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Speaker 1: Welcome to the deep dive. Today, we are strapping in

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for well, the ultimate existential.

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Speaker 2: Road trip, that's a good way to put it.

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Speaker 1: We're not just, you know, debating a philosophical question from

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an armchair. We are diving headfirst into an experiment that

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claims to have physically demonstrated what could be the greatest

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secret of our existence.

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Speaker 2: Indeed, we are confronting the idea that everything you feel,

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everything you touch, and everything you believe is real is

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fundamentally a fabrication, a program, a program running on a

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computer system so far beyond our comprehension it's almost laughable.

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Speaker 1: The hook is just it, it's undeniable. What if the

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entire physical world, the laws of motion, gravity, the very

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architecture of time, is nothing more than code.

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Speaker 2: And then what if someone says they've found a way

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to see it exactly.

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Speaker 1: An independent researcher, Danny Gaylor claims he has found a repeatable,

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observable mechanism that allows human consciousness to look past the

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rendering layer.

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Speaker 2: That's the graphics card, so to speed.

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Speaker 1: And see the actual source code of the reality.

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Speaker 2: That is the radical claim we're dissecting today, and we're

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pulling our source material from some fascinating excerpts from the

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YouTube channel Eric case Swanson documentaries.

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Speaker 1: Galor asserts this isn't science fiction anymore. He's saying, it

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is a claimed observable phenomenon, and the methodology is it's

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very precise.

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Speaker 2: It is. It involves ingesting a powerful, naturally occurring psychedelic

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dimethyl trip demean.

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Speaker 1: DMT, and then, while under its influence, projecting a very

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specific kind of.

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Speaker 2: Light, a difracted laser, onto a matt's surface. The claim,

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and it's a wild one, is that what appears is

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a dynamic, self executing code of the universe.

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Speaker 1: So our mission in this deep dive is to perform

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a kind of surgical analysis of these claims.

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Speaker 2: Right, we have to understand the ancient philosophical context that

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has led us here, because this idea isn't new.

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Speaker 1: Not at all. And then we have to examine the

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astonishing subjective experiences shared by the participants, and.

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Speaker 2: Maybe most importantly, we have to pressure test the massive

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scientific and logical hurdles. I mean, how do you prove

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reality is digital, especially when the required catalyst is chemically induced?

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Speaker 1: Okay, let's unpack this. We're diving into a topic that

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asks what is the true nature of reality? And can

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we actually force the operating system of the cosmos to

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show us its command line.

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Speaker 2: It's a fascinating synthesis, isn't it. It blends the most profound,

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ancient questions of being with some highly controversial, you know,

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cutting edge independent research.

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Speaker 1: So to give it the rigorous treatment it deserves, we

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need to move beyond just saying wow or no way.

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Speaker 2: Exactly, we have to truly understand the architecture of the

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idea itself.

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Speaker 1: To truly grasp the audacity of Danny Gahler's experiment, I mean,

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he's essentially trying to find a physical glitch in the matrix,

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we have to establish the intellectual foundation for sure.

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Speaker 2: The idea of a false reality didn't start with Keanu Reeves.

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Speaker 1: Not by a long shot. It's as old as civilization itself.

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Speaker 2: Precisely, the tension between appearance and reality, that's the engine philosophy.

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Millenniago Plato laid the groundwork with his famous allegory of

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the Cave.

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Speaker 1: And it remains just startlingly relevant today.

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Speaker 2: It really does.

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Speaker 1: You know. The classic setup, prisoners chained since birth, facing

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a wall they can't turn.

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Speaker 2: Their heads and behind them. There's a fire and people

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are walking past it holding up objects.

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Speaker 1: So all the prisoners see are the shadows of those

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objects cast on the wall in front of them.

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Speaker 2: And to these prisoners, those two dimensional shadows, that is reality.

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It's the only reality they've ever known. They name the shadows,

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they track their movements.

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Speaker 1: They believe the shadows are fundamental. It'd probably have a

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whole science based on shadow behavior.

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Speaker 2: And this captures that core existential dread.

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Speaker 1: Right.

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Speaker 2: What if our three dimensional sensory reality. What if it's

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just the shadow of a much higher dimensional true reality.

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Speaker 1: What if we are all just mistaking a projection for

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the fundamental truth?

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Speaker 2: That concept echoes globally and across vast stretches of time.

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It's not just a Western idea. No.

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Speaker 1: If you look to ancient China, there's the fame story

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of the philosopher Guangschi.

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Speaker 2: The butterfly dream exactly. Yeah.

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Speaker 1: Wan Shei woke up one day after this incredibly vivid

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dream where he was a carefree butterfly just fluttering among

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the flowers.

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Speaker 2: And the moment of waking was confusing for him, deeply confusing.

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Speaker 1: He had to ask himself, am I now a man

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who had just dreamed you as a butterfly?

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Speaker 2: Or am I a butterfly right now? Dreaming that I'm

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a man?

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Speaker 1: And a distinction just collapses. It instantly challenges the certainty

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of your own identity of external reality based solely on

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what your senses are telling you.

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Speaker 2: And as we move into the modern era, you know,

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post science revolution, that philosophical question gets a technological upgrade.

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Speaker 1: It transitions into the brain in a vat thought experiment.

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Speaker 2: This is the secular version of Plato's cave. You don't

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need shadows or mystical dreams anymore.

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Speaker 1: Right, we just ask, Yeah, what if your brain was

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carefully removed, placed in a life support VAT and hooked

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up to a.

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Speaker 2: Supercomputer, and that computer is feeding it electrical signals perfectly

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simulating all the sensations of living a human life, the

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taste of coffee, the feeling of love, the pain of

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a stub toe.

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Speaker 1: You would have absolutely no way of knowing the difference.

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Speaker 2: It's the exact technological premise for the matrix, but.

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Speaker 1: The modern simulation hypothesis as explored by contemporary thinkers like

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Nick Bostrom, it really moves this beyond just a fun

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thought experiment.

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Speaker 2: This is where it gets really compelling, even for people

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in the hard sciences. It moves into the realm of

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probability and statistics.

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Speaker 1: Bostrom's argument reframes the question entirely. It doesn't ask is

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it possible we're simulated?

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Speaker 2: It asks statistically, are we likely to be simulated? Which

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is a very different question.

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Speaker 1: And to understand that, you have to get your head

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around Bostrom's trilemma. It posits three propositions, and he argues

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that at least one of them must be true.

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Speaker 2: That's right. So the three propositions are, first, that the

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human species is very likely to go extinct before we

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ever reach what he calls a post human stage.

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Speaker 1: A stage where we could run vast complex computer simulations

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of our ancestors.

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Speaker 2: The second proposition is that any post human civilization that

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does arise is almost certain not to run a significant

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number of these ancestor simulations. Maybe they find it unethical

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or they're just not interested.

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Speaker 1: And then there's the third option, the one that keeps

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people up at.

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Speaker 2: Night, the one that drives simulation theory proponents, that we

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are almost certainly living in a computer simulation, and if.

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Speaker 1: You look at the track record of our own technological advancement.

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I mean, proponents argue that options one and two seem

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pretty unlikely.

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Speaker 2: They do. We're constantly seeking more computing power, and the

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motivation to explore our own past through simulations seems almost

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inherent to scientific curiosity. We do it already with climate models,

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with economic models.

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Speaker 1: We're always trying to simulate things.

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Speaker 2: So if future civilizations can run simulations, and they do

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run simulations, and they don't just run one or two,

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they run billions upon billions.

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Speaker 1: Of them, then we get into the really mind bending part.

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Speaker 2: Yeah, nested simulations exactly. Imagine a true foundational base reality.

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Let's call it reality A.

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Speaker 1: The real deal, the real deal.

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Speaker 2: Civilization A in that reality eventually develops the power to

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run a massive simulation of its own past. That's reality B.

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Speaker 1: Okay, so we have a simulation running.

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Speaker 2: But then civilization B inside the simulation evolves, it gains

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post human power, and it creates its own simulation Reality

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C and so.

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Speaker 1: On, simulated universes all the way down.

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Speaker 2: All the way down. This means there's only one true

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foundational reality A, but there could be quintillions of simulated

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realities BCD and so on, all nested within.

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Speaker 1: So if you are an observer a consciousness just randomly

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placed into any one of these realities.

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Speaker 2: The probability of you landing in that single foundational reality

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A is infinitesimally small. It's one in a billion a trillion.

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Speaker 1: Who knows the probability of landing in one of the

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billions of simulated realities is stistically speaking, near certainty.

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Speaker 2: Which is why you hear that often quoted estimate that

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there's at least a fifty to fifty chance, or maybe

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much much higher, that we are simulated.

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Speaker 1: It moves the conversation from the abstract dread of what

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if to the statistical argument of we probably are.

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Speaker 2: But this is where Danny Gohler introduces his crucial conceptual flip.

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He calls it the matrix in reverse.

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Speaker 1: This distinction is absolutely critical to understanding the motivation behind

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his experiment.

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Speaker 2: It is because in science fiction, like the matrix, the

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computational world, the matrix itself is the.

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Speaker 1: Fake one, right, It's the prison, and the goal is

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to break free, to get back to the real physical

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world of Zion.

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Speaker 2: Goler sees it the other way around. He asserts that

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the computational world is the larger, true reality.

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Speaker 1: So the code is the real thing.

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Speaker 2: The fundamental constituents of reality, he believes, are actually computational,

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their information, our physical existence, what we call real is

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just a tiny subset, a localized.

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Speaker 1: High resolution program, running within a much larger foundational computational space.

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Speaker 2: So, in his his we aren't trapped in a lie.

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We're simply living in a subreality, a smaller program within

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a vastly more fundamental digital reality.

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Speaker 1: And his research stems not from the premise of thinking

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maybe we are, but from a place of certainty. He

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talked about absolute knowing.

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Speaker 2: He's not trying to prove if we're in a simulation.

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He's trying to find the doorway into that larger informational domain.

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Speaker 1: Okay, so, if reality is computational and we are operating

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in a subprogram, how does a human being constrained by

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our own laws of physics and chemistry find the entrance

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to the operating system.

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Speaker 2: Well, Gohler's research focuses intensely on that very question, the

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connection between consciousness and matter.

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Speaker 1: He started with a really profound question about his own

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subjective experiences, particularly with psychedelics.

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Speaker 2: Right, He asked, is the psychedelic space real or not?

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Speaker 1: And He didn't mean, did I have a hallucination? That's

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a different question.

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Speaker 2: No, he meant, does that other domain, the one you

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perceive when chemically altered, does it have its own rules,

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its own geometry as it exists outside of my brain

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even when I'm not actively experiencing it.

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Speaker 1: If that space is real and independent, he reasoned, it

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must operate by rules.

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Speaker 2: And since he experiences this other space with his eyes,

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he logically concluded that light must somehow be involved in

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accessing it.

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Speaker 1: The challenge then became finding the precise chemical and optical

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key to unlock that door.

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Speaker 2: And that key, he believes, is demethyl triptamine, or DMT,

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a molecule that has fascinated science for decades.

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Speaker 1: DMT is chemically simple, but just fascinating because it's a

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neuromodulator our own bodies make naturally.

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Speaker 2: That's the part that's so intriguing. It's metabolic function in

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the human brain isn't fully understood yet, but the subjective

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experience when you ingest it at high doses is often

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described as perceiving more of what reality.

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Speaker 1: Is like more channels open up.

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Speaker 2: Yeah, And there's even speculation way out on the fringes

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that it might be responsible for perception itself well.

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Speaker 1: Gives this molecule such you know, gravitational weight, even for

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mainstream scientists, is the evidence showing its fundamental biological.

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Speaker 2: Role, And for that we have to look at the

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work of doctor John Deane, who conducted some really important

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research involving rats.

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Speaker 1: This finding is what makes the claim about DMT being

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fundamental so much harder to just dismiss out at hand.

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Speaker 2: It is doctor Dean discovered that rats have comparable amounts

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of DMT in their intracranial liquid the serabrospinal fluid to

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other major known neurotransmitters.

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Speaker 1: We're talking about dopamine and serotonin.

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Speaker 2: The big ones during waking hours.

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Speaker 1: Think about that for a moment. Dopamine and serotonin are

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the major players. They dictate mood, movement reward, essentially a

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huge chunk of our baseline experience in the world.

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Speaker 2: And to find that DMT, the chemical that causes the

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most profound alteration of consciousness known to man, is present

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in the same average amount.

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Speaker 1: It suggests it plays a fundamental, active, and essential role

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in our day to day baseline perception, not just.

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Speaker 2: As a transient, occasional hallucinogen. It implies DMT is part

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of the very architecture of perception itself.

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Speaker 1: That is a staggering realization. If DMT is an active

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ingredient in the recipe of consciousness, it's logical to believe

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that manipulating its concentration could momentarily lift the hood on

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our operating system.

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Speaker 2: Of course, we have to provide some important context here.

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DMT is a potent hallucinogen, a psychedelic right, and in.

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Speaker 1: The United States it is classified as a schedule eye

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controlled substance.

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Speaker 2: Which means it's considered to have a high potential for

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abuse and no currently accepted medical use. That designation obviously

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creates immense logistical and legal hurdles for mainstream, university led research.

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Speaker 1: Despite that classification, it is the subject of current scientific studies.

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People are looking at its rapid acting and profound therapeutic

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benefits for treating complex conditions like anxiety and depression.

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Speaker 2: And its history is of course far far older than

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modern pharmacology.

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Speaker 1: Its most famous and traditional application is as the psychoactive

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ingredient in aahuasca, the South American.

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Speaker 2: Brew, traditionally administered by shamans or currinderos. This practice has

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been used for spiritual visions and healing for thousands of years.

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Speaker 1: And the users consistently report traveling to other realms and

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encountering highly structured entities or beings.

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Speaker 2: And these ancient consistent reports of entering structured non physical

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realms were the exact data points that solidified goler hypothesis.

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Speaker 1: Right, if this space is real, it must be accessible

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through a precise physical means.

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Speaker 2: And that means for him, it has to involve light

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and geometry. This belief led directly to the development of

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the laser experiment protocol.

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Speaker 1: So now we move to the practical side, the repeatable

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experiment that Guller claims reveals the code. The protocol is

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highly specific, almost almost ritualistic in its precise technical requirements.

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Speaker 2: The required physical components are simple, but they have to

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be exact. You have the subject, the DMT, and the

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laser light.

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Speaker 1: And crucially, the light must be a diffracted laser projected onto.

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Speaker 2: A surface, and the surface itself is important. It needs

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to be extremely matt a non to reflective material. In

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some of the documented instances they used foam.

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Speaker 1: The location of the testing is also pretty interesting. Gohler

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and his partner Carter, they frequently conduct these experiments in

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a place called Falcon Space.

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Speaker 2: Which is in New Jersey laboratory that focuses on rather

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unconventional research, specifically alternative propulsion methods, and.

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Speaker 1: The recorded experiments detailed in the source material were set

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up inside a far Day cage.

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Speaker 2: Now that is a detail that cannot be dismissed as

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just a coincidence. A far Day cage is an enclosure

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used to block electromagnetic fields.

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Speaker 1: It's a great setup for isolating electrical signals and interference.

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Speaker 2: And think about the implication of that. If the phenomenon

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were purely a hallucination, just something happening inside your brain,

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then electrical interference would be irrelevant.

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Speaker 1: But if the code is genuinely a computational signal from

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a higher reality that might be susceptible to local electromagnetic

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noise or static from our own reality.

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Speaker 2: Then the Faraday cage becomes a crucial tool for achieving

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visual clarity. It supports the idea that the code is

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an objective external signal being perceived, not an internal one

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being generated.

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Speaker 1: So once the subject ingests the DMT and looks at

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the difracted light on the mass surface within this isolated environment,

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What exactly do they see?

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Speaker 2: Gola refers to it as glimpsing the code of reality,

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and the.

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Speaker 1: Descriptions are astonishingly consistent. It's reported as a self executing

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code of some sort.

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Speaker 2: It's very digital in nature and manifests as an infinite

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clock that runs these weird symbols in it.

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Speaker 1: Let's focus on that term infinite clock. That suggests not

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just static text on a screen.

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Speaker 2: No it suggests a dynamic running process, a stream of

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active information perpetually processing or calculating something, perhaps.

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Speaker 1: Running the physics engine of our local reality.

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Speaker 2: And what bolsters Golar's confidence that this phenomenon is fundamental

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rather than just personal psychological noise is its consistency and independence.

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Speaker 1: He emphasizes that the code doesn't really respond to anything

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that people do.

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Speaker 2: It doesn't care about the conditions of your mind, whether

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you're calm or anxious. It doesn't care about the temperature,

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the music playing specific frequencies, or even if.

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Speaker 1: You introduce external magnetic fields.

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Speaker 2: It's just doing what it's doing.

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Speaker 1: This reported independence from the viewer's psychological or immediate physical

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state is key.

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Speaker 2: It is it suggests an objective structure that exists regardless

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of the observer's expectations or any external noise, much like

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observing the ticking of a running computer server. It's just there.

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Speaker 1: Now, let's talk about this specific technique required to view

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this code, because it's counterintuitive. You can't just stare at

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the light.

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Speaker 2: No, you have to diffuse your focus.

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Speaker 1: And Goller uses this excellent analogy from the nineteen nineties,

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the autostereogram.

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Speaker 2: The magic eye posters exactly.

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Speaker 1: To see that hidden three dimensional image inside the two

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dimensional pattern, you had to look through the image, past

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the lines, sort of blurring your focus until the death

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just resolves itself.

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Speaker 2: That diffusion of focus is the exact physical technique required here.

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Speaker 1: Subjects have to look into the field past the surface

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of the phone, letting their attention sort of convert closer.

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They're trying to resolve these tiny moving things in that

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glistening field that are initially almost microscopic.

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Speaker 2: One participant, a guy named Tom, described the sheer phenomenal

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depth he experienced. He said it was like looking into

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a giant room or a window, a window at something

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far far away. The light isn't just a reflection on

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the surface, it's a projection onto a canvas that creates

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a window into a deeper space.

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Speaker 1: So the theory then is that the DMT removes the

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brain's filter, allowing the consciousness to perceive this computational layer, and.

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Speaker 2: The diffracted laser provides the necessary visual field. It might

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be acting as a lens or a pointer to where

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the rendering is thin.

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Speaker 1: Without the DMT, you just see blurry speckles of light, but.

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Speaker 2: With the DMT, the brain processes those light speckles as

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structured informational depth.

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Speaker 1: We should also stress why the diffraction is likely important here.

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Speaker 2: Oh, absolutely, diffraction means the light is spread out into

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a pattern. It breaks up that focused beam.

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Speaker 1: So if reality operates like a low resolution digital screen shining,

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a perfectly focused laser might just hit one pixel.

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Speaker 2: But a diffracted laser spreads its energy across a vast

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array of those pixels. It forces the simulation engine to

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process a complex, structured visual input across a broad field.

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Speaker 1: Perhaps exploding the edge cases of its own rendering algorithm.

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Speaker 2: Precisely, you're forcing it to work in a way it

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wasn't designed for.

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Speaker 1: Okay, let's delve into the actual content of this alleged

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source code. If we're looking at the digital language of existence,

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what characters are participants reporting.

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Speaker 2: Well, they report seeing millions of characters. It's an overwhelming

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density of information.

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Speaker 1: And the symbols themselves fall into two major categories.

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Speaker 2: That's right, you have recognizable geometries and you have these

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abstract informational characters that apparently resemble human language.

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Speaker 1: For the language characters, the most common descriptions that they

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look like Hebrew letters.

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Speaker 2: Specific phrases or configurations are mentioned, things like kim shenray

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a liif, but.

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Speaker 1: Subjects also say they look like Japanese or Chinese characters.

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The point is a clear structured alphabet, not just random,

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static or swirling colors.

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Speaker 2: This is a crucial point that demands a little clarity.

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If we look at a phrase like kim shehn real lift,

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it's a phonetic approximation of Hebrew letters, letters often associated

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with kabbalistic or mystical teachings, but.

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Speaker 1: It's not a direct recognized sequence of Hebrew words in

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modern usage.

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Speaker 2: So this implies one of two possibilities. Either the subjects

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are culturally interpreting complex structured visual noise through the lens

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of esoteric knowledge they already possess, or.

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Speaker 1: The simulation's language being fundamental resonates with ancient linguistic and

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spiritual concepts for.

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Speaker 2: A reason, right, Whether the letters are truly Hebrew or

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just structurally similar is maybe less important than the consistency

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of reporting structured, dynamic texts a language, rather than the amorphous,

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swirling colors typical of so many other hallucinatory experiences. The

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brain is clearly processing information that looks informational.

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Speaker 1: And beyond the language. Participants consistently report seeing highly organized

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geometries that present themselves.

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Speaker 2: These include common platonic solids like tetrahedrons, and more complex

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structures like a field of bucket balls.

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Speaker 1: You mean those geodesic cage like molecular structures.

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Speaker 2: Exactly, And these geometries are vital to the verification process

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that Danny and Carter use.

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Speaker 1: They function as markers.

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Speaker 2: They do since the subjects are chemically altered. The researchers

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attempt to move the subjective experience toward objective verification by

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triangulating reports on these specific, recognizable visual elements.

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Speaker 1: So they can ask questions in real time.

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Speaker 2: Right, questions like are you seeing this tetrahedron in this

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specific position over here? Yes? Okay? Can you see the

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distinct characters running across the field right next to it.

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Speaker 1: Yes, matching the characters in geometries allows them to establish

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a consistency to argue that the subjects are witnessing the

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same objective, externally generated structure rather.

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Speaker 2: Than just a unique individual psychological projection.

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Speaker 1: That effort to establish objective verification is what elevates this

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from simple anecdote.

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Speaker 2: Bigoehler is very upfront about the limitations. It is not

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a guaranteed success for every subject.

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Speaker 1: No, he manages expectations. He notes that the results very

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pretty significantly.

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Speaker 2: Approximately six out of ten subjects see.

439
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Speaker 1: The code the first time, and then another three out

440
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of ten see it on their second.

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Speaker 2: Or third try, which leaves one out of ten who

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can never see it.

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Speaker 1: And we see that in the documentary, Mark one of

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the first subjects he didn't see it during his initial attempt.

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Speaker 2: And this variable success rate brings us to the much

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needed critical corner, embodied perfectly by one of the participants,

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a guy named Jay.

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Speaker 1: He provided the necessary pressure test. He raised all the

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natural skeptical counter arguments you'd expect.

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Speaker 2: Jay's hesitation was essential for the source material's credibility. He

451
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flat out questioned if he was just tripping and seeing

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shapes purely due to the chemical stimulus and his own expectation.

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Speaker 1: Or if the phenomenon was genuinely happening out there independent

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of his mind.

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Speaker 2: He distilled the scientific dilemma down to its absolute core.

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Speaker 1: Is a phenomenal depth described by Tom merely an optical

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illusion augmented by the DMT? Or is it just a

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reflection of a light being shown in my eyes?

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Speaker 2: It's the difference between a neurological artifact and a physical

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window into reality's structure.

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Speaker 1: This internal versus external debate is really the Gordian Knot

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of psychedelic science.

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Speaker 2: It is you have to ask, if three thousand people

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see the exact same purple unicorn, is that objective proof

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of a unicorn's existence?

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Speaker 1: Or is this subjective proof of a shared neurological response

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to the same chemical trigger.

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Speaker 2: And that is the point we have to debate. Even

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if the reported structures, the Hebrew letters, the bucket balls

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are consistent across three thousand people, if they're all experiencing

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a powerful chemical filter being removed, isn't that still scientifically

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a collective hallucination.

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Speaker 1: Where the common structure just reflects the underlying shared architecture

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of the human brain when it's exposed to DMT.

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Speaker 2: It's a compelling counterpoint. However, the complexity and the structure

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reported here are highly specific.

477
00:23:19,759 --> 00:23:21,599
Speaker 1: It's not just a vague feeling or a color.

478
00:23:21,880 --> 00:23:26,799
Speaker 2: No, a typical mass hallucination might involve shared emotional states

479
00:23:26,920 --> 00:23:31,599
or you know, vague shapes. The reporting of consistent self

480
00:23:31,640 --> 00:23:36,079
executing characters that resemble language and specific geometric solids like

481
00:23:36,400 --> 00:23:39,880
tecahedrons and bucket balls, that suggests something else.

482
00:23:40,039 --> 00:23:43,559
Speaker 1: It suggests either an unbelievably complex shared operating system of

483
00:23:43,559 --> 00:23:45,400
the subconscious.

484
00:23:44,720 --> 00:23:48,759
Speaker 2: Or an external informational structure that's being perceived. If it

485
00:23:48,799 --> 00:23:51,240
were truly internal, you have to wonder why would the

486
00:23:51,279 --> 00:23:56,119
chemical consistently generate structured, external informational code rather than, say,

487
00:23:56,559 --> 00:23:59,000
deeply personal memories or abstract emotions.

488
00:23:59,000 --> 00:24:01,680
Speaker 1: That's the monumental question, isn't it. It forces us to

489
00:24:01,720 --> 00:24:04,400
investigate what DMT is truly revealing.

490
00:24:04,039 --> 00:24:06,759
Speaker 2: Because if the structure is internal, we've stumbled upon the

491
00:24:06,839 --> 00:24:08,279
language of the subconscious, and.

492
00:24:08,240 --> 00:24:11,200
Speaker 1: If the structure is external, we've found the matrix.

493
00:24:11,039 --> 00:24:15,119
Speaker 2: And either answer fundamentally changes our understanding of reality.

494
00:24:15,200 --> 00:24:17,960
Speaker 1: If seeing the source code is extraordinary, The next claim

495
00:24:18,720 --> 00:24:22,920
moves this experiment into the well, the truly unbelievable realm.

496
00:24:23,039 --> 00:24:26,920
Speaker 2: We have to discuss the reported occasional appearance of intelligent

497
00:24:27,039 --> 00:24:29,039
entities within the diffracted light field.

498
00:24:29,279 --> 00:24:32,960
Speaker 1: Gohler takes this possibility so seriously that he actually pre

499
00:24:33,039 --> 00:24:37,279
briefs participants. He tells them there's a non zero percent

500
00:24:37,440 --> 00:24:39,599
chance that an entity will appear in the.

501
00:24:39,640 --> 00:24:42,720
Speaker 2: Light itself, and he provides a theoretical mechanism for this

502
00:24:42,799 --> 00:24:45,319
appearance as suggesting it's actually accidental.

503
00:24:45,440 --> 00:24:46,119
Speaker 1: Accidental.

504
00:24:46,279 --> 00:24:49,119
Speaker 2: How So, if the light is truly shining into the

505
00:24:49,200 --> 00:24:52,880
larger computational domating the operating system, it might be shining

506
00:24:52,920 --> 00:24:56,119
into what he calls these entities office or their house.

507
00:24:56,440 --> 00:24:58,759
Speaker 1: So we're like shining a flashlight into their living room.

508
00:24:58,960 --> 00:25:02,200
Speaker 2: That's the idea. He theorizes that when these entities notice

509
00:25:02,240 --> 00:25:06,319
this disruptive beam of light, they show interest, suggesting awareness

510
00:25:06,720 --> 00:25:09,400
and maybe even curiosity about the sudden spotlight.

511
00:25:09,680 --> 00:25:13,400
Speaker 1: Gohler himself claimed he saw Hebrew letters appearing, and his

512
00:25:13,519 --> 00:25:16,960
takeaway was visceral. He said, there's definitely someone in there,

513
00:25:17,000 --> 00:25:19,119
someone lives in here. This is someone's home.

514
00:25:19,759 --> 00:25:22,559
Speaker 2: This immediately shifts the stakes. I mean, if there are

515
00:25:22,759 --> 00:25:27,759
entities the simulation isn't just an unattended deterministic computer program.

516
00:25:27,960 --> 00:25:32,119
Speaker 1: No, it's actively managed or occupied, or at least monitored

517
00:25:32,160 --> 00:25:36,400
by intelligent life forms residing in the computational reality that.

518
00:25:36,400 --> 00:25:40,599
Speaker 2: Surrounds us, and this connects directly to broader, highly influential

519
00:25:40,680 --> 00:25:45,799
psychedelic reports. The late psychedelic philosopher Terrence McKenna famously describe

520
00:25:45,920 --> 00:25:48,400
encountering the machinelves.

521
00:25:47,880 --> 00:25:51,599
Speaker 1: Right and McKenna described these entities as self transforming elf

522
00:25:51,720 --> 00:25:54,720
machines which were constructed not of biological matter, but of

523
00:25:54,799 --> 00:25:57,799
syntax driving light, which aligns perfectly with the idea of

524
00:25:57,839 --> 00:26:01,920
intelligent beings existing fundamentally with than a computational or digital realm,

525
00:26:02,119 --> 00:26:04,559
beings made of information and language.

526
00:26:04,680 --> 00:26:08,240
Speaker 2: Goler takes the identification of these beings even further. While

527
00:26:08,240 --> 00:26:11,599
many people report encountering various beings in the DMT space,

528
00:26:12,039 --> 00:26:16,839
Gohler describes specific species or classifications he believes he's encountered.

529
00:26:17,119 --> 00:26:20,039
He details the insectoids, and he claims to understand them

530
00:26:20,039 --> 00:26:25,400
as the specific species are responsible for weaving our physical reality.

531
00:26:25,200 --> 00:26:27,200
Speaker 1: So they're the programmers, the developers.

532
00:26:27,359 --> 00:26:31,000
Speaker 2: It suggests a conscious, intelligent agency in the architecture of

533
00:26:31,000 --> 00:26:34,039
our existence. Using the very code he sees to render

534
00:26:34,039 --> 00:26:37,039
our world. He posits that there are many other species,

535
00:26:37,240 --> 00:26:40,079
but the insectoids appear to be the system administrators.

536
00:26:40,279 --> 00:26:43,680
Speaker 1: And this realization that reality is managed came not just

537
00:26:43,680 --> 00:26:48,680
from observation, but from a deeply personal, pivotal vision that

538
00:26:48,799 --> 00:26:52,680
moved Goler from intellectual curiosity to absolute knowing.

539
00:26:53,160 --> 00:26:55,160
Speaker 2: This vision needs to be narrated because it was the

540
00:26:55,160 --> 00:26:58,599
emotional crucible for his research. Goehler described a vision where

541
00:26:58,640 --> 00:27:03,920
an enormous apparatus gigantic satellite dish like structures covered in

542
00:27:03,960 --> 00:27:06,680
symbols identical to the code he now sees in the laser,

543
00:27:07,319 --> 00:27:08,279
rose up in front of him.

544
00:27:08,319 --> 00:27:10,759
Speaker 1: He said it was as solid and real as any physical.

545
00:27:10,359 --> 00:27:13,039
Speaker 2: Structure, and then, in a moment of just a visceral shock,

546
00:27:13,559 --> 00:27:16,440
the entire physical world around him, the street, the cars,

547
00:27:16,480 --> 00:27:20,519
the buildings, was stripped away, reduced to a wireframe grid.

548
00:27:20,319 --> 00:27:23,119
Speaker 1: And the apparatus then went clunk and everything started performing

549
00:27:23,119 --> 00:27:24,640
in zigzags.

550
00:27:24,160 --> 00:27:28,000
Speaker 2: Cars, people, dogs just appearing out of nowhere as the

551
00:27:28,160 --> 00:27:29,960
rendering snapped back into place.

552
00:27:30,160 --> 00:27:33,440
Speaker 1: The emotional impact was not intellectual acceptance for him. He

553
00:27:33,519 --> 00:27:36,000
described it as a deep spiritual wound.

554
00:27:36,400 --> 00:27:40,319
Speaker 2: He said he felt profoundly gutted by the realization. His

555
00:27:40,400 --> 00:27:44,559
immediate reaction was existential dread. He asked, wait, like, am

556
00:27:44,559 --> 00:27:46,680
I a puppet? This is kind of meaningless.

557
00:27:46,920 --> 00:27:48,440
Speaker 1: He thought that if he ever learned he was in

558
00:27:48,480 --> 00:27:51,519
a simulation, he wouldn't care, much like knowing a knife

559
00:27:51,640 --> 00:27:53,720
is real doesn't stop it from hurting you.

560
00:27:53,880 --> 00:27:57,279
Speaker 2: But the reality of seeing the mechanism changed everything for him.

561
00:27:57,720 --> 00:28:00,680
He realized that the lack of fundamental reaction made his

562
00:28:00,759 --> 00:28:02,880
current experience feel hollow.

563
00:28:02,720 --> 00:28:06,880
Speaker 1: But he subsequently reframed that shock by grasping the larger

564
00:28:06,920 --> 00:28:08,319
picture the vision had provided.

565
00:28:08,440 --> 00:28:11,519
Speaker 2: He concluded that the source of the rendering is ultimately irrelevant.

566
00:28:11,680 --> 00:28:14,240
It fundamentally doesn't matter if your existence is rendered by

567
00:28:14,240 --> 00:28:17,759
the unyielding laws of physics or by another civilization's hyper

568
00:28:17,799 --> 00:28:19,319
advanced computer program.

569
00:28:19,599 --> 00:28:23,079
Speaker 1: As long as you possess genuine consciousness and real experience,

570
00:28:23,480 --> 00:28:26,519
real joy, real pain, that is what matters.

571
00:28:26,839 --> 00:28:30,960
Speaker 2: His ultimate conclusion, it's simulations all the way up. Even

572
00:28:31,000 --> 00:28:34,720
the civilization running our simulation might be simulated itself. The

573
00:28:34,759 --> 00:28:38,119
computational nature is the most basic layer of reality.

574
00:28:38,240 --> 00:28:41,759
Speaker 1: This acceptance of a computational architecture leads us to the

575
00:28:41,839 --> 00:28:45,039
video game analogy. Used in the source material.

576
00:28:44,720 --> 00:28:48,039
Speaker 2: Which offers the most compelling theoretical explanation for why the

577
00:28:48,119 --> 00:28:49,880
laser experiment works as a glitch.

578
00:28:50,319 --> 00:28:54,000
Speaker 1: The analogy relies on a fundamental need for any complex

579
00:28:54,039 --> 00:28:56,079
system resource conservation.

580
00:28:56,440 --> 00:28:59,720
Speaker 2: Exactly, if you're running a simulation of this complexity and

581
00:28:59,759 --> 00:29:03,799
in higher universe, you cannot afford to render every single

582
00:29:03,839 --> 00:29:06,799
particle or every line of code at maximum fidelity at

583
00:29:06,799 --> 00:29:09,599
all times. It would be computationally impossible.

584
00:29:09,759 --> 00:29:13,039
Speaker 1: In modern video games, the system can serves processing power

585
00:29:13,319 --> 00:29:16,799
by only rendering assets that the player us can currently

586
00:29:16,799 --> 00:29:17,799
see or interact with.

587
00:29:18,079 --> 00:29:20,359
Speaker 2: Right if you're standing in a closed room, the complex

588
00:29:20,400 --> 00:29:23,279
city environment outside the window isn't fully rendered. It's just

589
00:29:23,319 --> 00:29:26,319
a low resolution placeholder until you open the door and

590
00:29:26,359 --> 00:29:27,160
look at it.

591
00:29:27,200 --> 00:29:30,079
Speaker 1: The theory suggests our simulation works in a similar way.

592
00:29:30,759 --> 00:29:35,000
The fundamental source code the operational parameters are normally hidden

593
00:29:35,319 --> 00:29:39,519
beneath the rendering layer of our physical reality to conserve resources.

594
00:29:39,599 --> 00:29:42,440
Speaker 2: We're only supposed to see the physics engine's output, not

595
00:29:42,559 --> 00:29:43,720
the code that's running it.

596
00:29:44,160 --> 00:29:48,640
Speaker 1: So shining the difracted laser beam onto an obscure mat surface,

597
00:29:49,200 --> 00:29:52,119
especially one position within the protective environment of a farretay

598
00:29:52,200 --> 00:29:56,200
cage might be a glitch in the simulation or an.

599
00:29:56,200 --> 00:29:58,720
Speaker 2: Easter egg left by the developers.

600
00:29:58,920 --> 00:30:02,799
Speaker 1: The light hits the surface the simulation engine perhaps didn't optimize.

601
00:30:02,400 --> 00:30:05,559
Speaker 2: For, and the active diffraction forces the engine to render

602
00:30:05,599 --> 00:30:09,519
a complex, structured visual texture the code in an area

603
00:30:09,559 --> 00:30:12,480
that is normally outside the primary focus of the simulation.

604
00:30:12,559 --> 00:30:14,440
Speaker 1: It's like pointing the camera in a video game at

605
00:30:14,440 --> 00:30:16,799
a spot that developers forgot to texture, and instead of

606
00:30:16,799 --> 00:30:18,599
a wall, you see the binary underneath.

607
00:30:18,680 --> 00:30:22,039
Speaker 2: It's an elegant theoretical explanation for why such a specific

608
00:30:22,079 --> 00:30:25,799
physical interaction difracted light under the influence of DMT is

609
00:30:25,920 --> 00:30:28,599
necessary to peer into the underlying digital structure.

610
00:30:28,799 --> 00:30:32,359
Speaker 1: You're attempting to find the specific input sequence that causes

611
00:30:32,400 --> 00:30:34,920
the system to expose its metadata.

612
00:30:34,759 --> 00:30:37,160
Speaker 2: And that brings us to the biggest challenge of.

613
00:30:37,079 --> 00:30:41,599
Speaker 1: All scientific validation. Danny Goehler's ultimate objective is to move

614
00:30:41,640 --> 00:30:45,559
this beyond fringe research and subjective anecdote. He wants to

615
00:30:45,640 --> 00:30:49,119
prove the simulation hypothesis scientifically, or.

616
00:30:49,119 --> 00:30:52,039
Speaker 2: At least prove the reality of the code phenomenon itself.

617
00:30:52,279 --> 00:30:55,359
Speaker 1: This is where the research faces its most formidable obstacles.

618
00:30:55,519 --> 00:30:59,079
He says they're collaborating with physicists and engineers, trying to

619
00:30:59,119 --> 00:31:00,359
create coherent.

620
00:31:00,640 --> 00:31:03,039
Speaker 2: Trying to put something on paper that makes sense even

621
00:31:03,079 --> 00:31:06,920
to a mainstream scientist. The challenge isn't just seeing the code,

622
00:31:07,000 --> 00:31:10,480
it's describing it in reproducible, non subjective terms.

623
00:31:10,680 --> 00:31:14,039
Speaker 1: But the massive hurdle, as we noted, is the DMT requirement.

624
00:31:14,279 --> 00:31:17,519
Speaker 2: The reliance on a Schedule I controlled substance precludes a

625
00:31:17,559 --> 00:31:20,759
lot of people from attempting it. It restricts mainstream scientific

626
00:31:20,799 --> 00:31:23,640
involvement due to ethical review boards and legal limitations.

627
00:31:24,000 --> 00:31:27,279
Speaker 1: You can't run a standardized, university funded double blind study

628
00:31:27,279 --> 00:31:29,759
on the source code of the universe if the required

629
00:31:29,880 --> 00:31:32,359
viewing key is illegal and chemically profound.

630
00:31:32,640 --> 00:31:36,759
Speaker 2: This means the validation of the phenomenon relies almost entirely

631
00:31:36,799 --> 00:31:41,519
on independent researchers and crucially on accumulating an overwhelming volume

632
00:31:41,559 --> 00:31:44,400
of subjective witness testimony, which.

633
00:31:44,200 --> 00:31:46,480
Speaker 1: Brings up that foundational question of evidence.

634
00:31:46,519 --> 00:31:50,200
Speaker 2: Gooler acknowledges this limitation when asked how he proves any

635
00:31:50,200 --> 00:31:52,960
of this, He points to the limitations of human perception

636
00:31:53,359 --> 00:31:55,079
even in a non altered state.

637
00:31:55,319 --> 00:31:57,799
Speaker 1: He notes that our own court systems rely on human

638
00:31:57,880 --> 00:32:00,720
witnesses and recollections which are notorious faulty.

639
00:32:00,960 --> 00:32:04,440
Speaker 2: So his core question then is about critical mass. How

640
00:32:04,480 --> 00:32:07,000
many witnesses is enough to say that this thing is

641
00:32:07,039 --> 00:32:08,039
true or not true?

642
00:32:08,359 --> 00:32:12,920
Speaker 1: At what point does mass subjective experience transition into objective data.

643
00:32:13,319 --> 00:32:16,559
Speaker 2: And his current answer is profound in its scale. He

644
00:32:16,599 --> 00:32:19,359
says they are up to about three thousand subjects who

645
00:32:19,400 --> 00:32:21,920
have now seen the code, three thousand and Gohler states

646
00:32:21,920 --> 00:32:23,839
that this volume is enough for me to move on

647
00:32:23,920 --> 00:32:25,599
to other levels of experimentation.

648
00:32:26,160 --> 00:32:30,160
Speaker 1: That volume of consistency three thousand individuals using the same

649
00:32:30,200 --> 00:32:34,960
precise protocol, reporting the same complex structured, dynamic symbols, geometries

650
00:32:35,000 --> 00:32:38,440
and languages, that is, in his framework, sufficient for a

651
00:32:38,440 --> 00:32:40,200
preliminary scientific.

652
00:32:39,680 --> 00:32:43,640
Speaker 2: Acceptance, even if definitive proof requires some kind of instrumentation

653
00:32:43,759 --> 00:32:46,720
that can photograph the code without human intervention.

654
00:32:46,960 --> 00:32:50,920
Speaker 1: And when Jay, the skeptical participant, challenge the very foundation

655
00:32:51,039 --> 00:32:53,880
of the experiment is it a hallucination? Is its suggestion

656
00:32:54,000 --> 00:32:57,240
as a just reflected light? Gaulla's response was less about

657
00:32:57,240 --> 00:32:59,119
defending the methodology and.

658
00:32:59,160 --> 00:33:02,559
Speaker 2: More about defending the principle of making the information public.

659
00:33:02,799 --> 00:33:05,759
Speaker 1: He embraces skepticism. He knows that if the finding is

660
00:33:05,799 --> 00:33:09,119
real it has to withstand intense scrutiny, and.

661
00:33:09,119 --> 00:33:12,599
Speaker 2: He cited that famous Terence McKenna quote as his guiding principle.

662
00:33:12,960 --> 00:33:14,839
If it's real, you can take the pressure.

663
00:33:15,319 --> 00:33:18,559
Speaker 1: Gohler sees his job as facilitating the discovery and then

664
00:33:18,599 --> 00:33:20,400
letting it go through the ringer of science.

665
00:33:20,799 --> 00:33:23,519
Speaker 2: This leads us to our concluding analysis, which has to

666
00:33:23,559 --> 00:33:26,960
be independent of whether we accept the simulation hypothesis itself.

667
00:33:27,480 --> 00:33:29,799
We have to focus on the monumental significance of the

668
00:33:29,880 --> 00:33:33,920
DMT consistency, regardless of whether the code is internal or external.

669
00:33:34,400 --> 00:33:38,400
Speaker 1: Even if we adopt the most stringent skeptical materialist perspective

670
00:33:38,759 --> 00:33:41,599
that the code phenomenon is solely attributable to a shared

671
00:33:41,640 --> 00:33:46,079
chemical response or hallucination, the findings are still revolutionary for neuroscience.

672
00:33:46,400 --> 00:33:49,200
Speaker 2: Absolutely. The fact that a naturally occurring chemical in the

673
00:33:49,279 --> 00:33:52,119
human body can cause thousands of people to have similar,

674
00:33:52,599 --> 00:33:58,480
highly structured, complex experiences involving code, language, and specific geometric

675
00:33:58,680 --> 00:34:02,319
entities that demands intense scientific research.

676
00:34:02,400 --> 00:34:06,160
Speaker 1: It suggests a hardwired, shared architecture of human perception that

677
00:34:06,279 --> 00:34:09,480
is currently untapped and unexplained by conventional science.

678
00:34:09,639 --> 00:34:12,880
Speaker 2: If the structure the tetrahedrons, the bucket balls the specific

679
00:34:13,039 --> 00:34:17,519
characters is being generated internally, then DMT is effectively unlocking

680
00:34:17,519 --> 00:34:19,320
the language of the deep subconscious.

681
00:34:19,519 --> 00:34:22,239
Speaker 1: It's showing us how the brain processes reality at its

682
00:34:22,320 --> 00:34:27,280
most fundamental geometrical level. When the filtering mechanism is disabled.

683
00:34:26,960 --> 00:34:30,440
Speaker 2: It would mean our neurological system speaks in code and shapes, and.

684
00:34:30,360 --> 00:34:33,719
Speaker 1: That in itself is a profound insight into what it

685
00:34:33,800 --> 00:34:36,800
means to be human. Whether it's the operating system of

686
00:34:36,800 --> 00:34:39,920
the cosmos or the operating system of the human mind.

687
00:34:40,159 --> 00:34:43,880
We have to investigate what DMT is truly revealing. So

688
00:34:43,960 --> 00:34:46,800
this deep dive has explored the tension between well the

689
00:34:46,840 --> 00:34:50,960
ancient allegory of the cave, the modern statistical probability of simulation,

690
00:34:51,760 --> 00:34:56,920
and the incredibly unique, repeatable, yet chemically induced observations of

691
00:34:56,960 --> 00:34:58,679
the code of reality.

692
00:34:59,280 --> 00:35:02,639
Speaker 2: The thought of an insectoid species weaving our physical world,

693
00:35:02,800 --> 00:35:04,960
or just the sheer audacity of trying to find the

694
00:35:05,000 --> 00:35:08,840
source code of existence in a diffracted laser beam. It's

695
00:35:08,960 --> 00:35:10,440
profoundly thought provoking.

696
00:35:10,679 --> 00:35:13,800
Speaker 1: The implications of that resource conservation analogy are perhaps the

697
00:35:13,800 --> 00:35:16,639
most unsettling for me, the idea that our physical world

698
00:35:16,679 --> 00:35:18,360
only fully renders when they're looking at it.

699
00:35:18,400 --> 00:35:22,519
Speaker 2: That observation itself forces the cosmos to commit computational resources.

700
00:35:22,800 --> 00:35:25,519
It recontextualizes the very act of existing.

701
00:35:25,760 --> 00:35:28,480
Speaker 1: If the universe is fundamentally built on code, and the

702
00:35:28,480 --> 00:35:31,719
only barrier to seeing that code is a neurochemical that

703
00:35:31,760 --> 00:35:33,800
our own bodies produce naturally.

704
00:35:33,480 --> 00:35:36,440
Speaker 2: Then humanity is much closer to its own operating system

705
00:35:36,559 --> 00:35:37,599
than we ever imagined.

706
00:35:37,760 --> 00:35:40,320
Speaker 1: The barrier to reality might be nothing more than a

707
00:35:40,360 --> 00:35:41,079
chemical filter.

708
00:35:41,519 --> 00:35:44,800
Speaker 2: So we'll leave you with this final provocative thought. Tom

709
00:35:44,800 --> 00:35:50,119
All over, we've explored Gohler's premise that reality is fundamentally computational,

710
00:35:50,400 --> 00:35:53,199
a simulated experience run by unknown entities.

711
00:35:53,840 --> 00:35:57,360
Speaker 1: If your existence, your love, your pain, and your consciousness

712
00:35:57,719 --> 00:36:01,599
are all experiences rendered by code, ode by a physics

713
00:36:01,599 --> 00:36:05,119
engine set up by another civilization, does that change the

714
00:36:05,239 --> 00:36:07,239
meaning or purpose of your life right now?

715
00:36:07,280 --> 00:36:11,119
Speaker 2: Does a computational reality make your personal experience any less real?

716
00:36:11,599 --> 00:36:13,840
Speaker 1: We want to hear from you. What do you think

717
00:36:13,920 --> 00:36:16,679
is more likely that three thousand people are sharing a

718
00:36:16,719 --> 00:36:22,079
remarkably consistent complex hallucination induced by a natural neuromodulator, or

719
00:36:22,119 --> 00:36:24,800
that they are truly glimpsing the operating system of the cosmos.

720
00:36:25,159 --> 00:36:27,280
Speaker 2: Leave us a comment with your thoughts on the architecture

721
00:36:27,320 --> 00:36:27,880
of reality.

