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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boyse, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of Broadways My Beat.

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But first I want to encourage you. If you're enjoying

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the podcast, follow us using your favorite podcast software. Also,

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today's program is brought to you in part by the

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financial support of our listeners. You can support the show

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on a one time basis using the Zell app to

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Box thirteen at Great Detectives dot net, or become one

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of our ongoing Patreon supporters for as little as two

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dollars per month at Patreon dot Great Detectives dot net.

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But now, from January nineteenth, nineteen fifty two, here is

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the Lynn Halstead murder case.

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Speaker 2: Broadways might beat some times for it. The Columbus Circle,

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the Guardian, the most Violent, the lonesomest mile in the World.

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Speaker 3: Broadways My Beat with Larry Thor as Detective Danny Clover.

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Speaker 2: Broadway tyles down to another year's living. The days begin

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to drift backward again, away from you like they did

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last year, and it starts all over. Punch the time card,

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smile at the boss, and the income tax forms can

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be picked up at any bank or branch post office.

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But there's still the dream, and it could happen on Broadway.

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It's the corner of the world where a million performers

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do their bit just for you. It's Carnival and a

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clown and a girl with yellow hair blowing kisses, the

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end of a ride that costs you a dime. Maybe

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you'll get your money's work. There were no dreams where

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I was in the big room, the chill room, the

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room of the lost dead, the city Morgue, the man

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with me, the seeker of sorrow, a father, and she

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wanted to laugh. Letter I got from and told me

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how much she missed that Cromit. Not that she didn't

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like New York, but big so hot to make man. Yeah,

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you want to look now, doctor Houston? Yes, doctor, how

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did she die? Hearing shot? I mean shot? Where's to find? Look? Doctor?

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I want to know where was she found? The river?

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She's been here for three days. No, No, I want

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to look at her. I want to look at her faith.

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You haven't said it directly, doctor, she is your daughter.

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My touch feeling all right? Doctors, I just want to doctor,

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sit how long has Lin been in New York about

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three years. She left acting on her eighteenth birthday. She

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didn't have much trouble getting jobs as far as I knew.

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Her last employment was at a private secretary, private secretary

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with whom she didn't say. She just mentioned it was

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a real estate office and that she liked her work.

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Where did she live here in town? I addressed my

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letters to her at the Linden Apartments in Fantasy Park.

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Pleased us to leave me alone with her? For everyone

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and know that outside the light of the winter's morning

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is brilliant, dazzling. It strikes the frost veiled chrome of

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the city. But here it must filter through steel webbed windows,

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reflect off the faces of the dead, grow dim. Here

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it lies against the closed eyes of a man who

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has made the journey, found at its end his child's death.

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Then his hand reaches out to the girl's part, draws

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aside a strand of hair. It tries to smooth away

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the pain, the shock that had been frozen there, and

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walk away from it. Because this is an image of

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vanguish scene, too many times go down to the Lindon Apartment,

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yellow ivy clinging to all marble facing the steel fenced

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Winter's Garden, whose paths can be walked only by those

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privilege for the key to its gates. Gramercy Park brought

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to a man who, among his other duties, had dispent

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such a key to Lynn Halstead.

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Speaker 4: You understand it's quite a privilege, our private little park.

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And I must say of miss Halstead, she availed herself

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up at par to rally for what reasons?

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Speaker 2: I shudder to think, Why, mister Clement, Why do you shudder?

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Speaker 4: Well, after all, it is rather desirable to maintain residents

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here in Gramercy. I could show you waiting list year's

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long has lived here. Of course she lived here, but

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so sporadically, weeks on weeks would go by with her

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apartment standing for lawn empty lonely.

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Speaker 2: You're saying, mister Clement, that she lived here.

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Speaker 4: But didn't only use this as the mailing address I've

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hear in a kind of phone service, or what reason?

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Speaker 2: I know, you shudder quite to see.

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Speaker 5: Her mail box is filled with uncalled for levers.

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Speaker 2: Yeah, from a doctor hosted relative, given from.

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Speaker 4: The apartment stores, book clubs, and these phone methodes. This

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man has been calling for three days now, I keep

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telling him miss Linne isn't in leaves his number, not

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his name, of course, no one else to.

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Speaker 2: Give it to. Now he is there, show me her apartment, mister,

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I did like to do.

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Speaker 4: It's one of our most desirable.

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Speaker 2: Now I'm free to inform the management that which one isn't.

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Just down the hall here we are.

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Speaker 4: Oh what a mess, what a frightful mess, the dis arrayed,

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the things left about.

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Speaker 2: Why these stains on our carpets? Blood stains? Yeah, that

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kind of stein. That means she must have been here

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when she here in Gramercy Park. Where's the phone? Why there?

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They're under that French doll. Gotta call that number I

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gave you. That's that man?

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Speaker 5: Kay h.

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Speaker 2: James montro Who is this? That's the police, mister Blake?

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Where are you?

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Speaker 1: One of coffee?

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Speaker 2: Stay there, I'll be here, h something for you. Coffee'd

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be fine, brushed on it and just coffee. M M

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traffic here you take free? This is fine. Your name

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Jean Blake, that's right. Oh you must be the phone

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call I had a little while ago. My name is

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Stanley Toober. You're the policeman. You know a girl named

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Lynn Halsted? Sure I do. One was the last time

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I saw her. You tell me first, Danny, what's the trouble.

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She's dead, She's not dead. I've got a date with

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her tonight. When it was the last time you saw her.

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I see the four days ago, the last time we

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talked to her, when I haven't talked to her, but

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since the last time I saw her, she's dead. Cut

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it out with you. This morning her father identified her

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at the morn. There's no doubt about it. I said,

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cut it out with you. So that's why, that's why. Well,

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I've been calling her, you know, to talk to her,

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to remind her about that day. Tonight. She was never

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in She never returned my cause in her hospital six

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Lynn was murdered. She was found. I want you to

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tell me. I don't want you to tell me. You

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know it for long August, I think it was. I

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didn't get to fall in love with it until September.

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I'll just meet her Jimmy, and she wanted him here

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one night late shat down man Head coffee. She talked

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to me and thought my line of patty was kind

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of We got along that so I closed joint, took

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her dancing. Neither one of us did things very well,

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or dance, a conversation things. That's why we got along, sipce.

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Did you see her off them? Yeah? A couple of

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times a week, sometimes three, a movie, walking or drink.

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It's funny though I never took her home. She wouldn't

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let me just give me her phone number. Do you

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know where she worked? The secretarial or something. A couple

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of times I picked her up in front of the

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Equitable Building. I guess there, but she never said, you'll

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be here whenever I want you, Jim, Yeah, where am

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I going to go? Gather up the pieces that had

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once shaped the pattern of a girl's life. An apartment

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in Gramercy Park, for mail, for phone messages, for death,

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her wandering on to a man who then walked with her,

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advanced loved her, a father who had seen her lying

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in the morgue, and against them, the barrier of secrecy

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the girl had woven out of the city's darkness. Not

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to tell them where she worked, to give them only

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a phone number, a mailing address, against the sudden need

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of her and take what Jean Blake has given you,

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among other things, the name of a building, the Equitable Building.

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Find it. In the forties on Madison, try it a

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and after many real estate offices and receptionists who live

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or not moist enough, had to be moistened again before

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answering the policeman. After the long parade of friendly real

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estate brokers, with the bone crush, her handclasp, and the

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sorrow of not knowing a girl named Blynn Halstead, find

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the man who did know her, whose private secretary she was,

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John Martin real Estate. Don't look anymore. We'll find you

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a home.

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Speaker 5: And I mean it, mister Glover.

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Speaker 2: I'm dedicated to it.

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Speaker 6: Why it's the passion of John Martin's wife finding the

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right home for.

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Speaker 2: The right people. It must be gratifying when you do,

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mister mit, Oh it is. Let me test you. What

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it is photographing your desk, mister Mattin. Yeah, your family?

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Speaker 7: Yeah?

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Speaker 6: Oh I like you for that, mister Glover, I like it.

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If I'm taking notice or something like that, go on,

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think it. I'll take a good long look at it.

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Fine looking boy. Yes, this woman is Missus Martin, my dog,

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my sister, my mother, my wife takes care of me

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like I was a baby with a cor.

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Speaker 2: Now you were saying about Lynn founder in the river

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shot to death. She lay in the more three days

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before anyone identified her, and one finally did. He Yes,

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her father, doctor Stephen Houston. He came from Macron to

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take his daughter home. She'd written him she wanted to

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go home. No, don't know. A girl who works for

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your day in and day takes your dictation.

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Speaker 6: Remind you it's a wife's birthday, trudges across the street

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on her own time to bring your coffee and snack,

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and police finding a river.

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Speaker 2: Don't you didn't know she wanted to go home. Oh,

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it's like a boat from the blue, mister Clilver. I

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thought Lynn was happy here working for me.

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Speaker 5: She told me many times.

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Speaker 6: How glad she was, how I'd helped her to finally

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cover a niche for.

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Speaker 2: Herself in this crazy town. Yeah, it was something I

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said before, mister mind. Lynn was in the morning for

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three days. No one came to identify her. I should

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have done that.

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Speaker 6: A girl is beautiful, she takes three days off. I'm

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not the man to question such wins. She could have

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gone a week or a month, A job would have

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still been here for her. But there are other private secretaries,

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How you're kidding?

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Speaker 2: None like Lynn? Why excuse John Martin real estate.

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Speaker 6: Oh yeah, yes, thanks, Yeah, this is doctor called every

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real estate agent in the equitable building.

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Speaker 2: Danny, I'm an emergency. Would get down here. I'm busy.

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I assure you're busy.

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Speaker 5: So am I low? Keep?

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Speaker 8: Just get down here, fast, all down, We'll go, Doctor Siinsky, Fine, very,

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doctor Sinsky.

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Speaker 2: Hello, Danny.

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Speaker 9: It never stops it all right? Just tell me what

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happened for a code over there on the chair. She

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was worrying when she was brought in here at ten

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o'clock and under the nightdown she has wandering around the

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street that way?

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Speaker 2: What happens to people? Danny? Who is she? Who is she? Wait?

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Miss can you hear me me? I want you to

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tell me your name, miss.

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Speaker 5: Name?

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Speaker 2: I want you to tell me again.

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Speaker 10: When when.

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Speaker 3: You are listening to Broadway is My Beach, Written by

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Morton Fine and David Bridgen and starring Larry Thorr as

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Detective Danny Clover and homes all over the country, everything

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stops for the laughter. When it's Jack Benny time, Jack

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as usual into the weekend, blithely riding for a fall

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at the hands of his fun loving gang. You can

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be sure you'll get it. When Mary Dennis Rochester, Phil

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and Don go to work on him. Enjoy Jack Bennytime

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Tomorrow night and every Sunday night on CBS Radio. The

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new year has taken hold now, and already Broadway scurries.

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Speaker 2: To quicken his passing. There are ways to do that.

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Add more neon to burn away the night times, more

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masters in the spectaculars, to wink away the long darkness,

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the illusions. No new ones, kid, last year's models heat

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it up and with a new paint job, no one'll

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know the difference. Need an illusion, kid, to pass the

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time for free. Just reach in the bank. Every color,

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every size faded a little, worn a little. But at

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these prices, what do you expect, Big Red Rose all

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we were tears, preach in kid, take your pick and

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hurry because Broadways waiting in line. But the lost girl

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who had wandered the city drifted on winters when this

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was no illusion, Nor was her slow still dying.

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Speaker 9: I tell you this, Danny, this girl could have stayed

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alive even with the.

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Speaker 2: Bullet wound that is in It mean she wanted to die.

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Speaker 9: No, No, I don't think so. I think what made

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her get out of whatever bed she was in, made

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her walk in the cold, only in the nightgown and

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the COVID. What made her do that was something in shock.

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Speaker 2: Maybe hurt, maybe your memory. You're saying that if she'd

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stayed where she was, she wouldn't have to die. What

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else moves?

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Speaker 9: The wound had been tended to, the bullet removed three

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four days ago, profession, the healing had already begun to

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take hold. It was not the work of a clumsy man.

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It was the work of a profession a doctor, for sure.

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That something very noble. I'm saying to you, this girl

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undid what was done for her.

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Speaker 2: Can't she be moved? Yeah, it won't matter. Put her

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in a room upstairs. All right. We've been going all

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around it, Danny. We haven't let ourselves dwell. And what

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00:17:20,839 --> 00:17:23,519
she told them because she was Linn Halsted, that she

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was Lynn Holsted. I'll make a call doctor Holsteed, the

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man who called another dead girl his daughter. Tell him

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to get here quickly, Danny and nothing. Just tell him

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to get here quickly. One more thing, doctor, Well, don't

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plant to any reporters. I don't want this to get

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out to Danny. Please get this girl's father here quickly.

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You could only explain to me, mister club of why

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why are you ask me to come down here? After

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we get all the explanations you need, Doctor Houston, very well,

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here is it my mind, this is do go ahead

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doctor on the other side of the stream, Len.

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Speaker 10: Hell on, man it we are right, No, daddy, of

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course it will all right now.

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Speaker 2: Yes, I can't go away again.

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Speaker 5: I waited. It was so long.

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Speaker 2: It was just a little gun and that's no more

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than an hour, it seems, seem don't talk, Lynn disclosing. Yeah,

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00:18:53,039 --> 00:18:59,480
my daughter is dead. Yes, I'm sorry. This is my dad.

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00:19:00,799 --> 00:19:03,400
This is Lin, that other girl, one of the morgu

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Who is she? I don't know. I've never seen her before.

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It's over. I suppose you have to do something about me,

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00:19:16,920 --> 00:19:20,319
an obstruction of justice doctrine. There'll be something in the charge.

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You want to talk with me now outside? All right?

283
00:19:27,119 --> 00:19:30,759
All right, Donald, I got to New York four days ago.

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I came here to bring Wyn home. I found her

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apartment house, and I found Lin. She didn't shot doctor,

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00:19:38,559 --> 00:19:42,400
did you she? I found Lynn. She was dying when

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I got I didn't shoot her, mister Kob. But you

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00:19:44,720 --> 00:19:46,720
can think so. I don't care. I really don't if

289
00:19:46,720 --> 00:19:48,359
you want me to say I shot her, and you

290
00:19:48,400 --> 00:19:50,359
want to charge me with that, It's all right if

291
00:19:50,400 --> 00:19:53,160
you want me to, I'll say I did. Just tell

292
00:19:53,160 --> 00:19:56,359
me what happened at Houston. She'd been shocked, she was

293
00:19:56,519 --> 00:19:59,920
barely conscious. Tell you who shot her? No, she cried

294
00:20:00,039 --> 00:20:02,759
when she saw me, That's all. Then she went into

295
00:20:02,799 --> 00:20:09,559
sharp after that. After that, she just baked about her childhood,

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about her home, about the far away here. And you

297
00:20:14,480 --> 00:20:17,839
were a doctor, you removed the ballatry. Yes, I didn't

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00:20:17,839 --> 00:20:20,079
know whether she was going to live. I just sat

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00:20:20,119 --> 00:20:22,359
beside her and waited for her to say the person's

300
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name who shot her. There were phone calls and people

301
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knocking on the door. I never moved from her side,

302
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but she never spoke the person's name who shot her?

303
00:20:31,799 --> 00:20:33,839
Or how did she get away from her? And I

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00:20:34,000 --> 00:20:38,200
came to the morgue this morning, then was gone when

305
00:20:38,240 --> 00:20:41,920
I got back. I guess she wandered around looking for

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00:20:42,119 --> 00:20:45,640
me or looking for something. I don't know. Why did

307
00:20:45,680 --> 00:20:49,079
you come to the morning, Those phone calls, those people

308
00:20:49,119 --> 00:20:51,880
at the door. I suddenly realized that one of them

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00:20:52,039 --> 00:20:56,400
might be my daughter's assailant. And the doctor. I've been

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00:20:56,400 --> 00:20:58,559
in morgues before, there was a good chance to be

311
00:20:58,680 --> 00:21:03,640
an unidentified girl in your monk there was. I identified

312
00:21:03,680 --> 00:21:07,519
her as lin because I wanted to keep Linn alive

313
00:21:07,759 --> 00:21:09,920
and did all that. You put a gunder the police.

314
00:21:11,160 --> 00:21:28,920
I'm here now, and you'll do what you have to do. Annie,

315
00:21:29,400 --> 00:21:31,720
What do you want? You know?

316
00:21:31,799 --> 00:21:33,559
Speaker 11: At least look at me when you ask me what

317
00:21:33,599 --> 00:21:36,400
do I want? Where you stand at the window staring

318
00:21:36,400 --> 00:21:38,839
out into the nowhere in the beyond gives a person

319
00:21:38,920 --> 00:21:42,119
you're going sorry. You know my eldest Tina does the

320
00:21:42,160 --> 00:21:44,960
same thing, a star up from coal windows.

321
00:21:45,799 --> 00:21:48,559
Speaker 2: What am I to do with you too? How I'm

322
00:21:48,599 --> 00:21:50,440
looking at your sergeant, I ask again, what do you

323
00:21:50,440 --> 00:21:51,440
want to give you?

324
00:21:51,519 --> 00:21:54,839
Speaker 11: Things like the doctor Hallstead is now being held by

325
00:21:54,839 --> 00:21:57,720
the DA for Raymond, go ahead, thank you.

326
00:21:59,720 --> 00:22:00,640
Speaker 5: The more whom.

327
00:22:00,400 --> 00:22:03,720
Speaker 11: Doctor Holstead called his daughter, has been identified. It's time

328
00:22:03,799 --> 00:22:06,920
for sure. Oh and miss Lily Follette a frequent of

329
00:22:07,000 --> 00:22:10,119
bars where there was frequent mayhem. The last one she

330
00:22:10,240 --> 00:22:12,839
so attended course of her life. Our boys have ascertained

331
00:22:13,319 --> 00:22:15,559
it was there she was shot from their cost into

332
00:22:15,559 --> 00:22:19,400
the river. Several characters are now being held on suspicion.

333
00:22:18,960 --> 00:22:20,119
Speaker 2: Of hummed anything else.

334
00:22:20,480 --> 00:22:24,640
Speaker 11: They rundown under Truelin Horstead, the girl who it goes

335
00:22:24,640 --> 00:22:28,480
without saying. Miss Holsteed left Akron, arrived in our city

336
00:22:28,519 --> 00:22:31,759
three years ago. Chris checks with her father's testimony. While

337
00:22:31,799 --> 00:22:34,559
here attempted all the things bright out of town girls

338
00:22:34,519 --> 00:22:36,759
attendant Ramar school modeling.

339
00:22:36,920 --> 00:22:38,480
Speaker 2: What else? What else?

340
00:22:38,559 --> 00:22:41,200
Speaker 11: Is that our checkers have discovered where miss Holstead was

341
00:22:41,240 --> 00:22:44,160
staying when she was not staying at the Linden apartments.

342
00:22:44,200 --> 00:22:46,400
Speaker 3: Oh indeed, our.

343
00:22:46,359 --> 00:22:49,079
Speaker 11: Checkers, having gone over Miss Holsteed's place at the Linden

344
00:22:49,119 --> 00:22:51,839
with fine tooth and comb, came up with the commuter's

345
00:22:51,839 --> 00:22:54,680
ticket to Long Island in Holy Tanks and the Long

346
00:22:54,680 --> 00:22:55,319
Island they went.

347
00:22:55,480 --> 00:22:57,359
Speaker 2: You want to tell me what they found? You know?

348
00:22:57,720 --> 00:23:01,480
Speaker 11: A cottage, small, quick sound and highway own buy Miss Halsted?

349
00:23:02,720 --> 00:23:05,799
Nice going for a secretary to maintain two residences.

350
00:23:06,440 --> 00:23:20,599
Speaker 2: Nice going to you too? You know you understand everything

351
00:23:20,599 --> 00:23:23,519
now often I think so I can go over it

352
00:23:23,559 --> 00:23:26,240
for you again if you want, I'll be okay, use

353
00:23:26,319 --> 00:23:30,200
this phone. I'm listen in on the extension. Go ahead,

354
00:23:31,960 --> 00:23:32,839
try to act hurt.

355
00:23:33,559 --> 00:23:43,279
Speaker 10: I'll try, Lieutenant, but I've never been shot. Hella John,

356
00:23:47,240 --> 00:23:49,200
It's it's Lynn.

357
00:23:51,160 --> 00:23:51,519
Speaker 5: Who is it?

358
00:23:52,359 --> 00:24:00,279
Speaker 10: Lynn? Lynn Halstead? Right where you left me. You know

359
00:24:00,279 --> 00:24:03,599
where I am? John? All right, Lieutenant?

360
00:24:03,960 --> 00:24:04,359
Speaker 2: Just fine?

361
00:24:05,160 --> 00:24:28,279
Speaker 7: H h.

362
00:24:33,559 --> 00:24:42,960
Speaker 2: Then Lenna, Oh, sit down, mister Marco, I said, sit down,

363
00:24:45,680 --> 00:24:52,359
that's right. Where's Lynn dead? I don't believe you. I'll

364
00:24:52,359 --> 00:24:52,759
talk to you.

365
00:24:53,079 --> 00:24:55,079
Speaker 5: Look once before you told me Lynn was dead. I

366
00:24:55,519 --> 00:24:57,039
just talked to Lynn less than an hour ago.

367
00:24:57,480 --> 00:24:58,599
Speaker 2: That's funny. She's dead?

368
00:24:59,519 --> 00:25:01,960
Speaker 5: Whereas she aaron a bedroom?

369
00:25:02,000 --> 00:25:02,799
Speaker 2: You want to see her?

370
00:25:03,759 --> 00:25:04,720
Speaker 5: Died after she called me?

371
00:25:04,839 --> 00:25:06,480
Speaker 2: Huh? You want to see her? Mister Martin?

372
00:25:06,559 --> 00:25:12,279
Speaker 12: No, no, I have a good stand. Well, I guess

373
00:25:12,319 --> 00:25:15,319
I'll be going, mister Clover. I guess the papers will tell.

374
00:25:15,200 --> 00:25:16,440
Speaker 5: Me the where and plant about it.

375
00:25:16,480 --> 00:25:22,599
Speaker 2: That's Guneral, don't go, mister Markham. Why not? Then's not

376
00:25:22,720 --> 00:25:24,839
in her bedroom? She died hours ago.

377
00:25:26,599 --> 00:25:29,599
Speaker 12: I don't get you. What are you doing playing crazy games?

378
00:25:29,680 --> 00:25:32,359
You get your kicks playing with a dead girl's name?

379
00:25:32,480 --> 00:25:35,000
She is here, she isn't here, she's dead, she isn't dead.

380
00:25:36,400 --> 00:25:37,480
Who called me anyhow?

381
00:25:38,319 --> 00:25:39,000
Speaker 2: Police woman?

382
00:25:39,759 --> 00:25:45,440
Speaker 5: Policewoman? Well be proud, funny funny game you policeman play?

383
00:25:46,119 --> 00:25:47,680
Speaker 2: Why did you come here? Mister Markham?

384
00:25:47,880 --> 00:25:49,920
Speaker 12: I'm a sucker for phone clothes. A girl calls and

385
00:25:49,920 --> 00:25:51,720
tells me she's alive. I get happy about it, and

386
00:25:51,799 --> 00:25:52,400
I call it cat.

387
00:25:52,400 --> 00:25:55,039
Speaker 2: That's not the reason. Read my mind for me, all right.

388
00:25:56,160 --> 00:25:58,160
You came here to finish what you started out to do,

389
00:25:58,240 --> 00:26:00,640
to kill in Housetead. I got to take this from you. No,

390
00:26:00,880 --> 00:26:03,039
you can just submit to arrest. Come downtown, call a

391
00:26:03,119 --> 00:26:06,279
lawyer and tell him you're being held for murder. Even

392
00:26:06,400 --> 00:26:09,039
let you call your family, tell them the same thing.

393
00:26:12,400 --> 00:26:14,799
What's on your mind? You didn't know whether Lynn was

394
00:26:14,799 --> 00:26:17,279
dead or alive, and for just now did you? You

395
00:26:17,359 --> 00:26:20,000
just knew the girl who was first identified as Lynn

396
00:26:20,079 --> 00:26:20,880
wasn't really her.

397
00:26:21,079 --> 00:26:23,079
Speaker 5: You told me she was. I believed you. I shouldn't.

398
00:26:23,079 --> 00:26:24,759
Speaker 2: I believe you didn't believe me. The first time I

399
00:26:24,799 --> 00:26:26,400
talked to you. You knew the girl dragged out of

400
00:26:26,400 --> 00:26:28,559
the river wasn't Lynn, because how could Lin have gotten

401
00:26:28,640 --> 00:26:32,400
to the river. You must have gone out of your mind, mister,

402
00:26:32,920 --> 00:26:35,759
shoot her girl? And there's no no news of the shooting,

403
00:26:36,440 --> 00:26:39,599
just waiting and a girl has identified as Lynn holstaid.

404
00:26:39,640 --> 00:26:41,559
You knew it wasn't Lynn Holstead at all. All you

405
00:26:41,559 --> 00:26:43,279
could do was wait, what are you mixing me up?

406
00:26:43,279 --> 00:26:44,200
Speaker 5: In this war? Anyhow?

407
00:26:44,240 --> 00:26:47,240
Speaker 2: I got a family, I had a family. When Lynn

408
00:26:47,240 --> 00:26:51,240
Holst did walk into your office, she's a beautiful girl,

409
00:26:51,279 --> 00:26:53,519
and I told her that how much were you paying

410
00:26:53,559 --> 00:26:54,319
her as the secretary?

411
00:26:55,200 --> 00:26:57,400
Speaker 5: Well, well she was a good secretary. I paid her

412
00:26:57,480 --> 00:26:58,599
seventy five dollars a week.

413
00:26:58,960 --> 00:27:00,680
Speaker 2: She could have recorded her play here at the Lena

414
00:27:00,720 --> 00:27:01,400
de Poppins Man.

415
00:27:01,519 --> 00:27:03,920
Speaker 5: She started at fifty, but I raised her at seventy five.

416
00:27:04,039 --> 00:27:06,279
Speaker 2: How could she afford to buy that cottage in Long Island?

417
00:27:11,200 --> 00:27:13,920
I thought about that, mister Montshom, and I asked myself

418
00:27:13,920 --> 00:27:17,480
a question. If a real estate broker has a friend,

419
00:27:17,519 --> 00:27:19,920
then he wants to keep the friendship quiet.

420
00:27:19,759 --> 00:27:21,400
Speaker 5: Right, all right?

421
00:27:22,799 --> 00:27:25,160
Speaker 2: All right? I gave her, but she gave it back

422
00:27:25,200 --> 00:27:27,680
to it, didn't she everything in it? She found her boy,

423
00:27:27,759 --> 00:27:29,319
She fell in love with love.

424
00:27:30,720 --> 00:27:34,200
Speaker 12: That's love that she had with that soap slinger in

425
00:27:34,200 --> 00:27:35,359
that Ten Saint restaurant.

426
00:27:35,440 --> 00:27:37,720
Speaker 2: I told you the selad do anything you wanted, but

427
00:27:37,920 --> 00:27:41,079
she didn't want any strings attached to you anymore. So

428
00:27:41,200 --> 00:27:41,799
you killed her.

429
00:27:42,000 --> 00:27:46,559
Speaker 5: That's love what she had with that soap slinger. Cheap movies,

430
00:27:47,240 --> 00:27:50,000
walking in the park, that's love. Listen.

431
00:27:50,039 --> 00:27:52,039
Speaker 12: I've been through it when I was a young plunk.

432
00:27:52,799 --> 00:27:54,559
Do you think that kind of stuff was for Lynn

433
00:27:54,880 --> 00:27:57,319
you I thought I did. I'd sweated through it for

434
00:27:57,400 --> 00:27:58,000
four days.

435
00:27:58,000 --> 00:27:58,319
Speaker 5: I did.

436
00:27:58,839 --> 00:28:02,279
Speaker 2: Let's go down on you think that's fire.

437
00:28:02,960 --> 00:28:07,440
Speaker 5: It's all right, children. What do you think I want anyhow? Punk?

438
00:28:08,400 --> 00:28:12,319
Tell me you punk? What do you think I want? Anyhow?

439
00:28:30,880 --> 00:28:34,519
Speaker 2: Broadway is quiet now the hour without color, six o'clock,

440
00:28:34,559 --> 00:28:38,039
on the hour of going home. But in a violet

441
00:28:38,319 --> 00:28:40,720
night will dip down and touch the streets, and they'll

442
00:28:40,759 --> 00:28:44,319
be fury again. I rack and roar and crowd the

443
00:28:44,400 --> 00:28:49,519
puppet dance into a screaming furnace of light. It's Broadway,

444
00:28:50,039 --> 00:28:55,400
the gaudiest, the most violent, lonesomest mile in the world.

445
00:28:56,160 --> 00:29:02,799
Broadway might beat.

446
00:29:14,640 --> 00:29:18,640
Speaker 3: Broadway is My Beat stars Larry Thor as Detective Danny Clover,

447
00:29:19,039 --> 00:29:23,039
with Charles Caliptasta Taglia, and Jack Krushian as Muggavan. The

448
00:29:23,119 --> 00:29:26,400
program was produced and directed by Elliott Lewis, with musical

449
00:29:26,440 --> 00:29:30,480
score composed and conducted by Alexander Courage. In Tonight's story,

450
00:29:30,640 --> 00:29:33,839
William Conrad was heard as John Martin and Herb Butterfield

451
00:29:33,839 --> 00:29:36,839
as Doctor Halstead. Featured in the cast for high affback

452
00:29:37,039 --> 00:29:44,400
Joyce McCluskey and Bob Brude if you like Arthur Godfrey,

453
00:29:44,480 --> 00:29:48,039
you love King Arthur Godfrey's Roundtable. It's in session every

454
00:29:48,079 --> 00:29:51,359
Sunday afternoon on most of these same CBS Radio stations,

455
00:29:51,599 --> 00:29:54,880
bringing you the best moments from all of Godfrey's weekday sessions.

456
00:29:55,279 --> 00:29:57,920
There's music, song and fun with Arthur g and all

457
00:29:57,960 --> 00:30:01,240
the little Godfrey's When King Arthur Godfrey Roundtable holds Open

458
00:30:01,319 --> 00:30:03,440
Court Sundays on CBS Radio.

459
00:30:06,319 --> 00:30:08,039
Speaker 2: De Landers Speaking, and.

460
00:30:08,039 --> 00:30:11,599
Speaker 3: Remember those lovable rascals Zamos and Andy are here every

461
00:30:11,720 --> 00:30:18,279
Sunday on the CBS Radio Network.

462
00:31:11,519 --> 00:31:19,440
Speaker 1: Welcome Back. Pretty mysterious set up, but with a pretty

463
00:31:19,480 --> 00:31:25,160
standard solution where a woman decided she wanted a real

464
00:31:25,279 --> 00:31:31,119
relationship rather than just all the trappings that money could buy,

465
00:31:32,279 --> 00:31:36,559
and her benefactor is unable to deal with it. Good

466
00:31:36,640 --> 00:31:40,079
job acting by William Conrad. I had to chuckle a

467
00:31:40,079 --> 00:31:45,119
little bit because someone posted on one of the YouTube

468
00:31:45,240 --> 00:31:50,240
versions of this episode. Someone posted a spoiler for the episode,

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but I uh slightly messed it up. They said that

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Robert Conrad did it wrong. Actor my friend all right?

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Listener comments and feeback now now and Naomi comments regarding

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the John Dottson murder case, infidelity equals outside interest with

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a laughing smiley. I missed gold fashion euphemisms. Then some

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comments on our listener survey, we have this from Jim

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00:32:23,319 --> 00:32:27,720
and San Jose. Adam is very knowledgeable and runs a

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00:32:27,720 --> 00:32:30,720
great podcast. And Alan rites I've been listening to this

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00:32:30,839 --> 00:32:34,519
podcast for at least ten years. Very enjoyable. Well, thanks

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00:32:34,519 --> 00:32:39,920
so much for listening, and Alan again listening from the UK. Well,

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now it's time to think our Patreon supporter of the day,

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00:32:44,000 --> 00:32:46,440
I want to go ahead and ninth Phil. Phil has

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00:32:46,519 --> 00:32:50,559
been one of our Patreon supporters since March twenty eighteen,

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00:32:51,200 --> 00:32:55,440
currently supporting the podcast at the Detective Sergeant level of

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00:32:55,599 --> 00:32:58,680
seven dollars and fourteen cents from more per month. Thanks

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00:32:58,759 --> 00:33:01,599
so much for the support, Phil, and that will do

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00:33:01,640 --> 00:33:04,839
it for today. If you're enjoying the podcast, please follow

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00:33:04,920 --> 00:33:08,920
us using your favorite podcast software and be sure to

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00:33:09,000 --> 00:33:11,960
rate and review the podcast wherever you download it from.

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00:33:12,599 --> 00:33:17,720
We'll be back next Wednesday with another episode of Broadways

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My Bait, but join us back here tomorrow for drag netwere.

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Speaker 3: About the arrangements your husband made with Daniels to Leasea's apartment,

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Miss Cameron.

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Speaker 13: When it was all this we could go Monday, the

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day after I moved down here. My husband and Ralph

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Ashby saw the rental ad in the paper and they

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went over and talked to Daniels. He said, all right,

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he had an apartment for the Ashby's one for us,

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nice places too.

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Speaker 2: See.

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Speaker 13: Ralph and my husband signed the leases, gave him the

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first and last month's rent in advance.

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Speaker 10: Was all decided.

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Speaker 2: Well, how is it you couldn't move in right away,

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miss Canton?

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Speaker 13: He said he was having an apartment house redecorated. Daniels,

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did I mean? He told Ralph and my husband the

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apartments would probably be ready for us on the eighth

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That was yesterday, he said, the ninth, for sure, And

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that's today.

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Speaker 3: And you tried to move in this afternoon and Daniel's

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refused to let you in.

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Speaker 13: As that is, I had the movers get all our

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things out of storage and move them out to the apartment.

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So then my girlfriend Doris the movies. We're just starting

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to get our furniture out of the van and moving

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into the apartment with mister Daniel showed up. He acted

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like a crazy man.

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Speaker 2: Want'd you give you any reasons why he couldn't move in?

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Speaker 13: We tried to give us a lot of reasons. None

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of them made me sin.

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Speaker 1: I hope you'll be with us then. In the meantime,

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00:34:17,719 --> 00:34:22,440
send your comments to Box thirteen at Greatdetectives dot net,

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00:34:22,960 --> 00:34:27,320
follow us on Twitter at Radio Detectives, and check us

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00:34:27,360 --> 00:34:33,199
out on Instagram, Instagram, dot com, slash Great Detectives from Boiseadah.

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This is your host, Adam Graham signing off.