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Speaker 1: You're listening to w M and H.

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Speaker 2: The Commander don't get Supreme Lea Matzell.

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Speaker 3: Coming, Welcome everybody.

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Speaker 4: Here we go.

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Speaker 5: It is that time again, Matt Connorton Unleashed and we

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are live from the studios of w M n H

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ninety five point three FM and Glorious, very cold, but

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glorious Manchester, New Hampshire. Today is Saturday Day, February twenty two,

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twenty twenty five. Lots going on on the show today

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and I am not alone.

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Speaker 6: Jenny Junsure, Good morning, Sunshine.

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Speaker 5: Jenny is here at the news table present and uh,

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we're gonna, well, there's a lot going on and we're

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going to I think what we'll do is well tell

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us about remind people about the uh the art show

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coming up, and then we're gonna and then we've got

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something to play that I'm really looking forward to sharing

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with everybody.

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Speaker 7: But yeah, absolutely so.

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Speaker 6: Coming up next month is the Uncensored Underground Art Experience

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our March fiftee from six to eight pm at twenty

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Garden Walk right.

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Speaker 7: Here in the Queen City of Manchester.

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Speaker 6: It is a showcase of political, provocative and other anti

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censorship art not say not Safe for work and not

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suitable for all audiences, right, featuring artists such as Hazel Grindark, Dappar,

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Thom Porsia Jones, and many many more. So come check

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out the Uncensored Underground Art Experience. I am proud to

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say that some of my pieces from what's called My

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Insurance Collection is going to be on display, which is

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a lot of fun for me. Actually, yes, I just

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ordered some more three D glasses.

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Speaker 5: Oh, very cool because one of the.

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Speaker 6: Paintings, if they choose that one, has some really cool

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effects with.

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Speaker 7: Three D glasses. Oh okay, yeah, it's a claims Asian

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on fire.

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Speaker 5: Oh yeah, guess what?

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Speaker 8: Right?

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Speaker 6: So yeah, if you want to check out the Insurance

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Collection and find out what that is and more about me,

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you can.

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Speaker 7: Go to Gencoffee dot com, j E N N C

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O F f uy dot com.

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Speaker 5: Outstanding. Well, we do have a busy show for you

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coming up in the second hour. Singer song writer Sean

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Manchester is going to be here, and actually at the

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top of the second hour, we have the American radio

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premiere of a brand new track from John Denton, and

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then we're going to go right into our segment with

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Sean Manchester. Who's just fantastic, really looking forward to that.

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In the third hour, Warmonger will be joining us. We'll

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actually be opening the third hour with the brand new

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track from the American radio premiere of Elijah Jenkins new

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track Stay Tonight, and then we'll be talking with the

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guys from Warmonger. And at the close of the show. Today,

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we've got a world radio premiere our friend Gary Smith,

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one of the busiest musicians we know. He's got a

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brand new song with one of the guys from Leon

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Trout and it's called Confluence and it's really cool, really

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interesting instrumental track. So there's lots going on. But what

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we're going to do now to kind of open things

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up today, we've got the American radio premiere of a

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brand new track called Warmongers, and I'm gonna tell you

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a little bit about it before we play it. This

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is interesting. So the artist is yon Man from the UK,

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better known to some as Roy Fletcher, but but now

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he is going by for his solo music, he's going

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by the name yon Mon. Following on from his debut

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shine On, which is another great track. X Shed Project

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front man Roy Fletcher is back under his new solo

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project named yon Mon. His new single is called Warmongers,

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and this is I was looking forward to speaking with

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him about it. Unfortunately, he's had a family emergency, so

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he's not able to join us live this morning, so

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we hope everything works out. Okay. He did contact us

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right before the show and explain what's going on, so

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so our thoughts are with him and his family. But

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in the meantime, so we will reschedule him for an

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actual interview because I'm I'm dying to talk to him.

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But this is really a great track and it hits hard.

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So without further ado, here it is to kick things

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off today on this very busy show. This is Warmongers

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by yon On. This is the American radio premiere. The

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track just dropped yesterday on all the platforms, but you

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will not hear this on any other American radio station yet.

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But this is the American radio premiere of Warmongers by

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jan Mond, running.

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Speaker 1: Less and mustallars off of Ruffin and Greed. But we

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left s to see same lescy you really believe roughly

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guess want big lie.

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Speaker 4: I can see the smoke in this guy.

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Speaker 8: Around the other the west.

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Speaker 1: Somewhere that's flat size. So Scottist leave the west and

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south now, I was your own.

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Speaker 2: Money does not grow alterations, you break the most all around.

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Speaker 1: The guests bread says sol start steel steel the welting

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somewhere else has flat size and sell Scottiste live in

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the wilting.

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Speaker 4: So much.

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Speaker 1: Mass conferends a fame, so so stop still, Let's.

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Speaker 2: Steep be your fi the other.

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Speaker 1: The wlfare so wesday hat it's must friends fame, so

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so stop still, let's step.

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Speaker 5: Your fee the other.

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Speaker 1: The wil fast as we will fast us. Yeah, mid

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the world is almost.

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Speaker 5: That is the American radio premiere of Warmongers by Yon Munn.

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And if you are just joining us and you are

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hoping to hear us speak with him. He's had a

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family emergency, so we will reschedule. But I'm very, very

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interested to speak to him about that song. So that

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was awesome. Yeah, yeah, really really great track. Although I

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I do hope that it's not prophetic, you know. I

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it's so catchy. I find myself singing along, you know,

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at the end, But I hope those lyrics aren't true.

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His prediction at the end of the world is almost here.

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But I think people generally always think that the end

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of the world is near whenever wherever they exist in

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history and all the asteroid. Yes, yes, they'll figure out

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a way to the world. Deflect that if need be.

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I'm sure, but yes, but but but a great, great track.

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Speaker 7: It's funny, So I was, I said, the world's kind

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of heart right now, but except for here, it's freezing.

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Speaker 5: I was about to be warm here next week is

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going to be.

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Speaker 7: In the fotch.

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Speaker 5: Oh, absolutely, we've earned it. Interesting though, so his real name,

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of course, Roy Fletcher from a band called The Shed Project,

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and they've done a lot in the UK. But I

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was checking out a couple of his previous This is

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not the first single that he's released under yon mon uh.

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He has a couple of others. That's his uh name

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for a solo work, and I'm particularly interested asking what

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that means yon Man. I assume there's some sort of

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meaning behind it. But the other tracks, the previous two

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singles that he's already released under Yon Man, they've got

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kind of a fun britt pop, you know, they're kind

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of light britt pop, kind of a vibe.

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Speaker 9: You know.

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Speaker 5: So it's interesting to hear such a such a serious

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track from him, but I really like it and you'll

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be hearing that more on the show regardless, because that's

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a that's a great track. Warmongers by yan Mon, I

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do want to say hello to In the Facebook live chat,

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Mike McDowell, better known as the Healer, says, let's go

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good morning Matt and Company from the Spot and Devoted Repairs.

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Of course, when he was on the show talking about

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the Spot, his new place they're going to have all

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ages events and so forth. Then of course Devoted Repairs

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is Auto Repair establishment, and he's one of the great

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people that we've met through Terminus and New Hampshire Underground right,

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our friends Eleanor and Andre and everybody there, so great place,

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and Mike of course doing very positive things in the

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world which we appreciate, so very very good if you

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are just joining us, of course, we do have a

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very busy show ahead. At the top of the hour,

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we're going to have the American radio premiere of the

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new track from John Denton and Sean Manchester will also

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be here with us in studio during the second hour.

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Let's see.

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Speaker 6: Actually, just because you mentioned it, let's just remind folks

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that the New Hampshire Underground is a great community place.

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It operates in national Yes, and this place has been

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built by some really amazing creatives and it's meant to

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be a place where people can get together, where people

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can work together, like this area is for artists to

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get together. There's an area where people can come in

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and actually be a band or practice with instruments. Is

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a room that's available that you don't have to have

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on a regular basis, like you can go there and

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utilize it as needed. There are a lot of practice

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rooms as well. There's a lot of artists in there,

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and of course it also houses Terminus, which is a

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great small stage for to see a lot of local

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artists and people that come through.

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Speaker 7: In fact, we saw Green Jello there which was pretty insane. Yes,

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and it's the home of.

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Speaker 6: Dead Harrison, which you've been around the music community here,

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you know Dead Harrison. And the Nashville Underground is actually open.

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The New Hampshire Underground is actually located in Nashville. I

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can speak at one thirty four Haynes Street. So look

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up New Hampshire Underground. It's on Facebook, it's on the net.

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Look up Terminus. Check it out. They got shows coming

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up throughout all the time. In fact that they've got one, uh,

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they've got one coming up March thirtieth. Yes, actually that

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one's gonna have Sunset Electric Doggy Dog Questioning Beast doors

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are going to open at six byo B twenty one

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plus fifteen dollars entry fee.

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Speaker 7: Called the Night of the Fool.

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Speaker 5: Yeah, we were there for the open house for the

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official changeover the evolution if you will, to New Hampshire Underground.

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And yeah, I was amazing. It was fantastic what they've

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done with it.

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Speaker 7: I mean it was already a really they're really good cookies.

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Speaker 5: Oh yeah, the cookies. Yeah, I really like the Yeah,

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they were good. But yeah, absolutely please support our New

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Hampshire Underground and Permanus Underground and you know, and anybody

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who's anybody who's doing great things in the music scene,

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absolutely asolutely.

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Speaker 10: Yeah.

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Speaker 5: Green Jello, Yeah that was a lot of fun.

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Speaker 7: That was crazy.

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Speaker 5: We've been kind of following though online. I guess Slim

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Jelly is no longer playing bass and Green Jello.

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Speaker 7: He loves them. She just needed she needed to break

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off and do her own thing for a bad Yeah.

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Speaker 6: I've been watching her and she's getting ready to actually

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tour on her own, so you'll be able to get

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the fleshy.

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Speaker 5: Thinky Flesh is the name of her project.

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Speaker 6: Yeah, you should definitely look her up. She is a

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lot of fun and she's amazing to watch in concert. Absolutely,

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let me tell you, I've loved seeing her live. You

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got to see her live. She's just great.

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Speaker 5: By the way, speaking of amazing concerts, we should talk

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about so, you know, obviously for the past I don't know,

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almost a year and a half. You know, we don't

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do politics on the show anymore, but we might have

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another subject we can discuss that is not really not political,

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but we'll still make some people angry, which is fun.

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Very divisive issue is the surprisingly the super Bowl halftime show, Like.

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Speaker 7: One of the very few people that was like, why

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are you guys upset?

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Speaker 5: Like I don't I know, well, my post on social

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media that night, Wow, yeah, I said, and uh, I'm

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trying to remember verbade in what I wrote. I said,

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are Jenny and I the only white people our age

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who actually enjoyed Kendrick Lamar's halftime performance? Because from what

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I'm seeing on social media, a lot of you would

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have preferred they wheeled out Grand Funk Railroad or something,

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and and I.

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Speaker 7: Don't get that, And I mean I really don't care.

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Speaker 6: I mean, we were sitting there watching it, and one

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of my first reactions was I loved the dancers.

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Speaker 5: Yeah, And I was like, oh, that's awesome.

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Speaker 6: They're not a bunch of scandily clad women like they

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got some. I loved the dancers. I loved the way

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they were dressed. I loved the American theme. I loved

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the the just the whole sequence of the way they

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were dancing and how they were floating across the stage.

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Speaker 7: And I thought it was so odd. I really loved it.

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I enjoyed it.

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Speaker 5: Samuel L. Jackson as Uncle Sam seriously perfect, right, which

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I'm sure bothered some people. Why, well we know why.

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But I thought it was cool.

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Speaker 11: Why not?

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Speaker 5: But I thought it it was pretty cool.

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Speaker 7: No, I love how you called out the world too, ah,

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don't be too and.

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Speaker 1: By the way, too loud.

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Speaker 5: And and by the way, I do want to clear

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up one thing, though I didn't mean any in my post.

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I didn't mean any disrespect to Grand Funk Railroad. I

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hope no one takes that run. I mean, look, I

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I was They're an American band. They're coming to your town.

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They'll help you party down. They're an American band, So

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no disrespect, I just uh no. But but actually so

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it turns out though there are quite a few, uh

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just looking at the responses to my posts, there are

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quite a few white people our age and older who did,

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in fact enjoy Kendrick Lamar's performance. But but a lot

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of people, a lot of people didn't be you know,

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some people, uh just don't like hip hop, which is fine,

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you know, it's okay to not like hip hop. But

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some people got got really carried away when some people

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go so over the top with their criticism and that

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they're like, oh, it was a political statement and that,

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which which, by the way, it was not. It's certainly

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not overtly in my you know, you can you can

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read into it whatever you want to.

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Speaker 6: But I mean, really a little bit, I think people

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missed the missed the punchline in part with Serena Williams.

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Speaker 7: Yeah, it's not just that she's an ex of Drake.

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Speaker 6: Yeah, her doing a kriv walk was a big deal

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because when she was at Wembley when she won gold,

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she did that and.

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Speaker 7: Was absolutely poo pooed on across. People were mad. Everybody was,

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how dare she do that? Karda dance?

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Speaker 6: Oh yeah, you know when they do it in the

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end zone and football is fine.

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Speaker 4: But you know she did.

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Speaker 7: She did a happy dance for winning it. They were

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just all over her. So her I think her doing

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that was more than just I'm Drake's ex.

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Speaker 6: It was taking back her power as a woman as

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doing what she did, saying yeah, I I earned every

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bit of the respect that I should have.

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Speaker 4: She did.

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Speaker 7: She's an amazing athlete.

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Speaker 5: Oh absolutely. I don't know if it is okay to

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do that in the end zone in football? Can you dance?

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Speaker 1: Isn't that?

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Speaker 5: Isn't that against the rules?

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Speaker 7: I thought they had dancing.

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Speaker 5: I don't know.

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Speaker 7: Touchdown I think I think that against somebody.

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Speaker 5: Somebody in the chat room can tell us. I might

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be wrong.

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Speaker 7: I thought they were allowed to do like the victory

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dance when they score a touchdown.

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Speaker 5: I don't think I think that's considered a show voting

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or something. I don't think we're supposed to do that

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or sportsmanship. I might be wrong. I might be completely wrong.

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Speaker 7: I think football was kind of the birthplace of the

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the touchdown down.

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Speaker 5: Jenny and I are not. We are not fans of

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sports ball, so we could be wrong about these things.

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Just to clarify for people, we didn't. It's not like

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we actually sat and watched the Super Bowl. We would not,

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we would that. We we just we just went back

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and watched the halftime show later, and yeah, I'm we

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We we really enjoyed it. You know, a lot of

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people just don't. If you don't like hip hop, then

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you're you're not gonna like it, and that's fine. You're

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allowed not to like h And I like hip hop,

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Yeah I do too.

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Speaker 6: I like almost all gendres of the one genre I'm

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not a particular fan of I'm not gonna say because

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I respect all the artists and everything they come in here,

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and and really it's different when it's live, let me

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just say, oh but huge difference.

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Speaker 7: But I I loved the sequencing. I like how they

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blended into each song.

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Speaker 5: And it all built to something. It built which will

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which will, which we'll talk about in a second. But

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Nathan Hill, who's in the chat room, who's a very

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talented musician, he's gonna be coming on the show soon,

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really looking forward to that. Nathan Hill says only a

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little dance and can't be a whole group taunting type thing. Okay,

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so as long as it's relatively restrained, just a little,

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a little dance, they're allowed to do that. Yeah, okay,

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that makes sense.

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Speaker 7: But again, like that's the invention of the birthplace of

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the happy dance.

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Speaker 6: I scored a touchdown. That's football is the birthplace of it,

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you know what I mean? She was, she was happy

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in the moment. She has won like the greatest she's

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meant possible in her industry, in her in her chosen field,

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and she got really attacked over it. So to have

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her come on the Super Bowl and take back her

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power and do that dance and say I'm proud of

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everything I've accomplished.

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Speaker 7: I think it's more than just she's Drake's ex girlfriend.

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I think the people.

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Speaker 6: I mean sure, I'm sure that played a little bit

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of a role, because good for her man he was

348
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so rotten to her. She deserved every moment of that too.

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But I don't want to cheap in the fact that

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we're talking about an olympian here who earned every right

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to do her touchdown chance.

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Speaker 5: Yeah, oh absolutely, that's my opinion.

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Speaker 6: I don't understand why everybody's so angry. I don't get

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the anger of it. I thought it was cool that

355
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there was so much. I mean, it was patriotic as heck. Yeah,

356
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get the American flag built out with the dancers. But

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they seek why why doesn't that? Why isn't that I

358
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thought I was pretty pretty patriot.

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Speaker 5: Well, like I said, you know, some people just don't

360
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like hip hop. But also but some people just just

361
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like I said, some people just go way over the

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top with it. And they see they see this overt

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political statement, they see it a threat, as a threat

364
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to them, and you know, they clearly prefer kid rock

365
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or something, you know. And and I will say this though,

366
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I I do want to defend like people who didn't

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like it just because they don't like hip hop, or

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just because they didn't like the mix and and they

369
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felt like they couldn't hear them clearly enough or whatever,

370
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that's all valid.

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Speaker 7: I do want to I do.

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Speaker 5: Want to defend those people a little bit because because

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the other the other thing that happens, unfortunately is you know, everybody,

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everybody gets ramped up on both sides, and so then

375
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you have you have the people who that just isn't

376
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their thing getting attacked automatically being labeled as racist because

377
00:20:56,079 --> 00:20:58,799
they didn't like it. And that's not cool either. You're

378
00:20:58,839 --> 00:21:01,559
allowed not to like it, you're allowed not You're allowed

379
00:21:01,640 --> 00:21:03,400
not to like that kind of music. You're allowed not

380
00:21:03,480 --> 00:21:06,039
to like that kind of performance. That doesn't make you racist,

381
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Which is not to say that some of the what

382
00:21:09,039 --> 00:21:12,759
I saw online, some of what I saw online, people

383
00:21:12,839 --> 00:21:15,839
angry about it, who did go way over the top. Yeah,

384
00:21:16,000 --> 00:21:21,119
there's clearly something and more, you know, Yeah, yeah, so

385
00:21:21,279 --> 00:21:25,279
some some of them. Excuse me, I'm good worked up.

386
00:21:25,400 --> 00:21:29,559
So some of those people, Yeah, especially the people who

387
00:21:30,720 --> 00:21:33,720
believe that it was like, you know, some sort of

388
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really overt aggressive political statement. Yeah, those people, I think

389
00:21:38,759 --> 00:21:41,240
there's something going on there. But but I don't. But

390
00:21:41,319 --> 00:21:43,319
I don't want to paint everybody that way. Some people

391
00:21:43,400 --> 00:21:45,200
just don't like Look, if you don't like rap music,

392
00:21:45,359 --> 00:21:47,720
you're not gonna like that, and that's you're allowed not

393
00:21:47,839 --> 00:21:51,359
to like that. I liked it, and you liked it, and.

394
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Speaker 7: They did when they did it before, and it was

395
00:21:54,200 --> 00:21:57,200
like eminem up there. I didn't hear so much. I

396
00:21:57,240 --> 00:21:59,079
feel like I didn't hear as much complaining about it.

397
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Speaker 5: I don't know what you say, well, yes, that so,

398
00:22:03,200 --> 00:22:04,960
although although.

399
00:22:04,799 --> 00:22:08,440
Speaker 7: It's where my head's like, you all got a different

400
00:22:08,480 --> 00:22:09,400
reason for not liking it.

401
00:22:10,160 --> 00:22:13,039
Speaker 5: Although interestingly, Eminem, though, I will point out, he does.

402
00:22:13,200 --> 00:22:13,680
Speaker 4: He does.

403
00:22:15,160 --> 00:22:18,240
Speaker 5: His style and his flow. He does enunciate, although he's

404
00:22:18,519 --> 00:22:20,160
sometimes it's hard to tell what he's saying because he's

405
00:22:20,160 --> 00:22:22,559
so fast, he can go very fast. But he does

406
00:22:22,799 --> 00:22:24,039
enunciate his words clearly.

407
00:22:25,279 --> 00:22:26,000
Speaker 7: So does Lamar.

408
00:22:27,319 --> 00:22:30,519
Speaker 5: Yeah, but not not not as much eminem. Eminem is

409
00:22:30,680 --> 00:22:34,720
very precise. We could have a whole other conversation about that.

410
00:22:35,000 --> 00:22:40,480
But but yeah, so so you know who, Oh boy, don't.

411
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Speaker 7: Shopping later. I need my suit.

412
00:22:43,480 --> 00:22:45,960
Speaker 5: I am struggling. Let me take another gulf of water here.

413
00:22:46,759 --> 00:22:48,640
Speaker 7: Like I crave it on Saturdays, I have to have

414
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my sushi.

415
00:22:49,400 --> 00:22:52,359
Speaker 5: You know who else really enjoyed it, because he said

416
00:22:52,400 --> 00:22:54,599
on Facebook and he texted me about it too, is

417
00:22:54,680 --> 00:22:57,440
my dad. And it's funny because people who don't know

418
00:22:57,559 --> 00:23:00,920
my dad, or people who only know my dad online

419
00:23:00,920 --> 00:23:04,519
from his political posts and stuff, might be surprised. But

420
00:23:04,839 --> 00:23:07,400
but I actually was not surprised. My dad liked it

421
00:23:07,599 --> 00:23:11,359
a lot. And your dad's military, yeah, he's a veterinarian.

422
00:23:11,440 --> 00:23:13,279
But the thing about my dad is. He's always liked

423
00:23:13,319 --> 00:23:16,160
hip hop. I remember when when they did the remember

424
00:23:17,160 --> 00:23:19,039
a few years ago when they had uh who was it?

425
00:23:19,119 --> 00:23:20,920
They had Doctor Dre and fifty.

426
00:23:20,720 --> 00:23:24,720
Speaker 12: Cent and you know legends and hip hop's Oh yeah, yeah,

427
00:23:24,759 --> 00:23:25,839
that's what I'm talking about.

428
00:23:26,119 --> 00:23:28,920
Speaker 7: Any to hear complaints after that, No, no, well.

429
00:23:28,799 --> 00:23:32,000
Speaker 5: I was some people, some people did, but although not

430
00:23:32,079 --> 00:23:33,960
to this extent. But I remember my dad texting me

431
00:23:34,000 --> 00:23:36,039
about that, saying how much he liked seeing Doctor Dre

432
00:23:36,200 --> 00:23:38,559
there and everything. So my dad's always liked hip hop.

433
00:23:38,599 --> 00:23:42,559
But my dad's always been someone too who really enjoys

434
00:23:42,599 --> 00:23:45,559
hearing new music. So you know, like you know, growing

435
00:23:45,640 --> 00:23:47,599
up a lot of people they have that generational thing

436
00:23:47,680 --> 00:23:49,960
with their parents where you know, their parents only like

437
00:23:50,039 --> 00:23:53,240
old stuff, you know, from their youth, and they don't

438
00:23:53,279 --> 00:23:56,039
understand the name. My dad was never like that. My

439
00:23:56,160 --> 00:23:58,519
dad even now at his age. You know, he lives

440
00:23:58,559 --> 00:24:00,160
on the Sea coast and he loves listening in the

441
00:24:00,319 --> 00:24:03,000
w u n H, the great college station there because

442
00:24:03,039 --> 00:24:04,359
he loves hearing new music.

443
00:24:04,640 --> 00:24:06,519
Speaker 7: Great place to hear independent artists, by the.

444
00:24:06,519 --> 00:24:10,000
Speaker 12: Way, absolutely not just rock, but hip hop too. He

445
00:24:10,200 --> 00:24:12,720
likes hip hop, So tune into the college stations. You

446
00:24:12,920 --> 00:24:15,680
will be amazed at some of the artists you can hear. Yeah,

447
00:24:16,599 --> 00:24:18,960
it's definitely worth it, definitely worth it. But yeah, I

448
00:24:19,000 --> 00:24:21,960
remember you talking about your dad always like being interested

449
00:24:22,000 --> 00:24:24,880
in new music and bringing that into the house, which

450
00:24:24,920 --> 00:24:25,440
is awesome.

451
00:24:25,559 --> 00:24:30,319
Speaker 6: Like you got to kind of grow up well rounded musically. Yeah,

452
00:24:30,839 --> 00:24:33,279
you know, it wasn't like a particular genre that.

453
00:24:33,400 --> 00:24:35,799
Speaker 5: Was like, yeah, exactly.

454
00:24:36,119 --> 00:24:38,759
Speaker 6: I grew up with like the Top one hundred you know,

455
00:24:38,960 --> 00:24:42,720
Casey Kaseam was on in our house, the top one

456
00:24:42,799 --> 00:24:46,440
hundred Rock and roll Hits of the day or whatever

457
00:24:46,519 --> 00:24:50,279
it was. I remember my grandmother winning a Rolling Stones

458
00:24:50,400 --> 00:24:57,640
album off of WBZ. Yeah, she loved those little contests.

459
00:24:58,000 --> 00:25:02,720
Speaker 5: So the other thing that I love, and you seem

460
00:25:02,759 --> 00:25:06,000
to be very into it as well, is the a

461
00:25:06,079 --> 00:25:10,319
good old hip hop beef. Yes, when people are beefing.

462
00:25:10,519 --> 00:25:13,559
Oh now, now the only time. I'm always fascinated by

463
00:25:13,599 --> 00:25:16,319
that kind of thing, always have been. As long as

464
00:25:16,400 --> 00:25:19,640
it doesn't end in violence, that's bad, you know, because

465
00:25:19,680 --> 00:25:22,240
we you know, we've luck we you know, of course

466
00:25:22,279 --> 00:25:26,640
in the nineties we lost Tupac and Biggie because of that.

467
00:25:26,880 --> 00:25:31,160
Not that I think I feel like I am struggling

468
00:25:31,200 --> 00:25:33,279
I feel like we're I feel like we're past that.

469
00:25:34,119 --> 00:25:35,880
I feel like we're past all that, though in the

470
00:25:36,000 --> 00:25:40,160
sense that you know, nobody's in danger, Like neither Kendrick,

471
00:25:40,240 --> 00:25:42,799
Lamar nor Drake are in any danger from any of them.

472
00:25:42,880 --> 00:25:44,960
Speaker 7: I hope not, at least I don't think like this

473
00:25:45,160 --> 00:25:47,160
this is all of a verbal thing or what have you.

474
00:25:47,240 --> 00:25:48,160
But I'll tell you what.

475
00:25:48,279 --> 00:25:50,480
Speaker 6: I keep go ending up on rabbit holes of watching

476
00:25:51,000 --> 00:25:54,960
other people reacting to when he finally because the build

477
00:25:55,039 --> 00:25:58,680
up is crazy. He keeps giving little little teasers about

478
00:25:58,720 --> 00:26:00,240
the song, and it's like, is he gonna play?

479
00:26:00,240 --> 00:26:00,279
Speaker 9: It?

480
00:26:00,400 --> 00:26:00,920
Speaker 7: Is gonna play?

481
00:26:00,960 --> 00:26:04,319
Speaker 6: You watch some of these reaction videos and you'll see

482
00:26:04,359 --> 00:26:06,519
people like he'll do a tease and people are like, ah,

483
00:26:07,000 --> 00:26:07,799
he's not gonna do it.

484
00:26:07,920 --> 00:26:09,759
Speaker 7: He's not gonna do it, like I want him to

485
00:26:09,839 --> 00:26:10,039
do it.

486
00:26:10,480 --> 00:26:14,000
Speaker 6: And then suddenly he starts it yeah, and people just

487
00:26:14,119 --> 00:26:18,039
go crazee those are And then you can see.

488
00:26:17,839 --> 00:26:19,119
Speaker 7: People like holding their breath.

489
00:26:19,440 --> 00:26:21,480
Speaker 6: When he gets right to the park he's about to

490
00:26:21,519 --> 00:26:23,960
do it, and he just looks that guy has got

491
00:26:24,000 --> 00:26:25,000
the killer grin.

492
00:26:27,720 --> 00:26:29,720
Speaker 5: He looks into the camera and says, say, Drake, oh

493
00:26:29,839 --> 00:26:32,480
my god, it was really good that kills me.

494
00:26:32,839 --> 00:26:35,160
Speaker 7: He has got the best. He does that grin more

495
00:26:35,240 --> 00:26:35,640
than once.

496
00:26:35,839 --> 00:26:40,119
Speaker 6: Yeah, he's got this side eye grin that's just freaking

497
00:26:40,359 --> 00:26:45,400
off right into the camera. Say Drake, let you and

498
00:26:45,519 --> 00:26:48,960
he just goes on and yeah, oh my god, and

499
00:26:49,079 --> 00:26:53,480
the whole super Bowl, all these people a mine.

500
00:26:55,279 --> 00:26:58,839
Speaker 7: Fungus chorus. That lawsuit, he just might as well drop it.

501
00:26:59,000 --> 00:27:01,000
I mean, come on, what are you gonna do?

502
00:27:01,200 --> 00:27:02,759
Speaker 5: Yeah, for those who don't know about that part. So

503
00:27:03,200 --> 00:27:06,279
this particular hip hop beef has escalated, though legally, because

504
00:27:06,319 --> 00:27:10,440
Drake is suing uh, he's suing the label and I

505
00:27:10,480 --> 00:27:13,480
think they're both on UMG. So Drake is like Limbiscuit

506
00:27:13,519 --> 00:27:16,079
is suing Universal Music Group. So is Drake. But he's

507
00:27:16,119 --> 00:27:19,039
suing over the Kendrick Lamar song because he's actually claiming

508
00:27:19,079 --> 00:27:21,799
definition of character, which is kind of like that's like

509
00:27:21,880 --> 00:27:24,920
the ultimate B move, right, and by B, I mean

510
00:27:25,000 --> 00:27:26,559
you know, I can't say it here, but you know

511
00:27:26,599 --> 00:27:31,000
what I'm saying, right, actually actually file a lawsuit over

512
00:27:31,079 --> 00:27:33,240
a dis track? Like who does that? Has anyone else

513
00:27:33,279 --> 00:27:36,279
ever done that? Usually you just respond with another dis

514
00:27:36,400 --> 00:27:38,599
track and you keep going. As this thing between them

515
00:27:38,640 --> 00:27:40,200
has gone on for a decade.

516
00:27:39,960 --> 00:27:45,079
Speaker 6: Yes, However Devil's advocate here, Yeah, he does literally accuse

517
00:27:45,160 --> 00:27:47,480
him of being a pedalle well, yes, yeah, so that.

518
00:27:47,599 --> 00:27:48,640
Speaker 7: Might cross that line.

519
00:27:49,160 --> 00:27:52,480
Speaker 6: This a little bit further than the general dis track, right,

520
00:27:52,720 --> 00:27:55,559
although I mean, at this point it's run how many Grammys?

521
00:27:56,039 --> 00:27:56,799
Speaker 7: How many awards?

522
00:27:56,920 --> 00:27:57,720
Speaker 1: Is the song one?

523
00:27:58,000 --> 00:27:58,119
Speaker 2: Oh?

524
00:27:58,200 --> 00:28:01,400
Speaker 7: Yeah, she's the guy's even gotta freakin what is it?

525
00:28:01,640 --> 00:28:02,720
He's got something crazy?

526
00:28:02,839 --> 00:28:03,000
Speaker 13: Is it.

527
00:28:04,640 --> 00:28:08,839
Speaker 7: Not a Peace Prize or is it Pulitzer Pulitzer?

528
00:28:09,559 --> 00:28:12,680
Speaker 5: Does he? Yeah, well, I got I got.

529
00:28:12,640 --> 00:28:15,519
Speaker 6: Something that was like never been done before and rap

530
00:28:15,759 --> 00:28:18,759
for this song. He has won so many awards for

531
00:28:18,880 --> 00:28:19,960
this song it's crazy.

532
00:28:20,039 --> 00:28:22,799
Speaker 5: Well not only that, but this just happened. The BBC

533
00:28:22,960 --> 00:28:27,319
is reporting Kendrick Lamar earns first UK number one with

534
00:28:27,519 --> 00:28:30,480
Not Like Us. So it's now it's his first number

535
00:28:30,519 --> 00:28:31,079
one in the UK.

536
00:28:31,640 --> 00:28:34,880
Speaker 6: And people are doing like TikTok dances and stuff, and

537
00:28:34,960 --> 00:28:39,559
they're doing like Serena's dance. It's just crazy to watch

538
00:28:39,640 --> 00:28:43,599
the videos, Absolutely crazy to watch the video. I wonder

539
00:28:43,640 --> 00:28:45,960
if that family that you guys played last night did

540
00:28:46,039 --> 00:28:50,680
it the Mother and Son the Mother and Son cover.

541
00:28:50,960 --> 00:28:54,559
Speaker 5: Oh from Yeah, I don't remember what they from Retrospectrum ra.

542
00:28:54,759 --> 00:28:57,359
Speaker 6: Yeah, Mariam was looking him up and it was really

543
00:28:57,400 --> 00:28:59,799
interesting to see the mix their old and news style.

544
00:29:00,039 --> 00:29:02,400
Speaker 7: I wonder if they've done that song, but a lot

545
00:29:02,400 --> 00:29:03,200
of people do it it now.

546
00:29:03,279 --> 00:29:06,839
Speaker 5: I've been a Kendrick Lamar fan for a long time. Yeah,

547
00:29:06,880 --> 00:29:10,000
I like him the only uh because I remember when

548
00:29:10,000 --> 00:29:12,839
we used to be on weekly afternoons during Black History Month.

549
00:29:12,880 --> 00:29:16,720
I would play some of his tracks, which it is

550
00:29:16,799 --> 00:29:22,039
right now February. But I've as far as Drake, and

551
00:29:22,160 --> 00:29:24,920
I have nothing against Drake, but I don't dislike Drake.

552
00:29:25,000 --> 00:29:28,079
But the only the only track by Drake I can

553
00:29:28,160 --> 00:29:29,960
think of that I really like. It came out like

554
00:29:30,039 --> 00:29:31,640
what maybe five six years ago?

555
00:29:32,240 --> 00:29:32,359
Speaker 10: Uh?

556
00:29:33,200 --> 00:29:36,200
Speaker 5: Nice for what I and I played that on the

557
00:29:36,240 --> 00:29:37,680
show once too. I don't remember why.

558
00:29:37,799 --> 00:29:42,640
Speaker 7: That never play. It's for me that song has been played.

559
00:29:43,200 --> 00:29:46,240
Speaker 5: It's so catchy though, very very catchy. Great bo I

560
00:29:46,319 --> 00:29:46,599
got you.

561
00:29:46,759 --> 00:29:46,960
Speaker 4: Yeah.

562
00:29:47,000 --> 00:29:49,519
Speaker 6: No, I've never been a Drake fan all that much myself,

563
00:29:50,160 --> 00:29:53,359
and never really followed Kendrick all that much, but I yeah,

564
00:29:53,440 --> 00:29:54,279
I love this song.

565
00:29:56,160 --> 00:29:58,960
Speaker 7: Actually, I loved the entire metally. Everything that they did

566
00:29:59,240 --> 00:29:59,920
was really great.

567
00:30:00,519 --> 00:30:03,279
Speaker 6: I liked the slowdown part and having her come out,

568
00:30:03,519 --> 00:30:07,400
and I really felt like everything they did was very

569
00:30:07,480 --> 00:30:10,079
well done, very tight, excellent.

570
00:30:09,759 --> 00:30:11,920
Speaker 7: Performance and see any issues?

571
00:30:13,279 --> 00:30:15,559
Speaker 6: And boy, can we just say the Super Bowl show

572
00:30:15,640 --> 00:30:18,319
has had so many issues over the years, but I

573
00:30:18,359 --> 00:30:20,920
think they're now saying like this is the most watched one.

574
00:30:21,039 --> 00:30:25,839
He's beat everybody on the most watched super Bowl performance

575
00:30:26,599 --> 00:30:32,079
in history. Oh, the viewership is insane, absolutely insane. But

576
00:30:32,160 --> 00:30:33,839
if you really want to laugh, you got to watch

577
00:30:33,880 --> 00:30:37,720
some of these reaction videos of people watching it. Snoop

578
00:30:37,799 --> 00:30:41,880
Dogg did one. There's a reaction video Snoop Dogg watching

579
00:30:41,920 --> 00:30:45,759
it live. Oh yeah, well yeah, they're from the same

580
00:30:46,039 --> 00:30:47,440
area to supporting each other.

581
00:30:47,759 --> 00:30:50,160
Speaker 7: Yeah, it's it's fun.

582
00:30:51,759 --> 00:30:56,880
Speaker 5: No, So yeah, I'm still it'll be interesting now to see.

583
00:30:56,720 --> 00:31:00,960
Speaker 7: If what happens with the lawsuit, right, yeah, well.

584
00:31:01,079 --> 00:31:03,240
Speaker 5: I'm also curious who like what happens with this beef

585
00:31:03,359 --> 00:31:05,559
because it seems like this is, like, to put it

586
00:31:05,640 --> 00:31:09,839
in wrestling terms, this was the WrestleMania main event between them,

587
00:31:09,880 --> 00:31:11,920
you know what I mean? Like this was yeah, because

588
00:31:12,000 --> 00:31:15,400
I don't see how Drake recovers. I don't see how

589
00:31:15,480 --> 00:31:17,440
Drake recovers. Yeah, to me, this was the finally ail

590
00:31:17,480 --> 00:31:18,000
in the coffin.

591
00:31:18,319 --> 00:31:21,680
Speaker 6: I agree, I agree, I mean I don't see how

592
00:31:21,720 --> 00:31:23,000
he could possibly talk us.

593
00:31:23,480 --> 00:31:26,039
Speaker 5: Yeah, I don't know. If there's another example that I'm

594
00:31:26,079 --> 00:31:29,359
not thinking of. If somebody performing, especially a disc track

595
00:31:29,759 --> 00:31:32,680
at the super Bowl halftime show and they have it.

596
00:31:32,839 --> 00:31:37,200
Speaker 7: Goes so viral, Yeah, I don't know, the most viewed ever.

597
00:31:37,440 --> 00:31:38,400
Speaker 5: I don't know how you talk that.

598
00:31:38,519 --> 00:31:42,720
Speaker 6: Still going crazy around the world won a bunch of

599
00:31:42,799 --> 00:31:45,920
different awards. He's won a bunch of awards for it. Yeah,

600
00:31:46,240 --> 00:31:49,240
huge amount of awards for it. There's just no recovering

601
00:31:49,319 --> 00:31:53,160
from this. I'm sorry. Yeah, just put it to bed,

602
00:31:53,359 --> 00:31:54,400
leave it alone.

603
00:31:54,200 --> 00:31:54,480
Speaker 14: Move on.

604
00:31:55,240 --> 00:31:56,200
Speaker 7: That's what Drake should do.

605
00:31:56,400 --> 00:31:59,160
Speaker 5: Just just let let it go, move on.

606
00:32:00,079 --> 00:32:01,920
Speaker 6: Thing good could come from him keeping it in the

607
00:32:02,039 --> 00:32:05,559
light and suing him. All he's gonna do is keep

608
00:32:05,599 --> 00:32:08,400
the attention on. He's better off letting it go, walking

609
00:32:08,440 --> 00:32:09,720
away cut his losses.

610
00:32:09,960 --> 00:32:12,720
Speaker 5: Well, But can't he do that? Or does that look

611
00:32:12,799 --> 00:32:15,960
even worse if he if he walks away now, I

612
00:32:16,039 --> 00:32:18,680
mean now he's now he's gonna no win situation. I mean,

613
00:32:18,720 --> 00:32:20,799
he looks like a bee for filing the lawsuit, But

614
00:32:21,160 --> 00:32:22,920
won't he also looked like a bee for if he

615
00:32:23,079 --> 00:32:25,039
just drops it and walks away. Won't that look like

616
00:32:25,079 --> 00:32:32,279
he's conceding, like he's just uh uh surrendering. Maybe he should, though, yeah,

617
00:32:32,279 --> 00:32:32,559
I don't.

618
00:32:32,599 --> 00:32:36,119
Speaker 6: Sometimes you gotta cut your losses, accept your loss and

619
00:32:36,279 --> 00:32:36,599
move on.

620
00:32:36,920 --> 00:32:38,559
Speaker 5: Yeah, I don't know how. I don't know what else

621
00:32:38,640 --> 00:32:40,880
he can do, you know, unless he finds a way

622
00:32:40,880 --> 00:32:43,039
to make peace with with Kendrick.

623
00:32:43,119 --> 00:32:46,519
Speaker 7: But I don't know. That's not gonna happen. No way

624
00:32:46,640 --> 00:32:49,680
that's gonna happen now, Yeah, not after this, I don't know.

625
00:32:49,799 --> 00:32:51,839
I mean, and then SNL picks up on it.

626
00:32:52,119 --> 00:32:55,160
Speaker 6: Yeah, they left out Drake's name, but they left in

627
00:32:55,279 --> 00:32:56,240
all the other words.

628
00:32:56,839 --> 00:32:59,000
Speaker 5: You know, it can't happen though, I mean, people didn't

629
00:32:59,000 --> 00:33:01,759
think that jay Z and os whatever. I mean that

630
00:33:01,960 --> 00:33:05,400
that got pretty pretty vicious with the distracts back and forth.

631
00:33:07,039 --> 00:33:08,480
What's that not this level?

632
00:33:08,680 --> 00:33:11,920
Speaker 7: Well, not like it's walking around with statues because of it,

633
00:33:12,000 --> 00:33:12,400
I don't think.

634
00:33:12,559 --> 00:33:14,720
Speaker 5: Yeah, I don't think anyone performed ether at the super Bowl,

635
00:33:14,799 --> 00:33:20,920
but on your own, no, iophile I know, Yeah, there's

636
00:33:20,960 --> 00:33:24,200
really no reason for for them to make peace.

637
00:33:24,240 --> 00:33:25,880
Speaker 7: I guess I don't see it happening.

638
00:33:28,519 --> 00:33:32,119
Speaker 5: Oh hello to uh Tom Sirahcusa of course if Syracusa.

639
00:33:32,519 --> 00:33:34,319
Sorry Tom, I'm never sure how to say your last

640
00:33:34,359 --> 00:33:35,240
name from Day to Attend?

641
00:33:35,759 --> 00:33:35,880
Speaker 15: Uh?

642
00:33:36,480 --> 00:33:40,200
Speaker 5: By the way, their name came up again last week

643
00:33:40,279 --> 00:33:45,000
on the show when Ricky Mapleton was here and he

644
00:33:45,119 --> 00:33:47,319
mentioned he was at that show at the Aura in Portland,

645
00:33:47,559 --> 00:33:50,240
seen Day to Attend open for Ace Frehley, and had

646
00:33:50,279 --> 00:33:56,599
wonderful things to say about Day to Attend. However, Ricky

647
00:33:56,640 --> 00:33:59,160
Mapleton did not have wonderful things to say about Ace Fraley,

648
00:33:59,240 --> 00:34:02,720
necessarily because apparently Ace took a sweet time getting to

649
00:34:02,799 --> 00:34:03,279
the stage.

650
00:34:03,359 --> 00:34:06,039
Speaker 7: But oh yeah, didn't they say? It was like was

651
00:34:06,119 --> 00:34:06,839
it three hours?

652
00:34:08,079 --> 00:34:08,679
Speaker 4: It was an hour?

653
00:34:08,840 --> 00:34:10,719
Speaker 5: It was like midnight by the time he said the stage.

654
00:34:11,039 --> 00:34:16,800
But yeah, Tom says, good money and rivalries. Yeah, well

655
00:34:16,840 --> 00:34:20,960
that's true. That's the thing though about about any kind

656
00:34:21,000 --> 00:34:25,360
of beef, whether it's whether it's in hip hop or

657
00:34:25,400 --> 00:34:29,119
whether it's podcasters and radio hosts beefing with each other,

658
00:34:30,639 --> 00:34:33,920
you know, it does. It does get a lot of

659
00:34:34,000 --> 00:34:39,039
attention and publicity. It does generate interest. You know, if

660
00:34:39,079 --> 00:34:40,639
you think about if you kind of pull back and

661
00:34:40,679 --> 00:34:45,000
think of it this way, would either Kendrick Lamar or

662
00:34:45,159 --> 00:34:48,599
Drake be As Let me put it this way, take

663
00:34:48,679 --> 00:34:51,960
the beef out of it. We wouldn't probably be having

664
00:34:52,719 --> 00:34:54,960
I mean, woul Kendrick Lamar even have been had the

665
00:34:55,039 --> 00:34:58,199
opportunity to perform at the Super Bowl because.

666
00:34:57,960 --> 00:35:01,599
Speaker 7: Not necessarily because I don't know, Oh, I mean, I

667
00:35:01,679 --> 00:35:01,960
don't know.

668
00:35:02,400 --> 00:35:05,480
Speaker 6: I mean not that he wasn't popular, but this particular

669
00:35:05,639 --> 00:35:09,280
song has really changed his world.

670
00:35:09,480 --> 00:35:13,039
Speaker 5: Yeah, but it's but in a broader context.

671
00:35:13,079 --> 00:35:14,760
Speaker 7: I mean what you know, but he's hit Drake before

672
00:35:14,840 --> 00:35:15,400
another song.

673
00:35:15,639 --> 00:35:18,440
Speaker 5: Oh yeah, oh yeah, yeah, they both have. They both

674
00:35:18,480 --> 00:35:19,960
have back and forth quite a bit. Yeah.

675
00:35:20,199 --> 00:35:21,679
Speaker 6: Was it there a period of time when they were

676
00:35:21,719 --> 00:35:23,880
almost doing it daily, like they were coming out with

677
00:35:23,960 --> 00:35:25,639
songs back to back against each other.

678
00:35:25,840 --> 00:35:28,519
Speaker 5: Yeah, this isn't recent. This has been going on for

679
00:35:28,639 --> 00:35:30,280
a decade. Yeah.

680
00:35:31,840 --> 00:35:33,519
Speaker 7: Then they peel off the scab and do it all

681
00:35:33,559 --> 00:35:34,039
over again.

682
00:35:35,199 --> 00:35:38,119
Speaker 3: But but there is good, you know it.

683
00:35:38,519 --> 00:35:40,559
Speaker 5: And the thing is too, if you play it right,

684
00:35:40,760 --> 00:35:46,159
everyone kind of benefits in the sense that everyone everyone

685
00:35:46,320 --> 00:35:50,239
involved benefits from the the interest that is generated.

686
00:35:50,760 --> 00:35:53,119
Speaker 7: People are looking Drake up too, so you've got to

687
00:35:53,119 --> 00:35:54,639
be getting some some benefit on.

688
00:35:54,719 --> 00:35:57,400
Speaker 5: Of it that way, right, right way, And people who

689
00:35:57,599 --> 00:36:01,920
like Drake better, especially in Canada because Drake is Canadian.

690
00:36:01,960 --> 00:36:03,639
I'm sure there's a lot of Canadians who are mad

691
00:36:03,679 --> 00:36:04,239
at Kendrick.

692
00:36:04,519 --> 00:36:05,920
Speaker 7: I didn't realize he was Canadian.

693
00:36:06,039 --> 00:36:07,559
Speaker 5: Yeah, he lives in Toronto.

694
00:36:07,719 --> 00:36:10,000
Speaker 7: So does it become a Canadian American thing because that's

695
00:36:10,039 --> 00:36:10,360
going on?

696
00:36:11,159 --> 00:36:13,880
Speaker 5: Oh maybe maybe, I don't know.

697
00:36:14,480 --> 00:36:16,400
Speaker 7: I do want to be I know we're going to

698
00:36:16,440 --> 00:36:17,559
be moving on a little bit.

699
00:36:17,559 --> 00:36:19,360
Speaker 6: And I did want to make one mention of some

700
00:36:19,519 --> 00:36:21,840
other thing going on in the city, and that is

701
00:36:22,039 --> 00:36:24,920
at the Mosaic Art Collective. Right now, they have an

702
00:36:25,079 --> 00:36:30,280
art call open and the deadline has been extended until

703
00:36:30,360 --> 00:36:31,360
the twenty eighth.

704
00:36:31,920 --> 00:36:35,000
Speaker 7: This is about animation, This is about stop motion. This

705
00:36:35,159 --> 00:36:40,239
is about things that move. So if you do things

706
00:36:40,280 --> 00:36:40,719
that have.

707
00:36:40,880 --> 00:36:46,960
Speaker 6: Like interactive elements or movable parts, or you know, things

708
00:36:47,000 --> 00:36:50,360
of that kind of a fluidity to it, if you

709
00:36:50,440 --> 00:36:53,880
will go check out the Mosaic Art Collective. There's some

710
00:36:53,960 --> 00:36:56,960
information on Facebook I can see here about it, and

711
00:36:57,639 --> 00:37:01,280
consider entering the art call. It's only ten dollars to enter.

712
00:37:01,440 --> 00:37:04,360
You can interrupted four pieces and it don't let money

713
00:37:04,480 --> 00:37:08,440
be a barrier for any reason. There are scholarships available

714
00:37:08,480 --> 00:37:10,599
for artists who want to enter, and you just might

715
00:37:10,679 --> 00:37:13,760
find yourself on the next show. So definitely check that out.

716
00:37:14,039 --> 00:37:15,800
I'm excited to see what that one's going to look like.

717
00:37:15,920 --> 00:37:18,159
I get a kick out of things.

718
00:37:18,000 --> 00:37:19,639
Speaker 14: That move like that.

719
00:37:20,320 --> 00:37:25,199
Speaker 6: Miriam made a piece like that once for puddles. For Puddles,

720
00:37:25,239 --> 00:37:28,559
Pity Party, the singing clown he has this thing he

721
00:37:28,639 --> 00:37:30,480
doesn't he used to do on stage where he would

722
00:37:30,480 --> 00:37:35,000
fall off these stools, and she literally made a thing

723
00:37:35,280 --> 00:37:37,559
of puddles following off the stool that you could turn

724
00:37:37,639 --> 00:37:40,559
the crank the handle and he would fall over and

725
00:37:40,679 --> 00:37:43,239
nothing was more fun than watching puddles play with it.

726
00:37:44,000 --> 00:37:45,199
Speaker 7: So this is that kind of thing.

727
00:37:45,360 --> 00:37:49,880
Speaker 6: Things that move, things that have, you know, some kind

728
00:37:49,920 --> 00:37:55,000
of motion to them, or animation to them, or stop

729
00:37:55,119 --> 00:37:58,320
motion to them, something along those lines. You're not quite sure,

730
00:37:58,480 --> 00:38:00,960
just check out the mosaic Are Collective, contact them and

731
00:38:00,960 --> 00:38:02,800
they'll help you enter the show.

732
00:38:03,159 --> 00:38:05,559
Speaker 5: Yes, yes, very good. By the way, Tom in the

733
00:38:06,320 --> 00:38:08,639
chat room from day to attend says, remember the early

734
00:38:08,719 --> 00:38:14,079
two thousand Super Bowl Aerosmith Brittany and saying Mary J. Blige,

735
00:38:14,639 --> 00:38:19,159
no best halftime shows ever, No drama. Well, well, Janet Jackson,

736
00:38:19,199 --> 00:38:19,719
there was drama.

737
00:38:20,159 --> 00:38:22,280
Speaker 7: Drama and they really went after her and it wasn't

738
00:38:22,320 --> 00:38:22,800
her fault.

739
00:38:24,519 --> 00:38:28,760
Speaker 5: I'm still not There were so many different explanations about

740
00:38:28,840 --> 00:38:31,599
what was really going on there, like fin.

741
00:38:31,920 --> 00:38:33,920
Speaker 7: He got poop pooed all over and he's the one

742
00:38:33,960 --> 00:38:34,760
that ripped it off of her.

743
00:38:34,880 --> 00:38:44,280
Speaker 5: So but that one moment, though had But Lewis Black

744
00:38:44,360 --> 00:38:47,559
had the best take on it when when he said, uh,

745
00:38:47,719 --> 00:38:50,280
you know, we love Lewis Black the comedian. When he said, uh,

746
00:38:50,960 --> 00:38:52,679
he watched, well, I have to I have to edit

747
00:38:52,800 --> 00:38:55,760
how I say it, but he just it's funny when

748
00:38:55,880 --> 00:38:57,159
it's not gonna be funny when I say it. I

749
00:38:57,199 --> 00:38:59,079
don't have his delivery. But when he said, you know,

750
00:38:59,159 --> 00:39:03,719
he talks about watch his country lose its collective mind

751
00:39:03,920 --> 00:39:06,920
over over over that that the Janet Jackson incident at

752
00:39:06,920 --> 00:39:07,400
the Super Bowl.

753
00:39:07,719 --> 00:39:08,519
Speaker 7: Look at the world today.

754
00:39:08,960 --> 00:39:11,800
Speaker 5: But that had all of a sudden you know who

755
00:39:12,719 --> 00:39:17,400
who that had a surprising effect on was the radio industry,

756
00:39:17,960 --> 00:39:22,320
even though it had nothing to do with radio, because

757
00:39:22,440 --> 00:39:26,159
all of a sudden, so that happens, people are losing

758
00:39:26,239 --> 00:39:28,639
their minds, as Lewis Black put it, and people were

759
00:39:28,760 --> 00:39:29,400
losing their minds.

760
00:39:29,400 --> 00:39:31,519
Speaker 7: So they literally stood on the stage and stripped naked.

761
00:39:31,760 --> 00:39:33,960
Speaker 5: Well and then so and then you know there's these

762
00:39:34,079 --> 00:39:38,199
questions about while is the FCC going to find whoever

763
00:39:38,639 --> 00:39:41,000
in the Super Bowl lawyer and and all that and

764
00:39:41,199 --> 00:39:44,719
all this stuff, and but all of a sudden things

765
00:39:44,800 --> 00:39:47,079
got much much more uptight at radio.

766
00:39:47,960 --> 00:39:50,280
Speaker 6: Yeah, and it was just I mean, they were taking

767
00:39:50,320 --> 00:39:52,719
it out on her as if she had, you know,

768
00:39:52,880 --> 00:39:55,079
jumped on the stage and intentionally stripped herself.

769
00:39:55,239 --> 00:39:57,679
Speaker 7: She was mortified, horrified.

770
00:39:58,280 --> 00:40:01,039
Speaker 5: But all of a sudden, the back splash from that though,

771
00:40:01,760 --> 00:40:05,639
it splashed onto onto radio shows like like Howard and

772
00:40:05,800 --> 00:40:10,119
and Opie and Anthony, and all of a sudden they're

773
00:40:10,159 --> 00:40:12,880
all being told, you know, whether it was by an

774
00:40:12,920 --> 00:40:17,480
Imus too, whether it was by CBS Radio or or

775
00:40:17,559 --> 00:40:20,159
Infinity Broadcasting or whoever. All of a sudden, the executives

776
00:40:20,159 --> 00:40:23,840
are telling them, whoa the FCC is really you know,

777
00:40:24,000 --> 00:40:27,159
looking at everybody now, not just you know, not just

778
00:40:27,280 --> 00:40:29,239
again whoever was carrying the Super Bowl that year. They're

779
00:40:29,280 --> 00:40:31,000
looking at everybody, so we need to tighten up.

780
00:40:31,280 --> 00:40:31,519
Speaker 15: It was.

781
00:40:31,719 --> 00:40:33,920
Speaker 5: It was weird, the chilling effect that it had on

782
00:40:34,039 --> 00:40:36,519
talk radio, which had nothing to do with what happened.

783
00:40:39,119 --> 00:40:44,000
Speaker 7: Well, no, this was no not Reagan goreip her.

784
00:40:44,920 --> 00:40:46,960
Speaker 5: Well, no, that was the you're you're thinking of the eighties,

785
00:40:47,000 --> 00:40:48,280
Tipper Gore and the pm R c.

786
00:40:50,320 --> 00:40:51,679
Speaker 4: No, this was this.

787
00:40:51,920 --> 00:40:56,039
Speaker 5: I don't know why. I don't know why this happened

788
00:40:56,039 --> 00:40:59,639
when it did. It was just strange. I mean, it's

789
00:40:59,719 --> 00:41:01,960
one thing for people to be concerned. And look, I

790
00:41:02,119 --> 00:41:04,079
under I do understand. I don't have any kids, but

791
00:41:04,119 --> 00:41:06,119
I understand if you're sitting there with your your kid

792
00:41:06,199 --> 00:41:08,039
and all of a sudden you see this and you know,

793
00:41:08,119 --> 00:41:11,079
you got to explain it. And I don't know, but

794
00:41:11,679 --> 00:41:12,239
I'll tell you what.

795
00:41:12,440 --> 00:41:14,519
Speaker 7: Well, my kid was young. I was more worried about

796
00:41:14,559 --> 00:41:16,480
him seeing somebody's head get chopped off.

797
00:41:16,639 --> 00:41:17,320
Speaker 5: Oh yeah, yeah.

798
00:41:17,440 --> 00:41:19,920
Speaker 7: Violence Like nobody it's all about how you teach a kid.

799
00:41:20,119 --> 00:41:22,519
Speaker 5: Nobody right, nobody ever, because nobody ever worries about, you know,

800
00:41:22,559 --> 00:41:24,519
their kids being exposed to violence constant.

801
00:41:24,599 --> 00:41:24,760
Speaker 10: Yeah.

802
00:41:24,800 --> 00:41:26,559
Speaker 7: I mean I worked in medicine. Well I believed in

803
00:41:26,639 --> 00:41:27,519
teaching anatomy.

804
00:41:27,639 --> 00:41:30,599
Speaker 5: But but but but just but the way it affected

805
00:41:30,679 --> 00:41:35,639
the radio industry was very, very strange. And you know,

806
00:41:35,800 --> 00:41:38,760
because that was the era, you know, especially the early

807
00:41:38,880 --> 00:41:42,039
to mid two thousands or even into the late two thousands.

808
00:41:42,079 --> 00:41:44,000
But I mean that was kind of the era of

809
00:41:44,119 --> 00:41:47,000
the shock jock, which has now become sort of an

810
00:41:47,079 --> 00:41:50,840
an arcade and outdated term. Uh, and shock jocks are

811
00:41:50,880 --> 00:41:56,280
kind of considered dinosaurs now, but but it had it

812
00:41:56,480 --> 00:41:58,800
really kind of shut down the shock jocks all of

813
00:41:58,840 --> 00:42:02,760
a sudden, this this moral panic over what happened at

814
00:42:02,760 --> 00:42:07,440
the super Bowl that affected things not related to the

815
00:42:07,480 --> 00:42:11,679
super Bowl halftime show. It was very, very strange. Well,

816
00:42:11,760 --> 00:42:15,519
we're gonna wrap up this segment with I think we're

817
00:42:15,559 --> 00:42:17,159
going to play a Day to Attend song because our

818
00:42:17,199 --> 00:42:18,760
friend Tom is in the chat room and we love

819
00:42:18,880 --> 00:42:23,599
Day to Attend. And let's see, I'm not gonna play

820
00:42:23,679 --> 00:42:25,559
not Coming Back because we've played that one a lot.

821
00:42:26,000 --> 00:42:29,000
I think we should go. Oh, I think we should

822
00:42:29,000 --> 00:42:32,960
go with Gaslight Game Show. Let's play that. Let's play

823
00:42:33,000 --> 00:42:34,800
that because I don't think we've played that one recently.

824
00:42:35,239 --> 00:42:36,840
And coming up at the top of the hour, we've

825
00:42:36,880 --> 00:42:39,639
got the world radio premiere, I'm sorry, the American radio premiere,

826
00:42:39,760 --> 00:42:42,039
let me be precise of the new track from UK

827
00:42:42,239 --> 00:42:48,639
artist John Denton. And then from there we're going to

828
00:42:48,719 --> 00:42:51,320
go into We've got Sean Manchester who is already in

829
00:42:51,360 --> 00:42:53,880
the building, a great singer songwriter who's also going to

830
00:42:53,880 --> 00:42:55,880
be joining us in the second hour. So we have

831
00:42:56,079 --> 00:43:00,440
lots coming up. We have lots lots to go here

832
00:43:00,519 --> 00:43:03,719
on Matt Connorton Unleashed on this Saturday morning. I hope

833
00:43:03,719 --> 00:43:07,519
you are warm wherever you are, whether you're in Manchester

834
00:43:07,840 --> 00:43:11,639
or somewhere else. If you are in Manchester, take solace

835
00:43:11,679 --> 00:43:13,599
in the fact that I was saying to Jenny earlier.

836
00:43:13,639 --> 00:43:14,840
By the time we leave here at the end of

837
00:43:14,840 --> 00:43:16,840
the show today, this afternoon, it's going to be like

838
00:43:16,920 --> 00:43:20,199
in the mid thirties, so that's going to feel downright balmy.

839
00:43:20,599 --> 00:43:22,639
And then next week it's supposed to be in the forties,

840
00:43:22,679 --> 00:43:25,199
which is going to feel like summer. So really looking

841
00:43:25,199 --> 00:43:27,440
forward to that. But there's lots to come today on

842
00:43:27,519 --> 00:43:29,280
the show, so stick around. But right now, here's a

843
00:43:29,480 --> 00:43:33,000
gaslight game show the radio edit of course from day

844
00:43:33,039 --> 00:43:34,280
to attend check it out.

845
00:43:59,039 --> 00:44:01,960
Speaker 8: Follow you letting them knowing it better.

846
00:44:02,119 --> 00:44:06,280
Speaker 15: Taking all the things you said, I'm the one to

847
00:44:06,360 --> 00:44:08,320
blame a doorman, all the shames.

848
00:44:08,519 --> 00:44:10,360
Speaker 8: The problem was in my head.

849
00:44:11,639 --> 00:44:16,599
Speaker 15: Try to do upon a female light across the freteenth time.

850
00:44:17,800 --> 00:44:20,400
Shoun is suctional shadow love.

851
00:44:21,280 --> 00:44:27,360
Speaker 4: You were worth the time to what us say.

852
00:44:28,960 --> 00:44:30,519
Speaker 1: Not far after.

853
00:44:31,960 --> 00:44:33,719
Speaker 4: Read what you saw.

854
00:44:36,960 --> 00:44:43,519
Speaker 15: Door Normal a consolation prass Door Normato with Rocdias.

855
00:44:43,159 --> 00:44:44,440
Speaker 8: Door norma breed.

856
00:44:44,920 --> 00:44:47,519
Speaker 2: I'm really spinning your wheel out of the gas.

857
00:44:47,679 --> 00:44:51,320
Speaker 13: That game show spinning your wheel out the gas at your.

858
00:44:58,000 --> 00:44:58,320
Speaker 2: Show.

859
00:45:04,079 --> 00:45:07,440
Speaker 8: You claim the reputation is your full submissions of the

860
00:45:07,599 --> 00:45:11,039
third again of scenes ah your.

861
00:45:11,039 --> 00:45:17,000
Speaker 15: Tempermation Disney validation. The two will now be seen pride

862
00:45:17,079 --> 00:45:20,760
about the lion against your pretty soul face, the face

863
00:45:20,920 --> 00:45:23,360
sunkin talk.

864
00:45:23,239 --> 00:45:27,880
Speaker 16: Down, talk walk down, walk chose their prof.

865
00:45:30,800 --> 00:45:31,960
Speaker 11: Do what up?

866
00:45:32,119 --> 00:45:38,519
Speaker 1: Say not one out to read what you saw?

867
00:45:42,000 --> 00:45:48,280
Speaker 15: Dor normal Wana consolation rids Door Norma two with rouging dialade.

868
00:45:48,199 --> 00:45:52,159
Speaker 2: Door Alma three were really spinning a wheel out of

869
00:45:52,280 --> 00:45:57,079
gaslight game show, Dor normal Wana see a lion eyes

870
00:45:57,519 --> 00:45:58,559
Door Norma two.

871
00:45:58,800 --> 00:46:01,440
Speaker 5: It's all that you just buy storing on the.

872
00:46:01,519 --> 00:46:04,920
Speaker 17: Three, really spending a wheel out of gas?

873
00:46:05,079 --> 00:46:08,400
Speaker 13: Nine game show spinning a wheel out of gas side

874
00:46:08,480 --> 00:46:11,480
game show spinning a wheel out of a calf side

875
00:46:11,599 --> 00:46:19,559
game show spinning a wheel out of gas? Lie step right,

876
00:46:35,000 --> 00:46:39,039
you thing, you too it all it makes you waste

877
00:46:39,119 --> 00:46:40,679
your precious time.

878
00:46:42,320 --> 00:46:43,440
Speaker 8: You're a getting.

879
00:46:47,400 --> 00:46:50,920
Speaker 2: You're the reason why you can't get show off.

880
00:46:51,119 --> 00:46:53,039
Speaker 8: That contract is time.

881
00:46:54,760 --> 00:46:56,239
Speaker 5: It's a two years.

882
00:46:59,400 --> 00:47:03,519
Speaker 15: So on the Wall of Consolation prizes Door norm too

883
00:47:03,840 --> 00:47:08,840
with rugged dias door the three here, while real spinning a.

884
00:47:08,880 --> 00:47:12,320
Speaker 13: Wheel out of gas flag can't show door.

885
00:47:12,280 --> 00:47:15,599
Speaker 17: Normal long of seel iron eyes door nor.

886
00:47:15,679 --> 00:47:18,000
Speaker 2: The two it's on the Spice.

887
00:47:18,039 --> 00:47:21,599
Speaker 13: Tour on the three here, while real spinning a wheel

888
00:47:21,679 --> 00:47:24,920
on a gas flag can't show spinning a wheel lot

889
00:47:25,000 --> 00:47:28,119
of gas, slide can't show spinning a wheel lot of

890
00:47:28,239 --> 00:47:32,280
gas flat can't show spinning a wheel lot of gas black.

891
00:47:39,079 --> 00:47:39,360
Speaker 2: Show.

892
00:48:12,719 --> 00:48:15,639
Speaker 18: I'm running on gas and I know going last couple

893
00:48:15,639 --> 00:48:18,159
of counts a cat through the week. I keep my

894
00:48:18,280 --> 00:48:20,639
head out high, and I don't know why win the

895
00:48:20,719 --> 00:48:24,440
fires running down on me. I got sixteen bucks, gotta

896
00:48:24,519 --> 00:48:26,599
make it to Friday, trying to do it right.

897
00:48:26,960 --> 00:48:27,960
Speaker 4: Ain't going my way?

898
00:48:28,119 --> 00:48:29,079
Speaker 1: Money so tight?

899
00:48:29,440 --> 00:48:33,119
Speaker 4: What can't I say? I'm living on a broke.

900
00:48:32,920 --> 00:48:42,360
Speaker 16: Man's stream, living on a broke man stream, living on

901
00:48:42,480 --> 00:48:43,559
a broke man stream.

902
00:48:52,760 --> 00:48:55,360
Speaker 4: So now I'll find this season. It ain't just a dream.

903
00:48:55,559 --> 00:48:58,599
Speaker 18: I'm making it happen today, and I'll call on it.

904
00:48:58,679 --> 00:49:01,719
I'll keep moving strong till he can finally.

905
00:49:01,480 --> 00:49:04,400
Speaker 4: Say I had sixteen bucks and I made it to

906
00:49:04,480 --> 00:49:07,440
Friday and finally did it right. He win my way?

907
00:49:07,599 --> 00:49:11,840
Money's out tight. What can't I say? I'm living a

908
00:49:11,960 --> 00:49:16,119
rope manstream, and.

909
00:49:16,199 --> 00:49:33,800
Speaker 18: I've lived everything in between, running along gass and I

910
00:49:33,920 --> 00:49:37,239
know it want blasto accounts kept through the week. I

911
00:49:37,400 --> 00:49:39,719
keep my head out high in a tone no while

912
00:49:39,719 --> 00:49:41,519
I win the fires raining down on me.

913
00:49:42,239 --> 00:49:45,400
Speaker 4: I got sixteen bucks, gonna make it to Friday, trying

914
00:49:45,440 --> 00:49:47,480
to do it right. He't going my way?

915
00:49:47,639 --> 00:49:48,599
Speaker 1: Money so tight?

916
00:49:48,920 --> 00:49:53,599
Speaker 4: What can't I say, living on a rope man sixteen bucks?

917
00:49:53,639 --> 00:49:56,079
But I made it to Friday. I finally did it right.

918
00:49:56,480 --> 00:49:57,440
Speaker 8: He win my way?

919
00:49:57,599 --> 00:49:59,960
Speaker 4: Money's out tight. What can't I say?

920
00:50:00,000 --> 00:50:06,760
Speaker 19: Hey, I'm living a broke man's dream and I've lived

921
00:50:06,840 --> 00:50:12,039
everything a between, still living.

922
00:50:11,840 --> 00:50:14,880
Speaker 4: On a romance sixteen box, liuta meet it to Friday?

923
00:50:14,920 --> 00:50:18,400
I finally do right? It win my way? Money's out that.

924
00:50:18,920 --> 00:50:21,559
Speaker 8: What can't I say, He's.

925
00:50:21,480 --> 00:50:34,719
Speaker 17: Living a Roman's dream. Well, I've seen the wind take.

926
00:50:34,559 --> 00:50:36,920
Speaker 4: It all the way, never had a chance of reason

927
00:50:37,039 --> 00:50:37,519
to stay.

928
00:50:38,519 --> 00:50:40,480
Speaker 1: It's invisible, Steve.

929
00:50:42,360 --> 00:50:44,440
Speaker 4: I hear the whisper of the wind through the year.

930
00:50:44,480 --> 00:50:47,000
It's just it's thus Ronny's fears.

931
00:50:47,840 --> 00:50:49,800
Speaker 1: I wish we could stay.

932
00:50:51,880 --> 00:50:57,960
Speaker 18: Don't let the wind never come between us, will never

933
00:50:58,280 --> 00:51:04,960
be saved. Speak through your heart and to forect me

934
00:51:06,400 --> 00:51:10,039
to ride the winds of.

935
00:51:10,519 --> 00:51:19,639
Speaker 1: Change, the winds of change, and.

936
00:51:19,840 --> 00:51:21,639
Speaker 4: He gets talking about the watch.

937
00:51:21,719 --> 00:51:24,159
Speaker 18: You gotta find the key to a tool like shut

938
00:51:25,079 --> 00:51:30,840
through the passt Come for a minute, go for and

939
00:51:30,960 --> 00:51:33,480
even don't come for long. It don't go to stay.

940
00:51:34,400 --> 00:51:40,239
Can't you hear me say Toom, let the wind never

941
00:51:40,519 --> 00:51:48,559
come betweet us we will never be seen. Speak through

942
00:51:48,639 --> 00:51:55,280
your heart and tune forecb me to ride the winds

943
00:51:56,599 --> 00:52:03,239
of Toom. The wind never come me us will never

944
00:52:03,519 --> 00:52:14,840
be same for gabbing j rais.

945
00:52:15,199 --> 00:52:16,199
Speaker 17: Of change.

946
00:52:20,119 --> 00:52:22,320
Speaker 11: In times of crisis, you need a law firm that

947
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Craigan Getsulus is dedicated to fighting for your rights. As

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will assess your case and fight for the compensation you deserve.

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Serving all of New Hampshire, Craigan Getzulis is here when

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Speaker 20: Allies, bring your kitchen to life with Queen City Cabinetry,

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located at eighty seven in Elm Street in the historic

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Speaker 21: Five thirty pm, in Saturdays ten am to two pm.

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They can be reached at six oh three two two

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Speaker 22: Disneys Cafe is the place to put a smile on

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your face. Judy and the crew will take care of you,

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bring your appetite and treat your taste buds right. Business

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cafe is always a winning choice. Breakfast, lunch or supper

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Dine in, takeout or make a reservation call six oh

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three six oh six two five three two, Eat, drink

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Speaker 3: When it comes to.

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Speaker 9: Keeping WMNH on the air and your own personal or

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Speaker 15: Seven times out of ten. We listened to our music at.

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Speaker 1: Night don titled book Business.

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Speaker 15: Program Late Night to Light with DJ Midas right here

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on WMNH Manchester.

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Speaker 4: You want to know why because.

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Speaker 21: Saturdays and Sunday nights midnight to four.

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Speaker 23: Am this hour on wm NHS. Sponsor by CGI Business

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Speaker 10: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w MNHLP the sonic card meats

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of Manchester transcending through the ether at ninety five point

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three megahertz frequency modulation. Our transmissions emanate from the ZIF

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of one thousand Elm Streets to insure into the hearts

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of our creative realm at one nineteen Canal Street where

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Innovation and Sound Cologne. They're the impromter of Manchester Public

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Television Service in the venerable city of Manchester, New Hampshire, USA.

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It's your auditory journey with the depth of our license

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to wesn'd west. You spent your missives did w MNH

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ninety five to three at gmail dot com? Or to

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reverse to the virtual corridors of w Mnhradio dot or

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engage with our sonic vibrations by communing with us through

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the digital channels you or radio becads eager to enthrall

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you with its mesmerizing kid incident. Philip, you have symphony

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of foundless auditors.

1011
00:56:23,599 --> 00:56:28,960
Speaker 5: One dude, Welcome back, everybody. This is Matt Bonnard, n

1012
00:56:29,599 --> 00:56:32,400
Rip the Nobles. They are live from the studios of

1013
00:56:32,559 --> 00:56:36,239
WMNH on this Saturday morning, February twenty second, twenty twenty five.

1014
00:56:36,519 --> 00:56:38,039
You know, Jenny, it's kind of funny. We were talking

1015
00:56:38,079 --> 00:56:40,440
earlier about Kendrick Lamar in the track not like us.

1016
00:56:40,920 --> 00:56:44,239
We got an American radio premiere for a track called

1017
00:56:44,320 --> 00:56:48,440
not the Same, and this is UK artist John Denton.

1018
00:56:48,679 --> 00:56:50,840
John Denton's gonna be joining us soon on the show,

1019
00:56:51,000 --> 00:56:53,239
so we're gonna play this. This is the first time.

1020
00:56:53,679 --> 00:56:55,599
He's already making waves in the UK, but this is

1021
00:56:55,679 --> 00:56:58,519
the first time this track has ever been played on

1022
00:56:58,679 --> 00:57:01,559
American radio. This is the American radio premiere of the

1023
00:57:01,639 --> 00:57:04,719
new John Denton track. This is called not the Same.

1024
00:57:39,960 --> 00:57:43,039
Speaker 8: That's a place where the bombles go down, and then

1025
00:57:43,679 --> 00:57:44,519
that's me.

1026
00:57:46,920 --> 00:57:47,440
Speaker 16: I'm from.

1027
00:57:47,559 --> 00:57:50,119
Speaker 17: All of the same.

1028
00:57:53,679 --> 00:57:55,480
Speaker 1: People's tricks are in my ya.

1029
00:57:55,639 --> 00:57:58,880
Speaker 20: How we're so lok.

1030
00:58:00,119 --> 00:58:15,840
Speaker 14: Uh water of all our infield every day people fall

1031
00:58:16,199 --> 00:58:17,119
five the.

1032
00:58:20,000 --> 00:58:28,679
Speaker 1: Well, see it all side. But I don't care.

1033
00:58:28,840 --> 00:58:29,559
Speaker 8: I don't cat.

1034
00:58:29,719 --> 00:58:34,920
Speaker 14: I don't care what they'll say, because I'll do it

1035
00:58:35,079 --> 00:58:41,119
in my own work. Five nights.

1036
00:58:41,239 --> 00:58:47,559
Speaker 1: People all along the street should n Jill said, I'm

1037
00:58:47,679 --> 00:58:48,840
letting right down.

1038
00:58:49,079 --> 00:58:54,760
Speaker 14: On the other side, we're all down and out. Oh

1039
00:58:55,000 --> 00:59:01,320
everywhere the people said, why, oh, why should have really jack.

1040
00:59:01,440 --> 00:59:05,519
Speaker 17: This jo start side.

1041
00:59:22,800 --> 00:59:25,679
Speaker 14: There's a place where the song goes down and go

1042
00:59:26,519 --> 00:59:32,599
go b Well, I won't know where we're.

1043
00:59:36,320 --> 00:59:36,880
Speaker 2: But I'll be.

1044
00:59:36,960 --> 00:59:39,000
Speaker 8: Fine in my mind. Trying to make.

1045
00:59:38,960 --> 00:59:41,559
Speaker 1: All those was right.

1046
00:59:44,519 --> 00:59:52,639
Speaker 14: Ignore it all the outside, once again, the lly in

1047
00:59:52,840 --> 00:59:54,039
the back of a

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00:59:56,079 --> 00:59:56,199
Speaker 9: Jo