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<v Speaker 1>Night Beat.

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<v Speaker 2>Hi, this is Randy Stone. I cover the night Beat

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<v Speaker 2>a Chicago star. You know, stories start many different ways,

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<v Speaker 2>but this one began modestly enough, with a zero and

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<v Speaker 2>a typewriter. That's right, cipher, not nothing, but to one

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<v Speaker 2>man of Chicago's four million, that's zero meant death.

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<v Speaker 3>Night Beat, starring Frank Lovejoy as Rudy Stone.

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<v Speaker 2>Mine is a funny kind of a job. When that

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<v Speaker 2>evening sun goes down, I start walking through the dark city,

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<v Speaker 2>peering into bleak alleys, wandering through the bright kneon, listening

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<v Speaker 2>to the sounds of a city at night, the whisper

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<v Speaker 2>of footsteps, the shattering roar of an llow train, the

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<v Speaker 2>sob of an ambulance siren. I wander up the boulevards,

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<v Speaker 2>down the back street, searching for something in the dark city.

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<v Speaker 2>And what exactly is it that I seek? Brother, It's

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<v Speaker 2>something more elusive than the farthest star. I seek the

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<v Speaker 2>city's heart. Tonight, I must have walked for miles, the

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<v Speaker 2>cold wind off Lake Michigan had living with my ribs

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<v Speaker 2>and the hot breast of my deadline biting into my neck.

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<v Speaker 2>Then ahead of me, I saw that friendly oasis in

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<v Speaker 2>the darkness. Benny's all night beanery, otherwise known as Tomain junction.

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<v Speaker 2>Throwing caution into the winds. I started through the door

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<v Speaker 2>for a couple of clucks.

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<v Speaker 1>Operator.

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<v Speaker 2>Nobody around but Benny polishing the counter and this little

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<v Speaker 2>blonde yapping excitedly into the wall phone near the door.

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<v Speaker 2>Please hurry, such devotions. Somebody should get that excited over me,

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<v Speaker 2>Missus Warren.

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<v Speaker 4>Yes, we were just connected. Has he come home yet,

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<v Speaker 4>Missus Warren?

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<v Speaker 2>Ohya, Benny, how's the bikarpenter kick?

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<v Speaker 3>Oh?

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<v Speaker 1>Hi, you Randy.

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<v Speaker 5>You always say that, but you keep coming back, letting

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<v Speaker 5>the punishment.

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<v Speaker 1>You got to find him, You got to get her.

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<v Speaker 1>What's with her? Benny?

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<v Speaker 5>On twenty five call? She makes like that twenty five times.

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<v Speaker 5>She gets the same answer twenty five times. She comes

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<v Speaker 5>over to get more. Nichols, business is good. Huh yeah,

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<v Speaker 5>a hole in the head. What's in it for me?

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<v Speaker 5>Making change?

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<v Speaker 1>All?

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<v Speaker 4>Give me some change, please, Nichols.

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<v Speaker 2>Lady, sooner or later I gotta run out.

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<v Speaker 1>This is it. I gotta have some I don't make

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<v Speaker 1>him here, lady, now, will you please change quarters?

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<v Speaker 4>Done?

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<v Speaker 2>I'll let me take a look to see if.

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<v Speaker 4>I have any Oh yeah, please do hurry, please, hurry.

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<v Speaker 1>Reaching Randy. Make what the catch?

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<v Speaker 2>He's passion out? Oh easy, lady, easy? How cold coffee? Benny?

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<v Speaker 1>Quickly? It's one thing I'll say.

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<v Speaker 2>If Gabriel's trumpet doesn't succeed in waking the dead, all

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<v Speaker 2>they've got to do is send for some of Benny's coffee.

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<v Speaker 2>After I got a couple of SIPs down the girl's throat,

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<v Speaker 2>she started coming out of it, tears rolling down her face,

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<v Speaker 2>her whole.

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<v Speaker 1>Body trembling with sobs.

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<v Speaker 2>Come on, not stop it, honey, stop it.

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<v Speaker 4>What happened to me?

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<v Speaker 1>You passed out? But good? What time is It was

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<v Speaker 1>nine forty five.

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<v Speaker 4>I've got to find him.

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<v Speaker 2>I just got to I'll not take it easy. You're

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<v Speaker 2>still shaking. Now, come on, have a few more SIPs

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<v Speaker 2>of this so called coffee. No, no, well, if you

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<v Speaker 2>think Benny's coffee is bad, you want to try his hamburgers.

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<v Speaker 4>I've just got to find him.

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<v Speaker 1>Who have you got to find?

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<v Speaker 4>The man?

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<v Speaker 2>Quite man, the man I killed. Ask a foolish question,

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<v Speaker 2>you got a foolish answer. Only before I could ask

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<v Speaker 2>any more questions, a little lady was on her way

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<v Speaker 2>out of the place. I looked at Benny, just to

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<v Speaker 2>make sure he'd heard the same thing I had. He

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<v Speaker 2>had heard. His mouth was hanging open, like somebody had

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<v Speaker 2>taken off her hinges. I left the bean room and

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<v Speaker 2>started after the girl. First I thought i'd lost her,

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<v Speaker 2>and I saw a sagging against the side of a

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<v Speaker 2>building under the elevator tracks on deer horse.

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<v Speaker 1>She saw me.

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<v Speaker 4>Come, who do you want?

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<v Speaker 1>Oh, I'm just an old busy buddy. I don't know

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<v Speaker 1>what to do.

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<v Speaker 4>I'm going crazy. I should come missus one again. Maybe

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<v Speaker 4>he came home.

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<v Speaker 2>Man, are a man you killed?

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<v Speaker 1>Huh?

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<v Speaker 2>Well that makes sense. Now listen, Oh.

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<v Speaker 4>You don't understand. You just don't understand this.

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<v Speaker 2>You can be sure.

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<v Speaker 4>I've got to find him.

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<v Speaker 2>I've just got to You've killed him, but you've got

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<v Speaker 2>to find it.

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<v Speaker 1>Yes, I must go.

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<v Speaker 4>Please please let me go.

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<v Speaker 1>I'm not holding your kid.

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<v Speaker 4>I don't know where to turn.

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<v Speaker 2>You don't want to go any place? Do you you

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<v Speaker 2>want help?

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<v Speaker 1>All right?

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<v Speaker 4>Here it is I don't know.

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<v Speaker 2>My name is Stone. Now that we're formally.

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<v Speaker 4>Introduced the newspaper columnist.

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<v Speaker 1>Well Man's got to read.

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<v Speaker 4>Maybe you can help. Maybe you can, mister Stone.

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<v Speaker 2>Yeah, but first I got to know why you keep

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<v Speaker 2>calling the home of the man you killed to see

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<v Speaker 2>if he's gotten in yet.

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<v Speaker 1>This is slightly confused.

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<v Speaker 4>All right, I'll tell you. My name is Ruth Baker.

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<v Speaker 4>I'm receptionist and secretary for doctor Stanley.

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<v Speaker 2>Loring, a specialist.

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<v Speaker 1>Yes, go ahead.

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<v Speaker 4>There was a man Philip Warren. A week ago he

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<v Speaker 4>saw doctor Loring for an examination. Today this afternoon he

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<v Speaker 4>came back for the report. I was in the outer

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<v Speaker 4>office when mister Warren left the consultation room. He looks strange, stranger.

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<v Speaker 6>Will you give me a cigarette?

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<v Speaker 1>Miss Baker?

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<v Speaker 4>Oh, certainly, mister Warren. Here, there's a lighter on the table.

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<v Speaker 1>I don't want a cigarette. Was there?

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<v Speaker 4>Is there anything wrong?

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<v Speaker 1>Hey? What time have you got? Three fifteen?

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<v Speaker 2>You're a minute slow?

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<v Speaker 1>All that for the minute is important.

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<v Speaker 4>Very important if you're going to catch a train.

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<v Speaker 1>No, it's always important.

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<v Speaker 4>Yes, I suppose it is.

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<v Speaker 1>Oh, yes, you know.

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<v Speaker 6>I've lived all my life that way, paying attention to

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<v Speaker 6>time being punctual.

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<v Speaker 1>My wife considers it a nuisance, do you.

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<v Speaker 7>I'm afraid I hadn't thought I should.

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<v Speaker 6>Everyone should tie If you thought how many different ways

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<v Speaker 6>one tells time? It can whisper in an hour glass?

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<v Speaker 6>Or tinkle in the tiny little clock, or it can roar,

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<v Speaker 6>or yes, all my life has been important to me.

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<v Speaker 6>Now he won't tell me when all he says is

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<v Speaker 6>some time. That's not fair, mistaken, it's not right.

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<v Speaker 4>Mister Warren. Perhaps you'd better lie down.

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<v Speaker 1>Oh no, no, no, I've got several things to do, many things.

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<v Speaker 1>In fact, I see you don't. But that doesn't matter

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<v Speaker 1>at all.

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<v Speaker 6>You know, in my office I can hear the chimes

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<v Speaker 6>of the clock and the tower above me.

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<v Speaker 1>I've always listened to them.

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<v Speaker 6>I like them because time is important. But I never

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<v Speaker 6>heard them chime midnight midnight. I guess midnight is a

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<v Speaker 6>special time. It's either tomorrow, it's a day.

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<v Speaker 1>It's it's in between.

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<v Speaker 6>Tells a man that the day is over, another one's

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<v Speaker 6>going to begin. It's like standing on the edge.

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<v Speaker 1>Goods, goodbye, miss Baker.

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<v Speaker 4>Yes, doctor miss Baker will please right away.

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<v Speaker 8>Warren comments, Yes, he just left, doctor Loring. Yeah, it

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<v Speaker 8>was certainly unexpected. I was almost certain it wasn't that serious. Well,

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<v Speaker 8>what does examination report back when you?

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<v Speaker 1>Yes, sir, the clause file, mispaker?

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<v Speaker 4>The closed Yes, Oh I'm sorry.

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<v Speaker 8>What was it any inoperable condition?

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<v Speaker 1>Oh?

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<v Speaker 4>Now, I see, see what mispeaker, Why he acted so strangely.

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<v Speaker 2>Oh, don't worry, he'll go home.

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<v Speaker 8>Think about it. When the first shock wears off, you'll

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<v Speaker 8>accept it. What else can you do? What else can

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<v Speaker 8>anyone do?

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<v Speaker 4>After that, I went back to my desk. Mister Stoner,

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<v Speaker 4>I was checking my file, said, come on with what

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<v Speaker 4>I made a mistake. How horrible mistake was well? When

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<v Speaker 4>a patient comes in for examination, only doctor Loring knows

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<v Speaker 4>his name. The technical laboratory has only a number, a

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<v Speaker 4>number on a card. Mister Warrens was five one two nine.

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<v Speaker 4>I type it wrong. I type five one.

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<v Speaker 2>Two zero, the quiet number of another patience.

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<v Speaker 4>It was a mistake. I've put mister Warren's name under

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<v Speaker 4>the wrong laboratory number. The number of us of a

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<v Speaker 4>man who whispering to die.

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<v Speaker 2>Certainly, doctor Long, I'll be able to tell if Warren went.

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<v Speaker 4>Just a routine check up would indicate symptoms. It took

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<v Speaker 4>actual laboratory work to make certain.

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<v Speaker 1>I see, he'll kill himself.

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<v Speaker 4>He's that kind of a man. And if he does,

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<v Speaker 4>I've killed him, murdered him. And if I don't want

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<v Speaker 4>to live, I'll kill myself.

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<v Speaker 1>Not Come on, come on, love, there's no time for that,

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<v Speaker 1>does doctor Lorning?

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<v Speaker 4>No.

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<v Speaker 2>I told him right away, and he tried to reach Warren.

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<v Speaker 4>Oh, I've been trying since his afternoon, at his home, everywhere.

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<v Speaker 4>He must have gone home first, because he left.

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<v Speaker 2>His wife a note suicide. Not yes, Ruthie. Come on,

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<v Speaker 2>let's go the Warren's home, and if he's not there,

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<v Speaker 2>I will well. Chicago's a big city. You'll be tough

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<v Speaker 2>finding one man among four million people, but we can

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<v Speaker 2>try it.

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<v Speaker 7>I found a note when I got home, mister Stone.

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<v Speaker 7>I knew Philip went to see doctor Loring.

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<v Speaker 4>But I didn't.

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<v Speaker 2>Just the note and nothing else. Missus Waring, you called

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<v Speaker 2>the police right away.

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<v Speaker 1>Of course I did.

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<v Speaker 2>And you haven't left this apartment, not for a second.

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<v Speaker 4>Didn't he phone try to get in touch with you

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<v Speaker 4>at all? Miss Baker? He did not.

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<v Speaker 7>And if my husband isn't found before he killed himself,

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<v Speaker 7>I'll say to it.

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<v Speaker 4>That you will tell you what was a mistake. Anyone

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<v Speaker 4>could make a mistake, mistake.

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<v Speaker 7>To make a man believe he's gonna die in horrible pain. No,

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<v Speaker 7>that's no mistake.

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<v Speaker 4>That's murdered. L Carla is kind of murder.

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<v Speaker 1>Don't get out of here and leave me alone.

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<v Speaker 2>Wait a minute, missus Warren, I crucify this kid because

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<v Speaker 2>she made a mistake that could happen only once in

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<v Speaker 2>a million.

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<v Speaker 1>Years to my husband. Leave me alone. You want to

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<v Speaker 1>find him, don't you.

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<v Speaker 4>Well, now, what kind of a question is that?

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<v Speaker 2>A nice? Reasonable question? You want to find him?

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<v Speaker 1>All right? Help us?

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<v Speaker 4>But what can we do? By midnight? You he'll be

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<v Speaker 4>dead the not he left said soul.

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<v Speaker 2>Someone's at the door.

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<v Speaker 4>It might be here.

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<v Speaker 1>I'll get mister Warren. Warren, why not, Paul? Yes?

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<v Speaker 4>What did you find out?

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<v Speaker 1>Nothing?

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<v Speaker 9>I checked every precinct station between here and the Oak

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<v Speaker 9>Street beach.

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<v Speaker 4>Paul.

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<v Speaker 7>This is mister Stone and the girl who I see,

234
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<v Speaker 7>Paul is a friend of Phillips.

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<v Speaker 2>Yeah, yeah, there's nothing you said. No one's seen him,

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<v Speaker 2>and no suicide report out his.

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<v Speaker 4>It's ten now, we've got two hours to find you.

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<v Speaker 2>And that bothers me. Why should he choose exactly twelve

239
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<v Speaker 2>o'clock to die?

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<v Speaker 7>If you knew my husband, you'd understand why the ticking

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<v Speaker 7>of the clock was the most important thing in his life.

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<v Speaker 4>You could set your watch by his schedule.

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<v Speaker 7>Up at seven thirty in the morning, never seven twenty

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<v Speaker 7>eight never, seven thirty one, seven thirty breakfast to ten minutes.

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<v Speaker 9>To herm Are we having time to worry about Phillips

246
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<v Speaker 9>City or Sinker? He's right now. We've got to find him.

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<v Speaker 9>As the young lady said, we've only got two hours.

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<v Speaker 9>Try to think the way he would. What does he

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<v Speaker 9>do for those two hours? Where does he go? What

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<v Speaker 9>does he want to see?

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<v Speaker 7>He's lived all his life doing things exactly.

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<v Speaker 2>The same way.

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<v Speaker 1>That's all. Well, that's something. What are you getting at Stone? Well?

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<v Speaker 2>I was just thinking, nobody ever, let's go of life

255
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<v Speaker 2>without holding on to something else. Nobody knows whether you

256
00:12:24.240 --> 00:12:26.600
<v Speaker 2>can take a memory with you or not. Maybe it's

257
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<v Speaker 2>just a face, a melody, a favorite place. Nobody knows.

258
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<v Speaker 2>But we like to think. So Philip, go ahead. What

259
00:12:34.559 --> 00:12:35.279
<v Speaker 2>were you going to say?

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<v Speaker 1>Oh?

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<v Speaker 9>Look, Philip would want to die exactly as he'd live,

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<v Speaker 9>knowing exactly when and where.

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<v Speaker 2>That's what I mean, Missus Warren. I want a list

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<v Speaker 2>of every place your husband might go.

265
00:12:44.399 --> 00:12:46.639
<v Speaker 4>But I'm telling so there are so many places.

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<v Speaker 2>One hundred thousand. What's the difference? Write them down. I'll

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00:12:48.600 --> 00:12:49.960
<v Speaker 2>go with your Stone. No, No, you stay here with

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<v Speaker 2>missus Warren. Somebody's got to be here if he shows

269
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<v Speaker 2>up and step on it. With that list, Missus Warren

270
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<v Speaker 2>got a lot of places to cover.

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<v Speaker 1>By midnight.

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<v Speaker 2>If we haven't found him, then we can cut our

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<v Speaker 2>list down to one place. The County Morgue.

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<v Speaker 3>Night Beat stars Frank Lovejoy as ranby Stone.

275
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<v Speaker 2>Find one man out of four million people, find one

276
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<v Speaker 2>place out of a thousand square miles of city, and

277
00:13:27.559 --> 00:13:30.120
<v Speaker 2>do it in two hours, one hundred and twenty minutes.

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<v Speaker 2>A long chance compared to our job. A buck on

279
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<v Speaker 2>the Irish sweepstakes was money in the bank. We had

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<v Speaker 2>two things in our favor. One, Missus Warren had called

281
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<v Speaker 2>the police a thousand cops at Warren's description to Warren himself.

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<v Speaker 2>The way he lived was a clue to the way

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<v Speaker 2>he might die on time punctuary. But where the first list?

284
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<v Speaker 2>The first place on this list was a little restaurant

285
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<v Speaker 2>where he saw some times eight They knew him there.

286
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<v Speaker 1>All right, mister Warren. Yes, I know he has.

287
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<v Speaker 2>He been in here tonight?

288
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<v Speaker 1>Tonight?

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00:14:08.240 --> 00:14:09.080
<v Speaker 2>Yes, yes, tonight.

290
00:14:09.799 --> 00:14:11.720
<v Speaker 1>I assu you don't know, mister Warren. Very well.

291
00:14:12.200 --> 00:14:15.000
<v Speaker 2>Mister Warren comes here on Tuesday evenings only.

292
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<v Speaker 1>This is Monday cross off.

293
00:14:20.720 --> 00:14:23.919
<v Speaker 2>One place, go to the next. Yes they knew mister Warren. No,

294
00:14:24.039 --> 00:14:26.200
<v Speaker 2>he hasn't been in tonight. This is Monday. He comes

295
00:14:26.200 --> 00:14:32.759
<v Speaker 2>here only on Fridays, grab a cab and hurry on,

296
00:14:33.519 --> 00:14:36.639
<v Speaker 2>watching the minutes go by, watching Ruthie die a minute

297
00:14:36.679 --> 00:14:39.240
<v Speaker 2>at a time, telling her no matter how bad we

298
00:14:39.240 --> 00:14:42.200
<v Speaker 2>were doing, the cops'd find him for sure. The cigar

299
00:14:42.279 --> 00:14:44.480
<v Speaker 2>store where he stopped for cigarettes missed him by an hour.

300
00:14:45.039 --> 00:14:47.639
<v Speaker 2>The news reel theater su're an old customer, but he

301
00:14:47.679 --> 00:14:51.039
<v Speaker 2>comes on Wednesday for the new weekly show. Ruthie wanted

302
00:14:51.080 --> 00:14:52.799
<v Speaker 2>to call missus Warren again to see if the police

303
00:14:52.840 --> 00:14:56.000
<v Speaker 2>had found him yet, but no time. Forty minutes gon

304
00:14:56.080 --> 00:15:02.440
<v Speaker 2>an hour lost going down the list, I can't before, No,

305
00:15:02.480 --> 00:15:04.480
<v Speaker 2>not right now. Listen to me. Every night a man

306
00:15:04.519 --> 00:15:06.519
<v Speaker 2>stops by here. His name is war Oh I know

307
00:15:06.720 --> 00:15:07.360
<v Speaker 2>what about him?

308
00:15:07.360 --> 00:15:08.519
<v Speaker 4>Well? Has he been here tonight?

309
00:15:08.960 --> 00:15:09.240
<v Speaker 3>Sure?

310
00:15:09.960 --> 00:15:12.679
<v Speaker 1>Hey, what gives with that guy? What do you mean? Oh?

311
00:15:12.759 --> 00:15:15.600
<v Speaker 5>Any other night he's buy here six o'clock shop tonight

312
00:15:15.600 --> 00:15:17.799
<v Speaker 5>he comes past half to ten, buys.

313
00:15:17.559 --> 00:15:20.039
<v Speaker 1>A paper, a late edition. You've never done that before.

314
00:15:20.120 --> 00:15:22.320
<v Speaker 1>In fact, I never seen him after sick. Which way

315
00:15:22.320 --> 00:15:22.639
<v Speaker 1>did he go?

316
00:15:22.679 --> 00:15:23.720
<v Speaker 2>Did he say anything to you?

317
00:15:23.879 --> 00:15:23.919
<v Speaker 5>Not?

318
00:15:24.519 --> 00:15:24.679
<v Speaker 2>All?

319
00:15:24.720 --> 00:15:27.080
<v Speaker 5>He does is buy the paper walk away, and then

320
00:15:27.120 --> 00:15:28.559
<v Speaker 5>he throws the paper away like he don't want it

321
00:15:28.600 --> 00:15:29.240
<v Speaker 5>in the first place.

322
00:15:29.279 --> 00:15:30.120
<v Speaker 4>Which way did he go?

323
00:15:30.480 --> 00:15:32.960
<v Speaker 1>Straight up Michigan? In that way you got to admit

324
00:15:33.000 --> 00:15:33.360
<v Speaker 1>its on you.

325
00:15:33.440 --> 00:15:35.240
<v Speaker 2>Yes, I admit it, I admit it. Thank you, come

326
00:15:35.279 --> 00:15:44.679
<v Speaker 2>on to have you move? So he went straight up

327
00:15:44.720 --> 00:15:45.399
<v Speaker 2>Michigan Avenue.

328
00:15:45.519 --> 00:15:45.919
<v Speaker 1>That away.

329
00:15:46.039 --> 00:15:48.519
<v Speaker 2>All we accomplished was to lose another five minutes of

330
00:15:48.559 --> 00:15:51.639
<v Speaker 2>our time, and brother, when it came to time, we

331
00:15:51.679 --> 00:15:55.440
<v Speaker 2>were really scraping bottom. Those other loving cops were becoming

332
00:15:55.480 --> 00:15:58.879
<v Speaker 2>more important by the second. One by one, we kept

333
00:15:58.879 --> 00:16:03.080
<v Speaker 2>scratching names off the list. The cafeteria where we sometimes

334
00:16:03.120 --> 00:16:06.279
<v Speaker 2>stopped for coffee, but not tonight. The drug store where

335
00:16:06.279 --> 00:16:10.279
<v Speaker 2>we stop for stamps, but not tonight. Then the last

336
00:16:10.360 --> 00:16:14.080
<v Speaker 2>place on the list, the very last, a little cocktail

337
00:16:14.080 --> 00:16:17.360
<v Speaker 2>ounge on Michigan Avenue, one of those she Shi joints

338
00:16:17.399 --> 00:16:19.360
<v Speaker 2>where the lights are so soft and low you can't

339
00:16:19.360 --> 00:16:23.399
<v Speaker 2>watch the bartender watering the booze. Our two hours, we're

340
00:16:23.480 --> 00:16:32.279
<v Speaker 2>just about all used up. Hep you, sir, I'll pal

341
00:16:32.360 --> 00:16:32.720
<v Speaker 2>if you can.

342
00:16:32.840 --> 00:16:35.080
<v Speaker 1>Nobody else can I figure part.

343
00:16:35.240 --> 00:16:37.480
<v Speaker 2>I'm looking for a man named Philip Warren, you.

344
00:16:37.440 --> 00:16:39.120
<v Speaker 1>Know, and koyeah, Yeah, quite well.

345
00:16:39.240 --> 00:16:41.600
<v Speaker 8>I consider mister Warren one of my special customers.

346
00:16:41.639 --> 00:16:43.639
<v Speaker 2>He had a nipe. What are you ask We don't

347
00:16:43.639 --> 00:16:45.399
<v Speaker 2>have time for anything but yes and no answers, please

348
00:16:45.440 --> 00:16:45.919
<v Speaker 2>yes or no.

349
00:16:45.960 --> 00:16:48.039
<v Speaker 8>I really don't feel I'm at liberty to discuss with

350
00:16:48.159 --> 00:16:48.879
<v Speaker 8>complete sprout.

351
00:16:49.720 --> 00:16:51.960
<v Speaker 4>Then it's not gonna work. We're not gonna find it.

352
00:16:52.240 --> 00:16:53.279
<v Speaker 1>Something wrong with mister Warren.

353
00:16:53.360 --> 00:16:54.919
<v Speaker 2>But to put it mildly, yes, no, come on call

354
00:16:54.960 --> 00:16:56.679
<v Speaker 2>if you'll tell me why you want to listen, please,

355
00:16:56.679 --> 00:16:58.879
<v Speaker 2>it's not really proper to tell just anyone who happens

356
00:16:58.919 --> 00:17:00.840
<v Speaker 2>to him. Quiet, un, Let's we find him in the

357
00:17:00.840 --> 00:17:02.799
<v Speaker 2>next fifteen minutes. Warren is going to die.

358
00:17:03.399 --> 00:17:03.840
<v Speaker 1>Good joke.

359
00:17:03.960 --> 00:17:06.640
<v Speaker 2>Look at this girl here, Warren dies shield never mind,

360
00:17:06.680 --> 00:17:09.480
<v Speaker 2>look at her face and tell me I'm joking. Oh

361
00:17:09.519 --> 00:17:10.839
<v Speaker 2>all right, I didn't know.

362
00:17:10.880 --> 00:17:13.079
<v Speaker 8>Mister Warren's a good customer, you know, two strangers as

363
00:17:13.200 --> 00:17:14.039
<v Speaker 8>he was he in here, and.

364
00:17:14.000 --> 00:17:15.799
<v Speaker 1>How long ago he came in a little while ago.

365
00:17:15.839 --> 00:17:17.519
<v Speaker 1>I thought it was strange, you know, because he's late.

366
00:17:17.559 --> 00:17:20.359
<v Speaker 8>It's always comes in promptly five thirty never mind the details.

367
00:17:20.359 --> 00:17:23.640
<v Speaker 1>How long ago? About ten minutes ago. He's not at

368
00:17:23.680 --> 00:17:25.599
<v Speaker 1>the usual place. But then he didn't drink his sherry.

369
00:17:25.640 --> 00:17:27.519
<v Speaker 1>You know where he went? No? No, I don't.

370
00:17:27.599 --> 00:17:28.279
<v Speaker 2>Did you see him go?

371
00:17:28.519 --> 00:17:28.640
<v Speaker 4>Oh?

372
00:17:28.680 --> 00:17:31.279
<v Speaker 2>Yeah, I saw him leave, all right. Don't think has

373
00:17:31.279 --> 00:17:34.880
<v Speaker 2>he ever said anything about going anywhere from here? No?

374
00:17:34.880 --> 00:17:37.559
<v Speaker 1>No, no, he was always very quiet. Oh but I

375
00:17:37.559 --> 00:17:38.519
<v Speaker 1>think his office is me?

376
00:17:38.799 --> 00:17:39.480
<v Speaker 2>What makes you think that?

377
00:17:39.599 --> 00:17:39.720
<v Speaker 1>Well?

378
00:17:39.759 --> 00:17:41.759
<v Speaker 2>He mentioned once he always leaves it at five thirty

379
00:17:41.759 --> 00:17:44.200
<v Speaker 2>and he makes thank you? Where's the phone near the entrance?

380
00:17:44.200 --> 00:17:44.440
<v Speaker 5>Some one?

381
00:17:44.519 --> 00:17:44.720
<v Speaker 1>Ruth?

382
00:17:44.960 --> 00:17:45.279
<v Speaker 2>Thank you?

383
00:17:45.640 --> 00:17:47.440
<v Speaker 4>What is it? Mister? What did you think of?

384
00:17:47.519 --> 00:17:48.519
<v Speaker 2>He got his home phone number?

385
00:17:49.000 --> 00:18:02.319
<v Speaker 4>Yeah, written down here? Than why are you calling you?

386
00:18:02.480 --> 00:18:03.640
<v Speaker 1>I want to know where his offices?

387
00:18:03.720 --> 00:18:04.119
<v Speaker 4>But why?

388
00:18:04.279 --> 00:18:07.400
<v Speaker 2>All his life punctual, methodical? Everything to him was a habit.

389
00:18:07.799 --> 00:18:09.559
<v Speaker 2>Maybe it's a crazy hunch, but I could be right.

390
00:18:09.599 --> 00:18:10.599
<v Speaker 2>He could have gone to his office.

391
00:18:10.839 --> 00:18:11.680
<v Speaker 4>Yes, you could be right.

392
00:18:11.720 --> 00:18:13.119
<v Speaker 1>Come on, come on, answer to answer.

393
00:18:13.559 --> 00:18:15.680
<v Speaker 4>They've gotta be there. They said they'd stay.

394
00:18:15.680 --> 00:18:17.920
<v Speaker 1>But they don't answer. Roster.

395
00:18:18.000 --> 00:18:20.000
<v Speaker 2>You remember where his offices must be on your records.

396
00:18:20.200 --> 00:18:22.680
<v Speaker 4>I don't remember it, but we can go and get it.

397
00:18:22.960 --> 00:18:25.480
<v Speaker 4>Try it again.

398
00:18:25.519 --> 00:18:27.559
<v Speaker 2>They're not there. I told him to stay there. The fools.

399
00:18:27.559 --> 00:18:30.960
<v Speaker 2>I what the phone directory might have a business listening

400
00:18:30.960 --> 00:18:37.680
<v Speaker 2>for him? One and Warren one one cool Philip worn

401
00:18:37.839 --> 00:18:40.519
<v Speaker 2>Is it no? Only his home phone? The number I

402
00:18:40.559 --> 00:18:41.920
<v Speaker 2>just called, mister Stone.

403
00:18:42.319 --> 00:18:44.079
<v Speaker 4>If missus Warren isn't home, she might have gone to

404
00:18:44.119 --> 00:18:45.680
<v Speaker 4>the police. Maybe they found him.

405
00:18:45.680 --> 00:18:46.400
<v Speaker 1>That could be it.

406
00:18:47.400 --> 00:18:49.160
<v Speaker 2>Keep your fingers crossed that they found him alive.

407
00:18:59.160 --> 00:19:02.920
<v Speaker 1>Well, where Randy Stone? Stupid around this precinct for stories?

408
00:19:02.960 --> 00:19:05.200
<v Speaker 2>I've got one, Mac Listen, I'm in a hurry. You've

409
00:19:05.200 --> 00:19:07.200
<v Speaker 2>got to tell me something. Way sure, New war as

410
00:19:07.240 --> 00:19:09.200
<v Speaker 2>a general call out for a man named Philip Warren.

411
00:19:09.200 --> 00:19:12.440
<v Speaker 1>Have you got anything on it? Oh? You look Warren,

412
00:19:12.759 --> 00:19:13.359
<v Speaker 1>Philip Warren.

413
00:19:13.400 --> 00:19:18.200
<v Speaker 2>That's right? Oh, Mac, come on, come on, not then,

414
00:19:18.279 --> 00:19:20.680
<v Speaker 2>hero on that name Randy Nothing? Mac, you're crazy. The

415
00:19:20.720 --> 00:19:22.960
<v Speaker 2>call went out this afternoon. Every precinct discuss.

416
00:19:22.839 --> 00:19:25.240
<v Speaker 1>This is one of them. But they're angything here. Take

417
00:19:25.240 --> 00:19:26.480
<v Speaker 1>a look for yourself. Here's this year.

418
00:19:26.519 --> 00:19:28.119
<v Speaker 2>I'll take your word for it. Mac listen, put out

419
00:19:28.119 --> 00:19:29.960
<v Speaker 2>a call right away. He's got to be picked up.

420
00:19:30.640 --> 00:19:32.960
<v Speaker 2>He kills somebody, He'll kill himself. You'll hear that, Mac,

421
00:19:33.000 --> 00:19:35.319
<v Speaker 2>He'll kill himself if he's not found before midnight.

422
00:19:35.359 --> 00:19:38.039
<v Speaker 1>Before midnight. But that's your fift genius. Yes, I know.

423
00:19:45.680 --> 00:19:46.039
<v Speaker 4>What did it?

424
00:19:46.240 --> 00:19:46.400
<v Speaker 3>Day?

425
00:19:47.039 --> 00:19:48.160
<v Speaker 2>They didn't have a call for it.

426
00:19:48.799 --> 00:19:51.839
<v Speaker 4>That's crazy. They must have this is Warren call a pool.

427
00:19:51.920 --> 00:19:56.559
<v Speaker 2>Ye word doesn't mean a heavy Look up, let's figure it.

428
00:19:57.440 --> 00:19:59.759
<v Speaker 2>That last cocktail Arne, the bartender said Warren came in

429
00:19:59.799 --> 00:20:02.039
<v Speaker 2>every evening for five point thirty five. That he left

430
00:20:02.079 --> 00:20:04.640
<v Speaker 2>his office at five thirty. That makes his office a

431
00:20:04.640 --> 00:20:06.359
<v Speaker 2>five minute walk from the cocktail lounge.

432
00:20:06.440 --> 00:20:10.160
<v Speaker 4>Ken, and what he said to me, Remember what he said.

433
00:20:10.480 --> 00:20:12.240
<v Speaker 4>He liked to sit in his office and listen to

434
00:20:12.319 --> 00:20:14.559
<v Speaker 4>the chimes from the tower above.

435
00:20:14.319 --> 00:20:17.880
<v Speaker 2>Is often tower tower, five minutes from at cocktail.

436
00:20:17.480 --> 00:20:18.640
<v Speaker 1>Lounge on Michigan Avenue.

437
00:20:18.640 --> 00:20:21.839
<v Speaker 4>Look, look at the avenue.

438
00:20:21.920 --> 00:20:25.519
<v Speaker 2>The Wrigley Building, the clock in the Campanelli tower, Ruth,

439
00:20:25.599 --> 00:20:27.279
<v Speaker 2>that's got to be it. We've got ten minutes to

440
00:20:27.279 --> 00:20:29.759
<v Speaker 2>get there and find the office cabbin Wrigley Building fast.

441
00:20:37.440 --> 00:20:39.200
<v Speaker 2>The red in the traffic lights didn't mean a thing,

442
00:20:39.240 --> 00:20:40.880
<v Speaker 2>but it still took us three minutes to get to

443
00:20:40.920 --> 00:20:43.599
<v Speaker 2>the Wrigley Building. When we got there, the hands of

444
00:20:43.640 --> 00:20:46.440
<v Speaker 2>the clock in the Campanili tower pointed to seven of twelve,

445
00:20:46.920 --> 00:20:49.039
<v Speaker 2>and as we looked up, the larger hand crossed out

446
00:20:49.039 --> 00:20:54.160
<v Speaker 2>another minute of Warren's life. One more went by before

447
00:20:54.160 --> 00:20:57.240
<v Speaker 2>the night watchman heard me counting up the doors, and then.

448
00:20:57.079 --> 00:21:01.039
<v Speaker 1>He opened it. Hey, hey, let's look.

449
00:21:01.079 --> 00:21:03.799
<v Speaker 2>My name is Stone, Chicago Star. Yeah, let's give you

450
00:21:03.839 --> 00:21:07.160
<v Speaker 2>the right chapond on door. Please please just listen. Does

451
00:21:07.200 --> 00:21:09.359
<v Speaker 2>a man named Philip Warren have an office in this building?

452
00:21:09.440 --> 00:21:12.519
<v Speaker 1>No, he ain't got no office. Are you sure? Of course?

453
00:21:12.559 --> 00:21:16.200
<v Speaker 2>I'm sure man named Warren works here? Philip Warren sure

454
00:21:16.319 --> 00:21:19.119
<v Speaker 2>works for Western Re Did he come in tonight? Stop

455
00:21:19.119 --> 00:21:21.039
<v Speaker 2>asking questions? Please, We've got to find him, and he'll

456
00:21:21.079 --> 00:21:21.400
<v Speaker 2>be dead.

457
00:21:21.680 --> 00:21:23.640
<v Speaker 1>But he was all right when he walks, you know.

458
00:21:24.000 --> 00:21:25.559
<v Speaker 1>To take us up to him. Hey, you've got to

459
00:21:25.599 --> 00:21:27.519
<v Speaker 1>sign the in and out shoot, just like everybody.

460
00:21:27.759 --> 00:21:31.559
<v Speaker 2>All right, all right, we'll sign it. Just take us up, okay, go.

461
00:21:31.680 --> 00:21:34.000
<v Speaker 1>Do you use afraid elevator? The regular ones don't run

462
00:21:34.039 --> 00:21:34.920
<v Speaker 1>at night, not this show.

463
00:21:34.960 --> 00:21:36.720
<v Speaker 2>I don't care which one we use. Just get us

464
00:21:36.799 --> 00:21:49.119
<v Speaker 2>up to Warren. I stopped looking at my watch while

465
00:21:49.119 --> 00:21:51.440
<v Speaker 2>at freight. Elevator droned its deadly way up to the

466
00:21:51.480 --> 00:21:53.160
<v Speaker 2>floor where Warren had his office.

467
00:21:54.079 --> 00:21:59.559
<v Speaker 1>And then at last we were there Western Research officers

468
00:21:59.640 --> 00:21:59.920
<v Speaker 1>right down.

469
00:22:00.200 --> 00:22:02.480
<v Speaker 2>Well, you'll call the police, sir, call the police. Tell

470
00:22:02.519 --> 00:22:03.640
<v Speaker 2>him you're calling for me to get here.

471
00:22:03.680 --> 00:22:05.759
<v Speaker 1>As soon as they came. Sure, okay, I can come on.

472
00:22:10.200 --> 00:22:10.640
<v Speaker 2>There it is.

473
00:22:10.839 --> 00:22:15.279
<v Speaker 4>There's no light inside, it's open, there's no one here.

474
00:22:16.039 --> 00:22:20.119
<v Speaker 2>Find the light switch. I can't right, never mind, I'll

475
00:22:20.160 --> 00:22:23.119
<v Speaker 2>light a match. Took some man.

476
00:22:23.599 --> 00:22:25.000
<v Speaker 4>I thought I saw someone at the disk? Can you

477
00:22:25.079 --> 00:22:25.720
<v Speaker 4>light of that match?

478
00:22:26.359 --> 00:22:27.640
<v Speaker 1>All right? Follow me?

479
00:22:31.720 --> 00:22:38.079
<v Speaker 2>Look, missus Warren, what are you doing here? I thought

480
00:22:38.079 --> 00:22:39.160
<v Speaker 2>of the same thing you did, and.

481
00:22:39.160 --> 00:22:43.160
<v Speaker 7>I yes, Paul, mister Stone is here too.

482
00:22:44.319 --> 00:22:46.720
<v Speaker 4>Yes, I turn on the light. Paul.

483
00:22:48.559 --> 00:22:50.279
<v Speaker 2>Why wasn't the light on in the first place?

484
00:22:50.400 --> 00:22:53.240
<v Speaker 7>We thought Philip came here and saw a lighty wouldn't

485
00:22:53.240 --> 00:22:53.480
<v Speaker 7>come in.

486
00:22:53.519 --> 00:22:55.839
<v Speaker 9>That's right, ste We called the police that nothing yet

487
00:22:55.960 --> 00:22:58.039
<v Speaker 9>or so we came here. We thought you would call

488
00:22:58.119 --> 00:22:58.519
<v Speaker 9>the police.

489
00:22:58.680 --> 00:23:00.599
<v Speaker 4>We just couldn't stay home and do nothing.

490
00:23:00.680 --> 00:23:02.920
<v Speaker 1>The police didn't tell you anything. Huh oh, everyone's looking

491
00:23:02.920 --> 00:23:03.400
<v Speaker 1>for Philip.

492
00:23:03.680 --> 00:23:04.680
<v Speaker 2>I'll ask you a nice Paul.

493
00:23:05.480 --> 00:23:07.160
<v Speaker 1>Where is he? I don't understand.

494
00:23:07.240 --> 00:23:08.200
<v Speaker 2>Let's stop playing paddycake?

495
00:23:08.200 --> 00:23:08.559
<v Speaker 1>Where is he?

496
00:23:08.599 --> 00:23:10.599
<v Speaker 2>I tell you, we don't know what you do. Well,

497
00:23:10.599 --> 00:23:11.680
<v Speaker 2>you're one of his best friends.

498
00:23:11.880 --> 00:23:13.240
<v Speaker 1>Where is he? Come on?

499
00:23:13.359 --> 00:23:15.440
<v Speaker 7>Give we don't know where he is. We came here

500
00:23:15.480 --> 00:23:16.079
<v Speaker 7>for the same reason.

501
00:23:16.079 --> 00:23:18.480
<v Speaker 4>You'll never pulled the police about your husband, like you said,

502
00:23:19.000 --> 00:23:21.279
<v Speaker 4>you didn't want them to find him. You're insane, both

503
00:23:21.319 --> 00:23:21.440
<v Speaker 4>of you.

504
00:23:21.480 --> 00:23:22.880
<v Speaker 2>Come on, poor boy, tell me where he is.

505
00:23:23.160 --> 00:23:23.960
<v Speaker 1>Tell you I don't know.

506
00:23:24.440 --> 00:23:27.599
<v Speaker 2>Let's try it again. Come on, storm your never mind me.

507
00:23:27.720 --> 00:23:29.279
<v Speaker 2>Let's stick to the subject of the moment. Where is

508
00:23:29.279 --> 00:23:30.000
<v Speaker 2>he Georgian?

509
00:23:30.240 --> 00:23:32.839
<v Speaker 1>Where is he? Albory, neat and clean? Wasn't it Let

510
00:23:32.880 --> 00:23:33.839
<v Speaker 1>the old boy kill himself?

511
00:23:34.240 --> 00:23:38.039
<v Speaker 2>Just don't do a thing about it. Stop tell me when, Paul,

512
00:23:38.680 --> 00:23:40.359
<v Speaker 2>how much insurance was he gonna leave to your lady

513
00:23:40.400 --> 00:23:43.480
<v Speaker 2>friends you assured it isn't one of those non canceble policies, Paul,

514
00:23:43.519 --> 00:23:44.039
<v Speaker 2>you know some of them.

515
00:23:44.039 --> 00:23:45.119
<v Speaker 1>Don't pay you off on suicide.

516
00:23:45.640 --> 00:23:48.680
<v Speaker 2>Tell me where he is, Tell me stop it, stop it,

517
00:23:48.720 --> 00:23:49.160
<v Speaker 2>stop it.

518
00:23:49.440 --> 00:23:50.200
<v Speaker 4>He's on the tower.

519
00:23:50.680 --> 00:23:53.279
<v Speaker 1>Stop taroro the building. I saw him. He's gonna jump.

520
00:23:53.359 --> 00:23:57.039
<v Speaker 2>Here's your boyfriend, missus Warren, catch the tower, Ruth, come on,

521
00:23:57.200 --> 00:23:59.359
<v Speaker 2>elevate no time, tower's only two flights up. Come on,

522
00:23:59.400 --> 00:24:07.960
<v Speaker 2>I'll need you. It was one minute of twelve when

523
00:24:07.960 --> 00:24:09.599
<v Speaker 2>we took the first step of the two flights. The

524
00:24:09.680 --> 00:24:11.519
<v Speaker 2>run up was like one of those dreams in which

525
00:24:11.559 --> 00:24:14.319
<v Speaker 2>you stand aside and watch yourself. There was a queer,

526
00:24:14.359 --> 00:24:17.480
<v Speaker 2>impersonal detachment about it. That made a horror even more real.

527
00:24:18.440 --> 00:24:19.680
<v Speaker 2>And then we were out on the roof.

528
00:24:21.400 --> 00:24:21.839
<v Speaker 4>Did see you?

529
00:24:21.920 --> 00:24:22.079
<v Speaker 2>No?

530
00:24:22.079 --> 00:24:22.640
<v Speaker 1>No, not yet?

531
00:24:23.160 --> 00:24:23.920
<v Speaker 2>What that where?

532
00:24:24.319 --> 00:24:25.839
<v Speaker 4>Look on the tower?

533
00:24:26.160 --> 00:24:26.400
<v Speaker 2>One?

534
00:24:27.160 --> 00:24:27.359
<v Speaker 4>One?

535
00:24:27.519 --> 00:24:31.400
<v Speaker 7>Wait one y's not wait stop quite time.

536
00:24:32.039 --> 00:24:34.000
<v Speaker 1>I've got to finish up to day. You've got to

537
00:24:34.079 --> 00:24:37.359
<v Speaker 1>listen to me. You're not fine to die. Do you

538
00:24:37.440 --> 00:24:40.319
<v Speaker 1>hear me? He said I was, but he wouldn't say when.

539
00:24:41.079 --> 00:24:42.079
<v Speaker 1>He wouldn't tell me when.

540
00:24:42.920 --> 00:24:43.960
<v Speaker 5>But I know I can.

541
00:24:43.960 --> 00:24:47.759
<v Speaker 1>Tell you it's not quite twelve. But what he is? One?

542
00:24:47.960 --> 00:24:50.079
<v Speaker 1>Look here, rode, make him listen to me.

543
00:24:50.880 --> 00:24:54.480
<v Speaker 4>There's a look ethic, you know.

544
00:24:55.559 --> 00:24:56.079
<v Speaker 1>Yes, I know.

545
00:24:57.079 --> 00:24:59.839
<v Speaker 6>I know everybody in the world, and I could see

546
00:25:00.079 --> 00:25:01.200
<v Speaker 6>Reddy from you.

547
00:25:01.279 --> 00:25:06.160
<v Speaker 4>Please the report was a mistake. You're not going to die.

548
00:25:06.200 --> 00:25:08.480
<v Speaker 4>Do you hear You're the mistake?

549
00:25:08.680 --> 00:25:10.039
<v Speaker 1>Please listen to me. Good.

550
00:25:11.160 --> 00:25:14.519
<v Speaker 2>Oh, everybody likes to me all my life.

551
00:25:15.400 --> 00:25:17.920
<v Speaker 7>You want me to summon I do?

552
00:25:19.119 --> 00:25:19.759
<v Speaker 4>I tell you what?

553
00:25:21.079 --> 00:25:21.880
<v Speaker 5>Did I know what?

554
00:25:22.119 --> 00:25:23.759
<v Speaker 1>I'm going to die? But you're not.

555
00:25:24.640 --> 00:25:29.000
<v Speaker 4>You're a mistake, my mistake, not the gostess. I swear

556
00:25:30.119 --> 00:25:31.920
<v Speaker 4>we're not lying to you. I swear it.

557
00:25:32.160 --> 00:25:35.839
<v Speaker 1>Running run it, why mothering?

558
00:25:35.960 --> 00:25:37.279
<v Speaker 2>If I get your boys ready.

559
00:25:37.039 --> 00:25:40.000
<v Speaker 1>Mix there are si But you what about you. Keep talking.

560
00:25:40.200 --> 00:25:41.359
<v Speaker 2>He's watching you, keep talking.

561
00:25:41.440 --> 00:25:43.559
<v Speaker 4>Mister Warren, You're all right?

562
00:25:43.960 --> 00:25:44.400
<v Speaker 1>Do you hear?

563
00:25:45.480 --> 00:25:49.559
<v Speaker 4>You're not going to die?

564
00:25:50.039 --> 00:25:51.240
<v Speaker 1>He told me it.

565
00:25:51.319 --> 00:25:52.119
<v Speaker 4>Was a mistake.

566
00:25:54.039 --> 00:25:58.200
<v Speaker 1>Please don't die on me. Please, it's the truth, mister Warren.

567
00:25:59.000 --> 00:26:03.640
<v Speaker 2>You're not going to die, are you believing?

568
00:26:07.960 --> 00:26:10.880
<v Speaker 4>Thank Heavin, Thank Heaven.

569
00:26:12.000 --> 00:26:14.839
<v Speaker 2>You can get him now, Mac, He'll hold on until

570
00:26:14.839 --> 00:26:38.960
<v Speaker 2>your boys reaching. So here, I sit trying to write

571
00:26:39.000 --> 00:26:41.920
<v Speaker 2>my story for the night, but I keep hitting that

572
00:26:41.960 --> 00:26:50.880
<v Speaker 2>one key zero zero cipher not nothing. Oh dear, Someday

573
00:26:51.519 --> 00:26:55.079
<v Speaker 2>a nice, peaceful story is going to be written about

574
00:26:55.119 --> 00:26:58.400
<v Speaker 2>a flock of happy little birds leisurely circuling a burned

575
00:26:58.440 --> 00:27:02.039
<v Speaker 2>out world ring Whatever happened to all those crazy two

576
00:27:02.079 --> 00:27:05.480
<v Speaker 2>legged characters who spent their lives knocking each other's brains out.

577
00:27:06.880 --> 00:27:10.319
<v Speaker 2>What a nice thing to read that would be? Yeah,

578
00:27:10.359 --> 00:27:11.680
<v Speaker 2>but wait a second, who'd write it?

579
00:27:14.240 --> 00:27:14.640
<v Speaker 1>All right?

580
00:27:14.759 --> 00:27:16.559
<v Speaker 2>You've broken down to bit philosopher.

581
00:27:16.599 --> 00:27:17.079
<v Speaker 1>The makeup ed.

582
00:27:17.079 --> 00:27:21.039
<v Speaker 2>It has got to go home too, So let's get going. Hello,

583
00:27:22.000 --> 00:27:26.640
<v Speaker 2>give me a red rite.
