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Speaker 1: Hello, everybody, Welcome, Here we go. It is that time again,

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Matt Connorton Unleashed and we are live from the studios

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of WMNH ninety five point three FM and Glorious Manchester,

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New Hampshire. Of course, you can stream the show from anywhere.

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Go to Matt connorton dot com slash live for all

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your live streaming options, social media links, contact info, show archives,

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et cetera, et cetera. Today is a Saturday, January ten,

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twenty twenty six, and I am not alone?

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Speaker 2: Is this where we say something here not quite.

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Speaker 1: Morning? That's funny. That's never happened before.

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Speaker 3: That never happened.

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Speaker 1: Oh I like that though. That was cool. Jenny is here,

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of course at the news table. Yes, aunted for or

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as I heard Paully C referred to it on Retrospectu

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Radio last night. The news trays the news track that

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I was not I was not here last night for

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Paul's show. I was uh not feeling well, so I

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took the night off. But feeling better. So so here

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we are and uh joining us right now live in studio.

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We've got the guys from Sick Dude. Hell yeah, is

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this where we say? This is where you are free.

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You are free.

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Speaker 2: Thank you so much for having us back. This is awesome,

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absolutely absolutely yeah.

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Speaker 1: Let's see. So we've got Dirty d and Somebody's Crackers

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your real names, of course, Dylan and and Nate Nate.

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Thank you. Yes, But uh, I think we had a

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I was saying to Dylan earlier off here. I think

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we had an extended conversation last time about Somebody's crackers,

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the origin of that name. But I don't remember, sort of,

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I don't know if we talked about the origin that

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was just I'm pretty sure I had to have asked you.

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As a journalist, I must have asked you, what is

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where does a name come from?

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Speaker 2: I think you were you were you were more concerned

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about what to call me in the moment last time,

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and I had never really thought about that part before,

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and so it made me do a little creative reflected.

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But now it's still somebody's crackers. That's that's because a

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long time ago, I was when I was a teenager

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and I was living in my first like big boy

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apartment with roommates. I was like starving, you know, needed

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to eat some kind of food and reached into the

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pantry and I found these like expired crackers and I

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ate them and they were really bad, and I think

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they made me really sick. I got this, like I

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got this like back to real disease in my stomach

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called campellow back. The I had to like take me

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out of work for like a very long time. And

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oh my god, like they had to like check, like

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the Department of Health had to check all the places I'd.

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Speaker 1: Like eaten lately and stuff like that.

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Speaker 2: And so anyway, I'm leaving the hospital and I just

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muttered to myself, I guess that's what I get for

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eating somebody's crackers. And I just really liked the way

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somebody's crackers sounded.

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Speaker 1: Yeah, sort of stuck with it. Yeah. Well, so I'm

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glad that came up again because we never heard that

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whole the whole story about what happened to you before.

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We didn't hear that part of it.

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Speaker 2: No, and it won't happen again. Oh my god, my

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own crackers now, wow, I can afford them.

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Speaker 1: Oh wow, that's crazy.

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Speaker 4: Wow.

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Speaker 1: What was what was that called?

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Speaker 5: Again?

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Speaker 2: The illness of campellow bacteriosis and tritis, Okay, which is

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this like corkscrew shaped bacteria that likes to live in

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your intestines, and I guess like one in every thousand

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cases can develop into like a brain disease. Oh wow,

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so we'll see how that works out, you know, the

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Jerry's out.

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Speaker 1: But yeah, how long ago was this?

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Speaker 3: This was?

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Speaker 2: Oh goodness, twenty thirteen maybe okay, yeah, okay, good so

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you're probably fine?

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Speaker 1: Yeah yeah, yeah, wow, lad you're okay. Oh my god. Yeah,

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so you didn't tell us about that part last time.

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That's amazing. That's a little person now the world knows, well,

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not the world, but how many people listen to New Vampshire.

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A lot of people. A lot of people don't. So

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you guys got it's great to have you back. You've

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got this new EP, homo Erectus. Yeah, very excited to

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share it with the world.

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Speaker 2: We worked very hard on it, and we were really

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excited to name something homo erected. Absolutely, it's been in

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the it's been in the like prospective names mill since

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we put out our first EPs. It and then I

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think that like we both just kind of realized at

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the same time. It's like, yeah, we've really grown a

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lot since that first EP in such a short time,

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And so I think homo erectus is appropriate. Okay, it's

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the cave and yeah, growing into his next form of existence.

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Speaker 1: Yeah, yeah, no, I like it. It makes sense.

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Speaker 3: I think the funniest part of it is, uh, you know,

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I didn't realize how many people didn't know what homo

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erectus meant.

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Speaker 1: Right, you know, right?

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Speaker 6: Yeah?

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Speaker 1: Yeah.

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Speaker 3: It scares away some of the conservatives, so we enjoy that.

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Speaker 1: That's a plus. Well, let's uh, let's play a track

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from it, because Dylan we had talked off air about

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we were going to play a new Spoul's Tite. We'll

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play that one first. Yeah, all right, this is Newspoul's Tite.

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It's from the band, well the band you call yourselves

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a band? You call yourselves a duo? What you call

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yourselves you're a band? Okay?

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Speaker 7: Uh?

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Speaker 1: It is from the band Sick Dude, Hell yeah, and

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the new EP homo Erectus. It's fun to say.

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Speaker 8: Uh, this is called new Spool's Tite.

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Speaker 9: Goose falls tips, sinking sound and Gulf ex sites.

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Speaker 3: Brains brought its fall.

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Speaker 1: It's good.

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Speaker 7: Like got got like dou down.

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Speaker 9: Creature sas back at big my world comes crashing sound.

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Speaker 3: I can't seem to bake a fool or reft bake

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a sound.

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Speaker 7: Good side.

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Speaker 10: Made.

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Speaker 6: I can signed a bank about.

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Speaker 1: Why I burn my dough about Jack bank down.

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Speaker 9: Punish too, my eyes well back and troll fi ahead.

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My sense of self is solva bread white sense of self.

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Speaker 7: It's song like tread.

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Speaker 1: Bad bad bad, My God, save no bag.

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Speaker 7: Of bove.

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Speaker 1: Waiting for my dove bom back back. No, I love it.

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That is news full side the band Sick Dude. Hell yeah.

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That is from their new EP, homo Erectus. He by

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the way, I was looking at at this on your

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band Campaige. It says homo Erectus is dedicated in solidarity

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with our lgbt q I A plus comrades and oppressed

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people's globally, and that caught my eye. I like that.

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I like that a lot.

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Speaker 2: Yeah, man, you know it's it's kind of a play

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on words, you know, like like homo erectus like the

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standing human and we're you know, we're standing up with our,

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with our with our gay, lesbian, bisexual, transgendered, questioning, intersex,

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a sexual and otherwise comrades in the world worldwide.

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Speaker 1: You're safe with us?

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Speaker 3: Yeah, really awesome.

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Speaker 1: Yeah, that is no that's very cool. That's what lgbt

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Q I A plus stands for. Right, I've always just assumed,

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so I see, I I stop at the I just

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do lgbt Q plus. I don't do the I A.

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It's it's too too many letters to remember.

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Speaker 2: To me, I'm always trying to sound smart, and then

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when people call me on it, I'm like, you know,

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that's a good question in theory.

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Speaker 1: The plus gets you out of all.

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Speaker 3: Of it exactly.

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Speaker 1: Yea, I know what you literally pro l plus L plus.

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It'd be a good name for a band actually plus.

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Speaker 6: No.

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Speaker 1: But I think that's really cool. Is that has that

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kind of been part of the idea of Sick Dude?

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Hell yeah from the beginning.

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Speaker 3: Or oh, I mean, I think we've both always just

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had a firm belief that, you know, everybody should have

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the freedom to be themselves. I know they truly are,

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because that's where your happiness is going to stem from, Yes,

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being comfortable with yourself and your own skin. And you know,

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I strongly disagree with anybody trying to take that away

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from somebody. That's a that's a human right that everybody

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should have.

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Speaker 1: Yep, yep, everyone should be able to be their authentic selves.

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Speaker 2: And yeah, unfortunately, being comfortable in your skin is like

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a privilege that is not afforded to quite frankly too

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many people.

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Speaker 1: Right, and yeah, I think that it just.

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Speaker 2: In this day and age, it's worth it to you

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can't like, you can't let anybody assume that you're just

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like a safe person because of how you don't behave

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and so right, statements like that, like even if they

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are just statements like are important in this day and age.

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Speaker 1: And then like acting on those statements is doubly important.

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Speaker 3: But yeah, yeah, actions speak louder than words.

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Speaker 1: Yeah, one hundred. Does that show up in the lyrics

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at all? I mean what or I mean what are

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what are you?

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Speaker 11: Well?

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Speaker 1: We shul talk about that some of the lyrical themes,

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and I'm curious too if any of that's changed from

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from the previous release.

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Speaker 3: Yeah, so a lot of the lyrical themes. So I

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got sober two weeks after we started Stick Dude to Hell. Yeah,

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oh no kidding, Yeah, And so a lot of and

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all these songs just kind of started pouring out of

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me as I was going through learning how to live

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life sober. Yeah, and a lot of it just has

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to do with purging all the bull crap, you know,

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and all of it kind of came out fast and

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then in spurts. So a lot of lyrical content, you know,

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stems from you know, mental illness, self doubt, you know.

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And then there's the slight political stuff thrown in there too,

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with like corporate enterprise, you know, and uh, you know,

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I mean a lot of it's Debbie Downer, but I

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think I'm working my way out of that, which is good.

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Speaker 1: Yeah, absolutely absolutely. When you guys play live, is it

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always just the two of you? Yeah, it's just the

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two of us.

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Speaker 2: We've discussed with a friend of ours having him be

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an honorary third member who plays a stringless bass on stage. Yeah, Dean,

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if you're listening, you're still welcome to do that.

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Speaker 3: Yeah, we need you.

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Speaker 1: It's not listening, but yeah, it's just us too.

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Speaker 2: And whatever sound system is made available to us. If

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we have to bring our own sound system, it's not

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gonna sound great. But usually, like if a venue has

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a half decent sound system, we can, uh, we can

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push it to the limit. We just played that Hennecker

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Brewing Company place and uh sounded awesome. Their stage is awesome.

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If you want to play music, ask Hennecker Brewing Company

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if you can do it. Yeah, there's quite the little

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scene brewing in that in that neck of the woods

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right now.

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Speaker 3: I think Backwoods Booking does generally most of booking for it. Okay,

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And and and if you can't find them, hit up

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Hubble Wizard.

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Speaker 1: Yeah they they both of them.

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Speaker 3: Yeah, Okay, great dudes, great dudes, super active in the scene.

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They'll they'll set you up if you're looking to play.

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Speaker 1: Yeah, So when you guys, when you guys play out, like,

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what's kind of the I'm sure we talked about this

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last time, but I'm such a nerd for this because

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I'm amazed. I'm always fascinated by when you've got a

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situation where you know, it's it sounds like a full

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band whom you kind of replicate that live right in

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terms of how loud it is and the fullness of

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it so to speak. I mean, I mean, what's what's

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the situation like as far as how you're set up?

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Speaker 3: So so are set up live? It's not super fancy.

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I just I have a two twelve for guitar cabinet

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and I'm lacking a little in the base department. I

237
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got a fifteen and it's just a fifty watt okay.

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But usually we'll show up to a show and I'll

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see how many people are cool with Daisy chaining all

240
00:14:32,399 --> 00:14:36,399
of our amps together and try to set it all together,

241
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because that's always fun to just like have a wall

242
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of noise, oh yeah, punishing the crowd. Yeah, but I

243
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think we still I mean, despite the lack of the

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size of our amps, we play, we played to the room,

245
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and I think I think our volume is usually always

246
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a lot enough, even if it's just my amps I'm

247
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stuck with.

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Speaker 1: Yeah, it's it's tougher in like a warehouse setting.

249
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Speaker 2: We've we've played a good couple of shows at Red

250
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Alert Skate Park in Rochester, which a great spot, very

251
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supportive atmosphere and just like all around cool dudes that

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like to put on events like that.

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Speaker 1: The one thing that we're missing over there.

254
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Speaker 2: Is pa like we brought our last Yeah, we bring

255
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our own setup and you can hear us over in

256
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the corner of the skate park that we've taken over,

257
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but it kind of just sounds like noise from everywhere else.

258
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Speaker 3: But yeah, it's fun though, Yeah, Yeah, are you.

259
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Speaker 1: Guys playing out a lot. You've been doing a lot

260
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of shows.

261
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Speaker 3: Not as much as we'd like to. Yeah, I think

262
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we're starting to gain some traction here. I mean we're

263
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I don't want to jinx it, yeah, but we've been

264
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asked for two shows now if we want to play,

265
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So we're starting to get asked more, which is great. Yeah,

266
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and you know, we just keep pushing, you know, and

267
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go with it. And you know, if we can find

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a place to play, that's great. If we have to

269
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set up something, and you know, get some of our

270
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other buddies who are having a hard time finding places

271
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to play, give them an opportunity to play with us too.

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And I found it's it's really just I mean, if

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we can't, if we can't book it, we'll make it happen, right,

274
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We'll find a place to do it, right, And that's

275
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that's fun too. Yeah, you know, and I think the

276
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issue is, you know, I we both work nine to

277
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fives full time. Yeah, and it's tough to to just

278
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get out and just go to a show to see

279
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a show, better than play a show. And I think

280
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that might be like our biggest, biggest hindering right now.

281
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I think I need to just like suck it up

282
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and get myself out there and just go watch some

283
00:16:42,320 --> 00:16:45,559
bands play, support some people, and meet some people.

284
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Speaker 2: Easier said than done. But you're absolutely right, you know,

285
00:16:48,320 --> 00:16:52,679
like that's what it's all about. And it's like, unfortunately

286
00:16:52,759 --> 00:16:56,279
too many shows is just four bands excuse to go

287
00:16:56,559 --> 00:16:58,440
see three bands play?

288
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Speaker 11: You know what?

289
00:17:02,480 --> 00:17:05,480
Speaker 1: Oh yeah, yeah, but there's value in that too.

290
00:17:05,720 --> 00:17:05,839
Speaker 3: Oh.

291
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Speaker 1: Most certainly, some of the best shows are the ones

292
00:17:08,599 --> 00:17:11,000
for the other bands. Yeah, yeah, yeah, yeah.

293
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Speaker 2: I've played shows where the headliner didn't even arrive yet.

294
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I took a picture from behind a drum set of

295
00:17:16,200 --> 00:17:18,960
an empty crowd that wasn't with this band that was

296
00:17:19,000 --> 00:17:20,200
with That was a long time ago.

297
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Speaker 1: But yeah, those are the best shows. Yeah, it's dress rehearsal.

298
00:17:23,960 --> 00:17:24,119
Speaker 6: You know.

299
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Speaker 2: Yeah, I don't know about the best shows, but those

300
00:17:28,039 --> 00:17:30,240
are those are shows with merit and are not to

301
00:17:30,319 --> 00:17:31,319
be disparaged.

302
00:17:31,480 --> 00:17:34,279
Speaker 1: Right right there, you go, Well, we should play another

303
00:17:34,359 --> 00:17:35,680
track from the EP. What do you guys want to

304
00:17:35,680 --> 00:17:36,119
play next?

305
00:17:36,559 --> 00:17:37,559
Speaker 3: I don't know what do you think, Nate?

306
00:17:37,880 --> 00:17:40,960
Speaker 1: I guess corporate enterprise because we talked about it. Yeah, yeah,

307
00:17:41,119 --> 00:17:44,079
this is the political one. This is this is probably

308
00:17:44,200 --> 00:17:46,720
my favorite. I actually of the four, probably because it

309
00:17:46,880 --> 00:17:48,480
appears to be the fan favorite too.

310
00:17:48,519 --> 00:17:50,640
Speaker 2: It's got it's got the most plays on all of

311
00:17:50,720 --> 00:17:52,480
our like metals and stuff like that.

312
00:17:52,640 --> 00:17:54,839
Speaker 1: Yeah, nice, nice, All right, let's give this a spin

313
00:17:54,880 --> 00:17:56,400
if you're just joining us. We got the guys from

314
00:17:56,440 --> 00:17:58,880
Sick Dude, Hell yeah, and this is from the new

315
00:17:58,920 --> 00:18:01,880
ep homo Erectus. So this is called corporate enterprise.

316
00:18:54,559 --> 00:19:00,559
Speaker 10: I think that pretty day group bill bid, you got

317
00:19:00,799 --> 00:19:03,440
a boy like boys my wa.

318
00:19:05,880 --> 00:19:09,799
Speaker 7: Kik bag nik kill.

319
00:19:11,759 --> 00:19:18,519
Speaker 10: My pet bock that bice fight my bommit bit you

320
00:19:19,839 --> 00:19:22,319
wake cut back ut like not.

321
00:19:22,680 --> 00:19:26,559
Speaker 7: Tag what dodad.

322
00:19:27,920 --> 00:19:29,079
Speaker 10: God your name.

323
00:19:31,000 --> 00:19:32,759
Speaker 1: A pet box just bright.

324
00:19:37,440 --> 00:19:41,000
Speaker 6: Hide wake crop it call you a lot on DIY

325
00:19:45,200 --> 00:19:53,440
find my pocket? Well I made you lie? We I

326
00:19:53,720 --> 00:19:57,039
not like had my playing time.

327
00:20:00,839 --> 00:20:04,319
Speaker 7: Five by target court by uh talk b.

328
00:20:24,880 --> 00:20:27,599
Speaker 1: My name every day.

329
00:20:28,920 --> 00:20:36,279
Speaker 10: Bill by, I took bought my bunch. I wa Nike

330
00:20:36,480 --> 00:20:40,119
jack Nike killed.

331
00:20:41,880 --> 00:20:50,559
Speaker 9: Out, I talk fries right Mike bode bike We got

332
00:20:50,640 --> 00:20:52,000
step out nice.

333
00:20:52,359 --> 00:21:02,680
Speaker 7: Not die what Tim goad yr name while play stark rack.

334
00:21:07,720 --> 00:21:11,079
Speaker 10: While big Brown bead Oh yeah about.

335
00:21:10,759 --> 00:21:16,680
Speaker 7: What guys by my pocket?

336
00:21:17,480 --> 00:21:19,680
Speaker 6: While I make a fies.

337
00:21:23,319 --> 00:21:27,039
Speaker 7: Well, I though lies I'd like clag ag Ti.

338
00:21:31,160 --> 00:21:35,279
Speaker 10: Fly my pocket cork credit I Duck cries.

339
00:22:09,799 --> 00:22:12,839
Speaker 1: Your Prid Enterprise by Sick Dude. Hell yeah, from the

340
00:22:12,880 --> 00:22:16,680
new EP Homo Erectus. Oh, I forgot there was laughing

341
00:22:16,720 --> 00:22:19,839
at the end. That's all right. There's also swearing at

342
00:22:19,880 --> 00:22:21,559
the end, so I think we were kind of trying.

343
00:22:21,400 --> 00:22:22,039
Speaker 3: To talk it over.

344
00:22:24,200 --> 00:22:28,079
Speaker 1: Gotcha, gotcha? Well, uh yeah, that's a that's a great track.

345
00:22:28,160 --> 00:22:29,880
Like I said, that's probably my favorite from the EP.

346
00:22:31,000 --> 00:22:34,160
How much how much is uh like the what's the

347
00:22:34,200 --> 00:22:37,440
approach been in terms of because we did play when

348
00:22:37,480 --> 00:22:39,359
you were on the show before some tracks from your

349
00:22:39,359 --> 00:22:43,799
previous release, which is just called EP. But has the

350
00:22:43,880 --> 00:22:48,200
approach changed at all as the the way you guys

351
00:22:49,000 --> 00:22:50,880
do this, the way you write, the way you record,

352
00:22:50,960 --> 00:22:53,480
has anything changed as you've kind of evolved over the

353
00:22:53,519 --> 00:22:54,599
course of these releases.

354
00:22:57,039 --> 00:23:00,480
Speaker 3: No, not really, not really. I just kind of I

355
00:23:00,559 --> 00:23:03,680
come up with riffs at home. I scribble some ideas out,

356
00:23:04,200 --> 00:23:06,839
and then I bring them to practice, yeah, and then

357
00:23:06,880 --> 00:23:11,039
me and Nate work them together. We often will rework things, yeah,

358
00:23:11,079 --> 00:23:15,799
and yeah, try to work in fancy timing signatures if

359
00:23:15,799 --> 00:23:20,319
we can, right right, I mean, I am working on

360
00:23:20,720 --> 00:23:23,079
the few that I'm working on now, I've been holding

361
00:23:23,160 --> 00:23:27,000
off on a little bit longer just in case I'm

362
00:23:27,079 --> 00:23:29,240
like sitting down with a cup of coffee and I

363
00:23:29,319 --> 00:23:31,559
come up with like another cool riff that I think

364
00:23:31,599 --> 00:23:33,759
I can work into it. Yeah, you know, I've been

365
00:23:33,799 --> 00:23:37,119
trying to take a little bit more time on writing

366
00:23:37,160 --> 00:23:40,680
things instead of just kind of like regurgitating everything down

367
00:23:40,799 --> 00:23:42,839
and then putting it together.

368
00:23:43,319 --> 00:23:45,039
Speaker 4: Right, didn't pick up?

369
00:23:45,319 --> 00:23:52,599
Speaker 1: Nope, I'll have to try harder next time. I Yeah,

370
00:23:52,599 --> 00:23:54,039
I agree. The I think that.

371
00:23:56,240 --> 00:24:01,599
Speaker 2: Having been involved creatively and a couple of projects, I

372
00:24:01,680 --> 00:24:07,240
think that our kind of our machine is pretty well

373
00:24:07,359 --> 00:24:10,839
oiled compared to some like it's It's been pretty seamless

374
00:24:11,039 --> 00:24:14,920
since that first like breakaway practice that we did where

375
00:24:14,960 --> 00:24:17,920
we came up with those two songs, and it's really

376
00:24:18,079 --> 00:24:20,119
just Dylan is such a riff lord.

377
00:24:20,200 --> 00:24:22,759
Speaker 1: He'll just be like, yeah, I got this riff.

378
00:24:22,839 --> 00:24:26,599
Speaker 2: It sounds like this, and then I'll just he'll send

379
00:24:26,680 --> 00:24:28,920
me like, you know, not even plugged in, just like

380
00:24:29,160 --> 00:24:34,319
unplugged bass kind of on the phone, and then I'll

381
00:24:34,400 --> 00:24:37,920
just internalize that until our next practice, just trying to

382
00:24:37,960 --> 00:24:40,400
come up with some kind of groove for it, and

383
00:24:40,519 --> 00:24:42,880
then it's like, hey, did you like how that sounded,

384
00:24:43,319 --> 00:24:45,799
and if he did, we keep going until I don't

385
00:24:45,880 --> 00:24:47,839
like how it sounds anymore, and then I start playing

386
00:24:47,880 --> 00:24:49,839
a different groove and then I'm like, no, I really

387
00:24:50,079 --> 00:24:54,599
like that one and stuff like that. So and yeah,

388
00:24:54,599 --> 00:24:58,519
I'm such a sucker for weird time signature kind of stuff.

389
00:24:59,279 --> 00:25:03,920
And you know, I'm not like a classically trained drummer

390
00:25:04,039 --> 00:25:06,039
or anything like that, so I'm kind of just learning

391
00:25:06,119 --> 00:25:08,880
all this by feel. But I really like how those

392
00:25:09,000 --> 00:25:12,799
like odd time things, especially like things that sound odd

393
00:25:12,880 --> 00:25:15,920
but line up to sixteen. We love that kind of stuff, like, yeah,

394
00:25:16,039 --> 00:25:18,880
the like four threes and a four kind of thing.

395
00:25:19,079 --> 00:25:19,319
Speaker 1: Yep.

396
00:25:19,559 --> 00:25:24,240
Speaker 2: Yeah, But but yeah, it's been it's been pretty interesting.

397
00:25:24,319 --> 00:25:27,480
I'd be I'd be interested to see what our process

398
00:25:27,599 --> 00:25:30,119
would change into, because it really just kind of it's

399
00:25:30,200 --> 00:25:33,079
so fluid right now. And yeah, and welcome that.

400
00:25:33,200 --> 00:25:36,160
Speaker 1: I'd be scared for it to change anyhow.

401
00:25:36,480 --> 00:25:40,759
Speaker 3: Right so far, it's been pretty effortless. Yeah, it's nice.

402
00:25:41,160 --> 00:25:42,960
Speaker 1: Well, it's how you know you've really got something too,

403
00:25:43,160 --> 00:25:45,160
you know, when it's when it's easy. I mean, not

404
00:25:45,440 --> 00:25:47,839
that there's anything wrong with working hard at what you're

405
00:25:47,880 --> 00:25:50,200
trying to get for a sound, but when it's when

406
00:25:50,240 --> 00:25:52,279
it's easy and organic. You know, that's when you know

407
00:25:52,359 --> 00:25:53,480
it's really got something.

408
00:25:53,359 --> 00:25:55,720
Speaker 2: You can put the hard work in where it's more

409
00:25:55,759 --> 00:25:59,359
important than the get go of how do we write

410
00:25:59,440 --> 00:26:04,519
these songs? Like yeah, yeah, yeah, if you're exerting all

411
00:26:04,599 --> 00:26:10,400
that energy writing the songs, it's like, brother, man, what now?

412
00:26:13,359 --> 00:26:15,039
Speaker 1: I think we know a couple of people like that,

413
00:26:19,880 --> 00:26:22,720
So then what are you guys? Always because it sounds

414
00:26:22,759 --> 00:26:24,279
like you've got a lot of ideas, like do you

415
00:26:24,359 --> 00:26:27,319
have more material that you haven't recorded yet? Probably do? Right?

416
00:26:27,559 --> 00:26:30,000
Speaker 2: Yeah, they were supposed to be, well, not supposed to be,

417
00:26:30,079 --> 00:26:31,799
but there could have been a fifth song on this thing,

418
00:26:31,839 --> 00:26:33,480
but we decided it wasn't quite ready yet.

419
00:26:33,519 --> 00:26:35,400
Speaker 3: Oh okay, yeah, okay, we didn't want to push it.

420
00:26:35,920 --> 00:26:37,440
Speaker 1: Is that why you decided to limit it to four?

421
00:26:37,480 --> 00:26:39,640
Because I think the last one had what six? Last

422
00:26:39,680 --> 00:26:40,240
one had five?

423
00:26:40,400 --> 00:26:42,880
Speaker 2: We wanted this one to have five too, But it's

424
00:26:43,039 --> 00:26:45,279
just like we we couldn't quite figure out how we

425
00:26:45,359 --> 00:26:48,319
wanted to end this new one that we have, and yeah,

426
00:26:48,519 --> 00:26:50,279
might have better luck just releasing it as like a

427
00:26:50,359 --> 00:26:54,400
standalone single at some point. Oh okay, but yeah, but yeah,

428
00:26:54,720 --> 00:26:56,920
I thought four was enough and we really wanted to

429
00:26:57,039 --> 00:27:01,720
just get these songs out, like we we are very

430
00:27:01,799 --> 00:27:04,160
proud of these ones already, and figured, rather than wait

431
00:27:04,240 --> 00:27:06,279
to finish this fifth one, let's just get these four

432
00:27:06,400 --> 00:27:08,559
out and get people talking about them.

433
00:27:08,559 --> 00:27:12,039
Speaker 1: Get some buzz, you know, yeah, absolutely get on Matt connorton.

434
00:27:14,839 --> 00:27:16,839
So we talked about it last time. But for for

435
00:27:16,960 --> 00:27:19,359
newer listeners who who don't know where does the name

436
00:27:19,440 --> 00:27:20,680
sick dude hell y'ah come from?

437
00:27:22,079 --> 00:27:24,720
Speaker 3: Bob our first jam session.

438
00:27:24,680 --> 00:27:28,960
Speaker 2: Yeah, it's just uh, the riff one of the riffs

439
00:27:29,039 --> 00:27:32,559
that you wrote was the like wrown here.

440
00:27:34,440 --> 00:27:36,799
Speaker 1: That like became the song sick Dude hell Yeah.

441
00:27:36,880 --> 00:27:41,240
Speaker 2: And it literally was just we jammed on that riff

442
00:27:41,279 --> 00:27:44,400
a couple of times and then between ourselves were like,

443
00:27:44,519 --> 00:27:46,799
sick dude hell yeah, like a whole bunch of times.

444
00:27:46,839 --> 00:27:50,119
And then I said that song should just be called

445
00:27:50,240 --> 00:27:52,599
sick Dude hell yeah. And then I stepped it up

446
00:27:52,920 --> 00:27:55,480
again and was like this band should just be cause

447
00:27:57,599 --> 00:27:59,559
and there we went.

448
00:28:00,480 --> 00:28:03,599
Speaker 3: Because it's really thro like Beavis and butt Head moments.

449
00:28:03,720 --> 00:28:06,519
Speaker 2: Yeah, it's beautiful, that's awesome, and it's just kind of

450
00:28:06,640 --> 00:28:11,279
it's it. It's proven to be such a good gimmick

451
00:28:11,759 --> 00:28:15,240
show up at any show and it's just sick dude

452
00:28:15,319 --> 00:28:19,000
becomes sick ud Hell yeah, like you just you just

453
00:28:19,119 --> 00:28:22,960
hear people yelling it, and like I think that it

454
00:28:23,119 --> 00:28:25,160
just really it puts a good like.

455
00:28:27,200 --> 00:28:28,359
Speaker 1: What what do you call it?

456
00:28:28,519 --> 00:28:32,240
Speaker 2: Like, it's it's the it's the ambience of what we're

457
00:28:32,599 --> 00:28:34,880
what we've set out to make is just like you know,

458
00:28:35,960 --> 00:28:38,799
raw testosterone.

459
00:28:37,920 --> 00:28:44,559
Speaker 1: Fueled music, yeah right now, yeah.

460
00:28:44,440 --> 00:28:47,920
Speaker 3: Yeah, and it keeps it on the lighthearted side of

461
00:28:47,960 --> 00:28:50,039
things too, you know, we don't want to come off

462
00:28:50,119 --> 00:28:53,160
super serious because you know, right right yeah.

463
00:28:53,200 --> 00:28:56,319
Speaker 2: I like the the the kind of like meta irony

464
00:28:56,480 --> 00:28:58,599
that it gets couched in where it's like if you

465
00:28:58,680 --> 00:29:01,960
take yourself one hundred percent seriously while calling your band sick.

466
00:29:01,880 --> 00:29:08,279
Speaker 1: Dude, Hell yeah, right right, Well, we should play another

467
00:29:08,400 --> 00:29:10,680
track from the new EP, homo Erectus. What do you

468
00:29:10,720 --> 00:29:13,039
guys want to play next? About P word horse? The

469
00:29:13,160 --> 00:29:16,519
P word horse, Yeah, yeah, so, uh for our listeners

470
00:29:16,640 --> 00:29:20,039
just to clarify, so we're we're calling it, uh, it's

471
00:29:20,079 --> 00:29:21,960
a there's a word in this title that we really

472
00:29:22,039 --> 00:29:24,480
can't say on a Saturday morning on w m n H. Yeah,

473
00:29:24,519 --> 00:29:26,480
it's the George Carland P word. It's not the Ben

474
00:29:26,519 --> 00:29:33,359
Shapiro p word right right right. But this is another

475
00:29:33,400 --> 00:29:36,599
great track from the new EP, homo Erectus. The band

476
00:29:36,720 --> 00:29:39,319
is Sick Dude, Hell yeah, and we're just gonna call

477
00:29:39,359 --> 00:30:09,359
this pea horse. Check it out, but ain't com pain

478
00:30:09,480 --> 00:30:10,359
I work bag.

479
00:30:14,039 --> 00:30:15,359
Speaker 10: There, adopt extain nothing?

480
00:30:19,680 --> 00:30:21,680
Speaker 7: Why are you living my head.

481
00:30:25,119 --> 00:30:25,200
Speaker 6: There?

482
00:30:25,319 --> 00:30:55,319
Speaker 10: Adopt etain nothing, but they come pain I work bag

483
00:30:59,200 --> 00:31:00,599
There are nothing, nay nothing?

484
00:31:04,759 --> 00:31:05,839
Speaker 7: Why are you laughing?

485
00:31:06,000 --> 00:31:12,119
Speaker 10: My head nothing? Say nothing.

486
00:32:13,200 --> 00:32:14,839
Speaker 1: That doesn't make a move? Check your pulse. You might

487
00:32:14,920 --> 00:32:17,119
be dead. That one must be fun to play live.

488
00:32:17,440 --> 00:32:20,519
Speaker 3: Oh yeah, it's actually it's probably turned into one of

489
00:32:20,599 --> 00:32:21,319
my favorite songs.

490
00:32:22,039 --> 00:32:25,599
Speaker 1: Yeah yeah, that is, of course a pea horse where

491
00:32:25,640 --> 00:32:28,240
we'll call it for our purposes here from the new EP,

492
00:32:28,400 --> 00:32:31,440
homo or Erectus from the band Sick Dude. Hell yeah,

493
00:32:31,799 --> 00:32:33,640
And we've got the guys here in the studio with

494
00:32:33,799 --> 00:32:36,640
us and uh yeah, yeah no, that's that's really good.

495
00:32:37,119 --> 00:32:40,319
Do I assume you play like when you guys play out?

496
00:32:40,319 --> 00:32:43,799
Do you play everything that's on both of these because

497
00:32:43,839 --> 00:32:46,480
it's only I'm not gonna math nine songs are Yeah?

498
00:32:46,799 --> 00:32:49,039
Do you play all these plus all the the ones

499
00:32:49,079 --> 00:32:49,759
from the first EP?

500
00:32:50,000 --> 00:32:52,240
Speaker 2: Yeah, we tried to there's sometimes we'll be pressed for

501
00:32:52,359 --> 00:32:55,519
time and we'll cut out, usually one of the songs

502
00:32:55,519 --> 00:32:57,960
from the first EP, just like because we're sick of

503
00:32:58,000 --> 00:32:58,319
playing it.

504
00:32:58,400 --> 00:33:01,799
Speaker 3: But yeah, yeah, we cut out our self titled song

505
00:33:02,119 --> 00:33:05,000
quite a bit actually, oh okay, yeah yeah, and it's

506
00:33:05,039 --> 00:33:06,880
only because I don't practice it enough.

507
00:33:07,279 --> 00:33:11,119
Speaker 2: Yeah, that one is a little bit challenging because you

508
00:33:11,240 --> 00:33:14,000
have to like wrap while playing bass at the same time,

509
00:33:14,079 --> 00:33:16,960
which is like, yeah, oh.

510
00:33:17,000 --> 00:33:18,640
Speaker 1: I don't even I don't even remember.

511
00:33:19,599 --> 00:33:23,519
Speaker 3: It's like, uh no, just the words don't match up

512
00:33:23,640 --> 00:33:27,160
with like the bass riff. Oh, so it's like weird.

513
00:33:28,160 --> 00:33:30,960
But I just need to pull up my you know,

514
00:33:31,079 --> 00:33:34,359
buckle down and practice it. You know, if I practice

515
00:33:34,400 --> 00:33:36,799
it like once a week, i'd be all right, right right.

516
00:33:39,240 --> 00:33:42,039
Speaker 1: No, that makes sense. That makes sense. Now are you guys?

517
00:33:42,240 --> 00:33:44,319
When is your next show? Are you guys playing anywhere

518
00:33:44,400 --> 00:33:46,000
this weekend or so?

519
00:33:46,359 --> 00:33:49,480
Speaker 3: Our next show coming up is actually February seventh at

520
00:33:49,640 --> 00:33:53,119
a Red Alert skate park. Okay, they're doing a corner

521
00:33:53,200 --> 00:33:57,079
store skate shop is doing a skateboard event there from

522
00:33:57,200 --> 00:33:59,359
like two to five. I think it's a trick jam

523
00:34:00,160 --> 00:34:02,119
and they got some other bands. I don't have the

524
00:34:02,160 --> 00:34:04,880
full details. Yet, but I know we'll be there. They'll

525
00:34:04,960 --> 00:34:08,519
be there and uh, I feel like skating and music.

526
00:34:08,559 --> 00:34:09,199
Come check it out.

527
00:34:09,320 --> 00:34:09,519
Speaker 1: Yep.

528
00:34:09,639 --> 00:34:12,039
Speaker 3: Yeah, that's now Rochester, New Hampshire and.

529
00:34:12,079 --> 00:34:15,079
Speaker 2: We're we're actively in the process of looking for some

530
00:34:15,199 --> 00:34:17,960
more shows. We've got some like things lined up for March.

531
00:34:18,119 --> 00:34:20,360
I feel like we had something lined up for January.

532
00:34:20,800 --> 00:34:22,480
We had something lined up a couple of days ago,

533
00:34:22,559 --> 00:34:24,880
but it's sort of sort of fell apart.

534
00:34:25,000 --> 00:34:30,360
Speaker 3: But the uh, just be on the lookout.

535
00:34:30,400 --> 00:34:33,559
Speaker 2: You can find you know, sick dude, hell yeah on Instagram,

536
00:34:33,719 --> 00:34:37,360
sixth hell you at band camp dot com. Somebody's crackers

537
00:34:37,480 --> 00:34:40,519
on Facebook and Instagram. You'll always be able to find

538
00:34:40,559 --> 00:34:42,159
details about how to get to our show.

539
00:34:42,639 --> 00:34:46,119
Speaker 1: Yeah. Yeah, we're constantly looking for more stuff.

540
00:34:46,159 --> 00:34:49,280
Speaker 2: Please just send us DMS, book us, find us on

541
00:34:49,400 --> 00:34:53,320
the street, kidnap us, take us to your basement, make

542
00:34:53,440 --> 00:34:55,280
us play your basement for our freedom.

543
00:34:57,559 --> 00:35:00,760
Speaker 1: Please. But yeah, well, let's let's play out. So we

544
00:35:00,840 --> 00:35:02,559
haven't played I feel nothing. That's the only one from

545
00:35:02,559 --> 00:35:05,000
the New Epe we haven't played, right, Yeah, yeah, let's

546
00:35:05,000 --> 00:35:06,599
give this one to spend anything we should know about

547
00:35:06,639 --> 00:35:11,039
this one before we hear it. We were just kidding yeah,

548
00:35:12,480 --> 00:35:13,320
you do feel something?

549
00:35:13,760 --> 00:35:21,159
Speaker 3: Yeah, yeah, I feel something, all right, all right.

550
00:35:21,199 --> 00:35:23,400
Speaker 1: This is from the new ep homo Erectus. The band

551
00:35:23,519 --> 00:35:25,559
is sick dude, Hell yeah, check this out. This is

552
00:35:25,599 --> 00:36:02,199
called I Feel Nothing, s.

553
00:36:35,400 --> 00:37:03,920
Speaker 10: S Ever free.

554
00:37:04,760 --> 00:37:18,639
Speaker 7: Time, My Trial Shades by dock T. It's some take dry.

555
00:37:24,360 --> 00:37:29,760
Speaker 9: I got tappe from my say something.

556
00:37:30,239 --> 00:37:50,280
Speaker 7: Then bye bye, I no I no, no no, I

557
00:37:50,480 --> 00:37:57,960
strapped my gull from the pain, Try.

558
00:37:58,000 --> 00:38:04,559
Speaker 10: From the shiels and full by.

559
00:38:29,599 --> 00:38:30,599
Speaker 6: By Corps.

560
00:38:31,199 --> 00:38:32,320
Speaker 12: It's Ratty.

561
00:38:34,239 --> 00:38:36,800
Speaker 3: Dances with today.

562
00:38:40,360 --> 00:38:47,559
Speaker 7: I'll buy what that y'all like that got by Wise

563
00:38:50,920 --> 00:38:53,719
dodge the fog, the baggon.

564
00:39:01,599 --> 00:39:02,840
Speaker 10: And scare.

565
00:39:04,519 --> 00:39:06,159
Speaker 4: Away the snag.

566
00:39:11,559 --> 00:39:15,199
Speaker 1: I note.

567
00:39:16,760 --> 00:39:19,599
Speaker 10: Fight a dress by my dou of a bag.

568
00:39:23,440 --> 00:39:24,559
Speaker 7: Put the dine.

569
00:39:24,400 --> 00:39:26,519
Speaker 1: From a bell to tide.

570
00:39:27,880 --> 00:39:30,920
Speaker 4: Right, I b old and from a brain.

571
00:39:55,440 --> 00:39:57,239
Speaker 7: I bil.

572
00:40:03,480 --> 00:40:05,960
Speaker 1: That is so good. That is sick dude. Hell yeah, hey,

573
00:40:06,039 --> 00:40:08,440
thanks man. Absolutely, I love it the track as I

574
00:40:08,519 --> 00:40:11,559
Feel Nothing. It's from the new EP homo Erectus. And

575
00:40:11,920 --> 00:40:13,760
it's been great talking with you guys this this morning.

576
00:40:13,920 --> 00:40:16,440
Speaker 2: Yeah, we always have such a fun time on here always.

577
00:40:16,639 --> 00:40:18,199
We had a fun time last time, and I'm having

578
00:40:18,199 --> 00:40:20,679
a fun time this time. I hope to come back again.

579
00:40:20,840 --> 00:40:23,039
Speaker 1: Absolutely we will definitely do it again in the future.

580
00:40:23,599 --> 00:40:25,719
You mentioned off air two about you wanted to give

581
00:40:25,760 --> 00:40:26,559
a shout out to your dad.

582
00:40:26,639 --> 00:40:30,360
Speaker 2: Oh yeah, so my dad, Chuck Nemitz, huge shouts out

583
00:40:31,159 --> 00:40:36,800
Candlelight Productions. He's produced music, you know, in some capacity

584
00:40:36,920 --> 00:40:38,840
for like as long as I have been alive under

585
00:40:38,840 --> 00:40:43,599
the Moniker Candle Light Productions, and he he engineered the

586
00:40:43,760 --> 00:40:46,320
recording sessions and did all the like production and stuff

587
00:40:46,360 --> 00:40:48,840
for us. Oh wow, yeah, we had a different buddy

588
00:40:48,880 --> 00:40:51,679
of ours master at our buddy Nick Yeah. Nick, but

589
00:40:52,559 --> 00:40:54,599
but yeah, big shouts out to my dad and to

590
00:40:54,840 --> 00:40:57,639
Candlelight Productions. If you're looking for like good rates on

591
00:40:57,840 --> 00:41:01,360
hourly recording with like a veryvery knowledgeable and easy to

592
00:41:01,440 --> 00:41:04,679
work with guy, get at him, or I guess like,

593
00:41:04,840 --> 00:41:07,559
get at me. Somebody's crackers on Instagram and I'll get

594
00:41:07,599 --> 00:41:09,559
you guys in touch. I don't want to blow up

595
00:41:09,599 --> 00:41:13,760
his spot just yet, like maybe he'll like frantically.

596
00:41:13,280 --> 00:41:15,800
Speaker 3: Call in and be like, no, no, my email addresses, No,

597
00:41:15,840 --> 00:41:20,000
I'm just kidding at Yahoo.

598
00:41:21,800 --> 00:41:26,440
Speaker 1: I remember. Yeah, wow, no, very cool, very cool. That's

599
00:41:26,480 --> 00:41:29,079
cool that you engineered. Yeah all right, but anyways, thank

600
00:41:29,079 --> 00:41:30,599
you very much, dad, Love you very much.

601
00:41:31,440 --> 00:41:33,519
Speaker 3: Thank you Chuck, I really appreciate it. It's really nice

602
00:41:33,559 --> 00:41:36,119
to meet you and looking forward to the next time

603
00:41:36,159 --> 00:41:36,519
I see it.

604
00:41:36,800 --> 00:41:41,199
Speaker 1: Excellent, excellent, awesome. So before we we're going to play

605
00:41:41,239 --> 00:41:44,800
out another track in a moment, but before we do that,

606
00:41:45,159 --> 00:41:46,960
so remind us again, where's the best place to go

607
00:41:47,000 --> 00:41:49,039
online for keep up with everything? Sick dude?

608
00:41:49,079 --> 00:41:52,639
Speaker 3: Hell yeah, I was doing Instagram. Instagram sick dude, hell yeah.

609
00:41:52,800 --> 00:41:56,280
Speaker 2: Okay, all right, and then and then I'm pretty active

610
00:41:56,320 --> 00:41:59,239
on Facebook, at least for now. I'm kind of trying

611
00:41:59,239 --> 00:42:01,000
to put it on the back burner because it's giving

612
00:42:01,039 --> 00:42:02,239
me brain disease.

613
00:42:02,360 --> 00:42:04,880
Speaker 1: But I know somebody's crackers on Facebook.

614
00:42:04,960 --> 00:42:07,000
Speaker 2: I post funny stuff and then whenever stick dude, hell

615
00:42:07,079 --> 00:42:09,559
yeah it has a show coming up, I usually you know,

616
00:42:09,800 --> 00:42:13,360
live stream it or post the details that kind of

617
00:42:13,440 --> 00:42:13,920
fun stuff.

618
00:42:14,000 --> 00:42:17,360
Speaker 1: So yeah, outstanding, outstanding. Well, we appreciate you guys coming in.

619
00:42:17,519 --> 00:42:20,639
This has been amazing, and we're gonna close out the segment,

620
00:42:20,719 --> 00:42:23,360
I think with h We're gonna play a track from

621
00:42:24,079 --> 00:42:28,000
a previous the previous EP, which is called EP Nail

622
00:42:28,079 --> 00:42:30,920
in the Coffin. Why'd you guys choose this one any

623
00:42:31,039 --> 00:42:32,280
any special reason.

624
00:42:32,159 --> 00:42:35,199
Speaker 3: Or just is just one of your favorites, it's one

625
00:42:35,239 --> 00:42:35,760
of my favorite.

626
00:42:36,239 --> 00:42:37,119
Speaker 1: It goes hard.

627
00:42:37,599 --> 00:42:40,280
Speaker 2: Yeah, we put it out on A but before we

628
00:42:40,360 --> 00:42:42,639
put the EP out, we released this as a single

629
00:42:43,320 --> 00:42:46,400
on A not like as a standalone, but as a

630
00:42:46,800 --> 00:42:52,280
contribution to this compilation album called We Just Want to Live.

631
00:42:52,400 --> 00:42:55,000
You can check it out on band camp. It should

632
00:42:55,000 --> 00:42:56,480
you should just be able to find We Just Want

633
00:42:56,559 --> 00:42:59,079
to Live. It's a it's a compilation that all the

634
00:42:59,159 --> 00:43:03,440
proceeds are being donated to various organizations for you know,

635
00:43:03,599 --> 00:43:07,199
trans survival, trans youth and stuff like that. So it's

636
00:43:07,239 --> 00:43:08,920
a cool cause worth checking out. With a lot of

637
00:43:09,039 --> 00:43:11,280
really cool and really eclectic music on there.

638
00:43:11,480 --> 00:43:14,639
Speaker 1: Okay, okay, excellent, So we'll close out the segment with that.

639
00:43:15,159 --> 00:43:18,360
If you are listening live on Saturday. Coming up in

640
00:43:18,400 --> 00:43:20,719
the second hour, we have Paul Nizzol, he will be

641
00:43:20,800 --> 00:43:22,840
joining us via WhatsApp from the UK. And then in

642
00:43:22,920 --> 00:43:25,800
the third hour we have gen X who is in

643
00:43:25,880 --> 00:43:29,039
the chat room by the way, hello from the band

644
00:43:29,280 --> 00:43:32,880
Generations and she's gonna be joining us via Microsoft Teams

645
00:43:32,920 --> 00:43:35,960
from there in Springfield, Missouri, I believe. So, So we're

646
00:43:36,000 --> 00:43:37,920
traveling around a bit today, but we will close out

647
00:43:37,960 --> 00:43:40,199
the segment with this again, guys, thank you so much,

648
00:43:40,519 --> 00:43:41,559
thanks so much for having us.

649
00:43:41,880 --> 00:43:42,400
Speaker 3: Thank you man.

650
00:43:42,599 --> 00:43:46,079
Speaker 1: Absolutely keep doing radio. Radio is very important. I agree,

651
00:43:46,159 --> 00:43:48,360
thank you, thank you so much. And here it is.

652
00:43:48,440 --> 00:43:50,719
This is nailing the coffin the radio edit of course

653
00:43:51,440 --> 00:44:00,760
from the band Sick Dude. Hell yeah, I don't believe

654
00:44:00,840 --> 00:44:01,480
in myself.

655
00:44:01,599 --> 00:44:04,760
Speaker 9: Up and touch before another nail and done if I'm

656
00:44:04,840 --> 00:44:06,639
bus another.

657
00:44:06,880 --> 00:44:10,119
Speaker 4: Closet, torn porn crux bike.

658
00:44:10,360 --> 00:44:13,039
Speaker 3: Something's making right and I don't have a buck.

659
00:44:13,320 --> 00:44:14,760
Speaker 10: The b paked fight.

660
00:44:20,559 --> 00:44:23,840
Speaker 3: Here we call agad black up showing sword s cream

661
00:44:24,119 --> 00:44:25,400
is always frighting.

662
00:44:26,480 --> 00:44:30,639
Speaker 1: Don't waste it on a petty score or cross bikes.

663
00:44:30,840 --> 00:44:33,800
Speaker 10: Don't just pack right. I don't give a buck the

664
00:44:33,920 --> 00:44:34,880
bit peg fright.

665
00:44:50,440 --> 00:44:57,440
Speaker 6: All these people making their mess preaching in my pocket

666
00:44:57,519 --> 00:44:59,920
and calling there sand born trucks.

667
00:45:00,079 --> 00:45:03,880
Speaker 10: Bye, Pippit bag by, I don't give up hipp It

668
00:45:04,039 --> 00:45:04,639
bag by.

669
00:45:46,840 --> 00:45:49,199
Speaker 12: Banana's Kitchen and Pizzeria.

670
00:45:49,559 --> 00:45:51,239
Speaker 8: From Nana's hands.

671
00:45:51,440 --> 00:45:56,360
Speaker 1: It's to your plate tradition, love and taste. That's great,

672
00:45:56,639 --> 00:46:00,880
so fermented dough flavor, so true.

673
00:46:03,280 --> 00:46:05,119
Speaker 13: Each by the story.

674
00:46:05,920 --> 00:46:07,480
Speaker 14: Made just for you.

675
00:46:08,559 --> 00:46:12,320
Speaker 12: Six o three two three two nine three six six

676
00:46:13,119 --> 00:46:17,559
Nana's Kitchen and Pizza Ree fifteen Dartmouth, Dry Auburn, New.

677
00:46:17,480 --> 00:46:22,239
Speaker 4: Hampshire, Kitchen and Pizzer.

678
00:46:26,039 --> 00:46:28,400
Speaker 15: Luigi's Pizza Barren Grill un.

679
00:46:28,360 --> 00:46:29,400
Speaker 7: For ever one.

680
00:46:30,119 --> 00:46:33,559
Speaker 13: Let's raise a slice on hide with top and of

681
00:46:33,840 --> 00:46:36,280
a ground pizza Pizza.

682
00:46:36,039 --> 00:46:42,000
Speaker 15: Barrio Mine Luigi's Pizza Barren Grill seven twelve Valley Street, Manchester.

683
00:46:42,280 --> 00:46:45,119
Come on in or call six two two one zero

684
00:46:45,400 --> 00:46:50,440
two one Luigi keeping the tradition alive since nineteen seventy five.

685
00:46:52,320 --> 00:46:56,079
Speaker 1: Pizza for e Breed one. Come join a piece to

686
00:46:56,480 --> 00:47:00,840
night with each slice, sense of it free things.

687
00:47:00,639 --> 00:47:01,760
Speaker 7: Feels so right.

688
00:47:04,760 --> 00:47:06,960
Speaker 16: In times of crisis, you need a law firm that

689
00:47:07,079 --> 00:47:10,119
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690
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691
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692
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693
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694
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695
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696
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697
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698
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699
00:47:40,000 --> 00:47:44,039
Speaker 17: Your kitchen to life with Queen City Cabinetry, located at

700
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701
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702
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703
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704
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705
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706
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707
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Speaker 17: It's Queen City Cabinet Tree, another crowd sponsor of w MNH.

708
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Speaker 18: Hey everyone, there's Rob Azevedo, host of Granite State of Mind,

709
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and I want to tell you about Pembrooke City Limits

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and the historic Suncook Village. PCL is an award winning bar,

711
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restaurant and music venue where there's live music five days

712
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a week and twice on Saturdays, everything from blues, country, folk, funk,

713
00:48:27,360 --> 00:48:27,480
and a.

714
00:48:27,519 --> 00:48:28,320
Speaker 1: Whole lot of jazz.

715
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Speaker 18: We have twelve craft beers on tap dedicated to the

716
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local brewers in the area and some of the friendliest

717
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bartenders around. Please come visit Pembrook City Limits at one

718
00:48:37,000 --> 00:48:39,920
thirty four Main Street, the historic Sunk Cook Village, only

719
00:48:40,039 --> 00:48:43,880
six miles outside of Manchester. Open Tuesdays to Wednesdays four

720
00:48:43,920 --> 00:48:48,039
to ten Thursday's a Sunday eleven to ten Pembrook City limits,

721
00:48:48,199 --> 00:48:49,400
where it's all about the music.

722
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Speaker 15: Business Cafe is the place to put a smile on

723
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your face. Judy and the crew will take care of you,

724
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bring your appetite and treat your taste. Bus Right Business

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Cafe is always it's a winning choice. Breakfast, lunch or

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supper Dizze's Cafe at eight sixty Elm Street in downtown Manchester.

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Dine in, take out or make a reservation call six

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oh three, six oh six two five three two, eat,

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drink and be happy Dizze's Cafe.

730
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Speaker 4: When it comes to.

731
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Speaker 11: Keeping WMNH on the air and your own personal or

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business computer needs, trust growl In Computers located on Elm

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Street in Manchester. Grollin handles computer repair, virus removal and

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custom built systems. Are you looking for budget friendly options,

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check out our selection of fully inspected used computers. We

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offer tailored on site solutions no unnecessary expenses here. Visit

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three six four five zero one zero one, Your Tech,

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Your Way Trust groll In Computers n Seven times out

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of ten we listened to our music at.

741
00:50:02,760 --> 00:50:08,840
Speaker 15: Nice's title book Business program Late Night to Light with

742
00:50:09,000 --> 00:50:16,000
DJ Mitas right here on w MNH Manchester because Saturdays

743
00:50:16,039 --> 00:50:17,880
and Sunday nights midnight to four am.

744
00:50:19,199 --> 00:50:24,639
Speaker 12: This hour on WMNH is sponsored by CGI Business Solutions,

745
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located at five Dartmouth Drive in Auburn. They serve all

746
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your business needs including employee benefits, planning, corporate design and

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business administration, investments and wealth management and customized business insurance solutions.

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Their phone number is eight sixty six eighty four to

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one forty six hundred, or on the web at CGI

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business Solutions dot com.

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Speaker 5: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w m NHLP. Their sonic card

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men transcending through the ether at ninety five point three

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megahertz frequency modulation. Our transmissions EM and E from the

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zenith of one thousand Elm Streets insure into the hearts

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of our creative realm at one nineteen Canal Street, where

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innovation and sound collode. They're the impro moder of Manchester

758
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Public Television. Service in the venerable city of Manchester, New Hampshire, USA.

759
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Enrich your auditory journey with the depth of our license

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to wesnds. Spent your missives to w m n H

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ninety five three at gmail dot com or traverse the

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virtual corridors of w mnhradio dot org. Engage with our

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sonic vibrations by communing with us through the digital channel

764
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or radio beconds eager to enthrall you with its mesmerizing

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cadence and envelop you s symmony of foundless auditories.

766
00:51:45,559 --> 00:51:52,599
Speaker 12: Won, dude, w MNH rip the doveles?

767
00:52:47,400 --> 00:52:50,480
Speaker 4: How many stocks do I have to expect.

768
00:52:53,320 --> 00:52:54,880
Speaker 3: Our individual body?

769
00:52:59,039 --> 00:53:04,960
Speaker 7: They'll stop? You really cost the man in life. I

770
00:53:05,079 --> 00:53:08,559
don't wanna be bother outside.

771
00:53:10,480 --> 00:53:12,400
Speaker 1: That's the right to your good.

772
00:53:12,599 --> 00:53:12,840
Speaker 6: Lad.

773
00:53:16,199 --> 00:53:18,440
Speaker 3: That's a lot job in my way.

774
00:53:21,760 --> 00:53:28,960
Speaker 7: So lade got them boy, solad got.

775
00:53:44,719 --> 00:53:47,039
Speaker 4: How many times do I have to get back?

776
00:53:50,599 --> 00:53:57,199
Speaker 13: I don't mean your senseless past. It ain't no picture

777
00:53:57,480 --> 00:54:05,679
Roger despies one strandure stamp lies.

778
00:54:07,599 --> 00:54:14,400
Speaker 7: That's all nice. Charg you good. That's a lot joke

779
00:54:14,639 --> 00:54:19,920
in the way, So lads, not.

780
00:54:24,400 --> 00:54:31,679
Speaker 1: So lads, not gosh.

781
00:54:54,920 --> 00:54:55,840
Speaker 7: Whack whack.

782
00:54:58,760 --> 00:55:01,639
Speaker 4: This is Jesse Rutstein and Caleb Dyer.

783
00:55:02,280 --> 00:55:04,039
Speaker 3: Oh, oh, okay, we we can.

784
00:55:04,159 --> 00:55:06,440
Speaker 4: Let's do that one more time. This is Jesse Rutstein

785
00:55:06,760 --> 00:55:10,239
and Caleb Dyer. Oh crap, hold on, what do you

786
00:55:10,280 --> 00:55:10,760
want me to say?

787
00:55:10,840 --> 00:55:11,280
Speaker 1: Right after that?

788
00:55:11,960 --> 00:55:15,039
Speaker 4: From Hatchet act from and then I'll say, you're listening right?

789
00:55:15,199 --> 00:55:15,639
Speaker 3: Sounds good?

790
00:55:15,880 --> 00:55:20,800
Speaker 4: This is Jesse Rutstein and oh this is why I'm

791
00:55:20,800 --> 00:55:21,199
the leader.

792
00:55:23,440 --> 00:55:27,159
Speaker 19: This is Jesse Rutstein and Caleb Dyer from Hatchet Axon

793
00:55:27,199 --> 00:55:30,599
Saw Records. You are listening to the Matt Connerton Show

794
00:55:30,719 --> 00:55:34,119
on w m n H ninety five point three Manchester.

795
00:55:34,760 --> 00:55:36,400
Speaker 1: Actually, what did I say?

796
00:55:38,159 --> 00:55:38,440
Speaker 7: Okay?

797
00:55:38,559 --> 00:55:40,599
Speaker 1: All right, all right, let's do this again.

798
00:55:40,639 --> 00:55:41,519
Speaker 4: Let's do this again.

799
00:55:42,280 --> 00:55:46,119
Speaker 19: This is Jesse Rutstein and Caleb Dyer from Hatchet Axon

800
00:55:46,199 --> 00:55:50,480
Saw Records. You are listening to Matt Connorton Unleashed on

801
00:55:50,679 --> 00:55:58,400
ninety five to three w NA. Dude, this is Jesse Rutstein.

802
00:55:58,079 --> 00:56:00,920
Speaker 4: And Caleb Dyer from Hatchet and Records.

803
00:56:01,280 --> 00:56:04,719
Speaker 19: You are listening to Matt Connorton Unleashed on ninety five

804
00:56:04,800 --> 00:56:06,599
point three w m n H.

805
00:56:07,119 --> 00:56:07,400
Speaker 3: F M.

806
00:56:29,239 --> 00:56:35,360
Speaker 20: Founded forever like number Connosa, I know that whereever you go,

807
00:56:37,360 --> 00:56:41,480
that's is the distance and you find the difference so

808
00:56:41,920 --> 00:56:51,119
much less than you know, I said the cognitive sunder Senr.

809
00:56:51,360 --> 00:56:57,639
Speaker 14: Instead, my life found the break, the ships at still

810
00:56:57,840 --> 00:56:59,440
saying no thoughts.

811
00:56:59,199 --> 00:57:26,280
Speaker 6: Left to bang it.

812
00:57:26,639 --> 00:57:30,719
Speaker 14: Let me read my distance between us and still I

813
00:57:30,920 --> 00:57:37,920
cannot let you go. Drops making notions and sicklical oceans.

814
00:57:38,320 --> 00:57:40,599
See how the watter's.

815
00:57:40,199 --> 00:57:46,639
Speaker 1: Got leave in my love on the shop home.

816
00:57:47,239 --> 00:57:49,480
Speaker 4: To answer a cold.

817
00:58:15,000 --> 00:58:21,079
Speaker 21: Days of confusion, a black dusion, quest to put shown

818
00:58:21,320 --> 00:58:27,440
through from my distention, to see revelation the bad.

819
00:58:27,800 --> 00:58:29,320
Speaker 12: It is open to you