Speaker 1: Hello, everybody, Welcome, Here we go. It is that time again,
Matt Connorton Unleashed and we are live from the studios
of WMNH ninety five point three FM and Glorious Manchester,
New Hampshire. Of course, you can stream the show from anywhere.
Go to Matt connorton dot com slash live for all
your live streaming options, social media links, contact info, show archives,
et cetera, et cetera. Today is a Saturday, January ten,
twenty twenty six, and I am not alone?
Speaker 2: Is this where we say something here not quite.
Speaker 1: Morning? That's funny. That's never happened before.
Speaker 3: That never happened.
Speaker 1: Oh I like that though. That was cool. Jenny is here,
of course at the news table. Yes, aunted for or
as I heard Paully C referred to it on Retrospectu
Radio last night. The news trays the news track that
I was not I was not here last night for
Paul's show. I was uh not feeling well, so I
took the night off. But feeling better. So so here
we are and uh joining us right now live in studio.
We've got the guys from Sick Dude. Hell yeah, is
this where we say? This is where you are free.
You are free.
Speaker 2: Thank you so much for having us back. This is awesome,
absolutely absolutely yeah.
Speaker 1: Let's see. So we've got Dirty d and Somebody's Crackers
your real names, of course, Dylan and and Nate Nate.
Thank you. Yes, But uh, I think we had a
I was saying to Dylan earlier off here. I think
we had an extended conversation last time about Somebody's crackers,
the origin of that name. But I don't remember, sort of,
I don't know if we talked about the origin that
was just I'm pretty sure I had to have asked you.
As a journalist, I must have asked you, what is
where does a name come from?
Speaker 2: I think you were you were you were more concerned
about what to call me in the moment last time,
and I had never really thought about that part before,
and so it made me do a little creative reflected.
But now it's still somebody's crackers. That's that's because a
long time ago, I was when I was a teenager
and I was living in my first like big boy
apartment with roommates. I was like starving, you know, needed
to eat some kind of food and reached into the
pantry and I found these like expired crackers and I
ate them and they were really bad, and I think
they made me really sick. I got this, like I
got this like back to real disease in my stomach
called campellow back. The I had to like take me
out of work for like a very long time. And
oh my god, like they had to like check, like
the Department of Health had to check all the places I'd.
Speaker 1: Like eaten lately and stuff like that.
Speaker 2: And so anyway, I'm leaving the hospital and I just
muttered to myself, I guess that's what I get for
eating somebody's crackers. And I just really liked the way
somebody's crackers sounded.
Speaker 1: Yeah, sort of stuck with it. Yeah. Well, so I'm
glad that came up again because we never heard that
whole the whole story about what happened to you before.
We didn't hear that part of it.
Speaker 2: No, and it won't happen again. Oh my god, my
own crackers now, wow, I can afford them.
Speaker 1: Oh wow, that's crazy.
Speaker 4: Wow.
Speaker 1: What was what was that called?
Speaker 5: Again?
Speaker 2: The illness of campellow bacteriosis and tritis, Okay, which is
this like corkscrew shaped bacteria that likes to live in
your intestines, and I guess like one in every thousand
cases can develop into like a brain disease. Oh wow,
so we'll see how that works out, you know, the
Jerry's out.
Speaker 1: But yeah, how long ago was this?
Speaker 3: This was?
Speaker 2: Oh goodness, twenty thirteen maybe okay, yeah, okay, good so
you're probably fine?
Speaker 1: Yeah yeah, yeah, wow, lad you're okay. Oh my god. Yeah,
so you didn't tell us about that part last time.
That's amazing. That's a little person now the world knows, well,
not the world, but how many people listen to New Vampshire.
A lot of people. A lot of people don't. So
you guys got it's great to have you back. You've
got this new EP, homo Erectus. Yeah, very excited to
share it with the world.
Speaker 2: We worked very hard on it, and we were really
excited to name something homo erected. Absolutely, it's been in
the it's been in the like prospective names mill since
we put out our first EPs. It and then I
think that like we both just kind of realized at
the same time. It's like, yeah, we've really grown a
lot since that first EP in such a short time,
And so I think homo erectus is appropriate. Okay, it's
the cave and yeah, growing into his next form of existence.
Speaker 1: Yeah, yeah, no, I like it. It makes sense.
Speaker 3: I think the funniest part of it is, uh, you know,
I didn't realize how many people didn't know what homo
erectus meant.
Speaker 1: Right, you know, right?
Speaker 6: Yeah?
Speaker 1: Yeah.
Speaker 3: It scares away some of the conservatives, so we enjoy that.
Speaker 1: That's a plus. Well, let's uh, let's play a track
from it, because Dylan we had talked off air about
we were going to play a new Spoul's Tite. We'll
play that one first. Yeah, all right, this is Newspoul's Tite.
It's from the band, well the band you call yourselves
a band? You call yourselves a duo? What you call
yourselves you're a band? Okay?
Speaker 7: Uh?
Speaker 1: It is from the band Sick Dude, Hell yeah, and
the new EP homo Erectus. It's fun to say.
Speaker 8: Uh, this is called new Spool's Tite.
Speaker 9: Goose falls tips, sinking sound and Gulf ex sites.
Speaker 3: Brains brought its fall.
Speaker 1: It's good.
Speaker 7: Like got got like dou down.
Speaker 9: Creature sas back at big my world comes crashing sound.
Speaker 3: I can't seem to bake a fool or reft bake
a sound.
Speaker 7: Good side.
Speaker 10: Made.
Speaker 6: I can signed a bank about.
Speaker 1: Why I burn my dough about Jack bank down.
Speaker 9: Punish too, my eyes well back and troll fi ahead.
My sense of self is solva bread white sense of self.
Speaker 7: It's song like tread.
Speaker 1: Bad bad bad, My God, save no bag.
Speaker 7: Of bove.
Speaker 1: Waiting for my dove bom back back. No, I love it.
That is news full side the band Sick Dude. Hell yeah.
That is from their new EP, homo Erectus. He by
the way, I was looking at at this on your
band Campaige. It says homo Erectus is dedicated in solidarity
with our lgbt q I A plus comrades and oppressed
people's globally, and that caught my eye. I like that.
I like that a lot.
Speaker 2: Yeah, man, you know it's it's kind of a play
on words, you know, like like homo erectus like the
standing human and we're you know, we're standing up with our,
with our with our gay, lesbian, bisexual, transgendered, questioning, intersex,
a sexual and otherwise comrades in the world worldwide.
Speaker 1: You're safe with us?
Speaker 3: Yeah, really awesome.
Speaker 1: Yeah, that is no that's very cool. That's what lgbt
Q I A plus stands for. Right, I've always just assumed,
so I see, I I stop at the I just
do lgbt Q plus. I don't do the I A.
It's it's too too many letters to remember.
Speaker 2: To me, I'm always trying to sound smart, and then
when people call me on it, I'm like, you know,
that's a good question in theory.
Speaker 1: The plus gets you out of all.
Speaker 3: Of it exactly.
Speaker 1: Yea, I know what you literally pro l plus L plus.
It'd be a good name for a band actually plus.
Speaker 6: No.
Speaker 1: But I think that's really cool. Is that has that
kind of been part of the idea of Sick Dude?
Hell yeah from the beginning.
Speaker 3: Or oh, I mean, I think we've both always just
had a firm belief that, you know, everybody should have
the freedom to be themselves. I know they truly are,
because that's where your happiness is going to stem from, Yes,
being comfortable with yourself and your own skin. And you know,
I strongly disagree with anybody trying to take that away
from somebody. That's a that's a human right that everybody
should have.
Speaker 1: Yep, yep, everyone should be able to be their authentic selves.
Speaker 2: And yeah, unfortunately, being comfortable in your skin is like
a privilege that is not afforded to quite frankly too
many people.
Speaker 1: Right, and yeah, I think that it just.
Speaker 2: In this day and age, it's worth it to you
can't like, you can't let anybody assume that you're just
like a safe person because of how you don't behave
and so right, statements like that, like even if they
are just statements like are important in this day and age.
Speaker 1: And then like acting on those statements is doubly important.
Speaker 3: But yeah, yeah, actions speak louder than words.
Speaker 1: Yeah, one hundred. Does that show up in the lyrics
at all? I mean what or I mean what are
what are you?
Speaker 11: Well?
Speaker 1: We shul talk about that some of the lyrical themes,
and I'm curious too if any of that's changed from
from the previous release.
Speaker 3: Yeah, so a lot of the lyrical themes. So I
got sober two weeks after we started Stick Dude to Hell. Yeah,
oh no kidding, Yeah, And so a lot of and
all these songs just kind of started pouring out of
me as I was going through learning how to live
life sober. Yeah, and a lot of it just has
to do with purging all the bull crap, you know,
and all of it kind of came out fast and
then in spurts. So a lot of lyrical content, you know,
stems from you know, mental illness, self doubt, you know.
And then there's the slight political stuff thrown in there too,
with like corporate enterprise, you know, and uh, you know,
I mean a lot of it's Debbie Downer, but I
think I'm working my way out of that, which is good.
Speaker 1: Yeah, absolutely absolutely. When you guys play live, is it
always just the two of you? Yeah, it's just the
two of us.
Speaker 2: We've discussed with a friend of ours having him be
an honorary third member who plays a stringless bass on stage. Yeah, Dean,
if you're listening, you're still welcome to do that.
Speaker 3: Yeah, we need you.
Speaker 1: It's not listening, but yeah, it's just us too.
Speaker 2: And whatever sound system is made available to us. If
we have to bring our own sound system, it's not
gonna sound great. But usually, like if a venue has
a half decent sound system, we can, uh, we can
push it to the limit. We just played that Hennecker
Brewing Company place and uh sounded awesome. Their stage is awesome.
If you want to play music, ask Hennecker Brewing Company
if you can do it. Yeah, there's quite the little
scene brewing in that in that neck of the woods
right now.
Speaker 3: I think Backwoods Booking does generally most of booking for it. Okay,
And and and if you can't find them, hit up
Hubble Wizard.
Speaker 1: Yeah they they both of them.
Speaker 3: Yeah, Okay, great dudes, great dudes, super active in the scene.
They'll they'll set you up if you're looking to play.
Speaker 1: Yeah, So when you guys, when you guys play out, like,
what's kind of the I'm sure we talked about this
last time, but I'm such a nerd for this because
I'm amazed. I'm always fascinated by when you've got a
situation where you know, it's it sounds like a full
band whom you kind of replicate that live right in
terms of how loud it is and the fullness of
it so to speak. I mean, I mean, what's what's
the situation like as far as how you're set up?
Speaker 3: So so are set up live? It's not super fancy.
I just I have a two twelve for guitar cabinet
and I'm lacking a little in the base department. I
got a fifteen and it's just a fifty watt okay.
But usually we'll show up to a show and I'll
see how many people are cool with Daisy chaining all
of our amps together and try to set it all together,
because that's always fun to just like have a wall
of noise, oh yeah, punishing the crowd. Yeah, but I
think we still I mean, despite the lack of the
size of our amps, we play, we played to the room,
and I think I think our volume is usually always
a lot enough, even if it's just my amps I'm
stuck with.
Speaker 1: Yeah, it's it's tougher in like a warehouse setting.
Speaker 2: We've we've played a good couple of shows at Red
Alert Skate Park in Rochester, which a great spot, very
supportive atmosphere and just like all around cool dudes that
like to put on events like that.
Speaker 1: The one thing that we're missing over there.
Speaker 2: Is pa like we brought our last Yeah, we bring
our own setup and you can hear us over in
the corner of the skate park that we've taken over,
but it kind of just sounds like noise from everywhere else.
Speaker 3: But yeah, it's fun though, Yeah, Yeah, are you.
Speaker 1: Guys playing out a lot. You've been doing a lot
of shows.
Speaker 3: Not as much as we'd like to. Yeah, I think
we're starting to gain some traction here. I mean we're
I don't want to jinx it, yeah, but we've been
asked for two shows now if we want to play,
So we're starting to get asked more, which is great. Yeah,
and you know, we just keep pushing, you know, and
go with it. And you know, if we can find
a place to play, that's great. If we have to
set up something, and you know, get some of our
other buddies who are having a hard time finding places
to play, give them an opportunity to play with us too.
And I found it's it's really just I mean, if
we can't, if we can't book it, we'll make it happen, right,
We'll find a place to do it, right, And that's
that's fun too. Yeah, you know, and I think the
issue is, you know, I we both work nine to
fives full time. Yeah, and it's tough to to just
get out and just go to a show to see
a show, better than play a show. And I think
that might be like our biggest, biggest hindering right now.
I think I need to just like suck it up
and get myself out there and just go watch some
bands play, support some people, and meet some people.
Speaker 2: Easier said than done. But you're absolutely right, you know,
like that's what it's all about. And it's like, unfortunately
too many shows is just four bands excuse to go
see three bands play?
Speaker 11: You know what?
Speaker 1: Oh yeah, yeah, but there's value in that too.
Speaker 3: Oh.
Speaker 1: Most certainly, some of the best shows are the ones
for the other bands. Yeah, yeah, yeah, yeah.
Speaker 2: I've played shows where the headliner didn't even arrive yet.
I took a picture from behind a drum set of
an empty crowd that wasn't with this band that was
with That was a long time ago.
Speaker 1: But yeah, those are the best shows. Yeah, it's dress rehearsal.
Speaker 6: You know.
Speaker 2: Yeah, I don't know about the best shows, but those
are those are shows with merit and are not to
be disparaged.
Speaker 1: Right right there, you go, Well, we should play another
track from the EP. What do you guys want to
play next?
Speaker 3: I don't know what do you think, Nate?
Speaker 1: I guess corporate enterprise because we talked about it. Yeah, yeah,
this is the political one. This is this is probably
my favorite. I actually of the four, probably because it
appears to be the fan favorite too.
Speaker 2: It's got it's got the most plays on all of
our like metals and stuff like that.
Speaker 1: Yeah, nice, nice, All right, let's give this a spin
if you're just joining us. We got the guys from
Sick Dude, Hell yeah, and this is from the new
ep homo Erectus. So this is called corporate enterprise.
Speaker 10: I think that pretty day group bill bid, you got
a boy like boys my wa.
Speaker 7: Kik bag nik kill.
Speaker 10: My pet bock that bice fight my bommit bit you
wake cut back ut like not.
Speaker 7: Tag what dodad.
Speaker 10: God your name.
Speaker 1: A pet box just bright.
Speaker 6: Hide wake crop it call you a lot on DIY
find my pocket? Well I made you lie? We I
not like had my playing time.
Speaker 7: Five by target court by uh talk b.
Speaker 1: My name every day.
Speaker 10: Bill by, I took bought my bunch. I wa Nike
jack Nike killed.
Speaker 9: Out, I talk fries right Mike bode bike We got
step out nice.
Speaker 7: Not die what Tim goad yr name while play stark rack.
Speaker 10: While big Brown bead Oh yeah about.
Speaker 7: What guys by my pocket?
Speaker 6: While I make a fies.
Speaker 7: Well, I though lies I'd like clag ag Ti.
Speaker 10: Fly my pocket cork credit I Duck cries.
Speaker 1: Your Prid Enterprise by Sick Dude. Hell yeah, from the
new EP Homo Erectus. Oh, I forgot there was laughing
at the end. That's all right. There's also swearing at
the end, so I think we were kind of trying.
Speaker 3: To talk it over.
Speaker 1: Gotcha, gotcha? Well, uh yeah, that's a that's a great track.
Like I said, that's probably my favorite from the EP.
How much how much is uh like the what's the
approach been in terms of because we did play when
you were on the show before some tracks from your
previous release, which is just called EP. But has the
approach changed at all as the the way you guys
do this, the way you write, the way you record,
has anything changed as you've kind of evolved over the
course of these releases.
Speaker 3: No, not really, not really. I just kind of I
come up with riffs at home. I scribble some ideas out,
and then I bring them to practice, yeah, and then
me and Nate work them together. We often will rework things, yeah,
and yeah, try to work in fancy timing signatures if
we can, right right, I mean, I am working on
the few that I'm working on now, I've been holding
off on a little bit longer just in case I'm
like sitting down with a cup of coffee and I
come up with like another cool riff that I think
I can work into it. Yeah, you know, I've been
trying to take a little bit more time on writing
things instead of just kind of like regurgitating everything down
and then putting it together.
Speaker 4: Right, didn't pick up?
Speaker 1: Nope, I'll have to try harder next time. I Yeah,
I agree. The I think that.
Speaker 2: Having been involved creatively and a couple of projects, I
think that our kind of our machine is pretty well
oiled compared to some like it's It's been pretty seamless
since that first like breakaway practice that we did where
we came up with those two songs, and it's really
just Dylan is such a riff lord.
Speaker 1: He'll just be like, yeah, I got this riff.
Speaker 2: It sounds like this, and then I'll just he'll send
me like, you know, not even plugged in, just like
unplugged bass kind of on the phone, and then I'll
just internalize that until our next practice, just trying to
come up with some kind of groove for it, and
then it's like, hey, did you like how that sounded,
and if he did, we keep going until I don't
like how it sounds anymore, and then I start playing
a different groove and then I'm like, no, I really
like that one and stuff like that. So and yeah,
I'm such a sucker for weird time signature kind of stuff.
And you know, I'm not like a classically trained drummer
or anything like that, so I'm kind of just learning
all this by feel. But I really like how those
like odd time things, especially like things that sound odd
but line up to sixteen. We love that kind of stuff, like, yeah,
the like four threes and a four kind of thing.
Speaker 1: Yep.
Speaker 2: Yeah, But but yeah, it's been it's been pretty interesting.
I'd be I'd be interested to see what our process
would change into, because it really just kind of it's
so fluid right now. And yeah, and welcome that.
Speaker 1: I'd be scared for it to change anyhow.
Speaker 3: Right so far, it's been pretty effortless. Yeah, it's nice.
Speaker 1: Well, it's how you know you've really got something too,
you know, when it's when it's easy. I mean, not
that there's anything wrong with working hard at what you're
trying to get for a sound, but when it's when
it's easy and organic. You know, that's when you know
it's really got something.
Speaker 2: You can put the hard work in where it's more
important than the get go of how do we write
these songs? Like yeah, yeah, yeah, if you're exerting all
that energy writing the songs, it's like, brother, man, what now?
Speaker 1: I think we know a couple of people like that,
So then what are you guys? Always because it sounds
like you've got a lot of ideas, like do you
have more material that you haven't recorded yet? Probably do? Right?
Speaker 2: Yeah, they were supposed to be, well, not supposed to be,
but there could have been a fifth song on this thing,
but we decided it wasn't quite ready yet.
Speaker 3: Oh okay, yeah, okay, we didn't want to push it.
Speaker 1: Is that why you decided to limit it to four?
Because I think the last one had what six? Last
one had five?
Speaker 2: We wanted this one to have five too, But it's
just like we we couldn't quite figure out how we
wanted to end this new one that we have, and yeah,
might have better luck just releasing it as like a
standalone single at some point. Oh okay, but yeah, but yeah,
I thought four was enough and we really wanted to
just get these songs out, like we we are very
proud of these ones already, and figured, rather than wait
to finish this fifth one, let's just get these four
out and get people talking about them.
Speaker 1: Get some buzz, you know, yeah, absolutely get on Matt connorton.
So we talked about it last time. But for for
newer listeners who who don't know where does the name
sick dude hell y'ah come from?
Speaker 3: Bob our first jam session.
Speaker 2: Yeah, it's just uh, the riff one of the riffs
that you wrote was the like wrown here.
Speaker 1: That like became the song sick Dude hell Yeah.
Speaker 2: And it literally was just we jammed on that riff
a couple of times and then between ourselves were like,
sick dude hell yeah, like a whole bunch of times.
And then I said that song should just be called
sick Dude hell yeah. And then I stepped it up
again and was like this band should just be cause
and there we went.
Speaker 3: Because it's really thro like Beavis and butt Head moments.
Speaker 2: Yeah, it's beautiful, that's awesome, and it's just kind of
it's it. It's proven to be such a good gimmick
show up at any show and it's just sick dude
becomes sick ud Hell yeah, like you just you just
hear people yelling it, and like I think that it
just really it puts a good like.
Speaker 1: What what do you call it?
Speaker 2: Like, it's it's the it's the ambience of what we're
what we've set out to make is just like you know,
raw testosterone.
Speaker 1: Fueled music, yeah right now, yeah.
Speaker 3: Yeah, and it keeps it on the lighthearted side of
things too, you know, we don't want to come off
super serious because you know, right right yeah.
Speaker 2: I like the the the kind of like meta irony
that it gets couched in where it's like if you
take yourself one hundred percent seriously while calling your band sick.
Speaker 1: Dude, Hell yeah, right right, Well, we should play another
track from the new EP, homo Erectus. What do you
guys want to play next? About P word horse? The
P word horse, Yeah, yeah, so, uh for our listeners
just to clarify, so we're we're calling it, uh, it's
a there's a word in this title that we really
can't say on a Saturday morning on w m n H. Yeah,
it's the George Carland P word. It's not the Ben
Shapiro p word right right right. But this is another
great track from the new EP, homo Erectus. The band
is Sick Dude, Hell yeah, and we're just gonna call
this pea horse. Check it out, but ain't com pain
I work bag.
Speaker 10: There, adopt extain nothing?
Speaker 7: Why are you living my head.
Speaker 6: There?
Speaker 10: Adopt etain nothing, but they come pain I work bag
There are nothing, nay nothing?
Speaker 7: Why are you laughing?
Speaker 10: My head nothing? Say nothing.
Speaker 1: That doesn't make a move? Check your pulse. You might
be dead. That one must be fun to play live.
Speaker 3: Oh yeah, it's actually it's probably turned into one of
my favorite songs.
Speaker 1: Yeah yeah, that is, of course a pea horse where
we'll call it for our purposes here from the new EP,
homo or Erectus from the band Sick Dude. Hell yeah,
And we've got the guys here in the studio with
us and uh yeah, yeah no, that's that's really good.
Do I assume you play like when you guys play out?
Do you play everything that's on both of these because
it's only I'm not gonna math nine songs are Yeah?
Do you play all these plus all the the ones
from the first EP?
Speaker 2: Yeah, we tried to there's sometimes we'll be pressed for
time and we'll cut out, usually one of the songs
from the first EP, just like because we're sick of
playing it.
Speaker 3: But yeah, yeah, we cut out our self titled song
quite a bit actually, oh okay, yeah yeah, and it's
only because I don't practice it enough.
Speaker 2: Yeah, that one is a little bit challenging because you
have to like wrap while playing bass at the same time,
which is like, yeah, oh.
Speaker 1: I don't even I don't even remember.
Speaker 3: It's like, uh no, just the words don't match up
with like the bass riff. Oh, so it's like weird.
But I just need to pull up my you know,
buckle down and practice it. You know, if I practice
it like once a week, i'd be all right, right right.
Speaker 1: No, that makes sense. That makes sense. Now are you guys?
When is your next show? Are you guys playing anywhere
this weekend or so?
Speaker 3: Our next show coming up is actually February seventh at
a Red Alert skate park. Okay, they're doing a corner
store skate shop is doing a skateboard event there from
like two to five. I think it's a trick jam
and they got some other bands. I don't have the
full details. Yet, but I know we'll be there. They'll
be there and uh, I feel like skating and music.
Come check it out.
Speaker 1: Yep.
Speaker 3: Yeah, that's now Rochester, New Hampshire and.
Speaker 2: We're we're actively in the process of looking for some
more shows. We've got some like things lined up for March.
I feel like we had something lined up for January.
We had something lined up a couple of days ago,
but it's sort of sort of fell apart.
Speaker 3: But the uh, just be on the lookout.
Speaker 2: You can find you know, sick dude, hell yeah on Instagram,
sixth hell you at band camp dot com. Somebody's crackers
on Facebook and Instagram. You'll always be able to find
details about how to get to our show.
Speaker 1: Yeah. Yeah, we're constantly looking for more stuff.
Speaker 2: Please just send us DMS, book us, find us on
the street, kidnap us, take us to your basement, make
us play your basement for our freedom.
Speaker 1: Please. But yeah, well, let's let's play out. So we
haven't played I feel nothing. That's the only one from
the New Epe we haven't played, right, Yeah, yeah, let's
give this one to spend anything we should know about
this one before we hear it. We were just kidding yeah,
you do feel something?
Speaker 3: Yeah, yeah, I feel something, all right, all right.
Speaker 1: This is from the new ep homo Erectus. The band
is sick dude, Hell yeah, check this out. This is
called I Feel Nothing, s.
Speaker 10: S Ever free.
Speaker 7: Time, My Trial Shades by dock T. It's some take dry.
Speaker 9: I got tappe from my say something.
Speaker 7: Then bye bye, I no I no, no no, I
strapped my gull from the pain, Try.
Speaker 10: From the shiels and full by.
Speaker 6: By Corps.
Speaker 12: It's Ratty.
Speaker 3: Dances with today.
Speaker 7: I'll buy what that y'all like that got by Wise
dodge the fog, the baggon.
Speaker 10: And scare.
Speaker 4: Away the snag.
Speaker 1: I note.
Speaker 10: Fight a dress by my dou of a bag.
Speaker 7: Put the dine.
Speaker 1: From a bell to tide.
Speaker 4: Right, I b old and from a brain.
Speaker 7: I bil.
Speaker 1: That is so good. That is sick dude. Hell yeah, hey,
thanks man. Absolutely, I love it the track as I
Feel Nothing. It's from the new EP homo Erectus. And
it's been great talking with you guys this this morning.
Speaker 2: Yeah, we always have such a fun time on here always.
We had a fun time last time, and I'm having
a fun time this time. I hope to come back again.
Speaker 1: Absolutely we will definitely do it again in the future.
You mentioned off air two about you wanted to give
a shout out to your dad.
Speaker 2: Oh yeah, so my dad, Chuck Nemitz, huge shouts out
Candlelight Productions. He's produced music, you know, in some capacity
for like as long as I have been alive under
the Moniker Candle Light Productions, and he he engineered the
recording sessions and did all the like production and stuff
for us. Oh wow, yeah, we had a different buddy
of ours master at our buddy Nick Yeah. Nick, but
but yeah, big shouts out to my dad and to
Candlelight Productions. If you're looking for like good rates on
hourly recording with like a veryvery knowledgeable and easy to
work with guy, get at him, or I guess like,
get at me. Somebody's crackers on Instagram and I'll get
you guys in touch. I don't want to blow up
his spot just yet, like maybe he'll like frantically.
Speaker 3: Call in and be like, no, no, my email addresses, No,
I'm just kidding at Yahoo.
Speaker 1: I remember. Yeah, wow, no, very cool, very cool. That's
cool that you engineered. Yeah all right, but anyways, thank
you very much, dad, Love you very much.
Speaker 3: Thank you Chuck, I really appreciate it. It's really nice
to meet you and looking forward to the next time
I see it.
Speaker 1: Excellent, excellent, awesome. So before we we're going to play
out another track in a moment, but before we do that,
so remind us again, where's the best place to go
online for keep up with everything? Sick dude?
Speaker 3: Hell yeah, I was doing Instagram. Instagram sick dude, hell yeah.
Speaker 2: Okay, all right, and then and then I'm pretty active
on Facebook, at least for now. I'm kind of trying
to put it on the back burner because it's giving
me brain disease.
Speaker 1: But I know somebody's crackers on Facebook.
Speaker 2: I post funny stuff and then whenever stick dude, hell
yeah it has a show coming up, I usually you know,
live stream it or post the details that kind of
fun stuff.
Speaker 1: So yeah, outstanding, outstanding. Well, we appreciate you guys coming in.
This has been amazing, and we're gonna close out the segment,
I think with h We're gonna play a track from
a previous the previous EP, which is called EP Nail
in the Coffin. Why'd you guys choose this one any
any special reason.
Speaker 3: Or just is just one of your favorites, it's one
of my favorite.
Speaker 1: It goes hard.
Speaker 2: Yeah, we put it out on A but before we
put the EP out, we released this as a single
on A not like as a standalone, but as a
contribution to this compilation album called We Just Want to Live.
You can check it out on band camp. It should
you should just be able to find We Just Want
to Live. It's a it's a compilation that all the
proceeds are being donated to various organizations for you know,
trans survival, trans youth and stuff like that. So it's
a cool cause worth checking out. With a lot of
really cool and really eclectic music on there.
Speaker 1: Okay, okay, excellent, So we'll close out the segment with that.
If you are listening live on Saturday. Coming up in
the second hour, we have Paul Nizzol, he will be
joining us via WhatsApp from the UK. And then in
the third hour we have gen X who is in
the chat room by the way, hello from the band
Generations and she's gonna be joining us via Microsoft Teams
from there in Springfield, Missouri, I believe. So, So we're
traveling around a bit today, but we will close out
the segment with this again, guys, thank you so much,
thanks so much for having us.
Speaker 3: Thank you man.
Speaker 1: Absolutely keep doing radio. Radio is very important. I agree,
thank you, thank you so much. And here it is.
This is nailing the coffin the radio edit of course
from the band Sick Dude. Hell yeah, I don't believe
in myself.
Speaker 9: Up and touch before another nail and done if I'm
bus another.
Speaker 4: Closet, torn porn crux bike.
Speaker 3: Something's making right and I don't have a buck.
Speaker 10: The b paked fight.
Speaker 3: Here we call agad black up showing sword s cream
is always frighting.
Speaker 1: Don't waste it on a petty score or cross bikes.
Speaker 10: Don't just pack right. I don't give a buck the
bit peg fright.
Speaker 6: All these people making their mess preaching in my pocket
and calling there sand born trucks.
Speaker 10: Bye, Pippit bag by, I don't give up hipp It
bag by.
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Speaker 19: This is Jesse Rutstein and Caleb Dyer from Hatchet Axon
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on w m n H ninety five point three Manchester.
Speaker 1: Actually, what did I say?
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Speaker 19: This is Jesse Rutstein and Caleb Dyer from Hatchet Axon
Saw Records. You are listening to Matt Connorton Unleashed on
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Speaker 19: You are listening to Matt Connorton Unleashed on ninety five
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Speaker 3: F M.
Speaker 20: Founded forever like number Connosa, I know that whereever you go,
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Speaker 12: It is open to you