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<v Speaker 1>Tired of the everyday grind, ever dream of a life

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<v Speaker 1>of romantic adventure, want to get away from it all.

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<v Speaker 2>We offer you.

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<v Speaker 3>Escape, Escape designed to free you from the four walls

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<v Speaker 3>of to day for a half hour of high adventure.

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<v Speaker 1>You are standing alone in a mountain village, somewhere in

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<v Speaker 1>the puppet country of Andorra, the high crags of the Pyrenees,

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<v Speaker 1>trapping the last.

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<v Speaker 4>Of the daylight.

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<v Speaker 1>And you know that in one of the stone houses

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<v Speaker 1>facing you, behind one of the doors that is closed

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<v Speaker 1>against you, is a beautiful woman whom you must find

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<v Speaker 1>before she meets her day.

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<v Speaker 3>Listen now, as Escape brings you Kathleen Heights Story. The

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<v Speaker 3>dark wall.

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<v Speaker 2>The black quiet of the night settled over us. I

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<v Speaker 2>could hear only the silky ripple of the river Segree nearby,

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<v Speaker 2>and a thin whisper of wind in the high pines

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<v Speaker 2>above us. The strange silence of the day was over

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<v Speaker 2>Joyce was sleeping quietly now a few feet away. I

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<v Speaker 2>sank into my sleeping bag and prayed that things would

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<v Speaker 2>go better tomorrow. Something roused me some sound. In a glance,

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<v Speaker 2>I saw the gray the predom, and then I saw

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<v Speaker 2>Joyce poised at the side of my sleeping bag, wild

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<v Speaker 2>terror in her eyes and in her upraised hand a

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<v Speaker 2>heavy tire iron.

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<v Speaker 5>Joyce, give it, Joyce.

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<v Speaker 6>Oh you were supposed to wake up? Why why did

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<v Speaker 6>you have to wake up?

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<v Speaker 2>Oh? Hell?

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<v Speaker 7>Hell?

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<v Speaker 6>And I'm so afraid.

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<v Speaker 2>No, no, you're all right, Joyce, Joyce, don't be afraid.

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<v Speaker 6>What's wrong? What's wrong?

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<v Speaker 2>There's nothing to be afraid of?

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<v Speaker 6>So awful to be so frightened?

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<v Speaker 2>What frightens you? Can't you tell me?

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<v Speaker 6>I was going to kill you? I wanted to kill you, Joyce?

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<v Speaker 2>Are you afraid? Help me? Oh?

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<v Speaker 8>Is you?

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<v Speaker 6>I love you?

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<v Speaker 2>And I love you, Darnie.

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<v Speaker 6>I know you do. Alan, Please can't we go now?

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<v Speaker 6>Can't we get away from here?

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<v Speaker 2>I knew now that Joyce needed care quickly. Her sickness,

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<v Speaker 2>whatever it was, had been a growing thing. As we

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<v Speaker 2>drove through the narrow, winding roads of the Pyrenees toward

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<v Speaker 2>the tiny state of Andorra, I tried to forget what

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<v Speaker 2>had happened, tried to ignore the mounting wall of silence

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<v Speaker 2>between us. Something in that silence told me that Joyce's

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<v Speaker 2>fears were greater than mine.

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<v Speaker 6>Why are you stopping here?

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<v Speaker 2>The road forks up there? Just ahead. I want to

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<v Speaker 2>look at the maps. I'm not sure which way we're

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<v Speaker 2>supposed to turn.

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<v Speaker 6>Aren't there any towns? Wow? Are we ever going to

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<v Speaker 6>see people and buildings again?

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<v Speaker 2>You can't be too far from Mandora lo' vieha, but

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<v Speaker 2>a doubt of this road Roa's even on the map.

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<v Speaker 6>Then let's go back, Alan, if we don't know what's

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<v Speaker 6>a hit, let's go back till I read our Barcelona anywhere?

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<v Speaker 2>But here there was a long way back, Joyce.

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<v Speaker 6>I don't care this place, all tangle wooden pines, the

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<v Speaker 6>narrow paths that twist and wander.

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<v Speaker 2>We're not lost, darling, Then where are we?

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<v Speaker 6>I don't like it, Alan, It's just a wild, lonely place,

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<v Speaker 6>and it frightens me. And I beg you to take

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<v Speaker 6>me out of here.

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<v Speaker 2>All right, all right, darling, don't worry.

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<v Speaker 6>I know what's behind me, the head it's all unknown.

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<v Speaker 6>I'm afraid of what's a hit.

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<v Speaker 2>You mustn't be afraid, Joyce. I won't let anything happen.

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<v Speaker 2>We wound steadily higher and higher through the wooded Pyrenees.

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<v Speaker 2>We met no one and saw no one. Andra is

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<v Speaker 2>a small estate, only a hundred and ninety two square

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<v Speaker 2>miles in all, but that morning it was an endless

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<v Speaker 2>stretching climbing no man's land, a lonely place with no

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<v Speaker 2>name and no face. Then finally we came upon it.

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<v Speaker 2>Not a town, really a village with one great house

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<v Speaker 2>and a few smaller ones perched there on the rocky ledge.

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<v Speaker 4>It looked like.

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<v Speaker 2>The last stop before oblivion.

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<v Speaker 6>It's so quiet. I wonder where the people are.

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<v Speaker 2>I wonder if there are people.

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<v Speaker 4>It's not a town at all.

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<v Speaker 2>Perhaps we should have turned back when you said to.

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<v Speaker 6>Look look at the window?

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<v Speaker 2>Where?

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<v Speaker 8>Why?

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<v Speaker 2>No?

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<v Speaker 6>I saw a face in the window. Oh there's some

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<v Speaker 6>one here, allan some.

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<v Speaker 2>No, you don't want to stay here, darling. Even if

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<v Speaker 2>we find some one, this isn't the place for us.

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<v Speaker 2>Now look you.

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<v Speaker 6>See the door is opening, allan, someone is here.

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<v Speaker 2>But joys, this isn't it.

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<v Speaker 4>You have lost your way.

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<v Speaker 2>If we were told there was a town here, there is. Well?

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<v Speaker 4>Is this all here is to it? We do not

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<v Speaker 4>require more?

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<v Speaker 6>Please, I'm tired, I need resk. Can't we stay here?

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<v Speaker 2>Is there a hotel any place where we can get

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<v Speaker 2>a room?

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<v Speaker 9>That is what your eyes tell you?

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<v Speaker 2>That is? And no more? Is there a larger town

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<v Speaker 2>anywhere near here?

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<v Speaker 9>You are in Andorra. Nothing is far away, nothing is

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<v Speaker 9>easily reached.

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<v Speaker 2>What's the matter with you people? But you always talking riddles?

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<v Speaker 2>Can't you answer questions? Can't you ask?

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<v Speaker 6>Please? We must stay here somehow, just a while. I

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<v Speaker 6>need to stop a while.

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<v Speaker 4>She is your wife.

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<v Speaker 2>Yes, there is no hotel, I see there isn't This

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<v Speaker 2>house has made rooms, but we are a large family.

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<v Speaker 6>Please please understand me. I've got to stay here. I

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<v Speaker 6>can't wind around any more narrow trails. I've got to

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<v Speaker 6>stop and rest. Can't you understand? Can I make either

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<v Speaker 6>of you understand?

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<v Speaker 2>Darning, It's it's all right. We'll find a room. You'll

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<v Speaker 2>rest now. You mustn't worry, Joyce.

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<v Speaker 6>I must sleep. I must no matter what happens, I

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<v Speaker 6>must sleep.

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<v Speaker 2>Can't you do something? Lady?

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<v Speaker 4>You come woman?

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<v Speaker 2>Almost as soon as he called, a squat little woman

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<v Speaker 2>appeared in the doorway. They exchanged only a look, and

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<v Speaker 2>then she came and led Joyce into the house. At

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<v Speaker 2>first I thought the man meant for me to stay outside.

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<v Speaker 2>He moved as if to stop me from following. Then

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<v Speaker 2>he stepped back and I walked into the house. Joyce

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<v Speaker 2>was stretched out on the bed. When I got there,

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<v Speaker 2>the bed was the only piece of furniture in the room.

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<v Speaker 6>Hmm, it's nice, isn't it.

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<v Speaker 2>Ellen, It's a room, a bed. I wish it were more.

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<v Speaker 6>Oh, I'm so tired.

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<v Speaker 2>Yes, now you go to sleep. When you wake up,

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<v Speaker 2>as soon as you feel like it, I'll take you

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<v Speaker 2>to Andra la vieha.

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<v Speaker 4>Yes, when I wake up, sleep well.

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<v Speaker 10>Darning Mm, she's sleep or she's very tired.

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<v Speaker 9>The woman says she trembled.

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<v Speaker 4>The woman says she is full of fear.

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<v Speaker 2>I don't suppose there's a doctor anywhere around here. We

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<v Speaker 2>have no need but doctor. My wife is ill. We

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<v Speaker 2>have need for a doctor.

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<v Speaker 4>You will not find one here.

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<v Speaker 2>I know, I know. Hey, hey, hey, get away from

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<v Speaker 2>that car. Go on, now, get get away from get

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<v Speaker 2>away from it.

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<v Speaker 4>You are the intruder, not they. I can leave the

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<v Speaker 4>car along.

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<v Speaker 11>I have.

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<v Speaker 2>Who are they?

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<v Speaker 9>My sons, my brothers, their sons. We are the family here.

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<v Speaker 9>We are called Balira, We ten sheep and our own affairs.

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<v Speaker 2>Oh, I'm sorry, I'm worried about my wife. I didn't

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<v Speaker 2>mean to shop.

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<v Speaker 9>At Most of the time, our mountains protect us. We

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<v Speaker 9>do not like intruders.

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<v Speaker 2>It is not so bad in winter.

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<v Speaker 9>The snows fall deep into the passes, seal them and

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<v Speaker 9>keep the intruders.

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<v Speaker 2>We are not intruders. We don't want to be here,

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<v Speaker 2>We don't mean the here, and I promise you we

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<v Speaker 2>won't be here.

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<v Speaker 9>Sometimes the intruders come to hide in our mountains, to

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<v Speaker 9>be lost from the world. Always the intruders are troubled people,

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<v Speaker 9>full of fears and discontent. The worst of their world

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<v Speaker 9>they find their way to anddor.

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<v Speaker 2>I walked away from him along the crude cobble of

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<v Speaker 2>the village path, away from the great house and the

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<v Speaker 2>smaller ones, and everywhere the sons, the brothers and their

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<v Speaker 2>sons of Valia watched me with silent distrust. I walked

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<v Speaker 2>to the rocky pinnacle that was the edge of the village,

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<v Speaker 2>and beyond, as far as I could see, the awesome

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<v Speaker 2>Pyrenees reached higher and higher, like a great wall, closing

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<v Speaker 2>out the rest of the world. I went back to

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<v Speaker 2>the house where Joyce slept.

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<v Speaker 9>The woman is with her, she called out, and the

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<v Speaker 9>woman went into her I shouldn't have left her alone.

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<v Speaker 2>I must wait. The woman has brought her quiet. That

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<v Speaker 2>is enough. I wouldn't try to keep me out here

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<v Speaker 2>if I how is she woman?

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<v Speaker 4>She is quiet?

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<v Speaker 2>Now.

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<v Speaker 4>The woman would not leave her so if she were

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<v Speaker 4>not choice.

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<v Speaker 2>Oh Joyce, darling, he said, you're gone. No, no, no, no,

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<v Speaker 2>only for a little while, only while you slept.

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<v Speaker 6>Don't don't come any closer, Oh Joyce, what is it?

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<v Speaker 6>Please leave me alone. I want you to leave me alone.

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<v Speaker 2>We're going to get out of this place, Darling together.

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<v Speaker 8>No, no, I won't go.

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<v Speaker 2>I won't. We'll find the right road. It can't be far,

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<v Speaker 2>and I promise you, darling, everything will be all right.

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<v Speaker 2>We won't come here again. Ever.

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<v Speaker 6>Why don't you listen? I talk to you and you

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<v Speaker 6>don't listen. I'm not going with you. You can't make

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<v Speaker 6>me go with you.

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<v Speaker 2>No, no, Joyce, wait wait, Joyce was clinging to the woman.

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<v Speaker 2>Valera stepped in front of them as I came back

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<v Speaker 2>to the front room, and beside him. From every corner

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<v Speaker 2>of the room, the rest of the Valera men began

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<v Speaker 2>to form a wall between Joyce and me, A wall

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<v Speaker 2>of men, silent men with staring distrust in their eyes.

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<v Speaker 4>What are you trying to do?

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<v Speaker 2>Cat? You see she's sick. I'm gonta get her out

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<v Speaker 2>of here. Don't you know that I'm taking her with me.

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<v Speaker 12>And the whole lot of you can't stop me.

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<v Speaker 3>You are listening to The Dark Wall Tonight's presentation of Escape.

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<v Speaker 3>One advantage in having several radios about the house is

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<v Speaker 3>that they make it possible for housewives to listen while

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<v Speaker 3>they work a kitchen, said, another in the living room,

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<v Speaker 3>perhaps a third in the bedroom. Keep them all tuned

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<v Speaker 3>into CBS Radio for our great roster of daytime dramatic stories.

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<v Speaker 3>And now Escape and the second act of The Dark Wall.

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<v Speaker 2>I aroused from a sleep that was tortured and full

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<v Speaker 2>of pain. The bright afternoon sun shone in a haze

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<v Speaker 2>about me. When my vision cut through it, I saw

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<v Speaker 2>nothing my eyes had seen before. I was in my

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<v Speaker 2>own car, pulled to one side of a road that

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<v Speaker 2>was wider than any I had seen for days, and

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<v Speaker 2>not far in the distance. I could hear the approach

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<v Speaker 2>of other cars, but none were yet in my view.

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<v Speaker 2>I got out, stood in the roadway. For all the

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<v Speaker 2>stiff pain of me, it felt good to be part

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<v Speaker 2>of the world again. But then I remembered Joyce and

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<v Speaker 2>the Wall of Valerimen, and I was lost and lonely, sick.

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<v Speaker 13>Hey, you should not walk in the middle of the road.

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<v Speaker 2>No, no, no, I shouldn't only.

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<v Speaker 13>You were heard an accident.

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<v Speaker 2>I'm all right, I just don't know where I am.

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<v Speaker 4>What road is this in Andorra? You know that I

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<v Speaker 4>know that.

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<v Speaker 14>Then straight ahead on this road the direction your car

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<v Speaker 14>is pointing no more than four kilometers lies the capital

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<v Speaker 14>Andra la Vieha.

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<v Speaker 2>Straight ahead, and.

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<v Speaker 14>I promise I have just come through there myself.

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<v Speaker 4>You are sure you are right not here.

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<v Speaker 2>I'm much better now. Do you know this country well

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<v Speaker 2>or well enough to drive.

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<v Speaker 4>Through it quickly? My home is in Spain.

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<v Speaker 2>You wouldn't know a village near here, maybe a small

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<v Speaker 2>village where everyone is called Valira.

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<v Speaker 13>No, I would not know it.

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<v Speaker 14>There are many such villages in Andorra. If you can

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<v Speaker 14>find them, I must find it, perhaps in Andre la Vieha.

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<v Speaker 2>Perhaps my hopes were high for Andorra la Veekhan. There

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<v Speaker 2>would be answers for all my questions, be concerned and

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<v Speaker 2>help and interest. I told myself these things to keep

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<v Speaker 2>my mind from filling itself with joyce, to keep the

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<v Speaker 2>pain quiet. Some corner of my mind held the memory

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<v Speaker 2>of all that had happened in the house of Valera.

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<v Speaker 2>I could not be sure. I wanted to remember.

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<v Speaker 8>I do not see why you have come here to me.

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<v Speaker 2>I didn't know any place else to go. I need

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<v Speaker 2>so much help. I thought surely the police could do

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<v Speaker 2>something there, a crime. No, my wife is ill, very ill.

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<v Speaker 2>She's with strange people in a strange village. I've got

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<v Speaker 2>to find help for her and go back there.

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<v Speaker 8>And why do you not do this? Why do you

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<v Speaker 8>buy their meal?

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<v Speaker 2>I've told you, will you try to understand me. I

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<v Speaker 2>don't know where the village is. I don't think it's

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<v Speaker 2>far away, but I don't know where it is.

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<v Speaker 8>It does a name, David.

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<v Speaker 4>I don't know that.

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<v Speaker 2>The people there are called Valera. The river cover No,

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<v Speaker 2>I saw no river.

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<v Speaker 4>No, not there.

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<v Speaker 2>It was high on a rocky crest of a mountain,

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<v Speaker 2>just a few houses. You must know where it is.

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<v Speaker 8>You were there, yes, this morning, Then you must know

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<v Speaker 8>where it is.

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<v Speaker 2>No, I don't. I don't have any idea where it is.

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<v Speaker 8>But you were there this morning. Now you are here, Puck.

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<v Speaker 4>I don't know how I got there.

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<v Speaker 2>Can I make you understand that?

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<v Speaker 8>I think none of this is important.

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<v Speaker 2>That's all important to me. My wife is ill. She

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<v Speaker 2>needs care.

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<v Speaker 8>You tell me that. Perhaps then you would tell me

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<v Speaker 8>why you left her. Any strange village you do not know,

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<v Speaker 8>with strange people you do not know.

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<v Speaker 2>I didn't leave her.

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<v Speaker 8>But she is there and you are here.

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<v Speaker 2>You won't even try to help me, help.

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<v Speaker 8>You, help you?

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<v Speaker 2>What?

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<v Speaker 8>Find it down? Where you have been and I have

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<v Speaker 8>never been?

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<v Speaker 2>All right, all right, I can't talk anymore.

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<v Speaker 8>Daisy hotel across the plaza. You will find other intruders there,

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<v Speaker 8>among them a doctor.

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<v Speaker 2>I wasn't sure I had heard him clearly, but there

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<v Speaker 2>were no questions left in me. I stumbled out into

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<v Speaker 2>the glaring sunlight again, steadied myself against a pillar, and

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<v Speaker 2>when I could make out the hotel across the plaza,

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00:18:24.319 --> 00:18:28.039
<v Speaker 2>I walked there, held together. I know by the thin

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<v Speaker 2>strand of hope that I would find the doctor and

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00:18:30.400 --> 00:18:31.200
<v Speaker 2>they would be helpful.

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00:18:31.279 --> 00:18:36.759
<v Speaker 4>Joyce, Yeah, drink it down.

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<v Speaker 2>Oh hey, whiskey, it's good, whiskey, you need it? Oh,

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00:18:42.400 --> 00:18:49.599
<v Speaker 2>h good? It helps you do understand doctor, that I

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00:18:49.640 --> 00:18:50.960
<v Speaker 2>have not come about me.

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00:18:51.160 --> 00:18:53.519
<v Speaker 4>Or your wife. I know I understand that. Oh I'm glad.

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<v Speaker 2>Someone. Does you think the priest can help us? You

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<v Speaker 2>think he'll be able to find the village or.

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<v Speaker 7>The pottery will direct us there if anyone can. I. Meanwhile,

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<v Speaker 7>there's time. Tell me about your wife as much as

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<v Speaker 7>you can, as much as you know of her illness.

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<v Speaker 2>I've called it illness. I suppose it's that fear. Unreasonable

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00:19:12.759 --> 00:19:14.759
<v Speaker 2>fear is an illness, isn't it? Oh?

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00:19:14.799 --> 00:19:17.720
<v Speaker 4>Indeed it is? Yes? Has she known these fears long?

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<v Speaker 2>I don't know. We've been married less than a month.

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00:19:20.920 --> 00:19:23.960
<v Speaker 2>I knew were only a short time before that. No,

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00:19:24.119 --> 00:19:27.359
<v Speaker 2>it was all pretty sudden. She was alone, I was alone,

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<v Speaker 2>and then we were together.

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<v Speaker 4>Did you were happier together?

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00:19:32.319 --> 00:19:36.720
<v Speaker 2>Oh? Yes, very happy, very much in love.

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<v Speaker 4>Until this strangeness came over her.

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00:19:40.200 --> 00:19:44.279
<v Speaker 2>Yes, yes, that's right. May I please do help us,

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00:19:44.279 --> 00:19:45.039
<v Speaker 2>help you? Thank you?

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00:19:47.799 --> 00:19:51.440
<v Speaker 7>How was it you described the difference in her, the

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00:19:51.480 --> 00:19:53.240
<v Speaker 7>difference in your relationship.

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00:19:55.640 --> 00:19:59.839
<v Speaker 2>Like like a wall, a mounting wall of silence.

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<v Speaker 7>And in this silent time of hers she is much different,

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<v Speaker 7>not at all like the girl you married.

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00:20:05.920 --> 00:20:09.079
<v Speaker 2>She doesn't even look like herself. Her lovely, gentle face

333
00:20:09.119 --> 00:20:13.599
<v Speaker 2>contorts into a wild thing, like she was an animal.

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00:20:14.559 --> 00:20:18.720
<v Speaker 2>Oh it's ugly, doctor, and so real. I couldn't imagine that,

335
00:20:18.759 --> 00:20:19.160
<v Speaker 2>could I?

336
00:20:19.319 --> 00:20:19.440
<v Speaker 4>No?

337
00:20:19.480 --> 00:20:22.640
<v Speaker 7>I don't believe you could she was like that early

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00:20:22.759 --> 00:20:24.359
<v Speaker 7>this morning when she tried to kill you.

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00:20:24.519 --> 00:20:26.400
<v Speaker 2>She kept saying that she had to kill me, that

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00:20:26.480 --> 00:20:29.759
<v Speaker 2>she wanted to kill me, and all the while she

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00:20:29.799 --> 00:20:32.319
<v Speaker 2>was so frightened, so very frightened.

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00:20:33.200 --> 00:20:35.480
<v Speaker 4>But you know what frightened her? Do you know any

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00:20:35.480 --> 00:20:36.880
<v Speaker 4>reason why she should want to kill you?

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00:20:37.039 --> 00:20:39.200
<v Speaker 2>I thought she must be afraid of me. She'd have

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00:20:39.240 --> 00:20:40.920
<v Speaker 2>no reason to be, but I thought that must be it.

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00:20:41.400 --> 00:20:43.759
<v Speaker 2>I asked her, and she said it isn't you. I

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00:20:43.839 --> 00:20:48.079
<v Speaker 2>love you, Oh, poor darling. If she said that after

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00:20:48.160 --> 00:20:50.680
<v Speaker 2>she tried to kill you, almost immediately afterwards, it's a

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00:20:50.720 --> 00:20:52.640
<v Speaker 2>complete contradiction, I know, But that's the way it is,

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00:20:53.680 --> 00:20:57.640
<v Speaker 2>as if Joyce were two persons, two directly opposite persons.

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00:20:58.119 --> 00:20:59.599
<v Speaker 4>That may be precisely the case.

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<v Speaker 7>You know, I don't understand two persons, one almost entirely good,

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00:21:07.039 --> 00:21:12.359
<v Speaker 7>gentle kind, the other almost entirely evil, terrifying, menacing fiendish

354
00:21:12.400 --> 00:21:17.000
<v Speaker 7>at times, two persons occupying one body. That's schizophrenia.

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00:21:19.400 --> 00:21:23.839
<v Speaker 2>Oh no, no, not joice doctor who I'd have to

356
00:21:23.880 --> 00:21:27.200
<v Speaker 2>be sure, of course, But from what you said now,

357
00:21:27.400 --> 00:21:29.480
<v Speaker 2>still i'd have to see her, talk with her or

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00:21:29.519 --> 00:21:30.599
<v Speaker 2>there are many steps to take.

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00:21:30.839 --> 00:21:30.960
<v Speaker 6>Now.

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00:21:31.000 --> 00:21:32.720
<v Speaker 4>The important thing now is to see her as soon

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00:21:32.759 --> 00:21:33.359
<v Speaker 4>as possible.

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00:21:34.480 --> 00:21:39.039
<v Speaker 2>Schizophrenia. That's hopeless, isn't it. I mean, there's no cure,

363
00:21:40.079 --> 00:21:40.440
<v Speaker 2>is there?

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00:21:40.799 --> 00:21:43.039
<v Speaker 7>Where it depends largely, I should say, on her along

365
00:21:43.119 --> 00:21:46.079
<v Speaker 7>these two personalities within her have been warring one with another,

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00:21:46.160 --> 00:21:46.640
<v Speaker 7>the good and.

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00:21:46.599 --> 00:21:49.359
<v Speaker 4>The evil, and the moral and the immoral.

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00:21:50.240 --> 00:21:52.559
<v Speaker 7>If the cleavage is minor at this point, if the

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00:21:52.640 --> 00:21:54.759
<v Speaker 7>breach between her two cells, as it were, is not

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00:21:54.839 --> 00:21:57.680
<v Speaker 7>yet great, and there is a measure of hope, but

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<v Speaker 7>you couldn't go on this way, and definitely being too

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<v Speaker 7>people mustn't one of herselves, as you say, win this war.

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<v Speaker 7>If it progresses unchecked, well, then yes, ones self will

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<v Speaker 7>emerge triumphant. She's a poor war word here, for in

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00:22:12.160 --> 00:22:15.359
<v Speaker 7>such an instance, the evil almost inevitably triumphs.

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00:22:14.920 --> 00:22:19.000
<v Speaker 2>Over the good. Can we go to her now?

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00:22:19.599 --> 00:22:21.920
<v Speaker 4>Yes, I'm sure that party will have our directions.

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00:22:22.279 --> 00:22:33.079
<v Speaker 2>And the priest's directions were perfect because I'd assumed the

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00:22:33.160 --> 00:22:35.359
<v Speaker 2>village was not far away. But the drive was an

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00:22:35.400 --> 00:22:38.160
<v Speaker 2>eternity for me. The strain of the last days was

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00:22:38.200 --> 00:22:41.319
<v Speaker 2>beginning to tell. I was wound tight and not by

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00:22:41.359 --> 00:22:45.079
<v Speaker 2>all that happened, and torn deep by all the doctors said.

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00:22:46.319 --> 00:22:50.119
<v Speaker 2>I stopped outside the great house of Valira. The doctor

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<v Speaker 2>touched my arm.

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<v Speaker 7>Perhaps perhaps it's best that I see her alone at first.

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00:22:56.839 --> 00:22:58.759
<v Speaker 2>Or but but I've got to see her.

387
00:22:58.799 --> 00:22:59.839
<v Speaker 4>Oh I know, and you will.

388
00:23:00.039 --> 00:23:02.400
<v Speaker 7>But you don't know what happened here before you left

389
00:23:02.759 --> 00:23:04.599
<v Speaker 7>the last you remember, she was terrified of you.

390
00:23:04.920 --> 00:23:05.799
<v Speaker 4>I'll send for you soon, and.

391
00:23:05.799 --> 00:23:09.720
<v Speaker 2>I promise tell her I love her, Will you, Oh

392
00:23:09.839 --> 00:23:10.480
<v Speaker 2>indeed I will.

393
00:23:13.160 --> 00:23:16.319
<v Speaker 7>Oh Well, there's one thing I neglected to tell you,

394
00:23:16.359 --> 00:23:20.640
<v Speaker 7>one important facet of this. If we find what we

395
00:23:20.720 --> 00:23:23.880
<v Speaker 7>fear most, you must take this comfort to your heart.

396
00:23:24.759 --> 00:23:29.359
<v Speaker 7>The girl you love, who loves you. There's no knowledge

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00:23:29.400 --> 00:23:32.079
<v Speaker 7>whatsoever of her other self.

398
00:23:33.640 --> 00:23:36.680
<v Speaker 4>Thank you, doctor, Yes, you ponder that I shan't belong.

399
00:23:39.680 --> 00:23:44.000
<v Speaker 2>I watched the house door close behind him, and there,

400
00:23:44.039 --> 00:23:47.839
<v Speaker 2>in the high quiet alone, I took the comfort he

401
00:23:47.920 --> 00:23:56.279
<v Speaker 2>offered me, the choice I loved loved me. That was all.

402
00:23:56.319 --> 00:23:59.799
<v Speaker 2>It was really all in the world I needed to know.

403
00:24:10.960 --> 00:24:13.480
<v Speaker 9>You will not go in there, the woman, the doctor.

404
00:24:13.640 --> 00:24:15.400
<v Speaker 9>They have brought her quiet again.

405
00:24:17.240 --> 00:24:24.720
<v Speaker 15>I am going in. I will kill any or all

406
00:24:24.839 --> 00:24:27.799
<v Speaker 15>of you who stand in the way.

407
00:24:29.920 --> 00:24:43.400
<v Speaker 2>Move, move, fire anyone else want his head bashed in good.

408
00:24:44.720 --> 00:24:51.720
<v Speaker 2>You'll make a real mess of things, won't we come on.

409
00:24:53.519 --> 00:25:03.119
<v Speaker 12>I like the cracksculls. What's the matter. Come on, keep

410
00:25:03.200 --> 00:25:08.039
<v Speaker 12>me from that door. Make one little move and I'll

411
00:25:08.599 --> 00:25:10.039
<v Speaker 12>tear your loose.

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00:25:12.440 --> 00:25:25.640
<v Speaker 16>Men of honor, I see where is she? Don't look

413
00:25:25.640 --> 00:25:29.880
<v Speaker 16>at all of your crawling, shrinking cords.

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00:25:30.920 --> 00:25:36.519
<v Speaker 2>What are you, gentlemen? You make me sick?

415
00:25:37.119 --> 00:25:37.640
<v Speaker 4>More of you.

416
00:25:39.359 --> 00:25:40.319
<v Speaker 2>I killed him.

417
00:25:40.480 --> 00:25:40.839
<v Speaker 11>You know.

418
00:25:42.279 --> 00:25:48.839
<v Speaker 2>He was a gentleman, dear gentle Allan. He won't be

419
00:25:48.960 --> 00:25:49.920
<v Speaker 2>with us anymore.

420
00:25:51.480 --> 00:25:56.279
<v Speaker 7>Please, somebody do something easy enough, somebody will come on.

421
00:25:56.759 --> 00:26:19.160
<v Speaker 17>Hell, I'll tell you, Joyce, but I.

422
00:26:18.119 --> 00:26:21.720
<v Speaker 4>But I told him, and you must take this comfort

423
00:26:21.759 --> 00:26:28.359
<v Speaker 4>to your heart. Alan. The man you loved, loved you

424
00:26:28.559 --> 00:26:35.640
<v Speaker 4>very much. He didn't know this other self ever existed.

425
00:26:38.640 --> 00:26:45.480
<v Speaker 2>There were faces all around me, a wall.

426
00:26:45.240 --> 00:26:55.799
<v Speaker 11>Of faces, senseless staring faces, and beyond them a strange

427
00:26:55.920 --> 00:27:03.480
<v Speaker 11>girl wept softly, all strangers, strangers staring.

428
00:27:03.079 --> 00:27:09.720
<v Speaker 2>At me, and I stared back at the wall.

429
00:27:26.200 --> 00:27:28.960
<v Speaker 3>Under the direction of Norman MacDonell, Escape Has Brought You

430
00:27:29.079 --> 00:27:32.640
<v Speaker 3>the Dark Wall by Kathleen Hight, starring John Dayner with

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00:27:32.759 --> 00:27:35.799
<v Speaker 3>Joyce mc cluskey. Featured in the cast were Ben Wright,

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00:27:36.119 --> 00:27:40.799
<v Speaker 3>Edgar Berrier, Nestor Piva, and Fritz Feld. You're announcer George Walsh.

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<v Speaker 3>The special music for Escape is composed and conducted by

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<v Speaker 3>Leith Stephens. Next week, you are.

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<v Speaker 1>In a farmhouse on the southern coast of England, the

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<v Speaker 1>autumn countryside around you desolate and bleak, and you know

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<v Speaker 1>that in the dusk outside, waiting patiently for you, silently

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<v Speaker 1>watching for you, is an enemy from whom there may

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<v Speaker 1>be no escape.

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<v Speaker 3>So listen next week when Escape brings you Daphne de

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<v Speaker 3>Moriier story The Birds. A reminder for drama and adventure fans,

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<v Speaker 3>two of CBS Radio's best known thrillers, Gangbusters and gun Smoke,

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<v Speaker 3>both heard Saturday nights, will be moving to Monday evenings

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<v Speaker 3>on most of these same stations after this Saturday's performances.

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<v Speaker 3>Follow the latest crime clues and true crime smashing drama

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<v Speaker 3>on Gangbusters this Saturday night, and don't miss U s

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<v Speaker 3>Marshal Matt Dillon's latest Western adventure. You're on gun Smoke

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<v Speaker 3>the same evening. Then after this Saturday, remember to listen

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<v Speaker 3>for them both on their new night starting next Monday,

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<v Speaker 3>July fifth, Listen while you work enjoy our gal Sunday

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<v Speaker 3>Monday through Friday on the CBS Radio Network
