1
00:00:00,040 --> 00:00:01,879
Speaker 1: Good morning you two, and thank you so much for

2
00:00:01,919 --> 00:00:04,440
this movie, because it really does bring out something that

3
00:00:04,480 --> 00:00:06,400
a lot of us are not talking about these days.

4
00:00:06,480 --> 00:00:08,880
We have our relationships with our fathers, but we don't

5
00:00:08,880 --> 00:00:11,160
have this kind of relationship. And I think you're opening

6
00:00:11,240 --> 00:00:13,000
up a new door here for us to go knocking

7
00:00:13,080 --> 00:00:13,880
on somebody's door.

8
00:00:16,679 --> 00:00:19,440
Speaker 2: What a beautiful way to put it. Yeah, this is Uh.

9
00:00:20,160 --> 00:00:23,120
We all got our fathers and a lot of times

10
00:00:23,160 --> 00:00:27,559
those those those relationships are complicated, not always, but a

11
00:00:27,600 --> 00:00:33,000
lot of them are. Mine was and I love getting

12
00:00:33,000 --> 00:00:34,719
to do this because I got to kind of explore

13
00:00:34,759 --> 00:00:38,079
that relationship in a way I didn't with my own father.

14
00:00:38,280 --> 00:00:39,799
Speaker 1: Ye I was gonna ask you about that if you

15
00:00:39,799 --> 00:00:41,759
really felt if you brought something to it as well

16
00:00:41,799 --> 00:00:44,280
as taken from it, because it's got that that real

17
00:00:44,439 --> 00:00:47,359
cool vine to it. That's that provides fruit for anybody

18
00:00:47,399 --> 00:00:48,640
who sits down to enjoy it.

19
00:00:51,000 --> 00:00:53,679
Speaker 2: Yeah, for sure, you know, I mean just the world

20
00:00:53,719 --> 00:00:56,079
we get to go to. Uh you know, you start

21
00:00:56,119 --> 00:00:58,520
on the lake in Massachusetts and you go to Belize,

22
00:01:00,159 --> 00:01:02,960
you know, in the summertime, on that beautiful water down there.

23
00:01:04,159 --> 00:01:06,439
So we get to go experience that. But at the

24
00:01:06,519 --> 00:01:10,040
same time we get to do something that's really really

25
00:01:10,159 --> 00:01:17,480
heartwarming and this and it comes through the unveiling of

26
00:01:17,719 --> 00:01:26,239
secrets and a family that that process of unveiling those secrets.

27
00:01:26,280 --> 00:01:28,000
It's really really moving.

28
00:01:28,359 --> 00:01:31,239
Speaker 1: Now, Cameron. You the thing is is that this takes

29
00:01:31,280 --> 00:01:34,400
place in the nineteen eighties. How old were you in

30
00:01:34,400 --> 00:01:36,799
the nineteen eighties, Maybe maybe ten eleven at the most.

31
00:01:38,840 --> 00:01:42,239
Speaker 3: I guess it depends which point in the eighties, but yeah,

32
00:01:42,239 --> 00:01:43,519
it was under ten.

33
00:01:43,719 --> 00:01:46,280
Speaker 1: Yeah, yeah, because it was such an important time in history,

34
00:01:46,319 --> 00:01:48,200
and the fact that this storyline takes place in the

35
00:01:48,280 --> 00:01:51,640
nineteen eighties reminds me that, yes, it did happen. We're

36
00:01:51,640 --> 00:01:53,400
not going to forget it like we did the seventies.

37
00:01:53,400 --> 00:01:55,280
But yet but yet it was such a changing place

38
00:01:55,280 --> 00:01:56,040
for the whole world.

39
00:01:58,439 --> 00:02:01,959
Speaker 2: Yeah, the eighties were big for me. I I met

40
00:02:01,959 --> 00:02:05,319
my wife in the early eighties and we got married

41
00:02:05,359 --> 00:02:08,919
in eighty two, and I was doing a show called

42
00:02:08,960 --> 00:02:13,639
Saint Elsewhere for six years. Uh, and and it was

43
00:02:14,599 --> 00:02:16,599
it was a big boom time. We went out of

44
00:02:16,639 --> 00:02:21,319
that that uh, you know, the real tough recession, recession.

45
00:02:22,000 --> 00:02:26,159
You know, the interest rates were through the roof the

46
00:02:26,240 --> 00:02:29,199
world was not looking great. Uh. And then things kind

47
00:02:29,199 --> 00:02:32,479
of exploded during the eighties have really changed, so it

48
00:02:32,560 --> 00:02:34,159
was a big time in our lives.

49
00:02:34,360 --> 00:02:35,960
Speaker 1: One of the things that I found very interesting is

50
00:02:35,960 --> 00:02:39,680
how amc has played a major role in presenting this movie. Cameron,

51
00:02:39,680 --> 00:02:41,599
what is it like for you to see that everybody

52
00:02:41,639 --> 00:02:44,360
seems to be coming together when it comes to getting

53
00:02:44,439 --> 00:02:46,000
films on that big screen.

54
00:02:48,360 --> 00:02:50,159
Speaker 3: It is nice to see. I mean, for for a

55
00:02:50,199 --> 00:02:53,639
while there, you know, one didn't really know if going

56
00:02:53,680 --> 00:02:56,360
out to the movies, to the theater was going to

57
00:02:56,439 --> 00:03:00,159
go by the wayside, and and it's it's nice to

58
00:03:00,199 --> 00:03:02,719
see that sort of coming back, you know, even not

59
00:03:02,759 --> 00:03:06,280
only with the big blockbuster films, but now you know,

60
00:03:06,319 --> 00:03:09,080
with some of these little indies like ours. So it's

61
00:03:09,520 --> 00:03:10,280
it's exciting.

62
00:03:10,919 --> 00:03:12,639
Speaker 1: Was it film like an indie movie where you had

63
00:03:12,639 --> 00:03:14,159
to get in there and get out? Because I mean

64
00:03:14,400 --> 00:03:16,280
it does you know, I don't feel rushed when I

65
00:03:16,319 --> 00:03:18,840
see it. I feel like that this was well planned out,

66
00:03:19,199 --> 00:03:22,319
well taken care of, because the storyline is so valuable.

67
00:03:23,599 --> 00:03:26,840
Speaker 3: Well that that credit I think goes to our director

68
00:03:26,919 --> 00:03:31,800
Roberto Snyder, who really did he planned the thing out

69
00:03:32,639 --> 00:03:35,680
to a t as well as you can, you know,

70
00:03:35,759 --> 00:03:38,759
in an indie film, but it was definitely an indie movie.

71
00:03:38,840 --> 00:03:42,520
You know, we're trying to race daylight. You know, get

72
00:03:42,520 --> 00:03:45,680
as much as we can out of each day, and

73
00:03:46,479 --> 00:03:50,319
you know, and that's make the most of what we.

74
00:03:50,319 --> 00:03:54,080
Speaker 2: Have remarkable I've done. I did a lot of independent

75
00:03:54,080 --> 00:03:57,680
movies and in the old days TV, you know, movies

76
00:03:57,680 --> 00:03:59,919
a week kind of stuff, and you had no time

77
00:04:00,199 --> 00:04:02,840
bry any of that stuff. And you always feel the

78
00:04:02,879 --> 00:04:05,039
pressure on them to get to get those days made

79
00:04:05,080 --> 00:04:09,120
and the scenes made, all that stuff. And like Kareron saying, Roberto,

80
00:04:09,280 --> 00:04:13,599
he didn't did not allow that and really took that

81
00:04:13,680 --> 00:04:15,759
pressure off of us. And what do you do feel

82
00:04:15,759 --> 00:04:16,360
it in the movie?

83
00:04:16,600 --> 00:04:19,120
Speaker 1: Yeah, because to me, that's what keeps the perfectionists away,

84
00:04:19,240 --> 00:04:20,439
because I mean, yeah, we can go in there and

85
00:04:20,519 --> 00:04:23,079
do a recut, but man, if this is a great scene,

86
00:04:23,120 --> 00:04:25,120
then you know, to me, there's always a reason why

87
00:04:25,160 --> 00:04:27,199
the Beatles and the Rolling Stones music is still being

88
00:04:27,199 --> 00:04:29,120
played today because they didn't waste a lot of time

89
00:04:29,199 --> 00:04:29,759
redoing it.

90
00:04:32,160 --> 00:04:35,959
Speaker 2: Yeah. Yeah, one of the things I really appreciate about this.

91
00:04:37,480 --> 00:04:39,439
We got to see the movie last night on the

92
00:04:39,439 --> 00:04:42,800
big screen and it was I think it really knocked

93
00:04:42,879 --> 00:04:47,560
us out. It really is so beautiful And what part

94
00:04:47,600 --> 00:04:53,480
of what is beautiful about it is there the moments

95
00:04:53,480 --> 00:04:59,279
between people, where there's air, where there's stuff going on

96
00:05:00,160 --> 00:05:02,920
that happens in life. You know a lot of times

97
00:05:02,959 --> 00:05:05,240
you have movies, it's just kind of cut, cut, cut,

98
00:05:05,319 --> 00:05:08,079
take away, just keep the thing moving. And uh, this

99
00:05:08,199 --> 00:05:11,519
feels true and uh and part of why I feel

100
00:05:11,560 --> 00:05:14,759
so true is because of those kind of moments and

101
00:05:14,839 --> 00:05:17,879
trusting those moments. And you've got actors who filled those moments.

102
00:05:19,040 --> 00:05:22,319
You know, Michael Douglas, Cameron's father, he's uh, he's been

103
00:05:22,319 --> 00:05:23,879
doing this for a long time, and you watch it

104
00:05:23,920 --> 00:05:27,199
and you just see, you know, the beauty of that

105
00:05:27,319 --> 00:05:29,360
man and and and what he's doing.

106
00:05:29,639 --> 00:05:31,319
Speaker 1: Yeah, there's a there's a presence there. In fact, when

107
00:05:31,319 --> 00:05:33,079
the two of you are together, there is a presence,

108
00:05:33,120 --> 00:05:35,560
and that that presence right there is something that is

109
00:05:35,600 --> 00:05:37,680
magical and you can't you can't force it at all.

110
00:05:37,800 --> 00:05:39,040
How did you deal with that? Cameron?

111
00:05:41,600 --> 00:05:42,319
Speaker 2: What exactly?

112
00:05:42,439 --> 00:05:44,639
Speaker 1: In other words, it's it's like, you know, you can, man,

113
00:05:44,759 --> 00:05:46,040
my dad was sitting here in front of me, I

114
00:05:46,079 --> 00:05:47,680
would act like the son in front of my dad.

115
00:05:47,759 --> 00:05:50,160
I mean, you you continue on with you knows as

116
00:05:50,240 --> 00:05:53,240
great actors and bring this story together. It was never

117
00:05:53,279 --> 00:05:55,000
once did I think, oh, that's father and son.

118
00:05:55,040 --> 00:05:55,360
Speaker 2: That's that.

119
00:05:55,639 --> 00:05:57,399
Speaker 1: Of course it's father and son. They act like father

120
00:05:57,480 --> 00:05:57,839
and son.

121
00:06:00,839 --> 00:06:03,959
Speaker 3: Yeah no, I well, you know in this film, in particular,

122
00:06:04,399 --> 00:06:12,560
my father and I don't have any scenes together. But yeah, no, I,

123
00:06:12,720 --> 00:06:15,360
as as David says, you know, we we we were.

124
00:06:15,720 --> 00:06:19,560
We got to see the film last night in this

125
00:06:19,720 --> 00:06:23,480
sort of sort of final cut what everybody's going to see,

126
00:06:23,959 --> 00:06:27,439
and it was really really fun and uh, you know,

127
00:06:27,680 --> 00:06:32,160
watching both my father and and David and and the

128
00:06:32,199 --> 00:06:36,279
other cast members were all very talented. Was was a

129
00:06:36,319 --> 00:06:41,399
real treat. I think everybody really held their own and

130
00:06:41,480 --> 00:06:44,079
it's it's it's it's good. It's really good, and I

131
00:06:44,079 --> 00:06:45,040
hope you all enjoy it.

132
00:06:45,199 --> 00:06:46,959
Speaker 1: Very interesting that you say that this is this is

133
00:06:46,959 --> 00:06:49,360
the one that that is the approved screen and and

134
00:06:49,399 --> 00:06:51,879
the thing that really inspires me is that when people

135
00:06:51,959 --> 00:06:54,279
and viewers go and do the research, they're going to

136
00:06:54,319 --> 00:06:57,199
find out how much work you guys put into this.

137
00:06:57,279 --> 00:07:00,839
It was about promote, promote, promote. You guys busted tail

138
00:07:00,920 --> 00:07:01,680
on this movie.

139
00:07:04,240 --> 00:07:06,920
Speaker 2: Well, hopefully we always bust our tails on the work

140
00:07:06,959 --> 00:07:10,680
we do, but this one, we really we you know,

141
00:07:10,839 --> 00:07:13,480
we really had to learn some stuff. As part of

142
00:07:13,519 --> 00:07:16,319
what's fun of being actors is on everything we do,

143
00:07:16,360 --> 00:07:19,000
we get to learn something new. And this one I

144
00:07:19,040 --> 00:07:23,120
got to learn fly fishing, not just to learn how

145
00:07:23,160 --> 00:07:26,199
to saltwater fly fish, but how to look like one

146
00:07:26,199 --> 00:07:28,480
of the best in the world doing it. And we

147
00:07:28,480 --> 00:07:30,399
were we were lucky to have some of the best

148
00:07:30,399 --> 00:07:33,639
in the world with us down there, which was a

149
00:07:33,680 --> 00:07:37,600
little intimidating, but they were great, you know, great teachers

150
00:07:37,600 --> 00:07:40,199
and great support and it was part of the fun

151
00:07:40,199 --> 00:07:42,199
of doing this one, you know, just.

152
00:07:42,120 --> 00:07:44,279
Speaker 3: A fun, fun group of guys, you know, they love

153
00:07:44,680 --> 00:07:48,800
lots of good stories and good jokes. I really kept

154
00:07:48,959 --> 00:07:51,600
sort of light, you know on the set and uh,

155
00:07:51,920 --> 00:07:55,439
but these guys, you know, by the same joke and

156
00:07:55,519 --> 00:07:57,920
these guys are are some of the best in the

157
00:07:57,920 --> 00:07:59,000
world at what they do.

158
00:07:58,879 --> 00:07:59,560
Speaker 2: And they're serious.

159
00:07:59,639 --> 00:08:02,680
Speaker 1: But yeah, please do not move. There's more with Cameron

160
00:08:02,720 --> 00:08:07,439
and David coming up next the name of the movie

161
00:08:07,519 --> 00:08:11,160
Looking through Water. We're back with Cameron Douglas and David Moore.

162
00:08:12,000 --> 00:08:14,519
When you create a brotherhood like that that is temporary,

163
00:08:14,519 --> 00:08:16,800
how do you deal with that as everyday people? Because

164
00:08:16,800 --> 00:08:18,879
I'm one of those, I guess I'm codependent. If I

165
00:08:18,920 --> 00:08:21,639
have a relationship with someone, I wanted to last forever.

166
00:08:21,720 --> 00:08:23,839
But you guys get that moment in time and then

167
00:08:23,839 --> 00:08:27,000
you have to move ahead. You know.

168
00:08:27,040 --> 00:08:30,480
Speaker 2: The very first movie I did, Inside Moves. Never done

169
00:08:30,480 --> 00:08:33,639
a movie in my life. I've been in theater, but

170
00:08:33,679 --> 00:08:37,120
I've never done television, never, you know, movies, And I

171
00:08:37,159 --> 00:08:39,679
did one of the leads in the movie, and it's

172
00:08:39,720 --> 00:08:42,320
so intense when you're together, it really as a family

173
00:08:43,600 --> 00:08:46,600
as you're working. And then when we got to the

174
00:08:46,720 --> 00:08:50,919
end of it, we wrapped, I could feel people moving apart,

175
00:08:51,320 --> 00:08:54,000
and I felt so hurt by it. I actually myself

176
00:08:54,159 --> 00:08:58,960
I started crying just because I realized, you know, this

177
00:08:59,039 --> 00:09:01,399
is a business and people are going to move on.

178
00:09:02,039 --> 00:09:04,159
But over the years, one of the things that's touched

179
00:09:04,159 --> 00:09:07,440
me the most is I've worked with some of those

180
00:09:07,480 --> 00:09:13,879
people again on different things, and that feeling of family

181
00:09:13,960 --> 00:09:18,240
it doesn't really go away. I've worked with actors, crew

182
00:09:18,279 --> 00:09:21,000
members over and over again over the years, so I'd

183
00:09:21,000 --> 00:09:23,039
never thought I would see again. It's one of my

184
00:09:23,120 --> 00:09:26,799
favorite things about this business is those relationships.

185
00:09:27,559 --> 00:09:30,320
Speaker 1: Streaming has become so popular it's opened up the door

186
00:09:30,360 --> 00:09:33,200
for so many actors to try out new things and

187
00:09:33,480 --> 00:09:35,320
to grow. What is it like for the two of.

188
00:09:35,279 --> 00:09:42,399
Speaker 2: You, well, streaming really, I mean, look at Telligence crying

189
00:09:42,440 --> 00:09:46,720
out loud, the kind of choices that we have, and

190
00:09:47,440 --> 00:09:49,679
the you know what I did saying elsewhere in the

191
00:09:49,679 --> 00:09:53,919
eighties we talked about the eighties we would do twenty

192
00:09:53,919 --> 00:09:57,399
two to twenty six episodes a year. We'd be going

193
00:09:57,480 --> 00:10:00,000
for ten eleven months out of the year doing those things.

194
00:10:00,679 --> 00:10:07,799
And now series eight episodes, six episodes, you know, maybe thirteen.

195
00:10:07,879 --> 00:10:13,639
That doesn't happen much anymore. So the just experience that

196
00:10:13,720 --> 00:10:20,399
way is different, I think, yeah.

197
00:10:20,480 --> 00:10:25,559
Speaker 3: Yeah, I mean, I guess like everything, you know, everything

198
00:10:25,600 --> 00:10:29,600
is in a constant state of evolution, you know, or

199
00:10:29,679 --> 00:10:33,000
de evolution, I guess, depending on the way that you

200
00:10:33,000 --> 00:10:37,879
you know, you experience it. But definitely in our industry,

201
00:10:38,000 --> 00:10:40,559
things have really been shaken up, i'd say in the

202
00:10:40,639 --> 00:10:46,200
last decade especially, But I feel like, you know, it's

203
00:10:46,000 --> 00:10:50,279
it rights itself eventually, and it's sort of it's and

204
00:10:50,440 --> 00:10:53,559
I feel like it's doing that right now actually sort

205
00:10:53,600 --> 00:10:57,240
of come to a place where we're finding a happy medium.

206
00:10:57,320 --> 00:11:00,679
Speaker 1: I think, yeah, David, you're talking about us st elsewhere

207
00:11:00,720 --> 00:11:02,960
Back in the nineteen eighties. My program director here in

208
00:11:03,039 --> 00:11:04,639
Charlotte used to look at me all the time. He says,

209
00:11:04,720 --> 00:11:09,639
I need you to have a Saint Elsewhere connection and

210
00:11:10,120 --> 00:11:12,240
to be there and have that you know that that

211
00:11:12,240 --> 00:11:15,279
that place where people come to you because Saint Elsewhere

212
00:11:15,480 --> 00:11:18,000
gives them something. I need you to be them.

213
00:11:18,399 --> 00:11:19,120
Speaker 2: And so so.

214
00:11:19,120 --> 00:11:21,240
Speaker 1: Really, even the radio industry was watching what you guys

215
00:11:21,279 --> 00:11:23,759
were doing on Saint Elsewhere and.

216
00:11:23,679 --> 00:11:26,960
Speaker 2: Did you did you find your st Elsewhere moment? I did?

217
00:11:27,039 --> 00:11:27,799
I did what I did?

218
00:11:28,240 --> 00:11:31,399
Speaker 1: You slow down, you share the story, and you make

219
00:11:31,440 --> 00:11:34,840
sure that it's about them and not about me. And

220
00:11:35,159 --> 00:11:37,200
so because when you went in there, and I'd watch

221
00:11:37,240 --> 00:11:40,080
those episodes of Saint Elsewhere, it wasn't about them really,

222
00:11:40,120 --> 00:11:42,559
it was about what were we taking from that storyline

223
00:11:42,600 --> 00:11:43,240
as viewers?

224
00:11:44,759 --> 00:11:49,720
Speaker 2: Yeah, yeah, good for you. You know, Saint Elseware. I think,

225
00:11:50,480 --> 00:11:54,799
uh this is nothing against what came before, But Saint

226
00:11:54,879 --> 00:12:00,320
Elsewhere and Hill Street Blues, they really changed television in

227
00:12:00,360 --> 00:12:04,840
a lot of ways how those stories were told and

228
00:12:04,879 --> 00:12:07,960
also how you can tell those stories. And Saint also,

229
00:12:08,080 --> 00:12:13,879
particularly those writers, they went places uh where. I don't

230
00:12:13,879 --> 00:12:17,279
think television really had gone before episodes where you wind

231
00:12:17,360 --> 00:12:20,320
up in the afterlife you know, somebody dies in the

232
00:12:20,399 --> 00:12:22,799
in the uh you know, in the emergency room, and

233
00:12:22,840 --> 00:12:25,360
you find yourself in the afterlife, or you go back

234
00:12:25,399 --> 00:12:29,080
in time and tell the history of the of the hospital,

235
00:12:30,279 --> 00:12:34,679
just the storytelling that that took place then, and it

236
00:12:34,759 --> 00:12:37,440
was about the people who came through the hospital as

237
00:12:37,559 --> 00:12:40,440
much as it was about the doctors themselves. Those people

238
00:12:40,440 --> 00:12:44,279
were important. So that's it's really interesting that you say

239
00:12:44,279 --> 00:12:44,840
that about the.

240
00:12:44,799 --> 00:12:47,759
Speaker 1: Show, Cameron, the movie Through Water did it? Did it

241
00:12:47,840 --> 00:12:49,720
change you? Did you pick something up in the storyline

242
00:12:49,720 --> 00:12:52,240
where you go, WHOA. I think I'm going to carry

243
00:12:52,240 --> 00:12:57,279
that one for a while inside my heart.

244
00:12:57,879 --> 00:13:00,320
Speaker 3: Yeah. I mean I learned a lot, you know, on

245
00:13:00,320 --> 00:13:07,480
on on this film, but as I think, you know,

246
00:13:07,559 --> 00:13:09,759
one of the things again, you know, just going back

247
00:13:09,799 --> 00:13:11,559
to I think what I said earlier that I was

248
00:13:11,639 --> 00:13:15,039
most inspired by was just sort of the the camaraderie

249
00:13:16,159 --> 00:13:22,159
on this set between everybody and and how much that

250
00:13:22,200 --> 00:13:29,399
really affects the outcome of the of the project. And so, uh,

251
00:13:30,000 --> 00:13:34,399
definitely something I'm going to always keep in mind moving forward. Uh,

252
00:13:34,440 --> 00:13:37,240
you know, keeping the energy up and your attitude up

253
00:13:37,320 --> 00:13:42,200
and and uh really uh you know, uh, sort of

254
00:13:42,240 --> 00:13:48,039
carrying yourself with a level of professionalism that that I

255
00:13:48,159 --> 00:13:52,200
uh learned from some people like David in particular on

256
00:13:52,559 --> 00:13:53,279
this film.

257
00:13:53,679 --> 00:13:55,480
Speaker 1: That's what I love about about acting and stuff like that,

258
00:13:55,519 --> 00:13:57,320
when you really take the time to look behind the

259
00:13:57,360 --> 00:14:00,000
scenes and see that camaraderie that you're talking about. Because

260
00:14:00,080 --> 00:14:02,360
we're all teachers. You could be one of the greatest

261
00:14:02,360 --> 00:14:04,879
actors of all time, but that next one that's coming

262
00:14:04,960 --> 00:14:06,559
up could be the one that teaches you a lesson

263
00:14:06,559 --> 00:14:08,240
that you've been waiting for your entire life.

264
00:14:09,000 --> 00:14:12,519
Speaker 2: That's right, you know, there are things you know just

265
00:14:12,559 --> 00:14:18,559
as actors. Sometimes I feel like I make mistakes now

266
00:14:18,600 --> 00:14:21,919
that I made, you know, forty years ago, and I'm

267
00:14:22,000 --> 00:14:26,960
still trying to learn those things. But it's a great

268
00:14:27,159 --> 00:14:29,120
like all of us. I mean, if we really open

269
00:14:29,159 --> 00:14:32,240
ourselves up to our work and our families, there's stuff

270
00:14:32,399 --> 00:14:34,440
we can learn every single day from what we're doing

271
00:14:34,559 --> 00:14:37,120
the other people were with and we're lucky to be

272
00:14:37,399 --> 00:14:39,679
in the business we're in and get to learn in

273
00:14:39,720 --> 00:14:40,320
this business.

274
00:14:40,679 --> 00:14:42,600
Speaker 1: David, you were talking about fly fishing. Are we going

275
00:14:42,639 --> 00:14:45,279
to see you up there in Montana or even Yellostow

276
00:14:45,320 --> 00:14:47,559
National Park up there on those rivers, because that's where

277
00:14:47,600 --> 00:14:49,720
everybody wants to go when it comes to fly fishing.

278
00:14:50,519 --> 00:14:51,519
Speaker 2: Oh are you going to be up there?

279
00:14:52,000 --> 00:14:54,759
Speaker 1: I'll go up there. That's one of my favorite places

280
00:14:54,799 --> 00:14:56,559
on the planet. We used to escape that to that

281
00:14:56,600 --> 00:14:58,600
area because I grew up in Billings, Montana, so that

282
00:14:58,720 --> 00:14:59,559
was our escape.

283
00:15:00,440 --> 00:15:04,559
Speaker 2: Oh wow, what a beautiful place to grow up. No,

284
00:15:04,679 --> 00:15:07,519
you're not going to see me fishing up there. I'd

285
00:15:07,600 --> 00:15:09,639
love doing it for the movie. I just don't want

286
00:15:09,639 --> 00:15:12,879
to catch fish. Yeah. I love the act of it.

287
00:15:12,919 --> 00:15:14,879
I love being out there in the water. I love

288
00:15:14,919 --> 00:15:17,759
the art of the you know, the fly fishing. I

289
00:15:17,960 --> 00:15:19,960
just I really don't want to catch a fish and

290
00:15:20,039 --> 00:15:22,120
have to let it go. It feels a little traumatic

291
00:15:22,960 --> 00:15:24,399
and not fair out to the fish.

292
00:15:24,720 --> 00:15:27,279
Speaker 3: Did we did our fair share of that on this film. Actually,

293
00:15:27,480 --> 00:15:30,720
I feel like we're good in that department.

294
00:15:30,799 --> 00:15:31,519
Speaker 2: Yeah, a little while.

295
00:15:31,639 --> 00:15:34,320
Speaker 1: Yeah, man, I appreciate you saying that, because, you know,

296
00:15:34,399 --> 00:15:35,799
the one of the things that they teach us in

297
00:15:35,840 --> 00:15:38,039
martial arts is learn to love all living things. That

298
00:15:38,080 --> 00:15:40,000
includes the worm that you put on the hook, which

299
00:15:40,039 --> 00:15:42,039
goes right into the belly of that fish. And it's like,

300
00:15:42,360 --> 00:15:44,440
I want to protect that living thing. I don't want

301
00:15:44,480 --> 00:15:44,919
to take it.

302
00:15:46,159 --> 00:15:48,559
Speaker 2: Oh, good for you. That's a that's a nice little

303
00:15:48,639 --> 00:15:49,200
lesson there.

304
00:15:49,639 --> 00:15:51,879
Speaker 1: So what's the next project that you guys are onto,

305
00:15:51,960 --> 00:15:54,360
because you guys are always working on something because I

306
00:15:54,360 --> 00:15:56,759
know this one took many, many, many months and years

307
00:15:56,759 --> 00:15:58,600
to get get it together. So you guys have got

308
00:15:58,639 --> 00:15:59,799
to be another projects as well.

309
00:16:02,519 --> 00:16:04,399
Speaker 2: Well. Right now, I've got I did a couple of series.

310
00:16:04,559 --> 00:16:07,159
There's one out right now called We Were Liars. We

311
00:16:07,200 --> 00:16:09,799
shot up in Canada and we're waiting to hear if

312
00:16:09,799 --> 00:16:12,039
we're going to get a second season on that. It's

313
00:16:12,039 --> 00:16:15,960
on Amazon. And there's another series I did on Apple

314
00:16:17,200 --> 00:16:20,200
with Jennifer Garner called The Last Thing He Told Me

315
00:16:20,519 --> 00:16:24,159
In the second season of that's coming up. So just

316
00:16:24,200 --> 00:16:27,879
waiting on those at the moment. What's she doing, Cameron.

317
00:16:30,000 --> 00:16:34,159
Speaker 3: I'm working on the show that I've developed for for

318
00:16:34,879 --> 00:16:42,159
many years, Devil and Gianatown, and that's coming together hopefully

319
00:16:42,279 --> 00:16:47,720
fingers crossed. And then just just staying after it, you know,

320
00:16:47,759 --> 00:16:49,320
one foot in front of the other. A lot of

321
00:16:49,399 --> 00:16:55,799
auditions and and just grateful to be, you know, sitting

322
00:16:55,840 --> 00:17:00,159
down at the table that I am with with with

323
00:17:00,720 --> 00:17:06,200
you know, great contemporaries and and you know, the dream

324
00:17:06,240 --> 00:17:08,359
is still very much alive for me, so I'm grateful

325
00:17:08,400 --> 00:17:08,640
for that.

326
00:17:08,720 --> 00:17:10,079
Speaker 1: Wow, you guys have got to come back to the

327
00:17:10,119 --> 00:17:12,480
show anytime in the future. The door is always going

328
00:17:12,519 --> 00:17:13,240
to be open for you.

329
00:17:14,759 --> 00:17:16,920
Speaker 2: Well that's nice. That's a nice start to have opened.

330
00:17:16,920 --> 00:17:17,240
Thank you.

331
00:17:17,400 --> 00:17:18,519
Speaker 1: Will you be brilliant today?

332
00:17:18,559 --> 00:17:21,400
Speaker 2: Okay, indeed, thanks you too,