:47:21.719
<v Speaker 36>If you like VH stuff, VHS stuff, if you like it,

753
00:47:22.440 --> 00:47:24.320
<v Speaker 36>come and get it at lunch Meat. We got it

754
00:47:24.599 --> 00:47:28.239
<v Speaker 36>everything you've ever wanted on VHS, which is a good

755
00:47:28.280 --> 00:47:34.639
<v Speaker 36>segue into and the nominees for Best Home Video Restoration

756
00:47:34.800 --> 00:47:56.079
<v Speaker 36>Upgrade are.

757
00:47:48.119 --> 00:47:53.239
<v Speaker 11>Bringing Out the Dead four K Paramount Pictures, The Case

758
00:47:53.239 --> 00:47:58.400
<v Speaker 11>of the Bloody Iris four K from Celluloid Dreams, The

759
00:47:58.519 --> 00:48:05.039
<v Speaker 11>Hitcher four K Second Site Films, The Jar from Terror Vision,

760
00:48:06.400 --> 00:48:09.239
<v Speaker 11>The Keep four K Vinegar Syndrome.

761
00:48:12.039 --> 00:48:16.840
<v Speaker 36>And the winner of the Best Home Video Restoration Upgrade

762
00:48:17.320 --> 00:48:24.760
<v Speaker 36>as voted by the Creators Selection Committee is The Hitcher

763
00:48:25.679 --> 00:48:30.280
<v Speaker 36>from Second Site Films, the Community Winner.

764
00:48:31.480 --> 00:48:33.599
<v Speaker 5>The Keep from Vinegar Syndrome.

765
00:48:36.559 --> 00:48:38.559
<v Speaker 2>Both great things, both great films.

766
00:48:39.360 --> 00:48:42.760
<v Speaker 36>Congratulations to the winners, and I'm gonna go watch The

767
00:48:42.840 --> 00:48:53.440
<v Speaker 36>Keep on VHS in the other room, Rwander die.

768
00:48:53.159 --> 00:48:58.119
<v Speaker 37>Hey, all right, well listen, I'm really glad, thank you.

769
00:48:59.079 --> 00:49:01.599
<v Speaker 37>The Keep was a lot of Obviously, that was the

770
00:49:01.639 --> 00:49:05.400
<v Speaker 37>title that a lot of people had been looking forward

771
00:49:05.400 --> 00:49:08.400
<v Speaker 37>to seeing come out, myself included, so to be a

772
00:49:08.440 --> 00:49:11.400
<v Speaker 37>part of that restoration was really great. A lot of

773
00:49:11.400 --> 00:49:14.679
<v Speaker 37>work went into that one, so thank you. I'm glad

774
00:49:14.719 --> 00:49:16.280
<v Speaker 37>it's being recognized.

775
00:49:18.119 --> 00:49:21.320
<v Speaker 2>All right. Obviously, a pretty huge title in twenty twenty

776
00:49:21.360 --> 00:49:23.039
<v Speaker 2>four is Michael Mann's The Key.

777
00:49:23.599 --> 00:49:27.679
<v Speaker 3>Sad No Slip Case, and it's in a plastic which

778
00:49:28.000 --> 00:49:30.000
<v Speaker 3>makes me look like a poser. I've seen this movie

779
00:49:30.119 --> 00:49:33.320
<v Speaker 3>for it. You guys have a last stuff. I'm a

780
00:49:33.320 --> 00:49:33.800
<v Speaker 3>big stack.

781
00:49:35.360 --> 00:49:39.519
<v Speaker 2>It's it's a big deal. Obviously, sold like crazy. I

782
00:49:39.559 --> 00:49:42.119
<v Speaker 2>think it was like thirty four hours to sell like

783
00:49:42.239 --> 00:49:44.840
<v Speaker 2>fourteen thousand copies, including a couple of thousand that were

784
00:49:44.840 --> 00:49:48.519
<v Speaker 2>not in slip covers. Good stuff from Vinegar Syndrome, Glad

785
00:49:48.519 --> 00:49:53.760
<v Speaker 2>it looks great. Congratulations on the win. This again another

786
00:49:54.239 --> 00:49:57.000
<v Speaker 2>like giant Grail title that people have said for years

787
00:49:57.000 --> 00:49:59.719
<v Speaker 2>we were never going to get, and here it is

788
00:49:59.800 --> 00:50:05.920
<v Speaker 2>in beautiful four K and it's incredible. All right. So

789
00:50:06.079 --> 00:50:09.559
<v Speaker 2>now from that, speaking of slipcovers, it's always the right

790
00:50:09.599 --> 00:50:13.239
<v Speaker 2>time to talk about packaging because many people think that's

791
00:50:13.239 --> 00:50:15.800
<v Speaker 2>what it's all about. So let's talk about these companies

792
00:50:15.840 --> 00:50:19.519
<v Speaker 2>that put a lot of thought into our packaging, including slipcovers,

793
00:50:19.519 --> 00:50:22.079
<v Speaker 2>how the discs are housed, how everything goes into these

794
00:50:22.280 --> 00:50:24.920
<v Speaker 2>just to get it onto your shelf. Let's look at

795
00:50:25.000 --> 00:50:26.519
<v Speaker 2>best packaging design.

796
00:50:27.239 --> 00:50:28.840
<v Speaker 3>Hi, my name is Rachel Belvoir.

797
00:50:29.039 --> 00:50:31.280
<v Speaker 17>I write for the website Comic Con and have a

798
00:50:31.320 --> 00:50:34.519
<v Speaker 17>regular callum and the Physical Media Advocate, But today I'm

799
00:50:34.559 --> 00:50:35.920
<v Speaker 17>here to talk about packaging.

800
00:50:36.960 --> 00:50:37.920
<v Speaker 5>Packaging is important.

801
00:50:38.440 --> 00:50:41.079
<v Speaker 17>It's the difference between waiting for that package of Blue

802
00:50:41.159 --> 00:50:43.239
<v Speaker 17>Rays to come in the mail and finding out that

803
00:50:43.280 --> 00:50:46.199
<v Speaker 17>the discs are loose or they're scratched, or my personal

804
00:50:46.280 --> 00:50:48.960
<v Speaker 17>favorite man, you try to take the disks out and

805
00:50:48.960 --> 00:50:50.199
<v Speaker 17>it feels like you're gonna break them.

806
00:50:50.199 --> 00:50:50.639
<v Speaker 27>That fun.

807
00:50:50.800 --> 00:50:50.920
<v Speaker 13>Uh.

808
00:50:51.559 --> 00:50:53.400
<v Speaker 17>I don't know about you, but I find sometimes the

809
00:50:53.480 --> 00:50:56.880
<v Speaker 17>most expensive sets out of Verse defenders usually the more

810
00:50:56.920 --> 00:50:59.199
<v Speaker 17>discs involved, So I guess in that sense it makes sense,

811
00:50:59.480 --> 00:51:01.960
<v Speaker 17>but it doesn't. And sometimes it's your favorite TV show.

812
00:51:02.119 --> 00:51:04.599
<v Speaker 17>I don't know which one I could be referring to,

813
00:51:05.599 --> 00:51:08.679
<v Speaker 17>but yeah, where the cases are hard plastic, the discs

814
00:51:08.679 --> 00:51:12.679
<v Speaker 17>are stacked for no explicable reason, and suddenly the show

815
00:51:12.719 --> 00:51:14.079
<v Speaker 17>that you want to be able to turn on all

816
00:51:14.119 --> 00:51:17.519
<v Speaker 17>the time, you're overthinking it and saying, maybe I shouldn't

817
00:51:17.960 --> 00:51:21.599
<v Speaker 17>or maybe I need to buy new cases that don't

818
00:51:21.639 --> 00:51:23.920
<v Speaker 17>break the disks to house it in, which kind of

819
00:51:23.920 --> 00:51:28.599
<v Speaker 17>makes no sense to and gets expensive. But it's all

820
00:51:28.599 --> 00:51:30.800
<v Speaker 17>part of being a collector, but it shouldn't be the part.

821
00:51:30.840 --> 00:51:33.599
<v Speaker 17>It should be watching the movies, because as fun as

822
00:51:33.639 --> 00:51:36.199
<v Speaker 17>Blu rays are to display on a shelf, the point

823
00:51:36.360 --> 00:51:39.440
<v Speaker 17>is to watch the movies. Whenever the joy of getting

824
00:51:39.519 --> 00:51:41.360
<v Speaker 17>to have a new film or show to your collection

825
00:51:41.480 --> 00:51:44.880
<v Speaker 17>gets spoiled by having to think, well, should I really

826
00:51:44.880 --> 00:51:47.079
<v Speaker 17>buy this because I think the packaging is gonna make

827
00:51:47.079 --> 00:51:51.280
<v Speaker 17>me nuts. That's not fun. So to the labels this

828
00:51:51.400 --> 00:51:54.639
<v Speaker 17>year that considered function as well of cool cover art,

829
00:51:55.239 --> 00:51:57.239
<v Speaker 17>do not think your efforts are noticed, because they are

830
00:51:57.840 --> 00:51:59.639
<v Speaker 17>and it really makes all the difference in the world.

831
00:52:00.000 --> 00:52:02.519
<v Speaker 17>Thank you. Uh so We're about further do you. The

832
00:52:02.519 --> 00:52:05.360
<v Speaker 17>nominee for Best Packaging Design this year.

833
00:52:05.239 --> 00:52:20.360
<v Speaker 3>Are All the Haunts be Ours a Compendium of Folk

834
00:52:20.360 --> 00:52:25.480
<v Speaker 3>Whore Volume two, seven films, The Hitcher four K Second

835
00:52:25.519 --> 00:52:31.880
<v Speaker 3>Site Films, The Never Ending Story, four K Imprint Films,

836
00:52:31.920 --> 00:52:34.639
<v Speaker 3>The Tenant four K Vinegar Syndrome.

837
00:52:35.519 --> 00:52:38.280
<v Speaker 2>Through the Looking Glass four K mel You Scene.

838
00:52:40.840 --> 00:52:44.119
<v Speaker 17>C Ife and Community Binner for Best Packaging Design this

839
00:52:44.199 --> 00:52:49.079
<v Speaker 17>year is Well the Hunts b Are the Compendium of

840
00:52:49.119 --> 00:52:53.559
<v Speaker 17>Folks Volume two from seven films. Congratulations seven Films.

841
00:52:55.400 --> 00:52:57.920
<v Speaker 2>Shout out to Rachel for that tribute to Lee Gambin

842
00:52:58.000 --> 00:52:59.239
<v Speaker 2>on the shelf there. I love that.

843
00:52:59.400 --> 00:52:59.960
<v Speaker 3>I love it.

844
00:53:01.639 --> 00:53:04.960
<v Speaker 2>Yes, All the hauntsvirs beautiful sets. This is one of

845
00:53:04.960 --> 00:53:08.159
<v Speaker 2>those sets, of course, that has the ability to house

846
00:53:08.280 --> 00:53:11.800
<v Speaker 2>a book, a book lit and then all of the

847
00:53:11.880 --> 00:53:15.599
<v Speaker 2>discs are in this that you can reach into and

848
00:53:15.639 --> 00:53:17.960
<v Speaker 2>I gotta be honest, they have improved from their old

849
00:53:18.000 --> 00:53:20.719
<v Speaker 2>box sets. They are easier to go and I'm glad

850
00:53:20.719 --> 00:53:22.760
<v Speaker 2>they're being recognized for this because this is a pretty

851
00:53:22.800 --> 00:53:26.480
<v Speaker 2>incredible package. Hope people that have not checked it out

852
00:53:26.800 --> 00:53:27.280
<v Speaker 2>check it out.

853
00:53:28.039 --> 00:53:31.679
<v Speaker 3>I will say, though that numberriting story in Prince I

854
00:53:31.719 --> 00:53:34.400
<v Speaker 3>have that big it's over there, like it was too

855
00:53:34.400 --> 00:53:35.800
<v Speaker 3>big to bring over here. I was like, I don't

856
00:53:35.800 --> 00:53:38.880
<v Speaker 3>know my cousin accent or something, but it was beautiful.

857
00:53:39.079 --> 00:53:41.800
<v Speaker 3>Just it's so but it is definitely big, like it's

858
00:53:41.840 --> 00:53:44.760
<v Speaker 3>hard to display, but one of the best looking sets

859
00:53:44.760 --> 00:53:47.559
<v Speaker 3>I've ever seen in my life. It's absolutely gorgeous.

860
00:53:49.679 --> 00:53:53.760
<v Speaker 2>One that is beautiful. That is causing me some fomo?

861
00:53:53.920 --> 00:53:57.159
<v Speaker 2>Is that one? But Stephen Billings, who was here at

862
00:53:57.159 --> 00:53:59.920
<v Speaker 2>the beginning of the show, wanted to speak out about

863
00:54:00.199 --> 00:54:04.519
<v Speaker 2>people that are perhaps experiencing some fomo. So here's a

864
00:54:04.519 --> 00:54:07.079
<v Speaker 2>message from our founder, mister Stephen Billings.

865
00:54:08.079 --> 00:54:12.000
<v Speaker 4>Hello, my friends, I'm Stephen Billings, and I'm here to

866
00:54:12.000 --> 00:54:13.920
<v Speaker 4>talk to you today about something I think all of

867
00:54:14.000 --> 00:54:16.639
<v Speaker 4>us physical media collectors have gone through at some point,

868
00:54:18.199 --> 00:54:21.480
<v Speaker 4>the fear of missing out or fomo as we call it,

869
00:54:22.400 --> 00:54:26.760
<v Speaker 4>whether it's a limited edition slip cover, or just the

870
00:54:26.840 --> 00:54:29.079
<v Speaker 4>limited a number of copies that it's made for a

871
00:54:29.079 --> 00:54:33.719
<v Speaker 4>certain release. We've all been through it, and not only that,

872
00:54:34.760 --> 00:54:37.760
<v Speaker 4>just the financial stress that physical media collecting can have

873
00:54:37.880 --> 00:54:41.079
<v Speaker 4>on a person. But I do have a service today

874
00:54:41.079 --> 00:54:45.119
<v Speaker 4>that I think can help you. It's called Fomo no Mo.

875
00:54:46.840 --> 00:54:49.480
<v Speaker 4>Fomo no Mo is a counseling service that helps you

876
00:54:49.519 --> 00:54:51.840
<v Speaker 4>manage the day to day stress that it takes to

877
00:54:51.880 --> 00:54:56.679
<v Speaker 4>be a physical media collector. Whether it's managing how you

878
00:54:56.800 --> 00:54:59.760
<v Speaker 4>use the sites to buy your physical media, or you

879
00:54:59.840 --> 00:55:02.400
<v Speaker 4>just I need somebody to talk to you, to tell you, hey,

880
00:55:02.679 --> 00:55:03.400
<v Speaker 4>you don't need.

881
00:55:03.280 --> 00:55:03.960
<v Speaker 3>This, you own it.

882
00:55:04.000 --> 00:55:08.800
<v Speaker 4>Twenty other times, We're here for you. And if you

883
00:55:08.840 --> 00:55:13.480
<v Speaker 4>call today, you get a free Nicholas Cage emotional support pillow.

884
00:55:14.480 --> 00:55:17.480
<v Speaker 4>Whenever that movie that you really want to buy but

885
00:55:17.559 --> 00:55:19.880
<v Speaker 4>you don't have the money for it comes up, you

886
00:55:20.000 --> 00:55:20.519
<v Speaker 4>just take up.

887
00:55:20.639 --> 00:55:21.480
<v Speaker 13>You just take this.

888
00:55:21.360 --> 00:55:24.199
<v Speaker 4>Thing and squeeze it, and you just say, put the

889
00:55:24.199 --> 00:55:28.280
<v Speaker 4>bunny back in the box, Put the bunny back in

890
00:55:28.320 --> 00:55:28.920
<v Speaker 4>the box.

891
00:55:31.800 --> 00:55:32.079
<v Speaker 5>Thanks.

892
00:55:32.119 --> 00:55:37.960
<v Speaker 4>Everybody call today. One eight hundred Fomo no mo. I

893
00:55:38.000 --> 00:55:41.599
<v Speaker 4>say it again, one eight hundred f O m O

894
00:55:42.199 --> 00:55:45.719
<v Speaker 4>n o m O Fomo no mo.

895
00:55:47.039 --> 00:55:54.159
<v Speaker 13>Thanks gus.

896
00:55:54.760 --> 00:55:56.400
<v Speaker 2>Oh man. I know a lot of people loved his

897
00:55:56.599 --> 00:55:58.679
<v Speaker 2>commercials last year. This was this was a big step

898
00:55:58.719 --> 00:55:59.519
<v Speaker 2>up from last year.

899
00:56:00.800 --> 00:56:04.079
<v Speaker 3>My boyfriend is that service for me in which he

900
00:56:04.239 --> 00:56:07.360
<v Speaker 3>just like he every time he comes over and he's like, oh,

901
00:56:07.440 --> 00:56:09.199
<v Speaker 3>is that new, And I'm like, oh, that's like a

902
00:56:09.239 --> 00:56:12.519
<v Speaker 3>six month old pre order, but it's a lie. It's

903
00:56:12.559 --> 00:56:15.119
<v Speaker 3>I bought it a week ago. And he's probably watching this,

904
00:56:15.719 --> 00:56:18.599
<v Speaker 3>you know, because he loves me, so now he knows

905
00:56:18.960 --> 00:56:25.840
<v Speaker 3>my lies over the years.

906
00:56:23.880 --> 00:56:28.679
<v Speaker 2>He probably already knew. He just understands. I hope everybody's

907
00:56:28.719 --> 00:56:32.000
<v Speaker 2>having a good time so far. We've got a couple

908
00:56:32.199 --> 00:56:36.559
<v Speaker 2>more awards to go before our next big portion of

909
00:56:36.599 --> 00:56:39.719
<v Speaker 2>the show. So let's go into one of my favorites,

910
00:56:39.840 --> 00:56:41.960
<v Speaker 2>which is best Steal Book.

911
00:56:44.280 --> 00:56:47.320
<v Speaker 20>Hey, Cheff shock Rewinders. It's me Ryan, one of the

912
00:56:47.360 --> 00:56:50.000
<v Speaker 20>co hosts of the New World Pictures podcast, where we

913
00:56:50.000 --> 00:56:53.119
<v Speaker 20>talk about every movie released by New World Pictures, New

914
00:56:53.119 --> 00:56:57.440
<v Speaker 20>World Video, New World Television, New World International, et cetera.

915
00:56:57.760 --> 00:57:02.679
<v Speaker 20>And I'm here to introduce the Steel Books of the year.

916
00:57:02.760 --> 00:57:05.360
<v Speaker 5>Steel Books. You know, we all love steel books.

917
00:57:05.480 --> 00:57:07.800
<v Speaker 20>I bet even one of the co hosts of this

918
00:57:07.960 --> 00:57:13.440
<v Speaker 20>very show absolutely loves steel books. Steel books like Rock

919
00:57:13.480 --> 00:57:19.960
<v Speaker 20>and Roll High School or Forbidden World or Battle Beyond

920
00:57:20.000 --> 00:57:23.440
<v Speaker 20>the Stars all films released by New World Pictures that

921
00:57:23.440 --> 00:57:26.719
<v Speaker 20>we covered on our podcast. Maybe if you like those movies,

922
00:57:26.760 --> 00:57:28.760
<v Speaker 20>you'd like to check out an episode. I don't know.

923
00:57:28.840 --> 00:57:30.760
<v Speaker 20>I'm not here to tell you what to do. I'm

924
00:57:30.800 --> 00:57:34.360
<v Speaker 20>here to tell you who won. And the nominees for

925
00:57:34.480 --> 00:57:36.000
<v Speaker 20>the Best Steel Book of the.

926
00:57:36.000 --> 00:57:36.679
<v Speaker 2>Year are.

927
00:57:50.880 --> 00:57:56.719
<v Speaker 11>Body Double four K from Sony Pictures, The Crow nineteen

928
00:57:56.760 --> 00:58:01.400
<v Speaker 11>ninety four four K from Paramount Pictures, A Nightmare on

929
00:58:01.440 --> 00:58:07.320
<v Speaker 11>Elm Street four K Warner Brothers saw X four K

930
00:58:07.559 --> 00:58:14.039
<v Speaker 11>from lions Gate Thanksgiving four K Sony Pictures.

931
00:58:17.920 --> 00:58:20.800
<v Speaker 20>And the winner of the Best Steel Book of the Year,

932
00:58:20.920 --> 00:58:25.440
<v Speaker 20>as chosen by the Creator Selection Committee, is the Body

933
00:58:25.480 --> 00:58:30.079
<v Speaker 20>Double four K by Sony Pictures. And the community winner

934
00:58:30.800 --> 00:58:34.400
<v Speaker 20>of the Best Steel Book of the Year is also

935
00:58:34.599 --> 00:58:38.639
<v Speaker 20>the Body Double four K steel Book released by Sony Pictures.

936
00:58:39.440 --> 00:58:44.920
<v Speaker 20>Congratulations to everyone having the exact same opinion and those

937
00:58:44.960 --> 00:58:47.960
<v Speaker 20>of you who only have this do you even like

938
00:58:48.000 --> 00:58:48.840
<v Speaker 20>physical media?

939
00:58:49.840 --> 00:58:55.119
<v Speaker 3>Ask yourself, that's the exact one I have.

940
00:58:57.440 --> 00:58:59.519
<v Speaker 2>I love that not only is it the Indicator release,

941
00:58:59.559 --> 00:59:02.239
<v Speaker 2>but it's just the blue Indicator release and not like

942
00:59:02.280 --> 00:59:03.360
<v Speaker 2>the limited edition one.

943
00:59:03.480 --> 00:59:06.800
<v Speaker 3>I do have the limited edition one. At the very least, I.

944
00:59:06.800 --> 00:59:08.840
<v Speaker 2>Will say I do have the body double steel book,

945
00:59:08.880 --> 00:59:11.159
<v Speaker 2>and I think it just proves we all really just

946
00:59:11.199 --> 00:59:14.559
<v Speaker 2>want the original poster art like this. This is gorgeous

947
00:59:14.559 --> 00:59:17.079
<v Speaker 2>on a steel book. We don't want some you know,

948
00:59:17.239 --> 00:59:21.079
<v Speaker 2>crazy new pop art that is just not great.

949
00:59:21.360 --> 00:59:24.480
<v Speaker 3>I will say I'm not I don't like steel books.

950
00:59:24.599 --> 00:59:26.599
<v Speaker 3>So when he was like one of us like steal books,

951
00:59:26.679 --> 00:59:27.679
<v Speaker 3>it wasn't It wasn't me.

952
00:59:28.039 --> 00:59:28.360
<v Speaker 2>I don't.

953
00:59:28.400 --> 00:59:31.880
<v Speaker 3>I just like clanky and they get scratched and they're

954
00:59:31.880 --> 00:59:34.679
<v Speaker 3>always like they always make like seven, so like you

955
00:59:34.760 --> 00:59:37.840
<v Speaker 3>never can get them, and everybody's really angry about not

956
00:59:37.920 --> 00:59:40.639
<v Speaker 3>getting them, and you feel like, you know, sit an

957
00:59:40.679 --> 00:59:43.639
<v Speaker 3>alarm like for two am on a random Tuesday to

958
00:59:43.639 --> 00:59:44.000
<v Speaker 3>buy it.

959
00:59:44.880 --> 00:59:47.599
<v Speaker 2>That's true. Josh Artado says the crow shouldn't even count

960
00:59:47.599 --> 00:59:49.920
<v Speaker 2>since I don't believe anyone ever got that steel book.

961
00:59:50.079 --> 00:59:52.679
<v Speaker 3>Yeah, they made three of those, you know, three and.

962
00:59:52.679 --> 00:59:57.079
<v Speaker 2>A half for some reason. But really the important part

963
00:59:57.119 --> 01:00:00.000
<v Speaker 2>on steel books is the artwork, and of course many

964
01:00:00.119 --> 01:00:02.639
<v Speaker 2>these releases that are not steel books have great artwork

965
01:00:02.679 --> 01:00:05.840
<v Speaker 2>as well. And I still can't believe we did this,

966
01:00:05.960 --> 01:00:08.440
<v Speaker 2>but I hope people like who we got to do

967
01:00:08.719 --> 01:00:10.800
<v Speaker 2>the announcement for this section.

968
01:00:11.719 --> 01:00:13.920
<v Speaker 38>Hi guys, a huge honor to be here as part

969
01:00:13.960 --> 01:00:16.280
<v Speaker 38>of this awards ceremony. My name is Ellen Sheedy of

970
01:00:16.400 --> 01:00:21.159
<v Speaker 38>Uncle Frank Productions. I'm a horror artist working on posters,

971
01:00:21.159 --> 01:00:24.400
<v Speaker 38>blu rays, storyboards, the whole nine yards. You can see

972
01:00:24.400 --> 01:00:26.719
<v Speaker 38>some of my stuff over my shoulder behind me, but

973
01:00:26.880 --> 01:00:29.559
<v Speaker 38>a lot of it you can't because YouTube will let you.

974
01:00:30.280 --> 01:00:32.719
<v Speaker 38>But you can see that stuff on Instagram by going

975
01:00:32.760 --> 01:00:35.760
<v Speaker 38>to Uncle Frank pro and saying hi to me there

976
01:00:35.800 --> 01:00:38.559
<v Speaker 38>and going through my artwork. Anyway, the reason we're here

977
01:00:38.559 --> 01:00:43.559
<v Speaker 38>today the best artwork of twenty twenty four. Physical media

978
01:00:43.599 --> 01:00:46.119
<v Speaker 38>is hugely important to me, both as a collector and

979
01:00:46.400 --> 01:00:51.480
<v Speaker 38>as an artist. I think the relationship between physical media

980
01:00:51.519 --> 01:00:56.079
<v Speaker 38>and artists are the strongest thing going in this battle.

981
01:00:55.800 --> 01:00:57.519
<v Speaker 5>Against the streaming services.

982
01:00:58.039 --> 01:01:03.000
<v Speaker 38>Being able to hold these great innovative pieces of art

983
01:01:03.239 --> 01:01:08.840
<v Speaker 38>in your hands that both elevate the films themselves and

984
01:01:09.079 --> 01:01:12.840
<v Speaker 38>give a platform for some of the most amazing artists

985
01:01:12.920 --> 01:01:18.000
<v Speaker 38>in our industry to kind of find fans of their work.

986
01:01:18.360 --> 01:01:20.000
<v Speaker 5>It's just there's so much.

987
01:01:19.880 --> 01:01:23.159
<v Speaker 38>Passion and so much beauty behind these really, really, really

988
01:01:23.199 --> 01:01:27.800
<v Speaker 38>interesting projects. A shelf of blu Rays in this day

989
01:01:27.800 --> 01:01:31.320
<v Speaker 38>and age is like going around a gallery or a museum,

990
01:01:31.800 --> 01:01:36.320
<v Speaker 38>and I honestly think that the future of the industry

991
01:01:36.559 --> 01:01:38.599
<v Speaker 38>lies in the hands of a lot of these artists.

992
01:01:39.039 --> 01:01:57.000
<v Speaker 38>Without further ado, here are the nominations for Best Artwork, All.

993
01:01:56.960 --> 01:01:59.639
<v Speaker 3>The Hard to Be Ours and Compendium of four Core

994
01:02:00.239 --> 01:02:06.159
<v Speaker 3>Volume two, Luke Insect seven Films, Demon Pond four K,

995
01:02:06.760 --> 01:02:14.400
<v Speaker 3>Yuko Shima, Zoo Criterion Collection, Kerro Astra zero Criterion Collection,

996
01:02:15.679 --> 01:02:21.840
<v Speaker 3>The Hitcher four K, Adam Strathard, Second Site Films, a

997
01:02:21.920 --> 01:02:25.000
<v Speaker 3>Simple Plant four K, Matt Griffin.

998
01:02:24.960 --> 01:02:31.440
<v Speaker 38>Erro Video, fantastic work all rounds. You're all winners in

999
01:02:31.480 --> 01:02:34.400
<v Speaker 38>my eyes, but I'm going to have to announce a

1000
01:02:34.480 --> 01:02:41.960
<v Speaker 38>winner now, Okay, So according to the Creator Selection Committee,

1001
01:02:42.559 --> 01:02:48.639
<v Speaker 38>the winner for best Artwork goes to All the hornsby Hours,

1002
01:02:48.719 --> 01:02:57.039
<v Speaker 38>a Compendium of Folk Horror Volume two released by several films. Yeah,

1003
01:02:57.480 --> 01:03:05.679
<v Speaker 38>insert sound effects to you, and also the community said

1004
01:03:05.679 --> 01:03:09.599
<v Speaker 38>the same thing, So that's basically two awards. So congratulations

1005
01:03:09.679 --> 01:03:12.920
<v Speaker 38>several films. Everyone go out and buy All the Haunts

1006
01:03:12.960 --> 01:03:16.679
<v Speaker 38>by Hours at Compendium of Folk Horror Volume two.

1007
01:03:18.920 --> 01:03:23.079
<v Speaker 2>Once again, shout out Alon Sheety over in the over

1008
01:03:23.119 --> 01:03:26.400
<v Speaker 2>in Europe being able to announce these. You know, he

1009
01:03:26.639 --> 01:03:29.039
<v Speaker 2>has produced some of the best media book art around.

1010
01:03:29.239 --> 01:03:31.880
<v Speaker 2>You can pick up some of his original prints over

1011
01:03:31.920 --> 01:03:34.599
<v Speaker 2>at brother Blile dot com right now. Go check it out.

1012
01:03:35.480 --> 01:03:39.840
<v Speaker 2>Some really great stuff. And for everybody's saying, like Reggie,

1013
01:03:40.360 --> 01:03:41.880
<v Speaker 2>I do love the original posters, but I have to

1014
01:03:41.920 --> 01:03:45.000
<v Speaker 2>admit original art for physical releases often more interesting. I

1015
01:03:45.039 --> 01:03:47.239
<v Speaker 2>was mostly just talking about steel books. I would for

1016
01:03:47.280 --> 01:03:49.599
<v Speaker 2>the for the most part, I would agree the way

1017
01:03:49.599 --> 01:03:53.000
<v Speaker 2>that they support these. Uh, it goes a long wait.

1018
01:03:53.079 --> 01:03:55.519
<v Speaker 2>For for the most part, some great art can make

1019
01:03:55.519 --> 01:03:58.679
<v Speaker 2>a release elevated compared to what it was without that.

1020
01:03:58.880 --> 01:04:03.960
<v Speaker 2>So I always loved see that for sure. Let's go

1021
01:04:04.199 --> 01:04:07.800
<v Speaker 2>to another section of our show, which is very different.

1022
01:04:07.840 --> 01:04:09.400
<v Speaker 2>If you've been here for the last couple of years,

1023
01:04:09.800 --> 01:04:13.519
<v Speaker 2>you will remember that we always have a segment dedicated

1024
01:04:13.559 --> 01:04:38.280
<v Speaker 2>to Sergio Mimes. So let's talk about Sergio Mims. All right, Okay, Yeah.

1025
01:04:38.360 --> 01:04:41.360
<v Speaker 3>Sergio Mimes was best known as a Chicago based film

1026
01:04:41.400 --> 01:04:44.320
<v Speaker 3>critic and the co founder of the annual Black Harvest

1027
01:04:44.320 --> 01:04:48.400
<v Speaker 3>Film Festival, but he also championed classical music, especially the

1028
01:04:48.480 --> 01:04:53.519
<v Speaker 3>works of black composers. Sergio died in October twenty twenty

1029
01:04:53.519 --> 01:04:56.519
<v Speaker 3>two at the age of sixty seven and left behind

1030
01:04:56.519 --> 01:04:59.519
<v Speaker 3>a legacy of encouragement, education and passion.

1031
01:05:00.920 --> 01:05:04.199
<v Speaker 2>The past two recipients of the Sergiomms Memorial Award were

1032
01:05:04.280 --> 01:05:07.800
<v Speaker 2>Kayla Denise and Sam Degan. Both continue to work tirelessly

1033
01:05:07.880 --> 01:05:11.039
<v Speaker 2>to deliver high quality analysis on film through various outlets.

1034
01:05:11.440 --> 01:05:13.800
<v Speaker 2>We will continue to give an award in Sergio's name

1035
01:05:13.840 --> 01:05:16.719
<v Speaker 2>as long as we can continue these awards. For the

1036
01:05:16.800 --> 01:05:20.000
<v Speaker 2>twenty twenty four Shelf Shock Rewind Awards, we would like

1037
01:05:20.039 --> 01:05:26.480
<v Speaker 2>to represent this great film critic and incredible person by

1038
01:05:26.519 --> 01:05:30.199
<v Speaker 2>presenting the Sergio Mims Memorial Award for Extraordinary contributions to

1039
01:05:30.199 --> 01:05:34.559
<v Speaker 2>Film critique, context and Commentary to Eugenio Erkolani.

1040
01:05:35.719 --> 01:05:40.800
<v Speaker 3>Augenio Erkulani is a writer, producer, film historian, documentarian, and

1041
01:05:40.840 --> 01:05:44.320
<v Speaker 3>an incredible creator of countless Blu Ray special features.

1042
01:05:44.760 --> 01:05:48.760
<v Speaker 2>Eugenio has contributed audio commentaries, visual essays, interviews with some

1043
01:05:48.760 --> 01:05:50.719
<v Speaker 2>of the most unique minds in the history of film,

1044
01:05:51.000 --> 01:05:53.840
<v Speaker 2>and newly written pieces to releases from eighty eight Films,

1045
01:05:54.119 --> 01:05:58.480
<v Speaker 2>Aero Video, Cauldron Films, Nola's Entertainment Cult Epics, Terror, Vision,

1046
01:05:58.880 --> 01:06:01.239
<v Speaker 2>seven Films, Vin Syndrome, and more.

1047
01:06:02.599 --> 01:06:07.039
<v Speaker 3>Augenio has appeared on countless releases alongside his frequent collaborators

1048
01:06:07.079 --> 01:06:11.199
<v Speaker 3>Troy Harworth and Nathaniel Thompson. His work on the ground

1049
01:06:11.239 --> 01:06:13.239
<v Speaker 3>from London to Rome is felt on some of our

1050
01:06:13.239 --> 01:06:15.039
<v Speaker 3>favorite releases each and every year.

1051
01:06:16.159 --> 01:06:19.199
<v Speaker 2>Eugenio has written multiple books on a wide variety of topics,

1052
01:06:19.239 --> 01:06:23.079
<v Speaker 2>including Friedkin's Cruising and Italian genre directors across a range

1053
01:06:23.079 --> 01:06:26.079
<v Speaker 2>of decades. He has contributed to many issues in my magazine,

1054
01:06:26.119 --> 01:06:28.400
<v Speaker 2>The Physical Media Advocate, and is currently finishing up a

1055
01:06:28.400 --> 01:06:31.440
<v Speaker 2>book with Troy Howarth and much.

1056
01:06:31.280 --> 01:06:34.800
<v Speaker 3>Of Augenio's work a passion for film and archiving the

1057
01:06:34.880 --> 01:06:38.000
<v Speaker 3>voices of our film history rings throughout the stories that

1058
01:06:38.079 --> 01:06:40.599
<v Speaker 3>Aeugenio is able to pull out of individuals who have

1059
01:06:40.639 --> 01:06:43.079
<v Speaker 3>been interviewed time and time again for the last fifty

1060
01:06:43.159 --> 01:06:46.480
<v Speaker 3>years shows his natural ability to get his interview subjects

1061
01:06:46.480 --> 01:06:49.440
<v Speaker 3>on his side, but his relationships with lesser known names

1062
01:06:49.480 --> 01:06:51.719
<v Speaker 3>is what makes his contributions most exciting.

1063
01:06:52.760 --> 01:06:55.039
<v Speaker 2>We would like to say thank you to Eugenie Orclani

1064
01:06:55.119 --> 01:06:58.119
<v Speaker 2>for his prolific list of accomplishments, his ability to tie

1065
01:06:58.119 --> 01:07:00.880
<v Speaker 2>his own history to every random individual involved in film

1066
01:07:00.920 --> 01:07:03.360
<v Speaker 2>and Italy over the last sixty years plus, and his

1067
01:07:03.440 --> 01:07:06.159
<v Speaker 2>passion for physical media, from a list titles to what

1068
01:07:06.199 --> 01:07:08.360
<v Speaker 2>many would call Z list trash.

1069
01:07:09.119 --> 01:07:11.639
<v Speaker 3>We also have some words of appreciation from a few

1070
01:07:11.679 --> 01:07:14.280
<v Speaker 3>with peers and collaborators to share with all of you.

1071
01:07:15.480 --> 01:07:19.400
<v Speaker 8>I value him very much, not only as a colleague.

1072
01:07:19.440 --> 01:07:22.000
<v Speaker 8>We've worked together on numerous projects, going all the way

1073
01:07:22.039 --> 01:07:26.320
<v Speaker 8>back to Oh Boy. I can't even remember at this

1074
01:07:26.440 --> 01:07:28.920
<v Speaker 8>point when we started. It would have been within the

1075
01:07:28.960 --> 01:07:32.800
<v Speaker 8>last three or four years. I suppose he helped me

1076
01:07:33.000 --> 01:07:36.320
<v Speaker 8>very much on my book about in Bertellnzi. We have

1077
01:07:36.440 --> 01:07:40.239
<v Speaker 8>since collaborated on a upcoming book that hopefully will be

1078
01:07:40.239 --> 01:07:44.199
<v Speaker 8>coming out sometime this year. We have several other projects

1079
01:07:44.239 --> 01:07:46.599
<v Speaker 8>in the works. But he also brings me in on

1080
01:07:46.840 --> 01:07:51.159
<v Speaker 8>a lot of extra features, which is either a blessing

1081
01:07:51.280 --> 01:07:53.400
<v Speaker 8>or a curse depending on your point of view. But

1082
01:07:54.400 --> 01:07:58.159
<v Speaker 8>speaking of somebody who has a heavy dose of imposter syndrome,

1083
01:07:59.159 --> 01:08:01.199
<v Speaker 8>I can tell you that that that the fact that

1084
01:08:01.239 --> 01:08:04.760
<v Speaker 8>he continues to approach me and ask me uh is

1085
01:08:04.920 --> 01:08:07.239
<v Speaker 8>in itself the best praise I could ever get, because

1086
01:08:07.239 --> 01:08:08.800
<v Speaker 8>it tells me, well, I guess I must know what

1087
01:08:08.840 --> 01:08:10.760
<v Speaker 8>I'm doing, because he wouldn't ask me back if if

1088
01:08:10.760 --> 01:08:15.800
<v Speaker 8>I didn't. He's very serious about what he does. He

1089
01:08:15.880 --> 01:08:19.159
<v Speaker 8>has a tremendous sense of humor. I mean, as as

1090
01:08:19.239 --> 01:08:21.560
<v Speaker 8>much as I value him as a colleague and obviously

1091
01:08:21.680 --> 01:08:25.359
<v Speaker 8>somebody who hooks me up with with jobs, which I

1092
01:08:25.359 --> 01:08:28.319
<v Speaker 8>greatly appreciate, I very much value him as a friend

1093
01:08:28.479 --> 01:08:31.560
<v Speaker 8>above and beyond anything else. We we talk on a

1094
01:08:31.600 --> 01:08:35.079
<v Speaker 8>regular basis. We're like a couple of gossipy old women

1095
01:08:35.239 --> 01:08:39.680
<v Speaker 8>on the phone. We share jokes, we talk about, you know,

1096
01:08:39.800 --> 01:08:43.159
<v Speaker 8>all the gossip, all the juicy stuff that doesn't get

1097
01:08:43.359 --> 01:08:46.920
<v Speaker 8>made public, and we we have a great capacity for

1098
01:08:47.000 --> 01:08:50.520
<v Speaker 8>making each other laugh. So I very grateful to have

1099
01:08:50.600 --> 01:08:52.720
<v Speaker 8>him in my life as a friend, above and beyond

1100
01:08:52.760 --> 01:08:53.399
<v Speaker 8>anything else.

1101
01:08:53.439 --> 01:08:55.039
<v Speaker 6>But also, you know, the uh.

1102
01:08:55.720 --> 01:08:58.720
<v Speaker 8>The the work that we've done in over these last

1103
01:08:58.760 --> 01:09:01.439
<v Speaker 8>several years, which will hopefully continue for many years to come.

1104
01:09:02.319 --> 01:09:04.600
<v Speaker 8>I think it's long overdue that he gets some recognition

1105
01:09:04.680 --> 01:09:06.840
<v Speaker 8>because I don't think there really is anybody in this

1106
01:09:06.920 --> 01:09:10.600
<v Speaker 8>business who works harder than him. He is insanely prolific.

1107
01:09:11.399 --> 01:09:16.239
<v Speaker 8>He is somebody who never phones it in. He approaches

1108
01:09:16.279 --> 01:09:21.399
<v Speaker 8>every single job with the utmost dedication, determination to do

1109
01:09:21.439 --> 01:09:23.840
<v Speaker 8>the very best job that he can and really give

1110
01:09:24.039 --> 01:09:27.920
<v Speaker 8>people at home an opportunity to hopefully learn something and

1111
01:09:27.960 --> 01:09:30.840
<v Speaker 8>hear stories that they haven't heard before. The films that

1112
01:09:30.880 --> 01:09:34.279
<v Speaker 8>he works on, he really immerses himself, and it's very

1113
01:09:34.319 --> 01:09:38.560
<v Speaker 8>easy to get the usual kind of big names that

1114
01:09:38.600 --> 01:09:42.439
<v Speaker 8>we see interviewed all the time. Obviously, we enjoy seeing

1115
01:09:42.439 --> 01:09:44.920
<v Speaker 8>them being interviewed, we enjoy hearing what they have to say,

1116
01:09:44.960 --> 01:09:47.720
<v Speaker 8>but you know, when you've heard a few interviews with

1117
01:09:47.920 --> 01:09:51.039
<v Speaker 8>some of these people, you know what to expect. What

1118
01:09:51.239 --> 01:09:54.319
<v Speaker 8>he's really extraordinarily good at is finding a lot of

1119
01:09:54.359 --> 01:10:00.399
<v Speaker 8>the more lesser seeing people behind the scenes, ones who

1120
01:10:00.439 --> 01:10:03.720
<v Speaker 8>really have some of the best stories. And the interviews

1121
01:10:03.720 --> 01:10:05.520
<v Speaker 8>that he gets with people like that don't get the

1122
01:10:05.520 --> 01:10:09.279
<v Speaker 8>attention that they deserve because fans tend to really just

1123
01:10:09.359 --> 01:10:12.359
<v Speaker 8>gravitate towards the big names. Oh, they've got Dario Argento,

1124
01:10:12.439 --> 01:10:15.159
<v Speaker 8>they've got Ernesta Costaldi, and it's like, yeah, we've heard

1125
01:10:15.159 --> 01:10:17.600
<v Speaker 8>these people talk a thousand times and they're not telling

1126
01:10:17.680 --> 01:10:20.520
<v Speaker 8>us anything they haven't told us before. But this guy

1127
01:10:20.560 --> 01:10:23.760
<v Speaker 8>who was a script supervisor or a third assistant director

1128
01:10:23.920 --> 01:10:27.239
<v Speaker 8>or a grip or a focus puller who's never been

1129
01:10:27.279 --> 01:10:30.279
<v Speaker 8>interviewed before, is like, got all kinds of great stories,

1130
01:10:30.520 --> 01:10:33.279
<v Speaker 8>and nobody ever talks about that. Unfortunately, because you know

1131
01:10:33.319 --> 01:10:37.399
<v Speaker 8>again it's name value, I suppose, and I think long

1132
01:10:37.479 --> 01:10:41.279
<v Speaker 8>overdue that he gets some recognition in this context.

1133
01:10:42.000 --> 01:10:42.800
<v Speaker 6>He's one of the good.

1134
01:10:42.720 --> 01:10:46.079
<v Speaker 8>Ones, so long overdue and very richly deserved.

1135
01:10:48.399 --> 01:10:52.520
<v Speaker 39>Hi there, Nathaniel Thompson, and I'm just wanting to say congratulations, Eugenio.

1136
01:10:52.880 --> 01:10:54.760
<v Speaker 6>It's very well deserved.

1137
01:10:54.840 --> 01:10:57.960
<v Speaker 39>I've been honored to sit with you on several audio

1138
01:10:57.960 --> 01:11:02.359
<v Speaker 39>commentaries and pitching on quite a few other projects over

1139
01:11:02.399 --> 01:11:05.279
<v Speaker 39>the years, and especially working with you alone and working

1140
01:11:05.359 --> 01:11:06.800
<v Speaker 39>with you with Troy on some tracks.

1141
01:11:07.119 --> 01:11:08.239
<v Speaker 2>It has just been a real pleasure.

1142
01:11:08.279 --> 01:11:11.399
<v Speaker 39>And you are passionate knowledge for not just the Italian

1143
01:11:11.439 --> 01:11:15.079
<v Speaker 39>film industry, but film as a whole is just all inspiring.

1144
01:11:15.159 --> 01:11:18.239
<v Speaker 39>You truly are inspiration and I can't wait to work

1145
01:11:18.239 --> 01:11:19.840
<v Speaker 39>on many, many more things with you, And thank you

1146
01:11:19.880 --> 01:11:22.000
<v Speaker 39>for all you've given all of us, and for setting

1147
01:11:22.479 --> 01:11:24.600
<v Speaker 39>all these things down for the record that we really

1148
01:11:24.640 --> 01:11:26.640
<v Speaker 39>need while these talents are still around. It is so

1149
01:11:26.680 --> 01:11:31.479
<v Speaker 39>important and you are truly doing major, major work. And again, congratulations.

1150
01:11:31.520 --> 01:11:33.000
<v Speaker 39>I can't think of anybody more deserving.

1151
01:11:34.720 --> 01:11:35.000
<v Speaker 5>Hello.

1152
01:11:35.159 --> 01:11:37.840
<v Speaker 14>My name is Marcus Schtigdeka. I am a professor of

1153
01:11:37.880 --> 01:11:41.720
<v Speaker 14>film studies in Germany and I've been producing a bonus

1154
01:11:41.760 --> 01:11:45.560
<v Speaker 14>material for film releases on Blu Ray for about twenty

1155
01:11:45.680 --> 01:11:49.319
<v Speaker 14>years now. About eight years ago I met a young

1156
01:11:49.359 --> 01:11:53.560
<v Speaker 14>guy from Italy whom I got along very well with,

1157
01:11:53.680 --> 01:11:55.800
<v Speaker 14>and this guy was Eugenio A.

1158
01:11:55.920 --> 01:11:56.520
<v Speaker 5>Kolani.

1159
01:11:56.760 --> 01:11:59.319
<v Speaker 14>We met at a film festival and talked about our

1160
01:11:59.359 --> 01:12:02.800
<v Speaker 14>favorite film and things we are interested in, and we

1161
01:12:02.880 --> 01:12:08.239
<v Speaker 14>even discussed possibilities to do books together because we shared

1162
01:12:08.319 --> 01:12:12.560
<v Speaker 14>some certain interests. And one of those interests actually resulted

1163
01:12:12.640 --> 01:12:16.920
<v Speaker 14>in a book some years later, which was our book

1164
01:12:17.039 --> 01:12:23.000
<v Speaker 14>about the film Cruising by William Friedkin. And this book

1165
01:12:23.239 --> 01:12:28.479
<v Speaker 14>was released in the Devil's Advocate series and is still

1166
01:12:28.520 --> 01:12:31.560
<v Speaker 14>available and get some good reviews, and we are really

1167
01:12:31.840 --> 01:12:37.199
<v Speaker 14>happy with this book. And we worked together on different levels.

1168
01:12:37.319 --> 01:12:40.880
<v Speaker 14>I invited him to give to contribute to a class

1169
01:12:40.960 --> 01:12:44.079
<v Speaker 14>I did on film history in a film school in Berlin,

1170
01:12:44.159 --> 01:12:47.159
<v Speaker 14>for example, where he was talking about the history of

1171
01:12:47.359 --> 01:12:54.119
<v Speaker 14>Italian genre cinema of Philone. And during this process we

1172
01:12:54.279 --> 01:12:59.920
<v Speaker 14>decided to produce video features together and only one excp

1173
01:13:00.000 --> 01:13:03.199
<v Speaker 14>sample of these features is on this great Blu Ray

1174
01:13:03.239 --> 01:13:06.600
<v Speaker 14>release of Knife of Eyes, where I did a shot

1175
01:13:06.680 --> 01:13:10.479
<v Speaker 14>video essay on the meaning of this film in the

1176
01:13:10.520 --> 01:13:14.640
<v Speaker 14>context of the Gillo cycle and we are planning to

1177
01:13:14.720 --> 01:13:15.159
<v Speaker 14>do a.

1178
01:13:15.119 --> 01:13:16.520
<v Speaker 5>Lot of things in future.

1179
01:13:17.399 --> 01:13:21.319
<v Speaker 14>We've been in contact all over these years and we've

1180
01:13:21.319 --> 01:13:25.239
<v Speaker 14>been discussing film matters and had a lot of fun

1181
01:13:25.680 --> 01:13:29.880
<v Speaker 14>meeting in Rome in Berlin, and so I think there

1182
01:13:29.960 --> 01:13:34.399
<v Speaker 14>is a very vivid working process with Iogenio, which I

1183
01:13:34.439 --> 01:13:37.520
<v Speaker 14>really appreciate, and I know a lot of his stuff.

1184
01:13:37.560 --> 01:13:41.439
<v Speaker 14>He keeps sending me his releases, and so I'm well

1185
01:13:41.479 --> 01:13:44.039
<v Speaker 14>aware of what he did over the years, and it's

1186
01:13:44.079 --> 01:13:46.640
<v Speaker 14>a plenty of stuff, and he has a lot of

1187
01:13:46.680 --> 01:13:52.159
<v Speaker 14>contacts in the Italian film industry. So I think, speaking

1188
01:13:52.199 --> 01:13:56.760
<v Speaker 14>from a film history perspective, his work is very valuable

1189
01:13:57.359 --> 01:14:00.600
<v Speaker 14>and I work with this stuff a lot, and we

1190
01:14:00.640 --> 01:14:05.000
<v Speaker 14>are planning to collaborate collaborate on future releases at the moment,

1191
01:14:05.279 --> 01:14:09.199
<v Speaker 14>and actually next week we'll meet up to do an

1192
01:14:09.239 --> 01:14:13.199
<v Speaker 14>audio commentary for a classic by Tinto Brass and so on.

1193
01:14:13.359 --> 01:14:17.159
<v Speaker 14>So there's no end inside, I hope, and this will

1194
01:14:17.159 --> 01:14:20.720
<v Speaker 14>go on for a long time as long as cinephiles

1195
01:14:20.800 --> 01:14:26.239
<v Speaker 14>will keep buying those film releases. And let's hope that

1196
01:14:26.479 --> 01:14:27.960
<v Speaker 14>this will never end.

1197
01:14:29.960 --> 01:14:33.000
<v Speaker 2>Mister believe we got a random film professor from Germany

1198
01:14:33.039 --> 01:14:36.600
<v Speaker 2>to speak about it. Fantastic in honor of Sergio Mims

1199
01:14:36.600 --> 01:14:39.119
<v Speaker 2>and Eugenio Erculani. We would like to encourage everyone to

1200
01:14:39.199 --> 01:14:42.600
<v Speaker 2>dive deep into film film studies and give the contextual

1201
01:14:42.640 --> 01:14:46.600
<v Speaker 2>supplements features a moment of your time when consuming the

1202
01:14:46.600 --> 01:14:48.880
<v Speaker 2>physical media that we love. So here's the Sergio Mims,

1203
01:14:49.399 --> 01:14:51.159
<v Speaker 2>here's the Eugenio air Coolone.

1204
01:14:51.920 --> 01:14:54.960
<v Speaker 3>Thank you to everyone that contributes to these releases. Encourages

1205
01:14:55.079 --> 01:14:58.760
<v Speaker 3>us all to broaden our understanding of film and film history.

1206
01:15:00.119 --> 01:15:03.800
<v Speaker 2>On that note, let's go into Best Interview, since that

1207
01:15:04.000 --> 01:15:06.479
<v Speaker 2>is one thing that Eugenio is great at.

1208
01:15:09.920 --> 01:15:13.479
<v Speaker 40>What's up, y'all. It's KB from KB Loves Movies. On

1209
01:15:13.520 --> 01:15:16.840
<v Speaker 40>my channel, I have an interview series called The Conversation.

1210
01:15:17.399 --> 01:15:20.039
<v Speaker 40>It's a great way to get to know fellow movie lovers,

1211
01:15:20.399 --> 01:15:25.880
<v Speaker 40>whether they are cinema goers, love streaming, or physical media collectors.

1212
01:15:26.479 --> 01:15:29.560
<v Speaker 40>It seems appropriate that I would introduce the nominees for

1213
01:15:30.000 --> 01:15:33.920
<v Speaker 40>Best New Interview, so the nominees are.

1214
01:15:46.760 --> 01:15:50.439
<v Speaker 11>Doomed to live interview with c. Thomas Howell, The Hitcher

1215
01:15:50.479 --> 01:15:55.960
<v Speaker 11>four K from Second Sight Films. Conversation between director Gregor

1216
01:15:56.079 --> 01:16:00.920
<v Speaker 11>Raki and filmmaker Richard Linklater, Gregor Rocky's Team of Trilogy

1217
01:16:01.279 --> 01:16:06.800
<v Speaker 11>Criterion Collection Interview with Harmony Kareene Gumbo four K from

1218
01:16:06.920 --> 01:16:13.239
<v Speaker 11>Criterion Collection, A rumination on Salvation, Nicholas Cage on Bringing

1219
01:16:13.239 --> 01:16:17.239
<v Speaker 11>Out the Dead, Bringing Out the Dead four K Paramount Pictures,

1220
01:16:18.399 --> 01:16:29.560
<v Speaker 11>a video interview with writer director Paul Schrader Touch Cinematograph.

1221
01:16:26.039 --> 01:16:28.720
<v Speaker 41>And the winner of the best interview, as ordered by

1222
01:16:28.760 --> 01:16:35.479
<v Speaker 41>the Creative Selection Committee is conversation between director Gregor Rocky

1223
01:16:35.520 --> 01:16:39.720
<v Speaker 41>and filmmaker Richard Linklater on Gregor Roki's Teen Apocalypse Trilogy

1224
01:16:39.880 --> 01:16:44.119
<v Speaker 41>Criterion Collection, and the winner is voted by the community

1225
01:16:44.600 --> 01:16:49.640
<v Speaker 41>is Doomed to Live interview see Thomas Howell The Hitcher

1226
01:16:49.680 --> 01:16:54.159
<v Speaker 41>four K, Second Side Films. Congratulations to both winners.

1227
01:16:55.640 --> 01:16:59.880
<v Speaker 2>All right, here is that Tina Apocalypse Trilogy from Criterion,

1228
01:17:00.319 --> 01:17:02.960
<v Speaker 2>another big release that people have been wanting for quite

1229
01:17:03.039 --> 01:17:07.760
<v Speaker 2>some time. Yeah, so glad we got that, and of

1230
01:17:07.880 --> 01:17:11.960
<v Speaker 2>course some killer titles coming out from Criterion all year.

1231
01:17:12.479 --> 01:17:15.359
<v Speaker 2>Glad that they've been able to step up on a

1232
01:17:15.359 --> 01:17:18.600
<v Speaker 2>bunch of pretty big titles. You know, we just saw

1233
01:17:18.640 --> 01:17:21.479
<v Speaker 2>Harmony Krinn and a couple others that have been pretty big.

1234
01:17:22.279 --> 01:17:24.319
<v Speaker 3>You're feeling the heat now because they used to be

1235
01:17:24.359 --> 01:17:26.640
<v Speaker 3>the only game in town and now they're not. And

1236
01:17:26.720 --> 01:17:30.239
<v Speaker 3>in fact, I think get scooped quite a bit on

1237
01:17:31.119 --> 01:17:33.119
<v Speaker 3>releases that people would normally say, oh, that's going to

1238
01:17:33.159 --> 01:17:36.119
<v Speaker 3>be a criterion. So I think they've they and they

1239
01:17:36.119 --> 01:17:38.239
<v Speaker 3>started going into four K, which is good for them.

1240
01:17:38.279 --> 01:17:41.520
<v Speaker 3>I know they kind of you know, we're waiting. I felt,

1241
01:17:41.560 --> 01:17:43.159
<v Speaker 3>I think a little too long to do it. But

1242
01:17:44.119 --> 01:17:46.399
<v Speaker 3>they've caught up with the times.

1243
01:17:46.840 --> 01:17:49.880
<v Speaker 2>Yeah, they're doing pretty great. Got quite a few nominations

1244
01:17:49.880 --> 01:17:51.880
<v Speaker 2>this year and they did not get any I think

1245
01:17:51.920 --> 01:17:53.640
<v Speaker 2>the first year, the second year one of the two,

1246
01:17:53.880 --> 01:17:57.920
<v Speaker 2>so that's a nice change for them. Yeah, all right.

1247
01:17:58.800 --> 01:18:02.159
<v Speaker 2>As far as supplemental features, what's your favorite supplemental feature, Michelle,

1248
01:18:02.159 --> 01:18:05.760
<v Speaker 2>are you a visual essay, commentary, written essay interview person?

1249
01:18:07.319 --> 01:18:11.199
<v Speaker 3>I like the written essays, and not just because I

1250
01:18:11.239 --> 01:18:14.119
<v Speaker 3>do those as well, but I'm just more of like

1251
01:18:14.760 --> 01:18:17.359
<v Speaker 3>a reading type person. That's the best way I can,

1252
01:18:17.479 --> 01:18:20.960
<v Speaker 3>like retain information. But I'll never say no to a

1253
01:18:20.960 --> 01:18:24.439
<v Speaker 3>good visual essay. I always watch all the visual essays

1254
01:18:24.479 --> 01:18:25.920
<v Speaker 3>on everything.

1255
01:18:26.760 --> 01:18:30.680
<v Speaker 2>But yeah, written for me, yeah, I would agree. For

1256
01:18:30.760 --> 01:18:33.159
<v Speaker 2>the most part. Commentaries are hard to give that much

1257
01:18:33.159 --> 01:18:34.800
<v Speaker 2>time to. I do it when I can, But written

1258
01:18:34.920 --> 01:18:38.920
<v Speaker 2>essays or our next category, which is visual essay, is

1259
01:18:38.920 --> 01:18:41.079
<v Speaker 2>one of my favorites. So let's go back over to

1260
01:18:41.199 --> 01:18:44.760
<v Speaker 2>Nathaniel Thompson's incredible movie Room to hear from them.

1261
01:18:46.520 --> 01:18:49.239
<v Speaker 39>Hey, there are shell Shock Rewinders. I'm Nathaniel Thompson from

1262
01:18:49.279 --> 01:18:52.079
<v Speaker 39>Mondo Digital and you might have heard me on.

1263
01:18:52.520 --> 01:18:53.800
<v Speaker 5>God knowess how many commentaries.

1264
01:18:53.800 --> 01:18:55.920
<v Speaker 39>I can't even count them all, but it is my

1265
01:18:56.039 --> 01:18:58.159
<v Speaker 39>pleasure to be back here again this year presenting for

1266
01:18:58.199 --> 01:19:01.239
<v Speaker 39>the shell Shock rewind Awards, and I will be presenting

1267
01:19:01.720 --> 01:19:27.560
<v Speaker 39>the winners for Best New Visual Essay and the nominees are.

1268
01:19:19.680 --> 01:19:24.039
<v Speaker 11>Coffin Joe's Sedina Underworld by Lindsay Hallam. Inside the Mind

1269
01:19:24.079 --> 01:19:28.439
<v Speaker 11>of Coffin Joe from Arrow Video, Desperate Times, Call for

1270
01:19:28.520 --> 01:19:34.119
<v Speaker 11>Desperate Measures by Chris O'Neil, Red Rock West Cinematograph.

1271
01:19:34.239 --> 01:19:34.920
<v Speaker 33>Don't let the.

1272
01:19:34.880 --> 01:19:38.479
<v Speaker 11>Title fool you. Little Darlings Beyond the Teen Sex Comedy

1273
01:19:38.560 --> 01:19:43.800
<v Speaker 11>by Sam Deagan Little Darling's four K from Cinematograph. The

1274
01:19:43.880 --> 01:19:47.119
<v Speaker 11>Kids Aren't All Right by Erica Schultz, Run and Kill

1275
01:19:47.199 --> 01:19:52.039
<v Speaker 11>from Error four four four four, Tom York Spells the

1276
01:19:52.159 --> 01:19:56.600
<v Speaker 11>Music of Suspiria by Philip Jeffries Suspiria twenty eighteen four

1277
01:19:56.680 --> 01:19:58.439
<v Speaker 11>K in print Films.

1278
01:20:02.600 --> 01:20:05.239
<v Speaker 39>Okay, well that was some very tough competition. I know

1279
01:20:05.319 --> 01:20:07.039
<v Speaker 39>we all really want to who the winners are. And

1280
01:20:07.239 --> 01:20:10.800
<v Speaker 39>first of all, uh huh, there we go. The winner

1281
01:20:11.000 --> 01:20:15.279
<v Speaker 39>for the Creator Selection Committee, Actually it's a tie. It's

1282
01:20:15.399 --> 01:20:18.199
<v Speaker 39>Don't Let the Title fool You, Little Darlings Beyond the

1283
01:20:18.199 --> 01:20:20.680
<v Speaker 39>Teen Sex Comedy by Sam Deagan from A Little Darling's

1284
01:20:20.720 --> 01:20:23.720
<v Speaker 39>four K by Cinematograph, and the Kids Aren't All Right

1285
01:20:23.720 --> 01:20:25.000
<v Speaker 39>by Erica Schultz from Run and.

1286
01:20:25.000 --> 01:20:29.279
<v Speaker 2>Kill Era four four four. And the winner for the

1287
01:20:29.319 --> 01:20:30.279
<v Speaker 2>public vote is.

1288
01:20:31.439 --> 01:20:36.680
<v Speaker 39>Let's see, it's Don't let the title for you, Little

1289
01:20:36.720 --> 01:20:39.000
<v Speaker 39>Darlings Beyond the Teen Sex Company by Sam Deagan a

1290
01:20:39.000 --> 01:20:44.119
<v Speaker 39>Little Darling's four K Cinematograph. Congratulations, rounded, applause, and back

1291
01:20:44.159 --> 01:20:44.600
<v Speaker 39>to the show.

1292
01:20:46.439 --> 01:20:49.920
<v Speaker 2>Congrats, Here's Little Darlings. This is the first title announced

1293
01:20:49.920 --> 01:20:53.680
<v Speaker 2>by Cinematograph over this last year. An incredible release for

1294
01:20:53.720 --> 01:20:55.600
<v Speaker 2>a movie that people have wanted for quite some time.

1295
01:20:55.840 --> 01:21:00.960
<v Speaker 2>And special shout out to Erica, just contributor to many

1296
01:21:00.960 --> 01:21:02.479
<v Speaker 2>of these releases. I've been honored to work with her

1297
01:21:02.520 --> 01:21:05.239
<v Speaker 2>a few times and every single time is impressive.

1298
01:21:05.840 --> 01:21:11.439
<v Speaker 3>Look all right, the Sweetest Taboo This book is incredible,

1299
01:21:11.800 --> 01:21:14.279
<v Speaker 3>Well Erica wrote it just doesn't say that, but uh

1300
01:21:14.399 --> 01:21:17.560
<v Speaker 3>this book if you like want to like know every

1301
01:21:17.640 --> 01:21:19.840
<v Speaker 3>kid that ever died in a movie ever, like in

1302
01:21:19.880 --> 01:21:24.239
<v Speaker 3>graphic detail, and you want a book about it that's hilarious.

1303
01:21:24.319 --> 01:21:26.960
<v Speaker 3>To get this book. I think it's sold out. I

1304
01:21:26.960 --> 01:21:28.640
<v Speaker 3>don't know if she's going to reprinted, so you might

1305
01:21:28.680 --> 01:21:30.399
<v Speaker 3>have to buy it secondhand, because I know she it

1306
01:21:30.479 --> 01:21:33.680
<v Speaker 3>was really popular. But this book is fucking incredible, Like

1307
01:21:33.800 --> 01:21:37.319
<v Speaker 3>I read it cover to cover in a day, and

1308
01:21:37.600 --> 01:21:39.159
<v Speaker 3>you know, And I also wanted to shout out Air

1309
01:21:39.319 --> 01:21:41.600
<v Speaker 3>for four four because I work with them a lot,

1310
01:21:41.680 --> 01:21:44.520
<v Speaker 3>and they're super nice and they employ a lot of

1311
01:21:44.640 --> 01:21:50.520
<v Speaker 3>women and uh like people of color and super great

1312
01:21:50.520 --> 01:21:53.119
<v Speaker 3>company to do work for. And I have a couple

1313
01:21:53.079 --> 01:21:55.840
<v Speaker 3>of releases actually coming out with them in a couple

1314
01:21:55.880 --> 01:21:57.960
<v Speaker 3>of months, I think so. But yeah, I was so

1315
01:21:58.000 --> 01:22:00.000
<v Speaker 3>happy to see them nominated for something and went something.

1316
01:22:01.920 --> 01:22:04.359
<v Speaker 2>It's a big deal. Air forty four. Forty four does

1317
01:22:04.359 --> 01:22:07.319
<v Speaker 2>not get enough attention. Glad that Eric and Sam are

1318
01:22:07.319 --> 01:22:10.520
<v Speaker 2>getting their due there. But when it comes to essays,

1319
01:22:10.520 --> 01:22:13.600
<v Speaker 2>a lot of people want to know about the written essays,

1320
01:22:13.640 --> 01:22:17.359
<v Speaker 2>So let's go for best written Essays to the Good Doctor.

1321
01:22:17.880 --> 01:22:22.079
<v Speaker 9>Everyone will Dodson here, and I am thrilled to be

1322
01:22:22.800 --> 01:22:28.479
<v Speaker 9>here for the third annual Shelf Shock Rewind Awards, presenting

1323
01:22:29.159 --> 01:22:35.680
<v Speaker 9>Best newly written Essay, not oldly no reprints, all brand

1324
01:22:35.760 --> 01:22:39.399
<v Speaker 9>new Scholarship and nominees.

1325
01:22:38.880 --> 01:22:55.359
<v Speaker 3>Are Heather Donahue and The Imperfect Woman by Mary Beth McAndrews,

1326
01:22:55.720 --> 01:22:59.800
<v Speaker 3>The Blair Witch Project, Second Sight Films, A Man of

1327
01:22:59.800 --> 01:23:04.399
<v Speaker 3>All Genres by Erica Schultz, Corpsmania four K, Vinegar Syndrome,

1328
01:23:05.720 --> 01:23:09.680
<v Speaker 3>Tall Dark Stranger, Robert Harmon's The Hitcher by Heather Draine,

1329
01:23:09.840 --> 01:23:14.199
<v Speaker 3>The Hitcher four K, Second Site Films, Shout at the Devil,

1330
01:23:14.439 --> 01:23:17.079
<v Speaker 3>Trick or Treat and Heavy Metal Horror by Sam Began,

1331
01:23:17.560 --> 01:23:21.960
<v Speaker 3>Trick or Treat four K, Redshirt Pictures, Synapse Films, We

1332
01:23:22.079 --> 01:23:24.560
<v Speaker 3>Got to Get Out of This Place by Josh Hurtado

1333
01:23:25.239 --> 01:23:30.720
<v Speaker 3>Green Room four K Second Site Films, and.

1334
01:23:31.119 --> 01:23:38.399
<v Speaker 9>The CSC winner is Tall Dark Stranger Robert Harmon's The

1335
01:23:38.560 --> 01:23:43.720
<v Speaker 9>Hitcher by Heather Draine for the Second Site Films four

1336
01:23:43.800 --> 01:23:51.119
<v Speaker 9>K release of The Hitcher Excellent and the Community winner

1337
01:23:51.880 --> 01:23:54.920
<v Speaker 9>Shout at the Devil, Trick or Treat and Heavy Metal

1338
01:23:54.960 --> 01:24:01.039
<v Speaker 9>Horror by Sam Degan for the Synapse film Red Shirt

1339
01:24:01.079 --> 01:24:06.800
<v Speaker 9>Pictures produced Trick or Treat four K. Congratulations to Heather

1340
01:24:06.880 --> 01:24:11.760
<v Speaker 9>drain and to Sam Deacan, well done. We all enjoy

1341
01:24:12.079 --> 01:24:15.840
<v Speaker 9>reading your works, so keep it coming. In twenty twenty.

1342
01:24:15.520 --> 01:24:20.159
<v Speaker 3>Five, Oh my god, that's insane.

1343
01:24:20.319 --> 01:24:23.359
<v Speaker 18>That is insane to be even Brodie Lee, my dog

1344
01:24:23.960 --> 01:24:25.920
<v Speaker 18>is flub mixed.

1345
01:24:27.039 --> 01:24:28.000
<v Speaker 3>That's incredible.

1346
01:24:28.039 --> 01:24:33.079
<v Speaker 18>I don't I'm especially because that release by Second Sight

1347
01:24:33.279 --> 01:24:37.840
<v Speaker 18>is just chock full of absolutely brilliant creators and the

1348
01:24:37.880 --> 01:24:41.039
<v Speaker 18>fact that this category is brimming with people that are

1349
01:24:41.319 --> 01:24:45.439
<v Speaker 18>so talented, so smart, so established. So I don't know

1350
01:24:45.479 --> 01:24:48.159
<v Speaker 18>how I got my little gribblin ass in here, but

1351
01:24:48.199 --> 01:24:52.520
<v Speaker 18>I'm so grateful and I'm grateful to be part of this.

1352
01:24:52.600 --> 01:24:54.359
<v Speaker 3>I think these awards.

1353
01:24:54.399 --> 01:24:56.720
<v Speaker 18>What's cool about what you do with these is this

1354
01:24:56.880 --> 01:24:59.680
<v Speaker 18>is just something that is celebrating both physical media, which

1355
01:24:59.720 --> 01:25:03.560
<v Speaker 18>is such a key part of film preservation, but it's

1356
01:25:03.600 --> 01:25:06.199
<v Speaker 18>also just part of all of us. We're all a tribe,

1357
01:25:06.279 --> 01:25:10.359
<v Speaker 18>we're all united by our love of these wonderful, weird,

1358
01:25:11.199 --> 01:25:15.079
<v Speaker 18>sometimes very underloved movies, and we're all just fighting the

1359
01:25:15.399 --> 01:25:15.920
<v Speaker 18>good fight.

1360
01:25:16.079 --> 01:25:17.319
<v Speaker 3>So I'm so honored.

1361
01:25:18.720 --> 01:25:21.000
<v Speaker 18>Thank you, and thanks to Chris Holden, who is the

1362
01:25:21.000 --> 01:25:23.319
<v Speaker 18>one that brought me on. He's the one that originally

1363
01:25:23.319 --> 01:25:27.079
<v Speaker 18>reached out to me back in twenty twenty that wild

1364
01:25:27.880 --> 01:25:31.640
<v Speaker 18>second second site worked there, BLAT's off to get this

1365
01:25:31.800 --> 01:25:35.399
<v Speaker 18>out and get it right, So so definitely huge kudos

1366
01:25:35.439 --> 01:25:35.760
<v Speaker 18>to them.

1367
01:25:35.760 --> 01:25:37.279
<v Speaker 3>But yeah, thank you so much.

1368
01:25:37.479 --> 01:25:42.319
<v Speaker 18>I'm so I'm so honored and absolutely just to be

1369
01:25:42.479 --> 01:25:45.279
<v Speaker 18>gaggled and be dazzled and all of the bees.

1370
01:25:49.600 --> 01:25:52.479
<v Speaker 42>Yeah, you know, all credit there is really do to Sam.

1371
01:25:53.880 --> 01:26:00.039
<v Speaker 42>I can you know, speak to her talent endlessly, but

1372
01:26:00.760 --> 01:26:02.880
<v Speaker 42>she's the one who did it, you know, it's for

1373
01:26:02.960 --> 01:26:06.600
<v Speaker 42>me with Little Darlings. Little Darlings was the first release

1374
01:26:06.760 --> 01:26:09.840
<v Speaker 42>for Cinematograph, and it was very important to me to

1375
01:26:09.920 --> 01:26:12.880
<v Speaker 42>not only bring in people who knew what they were

1376
01:26:12.920 --> 01:26:15.079
<v Speaker 42>doing and kind of set the bar for what the

1377
01:26:15.159 --> 01:26:17.800
<v Speaker 42>label would be, but with Little Darlings, I also really

1378
01:26:17.840 --> 01:26:21.359
<v Speaker 42>wanted to have the contributors be women, just by virtue

1379
01:26:21.399 --> 01:26:23.000
<v Speaker 42>of what that film is about. You know, it was

1380
01:26:23.039 --> 01:26:26.560
<v Speaker 42>directed by men, but it's written by women, stars women,

1381
01:26:26.880 --> 01:26:29.359
<v Speaker 42>it's about women. I really wanted to have women be

1382
01:26:30.159 --> 01:26:34.640
<v Speaker 42>the focal point of the extras, and Sam just dove

1383
01:26:34.720 --> 01:26:38.560
<v Speaker 42>right into it, which she does with everything she does.

1384
01:26:39.479 --> 01:26:41.680
<v Speaker 42>You know, I wouldn't say that this was an anomaly

1385
01:26:41.720 --> 01:26:44.199
<v Speaker 42>for Sam, like I don't think she worked harder on

1386
01:26:44.239 --> 01:26:46.000
<v Speaker 42>this than anything else she did in the past year,

1387
01:26:46.079 --> 01:26:49.880
<v Speaker 42>but I think this offered her something to do that

1388
01:26:49.920 --> 01:26:54.439
<v Speaker 42>she doesn't usually do, you know, a studio sex comedy

1389
01:26:54.520 --> 01:26:57.680
<v Speaker 42>for the most part, and especially a movie that's so sweet.

1390
01:26:58.039 --> 01:27:03.479
<v Speaker 42>I think Little Darlings is very sincere, you know, charming movie.

1391
01:27:03.520 --> 01:27:06.079
<v Speaker 42>And I think a lot of the work that the

1392
01:27:06.159 --> 01:27:09.960
<v Speaker 42>people we tend to work with the most, their work

1393
01:27:10.000 --> 01:27:14.359
<v Speaker 42>tends to usually work within genre film or films that

1394
01:27:14.399 --> 01:27:19.720
<v Speaker 42>are darker. And I'm really happy that Sam took the

1395
01:27:19.760 --> 01:27:22.720
<v Speaker 42>assignment and did something really unique with it and very

1396
01:27:23.479 --> 01:27:26.319
<v Speaker 42>you know, articulate. Yeah, I couldn't be prouder of having

1397
01:27:26.359 --> 01:27:35.079
<v Speaker 42>that on the release. That's yeah. I wasn't expecting it, Honestly,

1398
01:27:35.279 --> 01:27:36.880
<v Speaker 42>I was kind of really worried about it.

1399
01:27:39.439 --> 01:27:43.840
<v Speaker 2>All right, congratulations to Heather and Sam. Here is Trigger Treat,

1400
01:27:43.880 --> 01:27:47.119
<v Speaker 2>which has not gotten enough love. This is a pretty

1401
01:27:47.319 --> 01:27:51.199
<v Speaker 2>crazy release from Synaps and Red Shirt. It's very fancy,

1402
01:27:51.880 --> 01:27:55.600
<v Speaker 2>especially for a title that people had wanted for decades literally,

1403
01:27:55.720 --> 01:27:58.239
<v Speaker 2>especially in HD. It's it's pretty remarkable.

1404
01:28:00.159 --> 01:28:02.960
<v Speaker 3>Yeah, I'm so happy to see all the ladies kind

1405
01:28:02.960 --> 01:28:06.760
<v Speaker 3>of cleaning up you know, the awards there. I'm into it.

1406
01:28:07.399 --> 01:28:11.520
<v Speaker 2>They've been doing very very well on that note. We've

1407
01:28:11.560 --> 01:28:13.680
<v Speaker 2>got more from the ladies coming up after this, but

1408
01:28:13.760 --> 01:28:19.079
<v Speaker 2>first our next special video for everybody. Here's somebody that

1409
01:28:19.159 --> 01:28:23.279
<v Speaker 2>wanted to share some of their favorites releases from last

1410
01:28:23.359 --> 01:28:25.199
<v Speaker 2>year as well, So check this out.

1411
01:28:25.840 --> 01:28:30.239
<v Speaker 43>Hell everybody, this is Sean Baker, independent filmmaker and lover

1412
01:28:30.560 --> 01:28:35.720
<v Speaker 43>of physical media. I hope you're all enjoying the Shelf

1413
01:28:35.760 --> 01:28:40.640
<v Speaker 43>Shock Rewind Awards. Ryan and Jeremy of The Disconnected asked

1414
01:28:40.680 --> 01:28:43.680
<v Speaker 43>me to come on and tell you guys about some

1415
01:28:43.720 --> 01:28:45.199
<v Speaker 43>of my favorite releases of the year.

1416
01:28:45.399 --> 01:28:46.000
<v Speaker 6>So here we go.

1417
01:28:46.039 --> 01:28:50.960
<v Speaker 43>I'll make a fast Grindhouse Releasing's Hollywood nine zero zero

1418
01:28:51.039 --> 01:28:56.000
<v Speaker 43>two eight, a beautiful release and restoration of pretty much

1419
01:28:56.039 --> 01:28:59.439
<v Speaker 43>a lost movie which is really a time capsule of

1420
01:28:59.600 --> 01:29:03.880
<v Speaker 43>a seven Los Angeles. You have Severn's trilogy of the

1421
01:29:04.000 --> 01:29:06.840
<v Speaker 43>russ Meyer films. My god, this is such a long

1422
01:29:06.880 --> 01:29:10.600
<v Speaker 43>time coming and they did such a wonderful job. Thank

1423
01:29:10.680 --> 01:29:13.359
<v Speaker 43>god these films are out and available again. You have

1424
01:29:13.399 --> 01:29:19.000
<v Speaker 43>criterions Happiness, Todd Salance's masterpiece. Hello, this was so this

1425
01:29:19.199 --> 01:29:21.520
<v Speaker 43>was like one we needed for quite a while. You

1426
01:29:21.560 --> 01:29:24.960
<v Speaker 43>have Second Sights the Hitcher, Come on, they do it

1427
01:29:25.000 --> 01:29:27.680
<v Speaker 43>like no other. I mean, look at this incredible. The

1428
01:29:27.720 --> 01:29:32.520
<v Speaker 43>reason this is sealed is because I bought two Okay, this,

1429
01:29:32.520 --> 01:29:36.079
<v Speaker 43>this is the restoration on this looks so great and

1430
01:29:36.119 --> 01:29:39.680
<v Speaker 43>the extras are amazing. And someday I'm gonna pick Robert

1431
01:29:39.880 --> 01:29:45.560
<v Speaker 43>Harman's brain about how to shoot a chase scene because

1432
01:29:45.600 --> 01:29:51.800
<v Speaker 43>he's incredible. And film movements poetry of Chang Dong Lee,

1433
01:29:52.079 --> 01:29:55.159
<v Speaker 43>one of my favorite directors, a director of Oasis, Oasis

1434
01:29:55.199 --> 01:29:57.399
<v Speaker 43>is on this one. There are four films, one of

1435
01:29:57.439 --> 01:30:01.520
<v Speaker 43>them is Oasis and then third Window films released as

1436
01:30:01.560 --> 01:30:06.079
<v Speaker 43>part of the director's series Mermaid Legend, which is like,

1437
01:30:07.359 --> 01:30:14.359
<v Speaker 43>it's such an incredible discovery. Really splattertastic, splatter tastic. I

1438
01:30:14.359 --> 01:30:17.600
<v Speaker 43>don't know that, I just create a word anyway, Thanks guys.

1439
01:30:17.760 --> 01:30:20.720
<v Speaker 43>Enjoy the show, Talk soon, buy Blu rays and four

1440
01:30:20.800 --> 01:30:23.319
<v Speaker 43>case and also see movies in the theater. All right

1441
01:30:23.359 --> 01:30:25.920
<v Speaker 43>bye wow.

1442
01:30:27.239 --> 01:30:29.239
<v Speaker 2>Yeah, So Erratick at the end just wanted to get

1443
01:30:29.279 --> 01:30:30.600
<v Speaker 2>every single thing that he could have.

1444
01:30:31.239 --> 01:30:35.239
<v Speaker 3>Those Director Company releases are fantastic. I've been wanting to

1445
01:30:35.279 --> 01:30:37.079
<v Speaker 3>see a lot of those movies. I feel like the

1446
01:30:37.159 --> 01:30:42.840
<v Speaker 3>nineteen eighties era in Japan is very unrepresented in physical media,

1447
01:30:43.239 --> 01:30:45.239
<v Speaker 3>and I was just over the moon that they started

1448
01:30:45.279 --> 01:30:47.399
<v Speaker 3>releasing those because there's so many films I've been on

1449
01:30:47.439 --> 01:30:49.600
<v Speaker 3>my watch list that I finally got to knock off

1450
01:30:49.880 --> 01:30:54.439
<v Speaker 3>and every release is fantastic, two great, great extras on them,

1451
01:30:54.720 --> 01:30:57.119
<v Speaker 3>and it's crazy you had time to do that, like

1452
01:30:57.159 --> 01:31:00.920
<v Speaker 3>in between me and Sean Baker. But he has a letterbox.

1453
01:31:00.960 --> 01:31:02.159
<v Speaker 3>I don't know if people know that, but he has

1454
01:31:02.159 --> 01:31:05.199
<v Speaker 3>a letterbox and he does log on there when he's

1455
01:31:05.239 --> 01:31:07.079
<v Speaker 3>watching stuff. And he's even a lot of a couple

1456
01:31:07.079 --> 01:31:08.359
<v Speaker 3>of things I worked on, and I'm like, oh, I

1457
01:31:08.359 --> 01:31:10.319
<v Speaker 3>wonder if he read my.

1458
01:31:10.560 --> 01:31:13.479
<v Speaker 2>He definitely has. He consumed so much of it, and

1459
01:31:13.479 --> 01:31:15.800
<v Speaker 2>I love I love that he knew collectors. We're going

1460
01:31:15.840 --> 01:31:17.279
<v Speaker 2>to watch this and he's like, hey, this is sealed

1461
01:31:17.319 --> 01:31:18.399
<v Speaker 2>because I bought two I promise.

1462
01:31:18.479 --> 01:31:20.399
<v Speaker 3>I was totally thinking that I'm not gonna lie. I

1463
01:31:20.439 --> 01:31:21.960
<v Speaker 3>was like, where did I seal await poser?

1464
01:31:24.760 --> 01:31:24.840
<v Speaker 6>No.

1465
01:31:25.039 --> 01:31:28.239
<v Speaker 2>He he is a voracious consumer of this stuff. And

1466
01:31:28.760 --> 01:31:30.479
<v Speaker 2>one of the things that I've heard him talk about

1467
01:31:30.479 --> 01:31:34.439
<v Speaker 2>before is loving commentaries. Let's go over to Senate Journeys

1468
01:31:34.479 --> 01:31:36.520
<v Speaker 2>to share the best commentary.

1469
01:31:37.159 --> 01:31:39.960
<v Speaker 1>Come and live from my house in Atlanta, Georgia. I'm

1470
01:31:40.079 --> 01:31:44.760
<v Speaker 1>Chill Blake. This is Aaron West. This is Ruby and

1471
01:31:45.680 --> 01:31:48.359
<v Speaker 1>we are from senat Journey Cina journeys dot com.

1472
01:31:48.359 --> 01:31:50.239
<v Speaker 3>We are the co founders.

1473
01:31:49.760 --> 01:31:53.479
<v Speaker 1>And owners of Cena Journeys, a community for cinophiles, and

1474
01:31:53.880 --> 01:31:57.520
<v Speaker 1>we've got a lot of great things coming on immagin.

1475
01:31:57.600 --> 01:32:00.800
<v Speaker 1>Sarah Smith is going to be leading a class on

1476
01:32:01.000 --> 01:32:03.840
<v Speaker 1>palin Pressburger. We also have our good friend Millie to

1477
01:32:03.920 --> 01:32:06.399
<v Speaker 1>Cheriko who is going to be leading a class in

1478
01:32:06.439 --> 01:32:06.920
<v Speaker 1>the summer.

1479
01:32:07.119 --> 01:32:08.399
<v Speaker 3>A lot of great things happening.

1480
01:32:09.720 --> 01:32:12.479
<v Speaker 44>Yeah, and we had to do this because she was

1481
01:32:12.520 --> 01:32:13.600
<v Speaker 44>going to bark and.

1482
01:32:13.600 --> 01:32:15.520
<v Speaker 3>I'm out of breath because she's really heavy.

1483
01:32:15.720 --> 01:32:18.039
<v Speaker 44>And so I have a book, the A twenty four

1484
01:32:18.079 --> 01:32:21.000
<v Speaker 44>New Wave As we have a crowd fun campaign that's

1485
01:32:21.039 --> 01:32:24.079
<v Speaker 44>about to end, I think this week when this airs.

1486
01:32:24.720 --> 01:32:28.960
<v Speaker 44>But we are presenting the nominees for the Best New Commentary. Hey,

1487
01:32:29.039 --> 01:32:33.279
<v Speaker 44>and the nominees are commentarys are amazing. Make more commentaries.

1488
01:32:33.319 --> 01:32:36.119
<v Speaker 6>Go Blu rays that.

1489
01:32:37.760 --> 01:32:38.840
<v Speaker 3>Yeah, we'll take a DVD.

1490
01:32:39.000 --> 01:32:41.239
<v Speaker 44>You could just shout me a commentary and I will

1491
01:32:41.239 --> 01:32:41.720
<v Speaker 44>take that.

1492
01:32:42.000 --> 01:32:44.640
<v Speaker 1>Ribby will take a commentary at any time.

1493
01:32:44.800 --> 01:32:46.079
<v Speaker 9>The nominees are.

1494
01:32:57.920 --> 01:33:02.960
<v Speaker 11>Mike Flanagan, Kate Siegel, Samantha Sloane, John Gallagher Junior, and

1495
01:33:03.000 --> 01:33:10.199
<v Speaker 11>Michael Trucco, Hush four K from Scream Factory, Alexandra Heller Nicholas,

1496
01:33:10.600 --> 01:33:16.279
<v Speaker 11>The Hitcher four K Second Site Films Alexandra Heller Nicholas

1497
01:33:16.279 --> 01:33:20.399
<v Speaker 11>and Josh Nelson, The Blair Witch Project Second Site Films,

1498
01:33:21.680 --> 01:33:25.199
<v Speaker 11>Chris O'Neill and Erica Schultz Deep in the Heart from

1499
01:33:25.239 --> 01:33:30.079
<v Speaker 11>Fun City Editions, Kevin Smith the four thirty movie four

1500
01:33:30.199 --> 01:33:31.520
<v Speaker 11>K lions Gate.

1501
01:33:34.279 --> 01:33:39.640
<v Speaker 44>And the winners of that new commentary are Alexandra Heller

1502
01:33:40.000 --> 01:33:44.960
<v Speaker 44>Nicholas for The Hitcher Second Site Films. She's an amazing, huge release.

1503
01:33:45.039 --> 01:33:47.520
<v Speaker 44>She does great commentaries, so I'm very happy for that.

1504
01:33:48.159 --> 01:33:53.239
<v Speaker 44>And the community winner is Hush four K from Screen Factory.

1505
01:33:53.239 --> 01:33:54.159
<v Speaker 9>Do you want to read the name?

1506
01:33:54.319 --> 01:33:54.560
<v Speaker 17>Sure?

1507
01:33:54.800 --> 01:34:00.199
<v Speaker 1>Mike Flanagan, Kate Siegel, Samantha Sloane, John Gallagher Junior, and Michael.

1508
01:34:00.479 --> 01:34:03.079
<v Speaker 3>My personal favorite from Battlestar Galactic Truth.

1509
01:34:03.560 --> 01:34:08.359
<v Speaker 45>All right, thanks, so hello, thank you for this award.

1510
01:34:08.640 --> 01:34:12.039
<v Speaker 45>My name is alex Heller Nicholas, beaming to you now

1511
01:34:12.079 --> 01:34:14.399
<v Speaker 45>from the bottom of the planet down here in Australia,

1512
01:34:15.119 --> 01:34:18.039
<v Speaker 45>and what a joy it is to have such a

1513
01:34:18.039 --> 01:34:22.359
<v Speaker 45>formal celebration of my work on The Hitcher. Like so

1514
01:34:22.439 --> 01:34:24.880
<v Speaker 45>many fans of this film, I honestly never thought I

1515
01:34:24.880 --> 01:34:26.880
<v Speaker 45>would see the day that it would get a proper release,

1516
01:34:27.000 --> 01:34:30.680
<v Speaker 45>let alone something of the standard that Phil Scott, Chris

1517
01:34:30.680 --> 01:34:32.920
<v Speaker 45>Holden and the team at Second Sight have pulled together

1518
01:34:33.000 --> 01:34:34.279
<v Speaker 45>with this particular release.

1519
01:34:34.960 --> 01:34:35.680
<v Speaker 3>It's magical.

1520
01:34:35.720 --> 01:34:39.359
<v Speaker 45>It's a magical film, a magical team at Second Sight,

1521
01:34:39.520 --> 01:34:41.600
<v Speaker 45>and it's such an honor to have played such a

1522
01:34:41.600 --> 01:34:43.560
<v Speaker 45>small part in this incredible release.

1523
01:34:44.159 --> 01:34:44.960
<v Speaker 6>I'd also like to.

1524
01:34:44.920 --> 01:34:48.239
<v Speaker 45>Dedicate this award if I made, to Lee Gambon, the

1525
01:34:48.319 --> 01:34:51.479
<v Speaker 45>late Australian film critical Lee Gambon, who of course is

1526
01:34:51.520 --> 01:34:54.800
<v Speaker 45>not a new name if you're familiar with audio commentaries

1527
01:34:55.119 --> 01:34:58.640
<v Speaker 45>at all from boutique labels over the past decade or so.

1528
01:34:59.359 --> 01:35:02.199
<v Speaker 45>We lost Le in twenty twenty four, and he's with

1529
01:35:02.279 --> 01:35:05.239
<v Speaker 45>me and so many people every day, and especially in

1530
01:35:05.279 --> 01:35:06.600
<v Speaker 45>the work that I do in this space.

1531
01:35:07.039 --> 01:35:12.439
<v Speaker 46>Thanks thank you to everyone who voted for Hush as

1532
01:35:12.520 --> 01:35:16.079
<v Speaker 46>Best Commentary. It's one of my all time favorite productions.

1533
01:35:16.159 --> 01:35:19.920
<v Speaker 46>That was for Shout Factory. Mike Flanagan and his wife Katie,

1534
01:35:19.920 --> 01:35:22.600
<v Speaker 46>they really rolled out the red carpet for us for

1535
01:35:22.760 --> 01:35:25.439
<v Speaker 46>several days. They let us really take over their home

1536
01:35:26.079 --> 01:35:30.680
<v Speaker 46>and it was unforgettable. Mike and I bonded very quickly

1537
01:35:30.800 --> 01:35:34.079
<v Speaker 46>over our shared love of Stephen King. I walked in

1538
01:35:34.119 --> 01:35:37.640
<v Speaker 46>his office and immediately noticed a Caine sitting by the door,

1539
01:35:38.199 --> 01:35:43.279
<v Speaker 46>and I was frozen. Wow, this is Lenoge's Cane from

1540
01:35:43.399 --> 01:35:45.800
<v Speaker 46>Storm of the Century, which is one of my favorite

1541
01:35:45.840 --> 01:35:50.600
<v Speaker 46>television Stephen King adaptations. And Mike was like, wow, are

1542
01:35:50.600 --> 01:35:52.279
<v Speaker 46>you a fan of Storm of the Century? No one

1543
01:35:52.279 --> 01:35:54.840
<v Speaker 46>ever knows what that is? And I said, oh, am

1544
01:35:54.880 --> 01:35:56.800
<v Speaker 46>I a fan. I'm a huge fan. So from that

1545
01:35:56.880 --> 01:35:59.800
<v Speaker 46>point forward we were off to the races and it

1546
01:35:59.880 --> 01:36:04.800
<v Speaker 46>was just two unforgettable days, most precious probably seeing the

1547
01:36:04.840 --> 01:36:08.640
<v Speaker 46>cast together again talking about the film on these commentary

1548
01:36:08.720 --> 01:36:11.279
<v Speaker 46>tracks over the two versions of the movie that Shout

1549
01:36:11.319 --> 01:36:14.560
<v Speaker 46>Factory included in that set. And I do need to

1550
01:36:14.560 --> 01:36:17.760
<v Speaker 46>give a special nod to Jeff Roland from Shout who

1551
01:36:17.800 --> 01:36:20.520
<v Speaker 46>came up with the idea of doing the video recording

1552
01:36:20.560 --> 01:36:23.359
<v Speaker 46>of that commentary where we just put a camera in

1553
01:36:23.399 --> 01:36:25.560
<v Speaker 46>the corner of the room and let it roll as

1554
01:36:25.680 --> 01:36:28.720
<v Speaker 46>everything unfolded. It turned out to be a real treat

1555
01:36:28.880 --> 01:36:31.039
<v Speaker 46>and a nice surprise, and that was one hundred percent

1556
01:36:31.119 --> 01:36:33.840
<v Speaker 46>Jeff Roland at Shout Factory. So I tipped my hat

1557
01:36:33.880 --> 01:36:37.039
<v Speaker 46>to him and again to everyone who voted in this

1558
01:36:37.079 --> 01:36:40.039
<v Speaker 46>category for Hush, Thank you so much for the support

1559
01:36:40.199 --> 01:36:43.880
<v Speaker 46>of physical media, and to the awards here for celebrating

1560
01:36:43.880 --> 01:36:47.600
<v Speaker 46>a segment of entertainment that is all too often forgotten.

1561
01:36:48.119 --> 01:36:50.680
<v Speaker 46>So thank you so much. It is a sincere honor.

1562
01:36:57.640 --> 01:37:00.399
<v Speaker 2>We've heard the hitcher butt fifteen times tonight wanted to

1563
01:37:00.520 --> 01:37:02.880
<v Speaker 2>make sure that we've got a shout out to Hush, which,

1564
01:37:03.600 --> 01:37:06.640
<v Speaker 2>no kidding, maybe the best release from Screen Factory in

1565
01:37:06.920 --> 01:37:10.439
<v Speaker 2>like years. This is, you know, first time to disc

1566
01:37:10.520 --> 01:37:13.119
<v Speaker 2>this was on streaming only for quite some time, and

1567
01:37:13.439 --> 01:37:15.720
<v Speaker 2>it looks incredible. It's got the brand new cut on here.

1568
01:37:15.960 --> 01:37:18.840
<v Speaker 2>Not to mention, the commentary is not just a regular commentary.

1569
01:37:18.880 --> 01:37:21.479
<v Speaker 2>They did a video commentary for this, which I wish

1570
01:37:21.720 --> 01:37:24.640
<v Speaker 2>was used more often. It's such a really fun release

1571
01:37:24.680 --> 01:37:24.880
<v Speaker 2>for that.

1572
01:37:26.680 --> 01:37:28.880
<v Speaker 3>Yeah, I don't think I've ever seen a video commentary

1573
01:37:28.920 --> 01:37:30.680
<v Speaker 3>honestly where they just set up a camera and show

1574
01:37:30.720 --> 01:37:33.439
<v Speaker 3>everybody and the recording it. That sounds really cool. I'll

1575
01:37:33.439 --> 01:37:34.279
<v Speaker 3>have to check that one out.

1576
01:37:35.039 --> 01:37:39.920
<v Speaker 2>Yes, it's it's a pretty great And we've got one

1577
01:37:39.960 --> 01:37:43.079
<v Speaker 2>more announcement before or one more category before we go

1578
01:37:43.119 --> 01:37:45.600
<v Speaker 2>into our next giveaway, So get ready to type if

1579
01:37:45.640 --> 01:37:48.239
<v Speaker 2>you are one of the giveaway types. Next, we're going

1580
01:37:48.279 --> 01:37:51.520
<v Speaker 2>to our best single or double feature release. So basically,

1581
01:37:51.920 --> 01:37:54.359
<v Speaker 2>anything that isn't a buck set was available here. It

1582
01:37:54.640 --> 01:37:57.319
<v Speaker 2>had to be one or two films, and that is it.

1583
01:37:57.880 --> 01:37:59.880
<v Speaker 2>Let's jump over the pond to hear.

1584
01:37:59.720 --> 01:38:04.439
<v Speaker 47>From physical media people. I am crit from Cripprit Productions,

1585
01:38:04.520 --> 01:38:07.760
<v Speaker 47>a channel where this Internet nerd gets to talk about movies.

1586
01:38:07.960 --> 01:38:11.199
<v Speaker 47>I'm here upon the glamorous request to present the award

1587
01:38:11.279 --> 01:38:16.000
<v Speaker 47>for best Single or Double Feature Release. Our nominees are.

1588
01:38:25.720 --> 01:38:32.279
<v Speaker 3>The Blair Witch Project Second Site Films, The Conan Chronicles

1589
01:38:32.279 --> 01:38:38.159
<v Speaker 3>four K Era Video, the Hitcher four K second Site Films,

1590
01:38:39.239 --> 01:38:44.359
<v Speaker 3>Hollywood nine zero zero two eight, Grindhouse Releasing looking for

1591
01:38:44.439 --> 01:38:46.920
<v Speaker 3>Mister Goodbar four K Vinegger Syndrome.

1592
01:38:49.279 --> 01:38:52.159
<v Speaker 47>And the winner for best Single or Double Feature Release

1593
01:38:52.239 --> 01:38:57.239
<v Speaker 47>by way of our creators Selection Committee, is The Conan

1594
01:38:57.359 --> 01:39:03.640
<v Speaker 47>Chronicles four K released by our ow Video. And our winner,

1595
01:39:03.800 --> 01:39:10.000
<v Speaker 47>chosen by our wonderful community is looking for Mister Goodbar

1596
01:39:10.359 --> 01:39:12.399
<v Speaker 47>on four K by Vinegar Syndrome.

1597
01:39:14.640 --> 01:39:15.000
<v Speaker 13>Wow.

1598
01:39:15.399 --> 01:39:18.039
<v Speaker 6>Okay, all right, that's that's exciting.

1599
01:39:18.119 --> 01:39:23.079
<v Speaker 37>You know again, another title that went overlooked for a

1600
01:39:23.159 --> 01:39:25.760
<v Speaker 37>number of years. People had requested it, we had been

1601
01:39:25.800 --> 01:39:27.720
<v Speaker 37>after it for a while. It took a lot to

1602
01:39:27.760 --> 01:39:31.119
<v Speaker 37>get it going and to get it out, so thank you.

1603
01:39:31.359 --> 01:39:34.279
<v Speaker 37>A lot of hard work went into that one. I

1604
01:39:34.319 --> 01:39:36.239
<v Speaker 37>will be one hundred percent honest. We didn't know how

1605
01:39:36.279 --> 01:39:39.279
<v Speaker 37>that title was going to be received. We knew that

1606
01:39:39.359 --> 01:39:41.760
<v Speaker 37>there were fans of it and people who wanted to

1607
01:39:41.800 --> 01:39:44.760
<v Speaker 37>see it. But I'm excited to see it get as

1608
01:39:44.840 --> 01:39:48.000
<v Speaker 37>much love as it is, So that's that's surprising.

1609
01:39:48.039 --> 01:39:48.359
<v Speaker 2>Thank you.

1610
01:39:48.720 --> 01:39:49.239
<v Speaker 6>I'm glad.

1611
01:39:51.439 --> 01:39:53.399
<v Speaker 2>So two titles we haven't heard much about tonight, The

1612
01:39:53.439 --> 01:39:56.800
<v Speaker 2>Conan Chronicles. This is the double feature from Arrow, which

1613
01:39:56.840 --> 01:39:59.279
<v Speaker 2>is a pretty astonishing release. If you've not picked up

1614
01:39:59.319 --> 01:40:01.000
<v Speaker 2>either of these, still get them.

1615
01:40:02.199 --> 01:40:05.479
<v Speaker 3>I don't like this the other movie, so.

1616
01:40:05.439 --> 01:40:07.279
<v Speaker 2>Most people do not. That makes it not to mention

1617
01:40:07.359 --> 01:40:09.000
<v Speaker 2>your artwork is incredible on that one.

1618
01:40:09.079 --> 01:40:10.520
<v Speaker 3>Yeah, the art works really nice on it too. That

1619
01:40:10.560 --> 01:40:13.079
<v Speaker 3>was another like winning up. This is like a really

1620
01:40:13.119 --> 01:40:15.319
<v Speaker 3>great release, like I'd never I feel like I've been

1621
01:40:15.359 --> 01:40:18.840
<v Speaker 3>watching like a dusty version forever, and I was like, wow,

1622
01:40:18.880 --> 01:40:21.720
<v Speaker 3>this is actually a very colorful, kind of deep, like

1623
01:40:22.039 --> 01:40:24.880
<v Speaker 3>huge movie and I've never seen it look like that before.

1624
01:40:24.920 --> 01:40:27.199
<v Speaker 3>I've always watched the old washed out they left it

1625
01:40:27.239 --> 01:40:28.720
<v Speaker 3>out in the sun copy or something.

1626
01:40:31.039 --> 01:40:33.359
<v Speaker 2>Uh and then of course uh literally, I would say

1627
01:40:33.399 --> 01:40:35.600
<v Speaker 2>one of the best movies released last year Looking for

1628
01:40:35.680 --> 01:40:39.439
<v Speaker 2>Mister Goodbar incredible. Get for Vinegar Syndrome, a title that

1629
01:40:39.479 --> 01:40:42.439
<v Speaker 2>people have had on their list of like will never

1630
01:40:42.479 --> 01:40:45.920
<v Speaker 2>be released on physical media ever, And they showed up

1631
01:40:46.359 --> 01:40:49.600
<v Speaker 2>like crazy in November alone that most of their slate

1632
01:40:49.680 --> 01:40:53.399
<v Speaker 2>were Grail titles, which how do you top that? Moving forward?

1633
01:40:53.399 --> 01:40:54.479
<v Speaker 2>That seems dangerous.

1634
01:40:54.840 --> 01:40:57.760
<v Speaker 3>I know they must have some even more cool stuff coming.

1635
01:40:59.039 --> 01:41:01.600
<v Speaker 2>Well. Speaking of cool stuff coming, they always do really

1636
01:41:01.640 --> 01:41:04.920
<v Speaker 2>great things for their April Fool's Day. This year they

1637
01:41:04.960 --> 01:41:09.920
<v Speaker 2>gave away this wonderful Side Roads blank slipcover and Michelle's

1638
01:41:09.920 --> 01:41:10.760
<v Speaker 2>got something to show you.

1639
01:41:11.199 --> 01:41:15.760
<v Speaker 3>I this is. This is the limited edition version. You

1640
01:41:15.800 --> 01:41:18.279
<v Speaker 3>need to zoom in on like the abs. I spent

1641
01:41:19.000 --> 01:41:21.680
<v Speaker 3>thirty minutes were on those abs in it. As you

1642
01:41:21.720 --> 01:41:24.359
<v Speaker 3>can tell, I, guys, I have as taco meat chest

1643
01:41:24.359 --> 01:41:27.520
<v Speaker 3>hairs on there. You know what, Boobs are hard to draw.

1644
01:41:27.560 --> 01:41:30.319
<v Speaker 3>I'm never gonna talk shit about dudes dat drawing boobs

1645
01:41:30.479 --> 01:41:33.039
<v Speaker 3>bad ever again, because hits are hard to draw.

1646
01:41:33.079 --> 01:41:33.279
<v Speaker 2>Man.

1647
01:41:33.520 --> 01:41:36.119
<v Speaker 3>I don't know what happened there, but as you can see,

1648
01:41:36.159 --> 01:41:38.880
<v Speaker 3>I can't draw with the shit. But this will be

1649
01:41:38.960 --> 01:41:42.920
<v Speaker 3>on sale on eBay for five hundred dollars. The yeah,

1650
01:41:42.960 --> 01:41:45.840
<v Speaker 3>that's gonna be. That's gonna start after the award show,

1651
01:41:45.880 --> 01:41:48.319
<v Speaker 3>so you guys can get your pocket, you know, get

1652
01:41:48.359 --> 01:41:49.319
<v Speaker 3>your phones ready for that.

1653
01:41:50.359 --> 01:41:52.920
<v Speaker 2>Well, if you want to do your version of your own,

1654
01:41:52.920 --> 01:41:55.479
<v Speaker 2>we are giving away a copy of Side Roads sealed

1655
01:41:55.640 --> 01:42:00.720
<v Speaker 2>with the draw your own slipcover markers and everything. Right now,

1656
01:42:02.439 --> 01:42:04.079
<v Speaker 2>let's hear the question for this giveaway.

1657
01:42:04.840 --> 01:42:09.439
<v Speaker 3>So the question is what year was Vinegar Syndrome founded?

1658
01:42:11.560 --> 01:42:15.800
<v Speaker 2>First one to answer gets it, and I'm expecting this

1659
01:42:15.840 --> 01:42:19.359
<v Speaker 2>one to get answered much quicker than our first question tonight.

1660
01:42:19.399 --> 01:42:19.840
<v Speaker 2>Look at that.

1661
01:42:20.439 --> 01:42:21.880
<v Speaker 3>Wow, one second, geez.

1662
01:42:23.920 --> 01:42:27.680
<v Speaker 2>Eric Johnson is correct. Twenty twelve is the first year

1663
01:42:27.720 --> 01:42:30.600
<v Speaker 2>they were a label. The archive was around for a

1664
01:42:30.640 --> 01:42:33.000
<v Speaker 2>little bit longer than that, but vin Ger Syndrome itself

1665
01:42:33.119 --> 01:42:38.079
<v Speaker 2>as a label was twenty twelve. That's a huge deal, Eric,

1666
01:42:38.359 --> 01:42:40.560
<v Speaker 2>send me an email to remind me already got your address,

1667
01:42:40.840 --> 01:42:43.119
<v Speaker 2>but I will get this out to you as soon

1668
01:42:43.119 --> 01:42:46.439
<v Speaker 2>as we're done. This is such a great thing. I'm

1669
01:42:46.439 --> 01:42:48.560
<v Speaker 2>glad the people have been able to fall in love

1670
01:42:48.600 --> 01:42:51.720
<v Speaker 2>with this brand new idea of dryer on slipcover. Curious

1671
01:42:51.720 --> 01:42:54.000
<v Speaker 2>to see what they do this year. They keep one

1672
01:42:54.079 --> 01:42:57.399
<v Speaker 2>upping themselves as well, so gonna be hard to top

1673
01:42:57.479 --> 01:43:03.439
<v Speaker 2>this April Fools thing. Let's head back over to Europe

1674
01:43:03.680 --> 01:43:08.399
<v Speaker 2>to listen to Best Region BE. What are we on?

1675
01:43:08.439 --> 01:43:13.119
<v Speaker 2>I think we're on Best Region B Release overall? A

1676
01:43:13.159 --> 01:43:15.000
<v Speaker 2>dear friend of mine, I hope you guys like.

1677
01:43:15.000 --> 01:43:19.960
<v Speaker 28>This, folks, The Vegan Satanist Year from Germany. My second

1678
01:43:20.000 --> 01:43:22.319
<v Speaker 28>time for the shell Shop rewind Awards.

1679
01:43:22.520 --> 01:43:24.000
<v Speaker 5>I'm so glad to be back.

1680
01:43:25.000 --> 01:43:28.880
<v Speaker 28>OK, but that doesn't matter. Now I should introduce myself

1681
01:43:28.920 --> 01:43:31.560
<v Speaker 28>here and tell you who I am. For those who

1682
01:43:31.600 --> 01:43:34.399
<v Speaker 28>don't know who I am, I told you I'm the

1683
01:43:34.479 --> 01:43:37.680
<v Speaker 28>Vegan Satanist. So if you know who I am, you

1684
01:43:37.800 --> 01:43:41.319
<v Speaker 28>know that I'm the Vegan Satanist. Anyhow, anyway, what have

1685
01:43:41.439 --> 01:43:45.680
<v Speaker 28>I done? Well, I've done a documentary about Incentprise, which

1686
01:43:45.720 --> 01:43:48.159
<v Speaker 28>is coming this year, keep your eyes up.

1687
01:43:48.359 --> 01:43:51.640
<v Speaker 9>And also I was working for some.

1688
01:43:51.680 --> 01:43:55.800
<v Speaker 28>Labors in Germany, so that gave me the reason to

1689
01:43:56.000 --> 01:44:03.039
<v Speaker 28>represent the award for Best Region BEE Release. Yes, even

1690
01:44:03.079 --> 01:44:06.600
<v Speaker 28>the Europeans have some releases in Region B which should

1691
01:44:06.640 --> 01:44:11.920
<v Speaker 28>be awarded, and that is what I do. Solap your hands, everybody.

1692
01:44:12.319 --> 01:44:22.479
<v Speaker 28>The nominees for Best Region BE Release are ah, guys,

1693
01:44:22.479 --> 01:44:22.920
<v Speaker 28>I don't know.

1694
01:44:35.159 --> 01:44:41.039
<v Speaker 3>Bellatar occurs on Collection Curson, The Blair Witch Project second

1695
01:44:41.039 --> 01:44:48.319
<v Speaker 3>site Films, Columbia Noir Number six, The Whistler Indicator, Green

1696
01:44:48.359 --> 01:44:53.319
<v Speaker 3>Room four K second site Films, The Hitcher four K

1697
01:44:53.640 --> 01:44:55.079
<v Speaker 3>second site Films.

1698
01:44:56.399 --> 01:45:00.159
<v Speaker 11>Luis Fullad, the Complete crime Serials in nineteen thirteen to

1699
01:45:00.239 --> 01:45:03.119
<v Speaker 11>nineteen eighteen, Eureka Entertainment.

1700
01:45:04.319 --> 01:45:10.680
<v Speaker 3>Nothing Is Sacred, three Heresies by Lewis Boonwell, Radiance Films, The.

1701
01:45:10.680 --> 01:45:13.439
<v Speaker 11>Third Man four K from Studio Canal.

1702
01:45:21.880 --> 01:45:30.960
<v Speaker 28>We're back, all right, Okay, so the winner for best

1703
01:45:31.000 --> 01:45:34.800
<v Speaker 28>Region be release. So we have two selections. We have

1704
01:45:34.880 --> 01:45:39.239
<v Speaker 28>community right and we have CSC, which is create a

1705
01:45:39.319 --> 01:45:40.840
<v Speaker 28>selection committee.

1706
01:45:41.000 --> 01:45:44.000
<v Speaker 6>It was at this moment that he knew he fucked up.

1707
01:45:44.640 --> 01:45:49.239
<v Speaker 28>This section here is specially because obviously I'm the guy

1708
01:45:49.279 --> 01:45:53.079
<v Speaker 28>who's hosting it. But we can make it short here

1709
01:45:53.199 --> 01:45:59.920
<v Speaker 28>because voted by the CSC and voted by the community

1710
01:46:00.840 --> 01:46:04.760
<v Speaker 28>are the same winner. Yes, like Helenda, there can only

1711
01:46:04.760 --> 01:46:08.880
<v Speaker 28>be one. And this time it's the movie and you

1712
01:46:08.920 --> 01:46:13.000
<v Speaker 28>can get it now. It's a room you ready, all right?

1713
01:46:13.199 --> 01:46:16.000
<v Speaker 28>Which is the movie with Rutka Howard not sitting on

1714
01:46:16.000 --> 01:46:25.319
<v Speaker 28>the roof and crying. Yeah, that's only yeah.

1715
01:46:23.279 --> 01:46:23.760
<v Speaker 2>You got me.

1716
01:46:24.159 --> 01:46:29.560
<v Speaker 28>It's Sitcher four K from Second Signed Films. Voted by

1717
01:46:29.680 --> 01:46:35.319
<v Speaker 28>CSC and voted by community. Congrats guys, great job, great release.

1718
01:46:35.840 --> 01:46:36.399
<v Speaker 5>I love that.

1719
01:46:37.000 --> 01:46:41.319
<v Speaker 28>Keep on doing that shit because you know we need

1720
01:46:41.359 --> 01:46:45.000
<v Speaker 28>more physical media anyhow, it was nice to have me

1721
01:46:45.039 --> 01:46:48.359
<v Speaker 28>on the show, and I wish you a lot of fun.

1722
01:46:48.840 --> 01:46:49.640
<v Speaker 5>Keep it physical.

1723
01:46:50.159 --> 01:46:53.199
<v Speaker 28>We see us down there on the road, and yeah,

1724
01:46:53.319 --> 01:46:56.159
<v Speaker 28>watch out for the Winston Price documentary. Over and art

1725
01:46:56.199 --> 01:46:58.760
<v Speaker 28>from the Vegan Satanist and I try to riddle this

1726
01:46:58.960 --> 01:47:03.800
<v Speaker 28>puzzle again. Couldn't be sorry, right, it's easy, It's I

1727
01:47:03.800 --> 01:47:04.760
<v Speaker 28>don't know, it's French.

1728
01:47:08.800 --> 01:47:13.199
<v Speaker 3>I must say. I'm like super into their entire everything

1729
01:47:13.239 --> 01:47:17.239
<v Speaker 3>that was happening. They're little. I thought I throw it

1730
01:47:17.239 --> 01:47:17.479
<v Speaker 3>out there.

1731
01:47:17.479 --> 01:47:20.920
<v Speaker 2>I was just I like their look out Laurent, who's

1732
01:47:20.920 --> 01:47:24.359
<v Speaker 2>in the chat obviously the hitcher cleaning up tonight. Incredible release.

1733
01:47:24.479 --> 01:47:27.680
<v Speaker 2>Glad people are into that. I really want to shout

1734
01:47:27.680 --> 01:47:32.359
<v Speaker 2>out to Laurent's documentary on Vincent Price. I'm about halfway

1735
01:47:32.359 --> 01:47:34.319
<v Speaker 2>through it right now, doing some QC with him, and

1736
01:47:34.359 --> 01:47:37.920
<v Speaker 2>it's incredible. Cannot wait for people to see it. It

1737
01:47:38.079 --> 01:47:41.399
<v Speaker 2>is a remarkable achievement. He's done some great work and

1738
01:47:41.920 --> 01:47:45.039
<v Speaker 2>I just I don't know. I wish I could share

1739
01:47:45.039 --> 01:47:47.079
<v Speaker 2>with everybody right now. It is so damn good.

1740
01:47:47.520 --> 01:47:52.359
<v Speaker 3>It's incredible quick of Vincent Price. That b a vice

1741
01:47:52.439 --> 01:47:55.079
<v Speaker 3>that they put out with his cooking with Vincent Price

1742
01:47:55.279 --> 01:47:58.439
<v Speaker 3>was a fantastic release too. I mean it's like all

1743
01:47:58.439 --> 01:48:00.840
<v Speaker 3>the recipes like if you cook them, they would be gross,

1744
01:48:01.199 --> 01:48:03.239
<v Speaker 3>but it's just like fun to watch him, you know,

1745
01:48:03.960 --> 01:48:07.279
<v Speaker 3>just like you know, freeballing all the recipes and he

1746
01:48:07.399 --> 01:48:10.079
<v Speaker 3>obviously didn't study any of them or try them out

1747
01:48:10.119 --> 01:48:13.399
<v Speaker 3>at any point beforehand. And it's a really great release.

1748
01:48:13.560 --> 01:48:17.399
<v Speaker 3>Like if anybody wants more Vincent Price, I.

1749
01:48:18.000 --> 01:48:20.800
<v Speaker 2>Agree, Yes, it is one that everybody should have. It

1750
01:48:20.880 --> 01:48:23.239
<v Speaker 2>is a lot of fun. Shout out to my friend

1751
01:48:23.359 --> 01:48:26.119
<v Speaker 2>John who did some editing with the interview that's on

1752
01:48:26.119 --> 01:48:29.560
<v Speaker 2>that disc as well with Victoria Price, Vincent's daughter. We've

1753
01:48:29.560 --> 01:48:32.680
<v Speaker 2>had Region B. Let's get to Region A and find

1754
01:48:32.680 --> 01:48:34.479
<v Speaker 2>out what the best Region A releases.

1755
01:48:36.079 --> 01:48:40.000
<v Speaker 46>Hi, I'm justin beam with Reverend Entertainment. I'm a producer

1756
01:48:40.039 --> 01:48:42.960
<v Speaker 46>of special features for a number of different studios and

1757
01:48:43.039 --> 01:48:47.720
<v Speaker 46>labels like Paramount, Shout Factory, Umbrella, Arrow Video, and a

1758
01:48:47.720 --> 01:48:50.520
<v Speaker 46>bunch of others. I'm really honored to be part of

1759
01:48:50.560 --> 01:48:53.359
<v Speaker 46>these awards this year. I think it's a wonderful thing

1760
01:48:53.479 --> 01:48:57.119
<v Speaker 46>you guys are doing in terms of celebrating physical media,

1761
01:48:57.680 --> 01:49:01.520
<v Speaker 46>something that is needed now more than my category to

1762
01:49:01.560 --> 01:49:05.800
<v Speaker 46>present his best Region A release, And here are the nominees.

1763
01:49:18.239 --> 01:49:21.600
<v Speaker 11>All the Haunts Byres a compendium of Full Core Volume

1764
01:49:21.640 --> 01:49:27.239
<v Speaker 11>two from several films. Frank Capra at Columbia Collection four

1765
01:49:27.319 --> 01:49:28.640
<v Speaker 11>K Sony.

1766
01:49:28.279 --> 01:49:34.840
<v Speaker 3>Pictures, Hollywood nine zero zero two eight, Grindhouse Releasing, The

1767
01:49:34.920 --> 01:49:39.960
<v Speaker 3>Keep four K Vinegar Syndrome, Looking for Mister Goodbar four

1768
01:49:40.039 --> 01:49:47.199
<v Speaker 3>K Vinegar Syndrome, Opera four K Severn Films, Pat Garrett

1769
01:49:47.199 --> 01:49:51.880
<v Speaker 3>and Billy the Kid four K Criterion Collection, The Tenant

1770
01:49:52.119 --> 01:49:54.000
<v Speaker 3>four K Vineger Syndrome.

1771
01:49:56.640 --> 01:50:00.399
<v Speaker 46>And the selection committee and community winner is All the

1772
01:50:00.479 --> 01:50:04.079
<v Speaker 46>Haunts be Ours Volume two from sever in films. I'm

1773
01:50:04.119 --> 01:50:07.279
<v Speaker 46>a huge fan of both of these releases and cannot

1774
01:50:07.359 --> 01:50:08.640
<v Speaker 46>recommend them highly enough.

1775
01:50:09.279 --> 01:50:11.159
<v Speaker 5>Cheers to David Gregory.

1776
01:50:10.760 --> 01:50:13.359
<v Speaker 46>And everyone else who is involved in both of these

1777
01:50:13.880 --> 01:50:17.520
<v Speaker 46>especially that volume two that's won both categories this year

1778
01:50:17.640 --> 01:50:18.560
<v Speaker 46>for Region A.

1779
01:50:21.319 --> 01:50:23.680
<v Speaker 2>Seven. Cleaning up this year with All the Haunts bi

1780
01:50:23.720 --> 01:50:24.560
<v Speaker 2>Ores Volume two.

1781
01:50:25.199 --> 01:50:29.640
<v Speaker 3>Man, Wow, it's a great release. I mean, I'm not

1782
01:50:29.680 --> 01:50:31.119
<v Speaker 3>surprised honestly.

1783
01:50:31.680 --> 01:50:34.760
<v Speaker 2>Yeah, especially when you are bringing so many, I mean

1784
01:50:34.880 --> 01:50:37.960
<v Speaker 2>thirteen different discs. There are I don't remember fifteen or

1785
01:50:38.000 --> 01:50:40.920
<v Speaker 2>sixteen films in this thing. It's a hell of a

1786
01:50:41.079 --> 01:50:43.960
<v Speaker 2>big package to put out there. And David Gregory killed

1787
01:50:43.960 --> 01:50:48.199
<v Speaker 2>it with this and Kila Jenny's incredible producer. Probably not

1788
01:50:48.279 --> 01:50:51.319
<v Speaker 2>much of a surprise after those who hear about best

1789
01:50:51.359 --> 01:50:53.479
<v Speaker 2>box set, but let's jump right into it.

1790
01:50:53.640 --> 01:50:56.640
<v Speaker 48>Bill media lovers, I'm Jason Kleeberg from the Fource five

1791
01:50:56.720 --> 01:50:58.760
<v Speaker 48>podcast to show where I forced my guest to come

1792
01:50:58.800 --> 01:51:01.560
<v Speaker 48>up with a movie themed two five list topic and

1793
01:51:01.600 --> 01:51:04.800
<v Speaker 48>then we reveal our picks on air. There's nothing quite

1794
01:51:04.840 --> 01:51:07.239
<v Speaker 48>like a good box set, stuffing all kinds of films

1795
01:51:07.279 --> 01:51:10.680
<v Speaker 48>and special features into one great looking package that looks

1796
01:51:10.720 --> 01:51:13.520
<v Speaker 48>amazing on your shelf. And let me tell you, twenty

1797
01:51:13.600 --> 01:51:16.720
<v Speaker 48>twenty four had a bunch of great ones. So in

1798
01:51:16.760 --> 01:51:19.479
<v Speaker 48>the Forced five spirit of revealing our picks on air,

1799
01:51:19.800 --> 01:51:22.840
<v Speaker 48>here are the nominees for the best box Set of

1800
01:51:22.920 --> 01:51:23.920
<v Speaker 48>twenty twenty four.

1801
01:51:37.199 --> 01:51:40.840
<v Speaker 11>All the Haunts Bars a Compendium of Folk Horror Volume two,

1802
01:51:41.279 --> 01:51:47.399
<v Speaker 11>severin Films, Frank Kaepra at Columbia Collection, four K Sony Pictures,

1803
01:51:48.399 --> 01:51:53.760
<v Speaker 11>Dia Gothic Japanese ghost stories from Radiance Films, The Game

1804
01:51:53.800 --> 01:51:59.079
<v Speaker 11>of Clones, Bruce Playtation Collection Volume one from Severin Films.

1805
01:51:59.439 --> 01:52:01.439
<v Speaker 27>The House Is of Doom Cauldron Films.

1806
01:52:04.960 --> 01:52:07.960
<v Speaker 48>All right, let's open the Toy Story toy chest and

1807
01:52:08.000 --> 01:52:11.279
<v Speaker 48>see who the winners are. Oh, we got a good

1808
01:52:11.319 --> 01:52:16.439
<v Speaker 48>one here, all right. The Creator's Selection Committee winner is

1809
01:52:16.600 --> 01:52:20.159
<v Speaker 48>All the Haunts Be Hours, a compendium a full CORR

1810
01:52:20.319 --> 01:52:24.920
<v Speaker 48>Volume two from Seven Films. An amazing achievement, to be sure.

1811
01:52:25.439 --> 01:52:30.079
<v Speaker 48>And the community winner is also All the Haunts Be Hours,

1812
01:52:30.159 --> 01:52:33.279
<v Speaker 48>a compendium of Full Core Volume two by Severn Films.

1813
01:52:33.520 --> 01:52:35.960
<v Speaker 48>Make sure to pick that box set up. Make sure

1814
01:52:36.000 --> 01:52:38.319
<v Speaker 48>to pick up the first one too, because both great sets.

1815
01:52:38.720 --> 01:52:40.680
<v Speaker 48>Like I always say at the end of Force five,

1816
01:52:40.800 --> 01:52:44.520
<v Speaker 48>life is short, spend it with the people and the movies.

1817
01:52:44.600 --> 01:52:45.159
<v Speaker 5>That you love.

1818
01:52:47.720 --> 01:52:51.079
<v Speaker 2>Shout out to the Toy Story box sets.

1819
01:52:52.039 --> 01:52:53.319
<v Speaker 3>I've never seen that one before.

1820
01:52:53.720 --> 01:52:58.079
<v Speaker 2>Yeah, that one was pretty rare if I remember right again,

1821
01:52:58.479 --> 01:53:03.960
<v Speaker 2>Seven just absolutely killing it. Obviously. All the Haunts BRS

1822
01:53:04.159 --> 01:53:06.680
<v Speaker 2>Volume two is big on everybody's mind as they were

1823
01:53:06.720 --> 01:53:11.159
<v Speaker 2>voting this last January. Reminder that we are likely going

1824
01:53:11.199 --> 01:53:13.039
<v Speaker 2>to be doing this again next year. As you are

1825
01:53:13.079 --> 01:53:15.199
<v Speaker 2>buying stuff throughout the year. If you want to be

1826
01:53:15.239 --> 01:53:17.359
<v Speaker 2>nerdy about it, take some notes. Hey, I love this one.

1827
01:53:17.479 --> 01:53:20.760
<v Speaker 2>These are the categories they're probably gonna do. Let's watch

1828
01:53:20.760 --> 01:53:22.720
<v Speaker 2>out for what we are going to be voting on

1829
01:53:22.800 --> 01:53:24.159
<v Speaker 2>so that you don't have to think about it too

1830
01:53:24.239 --> 01:53:28.079
<v Speaker 2>much when next January comes around. One that you can't

1831
01:53:28.119 --> 01:53:30.399
<v Speaker 2>figure out probably till the end of the year. Our

1832
01:53:30.439 --> 01:53:33.680
<v Speaker 2>next spot is best small slate label, So that is

1833
01:53:33.720 --> 01:53:36.920
<v Speaker 2>going to be anything any label that put out less

1834
01:53:37.119 --> 01:53:41.199
<v Speaker 2>fifteen or less titles in one year. This year there

1835
01:53:41.359 --> 01:53:43.279
<v Speaker 2>was a lot of these. They put out fifteen or

1836
01:53:43.319 --> 01:53:47.560
<v Speaker 2>less titles, and I was kind of baffled by the

1837
01:53:47.560 --> 01:53:50.079
<v Speaker 2>amount of competition here. And I hope people pay attention

1838
01:53:50.119 --> 01:53:52.840
<v Speaker 2>to things like this moving forward, because small labels need

1839
01:53:53.000 --> 01:53:56.279
<v Speaker 2>a lot of attention to keep going. Let's go check

1840
01:53:56.319 --> 01:53:58.600
<v Speaker 2>out our best small slate label.

1841
01:54:01.760 --> 01:54:05.840
<v Speaker 49>Oh hi, it's me Oscar Bescher, archivist and vault manager

1842
01:54:05.880 --> 01:54:10.439
<v Speaker 49>for Vinegar Syndrome and all around depressing guy to be around.

1843
01:54:10.680 --> 01:54:14.840
<v Speaker 49>Every act of film preservation starts small and ends big,

1844
01:54:15.119 --> 01:54:18.600
<v Speaker 49>whether it's the first splice on the soul surviving moldy

1845
01:54:18.680 --> 01:54:23.640
<v Speaker 49>element or exorbitant fees paid to find and license a

1846
01:54:23.720 --> 01:54:29.039
<v Speaker 49>forgotten classic. I delivered that line perfectly. Unfortunately, small in

1847
01:54:29.119 --> 01:54:32.760
<v Speaker 49>film preservation usually means not getting the credit you deserve

1848
01:54:32.880 --> 01:54:38.560
<v Speaker 49>for your herculean efforts. So today let's give credit and

1849
01:54:38.720 --> 01:54:42.119
<v Speaker 49>honor the nominees for the best annual slate from a

1850
01:54:42.199 --> 01:55:07.600
<v Speaker 49>small slate boutique label. The nominees are.

1851
01:55:00.039 --> 01:55:17.760
<v Speaker 11>Crocodile, Fun City Additions, Connie Release, Mondo, Macabre, Second Site Films.

1852
01:55:21.079 --> 01:55:25.399
<v Speaker 49>And the Oscar goes to I mean, the award goes

1853
01:55:25.439 --> 01:55:29.960
<v Speaker 49>to the wickedly talented nef Crocodile.

1854
01:55:33.319 --> 01:55:35.319
<v Speaker 29>Okay, Mike and camera are off.

1855
01:55:36.239 --> 01:55:36.920
<v Speaker 5>That's pretty good.

1856
01:55:37.319 --> 01:55:38.760
<v Speaker 49>Did I get everything that I was supposed to get?

1857
01:55:39.760 --> 01:55:42.640
<v Speaker 3>You did what you did? Forget the Community Award?

1858
01:55:43.119 --> 01:55:45.079
<v Speaker 6>Okay, let's do really quickly, really quickly.

1859
01:55:46.079 --> 01:55:51.880
<v Speaker 49>Okay, one, two, three, And more importantly than anything else,

1860
01:55:52.479 --> 01:55:55.520
<v Speaker 49>the Community Award this year was given to the great

1861
01:55:56.079 --> 01:56:00.079
<v Speaker 49>and powerful Second Site Films. Thank you to the Academy.

1862
01:56:03.199 --> 01:56:04.399
<v Speaker 6>That is awesome.

1863
01:56:04.680 --> 01:56:04.920
<v Speaker 3>Wow.

1864
01:56:05.520 --> 01:56:07.600
<v Speaker 24>Okay, I didn't see that coming either.

1865
01:56:08.239 --> 01:56:10.800
<v Speaker 9>That's that's very cool.

1866
01:56:11.680 --> 01:56:11.880
<v Speaker 10>I was.

1867
01:56:12.560 --> 01:56:15.439
<v Speaker 24>I was mentioning though, like this, probably with the with

1868
01:56:15.520 --> 01:56:17.680
<v Speaker 24>the amount of put stuff we're putting out now, I

1869
01:56:17.680 --> 01:56:19.600
<v Speaker 24>don't think we'll qualify for that next year.

1870
01:56:21.239 --> 01:56:21.439
<v Speaker 6>Wow.

1871
01:56:21.520 --> 01:56:22.439
<v Speaker 2>That's that's awesome.

1872
01:56:22.680 --> 01:56:27.239
<v Speaker 24>Thank you to whoever was out there and voted force.

1873
01:56:27.359 --> 01:56:33.640
<v Speaker 24>That's again. I honestly I saw the denominees this year

1874
01:56:33.640 --> 01:56:36.000
<v Speaker 24>and I was like, well, we ain't getting anything this year.

1875
01:56:38.000 --> 01:56:42.560
<v Speaker 25>Twenty twenty four was really a watershed year for US

1876
01:56:42.680 --> 01:56:47.560
<v Speaker 25>as a as a small boutique label because we made

1877
01:56:47.560 --> 01:56:52.319
<v Speaker 25>the big transitions, as you know, from working with OC

1878
01:56:52.479 --> 01:56:57.000
<v Speaker 25>and Vinegar Syndrome to our new partner, Diabolic DVD. So

1879
01:56:57.079 --> 01:57:01.000
<v Speaker 25>I'd like to first extend any normal US thank you

1880
01:57:01.119 --> 01:57:06.079
<v Speaker 25>to Jesse Nelson and everyone at Diabolic dvd dot Com

1881
01:57:06.079 --> 01:57:09.159
<v Speaker 25>for helping us UH. You know, there were a couple

1882
01:57:09.199 --> 01:57:10.840
<v Speaker 25>of months there we were like are people going to

1883
01:57:10.920 --> 01:57:15.560
<v Speaker 25>follow us UH? And then it turned out that, you know,

1884
01:57:15.680 --> 01:57:20.560
<v Speaker 25>the the fans and film lovers have really supported the

1885
01:57:20.560 --> 01:57:25.760
<v Speaker 25>releases we've been doing, which is great both at Diabolic

1886
01:57:25.840 --> 01:57:31.359
<v Speaker 25>dvd dot Com as well as buying UH directly from US. UH.

1887
01:57:31.840 --> 01:57:40.439
<v Speaker 25>And we've had amazing collaborators like yourself, like UH doctor Will,

1888
01:57:41.239 --> 01:57:44.039
<v Speaker 25>like Beth Morris, who's our graphic designer in the UK,

1889
01:57:44.399 --> 01:57:50.039
<v Speaker 25>who does all of the standard edition UH graphic design

1890
01:57:50.159 --> 01:57:53.039
<v Speaker 25>for US, as well as a number of the UH

1891
01:57:53.520 --> 01:58:01.239
<v Speaker 25>Deluxe limited editions uh, Walter Shaw, Jenny Barker who writes essays,

1892
01:58:01.279 --> 01:58:05.439
<v Speaker 25>Stephen Bissett, Sam Deagan, who've done a lot of commentaries

1893
01:58:06.239 --> 01:58:14.479
<v Speaker 25>for us. Who am I Dave Dave McKenzie at Fidelity

1894
01:58:14.520 --> 01:58:18.640
<v Speaker 25>in Motion, the authoring for our Blu rays. I mean,

1895
01:58:18.680 --> 01:58:25.279
<v Speaker 25>we have an amazing team of collaborators that are literally

1896
01:58:25.319 --> 01:58:26.079
<v Speaker 25>all over the world.

1897
01:58:26.159 --> 01:58:30.680
<v Speaker 24>Is very very very very unexpected.

1898
01:58:31.039 --> 01:58:36.720
<v Speaker 2>Thank you. Shout out to Deff Crocodile. They want to

1899
01:58:36.760 --> 01:58:40.680
<v Speaker 2>see sc vote by one vote. Second Site almost swept

1900
01:58:40.720 --> 01:58:43.479
<v Speaker 2>this one. They barely barely eked out a win over

1901
01:58:43.520 --> 01:58:46.800
<v Speaker 2>Second Site, which is huge, one of my favorites.

1902
01:58:46.920 --> 01:58:49.439
<v Speaker 3>I love them, and I wanted to shout this release

1903
01:58:49.439 --> 01:58:53.159
<v Speaker 3>out a little bit more. It got nominated. It's hardl

1904
01:58:53.159 --> 01:58:55.600
<v Speaker 3>like because I'm like reversed. Okay, it got nominated, but

1905
01:58:55.640 --> 01:58:58.239
<v Speaker 3>I didn't win. But I wanted to see a good

1906
01:58:58.239 --> 01:59:02.119
<v Speaker 3>copy of this forever forever. I had like this terrible

1907
01:59:02.319 --> 01:59:05.000
<v Speaker 3>bootleg and it was like you could hardly see anything

1908
01:59:05.000 --> 01:59:07.720
<v Speaker 3>and had terrible subtitles. And this is so great, and

1909
01:59:07.800 --> 01:59:10.119
<v Speaker 3>Walter chaw is on it, and I'm a chaw head.

1910
01:59:10.479 --> 01:59:12.199
<v Speaker 3>I just made that up. But we can all sit,

1911
01:59:12.239 --> 01:59:14.920
<v Speaker 3>we can all cause off chawhands. But This is just

1912
01:59:14.960 --> 01:59:17.039
<v Speaker 3>such a great release. So if you haven't picked this up,

1913
01:59:17.079 --> 01:59:19.319
<v Speaker 3>please do. It's really really good. And also I want

1914
01:59:19.359 --> 01:59:22.399
<v Speaker 3>them to release more anime, so I want them to

1915
01:59:22.439 --> 01:59:24.840
<v Speaker 3>make money from it and then be able to license more.

1916
01:59:25.399 --> 01:59:25.720
<v Speaker 3>Thank you.

1917
01:59:27.399 --> 01:59:30.279
<v Speaker 2>Uh yeah, it's a great release. That movie blew my

1918
01:59:30.359 --> 01:59:33.079
<v Speaker 2>mind the first time I watched it. Really really well done.

1919
01:59:34.800 --> 01:59:37.079
<v Speaker 2>All right, Well, we've heard about the small slate, so

1920
01:59:37.159 --> 01:59:41.319
<v Speaker 2>let's look at large slate, which is anything over fifteen

1921
01:59:41.359 --> 01:59:45.359
<v Speaker 2>releases in one year. And uh, I still can't believe

1922
01:59:45.399 --> 01:59:48.479
<v Speaker 2>that one of my favorite critics, Jim Tutor, made this

1923
01:59:48.560 --> 01:59:50.439
<v Speaker 2>incredible video for us. Check it out.

1924
01:59:50.760 --> 01:59:50.880
<v Speaker 19>Hi.

1925
01:59:50.920 --> 01:59:51.800
<v Speaker 5>I'm Jim Tutor.

1926
01:59:52.039 --> 01:59:55.920
<v Speaker 50>I'm a film critic prozikfilm dot org and screen anarchy

1927
01:59:55.960 --> 01:59:58.399
<v Speaker 50>dot com. And it's my great honor to be here

1928
01:59:58.399 --> 02:00:03.439
<v Speaker 50>tonight to present you award for best single Slate from

1929
02:00:03.520 --> 02:00:08.000
<v Speaker 50>a Large Slate boutique label. You know, these boutique labels

1930
02:00:08.000 --> 02:00:09.439
<v Speaker 50>have been knocking it out of the park in the

1931
02:00:09.479 --> 02:00:11.680
<v Speaker 50>year twenty twenty four, and I'm sure we can look

1932
02:00:11.680 --> 02:00:14.680
<v Speaker 50>forward to such great work in twenty twenty five. And that,

1933
02:00:14.760 --> 02:00:17.720
<v Speaker 50>to me above all proves that physical media is not dead.

1934
02:00:17.920 --> 02:00:18.760
<v Speaker 2>I mean, good grief.

1935
02:00:18.840 --> 02:00:21.760
<v Speaker 5>If physical media were dead you, show me the grave.

1936
02:00:21.800 --> 02:00:22.359
<v Speaker 38>Show me the.

1937
02:00:25.319 --> 02:00:26.079
<v Speaker 2>Well, dear.

1938
02:00:27.880 --> 02:00:28.119
<v Speaker 19>Well.

1939
02:00:29.399 --> 02:00:30.479
<v Speaker 2>The nominees are.

1940
02:00:45.199 --> 02:01:09.279
<v Speaker 11>Ero Video, Criterion Collection, Keino, Lorbers, Severin Films. Vinegar said, drawl, no, no.

1941
02:01:09.399 --> 02:01:09.920
<v Speaker 3>This can't be.

1942
02:01:10.479 --> 02:01:10.920
<v Speaker 23>This can't be.

1943
02:01:11.119 --> 02:01:14.279
<v Speaker 42>Ray Hey, I.

1944
02:01:14.319 --> 02:01:15.399
<v Speaker 3>Bet the winner's right here.

1945
02:01:15.720 --> 02:01:17.199
<v Speaker 2>Physical media fairs as hell.

1946
02:01:17.319 --> 02:01:19.800
<v Speaker 6>Let me is this a cherry parody?

1947
02:01:21.880 --> 02:01:24.079
<v Speaker 50>The winner of the Creator Selection Committee is.

1948
02:01:25.720 --> 02:01:26.760
<v Speaker 5>Seven.

1949
02:01:28.560 --> 02:01:34.239
<v Speaker 2>The winner of the Faith Community is Vinegar Syndrome.

1950
02:01:40.319 --> 02:01:40.439
<v Speaker 13>La.

1951
02:01:41.039 --> 02:01:49.119
<v Speaker 5>Hello, hey, come on, I'm shock and get out of

1952
02:01:49.239 --> 02:01:49.840
<v Speaker 5>the ward.

1953
02:01:54.319 --> 02:01:57.680
<v Speaker 37>Uh thank you. I mean that's that's great to hear.

1954
02:01:58.119 --> 02:01:59.640
<v Speaker 37>We try really.

1955
02:01:59.399 --> 02:02:02.199
<v Speaker 6>Hard to make that we have a little bit something

1956
02:02:02.239 --> 02:02:03.239
<v Speaker 6>for everyone. You know.

1957
02:02:03.319 --> 02:02:06.199
<v Speaker 37>We know we have fans here at VS who've been

1958
02:02:06.239 --> 02:02:09.439
<v Speaker 37>with us since the very beginning, and we'd never want

1959
02:02:09.479 --> 02:02:12.439
<v Speaker 37>to forget about our roots. We are doing more studio

1960
02:02:12.479 --> 02:02:15.399
<v Speaker 37>titles these days, which is great, but we still try

1961
02:02:15.439 --> 02:02:19.119
<v Speaker 37>to pick titles and curate like an overall selection that

1962
02:02:19.159 --> 02:02:23.920
<v Speaker 37>appeals to a wide audience, but essentially our core fans

1963
02:02:24.039 --> 02:02:27.640
<v Speaker 37>and you know, we have we're all about film preservation

1964
02:02:27.840 --> 02:02:31.079
<v Speaker 37>restoration here, but we recognize that, you know, the fans

1965
02:02:31.119 --> 02:02:32.119
<v Speaker 37>want to see the movies.

1966
02:02:32.199 --> 02:02:34.359
<v Speaker 6>We want to see the sleazy movies.

1967
02:02:34.439 --> 02:02:37.439
<v Speaker 37>The Grindhouse movies, the slasher movies, all that kind of stuff.

1968
02:02:37.479 --> 02:02:40.319
<v Speaker 37>So even our studio titles we try to cultivate to

1969
02:02:40.600 --> 02:02:44.119
<v Speaker 37>fit our brand and but also give a little something

1970
02:02:44.159 --> 02:02:45.920
<v Speaker 37>for all the different genre fans out there.

1971
02:02:46.000 --> 02:02:47.359
<v Speaker 6>So thank you.

1972
02:02:47.640 --> 02:02:49.920
<v Speaker 37>That's really great. We try hard to make sure we

1973
02:02:50.000 --> 02:02:52.479
<v Speaker 37>have a good catalog for all the fans out there.

1974
02:02:52.600 --> 02:02:53.159
<v Speaker 6>So thank you.

1975
02:02:57.079 --> 02:02:57.960
<v Speaker 5>Oh, thank you.

1976
02:02:58.319 --> 02:03:03.199
<v Speaker 31>Thank you to the CSC for voting ass slate as

1977
02:03:03.800 --> 02:03:05.520
<v Speaker 31>impressive for last year.

1978
02:03:05.640 --> 02:03:07.359
<v Speaker 3>It was, and we were very very.

1979
02:03:07.279 --> 02:03:09.640
<v Speaker 31>Very proud to have worked so hard on it and

1980
02:03:09.720 --> 02:03:14.239
<v Speaker 31>to bring all the releases out. And I would venture

1981
02:03:14.279 --> 02:03:17.720
<v Speaker 31>to say we have an even more ambitious slate this year,

1982
02:03:17.800 --> 02:03:21.439
<v Speaker 31>as you can see from the whiteboard over there, So

1983
02:03:22.840 --> 02:03:32.439
<v Speaker 31>I won't be relaxing anytime soon, but I thank you anyway.

1984
02:03:33.520 --> 02:03:34.960
<v Speaker 2>I don't even know how to follow that up. That

1985
02:03:35.159 --> 02:03:37.680
<v Speaker 2>was a lot.

1986
02:03:39.039 --> 02:03:41.560
<v Speaker 3>Is that arcade machine and Severn? What game is that?

1987
02:03:41.880 --> 02:03:44.479
<v Speaker 3>Is it just the machine with another game?

1988
02:03:44.479 --> 02:03:44.640
<v Speaker 21>And it?

1989
02:03:44.640 --> 02:03:46.520
<v Speaker 3>Does anybody know? That's not trivia question? By the way,

1990
02:03:46.520 --> 02:03:49.720
<v Speaker 3>I'm just curious. You win nothing if you answer this, but.

1991
02:03:49.880 --> 02:03:54.039
<v Speaker 2>My respect, I'm laugh. If somebody has that answer, queue

1992
02:03:54.079 --> 02:03:57.720
<v Speaker 2>up and that would be great. I'll have to look

1993
02:03:57.720 --> 02:03:59.640
<v Speaker 2>because I actually was able to go to seven HQ

1994
02:03:59.720 --> 02:04:01.239
<v Speaker 2>this year, so I'll see if I took a picture

1995
02:04:01.239 --> 02:04:04.880
<v Speaker 2>of it. Yeah, that was incredible. Glad to see vs

1996
02:04:04.880 --> 02:04:08.399
<v Speaker 2>and Severn getting their due there. Big shout out to

1997
02:04:08.560 --> 02:04:10.439
<v Speaker 2>Jim Tutor for that incredible carry parody.

1998
02:04:10.560 --> 02:04:13.479
<v Speaker 3>It was amazing. I'm logging that on my letterbox. When

1999
02:04:13.479 --> 02:04:14.399
<v Speaker 3>we're done.

2000
02:04:16.159 --> 02:04:21.119
<v Speaker 2>The Tutor carry parody, We've got one more category before

2001
02:04:21.239 --> 02:04:24.840
<v Speaker 2>our last giveaway of the night, So let's go take

2002
02:04:24.840 --> 02:04:28.199
<v Speaker 2>a look at best new label. Hi.

2003
02:04:28.279 --> 02:04:31.640
<v Speaker 51>I'm Adam and I'm Charlotte, and together we're per Damage.

2004
02:04:32.239 --> 02:04:35.000
<v Speaker 51>We're a husband and wife team that work in the

2005
02:04:35.039 --> 02:04:35.720
<v Speaker 51>film industry.

2006
02:04:35.800 --> 02:04:37.439
<v Speaker 22>That's right, and this is a show where we talk

2007
02:04:37.439 --> 02:04:40.760
<v Speaker 22>about the hidden histories of Hollywood and about film restoration.

2008
02:04:41.159 --> 02:04:43.079
<v Speaker 51>I work in production and I work.

2009
02:04:42.920 --> 02:04:47.239
<v Speaker 22>In film restoration at the oldest studio still in Hollywood.

2010
02:04:47.520 --> 02:04:50.920
<v Speaker 22>And speaking of film restoration, film restoration is a collaboration.

2011
02:04:51.079 --> 02:04:53.399
<v Speaker 22>And you know what else is a collaboration. PERF Damage

2012
02:04:53.439 --> 02:04:56.720
<v Speaker 22>is and you know what else is a collaboration physical

2013
02:04:56.760 --> 02:04:59.920
<v Speaker 22>media production. And without the right labels doing the work,

2014
02:05:00.000 --> 02:05:03.000
<v Speaker 22>we wouldn't get the best versions of our favorite films.

2015
02:05:03.479 --> 02:05:06.479
<v Speaker 51>And as people who spend way too much time talking

2016
02:05:06.479 --> 02:05:11.039
<v Speaker 51>about film formats, way too much green structure and new transfers.

2017
02:05:11.640 --> 02:05:14.720
<v Speaker 51>We're honored to introduce this year's best New Label.

2018
02:05:14.840 --> 02:05:15.279
<v Speaker 11>That's right.

2019
02:05:15.680 --> 02:05:18.279
<v Speaker 22>They've done the work, they've preserved the art, and they've

2020
02:05:18.279 --> 02:05:22.039
<v Speaker 22>given us one more reason to rearrange our media shelves.

2021
02:05:22.119 --> 02:05:25.359
<v Speaker 51>And let's be real, we're all out of space, but

2022
02:05:25.439 --> 02:05:27.359
<v Speaker 51>we keep buying the releases anyway.

2023
02:05:27.439 --> 02:05:32.439
<v Speaker 22>Yes he does, Yes I do. But this is truly

2024
02:05:32.479 --> 02:05:34.680
<v Speaker 22>a vintage worth celebrating.

2025
02:05:35.079 --> 02:05:36.079
<v Speaker 5>Well, cheers to that.

2026
02:05:37.520 --> 02:06:04.520
<v Speaker 51>And the nominees for Best New Label are.

2027
02:05:54.479 --> 02:06:16.319
<v Speaker 11>Bleeding Skull, Cartoon Now, Celluloid Dreams, Cinematograph, Grave Faced Films.

2028
02:06:19.439 --> 02:06:23.720
<v Speaker 22>You know it opens with a bouquet of freshly struck

2029
02:06:23.840 --> 02:06:30.199
<v Speaker 22>nitrate of finely aged acid tate in a bit of

2030
02:06:30.279 --> 02:06:31.359
<v Speaker 22>archital dust.

2031
02:06:31.680 --> 02:06:35.439
<v Speaker 51>Oh yeah, and you know what I'm getting pints of

2032
02:06:35.600 --> 02:06:40.800
<v Speaker 51>masterly crafted hard boxes blended with a piquance of media

2033
02:06:40.840 --> 02:06:41.439
<v Speaker 51>book splinter.

2034
02:06:41.840 --> 02:06:44.319
<v Speaker 22>I don't really get that, but you know it does

2035
02:06:44.399 --> 02:06:49.319
<v Speaker 22>finish with this crisp, clean finish of free of digital

2036
02:06:49.359 --> 02:06:51.279
<v Speaker 22>noise and unnecessary dn R.

2037
02:06:52.680 --> 02:06:55.479
<v Speaker 51>And the winner for Best New Label, as voted by

2038
02:06:55.560 --> 02:06:58.359
<v Speaker 51>the Creators Selection Committee is.

2039
02:07:00.119 --> 02:07:07.279
<v Speaker 2>Matagraph.

2040
02:07:07.800 --> 02:07:12.279
<v Speaker 22>You know it lingers like a long lost director's cut

2041
02:07:12.800 --> 02:07:16.039
<v Speaker 22>meticulously restored to its former glory.

2042
02:07:17.000 --> 02:07:18.119
<v Speaker 5>I can see that for sure.

2043
02:07:19.359 --> 02:07:21.760
<v Speaker 51>And the winner for best New Label, as voted by

2044
02:07:21.760 --> 02:07:30.199
<v Speaker 51>the community is Cinematograph.

2045
02:07:30.359 --> 02:07:32.239
<v Speaker 42>That's yeah.

2046
02:07:31.399 --> 02:07:32.520
<v Speaker 2>I I.

2047
02:07:34.760 --> 02:07:36.680
<v Speaker 42>Wasn't expecting it, Honestly.

2048
02:07:36.439 --> 02:07:38.119
<v Speaker 3>I was kind of really worried about it.

2049
02:07:39.119 --> 02:07:41.439
<v Speaker 42>I didn't think it was something that was a given,

2050
02:07:42.840 --> 02:07:45.119
<v Speaker 42>just in terms of the other you know folks who

2051
02:07:45.119 --> 02:07:49.079
<v Speaker 42>are nominated, who I think I'll bring something really exciting

2052
02:07:49.119 --> 02:07:51.720
<v Speaker 42>to the table for what we're doing, you know, just

2053
02:07:51.840 --> 02:07:55.479
<v Speaker 42>boutique home video. So I never for once took this

2054
02:07:55.520 --> 02:07:59.000
<v Speaker 42>for granted. I actually honestly thought it was not gonna happen,

2055
02:08:00.039 --> 02:08:02.640
<v Speaker 42>which maybe was the best way for me to go

2056
02:08:02.720 --> 02:08:08.279
<v Speaker 42>into it. But yeah, I'm extremely grateful that, you know,

2057
02:08:08.640 --> 02:08:13.640
<v Speaker 42>the community decided that as well as you all. It's

2058
02:08:13.720 --> 02:08:16.960
<v Speaker 42>very humbling to be able to do something that you know,

2059
02:08:17.119 --> 02:08:19.920
<v Speaker 42>we care about and have people react strongly to it.

2060
02:08:20.439 --> 02:08:24.159
<v Speaker 42>And with Cinematograph. You know, obviously I'm very tied into

2061
02:08:24.159 --> 02:08:27.279
<v Speaker 42>OCN and to vinegar Syndrome just in general, but Cinematograph

2062
02:08:27.399 --> 02:08:29.479
<v Speaker 42>is a real labor of love for me. It's like

2063
02:08:29.560 --> 02:08:32.920
<v Speaker 42>the first and only, you know, thing in my professional

2064
02:08:32.960 --> 02:08:36.439
<v Speaker 42>career that I think I've really like owned to a

2065
02:08:36.520 --> 02:08:39.920
<v Speaker 42>degree like that. I've really poured over everything from the

2066
02:08:40.000 --> 02:08:43.840
<v Speaker 42>name of it, to the packaging, to all of the

2067
02:08:43.880 --> 02:08:47.199
<v Speaker 42>creative elements and curatorial elements that go into every release.

2068
02:08:47.279 --> 02:08:53.319
<v Speaker 42>So it's extremely validating. So yeah, thank you and everybody

2069
02:08:53.319 --> 02:08:54.720
<v Speaker 42>else who voted for this.

2070
02:08:57.680 --> 02:09:00.399
<v Speaker 2>Justin a shout out for Cinematograph also, so it just

2071
02:09:00.399 --> 02:09:02.119
<v Speaker 2>brought up the name and how much he had to

2072
02:09:02.159 --> 02:09:05.479
<v Speaker 2>do with it. So on your keyboards, giveaway number four,

2073
02:09:06.760 --> 02:09:12.039
<v Speaker 2>Where did Cinematograph get their name? Where did Cinematograph get

2074
02:09:12.159 --> 02:09:15.319
<v Speaker 2>their name? Whoever gets this one right is going to

2075
02:09:15.359 --> 02:09:19.720
<v Speaker 2>win three brand new limited edition Cinematograph titles that are

2076
02:09:19.720 --> 02:09:28.560
<v Speaker 2>in stock of your choice. Three cinematograph titles of your choice.

2077
02:09:29.600 --> 02:09:33.479
<v Speaker 3>Let's got it, Oha me.

2078
02:09:33.479 --> 02:09:37.840
<v Speaker 2>Look, I'm gonna go with the best one. Here is

2079
02:09:38.000 --> 02:09:44.279
<v Speaker 2>Celeste actually that names everything, Lumier Brothers and inventing the camera.

2080
02:09:45.119 --> 02:09:49.199
<v Speaker 2>We got French Cinema, French theater, Lumier Camera close there,

2081
02:09:49.680 --> 02:09:54.800
<v Speaker 2>but I'm gonna go Celeste was the most right. Celeste.

2082
02:09:54.840 --> 02:09:57.560
<v Speaker 2>I will message you and we will get get it

2083
02:09:57.560 --> 02:10:00.600
<v Speaker 2>figured out which three Cinematograph title you would like to

2084
02:10:00.640 --> 02:10:05.119
<v Speaker 2>send to you. Incredible, incredible releases from Cinematograph this year.

2085
02:10:05.279 --> 02:10:08.319
<v Speaker 2>I know a lot of people are happy about what

2086
02:10:08.359 --> 02:10:12.399
<v Speaker 2>they've been putting out. Their packaging obviously is incredible. I'm

2087
02:10:12.399 --> 02:10:15.000
<v Speaker 2>a big fan of media books from overseas. Even better

2088
02:10:15.000 --> 02:10:16.960
<v Speaker 2>now that we're getting media books in the US that

2089
02:10:17.000 --> 02:10:18.399
<v Speaker 2>you can read that are not German.

2090
02:10:18.760 --> 02:10:22.039
<v Speaker 3>They're not in German. Nice a lot with German, I

2091
02:10:22.159 --> 02:10:24.600
<v Speaker 3>just don't speak it correct.

2092
02:10:24.399 --> 02:10:29.119
<v Speaker 2>Correct, So that's huge. It is nice to see that

2093
02:10:29.159 --> 02:10:33.079
<v Speaker 2>we're continuing to get really underseen releases from them. They've

2094
02:10:33.119 --> 02:10:35.000
<v Speaker 2>done a lot of great work. Touch coming out from

2095
02:10:35.000 --> 02:10:37.680
<v Speaker 2>them was a big deal for a lot of people. Obviously,

2096
02:10:37.760 --> 02:10:40.359
<v Speaker 2>Little Darling's Red Rock West was a huge win early

2097
02:10:40.399 --> 02:10:42.680
<v Speaker 2>in the year from them. They've got some big titles

2098
02:10:42.720 --> 02:10:45.359
<v Speaker 2>coming up that I can't wait to get and exciting

2099
02:10:45.359 --> 02:10:46.920
<v Speaker 2>to see what they've been able to do so far.

2100
02:10:48.439 --> 02:10:51.000
<v Speaker 2>So congrats Leste, and send me a message. We'll get

2101
02:10:51.000 --> 02:10:54.079
<v Speaker 2>that figured out. But now that we talked about best

2102
02:10:54.119 --> 02:10:56.119
<v Speaker 2>new label, we have to figure out what are the

2103
02:10:56.119 --> 02:11:00.800
<v Speaker 2>best labels overall. So let's first jump over to agen Be.

2104
02:11:02.000 --> 02:11:05.880
<v Speaker 52>To everyone watching at home, I'm Rich Johnson, writer an

2105
02:11:05.960 --> 02:11:08.520
<v Speaker 52>educator on film. You can check out my work at

2106
02:11:08.560 --> 02:11:12.640
<v Speaker 52>rich pieces dot com. But today I'm here to announce

2107
02:11:13.159 --> 02:11:17.640
<v Speaker 52>the nominees for the category Best Regent be Label.

2108
02:11:18.800 --> 02:11:38.239
<v Speaker 13>The nominees are.

2109
02:11:32.359 --> 02:11:53.640
<v Speaker 11>Ero Video, Imprint Films, Indicators, Radiance Films, Second Sight Films, and.

2110
02:11:53.640 --> 02:11:54.439
<v Speaker 13>The winner is.

2111
02:11:58.560 --> 02:12:04.199
<v Speaker 52>It's Radiance Films Bravo. No surprise there, knocking out of

2112
02:12:04.199 --> 02:12:06.680
<v Speaker 52>the park as usual. I can't even keep up with

2113
02:12:06.720 --> 02:12:10.920
<v Speaker 52>these releases, but huge congratulations.

2114
02:12:12.199 --> 02:12:13.039
<v Speaker 9>Yeah amazing.

2115
02:12:13.199 --> 02:12:16.920
<v Speaker 12>I mean, you know, I can't kind of get over

2116
02:12:17.079 --> 02:12:21.439
<v Speaker 12>all the the accolades that we've received as as a label.

2117
02:12:21.479 --> 02:12:24.680
<v Speaker 12>You know, I kind of think like Hacks and Planet

2118
02:12:24.680 --> 02:12:27.319
<v Speaker 12>of the Vampires Masaravivil. You've got these titles where people

2119
02:12:27.359 --> 02:12:29.079
<v Speaker 12>going to be like, yeah, this is great. But to

2120
02:12:29.199 --> 02:12:33.000
<v Speaker 12>have the recognition for the label as a whole is amazing,

2121
02:12:33.239 --> 02:12:36.920
<v Speaker 12>And you know, it's it's why we do this, you know.

2122
02:12:37.000 --> 02:12:40.920
<v Speaker 12>It's it's the fan recognition, It's the integration with the fans.

2123
02:12:41.000 --> 02:12:45.520
<v Speaker 12>It's it's knowing that all the releases are appreciated as well,

2124
02:12:45.560 --> 02:12:48.960
<v Speaker 12>because we do have a diverse like you know, you mentioned,

2125
02:12:49.359 --> 02:12:51.560
<v Speaker 12>you know, with some other labels out there like Second

2126
02:12:51.600 --> 02:12:52.159
<v Speaker 12>Sight or.

2127
02:12:52.119 --> 02:12:54.039
<v Speaker 13>You know, people who've got sort of more of a.

2128
02:12:54.000 --> 02:12:57.560
<v Speaker 12>Direct focus, and that's great, and sometimes I think are

2129
02:12:57.600 --> 02:12:59.720
<v Speaker 12>we doing too much. But then it all is just

2130
02:12:59.800 --> 02:13:02.560
<v Speaker 12>kind of like, this is cool, let's do that so

2131
02:13:03.239 --> 02:13:05.359
<v Speaker 12>that people agree is amazing.

2132
02:13:07.680 --> 02:13:10.880
<v Speaker 2>Radiance takes it for Region B again, it's it's their

2133
02:13:11.039 --> 02:13:11.920
<v Speaker 2>second year.

2134
02:13:12.359 --> 02:13:14.760
<v Speaker 3>I love them. They're one of the few I get

2135
02:13:14.800 --> 02:13:17.920
<v Speaker 3>every single release they put out because just every single

2136
02:13:17.920 --> 02:13:20.079
<v Speaker 3>one is like a good movie, even if I've never

2137
02:13:20.119 --> 02:13:24.279
<v Speaker 3>heard of it before. And their releases are just outstanding

2138
02:13:24.359 --> 02:13:25.279
<v Speaker 3>in every single way.

2139
02:13:27.199 --> 02:13:30.319
<v Speaker 2>Not only are they like you know, well packaged with

2140
02:13:30.399 --> 02:13:33.920
<v Speaker 2>a great transfer and great extras, they're titles that people

2141
02:13:34.199 --> 02:13:38.000
<v Speaker 2>have either never heard of or we find out are

2142
02:13:38.000 --> 02:13:41.680
<v Speaker 2>incredible films that have just gone long forgotten, and now

2143
02:13:41.720 --> 02:13:44.399
<v Speaker 2>here we are delivered in a beautiful package. Radiance absolutely

2144
02:13:44.479 --> 02:13:48.119
<v Speaker 2>killing it. Fran doing great work over there, and can't

2145
02:13:48.119 --> 02:13:50.880
<v Speaker 2>wait to see what they got next. That was Region B.

2146
02:13:51.479 --> 02:13:55.439
<v Speaker 2>Now the question is who wins for Region A. Let's

2147
02:13:55.439 --> 02:13:57.840
<v Speaker 2>head up to Seattle, Washington to find out.

2148
02:13:58.840 --> 02:13:59.920
<v Speaker 53>Everybody.

2149
02:13:59.800 --> 02:14:01.960
<v Speaker 29>I'm Matt Lynch, I'm Emily Soaderback.

2150
02:14:02.039 --> 02:14:04.359
<v Speaker 53>We are from Scarecrow Video. We are the hosts of

2151
02:14:04.560 --> 02:14:07.800
<v Speaker 53>Scarecrow's YouTube show Viva Physical Media, and we are here

2152
02:14:07.840 --> 02:14:11.760
<v Speaker 53>to introduce the winners for the category of best Region

2153
02:14:11.800 --> 02:14:13.319
<v Speaker 53>A Label. But before we get to that I'll tell

2154
02:14:13.319 --> 02:14:18.000
<v Speaker 53>you about Scarecrow. Scarecrow is the biggest nonprofit video archive

2155
02:14:18.279 --> 02:14:20.800
<v Speaker 53>on the planet, basically the biggest video store on Earth.

2156
02:14:20.840 --> 02:14:23.439
<v Speaker 53>We have over one hundred and fifty thousand individual titles,

2157
02:14:23.479 --> 02:14:27.760
<v Speaker 53>more than any other streaming services combined. You can rent

2158
02:14:27.800 --> 02:14:29.600
<v Speaker 53>all over the continental US. You don't need to be

2159
02:14:29.600 --> 02:14:31.720
<v Speaker 53>here in Seattle. You can rent by mail, You can

2160
02:14:31.760 --> 02:14:34.199
<v Speaker 53>get a membership, you can donate to our nonprofit. If

2161
02:14:34.239 --> 02:14:36.279
<v Speaker 53>you want to support Scarecrow but you don't live in Seattle,

2162
02:14:36.479 --> 02:14:39.720
<v Speaker 53>you have plenty of options to access our amazing catalog.

2163
02:14:39.920 --> 02:14:42.800
<v Speaker 53>Visit our website scarecrow video dot org to check out

2164
02:14:42.840 --> 02:14:46.359
<v Speaker 53>all of those options. But without further ado, let's go.

2165
02:14:47.720 --> 02:14:51.760
<v Speaker 33>And the nominees for Best Region A Label.

2166
02:14:51.840 --> 02:15:21.920
<v Speaker 11>Are Aero Video, Criterion Collection, Keno Larber, Severin Films, Vinegar Syndrome.

2167
02:15:25.920 --> 02:15:28.640
<v Speaker 53>And the winner for Best Region A Label as voted

2168
02:15:28.680 --> 02:15:32.000
<v Speaker 53>on by the Creator Selection Committee is Vinegar Syndrome. Got

2169
02:15:32.000 --> 02:15:35.199
<v Speaker 53>some good Vinegar Syndrome discs here Congo underappreciated. I wrote

2170
02:15:35.239 --> 02:15:37.399
<v Speaker 53>the book let essay for Virtuosity, so make sure you pick.

2171
02:15:37.279 --> 02:15:37.680
<v Speaker 41>That one up.

2172
02:15:38.000 --> 02:15:41.840
<v Speaker 29>And the winner for Best Region A Label as voted

2173
02:15:41.880 --> 02:15:46.640
<v Speaker 29>by you the community is once again Vinegar Syndrome.

2174
02:15:47.319 --> 02:15:47.960
<v Speaker 6>Amazing job.

2175
02:15:48.039 --> 02:15:51.000
<v Speaker 53>We love Vinegar Syndrome here, congratulations, check.

2176
02:15:50.800 --> 02:15:54.680
<v Speaker 18>Out some of their releases and thanks bye.

2177
02:15:55.159 --> 02:15:57.039
<v Speaker 6>Okay, all right, well listen.

2178
02:15:57.800 --> 02:16:01.560
<v Speaker 37>You know, first and foremost, we're company, which means that

2179
02:16:01.720 --> 02:16:06.079
<v Speaker 37>you know, we we specialize in releasing films here to

2180
02:16:06.279 --> 02:16:09.800
<v Speaker 37>the you know, the US, the region A you know,

2181
02:16:11.159 --> 02:16:14.640
<v Speaker 37>I don't know to say the region a district if

2182
02:16:14.640 --> 02:16:16.960
<v Speaker 37>you will. You know, there's a lot of companies out

2183
02:16:16.960 --> 02:16:20.079
<v Speaker 37>there throughout the world doing good stuff, and you know,

2184
02:16:20.119 --> 02:16:22.439
<v Speaker 37>we try to make sure that we represent our area

2185
02:16:22.479 --> 02:16:23.560
<v Speaker 37>and do the best that we can.

2186
02:16:23.840 --> 02:16:24.920
<v Speaker 5>And thank you.

2187
02:16:25.359 --> 02:16:27.000
<v Speaker 6>That's great. That was a surprise.

2188
02:16:29.760 --> 02:16:33.600
<v Speaker 2>Congrats Vinegar Syndrome. That's a big, big deal. They have

2189
02:16:33.719 --> 02:16:35.879
<v Speaker 2>put out a lot of legendary titles and again they

2190
02:16:35.879 --> 02:16:39.440
<v Speaker 2>had an incredible November slate last year that alone was

2191
02:16:39.799 --> 02:16:40.799
<v Speaker 2>just magnificent.

2192
02:16:41.360 --> 02:16:46.319
<v Speaker 3>Yeah, yeah, absolutely fantastic entire year. Really, I've picked up

2193
02:16:46.319 --> 02:16:49.079
<v Speaker 3>a lot of their stuff. Also, like there are a

2194
02:16:49.159 --> 02:16:52.040
<v Speaker 3>lot of their partner labels. They have like a really

2195
02:16:52.079 --> 02:16:55.440
<v Speaker 3>good selection array of different types of like people that

2196
02:16:55.479 --> 02:16:57.479
<v Speaker 3>put stuff out so of like whatever your taste in

2197
02:16:57.559 --> 02:17:00.000
<v Speaker 3>film is, you can find a label that kind of case,

2198
02:17:00.479 --> 02:17:01.680
<v Speaker 3>which is I think is cool too.

2199
02:17:03.319 --> 02:17:07.799
<v Speaker 2>Speaking of finding films that match your taste. You'll notice

2200
02:17:07.799 --> 02:17:11.200
<v Speaker 2>that somebody's in the chat sharing some comments. Tonight, we

2201
02:17:11.280 --> 02:17:15.799
<v Speaker 2>got one last special video and just a warning, he's

2202
02:17:15.799 --> 02:17:18.120
<v Speaker 2>gonna laugh at this buckle in. It's a ten minute video,

2203
02:17:18.159 --> 02:17:21.760
<v Speaker 2>but this is absolutely worth it. Here is our last

2204
02:17:21.760 --> 02:17:24.479
<v Speaker 2>surprise of the night and thank you ahead of time. Joe.

2205
02:17:25.920 --> 02:17:29.239
<v Speaker 5>Hello all you physical media lovers. Hi, I'm Joe Lynch.

2206
02:17:29.360 --> 02:17:37.559
<v Speaker 5>The lovely folks at Disconnected, Ryan and Jeremy Yea. Ryan

2207
02:17:37.559 --> 02:17:40.319
<v Speaker 5>and Jeremy over at Disconnected asked me to reach out

2208
02:17:40.719 --> 02:17:43.159
<v Speaker 5>and give a little video testimonial of some of my

2209
02:17:43.639 --> 02:17:47.639
<v Speaker 5>favorite physical media releases from last year. Now truth be told.

2210
02:17:47.959 --> 02:17:51.159
<v Speaker 5>Two disclaimers here one. Not all of these came out

2211
02:17:51.200 --> 02:17:53.120
<v Speaker 5>last year. A bunch of them did, but some of

2212
02:17:53.159 --> 02:17:56.639
<v Speaker 5>them were blind spots that I had either discovered in

2213
02:17:56.639 --> 02:17:58.559
<v Speaker 5>the last couple of years and needed to get or

2214
02:17:58.639 --> 02:18:01.120
<v Speaker 5>they are some of my favorite films that either came

2215
02:18:01.159 --> 02:18:02.840
<v Speaker 5>out in the last one or two years that I went,

2216
02:18:02.879 --> 02:18:05.200
<v Speaker 5>oh my god, why don't I have X or Y

2217
02:18:05.440 --> 02:18:07.680
<v Speaker 5>or Z and needed to make sure they were on

2218
02:18:07.760 --> 02:18:12.719
<v Speaker 5>my shelf. Physical media is the true bastion of film,

2219
02:18:12.760 --> 02:18:17.280
<v Speaker 5>collecting of film, preservation of film restoration, and thank God

2220
02:18:17.360 --> 02:18:21.479
<v Speaker 5>for so many wonderful companies, both big, mostly boutique. Most

2221
02:18:21.479 --> 02:18:23.760
<v Speaker 5>of the picks that I have are from two companies

2222
02:18:23.799 --> 02:18:26.799
<v Speaker 5>in particular, one tried and True in one discovery for

2223
02:18:26.879 --> 02:18:32.000
<v Speaker 5>myself and other. Disclaimer is man, it was a freaking

2224
02:18:32.040 --> 02:18:34.799
<v Speaker 5>tough year last year. So normally I am the first

2225
02:18:34.799 --> 02:18:37.920
<v Speaker 5>person to start buying on all the different you know,

2226
02:18:38.280 --> 02:18:41.520
<v Speaker 5>directly from the company or from some of the boutique

2227
02:18:41.600 --> 02:18:44.399
<v Speaker 5>outlets that sell them. Last year was a little tough

2228
02:18:44.479 --> 02:18:47.799
<v Speaker 5>for me, so I didn't get the normal amount that

2229
02:18:47.840 --> 02:18:52.040
<v Speaker 5>I'm usually you know, purchasing and consuming. But I feel

2230
02:18:52.040 --> 02:18:55.360
<v Speaker 5>like I have a good selection of films that you

2231
02:18:55.399 --> 02:18:58.280
<v Speaker 5>should have on your shelf too. Maybe you already do.

2232
02:18:58.360 --> 02:19:01.440
<v Speaker 5>Who knows. Let's find out. Let me just we go.

2233
02:19:01.559 --> 02:19:05.079
<v Speaker 5>This is here. I'm gonna just do this. Ready, you

2234
02:19:05.079 --> 02:19:07.079
<v Speaker 5>can probably tell some of them already. This is my

2235
02:19:07.159 --> 02:19:10.520
<v Speaker 5>stack of my favorite films that I purchased last year.

2236
02:19:10.600 --> 02:19:12.680
<v Speaker 5>Don't worry, I have the receipts. So let's start out

2237
02:19:12.680 --> 02:19:16.760
<v Speaker 5>with the Wachowski's Bound from the Criterion collection. There was

2238
02:19:16.799 --> 02:19:19.319
<v Speaker 5>an arrow release a couple of years back, but this

2239
02:19:19.399 --> 02:19:21.959
<v Speaker 5>is the Criterion version with a I believe this is

2240
02:19:21.959 --> 02:19:23.959
<v Speaker 5>the New four K. This is one of those films

2241
02:19:24.040 --> 02:19:26.559
<v Speaker 5>kind of like the Coen Brothers Blood Simple, that you

2242
02:19:26.680 --> 02:19:30.079
<v Speaker 5>see the potential with the limited amount of money that

2243
02:19:30.079 --> 02:19:32.079
<v Speaker 5>the Wachowski's had at the time when this was their

2244
02:19:32.079 --> 02:19:34.639
<v Speaker 5>first feature, and you can see the potential that went

2245
02:19:34.719 --> 02:19:38.239
<v Speaker 5>into the Matrix and speed Racer and Cloud Atlas. This

2246
02:19:39.239 --> 02:19:43.520
<v Speaker 5>neo noir lesbian love story is one easily one of

2247
02:19:43.520 --> 02:19:46.280
<v Speaker 5>my favorites of theirs and the special features, which I'm

2248
02:19:46.319 --> 02:19:49.959
<v Speaker 5>a big special features fan, both as a viewer and

2249
02:19:49.959 --> 02:19:52.360
<v Speaker 5>a consumer, but also as a filmmaker. I still love

2250
02:19:52.440 --> 02:19:55.840
<v Speaker 5>the art form of making special features, and while some

2251
02:19:55.879 --> 02:19:59.879
<v Speaker 5>of these are mostly old, this one has great shit.

2252
02:20:00.360 --> 02:20:04.479
<v Speaker 5>Love Bound This was a discovery of mine that my

2253
02:20:04.559 --> 02:20:08.879
<v Speaker 5>wife Becca kind of said, you've never seen this movie before,

2254
02:20:09.000 --> 02:20:11.120
<v Speaker 5>and I was a little shocked that I hadn't before either,

2255
02:20:11.440 --> 02:20:15.959
<v Speaker 5>And thank god the lovely folks at Criterion also love

2256
02:20:16.600 --> 02:20:18.799
<v Speaker 5>Beyond the Valley of the Dolls. It's not one of

2257
02:20:18.799 --> 02:20:20.440
<v Speaker 5>those movies where you go, like, if you love Valley

2258
02:20:20.440 --> 02:20:23.239
<v Speaker 5>of the Dolls, you'll love Beyond the Valley of the Dolls,

2259
02:20:23.680 --> 02:20:27.120
<v Speaker 5>because Beyond the Value of the Dolls is fucking psychotic.

2260
02:20:27.159 --> 02:20:29.000
<v Speaker 5>Can I curse here? Well? You're gonna have to be

2261
02:20:29.000 --> 02:20:29.360
<v Speaker 5>a bit out.

2262
02:20:29.360 --> 02:20:29.639
<v Speaker 2>Sorry.

2263
02:20:29.959 --> 02:20:33.399
<v Speaker 5>The transfer is amazing if you haven't seen what I

2264
02:20:33.559 --> 02:20:37.840
<v Speaker 5>consider maybe one of russ Meyer's finest work. I know

2265
02:20:37.920 --> 02:20:42.440
<v Speaker 5>that they had the wonderful Severn collection that they reproduced

2266
02:20:43.360 --> 02:20:46.159
<v Speaker 5>this past year, but I needed to get beyond the

2267
02:20:46.239 --> 02:20:48.520
<v Speaker 5>value of the dolls, and god damn it, I did.

2268
02:20:48.559 --> 02:20:51.120
<v Speaker 5>I've always been a Sam Fuller fan, but I never

2269
02:20:51.159 --> 02:20:54.920
<v Speaker 5>really got the enjoyment of seeing one of his I

2270
02:20:54.920 --> 02:20:57.840
<v Speaker 5>guess you could say like one of his non noir

2271
02:20:57.959 --> 02:20:59.879
<v Speaker 5>film because I was always knowing him for his noir.

2272
02:21:00.600 --> 02:21:03.879
<v Speaker 5>But man, do I love Forty Guns. I had seen

2273
02:21:03.920 --> 02:21:06.799
<v Speaker 5>it on streaming, but this was again one of those

2274
02:21:06.799 --> 02:21:09.319
<v Speaker 5>things where you see it on streaming ego, I need

2275
02:21:09.360 --> 02:21:11.559
<v Speaker 5>to have this and I need to look at the

2276
02:21:11.600 --> 02:21:16.280
<v Speaker 5>case every chance I get. And Barbara Stanwick is absolutely

2277
02:21:16.520 --> 02:21:19.840
<v Speaker 5>stunning in this movie in the black suit and the hat,

2278
02:21:20.440 --> 02:21:23.200
<v Speaker 5>riding around with all of her dudes, so fucking good,

2279
02:21:23.559 --> 02:21:28.319
<v Speaker 5>and the transfer is spectacular. So I would definitely recommend

2280
02:21:28.319 --> 02:21:30.120
<v Speaker 5>that one of the films that I truly loved from

2281
02:21:30.200 --> 02:21:33.959
<v Speaker 5>the early two thousands that never quite got the release

2282
02:21:34.120 --> 02:21:36.799
<v Speaker 5>it deserved. In terms of physical media. There was a

2283
02:21:37.000 --> 02:21:39.600
<v Speaker 5>decent blu ray or DVD that came out, and then

2284
02:21:39.639 --> 02:21:43.479
<v Speaker 5>a Blu ray and that's Andrew Dominic's Shopper from Second Sight,

2285
02:21:43.600 --> 02:21:45.680
<v Speaker 5>which I'm going to get to a lot is a

2286
02:21:45.680 --> 02:21:49.440
<v Speaker 5>company that I only recently discovered in the last year,

2287
02:21:50.000 --> 02:21:55.399
<v Speaker 5>and I was blown away with their presentation. Their box

2288
02:21:55.440 --> 02:22:00.079
<v Speaker 5>sets are obviously just like so stunning, with the the

2289
02:22:00.360 --> 02:22:05.399
<v Speaker 5>disc itself and the inserts, all the cards and everything

2290
02:22:05.399 --> 02:22:07.440
<v Speaker 5>that they gave, like, oh my god, look like they're

2291
02:22:07.959 --> 02:22:11.000
<v Speaker 5>so cool. But what makes this really really special is

2292
02:22:11.159 --> 02:22:16.319
<v Speaker 5>the transfer is spectacular. There's a commentary by Mark Chopper

2293
02:22:16.360 --> 02:22:19.520
<v Speaker 5>Reid himself the subject of the movie, and the film

2294
02:22:19.559 --> 02:22:24.840
<v Speaker 5>itself is just the shit. How this steel Box of

2295
02:22:24.920 --> 02:22:28.239
<v Speaker 5>Mayhem that released this past year getting here? Who knows

2296
02:22:28.360 --> 02:22:31.799
<v Speaker 5>another film that is childhood favorite of mine that Second

2297
02:22:31.879 --> 02:22:34.319
<v Speaker 5>Site had on their library list that I go, how

2298
02:22:34.360 --> 02:22:39.159
<v Speaker 5>do I not have a copy of Martin Brest's Midnight Run? Now?

2299
02:22:39.200 --> 02:22:41.760
<v Speaker 5>I'm pretty sure that most of the special features that

2300
02:22:41.799 --> 02:22:45.639
<v Speaker 5>are on this film on this disc are old. Doesn't matter.

2301
02:22:45.760 --> 02:22:49.520
<v Speaker 5>The transfer is gorgeous. This movie is maybe one of

2302
02:22:49.559 --> 02:22:52.799
<v Speaker 5>my favorite buddy movies of the eighties. You have Charles Groden,

2303
02:22:53.040 --> 02:22:55.520
<v Speaker 5>you have Robert de Niro, you got Joey Pants. Another

2304
02:22:55.600 --> 02:22:58.239
<v Speaker 5>joey Pants movie on my list, just like in Bound.

2305
02:22:58.319 --> 02:23:00.719
<v Speaker 5>It may be my favorite Martin Breast film, with an

2306
02:23:00.760 --> 02:23:03.680
<v Speaker 5>amazing score by Danny Elfman and Yafat Koto is so

2307
02:23:03.719 --> 02:23:06.120
<v Speaker 5>good in this movie. Just across the board. This is

2308
02:23:06.200 --> 02:23:08.920
<v Speaker 5>the movie that made me go holy shit. Roberts Niro

2309
02:23:09.000 --> 02:23:12.280
<v Speaker 5>can be funny. Another movie that from Criterion kind of

2310
02:23:12.280 --> 02:23:17.799
<v Speaker 5>teeters the line and genre between comedy and drama, a

2311
02:23:17.799 --> 02:23:21.399
<v Speaker 5>little bit of action, and also another Joey Pants movie.

2312
02:23:21.440 --> 02:23:25.079
<v Speaker 5>And that's the Criterion disc for Risky Business a Marshall

2313
02:23:25.079 --> 02:23:28.479
<v Speaker 5>Brickman who was a screenwriter. This was his, I believe,

2314
02:23:28.559 --> 02:23:31.079
<v Speaker 5>his first feature film. There's never been a better transfer

2315
02:23:31.120 --> 02:23:33.200
<v Speaker 5>of this film. There's a lot of really great stuff

2316
02:23:33.239 --> 02:23:35.920
<v Speaker 5>on it. The screen tests for Tom Cruise and Rebecca

2317
02:23:36.000 --> 02:23:39.360
<v Speaker 5>de Mornay. You'll know why they got cast, but it's

2318
02:23:39.360 --> 02:23:41.600
<v Speaker 5>still really funny to see those, especially when you look

2319
02:23:41.600 --> 02:23:43.639
<v Speaker 5>at them back in the day. Criterion did a great

2320
02:23:43.719 --> 02:23:48.040
<v Speaker 5>job with this disc. My last three films here are

2321
02:23:48.120 --> 02:23:51.159
<v Speaker 5>all Second Sight. This is where I fell in love

2322
02:23:51.200 --> 02:23:57.479
<v Speaker 5>with this company. The first one is the box set

2323
02:23:58.840 --> 02:24:03.280
<v Speaker 5>for Nick refin Drive Look at This Beast. These are

2324
02:24:03.319 --> 02:24:07.440
<v Speaker 5>the types of titles with these kind of presentations that

2325
02:24:07.520 --> 02:24:10.760
<v Speaker 5>people walk into your house and go, this guy knows

2326
02:24:10.799 --> 02:24:15.600
<v Speaker 5>what's up. The transfer for this movie is amazing on disc.

2327
02:24:15.680 --> 02:24:18.399
<v Speaker 5>And look at all of this extra stuff. This is

2328
02:24:18.440 --> 02:24:21.520
<v Speaker 5>like one of those like food videos that people see

2329
02:24:21.520 --> 02:24:23.760
<v Speaker 5>where they open up the burrito or the burger and

2330
02:24:23.760 --> 02:24:26.879
<v Speaker 5>they go, look at this thing, Oh my god, huge.

2331
02:24:27.040 --> 02:24:29.799
<v Speaker 5>This is a not to miss title. Next up is

2332
02:24:29.840 --> 02:24:33.799
<v Speaker 5>a slightly newer film, Jeremy Sonier's Green Room Again Second

2333
02:24:33.840 --> 02:24:38.040
<v Speaker 5>Sight the book, the presentation, the transfer is great again.

2334
02:24:38.120 --> 02:24:40.319
<v Speaker 5>This is another title that I don't think got the

2335
02:24:40.680 --> 02:24:44.280
<v Speaker 5>proper due with the color palette. This transfer got it right.

2336
02:24:44.600 --> 02:24:46.440
<v Speaker 5>All the special features are great. There's a lot of

2337
02:24:46.440 --> 02:24:48.520
<v Speaker 5>new stuff, a lot of old stuff. Green Room is

2338
02:24:48.799 --> 02:24:51.719
<v Speaker 5>the shit. Finally, and I know that I was watching

2339
02:24:51.760 --> 02:24:53.840
<v Speaker 5>the show too, and I know that Sean Baker pulled

2340
02:24:53.879 --> 02:24:56.920
<v Speaker 5>this one out considering that he stole my number one pick.

2341
02:24:57.040 --> 02:25:00.319
<v Speaker 5>It's a movie that I've been waiting for decades to

2342
02:25:00.360 --> 02:25:03.440
<v Speaker 5>come on to four K blu ray. Yes, back in

2343
02:25:03.559 --> 02:25:05.719
<v Speaker 5>nineteen eighty seven, it was like, someday, maybe they will

2344
02:25:05.760 --> 02:25:09.879
<v Speaker 5>be a four K blu ray transfer of one of

2345
02:25:09.920 --> 02:25:12.920
<v Speaker 5>my favorite movies of the eighties, and Sean Baker stole

2346
02:25:13.200 --> 02:25:15.920
<v Speaker 5>my pick. We had a mutual agreement. We were not

2347
02:25:16.000 --> 02:25:20.239
<v Speaker 5>supposed to have cross pollination of titles, So fuck him.

2348
02:25:20.280 --> 02:25:23.879
<v Speaker 5>Good luck Sean. But that is Robert Harmon's The Hitcher.

2349
02:25:23.959 --> 02:25:26.840
<v Speaker 5>Two movies I've been waiting for for decades, one of

2350
02:25:26.879 --> 02:25:31.200
<v Speaker 5>which I personally was involved in getting made into Blu Ray,

2351
02:25:31.399 --> 02:25:33.559
<v Speaker 5>and that is Chuck Russell's The Blob. That's why I'm

2352
02:25:33.600 --> 02:25:36.840
<v Speaker 5>on the commentary because I just kept calling shot Factory

2353
02:25:36.879 --> 02:25:38.799
<v Speaker 5>and saying, will you please put the Blob on? And

2354
02:25:38.840 --> 02:25:40.559
<v Speaker 5>they finally did. Well, I didn't have to do it

2355
02:25:40.600 --> 02:25:42.879
<v Speaker 5>for this one. This is a film that I've loved

2356
02:25:43.319 --> 02:25:46.479
<v Speaker 5>since I was a kid. It is mean, it is nasty,

2357
02:25:46.680 --> 02:25:50.479
<v Speaker 5>has some of the best cinematography for a genre film.

2358
02:25:50.559 --> 02:25:55.079
<v Speaker 5>John Seal did a spectacular job in the action in

2359
02:25:55.079 --> 02:25:59.360
<v Speaker 5>This film has one of the most bleak third acts ever.

2360
02:25:59.600 --> 02:26:05.120
<v Speaker 5>This movie is special, and the transfer itself is reason alone.

2361
02:26:05.159 --> 02:26:07.879
<v Speaker 5>You You might not even want to get this Monster

2362
02:26:08.000 --> 02:26:10.559
<v Speaker 5>box set right, but if you get the bare bones

2363
02:26:10.680 --> 02:26:13.280
<v Speaker 5>edition of it, get it just for the transfer. This

2364
02:26:13.440 --> 02:26:15.559
<v Speaker 5>is the best disc of the year. This may be

2365
02:26:15.639 --> 02:26:18.879
<v Speaker 5>the best disc for me of the decade. And yeah,

2366
02:26:19.120 --> 02:26:22.639
<v Speaker 5>if this is worth every single penny, put it on

2367
02:26:22.680 --> 02:26:25.360
<v Speaker 5>your shelf and watch people go, huh, I've never seen

2368
02:26:25.399 --> 02:26:27.079
<v Speaker 5>the Hitcher, And then you sit them down and you

2369
02:26:27.159 --> 02:26:30.120
<v Speaker 5>show them the fucking Hitcher and watch their minds explode.

2370
02:26:30.159 --> 02:26:33.319
<v Speaker 5>And finally, of course, with all these amazing titles that

2371
02:26:33.319 --> 02:26:35.520
<v Speaker 5>we have here, it would be behoove me to not

2372
02:26:35.879 --> 02:26:39.600
<v Speaker 5>name my personal favorite title of twenty twenty four, and

2373
02:26:39.680 --> 02:26:43.200
<v Speaker 5>that's Suitable Flesh. There you go, Sorry, shameless plug here.

2374
02:26:43.280 --> 02:26:45.319
<v Speaker 5>I'm very proud of this movie, and I'm very proud

2375
02:26:45.360 --> 02:26:48.319
<v Speaker 5>of the presentation that we put together. There's a commentary,

2376
02:26:48.360 --> 02:26:51.520
<v Speaker 5>there's behind the scenes, YadA, YadA, YadA. Check out Suitable Flesh.

2377
02:26:51.559 --> 02:26:53.600
<v Speaker 5>If you didn't see it or if you saw it

2378
02:26:53.639 --> 02:26:56.280
<v Speaker 5>on shutter only, the blu ray is definitely worth it.

2379
02:26:57.000 --> 02:27:00.799
<v Speaker 5>So there you go. There are my picks, mostly movies

2380
02:27:00.799 --> 02:27:02.799
<v Speaker 5>that I absolutely love that I needed to get on

2381
02:27:03.600 --> 02:27:06.200
<v Speaker 5>physical media and a couple of shameless self promotions as well.

2382
02:27:06.319 --> 02:27:08.879
<v Speaker 5>What are you Gonna do? Thank you to everybody at

2383
02:27:08.879 --> 02:27:11.159
<v Speaker 5>the shelf Shock Rewind Awards. I hope you guys are

2384
02:27:11.159 --> 02:27:16.520
<v Speaker 5>having fun. To everybody disconnected Brian and Humphrey, great job

2385
02:27:16.559 --> 02:27:21.280
<v Speaker 5>out there and keep physical media alive. Guys. Bye, What the.

2386
02:27:21.280 --> 02:27:28.200
<v Speaker 2>Fuck is going on there? Amazing. Thank you Joe.

2387
02:27:28.719 --> 02:27:31.120
<v Speaker 3>I can listen to him talk like he needs to

2388
02:27:31.120 --> 02:27:32.879
<v Speaker 3>make like a three hour video and it's just him

2389
02:27:33.280 --> 02:27:35.360
<v Speaker 3>going through every single movie is cutching and telling me

2390
02:27:35.360 --> 02:27:37.360
<v Speaker 3>about it. I would watch that definitely.

2391
02:27:38.040 --> 02:27:39.559
<v Speaker 2>Three hours is really underselling it.

2392
02:27:39.600 --> 02:27:40.120
<v Speaker 17>I think.

2393
02:27:42.520 --> 02:27:44.719
<v Speaker 2>If you guys are into Joe Lynch want to hear more.

2394
02:27:44.760 --> 02:27:46.639
<v Speaker 2>There's actually an interview with him on my channel. You

2395
02:27:46.639 --> 02:27:49.239
<v Speaker 2>can check that out. We talked about suitable Flesh quite

2396
02:27:49.280 --> 02:27:52.840
<v Speaker 2>a bit and depression. If you're into both of those,

2397
02:27:53.920 --> 02:27:58.719
<v Speaker 2>Thanks Joe for doing that. We only have one more

2398
02:27:59.280 --> 02:28:02.159
<v Speaker 2>award to give out tonight, and this is this is

2399
02:28:02.200 --> 02:28:04.639
<v Speaker 2>like our Oscar for Best Picture. This is best overall release.

2400
02:28:05.399 --> 02:28:07.319
<v Speaker 2>This is a huge deal. Twenty twenty four was a

2401
02:28:07.319 --> 02:28:11.920
<v Speaker 2>massive deal for physical media, and I am just baffled

2402
02:28:11.959 --> 02:28:14.760
<v Speaker 2>at the titles that we're continuing to see. All these

2403
02:28:14.799 --> 02:28:16.959
<v Speaker 2>companies that are putting all this hard work into these

2404
02:28:17.120 --> 02:28:20.639
<v Speaker 2>are incredible, very very happy with what we're continuing to get.

2405
02:28:20.959 --> 02:28:23.639
<v Speaker 2>If you are interested in trying out more from any

2406
02:28:23.639 --> 02:28:25.639
<v Speaker 2>of these companies, or I have questions about the releases,

2407
02:28:26.639 --> 02:28:29.200
<v Speaker 2>I'm sure Michelle and I would both be willing to

2408
02:28:29.239 --> 02:28:31.840
<v Speaker 2>assist you if you find us anywhere in social media

2409
02:28:31.920 --> 02:28:33.680
<v Speaker 2>or email or anything like that. We're here for it.

2410
02:28:33.959 --> 02:28:37.000
<v Speaker 2>And on that note, let's check out the nominees for

2411
02:28:37.159 --> 02:28:39.000
<v Speaker 2>Best Overall Release.

2412
02:28:50.639 --> 02:28:53.399
<v Speaker 11>All the Haunts be Ours a compendium of Full Core

2413
02:28:53.680 --> 02:28:59.719
<v Speaker 11>Volume two, Severin Films, The Blair Witch Project, Second Site Films,

2414
02:29:01.040 --> 02:29:06.360
<v Speaker 11>Frank Capra at Columbia Collection, four K Sony Pictures, The

2415
02:29:06.440 --> 02:29:10.760
<v Speaker 11>Game of Clones, Grouse Politation Collection Volume one, sever In.

2416
02:29:10.879 --> 02:29:16.840
<v Speaker 3>Films, Hollywood nine zero zero two eight, Grindhouse Releasing, Shasco

2417
02:29:17.120 --> 02:29:22.799
<v Speaker 3>Volume three, Aero Video, The Hitcher four K Second Site Films,

2418
02:29:23.959 --> 02:29:28.840
<v Speaker 3>The Keep, four K Vinegar Syndrome, The Never Ending Story,

2419
02:29:28.879 --> 02:29:33.479
<v Speaker 3>four K Imprint Films, Trick or Treat four K red

2420
02:29:33.479 --> 02:29:39.680
<v Speaker 3>Shirt Pictures, Synaps Films.

2421
02:29:38.520 --> 02:29:43.559
<v Speaker 2>Will Uh. Lots of great titles up for Best Release, Michelle,

2422
02:29:43.559 --> 02:29:45.159
<v Speaker 2>you want to share who our winner is? Here?

2423
02:29:46.120 --> 02:29:51.040
<v Speaker 3>Oh well, let me look. I don't want to, like,

2424
02:29:51.120 --> 02:29:52.959
<v Speaker 3>you know, like that one Oscars where they were like,

2425
02:29:52.959 --> 02:29:55.719
<v Speaker 3>oh it's Lola and whoops, you know, like I don't

2426
02:29:55.920 --> 02:29:59.719
<v Speaker 3>want you that one. So the best overall release h

2427
02:30:00.319 --> 02:30:06.399
<v Speaker 3>for the Critics Choice is All the hauntspi hours, and

2428
02:30:07.440 --> 02:30:12.959
<v Speaker 3>the winner for the People's Choice is also All Hantspiars.

2429
02:30:13.040 --> 02:30:19.399
<v Speaker 3>It won both awards everybody that release. It's the best.

2430
02:30:20.000 --> 02:30:22.559
<v Speaker 2>It is incredible. I hope people check it out. It

2431
02:30:22.639 --> 02:30:26.159
<v Speaker 2>is a remarkable one. And finally, since we have not

2432
02:30:26.280 --> 02:30:29.200
<v Speaker 2>heard anything about all the hauntspiars all night, let's get

2433
02:30:29.239 --> 02:30:32.360
<v Speaker 2>a word from the master producer herself, Cala Jannie.

2434
02:30:32.840 --> 02:30:33.000
<v Speaker 22>Hi.

2435
02:30:33.079 --> 02:30:36.239
<v Speaker 54>Everyone, I just want to give huge thanks to the

2436
02:30:36.239 --> 02:30:41.239
<v Speaker 54>Shelf Shock rewind Awards for the incredible honor of God,

2437
02:30:41.760 --> 02:30:45.840
<v Speaker 54>all these awards for all the HAUNTSPI Hours Volume two,

2438
02:30:46.079 --> 02:30:47.159
<v Speaker 54>which I have here.

2439
02:30:47.000 --> 02:30:50.600
<v Speaker 3>Next to me, God to win.

2440
02:30:51.319 --> 02:30:54.559
<v Speaker 54>I think we got best Horror Release, Best region a Release,

2441
02:30:55.200 --> 02:31:00.799
<v Speaker 54>Best overall release, many different awards that that I mean

2442
02:31:00.879 --> 02:31:04.239
<v Speaker 54>like are incredible because I know the amazing competition that's

2443
02:31:04.280 --> 02:31:07.639
<v Speaker 54>out there. I buy a lot of discs from other companies,

2444
02:31:07.639 --> 02:31:11.879
<v Speaker 54>and I get inspired every day by all my colleagues

2445
02:31:11.920 --> 02:31:16.120
<v Speaker 54>working in this field. So so not only is it

2446
02:31:16.159 --> 02:31:19.479
<v Speaker 54>a great honor to receive all these awards for a

2447
02:31:19.479 --> 02:31:22.719
<v Speaker 54>project that I spent three years working on with various

2448
02:31:22.760 --> 02:31:27.239
<v Speaker 54>people at Severn, but also the best the awards for

2449
02:31:27.319 --> 02:31:31.879
<v Speaker 54>best packaging and Art direction or art designed, because those

2450
02:31:31.920 --> 02:31:34.799
<v Speaker 54>awards really are due to Luke Insect, which was a

2451
02:31:34.840 --> 02:31:37.120
<v Speaker 54>designer who designed.

2452
02:31:36.879 --> 02:31:38.000
<v Speaker 3>The bulk of the box set.

2453
02:31:38.079 --> 02:31:41.799
<v Speaker 54>The outer box, the inner sleeves, the booklet that came

2454
02:31:41.840 --> 02:31:44.719
<v Speaker 54>with it, and Luke Insect designed the first box set.

2455
02:31:44.719 --> 02:31:48.479
<v Speaker 54>He's also designed many other projects for me. He's a

2456
02:31:48.559 --> 02:31:51.040
<v Speaker 54>UK based artist I work with a lot because he's

2457
02:31:51.360 --> 02:31:56.680
<v Speaker 54>really versatile and really interesting. He has a really psychedelic vision,

2458
02:31:56.840 --> 02:31:58.719
<v Speaker 54>you know for his art that I try to tap

2459
02:31:58.760 --> 02:32:02.399
<v Speaker 54>into with a lot of my projects. And Drayson Cosjen,

2460
02:32:02.440 --> 02:32:08.440
<v Speaker 54>who's a Canadian illustrator who designed all of the artwork

2461
02:32:08.840 --> 02:32:13.360
<v Speaker 54>for the book of fiction that came with the box sets.

2462
02:32:13.440 --> 02:32:17.280
<v Speaker 54>So all the original short stories that we commissioned came

2463
02:32:17.360 --> 02:32:24.440
<v Speaker 54>with they all featured a an original drawing by Drayson

2464
02:32:24.479 --> 02:32:30.079
<v Speaker 54>Cosjen and titles and things, and so this being a

2465
02:32:30.120 --> 02:32:32.840
<v Speaker 54>part of the box set was was a huge honor

2466
02:32:33.200 --> 02:32:35.760
<v Speaker 54>also to be able to have all these different authors,

2467
02:32:35.799 --> 02:32:41.120
<v Speaker 54>twelve different authors contribute original stories to this book that

2468
02:32:41.239 --> 02:32:44.280
<v Speaker 54>came in the box set, and so it was a

2469
02:32:44.319 --> 02:32:48.840
<v Speaker 54>massive undertaking, uh, you know, from on the technical side,

2470
02:32:48.959 --> 02:32:53.719
<v Speaker 54>our our our post production team Andrew Furtado and Todd Winnic,

2471
02:32:55.319 --> 02:32:59.959
<v Speaker 54>the all the different scans and the negatives and everything

2472
02:33:00.040 --> 02:33:02.840
<v Speaker 54>they dealt with to do the restorations for the box set,

2473
02:33:03.280 --> 02:33:06.239
<v Speaker 54>but also Amy Voorhei's Searles at Severn, who is our

2474
02:33:06.280 --> 02:33:10.159
<v Speaker 54>creative director and she deals with all of our packaging

2475
02:33:10.639 --> 02:33:14.760
<v Speaker 54>companies and manufacturers and everything, and there's so many things

2476
02:33:14.840 --> 02:33:17.239
<v Speaker 54>that she has to keep on top of. And then

2477
02:33:17.319 --> 02:33:20.840
<v Speaker 54>with licensing, there was me and David Gregory and Carl

2478
02:33:20.920 --> 02:33:24.840
<v Speaker 54>Daft and a handful of people around the globe go

2479
02:33:25.120 --> 02:33:28.840
<v Speaker 54>chip in as sort of local liaisons in their own countries.

2480
02:33:29.440 --> 02:33:33.879
<v Speaker 54>There's just like a massive amount of people who participated

2481
02:33:34.000 --> 02:33:39.520
<v Speaker 54>in this box set, as as commentators, as video sayists,

2482
02:33:39.680 --> 02:33:43.639
<v Speaker 54>as people making original short films for the box set.

2483
02:33:44.360 --> 02:33:46.600
<v Speaker 54>It was a massive undertaking. And so I'm so I'm

2484
02:33:46.680 --> 02:33:52.120
<v Speaker 54>really pleased that that both the jury and the community,

2485
02:33:52.280 --> 02:33:56.360
<v Speaker 54>the voting community at the Shelf Shock rewind Awards is

2486
02:33:57.639 --> 02:34:00.879
<v Speaker 54>acknowledging our work in this way. And and also it's

2487
02:34:01.399 --> 02:34:04.959
<v Speaker 54>it's a it's a photo confidence by extension to the

2488
02:34:05.040 --> 02:34:07.760
<v Speaker 54>kind of work that we're doing at Severn going forward too.

2489
02:34:08.159 --> 02:34:12.479
<v Speaker 3>So thanks everybody, So.

2490
02:34:12.440 --> 02:34:15.520
<v Speaker 2>Once again, congrats to Severn and Kayla Denice and David Gregory,

2491
02:34:15.520 --> 02:34:19.079
<v Speaker 2>Andrew Furtado and everybody at Severn, Carl Daft. It's a

2492
02:34:19.200 --> 02:34:25.159
<v Speaker 2>huge accomplishment. All the hotsprs won a shit ton of awards.

2493
02:34:26.719 --> 02:34:29.239
<v Speaker 2>It's an incredible box set. I hope people check it out.

2494
02:34:32.520 --> 02:34:35.319
<v Speaker 2>That being said, it's the end of the show. Hopefully

2495
02:34:35.319 --> 02:34:39.319
<v Speaker 2>you enjoyed. I'm gonna be updating the descriptions for all

2496
02:34:39.319 --> 02:34:42.719
<v Speaker 2>the videos with links to everybody that presented tonight, with

2497
02:34:42.840 --> 02:34:46.719
<v Speaker 2>links for everything that you might need to find resources on.

2498
02:34:46.920 --> 02:34:49.159
<v Speaker 2>If there's any questions, you can reach out to me

2499
02:34:49.200 --> 02:34:52.760
<v Speaker 2>on any social media. Michelle and my information will both

2500
02:34:52.840 --> 02:34:56.559
<v Speaker 2>be there. We are always here to help and to

2501
02:34:56.879 --> 02:34:59.520
<v Speaker 2>talk about films and physical media. The biggest thing is

2502
02:34:59.520 --> 02:35:01.920
<v Speaker 2>I hope to was able to inspire you to pick

2503
02:35:01.959 --> 02:35:04.399
<v Speaker 2>up something that's still sealed, take it off your shelf,

2504
02:35:04.479 --> 02:35:06.719
<v Speaker 2>put it in the player tonight, and enjoy a movie.

2505
02:35:07.399 --> 02:35:10.120
<v Speaker 3>Definitely. I'm so glad you invited me on. I hope

2506
02:35:10.200 --> 02:35:13.159
<v Speaker 3>that I lived up to everybody's expectations because I have

2507
02:35:13.200 --> 02:35:17.920
<v Speaker 3>really bad anxiety, so I was worried. I was, but

2508
02:35:18.280 --> 02:35:23.799
<v Speaker 3>Godzilla gave me powers, he kept me company. This is

2509
02:35:23.840 --> 02:35:27.760
<v Speaker 3>my comfort, Godzilla. So that's actually why I brought it

2510
02:35:27.799 --> 02:35:30.600
<v Speaker 3>out here. But I hope you guys had fun, and

2511
02:35:30.639 --> 02:35:33.440
<v Speaker 3>I hope I wasn't too weird or anything.

2512
02:35:34.120 --> 02:35:35.959
<v Speaker 2>Not at all. Everybody seemed to love your nails. That's

2513
02:35:36.040 --> 02:35:36.840
<v Speaker 2>that was a big thing.

2514
02:35:36.760 --> 02:35:39.079
<v Speaker 3>O my purple nails.

2515
02:35:40.760 --> 02:35:44.000
<v Speaker 2>All right, everybody, make sure you subscribe to see more

2516
02:35:44.079 --> 02:35:46.559
<v Speaker 2>videos coming out here and in the future. Thanks to

2517
02:35:46.559 --> 02:35:49.920
<v Speaker 2>all the special guest Sean Baker, Joe Lynch, fran Galoopi,

2518
02:35:50.719 --> 02:35:54.959
<v Speaker 2>the entire cast from Dinner in America incredible, had a

2519
02:35:55.000 --> 02:35:56.920
<v Speaker 2>blast tonight, guys, thank you all so much for watching,

2520
02:35:57.319 --> 02:36:03.639
<v Speaker 2>and most likely we'll see you next year.

2521
02:36:00.200 --> 02:36:00.239
<v Speaker 40>S