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Speaker 1: W n H grip the domles soothing nails from fir

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the relationships.

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Speaker 2: Will I keep them close by?

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Speaker 3: I see them everywhere, they reminding me how happy I am. Well,

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I'm with you. No more that don't no more hands

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between the ages. I've found a ritin.

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Speaker 2: With so many ways, a.

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Speaker 4: Battle of found a better root.

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Speaker 5: Because of it, I have seen the difference, because of

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the rule.

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Speaker 6: I have opened my eyes.

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Speaker 5: There red with.

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Speaker 3: Until I love and I must unction in my birden

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read my desires. Nothing holds me, No one control holds me.

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Speaker 6: It's a trick of the mind.

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Speaker 7: To be only outside.

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Speaker 4: Looking at him.

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Speaker 5: And because of you, I have seen the difference because

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of you. I have all been mind because of you.

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Speaker 8: Because of you.

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Speaker 3: Never turn a bat boy story, big games.

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Speaker 9: South he is from fil donationships.

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Speaker 3: Will I keep them close by?

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Speaker 6: I see the nevery one just remind.

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Speaker 7: I'm happy with you.

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Speaker 6: I'm happy with you.

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Speaker 2: I'm happy with you.

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Speaker 10: What a great song? Not a sou nears And that

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is the rightful airs who are going to introduce in

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just a moment live in studio with us on this

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Saturday morning. Welcome everybody, if you are listening live. We

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have entered the third hour New Marrow trace of Matt

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Connorton Unleashed and we are live from these studios of

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wm NH ninety five point three FM, Inglorious Manchester, New Hampshire,

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also streaming online at Matt connorton dot com slash live.

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It is Saturday, September fourteen, twenty twenty four, and uh,

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I'm gonna go ahead and bring these mics up and

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the Rightful Airs are here with us live in studio. Welcome, Hey,

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great to be here. We have John Montalto. Is that

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any saying perfect? Was it really? Yeah? Okay?

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Speaker 6: Good?

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Speaker 10: And Sonny Burretto, Yeah, okay, excellent, So welcome to both

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of you. It's nice to have you here. And I'm

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kind of adjusting these mics on the fly because the

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Rightful Airs are going to play live for us in suit.

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By the way, so where does the name come from?

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Speaker 11: That's an interesting question. I think we just really we're

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thinking about kind of being the heirs to a lot

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of different music while we were growing up, all these great,

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great influences that we had, and we just wanted to

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be songwriters. So it's Rightful with a write, yes, And

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it's really kind of reflecting that you know, we're songwriters,

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but where airs to a huge legacy of diverse music,

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rock and roll and other influences.

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Speaker 10: I was reading on your website something from another interview

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that you had done where what have you said something

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about at a certain point you stopped worrying about genres

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and just just worrying about kind of which is interesting.

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It sort of relates to a conversation that Jenny and

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I were having with our previous guests in the second hour.

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Eli leve about not worrying about trying to fit into

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a particular genre or style, but just doing the music

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that that you want to do, you know, and letting

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it come out organically, And it sounds like that's kind

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of your approach.

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Speaker 11: Yeah, I mean we have, we've stumbled into so many

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different types of songs that we can't really say that

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we're you know, strictly Americana or anything like that. You know,

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We've got some some songs that sound a little Latin

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and things like that that you know, just they happen,

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and we don't want to really exclude them. We just

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want to let them flow.

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Speaker 10: Yeah, No, that makes sense, That makes sense. And how

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long has how long has the rightful Airs existed as

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a duo. How long have you been doing this?

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Speaker 12: What we had of the anniversary of our first song

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creation was November September.

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Speaker 10: Fourth, seven years, seven years, seven years.

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Speaker 13: We've been writing collectively.

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Speaker 10: Okay, I just want to move that mike a little

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closer to you, of course.

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Speaker 14: Yeah.

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Speaker 6: Yeah, So.

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Speaker 10: Over the course of that time, I mean, how many

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songs have you written and recorded together?

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Speaker 13: Well, we've written over thirty songs.

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Speaker 6: We've recorded ten.

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Speaker 11: Yeah, about ten.

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Speaker 12: We recorded ten and we're in pre production for our

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next project. We have fifteen new songs which we're going

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to start We're going to start work on at the

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end of November.

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Speaker 10: Okay, producer, Okay, excellent, excellent. Do you want to play

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something live for us? We played a studio track. We

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have a couple others we can play over the course

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of the time that we have together. But I'm dining here.

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You play live?

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Speaker 6: Oh, sure, we're happy to play.

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Speaker 13: We're going to play you all brand new material, so we're.

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Speaker 6: Oh, we're happy to do so.

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Speaker 10: Oh fantastic. All right.

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Speaker 11: So this next song is called in My World and

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it just kind of came up, as you know, instead

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of complaining about the way things are, which I think

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a lot of us, you know, in this kind of

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a life, you're all griping about what we like and

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don't like. I said, you know what if I just

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wrote a song about what I really like and that's

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what this song is really about.

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Speaker 10: Okay, all right, fantastic m hm.

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Speaker 15: In my world, there's no trap because we already got there.

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In my world, there's no hung because there's nothing that

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is not said. We always stop and Lenda ham.

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Speaker 4: We always give what we okay here.

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Speaker 3: Here in my world.

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Speaker 15: In my world, there's no worries because we know nobody

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is not nice.

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Speaker 2: In my world, there's no sorrow because we all see

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that we've got race.

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Speaker 15: We always turn the music on. We always have a

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party on here.

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Speaker 2: Here in my world.

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Speaker 16: Just get yours on down here for you with your

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life on feeling batters, the best time.

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Speaker 2: You could have here in my world.

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Speaker 15: In my world, there's no men errors because we all

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see what is so true. In my world, there's no

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garbage because there's nothing that we can't use. We ohays

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turn ourselves around, We oways pick it off the ground here.

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Speaker 2: Here in my world.

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Speaker 16: Just get your ass on down here for your Wisjolive

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on feeling bad.

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Speaker 2: It's the best time you could have here in my world.

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Speaker 15: We oways turn the music gone, we oways have a

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party on here.

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Speaker 2: Here in my world. Just get your asshole down here

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for your waist level.

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Speaker 16: Feeling bad, it's the best time you could have here

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in my world, in my nerve belt.

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Speaker 2: Be Halley may commit you walk.

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Speaker 10: Very nice, very nice, The Rightful airs with us live

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in studio on this Saturday morning here on Matt connorton Unleashed.

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And you were saying, that's brand new pretty much excellent, excellent.

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Speaker 13: Yeah, so if if well, we'll just describe our songwriting. Uh,

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I come up with most of the music and.

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Speaker 17: So yeah, and before we started writing songs together, experience

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with putting together a song, and it's really remarkable how

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over the last seven years that she just progressed into

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this really great story teller and it really it really

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defines our music.

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Speaker 10: How many how many songs did I?

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Speaker 12: Did?

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Speaker 10: I ask you before? How many you've written so far?

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Speaker 2: Thirty?

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Speaker 11: Yeah? I mean in the beginning, I think it just

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kind of started out where, you know, when we met,

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I just handed him a poem and you know, he

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came back to me like in a week with this

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like this recording of him singing my poem to this

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amazing music, and I was like, wow, this is really amazing.

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Speaker 18: I was.

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Speaker 11: I was so pleased. And you know what started to

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happen later was, you know, he's so prolific in writing

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all of these amazing tunes that I realized it was

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kind of like a puzzle to put the lyrics to

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these amazing tunes. So we probably do more of that

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and less of me like free writing a song and

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then him putting it to music. Although we have had

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that happen in one of the songs that we're going

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to be playing the he wrote the music twice to

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the to the song. So there's a song on our

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album called Tear It Down, And originally I wanted him

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to I gave him a song called Muscleman, and I said, hey,

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you know, I need music to this, and he wrote

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this like kind of bright and jaunty music, and I'm like,

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that's that's just not you know, bluesy enough, or you know,

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I need something like more serious. So we held on

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to the music and that music became tear It Down.

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But you'll we'll play for you a song called Muscleman

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later on. That is the kind of second generation for

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that song.

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Speaker 13: It was kind because one of the songs we sent

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to you was tear it down, so you'll get to

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hear you'll.

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Speaker 10: Get to hear.

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Speaker 18: One.

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Speaker 10: Okay, all right, cool, Well let's right now. Let's play

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another studio track and then we'll we'll hear you play

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more live. But I'm dying to play the song American

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Dream the radio edit and then maybe we can talk

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about it after. But this is a really great song.

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This is American Dream by the rightful heirs.

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Speaker 6: Lead the American Dream cause things on really was the scene.

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Speaker 2: Worked on my lists.

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Speaker 4: You don't want me.

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Speaker 7: Lead the American Dream.

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Speaker 2: The same old thing.

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Speaker 3: Today feels so paid, the sinking feeling you will never find.

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Speaker 6: He's mine.

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Speaker 3: I did everything who went spent till I've made, packed

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up and left my home for a better job.

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Speaker 15: But I was robbed.

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Speaker 6: I'm growing up in an old timeselves. Oh else could.

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Speaker 2: I live with?

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Speaker 19: Thouse?

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Speaker 18: I lived Untie the American Dream because things I really

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was they had seen works so damn hard to keep

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her a great I lived and tied the American Dream.

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Speaker 3: You know, part of sa miracles take up hill. What

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else can you do to protect your head, to your.

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Speaker 2: Try and not to get old?

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Speaker 4: No one to hold a million.

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Speaker 2: And others who live just like.

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Speaker 6: Uncertainty.

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Speaker 4: I'm running off broad time.

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Speaker 6: I said, it's up, goddamn crime.

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Speaker 4: I lived and die the American Dream.

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Speaker 2: Packed up on my Briday. My essues.

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Speaker 6: A Sabacoviy Nancy. I lived and died the American Dream.

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Speaker 19: Shop Tell me what I want to deep.

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Speaker 9: Mocks, love them up with spending.

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Speaker 4: Spree the.

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Speaker 8: Bro are you making me up?

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Speaker 2: Kidding me?

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Speaker 6: I'm living on barber.

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Speaker 20: I lived untide the American Try. I'm still in love

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with my country. My rockin' roll will keep me free.

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Speaker 6: I lived and did the American Dream.

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Speaker 10: I really like that song a lot. That is American Dream.

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That is the rightful heirs who are here with us

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live in studio, and uh yeah, I'm curious to hear

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the story behind that song. Very very topical, shall we say?

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Speaker 11: Well, you know, you know how sometimes you're just kind

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of like talking to somebody and you kind of make

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a phrase that just kind of like sticks. So I

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think I said something along the lines of like, oh,

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I've lived and died the American Dream. And John's like, oh,

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that's a song, and he just kind of kept noodling

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it and he came up with the chorus right away,

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and then he I think already had a piece of

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like a verse that went with it. And why don't

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you talk about you constructed it?

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Speaker 13: Well, we had, we had the.

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Speaker 12: We had the chorus to the song, and trying to

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to fit what a verse would be to match that.

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There was a song idea that popped into my head

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that that was twenty five years old that never did

248
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anything with that just fit perfectly.

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Speaker 10: Yeah, and once we had that structure in.

250
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Speaker 13: Place, Sonny was able to compete the whole lyric idea.

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Speaker 10: Yeah. Oh very cool, very cool. And and who's on that?

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Speaker 13: Larry Campbell was on that song with him, Yes, the

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great Larry Campbell.

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Speaker 10: Yeah, yeah, tell us about him.

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Speaker 11: So Larry Campbell has I think three Grammys. He's playing

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i think pedal steel guitar on a lot of our

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tracks and on this particular track as well, right and

258
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on and on tear Down.

259
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Speaker 13: He also plays guitar and pedal steel as well.

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Speaker 11: Yeah. We also have Josh Dion on drums.

261
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Speaker 13: And Danny lewis the keyboard player for Government Mule played.

262
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Speaker 10: On our tracks. Oh okay, oh wow.

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Speaker 12: So our producer, Lincoln Schleiefer, it's a fifty year studio

264
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pro and these are all.

265
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Speaker 13: Of Lincoln's friends and h Lincoln cast every song with.

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Speaker 12: Specific players that he thought would be most appropriate feature track.

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Speaker 10: Okay, okay, cool, you want to play you want to

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play another live one for us? Sure?

269
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Speaker 6: Absolutely.

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Speaker 11: So this next tune is called take Me Back to Nashville.

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And we had taken a trip to Nashville and played

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an open mic in Nashville. And that was a real

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privilege because there's so many wonderful songwriters there. Oh yeah,

274
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And I remember this girl just like got up and

275
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like belted her heart out, and and I was thinking,

276
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you know, oh my goodness, this is like Brandy Carlisle.

277
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And so that kind of inspired this tune, which is

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really about a relationship between kind of a song stress,

279
00:20:15,880 --> 00:20:20,240
let's say, and her inspiration. Whether or not he's positive

280
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or negative you could figure out from the song, but

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he's kind of like the muse inspiring her.

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Speaker 10: Okay, all right, very good. And what's this called.

283
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Speaker 11: Take me Back to Nashville?

284
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Speaker 10: Take me Back to Nashville. Okay, if you're just showing

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00:20:35,799 --> 00:20:37,880
us out of the rifle areas here with us live

286
00:20:37,960 --> 00:20:40,960
in studio and UH, we're gonna hear another live tune.

287
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Speaker 13: Sitting in UH in a house in Germany.

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Speaker 4: For there, for.

289
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Speaker 13: Five years, I was just able to.

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Speaker 6: Okay within the music styles. Then my thoughts you start

291
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to turn. You are hent read turn the pitch.

292
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Speaker 7: If I'm not stay to your number.

293
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Speaker 6: Boost.

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Speaker 2: You're the one that moves me home. Take me back

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to Nashville. I just want to hear you. Take me

296
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back to Nashville.

297
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Speaker 6: We can find the song keeps calling me. It's calling me. Ho,

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you will get together.

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Speaker 10: Rogers turned it around you.

300
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Speaker 19: I could hear you. You see.

301
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Speaker 6: I need you cry.

302
00:22:06,079 --> 00:22:12,400
Speaker 2: Don't know, but I would die in your side, your

303
00:22:12,519 --> 00:22:18,640
bolt one. Now I've come undone. Take me back to Nashville.

304
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I just want to hear you. Take me back to Nashman.

305
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Speaker 6: We can find an little woman.

306
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Speaker 2: I know what I heard. It's all in your words

307
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and the good I have to tell him.

308
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Speaker 4: You need to like a ball.

309
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Speaker 2: I can't fall if you refuse.

310
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Speaker 6: Here on your mules. Pick man back to.

311
00:23:10,319 --> 00:23:20,039
Speaker 2: You still love, don't come back to Nashville. Will you

312
00:23:20,200 --> 00:23:21,839
still push me around hard?

313
00:23:22,200 --> 00:23:28,480
Speaker 16: Hon will you still push me around, hond Will you

314
00:23:28,880 --> 00:23:30,759
still push me around?

315
00:23:31,720 --> 00:23:35,319
Speaker 2: Hon? Were you still post me around?

316
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Speaker 19: News?

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00:23:47,759 --> 00:23:51,519
Speaker 2: You said something? I heard nothing? I said nothing you

318
00:23:51,720 --> 00:23:57,440
heard something? Or down? I did everything for you. Just

319
00:23:57,680 --> 00:24:05,319
tear it down. It's the only thing to do. I've

320
00:24:05,359 --> 00:24:09,799
been waiting, You've been praying up and praying. You've been waiting.

321
00:24:10,039 --> 00:24:15,240
Tear it down. Can't get anything from you. Just tear

322
00:24:15,279 --> 00:24:23,920
it down. It's the only thing we do better.

323
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Speaker 8: Rob Lorner, you should really go back almost be tail

324
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it down.

325
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Speaker 2: To the ground, down to the ground.

326
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Speaker 8: Well, I don't like.

327
00:24:50,519 --> 00:24:54,319
Speaker 2: It when you're lazy. You don't like it when I'm crazy.

328
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Tear it down? Is there no alternative? Just tear it down?

329
00:25:02,039 --> 00:25:10,440
Is this any way to your forgiving me for living living,

330
00:25:10,640 --> 00:25:16,240
for your giving to redwn? We had everything. It's you

331
00:25:16,640 --> 00:25:20,880
just to re down. I willowy sing to.

332
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Speaker 19: Let it.

333
00:25:26,720 --> 00:25:28,279
Speaker 8: Oh, no, loan it.

334
00:25:29,160 --> 00:25:34,160
Speaker 14: Yes, I got down on your room. But just do

335
00:25:34,400 --> 00:25:49,559
it down, hover down a better rock, Lona. You should

336
00:25:49,960 --> 00:25:54,000
really go back home a sweet.

337
00:25:55,680 --> 00:26:09,640
Speaker 2: Down to the ground, down to the grab wills learn

338
00:26:09,759 --> 00:26:11,119
when I must finish?

339
00:26:11,279 --> 00:26:14,480
Speaker 8: Could I not to live way up?

340
00:26:18,680 --> 00:26:22,240
Speaker 2: We build our blaze of glory? How could we just

341
00:26:22,440 --> 00:26:26,799
in my story build it up. But it's our time

342
00:26:27,039 --> 00:26:35,359
to just tear it all down. Tear it all down

343
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and move all.

344
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Speaker 11: We should.

345
00:26:48,359 --> 00:26:52,359
Speaker 2: I'm not staying where a layon. You're not laying where

346
00:26:52,400 --> 00:26:58,480
on staying down. We'll give in to gravity. Just take

347
00:26:58,559 --> 00:27:03,319
it down live way you would rather. The beanie.

348
00:27:06,920 --> 00:27:08,599
Speaker 6: Love the rickon.

349
00:27:10,680 --> 00:27:16,000
Speaker 2: I can be the stronger while you can't wim it

350
00:27:16,160 --> 00:27:28,440
down cold, turn it down stupid.

351
00:27:30,359 --> 00:27:37,680
Speaker 8: You will make me before you get tat down.

352
00:27:39,119 --> 00:27:40,599
Speaker 2: To the ground.

353
00:27:44,079 --> 00:27:57,240
Speaker 10: Down to the ground, very very catchy. I like it,

354
00:27:57,839 --> 00:27:59,920
thatt is, tear it down. We've got the rightful air

355
00:28:00,119 --> 00:28:04,880
us here with us live in studio on this Saturday morning. Uh,

356
00:28:05,359 --> 00:28:07,599
let's go and try that, Mike John try talking into that.

357
00:28:11,519 --> 00:28:14,359
Oh I think we're onto something here. Okay, keep keep talking.

358
00:28:14,759 --> 00:28:18,839
Well that's that's a that's much better. Yeah, we were.

359
00:28:19,519 --> 00:28:21,599
We were getting some buzz earlier that where it was

360
00:28:23,119 --> 00:28:26,119
it was not not helpful. Yeah, that's that's that's a

361
00:28:26,160 --> 00:28:29,759
big improvement. I can actually hear you. So plug that

362
00:28:29,839 --> 00:28:32,160
mic into a different channel. So yeah, so we have

363
00:28:32,240 --> 00:28:34,880
the rightful airs with us. Uh, live in studio with us.

364
00:28:35,039 --> 00:28:37,400
You want to you want to play another live one

365
00:28:37,480 --> 00:28:37,759
for us?

366
00:28:38,599 --> 00:28:42,839
Speaker 11: Okay, so you just heard tear it down on uh,

367
00:28:43,319 --> 00:28:47,599
the recorded track there that we submitted, and that was

368
00:28:47,680 --> 00:28:51,440
really the music that John came up with for this

369
00:28:51,799 --> 00:28:55,799
next song when I handed him these lyrics and oh

370
00:28:56,000 --> 00:28:59,920
you'll you'll see these are two totally different songs. Uh,

371
00:29:00,359 --> 00:29:07,920
this is probably a little bit more kind of serious sounding.

372
00:29:07,640 --> 00:29:09,839
Speaker 10: And okay, oh now I'm curious.

373
00:29:10,039 --> 00:29:12,720
Speaker 11: Yeah, so the song is called muscle Man.

374
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Speaker 10: Okay, all right, right, Hilaiirs live in studio the right

375
00:29:18,559 --> 00:29:19,680
Hilaiirs live in studio.

376
00:29:22,319 --> 00:29:33,079
Speaker 2: Hee them, musclemad Why don't you move me if you can?

377
00:29:39,920 --> 00:29:46,559
Heye them? Musclema Why don't you move me if you

378
00:29:46,799 --> 00:29:53,880
can can? Can a prodigy?

379
00:29:54,640 --> 00:29:55,359
Speaker 11: No ambition?

380
00:29:56,240 --> 00:30:00,640
Speaker 2: Can your mirrors beIN your mission? On the much of

381
00:30:00,880 --> 00:30:08,880
what's in sa I'm urged to say the let hey them, Musclemade,

382
00:30:10,279 --> 00:30:20,519
Why don't you move me if you can? Hey them,

383
00:30:21,000 --> 00:30:25,759
Muscle Maade and you know you move me if you

384
00:30:25,960 --> 00:30:35,799
can can? Care watch this love's condition. Can't you see

385
00:30:36,079 --> 00:30:41,519
what you've been listened? Spread free from your history and

386
00:30:41,680 --> 00:30:49,640
come feel mamstreet, Hey them, Muscle Made, Why don't you

387
00:30:49,960 --> 00:31:01,319
move me if you can? Heye them? Muscle many hand?

388
00:31:01,559 --> 00:31:06,039
Oh you could move me if you can can can

389
00:31:06,680 --> 00:31:14,599
can what's song on the outside? Or free you from

390
00:31:14,799 --> 00:31:19,920
youri inside? What's on the outside? Won't a are you

391
00:31:20,119 --> 00:31:34,240
from your ripped tad? That one inside? Hey? Hey hey, hey,

392
00:31:35,480 --> 00:31:41,799
you got how won't you? Hey? Hey, hey hey you

393
00:31:42,039 --> 00:31:57,920
got to move me? Hey the muslmane why don't you

394
00:31:58,359 --> 00:32:01,759
move me? If you can?

395
00:32:05,400 --> 00:32:09,480
Speaker 10: I like it? I like it. That is Muscleman. The

396
00:32:09,640 --> 00:32:11,759
Rightful Airs are here with us a live in studio

397
00:32:11,839 --> 00:32:16,440
on this Saturday morning here on Matt Connerton Unleashed playing

398
00:32:16,480 --> 00:32:20,599
some tunes. We also played some studio tracks. And what

399
00:32:20,720 --> 00:32:24,160
have you released so far for studio material? Do you

400
00:32:24,279 --> 00:32:26,359
just have the one album, the one self titled album,

401
00:32:26,480 --> 00:32:28,759
or have you put anything else out prior to that.

402
00:32:29,960 --> 00:32:32,160
Speaker 11: That's really all that we've kind of put up there,

403
00:32:32,319 --> 00:32:35,839
you know, like on Spotify, YouTube and Apple Music and

404
00:32:35,880 --> 00:32:40,200
all of that stuff. Is that studio album. We did

405
00:32:40,319 --> 00:32:44,440
have another song that we had a different producer do,

406
00:32:45,400 --> 00:32:48,759
but we haven't really released that one. And we've got

407
00:32:48,799 --> 00:32:51,119
a whole bunch of stuff that we're working on for

408
00:32:51,240 --> 00:32:52,160
our next go around.

409
00:32:53,240 --> 00:32:55,880
Speaker 10: Yeah, I would imagine. I mean you're probably constantly writing, right.

410
00:32:56,640 --> 00:32:59,119
Speaker 11: Yeah, It's just it's kind of like a disease Yeah,

411
00:32:59,279 --> 00:33:01,720
it just keeps happening. But yeah, there's nothing we could

412
00:33:01,759 --> 00:33:03,839
do about it, and it's all different, and you know,

413
00:33:04,440 --> 00:33:05,000
you just got.

414
00:33:05,000 --> 00:33:05,440
Speaker 19: To go with it.

415
00:33:05,880 --> 00:33:09,880
Speaker 12: Yeah, and just blessed to have such a wonderful songwriting partner.

416
00:33:12,400 --> 00:33:15,400
For many years, I had gotten to the point where

417
00:33:15,559 --> 00:33:19,680
I wasn't really able to complete anything on my own. Yeah,

418
00:33:19,839 --> 00:33:24,039
and then once Sonny and I started writing together, all

419
00:33:24,039 --> 00:33:28,440
of these wonderful new ideas started coming about. And in

420
00:33:28,559 --> 00:33:32,359
the thirty five plus years that I've been writing, this

421
00:33:32,519 --> 00:33:35,000
is the best material really that.

422
00:33:35,759 --> 00:33:36,720
Speaker 13: I've really been part of.

423
00:33:36,920 --> 00:33:40,200
Speaker 12: And I've been part of some really great bands in

424
00:33:40,319 --> 00:33:43,000
the past, so it's really it's really pleasing to.

425
00:33:44,559 --> 00:33:45,839
Speaker 13: Have this type of partnership.

426
00:33:46,160 --> 00:33:49,640
Speaker 10: Yeah, yeah, excellent. Where do you record? And by the way,

427
00:33:49,640 --> 00:33:51,200
forgive me if I asked you this earlier, I may

428
00:33:51,200 --> 00:33:55,440
have been distracted by the little technical problems we were having.

429
00:33:55,519 --> 00:33:58,799
But where where do you record? Where was this album recorded?

430
00:34:00,440 --> 00:34:03,720
Speaker 11: Lincoln's Log Cabin in Bronx, New York.

431
00:34:05,519 --> 00:34:08,079
Speaker 10: So there's a place in the Bronx's studio called Lincoln's

432
00:34:08,400 --> 00:34:09,000
Log Cabin.

433
00:34:09,199 --> 00:34:12,079
Speaker 11: Yeah, oh wild, it's really like a basement. There's no

434
00:34:12,360 --> 00:34:15,440
there's no log cabin. But it's a house in the

435
00:34:15,519 --> 00:34:19,480
Bronx and he's got this like basement studio and all

436
00:34:19,559 --> 00:34:23,239
of these amazing artists came there to record our album.

437
00:34:23,400 --> 00:34:26,360
Speaker 12: We're really fortunately we recorded the album during COVID and

438
00:34:26,400 --> 00:34:29,000
a lot of these musicians would have been on the

439
00:34:29,119 --> 00:34:34,239
road and they were grounded and they were available to us.

440
00:34:34,280 --> 00:34:36,719
So we were very, very lucky and fortunate to have

441
00:34:36,800 --> 00:34:39,920
the opportunity to have them come in and really create

442
00:34:39,960 --> 00:34:40,400
our music.

443
00:34:40,480 --> 00:34:41,760
Speaker 10: And basically we.

444
00:34:41,920 --> 00:34:45,440
Speaker 12: Came in with songs just the way we're playing them today,

445
00:34:46,079 --> 00:34:50,920
and from that point of view, Lincoln had a vision

446
00:34:51,039 --> 00:34:55,360
for each and every track, and we're really we're just

447
00:34:55,480 --> 00:34:57,559
really grateful we had the opportunity to work with Lincoln

448
00:34:57,599 --> 00:34:59,519
and with all these magnificent players.

449
00:34:59,679 --> 00:35:02,559
Speaker 10: Oh excellent, yeah, excellent. Do you plan to go back

450
00:35:02,559 --> 00:35:04,400
there for recording in the future or are you going

451
00:35:04,440 --> 00:35:05,480
to try somebody else or.

452
00:35:05,800 --> 00:35:07,559
Speaker 11: Oh, We're definitely going back to Lincoln.

453
00:35:08,000 --> 00:35:09,199
Speaker 7: Lincoln's our man, for sure.

454
00:35:09,840 --> 00:35:14,199
Speaker 12: We're scheduled to meet with Lincoln at the end of

455
00:35:14,320 --> 00:35:19,199
November and to play him fifteen to fifteen songs, including

456
00:35:19,280 --> 00:35:20,960
all of what we played here today. These are all

457
00:35:21,480 --> 00:35:23,360
songs are going to be considered for the next project.

458
00:35:23,480 --> 00:35:27,159
Speaker 10: Oh excellent, very good, very good. Uh, do you want

459
00:35:27,159 --> 00:35:28,119
to play another live one?

460
00:35:28,320 --> 00:35:28,559
Speaker 7: Sure?

461
00:35:29,320 --> 00:35:35,440
Speaker 10: Sure if you're just joining us, we have the rightful

462
00:35:35,440 --> 00:35:41,960
areas with us alive in studio here, can you see?

463
00:35:43,039 --> 00:35:46,800
Speaker 19: Yeah, So you want to introduce this song?

464
00:35:47,159 --> 00:35:51,480
Speaker 11: Okay, So this song's kind of a medley. It's two

465
00:35:51,599 --> 00:35:55,920
songs really kind of sandwich together. That just kind of

466
00:35:56,000 --> 00:35:59,239
happened that way. One day John was noodling around and

467
00:35:59,360 --> 00:36:02,280
he just kind of slid from one into the next,

468
00:36:02,360 --> 00:36:05,119
and then it's just kind of we realized they needed

469
00:36:05,159 --> 00:36:09,320
to go together. So the first songs called in Due Time,

470
00:36:09,679 --> 00:36:13,440
and the next song is called the Devil. And you know,

471
00:36:13,639 --> 00:36:17,360
feel free to put your favorite villain in our Devil song.

472
00:36:17,920 --> 00:36:20,679
Think of who you must in these times. I'm sure

473
00:36:20,679 --> 00:36:25,400
everybody's got somebody that they consider might fit the bill.

474
00:36:25,519 --> 00:36:26,320
Speaker 10: Here, no doubt.

475
00:36:43,480 --> 00:36:51,320
Speaker 7: She knelt down upon his great black boot, screams in.

476
00:36:52,119 --> 00:36:53,199
Speaker 10: That we.

477
00:36:54,920 --> 00:37:02,519
Speaker 3: Where she's here and he is gone, wi'son left to

478
00:37:03,599 --> 00:37:04,840
carry all.

479
00:37:07,239 --> 00:37:10,559
Speaker 2: Just take your please say in sad.

480
00:37:10,760 --> 00:37:16,320
Speaker 7: Land, all questions answer in due time.

481
00:37:28,000 --> 00:37:32,320
Speaker 19: Won soul tear is all she say.

482
00:37:34,360 --> 00:37:42,199
Speaker 7: From the memory of that day. Now that Warmon has

483
00:37:42,559 --> 00:37:48,800
grown old, the little tear has turned to go.

484
00:37:51,320 --> 00:37:58,320
Speaker 2: Just take your please, say sad lands. All questions answer

485
00:37:58,960 --> 00:37:59,920
in due time.

486
00:38:00,559 --> 00:38:07,400
Speaker 21: In due time, everything shall be revealed.

487
00:38:38,360 --> 00:38:43,719
Speaker 3: When you look in to the mirror you sare no

488
00:38:44,239 --> 00:38:50,480
one left to sieve? Has the image becomes clearer?

489
00:38:51,280 --> 00:38:54,559
Speaker 7: Who's the master and who's the slave?

490
00:38:55,599 --> 00:38:56,920
Speaker 2: And whose rules?

491
00:38:57,039 --> 00:38:58,559
Speaker 19: Do you be?

492
00:39:08,199 --> 00:39:09,920
Speaker 7: I have seen your.

493
00:39:10,119 --> 00:39:18,039
Speaker 3: Face before HISTORYA serve me? Will There'll be those who

494
00:39:18,480 --> 00:39:23,800
take your hand, But I won't fall under your spill.

495
00:39:24,880 --> 00:39:28,039
Speaker 7: I won't follow you to hell.

496
00:39:31,039 --> 00:39:38,440
Speaker 3: Would you know the devil? If you looting to your eyes?

497
00:39:43,360 --> 00:39:45,760
Would you know the devil?

498
00:39:47,400 --> 00:39:50,519
Speaker 2: When it comes as no surprise?

499
00:39:52,239 --> 00:39:52,400
Speaker 19: Men?

500
00:39:52,559 --> 00:39:54,679
Speaker 7: You been help beside?

501
00:39:54,960 --> 00:39:56,199
Speaker 2: You'll think, can.

502
00:39:56,599 --> 00:39:58,519
Speaker 7: You can't do no wrong?

503
00:40:01,199 --> 00:40:02,440
Speaker 2: Do you know wrong?

504
00:40:05,039 --> 00:40:06,320
Speaker 10: Do you know wrong?

505
00:40:12,960 --> 00:40:13,199
Speaker 2: Yes?

506
00:40:13,400 --> 00:40:19,199
Speaker 3: We all do have a shadow, and we almost make

507
00:40:19,400 --> 00:40:25,199
a choice not to give in to a shadow or

508
00:40:25,320 --> 00:40:28,119
to slip in to the board.

509
00:40:29,039 --> 00:40:32,079
Speaker 2: We just need to raise our voice.

510
00:40:34,880 --> 00:40:41,920
Speaker 3: Would you know the devil if he looked into your house?

511
00:40:46,760 --> 00:40:49,079
Would you know the devil?

512
00:40:50,719 --> 00:40:57,000
Speaker 22: And it comes as no surprise when you bad hire

513
00:40:57,239 --> 00:41:05,599
the task you're thinking and do no wrong, do no wrong,

514
00:41:08,280 --> 00:41:09,519
do no wrong?

515
00:41:18,159 --> 00:41:32,079
Speaker 7: Would you know the table? Would you know the table?

516
00:41:33,599 --> 00:41:37,000
Speaker 2: And it comes as non surprivence?

517
00:41:38,239 --> 00:41:42,360
Speaker 21: Men, you've been him the time you thinking.

518
00:41:42,519 --> 00:41:44,639
Speaker 2: You can't do no wrong.

519
00:41:57,800 --> 00:42:01,599
Speaker 10: Oh I like that. I like that a lot.

520
00:42:01,880 --> 00:42:02,199
Speaker 19: Thank you.

521
00:42:02,360 --> 00:42:05,719
Speaker 12: So in due time was it felt to me that

522
00:42:05,880 --> 00:42:09,639
there just wasn't I needed to have more. And it

523
00:42:09,800 --> 00:42:12,559
was just that happy accident when I was doing that figure,

524
00:42:15,079 --> 00:42:17,360
just going down that half a step is where the

525
00:42:17,519 --> 00:42:20,639
devil started and that's it's sunny. Let's try to put

526
00:42:20,679 --> 00:42:23,719
these two together. Yeah, and uh, like I said, it

527
00:42:23,800 --> 00:42:24,800
was just a happy accident.

528
00:42:24,960 --> 00:42:27,480
Speaker 10: Yeah, yeah, no, it was very cool. That was very cool.

529
00:42:27,880 --> 00:42:30,039
If you're just joining us, the Rightful Airs are here

530
00:42:30,119 --> 00:42:34,159
with us live in studio before we run out of time,

531
00:42:34,800 --> 00:42:36,440
do you wanna do you want to play one more?

532
00:42:36,480 --> 00:42:38,440
And then we'll kind of remind everybody where to find

533
00:42:38,480 --> 00:42:38,920
you online.

534
00:42:39,280 --> 00:42:41,519
Speaker 7: We'd love to thank you. Thank you absolutely.

535
00:42:42,400 --> 00:42:42,440
Speaker 19: No.

536
00:42:42,519 --> 00:42:44,159
Speaker 10: I like that last one so much. I just want

537
00:42:44,199 --> 00:42:45,079
to hear another live one.

538
00:42:45,559 --> 00:42:49,159
Speaker 7: Oh so.

539
00:42:53,320 --> 00:42:54,760
Speaker 2: What would you like to do?

540
00:42:55,880 --> 00:42:59,000
Speaker 10: Kind of uh, while you're looking at that too, I'll

541
00:42:59,039 --> 00:43:01,400
just remind our our listeners if you're looking for the

542
00:43:01,559 --> 00:43:05,239
Rightful Airs online, So it's rightful with a W W

543
00:43:05,719 --> 00:43:09,079
R I T E f U L and then airs

544
00:43:09,159 --> 00:43:13,519
is h E R I R S for the spelling impaired.

545
00:43:15,639 --> 00:43:16,639
Speaker 2: Sure, we could try that.

546
00:43:17,920 --> 00:43:21,239
Speaker 12: Okay, this is a this is another song that's that's

547
00:43:21,320 --> 00:43:22,119
quite different.

548
00:43:22,159 --> 00:43:27,039
Speaker 7: Here, let me just make sure, let me just tune

549
00:43:27,079 --> 00:43:27,639
this up here.

550
00:43:27,840 --> 00:43:28,079
Speaker 2: Sure.

551
00:43:28,360 --> 00:43:28,840
Speaker 19: So this is.

552
00:43:30,400 --> 00:43:32,760
Speaker 11: Kind of like a date night song, like if you know,

553
00:43:33,239 --> 00:43:36,719
just kind of one thing kind of leads into the next.

554
00:43:36,880 --> 00:43:42,840
And the song is called Pepper, and uh it's kind

555
00:43:42,920 --> 00:43:45,519
of not like our other songs because it's a little

556
00:43:46,280 --> 00:43:56,360
Latin sounding. Oh okay, all right, cool, don't have much

557
00:43:56,400 --> 00:43:57,800
more to say about this song.

558
00:43:58,039 --> 00:44:00,920
Speaker 12: The song almost didn't come to be, but that's story

559
00:44:01,000 --> 00:44:01,760
for another time.

560
00:44:02,239 --> 00:44:04,639
Speaker 10: Oh all right, we.

561
00:44:04,719 --> 00:44:13,039
Speaker 2: Can say more about that later. Bring me a little

562
00:44:13,159 --> 00:44:19,199
more pepper, Baby, I'll pour a little more wine. We

563
00:44:19,599 --> 00:44:24,800
can make it together, the baby. It will really be fine.

564
00:44:25,519 --> 00:44:31,639
Speaker 3: Close your eyes, make a little wi is. Yes, I'm

565
00:44:31,800 --> 00:44:32,440
your guy.

566
00:44:33,360 --> 00:44:37,679
Speaker 2: Play me some more of your music, Honey. I'll make

567
00:44:37,760 --> 00:44:43,760
a really good rhyme. We can play it together, Honey,

568
00:44:44,320 --> 00:44:46,119
we can sing it right.

569
00:44:47,000 --> 00:44:53,880
Speaker 3: Take my hand, mike al little wish. Yes, I'm your man,

570
00:44:54,119 --> 00:44:56,840
and you've got me right here.

571
00:44:57,119 --> 00:45:02,400
Speaker 21: Baby, you've got me goo oh when crazy, wrap your

572
00:45:02,800 --> 00:45:07,760
arms all around me, baby, turn me towards the stars.

573
00:45:09,119 --> 00:45:13,960
Speaker 2: We're still holding each other, darling. That's just who we

574
00:45:14,360 --> 00:45:16,239
are what you are.

575
00:45:17,840 --> 00:45:22,599
Speaker 7: Make a little wish. Let's do this all night.

576
00:45:23,000 --> 00:45:27,239
Speaker 2: Slide your hips a bit closer, my love, dance me

577
00:45:27,599 --> 00:45:34,199
through the night. We keep moving together the baby, and

578
00:45:34,519 --> 00:45:35,880
it feel so right.

579
00:45:36,679 --> 00:45:43,559
Speaker 7: Close your eyes. Make a little wish. Yes, I'm your god.

580
00:45:44,519 --> 00:45:48,800
Speaker 2: It's time that you kissed me right there. You could

581
00:45:49,000 --> 00:45:55,079
do that again. We can make love together all night.

582
00:45:55,440 --> 00:45:57,280
It will never end.

583
00:45:57,920 --> 00:46:04,880
Speaker 3: Just take my hand. I've got working. Yes, I'm your man,

584
00:46:05,119 --> 00:46:10,440
and you've got me right here. Baby, you've got.

585
00:46:10,400 --> 00:46:22,440
Speaker 2: Me going crazy. Now bring me a little more pepper, peep,

586
00:46:23,320 --> 00:46:29,679
I'll pour a little more wine. We can't do it together, babe.

587
00:46:30,440 --> 00:46:32,159
We can do it right.

588
00:46:34,000 --> 00:46:39,440
Speaker 23: We can do it together, baby, we can do it right.

589
00:46:41,119 --> 00:46:46,559
We can do it together, baby, we can do it right.

590
00:46:49,639 --> 00:46:54,119
Speaker 10: That song made me blush. No, that's great. That is

591
00:46:54,199 --> 00:46:58,760
Pepper by the Rightful Airs here with us live in studio.

592
00:46:59,760 --> 00:47:01,840
Where should people go online to keep up with everything

593
00:47:01,920 --> 00:47:03,559
that you're doing? Where's the best place here?

594
00:47:04,239 --> 00:47:08,159
Speaker 11: The Rightful Airs dot com. That's the w R I

595
00:47:08,400 --> 00:47:11,639
T E f U l H E I R S

596
00:47:12,039 --> 00:47:12,719
dot com.

597
00:47:12,960 --> 00:47:17,280
Speaker 12: Okay and Spotify, iTunes, Amazon, all the major music carriers.

598
00:47:17,320 --> 00:47:19,440
Speaker 10: You can find us on Okay excellent and do you

599
00:47:19,519 --> 00:47:22,280
have any shows this weekend that you're playing or when's

600
00:47:22,280 --> 00:47:22,800
the next show?

601
00:47:23,360 --> 00:47:26,760
Speaker 12: No, that's that's something that we're working on. As you know,

602
00:47:26,880 --> 00:47:28,760
in order to play a lot of the venues here,

603
00:47:29,679 --> 00:47:31,719
you do have to know a fair amount of cover songs,

604
00:47:31,760 --> 00:47:32,400
which we're.

605
00:47:32,440 --> 00:47:33,280
Speaker 7: Totally new to us.

606
00:47:33,360 --> 00:47:37,679
Speaker 12: So we're currently working on about fifteen or twenty cover

607
00:47:37,840 --> 00:47:40,360
songs so that we can put a show together and

608
00:47:40,400 --> 00:47:43,960
start playing on all the local places. Excellent, And just

609
00:47:44,079 --> 00:47:47,320
to say, we were from New York and when we

610
00:47:47,480 --> 00:47:50,280
moved here, we were surprised to find that there is

611
00:47:50,440 --> 00:47:54,800
really a fantastic music scene here. Oh yeah, wonderful, wonderful musicians,

612
00:47:55,199 --> 00:47:57,199
a lot of opportunities to play, so we're happy to

613
00:47:57,239 --> 00:47:57,719
be part of it.

614
00:47:57,920 --> 00:48:00,920
Speaker 10: Yeah, excellent. What brought you your from New York originally?

615
00:48:01,000 --> 00:48:01,159
Speaker 24: Yes?

616
00:48:01,480 --> 00:48:02,199
Speaker 10: What brought you here?

617
00:48:03,079 --> 00:48:03,239
Speaker 19: Oh?

618
00:48:03,480 --> 00:48:06,639
Speaker 11: Just like I think in living in New York after

619
00:48:06,760 --> 00:48:10,400
a while, I used to have this helicopter that was

620
00:48:10,440 --> 00:48:12,159
over my house all the time, and I was like,

621
00:48:12,239 --> 00:48:14,360
you know, I really could use some peace and quiet.

622
00:48:14,519 --> 00:48:18,039
So like we came up to New Hampshire and and

623
00:48:18,159 --> 00:48:21,719
it's been great. There is no traffic here, at least

624
00:48:21,840 --> 00:48:26,360
where I drive anyway. Yeah, and you know, as long

625
00:48:26,400 --> 00:48:28,199
as they don't put any more stop lights, and I

626
00:48:28,280 --> 00:48:31,599
think it'll be an awesome, awesome place to drive all

627
00:48:31,679 --> 00:48:33,719
the time. So we're loving it here.

628
00:48:33,960 --> 00:48:37,440
Speaker 10: Excellent, excellent, very very good. Well we'll in a moment,

629
00:48:37,519 --> 00:48:39,960
we'll wrap up. I was thinking about playing this studio

630
00:48:40,039 --> 00:48:45,719
track Jupiter in July that I really like, and as

631
00:48:45,800 --> 00:48:47,159
you said, you know you can get it on all

632
00:48:47,239 --> 00:48:50,079
the all the streaming platforms. So so thank you both

633
00:48:50,119 --> 00:48:51,719
for coming in today. This has been wonderful.

634
00:48:51,920 --> 00:48:52,639
Speaker 11: Thank you so much for.

635
00:48:52,639 --> 00:48:53,960
Speaker 7: Having me, Thank you for having us.

636
00:48:54,039 --> 00:48:56,679
Speaker 12: And we want to get the word out to the

637
00:48:56,760 --> 00:48:58,800
public about your show, so we will be promoting it

638
00:48:58,920 --> 00:49:01,480
on our side in our Facebook page.

639
00:49:01,599 --> 00:49:04,480
Speaker 10: Oh, thank you, thank you. We appreciate that. We appreciate that,

640
00:49:05,639 --> 00:49:07,519
and thank you everybody who joined us today. Of course,

641
00:49:07,559 --> 00:49:10,280
we had Ricky Mapleton in the first hour, and we

642
00:49:10,400 --> 00:49:13,199
had Eli Leven the second hour, and we also too,

643
00:49:13,320 --> 00:49:15,400
we're gonna before before we get to the very end

644
00:49:15,400 --> 00:49:19,159
of today's show, we will Today was the world radio premiere,

645
00:49:19,239 --> 00:49:22,039
or eleast the American radio premiere of the new song

646
00:49:22,119 --> 00:49:26,000
Runaway Spy Club Paradise, which we love, absolutely love. Jenny,

647
00:49:26,039 --> 00:49:27,880
you were commenting on that specifically earlier.

648
00:49:28,199 --> 00:49:29,239
Speaker 2: Yes, I love that song.

649
00:49:29,360 --> 00:49:33,079
Speaker 10: Yeah, I think it's my favorite. Yes. And for those

650
00:49:33,199 --> 00:49:35,519
of you who are listening live on Saturday, we have

651
00:49:35,599 --> 00:49:37,880
an event Jenny and I will be attending kind of

652
00:49:38,239 --> 00:49:40,079
a special thing if you want to remind people.

653
00:49:40,400 --> 00:49:43,119
Speaker 24: Yes, you will find us tonight at the Mosaic Art

654
00:49:43,199 --> 00:49:46,800
Collective here in the Queens City at sixty six hand

655
00:49:46,840 --> 00:49:51,239
Over Street, Sweet two one. They are having their opening

656
00:49:51,360 --> 00:49:56,280
reception for the Full Circle the Speed of Light art Show,

657
00:49:56,719 --> 00:49:59,199
which is a juried art show. And I'm very proud

658
00:49:59,239 --> 00:50:01,599
to say that one of my pieces, isn't it. So

659
00:50:01,840 --> 00:50:04,079
I'm excited to be one of the artists at the

660
00:50:04,159 --> 00:50:06,480
opening this evening. You have got to check out the

661
00:50:06,599 --> 00:50:11,039
Mosaic are Collective, definitely a must do for the Queens City.

662
00:50:11,199 --> 00:50:13,760
Speaker 10: A gem of a place.

663
00:50:13,840 --> 00:50:15,719
Speaker 24: If you've got to go to this gallery, it's amazing

664
00:50:15,800 --> 00:50:19,519
and some of the artists' workshop areas are just incredible

665
00:50:19,559 --> 00:50:22,239
to look at it as well. They're celebrating their anniversary,

666
00:50:22,360 --> 00:50:25,519
so come on out and celebrate their anniversary and maybe

667
00:50:25,559 --> 00:50:28,199
we can run into each other and you can give

668
00:50:28,239 --> 00:50:30,559
me your opinion on what you think you see in

669
00:50:30,719 --> 00:50:31,400
my painting.

670
00:50:31,679 --> 00:50:34,599
Speaker 10: Yes, yes, absolutely, and of course if you miss any

671
00:50:34,639 --> 00:50:36,119
part of today's show, it will be up in just

672
00:50:36,199 --> 00:50:40,079
a little bit at Wmnhradio dot org and at my

673
00:50:40,239 --> 00:50:43,920
website Matt Connorton dot com. And thank you again both

674
00:50:44,320 --> 00:50:47,079
so much the Rightful Airs. Such a pleasure to have

675
00:50:47,159 --> 00:50:50,559
you here. And we'll close with this track, Jupiter in July.

676
00:50:50,679 --> 00:50:52,440
Anything we should know about this before we play it,

677
00:50:52,800 --> 00:50:54,840
any kind of a story behind it or yeah, there is.

678
00:50:56,480 --> 00:50:57,400
Speaker 7: There was a period of.

679
00:50:57,440 --> 00:51:00,599
Speaker 12: Time when I was pitching a lot of ideas to

680
00:51:00,719 --> 00:51:04,360
Sony and I was getting the text would be after

681
00:51:04,480 --> 00:51:06,760
she listened to a lot of thumbs down and I

682
00:51:06,840 --> 00:51:08,760
was starting to get very self conscious. And I had

683
00:51:08,800 --> 00:51:10,599
this song Jupiter in July, and I did a demo

684
00:51:10,679 --> 00:51:12,599
to it, and I sat on it for three weeks

685
00:51:13,119 --> 00:51:14,840
and finally I said, well, you know what, I'm just

686
00:51:14,960 --> 00:51:18,559
going to send it to her. And that's pretty much

687
00:51:18,599 --> 00:51:19,760
how the song came about.

688
00:51:20,400 --> 00:51:23,360
Speaker 11: Do you want to add, well, I just loved it.

689
00:51:23,519 --> 00:51:26,599
It had like some minor chords in it that you know,

690
00:51:26,679 --> 00:51:31,000
were a little different, And of course Lincoln just really

691
00:51:31,239 --> 00:51:35,000
ran away with this song with the production and you'll

692
00:51:35,119 --> 00:51:37,440
kind of hear that as it comes off. But it's

693
00:51:37,480 --> 00:51:41,519
a really special song, and we think it's probably our

694
00:51:41,559 --> 00:51:42,800
favorite song on our album.

695
00:51:42,960 --> 00:51:44,920
Speaker 10: Oh very nice, very nice. Sorry, well that's a great

696
00:51:44,920 --> 00:51:48,199
way to close the segment then, so yeah again, thank you.

697
00:51:48,440 --> 00:51:51,079
And here it is. This is called Jupiter in July.

698
00:51:51,360 --> 00:51:53,039
This is the rightful airs.

699
00:52:15,239 --> 00:52:17,440
Speaker 2: Just let the water to that.

700
00:52:17,800 --> 00:52:21,400
Speaker 6: She took back Pam and cried pound.

701
00:52:21,440 --> 00:52:22,239
Speaker 19: And under.

702
00:52:23,679 --> 00:52:25,440
Speaker 4: Something sad only.

703
00:52:25,440 --> 00:52:30,199
Speaker 25: Changed God breing a range from blackwater point to the.

704
00:52:30,400 --> 00:52:43,679
Speaker 9: Big under the name stars, he told TODs.

705
00:52:41,360 --> 00:52:44,199
Speaker 2: Took shallow to the.

706
00:52:45,840 --> 00:52:49,239
Speaker 4: Bide our hearts to stead of stream.

707
00:52:51,400 --> 00:52:55,000
Speaker 6: Lost, cannot go that we a pile.

708
00:52:55,360 --> 00:52:58,239
Speaker 7: Understand the real border.

709
00:52:59,679 --> 00:53:05,199
Speaker 2: She done me and declared she would go there that let.

710
00:53:05,199 --> 00:53:06,280
Speaker 19: She let me.

711
00:53:10,159 --> 00:53:12,599
Speaker 2: I remind all line.

712
00:53:14,199 --> 00:53:16,559
Speaker 10: I recaptured.

713
00:53:18,119 --> 00:53:20,400
Speaker 6: Surface just to take.

714
00:53:22,199 --> 00:53:24,760
Speaker 4: I'm all sa all the.

715
00:53:31,320 --> 00:53:36,000
Speaker 2: He said, shot up.

716
00:53:43,400 --> 00:54:06,599
Speaker 4: Jesu, we bound in the woman in time.

717
00:54:06,840 --> 00:54:10,960
Speaker 25: I took up and am inside you and then ember

718
00:54:11,320 --> 00:54:16,920
me knowing word. I intend much more. Their friends on

719
00:54:17,119 --> 00:54:18,840
that man, I need to.

720
00:54:19,360 --> 00:54:28,519
Speaker 2: Be under me. The nag starts until to.

721
00:54:30,840 --> 00:54:36,960
Speaker 26: All the shido to thirty they are to seven of

722
00:54:37,079 --> 00:54:38,039
those street.

723
00:54:43,880 --> 00:54:48,320
Speaker 19: City music.

724
00:55:03,719 --> 00:55:12,519
Speaker 26: We changed the way I love, and how we changed

725
00:55:12,599 --> 00:55:21,119
the way I love, And how we changed the way

726
00:55:21,400 --> 00:55:31,679
I love, and how we changed the way. Hello, how.

727
00:55:36,000 --> 00:55:37,239
Speaker 21: We changed the way?

728
00:55:37,559 --> 00:55:39,559
Speaker 7: I love how?

729
00:56:18,920 --> 00:56:21,960
Speaker 12: I guess the smoking gun was always after.

730
00:56:21,880 --> 00:56:26,000
Speaker 27: The sun set, looked at our shoes all coming lun

731
00:56:26,880 --> 00:56:31,679
sat in the park way after dark. We will never cold.

732
00:56:33,840 --> 00:56:37,599
That's off to the city, leaving the south side. They

733
00:56:37,679 --> 00:56:40,079
were giving us no place to hide.

734
00:56:41,079 --> 00:56:42,880
Speaker 2: What if I just run it?

735
00:56:44,559 --> 00:56:44,719
Speaker 14: Who?

736
00:56:44,800 --> 00:56:46,400
Speaker 2: What if we be come round?

737
00:56:48,920 --> 00:56:53,480
Speaker 28: I seek a feeling like a spare park the spencer trying.

738
00:56:53,679 --> 00:57:02,440
Speaker 8: Verb as thus come in waft apple from two ways,

739
00:57:04,880 --> 00:57:05,719
stay steady.

740
00:57:06,000 --> 00:57:08,800
Speaker 2: But I guess I couldn't hold my love. It's such

741
00:57:08,840 --> 00:57:10,159
a fight and a bay.

742
00:57:10,480 --> 00:57:16,320
Speaker 28: Every hurdle of should and bis the body of Brits.

743
00:57:16,360 --> 00:57:21,559
See everyone that gets about me, who speaks, feel like

744
00:57:21,760 --> 00:57:24,559
stample this person bother try.

745
00:57:24,480 --> 00:57:25,679
Speaker 2: To rather only.

746
00:57:25,599 --> 00:57:33,639
Speaker 8: Ask thee for all day by killing the wapple ways

747
00:57:33,800 --> 00:57:35,719
had results.

748
00:57:37,199 --> 00:57:37,559
Speaker 19: From the.

749
00:57:40,280 --> 00:57:40,559
Speaker 11: Ride.

750
00:57:40,679 --> 00:57:43,440
Speaker 8: It's a case of road.

751
00:57:45,519 --> 00:57:46,039
Speaker 2: A ride.

752
00:58:04,119 --> 00:58:06,480
Speaker 6: I've been feeling kind of homesick.

753
00:58:07,000 --> 00:58:08,960
Speaker 7: I miss the shoes and the ground.

754
00:58:09,119 --> 00:58:10,039
Speaker 2: I love it.

755
00:58:11,440 --> 00:58:13,800
Speaker 7: I've been feeling kind of homesick.

756
00:58:14,159 --> 00:58:19,920
Speaker 8: There's a lot of fun the way. I've been feeling

757
00:58:20,039 --> 00:58:23,159
kind of home sick, and I'm missus shoes and the

758
00:58:23,239 --> 00:58:29,400
ground and lop being feeling kind of homesick who want

759
00:58:29,480 --> 00:58:31,760
a bound lady.

760
00:58:33,519 --> 00:58:37,159
Speaker 28: Who think a feeling like a spare hawk, especially when

761
00:58:37,280 --> 00:58:42,440
they tried to read running yas who wanted the hold days.

762
00:58:42,320 --> 00:58:43,719
Speaker 2: On the get away.

763
00:58:43,920 --> 00:58:51,000
Speaker 8: I knows the place hid with chris sehids can get

764
00:58:51,440 --> 00:59:01,719
these and the gate and dogs. As he don't understand

765
00:59:01,800 --> 00:59:15,039
that you w just again capting, say one