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Speaker 1: Thank You is the coffee that lets you sleep. But

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now wake up.

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Speaker 2: It's time for the Baby Snook Show.

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Speaker 3: So he let you see, let you see, Let you

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just stank talking at you see?

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Speaker 4: So'd you you?

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Speaker 5: Yes, it's the Baby Snooks Show, which will stark Fanny

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Brice's Baby Snooks with Hanley Stafford to Daddy, arm and

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Dragon and his orchestra and vocalist Bob Graham.

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Speaker 1: And our special guest of the day, Eddie.

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Speaker 5: Caterer and brought to you by thank a Coffee, the

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coffee that's one hundred flavor rich so you'll always enjoy

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it in ninety percent caffeine freeze, though it will never

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interfere with sleep. It is late afternoon in the Higgins

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household in Sycamore Terrace, and Baby Snook has not come

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home from school. Daddy and Mommy are frantic.

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Speaker 1: Would worry?

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Speaker 5: Daddy has been making a tour of the town in

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search of snot and he's just now coming in the house.

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Speaker 3: Is that you, Lancelot, Yes, dear, did Snooks come home? No?

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Speaker 4: Didn't you find her anywhere?

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Speaker 3: Not a trace?

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Speaker 6: I went to the park, the drugs tour.

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Speaker 2: The movie theater was playing.

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Speaker 6: What's that gotta do with it.

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Speaker 1: It was called flaming passion.

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Speaker 6: Snooks wouldn't be interested in seeing that?

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Speaker 3: Oh no, no, of course not. She's already seen it

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four times.

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Speaker 1: Oh, I don't know where else to look for. Did

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you try the bakery shop? Bakery shop, yes, missus Shake

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tells me. She often goes in there and steals.

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Speaker 6: The coffee cake.

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Speaker 2: I should have thought of that.

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Speaker 3: Take your feet off that chair.

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Speaker 1: Oh yes, dear, see.

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Speaker 6: I think she could be at the public library.

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Speaker 7: No, no, I doubt it is in her library card,

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in that big book there whole year.

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Speaker 1: My?

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Speaker 8: What did she take this book out for a critical.

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Speaker 6: Analysis of pre Renaissance Gothic architecture? What does she take

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out a big book like that for? It makes more fitball?

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What's the matter with that kid?

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Speaker 3: Well?

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Speaker 2: Remember you're her father?

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Speaker 1: What your ashes?

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Speaker 7: Oh?

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Speaker 1: Oh yes, this, as you know, that's public property. I'll

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just wait till she comes home.

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Speaker 6: Oh I wish she would come home, bro, don't you worry,

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dear she'll show up. I have Uncle Louis and I

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am Sophie. I'll hunting for her. This isn't the first

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time she's been late.

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Speaker 1: But not this ly.

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Speaker 6: An ice cream for dinner, and she hasn't done anything naughty,

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nothing that we know of. Maybe that's no, it's uncle Louis.

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Speaker 3: Don't slam it or remember the picture.

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Speaker 9: Hang the picture up again, Lancelot, Yes, the house.

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Speaker 4: Any news, uncle Louis.

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Speaker 5: Oh, not a thing.

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Speaker 6: My Bucky skipped town. Oh we don't care about the races.

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Didn't you go to the police station?

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Speaker 3: Oh yes, yes, yes, said I did. I didn't think

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you knew.

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Speaker 9: Please don Louis, please tell us what happened.

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Speaker 2: Oh it was nothing. I pleaded guilty and they let

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me off with.

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Speaker 1: A small fine, small fine.

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Speaker 6: I sent you to the police station to find out

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about snookes.

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Speaker 3: Well, show you to it about.

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Speaker 4: How do you like that the low down sheets took

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my check without batman eye?

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Speaker 6: How saw that check?

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Speaker 1: Turns out to be good?

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Speaker 3: Oh a lot of help, you'll be No, what about Snokes?

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Speaker 1: A great little girl, Great Louis.

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Speaker 6: Might to be sensible. Don't you realize Snook has gone?

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Speaker 2: How did you ever arrange it?

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Speaker 7: So?

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Speaker 6: Maybe something terrible has happened. Can't you think where she

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might be?

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Speaker 1: Let me see, I haven't I have it.

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Speaker 2: I'll go look in the pool.

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Speaker 6: Parlow at the concalls don't be a declad What would

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she be doing at the pool parlor?

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Speaker 2: So you most nooks? Maybe she's behind the eight pole again, So.

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Speaker 3: The biphone who he does ra hang the picture of again?

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Speaker 4: Lancelot?

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Speaker 1: Yes, dear.

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Speaker 6: Well and to the poone Lancelot, who's yes? Hello, Hello

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Lancelotti boys, it's Aunt tophy h. Did you find out

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anything antopy about snook?

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Speaker 9: No, the most unfortunate thing happens.

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Speaker 6: I sages ah ha in front of whose mansion.

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Speaker 9: The fantis and you'll never guess what.

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Speaker 6: They just happened to be having a.

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Speaker 1: Big swanky party.

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Speaker 9: Well, however, did you know, well last.

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Speaker 1: Week you sprange Rankling.

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Speaker 6: They had to carry you into the Kensington's tea Dan stands.

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The week before you had a something never find.

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Speaker 9: They just happen to be unfortunate accidents.

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Speaker 6: Why don't you forget your phony social aspirations. After all,

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we both know you used to be a waitress in

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a hash house.

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Speaker 9: Why, man, that is merely a figment of your imagination.

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Speaker 6: All right, forget about it, an Sophie, just bring me

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some hotcakes.

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Speaker 9: One circum is coming up, mantla for shame.

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Speaker 3: How can you resort to such blowdown trickery A fine

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way to treaty weekend gets.

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Speaker 4: I did you took Jules?

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Speaker 6: We can guess. Since when is it three years? From

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Friday to Monday then til last?

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Speaker 1: Well, I'm sorry.

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Speaker 6: It's just that I'm so upset about snooks. Well, I'm

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going to do something practical. Right now, I'm going to

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to the radio station. Eddie Camper is doing a program.

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Maybe he brought casting a peel about strokes.

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Speaker 2: Okay, mister Kanadah, we're ready for your numbers.

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Speaker 3: All right, all right, thank you.

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Speaker 4: So now remember Union and I go back on the

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air with my program September twenty sixth. It's only ten

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days away. Now, let's run over. I'm gonna love that gal,

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make it good.

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Speaker 3: I'm gonna love that gal like she's never been loved before.

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I'm gonna show that gal he's the maybe the tiger door.

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When she's in my arms again, hardream will all come

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through lemb the years dream might never happen. We'll start

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all than you. I'm gonna kiss that gal like she's

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never been before. And though I missed that Gal, she's

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the baby I'm waiting for. We'll have a part against

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You'll hold my heart again, foremorade never more. I'm gonna

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love that gal like you've never been loved before.

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Speaker 1: Sister, I can hardly wait.

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Speaker 2: Fell my heart Palpa.

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Speaker 3: Tate, we'll have a part again. You'll hold my heart

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against foremend never more. I'm gonna love that gal. I'm

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gonna kiss that gal. I'm gonna love that gal like

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you've never been loved. I say, that's good boy, that's fine.

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Speaker 6: Oh excuse me, sir, I'm Lancelot Higgins.

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Speaker 1: Do you run this studio?

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Speaker 2: Run the studio? If I ran it? Do you think

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I'd let myself get away with the things I get

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away with?

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Speaker 6: I'm edicanna. Oh well, mister Canner, I came here for help.

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Speaker 2: Well, I get pleasure out of helping people. What is

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your trouble?

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Speaker 1: My little daughter is lost, I see.

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Speaker 2: Would you like to borrow one of mine?

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Speaker 3: Oh no, no, take your choice. There's Marilyn and Marjorie,

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there's Janet there.

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Speaker 6: I can go on like this for days, you know,

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I just want my own, dear little snokes.

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Speaker 2: I'm terribly sorry, mister Higgins. And only child, no doubt,

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I have three others.

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Speaker 6: How many children have you?

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Speaker 4: I don't know when I left home this morning either,

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mister Higgins, I've been in the maternity walk so often

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they saved me aspron.

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Speaker 2: With my monogram on it. So you see, I'm in

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a position to give you some advice.

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Speaker 5: Else, thank you.

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Speaker 2: You say you have poor little girls.

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Speaker 3: Huh No, two of them are boy boys.

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Speaker 2: In that case, you can give me some advice.

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Speaker 1: Mystic.

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Speaker 6: I thought, if only we could make some sort of

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radio appeal, we might find Snookes immediately.

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Speaker 7: Well, I'll speak to my announcer, Harry Bonzel. Maybe he

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could slip in the announcement with his commercial house.

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Speaker 2: Well, I don't know how to thank, no need glad

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to do it. Now, let me take some notes on

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her appearance. What does your little girl look like?

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Speaker 3: Uh?

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Speaker 1: Well, did you see meet me in Saint Louis?

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Speaker 2: Yes, you mean she looks like Margaret O'Brien.

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Speaker 6: No, Marjorie May.

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Speaker 3: And now she's lost.

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Speaker 6: Yes, let me be the first.

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Speaker 2: To congratulate you always. You don't understand I want to

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find it. Well, everybody to his taste.

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Speaker 4: But I warn you, the older they get, the harder

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they are to lose.

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Speaker 2: That's what George Guessel told me.

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Speaker 3: I'll tell you what I want to do anyhow, I'm

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pretty good at this sort of thing.

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Speaker 2: When did you first notice that she was missing?

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Speaker 6: Well, not for quiet A while I was busy in

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my laboratory working on a new invention.

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Speaker 1: A fuel substance. You really, Yes, it's a powdery substance.

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Speaker 6: You simply drop it in walt and use it for

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gats what's it called?

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Speaker 1: Sala pattika?

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Speaker 2: But seriously, why don't you take me home with you?

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Speaker 3: Perhaps I can track her down for you. Oh no,

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I wouldn't ask you.

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Speaker 2: Let's be on our way. I want to meet your family.

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Well you asked for it.

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Speaker 3: Well, there they go, Wilcox.

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Speaker 8: But I bet they'll never be able to find snugs.

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Speaker 5: Well, calm and dragon. I suppose you could maybe remember

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how the pied Piper of ham And called all the

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children to him with music.

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Speaker 6: Yeah, I suppose I had tried to get snooks that way.

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Speaker 5: Listen, all right, come out, come out they Maybe you

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ought to use your musical influence on those grown ups

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who are disturbed by the caffeine and the coffee they drink.

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Speaker 8: You know what their first words are every morning, don't you?

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That's right?

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Speaker 3: They never sleep a wink.

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Speaker 5: The caffeine in their coffee keeps them awake. Now, if

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they drink Sanka coffee, they'd sing a different tune because

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Sanka coffee has had ninety seven percent of the caffeine

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taken out, so it can't interfere with sleep. And have

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you heard how wonderful Sanka coffee tastes?

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Speaker 3: You?

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Speaker 5: Bet it's good, right, grant delicious roaster fresh too. You'll

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never miss a wink of sleep, and you'll always enjoy

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every cup you drink of Sanka coffee.

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Speaker 8: Wimon Dragon and his orchestra with June is busting out.

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Speaker 3: All is that you, Lancelot?

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Speaker 4: Yes, oh, Lancelot, I haven't heard a word about Snook.

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Speaker 6: Well, I've got someone here who might help us. Dear,

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I'd like you to meet Eddie Cantre.

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Speaker 3: How do you do?

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Speaker 2: How are you one of Snook's little friends?

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Speaker 3: Madam?

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Speaker 2: Don't let my young appearance for you.

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Speaker 4: I'm old enough to be Snook's brother, older brother, oldest soul.

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Speaker 6: Bummy, this is Eddie Cantor.

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Speaker 3: Who oh you know him? If you knew Sudie And

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I'm so shud oh oh oh, what against Lancelot? How

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00:14:41,039 --> 00:14:43,120
can you act so stupid at a time that I did.

237
00:14:46,080 --> 00:14:47,320
Speaker 2: Stupid, I've made a good look.

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00:14:47,559 --> 00:14:51,080
Speaker 4: Seriously, missus Higgins, Missus Higgins, I came here to be

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00:14:51,159 --> 00:14:51,679
of assistant.

240
00:14:51,759 --> 00:14:53,360
Speaker 3: I want to do anything I can to help you

241
00:14:53,440 --> 00:14:54,000
find Snooks.

242
00:14:54,039 --> 00:14:56,799
Speaker 2: Oh, I've been wracking my brain. I noticed a funny sound.

243
00:14:56,799 --> 00:14:57,360
Speaker 3: Here, go ahead.

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00:15:00,519 --> 00:15:04,240
Speaker 2: You know you know, just before you came in, I

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00:15:04,559 --> 00:15:06,480
almost established contact with her.

246
00:15:06,600 --> 00:15:06,879
Speaker 8: What's that?

247
00:15:07,200 --> 00:15:08,320
Speaker 3: Oh, don't mind her ready?

248
00:15:08,440 --> 00:15:09,919
Speaker 6: She thinks she's hyching.

249
00:15:10,039 --> 00:15:13,279
Speaker 2: Well, don't scoff. It's perfectly possible. All women have a

250
00:15:13,360 --> 00:15:14,480
sort of a sixth sense.

251
00:15:15,320 --> 00:15:15,559
Speaker 5: They do.

252
00:15:16,399 --> 00:15:18,200
Speaker 4: Did you ever try to sneak into three am after

253
00:15:18,279 --> 00:15:18,919
a poker game?

254
00:15:20,440 --> 00:15:20,559
Speaker 2: Hi?

255
00:15:20,679 --> 00:15:21,360
Speaker 8: See what you mean?

256
00:15:21,480 --> 00:15:22,919
Speaker 2: Sure they're all equipped with radar.

257
00:15:26,799 --> 00:15:29,279
Speaker 4: I'm just kidding, missus Higgins. You stay here and try

258
00:15:29,320 --> 00:15:30,080
to contact snooks.

259
00:15:30,159 --> 00:15:32,120
Speaker 2: Mister Higgins, would you show me the place where she

260
00:15:32,240 --> 00:15:32,799
was last seen?

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00:15:32,919 --> 00:15:33,240
Speaker 6: All right?

262
00:15:33,320 --> 00:15:35,399
Speaker 1: It was up in the twins nursery. Come on, let's go.

263
00:15:41,399 --> 00:15:43,600
Speaker 2: Nice, nice little house you got here.

264
00:15:43,960 --> 00:15:45,879
Speaker 1: Well, it wasn't this nice when we bought it. Oh,

265
00:15:46,559 --> 00:15:49,320
we've made changes in a lot of the rooms. Here's

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00:15:49,360 --> 00:15:50,120
the baby's nursery.

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00:15:50,159 --> 00:15:50,799
Speaker 4: Baby's nursery.

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00:15:50,799 --> 00:15:52,360
Speaker 2: I bet you've made a lot of changes in here.

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00:15:52,440 --> 00:15:59,639
Speaker 6: To her, I'd like to have a mike for everyone

270
00:16:00,039 --> 00:16:01,840
older than pin on those two babies.

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00:16:01,919 --> 00:16:02,600
Speaker 2: Me too, Me too.

272
00:16:02,679 --> 00:16:04,320
Speaker 3: I was as fast as light thing in my baby.

273
00:16:04,600 --> 00:16:05,159
Speaker 5: Yeah yeah, but.

274
00:16:05,200 --> 00:16:07,240
Speaker 6: You're probably pretty pretty rusty now.

275
00:16:07,320 --> 00:16:07,840
Speaker 3: Oh, I don't know.

276
00:16:07,919 --> 00:16:09,879
Speaker 2: One doesn't lose a touch. Wouldn't be surprised if I

277
00:16:09,919 --> 00:16:11,600
could beat you right now, Bet you ten dollars.

278
00:16:11,639 --> 00:16:13,600
Speaker 6: You're on you take one of the twins, not take

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00:16:13,639 --> 00:16:14,759
me up. Yeah, here's yours.

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00:16:14,840 --> 00:16:16,759
Speaker 9: Yeah, well sure.

281
00:16:17,120 --> 00:16:17,879
Speaker 2: Mine would cry.

282
00:16:18,000 --> 00:16:20,200
Speaker 3: Sure, sure, this was a better idea than we thought.

283
00:16:20,360 --> 00:16:24,120
Speaker 6: Ready, ready, all clear, fraction, more clear material, unfolded material.

284
00:16:23,799 --> 00:16:25,639
Speaker 2: Unfolded, pin free and clear and pretty clear.

285
00:16:25,840 --> 00:16:30,080
Speaker 3: No, Roger, we go and then we go left side,

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00:16:30,159 --> 00:16:30,639
right side.

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00:16:30,639 --> 00:16:34,000
Speaker 6: Hey don't, but I do. You can't do that.

288
00:16:34,120 --> 00:16:35,039
Speaker 1: You forgot the powder?

289
00:16:35,240 --> 00:16:39,639
Speaker 4: Well I always use the powder afterwards, after hear of diapers?

290
00:16:39,679 --> 00:16:41,919
Speaker 2: Then how how I leave an opening?

291
00:16:42,039 --> 00:16:42,720
Speaker 3: That's how.

292
00:16:45,519 --> 00:16:49,879
Speaker 6: Quiet? Quiet here comes Asophie.

293
00:16:50,120 --> 00:16:51,360
Speaker 3: Well, what's going on here?

294
00:16:51,720 --> 00:16:54,360
Speaker 6: Both we put staties on the baby. Bibby's on the dating,

295
00:16:55,639 --> 00:16:56,559
he's on the poker.

296
00:16:58,960 --> 00:16:59,240
Speaker 3: Probby.

297
00:16:59,279 --> 00:16:59,960
Speaker 8: I would have killed them.

298
00:17:08,160 --> 00:17:11,480
Speaker 4: Oh, when you both have a plot center direction. Look

299
00:17:11,519 --> 00:17:12,640
how high up you've got them.

300
00:17:12,759 --> 00:17:18,319
Speaker 3: You've gagged the kids. Well, we thought we could use

301
00:17:18,359 --> 00:17:19,079
a gag here.

302
00:17:29,559 --> 00:17:30,440
Speaker 9: A comedian.

303
00:17:31,480 --> 00:17:34,400
Speaker 1: Oh, he certainly is this is Eddie Cannon?

304
00:17:34,759 --> 00:17:36,039
Speaker 9: What the Eddie Cannon?

305
00:17:36,240 --> 00:17:36,400
Speaker 2: Yes?

306
00:17:37,240 --> 00:17:39,400
Speaker 9: Oh, mister Tanner.

307
00:17:39,960 --> 00:17:41,759
Speaker 4: Why I remember the first time I saw you?

308
00:17:41,960 --> 00:17:42,839
Speaker 2: What a memory? Really?

309
00:17:44,880 --> 00:17:45,079
Speaker 6: Yes?

310
00:17:45,319 --> 00:17:45,559
Speaker 9: Sure?

311
00:17:46,039 --> 00:17:50,559
Speaker 3: Why you had been a star for years? Years? You know? Well? Yes,

312
00:17:50,680 --> 00:17:52,000
I got in for half frive.

313
00:17:52,119 --> 00:17:52,319
Speaker 1: Yeah.

314
00:17:52,440 --> 00:17:58,079
Speaker 2: Why were you in the service? I didn't know they

315
00:17:58,160 --> 00:18:02,759
had wax in the civil wall. I missed the tada.

316
00:18:03,119 --> 00:18:03,640
Speaker 3: I take that.

317
00:18:03,839 --> 00:18:06,319
Speaker 2: All the nice things I said about you, I visit

318
00:18:06,319 --> 00:18:07,680
you avadu.

319
00:18:07,200 --> 00:18:08,720
Speaker 3: Pais your POI on you too? Cook.

320
00:18:12,640 --> 00:18:16,079
Speaker 6: Well, it's getting later and still no sign of smoke.

321
00:18:16,160 --> 00:18:18,160
Speaker 4: Now you say you last saw the child here in

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00:18:18,240 --> 00:18:18,720
the nursery.

323
00:18:19,000 --> 00:18:22,000
Speaker 1: Oh no, I didn't see her. No, the cook Sunshine

324
00:18:22,119 --> 00:18:22,880
was the last to see her.

325
00:18:22,880 --> 00:18:23,680
Speaker 2: Well, let me speak to her.

326
00:18:24,079 --> 00:18:27,079
Speaker 1: Well, I'll ask her. If she'll see you, you'll ask her.

327
00:18:27,160 --> 00:18:29,480
Speaker 2: Tell her, tell her I want to speak to her.

328
00:18:29,680 --> 00:18:33,559
Speaker 6: Evidently you don't have help at your house, hors not

329
00:18:33,680 --> 00:18:35,559
with six women in the house, I simply bought each

330
00:18:35,599 --> 00:18:36,960
of them a Coppa sweep, and I stand in the

331
00:18:37,000 --> 00:18:42,200
middle of the room and direct traffic. Well, now, look,

332
00:18:42,559 --> 00:18:44,440
why don't you tell me what you want to ask?

333
00:18:44,480 --> 00:18:46,720
Speaker 1: The cook and I'll ask her while I'm doing the

334
00:18:46,759 --> 00:18:47,400
dishes tonight.

335
00:18:49,000 --> 00:18:50,880
Speaker 8: Don't tell me she makes you washed.

336
00:18:50,880 --> 00:18:53,279
Speaker 1: The dishes only takes minutes here.

337
00:18:53,359 --> 00:18:54,200
Speaker 2: But why do you have to do it?

338
00:18:54,319 --> 00:18:55,079
Speaker 3: Why not your wife?

339
00:18:55,480 --> 00:18:57,160
Speaker 1: Who said with the cook's child keep it on?

340
00:18:58,359 --> 00:18:59,160
Speaker 4: I never thought of that.

341
00:18:59,359 --> 00:19:02,519
Speaker 1: It's really not so bad. She gets every Thursday night off?

342
00:19:02,599 --> 00:19:03,240
Speaker 3: Who the cook?

343
00:19:03,440 --> 00:19:04,079
Speaker 1: No, my wife?

344
00:19:05,519 --> 00:19:07,119
Speaker 2: Why do you let it get away with so much?

345
00:19:07,160 --> 00:19:10,359
Speaker 1: Who cooks are hard to guess? Besides, you can lick me.

346
00:19:10,559 --> 00:19:12,039
Speaker 3: Yeah, well i'll be able to handler.

347
00:19:12,240 --> 00:19:14,839
Speaker 2: Come on, Higgins, to the kitchen. I'll see some china.

348
00:19:18,160 --> 00:19:22,200
Speaker 4: Lets the kitchen right here, Sunshine, I'd like a word

349
00:19:22,319 --> 00:19:22,519
with you.

350
00:19:23,000 --> 00:19:31,920
Speaker 6: Yeah, that's the word.

351
00:19:32,000 --> 00:19:33,680
Speaker 8: Come on, Wait a.

352
00:19:33,720 --> 00:19:36,480
Speaker 6: Minute, Wait a minute, Sunshine.

353
00:19:36,880 --> 00:19:39,920
Speaker 1: Don't you know who this is. He's a famous radio comedian.

354
00:19:40,359 --> 00:19:41,799
Speaker 2: Oh, come right in, mister Holt.

355
00:19:44,279 --> 00:19:47,160
Speaker 6: No, this is Eddie Canner.

356
00:19:47,839 --> 00:19:51,119
Speaker 2: Eddie Cantor will come ride in? Oh you like me?

357
00:19:51,279 --> 00:19:52,000
Speaker 3: Huh no.

358
00:19:52,400 --> 00:19:53,680
Speaker 4: I just want to see how it feels to.

359
00:19:53,680 --> 00:19:55,079
Speaker 3: Have ham in the kitchen again.

360
00:20:02,960 --> 00:20:03,920
Speaker 2: That's all. Let's go to here.

361
00:20:04,000 --> 00:20:06,200
Speaker 1: Higgins. Wait, you said you were going to tell her off.

362
00:20:06,240 --> 00:20:08,440
Speaker 2: Don't be silly, Higgins. Why should I talk hawsey to her?

363
00:20:08,920 --> 00:20:10,240
She might be somebody's father.

364
00:20:10,960 --> 00:20:11,359
Speaker 9: Come out.

365
00:20:21,920 --> 00:20:24,480
Speaker 5: We'll resume our search for baby snooks in a few moments.

366
00:20:24,519 --> 00:20:26,759
But now we'd like to have you meet our young

367
00:20:26,839 --> 00:20:30,079
singing star Paramount pictures, Bob Graham singing?

368
00:20:30,200 --> 00:20:31,359
Speaker 6: How deep is the ocean?

369
00:20:43,319 --> 00:20:43,960
Speaker 9: Lost him?

370
00:20:46,720 --> 00:20:48,759
Speaker 3: Much? Would I cry?

371
00:20:55,480 --> 00:21:03,799
Speaker 1: What can I measure?

372
00:21:05,480 --> 00:21:08,000
Speaker 9: Every poe?

373
00:21:12,039 --> 00:21:19,000
Speaker 3: Why can I tell you how much I love you?

374
00:21:25,119 --> 00:21:26,759
Speaker 9: Can I'm measure.

375
00:21:28,240 --> 00:21:40,079
Speaker 3: Just how much I do? How much do I love you?

376
00:21:42,240 --> 00:21:43,400
I'll tell you?

377
00:21:44,119 --> 00:21:44,160
Speaker 4: No?

378
00:21:44,599 --> 00:21:44,839
Speaker 6: Lie?

379
00:21:47,279 --> 00:21:55,000
Speaker 3: How de is the ocean? How high is the guy?

380
00:21:57,279 --> 00:22:01,519
Why many times the day.

381
00:22:02,839 --> 00:22:10,519
Speaker 9: To think of you? How many rows.

382
00:22:12,279 --> 00:22:15,039
Speaker 6: Past? Maybe with you?

383
00:22:17,680 --> 00:22:25,799
Speaker 3: How would I travel to be where you are?

384
00:22:27,799 --> 00:22:31,039
Speaker 9: How far is the journey.

385
00:22:32,880 --> 00:22:33,480
Speaker 3: From you.

386
00:22:34,960 --> 00:22:35,839
Speaker 5: To a f.

387
00:22:39,960 --> 00:22:51,519
Speaker 3: I ever locking? How not would I traw? How is

388
00:22:51,720 --> 00:23:01,799
the old? How is the scull?

389
00:23:23,519 --> 00:23:23,960
Speaker 9: You back?

390
00:23:24,039 --> 00:23:24,319
Speaker 3: Again?

391
00:23:24,799 --> 00:23:26,160
Speaker 6: Well? I just talk?

392
00:23:26,359 --> 00:23:30,599
Speaker 1: Yeah, Well, a little refreshment for our guest, if.

393
00:23:30,480 --> 00:23:32,599
Speaker 4: You mean that so called radio comedian?

394
00:23:32,759 --> 00:23:37,359
Speaker 1: No, no, now, look I'll fix it. Let's see. Now

395
00:23:37,559 --> 00:23:41,200
where would the coffee be? Not in the other? Oh no,

396
00:23:42,960 --> 00:23:43,400
of course not.

397
00:23:44,359 --> 00:23:47,160
Speaker 6: I thought, Well here we are.

398
00:23:48,559 --> 00:23:49,240
Speaker 1: Thank you coffee?

399
00:23:50,000 --> 00:23:52,200
Speaker 2: M What a coffee?

400
00:23:52,319 --> 00:23:52,720
Speaker 7: Higgins?

401
00:23:53,000 --> 00:23:53,200
Speaker 6: Why?

402
00:23:53,640 --> 00:23:53,839
Speaker 3: Why?

403
00:23:54,079 --> 00:23:54,359
Speaker 1: Thank you?

404
00:23:54,440 --> 00:23:56,680
Speaker 5: Is the coffee that lets everybody sleep? It's got the

405
00:23:56,759 --> 00:23:57,640
caffeine taken out.

406
00:23:57,720 --> 00:23:58,960
Speaker 1: That's why you see.

407
00:23:59,079 --> 00:24:01,759
Speaker 5: It's the caffeine and coffee, not the coffee itself that

408
00:24:01,880 --> 00:24:03,240
drops so many people of sleep.

409
00:24:03,359 --> 00:24:05,359
Speaker 1: How did you get in here again, Will Cocky?

410
00:24:05,440 --> 00:24:07,359
Speaker 5: Oh, I was just passing by the kitchen window when

411
00:24:07,400 --> 00:24:09,720
I heard you say sank of coffee, And at once

412
00:24:09,799 --> 00:24:12,160
I said to myself, will Cox, if you're half the

413
00:24:12,240 --> 00:24:13,680
man I think you are, you will go right in

414
00:24:13,759 --> 00:24:15,640
there and see if mister Higgins has had any news

415
00:24:15,680 --> 00:24:16,440
about snooks.

416
00:24:16,720 --> 00:24:17,680
Speaker 8: So here I am.

417
00:24:18,000 --> 00:24:19,480
Speaker 4: I wouldn't be the sanker.

418
00:24:20,359 --> 00:24:22,799
Speaker 5: Say, did you ever taste a coffee that could compare

419
00:24:22,880 --> 00:24:25,759
with it? And richness and freshness and body? Why a

420
00:24:25,920 --> 00:24:27,920
man would be mad to pass up a cup of

421
00:24:28,000 --> 00:24:30,960
sank of coffee? But don't get me wrong, if I

422
00:24:31,000 --> 00:24:33,640
had to choose between snooks and sanka coffee.

423
00:24:33,319 --> 00:24:34,839
Speaker 1: There isn't any neusive snooks.

424
00:24:34,880 --> 00:24:37,960
Speaker 5: Wiltox snaw too bad. Well, I'll just finish up my

425
00:24:38,039 --> 00:24:40,480
coffee and go. Then, I know you'd rather be alone

426
00:24:40,519 --> 00:24:50,880
at a time like this, Higgins solo. Now back to

427
00:24:51,000 --> 00:24:52,680
our search for baby Snooks.

428
00:24:53,680 --> 00:24:56,400
Speaker 6: Well, we've gone through the house, mister capell Are you

429
00:24:56,480 --> 00:24:57,480
sure you've told me everything?

430
00:24:57,559 --> 00:25:00,200
Speaker 2: Higgins? Everything I know and I've spoken to everybody, your.

431
00:25:00,160 --> 00:25:02,559
Speaker 1: Family, everybody except Uncle Louie Grows.

432
00:25:02,759 --> 00:25:07,119
Speaker 6: Where's here? We are back in the living room, Uncle Louie, get.

433
00:25:06,960 --> 00:25:07,960
Speaker 3: Out from under that sofa.

434
00:25:08,519 --> 00:25:11,000
Speaker 6: You're all right, But if you weren't such a cheap skate,

435
00:25:11,000 --> 00:25:12,480
I would not have to search for your cigars like

436
00:25:12,519 --> 00:25:16,440
a sweet thief. If you'd buy your own, I wouldn't

437
00:25:16,480 --> 00:25:18,920
have to hide them all the time. I choose to

438
00:25:18,960 --> 00:25:20,880
take that as in himself. I've got a good mind

439
00:25:20,920 --> 00:25:22,920
to pack up and leave. Oh yeah, right, that's.

440
00:25:25,480 --> 00:25:27,160
Speaker 1: Who's your bug eye companion?

441
00:25:27,240 --> 00:25:27,400
Speaker 9: Here?

442
00:25:29,160 --> 00:25:30,880
Speaker 3: Who's my guy, Louie.

443
00:25:31,759 --> 00:25:33,960
Speaker 1: That's no way to talk to a guest in my house.

444
00:25:34,319 --> 00:25:36,599
This is Eddie Cantor, and he's going to ask you

445
00:25:36,759 --> 00:25:37,319
a few questions.

446
00:25:37,359 --> 00:25:39,440
Speaker 4: I can an alibi, mister Roberts saying, and I mind, wait,

447
00:25:39,519 --> 00:25:47,440
wait a minute, ant it was a nice conversation we had.

448
00:25:48,519 --> 00:25:50,200
Speaker 2: I'm not a detective. I just want to ask you

449
00:25:50,240 --> 00:25:51,519
a few amateur questions.

450
00:25:51,599 --> 00:25:54,319
Speaker 4: Oh well, go ahead, I'll give you a few professional

451
00:25:54,400 --> 00:25:54,880
answers here.

452
00:25:56,119 --> 00:25:57,920
Speaker 1: Seeing question is I thank you? Louis.

453
00:25:57,960 --> 00:26:00,519
Speaker 2: Well, don't worry, he won't all smart me. What's your name,

454
00:26:00,640 --> 00:26:01,200
Louie Grout?

455
00:26:01,200 --> 00:26:01,839
Speaker 3: Where were you born?

456
00:26:02,039 --> 00:26:02,359
Speaker 6: Orleans.

457
00:26:02,440 --> 00:26:02,920
Speaker 3: How old are you?

458
00:26:03,039 --> 00:26:04,319
Speaker 2: Fifty five? Are you a citizen?

459
00:26:04,359 --> 00:26:04,680
Speaker 7: There you?

460
00:26:05,000 --> 00:26:06,119
Speaker 2: Yes, age fifty three?

461
00:26:06,240 --> 00:26:08,000
Speaker 3: Barn do y'all name Eddie? Can't?

462
00:26:08,079 --> 00:26:08,759
Speaker 4: Who's asking?

463
00:26:08,839 --> 00:26:14,759
Speaker 6: Who is he? I told you you wouldn't get anything

464
00:26:14,759 --> 00:26:15,200
out of him.

465
00:26:15,240 --> 00:26:16,920
Speaker 3: Well, I'll be running along.

466
00:26:17,000 --> 00:26:19,680
Speaker 2: Don't hesitate to call on me. Go bye, mister Groot.

467
00:26:20,359 --> 00:26:21,960
Speaker 1: So long for guy Guy.

468
00:26:22,279 --> 00:26:23,000
Speaker 5: Don't son.

469
00:26:25,319 --> 00:26:26,880
Speaker 2: Such strange people?

470
00:26:27,799 --> 00:26:30,039
Speaker 6: Yes, I wish I could lose him instead of Snookes.

471
00:26:30,759 --> 00:26:32,079
Speaker 1: Oh, poor little Snookes.

472
00:26:32,079 --> 00:26:33,680
Speaker 7: I'm terribly sorry I haven't been able to help you,

473
00:26:33,759 --> 00:26:35,960
mister Higgins. Of course I will make an announcement on

474
00:26:36,000 --> 00:26:38,200
the radio, but I wish I could do something in

475
00:26:38,240 --> 00:26:38,720
the meantime.

476
00:26:38,759 --> 00:26:40,000
Speaker 1: Oh, you couldn't do anything.

477
00:26:40,799 --> 00:26:43,400
Speaker 6: Nothing can take the place of my little girl, not

478
00:26:43,599 --> 00:26:44,440
even me.

479
00:26:45,799 --> 00:26:45,839
Speaker 4: You.

480
00:26:46,759 --> 00:26:48,960
Speaker 2: Well, I feel I've been listening to snook so often

481
00:26:48,960 --> 00:26:49,440
I could.

482
00:26:49,319 --> 00:26:51,960
Speaker 1: Use That's impossible.

483
00:26:53,160 --> 00:26:58,400
Speaker 3: Why, daddy, Oh no, not that I want to be snooked.

484
00:26:58,440 --> 00:26:59,480
Speaker 6: How can you? You are ready?

485
00:26:59,519 --> 00:27:01,240
Speaker 1: Katherine snooks is Snookes?

486
00:27:01,440 --> 00:27:02,799
Speaker 9: I want men.

487
00:27:04,319 --> 00:27:05,240
Speaker 6: Where Kelly?

488
00:27:06,000 --> 00:27:06,920
Speaker 3: You're not a child?

489
00:27:08,519 --> 00:27:09,119
Speaker 1: Why am I?

490
00:27:09,799 --> 00:27:10,640
Speaker 2: What do you think you are?

491
00:27:11,359 --> 00:27:12,039
Speaker 1: An elephant?

492
00:27:14,079 --> 00:27:14,519
Speaker 3: You are not?

493
00:27:15,039 --> 00:27:17,440
Speaker 2: When I grow up, daddy, can I be an elephant?

494
00:27:18,039 --> 00:27:20,160
Speaker 1: Why? Of course not? Why should you want to be

495
00:27:20,200 --> 00:27:21,039
an elephant so.

496
00:27:21,160 --> 00:27:22,799
Speaker 2: I can squade water through my nose?

497
00:27:26,000 --> 00:27:29,079
Speaker 1: Look, let me tell you something, all right, I'll sit

498
00:27:29,160 --> 00:27:29,759
on your lap.

499
00:27:29,960 --> 00:27:32,079
Speaker 2: No, you want to sit on my lap?

500
00:27:32,200 --> 00:27:32,519
Speaker 6: Daddy?

501
00:27:33,319 --> 00:27:34,799
Speaker 1: Why aren't you acting a little bit silly?

502
00:27:35,480 --> 00:27:37,200
Speaker 6: Uh huh? Of course.

503
00:27:37,240 --> 00:27:40,160
Speaker 1: It's way past my bedtime, daddy. Well what do you

504
00:27:40,200 --> 00:27:41,079
want me to do about it?

505
00:27:41,640 --> 00:27:44,680
Speaker 6: Tuck me in my little bed and put me to sleep, daddy?

506
00:27:45,119 --> 00:27:47,680
Speaker 1: Oh sure, I carry you up to the nursery and

507
00:27:47,759 --> 00:27:49,640
tuck you in bed. Anything else tells you want?

508
00:27:49,880 --> 00:27:50,039
Speaker 3: Yes?

509
00:27:50,440 --> 00:27:50,480
Speaker 5: What?

510
00:27:51,559 --> 00:27:51,920
Speaker 6: Kiss me?

511
00:28:00,480 --> 00:28:00,880
Speaker 9: Daddy?

512
00:28:01,519 --> 00:28:03,599
Speaker 4: What I want to get out of bed?

513
00:28:03,880 --> 00:28:04,200
Speaker 3: What for?

514
00:28:05,359 --> 00:28:05,680
Speaker 9: You know?

515
00:28:11,559 --> 00:28:13,599
Speaker 2: I'm thirsty, daddy, I'm thirsty.

516
00:28:17,200 --> 00:28:18,400
Speaker 1: Never mind, I'm not listening.

517
00:28:18,599 --> 00:28:19,480
Speaker 2: You'll be sorry.

518
00:28:21,240 --> 00:28:22,039
Speaker 6: I'm sorry enough.

519
00:28:22,119 --> 00:28:23,000
Speaker 1: Now, don't bother me.

520
00:28:23,480 --> 00:28:25,119
Speaker 3: If I don't bother you and go to sleep?

521
00:28:25,160 --> 00:28:28,160
Speaker 1: Can I go out and play with the girls tomorrow, daddy?

522
00:28:28,400 --> 00:28:30,400
Speaker 6: Or what would you be doing playing with little girls?

523
00:28:30,599 --> 00:28:32,240
Speaker 2: Who said anything about little girls?

524
00:28:33,839 --> 00:28:37,759
Speaker 1: That's the last straw. You want to be snook safe

525
00:28:38,240 --> 00:28:40,279
and you want me to treat you just like I creaper.

526
00:28:40,440 --> 00:28:43,599
Speaker 3: Yeah, I'm here if I am little daddy? What do

527
00:28:43,680 --> 00:28:44,279
you want this?

528
00:28:52,359 --> 00:28:53,599
Speaker 6: I'm happy, mister cat.

529
00:28:55,200 --> 00:28:56,400
Speaker 2: For a minute, I forgot nice.

530
00:28:56,519 --> 00:28:58,119
Speaker 3: You see, it did you some good. It helped you forget.

531
00:28:58,119 --> 00:29:00,319
Speaker 4: And believe me, Miss Higgins, I'll keep on trying to

532
00:29:00,359 --> 00:29:03,119
find your little girls. I'm gonna make that radio announcement tonight.

533
00:29:03,160 --> 00:29:03,799
Speaker 6: What are you gonna say?

534
00:29:04,000 --> 00:29:04,279
Speaker 1: Justice?

535
00:29:04,680 --> 00:29:07,759
Speaker 4: If anybody discovers the whereabouts of Snooks, please get in

536
00:29:07,839 --> 00:29:10,799
touch with her Daddy, Lancelot Higgins in Sycamore Terrorist, Thank you,

537
00:29:11,119 --> 00:29:11,720
and good night.

538
00:29:15,720 --> 00:29:17,759
Speaker 5: Herst Paul Graham in the Theory is introducing a new

539
00:29:17,839 --> 00:29:20,680
Baby Snook Show, which was star Fanny Rice's Baby Snooks

540
00:29:20,920 --> 00:29:23,519
with Hanley Staff and his daddy, Carmen Dragon and his orchestra,

541
00:29:23,599 --> 00:29:26,400
and Bob Graham vocalist. Stay tune to this station for

542
00:29:26,480 --> 00:29:29,079
the Adventures of the Thin Man, which follows station identification,

543
00:29:29,200 --> 00:29:30,759
and be sure to listen next week at the same

544
00:29:30,839 --> 00:29:33,880
time for another Baby Snooks show. Our guest then will

545
00:29:33,920 --> 00:29:37,400
be Sidney green Street, Robert Benchley and Peter Laurie Harlow

546
00:29:37,400 --> 00:29:40,039
Wilcox speaking. This is CBS the Columbia Broadcast