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Speaker 1: Hello everybody, and welcome back to the Shirly You Can't

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Be Serious podcast. We are back again with another top

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five list. I'm so excited. I love these top five

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lists and our fans seem to love them too.

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Speaker 2: I know they do pretty well, so why not keep

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doing them?

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Speaker 1: And as far as top five lists go, my favorites

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so far have been our TV themes from seventies and

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the eighties, and so we here back today to jump

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back into it with the TV themes from the nineties.

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We're gonna have two episodes. Episode one, we're going to

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cover TV themes from nineteen ninety to nineteen ninety four,

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and in episode two, we're going to cover TV themes

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from nineteen ninety five to nineteen ninety nine.

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Speaker 2: It sounds good to me. What were you doing in

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the mid to early nineties.

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Speaker 1: Well, you know, it's interesting because you and I talked

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about when we were doing our very first episodes, when

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we were talking about Raiders of the Lost Arc versus

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Back to the Future, the difference in our ages, although

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it's just a couple of years and have a dramatic

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difference in what we were going through at a particular time.

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That's true So when eighty one, when Raiders came out,

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you were eight or so, eight or nine and I

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was five, right, And the difference between eight and five

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is huge, right, especially when you got people's faces melting off. Right.

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I didn't get to say that for another ten years

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after that.

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Speaker 3: Yeah.

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Speaker 1: And so then you look again in the nineties, you

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go mid nineties, and I'm thinking in the mid nineties,

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Jason was getting married.

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Speaker 2: I got married ninety six. Yeah, that's right.

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Speaker 1: And in the mid nineties I was graduating from high school.

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Speaker 2: That's a that's a big deal, that's right.

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Speaker 1: Yeah, that's the.

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Speaker 2: Different stages of life doing different things. So I don't know,

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we'll see. I'm really anxious. I don't know what your

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list is. You don't know what my list is, right,

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probably watching different things. I'm guessing we were watching different things.

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And I'm going to tell you right now, there are

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some TV themes that I have on here that are

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from shows that I didn't really watch and maybe didn't

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watch at all, but they're fantastic themes, and so I'm

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excited to talk about them. Okay, So here's the deal. Okay,

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So there are some themes that I have that I

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like the song. There are some things that I have

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that I like the TV show, and there's some themes

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that I have just because it reminds me of this era.

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I'm a very nostalgic person, so when I hear a song,

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it transports me back. Now that doesn't mean I am

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in love with the song, but I might be in

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love with a few moments that I associate. I'm a

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tangled mess of nostalgia and you know popcorn and you

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know chocolate.

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Speaker 1: I gotta tell you there is one show that did

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not make my cut, but I kept thinking to myself,

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I know there's a strong chance that Jason's going to

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pick this just because of his love for the show.

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So I'm interested to see if it makes it onto

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one of your lists.

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Speaker 2: All right, man, well let's let's do this.

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Speaker 1: Okay, First we set out the rules. What we do

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is we cover the first part will be THEV themes

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from nineteen ninety to nineteen ninety four. The only thing

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that you have to do to qualify to be in

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that realm is you have some episodes that were released

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during that time, right. And then the other rule is

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it has to be a theme that was created specifically

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for the show can't have golden girls, we can't have

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one years, we can't have married with children because those

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were all songs that were reissued for the show. Oh,

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I see a nervous look over there. I think you

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forgot that rule. A little panic is setting in. Maybe

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maybe all right, Well we'll see. With that being said,

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these could be shows that you guys may associate with

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the later part of the decade. You may associate it

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with the eighties. Could be any of them, but they

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can fall as long as they've got some episodes that

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came out in the years that we have, first part

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being ninety to ninety four, second part being ninety five

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to ninety nine, And it qualifies.

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Speaker 2: Sounds good.

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Speaker 1: Let's do this all right now, Jason. The way that

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we typically do this is we give each other teasers

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and let the other guy try to guess it. And

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as a matter of fact, it's my favorite part of

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what we do, and so I kind of focused on that.

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All right, So here you go number five for me. Five.

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This show aired from October of nineteen eighty eight until

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March of nineteen ninety seven. It was the number one

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series from nineteen eighty nine to nineteen ninety and in

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nineteen ninety the title character kind of got canceled. Now,

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the show went on, obviously for many years after that,

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so she wasn't completely canceled, but then she got canceled again,

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canceled maybe even a handful of times. And in twenty

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twelve she received seventy thousand votes for the US President.

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You know what show I'm talking about.

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Speaker 2: It's got to be Roseanne.

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Speaker 1: You got a buddy, I love it? Yes, Okay, Now,

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I had my own mind blown as I started looking

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at this right. So the first thing that I'm gonna

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do is I'm gonna look at the composers. Okay, sure,

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I see the first composer's name, and I'm like, oh,

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that's the same name as the first law firm I

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clerk for in law school. And I started thinking, I'm like,

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wait a minute. That lawyer told me that his son

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was a music composer in Hollywood, and I looked it up,

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and sure enough, Dan Folliart is the son of James D. Folliart,

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who I worked for my first year in law school

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and for the remaining years of law school. He was

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born in like nineteen nineteen. He was in his eighties.

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Whenever I met him, you know, he wasn't really practicing

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law anymore. He was just the guy Carrie and the

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you know, the the rain making. But he's, you know,

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just I met him a few times, this old eighty

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year old man. He's like, yeah, my son's a composer.

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I'm like, oh, old guy. What Yeah. So, Dan Folliart

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and a couple of other guys were composers for this song.

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The other guys are Howard Pearl, who did the TV

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version of the ninety to five series, and then a

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guy named W. G. Snuffy Walden, who composed the music

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for the West Wing. He actually started as a guitarist

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for an episode of Laverne and Shirley, but went on

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to compose many many more TV shows.

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Speaker 2: I'm a huge fan of NOTTHEW.

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Speaker 1: Walden.

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Speaker 2: I'll just tell.

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Speaker 1: You you should be, because this bluesy theme is friggin'

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awesome blue I love this TV theme. It's super catchy, right,

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It is very catchy. And one of the guys that

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loved the theme of the show had his own band,

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and a few years later he ends up being in

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the show as Dan Connor's old high school band. Okay,

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now you know that the theme for the show is

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strong on harmonica. Right, Well, this guy's name who's a

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big fan of the show is John Popper. You might

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better know him as the lead singer for a group

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called the Blues Traveler.

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Speaker 2: Whoa are you serious?

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Speaker 1: Yes? And so for like their final season, it's actually

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John Popper, a Blues Traveler, playing the harmonica for the

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show theme.

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Speaker 2: That's wonderful, good job like it.

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Speaker 1: Original harmonica player John Luke Logan.

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Speaker 2: Okay, so that brings me to my number five.

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Speaker 1: You're a number five, all right, your honor.

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Speaker 2: I'm gonna ask for a bend in the rules here, Okay, Okay,

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So here's the deal. This song was not created for

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this show. However, I'm gonna make the case that it

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was rescued from total obscurity.

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Speaker 1: Okay.

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Speaker 2: So it wasn't a popular song, wasn't well known. The

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field producer for this show just happened to be a

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fan of this band, and so he's like, what about

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this song, this obscure track that nobody knows for the

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theme of the show, And it literally became like the

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biggest thing ever.

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Speaker 1: Okay, Okay, Oh.

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Speaker 2: My gosh, if I say the name of this TV show.

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You're gonna sing the words of this song.

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Speaker 1: Okay.

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Speaker 2: So here's the deal. This song reached number eight on

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the Hot one hundred when it was released as a

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single June twelfth of nineteen ninety three. So it peaked

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out at number eight. That's blocking Living on the Edge

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and Come undone by Duran Durant. Okay, Okay, So this

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song was originally off an album that was released in

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nineteen eighty seven.

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Speaker 1: Okay.

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Speaker 2: The band's name is Inner Circle.

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Speaker 1: Okay that do anything for you? No, I haven't got

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it yet, all right.

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Speaker 2: The follow up single was a song called Sweat La

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La La La La La.

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Speaker 1: Nothing empty space. All right.

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Speaker 2: When I say the TV show, yeah, I want you

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sing the lyrics of this song.

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Speaker 1: Okay.

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Speaker 2: The TV show is called Cops.

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Speaker 1: Bad Boys, Bad Boys. What you're gonna do, What you're

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gonna do when they come for you? Just because that

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is such a freaking awesome song, I will accept the

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fact that it was not originally composed for the TV.

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You receive a pass, serve, thank you, well done. That

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is awesome.

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Speaker 2: Bad Boys, Bad Boys? What's it gonna do? What's he

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gonna do when they come for you? Bad boys, bad boys.

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What's it going to do? What's he gonna do? When

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bad boys? Bad boys? I mean, come on.

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Speaker 1: Fantastic?

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Speaker 3: All right?

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Speaker 1: All right? Number four four, number four all right. This

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song comes from a show that began in nineteen eighty

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seven and ran until nineteen ninety six. It was based

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on comic books from the mid eighties, but the comic

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books were much darker. There's a new movie of it

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about to come out. The original comic characters were created

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by Kevin Eastman and Peter Laird.

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Speaker 2: Cat Anything yet, No, you're exposing my my street cred

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to my comic book buddies. But keep going.

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Speaker 1: Okay, Now, this one's going to blow your mind here, right, okay, Ready.

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There are two composers on this song. Right. One of

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the composers is called the King of Sitcoms. Right. He's

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not just a music guy, but he is also a

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a producer, a director, a writer. His name is Chuck Lorie.

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His partner's name is Dennis Brown, and Dennis has written

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for some of the shows that Chuck has produced, some

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of which are Grace, under Fire, Dharma and Greg Two

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and a Half Men, The Big Bang Theory.

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Speaker 2: It was a big Hitters man.

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Speaker 1: Yeah, right, So this song was composed by those guys.

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By the way, Chuck Lury was also one of the

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executive producers of Roseanne.

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Speaker 2: I know who Juck Glory is.

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Speaker 1: Okay, last hint, Okay, look at my T shirt.

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Speaker 2: Teenage Mutant Ninja Turtles You got it? What?

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Speaker 3: Yes?

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Speaker 2: Your very Threadbarren T shirt.

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Speaker 1: I might add this is one of my favorite Nobody

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ever tries to pick a fight with me when I'm wearing.

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Speaker 2: This shirt that nineteen ninety three right there.

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Speaker 1: Okay, So it's fascinating to me that this song was

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written by a guy who's really better known for producing,

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I mean a ton of sitcoms. He went to college

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for a couple of years, dropped out, toured around as

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a musician, and he wrote a song called French Kissin'

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that was performed by Missus Deborah Harry.

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Speaker 2: Missus Deborah Harry of Blondie You got It?

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Speaker 1: Whoa? And that wasn't enough to keep the bills paid

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for him, so he started writing scripts for a show

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called Heathcliff Heathcliff the Cat you got.

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Speaker 2: It, Oh my gosh.

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Speaker 1: Lines from the song Raphael is cool but rude, Give

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me a break. Michael Angelo is a party, dude, party.

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Speaker 2: I can't fault you. I can't fault you. Have you

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seen the Netflix show The Toys That Made Us?

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Speaker 1: I have?

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Speaker 2: Have you seen the one on Teenage Mutant Ninja Tause Gosh, dang,

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you talk about two college dudes who are just like, hey,

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check it out Turtles doing Ninja stuff.

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Speaker 1: Our friend who has a movie coming out on national

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release that I did an interview with just a couple

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of months ago, Kyle Roberts. He made his name big

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by doing like stop action animation homages to the Teenage

246
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Mutant Ninja Turtles, and one of the producers on his

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movie is also a producer on the original Teenage Mutant

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Ninja Turtles movie. So he's he's a I mean, I

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went to his office. He's got that stuff all over

250
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the place. Right, It's right and awesome. But I love

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that this show is timeless because this morning, as I'm

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like going through all of the possibilities, I tell my

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son Caleb, I'm like, hey, put on Teenage Mutant Ninja

254
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Turtles theme song. He puts it on and we're listening

255
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to it, and all of a sudden, he's singing along

256
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like he's singing all of the words. Really, and I'm like, dude,

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this show it ended over ten years before you were born.

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Speaker 2: This is my number four.

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Speaker 1: Yep, all right.

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Speaker 2: This song is actually titled Materia primorris.

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Speaker 1: Yes, I know it. This is the theme for the iconic,

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the unstoppable, the amazing, The X Files. Okay, so every

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time I hear this song, it gives me the feels.

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You remember Sadanus by Enigma back in like the early nineties, Satanists, Satanists,

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sad I'd have to hear it to recognize it. I

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didn't recognize that title, but yes, I know that sock. Yes,

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I mean you remember the like three and a half

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weeks in nineteen ninety four when everybody started listening Gregorian Chance. Yeah,

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I bought the CD. I'm not kidding. I had the

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Gregorian Chance CD. By the way, that was recorded in

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the eighties. I had to go look, I go down

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these rabbit holes. I can't help it. Okay, but anyway,

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The X Files music has that kind of mystical, ominous

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sure new age field that no other TV show was

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doing at the time.

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Speaker 2: Okay, So this was composed by a guy named Mark

277
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Snow and he was sitting with Chris Carter and they

278
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were working on the theme song, and he kept playing

279
00:14:18,440 --> 00:14:22,600
it for him, and Chris Carter's like, you know, it's

280
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pretty good, but it's missing something. And out of frustration,

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Mark Snow leaned over put his arm on the keyboard

282
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and it made this reverberating echo sound, and he said,

283
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that was what was missing. Are you kidding?

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Speaker 1: Accidental drip? Man. I don't know how many times I've

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said I got you gotta love it when that stuff happened.

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Speaker 2: I know, man, you remember the guy on Sesame Street.

287
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They'd be like playing had a little lamb and then

288
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he'd be like, I'll never get it right and bang

289
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his head on the piano. That reminds me of this story.

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Speaker 1: That's fantastic, okay number three three. Yes. This show ran

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from nineteen ninety to nineteen ninety six. The title character

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is also the composer of the lyrics of the.

293
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Speaker 2: Song ooh okay.

294
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Speaker 1: The composer composer of the song we've talked about before

295
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in our very first episode, a guy named Quincy Jones.

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Speaker 2: I got it. This is the fresh Prince of bell Air. Now,

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this is the story all about how my life.

298
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Speaker 3: Got twimpurns upside down, and.

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Speaker 2: I'd like to take a manager.

300
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Speaker 1: Sit right there, I'll tell you how it became the

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prince of a town called bell Air. You got it, buddy,

302
00:15:36,200 --> 00:15:38,120
all right? I was going to tease you with it. It

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00:15:38,200 --> 00:15:41,759
was produced by a fellow named Jeffrey Towns, which you

304
00:15:41,840 --> 00:15:47,519
might know better as DJ Jazzy Jeff. So Quincy Jones

305
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had come up with the music to this Jazzy Jeff.

306
00:15:50,879 --> 00:15:54,919
Jeffrey Towns is sitting with Will Smith and they're talking

307
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and saying, why don't we write some lyrics to this

308
00:15:57,559 --> 00:15:59,960
and make it a little more like our hit from

309
00:16:00,159 --> 00:16:03,159
nineteen eighty eight, Parents Just Don't Understand. Yeah. They come

310
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up with the lyrics. They go to Quincy Jones and

311
00:16:05,399 --> 00:16:09,759
he's like, I love it. Yeah. It is released in

312
00:16:09,840 --> 00:16:14,000
the nineties, I think in Netherlands and Spain it's released

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in nineteen ninety two. The B side is parents Just

314
00:16:17,120 --> 00:16:20,480
Don't Understand, right, and it is in the top five

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00:16:20,720 --> 00:16:23,320
in both of those countries. As a single, it.

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Speaker 2: Reaches number three in the Netherlands number two in Spain.

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And I've got some more to add about it in

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just a few moments.

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Speaker 1: All right. Then, by the way. Name of the song

320
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that nobody calls it is called Yo Home to bell Air.

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Speaker 2: Okay, so we're to my number three. Okay. I don't

322
00:16:41,159 --> 00:16:43,399
have a lot on this song. Here's what I know.

323
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The show started in nineteen eighty nine and ran through

324
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the nineties. I caught it all the time on syndication.

325
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I really enjoyed this show. The first episode that I

326
00:16:52,480 --> 00:16:57,360
watched was because they had Barry Switzer on as a

327
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guest on the show. Okay, Arir Switzer, former head coach

328
00:17:01,240 --> 00:17:02,279
of University of Oklahoma.

329
00:17:02,440 --> 00:17:03,120
Speaker 1: Yes, okay.

330
00:17:03,440 --> 00:17:07,440
Speaker 2: Now, then the theme song for this TV show was

331
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written and composed by a guy named John Morrise and

332
00:17:10,519 --> 00:17:16,640
performed by the Iowa State cyclone football Varsity Marching Band.

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00:17:17,039 --> 00:17:18,440
Speaker 1: I have no idea, no idea.

334
00:17:18,680 --> 00:17:21,039
Speaker 2: No, I'm thinking this has escaped to you, so.

335
00:17:21,240 --> 00:17:23,920
Speaker 1: All I can. I've just got the Boomer Sooner themes

336
00:17:24,000 --> 00:17:25,400
running through my head. That's all I've got.

337
00:17:25,640 --> 00:17:29,039
Speaker 2: Okay, So this was the theme song for a fictional

338
00:17:29,279 --> 00:17:33,799
college football team, the Minnesota State Screaming Eagles.

339
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Speaker 1: Is this the theme song from coach Coach Nice?

340
00:17:48,839 --> 00:17:49,160
Speaker 3: Yes?

341
00:17:49,359 --> 00:17:51,640
Speaker 2: See? That song is so good it should be for

342
00:17:51,720 --> 00:17:53,960
an active college football program right now?

343
00:17:54,119 --> 00:17:56,680
Speaker 1: You know, I watched Coach all the time growing up.

344
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I haven't heard that song since the night is Yes,

345
00:18:00,000 --> 00:18:00,440
I love it.

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Speaker 2: Great. Okay, there you go, the Minnesota State Screaming Eagles.

347
00:18:04,880 --> 00:18:08,200
Speaker 1: One of the actors in that show will come into

348
00:18:08,240 --> 00:18:11,839
play minor in the show that I'm going to talk

349
00:18:11,839 --> 00:18:13,160
about on our next episode.

350
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Speaker 2: You know, we talked a little bit about Craig T. Nelson.

351
00:18:16,920 --> 00:18:20,759
We talked about the Incredibles.

352
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Speaker 1: Right, because he is the voice of mister Incredible.

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Speaker 2: Mister Incredible. Yea awesome, okay to you number.

354
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Speaker 1: Two, right right, two, Okay, here's my number two. This

355
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show ran from nineteen eighty seven to nineteen ninety five.

356
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It got rebooted in twenty sixteen and ran for four years.

357
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But when it got rebooted, although a lot of the

358
00:18:47,599 --> 00:18:51,440
cast members came back, the actresses that played the babies

359
00:18:51,440 --> 00:18:54,079
in the show did not come back because they had

360
00:18:54,079 --> 00:18:59,119
become mega millionaires from their makeup and fashion enterprises.

361
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Speaker 2: Okay it is it's gotta be full house.

362
00:19:02,000 --> 00:19:02,559
Speaker 1: You nailed it.

363
00:19:02,720 --> 00:19:15,240
Speaker 2: Yes, How did they handle that? I don't even know

364
00:19:15,279 --> 00:19:17,720
what they did when the Olsen Twins didn't return.

365
00:19:18,559 --> 00:19:20,359
Speaker 1: I think the Lsin Twins turned me down.

366
00:19:21,279 --> 00:19:23,359
Speaker 2: Yeah, well yeah, but in the new version of the show.

367
00:19:23,400 --> 00:19:25,720
They just like they moved to Alaska or something.

368
00:19:25,799 --> 00:19:28,000
Speaker 1: Yeah, they just have you know, minor mentioned and then

369
00:19:28,039 --> 00:19:28,920
move on with your life.

370
00:19:29,359 --> 00:19:31,880
Speaker 2: Okay, listen. I don't know how many times that show

371
00:19:31,920 --> 00:19:35,720
has been shown in syndication, but for like generations of

372
00:19:35,799 --> 00:19:38,000
young girls, they they love that show.

373
00:19:38,400 --> 00:19:42,240
Speaker 1: Right after I got done telling Caleb that teenage Mutant

374
00:19:42,319 --> 00:19:45,480
Ninja Turtles might very well make my list, my daughter

375
00:19:45,519 --> 00:19:48,000
in the back goes, You're gonna have full house on there, right,

376
00:19:48,440 --> 00:19:58,440
I was like, it was the second theme that I

377
00:19:58,519 --> 00:20:02,000
thought of when we picked our a nice second theme.

378
00:20:02,119 --> 00:20:05,519
This song is called Everywhere You Look by Jesse Frederick.

379
00:20:05,640 --> 00:20:10,640
Jesse Frederick also wrote the theme to Perfect Strangers, Family Matters,

380
00:20:11,000 --> 00:20:13,440
and Step by Step. All of them great, all of

381
00:20:13,480 --> 00:20:15,680
them the same kind of feel. I love the theme

382
00:20:15,680 --> 00:20:17,880
of Perfect Strangers one of my favorites, and Family Matters

383
00:20:17,880 --> 00:20:20,960
too for that matter. Yeah, but here's here's the interesting

384
00:20:20,960 --> 00:20:22,720
piece of trivia that I'm gonna throw at you on

385
00:20:22,759 --> 00:20:24,720
this one. All right, Okay, ready, So there was an

386
00:20:24,880 --> 00:20:29,559
actor named Scott Weiner. Okay, yeah, he played DJ's boyfriend,

387
00:20:29,759 --> 00:20:31,960
Candace Cameron's boyfriend on the show.

388
00:20:32,039 --> 00:20:32,200
Speaker 3: Right.

389
00:20:32,319 --> 00:20:34,599
Speaker 1: He came back for Fuller House and was kind of

390
00:20:34,599 --> 00:20:37,480
a more major character because they were they had been

391
00:20:37,519 --> 00:20:40,599
a couple or whatever. Right, Okay, he is the voice

392
00:20:41,079 --> 00:20:44,960
for Aladdin in the original Aladdin movie from Disney.

393
00:20:45,200 --> 00:20:47,400
Speaker 2: That's a that's a great nugget, right there. Yeah, I

394
00:20:47,400 --> 00:20:49,240
would have no idea what that guy looks like.

395
00:20:49,440 --> 00:20:49,640
Speaker 3: Right.

396
00:20:49,759 --> 00:20:52,759
Speaker 1: Well, So I was watching Fuller House and there's this

397
00:20:52,880 --> 00:20:56,480
kind of awkward scene where he sings with Candace Cameron

398
00:20:56,920 --> 00:20:59,640
and they're both awful. I mean, they're just awful, and

399
00:20:59,680 --> 00:21:01,559
I'm like, you can't be awful.

400
00:21:01,599 --> 00:21:03,079
Speaker 2: He was Aladdin seriously.

401
00:21:03,279 --> 00:21:05,839
Speaker 1: Yeah, Well, it's because they had a different guy sing

402
00:21:05,880 --> 00:21:08,319
the songs than the guy who was voicing the character.

403
00:21:09,440 --> 00:21:11,880
Speaker 2: You have just destroyed my world by telling me that

404
00:21:12,160 --> 00:21:14,119
it's a whole new world.

405
00:21:16,640 --> 00:21:19,079
Speaker 1: You're you're gonna lop him up to me.

406
00:21:19,119 --> 00:21:23,319
Speaker 2: I'm gonna have that, all right, Okay, all right, So

407
00:21:23,359 --> 00:21:27,680
we're to my number two. All right? So my number

408
00:21:27,680 --> 00:21:32,000
two is a song that's very colorful and fun. It's

409
00:21:32,160 --> 00:21:35,880
a song that gets its basis off of a song

410
00:21:35,960 --> 00:21:37,640
from the summer of nineteen eighty eight.

411
00:21:38,000 --> 00:21:38,440
Speaker 1: Okay.

412
00:21:38,599 --> 00:21:41,599
Speaker 2: This TV show ran from September of nineteen ninety through

413
00:21:41,640 --> 00:21:44,720
May of ninety six. It has the line Yo Holmes,

414
00:21:44,759 --> 00:21:45,960
smell you lator in it.

415
00:21:48,720 --> 00:21:51,440
Speaker 1: There you go, Yeah, that's it is. The Fresh Prince

416
00:21:51,599 --> 00:21:53,240
of bel Air is in.

417
00:21:53,079 --> 00:21:56,599
Speaker 3: West Philindelbia Bonn and rais on the playground of Ammathon.

418
00:21:56,720 --> 00:21:59,920
Speaker 4: Most of my days chilling out Max and relaxing, all cooling,

419
00:22:00,200 --> 00:22:01,880
shooting some people outside of.

420
00:22:02,640 --> 00:22:06,319
Speaker 2: Yes, Yes, And the opening theme for this looks just

421
00:22:06,359 --> 00:22:09,319
like parents. Just don't understand. You've got the same kind

422
00:22:09,319 --> 00:22:10,480
of mom character.

423
00:22:10,200 --> 00:22:12,480
Speaker 1: From the video. Yeah, I could be the same actress.

424
00:22:12,519 --> 00:22:13,039
I'm not sure.

425
00:22:13,119 --> 00:22:16,839
Speaker 2: It probably was. Ye, you've got the graffiti line background.

426
00:22:16,880 --> 00:22:18,920
So I think this is more like an eighties theme

427
00:22:19,000 --> 00:22:21,279
song because it tells what the show is about. It

428
00:22:21,319 --> 00:22:23,519
explains the plot. It gives you everything you need to know.

429
00:22:23,839 --> 00:22:26,359
Instead of trying to make a hit song, which you

430
00:22:26,359 --> 00:22:28,200
know some of these looks like they're trying to make

431
00:22:28,279 --> 00:22:28,839
hit songs.

432
00:22:28,960 --> 00:22:31,839
Speaker 1: Well, they made a hit song. It did very well,

433
00:22:31,960 --> 00:22:35,920
especially in the Netherlands and Spain. And if somebody says

434
00:22:36,000 --> 00:22:38,960
Jo Holmes and you don't say smell you later afterwards

435
00:22:39,079 --> 00:22:41,440
you grew up under a rock or something, that's it.

436
00:22:41,519 --> 00:22:43,279
Speaker 2: Mister Willard smith.

437
00:22:43,160 --> 00:22:49,799
Speaker 1: YEP also sort of canceled in the last couple of years. Okay,

438
00:22:50,039 --> 00:22:52,920
So now before we get to our number one picks,

439
00:22:53,119 --> 00:22:55,559
we have our honorable mentions. And I got to tell

440
00:22:55,599 --> 00:22:57,480
you this was a struggle for me. I didn't think

441
00:22:57,480 --> 00:22:59,359
that I would even be able to come up with

442
00:22:59,480 --> 00:23:03,079
fourteen songs. I got probably eighteen or twenty, and I

443
00:23:03,440 --> 00:23:04,440
was there are a few of them that I was

444
00:23:04,480 --> 00:23:06,440
able to bonk, but it was hard for me to

445
00:23:06,920 --> 00:23:09,400
pick which ones we're going to fall to the honorable

446
00:23:09,400 --> 00:23:12,720
mention category, right, Okay, yep, I'm with you all right now.

447
00:23:12,880 --> 00:23:15,400
The first one is a reboot that occurred in the

448
00:23:15,480 --> 00:23:20,160
early nineties of the Bugs Bunny Looney Tunes episodes Oh Wow, okay.

449
00:23:20,480 --> 00:23:24,599
It was produced by Steven Spielberg. It actually won the

450
00:23:24,720 --> 00:23:28,279
Emmy for a Best Original Song for a TV Show.

451
00:23:28,599 --> 00:23:29,400
Do you know what it is?

452
00:23:29,680 --> 00:23:30,480
Speaker 2: And a Manix?

453
00:23:30,759 --> 00:23:33,039
Speaker 1: No, but that's a good guess because they're very close.

454
00:23:33,119 --> 00:23:37,200
This show was called Tiny Tunes, or to be precise,

455
00:23:37,680 --> 00:23:40,000
Tiny tuone Adventures.

456
00:23:40,000 --> 00:23:41,759
Speaker 2: Tiny Tuning were all.

457
00:23:46,319 --> 00:23:49,440
Speaker 1: The composer was a guy named Bruce Broughton, who was

458
00:23:49,440 --> 00:23:52,240
also involved for composing for the TV show Dallas and

459
00:23:52,359 --> 00:23:56,000
also composing for the TV show Look Rogers. With dozens

460
00:23:56,039 --> 00:23:58,519
of others, but this is one that I think he

461
00:23:58,720 --> 00:24:03,720
absolutely nailed. Eel of the old school Looney Tunes sound.

462
00:24:03,839 --> 00:24:05,880
Speaker 2: Yeah, I didn't watch the show, but I knew my

463
00:24:06,039 --> 00:24:08,480
younger siblings did, and it was around and I was

464
00:24:08,519 --> 00:24:11,440
familiar with it. So yeah, great theme song, good nill mention.

465
00:24:11,519 --> 00:24:11,920
I like it.

466
00:24:11,920 --> 00:24:16,599
Speaker 1: Thanks. My second honorable mention, This one was actually Mojo's

467
00:24:17,000 --> 00:24:20,160
number one pick for cartoon themes, and I was shocked.

468
00:24:20,279 --> 00:24:22,400
But it was not a show that I watched. Okay,

469
00:24:22,559 --> 00:24:25,160
it is a show that's theme is very good and

470
00:24:25,200 --> 00:24:27,359
a show that was probably popular with a lot of

471
00:24:27,400 --> 00:24:31,319
our listeners. This was the theme from X Men, the

472
00:24:31,400 --> 00:24:43,319
animated series by Ron washing Won. It also has a

473
00:24:43,440 --> 00:24:46,000
very similar sound to Who Framed Roger Rabbit?

474
00:24:46,279 --> 00:24:49,279
Speaker 2: That's right, which we did. We covered Roger Rabbit? Who

475
00:24:49,279 --> 00:24:52,160
Framed Roger Rabbit over at the Docking Bay seventy seven

476
00:24:52,200 --> 00:24:54,400
podcast with our buddy Daton Johnson. That was one of

477
00:24:54,440 --> 00:24:55,799
our Summer of eighty eight movies.

478
00:24:55,920 --> 00:24:57,960
Speaker 1: It's a great movie and it's a great episode. Be

479
00:24:58,039 --> 00:25:01,079
sure and go over and check out Dayton's podcast Docking

480
00:25:01,119 --> 00:25:01,920
Base seventy seven.

481
00:25:02,279 --> 00:25:04,279
Speaker 2: Yep, a lot of fun. Okay, no, wait a minute,

482
00:25:04,359 --> 00:25:06,599
I've heard this theme before, and I'll tell you how

483
00:25:06,599 --> 00:25:07,039
I heard it.

484
00:25:07,160 --> 00:25:08,839
Speaker 1: Okay, when my boys were.

485
00:25:08,759 --> 00:25:10,680
Speaker 2: Young, we would go to the library and we would

486
00:25:10,759 --> 00:25:13,599
check out DVD's and they always want to check out

487
00:25:13,640 --> 00:25:17,000
Spider Man, X Men, Credible Hulk, all those things. So

488
00:25:17,039 --> 00:25:18,839
it doesn't hit me in the nineties. It hits me

489
00:25:18,880 --> 00:25:20,720
in the early two thousands. But that is a great

490
00:25:20,759 --> 00:25:21,200
theme song.

491
00:25:21,359 --> 00:25:24,400
Speaker 1: Thank you, that's I love it. Ron Washerman is a

492
00:25:24,480 --> 00:25:26,559
fantastic guitarist. I'm gonna talk about him again in just

493
00:25:26,559 --> 00:25:30,119
a second, but that is a great TV theme.

494
00:25:30,240 --> 00:25:31,559
Speaker 2: Interesting, Okay, very good.

495
00:25:31,599 --> 00:25:31,880
Speaker 1: Okay.

496
00:25:31,880 --> 00:25:34,640
Speaker 2: So we're up to my honorable mentions. Yes, okay, I've

497
00:25:34,680 --> 00:25:37,680
got two that you're gonna know, but you're not gonna

498
00:25:37,680 --> 00:25:40,640
know him probably until I play them. Okay, okay, So

499
00:25:40,960 --> 00:25:44,599
my first honorable mention is for a TV show that

500
00:25:44,720 --> 00:25:51,119
I unabashedly, unapologetically absolutely love, Spike the Football, and it

501
00:25:51,160 --> 00:25:56,240
will destroy my street cred because it is the dorkiest, goofiest,

502
00:25:56,680 --> 00:26:01,440
dumbest show ever and I love it. It's like eating

503
00:26:01,640 --> 00:26:04,680
chocolate chip cookies for dinner. I don't care, I'd love it.

504
00:26:05,279 --> 00:26:06,200
Speaker 1: Okay, Okay.

505
00:26:06,480 --> 00:26:12,000
Speaker 2: So the song is sung by a woman named Jill Calucci, Okay.

506
00:26:12,039 --> 00:26:14,839
This song started in nineteen eighty nine, and the reason

507
00:26:14,880 --> 00:26:17,880
why I know that is because I taped I VCR

508
00:26:18,000 --> 00:26:20,839
taped the first episode, and I traded the tape around

509
00:26:20,920 --> 00:26:23,880
my baseball team because everybody wanted to watch the video.

510
00:26:23,960 --> 00:26:25,599
Speaker 1: Okay, okay, all right.

511
00:26:26,240 --> 00:26:29,000
Speaker 2: The song is called the Funny Things You.

512
00:26:29,039 --> 00:26:32,000
Speaker 1: Do is It's an animated No, I got nothing.

513
00:26:32,079 --> 00:26:34,599
Speaker 2: How about if I say it like this? You're the Red, white,

514
00:26:34,680 --> 00:26:39,359
and blue. Oh the Funny Things you Do America, America?

515
00:26:40,279 --> 00:26:40,839
Speaker 4: This is you.

516
00:26:42,000 --> 00:26:44,400
Speaker 1: This is drawing an absolute blank for.

517
00:26:44,359 --> 00:26:47,200
Speaker 2: All right, hang on before I give you the theme song.

518
00:26:47,319 --> 00:26:49,720
The host of this show, and this bowled me over.

519
00:26:49,799 --> 00:26:53,000
The guy who created the show wanted John Ritter to

520
00:26:53,079 --> 00:26:56,119
host the show. He didn't get one of the funniest

521
00:26:56,119 --> 00:26:58,920
men ever to be born. He got one of the

522
00:26:59,000 --> 00:27:02,400
least funny men to ever be born, Bob Saggat.

523
00:27:02,279 --> 00:27:04,119
Speaker 1: Is this from America's Funniest Some Video?

524
00:27:04,240 --> 00:27:06,680
Speaker 2: Yes, of course, this is from America's Funny Some Videos.

525
00:27:07,000 --> 00:27:15,319
Speaker 3: Got Masting Coast to make small caps on.

526
00:27:26,599 --> 00:27:28,400
Speaker 1: I think Bob Sagga is hilarious.

527
00:27:28,400 --> 00:27:29,440
Speaker 2: Oh my gosh.

528
00:27:29,480 --> 00:27:31,839
Speaker 1: He had to make corny jokes on that show. If

529
00:27:31,839 --> 00:27:35,039
you've seen his live performance, he is a dirty mouth comic.

530
00:27:35,119 --> 00:27:37,799
Speaker 2: I know. I can't believe it. The first time I

531
00:27:37,799 --> 00:27:40,440
saw him, like legit comic stand up, I was like,

532
00:27:41,319 --> 00:27:46,400
you're shocked, America's read America's dad is cussing all over

533
00:27:46,440 --> 00:27:49,880
the place. Yeah, I can't believe that's the same person.

534
00:27:50,000 --> 00:27:52,200
Speaker 1: Yeah, God rest his soul. I think he was a

535
00:27:52,319 --> 00:27:53,559
fantastic comedian.

536
00:27:54,240 --> 00:27:56,519
Speaker 2: Okay, did you watch this show.

537
00:27:56,599 --> 00:27:58,440
Speaker 1: America's Funny Something? Yes? Yeah, I mean it.

538
00:27:58,440 --> 00:28:00,279
Speaker 2: Was rule you had to everybody.

539
00:28:00,200 --> 00:28:01,319
Speaker 1: Yeah. Absolutely.

540
00:28:01,359 --> 00:28:03,200
Speaker 2: I remember there were times in my life where I'm like,

541
00:28:03,359 --> 00:28:05,880
I'm kind of down, I'm kind of bummed out popping

542
00:28:05,960 --> 00:28:06,680
on AFB.

543
00:28:07,200 --> 00:28:10,160
Speaker 1: How many times did something happen in your life that

544
00:28:10,200 --> 00:28:11,799
you went, Man, if we had that on video, we

545
00:28:11,799 --> 00:28:13,359
would win America.

546
00:28:13,599 --> 00:28:14,839
Speaker 2: That's true, that's true.

547
00:28:14,920 --> 00:28:15,119
Speaker 3: Right.

548
00:28:15,279 --> 00:28:17,279
Speaker 2: Do you remember when Daisy Flintest took over?

549
00:28:18,079 --> 00:28:19,720
Speaker 1: I think I quit watching at that point.

550
00:28:19,799 --> 00:28:20,000
Speaker 5: Yeah.

551
00:28:20,160 --> 00:28:23,400
Speaker 2: Yeah, here is my second honorable mention.

552
00:28:23,599 --> 00:28:26,039
Speaker 1: Okay, okay, so I'm off.

553
00:28:25,960 --> 00:28:27,359
Speaker 2: The beaten track. You know I like to do this

554
00:28:27,400 --> 00:28:28,160
every once in a while.

555
00:28:28,240 --> 00:28:28,440
Speaker 1: Yeah.

556
00:28:28,640 --> 00:28:33,119
Speaker 2: This was a jingle, a theme song that NBC played

557
00:28:33,359 --> 00:28:35,680
between the years nineteen ninety and two thousand and two

558
00:28:35,880 --> 00:28:40,640
twelve thousand times. Now, the name of it is called

559
00:28:40,759 --> 00:28:44,720
round Ball Rock. This was written by John Tesh.

560
00:28:44,359 --> 00:28:47,559
Speaker 1: D John Tesh the Er John Entertainment.

561
00:28:47,079 --> 00:28:49,960
Speaker 2: Tonight, John tesh Okay, Okay, now listen to this. He

562
00:28:50,039 --> 00:28:52,160
came up with a melody while at a hotel. He

563
00:28:52,319 --> 00:28:55,839
called his home answering machine and sang the tune so

564
00:28:55,920 --> 00:28:56,759
he wouldn't forget it.

565
00:28:56,839 --> 00:28:57,880
Speaker 1: I can identify with that.

566
00:28:58,000 --> 00:29:01,160
Speaker 2: This was also revived for the Summer Olympics for two

567
00:29:01,160 --> 00:29:05,480
thousand and eight, twenty sixteen, twenty twenty. Nelly sampled this

568
00:29:05,519 --> 00:29:07,160
for his song Heart of a Champion.

569
00:29:07,720 --> 00:29:09,279
Speaker 1: Well, I'm a big Nelly fan.

570
00:29:09,240 --> 00:29:14,480
Speaker 2: I know, right, So let me play round Ball Rock

571
00:29:14,559 --> 00:29:16,119
for you and see if you can place it.

572
00:29:16,400 --> 00:29:34,960
Speaker 4: Okay, So, NBA on NBC, NBA on NBC.

573
00:29:35,279 --> 00:29:38,720
Speaker 2: Because everybody in the entire United States was watching the

574
00:29:38,799 --> 00:29:43,640
Chicago Bulls. Michael Jordan, Charles Barkley, Clyde Drexler, John Stockton,

575
00:29:43,720 --> 00:29:47,079
Carl Malone, all these guys played basketball in the early nineties.

576
00:29:47,480 --> 00:29:50,240
It was truly the greatest time to be an NBA fan.

577
00:29:50,519 --> 00:29:53,720
So round Ball Rock is a song I very much

578
00:29:53,759 --> 00:29:58,000
associate with the early nineties and watching Jordan Barkley.

579
00:29:58,119 --> 00:30:01,119
Speaker 1: All those guys. Fantastic. Okay, are you ready for my

580
00:30:01,240 --> 00:30:01,759
number one?

581
00:30:01,880 --> 00:30:03,279
Speaker 2: I'm ready for your number one.

582
00:30:05,519 --> 00:30:07,680
Speaker 1: One.

583
00:30:08,799 --> 00:30:11,119
Speaker 2: I'm gonna cry if it's my number one, But keep going.

584
00:30:11,359 --> 00:30:14,680
Speaker 1: I don't think there's any way on God's green Earth

585
00:30:14,720 --> 00:30:17,839
that this will be your n Okay, because I like

586
00:30:17,920 --> 00:30:21,079
you decided to do something that was a strong deviation.

587
00:30:21,279 --> 00:30:24,000
I mentioned at the beginning of this episode that I

588
00:30:24,119 --> 00:30:26,839
picked some songs on shows that I didn't even watch. Right,

589
00:30:27,200 --> 00:30:29,599
I did not watch this show. I am familiar with

590
00:30:29,640 --> 00:30:33,799
it because my kids watched it. Okay, but here are

591
00:30:33,799 --> 00:30:38,480
your clues. Okay again. Our composer is Ron Wasserman. Although

592
00:30:38,519 --> 00:30:42,359
he listed himself at that time as Aaron Waters or

593
00:30:42,559 --> 00:30:45,759
the Mighty Raw, he had gotten a job as musician.

594
00:30:45,839 --> 00:30:48,559
He had gotten a job filling in at the production

595
00:30:48,680 --> 00:30:52,480
company which was called Sabon Entertainment, and then he just

596
00:30:52,599 --> 00:30:55,839
ended up staying for six and a half years. He

597
00:30:56,279 --> 00:30:59,920
ends up writing the song for X Men, the animated series,

598
00:31:00,039 --> 00:31:02,279
which we played just a second ago, and then he

599
00:31:02,400 --> 00:31:05,359
was given some raw footage of this new show that

600
00:31:05,400 --> 00:31:08,200
they were going to do. The new show took some

601
00:31:08,559 --> 00:31:12,480
adopted stock footage from a Japanese TV series that was

602
00:31:12,559 --> 00:31:17,279
part of Toy's Super SINAI O K now. When he

603
00:31:17,359 --> 00:31:22,359
got this footage, the producer, the owner of the entertainment company, said,

604
00:31:22,640 --> 00:31:26,400
I want you to use the word go. He used

605
00:31:26,440 --> 00:31:29,799
it twice in the song. This part amazed me. He

606
00:31:29,839 --> 00:31:34,079
composed this on a keyboard that was preloaded with guitar

607
00:31:34,240 --> 00:31:36,480
and drum sounds because he didn't play guitar and drum.

608
00:31:36,519 --> 00:31:38,440
But I'm gonna let you take a listen to the song.

609
00:31:38,559 --> 00:31:40,680
You may not even recognize it. This may be so

610
00:31:40,839 --> 00:31:44,279
far out of your wheelhouse that you don't recognize it.

611
00:31:44,319 --> 00:31:45,759
But I think you're going to love it.

612
00:31:45,920 --> 00:32:00,160
Speaker 5: Okay, it's kick.

613
00:32:00,160 --> 00:32:03,039
Speaker 2: But right, that's very catchy. I love it.

614
00:32:03,119 --> 00:32:04,200
Speaker 1: Yeah. What is that.

615
00:32:09,599 --> 00:32:11,119
Speaker 2: Edi been Halen on guitar right here?

616
00:32:17,319 --> 00:32:22,000
Speaker 3: Ba? God? That you never a baby?

617
00:32:24,160 --> 00:32:27,079
Speaker 1: Now, before I get to the title, I just want

618
00:32:27,119 --> 00:32:28,599
to tell you, okay, I just got to tell you this.

619
00:32:29,000 --> 00:32:31,839
I put that music on and it was the extended version,

620
00:32:31,880 --> 00:32:33,400
and I was like, maybe this was good. I don't

621
00:32:33,440 --> 00:32:36,720
really remember. I have the theme from the movie that

622
00:32:36,759 --> 00:32:38,519
came out in the two thousands because I use it

623
00:32:38,519 --> 00:32:40,759
when I'm working out, and I started listening to this,

624
00:32:40,839 --> 00:32:42,960
I'm like, this is these are my words in my head.

625
00:32:43,160 --> 00:32:45,960
This is so kick ass that I am not going

626
00:32:46,000 --> 00:32:48,599
to turn it off. Reminder he was told to use

627
00:32:48,640 --> 00:32:59,400
the word go no, wow, that is great.

628
00:32:59,400 --> 00:33:01,799
Speaker 2: I've never I don't know if I know that song.

629
00:33:01,680 --> 00:33:04,839
Speaker 1: Right, So you're probably completely unfamiliar. This probably hit in

630
00:33:04,839 --> 00:33:07,039
that space that you didn't have your kids listening to it,

631
00:33:07,279 --> 00:33:09,599
and you didn't listen to it. But I knew you

632
00:33:09,599 --> 00:33:11,960
would love it because this could be a hair metal

633
00:33:12,119 --> 00:33:17,480
rock anthem from the late eighties, right right. It is fantastic.

634
00:33:17,759 --> 00:33:20,079
I just I gotta say I was I had listened

635
00:33:20,079 --> 00:33:21,480
to it. I had gone work out, listened to a

636
00:33:21,480 --> 00:33:23,440
couple more times. I get back to the house, I'm

637
00:33:23,480 --> 00:33:25,680
in the kitchen, I'm getting the kids ready for school,

638
00:33:26,119 --> 00:33:29,680
and it just comes out. I'm like, go go Power Rangers,

639
00:33:29,759 --> 00:33:32,880
and I hear Caleb he was up the stairs go.

640
00:33:33,359 --> 00:33:34,880
Speaker 3: Done on on on.

641
00:33:35,680 --> 00:33:40,720
Speaker 2: I'm like, yeah, that's great, man. I was in college.

642
00:33:40,720 --> 00:33:42,640
I didn't have kids. Totally bypassed me.

643
00:33:42,759 --> 00:33:45,839
Speaker 1: Yeah. This started in ninety three ended in ninety six.

644
00:33:45,960 --> 00:33:49,839
You were wooing your wife for those four years, you know. Yeah,

645
00:33:49,880 --> 00:33:54,480
so you weren't interested in in Japanese knockoff American TV.

646
00:33:54,759 --> 00:33:58,160
This is true, Yeah, but it has I think the

647
00:33:58,200 --> 00:34:00,400
song is probably the best part of the show, and

648
00:34:00,519 --> 00:34:03,519
they've redone it multiple times. But when they did the movie,

649
00:34:04,079 --> 00:34:07,720
they featured Eric Martin of Mister Big Yeah, and on

650
00:34:07,799 --> 00:34:10,400
drums they had Matt Sourm who had played drums for

651
00:34:10,440 --> 00:34:13,400
Guns and Roses. Yes. So if you had told me

652
00:34:13,800 --> 00:34:15,840
yesterday that I would be picking this song as my

653
00:34:15,920 --> 00:34:17,960
number one song, yeah, yeah, I don't even know what

654
00:34:17,960 --> 00:34:18,280
that song.

655
00:34:20,119 --> 00:34:23,400
Speaker 2: Okay, that's great, that's great. Okay, So, speaking of songs

656
00:34:23,440 --> 00:34:26,239
that are better than the show, Yeah, are you ready

657
00:34:26,280 --> 00:34:27,039
for my number one?

658
00:34:27,199 --> 00:34:27,719
Speaker 1: Let's hear it.

659
00:34:27,960 --> 00:34:30,400
Speaker 2: Okay, It's not as kick butt as yours, but I

660
00:34:30,599 --> 00:34:35,559
definitely heavy associate this with early nineties Denim and Moose

661
00:34:35,880 --> 00:34:36,639
all that stuff.

662
00:34:36,679 --> 00:34:39,400
Speaker 1: Okay, right, I think I already know what it is, really,

663
00:34:39,519 --> 00:34:40,800
can I say it? I guess it?

664
00:34:40,880 --> 00:34:41,039
Speaker 2: Yes?

665
00:34:41,159 --> 00:34:42,039
Speaker 1: Is it Saved by the Bell?

666
00:34:42,360 --> 00:34:43,039
Speaker 2: No, it's not.

667
00:34:43,440 --> 00:34:45,440
Speaker 1: Oh is it Beverly Hills nine two one? Oh?

668
00:34:45,639 --> 00:34:45,840
Speaker 3: No?

669
00:34:46,119 --> 00:34:48,480
Speaker 2: But you're in You're in the area.

670
00:34:48,760 --> 00:34:51,000
Speaker 1: Okay, you're in the area. Yeah, all right, Okay.

671
00:34:51,199 --> 00:34:56,800
Speaker 2: This show was canceled after twelve episodes one season. Didn't

672
00:34:56,800 --> 00:34:59,880
make it. Show didn't make it. The song hits number

673
00:35:00,239 --> 00:35:04,960
one in November of nineteen ninety two songs written by

674
00:35:05,039 --> 00:35:08,440
the guy named Stephen Terrell, American singer producer. Okay. He

675
00:35:08,639 --> 00:35:12,760
had produced bj Thomas his version of hooked on a

676
00:35:12,800 --> 00:35:16,480
Feeling Love that Okay? And rain Drops Keep Falling on

677
00:35:16,519 --> 00:35:17,079
My Head.

678
00:35:16,880 --> 00:35:18,559
Speaker 1: Which Cassidy and the Sun Dance Kid, one of the

679
00:35:18,599 --> 00:35:19,960
greatest movies of all time. Yes.

680
00:35:20,199 --> 00:35:22,880
Speaker 2: Now, then, the lead singer for this particular song is

681
00:35:23,360 --> 00:35:28,400
an actor named Jamie Walters. I See You're stumped. Jamie

682
00:35:28,440 --> 00:35:31,480
Walters also had a number sixteen Hot one hundred hit

683
00:35:31,519 --> 00:35:36,119
in nineteen ninety four called hold On Nothing.

684
00:35:36,239 --> 00:35:38,119
Speaker 1: I mean if I heard that song maybe Okay?

685
00:35:38,519 --> 00:35:42,480
Speaker 2: Now, then get this this song dethroned into the Road

686
00:35:42,960 --> 00:35:45,039
by Boys to Men knock them out of the number

687
00:35:45,079 --> 00:35:47,920
one spot. Wow, one of the biggest songs of the nineties.

688
00:35:48,039 --> 00:35:51,119
Yeah get Out. It also blocked I Die Without You

689
00:35:51,159 --> 00:35:54,320
by PM Don and Sometimes Loved Just Ain't Enough Patty

690
00:35:54,320 --> 00:35:58,159
Smyth and Don Henley, two of my early nineties guilty pleasures,

691
00:35:58,199 --> 00:36:02,239
and kept jump Around by House of Pain from reaching

692
00:36:02,320 --> 00:36:02,800
number one.

693
00:36:03,000 --> 00:36:05,159
Speaker 1: Wow. Okay, how do I not know what this is?

694
00:36:05,320 --> 00:36:07,280
Speaker 2: Okay, I'm gonna play it for you. Let's see if

695
00:36:07,320 --> 00:36:23,840
you recognize it. You're not in your head. It's not

696
00:36:23,920 --> 00:36:29,000
Dustin scream. I know her face bye.

697
00:36:35,840 --> 00:36:37,880
Speaker 1: In my song, I know the song.

698
00:36:39,360 --> 00:36:42,000
Speaker 2: You could not live in the early nineties and not

699
00:36:42,440 --> 00:36:43,119
hear this song.

700
00:36:44,360 --> 00:36:48,440
Speaker 1: TV series had. This is its theme song.

701
00:36:49,079 --> 00:36:55,079
Speaker 2: This song goes to a TV show called The Heights.

702
00:36:53,599 --> 00:37:09,239
Speaker 3: So fast talk.

703
00:37:13,760 --> 00:37:16,840
Speaker 2: It's like trying to catch a fallen start.

704
00:37:18,400 --> 00:37:21,199
Speaker 1: Oh my gosh. Yeah, I would not in a million.

705
00:37:21,320 --> 00:37:23,800
I mean I remember that name, but no, I never

706
00:37:23,880 --> 00:37:26,880
watched that show. Would never have even put it.

707
00:37:26,960 --> 00:37:29,559
Speaker 2: Nobody watched the show. That's how they canceled it.

708
00:37:29,800 --> 00:37:33,239
Speaker 1: Wow, deep cut. Now that we get to the chorus,

709
00:37:33,320 --> 00:37:35,199
I'm like, oh, I slow danced to that song.

710
00:37:37,039 --> 00:37:40,199
Speaker 2: Yes, the song is called how do You Talk to

711
00:37:40,320 --> 00:37:40,880
an Angel?

712
00:37:41,159 --> 00:37:41,360
Speaker 1: Oh?

713
00:37:41,400 --> 00:37:46,440
Speaker 2: Wow, number one hit song nineteen ninety two TV show

714
00:37:46,519 --> 00:37:50,760
canceled beat it. Nobody watched it, nobody cared, nobody remembers it. No,

715
00:37:51,199 --> 00:37:54,559
but you play that song. People were like, heck, yeah,

716
00:37:54,840 --> 00:37:57,800
all right, Sorority Party was playing that.

717
00:37:58,079 --> 00:37:58,320
Speaker 1: Yeah.

718
00:37:58,400 --> 00:38:01,000
Speaker 2: So so there you have it. So that's my list.

719
00:38:01,039 --> 00:38:02,960
Speaker 1: What do you think I loved the dude, you did

720
00:38:02,960 --> 00:38:06,559
a fantastic job. I'm really I'm not terribly surprised that

721
00:38:06,599 --> 00:38:08,320
we only had one crossover.

722
00:38:10,079 --> 00:38:11,960
Speaker 2: We're at different stages in our life.

723
00:38:11,719 --> 00:38:14,559
Speaker 1: Exactly exactly, so I'm really excited to see what happens

724
00:38:14,760 --> 00:38:17,079
in our next episode. Guys, be sure to come back

725
00:38:17,119 --> 00:38:20,119
for that. That one, we're going to cover our top

726
00:38:20,239 --> 00:38:26,079
five TV themes from nineteen ninety five to nineteen ninety nine.

727
00:38:26,280 --> 00:38:27,840
Speaker 2: We will see you back here next week.

728
00:38:28,440 --> 00:38:29,599
Speaker 1: Your home, smell you later.

729
00:38:31,920 --> 00:38:32,360
Speaker 2: That's good.

