1 00:00:04,320 --> 00:00:08,919 Speaker 1: You're listening to Matt Connorton Unleashed on WM and H 2 00:00:09,119 --> 00:00:16,359 ninety five point three. 3 00:00:17,839 --> 00:00:20,359 Speaker 2: Hey, this is Peter the photographer, and you are listening 4 00:00:20,399 --> 00:00:23,559 to Matt Connorton on w m n H ninety five 5 00:00:23,600 --> 00:00:34,159 point three FM. 6 00:00:34,399 --> 00:00:36,039 Speaker 3: But I'll be the biggest catch. 7 00:00:36,840 --> 00:00:38,079 Speaker 4: Tada you seen. 8 00:00:38,719 --> 00:00:42,320 Speaker 5: You can't trust your rays. We'll tell you what you believe. 9 00:00:42,880 --> 00:00:47,079 That choice is something you doll shouldn't have. But a 10 00:00:47,200 --> 00:00:50,640 few time we'll play, and we'll tell you where sat 11 00:00:51,399 --> 00:00:56,079 watching you all rage against the machine. We'll send in 12 00:00:56,119 --> 00:01:00,640 the boys, maybe stut to get made well down John 13 00:01:00,799 --> 00:01:05,719 Leven because the press can be free, American fast. 14 00:01:05,680 --> 00:01:06,799 Speaker 6: Anywhere that way. 15 00:01:07,000 --> 00:01:11,640 Speaker 7: Face, I can't make this up. 16 00:01:12,239 --> 00:01:20,959 Speaker 8: Somewhere sun and rillery, tod thief stream, hysterical laughter watching 17 00:01:21,040 --> 00:01:27,120 them with democracy used. 18 00:01:26,480 --> 00:01:28,239 Speaker 7: To be optimistic. 19 00:01:28,599 --> 00:01:33,760 Speaker 8: The history would alway stand as a limous nour our 20 00:01:33,920 --> 00:01:36,920 shear at the setting of the sun. It is a 21 00:01:37,040 --> 00:01:39,599 pretty good janarize up. 22 00:01:40,120 --> 00:01:41,840 Speaker 6: Together as one. 23 00:01:49,519 --> 00:01:54,239 Speaker 5: The sixth day of January, while of fast. They open 24 00:01:54,359 --> 00:01:59,280 the doors for that peaceful protest. Don't mind the tent 25 00:01:59,400 --> 00:02:05,640 props on on the wall that was sting them all. 26 00:02:06,040 --> 00:02:07,640 Speaker 9: That'll contensution. 27 00:02:08,039 --> 00:02:11,000 Speaker 3: We'll throw it away weakening me. 28 00:02:11,360 --> 00:02:15,879 Speaker 5: Everyone should practice to ay, We'll make sure you're ten. 29 00:02:16,080 --> 00:02:19,639 If you're tied, it away and if you can't. 30 00:02:19,439 --> 00:02:23,840 Speaker 8: God help and we'll follow you away. 31 00:02:23,000 --> 00:02:24,680 Speaker 5: I can't. 32 00:02:26,280 --> 00:02:29,039 Speaker 6: Up somewhere up. 33 00:02:29,120 --> 00:02:36,800 Speaker 8: Sign my revery, call me sweet hysterical laughter, watching them fuffoot. 34 00:02:37,039 --> 00:02:46,000 Speaker 10: Democracy used to be optimistic that history would always stand 35 00:02:46,159 --> 00:02:51,120 as aluminous hour und here at the setting of the sun, 36 00:02:51,599 --> 00:02:55,360 it's a pretty good datorized south together. 37 00:03:12,360 --> 00:03:15,759 Speaker 11: It's a sort s I'm treated so poor. 38 00:03:16,400 --> 00:03:19,680 Speaker 5: You would all be all right if you just had 39 00:03:19,759 --> 00:03:22,240 told me, probably the greatest. 40 00:03:22,479 --> 00:03:26,599 Speaker 3: Just look at this wall quite too shape. 41 00:03:26,879 --> 00:03:38,759 Speaker 8: Moras can name list some whereas my pivery god me trained. 42 00:03:39,240 --> 00:03:47,759 Hysterical laughter and watching them off with. Democracy used to 43 00:03:47,960 --> 00:03:53,639 be optimistic the history will always say as a list. 44 00:03:54,159 --> 00:03:55,879 Speaker 6: Now out here at. 45 00:03:55,879 --> 00:03:58,879 Speaker 8: The setting of the sun, it's a pretty. 46 00:03:58,639 --> 00:03:59,919 Speaker 6: Good day to ride. 47 00:04:00,039 --> 00:04:23,199 Speaker 9: Yes, there it is the Ballad of twenty six. That 48 00:04:23,360 --> 00:04:25,439 is Peter the photographer, and he is here with us, 49 00:04:25,480 --> 00:04:27,120 and we're going to talk with him in just a moment. 50 00:04:27,240 --> 00:04:30,240 Really looking forward to this. Welcome everybody. This is Matt 51 00:04:30,399 --> 00:04:33,680 Connorton Unleashed and we are live from the studios of 52 00:04:33,920 --> 00:04:36,959 wm NH ninety five point three FM and Glorious Manchester, 53 00:04:37,079 --> 00:04:39,199 New Hampshire. Of course, you can stream the show from anywhere. 54 00:04:39,240 --> 00:04:42,639 Go to Matt connorton dot com slash live for all 55 00:04:42,720 --> 00:04:45,519 of your live streaming options, social media links, contact and fos, 56 00:04:45,560 --> 00:04:50,800 show archives, et cetera, et cetera. Today is Saturday, February 57 00:04:50,959 --> 00:04:54,480 twenty eight, twenty twenty six, the last day of winter. 58 00:04:54,759 --> 00:04:57,040 I know that is not literally true according to the calendar, 59 00:04:57,120 --> 00:04:58,639 but if you know me at all, you know in 60 00:04:58,759 --> 00:05:02,199 my mind March FIRSTUS, first day of spring. So happy uh, 61 00:05:02,680 --> 00:05:06,399 almost spring everybody. We'll see if the weather cooperates with that. 62 00:05:06,879 --> 00:05:09,639 But let me get those mics up and uh, I'm 63 00:05:09,639 --> 00:05:12,560 really looking forward to this. So Peter the photographer is here. 64 00:05:12,680 --> 00:05:16,040 Good morning, sir. How are you very well? Very well? 65 00:05:16,120 --> 00:05:16,839 Love that song? 66 00:05:18,519 --> 00:05:18,560 Speaker 12: What? 67 00:05:18,839 --> 00:05:19,279 Speaker 6: What can you? 68 00:05:20,160 --> 00:05:21,800 Speaker 9: I mean? We should we should talk about that a 69 00:05:21,839 --> 00:05:23,759 little bit. We should also mention too, you did bring 70 00:05:23,839 --> 00:05:26,160 your guitar and you're gonna play live, which looking forward 71 00:05:26,199 --> 00:05:29,079 to that. But uh, yeah, I mean what inspired you 72 00:05:29,199 --> 00:05:31,199 to uh what inspired you to write that song? Not 73 00:05:31,560 --> 00:05:33,920 not that you have to look too deeply into the 74 00:05:34,000 --> 00:05:37,360 lyrics to figure out the meaning. Alrighty is for pretty direct, 75 00:05:37,399 --> 00:05:38,120 which I. 76 00:05:38,199 --> 00:05:42,560 Speaker 3: Love front, so the spark for the song, which uh 77 00:05:43,600 --> 00:05:48,079 became the original bass of the song, came out. I 78 00:05:48,360 --> 00:05:52,160 was sitting in my home studio and uh, I was 79 00:05:52,399 --> 00:05:57,680 looking to record something else. I need to get closer. 80 00:05:58,240 --> 00:05:58,360 Speaker 6: Uh. 81 00:06:00,639 --> 00:06:04,000 Speaker 3: I was attempting to record something else and having some 82 00:06:04,600 --> 00:06:10,920 technical issues and I needed a break. So I started 83 00:06:10,920 --> 00:06:15,319 scrolling on my phone and it was right when they 84 00:06:15,480 --> 00:06:18,839 had released the report that they that Don Lemon had 85 00:06:18,879 --> 00:06:19,519 been arrested. 86 00:06:19,720 --> 00:06:19,879 Speaker 6: Ah. 87 00:06:20,000 --> 00:06:24,800 Speaker 3: Yes, and I literally just shut the phone off, put 88 00:06:24,879 --> 00:06:31,920 it down, sat back and went. They kidnapped Don Lemon, 89 00:06:32,040 --> 00:06:37,319 but left us Hannity and my brain went and ten 90 00:06:37,399 --> 00:06:41,120 minutes later I had ninety percent of the lyrics written. 91 00:06:41,959 --> 00:06:44,279 I didn't overthink the music, which is weird for me, 92 00:06:44,480 --> 00:06:47,160 but just sat down and strummed a couple of chords. 93 00:06:47,199 --> 00:06:52,160 And you know, I can't say I've always been an 94 00:06:52,399 --> 00:06:56,639 overly political person, but I've had my beliefs. I have 95 00:06:56,800 --> 00:06:59,720 stayed true to those beliefs for most of my life. Yeah, 96 00:07:01,240 --> 00:07:04,600 And one of those beliefs is that most politicians, most presidents, 97 00:07:04,680 --> 00:07:10,160 are not the best, not the best. I think some 98 00:07:10,360 --> 00:07:13,120 have great intentions. I think they all think they have 99 00:07:13,279 --> 00:07:17,199 great intentions. But my perspective on what has gone on 100 00:07:17,360 --> 00:07:24,199 over this past year is complete ridiculousness. Whether you agree 101 00:07:24,279 --> 00:07:28,240 with the policies or not, the show is ridiculous, ridiculous. 102 00:07:29,199 --> 00:07:32,600 So I made a ridiculous song. How do you. 103 00:07:32,680 --> 00:07:37,160 Speaker 9: Describe the style of that song, like in terms of 104 00:07:37,240 --> 00:07:39,000 the genre, I mean, it reminds me of something you 105 00:07:39,079 --> 00:07:42,000 might hear in a bar on St Patrick's Stay. 106 00:07:42,079 --> 00:07:45,639 Speaker 3: That was I don't know that that was the intent, 107 00:07:46,240 --> 00:07:48,240 but the delivery brought it there. 108 00:07:48,519 --> 00:07:49,079 Speaker 9: Yeah. 109 00:07:49,199 --> 00:07:54,240 Speaker 3: I certainly if I were to envision the perfect scenario 110 00:07:54,360 --> 00:07:57,600 of playing that in a live situation, it would probably be, 111 00:07:59,199 --> 00:08:03,199 you know, at the Strange Broot tavern on Saint Patrick's Day, 112 00:08:03,480 --> 00:08:07,120 right right, with everybody swaying and yeah yeah, everybody kind 113 00:08:07,120 --> 00:08:09,680 of saying, got that six eight feel of We're just 114 00:08:09,800 --> 00:08:12,600 gonna clank our glasses, which if you listen in the background, 115 00:08:12,639 --> 00:08:15,560 there is actually two beer bottles being clanked on the beat. 116 00:08:15,800 --> 00:08:20,399 Speaker 9: Yeah, yeah, yeah, So that style of song. Because you know, 117 00:08:20,480 --> 00:08:23,319 we have a couple of your your studio tracks from 118 00:08:23,399 --> 00:08:25,879 from earlier in your career, but you never recorded anything 119 00:08:25,959 --> 00:08:29,800 quite like that. Nore right, No, yeah, no, is it 120 00:08:30,399 --> 00:08:32,200 the way that it came out? Is it kind of 121 00:08:32,440 --> 00:08:36,200 exactly the way you heard it in your mind or yeah, yep. 122 00:08:36,639 --> 00:08:40,240 Speaker 3: The minute I finished the lyrics, although those aren't the 123 00:08:40,399 --> 00:08:43,440 all the original lyrics, but the when I heard it 124 00:08:43,519 --> 00:08:45,799 in my head as I was writing it, I think 125 00:08:46,360 --> 00:08:50,919 it was very much that flogging Molly's drop kick Murphy's, 126 00:08:51,000 --> 00:08:53,279 which it's it's kind of been compared to Wow, it's 127 00:08:53,320 --> 00:08:56,440 got that vibe, and it does, and it was, but 128 00:08:56,600 --> 00:08:59,159 I think it's a little more over the top vocally, yeah, 129 00:08:59,279 --> 00:09:01,440 than that kind of stuff. And it was because that's 130 00:09:01,440 --> 00:09:02,919 how I wanted the message delivered. 131 00:09:03,159 --> 00:09:03,240 Speaker 6: Right. 132 00:09:04,200 --> 00:09:06,639 Speaker 3: It's not the news that makes me think this, it's 133 00:09:06,759 --> 00:09:11,879 watching who the song is about, right, And that's that's 134 00:09:11,960 --> 00:09:14,440 how he comes across to me. That's how I hear him, Like, 135 00:09:14,519 --> 00:09:17,320 if he really spoke the way his character wanted to, 136 00:09:17,879 --> 00:09:19,159 that's how he would sound. 137 00:09:19,120 --> 00:09:23,440 Speaker 9: Right, right. Yeah, yeah, that makes sense, that makes sense. No, 138 00:09:23,559 --> 00:09:24,320 I love it, of course. 139 00:09:24,360 --> 00:09:24,480 Speaker 12: You know. 140 00:09:24,519 --> 00:09:26,480 Speaker 9: We were very happy to do the world radio premiere 141 00:09:26,519 --> 00:09:26,919 of it here on. 142 00:09:26,960 --> 00:09:29,679 Speaker 3: And I thank you for that. Absolutely, been like fifteen years, 143 00:09:29,960 --> 00:09:33,200 twenty years since I've done a song on the radio. Yeah, 144 00:09:33,279 --> 00:09:34,879 it's kind of exciting. 145 00:09:35,080 --> 00:09:36,639 Speaker 9: Well, speaking of which too, you know, because we were 146 00:09:36,679 --> 00:09:40,200 talking off air earlier, so it was probably fifteen to 147 00:09:40,279 --> 00:09:43,840 twenty years Like, oh my god, but I interviewed you before. Yeah, 148 00:09:44,480 --> 00:09:48,159 because the first sort of radio show, our podcast, well, 149 00:09:48,720 --> 00:09:51,399 we weren't even using the word podcast. 150 00:09:51,440 --> 00:09:52,759 Speaker 3: Right, it was internet radio. 151 00:09:53,200 --> 00:09:57,240 Speaker 9: Internet radio was the term. Yeah. Our friend Hammer, whom 152 00:09:57,320 --> 00:09:59,519 I haven't seen in a very long time, but he 153 00:09:59,639 --> 00:10:02,600 had a rage rock Radio dot com. And I'll always 154 00:10:02,600 --> 00:10:05,120 be very grateful to Hammer because not only did he 155 00:10:05,159 --> 00:10:06,679 and I become very good friends at the time, but 156 00:10:07,519 --> 00:10:09,759 although I haven't kept in touch with him, but he 157 00:10:09,840 --> 00:10:12,679 gave me my first opportunity to actually do this. Like 158 00:10:12,840 --> 00:10:15,080 if it were not for Hammer, I might not be 159 00:10:15,159 --> 00:10:17,399 sitting here right now at w M and H. Because 160 00:10:17,440 --> 00:10:20,480 Hammer I gave me an opportunity to host a show 161 00:10:20,879 --> 00:10:24,039 on Rage rock Radio dot com and and and that 162 00:10:24,120 --> 00:10:27,320 gave me my start. And uh so I had interviewed you. 163 00:10:27,399 --> 00:10:28,519 We were trying to figure out so it must have 164 00:10:28,559 --> 00:10:31,480 been fear of flying was because I remember during the 165 00:10:31,519 --> 00:10:34,519 interview we talked about your pension for climbing staff folding 166 00:10:34,600 --> 00:10:39,200 it shows and you were a climber, and for some 167 00:10:39,320 --> 00:10:41,840 reason that stuck out in my head. But you were 168 00:10:41,879 --> 00:10:44,279 in fear of flying, And of course was soundtrack to Monday, 169 00:10:44,879 --> 00:10:47,720 which was before or after? I get after? That was 170 00:10:47,799 --> 00:10:48,919 after okay, f. 171 00:10:48,960 --> 00:10:52,559 Speaker 3: O F then then Soundtrack to Monday. Gotcha a handful 172 00:10:52,559 --> 00:10:54,159 and a half years of nothing. 173 00:10:54,720 --> 00:10:57,000 Speaker 9: Okay, Now, why why did you step away from it 174 00:10:57,080 --> 00:10:57,440 for a while? 175 00:11:01,080 --> 00:11:06,080 Speaker 3: I would say I made poor choices on my handling 176 00:11:06,240 --> 00:11:12,159 of my available time, okay, and close influences in my life, 177 00:11:13,360 --> 00:11:18,759 I think driving me in a direction to spend less 178 00:11:18,840 --> 00:11:23,480 time expelling my energy on the things that I really 179 00:11:23,559 --> 00:11:23,919 wanted to. 180 00:11:24,360 --> 00:11:24,559 Speaker 9: Yeah. 181 00:11:25,399 --> 00:11:28,720 Speaker 3: You know, we've all had bad relationships that we've made 182 00:11:28,840 --> 00:11:33,639 choices during those relationships that change the direction of or 183 00:11:33,799 --> 00:11:36,559 trajectory of where you want to be going. Oh yeah, 184 00:11:36,600 --> 00:11:40,600 and I'm outside of those situations now and rekindling the 185 00:11:40,720 --> 00:11:45,320 love for you know, pouring my energy into all of 186 00:11:45,440 --> 00:11:48,159 the things that require my energy. 187 00:11:48,879 --> 00:11:51,679 Speaker 9: Something that I ask everybody who's ever taken a break 188 00:11:51,720 --> 00:11:53,679 from music, did you always kind of know that you 189 00:11:53,679 --> 00:11:55,519 would get back to it, or did you or was 190 00:11:55,559 --> 00:11:57,720 there a point where are you really got Okay? You 191 00:11:57,799 --> 00:11:58,759 always knew? Yeah? 192 00:11:58,919 --> 00:12:03,600 Speaker 3: Yeah, yeah, there was never a time where I didn't 193 00:12:03,919 --> 00:12:07,279 have this desire to dump everything in my life to 194 00:12:07,480 --> 00:12:07,960 pursue it. 195 00:12:08,159 --> 00:12:08,440 Speaker 9: Okay. 196 00:12:08,559 --> 00:12:12,960 Speaker 3: I think music in general has always been my first 197 00:12:13,679 --> 00:12:16,759 true love, okay, and anything that got in the way 198 00:12:16,799 --> 00:12:20,639 of that, I think in a way probably felt the brunt. 199 00:12:20,399 --> 00:12:27,519 Speaker 9: Of that, okay. And yeah, yeah, it's always interesting, you know, 200 00:12:27,559 --> 00:12:29,960 I reflect back on you know, Fortunately I have a 201 00:12:30,080 --> 00:12:32,480 partner who's obviously you know, Jenny's very supportive, and she's 202 00:12:32,559 --> 00:12:35,320 involved in the show and everything in fact. But but 203 00:12:35,519 --> 00:12:38,360 I know what you mean about relationships where maybe you know, 204 00:12:38,799 --> 00:12:40,320 because I've had them too, where maybe you have a 205 00:12:40,399 --> 00:12:42,840 partner who's not so supportive and maybe they're even actively 206 00:12:43,639 --> 00:12:43,960 trying to. 207 00:12:44,360 --> 00:12:48,919 Speaker 3: Destroy tale as old as time, oldest time. And like you, I, 208 00:12:49,080 --> 00:12:55,000 I have a partner now that is so supportive. It's ridiculous. 209 00:12:55,159 --> 00:12:55,360 Speaker 9: Yeah. 210 00:12:55,559 --> 00:12:56,039 Speaker 12: The the. 211 00:12:58,200 --> 00:13:02,519 Speaker 3: Freedom that I now have, that's wonderful, having a partner 212 00:13:03,039 --> 00:13:07,039 that allows me to feel free. Yeah, my wife, Megan 213 00:13:07,519 --> 00:13:08,440 meg my love. 214 00:13:08,759 --> 00:13:10,440 Speaker 9: Yeah, she's probably listening. 215 00:13:10,759 --> 00:13:13,799 Speaker 3: She hopefully is listening and is probably laying in bed 216 00:13:13,960 --> 00:13:16,240 just rolling her eyes, going, don't talk about me. 217 00:13:19,000 --> 00:13:21,159 Speaker 9: No, that's awesome. Though. There's nothing worse than when you 218 00:13:21,200 --> 00:13:24,159 get in a relationship with somebody who says when they say, 219 00:13:24,279 --> 00:13:25,919 basically I love everything about you. 220 00:13:26,120 --> 00:13:29,799 Speaker 3: Now change yeah, yeah, yeah, absolutely so. 221 00:13:29,960 --> 00:13:32,240 Speaker 9: Now having a supportive partner is wonderful. By the way. 222 00:13:32,320 --> 00:13:35,480 So speaking of support, Michael Martina, who we know here 223 00:13:35,600 --> 00:13:39,159 at WM and HS Texas. Mike, that's a long story, 224 00:13:39,759 --> 00:13:42,600 but he says. Peter is an amazing human being and 225 00:13:42,720 --> 00:13:47,559 a great photographer. I love his work with Jolly Cations. Yes, yes, 226 00:13:47,679 --> 00:13:48,879 what's what's Jolly Cations? 227 00:13:49,039 --> 00:13:49,200 Speaker 6: Oh? 228 00:13:49,440 --> 00:13:53,080 Speaker 3: That is Jake and Christina Jolly Moore. They have a 229 00:13:53,320 --> 00:13:59,879 foundation or a nonprofit that they've put together where they 230 00:14:00,159 --> 00:14:06,919 raise funds to put together, if I remember correctly, vacations 231 00:14:07,080 --> 00:14:11,480 for families going through or have gone through cancer treatment. 232 00:14:11,639 --> 00:14:14,519 Oh wow, Okay, Jake had you know, I don't want 233 00:14:14,519 --> 00:14:16,120 to speak too much for him, but I will say 234 00:14:16,679 --> 00:14:20,720 is an amazing, amazing human He and his wife both 235 00:14:22,120 --> 00:14:30,799 excuse me, and they put together these adult prompts. Okay, 236 00:14:30,799 --> 00:14:33,559 I speak for the past couple of years, and you 237 00:14:33,679 --> 00:14:35,559 pay to get in and all of the money that 238 00:14:35,639 --> 00:14:39,759 they raise goes towards these vacations. And Jake had been 239 00:14:39,879 --> 00:14:43,600 diagnosed when he was I believe seventeen or eighteen and 240 00:14:43,799 --> 00:14:48,600 had beat cancer and is very much alive and well. Yeah, 241 00:14:48,720 --> 00:14:52,799 and just puts all of his energy into helping people 242 00:14:52,919 --> 00:14:53,799 going through the same thing. 243 00:14:54,000 --> 00:14:55,320 Speaker 9: Okay, yeah, Oh, Wow. 244 00:14:55,480 --> 00:14:58,720 Speaker 3: Yeah, amazing couple of them to pieces. 245 00:14:58,919 --> 00:15:03,000 Speaker 9: Oh wow, that's that's wonderful. And of course, you know 246 00:15:03,120 --> 00:15:05,240 he referred to your photography too. Do you want to 247 00:15:05,279 --> 00:15:07,480 mention that because you are, of course, Peter the photographer. 248 00:15:07,720 --> 00:15:11,159 Speaker 6: I am so. 249 00:15:11,639 --> 00:15:16,960 Speaker 3: I do weddings, engagement sessions, maternity sessions. 250 00:15:17,320 --> 00:15:17,519 Speaker 9: Yeah. 251 00:15:20,000 --> 00:15:22,840 Speaker 3: I've been doing it for about ten years or so. 252 00:15:24,159 --> 00:15:26,799 I don't have a website. I can't afford a website anymore. 253 00:15:26,840 --> 00:15:30,080 They're just too expensive to keep up and running. But 254 00:15:30,200 --> 00:15:33,000 you can find me on Facebook because the photographer LLC. 255 00:15:34,440 --> 00:15:37,279 I love doing weddings. I love capturing real things that 256 00:15:37,399 --> 00:15:38,120 are happening. 257 00:15:38,519 --> 00:15:38,720 Speaker 9: Yeah. 258 00:15:39,159 --> 00:15:42,559 Speaker 3: That must be fun, the stories that unhold throughout the day. Yeah, 259 00:15:42,720 --> 00:15:46,720 it's it's just it's it's wonderful to be part of 260 00:15:47,279 --> 00:15:52,480 that story for people. And I'm fortunate enough that most 261 00:15:52,519 --> 00:15:56,639 of my clients have become kind of friends online. 262 00:15:56,759 --> 00:15:57,399 Speaker 9: Oh that's great. 263 00:15:57,440 --> 00:15:59,840 Speaker 3: They've supported some of my music, some of them come 264 00:15:59,879 --> 00:16:02,720 on to see me play. We keep in touch here 265 00:16:02,759 --> 00:16:06,039 and there, and you know we've kind of developed, you know, 266 00:16:06,120 --> 00:16:09,159 small friendships. Ye kind of grows a little bit from there. 267 00:16:09,279 --> 00:16:14,639 So that's one that's amazing and I love working with am. 268 00:16:14,679 --> 00:16:17,960 I allowed to mention another radio station. Absolutely so Greg 269 00:16:18,039 --> 00:16:20,120 in the morning buzz I've done the Buzzball the past 270 00:16:20,200 --> 00:16:24,240 three years, which has been an amazing opportunity, very cool. 271 00:16:24,279 --> 00:16:26,279 Gotten to do a few things that stem from there. 272 00:16:26,399 --> 00:16:31,080 But I love concert photography. I just love, just like 273 00:16:31,279 --> 00:16:36,320 writing a song, taking pictures or grabbing images of moments. 274 00:16:36,559 --> 00:16:39,440 It's it's really all the same thing. You're just capturing 275 00:16:39,519 --> 00:16:43,240 a moment and it's it's there. Yeah, you know, these 276 00:16:43,320 --> 00:16:47,320 moments for these couples, these moments for these musicians, they 277 00:16:47,840 --> 00:16:51,679 have that split second that they now get to carry 278 00:16:52,120 --> 00:16:54,799 to the rest of their lives. And I love being 279 00:16:54,960 --> 00:16:56,440 somebody who gets to give. 280 00:16:56,360 --> 00:17:00,080 Speaker 9: That to Somebody's fantastic. Yeah, that's awesome. Well I'm go 281 00:17:00,200 --> 00:17:01,960 and hear you play. You want to play something, I. 282 00:17:02,039 --> 00:17:04,440 Speaker 3: Will play something. I'm a little nervous early. 283 00:17:04,359 --> 00:17:06,839 Speaker 9: So I'll just I'll share with the audience. So, Peter, 284 00:17:07,000 --> 00:17:09,839 was you know we were doing a soundcheck before the show. 285 00:17:10,000 --> 00:17:14,799 Sounded amazing. I don't know that prior to today, I've 286 00:17:14,839 --> 00:17:18,440 ever actually heard you live, because I don't remember ever 287 00:17:18,559 --> 00:17:20,880 seeing I don't think I ever saw Fear of Flying 288 00:17:21,000 --> 00:17:23,960 or a soundtrack to Monday Live, believe it or not Well. 289 00:17:24,079 --> 00:17:28,440 Speaker 3: Soundtrack to Monday was a cover band. Okay, so if 290 00:17:28,480 --> 00:17:32,000 you weren't into going to hear the cover songs of 291 00:17:32,039 --> 00:17:35,599 the day, we wouldn't have. And Fear of Flying was 292 00:17:36,079 --> 00:17:38,759 was mainly a cover band that wrote a bunch of 293 00:17:38,880 --> 00:17:43,279 really good originals and got pretty dang far on handful 294 00:17:43,319 --> 00:17:43,960 of originals. 295 00:17:44,079 --> 00:17:47,440 Speaker 9: Oh yeah, yeah that I remember. I remember the songs. Yeah, 296 00:17:47,880 --> 00:17:53,799 I remember. I remember Hammer, you know, because he you know, 297 00:17:53,920 --> 00:17:56,880 he was obviously producing the show we done on Rage Rock, 298 00:17:56,920 --> 00:17:59,240 but he would also kind of be like an extra voice. 299 00:17:59,240 --> 00:18:00,839 He would, you know, he chime in on things during 300 00:18:00,880 --> 00:18:03,240 the interview, and I remember there was I wish I 301 00:18:03,279 --> 00:18:06,079 could remember the name of the song, but I do 302 00:18:06,279 --> 00:18:08,720 recall though, like there was a particular Fear of Flying 303 00:18:08,759 --> 00:18:10,599 song that he was really enthusiastic about. 304 00:18:11,519 --> 00:18:13,000 Speaker 3: I bet it was amnesia. 305 00:18:13,680 --> 00:18:15,359 Speaker 9: That title is familiar. 306 00:18:15,160 --> 00:18:20,680 Speaker 3: Really, like much heavier olymp Biscuity. Yeah, yeah, which was 307 00:18:20,720 --> 00:18:23,839 actually my first and people I still don't think people 308 00:18:23,960 --> 00:18:26,079 realize it to this day, because people will still post 309 00:18:26,160 --> 00:18:29,960 that song on Facebook. Yeah, every couple of months, somebody 310 00:18:30,039 --> 00:18:32,799 will post it and everybody will kind of reminisce on it. Yeah, 311 00:18:33,440 --> 00:18:37,759 that was my first political politically charged song. Oh wow, 312 00:18:38,359 --> 00:18:44,160 and that came out, I would say two thousand two wow, 313 00:18:44,519 --> 00:18:46,440 two thousand and three, okay. 314 00:18:46,519 --> 00:18:46,599 Speaker 12: And. 315 00:18:48,440 --> 00:18:50,319 Speaker 3: I wish I had a copy. I'm sure I have 316 00:18:50,400 --> 00:18:52,519 a copy of it some yah. Yeah, but that song 317 00:18:53,400 --> 00:18:54,960 is very much about today. 318 00:18:55,559 --> 00:18:55,799 Speaker 8: Wow. 319 00:18:56,519 --> 00:19:01,519 Speaker 3: That talks about you know, people just screwing up everything 320 00:19:01,599 --> 00:19:05,640 on the internet and what are we doing? And yeah, 321 00:19:05,839 --> 00:19:09,039 this is dumb and there's no place to hide from it. 322 00:19:09,279 --> 00:19:13,519 And I don't think people realize that. I could. I'm 323 00:19:13,559 --> 00:19:15,400 a talker. I could go on a rant about that, 324 00:19:15,599 --> 00:19:18,000 but I won't right now. Maybe if you have me back, 325 00:19:18,079 --> 00:19:22,079 we'll talk more about that. Definitely, definitely, yeah, yeah, I 326 00:19:22,160 --> 00:19:23,599 think that's probably sorry. 327 00:19:24,240 --> 00:19:27,480 Speaker 9: Oh, no worries if you're just joining us. Peter the 328 00:19:27,480 --> 00:19:32,319 photographer is here with us live in studio and uh yeah. 329 00:19:34,400 --> 00:19:36,559 Speaker 3: So, oh I don't I don't even know. 330 00:19:38,480 --> 00:19:39,960 Speaker 9: Well you you want to talk about what you're gonna 331 00:19:40,000 --> 00:19:40,599 what you're gonna play? 332 00:19:40,720 --> 00:19:40,839 Speaker 6: Oh? 333 00:19:41,000 --> 00:19:41,240 Speaker 9: Sure? 334 00:19:42,440 --> 00:19:43,160 Speaker 12: So this is. 335 00:19:45,279 --> 00:19:50,440 Speaker 3: This is a song called Ghosts, and uh, I'm not 336 00:19:50,599 --> 00:19:54,960 sure one hundred what it's about, except for it's me 337 00:19:55,200 --> 00:20:01,759 just trying to figure out how to effectively move on 338 00:20:02,240 --> 00:20:06,440 from making so many mistakes in life and being part 339 00:20:06,480 --> 00:20:09,720 of so many mistakes in life and not getting stuck 340 00:20:09,839 --> 00:20:15,240 with what I what I refer to as conversations with ghosts. 341 00:20:16,519 --> 00:20:19,920 Speaker 9: As someone who ruminates constantly, I can already tell I'm 342 00:20:19,960 --> 00:20:21,920 going to connect with what you're about to play. 343 00:20:22,119 --> 00:20:25,519 Speaker 3: Yeah, And I think I think it's it's pretty common. 344 00:20:25,559 --> 00:20:27,240 I think a lot of people do it. But this 345 00:20:27,480 --> 00:20:31,880 is me kind of journaling the idea that I can't 346 00:20:32,079 --> 00:20:34,880 get stuck in my head above the past. 347 00:20:35,079 --> 00:20:40,440 Speaker 9: Yeah, yeah, this sounds. It sounds very relatable, and it 348 00:20:40,559 --> 00:20:42,720 is something that I think everyone does to varying degrees. 349 00:20:43,440 --> 00:20:45,359 Speaker 3: And it is brand new, So if I mess it up, 350 00:20:45,440 --> 00:20:46,079 I'm sorry. 351 00:20:46,440 --> 00:20:49,200 Speaker 9: Oh wonderful, brand new, brand new. We love it. 352 00:20:49,319 --> 00:20:51,279 Speaker 3: We love it all right. So it kind of goes 353 00:20:51,400 --> 00:21:08,559 like this, I'm okay, but I'm not. 354 00:21:10,880 --> 00:21:13,240 Speaker 7: Sticking everything of God. 355 00:21:15,799 --> 00:21:21,839 Speaker 6: One minute, half a minute? Do go too first? 356 00:21:22,039 --> 00:21:26,640 Speaker 7: When a ticket slow? It is all too much? 357 00:21:27,039 --> 00:21:27,400 Speaker 6: Is it me? 358 00:21:30,000 --> 00:21:36,440 Speaker 13: Conscious of mary insanity? The God's come on, I must 359 00:21:36,480 --> 00:21:51,039 get home. It's too loud when I'm home, jomping me here, sending. 360 00:21:50,759 --> 00:21:52,519 Speaker 6: And ass from home. 361 00:21:53,599 --> 00:22:01,519 Speaker 7: Don't disturb, leave me stying and with all of my 362 00:22:01,839 --> 00:22:04,720 goals because I'm counting. 363 00:22:05,000 --> 00:22:10,240 Speaker 14: The fagers were built in the summer smaller when it 364 00:22:10,519 --> 00:22:11,759 gets too cold. 365 00:22:12,559 --> 00:22:13,359 Speaker 6: Don't be me. 366 00:22:13,680 --> 00:22:29,559 Speaker 7: He just really hanging a bend is connected. 367 00:22:32,039 --> 00:22:32,279 Speaker 6: Shore. 368 00:22:32,440 --> 00:22:38,559 Speaker 14: You've been there too. I don't blame you for distance. 369 00:22:40,799 --> 00:22:47,160 After all we've been through. But how not the only 370 00:22:47,400 --> 00:22:57,880 one oly pranging fortues because there's something inside us that's 371 00:22:58,079 --> 00:23:02,759 bigger than this handle that jumping in it too. 372 00:23:03,640 --> 00:23:05,079 Speaker 6: But don't be me, he. 373 00:23:09,680 --> 00:23:12,160 Speaker 7: Sending Mass from home. 374 00:23:13,119 --> 00:23:19,920 Speaker 15: Don't dissurphyle me standing with. 375 00:23:20,240 --> 00:23:26,680 Speaker 14: A little macas because I'm counting the figas built in 376 00:23:26,960 --> 00:23:27,759 the summer. 377 00:23:28,440 --> 00:23:32,799 Speaker 16: Smile a when it kids who cold, don't be me. 378 00:23:33,119 --> 00:24:04,480 He just really hanging on, just really hanging on. Don't 379 00:24:04,599 --> 00:24:20,039 meet me, Jimmy Mass from home. Don't be me, Jenny 380 00:24:20,720 --> 00:24:31,680 Mass from home, don't dis leam straining with ball of macOS. 381 00:24:32,799 --> 00:24:35,839 Speaker 7: God, some county in the fires. 382 00:24:35,759 --> 00:24:41,119 Speaker 16: Rebuilding the summer spannel gainst you a cold. 383 00:24:41,920 --> 00:24:52,079 Speaker 6: Don't be me, don't be me, don't be me. 384 00:25:02,039 --> 00:25:05,640 Speaker 9: Oh my god, that is so good, dude, I love that. 385 00:25:06,079 --> 00:25:08,799 I love that, and uh I was right. I did 386 00:25:09,279 --> 00:25:13,440 find that very relatable. Wow, what a great song. If 387 00:25:13,480 --> 00:25:15,960 you're just joining us. Peter the photographer is here with us, 388 00:25:16,079 --> 00:25:19,240 alive in studio, and that, oh that that was so good. 389 00:25:20,200 --> 00:25:21,119 Speaker 3: So that's brand new. 390 00:25:22,000 --> 00:25:23,680 Speaker 9: Oh, that's amazing. That's amazing. 391 00:25:23,880 --> 00:25:24,079 Speaker 6: Yeah. 392 00:25:24,519 --> 00:25:26,720 Speaker 9: Now when you record you, uh, do you record everything 393 00:25:26,759 --> 00:25:28,480 at home or what's what's kind of your process? 394 00:25:28,759 --> 00:25:34,079 Speaker 3: So right now I am demoing everything at home, okay, 395 00:25:34,359 --> 00:25:37,880 and I'm doing the best that I can the best 396 00:25:37,960 --> 00:25:41,039 of my abilities with my limited knowledge of all of 397 00:25:41,519 --> 00:25:42,640 the recording world. 398 00:25:42,920 --> 00:25:43,160 Speaker 9: Yeah. 399 00:25:43,440 --> 00:25:48,200 Speaker 3: Uh. And I'm gonna be releasing what I do at home, 400 00:25:48,720 --> 00:25:53,440 uh and at the same time sending those demos out 401 00:25:53,559 --> 00:25:58,119 to some local uh and not so local musicians to 402 00:25:59,440 --> 00:26:03,359 hopefully fill it up to a fully fully done song 403 00:26:05,000 --> 00:26:05,599 or songs. 404 00:26:05,839 --> 00:26:10,160 Speaker 9: Yeah. So is part of the idea. Are you looking 405 00:26:10,200 --> 00:26:12,200 to work with people you've worked with before or. 406 00:26:14,319 --> 00:26:17,880 Speaker 3: To start Yes, yeah, I think having been out of 407 00:26:18,000 --> 00:26:21,640 the actual scene if they're you know, if you want 408 00:26:21,680 --> 00:26:27,039 to refer to the area as a scene, I've been 409 00:26:27,240 --> 00:26:30,400 largely out of it for about fifteen years, with the 410 00:26:30,480 --> 00:26:33,880 exception of doing cover bands and doing some solo acoustic 411 00:26:33,920 --> 00:26:36,759 shows here and there. I haven't really been part of 412 00:26:36,920 --> 00:26:42,359 the creative scene in well over a decade, maybe closer 413 00:26:42,480 --> 00:26:46,920 to two decades. So reaching out to the people that 414 00:26:47,039 --> 00:26:51,799 I know, I think is the easy start because there's 415 00:26:51,799 --> 00:26:55,200 a lot of players out there that I've heard not 416 00:26:55,319 --> 00:26:58,359 only where we practice. There's a lot of bands over there, 417 00:26:58,359 --> 00:27:01,240 and you get an opportunity to hear whereas over at 418 00:27:01,240 --> 00:27:05,480 Morgan Organs. Yeah, and I am starting to tiptoe my 419 00:27:05,599 --> 00:27:08,480 way back out there to places like Bad Burger where 420 00:27:08,519 --> 00:27:11,839 they're they're hosting a lot of original stuff, which is awesome. 421 00:27:13,680 --> 00:27:16,680 I feel like the original scene, if I can kind 422 00:27:16,720 --> 00:27:21,839 of vocally meander for a little bit, aste was amazing 423 00:27:22,960 --> 00:27:28,160 back in the day. I'd say around ninety eight ninety 424 00:27:28,279 --> 00:27:31,200 nine you really started to see there was a lot 425 00:27:31,240 --> 00:27:33,160 of bands in the area, but there was really no 426 00:27:33,240 --> 00:27:35,680 place to play original stuff, so you kind of had 427 00:27:35,720 --> 00:27:41,960 to get creative. But i'd say two thousand and one, 428 00:27:43,279 --> 00:27:46,319 it really kicked off around here. Like you, you felt 429 00:27:46,319 --> 00:27:48,279 the energy if you were part of the scene. You 430 00:27:48,480 --> 00:27:52,720 had Mad Bobs, you had the Uptown Tavern, you had 431 00:27:52,759 --> 00:27:57,279 the Black Brimmer, the bomb Shelter, the bombshell, my god, 432 00:27:57,440 --> 00:27:58,079 the bomb. 433 00:27:57,839 --> 00:28:02,279 Speaker 9: Shelter wonderful and not so wonderful memories, right right. 434 00:28:02,559 --> 00:28:07,880 Speaker 3: But you had places that really were supporting the creativity 435 00:28:07,920 --> 00:28:09,960 of the area, the energy of the area, and I 436 00:28:10,039 --> 00:28:12,319 think that built quite a bit, and then you you 437 00:28:12,480 --> 00:28:15,279 ended up having the Rage Rock Radio, you had Spider 438 00:28:15,359 --> 00:28:18,400 Bite Radio. You had so many people in the area 439 00:28:18,519 --> 00:28:22,359 that even if they weren't musicians, were helping to really 440 00:28:22,480 --> 00:28:25,559 prop the scene up. And it was awesome. Yeah, And 441 00:28:25,680 --> 00:28:29,839 somewhere around two thousand and five, two thousand and six, 442 00:28:29,920 --> 00:28:32,839 I feel like it just kind of went hmm, and 443 00:28:32,960 --> 00:28:36,119 now it's like there there's there's some rumblings that it 444 00:28:36,319 --> 00:28:40,839 feels like that ninety eight, ninety nine, two thousand is 445 00:28:41,000 --> 00:28:44,279 kind of Vibeah where people in the area are like, Okay, 446 00:28:44,319 --> 00:28:46,599 I'm kind of sick of having to go out to Boston, right, 447 00:28:47,279 --> 00:28:49,960 and they're starting to build it here. That's what it 448 00:28:50,000 --> 00:28:52,039 feels like, and I hope that that's the case. 449 00:28:52,319 --> 00:28:54,839 Speaker 9: Yeah. Well, there's so much incredible talent around here. There is, 450 00:28:55,079 --> 00:28:57,519 you know, and people will ask ask me, or they'll 451 00:28:57,519 --> 00:29:00,440 ask Jenny, because Jenny handles the book in the guests, 452 00:29:00,480 --> 00:29:02,559 you know, like, how do you find you know, how 453 00:29:02,559 --> 00:29:04,480 do you find all this great talent? It's like, well, 454 00:29:04,519 --> 00:29:05,799 that's that's not hard. 455 00:29:06,640 --> 00:29:07,519 Speaker 6: Right, you know what I mean? 456 00:29:07,960 --> 00:29:10,319 Speaker 9: Like like for Jenny, the you know, the challenging part 457 00:29:10,400 --> 00:29:12,400 is keeping it all organized, which you know she's very 458 00:29:12,440 --> 00:29:16,359 good at, but but actually finding the talent is you know, 459 00:29:16,480 --> 00:29:17,960 this is so much of it. And I'm sure that's 460 00:29:17,960 --> 00:29:18,599 true anywhere. 461 00:29:18,839 --> 00:29:19,599 Speaker 3: Sure, you know. 462 00:29:19,640 --> 00:29:21,519 Speaker 9: That's why I always tell everybody, you know, check check 463 00:29:21,559 --> 00:29:22,880 out what's going on in your area. 464 00:29:23,039 --> 00:29:23,160 Speaker 5: You know. 465 00:29:23,200 --> 00:29:26,079 Speaker 9: Obviously we have you know, listeners locally. We also have 466 00:29:26,119 --> 00:29:28,039 a lot of people who listen online from other places. 467 00:29:28,079 --> 00:29:30,640 And I tell everybody you know, there's there's a lot 468 00:29:30,680 --> 00:29:33,440 of incredible music being made right under your nose. You know, 469 00:29:34,039 --> 00:29:36,240 you just got to look. It's but it's there, you know, 470 00:29:36,400 --> 00:29:40,359 there's there's so much. My my dad, you know, he 471 00:29:40,599 --> 00:29:42,720 passed away not long ago, but he used to say 472 00:29:42,759 --> 00:29:44,839 that we live in a golden age of music because 473 00:29:44,839 --> 00:29:45,599 there's so much of it. 474 00:29:45,920 --> 00:29:52,119 Speaker 3: Yeah, you know it's true. Yeah, it's true. And I 475 00:29:52,160 --> 00:29:59,000 think it's difficult too. And we were talking about this 476 00:29:59,200 --> 00:30:02,400 before we we went on There is is, there's this 477 00:30:02,720 --> 00:30:07,319 this also, So when I talk about the the scene brewing, 478 00:30:07,400 --> 00:30:09,960 I'm talking about the twenty somethings. 479 00:30:10,160 --> 00:30:10,359 Speaker 9: Yeah. 480 00:30:10,519 --> 00:30:14,640 Speaker 3: Yeah, and we are not that. We have been that 481 00:30:15,000 --> 00:30:17,880 and we've lived that. But you know, you and I, 482 00:30:18,000 --> 00:30:19,519 if we're talking candidly. 483 00:30:20,079 --> 00:30:21,640 Speaker 9: We're we're a little older. 484 00:30:21,720 --> 00:30:26,759 Speaker 3: We're a little older, and most of us as musicians 485 00:30:27,920 --> 00:30:34,559 being around my age. We took time off for whatever reason, 486 00:30:34,599 --> 00:30:38,440 whether there was to to raise our kids, to pursue 487 00:30:38,680 --> 00:30:43,200 a career that actually paid the bills. But I find 488 00:30:43,279 --> 00:30:46,960 that there's a lot of people our age that are 489 00:30:47,200 --> 00:30:51,359 rekindling that love and reigniting. Not that they ever forgot, 490 00:30:52,160 --> 00:30:55,640 but but we put it aside. Yeah, for whatever whatever 491 00:30:55,759 --> 00:30:59,279 the reason. Yeah, And it's kind of like fifty ish 492 00:30:59,640 --> 00:31:02,599 is where where it starts going. Oh, I can open 493 00:31:02,680 --> 00:31:07,119 this back up again. Like me fifteen years or so 494 00:31:07,279 --> 00:31:09,599 without writing a song, It's like I still have something 495 00:31:09,680 --> 00:31:10,000 to say. 496 00:31:10,240 --> 00:31:10,440 Speaker 9: Yeah. 497 00:31:10,720 --> 00:31:12,720 Speaker 3: It doesn't mean I think the whole world is going 498 00:31:12,759 --> 00:31:16,160 to grab onto it, but I still have something to say. 499 00:31:16,480 --> 00:31:18,960 I didn't do it in my twenties. I mean, I 500 00:31:19,079 --> 00:31:21,880 think when you're younger, you get that rock star mentality, 501 00:31:22,000 --> 00:31:24,480 like I want to be a rock star. But at 502 00:31:24,480 --> 00:31:27,319 the core of it, especially within the jam room, you're 503 00:31:27,480 --> 00:31:30,559 just doing it for the love of I have something 504 00:31:30,599 --> 00:31:33,200 to say, and these guys have something to play and 505 00:31:33,319 --> 00:31:39,279 it sounds great together. And I think we're at fifty 506 00:31:39,440 --> 00:31:44,880 plus we're relearning that we just love to play and 507 00:31:45,039 --> 00:31:47,319 we still have something to say, and we're not dead yet. 508 00:31:47,920 --> 00:31:48,759 Speaker 17: And I think I told you. 509 00:31:49,119 --> 00:31:52,799 Speaker 3: You know, I kind of coined it for myself. It's 510 00:31:52,920 --> 00:31:56,559 like there's an un young revolution that's going on that 511 00:31:56,839 --> 00:32:00,359 really didn't happen with the generation prior to to us. 512 00:32:00,960 --> 00:32:03,119 You know, they got to forty or fifty and the 513 00:32:03,240 --> 00:32:08,519 thing was, Now it's a sprint to retirement and relaxation 514 00:32:09,039 --> 00:32:12,960 and sitting on the front porch screaming, get off my lawn. Right, 515 00:32:13,680 --> 00:32:15,079 And that's that's not us. 516 00:32:15,720 --> 00:32:17,640 Speaker 9: No, it's not even a thought in my head. Right, 517 00:32:18,119 --> 00:32:20,799 I've always thought, although this is something I've always thought 518 00:32:20,839 --> 00:32:25,160 my whole life. It's weird to me when people talk about, oh, 519 00:32:25,240 --> 00:32:27,640 I can't wait till I'm retired, you know, and just relax. 520 00:32:27,759 --> 00:32:30,200 It's like, really, you're looking forward to being old and 521 00:32:30,920 --> 00:32:32,720 not having any use anymore. 522 00:32:33,039 --> 00:32:35,480 Speaker 3: I mean, I love the idea of relaxation. I mean, 523 00:32:35,519 --> 00:32:37,799 I'm a photographer, I mean musician, I work a full 524 00:32:37,839 --> 00:32:40,119 time job. I got a wife at all. Yeah, he's 525 00:32:40,359 --> 00:32:42,000 you know, pretty much two kids. 526 00:32:43,200 --> 00:32:43,400 Speaker 9: Yeah. 527 00:32:43,480 --> 00:32:46,839 Speaker 3: I mean, relaxation is nice, but I can't stay idle, 528 00:32:47,039 --> 00:32:50,039 no meaning I don't know many people our age that can't. 529 00:32:50,200 --> 00:32:50,240 Speaker 12: No. 530 00:32:50,720 --> 00:32:53,000 Speaker 3: No, yeah, especially in the art scene. 531 00:32:53,519 --> 00:32:55,440 Speaker 9: Well, it's like I was saying to you too, I've 532 00:32:55,599 --> 00:32:59,000 I've always felt that, you know, you can't help getting older, 533 00:32:59,200 --> 00:33:00,960 you can't help the past sage of time, but getting 534 00:33:01,119 --> 00:33:02,440 old is a choice. 535 00:33:02,839 --> 00:33:07,480 Speaker 3: And we harkened to what was it clinicood, just don't 536 00:33:07,559 --> 00:33:08,039 let the old man. 537 00:33:08,240 --> 00:33:09,799 Speaker 9: He's the first one I ever heard saying I think 538 00:33:09,839 --> 00:33:12,680 that's saying predates him, but probably yeah, yeah, but yeah, 539 00:33:12,720 --> 00:33:15,799 don't let the old man. And it might have been well, 540 00:33:15,880 --> 00:33:19,880 we know what happened, poor but uh but but yeah, 541 00:33:21,119 --> 00:33:23,759 And I think the Internet has a lot to do 542 00:33:23,839 --> 00:33:25,519 with it too, because you can, you know, you can 543 00:33:25,559 --> 00:33:28,920 be any age and put your music online and and 544 00:33:29,079 --> 00:33:31,759 people of any age might connect to it. And I 545 00:33:31,920 --> 00:33:33,599 actually think that has a lot to do with it. 546 00:33:35,720 --> 00:33:41,079 Speaker 3: Because we att yeah, an easy outlet, an easily accessible outlet. 547 00:33:40,920 --> 00:33:44,079 Speaker 9: Right right. There's no gatekeepers anymore. I mean in some 548 00:33:44,319 --> 00:33:47,519 in some ways there are. But but in terms of 549 00:33:47,759 --> 00:33:50,279 like you know, it's it's not like when we were 550 00:33:50,319 --> 00:33:52,759 growing up, where if you wanted to get your music 551 00:33:52,799 --> 00:33:55,880 out there, you know, you had to try to get 552 00:33:55,960 --> 00:33:58,920 signed to a label who would then you know, and 553 00:34:00,240 --> 00:34:03,000 go and all of it. And now you know you can. 554 00:34:03,279 --> 00:34:06,440 There really is no barrier of entry now, whether or 555 00:34:06,480 --> 00:34:08,239 not people are gonna hear what you're doing. You know, 556 00:34:08,360 --> 00:34:11,199 that's that's a whole other thing. But but you can, 557 00:34:11,320 --> 00:34:14,000 you know, anybody can put their music online and you know, 558 00:34:14,079 --> 00:34:16,280 maybe it connects with somebody and maybe it means something 559 00:34:16,320 --> 00:34:18,760 to someone, and you know, it's it's it's a pretty 560 00:34:18,800 --> 00:34:20,519 amazing time to be alive. In that sense. 561 00:34:20,639 --> 00:34:23,320 Speaker 3: Sure, it's a pretty amazing time to be alive. 562 00:34:23,480 --> 00:34:27,599 Speaker 9: It's both both both good and bad. But one of 563 00:34:27,639 --> 00:34:30,280 the really good things is, you know, like I don't 564 00:34:30,480 --> 00:34:31,880 I don't know that I would have it was like 565 00:34:31,920 --> 00:34:33,559 I said earlier, had I not had a chance to 566 00:34:33,599 --> 00:34:36,280 do a quote unquote internet radio show, I don't know 567 00:34:36,320 --> 00:34:38,239 if I'd be sitting here right now, I probably probably 568 00:34:38,239 --> 00:34:42,960 wouldn't be. So no, so it is. It is an 569 00:34:42,960 --> 00:34:45,039 amazing time. Do you want to play an I'm dying 570 00:34:45,079 --> 00:34:46,280 here more? Do you want to play another one? 571 00:34:46,360 --> 00:34:47,480 Speaker 3: I think I do. 572 00:34:47,880 --> 00:34:50,880 Speaker 9: Okay, I hope you do, because that last song was amazing. 573 00:34:51,039 --> 00:34:53,079 If you're just joining us, Peter of the photographers here 574 00:34:53,119 --> 00:34:57,480 with us live in studio and uh sounding amazing. 575 00:35:01,639 --> 00:35:05,360 Speaker 3: Uh so this song again is brand new? 576 00:35:05,840 --> 00:35:06,880 Speaker 9: Uh nice? 577 00:35:07,159 --> 00:35:12,920 Speaker 3: And again it's it's kind of like writing in a journal, 578 00:35:13,039 --> 00:35:16,360 tearing the page out and throwing it onto a microphone. 579 00:35:18,440 --> 00:35:24,679 The song is called Florence, and it's actually about kind 580 00:35:24,719 --> 00:35:29,400 of a snapshot of a play on a snapshot of 581 00:35:29,599 --> 00:35:34,440 my wife and myself and and the way we support 582 00:35:34,480 --> 00:35:38,559 each other. It's my version, I guess, of a love song. 583 00:35:40,280 --> 00:35:44,519 But yeah, I'll stop me injuring. I have not played 584 00:35:44,559 --> 00:35:46,679 this for anyone except for a couple of musicians in 585 00:35:46,760 --> 00:35:49,559 a room. I'm not even sure it's finished yet, but 586 00:35:49,840 --> 00:35:51,679 I'm gonna. I'm gonna play it and see what happens, 587 00:35:51,679 --> 00:35:55,400 all right, Yeah, here we go. This song is called 588 00:35:55,480 --> 00:35:57,400 Florence for my wife. 589 00:36:11,320 --> 00:36:18,519 Speaker 14: She cries when she hears the old religion, wrestles with 590 00:36:18,840 --> 00:36:22,440 her blankets while fighting with herself. 591 00:36:24,039 --> 00:36:27,800 Speaker 7: She was never one for romance novels. 592 00:36:30,239 --> 00:36:35,000 Speaker 15: She lies when she says that she needs nothing, no 593 00:36:35,360 --> 00:36:44,159 nothing at all, and seeing I believe her, even when 594 00:36:44,320 --> 00:36:47,039 she cries herself to sleep. 595 00:36:49,159 --> 00:36:55,599 Speaker 18: Because one they soon have me breaking down tail when 596 00:36:55,800 --> 00:37:03,960 it it all just gets too much, because I need you. 597 00:37:04,559 --> 00:37:08,960 Speaker 7: I'm finished show you need me to. I get a 598 00:37:09,079 --> 00:37:11,159 little this in heaven too. 599 00:37:11,920 --> 00:37:17,360 Speaker 4: Sorry, my the no one nel till to dump doum. 600 00:37:17,400 --> 00:37:20,400 Speaker 5: Do dump tum. 601 00:37:27,880 --> 00:37:30,760 Speaker 7: I get to ide it home in. 602 00:37:30,880 --> 00:37:31,599 Speaker 6: New York. 603 00:37:34,159 --> 00:37:42,280 Speaker 18: Like in Addicts and Recovery, and I go chasing. 604 00:37:42,039 --> 00:37:49,519 Speaker 7: Rabbits down Spiedro. But Yoey seems a bit of pots 605 00:37:49,639 --> 00:37:49,960 of me. 606 00:37:53,280 --> 00:38:00,039 Speaker 19: I believe if things are conspiracy, because one. 607 00:38:00,119 --> 00:38:07,119 Speaker 18: On day soon she'll be breaking downtil when it'll just 608 00:38:07,760 --> 00:38:09,360 get too much. 609 00:38:11,840 --> 00:38:13,840 Speaker 16: Because I need you. 610 00:38:14,480 --> 00:38:17,039 Speaker 7: I'm pretty show your name me too. 611 00:38:18,079 --> 00:38:23,039 Speaker 18: I get a linxious send heaven to sorry, my love, 612 00:38:23,280 --> 00:38:24,480 no one, let. 613 00:38:24,400 --> 00:38:31,880 Speaker 20: Too, don't don't, don't do, don't, don't, don't do do 614 00:38:33,159 --> 00:38:50,320 don't do, oh boy, because. 615 00:38:50,119 --> 00:38:56,519 Speaker 18: One nay soon we'll be breaking damti when he not 616 00:38:57,400 --> 00:38:59,199 just gets too. 617 00:39:00,039 --> 00:39:07,480 Speaker 4: Much Because Sam, I've finished, So you need me too, 618 00:39:08,480 --> 00:39:13,000 hacking on the this in heaven too, Sorry. 619 00:39:12,960 --> 00:39:20,199 Speaker 6: My no one know to do do no one no 620 00:39:20,320 --> 00:39:22,280 else who never do do. 621 00:39:23,960 --> 00:39:24,000 Speaker 3: Do? 622 00:39:24,960 --> 00:39:28,880 Speaker 7: No one now who never do do do? 623 00:39:29,880 --> 00:39:30,280 Speaker 21: Don't do? 624 00:39:31,280 --> 00:39:34,159 Speaker 7: No one now who never do? 625 00:39:44,039 --> 00:39:47,280 Speaker 9: I love it. I love it. That's called Lawrence Lawrence. Yes, 626 00:39:47,400 --> 00:39:49,960 oh that sounds sounds done to me. You said you 627 00:39:50,039 --> 00:39:51,960 weren't sure of those don it's a great song. 628 00:39:52,000 --> 00:39:53,599 Speaker 3: I'm not sure about this part of this part, but 629 00:39:53,639 --> 00:39:54,840 we're gonna see how it's gonna go. 630 00:39:55,760 --> 00:39:57,599 Speaker 9: I love it. I think it's great. I think it's great. 631 00:39:57,639 --> 00:39:59,360 I'm sure your your wife enjoys that song. 632 00:39:59,519 --> 00:40:03,599 Speaker 3: I hope so. Actually it's it's called Florence, and there 633 00:40:03,719 --> 00:40:07,880 there are two specific references to her favorite artists and 634 00:40:07,960 --> 00:40:11,480 one of mine Florence in the Machines. Oh okay, so 635 00:40:11,719 --> 00:40:14,679 the very first line she cries when she hears the 636 00:40:14,719 --> 00:40:17,920 Old Religion. There's a song on the new album called 637 00:40:17,920 --> 00:40:22,320 the Old Religion one that she absolutely loves. The ending 638 00:40:22,400 --> 00:40:24,119 part of the chorus is I get all of this 639 00:40:24,280 --> 00:40:28,519 in heaven too, all of this in heaven two is 640 00:40:28,920 --> 00:40:31,920 is uh. I don't know if it's the name of 641 00:40:31,920 --> 00:40:33,880 the song. She's she's gonna yell at me when I 642 00:40:33,920 --> 00:40:37,559 get out of that, But it was the song that 643 00:40:37,760 --> 00:40:41,000 was the first dance song from our wedding, ohkd. Very 644 00:40:41,079 --> 00:40:45,039 called Florence brings out My wife is a very stoic woman. 645 00:40:45,119 --> 00:40:49,119 She's a very practical woman. She is a healthcare professional 646 00:40:50,679 --> 00:40:54,920 and just amazing at what she does. And because of 647 00:40:55,000 --> 00:40:58,079 what she does, she has to be a very strong, 648 00:40:59,639 --> 00:41:00,920 very skinned woman. 649 00:41:01,159 --> 00:41:01,360 Speaker 9: Yeah. 650 00:41:01,400 --> 00:41:05,119 Speaker 3: But oh man, you put on Florence and the hands 651 00:41:05,159 --> 00:41:09,480 go up, the spirit fingers. It just it's that thing 652 00:41:09,559 --> 00:41:13,559 that really pulls pulls her through that. Okay, So I 653 00:41:13,639 --> 00:41:17,199 thought naming a song after Florence was very appropriate for 654 00:41:17,440 --> 00:41:17,800 my wife. 655 00:41:17,960 --> 00:41:20,960 Speaker 9: Yeah, that's very cool, that's very cool. How did you 656 00:41:21,039 --> 00:41:22,920 learn to sing? Because you've got such a great voice? 657 00:41:23,000 --> 00:41:23,280 Speaker 7: Thank you? 658 00:41:23,599 --> 00:41:25,800 Speaker 9: Are you? Are you self taught? Did you take lessons or. 659 00:41:25,960 --> 00:41:27,159 Speaker 3: I am very self taught? 660 00:41:27,360 --> 00:41:27,599 Speaker 9: Really? 661 00:41:28,079 --> 00:41:32,440 Speaker 3: Yeah, trial and error. I think singing for cover bands 662 00:41:32,480 --> 00:41:35,000 for a long time taught me a lot because when 663 00:41:35,000 --> 00:41:38,480 I first started was you know, we were doing a 664 00:41:38,599 --> 00:41:42,440 lot of like creed Stone, Tuble, Pilots, Pearl Jam, and 665 00:41:42,679 --> 00:41:47,519 there's such distinctive voices. Yeah, that it was always like 666 00:41:51,119 --> 00:41:54,000 when I heard a cover band, I wanted to hear 667 00:41:54,159 --> 00:41:57,760 them almost act as a tribute to these artists, okay, 668 00:41:58,320 --> 00:42:00,960 And so that's what I did, Yeah, and really just 669 00:42:01,360 --> 00:42:05,000 found where the voice goes. And in doing that, I 670 00:42:05,159 --> 00:42:07,880 learned what I can do with my own voice for myself, okay, 671 00:42:08,599 --> 00:42:12,000 which is actually it serves me because depending on the 672 00:42:12,039 --> 00:42:13,800 type of song that I'm writing, I can kind of 673 00:42:13,840 --> 00:42:16,719 put a different feel on it, much like the Ballot 674 00:42:16,760 --> 00:42:20,239 of twenty six which is completely different. 675 00:42:20,400 --> 00:42:20,639 Speaker 9: Yeah. 676 00:42:21,039 --> 00:42:23,400 Speaker 3: But yeah, trial and error. When I first started singing 677 00:42:23,440 --> 00:42:26,239 in my first band when I was fourteen, I actually 678 00:42:26,360 --> 00:42:29,119 still have a tape of that band. Thanks Bill, Buddy Tom. 679 00:42:29,880 --> 00:42:34,440 Actually I get to return that to him, and the 680 00:42:34,519 --> 00:42:37,039 tape is dead, like you can barely hear anything, but 681 00:42:37,119 --> 00:42:39,000 you can hear that. I sounded like Kermit the Frog 682 00:42:39,559 --> 00:42:43,400 trying to do kind of eighties rock kind of stuff. Yeah, 683 00:42:43,559 --> 00:42:46,320 and just over the years, just found what worked, found 684 00:42:46,360 --> 00:42:48,599 what didn't work, found what blew it out, found what 685 00:42:48,719 --> 00:42:51,360 didn't And yeah, completely self taught. 686 00:42:51,760 --> 00:42:54,719 Speaker 9: Okay, I've heard other people say that too, that singing 687 00:42:54,760 --> 00:42:56,199 in a cover band is a great way to. 688 00:42:56,280 --> 00:42:59,519 Speaker 3: Really Yeah, you build your stamina and figure out, you know, 689 00:43:00,159 --> 00:43:03,320 how many beers you can drink before it all goes 690 00:43:03,440 --> 00:43:05,880 to you know where it? 691 00:43:06,039 --> 00:43:08,280 Speaker 9: Is there any particular cover song that you ever found 692 00:43:08,719 --> 00:43:11,159 especially challenging to pull off vocally? 693 00:43:12,920 --> 00:43:15,079 Speaker 3: If I do, I won't. Oh yeah, well yeah I did. 694 00:43:15,119 --> 00:43:17,639 There is one and I do still pull it out 695 00:43:18,320 --> 00:43:19,119 Possum Kingdom. 696 00:43:20,119 --> 00:43:20,320 Speaker 9: Yeah. 697 00:43:20,639 --> 00:43:22,079 Speaker 3: Yeah, don't ask me to do it right now. It 698 00:43:22,239 --> 00:43:23,039 is too early for that. 699 00:43:23,280 --> 00:43:23,440 Speaker 6: Yeah. 700 00:43:23,840 --> 00:43:25,360 Speaker 9: Yeah, that's hard. That's a hard one to say. 701 00:43:25,559 --> 00:43:29,280 Speaker 3: Oh my good lord, it is. It is. That guy's 702 00:43:29,400 --> 00:43:33,239 voice is It's not high in the respect of like 703 00:43:33,360 --> 00:43:37,000 a Ronnie James dio, but it is powerful and piercing 704 00:43:37,519 --> 00:43:40,960 h and at the top of a tenor register is 705 00:43:41,199 --> 00:43:50,400 just yeah, probably the most challenging cover I've ever done again, 706 00:43:50,519 --> 00:43:53,320 probably because I want to match, you know, with the 707 00:43:53,440 --> 00:43:56,800 style of what he was going for. Especially in that song. 708 00:43:56,920 --> 00:44:02,800 You have this almost control old maniacal feel to it, 709 00:44:03,800 --> 00:44:05,920 and it pulls an energy and it's hard to pull 710 00:44:06,000 --> 00:44:12,280 that energy with delivery, but hold back on overdoing it, right, Yeah, right, No, 711 00:44:12,440 --> 00:44:13,079 that makes sense. 712 00:44:13,199 --> 00:44:15,400 Speaker 9: That makes sense. And then what about playing guitar? Are 713 00:44:15,400 --> 00:44:16,760 you self taught on guitar? 714 00:44:17,199 --> 00:44:21,239 Speaker 3: Yeah? Okay, had my buddy Matt when I was fourteen, 715 00:44:23,239 --> 00:44:26,239 conned my mom into giving me forty bucks for she 716 00:44:26,559 --> 00:44:29,760 used acoustic that was on a sidewalk sale. Yeah, went home. 717 00:44:29,880 --> 00:44:38,800 He taught me every rose has its song baby, Yeah, 718 00:44:39,280 --> 00:44:41,960 and those three cords or four chords because there's a 719 00:44:42,320 --> 00:44:45,599 minor in the solo somewhere. But yeah, it started with 720 00:44:45,679 --> 00:44:47,760 those four chords and you couldn't stop me from there. 721 00:44:47,880 --> 00:44:50,760 It was any book that I could I could find 722 00:44:50,840 --> 00:44:54,320 in a used book bind and just kind of figure 723 00:44:54,360 --> 00:44:56,920 out what chords were. I think in totally I learned 724 00:44:56,920 --> 00:45:00,639 about twelve chords overall, and then learned how to use 725 00:45:00,679 --> 00:45:04,159 a KPO and those twelve chords or a chords or 726 00:45:04,239 --> 00:45:07,280 whatever it was. Yeah, kind of served me to this day. 727 00:45:07,440 --> 00:45:07,639 Speaker 5: Yeah. 728 00:45:07,760 --> 00:45:11,280 Speaker 3: Yeah, I slapped my fingers on the neck and if 729 00:45:11,320 --> 00:45:13,199 it sounds cool, I'm like, I'm gonna go with. 730 00:45:13,280 --> 00:45:18,800 Speaker 9: That, right right. Did you in the cover bands do 731 00:45:19,159 --> 00:45:22,400 you play also or do you just saying I play 732 00:45:22,400 --> 00:45:24,199 as well? Okay, yeah, okay, that's what I thought. 733 00:45:24,400 --> 00:45:25,519 Speaker 3: Acoustic and electric? 734 00:45:25,679 --> 00:45:28,760 Speaker 9: Yeah, And then so now, what's what's your current live situation? 735 00:45:28,960 --> 00:45:31,039 Like are you are you playing any shows as Peter 736 00:45:31,159 --> 00:45:34,039 the Photographer? So, because I know you're kind of waiting 737 00:45:34,159 --> 00:45:34,840 back into things. 738 00:45:35,079 --> 00:45:37,320 Speaker 3: Yeah, So for the past couple of years, I do 739 00:45:37,679 --> 00:45:41,880 one show a month acoustic solo at the Strange Bru Tevern, 740 00:45:43,679 --> 00:45:46,039 and forgive me, I can actually tell you the next 741 00:45:46,079 --> 00:45:46,880 one I'm gonna. 742 00:45:46,639 --> 00:45:49,639 Speaker 9: Be oh by all means yeah. Yeah. While you're looking 743 00:45:49,639 --> 00:45:51,199 that up, we should mention, of course, that Peter the 744 00:45:51,239 --> 00:45:56,199 Photographer is here with us live in studio. Sounded amazing, Well, 745 00:45:56,239 --> 00:45:58,719 I thank you, sir, absolutely so. 746 00:45:59,679 --> 00:46:05,119 Speaker 3: Mark thirteenth, I am, as Peter the Photographer, going to 747 00:46:05,159 --> 00:46:08,079 be at the Strange Root Tavern from eight to eleven, 748 00:46:08,159 --> 00:46:12,719 and then on March fourteenth, Forever forty one my cover 749 00:46:12,840 --> 00:46:14,239 band will be at the dairy Field. 750 00:46:14,360 --> 00:46:15,000 Speaker 9: Oh very good. 751 00:46:15,119 --> 00:46:15,320 Speaker 6: Yeah. 752 00:46:15,480 --> 00:46:17,360 Speaker 3: So two night back to back? 753 00:46:17,480 --> 00:46:17,880 Speaker 12: Yeah yeah. 754 00:46:18,519 --> 00:46:20,960 Speaker 9: Is that tough on your voice or a little bit? 755 00:46:21,079 --> 00:46:23,519 Speaker 3: Yeah, a little bit. Luckily with the acoustic stuff, I 756 00:46:23,599 --> 00:46:27,280 can kind of I've got a long list of songs 757 00:46:27,280 --> 00:46:29,639 that I play, so I can kind of you can 758 00:46:29,719 --> 00:46:33,079 kind of carefully craft that so that it doesn't hurt 759 00:46:33,119 --> 00:46:35,880 too much. But I think at this point I'm strong 760 00:46:36,000 --> 00:46:38,840 enough that a two nighter doesn't completely kill me. Although 761 00:46:38,880 --> 00:46:40,639 there is much harder stuff that I do with the 762 00:46:41,159 --> 00:46:44,320 cover band. Vocally, Yeah, I can imagine you should come 763 00:46:44,360 --> 00:46:49,000 and see that though. It's a great time. The list 764 00:46:49,239 --> 00:46:55,760 literally is from We Built this City to Barbie Girl 765 00:46:55,960 --> 00:47:00,480 to grunge stuff. I mean, it's all over the map, 766 00:47:00,599 --> 00:47:02,719 but it's all fun. Yeah, it's all fun. 767 00:47:02,880 --> 00:47:05,079 Speaker 9: Yeah. Why is it called Forever forty one? 768 00:47:05,760 --> 00:47:08,519 Speaker 3: So so there's actually two singers in the band. It's 769 00:47:08,559 --> 00:47:09,559 myself and Jess Vaughn. 770 00:47:09,719 --> 00:47:11,840 Speaker 9: Okay, Oh yes, I'm sorry. 771 00:47:12,000 --> 00:47:13,199 Speaker 3: She actually asked me to tell you. 772 00:47:13,400 --> 00:47:17,599 Speaker 9: She said he I'll be damn from Oh my god, 773 00:47:17,639 --> 00:47:20,199 I'm blanking on the name. Oh she's gonna kill me 774 00:47:20,320 --> 00:47:22,880 me too, Because I've interviewed her a bunch of times 775 00:47:22,920 --> 00:47:26,000 over the years in that band, and now I'm blanking 776 00:47:26,039 --> 00:47:26,480 on the name. 777 00:47:26,679 --> 00:47:29,079 Speaker 3: Yeah, sorry Jess, Sorry sorry Jess. 778 00:47:30,840 --> 00:47:32,880 Speaker 9: It'll it'll come to me when I'm not thinking about it. 779 00:47:33,000 --> 00:47:36,280 Speaker 3: Yeah, so she sings in the band as well. Okay, 780 00:47:37,480 --> 00:47:39,440 now I got lost. I took a left turn and 781 00:47:39,519 --> 00:47:44,519 then got lost. Oh forever forty one. Yeah, so there 782 00:47:44,639 --> 00:47:48,719 was a store I think it was called Forever twenty one. Yes, 783 00:47:49,760 --> 00:47:52,679 and Jess kind of threw it. I think it'd be 784 00:47:52,719 --> 00:47:54,599 funny if we did Forever forty one. 785 00:47:54,719 --> 00:47:54,880 Speaker 9: Yeah. 786 00:47:54,920 --> 00:47:57,920 Speaker 3: We're not gonna get any older than forty one, that's it. Yeah, 787 00:47:58,400 --> 00:48:01,320 And it kind of lends it because if you're forty one, 788 00:48:01,480 --> 00:48:03,440 you're gonna know most of the songs that we do. 789 00:48:03,800 --> 00:48:05,480 Speaker 9: Right, And so. 790 00:48:07,039 --> 00:48:09,199 Speaker 3: It was a little bit silly, but it was like, yeah, 791 00:48:09,199 --> 00:48:11,719 that that works. Yeah, I'll be forever forty one. 792 00:48:11,800 --> 00:48:12,079 Speaker 17: There you go. 793 00:48:12,280 --> 00:48:13,159 Speaker 3: That wasn't the worst. 794 00:48:13,800 --> 00:48:17,280 Speaker 9: No, no, this is a good edge. Is she still 795 00:48:17,320 --> 00:48:18,239 in that other band than? 796 00:48:18,400 --> 00:48:18,519 Speaker 6: Oh? 797 00:48:18,599 --> 00:48:23,440 Speaker 9: Wait, complex? Something simple, complex a simple complex? Thank you? 798 00:48:23,679 --> 00:48:23,840 Speaker 5: Yes? 799 00:48:24,159 --> 00:48:25,039 Speaker 9: Is she still in that band? 800 00:48:25,480 --> 00:48:25,559 Speaker 6: Oh? 801 00:48:25,599 --> 00:48:28,119 Speaker 9: Okay? Are they done that? 802 00:48:28,320 --> 00:48:28,760 Speaker 17: I don't know? 803 00:48:28,920 --> 00:48:31,760 Speaker 9: Okay, okay, yeah, because she wasn't the original like that, 804 00:48:32,079 --> 00:48:34,800 they had a dude and then she joined and really 805 00:48:35,000 --> 00:48:37,119 I mean they were really, really a good band. 806 00:48:37,760 --> 00:48:41,519 Speaker 3: Jess is incredible. Yeah, yeah, it's incredible getting to not 807 00:48:41,639 --> 00:48:43,519 only share a stage, but you know, once a week 808 00:48:43,519 --> 00:48:46,960 getting together at the jam Space. Yeah, she's she's a 809 00:48:47,000 --> 00:48:53,039 great soul. Yeah, she's a great humane, great performer. I'm 810 00:48:53,079 --> 00:48:57,360 pretty confident in my abilities, but I don't know why 811 00:48:57,400 --> 00:49:01,719 they let me sing after here her. Yeah you know, 812 00:49:01,840 --> 00:49:04,920 I say that with with a little humbleness. 813 00:49:05,079 --> 00:49:07,760 Speaker 9: Yeah, So as how does that work? Do you kind 814 00:49:07,760 --> 00:49:10,639 of split up the vocals like she summon? Yep, and 815 00:49:10,719 --> 00:49:12,159 we built the city? You probably do together? 816 00:49:12,280 --> 00:49:12,440 Speaker 6: Yeah? 817 00:49:12,480 --> 00:49:15,159 Speaker 3: Yeah, yeah, we have a couple of duets. Can't think 818 00:49:15,199 --> 00:49:17,159 of any besides that one off the top of my head. 819 00:49:17,199 --> 00:49:19,559 But she's got her songs, and I'll stay back and 820 00:49:19,639 --> 00:49:23,000 either play guitar and do backup vocals or just backup 821 00:49:23,119 --> 00:49:27,320 vocals and do my best to sing things that maybe 822 00:49:27,360 --> 00:49:29,239 other people won't pick up, but she will because she's 823 00:49:29,239 --> 00:49:31,239 got her in her in so I can mess with her. 824 00:49:31,480 --> 00:49:36,760 Speaker 9: Yeah, while she's doing her things. Oh that's funny. That's funny. Well, Jess, 825 00:49:36,960 --> 00:49:39,679 hello if you are listening, and yeah, yeah, it's been 826 00:49:39,760 --> 00:49:42,119 a it's been a few years since I've seen her, 827 00:49:42,199 --> 00:49:45,159 but No, that's very cool. That's very cool. Well, we 828 00:49:45,280 --> 00:49:47,800 are we are rapidly running out of time. But Peter, 829 00:49:47,920 --> 00:49:50,719 this has been amazing. I love this and let's not 830 00:49:50,840 --> 00:49:53,039 let another twenty years go by between interviews. 831 00:49:53,760 --> 00:49:54,480 Speaker 3: Absolutely not. 832 00:49:56,440 --> 00:49:58,880 Speaker 9: And as you're you know, as you're releasing new music too, 833 00:49:58,920 --> 00:50:00,320 you know, we'd love to we'd love to be the 834 00:50:00,360 --> 00:50:03,719 first to play it here. So definitely, where should people 835 00:50:03,760 --> 00:50:05,480 go online to keep up with everything that you're doing. 836 00:50:05,480 --> 00:50:06,360 Where's the best place to go? 837 00:50:06,639 --> 00:50:12,239 Speaker 3: On Facebook? Okay, on Facebook, So if you are in 838 00:50:12,400 --> 00:50:15,679 need of some wedding photos or fan photos, you can 839 00:50:15,760 --> 00:50:20,599 find me on Facebook, Peter the Photographer LC. If you're 840 00:50:20,639 --> 00:50:24,119 looking for my music, it's just Peter the Photographer one 841 00:50:24,199 --> 00:50:28,920 word okay. And you know, websites are kind of hard 842 00:50:28,960 --> 00:50:31,360 to come by financially right now, so kind of just 843 00:50:31,440 --> 00:50:34,119 sticking with Facebook. So find us on there, follow us 844 00:50:34,159 --> 00:50:35,719 on there, message me on there. 845 00:50:35,920 --> 00:50:36,239 Speaker 9: Whatever. 846 00:50:36,719 --> 00:50:39,760 Speaker 3: YEA love to get out there and start doing some 847 00:50:39,880 --> 00:50:42,280 more stuff. And there are other musicians out there that 848 00:50:42,719 --> 00:50:45,039 maybe I don't know, that heard the stuff that I 849 00:50:45,159 --> 00:50:47,360 was doing and they're like, oh, I'd love to kind 850 00:50:47,360 --> 00:50:49,800 of throw a thing on that reach out let me. Yeah, 851 00:50:50,159 --> 00:50:51,719 absolute to work with Everyone. 852 00:50:51,639 --> 00:50:53,239 Speaker 9: And the Ballad of twenty six. I can get that 853 00:50:53,639 --> 00:50:54,280 on Facebook. 854 00:50:54,320 --> 00:50:56,559 Speaker 3: Oh I'm sorry, yes you I mean so, it's on 855 00:50:56,719 --> 00:51:01,920 band camp Peter six or Peter the Boy. So if 856 00:51:01,960 --> 00:51:04,199 you go to my Facebook page you'll find the link there. 857 00:51:04,599 --> 00:51:05,519 I'll tell you where it is. 858 00:51:05,719 --> 00:51:06,079 Speaker 9: Perfect. 859 00:51:06,440 --> 00:51:10,159 Speaker 3: It's two dollars to download. I think with band camp 860 00:51:10,199 --> 00:51:12,559 you can listen to it four times per day and 861 00:51:12,639 --> 00:51:15,320 then you can't listen to it anymore unless you buy it. 862 00:51:16,079 --> 00:51:18,760 I also have an acoustic album that I put out 863 00:51:18,760 --> 00:51:22,079 in twenty twenty that is also on band Camp called 864 00:51:22,159 --> 00:51:25,760 Days Like That, which is four songs that I've had 865 00:51:25,840 --> 00:51:29,719 forever that I just decided to put out because there 866 00:51:29,800 --> 00:51:31,280 was nothing else to do in twenty twenty. 867 00:51:31,360 --> 00:51:32,639 Speaker 9: Games right, Yeah, that's true. 868 00:51:32,760 --> 00:51:35,199 Speaker 3: That's true, And that one is free, by the way. 869 00:51:35,239 --> 00:51:37,639 You just put in zero dollars and you can download 870 00:51:37,719 --> 00:51:39,800 it or you can tip me if you want, doesn't 871 00:51:39,880 --> 00:51:40,679 you know whatever? 872 00:51:41,000 --> 00:51:44,760 Speaker 9: Yeah, outstanding. I was thinking too, because you did sound 873 00:51:44,840 --> 00:51:46,639 us a couple two I've seen about ending the segment 874 00:51:46,719 --> 00:51:47,800 with the fall. 875 00:51:47,880 --> 00:51:51,559 Speaker 3: Okay, which is a fear of Flying song showed out 876 00:51:51,639 --> 00:51:55,519 to Jonesy, Brian Levec and dan Let. Dan Lett, Actually 877 00:51:56,480 --> 00:51:59,840 I wrote the guitar part, the main guitar part for 878 00:51:59,880 --> 00:52:03,559 the song, and we hadn't really been in connection, but 879 00:52:03,639 --> 00:52:05,559 I've always kind of carried that song with me. 880 00:52:06,000 --> 00:52:07,480 Speaker 9: Yeah, it was a great song. 881 00:52:08,760 --> 00:52:10,519 Speaker 3: It kind of stands the test of time, it. 882 00:52:10,559 --> 00:52:13,039 Speaker 9: Does for me. Yeah, yeah, absolutely. 883 00:52:12,599 --> 00:52:14,760 Speaker 3: Appreciate that you're gonna play that one. That's that's pretty cool. 884 00:52:14,840 --> 00:52:18,639 Speaker 9: Absolutely, yeah, yeah, no, it's it's really good. It's really good. 885 00:52:18,760 --> 00:52:20,960 Peter the Photographer again, thank you so much, my friend. 886 00:52:21,400 --> 00:52:24,119 All Right, absolutely, and if you are listening live on 887 00:52:24,239 --> 00:52:26,719 Saturday stick around. Coming up in just a few minutes, 888 00:52:26,760 --> 00:52:29,800 we have Elijah Jenkins from the band moving on. He's 889 00:52:29,840 --> 00:52:33,880 gonna be joining us via Microsoft teams from another continent. 890 00:52:34,239 --> 00:52:36,239 And then, of course, in the third hour today Charles 891 00:52:36,320 --> 00:52:38,400 Richardson of The Charles Richardson Show will be with us. 892 00:52:39,000 --> 00:52:42,440 But here it is, this is the fall. Peter the Photographer. 893 00:52:56,400 --> 00:52:58,719 Speaker 7: Woke up with the woman. 894 00:53:00,079 --> 00:53:04,559 Speaker 12: Against the US guy just send me down the morning 895 00:53:05,480 --> 00:53:12,320 disguise has something just a friendly reminder of how things 896 00:53:12,400 --> 00:53:13,440 are supposed to be. 897 00:53:14,639 --> 00:53:18,239 Speaker 3: Because I lost myself somewhere long to be. 898 00:53:21,039 --> 00:53:21,400 Speaker 6: Again. 899 00:53:33,679 --> 00:53:40,320 Speaker 19: Well, I forgot what I was gonna say, but send 900 00:53:40,400 --> 00:53:43,840 me to really didn't matter anyway. 901 00:53:46,400 --> 00:53:53,320 Speaker 7: Are you ever listen? Do you even care? Am I cold. 902 00:53:55,639 --> 00:53:55,920 Speaker 8: Clear? 903 00:53:58,679 --> 00:54:01,920 Speaker 7: And no me some I thought that I'm going. 904 00:54:01,960 --> 00:54:04,719 Speaker 13: Bas and I thought that I'm going. 905 00:54:05,039 --> 00:54:07,559 Speaker 3: Let you say it to open up. 906 00:54:09,880 --> 00:54:15,960 Speaker 9: As the past is the past, and it go. It's 907 00:54:16,119 --> 00:54:20,880 time to time from the fight tony. 908 00:54:20,840 --> 00:54:26,039 Speaker 21: Uber of to right, the past is the past, and 909 00:54:26,880 --> 00:54:39,719 God wait to we go after the fall, after the fall. 910 00:54:51,639 --> 00:54:55,599 Speaker 11: The tsuna win this matter. But you don't always be 911 00:54:55,920 --> 00:55:04,159 the truth. It's impossible to this far. We know the 912 00:55:04,360 --> 00:55:08,079 unit saints sold and there's no words. 913 00:55:07,880 --> 00:55:13,960 Speaker 19: Than to fill this old that burns sign. 914 00:55:16,519 --> 00:55:19,960 Speaker 9: We know this time I bathed, I'm going to. 915 00:55:20,119 --> 00:55:25,719 Speaker 7: Listen my mom, I just said to leave it on me. 916 00:55:28,840 --> 00:55:32,360 The past is the past, let it go. 917 00:55:33,960 --> 00:55:36,000 Speaker 6: Sign to time. 918 00:55:36,000 --> 00:55:43,760 Speaker 22: From the fine sonner of supride the past is the past, 919 00:55:43,920 --> 00:55:49,519 and in goal went to me go after. 920 00:55:49,920 --> 00:55:51,000 Speaker 6: Value far. 921 00:56:06,599 --> 00:56:12,119 Speaker 8: When do we come we all for? 922 00:56:19,079 --> 00:56:20,880 Speaker 9: Don't this time my fault? 923 00:56:21,039 --> 00:56:21,760 Speaker 6: Did I go. 924 00:56:24,920 --> 00:56:28,760 Speaker 21: When I just said to leave it on to behind? 925 00:56:30,079 --> 00:56:37,079 Speaker 7: Had the cast is the past and go time to 926 00:56:37,800 --> 00:56:38,679 time from the. 927 00:56:38,960 --> 00:56:42,760 Speaker 14: Body turn me normous to right. 928 00:56:43,639 --> 00:56:49,519 Speaker 21: The cast is the cast and endo when to me 929 00:56:51,000 --> 00:56:58,960 after fall the firest is past. 930 00:56:58,760 --> 00:57:03,239 Speaker 7: And woe down down. 931 00:57:05,840 --> 00:57:12,280 Speaker 21: Down, Let we go when we are followed down. 932 00:57:14,480 --> 00:57:16,239 Speaker 7: Tell me where do we go? 933 00:57:16,599 --> 00:57:18,599 Speaker 8: And we are followed down? 934 00:57:24,559 --> 00:57:31,440 Speaker 19: I forgot what I was gonna say, Tell me to 935 00:57:32,440 --> 00:57:34,719 really anyway. 936 00:57:41,880 --> 00:57:44,119 Speaker 17: Nana's Kitchen and Pizzeria. 937 00:57:44,480 --> 00:57:48,760 Speaker 14: From Nana's hands to your plate tradition. 938 00:57:49,239 --> 00:57:50,519 Speaker 10: Love and taste. 939 00:57:50,599 --> 00:57:54,599 Speaker 9: That's great, so fermented dough, flavor, so. 940 00:57:55,119 --> 00:58:02,400 Speaker 7: True each bite the story may just for you. 941 00:58:03,480 --> 00:58:07,239 Speaker 17: Six o three two three two nine three six six 942 00:58:08,039 --> 00:58:12,880 Nana's Kitchen and Pizza Ree fifteen Dartmouth, Dry Auburn, New Hampshire, 943 00:58:14,599 --> 00:58:16,360 Kischen Piz. 944 00:58:20,960 --> 00:58:23,239 Speaker 23: Luigi's Pizza Barren Grill un. 945 00:58:23,280 --> 00:58:24,320 Speaker 6: For ever one. 946 00:58:25,039 --> 00:58:29,480 Speaker 5: Let's raise a slice on hide with topics of the ground. 947 00:58:30,039 --> 00:58:32,039 Speaker 7: It's a pizza barrio mine. 948 00:58:32,599 --> 00:58:37,400 Speaker 23: Luigi's Pizza Barren Grill, seven twelve Valley Street, Manchester, Come 949 00:58:37,480 --> 00:58:40,480 on in or call six two two one zero two 950 00:58:40,599 --> 00:58:45,360 one Luigi keeping the tradition alive since nineteen seventy five. 951 00:58:47,239 --> 00:58:49,039 Speaker 7: Pizza for e Breed one. 952 00:58:49,719 --> 00:58:51,599 Speaker 6: Come join a piece to night. 953 00:58:52,559 --> 00:58:56,199 Speaker 9: With each slice sense of it, everything feels. 954 00:58:56,000 --> 00:58:56,679 Speaker 6: So right. 955 00:59:00,199 --> 00:59:02,480 Speaker 23: Of crisis, you need a law firm that stands by 956 00:59:02,519 --> 00:59:05,519 your side. 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