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Speaker 1: We're all owned by the Syndicate, body and soul or

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should I just say bunny.

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Speaker 2: Hello?

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Speaker 3: Filthy movie lovers, something weirdos and Anti Criterion Bros. To

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the thirty ninth episode of The Sin Syndicate, where we

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proudly fly the Blue and Gold Cross, where every winter

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is cruel and every summer is spent with Monica. My

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name is Gentry Austen, writer and researcher, and I'm here

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with my co host, adult film historian Casey Scott. And

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in this week's episode, we are joined by Rickard Graham

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force In Patrick van Zikowski from Nordic Northern Europe to

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talk about Swedish sin, sexploitation and maybe even some Joe Sarno.

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Speaker 4: Come blow the horn, snuffer.

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Speaker 5: A legend comes to life.

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Speaker 2: You did from lover and fifteen on I six alextas.

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Speaker 5: No one can escape the power of the horn. Where

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is the Master? You love her?

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Speaker 1: Do you loose yet?

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Speaker 5: And I not? S? Do you entering? Once heard, never forgotten?

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Speaker 4: Shammed of miss Blom and Romantis.

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Speaker 5: The horn calls and they all answer.

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Speaker 4: In the day, this is all day, one girl, one

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magical horn and a midsummer legend.

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Speaker 6: People matter of Money Hope, Come Blow.

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Speaker 5: The Horn, a Swedish classic.

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Speaker 3: But before we welcome on the Club's Super eight Boys,

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a few news and updates. I think we can start

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off with the announcement that we've been teasing, which is

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Freedman collection number two, The Lustful Turk and the Joys

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of Jezebel, was announced, and we did two commentaries on there, right.

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Speaker 2: Casey we did.

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Speaker 7: We actually just recorded our second commentary last weekend after

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we did the Venus and first, so we were I

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don't want that to sound like we were down to

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the wire. We just there was some behind the scenes

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stuff that we that we had to work with, but yeah,

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we got those ready and they will be on that release.

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And wow, I you know, I was listening back to

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those kind of like the Bunny Yegers. We covered so

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much stuff on those commentaries, so much stuff on both

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of those. So I'm I'm I'm once again pretty proud.

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Speaker 5: Of us for those.

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Speaker 8: Yeah.

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Speaker 3: And I think, as I sort of teased on Instagram,

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is you know, with regard to Byron Mabe, I don't

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want to give away everything, but I think that the

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research into his life and career that we touch on

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in the commentary sort of reframes how we've come to

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understand him a bit, would you agree.

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Speaker 7: Yeah, I still don't think he's a good director, but

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I think I understand him more as a person and

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where he was coming from in terms of how he

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fell into this business and how he kind of ungraciously left.

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So yeah, that was that was a Yeah, that was

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a good That was like a nice little wake up

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call that, like love Dave Friedman, not everything he says

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is gonna be. His version of events is not the

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absolute version of events necessarily, so you know, that's why

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additional research is always helpful. Love Dave, but it was

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good to get some additional context.

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Speaker 3: Yeah, I agreed. We've also got a letter, not a letter.

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We got an email from a listener who felt.

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Speaker 7: Like, oh, we're getting physical letters, like people are sending

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us letters.

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Speaker 2: You should see my desk. They're piled up over.

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Speaker 7: Here but on your red wig and just read letter

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after letter.

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Speaker 3: But this listener, his name is Oliver. He wrote in

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and said, after listening to our commentary track for The

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Sex Blaters, now available from keen O Laurburg, you know cult.

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He noted that besides actress Janine Lennon. Besides appearing as

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a brief role in sex Platers and of course the

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star of Anton Holden's Aroused, she also has a small

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part in Joe Sarno's Moonlighting Wives, as quote the accountant

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who gets manipulated by her crush, and he goes on

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to say, interestingly, in all three of these roles, Janine

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Lennon plays a lesbian. She seems like a wonderful actress

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and a cut above the exploitation standard. It makes me

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wonder if she has other extant work, but so far

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I haven't seen it. Thanks for all the work you're doing,

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and he ends with will you do an episode? Onna

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roused at some point as we, I mean, we've kind

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of talked about doing one for a while here, but

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I know that we want to talk to Anton Holden first,

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right Casey, that might.

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Speaker 7: Be the excuse to do it. I think my hesitation

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was that I'm waiting for the Blu Ray. I would

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love the Blu Ray to come out, and then that

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could kind of speak for itself in terms of the history,

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because I know, I think actually Bruce from Cinema Arkana,

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who I've known forever, and I love Bruce. I think

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Bruce was trying to get that Anton commentary for that release,

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but I don't know if that has happened. I don't

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know what the status is of that release. That is

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a slam dunk, So you know, I think it would

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be good to do that interview, especially because Anton, I believe,

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is like in his early nineties at this point. So

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it would be good to do that. And thank you Oliver,

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because I have not seen Moonlining Wives in a while.

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Speaker 2: And no, I don't remember her in that either. I

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need to go back.

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Speaker 7: No, I'm gonna have to rewatch. That means it's also

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our only color film that we're aware of, and that

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just goes to show and I think we kind of

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keep mentioning this. It's like, this is not it's not

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a proprietary Our podcast is not proprietary. We're not We're

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not the end all of his exploitation history. It really

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is very much a community project. So having multiple eyes

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on these films and the people who make them is great.

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And this is why because yeah, I said in that commentary,

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I think it's the only other movie outside of Aroused.

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I don't mind being being corrected. I actually prefer it

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because I would like the record to be correct.

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Speaker 2: Yes, yeah, so long answer is short.

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Speaker 3: You know, we've discussed, but we are kind of putting

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it off just in case a blu ray gets announced

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and then we can really put all of our research

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into and interviews possibly with Anton in that place.

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Speaker 7: Well, I don't know if it's done yet. I mean,

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that's the thing. They could have everything they need and

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it's just being held out, So we'll look into that.

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It is a masterpiece.

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Speaker 2: Yeah.

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Speaker 3: We also got an email from Nathan Schiff, who was

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very helpful in helping his Joseph Marzano research, which we

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referenced in our last episode.

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Speaker 7: Crazy, Yeah, really crazy.

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Speaker 3: He's been listening and he listened to our Marsano episode

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and you know, I'm not going to read his email here,

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but yeah, we have touch base with him and hopefully

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we can get him on either to talk about more

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Marzano stuff, which I mean there's like you said, Casey,

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there's there's plenty more.

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Speaker 2: To touch on with regard to that character.

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Speaker 3: But also Nathan has some connection some history with Lou Walduck,

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Lou Waldeck yep so and Lou Campus. So yeah, there's

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lots of things we could talk with Nathan about.

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Speaker 7: So yeah, I'm I think any it's kind of like

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what we did with Bowen, where we where we thought

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to do a specific film. When you have somebody who

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has that much info about a specific person, just stick

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with the person. I think we should just do a

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follow up with Nathan and I will just say, Nathan,

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he mentioned he was a regular listener. We need your

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movies on Blue Racer. It's been quite a while all

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the all the end, this stuff is long out of print,

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and I just checked how much they go for. I

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don't have that kind of scratch. So let's let's let's

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see if we can maybe get in touch with Visual

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Vengeance or something or Bleeding Skull you know, believe would

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be good too. Yeah, somebody yes, because I feel like, yeah,

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I think we need we those writ my Flesh back.

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We need Yeah, we need all of those back in

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print and available. So if we have you on, I

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will bring that up. This is a warning, but the

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good great to know more about Joe because I think,

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as we mentioned last week, I think he was kind

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of he didn't last in this expectation because I don't

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think he was made for this business. I think he

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had a very different temperament than other people, you know,

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than you need to be in this business. So I'd

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like to know more about that. He also mentions that

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he's seen his earlier shorts, and so I want to

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know about Barbara. I want to know about Barbara Ellen. Yeah,

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I want to know more about what Lou Waldeck, who

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Marzano has has said is the true director of cool

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at Baby. If anyone's going to get credited, should be Lou,

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not him, or not lu Campa. So uh, yeah, I

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have a lot of questions, and I would love to

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do a follow up just I'll just Marzana, because we

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barely scratch the surface on Marzano. There's so much to

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talk about.

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Speaker 3: Yeah, and he said he's also seen that two hour

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feature film you made, Man Outside.

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Speaker 2: I'd like to pick his brain about as well.

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Speaker 7: Absolutely, I would. Well, yeah, and that that's one of

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those things where I don't know who has prints or

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tapes of those. It makes you be if someone could

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wrestle all of those those three films away from the

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Novaks and put out a Mars like a Marzano slash

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lu Campa collection, and just put all of the Marzano

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stuff together and in a nice package. That would be great.

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Speaker 2: Yeah, I would love that.

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Speaker 7: I think he deserves it.

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Speaker 3: Mazon, you got the John williebooks. You got several John

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williebooks in the mail I did.

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Speaker 7: I got two. I didn't know and I didn't know

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there was two. One one is a lot more. Well,

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First of all, James is gorgeous. This thing is, like you,

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absolutely stunning. It's really gorgeous. The design is great, her

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writing is great. It really flows really beautifully. No, it's

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really good.

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Speaker 1: I loved it.

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Speaker 7: But then there was another book by the the fat

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History guy who we've referenced before in I think the

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Satan and I Heels episode, and that is it's a

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thicker book, but there's a lot more pictures and things,

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and I feel like there's a Yeah, so I'm interested

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to read both, obviously because I'd like a larger picture

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of the guy. But I'm excited. I think it's always

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a good opportunity to get more people talking about this,

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about someone as important as this.

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Speaker 2: So you also got something else in the mail?

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Speaker 9: Did?

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Speaker 7: I got Mark Murray's the new release Endless Ecstasy Volume

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one title I did so yes, and an update a

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correction to that because I went back to the chat.

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So I came up with the title Endless Ecstasy, and

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he transformed it into the triple X instead of the

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sea in Ecstasy. So he finessed it and made he

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finessed it and added the extra touch that it needed

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for sure. And I think he was just on disconnected

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on Friday, which.

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Speaker 2: I had missed live show Yeah, I need to catch.

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Speaker 7: Yeah, And I couldn't see it because I was having

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dinner with another historian for another release which we're working on.

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So but the release is fantastic. Obviously, it's limited to

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five hundred copies. It has Don Knutson on the cover,

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who I love, and I have never seen her work

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look so good as it does in this. She has

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as a loop with Mike Ranger and he closes out

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the collection with it, so it's like saves kind of

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the best for last. There's a very early Gloria Leonard

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loop with Jamie Gillis. There's a very early Mary Stewart

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loop the Star Passenger Carol and she's in a terrible wig.

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There's a long Don Silver loop, which is obviously softcore

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because it's long Don Silver. It was it was the

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biggest special effect in porn ever. Yeah, it's just it's

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a really good collection. It covers a lot of stuff.

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There's a so there's solo there's a solo loop, there's

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a lesbian loop, there's group loops. There's an enema loop,

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which is wild. It's Yeah, it really covers so much,

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so much different stuff in loops and it's one of

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a series and it's only five hundred copies, so I'm

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excited for the next one. The Serena one is being

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teased now, so we need to kind of figure out

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when we'll have Mark on to promote that and talk

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about Serena. That would be great.

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Speaker 3: Absolutely, we'll get that on the books because yeah, I

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want to talk about Serena's softcorese exploitations.

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Speaker 7: Yeah, well actually in Serena, I'm not going to promise anything.

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We could possibly even try to see if we could

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do a little interview with her, Yeah, because she's open.

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I interviewed her for the Phantasm release, so yeah, Marks

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with her and yeah, yeah, yeah, that would be good

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if we could, even if it's just a little thing

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where if if we're doing like Massa's Parlor Wife, Yes,

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maybe could get something of what she remembers about it exactly.

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Speaker 2: Yeah, that'd be great, Yeah.

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Speaker 7: Because I don't know where else she's going to talk

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about it, because no vac is old in Austine.

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Speaker 3: So and Mark, I'm still very apologetic. On that other

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social media site, I accidentally credited Serena as Seika. I

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am still absolutely horrified at my mistake. I know correct

255
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he corrected me, but I can't edit on that other site.

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I'm not gonna name that I sometimes also use, you know,

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So I'm like, I just got to leave it up

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because people are enjoying that. But he corrected it underneath,

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so I'm like, well, at least people can read it,

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and then they'll see Mark's comment underneath, like, hey.

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Speaker 7: Idiot, this is yeah right, and you didn't you didn't.

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Speaker 2: I'm just like, you know, I'm just hitting the esca.

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Speaker 3: I'm just hitting the s key and then the wrong

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suh you know name came out.

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Speaker 2: You know, damn, that's what you know what I'm saying.

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Speaker 7: That's funny. I'm too deep into adult films. I would

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never screw them up because Seka I could care less.

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Serena sign me up every day? Yeah, and Sekah also, Yeah,

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Sekah and I are not aligned politically, so I don't

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even follow her, and I'm not even friends with her

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on any of these things. I could care less. Yeah,

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Serena love her to the moon back. So yeah, but

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I get it because it is begins the ns ends

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of an A. Both of those names, thank you.

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Speaker 9: It is a.

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Speaker 7: It's not it's not an out of the it's not

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an out of the realm of possibility. To make that mistake.

278
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They were both in Heavenly Desire, which is not good.

279
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But you know, to jock Off Jacobe movie.

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Speaker 3: Did they bill it as like the two meeting of

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the you know, singularly named s points.

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Speaker 7: Uh No, by that point, I don't think Sega was

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that established yet. It was like seventy nine, so I

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think it was around the time she was in like

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Lesser First Bite she was establishing herself and h Serena had.

286
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I think Serena was kind of establishing herself too, So

287
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they're both kind of not newcomers. But actually Serena had

288
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been around a while longer. But yeah, not a good movie.

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Speaker 3: Well, we will bring on the club super eight boys

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here in a moment, there is there's the rock star

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we were just talking about.

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Speaker 9: Yeah, I'm a bit worse for where today.

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Speaker 3: It was.

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Speaker 9: It was something we uh, it's the first time ever

295
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I've been actually playing two nights in a.

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Speaker 7: Row, saying yourself here.

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Speaker 9: Yeah, yeah we yesterday. We were so relieved. So everyone

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started partying hard after the gig.

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Speaker 7: That's great.

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Speaker 9: Yeah, it was a big deal. It's a band that

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they haven't played together for forty years.

302
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Speaker 7: Oh wow, okay, so it's a.

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Speaker 9: Reunion and we're gonna do an outdoors rock festival in July.

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Speaker 5: Nice.

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Speaker 9: Oh that's cool. Okay, this was like the dress rehearsal

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for that.

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Speaker 2: Basically, Wow, remind us what you play record.

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Speaker 9: I'm I'm the bass player doing some background vocals as well.

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But yeah, it was, it was. It was a success

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and lots of people. And the thing is that the

311
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guitar player is a guy called Mapp who plays in

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Candle Mass, which is the biggest doom metal band in Sweden.

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Speaker 2: Yep, I've heard of them.

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Speaker 9: Wow okay, yeah, so he and they're touring the world.

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But this is like his hobby project now away from

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the Work project, which is the other band.

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Speaker 3: Yeah, this is like the Fun the Fun project on

318
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the side.

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Speaker 2: Yeah, well, maybe you guys want to briefly explain.

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Speaker 3: I don't know your history with film, how you guys

321
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started up Club super eight and maybe even touch on Coldpicks.

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I mean, you guys are kind of a media empire

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right now at this point.

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Speaker 9: Yeah, and you know we're also in you know, a book,

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book publishers, and a record label.

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Speaker 3: Yes, exactly of those out Well, basically me.

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Speaker 9: And Patrick are the two partners of Club super eight

328
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and Culpicks. So other people are helping out, but we

329
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are the nucleus of it, of it all.

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Speaker 7: How long have you guys been doing that? How long

331
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have you guys been working together?

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Speaker 9: Well, Patrick, you want to tell how we met?

333
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Speaker 8: Sure, I'm kind of Batman. Sorry, I'm Robin and he's Batman.

334
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Club super right, I think twenty five years ago. So

335
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the history of it is that it started out showing

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midnight films, you know, just imprompted screenings on Super eight,

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and hence how the name was created. And then from

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screening those films, started buying up film copies of films

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and then thinking, hey, people really like this, maybe we

340
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should do something about it, put them out on vhs

341
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because that's how long ago it was, and in doing so,

342
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suddenly we hear from the rights holder who we didn't

343
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realize was alive. He'd long ago left the film industry

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to pursue a much more lucrative career in real estate,

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and he kind of had this weird notion that he

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should get paid for the films that we were publishing.

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I mean, record was the one that spoke to him.

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Speaker 9: Yeah. The other thing is that we were actually inspired

349
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and that's really really true. The big mentors of are

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releasing films. I mean, we were a film club for

351
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a long time. But we did two film festivals with

352
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Mike and Lisa from Something Weird in back in ninety

353
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eight and ninety nine, and they brought sixteen milimeters prints

354
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and you know, those mom and Dad books and the

355
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posters and stuff, and that was really successful. They wanted

356
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to get in touch with the producer of Tara in

357
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the Midnight Sun, and we got them together and after that,

358
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after that second festival, we were like, if they can

359
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do this, we could do it in Sweden and should

360
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specialize in Swedish exploitation movies. So I guess we started out.

361
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I believe the first VHS releases came out already in

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ninety nine.

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Speaker 2: Yeah, so something weird.

364
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Speaker 3: They've been doing it for a few years before you guys,

365
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and then sounds like you just took some inspiration from them.

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Speaker 9: Sure for quite some time. I think they had been

367
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up and running for like five years or at least.

368
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But we got, you know, the brother from another mother

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relationship with and we're I mean we were really really

370
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close and we were very very much inspired by you

371
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know what Mike started. So I think the first films

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we did were Anita. I think it was the Language

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of Love and the Tarror or in the Midnight Sun.

374
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I don't remember what order. So, but as Patrick said,

375
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is what VHS from the start?

376
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Speaker 3: Let me ask you guys both, you know, what was

377
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your first Swedish sex or sin film that you saw

378
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like growing up? Can you remember?

379
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Speaker 9: Patrick?

380
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Speaker 8: I think it probably would have been something on VHS.

381
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But you got to realize Sweden was such a liberal society.

382
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They were showing live births on television. So the former

383
00:21:30,559 --> 00:21:34,759
leader of the Swedish Communist Party, a woman she prior

384
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to becoming this, you know, she actually participated in documentary

385
00:21:38,200 --> 00:21:42,319
which was shown on television of going through the whole

386
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stages of what it's like to give a life. So

387
00:21:46,359 --> 00:21:49,480
It's always been there, whether it's you know, in the

388
00:21:49,559 --> 00:21:53,920
background or in cinemas or on video. It's been part

389
00:21:53,960 --> 00:21:57,960
of our culture. We've grown up with it, and so

390
00:21:58,400 --> 00:22:01,559
it wasn't like that when sneak out and sneak into

391
00:22:01,599 --> 00:22:04,480
the cinema. For us, it was more I could see

392
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a really super violent film that isn't allowed to be

393
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released on VHS and we pass it around the schoolyard.

394
00:22:13,200 --> 00:22:16,720
So sex, yeah, no big deal. But you know, a

395
00:22:16,880 --> 00:22:21,599
kung fu film with nunchukas or something else like that,

396
00:22:22,279 --> 00:22:24,119
that's where the real forbidden stuff was.

397
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Speaker 9: It's true. But for me, as I'm so much older

398
00:22:27,400 --> 00:22:30,880
than Patrick, it was actually theatrical screenings. And I think

399
00:22:31,000 --> 00:22:35,640
the first one I would say was a film that

400
00:22:35,680 --> 00:22:39,319
we only released on DVD. We in English we call

401
00:22:39,359 --> 00:22:43,400
it I a Summer Lover, but it stars Stellan Scarscard,

402
00:22:44,160 --> 00:22:47,200
so it's about the same time as Anita was out.

403
00:22:47,279 --> 00:22:51,079
He did it. Actually did three exploitation films. A lot

404
00:22:51,119 --> 00:22:54,200
of people don't know that, and especially the third one,

405
00:22:54,839 --> 00:22:59,119
which we only found the British softcore VHS version of

406
00:22:59,759 --> 00:23:05,799
Call the Intruders. He plays with only hardcore porn actors

407
00:23:05,880 --> 00:23:08,200
in that one, so I'm pretty sure there's a hard

408
00:23:08,319 --> 00:23:15,880
version out there, maybe Stellan swinging his privates. Maybe it's possible.

409
00:23:16,599 --> 00:23:19,079
Speaker 7: It's possible, yeah, because I know that, because I know,

410
00:23:19,279 --> 00:23:24,119
like didn't didn't Wickman brought over Chris Chittle from London

411
00:23:24,720 --> 00:23:27,400
to do practice It's Perfect, and he does hardcore in

412
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that too. He must have been very he must have

413
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been very persuasively.

414
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Speaker 9: And Jacqueline Laurent, who is in Practice makes Perfect, she's

415
00:23:38,279 --> 00:23:43,079
also in The Intruders. So yeah, I'm pretty sure. But

416
00:23:43,200 --> 00:23:45,559
that was the Swedish one, but that was I mean,

417
00:23:45,640 --> 00:23:47,720
the the Io Summer Lover is a very soft film.

418
00:23:48,079 --> 00:23:52,920
But I remember also watching in the Sign of the Turus,

419
00:23:53,000 --> 00:23:55,839
I think one of the Danish porn films that came

420
00:23:55,920 --> 00:24:00,400
after the Bedside films. So you know, you the bed

421
00:24:00,440 --> 00:24:03,680
Side films were softcore, and then you had the all

422
00:24:03,720 --> 00:24:06,440
of these Sign Star Sign films.

423
00:24:07,480 --> 00:24:10,039
Speaker 7: Yeah, the Zodiac films, the Zodiac films, and.

424
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Speaker 9: I remember we were like thirteen or something and old

425
00:24:13,720 --> 00:24:17,519
guys were like kneeling going out of the cinema with

426
00:24:17,720 --> 00:24:21,680
hard ons because it was hardcore. So it was like

427
00:24:21,759 --> 00:24:23,720
a formative experience for sure.

428
00:24:24,119 --> 00:24:26,799
Speaker 7: I think like the those films also kind of not

429
00:24:27,039 --> 00:24:32,160
exactly promoted as family films, but they were definitely something

430
00:24:32,359 --> 00:24:36,279
is where were they were not promoted as shamefully as

431
00:24:36,400 --> 00:24:38,680
like American films, where it was kind of like they

432
00:24:38,720 --> 00:24:40,440
were these Yeah, yeah.

433
00:24:40,359 --> 00:24:45,200
Speaker 9: No, they were shown in in mainstream movie theaters for sure,

434
00:24:45,720 --> 00:24:48,920
and also in the countryside. We just learned recently that

435
00:24:49,480 --> 00:24:53,079
Monday night was porn night and they did hardcore. I

436
00:24:53,119 --> 00:24:56,440
mean they did all the the US and German and

437
00:24:56,559 --> 00:24:59,359
French hardcore films as well, I mean apart from the

438
00:24:59,400 --> 00:25:02,559
Swedish ones. So that was the thing for sure. But

439
00:25:02,680 --> 00:25:06,640
as Patrick says, in Sweden, porn was or nudity was

440
00:25:06,839 --> 00:25:10,480
never censored basically, And I mean you can go as

441
00:25:10,559 --> 00:25:13,640
long back as you know, a Witchcraft through the Ages

442
00:25:13,839 --> 00:25:17,200
from like nineteen twenty eight or something, and there's nudity

443
00:25:17,279 --> 00:25:21,000
in that one, and it kept recurring through Swedish film

444
00:25:21,079 --> 00:25:25,079
mystery up to one Summer of Happiness in nineteen fifty one,

445
00:25:25,160 --> 00:25:28,680
you know, the Onomapson film that really took off and

446
00:25:28,799 --> 00:25:33,039
that became the starting point for Swedish sin as it

447
00:25:33,200 --> 00:25:34,319
was you know termed.

448
00:25:34,599 --> 00:25:38,160
Speaker 3: Yeah, there's that essay that's on the Roman Pornos set

449
00:25:38,200 --> 00:25:41,200
that you guys did from Johann north Strom, Yeah, talks

450
00:25:41,240 --> 00:25:45,000
about he gives such great background, especially to US Westerners

451
00:25:45,119 --> 00:25:48,680
that you know the context of Sweden it was in then.

452
00:25:48,759 --> 00:25:50,079
You know that you guys were in the news all

453
00:25:50,119 --> 00:25:54,039
the time as being so permissive, and it was like clearly,

454
00:25:54,240 --> 00:25:57,160
you know, Japan is sending cruise over there to make

455
00:25:57,640 --> 00:26:01,119
Swedish themed pornos that they can sell in their home

456
00:26:01,200 --> 00:26:02,680
country because they're not getting.

457
00:26:02,559 --> 00:26:06,400
Speaker 9: Enough Sweden, and the Swedish industry was too small. We

458
00:26:06,440 --> 00:26:10,119
couldn't we couldn't manufacture enough movies. But I think actually

459
00:26:10,160 --> 00:26:13,440
even I think it was your President Eisenhower that said

460
00:26:13,519 --> 00:26:17,359
something about Sweden and sin and how social reform and

461
00:26:17,640 --> 00:26:22,880
you know, these all these concepts of equality and everything

462
00:26:22,920 --> 00:26:25,200
should be paid with taxes and stuff like that. That

463
00:26:25,359 --> 00:26:28,839
was like that made us like perverted somehow.

464
00:26:30,240 --> 00:26:31,680
Speaker 7: Sounds like Eisenhower. Yeah.

465
00:26:33,240 --> 00:26:36,240
Speaker 2: Have you guys ever heard of a singer named Jens Leckmann.

466
00:26:36,480 --> 00:26:39,440
Speaker 9: He's a Swedish Yeah, yeah, of course, yes, Yeah, he.

467
00:26:39,559 --> 00:26:43,880
Speaker 3: Has that song where he's like, when people think of Sweden,

468
00:26:44,440 --> 00:26:46,920
I think they have the wrong idea, Like Cliff Richards

469
00:26:46,920 --> 00:26:50,160
who thought it was just porn in Gonorrhea and Lou

470
00:26:50,279 --> 00:26:52,680
Reed said in the film Blue in the Face that

471
00:26:52,839 --> 00:26:56,319
compared to New York City, Sweden was a scary place.

472
00:26:56,839 --> 00:26:59,319
So that's like kind of you know, that's funny the

473
00:26:59,480 --> 00:27:02,319
image of Sweden for a while there. I think people forget,

474
00:27:02,480 --> 00:27:05,160
you know, what was going on there in Oh it's.

475
00:27:05,079 --> 00:27:08,359
Speaker 9: True, and Swedes today don't you know, they don't have

476
00:27:08,480 --> 00:27:11,319
the history of it. How big that was. But also

477
00:27:11,440 --> 00:27:14,920
what a short time period it was. It was basically okay,

478
00:27:14,960 --> 00:27:17,519
it started in fifty one and then Bergmann did you

479
00:27:17,599 --> 00:27:20,680
know Summer with Monica That became Monica The Story of

480
00:27:20,759 --> 00:27:23,839
a Bad Girl in the US in fifty three. But

481
00:27:24,039 --> 00:27:27,400
I think the starting point was really The Language of

482
00:27:27,480 --> 00:27:29,720
Love in nineteen sixty nine, and then it went on

483
00:27:29,880 --> 00:27:34,559
only until seventy six or seventy seven when hardcore came on,

484
00:27:35,119 --> 00:27:40,200
and then America and Germany and France grinded out so

485
00:27:40,400 --> 00:27:43,759
many films that Sweden just gave in, gave up, but

486
00:27:43,920 --> 00:27:46,160
for a short while, and this is about one hundred

487
00:27:46,200 --> 00:27:48,720
films I would say could fit into that kind of genre.

488
00:27:49,039 --> 00:27:52,799
Speaker 8: And it's the fact that it was a global You're right,

489
00:27:52,880 --> 00:27:54,880
there was a perception of Sweden and it was a

490
00:27:54,960 --> 00:27:58,160
global one. There was the Japanese who said film cruise

491
00:27:58,200 --> 00:28:03,400
because to churn out fake Swedish you know, Erotica, the

492
00:28:03,519 --> 00:28:07,640
Americans and then even on the continent, which you think

493
00:28:07,720 --> 00:28:10,680
be more permissive being European. But one of our favorite

494
00:28:10,720 --> 00:28:15,000
films is a Switch in Fermer Paradiso Sweden Heaven and Hell,

495
00:28:15,559 --> 00:28:20,799
this Italian mondo exploitation film that treats Sweden like they

496
00:28:20,839 --> 00:28:22,920
would do with you know, the weird tribes of the

497
00:28:23,000 --> 00:28:27,279
Amazon in Africa and all their peculiarities of you know,

498
00:28:28,279 --> 00:28:35,599
sister brother marriage is you know, rapes and sex education,

499
00:28:36,440 --> 00:28:37,640
sex education.

500
00:28:37,519 --> 00:28:38,960
Speaker 7: Yes, sex tea.

501
00:28:39,240 --> 00:28:42,799
Speaker 3: What are they doing in teaching sex education or mandatory?

502
00:28:43,039 --> 00:28:43,640
Speaker 2: That's crazy.

503
00:28:45,039 --> 00:28:47,039
Speaker 9: I got a great story about Sweden Heaven and Hell.

504
00:28:47,079 --> 00:28:49,240
We did a theatrical screening of it many years ago,

505
00:28:49,319 --> 00:28:51,680
and a woman called me and said, I think I'm

506
00:28:51,720 --> 00:28:54,319
in that movie and I'm like, what do you what

507
00:28:54,359 --> 00:28:56,720
do you mean think? Well, there was some my Italians

508
00:28:56,759 --> 00:28:58,799
here and they wanted me to do something. I was

509
00:28:58,839 --> 00:29:01,839
sixteen years old, and I said, well, you you're getting

510
00:29:02,000 --> 00:29:05,880
your complimentary ticket of course, come tonight. And sure enough

511
00:29:06,079 --> 00:29:08,440
there's one scene whether you have the uh you know,

512
00:29:08,599 --> 00:29:11,359
you like I have a priest who is around the clock,

513
00:29:11,839 --> 00:29:14,200
prepared on his phone if people call him up and

514
00:29:14,279 --> 00:29:16,839
are you know, feeling bad, and and she calls him

515
00:29:16,920 --> 00:29:20,559
up from a phone booth being suicidal, and the next

516
00:29:20,680 --> 00:29:24,400
scene she's lying under a bridge with her neck broken.

517
00:29:24,599 --> 00:29:27,960
She's jumped off the bridge, and it was that woman.

518
00:29:28,359 --> 00:29:31,400
Speaker 2: Oh I remember that. Yeah, fun, it's wild.

519
00:29:31,519 --> 00:29:35,519
Speaker 7: I feel like that's another like stereotype. It's either is

520
00:29:35,599 --> 00:29:38,920
either Sweden is so sexually permissive or Sweden is like

521
00:29:39,480 --> 00:29:41,559
there's a lot of a lot of mental health issues

522
00:29:41,599 --> 00:29:44,480
because of like the lack of the sun or or whatever.

523
00:29:44,960 --> 00:29:47,640
And so it's like I feel like one is definitely

524
00:29:47,680 --> 00:29:50,240
better than the other. I would much rather be the

525
00:29:50,319 --> 00:29:54,200
sexually permissive and not not the not the mental health issue.

526
00:29:54,279 --> 00:29:58,240
But but I did wonder so at one point did

527
00:29:59,079 --> 00:30:02,279
America start in on this? I think, for from this

528
00:30:02,400 --> 00:30:06,119
exploitation point of view, I always think it's inga because

529
00:30:06,119 --> 00:30:08,519
then you know, because and then Sarno kept going back

530
00:30:08,559 --> 00:30:11,440
to Sweden and doing that. But you mentioned Monica, But

531
00:30:11,559 --> 00:30:14,240
that seems like an outlier it because that was in

532
00:30:14,359 --> 00:30:15,839
like fifty that was in the late.

533
00:30:15,720 --> 00:30:18,799
Speaker 9: Fifty six three yeah, yeah, yeah, but it just the

534
00:30:18,880 --> 00:30:20,240
six for.

535
00:30:20,359 --> 00:30:22,000
Speaker 7: The American mindset until way later.

536
00:30:22,240 --> 00:30:24,920
Speaker 9: Yeah, I think I think the two Inga films for sure,

537
00:30:25,400 --> 00:30:31,359
but also one of my favorites A Woman Yes, which

538
00:30:31,519 --> 00:30:34,759
was from sixty five. It was basically a Danish film

539
00:30:34,839 --> 00:30:37,839
but with the Swedish actors and the Swedish director. But

540
00:30:38,000 --> 00:30:41,559
that definitely started it at all. And also the two

541
00:30:41,680 --> 00:30:44,759
sequels were also very big in the US. And I

542
00:30:44,960 --> 00:30:47,160
don't know if you know got you guys know that

543
00:30:47,359 --> 00:30:51,440
I wrote a book book, a big coffee table book

544
00:30:51,480 --> 00:30:55,799
with Swedish exploitation posters called do you Believe in Swedish sin?

545
00:30:56,079 --> 00:30:56,200
Speaker 1: Oh?

546
00:30:56,279 --> 00:30:58,119
Speaker 9: Okay, good, I still need it.

547
00:30:58,160 --> 00:30:59,920
Speaker 7: I'm gonna I'm adding it to my next order.

548
00:31:00,519 --> 00:31:00,720
Speaker 3: We have.

549
00:31:00,920 --> 00:31:04,799
Speaker 9: We have to fix that. But there there's actually one.

550
00:31:05,119 --> 00:31:07,359
I mean, most of the films are from that era

551
00:31:07,599 --> 00:31:10,440
and and they're all posted from my own collection. But

552
00:31:10,519 --> 00:31:14,119
there also also a whole chapter about international films where

553
00:31:14,119 --> 00:31:18,079
they used the word Sweden as a lure. They had

554
00:31:18,160 --> 00:31:22,079
nothing to do with Sweden, but they used Sweden or

555
00:31:22,119 --> 00:31:27,279
Swedish or any any language version of the word Sweden

556
00:31:27,519 --> 00:31:30,440
to hint at Okay, this is going to be dirty,

557
00:31:30,720 --> 00:31:33,000
so let's call it that. You know, like Swedish fly

558
00:31:33,200 --> 00:31:38,359
Girls and fidelity Swedish style, and those films have nothing

559
00:31:38,440 --> 00:31:41,200
to do with Sweden at all, right, No, No, Swedish

560
00:31:41,599 --> 00:31:44,160
were integrate impregnated in those movies?

561
00:31:44,799 --> 00:31:48,680
Speaker 7: No, No, Well that and then I think wasn't. Well

562
00:31:49,200 --> 00:31:51,880
we'll talk about so Big Anderson later. But I think

563
00:31:52,240 --> 00:31:55,279
Ava was released in America Swedish and underage. I think

564
00:31:55,319 --> 00:31:58,119
that was the kind of you know, they would just

565
00:31:58,240 --> 00:32:01,240
name anything Sweden or Swedish. Yeah, because there's an American

566
00:32:01,279 --> 00:32:03,920
movie called Love Swedish Style, which is about like a

567
00:32:04,000 --> 00:32:07,319
Swedish au pair or whatever, and it's like she's not

568
00:32:07,400 --> 00:32:10,480
even she's not played by Swedish actress either. So it's

569
00:32:10,599 --> 00:32:13,200
very interesting how it took. It was either Sweden or Denmark.

570
00:32:13,240 --> 00:32:16,200
And I made that mistake in our conversation where I thought,

571
00:32:16,240 --> 00:32:18,799
without a stitch was Swedish. And so I feel like

572
00:32:18,960 --> 00:32:21,759
maybe that's part of that American concept. Is that like

573
00:32:22,160 --> 00:32:25,039
just just Scandinavia combined.

574
00:32:24,920 --> 00:32:30,559
Speaker 9: Is yeah, yeah, and really bad geography education in the

575
00:32:30,640 --> 00:32:33,400
American schools. I would I would say, yes, but that's

576
00:32:33,440 --> 00:32:36,920
a thing, you know, you know, with a touch of

577
00:32:37,000 --> 00:32:42,160
Sweden with Ushi Degart. Ushi Degart is from fucking Switzerland

578
00:32:42,240 --> 00:32:42,960
and not Sweden.

579
00:32:43,640 --> 00:32:46,880
Speaker 7: Exactly exactly. Well, she also was cast as like German,

580
00:32:47,519 --> 00:32:50,799
French or yeah, like her that that accent if two

581
00:32:50,799 --> 00:32:53,839
American audiences could be anything. Yeah, it's just it's just

582
00:32:53,960 --> 00:32:56,559
it's just laziness about the filmmaker's part. It's like, you

583
00:32:56,720 --> 00:32:59,400
sound international. We're going to say you're from all these

584
00:32:59,440 --> 00:33:00,559
different countries, is right.

585
00:33:01,519 --> 00:33:03,839
Speaker 9: It's a bit like Mark Sponsido who played all these

586
00:33:04,000 --> 00:33:05,480
German officers or whatever.

587
00:33:05,920 --> 00:33:10,200
Speaker 7: Yeah, absolutely, and stealin Star's Guard. Actually he gets castes

588
00:33:10,240 --> 00:33:32,400
Italian a lot too. It's it's just like okay, right, right, right, you.

589
00:33:32,920 --> 00:33:38,599
Speaker 2: Try to warn me them, and I still loved you

590
00:33:38,920 --> 00:33:41,079
when you said.

591
00:33:40,920 --> 00:33:43,400
Speaker 7: The words, But I good.

592
00:33:45,039 --> 00:33:50,319
Speaker 3: Really I want to jump back to Sweden, Heaven or

593
00:33:50,359 --> 00:33:53,759
Hell because I know, you know, when we first started talking,

594
00:33:53,799 --> 00:33:55,480
I was like, hey, maybe we'll focus on that film,

595
00:33:55,480 --> 00:33:57,200
and then we're like, no, that's stupid. We we don't

596
00:33:57,240 --> 00:33:59,279
want to talk about a bunch of other stuff. But

597
00:34:00,599 --> 00:34:03,839
I'd love to see that one get a nice restoration

598
00:34:04,160 --> 00:34:06,440
and cleaned up and have all the have all the

599
00:34:06,519 --> 00:34:08,800
language options on there, because I know that there is

600
00:34:09,239 --> 00:34:13,960
the Italian version with is it Enrico Salerno doing the

601
00:34:14,239 --> 00:34:14,880
narration on that?

602
00:34:15,079 --> 00:34:17,320
Speaker 9: I think so yeah, I think so. And the American

603
00:34:17,400 --> 00:34:19,400
one is someone really famous, isn't it doing.

604
00:34:19,320 --> 00:34:22,599
Speaker 7: The niche Yeah, Edmund, Yeah, yeah, yeah, yeah.

605
00:34:22,639 --> 00:34:24,840
Speaker 9: And we also have the Spanish voiceover for it.

606
00:34:25,199 --> 00:34:26,480
Speaker 3: Oh there's this, okay there.

607
00:34:26,599 --> 00:34:29,760
Speaker 9: Yeah, but we have good news for you. We're gonna

608
00:34:29,800 --> 00:34:33,639
do a release on Blu Ray in cooperation with Pulse

609
00:34:33,719 --> 00:34:34,760
Store in France.

610
00:34:35,280 --> 00:34:36,280
Speaker 2: Oh yeah, Paul.

611
00:34:36,280 --> 00:34:39,440
Speaker 9: It's great love that it's been in the works for

612
00:34:40,360 --> 00:34:46,159
some time now, and also that actually it's synchronized with

613
00:34:46,559 --> 00:34:49,760
a book A good friend of ours in Sweden, don

614
00:34:49,880 --> 00:34:53,440
It by Alonso is writing a whole book on the

615
00:34:53,519 --> 00:34:56,880
subject of Sweden, Heaven and Hell and his and his

616
00:34:57,480 --> 00:35:00,679
idea about it is to check which of the stories

617
00:35:00,760 --> 00:35:03,760
are true and which are false in the film. Okay,

618
00:35:04,239 --> 00:35:07,880
but then he dove into the rabbit hole. So now

619
00:35:07,920 --> 00:35:12,119
the book is about Scandinavian Mondo movies, so Italian movies

620
00:35:12,159 --> 00:35:14,039
about different Scandinavian countries.

621
00:35:14,360 --> 00:35:17,599
Speaker 7: Mm hmm. That's great. Yeah, I will buy that immediately.

622
00:35:17,519 --> 00:35:22,400
Speaker 9: Yeah myself. Yeah, we might do them as a joint release,

623
00:35:22,719 --> 00:35:24,239
the book and the Blu Ray.

624
00:35:24,639 --> 00:35:24,840
Speaker 5: Yeah.

625
00:35:25,039 --> 00:35:27,159
Speaker 9: I don't have a timeline for it, but we are definitely.

626
00:35:27,400 --> 00:35:29,119
It's definitely happening.

627
00:35:29,320 --> 00:35:32,840
Speaker 3: Well, of course there's also that Piero Umlani soundtrack that

628
00:35:32,960 --> 00:35:33,440
goes with it.

629
00:35:33,599 --> 00:35:34,519
Speaker 2: Maybe they could put a.

630
00:35:34,559 --> 00:35:36,920
Speaker 9: CDE along with that, that would be cool, ye book

631
00:35:37,079 --> 00:35:39,719
or the film love the music that and and that

632
00:35:39,920 --> 00:35:42,800
whole tie in with Manamana is so funny yea.

633
00:35:42,920 --> 00:35:45,400
Speaker 3: Oh yeah, I mean everybody knows. I mean people that

634
00:35:45,519 --> 00:35:50,159
don't even know mondo movies or sexploitation they know that song.

635
00:35:50,360 --> 00:35:51,400
Speaker 2: Yeah, it's so crazy.

636
00:35:51,960 --> 00:35:56,199
Speaker 8: I was literally at a concert on Friday by a

637
00:35:56,639 --> 00:36:00,719
close harmony trio called the Penis Sisters, and they were

638
00:36:00,760 --> 00:36:04,559
doing Phenomena and I was literally nudging spouse saying, that's

639
00:36:04,639 --> 00:36:07,440
our song. That's our song. It's not the mop A song,

640
00:36:07,480 --> 00:36:10,440
it's ours. Yes, Sweden having an hell song?

641
00:36:11,320 --> 00:36:14,119
Speaker 7: Yes, well that was always and it's interesting that's always

642
00:36:14,159 --> 00:36:16,360
And I feel like that's kind of like it's kind

643
00:36:16,360 --> 00:36:19,159
of become like lore. Whenever people hear that song here

644
00:36:19,239 --> 00:36:20,880
now it's like, well, you know, this is really from

645
00:36:20,880 --> 00:36:22,800
a porno movie, and it's like you haven't seen you

646
00:36:22,960 --> 00:36:25,880
obviously have not seen this movie. It is not a

647
00:36:25,960 --> 00:36:29,559
porno movie. Yeah, I know, it's like you're you're halfway there,

648
00:36:30,119 --> 00:36:31,000
but not really.

649
00:36:31,199 --> 00:36:35,079
Speaker 3: Yeah, it's soundtracks a scene with like young girls running

650
00:36:35,119 --> 00:36:35,920
out of a sauna.

651
00:36:37,480 --> 00:36:39,960
Speaker 9: Great, but you know there's a funny there's a funny

652
00:36:40,079 --> 00:36:43,480
tie in there with with the with the Inga films.

653
00:36:43,760 --> 00:36:48,079
But is in a small cameo part in Sweden having an.

654
00:36:48,039 --> 00:36:49,440
Speaker 2: Help Yeah, the teddy boys.

655
00:36:49,800 --> 00:36:53,519
Speaker 9: Yeah, she's the one hunted by the bikers and being raped.

656
00:36:54,960 --> 00:36:57,000
And I don't think she's in the credits even.

657
00:36:58,000 --> 00:37:00,559
Speaker 8: And the other music angle, which we haven't ex Floyd Togello,

658
00:37:00,639 --> 00:37:02,760
we should push for it again, is of course the

659
00:37:02,880 --> 00:37:03,639
Abba connection.

660
00:37:03,960 --> 00:37:05,119
Speaker 9: Oh yeah, with the Inga films.

661
00:37:05,199 --> 00:37:08,679
Speaker 7: Yeah, yeah, absolutely. I listened to the theme song from

662
00:37:08,719 --> 00:37:13,599
Seduction of Inga maybe twice a week, so I love that.

663
00:37:13,840 --> 00:37:15,880
I love that song so much. I don't care that

664
00:37:15,960 --> 00:37:19,119
it doesn't have words. This it's really good mood music.

665
00:37:19,400 --> 00:37:22,559
And she's that kind of girl is great too, that

666
00:37:22,719 --> 00:37:23,760
song from that film too.

667
00:37:24,039 --> 00:37:26,360
Speaker 9: Yeah. I mean you know what, Bjorn and Benni made

668
00:37:26,559 --> 00:37:30,920
the music for two and that era. They they composed

669
00:37:30,960 --> 00:37:34,760
the music to the English language version of the Language

670
00:37:34,760 --> 00:37:37,320
of Love, because there are two movies they were made

671
00:37:37,719 --> 00:37:41,000
back to back in nineteen sixty nine, first one with

672
00:37:41,119 --> 00:37:45,519
the Swedish dialogue and then all the sexologists speak English.

673
00:37:45,920 --> 00:37:47,840
In the in the second one, so they're not dubbed,

674
00:37:48,159 --> 00:37:50,440
and that was called The Language of Love, and the

675
00:37:51,079 --> 00:37:54,400
credits when it opens is a song by Bjorn and

676
00:37:54,480 --> 00:37:56,280
Bennie called the Language of Love.

677
00:37:56,559 --> 00:37:59,119
Speaker 7: Wow, I forgot about that. I have that Blu Ray too,

678
00:37:59,360 --> 00:38:00,760
and I've totally forgot about that.

679
00:38:01,800 --> 00:38:03,400
Speaker 9: Oh yeah, we have that as a bonus.

680
00:38:03,599 --> 00:38:05,480
Speaker 7: Yeah, oh, I need to revisit that. Yeah, because I

681
00:38:05,519 --> 00:38:08,559
remember when you guys jumped into the Blu Ray pool

682
00:38:08,920 --> 00:38:10,960
and I snapped those up immediately. I was like, oh

683
00:38:11,039 --> 00:38:13,639
my god, Language of Love and more about the Language

684
00:38:13,639 --> 00:38:16,599
of Love. And then the the other one was it

685
00:38:16,760 --> 00:38:19,880
wasn't The Lustful Vicar. It was Kirka here.

686
00:38:20,119 --> 00:38:21,880
Speaker 9: Now, yeah, that's the Lustful Victor.

687
00:38:22,000 --> 00:38:24,320
Speaker 7: Yeah yeah, yeah, yeah, yeah, maybe it was that then,

688
00:38:24,440 --> 00:38:26,199
so yeah, and then the Terror in the Midnight Sun

689
00:38:26,679 --> 00:38:28,760
and yeah, I was like, Okay, this is great. We're

690
00:38:28,800 --> 00:38:30,559
gonna get more of the stuff on Blu Ray. And

691
00:38:30,679 --> 00:38:33,119
then I had no idea how far you guys were

692
00:38:33,199 --> 00:38:35,440
going to go. It's so exciting. Every time there's a

693
00:38:35,480 --> 00:38:37,639
new announcement, I get more and more excited.

694
00:38:38,239 --> 00:38:40,840
Speaker 9: But it took us five years from those four films

695
00:38:41,320 --> 00:38:45,239
until well April Maine last year. But over the last

696
00:38:45,320 --> 00:38:47,599
year we've actually released sixteen films.

697
00:38:47,800 --> 00:38:50,239
Speaker 2: Yeah, you guys have been going crazy.

698
00:38:50,599 --> 00:38:54,239
Speaker 9: Yeah, and we're so happy about the cooperation with OCN

699
00:38:54,360 --> 00:38:57,119
in the States because I think like every second film

700
00:38:57,199 --> 00:39:00,199
we are releasing together with them, and then for some

701
00:39:00,559 --> 00:39:03,039
like the Nikatsu Box and for Sex and Fury, we

702
00:39:03,119 --> 00:39:06,639
only have the Scandinavian rights, so we can't release them stateside,

703
00:39:06,679 --> 00:39:09,119
but as much as we can, we we love to

704
00:39:09,199 --> 00:39:09,400
do that.

705
00:39:10,000 --> 00:39:12,639
Speaker 3: Yeah, people can still find them, you know, and they can.

706
00:39:12,599 --> 00:39:15,480
Speaker 9: Still order them, so I've heard find a way.

707
00:39:15,760 --> 00:39:18,239
Speaker 3: Yes, are we supposed to be Are we supposed to

708
00:39:18,280 --> 00:39:18,599
have them?

709
00:39:19,400 --> 00:39:22,480
Speaker 7: I said it on a previous podcast. I like ordering

710
00:39:22,559 --> 00:39:25,320
directly from you guys, but I like that the OCN

711
00:39:25,440 --> 00:39:28,039
is an option. I just because there's some I like

712
00:39:28,159 --> 00:39:31,280
going to the closed Super eight website and I like

713
00:39:31,400 --> 00:39:33,000
doing that, so that's just me.

714
00:39:33,480 --> 00:39:37,000
Speaker 9: Of course, you know, the postage is kind of expensive,

715
00:39:37,119 --> 00:39:37,320
you know.

716
00:39:37,639 --> 00:39:40,280
Speaker 7: I know, I misster money bags apparently I can. I

717
00:39:40,320 --> 00:39:42,480
don't mind spending it because I know it's coming directly

718
00:39:42,519 --> 00:39:43,280
from you guys.

719
00:39:43,199 --> 00:39:45,639
Speaker 9: So that's great. And when we have the T shirts

720
00:39:45,880 --> 00:39:47,159
of course, yes.

721
00:39:47,400 --> 00:39:49,679
Speaker 7: Yes, which actually I need to order one of those too.

722
00:39:50,079 --> 00:39:51,840
It's going to be a big order guys, my my

723
00:39:51,960 --> 00:39:52,320
next one.

724
00:39:52,800 --> 00:39:56,079
Speaker 8: Yeah, yeah, but it blows our mind. And again singing

725
00:39:56,119 --> 00:39:58,880
the pace of OCM because they've been such a great partner.

726
00:39:59,599 --> 00:40:02,840
We just had no idea going into this because when

727
00:40:02,880 --> 00:40:06,239
we restarted the Blu ray releases, we were focused on

728
00:40:06,400 --> 00:40:08,880
Christina Lindberg. It was the year of Kristina Lindberg. She

729
00:40:08,960 --> 00:40:11,559
had a big birthday. We won't put a number on it,

730
00:40:11,800 --> 00:40:18,719
but it was very special. She is truly timeless, yes, yeah,

731
00:40:18,800 --> 00:40:21,239
and she's coming to can this year. I mean we

732
00:40:21,320 --> 00:40:23,320
have to mention that bit later on. Yeah, all these

733
00:40:23,400 --> 00:40:25,960
films with her and then all the other stuff we

734
00:40:26,119 --> 00:40:29,639
loved in our back catalog, and it just blows her

735
00:40:29,679 --> 00:40:33,480
mind the things that sell out like that, you know,

736
00:40:33,639 --> 00:40:37,480
within hours of going on pre release with OCN. And

737
00:40:37,599 --> 00:40:41,320
we're just hugely grateful for the fact that there are

738
00:40:41,440 --> 00:40:47,280
people out there who appreciate these obscure films like the

739
00:40:47,719 --> 00:40:50,880
Swedish Fear Has a Thousand Eyes or Sent to a Sorceress,

740
00:40:51,079 --> 00:40:54,280
which I would not think had any kind of traction

741
00:40:55,119 --> 00:40:58,840
outside of even in Sweden, never mind outside of Sweden,

742
00:40:59,239 --> 00:41:02,400
and yet it finds an audience mind blowing.

743
00:41:02,880 --> 00:41:06,679
Speaker 9: Yeah, and they've actually sold out both the special version

744
00:41:06,880 --> 00:41:11,159
and the standard version of it completely. I mean, but

745
00:41:11,320 --> 00:41:13,840
that's it's sex and it's horror. That's a great combo

746
00:41:14,239 --> 00:41:16,480
by the film like the Doll, I mean black and

747
00:41:16,559 --> 00:41:20,280
white artie as fucked from nineteen sixty one and sold

748
00:41:20,360 --> 00:41:23,960
like fifteen hundred copies. It's kind of amazing, I think.

749
00:41:24,239 --> 00:41:27,280
But the most amazing thing is that anyone bought the Bleeder.

750
00:41:27,440 --> 00:41:30,159
Speaker 7: Okay, you forgetting about the Bleeder horror because you know why,

751
00:41:30,159 --> 00:41:32,960
because horror passes my eyes more than the sex stuff.

752
00:41:33,000 --> 00:41:34,280
But I forgot this is that one.

753
00:41:34,559 --> 00:41:36,400
Speaker 9: But this is so this is so funny. I mean,

754
00:41:36,480 --> 00:41:41,360
this is a made on video film shot on you

755
00:41:41,519 --> 00:41:44,840
maatic in nineteen eighty two. It looks like shit. It's

756
00:41:44,960 --> 00:41:49,440
super amateurish. It's very charming, it's lovely, and we know

757
00:41:49,639 --> 00:41:54,079
the director and he kept everything, everything from the shoes,

758
00:41:54,159 --> 00:41:57,199
so there's like tons and tones and tons of special

759
00:41:57,280 --> 00:41:59,840
features on it. And I think we sold fifteen h

760
00:42:00,039 --> 00:42:03,239
undred of those in the in the US, and we

761
00:42:03,360 --> 00:42:06,079
get good reviews for it. And I talked to Justin

762
00:42:06,119 --> 00:42:07,880
a O and I said, are you sure you want

763
00:42:07,920 --> 00:42:10,119
to release this? You know it looks I mean even

764
00:42:10,159 --> 00:42:12,320
if we release it on Blu Ray, even if we

765
00:42:12,440 --> 00:42:15,760
did any kind of restoration or line doubling we could do,

766
00:42:16,320 --> 00:42:18,880
is still going to look like shit. And he said, yeah, yeah,

767
00:42:18,880 --> 00:42:20,760
we're so used to releasing those kind of films, no

768
00:42:20,880 --> 00:42:21,519
problem at all.

769
00:42:22,079 --> 00:42:23,360
Speaker 5: Yeah, well there it.

770
00:42:23,440 --> 00:42:25,360
Speaker 3: Helps that you guys, like you said, you have all

771
00:42:25,400 --> 00:42:28,519
that context in the bonus features, So I know, you know,

772
00:42:28,599 --> 00:42:31,719
speaking for myself and Casey probably as well, you know

773
00:42:31,840 --> 00:42:35,119
that that's that's what helps sell it just as much

774
00:42:35,159 --> 00:42:36,719
as the film, because I know I'm going to get

775
00:42:36,800 --> 00:42:39,880
all that information and stuff you can't find anywhere else.

776
00:42:40,280 --> 00:42:42,519
Speaker 9: It's true, and that's super important to us. And that

777
00:42:42,719 --> 00:42:46,400
also very important in terms of cult peace. If we

778
00:42:47,039 --> 00:42:49,519
talked a little bit about that our streaming platform that's

779
00:42:49,800 --> 00:42:55,400
actually in it's it's the fifth anniversary. Now, I think, wow, guys,

780
00:42:57,320 --> 00:42:59,960
but we I mean, we have uploaded two thousand films.

781
00:43:00,079 --> 00:43:03,159
We work with more than fifty rights holders, and I

782
00:43:03,320 --> 00:43:08,159
think Patrick, did we do eighty seven podcasts for Kalpix Radio?

783
00:43:08,239 --> 00:43:11,320
Did we do eighty seven podcasts or something? Yeah? And

784
00:43:11,440 --> 00:43:15,239
that's also about contextualization, talking about the times they were

785
00:43:15,320 --> 00:43:18,360
made and you know, all of those things that makes

786
00:43:18,400 --> 00:43:22,960
it more fun but also more understandable for a modern audience.

787
00:43:24,199 --> 00:43:26,239
Speaker 2: With Colpicks, you know, something like the Doll.

788
00:43:26,760 --> 00:43:30,480
Speaker 3: You know you've restored that, you've released that nice home

789
00:43:30,599 --> 00:43:33,159
video release, but the version that's on Culpicks is still

790
00:43:33,519 --> 00:43:34,280
the older.

791
00:43:34,079 --> 00:43:35,880
Speaker 9: Version, right, not the restored version.

792
00:43:36,239 --> 00:43:38,480
Speaker 2: Is that a rights issue or do you plan?

793
00:43:38,559 --> 00:43:40,920
Speaker 9: Now it's a conscious decision. We want to exploit it

794
00:43:41,599 --> 00:43:45,599
physically before we release it on the culpis. And it's

795
00:43:45,639 --> 00:43:48,679
the same the Knie cuts of films will all be

796
00:43:49,000 --> 00:43:49,719
up on Colpis.

797
00:43:49,880 --> 00:43:50,079
Speaker 8: Yeah.

798
00:43:50,079 --> 00:43:50,800
Speaker 2: I was going to ask that.

799
00:43:50,840 --> 00:43:54,119
Speaker 9: As well eventually, but for the moment, and it's the

800
00:43:54,199 --> 00:43:56,840
same with a coumblow of the Horn. We also have

801
00:43:56,920 --> 00:43:58,199
the old version on Coalpix.

802
00:43:58,519 --> 00:44:00,519
Speaker 3: So you want to let those nice VERSI kind of

803
00:44:00,559 --> 00:44:03,199
breathe for a bit right before.

804
00:44:04,719 --> 00:44:06,800
Speaker 8: Stored version. We're bringing up this summer that's going to

805
00:44:06,840 --> 00:44:09,159
be Anita, which is wonderful.

806
00:44:09,440 --> 00:44:12,280
Speaker 3: So that's a perfect one because that's sold out so fast, right,

807
00:44:12,360 --> 00:44:14,360
that's the one that Yeah.

808
00:44:14,480 --> 00:44:17,480
Speaker 9: And also with Anita, we were so blown away and

809
00:44:17,599 --> 00:44:21,199
that was actually Joe Rubin who found the French version

810
00:44:21,280 --> 00:44:21,480
of it.

811
00:44:22,400 --> 00:44:25,039
Speaker 7: Right, that's such a great extra version.

812
00:44:25,400 --> 00:44:29,000
Speaker 9: And it's so different and there's so much more of Christina.

813
00:44:28,719 --> 00:44:32,119
Speaker 7: Hit it, Yes, and there's a lot more male nudity too,

814
00:44:32,119 --> 00:44:35,199
which some of us like seeing too. So I was like, wow,

815
00:44:35,360 --> 00:44:35,840
a lot of it.

816
00:44:37,400 --> 00:44:39,760
Speaker 9: It has a lot going for it. And also the

817
00:44:39,840 --> 00:44:43,960
funny fact that that Torniviktiman, the director, wanted to do

818
00:44:44,199 --> 00:44:47,480
an arty movie with flashbacks and flash forwards and dream

819
00:44:47,599 --> 00:44:50,920
sequences and whatnot, and the French they just edited it,

820
00:44:51,400 --> 00:44:54,519
you know, on a timeline right right.

821
00:44:55,960 --> 00:44:58,280
Speaker 7: I don't mind that though. I like that both versions

822
00:44:58,320 --> 00:45:00,880
are there so you can see what his intentions were.

823
00:45:01,280 --> 00:45:03,960
And then it still works in that export version. I mean,

824
00:45:04,000 --> 00:45:05,719
it could have been way worse. They could have added

825
00:45:05,840 --> 00:45:08,559
hardcore inserts, they could have you know, they could have

826
00:45:08,599 --> 00:45:11,920
cut way more out than they did. It still flows.

827
00:45:12,039 --> 00:45:14,480
That narrative still works really well in that French version,

828
00:45:15,360 --> 00:45:18,079
and she and her performance is untouched too, so that

829
00:45:18,239 --> 00:45:20,039
makes it good too. You can still see how good

830
00:45:20,079 --> 00:45:20,960
she is in it, you know.

831
00:45:21,239 --> 00:45:23,760
Speaker 8: But it's the earlier point of this isn't just the

832
00:45:23,840 --> 00:45:28,280
best restored master that we have is everything we have

833
00:45:28,400 --> 00:45:30,599
about I mean, we literally throw everything in the kitchen

834
00:45:30,719 --> 00:45:32,679
sink at all the Blu ray releases, and then we'll

835
00:45:32,679 --> 00:45:36,679
create some more material, but it's the multiple international releases,

836
00:45:36,840 --> 00:45:39,840
even for something like Fear has a Thousand Eyes, which

837
00:45:39,880 --> 00:45:42,480
you wouldn't think need a different cut, But we discovered

838
00:45:42,559 --> 00:45:45,559
writing and there was things that obviously it just blows

839
00:45:45,639 --> 00:45:48,079
our mind and these are our films and we had

840
00:45:48,119 --> 00:45:49,840
no idea about this. So yeah.

841
00:45:50,039 --> 00:45:54,159
Speaker 9: Also another thing that has been very very useful for us,

842
00:45:54,280 --> 00:45:57,320
and we didn't really realize that when we started out.

843
00:45:57,639 --> 00:46:01,840
We have collected so much paper, so many posters, so

844
00:46:02,119 --> 00:46:07,039
much you know, press books and all kinds of stuff. Photos,

845
00:46:07,119 --> 00:46:11,199
original photos, We have original screenplays, even I mean even

846
00:46:11,280 --> 00:46:13,960
on most of the Nikotso films we have the Japanese screenplay.

847
00:46:14,079 --> 00:46:16,320
So we really want to throw it all in there.

848
00:46:16,639 --> 00:46:18,880
Speaker 3: Yeah, what you did for those releases, Yeah, I noticed

849
00:46:18,920 --> 00:46:23,079
you have the slideshow of the scripts on there, which

850
00:46:23,199 --> 00:46:23,599
was nice.

851
00:46:24,559 --> 00:46:27,800
Speaker 9: And also that we found the original screenplay for Comblow

852
00:46:27,880 --> 00:46:32,239
the Horn, Joe Sarno's film, and that's now become an

853
00:46:32,480 --> 00:46:35,599
interesting issue about that. I don't know if you heard

854
00:46:35,639 --> 00:46:40,320
the story that the Royal Dramatic Theater in Stockholm have

855
00:46:40,599 --> 00:46:45,119
a play called Fabuenton, which is the original name of

856
00:46:45,199 --> 00:46:45,800
the film.

857
00:46:45,840 --> 00:46:46,559
Speaker 2: The same story.

858
00:46:47,039 --> 00:46:49,639
Speaker 9: No, no, it's I would say it's based on the

859
00:46:49,719 --> 00:46:52,360
idea of the film. It's more of a performance in

860
00:46:52,519 --> 00:46:54,760
like in an old seventies style. But there are three

861
00:46:54,840 --> 00:47:00,960
girls women and they do undress at the end. There

862
00:47:01,119 --> 00:47:02,920
there are sausages, but they're in their fridge.

863
00:47:03,360 --> 00:47:08,039
Speaker 7: Okay, right, yeah, no, that was like the sausage right right, yeah,

864
00:47:08,199 --> 00:47:10,199
that was a thing from Silvery when wet he started

865
00:47:10,320 --> 00:47:11,599
using sausage, right yep.

866
00:47:11,920 --> 00:47:14,000
Speaker 9: And and also we you know, we do have his

867
00:47:14,199 --> 00:47:17,239
recipe for the sausage in the oven on the blu

868
00:47:17,400 --> 00:47:23,119
rays cover. Oh my god, on the reversib on the

869
00:47:23,199 --> 00:47:25,679
reversible side of the cover. You have the recipe, so

870
00:47:25,760 --> 00:47:27,719
you can do his special recipe.

871
00:47:27,800 --> 00:47:28,840
Speaker 7: That's amazing, Okay.

872
00:47:28,920 --> 00:47:31,280
Speaker 9: But the funny thing about the screenplay is that a

873
00:47:31,400 --> 00:47:34,480
friend of ours is a very well known publisher. He

874
00:47:34,519 --> 00:47:37,480
wrote a big essay in one of the newspapers in

875
00:47:37,559 --> 00:47:40,639
Sweden that he believes that the screenplay was not written

876
00:47:40,679 --> 00:47:44,920
by Joe Sarno himself, but from the Swedish poet an

877
00:47:45,079 --> 00:47:48,480
Madi Bardi lund a Woman, because it's so literary, it's

878
00:47:48,559 --> 00:47:52,280
so it has such so many references in it, and

879
00:47:52,400 --> 00:47:56,000
he didn't know Swedish. So the Swedish language script is

880
00:47:56,199 --> 00:48:00,840
really elaborate and detailed and speaking of you had one

881
00:48:01,000 --> 00:48:03,440
one question. We saw a little of your ideas of

882
00:48:03,519 --> 00:48:05,719
what we should talk about today, and you asked if

883
00:48:05,760 --> 00:48:09,519
there are any more Swedish female actresses that you should

884
00:48:09,519 --> 00:48:13,719
be aware of internationally. And Marie Bailund is the only

885
00:48:14,000 --> 00:48:18,280
woman who was also a porn director and screenwriter and

886
00:48:18,440 --> 00:48:22,679
did the lead role herself, wow, in the film week

887
00:48:22,840 --> 00:48:25,400
End in Stockholm, So she was involved. And that was

888
00:48:25,480 --> 00:48:28,880
the same production company as Comblo The Horn. So there

889
00:48:28,960 --> 00:48:32,239
are a lot of leads that says it could be her,

890
00:48:32,320 --> 00:48:34,199
but there's no one to ask. Everyone's dead now.

891
00:48:34,280 --> 00:48:37,079
Speaker 8: So and she went on to greater things than that,

892
00:48:37,360 --> 00:48:41,519
or well, greater things, but you know, more cultural things

893
00:48:41,679 --> 00:48:42,360
than that. Yeah.

894
00:48:42,440 --> 00:48:46,440
Speaker 9: Yeah. She became one of Sweden's most famous women poets,

895
00:48:46,840 --> 00:48:49,360
with lots of awards and stuff, and no one talked

896
00:48:49,360 --> 00:48:52,559
about her involvement in a porn movie from nineteen seventy

897
00:48:52,599 --> 00:48:53,440
seven or something like that.

898
00:48:53,679 --> 00:48:56,159
Speaker 3: Yeah, that's how I know that name. I was like,

899
00:48:56,679 --> 00:48:59,159
I've seen this name before, yeah, in.

900
00:48:59,280 --> 00:49:01,960
Speaker 9: Interesting and it's her butt on the poster.

901
00:49:02,400 --> 00:49:07,920
Speaker 7: Oh well we can do you well, might be seen

902
00:49:07,960 --> 00:49:12,400
Weekend with Stockholm get restored or reissued we have.

903
00:49:12,519 --> 00:49:14,800
Speaker 9: I mean, we have all the rights and in terms

904
00:49:14,880 --> 00:49:18,559
of other films that we released on DVD, uh, it's

905
00:49:18,760 --> 00:49:22,800
it's more a matter of financing the restoration than anything else.

906
00:49:22,920 --> 00:49:26,760
We have the rights. We are in a very lucky

907
00:49:27,280 --> 00:49:30,639
position that the Swedish Film Institute is now restoring films

908
00:49:30,679 --> 00:49:33,760
that we own. And long story short, they have a

909
00:49:34,800 --> 00:49:37,000
they have a mission from the Swedish government that they

910
00:49:37,000 --> 00:49:39,800
should restore everything. They have a bunch of money, of

911
00:49:39,960 --> 00:49:43,599
taxpayers money. Obviously they started out with Imar Bergmann, and

912
00:49:43,679 --> 00:49:48,360
then it was Jan Truel, it was Boovid by Crosstreum Steeler.

913
00:49:48,119 --> 00:49:50,840
Speaker 3: The two of the bottom of the barrel, the stuff

914
00:49:50,840 --> 00:49:51,519
that we want, and.

915
00:49:51,599 --> 00:49:54,599
Speaker 9: Then they did all the female directors because it's a

916
00:49:54,760 --> 00:49:57,880
it's a feminist thing, and all children's films. And then

917
00:49:57,920 --> 00:50:00,280
they have to reach in the bottom drawer to find

918
00:50:00,320 --> 00:50:02,000
more stuff to restore, and that's where we.

919
00:50:02,039 --> 00:50:06,719
Speaker 3: Wow, am I understanding this? So they're restoring stuff without

920
00:50:06,760 --> 00:50:07,920
you asking.

921
00:50:07,679 --> 00:50:10,440
Speaker 9: Like yeah, no, no, there's a wish list. So we

922
00:50:10,679 --> 00:50:13,760
we get an email from them every year saying what

923
00:50:13,960 --> 00:50:15,119
movie would you like this year?

924
00:50:15,360 --> 00:50:20,239
Speaker 7: Oh? Wow, yeah, it's only in America that would be great.

925
00:50:20,280 --> 00:50:22,840
The Library of Congress or or UCLA or somebody was

926
00:50:22,880 --> 00:50:23,679
doing that. Wow.

927
00:50:23,840 --> 00:50:26,000
Speaker 9: Yeah, but it's it's a true story. So over the

928
00:50:26,079 --> 00:50:28,519
years they've done about ten films and I mean, like

929
00:50:28,840 --> 00:50:34,199
like she heard done, it's a beautiful Augascope film, wonderful

930
00:50:34,280 --> 00:50:38,239
restoration of it, and and the doll recently is the

931
00:50:38,519 --> 00:50:42,320
black and white. I mean, the cinematography is awesome in

932
00:50:42,440 --> 00:50:45,039
that film and it really pops out. And we also

933
00:50:45,119 --> 00:50:47,840
saw I don't know if you've seen the slip cover

934
00:50:48,039 --> 00:50:51,079
of Fear has a thousand eyes mm hm with this

935
00:50:51,519 --> 00:50:55,400
X ray of ribs and an upside down crucifix. We

936
00:50:55,639 --> 00:50:57,960
never saw that in the film before because it was

937
00:50:58,039 --> 00:51:03,239
also blurred, but now it actually was in focus for

938
00:51:03,320 --> 00:51:04,639
the first time thanks.

939
00:51:04,440 --> 00:51:06,320
Speaker 2: To Oh it wasn't censor blurred.

940
00:51:06,360 --> 00:51:08,000
Speaker 9: It was just no, no, no, it was just that

941
00:51:08,519 --> 00:51:10,119
you couldn't see make it out.

942
00:51:10,360 --> 00:51:10,519
Speaker 1: You know.

943
00:51:11,920 --> 00:51:14,599
Speaker 8: In terms of what they will and will not restore,

944
00:51:14,719 --> 00:51:16,880
they did do the Language of Love, and we're very

945
00:51:16,960 --> 00:51:19,199
grateful to them for the great job that they did.

946
00:51:19,599 --> 00:51:23,920
But when it comes to out and out erotica, so

947
00:51:24,119 --> 00:51:26,360
far they've turned us down. So we have a great

948
00:51:26,400 --> 00:51:30,960
ambition to restore the films of mac Alberg and released

949
00:51:31,159 --> 00:51:35,840
on Blu ray, ideally as a box set. And he

950
00:51:36,159 --> 00:51:39,800
is such a fascinating character as directory, you know, first

951
00:51:39,840 --> 00:51:42,480
of all these great films in Sweden and then his

952
00:51:42,599 --> 00:51:47,599
Hollywood career as a director of photography, as a cinematographer,

953
00:51:47,639 --> 00:51:50,320
and just by chance last night I stumped on Netflix

954
00:51:50,519 --> 00:51:54,639
of Bruce Willis film Striking Distance nineteen ninety three. Mac

955
00:51:54,679 --> 00:51:58,039
Alberg shot it. It looks beautiful, it is stunny. Well,

956
00:51:58,039 --> 00:52:00,320
I mean, this is what good films were photographed like.

957
00:52:00,719 --> 00:52:03,320
So we would love to do that. Ain't gonna get

958
00:52:03,360 --> 00:52:05,519
any help from the Swedish films to it. We're just

959
00:52:05,639 --> 00:52:07,920
gonna have to find a way to finance ourselves. Maybe

960
00:52:08,000 --> 00:52:11,480
we do a crowdfunding campaign, or maybe we just say,

961
00:52:11,800 --> 00:52:14,840
you know whatever, We'll just pay for it ourselves and

962
00:52:14,880 --> 00:52:16,840
then hope that there's an audience for it out there,

963
00:52:17,119 --> 00:52:17,559
which are.

964
00:52:17,519 --> 00:52:21,039
Speaker 7: The mac Albergs actually, because it's what is it? It's

965
00:52:21,119 --> 00:52:24,239
second coming of Ava Flossy Mom.

966
00:52:25,039 --> 00:52:29,840
Speaker 9: Justine and Juliet. Oh right, and then it's cold. It's

967
00:52:29,880 --> 00:52:32,159
like School of Scandals or something like that. No, that's

968
00:52:32,199 --> 00:52:32,760
the second time.

969
00:52:33,320 --> 00:52:35,800
Speaker 7: Yeah, so that one's great. I love that one. Yeah.

970
00:52:36,000 --> 00:52:38,840
Speaker 9: I think four out of five are based on famous

971
00:52:38,880 --> 00:52:41,280
novels as well. M hm, so there's a theme to it.

972
00:52:41,559 --> 00:52:44,360
Speaker 2: Well, yeah, he did. He did a Nana adaptation.

973
00:52:44,719 --> 00:52:46,760
Speaker 9: Oh that's right, Yeah, yes, that's right.

974
00:52:47,159 --> 00:52:51,719
Speaker 7: Not my favorite, but it's it looks good, of course, yeah,

975
00:52:52,000 --> 00:52:52,480
it looks good.

976
00:52:53,519 --> 00:52:56,119
Speaker 9: The world with Fanny Hill, which is so so, but

977
00:52:56,599 --> 00:52:58,639
we don't we don't have the rights for those, but

978
00:52:59,239 --> 00:53:03,559
for all the others. As Patrick said, the first producer

979
00:53:03,639 --> 00:53:05,400
we got in touch with it was in e. Vashon,

980
00:53:05,599 --> 00:53:10,400
who had Swedish film productions and film invest and we eventually,

981
00:53:10,519 --> 00:53:13,760
because he was really old by then, we bought everything

982
00:53:13,840 --> 00:53:18,039
he produced outright, so in all media, in the whole university,

983
00:53:18,639 --> 00:53:22,639
in universe, in you know, in perpetuity. So we have

984
00:53:22,800 --> 00:53:24,920
all of those films, both the soft ones and the

985
00:53:25,039 --> 00:53:28,079
sex ed ones and the hardcore ones. So we hope

986
00:53:28,119 --> 00:53:31,039
to release them and as for that, would be great

987
00:53:31,079 --> 00:53:33,960
to release. And I'm a big, big fan of Soulvet's

988
00:53:34,920 --> 00:53:37,760
and as you saw my video essay.

989
00:53:37,840 --> 00:53:41,039
Speaker 7: On her, yes made I was good that you're both

990
00:53:41,159 --> 00:53:44,559
video essays made me cry. I was very emotional. Well

991
00:53:44,599 --> 00:53:47,920
they well because inger story is just so that she

992
00:53:48,199 --> 00:53:52,599
deserves so much more. And yeah, but yeah, so Solvig

993
00:53:52,760 --> 00:53:55,880
is great, and Gentry still has not seen a Solvig

994
00:53:55,960 --> 00:53:59,840
star vehicle, so we're I'm anxious for his thoughts on

995
00:54:00,239 --> 00:54:03,920
the Swedish corno that she did, because she's absolutely incredible

996
00:54:04,239 --> 00:54:04,440
in that.

997
00:54:04,679 --> 00:54:07,519
Speaker 9: That's her best I would say that's her best role.

998
00:54:07,880 --> 00:54:09,920
I like her in a lot of movies, but she's

999
00:54:10,079 --> 00:54:12,239
so gorgeous and she's so good in that one.

1000
00:54:14,559 --> 00:54:16,519
Speaker 2: Four yep. I was just telling him I've got the

1001
00:54:16,599 --> 00:54:17,519
last two to watch.

1002
00:54:17,800 --> 00:54:21,760
Speaker 9: Yeah, and those are the two most expensive ones in

1003
00:54:21,880 --> 00:54:25,119
terms of production value, so they look good. And they

1004
00:54:25,159 --> 00:54:28,119
were produced by by Nikas the proper and not that

1005
00:54:28,360 --> 00:54:30,599
Sowey company but.

1006
00:54:32,280 --> 00:54:33,119
Speaker 7: Which is nice too.

1007
00:54:33,440 --> 00:54:35,920
Speaker 9: Yeah, they are. And also even the credits are in Swedish,

1008
00:54:35,920 --> 00:54:39,000
which I feel is really fun because it always ends,

1009
00:54:39,159 --> 00:54:45,880
you know, with the Swedish word for the end, s

1010
00:54:46,039 --> 00:54:49,079
l U team each the end. Yeah, that's right, but

1011
00:54:49,320 --> 00:54:51,840
they are they are. I mean, Solvay is great and

1012
00:54:51,960 --> 00:54:55,159
and and the conversation I had with her over email

1013
00:54:55,440 --> 00:54:58,119
when she was so well upset with us releasing her

1014
00:54:58,159 --> 00:55:00,760
films because she had to make try to make peace

1015
00:55:00,840 --> 00:55:04,119
with God for forty years for those horrible, horrible things

1016
00:55:04,159 --> 00:55:06,880
she did. But then she opened up and started talking

1017
00:55:06,920 --> 00:55:09,519
about all the great I mean she worked with all

1018
00:55:09,639 --> 00:55:13,679
our favorite directors Swedish directors, basically all of them. So

1019
00:55:14,199 --> 00:55:17,519
and she started opening up, so we have a kind

1020
00:55:17,599 --> 00:55:20,239
of interview with her there of sorts.

1021
00:55:20,360 --> 00:55:25,480
Speaker 7: Yeah, which thank you for that, because thank you. Yeah, yeah,

1022
00:55:25,559 --> 00:55:28,320
that's I'm glad that we got her thoughts on And

1023
00:55:28,400 --> 00:55:31,079
it's so interesting what the ones that she really doesn't remember,

1024
00:55:31,159 --> 00:55:33,400
she's like it was quick, and another ones that she

1025
00:55:33,519 --> 00:55:36,320
really remembers very vividly. I feel like the tord New

1026
00:55:36,400 --> 00:55:38,400
film she remembers the best. But I feel like he

1027
00:55:38,519 --> 00:55:41,400
has that effect on people because I see that recurring

1028
00:55:41,519 --> 00:55:43,039
with a lot of the people who work with him.

1029
00:55:43,519 --> 00:55:43,679
Speaker 8: Yeah.

1030
00:55:43,719 --> 00:55:46,280
Speaker 9: And I think also that in yi Ivashon the producer,

1031
00:55:47,199 --> 00:55:49,480
I think he took her under his wings as well.

1032
00:55:49,559 --> 00:55:53,639
She was a very confused young woman, obviously looking for

1033
00:55:53,800 --> 00:55:56,440
a meaning of life and it happened to be Jesus

1034
00:55:56,559 --> 00:55:59,239
Christ at the end. But I think that he was

1035
00:55:59,280 --> 00:56:01,480
actually very to her and helped her out a bit.

1036
00:56:01,599 --> 00:56:05,480
So that's what I heard anyway. But the thing is

1037
00:56:05,719 --> 00:56:08,280
for me to make do both of those video essays

1038
00:56:08,320 --> 00:56:10,960
on English Son and Sylvie Anderson is that none of

1039
00:56:11,079 --> 00:56:13,960
them were mentioned in the in memorial part of the

1040
00:56:15,159 --> 00:56:19,199
National Awards that year when they passed away, And that's

1041
00:56:19,280 --> 00:56:20,800
I feel that's very shameful.

1042
00:56:21,400 --> 00:56:23,159
Speaker 2: Yeah, yeah, no, I agree.

1043
00:56:23,639 --> 00:56:23,840
Speaker 9: Yeah.

1044
00:56:24,159 --> 00:56:26,280
Speaker 7: Is that pretty common though? I mean that's something that

1045
00:56:26,400 --> 00:56:29,880
in America we would not expect, like if we like

1046
00:56:30,159 --> 00:56:33,119
if Rene Bond died last year, she wouldn't be in

1047
00:56:33,199 --> 00:56:35,920
the Academy Awards or anything like that. Is that something

1048
00:56:36,000 --> 00:56:39,000
that God forbid we lose Marie Lilia Dahl? Would she

1049
00:56:39,119 --> 00:56:42,119
show up in something like that or like or any

1050
00:56:42,199 --> 00:56:43,000
of these actresses.

1051
00:56:43,719 --> 00:56:46,920
Speaker 9: Yeah, they should should then they could, and they would

1052
00:56:47,000 --> 00:56:49,320
because it's such a small industry and has been over

1053
00:56:49,360 --> 00:56:52,000
the years. I think that in Evason when he passed

1054
00:56:52,000 --> 00:56:56,079
away it was ninety seven actually that he was mentioned

1055
00:56:56,559 --> 00:56:58,679
and some others to of course Bill got Herman, you

1056
00:56:58,760 --> 00:57:00,960
know with the I'm Curious Yellow those films, but he

1057
00:57:01,039 --> 00:57:03,119
was an orange more of an art house director.

1058
00:57:03,320 --> 00:57:06,960
Speaker 7: That's a shame. Well, yeah, because I'm waiting, I'm waiting

1059
00:57:07,000 --> 00:57:09,960
with baited breath for Gentry's thoughts on on Solvik because

1060
00:57:10,000 --> 00:57:13,039
I described her, and Patrick knows, I kind of described

1061
00:57:13,079 --> 00:57:15,840
her as like a Spanish or a Swedish solely dub

1062
00:57:15,920 --> 00:57:20,519
meat onda. There's something very sad about her, and I

1063
00:57:21,039 --> 00:57:24,159
but it makes you, I feel you've become very protective

1064
00:57:24,199 --> 00:57:27,639
of her based on that screen persona where yeah, she's

1065
00:57:27,679 --> 00:57:30,159
just very compelling and you really just want her to

1066
00:57:30,199 --> 00:57:34,159
be okay, you know true was Yeah, that's the closest

1067
00:57:34,159 --> 00:57:36,239
comparison I could think of to kind of give Gentry

1068
00:57:36,639 --> 00:57:40,960
kind of an idea of why she has silicult following

1069
00:57:41,039 --> 00:57:43,639
now because she's not because most people think of the

1070
00:57:43,639 --> 00:57:46,480
Swedish actress as they think of the blondes or Christina

1071
00:57:47,039 --> 00:57:50,440
and Solveg is a brunette and she's but she's yeah,

1072
00:57:50,559 --> 00:57:52,519
I adore her, so yeah, no.

1073
00:57:52,719 --> 00:57:54,440
Speaker 9: No, she I think she's she's great. And I mean

1074
00:57:54,679 --> 00:57:57,719
she did quite a you know, quite a number. I

1075
00:57:57,800 --> 00:57:59,920
think she did like eleven movies or something like that.

1076
00:58:00,880 --> 00:58:05,000
But the funny thing, I have her biography autobiography, and

1077
00:58:05,119 --> 00:58:08,519
she mentioned her career on one page, her film career

1078
00:58:08,599 --> 00:58:11,480
on one page. That's how bad you felt about it?

1079
00:58:11,800 --> 00:58:14,039
Speaker 3: Yeah, well, I mean we run into that, and we

1080
00:58:14,199 --> 00:58:16,119
run into that on this side of the pond as well.

1081
00:58:16,840 --> 00:58:17,039
Speaker 1: We do.

1082
00:58:17,159 --> 00:58:19,920
Speaker 7: Of course, it's hard work. It's hard work, it's hard

1083
00:58:20,039 --> 00:58:23,039
work to try. It's well especially I think, well because

1084
00:58:23,039 --> 00:58:25,840
of and That's interesting to me because if it's such

1085
00:58:25,880 --> 00:58:29,000
a because if Sweden is is that the sweetest culture

1086
00:58:29,119 --> 00:58:32,400
is very open about sexuality and nudity and things like that,

1087
00:58:32,920 --> 00:58:35,920
American culture is the exact opposite. So I would see

1088
00:58:36,000 --> 00:58:38,639
the problems that you had with with Slovak trying to

1089
00:58:38,679 --> 00:58:40,800
get her to open up. We encounter that in American

1090
00:58:40,840 --> 00:58:43,559
culture all the time, specifically because that's what the culture is.

1091
00:58:43,760 --> 00:58:45,639
You're supposed to be ashamed of this stuff and this

1092
00:58:45,679 --> 00:58:48,320
stuff you did, So that is like a real uphill

1093
00:58:48,400 --> 00:58:51,480
battle with these actresses. So it's interesting that that that

1094
00:58:51,920 --> 00:58:54,440
that's a case with Solvig. Has that have you encountered

1095
00:58:54,440 --> 00:58:56,239
that with any other actresses where they're.

1096
00:58:56,119 --> 00:58:57,559
Speaker 9: Just like, no, we will not do it.

1097
00:58:57,639 --> 00:58:58,360
Speaker 5: It's just her.

1098
00:58:58,480 --> 00:59:00,800
Speaker 9: Well, it's it's different. I mean, I think that the

1099
00:59:00,880 --> 00:59:04,639
comparison is so interesting between Christina Lindbergh, Sylvia Anderson, and

1100
00:59:05,159 --> 00:59:08,960
in your Son because Christina obviously she never did hardcore,

1101
00:59:09,039 --> 00:59:11,840
and I think that's the basis for her talking about

1102
00:59:11,840 --> 00:59:14,599
her career and being happy about it. But she came out,

1103
00:59:15,000 --> 00:59:18,679
you know, pretty much alive and safe after her career.

1104
00:59:19,119 --> 00:59:22,519
Sylvie Anderson took the you know, the other route of

1105
00:59:23,639 --> 00:59:26,760
praise the Lord, and in your son basically became a

1106
00:59:26,800 --> 00:59:31,239
prostitute and an alcoholic as far as we've understood, and

1107
00:59:31,280 --> 00:59:33,639
we we've read up on it, and Patrick, you have

1108
00:59:33,760 --> 00:59:36,119
to tell your story about in your sound What.

1109
00:59:36,159 --> 00:59:39,599
Speaker 8: Do you mean about my cousin? Yeah, yeah, I mean

1110
00:59:39,679 --> 00:59:42,159
this is shows and Sweden. It's not a small country

1111
00:59:42,800 --> 00:59:45,159
north to south. It's it's as long as you know,

1112
00:59:45,639 --> 00:59:50,000
the United States is from from Maine to Florida. But

1113
00:59:50,280 --> 00:59:52,599
as it happened, my cousin, who lives in the north

1114
00:59:52,679 --> 00:59:57,920
of Sweden and is literally a lumberjack, was living next

1115
00:59:58,000 --> 01:00:04,239
to Sylvie Anderson in the last years of really and

1116
01:00:04,480 --> 01:00:06,920
he visited her house, he had coffee with hers several times.

1117
01:00:06,960 --> 01:00:09,280
Since she talked about you mentioned the fact that she'd

1118
01:00:09,360 --> 01:00:13,159
actually written an autobiography and nobody's been able to find

1119
01:00:13,199 --> 01:00:15,239
it since she died. We're worried that it was just

1120
01:00:15,400 --> 01:00:17,519
probably thrown out with a whole bunch of other papers

1121
01:00:17,599 --> 01:00:20,480
nobody realized, and that she actually made an account of

1122
01:00:20,519 --> 01:00:23,760
her life. But it was sad and that my cousin

1123
01:00:23,840 --> 01:00:26,280
tells me that police were called to her house several

1124
01:00:26,360 --> 01:00:30,920
times the domestic incidents, and so we just wish there

1125
01:00:30,920 --> 01:00:33,559
could have been a way to capture, you know, those

1126
01:00:34,119 --> 01:00:37,880
memories and those you know, recollections of her.

1127
01:00:38,840 --> 01:00:39,039
Speaker 6: Yeah.

1128
01:00:39,440 --> 01:00:42,480
Speaker 7: Absolutely, and I love that. There's so much But in

1129
01:00:42,559 --> 01:00:45,199
that visual essay when you see it, Gentry, there's so

1130
01:00:45,320 --> 01:00:48,880
much footage from Iow Woman three, which I think is

1131
01:00:48,920 --> 01:00:51,480
her I think that's her best performance, but she also

1132
01:00:51,639 --> 01:00:54,559
almost steals Seduction of inga out from under Maray Liliadohl.

1133
01:00:54,639 --> 01:00:58,519
I mean, she was just naturally good, you know. I

1134
01:00:58,840 --> 01:01:01,679
don't think that she probably had any kind of acting background.

1135
01:01:01,760 --> 01:01:04,039
She just you run into people like that in this

1136
01:01:04,800 --> 01:01:08,079
genre where you're just naturally good, you can command the

1137
01:01:08,119 --> 01:01:12,360
screen and work with dialogue and become a character she's Yeah.

1138
01:01:12,519 --> 01:01:14,880
So that's why that visual Leslie was so emotion I

1139
01:01:14,920 --> 01:01:16,320
watched it twice because I had to get it all

1140
01:01:16,360 --> 01:01:18,639
out of my system. It was just like, this is

1141
01:01:18,760 --> 01:01:20,920
just heartbreaking, but I had to get it all out

1142
01:01:20,920 --> 01:01:22,239
because I was just so moved.

1143
01:01:22,719 --> 01:01:24,920
Speaker 9: Yeah, I feel you. I felt the same doing it.

1144
01:01:25,559 --> 01:01:27,719
There were so many stories and just the fact that

1145
01:01:27,800 --> 01:01:30,280
a friend of mine is a really, really great researcher.

1146
01:01:30,559 --> 01:01:34,320
He got sixty two pages of police protocols from the

1147
01:01:34,360 --> 01:01:38,519
police about her. But she was not the victim. She

1148
01:01:38,719 --> 01:01:42,320
was like the perpetrator of different strange things. So it's

1149
01:01:42,960 --> 01:01:46,199
it was a very troubled, troubled life, I think, but

1150
01:01:46,280 --> 01:01:49,679
it's interesting. And also the whole story that she was

1151
01:01:49,760 --> 01:01:56,639
completely misrepresented on the internet. All the information on IMDb

1152
01:01:56,800 --> 01:01:59,920
and everywhere was completely wrong. Someone had just picked her

1153
01:02:00,119 --> 01:02:02,440
name out of a hat and that's a kind of

1154
01:02:02,480 --> 01:02:04,599
a common name, and they took another woman who was

1155
01:02:04,639 --> 01:02:07,480
born another year in another town, and it took us

1156
01:02:07,760 --> 01:02:10,039
quite a while to figure out who she was. And

1157
01:02:10,199 --> 01:02:13,039
then it was two years too late to interview her

1158
01:02:13,199 --> 01:02:17,679
because she had already died. And that's the thing. I mean,

1159
01:02:17,800 --> 01:02:20,880
we have to we have to get hold of people

1160
01:02:20,960 --> 01:02:23,960
and interview them now because time is running out for

1161
01:02:24,039 --> 01:02:24,760
so many of them.

1162
01:02:24,840 --> 01:02:28,079
Speaker 3: So case Seasons, yeah is pre every week, every week,

1163
01:02:28,199 --> 01:02:29,079
every single day.

1164
01:02:29,239 --> 01:02:31,519
Speaker 7: All we have a group chat. We're like, okay, we

1165
01:02:31,599 --> 01:02:33,719
need to we need to reach the gads. It's well,

1166
01:02:33,880 --> 01:02:36,880
someone else I was thinking of who hasn't been interviewed yet,

1167
01:02:36,960 --> 01:02:39,199
and I thought that the general consensus was that she

1168
01:02:39,280 --> 01:02:41,519
doesn't want to talk is Marie Forsa. I don't know

1169
01:02:41,559 --> 01:02:42,679
if you've reached out to her.

1170
01:02:43,079 --> 01:02:46,480
Speaker 9: No, we we know the facts. Also about that a

1171
01:02:46,599 --> 01:02:49,719
friend of ours. That makes it more difficult. Probably a

1172
01:02:49,800 --> 01:02:51,559
friend of ours tried to get hold of her. And

1173
01:02:51,679 --> 01:02:54,719
the thing is she married the owner of a golf course,

1174
01:02:55,320 --> 01:03:01,000
so we're talking upper class, rich people, and I think

1175
01:03:01,119 --> 01:03:04,039
that's probably it. You don't want to be reminded. I

1176
01:03:04,199 --> 01:03:06,719
tried to get hold of of Leonna Hilton and from

1177
01:03:07,119 --> 01:03:11,519
comblow the horn, but I heard and you can't reach

1178
01:03:11,559 --> 01:03:13,599
her on social media. But I sent her a letter

1179
01:03:13,719 --> 01:03:16,199
I know where she lives and got no response. And

1180
01:03:16,360 --> 01:03:17,960
then a friend of mine said, well, I met her

1181
01:03:18,039 --> 01:03:20,920
daughter a few years ago who's into m M A

1182
01:03:21,400 --> 01:03:26,119
an MMA fighter, and she said, never ever contact us again.

1183
01:03:27,480 --> 01:03:30,119
Speaker 3: Also going to send a daughter after eating knock him.

1184
01:03:30,039 --> 01:03:32,519
Speaker 9: Out so he didn't want to fight.

1185
01:03:34,440 --> 01:03:34,639
Speaker 5: Yeah.

1186
01:03:34,880 --> 01:03:38,599
Speaker 7: Well, it's also hardcore changes everything, it really does. It's

1187
01:03:38,679 --> 01:03:40,920
it over here too, yep.

1188
01:03:41,480 --> 01:03:43,199
Speaker 9: Yeah, unless you're.

1189
01:03:44,800 --> 01:03:47,440
Speaker 7: Yes, Because she when she is like the great success

1190
01:03:47,480 --> 01:03:49,559
story of that where she was able to and I

1191
01:03:49,639 --> 01:03:52,639
think she also started to finally work hard so that

1192
01:03:52,719 --> 01:03:55,639
she was taken seriously not only in spite of but

1193
01:03:55,800 --> 01:03:58,119
because of her past. So it really became like this

1194
01:03:58,280 --> 01:04:00,559
is a part of my whole story, and this is

1195
01:04:00,599 --> 01:04:03,000
why I'm amazing. I mean, she she worked really hard

1196
01:04:03,079 --> 01:04:05,599
to make that work for her, and that takes a

1197
01:04:05,639 --> 01:04:07,320
lot of dedication that I think a lot of these

1198
01:04:07,360 --> 01:04:09,840
actresses are like. Or I can just not want to

1199
01:04:09,840 --> 01:04:11,159
talk about it because it was a part of my

1200
01:04:11,280 --> 01:04:15,199
youth and that's easier, you know, Yeah, yeah, you know.

1201
01:04:15,440 --> 01:04:17,360
Speaker 9: And I mean we tried to get hold of Britain

1202
01:04:17,440 --> 01:04:21,639
Lawson for the Nikatso films and she said, I'm not

1203
01:04:21,760 --> 01:04:24,199
interested in talking about that time. But she's an interesting

1204
01:04:24,280 --> 01:04:31,079
character because she is Swedish heavyweight heavyweight champion weightlifter now

1205
01:04:32,320 --> 01:04:37,800
and god wow. And also she's the widow of Sweden's

1206
01:04:37,960 --> 01:04:43,360
most famous rock singer, Jerry Williams. She was married to

1207
01:04:43,519 --> 01:04:45,880
him for many, many many years, and very few know

1208
01:04:46,039 --> 01:04:49,760
about her other career. So there are also there's also

1209
01:04:50,000 --> 01:04:54,360
always all fun stories about these always some science stories,

1210
01:04:54,400 --> 01:04:54,559
you know.

1211
01:05:13,519 --> 01:05:13,679
Speaker 1: Well.

1212
01:05:13,719 --> 01:05:15,559
Speaker 7: Another one of my favorites that I had to bring

1213
01:05:15,679 --> 01:05:19,039
up is Sie Person. I don't know if you've Isn't

1214
01:05:19,039 --> 01:05:21,400
she an artist now or a photographer of something?

1215
01:05:21,639 --> 01:05:21,679
Speaker 1: She?

1216
01:05:21,920 --> 01:05:26,000
Speaker 9: I think she became an artist. I think unfortunately it's

1217
01:05:26,039 --> 01:05:29,239
too late to interview her because she had a massive strokes.

1218
01:05:30,199 --> 01:05:34,199
Speaker 8: Yeah, in terms of people who want to talk about

1219
01:05:34,280 --> 01:05:37,400
their past, and who don't want to talk about their past. Uh,

1220
01:05:37,679 --> 01:05:41,760
there was an attempt to blackmail Stellan skorscord Or actually

1221
01:05:42,000 --> 01:05:44,519
not blackmail but sort of you know, make his past

1222
01:05:44,599 --> 01:05:45,000
go away.

1223
01:05:45,639 --> 01:05:48,960
Speaker 9: Basically, yeah, and this is a long time ago. I

1224
01:05:49,039 --> 01:05:51,400
think this was must have been like in the VHS

1225
01:05:51,519 --> 01:05:56,960
era there was a legendary distributor battillionso On at Corona

1226
01:05:57,039 --> 01:06:03,519
Film or film Aby Corona, who was the distributor of Anita,

1227
01:06:03,920 --> 01:06:06,480
and he came up to Stealin and said, look, Stealan,

1228
01:06:06,599 --> 01:06:09,199
I have all the posters, I have the film negative,

1229
01:06:09,679 --> 01:06:11,639
and I have all the prints. I can make them

1230
01:06:11,719 --> 01:06:14,480
go away if you just pay me some money. And

1231
01:06:14,760 --> 01:06:20,000
Stellan's response, according to history, is that you know, as

1232
01:06:20,079 --> 01:06:23,679
much as my dog has been hanging around in movies,

1233
01:06:23,760 --> 01:06:24,280
I don't care.

1234
01:06:25,400 --> 01:06:28,400
Speaker 7: Right, this is the man he waded up doing info

1235
01:06:28,480 --> 01:06:31,320
maniac for large space career, Like, I don't think he

1236
01:06:31,480 --> 01:06:33,800
cares right, the wrong person to go after.

1237
01:06:34,079 --> 01:06:36,119
Speaker 3: Well, thank you that, because I mean what if he

1238
01:06:36,239 --> 01:06:39,159
did say, yeah, just destroy that, that's history.

1239
01:06:39,199 --> 01:06:40,360
Speaker 2: He just disappeared.

1240
01:06:40,760 --> 01:06:41,239
Speaker 9: It's true.

1241
01:06:41,400 --> 01:06:43,280
Speaker 3: Well, I mean there might be still prints hanging out,

1242
01:06:43,320 --> 01:06:44,679
but this was the negative.

1243
01:06:44,719 --> 01:06:45,920
Speaker 2: You're saying, probably.

1244
01:06:45,679 --> 01:06:48,519
Speaker 9: Yeah, but as I said talking about German censorship, we

1245
01:06:48,639 --> 01:06:51,480
heard a horrifying story the other day. Maybe we should

1246
01:06:51,639 --> 01:06:55,719
name names, Patrick, but a company that bought all the

1247
01:06:55,840 --> 01:07:01,360
rights for a certain Danish porn company destroyed everything. Oh

1248
01:07:02,679 --> 01:07:08,840
because there were underage There were probably animals in some

1249
01:07:09,000 --> 01:07:09,199
of them.

1250
01:07:09,199 --> 01:07:11,760
Speaker 7: That's true, that's true actually.

1251
01:07:11,679 --> 01:07:13,400
Speaker 9: But to destroy the whole library.

1252
01:07:13,920 --> 01:07:16,360
Speaker 8: On a more positive note, though we have made French

1253
01:07:16,440 --> 01:07:20,760
film history. We've rescued a you know, class that would

1254
01:07:20,760 --> 01:07:24,239
have been torched. And again, you know, Rickard is better

1255
01:07:24,280 --> 01:07:28,000
at telling the story. Which one was that the one

1256
01:07:28,079 --> 01:07:29,800
that the blind is subjected to?

1257
01:07:30,800 --> 01:07:34,400
Speaker 9: Oh? Yes, yes, yes, oh, this is such a great story.

1258
01:07:36,239 --> 01:07:38,679
We you know, we should talk about that a bit.

1259
01:07:38,800 --> 01:07:41,840
We are, apart from you know, having these companies, we

1260
01:07:41,880 --> 01:07:45,079
are also big collectors. So we have a warehouse of

1261
01:07:45,119 --> 01:07:47,960
one hundred and fifty square meters in a Stockholm suburb

1262
01:07:48,599 --> 01:07:51,880
with about five or six thousand film posters, you know,

1263
01:07:52,039 --> 01:07:57,079
thirty sixteen milimeter projectors, eight milimeter projectors and three hundred

1264
01:07:57,079 --> 01:07:59,920
and fifty feature films on thirty five mil and sixteen

1265
01:08:00,760 --> 01:08:04,960
whereof a few really hard to find ones and really

1266
01:08:05,000 --> 01:08:08,000
cool one like you know, Hitchhike, the Italian one and

1267
01:08:09,519 --> 01:08:14,559
the Seven Minutes, the ross Meyer Fox Movie and among them,

1268
01:08:14,800 --> 01:08:17,720
and I don't remember the name now of the French title.

1269
01:08:17,960 --> 01:08:21,119
It's in Swedish. It's called like the Secretive Mannequins or

1270
01:08:21,239 --> 01:08:23,840
you know, models or something like that. This was a

1271
01:08:23,960 --> 01:08:28,399
film that a lot of big national organizations in France

1272
01:08:28,479 --> 01:08:31,960
in the seventies said, we have to make an example

1273
01:08:32,119 --> 01:08:35,800
of porn, we have to stop porn. So the Scout

1274
01:08:35,960 --> 01:08:39,039
movement went in, a lot of you know, the Catholic

1275
01:08:39,319 --> 01:08:43,720
Family Association went in, took it to court and had

1276
01:08:43,760 --> 01:08:47,039
it forbidden. He had it banned completely, and not only that,

1277
01:08:47,920 --> 01:08:51,840
be it that all prints and the negative should be destroyed.

1278
01:08:52,359 --> 01:08:55,079
So we have a thirty five millimeter print of that film.

1279
01:08:55,720 --> 01:08:58,239
But the funny story is that one of the organizations

1280
01:08:58,399 --> 01:09:02,520
that were objecting to it, what's the National Organization for

1281
01:09:02,680 --> 01:09:04,439
the Deaf and Blind?

1282
01:09:05,039 --> 01:09:07,800
Speaker 7: Why because they couldn't see it.

1283
01:09:07,920 --> 01:09:11,680
Speaker 9: I guess, yeah, Like what is the what if they

1284
01:09:11,960 --> 01:09:14,399
if they can't if we can't see it, they can't

1285
01:09:14,399 --> 01:09:17,039
see I don't know, but it's such a it's such

1286
01:09:17,039 --> 01:09:20,319
a weird story, and it's a regular it's.

1287
01:09:20,239 --> 01:09:23,000
Speaker 3: A derogatory in there towards the deaf and blind.

1288
01:09:23,119 --> 01:09:26,359
Speaker 9: No, No, I don't know. And it's just like your

1289
01:09:26,399 --> 01:09:30,000
average poor movie. It has nothing that stands out. Just

1290
01:09:30,079 --> 01:09:31,640
they had to set an example.

1291
01:09:31,720 --> 01:09:34,560
Speaker 3: Yeah, they just yeah, they just got everybody they could,

1292
01:09:35,159 --> 01:09:37,600
you know, sign the letter petition?

1293
01:09:37,760 --> 01:09:38,600
Speaker 2: Yeah, yeah, the petition.

1294
01:09:38,680 --> 01:09:42,359
Speaker 7: Yeah, that's what that sounds like, exactly what So I'm

1295
01:09:42,399 --> 01:09:46,439
trying to well, you couldn't say it anyway. I'm thinking

1296
01:09:46,520 --> 01:09:49,000
of this company to destroy everything, and I only can

1297
01:09:49,039 --> 01:09:50,960
think of color climax, but I don't know if it

1298
01:09:51,079 --> 01:09:55,399
was that company it was Yeah, oh you're kidding. Well

1299
01:09:55,520 --> 01:10:00,760
they that makes sense. They yeah, yeah, okay, the climax

1300
01:10:00,840 --> 01:10:03,199
not great. But that's when you go through stuff and

1301
01:10:03,479 --> 01:10:07,239
you have to kind of find you're going to do that,

1302
01:10:07,359 --> 01:10:10,239
figure that out. Well, that's the problem. That's the problem.

1303
01:10:10,279 --> 01:10:12,920
You don't want to hold anyone morally accountable or legally

1304
01:10:12,920 --> 01:10:14,199
accountable to have to go through all that.

1305
01:10:15,560 --> 01:10:19,640
Speaker 9: Speaking speaking of which we have, when we started started

1306
01:10:19,680 --> 01:10:21,800
out with Cult Picks, we said that we're going to

1307
01:10:21,880 --> 01:10:25,399
create our own streaming platform. We will not censor anything.

1308
01:10:26,119 --> 01:10:29,039
And as Patrick so aptly has put it in our

1309
01:10:29,159 --> 01:10:33,079
fa Q, who decides what what's a cult movie? And

1310
01:10:33,199 --> 01:10:36,119
the answer is, we do this is no fucking democracy.

1311
01:10:37,159 --> 01:10:40,439
Speaker 7: That's good, that's very good.

1312
01:10:41,039 --> 01:10:44,000
Speaker 9: Then I have to admit that we did censor something

1313
01:10:44,920 --> 01:10:48,199
because we have the compilation The Golden Age of Day

1314
01:10:48,199 --> 01:10:53,199
English Pornography, and you might guess what we had to take.

1315
01:10:55,680 --> 01:10:56,399
Speaker 8: The musical.

1316
01:10:57,239 --> 01:10:59,239
Speaker 9: Oh yeah, it's true. Yeah, it was the other one,

1317
01:10:59,279 --> 01:11:00,279
I think.

1318
01:11:00,359 --> 01:11:02,399
Speaker 7: Yeah, I know what you're talking about. Yeah, I have

1319
01:11:02,640 --> 01:11:04,359
I have that as well, and I think it only

1320
01:11:04,439 --> 01:11:06,159
exists in that edited version, I believe.

1321
01:11:06,680 --> 01:11:09,000
Speaker 9: Yeah, so Boldilliansen is out.

1322
01:11:10,880 --> 01:11:15,520
Speaker 7: Yes, that's so interesting. It's so interesting that that people

1323
01:11:15,560 --> 01:11:17,359
are still wanting someone to put that out. And I'm like,

1324
01:11:17,520 --> 01:11:20,920
first of all, why, Second of all, you know it's

1325
01:11:21,039 --> 01:11:24,840
not legal anywhere really, so no, you can't put that out.

1326
01:11:25,159 --> 01:11:28,479
And I think actually Vinegar Sentdrome got the they on

1327
01:11:28,520 --> 01:11:31,720
the Alex Derenzi Library, and I was worried that they

1328
01:11:31,760 --> 01:11:36,000
were going to have elements for Animal Lover and possibly

1329
01:11:36,159 --> 01:11:39,119
be we have trouble for even owning it. And I

1330
01:11:39,159 --> 01:11:42,399
don't think that Alex Dernsey kept anything from that, which

1331
01:11:42,479 --> 01:11:44,840
is good because even owning it is a problem.

1332
01:11:45,079 --> 01:11:46,800
Speaker 2: Yeah, sure, yeah, Well, I.

1333
01:11:46,840 --> 01:11:50,399
Speaker 3: Know you guys have kind of talked about the censorship issues.

1334
01:11:50,439 --> 01:11:53,119
You guys have run into with cult picks. But maybe

1335
01:11:53,159 --> 01:11:55,319
you guys want to touch on it again. You know,

1336
01:11:55,399 --> 01:11:58,640
I know you guys ran into some credit card issue again.

1337
01:11:59,079 --> 01:12:01,399
Speaker 2: Yeah, I know you guys are tired of talking about this.

1338
01:12:02,640 --> 01:12:06,079
Speaker 8: Tell me no, no, no, no, no, we're not We

1339
01:12:06,159 --> 01:12:11,720
don't get to moan enough about it. Infinity now with

1340
01:12:12,000 --> 01:12:15,079
you know the Kroger Babs and and our you know, yeah,

1341
01:12:15,439 --> 01:12:17,199
great ancestors.

1342
01:12:16,840 --> 01:12:19,359
Speaker 3: You're true actually tears now right, Yeah.

1343
01:12:19,359 --> 01:12:21,880
Speaker 8: Yeah, this is the modern age. We face it, not

1344
01:12:22,119 --> 01:12:25,880
with you know, the moral majority of Reagan, or with

1345
01:12:26,119 --> 01:12:30,159
you know, a small town censors. We face with the

1346
01:12:30,199 --> 01:12:33,560
big multinational credit cards these in the master cards and

1347
01:12:33,680 --> 01:12:37,079
the social media. We're forever getting slapped on, especially by

1348
01:12:38,000 --> 01:12:42,119
soccer fucker. You can put up most innocuous poster and

1349
01:12:42,199 --> 01:12:45,840
it's like you are not in apliance with matters. Yeah

1350
01:12:46,239 --> 01:12:48,319
in terms of regulation, you've been a bad boy.

1351
01:12:49,279 --> 01:12:52,399
Speaker 9: Yeah, but we but but it's like three strikes and

1352
01:12:52,479 --> 01:12:54,640
you're out. That's the problem. It doesn't matter if they're

1353
01:12:54,720 --> 01:12:58,239
right or wrong. If you are you've done it enough times,

1354
01:12:58,319 --> 01:13:02,720
you're you're out. So we getting very cautious about nipples,

1355
01:13:03,000 --> 01:13:06,880
especially on posters, on on on Blu Ray covers even.

1356
01:13:07,199 --> 01:13:10,439
Speaker 8: And we were paying kind of thanks to our great

1357
01:13:10,520 --> 01:13:13,560
colleague Callen Christian.

1358
01:13:13,880 --> 01:13:15,279
Speaker 7: Oh yeah, I love him.

1359
01:13:15,760 --> 01:13:20,079
Speaker 8: They mentioned, but he's been going viral with his videos

1360
01:13:20,399 --> 01:13:24,119
of coumblow the Horn and they don't show anything but

1361
01:13:24,239 --> 01:13:27,600
the things they discussed, and that's a very sensuous caressing

1362
01:13:27,680 --> 01:13:31,800
of sausages kind of. Eventually we hit one hundred thousand

1363
01:13:31,880 --> 01:13:34,000
views and then boom, it's gone.

1364
01:13:34,399 --> 01:13:34,640
Speaker 5: Yeah.

1365
01:13:35,239 --> 01:13:38,960
Speaker 7: Crazy. He is great, by the way, because he's another

1366
01:13:39,000 --> 01:13:40,920
reason why there's videos I says are great. And I

1367
01:13:41,039 --> 01:13:45,479
message him directly and I said, great job, you made

1368
01:13:45,520 --> 01:13:46,439
me cry, thank you.

1369
01:13:46,560 --> 01:13:48,600
Speaker 9: And he's super happy about that. I can tell you

1370
01:13:48,840 --> 01:13:53,359
he loves that. But he's great and we become friends.

1371
01:13:54,119 --> 01:13:57,039
Just like a few years ago we started doing trailers

1372
01:13:57,119 --> 01:13:58,960
for us and stuff like that, and now he's doing

1373
01:13:59,199 --> 01:14:01,520
the editing the video. U s A. She's doing all

1374
01:14:01,560 --> 01:14:06,039
the artwork, and it's just beautiful. Like for instance, we're

1375
01:14:06,079 --> 01:14:09,119
talking about comblo of the horn on the original poster,

1376
01:14:09,960 --> 01:14:12,399
her shirt is a little more open than it is

1377
01:14:12,479 --> 01:14:16,680
on the cover, so a little bit of editing there.

1378
01:14:16,640 --> 01:14:19,760
Speaker 7: Little tweak. Yes, well, I also noticed there was a

1379
01:14:19,840 --> 01:14:22,439
nice little thing with the nyakatsu with the with Solvig.

1380
01:14:22,520 --> 01:14:25,039
Speaker 9: You had to cover her up, yes, a little bit,

1381
01:14:25,239 --> 01:14:27,880
and then on the on the shrink wrap, on the

1382
01:14:27,960 --> 01:14:28,600
shrink wrap.

1383
01:14:28,640 --> 01:14:30,680
Speaker 7: And I was like, do I keep this as a

1384
01:14:31,000 --> 01:14:32,760
as a as a memento And I was like, no,

1385
01:14:33,000 --> 01:14:35,479
I'll let Solveig breathe. I don't need I don't need

1386
01:14:35,560 --> 01:14:35,920
to keep that.

1387
01:14:36,000 --> 01:14:38,439
Speaker 9: I have people, I know people who put put it

1388
01:14:38,600 --> 01:14:40,079
back on on the actual cover.

1389
01:14:41,600 --> 01:14:43,399
Speaker 7: I was thinking about it, but I was like, no,

1390
01:14:44,119 --> 01:14:46,600
I won't. But I did notice that, and I was like,

1391
01:14:46,680 --> 01:14:48,399
this is a nice touch. I thought it was nice.

1392
01:14:48,720 --> 01:14:51,640
Speaker 9: It was an American movement free the nipple, right.

1393
01:14:52,359 --> 01:14:56,960
Speaker 7: Yes, yes I did. In that spirit, In that spirit,

1394
01:14:57,079 --> 01:15:01,119
I let I let her be free. Yes, activity cover.

1395
01:15:01,439 --> 01:15:05,640
Speaker 9: Yeah, that's great, but no, no, we are very pertious

1396
01:15:05,680 --> 01:15:09,840
about it. But going back to that story about payment,

1397
01:15:10,000 --> 01:15:14,399
we worked for four years with a major company taking

1398
01:15:14,479 --> 01:15:18,520
care of credit cards and we got an email one

1399
01:15:18,640 --> 01:15:22,439
day saying that starting now, we are breaking up with

1400
01:15:22,560 --> 01:15:26,399
you because of problematic content. And it's like you can't

1401
01:15:26,479 --> 01:15:30,039
go to any authority and to complain or do anything

1402
01:15:30,079 --> 01:15:34,880
about it. And thank god, Patrick was very worked super

1403
01:15:34,960 --> 01:15:38,399
hard to finding an alternative and now we have bank

1404
01:15:38,479 --> 01:15:41,680
transfer with go cardless and it works, but we do

1405
01:15:41,880 --> 01:15:44,800
want to go back to find a credit card solution

1406
01:15:45,479 --> 01:15:48,560
and hopefully, knock on wood, we're getting close.

1407
01:15:49,880 --> 01:15:52,680
Speaker 8: And here here's the funny story about it, or it's

1408
01:15:52,760 --> 01:15:55,840
funny now, it wasn't at the time because there are

1409
01:15:56,000 --> 01:15:59,800
tons of adult websites out there accepting credit cards. You know,

1410
01:16:00,239 --> 01:16:03,319
that's not strange. And so we were thinking, you know

1411
01:16:03,880 --> 01:16:07,720
why us, you know for me, and said, oh, no,

1412
01:16:07,840 --> 01:16:10,319
you can have that. You can have adult films, but

1413
01:16:10,439 --> 01:16:12,159
then you've got to take out any film that says

1414
01:16:12,239 --> 01:16:17,600
things like kidnap or rave or eva underage or child.

1415
01:16:19,399 --> 01:16:22,560
You got to take a burserk. You can't have burth cirk.

1416
01:16:22,640 --> 01:16:25,039
And then we've got but we got Swedish Viking comedies

1417
01:16:25,079 --> 01:16:28,119
from the sixties. There's no nipples, but it's called here

1418
01:16:28,159 --> 01:16:30,800
come the Burserk. Nope, you can't have burserk. You can

1419
01:16:30,840 --> 01:16:32,920
have sex or you can have burth Cirk, but you

1420
01:16:32,960 --> 01:16:33,720
can't have them both.

1421
01:16:34,880 --> 01:16:40,479
Speaker 9: So us being us, mixing genres is unthinkable, and for

1422
01:16:40,640 --> 01:16:44,399
us it's so natural. I mean, we have family films,

1423
01:16:44,399 --> 01:16:47,359
we have children's films, we have animations. I mean we

1424
01:16:47,479 --> 01:16:51,119
have fucking animations from Ukraine. We mix it all up

1425
01:16:51,199 --> 01:16:52,920
and we like it and we want to do it

1426
01:16:53,000 --> 01:16:55,840
our way, but we are not allowed to basically, and

1427
01:16:55,920 --> 01:16:58,640
we're not not doing anything illegal. We have all the

1428
01:16:58,760 --> 01:17:02,159
rights and all of the films have been censored in

1429
01:17:02,279 --> 01:17:06,199
a lot of countries and with no problems. And we're

1430
01:17:06,279 --> 01:17:10,239
eighteen every hyeah, yeah exactly, and we are eighteen over.

1431
01:17:10,399 --> 01:17:13,439
So but yeah, we do complain about it, but we can't.

1432
01:17:14,119 --> 01:17:18,000
You know, there's no no way we can be right.

1433
01:17:18,920 --> 01:17:21,399
We will never have, you know, the chance. So we

1434
01:17:21,680 --> 01:17:24,600
have to try to wiggle our way through this somehow.

1435
01:17:25,159 --> 01:17:29,159
But it was a big, big detrimental problem for us.

1436
01:17:29,279 --> 01:17:33,199
I think we were without We didn't get any payment

1437
01:17:33,279 --> 01:17:34,600
at all for like two months.

1438
01:17:35,319 --> 01:17:37,000
Speaker 8: No, it's more than that. It was more like three

1439
01:17:37,119 --> 01:17:39,800
or four months. Yeah, and it was death value. And

1440
01:17:39,880 --> 01:17:42,319
we kept everybody on board. We could, like if your

1441
01:17:42,600 --> 01:17:45,359
membership labs, because you only pay for a month or

1442
01:17:45,399 --> 01:17:47,199
re paid by the year, you know, we're not going

1443
01:17:47,239 --> 01:17:49,800
to penalize you and say sorry, we're not allowed to

1444
01:17:49,840 --> 01:17:51,239
accept payments and you're out.

1445
01:17:51,640 --> 01:17:52,479
Speaker 2: Yeah. I think I got it.

1446
01:17:52,640 --> 01:17:54,840
Speaker 3: I think I got a couple of three months there, yeah.

1447
01:17:54,760 --> 01:17:57,439
Speaker 9: Yeah, yeah. And then and then we found out that

1448
01:17:57,600 --> 01:18:01,399
because people said, well, what about PayPal. Well, look at there.

1449
01:18:02,279 --> 01:18:07,560
Speaker 7: It's the exact same thing, exact same thing. Yep, everyone

1450
01:18:07,600 --> 01:18:08,760
who holds the purse strings.

1451
01:18:08,800 --> 01:18:09,279
Speaker 9: And that's the thing.

1452
01:18:09,399 --> 01:18:11,760
Speaker 7: It's actually worse than if it was just the moral majority,

1453
01:18:11,760 --> 01:18:14,239
because that's like a group of concerned citizens, and then

1454
01:18:14,239 --> 01:18:17,680
you can influence politicians. Now it's credit card companies, it's

1455
01:18:17,720 --> 01:18:21,359
payment processors that actually can control this stuff, and it's

1456
01:18:21,399 --> 01:18:24,840
actually more dangerous. That's how eBay shut down the adult stuff.

1457
01:18:24,880 --> 01:18:25,039
You know.

1458
01:18:25,640 --> 01:18:30,680
Speaker 9: Yeah, my view on it that I talk about way

1459
01:18:30,760 --> 01:18:35,039
too much is that we are being crushed between the

1460
01:18:35,399 --> 01:18:38,640
right wing Christian movement and the left wing woke movement,

1461
01:18:38,760 --> 01:18:39,920
and they all hate what we do.

1462
01:18:40,720 --> 01:18:43,239
Speaker 7: Yes, yes, we talk about that on here a a

1463
01:18:43,479 --> 01:18:47,760
lot about the conservatism of the progressives, yes, because yeah,

1464
01:18:47,840 --> 01:18:52,199
there's something about nudity and sex that makes progressives progressives

1465
01:18:52,279 --> 01:18:56,000
quote unquote, very uncomfortable and it's like, well, this is

1466
01:18:56,079 --> 01:18:58,720
not this, this goes against everything else you believe, so

1467
01:18:58,800 --> 01:19:00,600
it doesn't really make any sense, you know.

1468
01:19:01,239 --> 01:19:03,520
Speaker 9: And of course, in terms of social media, it's so

1469
01:19:03,640 --> 01:19:08,960
interesting that you know, I protested on Facebook against neo

1470
01:19:09,119 --> 01:19:17,039
Nazis fascists torturing cats, you know, bare knuckle fist fights

1471
01:19:17,079 --> 01:19:20,640
in the street for real and everything is past. No,

1472
01:19:20,760 --> 01:19:22,960
it's fine. We didn't stop this. We didn't stop that.

1473
01:19:23,479 --> 01:19:27,159
But as soon as there's a female nipple, that's the danger, right, Yep.

1474
01:19:27,960 --> 01:19:29,399
It doesn't make sense at all to me.

1475
01:19:30,159 --> 01:19:32,600
Speaker 7: No, No, we ran into it a lot. Gentry got

1476
01:19:32,640 --> 01:19:35,319
his got our Instagram nuked for drugs.

1477
01:19:35,000 --> 01:19:37,920
Speaker 2: Probably, yeah, drug related.

1478
01:19:38,119 --> 01:19:41,159
Speaker 7: It was drug related. Somehow, it wasn't sex related, but.

1479
01:19:41,159 --> 01:19:43,600
Speaker 2: I think it was again, like you guys ran into it.

1480
01:19:43,760 --> 01:19:46,399
Speaker 3: Was It was right around the time when some other

1481
01:19:46,640 --> 01:19:50,359
posts really exploded, So I think that they're whatever. The

1482
01:19:50,520 --> 01:19:53,520
meta robots were looking at our account real close and

1483
01:19:54,199 --> 01:19:55,279
found something.

1484
01:19:55,039 --> 01:19:56,920
Speaker 9: That they didn't like, and yeah, and then they start

1485
01:19:57,000 --> 01:20:00,760
looking for other stuff. Yeah, somehow, I don't know it works.

1486
01:20:01,119 --> 01:20:01,560
Speaker 2: I hate it.

1487
01:20:01,680 --> 01:20:04,520
Speaker 3: Yeah, you guys do, just having to be so careful

1488
01:20:04,560 --> 01:20:05,880
about the dumbest things.

1489
01:20:06,119 --> 01:20:10,439
Speaker 9: Yeah, but we were just the other day we had

1490
01:20:10,479 --> 01:20:14,079
a problem. Oh yeah, we had a problem and said that, oh,

1491
01:20:14,119 --> 01:20:16,760
we don't recommend your page anymore because of the film

1492
01:20:16,920 --> 01:20:20,920
Naked in the Night, the nineteen fifty eight movie. Yeah, yeah,

1493
01:20:21,840 --> 01:20:24,720
a German German nineteen fifty eight black and.

1494
01:20:24,720 --> 01:20:27,279
Speaker 7: White blood and black lace.

1495
01:20:27,399 --> 01:20:33,680
Speaker 9: Yeah, right, like what, No, nudity at all, no suggested

1496
01:20:33,840 --> 01:20:35,680
nudity or sex anywhere.

1497
01:20:36,000 --> 01:20:36,520
Speaker 7: That's ray.

1498
01:20:36,560 --> 01:20:41,600
Speaker 9: That's the word. That's the word naked. Yeah, terrible. Yeah,

1499
01:20:41,760 --> 01:20:43,760
so that's that's the word. We live in world. We

1500
01:20:43,880 --> 01:20:46,520
live in and we we we do have our fans,

1501
01:20:46,600 --> 01:20:48,319
both in terms of the of the Blue Rays and

1502
01:20:48,359 --> 01:20:50,640
of colpics. We love what we're doing, so and we

1503
01:20:50,800 --> 01:20:52,319
love what we're doing, so we're going to stick to

1504
01:20:52,399 --> 01:20:52,840
our guns.

1505
01:20:53,479 --> 01:20:54,319
Speaker 2: Yeah yeah, good.

1506
01:20:54,680 --> 01:20:57,039
Speaker 7: Absolutely, you've been doing this too long to not be

1507
01:20:57,159 --> 01:20:59,920
doing it. I mean yeah, I mean yeah, you're established.

1508
01:21:00,119 --> 01:21:03,159
Speaker 3: Yeah, I mean I am preaching could pics all the time.

1509
01:21:03,399 --> 01:21:06,680
Just my my list, you know, my watch list on

1510
01:21:06,840 --> 01:21:10,359
there is probably over two hundred films at this point.

1511
01:21:10,560 --> 01:21:13,840
Like you guys have so much stuff, especially you know,

1512
01:21:13,960 --> 01:21:16,520
we're kind of like, you know, there's something Weird podcast

1513
01:21:16,600 --> 01:21:19,640
in a way, and you guys have some really deep,

1514
01:21:20,199 --> 01:21:23,279
something weird cuts on there. Like every week you're putting

1515
01:21:23,319 --> 01:21:24,720
something unique, and we.

1516
01:21:24,800 --> 01:21:27,319
Speaker 9: Haven't truly grateful for you guys doing it because that's

1517
01:21:27,720 --> 01:21:30,560
like it's like part of this community that we're in.

1518
01:21:30,760 --> 01:21:33,680
And we also always talk about Culpicks as a community

1519
01:21:33,760 --> 01:21:37,439
and not as a streaming platform. We never talk about customers.

1520
01:21:37,520 --> 01:21:40,920
We talk about members and we and we do get

1521
01:21:40,960 --> 01:21:44,479
a lot of requests and a lot of comments, and Patrick,

1522
01:21:44,520 --> 01:21:47,399
we I think we we love storytelling. We have to

1523
01:21:47,439 --> 01:21:48,800
tell some of our best story.

1524
01:21:48,800 --> 01:21:55,399
Speaker 8: We got a very Penguin story, so the Naked Islands.

1525
01:21:55,479 --> 01:21:59,800
So and this drives some the point that recognize that

1526
01:22:00,079 --> 01:22:02,920
we're not a we are community. We don't have customers

1527
01:22:03,239 --> 01:22:08,079
or users or subscribers. It is truly members. So two things.

1528
01:22:08,199 --> 01:22:10,159
We had one gentleman who got in touch with us,

1529
01:22:10,159 --> 01:22:12,560
and this is prior to our payment problem, says I

1530
01:22:12,680 --> 01:22:15,319
really want to, you know, sign up to your service,

1531
01:22:15,439 --> 01:22:18,319
but I've going to join bank account with my wife,

1532
01:22:18,359 --> 01:22:21,000
and I kind of not asking, sort of you know,

1533
01:22:21,039 --> 01:22:23,359
what's this colpix thing on there? So is there any

1534
01:22:23,399 --> 01:22:25,319
other way I can pay you? And say, really sorry,

1535
01:22:25,439 --> 01:22:27,800
you know this this is really all we have. So

1536
01:22:28,199 --> 01:22:31,720
finally he said, I'm going to post you the money,

1537
01:22:32,039 --> 01:22:35,199
you know, the fifty nine dollars for an annual membership.

1538
01:22:35,880 --> 01:22:38,199
And I know what you're going to say. You're just

1539
01:22:38,239 --> 01:22:40,319
going to say that you got the money. So when

1540
01:22:40,359 --> 01:22:42,000
you get the money, there's going to be a code

1541
01:22:42,039 --> 01:22:44,000
word in there and you're going to have to tell

1542
01:22:44,039 --> 01:22:45,680
me that code word to make sure that I know

1543
01:22:45,800 --> 01:22:47,000
that you actually got the money.

1544
01:22:47,840 --> 01:22:49,039
Speaker 7: Oh my god, how we do that?

1545
01:22:49,039 --> 01:22:50,159
Speaker 8: And we got to be you know, we should have

1546
01:22:50,239 --> 01:22:52,680
framed that that you know, the money we got from him.

1547
01:22:52,680 --> 01:22:55,479
And the code word was, I can revealed now was Penguin.

1548
01:22:55,920 --> 01:22:58,720
So we call him mister Penguin and our Penguin members.

1549
01:22:59,560 --> 01:23:02,479
And that shows just the length that you know, people

1550
01:23:02,520 --> 01:23:04,399
are heard to go and we love them for it.

1551
01:23:05,000 --> 01:23:07,720
But rica's got to tell the story of you know,

1552
01:23:07,960 --> 01:23:09,720
the the obscure film.

1553
01:23:11,600 --> 01:23:11,960
Speaker 3: This is.

1554
01:23:13,680 --> 01:23:17,840
Speaker 9: It's it's all about storytelling. As but Patrick was or

1555
01:23:17,920 --> 01:23:19,880
we got it to our info aders. I think we

1556
01:23:19,960 --> 01:23:22,039
got an email from a guy who said that, well,

1557
01:23:22,079 --> 01:23:24,960
I have to tell you I'm a big fan. And well,

1558
01:23:25,039 --> 01:23:27,199
my dad was a bit crazy, so he took us

1559
01:23:27,319 --> 01:23:29,720
kids to the drive in movie in our pajamas with

1560
01:23:29,840 --> 01:23:32,680
a you know, a blanket, not to watch family movies,

1561
01:23:32,720 --> 01:23:35,399
but to watch horror and porn. When I was a

1562
01:23:35,520 --> 01:23:40,560
kid and I saw I saw a movie and already

1563
01:23:40,880 --> 01:23:43,199
as a kid, I knew I was gay. And there

1564
01:23:43,279 --> 01:23:46,000
was this movie about a guy who parachuted onto an

1565
01:23:46,079 --> 01:23:49,760
island of naked women, and I waited for the whole

1566
01:23:49,800 --> 01:23:52,680
film to see his naked butt. But it's like it

1567
01:23:52,840 --> 01:23:56,039
never happened, or it happened briefly at the end. What

1568
01:23:56,279 --> 01:23:56,880
movie was that?

1569
01:23:58,279 --> 01:23:59,000
Speaker 7: Do you know, Casey?

1570
01:23:59,680 --> 01:24:00,640
Speaker 9: I know what year?

1571
01:24:01,319 --> 01:24:02,119
Speaker 7: Did he give a year?

1572
01:24:02,880 --> 01:24:02,920
Speaker 3: No?

1573
01:24:03,159 --> 01:24:09,000
Speaker 9: No, no, nothing. So Patrick Patrick started researching and eventually

1574
01:24:09,279 --> 01:24:14,039
found something that sounded just like it, and I was like, hmm,

1575
01:24:14,600 --> 01:24:19,079
this sounds a lot like something weird. Hey, Lisa, do

1576
01:24:19,199 --> 01:24:22,520
you have this and that movie? And she said, yeah, sure,

1577
01:24:22,800 --> 01:24:25,479
can we put it up on culpicks? Yeah? Sure, So

1578
01:24:25,720 --> 01:24:28,800
two days after he emailed us, the film was on

1579
01:24:29,000 --> 01:24:34,119
Culpicks for him, so he could finally watch the butt

1580
01:24:34,279 --> 01:24:35,800
of the guy at the end of the movie.

1581
01:24:36,079 --> 01:24:38,960
Speaker 7: Oh, Lauren, Oh there was a butt. Okay, good. Finally

1582
01:24:39,199 --> 01:24:41,560
it was like he waited that long and there was

1583
01:24:41,600 --> 01:24:43,039
no but in all those years.

1584
01:24:44,199 --> 01:24:47,720
Speaker 9: But it ends with the guy finally. He's very shy

1585
01:24:47,840 --> 01:24:51,800
about the whole situation that he takes off his briefs

1586
01:24:51,920 --> 01:24:54,640
going into the water at the last minute of the film.

1587
01:24:54,720 --> 01:24:55,199
That's it.

1588
01:24:55,479 --> 01:24:57,159
Speaker 2: That's not love Guidess of Blood Island?

1589
01:24:57,279 --> 01:24:57,600
Speaker 1: Is it? No?

1590
01:24:57,920 --> 01:25:01,319
Speaker 9: No, No, I don't remember, Patrick, do you remember the title?

1591
01:25:02,680 --> 01:25:04,880
Speaker 8: But we found it?

1592
01:25:05,279 --> 01:25:08,479
Speaker 7: Yeah, that was interesting, that's fine.

1593
01:25:08,479 --> 01:25:10,840
Speaker 3: I don't know, Okay, well, let me ask you, guys,

1594
01:25:11,319 --> 01:25:18,000
who is Cornelius Corny Flickenheimer, whose.

1595
01:25:17,880 --> 01:25:23,840
Speaker 9: Pseudonym is that it's a very very famous film journalist

1596
01:25:23,920 --> 01:25:27,640
and film critic whose he's been at the biggest universities.

1597
01:25:27,720 --> 01:25:30,159
He's written a lot of books written in all the

1598
01:25:30,319 --> 01:25:35,840
major film magazines, but very few know of it now.

1599
01:25:36,359 --> 01:25:40,279
And and the thing is that Corny has a girlfriend,

1600
01:25:41,439 --> 01:25:46,159
hm Velma Nightshade, and so she does all the feminist

1601
01:25:46,760 --> 01:25:51,199
criticism for us. Okay, And they both have Facebook pages

1602
01:25:51,239 --> 01:25:52,840
and they're really really knowledgeable.

1603
01:25:53,560 --> 01:25:54,720
Speaker 2: Are you guys bullshiting us?

1604
01:25:55,560 --> 01:25:55,600
Speaker 7: No?

1605
01:25:55,760 --> 01:26:00,920
Speaker 9: No, check out there. Check out their Facebook pages. A

1606
01:26:00,960 --> 01:26:02,359
lot of their reviews are up there.

1607
01:26:02,840 --> 01:26:04,159
Speaker 2: Okay, Well, there you go.

1608
01:26:05,039 --> 01:26:08,720
Speaker 9: And without we can't divulge everything, but there will be

1609
01:26:09,000 --> 01:26:14,199
a long essay by Coneitias Flickenheimer in an upcoming as

1610
01:26:14,199 --> 01:26:15,920
a booklet for an upcoming release.

1611
01:26:16,399 --> 01:26:21,560
Speaker 3: Okay, So for context for whoever listening whatever I'm talking about.

1612
01:26:21,640 --> 01:26:24,880
You know, underneath some other reviews. Underneath the movies on Culpicks,

1613
01:26:24,960 --> 01:26:27,640
they have like kind of a comments section. People can

1614
01:26:27,760 --> 01:26:33,079
leave comments, and Corney is a frequent commenter of lengthy reviews.

1615
01:26:34,039 --> 01:26:34,279
Speaker 5: Wow.

1616
01:26:34,920 --> 01:26:37,119
Speaker 9: Yes, and we also have a lot of you have

1617
01:26:37,199 --> 01:26:41,680
seen that We have a lot of the original liner

1618
01:26:41,760 --> 01:26:46,199
notes from Something. We are so proud of them, and

1619
01:26:46,359 --> 01:26:48,640
you know, some of them are by Lisa herself and

1620
01:26:49,520 --> 01:26:52,800
some are Frank Hannah latter did a lot of them.

1621
01:26:53,000 --> 01:26:55,000
Speaker 2: There might even be some cases up on there.

1622
01:26:55,039 --> 01:26:55,399
Speaker 5: I don't know.

1623
01:26:56,600 --> 01:26:59,119
Speaker 7: Oh maybe I only did them for district pick stuffs.

1624
01:26:59,119 --> 01:27:00,600
I have no idea if any of that stuff was

1625
01:27:00,640 --> 01:27:00,920
on there.

1626
01:27:01,399 --> 01:27:03,840
Speaker 9: So these were the ones that were on the downloadable

1627
01:27:04,119 --> 01:27:05,720
films on Something Weird before.

1628
01:27:06,239 --> 01:27:08,720
Speaker 7: Oh yeah, I don't think mine made it to the downloads.

1629
01:27:08,840 --> 01:27:10,880
Yeah maybe not, yeah, lot, but.

1630
01:27:10,920 --> 01:27:11,920
Speaker 9: They're great, they're great.

1631
01:27:12,520 --> 01:27:13,520
Speaker 2: Yes, they're super fun.

1632
01:27:13,800 --> 01:27:14,000
Speaker 8: Yeah.

1633
01:27:14,359 --> 01:27:16,720
Speaker 3: Yeah, like I said, cool if I don't have access

1634
01:27:16,760 --> 01:27:19,079
to him elsewhere. Yeah, it's nice that they're there right

1635
01:27:19,159 --> 01:27:19,680
there for me.

1636
01:27:19,880 --> 01:27:23,319
Speaker 9: Yeah, absolutely exactly. And we're so happy about the cooperation

1637
01:27:23,479 --> 01:27:26,439
with Lisa. I mean, the whole Something Weird channel. I

1638
01:27:26,479 --> 01:27:29,640
think it's over a thousand titles. But the thing that

1639
01:27:29,720 --> 01:27:33,159
we are we are putting in the compilations here and there,

1640
01:27:33,279 --> 01:27:36,439
because you know, there are three hundred and seventy new

1641
01:27:36,479 --> 01:27:39,960
the quties. Yes, yes, all two hours long.

1642
01:27:40,760 --> 01:27:47,479
Speaker 8: Yes, we get obsessive letters about them, yeah that oh

1643
01:27:47,680 --> 01:27:50,960
oh definitely. There'll be somebody like I saw this brunette

1644
01:27:51,279 --> 01:27:57,520
in Super Boobs. Yeah, I'm pretty sure she was number

1645
01:27:57,560 --> 01:28:01,680
fifty six as well. But you know, god, when when when.

1646
01:28:02,279 --> 01:28:04,560
Speaker 7: Oh see you know what you're getting the letters that

1647
01:28:04,680 --> 01:28:07,520
Lisa and Mike used to get, because Lisa and Mike

1648
01:28:07,600 --> 01:28:10,119
would get letters from people like that, And I remember

1649
01:28:10,239 --> 01:28:12,680
that Lisa and Mike would say, there's one, there's we

1650
01:28:12,800 --> 01:28:15,960
have like two customers who have ordered every single volume

1651
01:28:16,079 --> 01:28:19,760
of this and on like vhs after they said before

1652
01:28:19,880 --> 01:28:22,159
after this went to DVDR, they were still ordering vhs.

1653
01:28:22,439 --> 01:28:24,600
But some of the letters I would actually read a

1654
01:28:24,640 --> 01:28:26,399
whole book if she wanted to just do a book

1655
01:28:26,439 --> 01:28:30,840
of letters from customers, because like you can blur the

1656
01:28:30,920 --> 01:28:33,840
names out or whatever. But yeah, some of the stuff

1657
01:28:33,840 --> 01:28:35,079
that she would tell me, this is this is what

1658
01:28:35,239 --> 01:28:37,479
this sounds like. Now you're getting the kind of the

1659
01:28:37,560 --> 01:28:40,199
kind of letters from people who it brings them out

1660
01:28:40,199 --> 01:28:42,479
of the woodwork. There there. The community is a lot

1661
01:28:42,600 --> 01:28:44,560
larger than you think.

1662
01:28:44,640 --> 01:28:44,840
Speaker 5: You know.

1663
01:28:45,239 --> 01:28:47,960
Speaker 7: Yeah, it's not just the people who are vocal and

1664
01:28:48,079 --> 01:28:49,680
open about it on the Internet. There's a lot of

1665
01:28:49,760 --> 01:28:52,199
people that are that are into the stuff that maybe

1666
01:28:52,279 --> 01:28:53,119
just don't advertise it.

1667
01:28:53,279 --> 01:28:55,479
Speaker 3: Well, you know who was big into the wrestling she

1668
01:28:55,680 --> 01:29:01,199
babes Mick Jagger apparently, Oh really really, yeah, I did not.

1669
01:29:01,760 --> 01:29:05,039
Speaker 9: That's that might be the hardest one for me to understand.

1670
01:29:05,079 --> 01:29:07,520
I get, I do, really, I do get the bee

1671
01:29:07,640 --> 01:29:10,960
Hive hairdoos and the swimming pools in the motel rooms.

1672
01:29:11,000 --> 01:29:14,640
But the wrestling and mud wrestling, I don't know. I

1673
01:29:14,640 --> 01:29:16,920
don't get it. But who am I to judge?

1674
01:29:17,279 --> 01:29:18,359
Speaker 2: You know? Yeah, exactly.

1675
01:29:18,600 --> 01:29:19,720
Speaker 7: There's something for everybody.

1676
01:29:20,399 --> 01:29:23,319
Speaker 8: Yeah, yeah, And we've always Althoways say, you know, who

1677
01:29:23,399 --> 01:29:24,319
decides what it's called.

1678
01:29:24,399 --> 01:29:24,760
Speaker 1: We do it.

1679
01:29:24,880 --> 01:29:28,760
Speaker 8: It's not a democracy, it's cult. But we have long

1680
01:29:28,840 --> 01:29:33,840
ago stopped trying to second guess our members preferences lives.

1681
01:29:33,920 --> 01:29:37,079
Which is I remember we do the annual Top ten

1682
01:29:37,720 --> 01:29:40,119
Naudy and nice of what are the you know, the

1683
01:29:40,199 --> 01:29:45,039
most view the most popular films? And I won't forget.

1684
01:29:45,079 --> 01:29:46,399
I think it was three years ago. It was a

1685
01:29:46,439 --> 01:29:49,560
copic sorry something we are titled that top did and

1686
01:29:49,600 --> 01:29:53,560
it keeps coming back and it's zero in and scream in.

1687
01:29:53,720 --> 01:29:56,880
Speaker 7: Great movie. Great movie, great yeah, great movie.

1688
01:29:57,079 --> 01:29:57,920
Speaker 8: We love it for us.

1689
01:29:58,279 --> 01:29:58,479
Speaker 7: Yep.

1690
01:29:59,439 --> 01:30:04,520
Speaker 8: Yeah, it's not his most famous, there's nobody name. Half

1691
01:30:04,600 --> 01:30:08,039
of it is through a you know, Crosshair, and then there's.

1692
01:30:08,399 --> 01:30:09,760
Speaker 2: Under underwater scenes.

1693
01:30:10,640 --> 01:30:13,960
Speaker 6: Yeah, hey, you know its number one film of that

1694
01:30:14,119 --> 01:30:18,680
year and against films which usually top it, which is

1695
01:30:19,239 --> 01:30:20,720
we don't know why these things.

1696
01:30:21,039 --> 01:30:24,079
Speaker 3: I think because it is has been harder to see maybe.

1697
01:30:24,479 --> 01:30:25,720
Speaker 7: Yeah, maybe maybe.

1698
01:30:26,239 --> 01:30:29,199
Speaker 9: And also in terms of the naughty list we have,

1699
01:30:29,399 --> 01:30:32,520
you know, we have quite a number of very famous

1700
01:30:33,239 --> 01:30:37,880
seventies classic Golden agean pornography films, and then on the

1701
01:30:37,960 --> 01:30:41,119
top three every year has been the Ship, this swey

1702
01:30:41,199 --> 01:30:48,560
film Summer with van Ya, and it just sucks. I

1703
01:30:48,640 --> 01:30:51,920
mean we have we have we have two Joe'sarno hardcore

1704
01:30:51,960 --> 01:30:53,840
films that are look great. We have all the mac

1705
01:30:53,880 --> 01:30:57,760
Auberg films, we have, you know, practice makes Perfect. All

1706
01:30:57,800 --> 01:31:01,680
of those films are legitimate films with great cinematography, and

1707
01:31:01,800 --> 01:31:05,680
this is just crappy and it's just up there every year.

1708
01:31:05,800 --> 01:31:08,119
So we're thinking of restoring it and releasing it on

1709
01:31:08,199 --> 01:31:09,000
blue ray as well.

1710
01:31:09,319 --> 01:31:09,520
Speaker 5: Yeah.

1711
01:31:09,880 --> 01:31:12,520
Speaker 7: I was going to say, these lists are probably actually

1712
01:31:12,760 --> 01:31:15,920
good guides to anybody that's distributing these things if they

1713
01:31:16,000 --> 01:31:19,760
have printer rights, like maybe prioritize these, like maybe zero

1714
01:31:19,840 --> 01:31:22,920
win screens, maybe complete. I think there's only one print

1715
01:31:22,960 --> 01:31:25,800
of that and it could be not even accessible anymore

1716
01:31:25,880 --> 01:31:29,079
for all I know. But yeah, that one, that one

1717
01:31:29,239 --> 01:31:32,199
is uh, that's an interesting choice. It would be so popular.

1718
01:31:32,399 --> 01:31:34,600
I mean, I love it, but it is very niche.

1719
01:31:34,760 --> 01:31:38,159
Speaker 8: It's very niche, but something And this is what Obviously

1720
01:31:38,279 --> 01:31:40,960
we've been doing the Club Super eight Blu rays and

1721
01:31:41,119 --> 01:31:44,000
before that DVD is in vhs. But this year, of course,

1722
01:31:44,279 --> 01:31:49,199
we're launching the Culpiics standalone dedicated Blu ray releases. And

1723
01:31:49,319 --> 01:31:51,720
that's some big things for us, because we're straying away

1724
01:31:51,760 --> 01:31:54,840
from our you know, comfort zone of Swedish films or

1725
01:31:55,000 --> 01:31:59,039
Sweeden related films. You know, so sexy and fury. Yes, Japanese,

1726
01:31:59,119 --> 01:32:02,000
but it's Christina or Sweden Haven and hell it's Italian.

1727
01:32:02,119 --> 01:32:04,279
But now we're going to do out and out films

1728
01:32:04,359 --> 01:32:06,960
that has nothing to do with Sweden, just films that

1729
01:32:07,199 --> 01:32:09,880
we got the privilege of showing on colpicks. We love

1730
01:32:09,960 --> 01:32:12,119
them and we can see that people respond to them.

1731
01:32:12,880 --> 01:32:17,399
So we've already announced the first few. We've got great

1732
01:32:17,479 --> 01:32:21,000
partnerships with rights holders and these are films that really

1733
01:32:21,119 --> 01:32:24,199
deserve to be on people's shelves. They shouldn't just be streamed.

1734
01:32:24,279 --> 01:32:27,039
And we've always said that, look, we've got a streaming company.

1735
01:32:27,920 --> 01:32:31,399
We release films and physical media. We have a library

1736
01:32:31,399 --> 01:32:34,319
of three hundred and fifty thirty five and sixty millimeter films.

1737
01:32:34,439 --> 01:32:36,760
We're not wedded to one or the other. You should

1738
01:32:36,920 --> 01:32:39,880
enjoy films on any which way you like it, and perfectly.

1739
01:32:40,439 --> 01:32:43,520
It's a great discovery tool for seeing the culpis and

1740
01:32:43,600 --> 01:32:46,199
then go ahead and buy them. It doesn't matter if

1741
01:32:46,239 --> 01:32:48,840
we release them or they're in an AGFA or they're

1742
01:32:48,880 --> 01:32:51,720
from Deaf Crocodile or whoever. You know, if you love it,

1743
01:32:52,000 --> 01:32:54,319
own it, keep it and then go and see it

1744
01:32:54,319 --> 01:32:56,359
in the cinema when they screen it there at your

1745
01:32:56,439 --> 01:33:00,840
local revival house. So yeah, yeah, we really it's not

1746
01:33:00,920 --> 01:33:03,239
that we want to be kings of old media, but

1747
01:33:03,399 --> 01:33:06,600
we just want people to be able to appreciate films,

1748
01:33:06,720 --> 01:33:08,199
you know, however they prefer to.

1749
01:33:08,680 --> 01:33:11,399
Speaker 3: Yeah, I was going to ask you guys about that actually,

1750
01:33:11,800 --> 01:33:14,319
with regard to like Cult Picks. If Cultpicks was just

1751
01:33:14,399 --> 01:33:17,640
going to start doing, you know, non Sweden releases, what

1752
01:33:17,800 --> 01:33:19,760
were those first you mentioned, the first announcements?

1753
01:33:19,800 --> 01:33:22,439
Speaker 2: Did I miss those? What are the first ones? Patrick?

1754
01:33:22,439 --> 01:33:24,279
Speaker 9: I don't think we've announced them officially, but.

1755
01:33:25,399 --> 01:33:27,640
Speaker 8: No, we did actually write a books. We did the

1756
01:33:27,720 --> 01:33:31,399
Aucent back in February. The first four titles we've already announced.

1757
01:33:31,520 --> 01:33:35,439
The first one is going to be from Taiwan. It's

1758
01:33:35,520 --> 01:33:38,760
called The Fantasy of the Deer Warrior. Uh and it's

1759
01:33:38,800 --> 01:33:41,399
a children's film. But is it just a children's film

1760
01:33:41,479 --> 01:33:43,319
or is it an allegory about the kind of dark

1761
01:33:43,399 --> 01:33:46,840
political things that were happening in the fifties and sixties.

1762
01:33:46,439 --> 01:33:49,279
Speaker 2: And that kind of stuff that, yeah, that's out all

1763
01:33:49,319 --> 01:33:50,199
the time and they didn't know.

1764
01:33:50,479 --> 01:33:54,079
Speaker 9: Yeah, and this is actually, I would argue, the first

1765
01:33:54,359 --> 01:33:55,960
cost play in the world.

1766
01:33:57,199 --> 01:33:57,520
Speaker 7: Really.

1767
01:33:57,880 --> 01:34:01,640
Speaker 9: Okay, people are dressed like animals running around in the woods.

1768
01:34:02,119 --> 01:34:03,720
Speaker 5: Oh I like that.

1769
01:34:04,520 --> 01:34:07,479
Speaker 9: Oh yeah, Yeah.

1770
01:34:10,920 --> 01:34:14,399
Speaker 8: We've got a great Nazi film with the Estonian Film

1771
01:34:14,439 --> 01:34:19,720
Institute called Madness. We have with the Czech Film Institute

1772
01:34:20,199 --> 01:34:24,399
and also with the Hungarians. So we've actually after that

1773
01:34:24,560 --> 01:34:29,640
the next Taiwanese Were Trilogy, which is an authentic Taiwanese superhero.

1774
01:34:30,359 --> 01:34:32,279
He doesn't fly through the sky, but he's a crime

1775
01:34:32,359 --> 01:34:36,560
fighting overlord. So it's it's just great to be able

1776
01:34:36,600 --> 01:34:38,560
to bring these films out on Blu Ray.

1777
01:34:39,159 --> 01:34:42,399
Speaker 3: Yeah, suppose it'll be just culpicks branded. You're saying yeah,

1778
01:34:42,479 --> 01:34:44,239
not called Super eight, that's no.

1779
01:34:44,479 --> 01:34:48,039
Speaker 9: Yeah, and the and these are restored restored by National

1780
01:34:48,119 --> 01:34:51,079
Film Institute. So after these, you know, four or five

1781
01:34:51,159 --> 01:34:54,000
years of culpicks, we have become friends with a lot

1782
01:34:54,039 --> 01:34:57,319
of the national film archives, especially in the Old Eastern Europe,

1783
01:34:57,880 --> 01:35:01,640
but also in Taiwan. Uh, thanks to a film festival

1784
01:35:01,720 --> 01:35:04,880
in Lyon in France where they have a market for

1785
01:35:05,119 --> 01:35:08,600
vintage films where all of those archives are. So so

1786
01:35:08,720 --> 01:35:11,520
we have established like a platform there that's really really

1787
01:35:11,760 --> 01:35:14,399
great and useful for us. And they're wonderful films and

1788
01:35:14,920 --> 01:35:17,640
there will be more coming up. And speaking of films,

1789
01:35:17,720 --> 01:35:20,880
you could never guess they would be successes and talking

1790
01:35:20,920 --> 01:35:24,720
about the Estonian Film Institute. Uh. One film that we

1791
01:35:25,159 --> 01:35:27,359
we we laughed about and said, yeah, sure we put

1792
01:35:27,520 --> 01:35:31,000
anything up is a film called A Woman Heats Up

1793
01:35:31,079 --> 01:35:34,760
the Sauna. So it's basically it's on a plane in

1794
01:35:35,319 --> 01:35:41,239
Estonia and there's no need. That's what happens. She lies

1795
01:35:41,319 --> 01:35:41,800
up a sauna.

1796
01:35:42,760 --> 01:35:47,600
Speaker 8: Yeah. I mean, we had Nazis, we had science fiction

1797
01:35:47,800 --> 01:35:53,159
from the writers of Stalker, we had folk wherewell film,

1798
01:35:53,199 --> 01:35:56,079
we had Devil Comes to Earth, but no, the social

1799
01:35:56,159 --> 01:35:59,359
realist A Woman Heats Sauna was the number one Estonian

1800
01:35:59,439 --> 01:36:02,800
film that we ever released, So it's like, wow, you

1801
01:36:02,880 --> 01:36:04,079
can never get these things.

1802
01:36:04,520 --> 01:36:07,239
Speaker 3: Doesn't that maybe say something about people want to see

1803
01:36:07,279 --> 01:36:11,640
their cultural heritage, you know on film like Come you know,

1804
01:36:11,960 --> 01:36:14,760
like this Sarno movie Come Blow the Horn has been

1805
01:36:14,800 --> 01:36:19,359
doing incredible for you guys because it is so uniquely Swedish.

1806
01:36:19,359 --> 01:36:21,479
Speaker 9: It is and it's you know that the midnight sun

1807
01:36:21,680 --> 01:36:24,279
and the and the summer soul stitch, all of those things,

1808
01:36:25,279 --> 01:36:28,680
and Swedish sexuality in the summer and you know, the.

1809
01:36:28,680 --> 01:36:34,560
Speaker 7: Countryside that's really crazy.

1810
01:36:35,279 --> 01:36:38,600
Speaker 9: We've been working on a theme week just called Archipelago

1811
01:36:39,079 --> 01:36:41,359
because there are so many Swedish sex films that are

1812
01:36:41,520 --> 01:36:42,600
in the archipelago.

1813
01:36:42,960 --> 01:36:45,199
Speaker 3: Okay, yeah, I love the theme weeks.

1814
01:36:45,239 --> 01:36:47,239
Speaker 2: You guys do as well. Yeah, there's so much care

1815
01:36:47,279 --> 01:36:48,199
put into those.

1816
01:36:48,399 --> 01:36:48,560
Speaker 1: You know.

1817
01:36:49,159 --> 01:36:51,399
Speaker 9: Yeah, and that's part, very much part of what we're doing.

1818
01:36:51,439 --> 01:36:53,760
We wanted one want to do these themes that could

1819
01:36:53,800 --> 01:36:56,920
be anything from a director or actor or country and

1820
01:36:57,039 --> 01:36:57,880
but also genre.

1821
01:36:58,359 --> 01:36:59,119
Speaker 7: M right.

1822
01:36:59,600 --> 01:37:07,000
Speaker 1: Yeah, if anyone is seriously interested from a scholastic point

1823
01:37:07,000 --> 01:37:09,479
of view, he can pay the modest son of wantrun

1824
01:37:10,000 --> 01:37:12,840
and visits the Sex Shop, a sort of national library

1825
01:37:13,039 --> 01:37:17,359
of pornography shelf after shelf, stacked with publications in all

1826
01:37:17,439 --> 01:37:21,239
languages banned in other countries of the world. The books

1827
01:37:21,239 --> 01:37:23,600
are designed to appeal to men and women, of course,

1828
01:37:24,479 --> 01:37:27,119
because in Sweden, sex like the law is the same

1829
01:37:27,199 --> 01:37:27,680
for everyone.

1830
01:37:28,119 --> 01:37:30,479
Speaker 7: Well, I was going to ask just in terms of

1831
01:37:31,239 --> 01:37:32,800
I don't know how much we can talk about it.

1832
01:37:32,880 --> 01:37:35,520
But as you're working with the Swedish Film Institute and

1833
01:37:36,439 --> 01:37:40,399
working on other stuff that isn't Swedish for Blu Ray release,

1834
01:37:40,960 --> 01:37:45,000
a little birdie named Alex DeSanto, who works with us

1835
01:37:45,079 --> 01:37:48,479
on this podcast, has discovered that the Swedish Film Institute

1836
01:37:48,600 --> 01:37:51,840
might have prints or negatives of some American exploitation which

1837
01:37:51,920 --> 01:37:56,680
is lost. So do we I'm crossing my fingers that

1838
01:37:56,800 --> 01:37:59,159
that might be something that y'all can work out with them.

1839
01:38:00,000 --> 01:38:02,439
I will just put that out into the wind and

1840
01:38:03,399 --> 01:38:05,439
hope that maybe that's a possibility.

1841
01:38:05,920 --> 01:38:11,720
Speaker 9: Maybe there is a lot of work being done about that.

1842
01:38:12,520 --> 01:38:16,920
I'm actually looking at a list right now and one, two, three, four, five, six.

1843
01:38:18,079 --> 01:38:24,880
So we have negatives of nine lost American movies that

1844
01:38:25,000 --> 01:38:28,800
we know of, and we have we have a plan

1845
01:38:29,439 --> 01:38:34,520
to wrestle those out of the archive and scan them. Wow,

1846
01:38:34,680 --> 01:38:37,600
And there are some well, you know, lost movies is

1847
01:38:37,840 --> 01:38:43,119
so something so exciting for us, all of us nerds. Yeah, absolutely,

1848
01:38:43,199 --> 01:38:46,600
of course, with London after Midnight always the big title

1849
01:38:46,800 --> 01:38:50,960
everyone talks about, you know, the long chainy one that's

1850
01:38:51,199 --> 01:38:55,880
you know, lost forever seemingly. But these are interestingly enough.

1851
01:38:56,000 --> 01:38:59,600
There are sixteen millimeter negatives, but they are so much

1852
01:38:59,680 --> 01:39:03,039
better than nothing anyway, and they're probably going to look pristine,

1853
01:39:03,159 --> 01:39:06,800
so we are. We're very excited about that. And it

1854
01:39:06,960 --> 01:39:10,920
also brings back the story. I love this story about

1855
01:39:11,079 --> 01:39:15,119
lost films. You know, the Lon Cheney film The Unknown

1856
01:39:15,760 --> 01:39:18,439
was a lost film for many, many many years, and

1857
01:39:18,920 --> 01:39:21,520
when they found it, they found it after a French

1858
01:39:21,600 --> 01:39:24,319
collector had died and there was a big, big pile

1859
01:39:24,359 --> 01:39:29,479
of movies, all labeled an conou which means unknown. Oh

1860
01:39:30,319 --> 01:39:32,920
so they were unknown films, but one of them was

1861
01:39:33,079 --> 01:39:38,000
a film called Unknown. Wow. When they finally went through

1862
01:39:38,119 --> 01:39:40,119
the pile they found the whole film.

1863
01:39:40,920 --> 01:39:41,600
Speaker 7: Oh I love that.

1864
01:39:42,439 --> 01:39:45,840
Speaker 9: Yeah, so they can show up, you know, yes, well yeah.

1865
01:39:45,720 --> 01:39:48,399
Speaker 7: Well we got to Indye Milligan Movies, you know, from

1866
01:39:48,680 --> 01:39:52,439
International Institute. So yeah, I mean the hope is that

1867
01:39:52,479 --> 01:39:55,680
they're good, but we won't know until we see them, right,

1868
01:39:55,960 --> 01:39:58,600
So we have to access them to see them, so.

1869
01:39:58,880 --> 01:40:02,239
Speaker 3: Even if they're not good, we can add some context

1870
01:40:02,319 --> 01:40:06,680
to them and you know, correct, give us all, give us.

1871
01:40:08,239 --> 01:40:08,640
Speaker 2: Interesting.

1872
01:40:08,960 --> 01:40:09,159
Speaker 1: Yeah.

1873
01:40:09,800 --> 01:40:13,960
Speaker 9: And actually one one other question that that you wanted

1874
01:40:14,039 --> 01:40:16,640
to ask us was if there were any pet projects

1875
01:40:16,680 --> 01:40:18,640
that we love to do it that are hard to do.

1876
01:40:19,119 --> 01:40:21,960
And there is one in particular, and that's Joe Sarno's

1877
01:40:22,000 --> 01:40:27,359
Young Playthings. Yes, yes, yes, that's want long story short.

1878
01:40:27,680 --> 01:40:31,920
We've seen the fifth generation VHS copy of it on online.

1879
01:40:32,439 --> 01:40:36,800
We've read the essay in in in Incredibly Strange Films

1880
01:40:36,840 --> 01:40:40,159
book that was made me excited about it. And then

1881
01:40:40,479 --> 01:40:45,279
when when a guy made a documentary about Joe and

1882
01:40:45,359 --> 01:40:49,920
Peggy some years ago, Swedish director Victor Erickson, which actually

1883
01:40:49,960 --> 01:40:52,479
has been released now by Film Movement on Blu ray

1884
01:40:52,520 --> 01:40:53,000
in the US.

1885
01:40:53,720 --> 01:40:55,399
Speaker 7: Yeah, that's great with me.

1886
01:40:55,520 --> 01:40:58,439
Speaker 9: On the commentary track, Oh, I haven't.

1887
01:40:58,199 --> 01:40:58,600
Speaker 7: Listened to that.

1888
01:40:58,960 --> 01:41:01,279
Speaker 9: I need to listen to that. It's me and Victor,

1889
01:41:01,600 --> 01:41:03,760
and it's also me and Victor. It's also me and

1890
01:41:03,880 --> 01:41:08,399
Victor on the comblow the Horn commentary. But in that

1891
01:41:08,600 --> 01:41:12,840
film he is in the basement locker, in Peggy's basement

1892
01:41:12,880 --> 01:41:15,439
locker in Stockholm because they had an apartment here and

1893
01:41:15,520 --> 01:41:20,520
I was like, does that box say Young Playthings? So

1894
01:41:20,640 --> 01:41:23,079
I asked, I asked him it's like and he said it,

1895
01:41:23,159 --> 01:41:26,319
well maybe, And I knew Peggy scenes before I interviewed

1896
01:41:26,359 --> 01:41:28,560
Joe and Peggy many years ago. So I asked to

1897
01:41:28,640 --> 01:41:30,520
come down to the basement locker and we found the

1898
01:41:30,600 --> 01:41:34,720
work print of Young Playthings on sixteen millimeters. Yeah wow,

1899
01:41:34,880 --> 01:41:38,000
but it was without sound, of course, but the sound

1900
01:41:38,039 --> 01:41:41,479
we could grab and then we scanned it all and

1901
01:41:41,600 --> 01:41:45,279
it's missing fifteen minutes, so we had to take those

1902
01:41:45,399 --> 01:41:48,039
from the old VHS shitty version.

1903
01:41:48,319 --> 01:41:49,760
Speaker 2: Yeah, it jumps between the two.

1904
01:41:50,000 --> 01:41:52,279
Speaker 9: Yeah, And we put them all together and we released

1905
01:41:52,279 --> 01:41:56,000
them on DVD because it's better than nothing. One month

1906
01:41:56,159 --> 01:41:59,159
after that release, a French friend of mine sets Young

1907
01:41:59,199 --> 01:42:03,119
Playthings is up on an auction site in the US,

1908
01:42:03,439 --> 01:42:06,439
a thirty five millimeter print, so I bought it, but

1909
01:42:06,600 --> 01:42:09,840
they didn't cheap overseas, so first it stayed with the

1910
01:42:10,359 --> 01:42:13,640
Synaps guys, and now it's with AGFA. But it's only

1911
01:42:13,760 --> 01:42:16,840
three reels and we don't know which three reels they are,

1912
01:42:17,079 --> 01:42:21,079
and they have a big backlog at AGFA, so hopefully

1913
01:42:21,319 --> 01:42:23,279
one of these days they will scan them and we

1914
01:42:23,399 --> 01:42:26,319
can try at least to put it all together. Yeah,

1915
01:42:26,600 --> 01:42:27,840
because it's a great movie.

1916
01:42:28,800 --> 01:42:32,640
Speaker 7: Yeah yeah, I mean Swedish Wildcats is not good, but

1917
01:42:32,720 --> 01:42:34,560
it has a lot of the cast from that, so

1918
01:42:34,720 --> 01:42:36,479
it's kind of like, you want to see the people

1919
01:42:36,520 --> 01:42:41,039
from Swedish Wildcats in a good movie, go watch. And

1920
01:42:41,199 --> 01:42:43,600
isn't Christinauly That's the thing. I haven't seen it because

1921
01:42:43,600 --> 01:42:46,680
I only have access to the version that is gross.

1922
01:42:46,760 --> 01:42:50,159
I don't have access to your restoration yet. So isn't

1923
01:42:50,239 --> 01:42:52,199
Christina supposed to have a pretty large part in that?

1924
01:42:52,560 --> 01:42:52,680
Speaker 1: Oh?

1925
01:42:52,760 --> 01:42:55,800
Speaker 9: Yeah, yeah, she's one of the two lead roles. Yeah, yeah,

1926
01:42:55,800 --> 01:42:56,439
absolutely so.

1927
01:42:57,000 --> 01:42:58,640
Speaker 7: Yeah, and there's an anger in that too.

1928
01:42:59,359 --> 01:43:03,239
Speaker 9: No there, I think Britain Larson is in it.

1929
01:43:03,319 --> 01:43:05,439
Speaker 7: I think, yes, Okay, that's who I'm thinking of.

1930
01:43:06,159 --> 01:43:08,520
Speaker 9: And if you're going to go, if you're gonna nerd

1931
01:43:08,600 --> 01:43:11,399
out completely, there's also another guy who only did a

1932
01:43:11,760 --> 01:43:14,960
one more role, and that's a guy from one of

1933
01:43:15,000 --> 01:43:17,439
the knee cuts of films, and he's the guy who

1934
01:43:17,640 --> 01:43:23,039
was murdered by his male lover in real life, which

1935
01:43:23,119 --> 01:43:27,319
there's a story about that on the commentary, But.

1936
01:43:27,479 --> 01:43:29,840
Speaker 8: There was more in the basement that record found as well.

1937
01:43:31,920 --> 01:43:34,560
Speaker 9: The thing is that pay you had to leave the

1938
01:43:34,960 --> 01:43:38,159
apartment some years later, I think there was four years ago,

1939
01:43:39,000 --> 01:43:42,239
and everything from that basement locker would go into a

1940
01:43:43,039 --> 01:43:47,039
garbage dump. And was actually Tim Lucas who told me

1941
01:43:47,119 --> 01:43:49,159
about this, and I called her up and I said,

1942
01:43:49,399 --> 01:43:53,079
can we just you know, take this off your hands

1943
01:43:53,119 --> 01:43:55,079
and we don't even have to own it. We can

1944
01:43:55,199 --> 01:43:57,760
keep it in our warehouse, but you can't be thrown

1945
01:43:57,800 --> 01:44:00,920
away and she said, yeah, you can have anything film related.

1946
01:44:01,239 --> 01:44:04,039
So there were other work prints there for some of

1947
01:44:04,239 --> 01:44:07,520
his American films as well. On sixteen MIL. There are

1948
01:44:07,800 --> 01:44:12,199
our music tapes, there are screenplays. There are even a

1949
01:44:12,239 --> 01:44:17,239
few screenplays that never became films. But there are also

1950
01:44:17,920 --> 01:44:20,319
all of the clothes and all of the props from

1951
01:44:20,399 --> 01:44:25,720
young playthings the Rocky Horse Yep, Oh my God, and

1952
01:44:25,840 --> 01:44:29,880
the hobby Horse and the little Yep.

1953
01:44:31,720 --> 01:44:33,000
Speaker 2: Might want to just infect those.

1954
01:44:33,760 --> 01:44:37,840
Speaker 9: Yeah, Actually the dial those the dial those had crumbled.

1955
01:44:37,880 --> 01:44:40,239
They were in like some styrofoams that there was nothing

1956
01:44:40,359 --> 01:44:44,319
left of that what a shame. But there were also

1957
01:44:44,479 --> 01:44:49,319
clothes from come blow the Horn there. So now that

1958
01:44:49,600 --> 01:44:53,560
is the big national stage of Sweden. The Royal dramatic

1959
01:44:53,640 --> 01:44:56,600
theater now has put up this performance of Come Blow

1960
01:44:56,680 --> 01:45:00,560
the Horn. They borrowed the apron that the woman has

1961
01:45:00,600 --> 01:45:03,279
in the film, so that's framed in the lobby in

1962
01:45:03,760 --> 01:45:06,720
a big exhibition all behind the scenes photos from the film.

1963
01:45:07,239 --> 01:45:07,920
Speaker 7: It's so cool.

1964
01:45:08,720 --> 01:45:10,960
Speaker 3: So any so, everybody that goes to see the play,

1965
01:45:11,159 --> 01:45:13,680
it's like free advertisement for your release.

1966
01:45:13,800 --> 01:45:17,640
Speaker 9: Basically exactly, every time someone writes about it in a newspaper,

1967
01:45:17,760 --> 01:45:20,960
talks about it on television, they will find our web shop.

1968
01:45:21,479 --> 01:45:25,359
Speaker 8: Yeah, that's amazing merchandise for the stage play too. And

1969
01:45:25,640 --> 01:45:27,119
you know, credit to them, you got.

1970
01:45:27,159 --> 01:45:31,199
Speaker 9: To be Yeah, now they're and they're great. I love

1971
01:45:31,640 --> 01:45:33,960
those women. They They've been great to talk to and

1972
01:45:34,359 --> 01:45:37,279
I've helped them out some and they're very grateful for that.

1973
01:45:37,479 --> 01:45:40,520
And and I told them because they invited a couple

1974
01:45:40,560 --> 01:45:44,279
of guys that have helped them with research for coffee

1975
01:45:44,439 --> 01:45:47,840
in the rehearsal room before before the opening, and we

1976
01:45:47,960 --> 01:45:50,680
had a great time. And I ended it up with

1977
01:45:51,039 --> 01:45:53,760
telling them, you know that we're going to exploit the

1978
01:45:53,960 --> 01:45:57,920
ship out of your play. You realize that you're now

1979
01:45:58,039 --> 01:46:01,439
part of it, You're part of the whole of history.

1980
01:46:01,880 --> 01:46:03,840
And they just laughed about it, and they thought that

1981
01:46:03,960 --> 01:46:08,239
was cool. But it's completely sold out from March sixth

1982
01:46:08,840 --> 01:46:13,640
to the last of May, completetely before there were any reviews,

1983
01:46:13,680 --> 01:46:16,720
before people knew what they were going to do. So

1984
01:46:16,880 --> 01:46:20,279
it is the biggest porn film in Sweden ever. Everyone

1985
01:46:20,399 --> 01:46:20,960
knows about it.

1986
01:46:21,319 --> 01:46:24,199
Speaker 2: That's so crazy. From an America amazing.

1987
01:46:25,119 --> 01:46:28,560
Speaker 9: Not in America, And I mean Oceanna sold almost two

1988
01:46:28,640 --> 01:46:32,359
thousand copies of it now and we have manufactured two

1989
01:46:32,439 --> 01:46:35,079
and a half thousand just for Sweden and we're selling

1990
01:46:35,119 --> 01:46:39,239
out nice. And it's just basically a regular porn movie

1991
01:46:39,359 --> 01:46:42,239
apart from the sausage of course. But for Swedens it's

1992
01:46:42,279 --> 01:46:45,600
funny because there's so much dialogue, and you know that

1993
01:46:45,800 --> 01:46:49,479
we've added and this is inspired by American companies. We've

1994
01:46:49,520 --> 01:46:52,560
added a smut without smut version on the release. I

1995
01:46:52,680 --> 01:46:56,880
saw that, Yeah, and it still ends up seventy four minutes.

1996
01:46:58,800 --> 01:46:59,720
Speaker 8: We dialogue.

1997
01:47:00,279 --> 01:47:03,840
Speaker 7: Sarno's hardcores are all long. It's like because you know,

1998
01:47:03,920 --> 01:47:06,840
his standard movies are like standard length, but he wasn't

1999
01:47:06,880 --> 01:47:09,800
going to cut script to add hardcore, so it just

2000
01:47:09,880 --> 01:47:12,439
becomes like two hours. All of his hardcore is like

2001
01:47:12,520 --> 01:47:14,199
two hours or almost two hours.

2002
01:47:14,319 --> 01:47:17,039
Speaker 9: Yeah, and I have an announcement. I don't think I

2003
01:47:17,119 --> 01:47:20,079
don't think anyone knows about in America, we are releasing

2004
01:47:20,159 --> 01:47:21,399
the soundtrack on vinyl.

2005
01:47:21,600 --> 01:47:22,880
Speaker 7: Oh really, I love that?

2006
01:47:23,119 --> 01:47:26,199
Speaker 9: Okay gatefold with a folder and everything.

2007
01:47:26,319 --> 01:47:28,720
Speaker 7: Yeah nice, damn I love that.

2008
01:47:29,319 --> 01:47:29,520
Speaker 8: Yeah.

2009
01:47:29,560 --> 01:47:32,159
Speaker 3: My copy is coming on Monday, so I haven't been

2010
01:47:32,159 --> 01:47:34,000
able to dig into it yet. But yeah, I want

2011
01:47:34,039 --> 01:47:36,359
to see like those behind the scenes photos that are

2012
01:47:36,359 --> 01:47:37,359
apparently on the release.

2013
01:47:37,399 --> 01:47:40,600
Speaker 9: So they're beautiful, but there's so many of them, and

2014
01:47:40,760 --> 01:47:42,840
it seems, you know, you know, they only had one

2015
01:47:42,960 --> 01:47:46,079
sound guy and one cinematographer that was the team. That's

2016
01:47:46,359 --> 01:47:47,359
wy he did everything.

2017
01:47:47,680 --> 01:47:50,000
Speaker 2: Yeah, it is Peggy in any of the photos. Yeah, yeah,

2018
01:47:50,399 --> 01:47:51,039
oh great.

2019
01:47:51,840 --> 01:47:54,000
Speaker 8: And do you want to mention Victor's projects?

2020
01:47:54,439 --> 01:47:57,039
Speaker 9: Oh yeah, yeah, this is so funny. Victor Ericson, who

2021
01:47:57,079 --> 01:48:01,920
did the documentary about Joe and Peggy, He wasn't interested

2022
01:48:02,039 --> 01:48:05,079
in the movie at all from the start. He got

2023
01:48:05,119 --> 01:48:07,399
in touch with them because he had an idea for

2024
01:48:07,600 --> 01:48:11,000
a screenplay for a fiction film about the shoot of

2025
01:48:11,319 --> 01:48:15,600
the film, and that has been well, it's been in

2026
01:48:15,680 --> 01:48:19,680
the works for ten years now. He's found a financer.

2027
01:48:19,159 --> 01:48:21,319
Speaker 2: And a producer who's going to play Joe.

2028
01:48:21,880 --> 01:48:22,479
Speaker 5: What I don't know.

2029
01:48:23,319 --> 01:48:25,239
Speaker 9: So it's going to be a fictionalized it's going to

2030
01:48:25,279 --> 01:48:28,399
be a fictionalized version of what happened at the backstory.

2031
01:48:28,479 --> 01:48:31,520
The short synopsis of it is that the producer of

2032
01:48:31,640 --> 01:48:35,399
the film had a crush on Leonard, the actress, so

2033
01:48:35,600 --> 01:48:38,680
did his son, who was also cast in the movie

2034
01:48:38,840 --> 01:48:39,560
doing porn.

2035
01:48:39,760 --> 01:48:40,680
Speaker 2: So that's the drama.

2036
01:48:41,359 --> 01:48:44,720
Speaker 9: Oh my god, Wow, that's the elevator pitch of it.

2037
01:48:45,199 --> 01:48:47,000
Speaker 7: Yeah, wow, that's good.

2038
01:48:47,199 --> 01:48:48,079
Speaker 9: I like to see this.

2039
01:48:48,840 --> 01:48:54,079
Speaker 7: We're having this Cumblow the hornissance now over the world,

2040
01:48:54,199 --> 01:48:55,880
you know, it's like and which is crazy because for

2041
01:48:55,920 --> 01:48:59,439
a long time this was the hardest of his hardcore

2042
01:48:59,520 --> 01:49:03,119
films to see, very difficult to see. So the fact

2043
01:49:03,199 --> 01:49:06,199
that now it's like, you can't miss it, you gotta

2044
01:49:06,279 --> 01:49:09,079
get it. Yeah, I love that. That is really great.

2045
01:49:09,520 --> 01:49:12,439
Speaker 9: And also the restoration we've done ourselves because the Film

2046
01:49:12,479 --> 01:49:15,880
Institute wouldn't do it. It looks beautiful and there wasn't

2047
01:49:15,880 --> 01:49:17,680
even a negative of it, but it was a very

2048
01:49:17,800 --> 01:49:21,079
nice thirty five millimeter print, so it looks really really good.

2049
01:49:21,840 --> 01:49:22,439
Speaker 7: That's amazing.

2050
01:49:22,439 --> 01:49:25,079
Speaker 9: And it's still one hundred and fifteen minutes long.

2051
01:49:26,760 --> 01:49:29,119
Speaker 7: Joe got to keep them long. Yeah, I think he

2052
01:49:29,239 --> 01:49:33,479
made one that was over two hours. Now, Yeah, it

2053
01:49:33,640 --> 01:49:36,359
is what it is. Yeah, you have to just kind

2054
01:49:36,399 --> 01:49:38,359
of deal with the sex and figure out this and

2055
01:49:38,439 --> 01:49:40,479
the story is the fun part. Yeah.

2056
01:49:41,159 --> 01:49:43,199
Speaker 9: And speaking of which, did I have to tell you this?

2057
01:49:43,520 --> 01:49:47,640
You know that the actresses or who are making this

2058
01:49:47,920 --> 01:49:52,960
play version, they actually were in touch with Peggy while

2059
01:49:53,039 --> 01:49:55,560
she was still alive and told her about the project

2060
01:49:56,199 --> 01:49:58,119
and they would have loved to see her there at

2061
01:49:58,159 --> 01:49:59,840
the theater, but sadly that didn't happen.

2062
01:50:00,159 --> 01:50:00,359
Speaker 5: Yeah.

2063
01:50:00,720 --> 01:50:02,880
Speaker 9: Yeah, but she knew about it, and I think she

2064
01:50:03,000 --> 01:50:05,359
was happy about it and and that I think that's

2065
01:50:05,720 --> 01:50:07,239
that's beautiful. I think that's important.

2066
01:50:07,760 --> 01:50:12,159
Speaker 7: Yeah, absolutely, yeah, that was that was That was a surprise.

2067
01:50:12,279 --> 01:50:15,640
We recorded. We learned about her passing an hour before

2068
01:50:15,680 --> 01:50:18,920
we did a podcast with Michael Bowen was very close

2069
01:50:18,960 --> 01:50:20,840
to them too, so we kind of we kind of

2070
01:50:20,880 --> 01:50:24,640
had a little wake for her as we've recorded. It

2071
01:50:24,800 --> 01:50:28,159
was very strange, Yeah, very It's interesting because she didn't

2072
01:50:28,199 --> 01:50:30,840
really work on his hardcore stuff in America, so the

2073
01:50:30,880 --> 01:50:33,199
fact that she was so involved with production with Cumbo

2074
01:50:33,279 --> 01:50:36,800
the Horn, that makes it more special because it was

2075
01:50:36,880 --> 01:50:40,239
something that you know, she wasn't gonna you know, stick

2076
01:50:40,279 --> 01:50:43,000
her nose up at it. It was like a real movie. Yeah.

2077
01:50:43,439 --> 01:50:45,920
Speaker 9: Yeah, And hopefully we will release the film that he

2078
01:50:46,000 --> 01:50:49,079
made before it Loves Island, which.

2079
01:50:48,920 --> 01:50:51,319
Speaker 7: I still haven't seen either. Yes, great, and we.

2080
01:50:52,079 --> 01:50:54,760
Speaker 9: Now we now have our hands on the original negative.

2081
01:50:55,239 --> 01:50:56,640
Speaker 2: Oh fantastic.

2082
01:50:56,840 --> 01:50:57,880
Speaker 9: Yeah, it's fantastic.

2083
01:50:58,479 --> 01:51:02,079
Speaker 3: Have you guys ever seen in delicate balance that drama

2084
01:51:02,199 --> 01:51:02,479
he did?

2085
01:51:02,720 --> 01:51:04,880
Speaker 9: Yeah? Yeah, I think we have it on col picks,

2086
01:51:05,079 --> 01:51:05,359
don't we?

2087
01:51:05,640 --> 01:51:05,760
Speaker 1: Oh?

2088
01:51:05,880 --> 01:51:06,279
Speaker 5: Yes you do?

2089
01:51:06,680 --> 01:51:07,720
Speaker 9: Yeah, I think so?

2090
01:51:07,840 --> 01:51:08,119
Speaker 7: Really?

2091
01:51:08,239 --> 01:51:08,439
Speaker 8: Yeah?

2092
01:51:08,479 --> 01:51:11,399
Speaker 7: Yeah, yeah that that is such a great movie. That

2093
01:51:11,560 --> 01:51:14,159
is maybe his yeah, maybe his best Swedish movie.

2094
01:51:14,239 --> 01:51:17,319
Speaker 3: Actually, this is actually movie anyway, It looks like it's

2095
01:51:17,399 --> 01:51:18,159
not there anymore.

2096
01:51:18,560 --> 01:51:22,840
Speaker 9: Okay, that might be that might be Michael Raso talking.

2097
01:51:23,079 --> 01:51:27,359
Speaker 7: Oh maybe, yeah, maybe that's that's a hard, hard one.

2098
01:51:27,560 --> 01:51:27,760
Speaker 9: Yeah.

2099
01:51:28,359 --> 01:51:30,239
Speaker 7: I hope that means that it's coming out.

2100
01:51:30,960 --> 01:51:34,199
Speaker 9: I would love that hopefully. I don't know. We have

2101
01:51:34,279 --> 01:51:36,840
been trying to to We have been trying to negotiap

2102
01:51:36,920 --> 01:51:41,600
it pop cinema for five years and nothing, nothing happening you.

2103
01:51:41,720 --> 01:51:45,039
Speaker 3: Yeah, that's also frust Yeah, it's frustrating for us as well.

2104
01:51:45,079 --> 01:51:48,199
Where you can sometimes find some of them streaming on

2105
01:51:48,560 --> 01:51:50,760
film Movements or somewhere.

2106
01:51:50,479 --> 01:51:52,319
Speaker 9: Else, but they have they have them.

2107
01:51:52,399 --> 01:51:54,880
Speaker 8: Yeah, yeah, we want the riots expired.

2108
01:51:55,359 --> 01:52:31,840
Speaker 7: Okay, that's what it was. Okay, all right, So we

2109
01:52:31,880 --> 01:52:33,920
don't want to keep you guys too much longer. I

2110
01:52:34,079 --> 01:52:37,840
only have two films that I'm going to beg you

2111
01:52:37,920 --> 01:52:41,319
guys to consider putting out, and one is Katoyna the

2112
01:52:41,439 --> 01:52:45,840
Cats and the other is is Ava Ava The Outcasts,

2113
01:52:45,840 --> 01:52:48,199
because I I because now that now that people are

2114
01:52:48,239 --> 01:52:52,399
discovering so vague, I think it's it's it's the perfect

2115
01:52:52,479 --> 01:52:55,279
time for her first film to come out. And Katoyna

2116
01:52:55,560 --> 01:52:59,000
has a cult following in America anyway because of the trailer. Yeah,

2117
01:52:59,239 --> 01:53:01,359
oh yeah, you know it's and it's g and it's

2118
01:53:01,399 --> 01:53:04,760
Geopatre who I think always more people need to know

2119
01:53:04,800 --> 01:53:05,520
who she is too.

2120
01:53:06,039 --> 01:53:08,960
Speaker 8: Yeah, it's the only time has come close to making

2121
01:53:09,000 --> 01:53:11,359
a kind of women in prison film. I know it's

2122
01:53:11,399 --> 01:53:13,199
not a prison, but it might as well be.

2123
01:53:13,920 --> 01:53:17,920
Speaker 9: It functions like one, right, Yeah, I think that both

2124
01:53:17,960 --> 01:53:20,199
of the both of those could be eligible for the

2125
01:53:20,239 --> 01:53:24,399
Film Institute for Restoration, and especially Katuna, which has the

2126
01:53:24,520 --> 01:53:28,880
music by Christoph Komierda music is so good. Yeah, and

2127
01:53:28,960 --> 01:53:31,039
I have to tell you, of course, to brag about it.

2128
01:53:31,359 --> 01:53:34,199
I met with Geopetria in August last year.

2129
01:53:35,039 --> 01:53:37,359
Speaker 7: WHOA, Yeah, she's amazing.

2130
01:53:38,159 --> 01:53:39,000
Speaker 9: She's eighty nine.

2131
01:53:39,920 --> 01:53:40,199
Speaker 5: Wow.

2132
01:53:40,760 --> 01:53:44,000
Speaker 9: And I'll send you the photo of us together because

2133
01:53:44,720 --> 01:53:48,319
we wanted to interview her for the doll Yeah. And

2134
01:53:48,880 --> 01:53:50,720
I was in touch with her daughter and I was

2135
01:53:51,399 --> 01:53:54,000
a really nice call. And she lives on a like

2136
01:53:54,319 --> 01:53:57,600
an estate, beautiful place close to my summer house. So

2137
01:53:57,640 --> 01:53:59,920
I went there by car. I talked to her, to

2138
01:54:00,239 --> 01:54:04,439
the daughter and her son, and I said, can we

2139
01:54:04,520 --> 01:54:06,520
do an interview? And she said no, I don't want

2140
01:54:06,600 --> 01:54:10,720
people to remember me like this old, you know, tired,

2141
01:54:11,119 --> 01:54:15,319
sick lady. But she's still gorgeous, and she has so

2142
01:54:15,600 --> 01:54:19,640
many funny stories, like really great stories. One of my

2143
01:54:19,760 --> 01:54:21,680
favorites is that, you know, she used to be an

2144
01:54:21,720 --> 01:54:25,279
actress at the Royal Dramatic Theater, but she quit the

2145
01:54:25,439 --> 01:54:28,520
job when Imar Bergmann became the boss because she hated him.

2146
01:54:29,880 --> 01:54:33,520
Speaker 7: Really has to be preserved.

2147
01:54:34,079 --> 01:54:37,880
Speaker 9: Yeah, and because he was just a foul mouthed asshole

2148
01:54:38,000 --> 01:54:40,039
who fucked ORed all of his actresses.

2149
01:54:41,079 --> 01:54:44,119
Speaker 7: Oh my god, Well, would she do an audio? Maybe

2150
01:54:44,199 --> 01:54:45,560
she could do an audio interview?

2151
01:54:45,640 --> 01:54:45,840
Speaker 1: Yeah.

2152
01:54:45,880 --> 01:54:49,439
Speaker 9: I tried a lot. But now National Television are doing

2153
01:54:49,600 --> 01:54:53,319
a documentary about her. Life. Now, Oh that's incredible, okay,

2154
01:54:53,399 --> 01:54:56,520
And they haven't dealt anything into her exploitation stuff. So

2155
01:54:56,960 --> 01:54:59,680
m it was actually her daughter who tipped the director

2156
01:54:59,720 --> 01:55:01,880
of to talk to me. So I've talked about that

2157
01:55:02,119 --> 01:55:05,720
period of her life in the documentary, so hopefully that will. Yeah,

2158
01:55:05,760 --> 01:55:08,359
there'll be some balance to do it not only the

2159
01:55:08,439 --> 01:55:11,439
Bergmann film, and you don't know my settling film she did.

2160
01:55:12,000 --> 01:55:14,199
But she was great. She was she was super fun

2161
01:55:14,279 --> 01:55:16,560
to talk to and she's still very you know, very

2162
01:55:16,680 --> 01:55:20,960
sharp minded. So it's just good to know, lovely to

2163
01:55:21,039 --> 01:55:25,760
have met her. I mean, yeah about people I didn't expire.

2164
01:55:25,279 --> 01:55:25,439
Speaker 5: You know.

2165
01:55:25,800 --> 01:55:28,199
Speaker 7: Well, yes, I'm glad she's still around. I first I

2166
01:55:29,079 --> 01:55:32,039
assumed that she might not be, you know, because because

2167
01:55:32,119 --> 01:55:33,640
we haven't heard anything about her, so I didn't know

2168
01:55:33,640 --> 01:55:36,199
if But then I should have known. You would have

2169
01:55:36,319 --> 01:55:38,640
done the research to know what happened to her. But

2170
01:55:38,760 --> 01:55:40,199
she went on my list of actresses.

2171
01:55:40,319 --> 01:55:43,239
Speaker 9: Yeah, she's you know, she stopped acting in like nineteen

2172
01:55:43,319 --> 01:55:46,640
seventy two or something, and then she took care of

2173
01:55:46,680 --> 01:55:49,720
the family and had a lot of baby slicks like so,

2174
01:55:50,319 --> 01:55:52,439
and there were many I mean she had. She's had

2175
01:55:52,479 --> 01:55:54,680
a very interesting dive that could become a film. She

2176
01:55:54,800 --> 01:55:59,000
had some major, major sorrow in her life, with children dying,

2177
01:55:59,119 --> 01:56:02,880
her husband dying, lots of lots of bad stuff happening.

2178
01:56:02,960 --> 01:56:06,199
But well she seems to lead a pretty good life

2179
01:56:06,279 --> 01:56:08,760
now anyway, So it was good to meet her.

2180
01:56:09,439 --> 01:56:13,520
Speaker 7: She's great, Gentry, watched some of her stuff too. Well

2181
01:56:13,560 --> 01:56:15,479
you have seen the Doll then you know how good

2182
01:56:15,560 --> 01:56:17,039
she is, because she's really good.

2183
01:56:17,079 --> 01:56:18,920
Speaker 3: That I've only seen her in the Sarno you know,

2184
01:56:19,039 --> 01:56:23,520
the Daddy Darling, and she was in oh yeah, no, yes, yes,

2185
01:56:23,760 --> 01:56:25,359
and well she's also want to add an Eve with

2186
01:56:25,560 --> 01:56:27,680
Mari Lili Dahl, which she's kind of the best thing

2187
01:56:27,680 --> 01:56:28,600
about that movie.

2188
01:56:29,199 --> 01:56:31,359
Speaker 9: That was just released in Sweden by our by our

2189
01:56:31,399 --> 01:56:37,479
competitors Stu do s. Yeah, interesting with English subtitles, I

2190
01:56:37,560 --> 01:56:39,840
think so. But I love her and I a woman too.

2191
01:56:40,439 --> 01:56:44,720
Speaker 7: Yes, she's terrific in that just made in that one. Yeah, yeah, yeah, no,

2192
01:56:44,880 --> 01:56:45,359
she's good.

2193
01:56:45,640 --> 01:56:51,159
Speaker 9: Yeah, Gentry, we would love to do Eva of course. Definitely.

2194
01:56:51,680 --> 01:56:55,399
Speaker 7: I love that you included her her screen test on

2195
01:56:56,039 --> 01:56:59,840
on that release because yeah, yes, because you can see

2196
01:57:00,079 --> 01:57:02,600
right off the bat, like, oh this she's going to

2197
01:57:02,640 --> 01:57:05,279
be She's going to be amazing. Yeah, she just commands

2198
01:57:05,359 --> 01:57:05,800
that camera.

2199
01:57:06,199 --> 01:57:09,720
Speaker 9: Yeah, and they actually reused some footage from Eva in

2200
01:57:09,880 --> 01:57:12,920
the Language of Love, the scene where they run out

2201
01:57:12,920 --> 01:57:15,560
of the sauna and roll around in the snow that's

2202
01:57:15,600 --> 01:57:17,840
taken from Eela into that sex film.

2203
01:57:18,359 --> 01:57:23,600
Speaker 7: Right, Okay, that's right, I remember that now, Okay, Yeah. Well,

2204
01:57:24,239 --> 01:57:27,720
I also we didn't want to not discuss Can the

2205
01:57:28,199 --> 01:57:33,359
exciting event of returning of a certain incredible star returning

2206
01:57:33,439 --> 01:57:35,560
to can this year, which is amazing.

2207
01:57:36,760 --> 01:57:37,840
Speaker 9: Patrick tell the story.

2208
01:57:38,399 --> 01:57:42,199
Speaker 8: Well, we're super thrilled to be bringing Christina Lindbergh back

2209
01:57:42,239 --> 01:57:46,119
to Can where she had her bake international splash and

2210
01:57:46,720 --> 01:57:50,079
I hate to put a number on it because she's

2211
01:57:50,119 --> 01:57:54,079
so amazing, but that was fifty five years ago. She'd

2212
01:57:54,159 --> 01:57:56,960
done two films by then. She came to promote Explaner

2213
01:57:57,840 --> 01:58:01,079
and she was flown then and up from a helicopter

2214
01:58:01,720 --> 01:58:06,680
onto the beach. And obviously I wasn't there, but I've

2215
01:58:06,760 --> 01:58:09,640
seen the photos of her posing on a table to

2216
01:58:09,800 --> 01:58:14,079
a throng of international photographers and a very very wet

2217
01:58:14,720 --> 01:58:19,479
white shirt, looking stunning as always. Obviously, this time fifty

2218
01:58:19,560 --> 01:58:21,760
five years ly, we're not bringing her in by helicopter,

2219
01:58:22,239 --> 01:58:26,800
you know that would be but she will be there

2220
01:58:26,800 --> 01:58:28,720
and she's going to talk about the fact that it's

2221
01:58:28,800 --> 01:58:32,960
going to be our first four K restoration, So we're

2222
01:58:32,960 --> 01:58:36,079
looking at putting it out in UHD. I think this

2223
01:58:36,279 --> 01:58:40,119
is exclusively announced here, and she's going to be meeting

2224
01:58:40,439 --> 01:58:45,560
with her fans, you know, everybody from Sean Baker, Quentin

2225
01:58:45,640 --> 01:58:50,840
tarantina've been writing before asking about meeting her. But she

2226
01:58:51,000 --> 01:58:54,279
will be there, and she will be walking the red

2227
01:58:54,359 --> 01:58:57,760
carpet on Sunday. Again, I don't think we've announced that,

2228
01:58:58,079 --> 01:59:02,079
but yeah, wow, it's just thrilling to be able to

2229
01:59:02,239 --> 01:59:05,880
give that back to her because that's not something she

2230
01:59:06,000 --> 01:59:08,239
did when she was in town for the first time.

2231
01:59:09,399 --> 01:59:11,039
Now she gets her due recognition.

2232
01:59:12,119 --> 01:59:16,079
Speaker 9: And we're doing a cocktail in cooperation with OCM, so

2233
01:59:16,359 --> 01:59:19,680
Justin will be there, being co hosted for a party

2234
01:59:20,199 --> 01:59:24,159
in our apartment Terrasts. So we're very much looking forward

2235
01:59:24,199 --> 01:59:27,680
to that, and Christina has been quite quite anxious, and

2236
01:59:27,720 --> 01:59:29,720
you know, I've been traveling with her for twenty years

2237
01:59:29,800 --> 01:59:33,720
to conventions and festivals, but this time it's like she's

2238
01:59:33,760 --> 01:59:36,279
been so anxious about how does it work, how do

2239
01:59:36,399 --> 01:59:39,840
I get tickets for the red carpet? What are you experience?

2240
01:59:40,000 --> 01:59:43,079
You know, what what are you demanding? And I'm like,

2241
01:59:43,399 --> 01:59:47,159
be yourself, be your yourself in a r That's all

2242
01:59:47,279 --> 01:59:49,880
you need to do basically. Yeah, So I had to

2243
01:59:49,960 --> 01:59:50,359
have like a.

2244
01:59:51,119 --> 01:59:53,239
Speaker 7: Does she have a hard time checking into that like

2245
01:59:53,439 --> 01:59:56,399
mentality that like you're the star, people are coming to

2246
01:59:56,560 --> 02:00:00,920
see you, like has that? Does she still problems kind

2247
02:00:00,960 --> 02:00:04,479
of acknowledging that she has this massive international film?

2248
02:00:04,560 --> 02:00:08,199
Speaker 9: I think she. I think she she's grown to know

2249
02:00:08,359 --> 02:00:10,960
it and love it and she I mean, she loves

2250
02:00:11,239 --> 02:00:14,279
the attention for sure. But I mean the first big

2251
02:00:14,439 --> 02:00:18,359
thing we did was a convention in Cleveland, one of

2252
02:00:18,439 --> 02:00:22,439
those annual oh yeah, and we didn't have any expectations,

2253
02:00:22,560 --> 02:00:25,640
and we I had a lot of photos, you know,

2254
02:00:25,800 --> 02:00:29,199
glossy photos made up for her and they cast around

2255
02:00:30,000 --> 02:00:32,920
one dollar each or something. And she was so upset

2256
02:00:33,000 --> 02:00:37,319
with me about those expensive, expensive photos and she would

2257
02:00:37,399 --> 02:00:41,279
never get her money back. And then for the whole convention,

2258
02:00:42,199 --> 02:00:44,399
there was a convention hall, like you know, the biggest

2259
02:00:44,439 --> 02:00:46,800
conventions hole you can think of. There was a line

2260
02:00:47,039 --> 02:00:51,000
all the way through up to the next wall, and

2261
02:00:51,319 --> 02:00:54,159
she took her time with everyone, talked to them, being friendly,

2262
02:00:54,560 --> 02:00:56,520
said oh, this photo is from this film. I did

2263
02:00:56,600 --> 02:00:59,159
that and when they were finished with her, they went

2264
02:00:59,279 --> 02:01:01,239
back in the line and stood at the end of

2265
02:01:01,279 --> 02:01:03,079
the line to come back and talk to her again.

2266
02:01:04,119 --> 02:01:08,279
That's the kind of great personality she is. So and

2267
02:01:08,439 --> 02:01:11,159
then I had I was the you know, the the

2268
02:01:11,840 --> 02:01:14,079
ugly money guy who had to take the money from

2269
02:01:14,119 --> 02:01:16,399
the people, and I had to rush up to the

2270
02:01:16,439 --> 02:01:19,319
hotel room to empty my pocket so I wouldn't lose

2271
02:01:19,399 --> 02:01:22,720
my pants for all the money we got. And then

2272
02:01:22,760 --> 02:01:25,760
on the plane back, I said, so, Christina, do you

2273
02:01:25,840 --> 02:01:29,520
think the photos were expensive? He's just like, no, it's okay.

2274
02:01:32,279 --> 02:01:33,000
Speaker 2: That's so funny.

2275
02:01:33,079 --> 02:01:35,960
Speaker 9: And after that, I think she's been pretty happy with

2276
02:01:36,119 --> 02:01:38,760
just traveling around. And then of course me and Patrick

2277
02:01:38,800 --> 02:01:42,319
were the producers of her comeback film in twenty eighteen,

2278
02:01:42,640 --> 02:01:48,399
Black Circle, directed by Adrian Garcia Bugliano in Sweden, and

2279
02:01:48,520 --> 02:01:51,880
we were lucky to travel to festivals at the end

2280
02:01:51,960 --> 02:01:55,720
of twenty nineteen and then the world obviously shut down

2281
02:01:55,800 --> 02:01:59,920
after that, so we managed to get that little win

2282
02:02:00,159 --> 02:02:03,000
though for traveling with the film. So we were in Brazil,

2283
02:02:03,119 --> 02:02:07,680
we were in Argentina, we were in Slovenia, Italy, Scotland,

2284
02:02:07,720 --> 02:02:10,279
all over the place. That was great, that's awesome.

2285
02:02:10,439 --> 02:02:12,800
Speaker 7: I still have. I still have none had the opportunity

2286
02:02:12,840 --> 02:02:15,079
to go to one of these conventions or anything where

2287
02:02:15,119 --> 02:02:19,159
she is. But she's yeah, hopefully that will happen. At

2288
02:02:19,199 --> 02:02:21,640
some point, She'll come back to New York and New Jersey,

2289
02:02:21,720 --> 02:02:24,439
probably New Jersey because I think Chiller is the closest.

2290
02:02:24,439 --> 02:02:27,359
Speaker 9: She's been a Chiller, hasn't she She has and I

2291
02:02:27,520 --> 02:02:27,840
missed it.

2292
02:02:28,520 --> 02:02:31,000
Speaker 7: Yeah, so yeah, it's one of those things. It's it's

2293
02:02:31,279 --> 02:02:34,079
that's on my bucket list to meet her and get

2294
02:02:34,159 --> 02:02:34,760
some autographs.

2295
02:02:35,079 --> 02:02:38,359
Speaker 9: Yeah. Christina loves to travel, so hopefully it will happen. Yeah,

2296
02:02:38,800 --> 02:02:42,600
and she has an American agent now really yeah, booking

2297
02:02:42,640 --> 02:02:43,600
her for conventions.

2298
02:02:43,880 --> 02:02:47,640
Speaker 7: Yeah, oh great, Okay, good. So still she's still so

2299
02:02:47,840 --> 02:02:49,239
no signs are slowing down.

2300
02:02:49,079 --> 02:02:51,239
Speaker 9: For her, No, no, not at all. She's like she

2301
02:02:51,359 --> 02:02:54,600
want to use her time the best she can, very

2302
02:02:54,680 --> 02:02:56,520
much so. And she's super healthy. You know, she's a

2303
02:02:56,600 --> 02:03:00,359
vegetarian and does work out, and you know, she looks great.

2304
02:03:01,119 --> 02:03:04,600
Speaker 8: And she also said that although Stella had a huge

2305
02:03:04,680 --> 02:03:06,960
crush on her when they were making Nita Don't, he

2306
02:03:07,039 --> 02:03:10,760
wrote her many many love letters, which she never sent

2307
02:03:11,159 --> 02:03:13,279
because she was the bigger star for two of them.

2308
02:03:13,359 --> 02:03:15,439
You know he was a child start trying to make

2309
02:03:15,479 --> 02:03:20,000
it as grown up, and she was Sweden's most famous centerfolds.

2310
02:03:21,560 --> 02:03:24,039
But she says to this day that you know, well,

2311
02:03:24,479 --> 02:03:26,000
I'm happy I never married him.

2312
02:03:26,039 --> 02:03:26,399
Speaker 5: You know why.

2313
02:03:26,479 --> 02:03:29,000
Speaker 8: He's a big Hollywood slepty look at me. Yeah, you know,

2314
02:03:29,920 --> 02:03:32,640
six seven children whatever would have ruined my figure. I

2315
02:03:32,760 --> 02:03:34,479
still have the same measurements as I did when I

2316
02:03:34,560 --> 02:03:37,600
was in my twenties, and she does. I've seen her

2317
02:03:37,920 --> 02:03:40,720
on her Sunday good birthday. She looks stunning.

2318
02:03:41,880 --> 02:03:46,159
Speaker 9: Yeah, and she tells me this is also a world exclusion.

2319
02:03:46,239 --> 02:03:50,479
She tells me she bought this amazing black dress for

2320
02:03:50,560 --> 02:03:54,000
the red carpet, and she will be wearing an eepad

2321
02:03:54,159 --> 02:03:55,039
on the red carpet.

2322
02:03:56,560 --> 02:04:02,359
Speaker 7: Really, I can't total told me.

2323
02:04:02,560 --> 02:04:04,319
Speaker 9: Yeah, yeah, I love that.

2324
02:04:04,880 --> 02:04:07,000
Speaker 7: Oh my god, I cannot wait for I cannot wait

2325
02:04:07,039 --> 02:04:08,239
for the pictures an a.

2326
02:04:08,359 --> 02:04:10,680
Speaker 2: P Yeah, I think in a live stream. I need

2327
02:04:10,720 --> 02:04:12,359
a live stream of this on you.

2328
02:04:14,520 --> 02:04:15,039
Speaker 7: Livestream.

2329
02:04:15,439 --> 02:04:18,119
Speaker 9: Actually, Cal Lib will be there with his camera. He

2330
02:04:18,319 --> 02:04:21,039
should actually do a live Facebook thing of it.

2331
02:04:21,479 --> 02:04:26,960
Speaker 2: Yeah something, Yes, we will be we will do them.

2332
02:04:27,840 --> 02:04:28,039
Speaker 5: Yeah.

2333
02:04:30,359 --> 02:04:33,520
Speaker 9: Cal is super happy about about you getting a touch, Casey.

2334
02:04:33,600 --> 02:04:37,000
He was really really excited about that he is an

2335
02:04:37,119 --> 02:04:39,119
avid listener to your podcast.

2336
02:04:40,199 --> 02:04:40,840
Speaker 7: I appreciate that.

2337
02:04:41,279 --> 02:04:44,039
Speaker 3: Yeah, he's been, he's been great, and yeah, I've seen

2338
02:04:44,079 --> 02:04:46,000
his work on tons of stuff now, yeah.

2339
02:04:45,880 --> 02:04:47,479
Speaker 2: He's yeah, that's great stuff.

2340
02:04:47,880 --> 02:04:51,960
Speaker 9: Have you heard his music today, Well, he has a

2341
02:04:52,399 --> 02:04:57,600
it's also on Spotify. He created the artist Fabu, which

2342
02:04:57,680 --> 02:05:03,079
is the title of the film you know. Oh yeah,

2343
02:05:03,760 --> 02:05:08,920
it's like euro techno beat with dirty lyrics in Swedish

2344
02:05:10,159 --> 02:05:11,439
inspired the film.

2345
02:05:11,840 --> 02:05:14,600
Speaker 7: I need to this sounds right up my alley. I

2346
02:05:15,159 --> 02:05:15,439
love that.

2347
02:05:15,760 --> 02:05:20,079
Speaker 9: That's really good and it's going viral. It's super fun.

2348
02:05:20,760 --> 02:05:21,319
Speaker 7: I love that.

2349
02:05:21,800 --> 02:05:21,960
Speaker 9: Yeah.

2350
02:05:22,079 --> 02:05:25,840
Speaker 7: No, I'm always someone who likes to give credit where

2351
02:05:25,920 --> 02:05:28,319
credit is due, and especially if it's someone who is

2352
02:05:28,399 --> 02:05:30,880
kind of working behind the scenes that maybe isn't necessarily

2353
02:05:30,960 --> 02:05:34,920
getting the the the praise that they should be or something,

2354
02:05:35,000 --> 02:05:37,159
you know, like that's why I had to let you

2355
02:05:37,319 --> 02:05:38,960
know how much I loved it, and I had to

2356
02:05:39,039 --> 02:05:40,760
let him know how much I loved it, And yeah,

2357
02:05:40,880 --> 02:05:43,520
it was just you know, yeah, you guys are doing

2358
02:05:43,600 --> 02:05:46,439
great work. I'm so excited for everything that's coming out

2359
02:05:46,439 --> 02:05:46,960
from you guys.

2360
02:05:47,279 --> 02:05:49,800
Speaker 3: Yeah, Okay, here's the last thing you guys need for

2361
02:05:49,840 --> 02:05:53,159
Crumble of the Horn is you're only missing a video game,

2362
02:05:53,520 --> 02:05:55,479
and then you've got every territory.

2363
02:05:56,760 --> 02:06:03,479
Speaker 9: And incidentally, my son makes his own video games.

2364
02:06:04,079 --> 02:06:05,239
Speaker 5: But there you go.

2365
02:06:05,680 --> 02:06:06,359
Speaker 9: It would happen.

2366
02:06:06,680 --> 02:06:07,760
Speaker 2: Well, maybe don't get that.

2367
02:06:08,279 --> 02:06:08,560
Speaker 7: I don't know.

2368
02:06:08,600 --> 02:06:09,479
Speaker 8: How is.

2369
02:06:11,640 --> 02:06:11,880
Speaker 9: Okay?

2370
02:06:13,119 --> 02:06:13,560
Speaker 7: He's good.

2371
02:06:13,720 --> 02:06:16,600
Speaker 3: Yeah, he can do that an adult, he's an adult.

2372
02:06:17,960 --> 02:06:20,239
Speaker 7: That's a very good idea. A phone app. Yeah, why

2373
02:06:20,319 --> 02:06:22,600
not do it a phone game? Make it the new

2374
02:06:22,640 --> 02:06:24,680
candy Crush. The new candy Crush can be a blow

2375
02:06:24,680 --> 02:06:25,479
of the horny game.

2376
02:06:25,720 --> 02:06:28,520
Speaker 9: I think, what what what's the aim? How deep can

2377
02:06:28,560 --> 02:06:29,520
you get the sausage in?

2378
02:06:30,039 --> 02:06:30,920
Speaker 2: Yeah, something like that.

2379
02:06:31,079 --> 02:06:33,279
Speaker 7: Yes, I think so that's that's how you win.

2380
02:07:33,880 --> 02:07:34,520
Speaker 9: By Mary, and.

2381
02:07:46,000 --> 02:07:48,840
Speaker 3: Thank you for listening to hear more shows from the

2382
02:07:48,880 --> 02:07:52,680
Someone's Favorite Productions podcast network. Please select the link in

2383
02:07:52,760 --> 02:07:53,279
the description.

2384
02:07:58,760 --> 02:08:01,159
Speaker 10: Hello and welcome to tumble Wee and TV Cowboys.

2385
02:08:01,439 --> 02:08:02,239
Speaker 5: My name is Hunter.

2386
02:08:02,680 --> 02:08:04,720
Speaker 10: In this podcast, I'll be joined by a different guest

2387
02:08:04,800 --> 02:08:07,720
each week to discuss a classic Western movie or TV show.

2388
02:08:08,079 --> 02:08:09,840
I've been a fan of classic Westerns for as long

2389
02:08:09,880 --> 02:08:11,800
as I can remember, and in recent years they've become

2390
02:08:11,960 --> 02:08:15,239
very nostalgic for me. I love the esthetic, the tropes,

2391
02:08:15,520 --> 02:08:18,560
and I love seeing different filmmakers takes on them at

2392
02:08:18,560 --> 02:08:21,920
their best. They're incredibly entertaining, rewatchable, and some of my

2393
02:08:22,000 --> 02:08:24,840
all time favorite movies are Westerns. We'll mostly focus on

2394
02:08:24,920 --> 02:08:27,359
Western movies made in Hollywood, but will also be covering

2395
02:08:27,399 --> 02:08:29,840
spaghetti westerns and one thing I'm very excited to get

2396
02:08:29,880 --> 02:08:32,840
into our Western TV shows. I've got some amazing guests

2397
02:08:32,880 --> 02:08:36,520
coming on the show, film professors, historians, and podcasters and

2398
02:08:36,600 --> 02:08:39,319
Tumbleweeds and TV Cowboys is part of the Someone's Favorite

2399
02:08:39,319 --> 02:08:42,600
Productions podcast network and many guests on the show will

2400
02:08:42,640 --> 02:08:44,239
be from other shows on the network.

2401
02:08:44,520 --> 02:08:45,279
Speaker 2: Thanks for listening.