WEBVTT

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<v Speaker 1>You're listening to an airwave media podcast. Monster Talk is

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<v Speaker 1>supported by listeners like you. Find out how you can

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<v Speaker 1>contribute via Patreon or with reviews at monster talk dot org,

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<v Speaker 1>forge slash support. Your contributions, large or small, make a

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<v Speaker 1>huge difference. Thanks. If monsters haunt the shadowlands, the fringes

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<v Speaker 1>of where civilization touches the wild, the ni shitn't surprises

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<v Speaker 1>that areas that are less successible to most of us

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<v Speaker 1>become a fertile garden for all kinds of critters and

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<v Speaker 1>hanks and booger monsters. While movies have taught us that

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<v Speaker 1>the soundtrack to a good scare is an orchestra or

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<v Speaker 1>a pulsing electronic beat, there are places where the dance

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<v Speaker 1>macabre is accompanied by fiddle, by banjo and by jug.

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<v Speaker 2>It's actually quite unlike anything we've ever seen before.

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<v Speaker 3>A giant, hairy creature park a part in Luckness, a

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<v Speaker 3>twenty four a mile long bottomless lake in the Highlands

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<v Speaker 3>of Scotland.

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<v Speaker 2>Get the creature known as the Luckness Monster.

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<v Speaker 1>Monster Talk. Welcome to Monster Talk, the science show about monsters.

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<v Speaker 1>I'm Blake Smith. When I was in high school, I

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<v Speaker 1>was told by one of my instructors that there are

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<v Speaker 1>no true mountains in Georgia, and I've been happily repeating

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<v Speaker 1>this bit of trivia for thirty years. But in preparing

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<v Speaker 1>for this episode, I decided to check and see what

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<v Speaker 1>actually constitutes a mountain, and that's when I found out

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<v Speaker 1>that the official delineation between a mountain and a hill

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<v Speaker 1>has been abandoned for years. I'll put a link to

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<v Speaker 1>the USGS article about this in the show notes, but

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<v Speaker 1>as is often the case, I am delighted to find

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<v Speaker 1>out I was wrong, and hopefully if you've been sharing

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<v Speaker 1>this bit of misinformation, you can now correct yourself as well.

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<v Speaker 1>Why does that matter? Well, the tallest peak in Georgia

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<v Speaker 1>is Brasstown Bald and a few years ago I took

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<v Speaker 1>my family up there because I was close to the

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<v Speaker 1>ancient Petroclyff site of track Rock Gap. I had been

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<v Speaker 1>doing some research about a pseudo archaeology theory around the

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<v Speaker 1>origins of that ancient site, and I'll link to that

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<v Speaker 1>article in the show notes, but I wanted to go

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<v Speaker 1>actually look at the site, and since I'd never been

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<v Speaker 1>up there or to my home state's highest peak, we

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<v Speaker 1>were so close, I decided to visit and on the

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<v Speaker 1>way I came across this road called Booger Hollow Road

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<v Speaker 1>near Blairsville. As you might imagine, this caught my attention,

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<v Speaker 1>and I found myself wondering why was the road called

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<v Speaker 1>Booger Hollow Road? Was there a monster legend there? I

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<v Speaker 1>had heard stories about Boogerman or the Boogeyman from my grandmother,

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<v Speaker 1>and I guess the Boogeyman is the classic monster whose

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<v Speaker 1>important job is to scare children into obedience lest they

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<v Speaker 1>be gotten for their sins. The history of booger monsters

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<v Speaker 1>and mountain culture is a long one. There was a

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<v Speaker 1>town called Booger Hollow in Floyd County, Georgia, near Rome,

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<v Speaker 1>but it has been renamed to Boosville. Apparently this is

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<v Speaker 1>because of a prominent family name of Booze, not because

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<v Speaker 1>of the slang for alcohol. But why the town was

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<v Speaker 1>originally called Booger Hollow is still a mystery of me

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<v Speaker 1>at this time. Other towns throughout the southern United States

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<v Speaker 1>also speak of boogers. There was a town called Booger Hollow,

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<v Speaker 1>Arkansas that had a sort of hillbilly folksy roadside attraction

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<v Speaker 1>set up with a sign that said Booger hollow boasted

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<v Speaker 1>a population seven if you include the coon dog. It

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<v Speaker 1>also had an amusing two story outhouse, which is exactly

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<v Speaker 1>the sort of visual gag that my father would be

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<v Speaker 1>delighted at. There's a lot of folk etymology on the

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<v Speaker 1>Internet that says the word boo shares origins with the

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<v Speaker 1>word booger, but I don't know if that's actually true.

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<v Speaker 1>As fascinated as I am by word origins, running them

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<v Speaker 1>to their sores is often really tough. But that town

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<v Speaker 1>of Booseville, it hints at, whether intentionally or not, the

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<v Speaker 1>ties between the culture of the mountains and the history

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<v Speaker 1>of moonshine and revenuers. I grew up in a family

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<v Speaker 1>it had a mixture of strict religious fervor and a

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<v Speaker 1>history of moonshine, distilling and outdaud behavior. I remember seeing

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<v Speaker 1>a lot of older gentlemen passing around a mason jar

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<v Speaker 1>now and again, and I'm pretty sure they weren't drinking

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<v Speaker 1>pickle juice. Some stories suggest that the legends of boogermen

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<v Speaker 1>might be tied to scaring away revenuers and people intent

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<v Speaker 1>on snatching liquor from stills spirits. To protect the spirits,

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<v Speaker 1>you might say, but whether these legends are based on

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<v Speaker 1>protective hoaxes are genuine belief in supernatural hauntings. The mountains

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<v Speaker 1>around here are full of monsters, and that's why we're

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<v Speaker 1>going to be talking about that in this episode Monster.

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<v Speaker 1>All right, welcome to Monster Talk to as sure Elbine

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<v Speaker 1>and Tiffany Till. We're here today to talk about folklore

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<v Speaker 1>of Appalachia, but we're also here to talk about your

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<v Speaker 1>new project, the kickstarter that was remarkably funded in one day.

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<v Speaker 1>This is Anna O'Brien The Ghost Days Anthology. So let's

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<v Speaker 1>let you guys do some introductions.

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<v Speaker 2>So my name is Jeffany Charel. I am a concept artist.

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<v Speaker 2>I worked for about nine years mostly in video games.

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<v Speaker 2>I have since gone full freelance. I've done children's books.

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<v Speaker 4>Yeah, do you name it? I can, I'll draw it.

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<v Speaker 4>I've always been like a big creature monster fan for

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<v Speaker 4>a long time.

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<v Speaker 2>I was going to be a marine biologist, and so

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<v Speaker 2>I've always kind of had like an aquatic creature penchant

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<v Speaker 2>to a lot of my work. But yeah, Asher hit

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<v Speaker 2>me up about earlier this year. We've known each other

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<v Speaker 2>online for a bit and he was like, come work

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<v Speaker 2>with me on this spooky Appalachian fooklord thing, and yeah

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<v Speaker 2>it was right time, right place, right project.

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<v Speaker 1>So awesome.

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<v Speaker 5>Aw Sure, I'm a journalist. I mostly work on sort

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<v Speaker 5>of like natural history and ecology stuff, but I also

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<v Speaker 5>have carved out a little bit of a sideline writing

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<v Speaker 5>about folklore for anybody who will let me do it,

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<v Speaker 5>which is not really as many people as you'd imagine.

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<v Speaker 5>I mostly got interested in sort of Appalachian folklore because

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<v Speaker 5>I just it was something that I started working on

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<v Speaker 5>as a you know, and writer in high school and

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<v Speaker 5>just kept putting aside and coming back to and putting

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<v Speaker 5>aside and coming back to, and my real interest in

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<v Speaker 5>folklore and writing sort of developed together. So now that

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<v Speaker 5>I mostly am writing nonfiction, it's really nice to kind

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<v Speaker 5>of sit down and do much more imaginative stuff because

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<v Speaker 5>they they don't let you make stuff up when you're

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<v Speaker 5>a journalist. They shout at you. So you got to

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<v Speaker 5>have an outlet somewhere.

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<v Speaker 1>Well, so much for the fake news story. Do you

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<v Speaker 1>you're in Austin? Are you doing okay? I mean I've

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<v Speaker 1>got friends who work down there and they're boiling their

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<v Speaker 1>water still, is that? Are you doing all right?

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<v Speaker 5>Yeah? That's a that's a fun thing there is. Uh Basically,

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<v Speaker 5>the river that runs through Austin Town Lake is currently

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<v Speaker 5>this just soupy brown morass. But it's really neat because

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<v Speaker 5>a bunch of the a bunch of the hill country

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<v Speaker 5>creeks run into it and they're crystal clear. So you

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<v Speaker 5>get these really weird zones where it'll be just like

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<v Speaker 5>pure clear green water, and then it meets the main

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<v Speaker 5>river and there's just like a little bit of swirl,

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<v Speaker 5>but it's like a really clear line. It's uh, it's

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<v Speaker 5>boil water and aquafina.

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<v Speaker 1>Well, I I hope you do. Okay. I love Austin.

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<v Speaker 1>What an amazing town. I'm gonna say a little shout

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<v Speaker 1>out to my favorite coffee shop, which is Hound's Tooth Coffee.

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<v Speaker 1>Oh my god, I love that. Unfortunately, it's almost five

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<v Speaker 1>dollars a cup, right, that's.

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<v Speaker 4>Number to me.

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<v Speaker 1>Yeah, it's a little rich for my blood. But man,

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<v Speaker 1>they make a good cup of coffee. So yeah, salute. Well, anyway,

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<v Speaker 1>we're here tonight to talk about Appalachian folklore, but also

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<v Speaker 1>about your project. Maybe we should start with talking about

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<v Speaker 1>your kickstarter. Even though it's been funded, there's still some

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<v Speaker 1>room for uh oh, maybe let me back up just

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<v Speaker 1>a little bit. What is Kickstarter, because there's gonna be

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<v Speaker 1>some of our listeners who don't even know that much.

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<v Speaker 2>So Kickstarter is a platform in which you can basically

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<v Speaker 2>present the idea for a project.

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<v Speaker 4>And it helps if you have like a good pitch,

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<v Speaker 4>a good.

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<v Speaker 2>Presentation, and you basically say, I have this really cool

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<v Speaker 2>thing that I'm willing to work on, I have this

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<v Speaker 2>much expertise and whatever, I'm like whatever background.

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<v Speaker 4>You kind of just like.

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<v Speaker 2>Provide like a little story so that way people can like,

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<v Speaker 2>you know, get a sense for who you.

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<v Speaker 4>Are and where you're coming from. And then.

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<v Speaker 2>For the sake of transparency, just basically you say I

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<v Speaker 2>need this much money to like make my dreams come true,

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<v Speaker 2>to fund.

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<v Speaker 4>My movie, to fund my app to.

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<v Speaker 2>There's a lot of tabletop games like Dungeons and Dragons

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<v Speaker 2>type stuff.

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<v Speaker 4>If you go, there's nerds out there listening.

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<v Speaker 1>But there's a couple of us, yeah, I think.

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<v Speaker 4>Feeling there's a nerd community that listens.

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<v Speaker 1>It's on the Facebook group. It's been amazing. Every time

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<v Speaker 1>I say something about Dungeons and Dragons a role playing it,

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<v Speaker 1>everybody goes crazy, which is great.

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<v Speaker 4>Yeah.

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<v Speaker 2>Yeah, no, that's like I do art for those types

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<v Speaker 2>of games too, so like that's my people. But but yeah,

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<v Speaker 2>so like there's a huge gaming community there, video games,

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<v Speaker 2>tabletop games, making movies, like like a lot of times

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<v Speaker 2>like uh famously was it was it, Joss Whedon somebody

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<v Speaker 2>like super.

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<v Speaker 4>Famous people will come in and be like and I'd

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<v Speaker 4>also like more millions of dollars.

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<v Speaker 2>But anyway, so like it's just a really good place

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<v Speaker 2>and an arena in which you can crowdfund a project

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<v Speaker 2>and just gain a lot of traction for something that

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<v Speaker 2>you're starting to build. And we did it in like

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<v Speaker 2>a day and.

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<v Speaker 1>Yeah our minds, Yeah, yeah, I imagine. So well, the

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<v Speaker 1>cool thing about it is that you know a lot

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<v Speaker 1>of people as creators. You know they may make something

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<v Speaker 1>that may be wonderful, but then you know you have

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<v Speaker 1>there's all these gatekeepers along the way. You know, you

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<v Speaker 1>have to get an agent and find a publisher in

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<v Speaker 1>traditional modes, but all the technology exists for self publishing.

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<v Speaker 1>But even if you self published, you can't know for

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<v Speaker 1>sure if you'll cover the cost of all your work.

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<v Speaker 1>So this is a very cool approach. And I mean

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<v Speaker 1>we've seen several of these that we've had on the show.

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<v Speaker 1>But and I've obviously I've contributed to some kickstarted things

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<v Speaker 1>in the day. Most of the time I end up

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<v Speaker 1>doing something like where you can just do a contributing. Hey,

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<v Speaker 1>good guy, good luck guys, right, you know, the little

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<v Speaker 1>one dollar. I appreciate what you're doing because my finances

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<v Speaker 1>aren't there great. But I'm really delighted that you guys

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<v Speaker 1>got funded because this looks like a really fun project. So,

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<v Speaker 1>by the way, the art work looks amazing, the writing

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<v Speaker 1>looks amazing. What drove you guys into this? I mean

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<v Speaker 1>it sounds like as sure you were sort of driving

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<v Speaker 1>the sort of thing towards a character you'd already created.

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<v Speaker 5>Yeah, So basically what happened was I was in high school.

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<v Speaker 5>I was writing a lot of short fiction and you know,

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<v Speaker 5>before I went to college and got way too busy,

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<v Speaker 5>and I just had this this idea for her, for

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<v Speaker 5>a character who would be a kind of like a

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<v Speaker 5>wandering character who could run into all these interesting folkloric

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<v Speaker 5>and mythic things that I was really interested in reading about.

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<v Speaker 5>And that character. As that character developed and became Anna O'Brien,

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<v Speaker 5>it became like it became this trying to think of

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<v Speaker 5>how to put this, it became like this process of

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<v Speaker 5>discovering this really interesting historical world that growing up in

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<v Speaker 5>Atlanta was like really close geographically to me too, and

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<v Speaker 5>so my my interests in sort of like the landscape

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<v Speaker 5>of Appalachia and the folklore of Appalachia all kind of

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<v Speaker 5>like got boiled into this character. And the more interested

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<v Speaker 5>I became in the character, the more interested I became

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<v Speaker 5>in the world, and vice versa. And so ultimately I,

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<v Speaker 5>you know, a couple of stories and when I could

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<v Speaker 5>like carve out a little bit of time of which

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<v Speaker 5>who could you know, go to like a different holler

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<v Speaker 5>every week and sort of have a different adventure. And

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<v Speaker 5>then I had some I had some medical stuff happen

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<v Speaker 5>earlier in the year, and I was like, you know what,

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<v Speaker 5>I've been sitting on these stories for a really long time.

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<v Speaker 5>I've been sharing them with friends. I'd really like them

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<v Speaker 5>to be in a place where people can see them

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<v Speaker 5>and like them. And so I got in touch with

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<v Speaker 5>Tiffany was like, Hey, could I commission to cover from you?

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<v Speaker 5>And and she was like, Oh, this is really cool,

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<v Speaker 5>and so we just started talking about maybe doing a

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<v Speaker 5>book together, and it kind of like snowballed from there.

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<v Speaker 1>That's fantastic. How are you I mean, I want to

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<v Speaker 1>get to the monsters, but how are you doing the

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<v Speaker 1>publishing part? Like the who are you working with for

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<v Speaker 1>actually getting out the books?

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<v Speaker 5>So, what we were initially planning on doing was doing

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<v Speaker 5>incrame print on demand, which is cheaper because obviously you're

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<v Speaker 5>only printing the books that you need. We're currently shooting

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<v Speaker 5>for a stretch goal of eleven five hundred dollars. We're

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<v Speaker 5>currently sitting at eleven thousand, so I think we'll probably

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<v Speaker 5>hit it. But that will allow us to do a

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<v Speaker 5>full print run of five hundred books through the printer

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<v Speaker 5>print Ninja. And we are completely self publishing this, Like

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<v Speaker 5>when it's done, we'll be able to, you know, put

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<v Speaker 5>it up on Amazon. We'll be able to try and

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<v Speaker 5>get it into bookstores, you know, put it in libraries.

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<v Speaker 5>But it's going out just under us, like we don't

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<v Speaker 5>have an actual publisher that we're working with.

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<v Speaker 1>That's but that's very cool. What about a are you

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<v Speaker 1>doing anything for?

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<v Speaker 3>Like?

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<v Speaker 1>Are you who's doing your editing? Are you doing it yourself?

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<v Speaker 5>Or so I had done some initial editing on it

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<v Speaker 5>and then we've got a really fantastic film critic named

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<v Speaker 5>Gretchen Falker Martin who came on to be an editor.

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<v Speaker 5>The manuscript is actually it's completely written, it's completely edited,

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<v Speaker 5>all of the initial art is done. We have a

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<v Speaker 5>stretch goal for more art. If we hit that, that'll

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<v Speaker 5>be great. But basically what we're just trying to do

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<v Speaker 5>now is like get the money in order to make

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<v Speaker 5>this thing something that you can hold in your hands.

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<v Speaker 1>Yeah, no, that's very cold. Yeah, rocking it.

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<v Speaker 4>It basically already exists.

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<v Speaker 2>It's just now like the stretch will serve to like

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<v Speaker 2>make it like even more shiny and more beautiful.

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<v Speaker 1>Yeah, you guys were kind enough to share early looks

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<v Speaker 1>for me and Karen. By the way, Karen couldn't be

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<v Speaker 1>here this week, but thank you very much for letting

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<v Speaker 1>us have a look. It looks beautiful and I'd really

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<v Speaker 1>love to see a hardback of it myself. So that's

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<v Speaker 1>I hope you reach your stretch calls. I grew up

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<v Speaker 1>in the North Georgia mountains, you know, and even so

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<v Speaker 1>I was I was surprised at how little of the

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<v Speaker 1>folklore I ran across, you know, just in sort of

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<v Speaker 1>natural oral history or oral tradition. Most of the stuff

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<v Speaker 1>I learned from reading fiction or reading books about folklore,

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<v Speaker 1>and you know, things like the fox Fire books. And

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<v Speaker 1>as one of the inspirations you talked about was Manly

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<v Speaker 1>Wade Weldman and his Silver John stories. So that's an

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<v Speaker 1>interesting sort of character and some fiction people may or

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<v Speaker 1>may not be familiar with. But can you talk about

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<v Speaker 1>how you got your source material? Like where did you

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<v Speaker 1>go to to find out about this folklore?

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<v Speaker 5>Sure? So one of the main sources that I used,

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<v Speaker 5>and I really literally just started like years ago, just

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<v Speaker 5>started collecting books of apple folk ways and folklore, and

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<v Speaker 5>you know, some of them are really quite useful, stuff

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<v Speaker 5>like Strange Tales of the Dark and Bloody Ground is

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<v Speaker 5>a really good And then the deeper I got, I

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<v Speaker 5>started getting into books like Witches, Ghosts, and Signs by

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<v Speaker 5>Patrick Gaynor, which is a really fantastic compilation of mostly

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<v Speaker 5>Virginia ghost and witch law. And then the most and

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<v Speaker 5>really the most useful book was The Silver Bullet and

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<v Speaker 5>Other American Witch Stories, which is compiled by Hubert Davis,

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<v Speaker 5>which is this really fantastic treasury of various like American

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<v Speaker 5>witch narratives and motifs and folklore. And one of the

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<v Speaker 5>things that I found in the course of researching this,

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<v Speaker 5>and you know, also reading stuff like James Mooney, Uh,

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<v Speaker 5>you know, Minion Legends of the Cherokee Is. There's all

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<v Speaker 5>of this, There's all this material, but there's there's so

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<v Speaker 5>few good books that are just general overviews of like

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<v Speaker 5>Appalachian specific folklore. It's all reached compilations. It's all, oh,

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<v Speaker 5>here's folk lore of the Smoky Mountains, here's folklore of Tennessee,

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<v Speaker 5>here's folklore of North Carolina or West Virginia. So in

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<v Speaker 5>order to really get that sense of like what the

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<v Speaker 5>regional motifs are, you have to get all these books

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<v Speaker 5>and like read them and just compare notes and and

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<v Speaker 5>sort of try and put together a broader understanding of

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<v Speaker 5>the sort of like folklork systems that you're working with.

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<v Speaker 1>You know, I find it interesting that I grew up

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<v Speaker 1>calling it the Appalachians, and up until like a fairly

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<v Speaker 1>recent episode of Monster Talk, I just always thought that's

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<v Speaker 1>what it was. But I apparently a lot of people

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<v Speaker 1>say Appalachian and I hear you saying that. Did you

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<v Speaker 1>did you notice that or did you run into that before?

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<v Speaker 1>The difference in the pronunciation or the pronunciation.

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<v Speaker 5>Yeah, I don't actually know where that comes from the way.

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<v Speaker 5>So I grew up when I was younger saying Appalachian.

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<v Speaker 5>And then when I spent time sort of like driving

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<v Speaker 5>around in North Carolina for sort of unrelated reasons, but

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<v Speaker 5>I'll take any opportunity to get up into western North Carolina,

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<v Speaker 5>I heard people say Appalachian and somebody actually corrected me,

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<v Speaker 5>You say appalation, but actually it's like throwing Appalachia.

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<v Speaker 1>I was like, oh, all right, wow here, I don't

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<v Speaker 1>that's really funny. Okay, okay, yeah, because I mean the

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<v Speaker 1>range itself stretches a long way, so you know, I

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<v Speaker 1>grew up in it. But my sister took me to

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<v Speaker 1>task because she said, when I say that, it sounds

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<v Speaker 1>like I'm saying we grew up as hillbilly's and that's

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<v Speaker 1>not really the same thing. So hardly now my grandmother,

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<v Speaker 1>I would say, she did. I mean, my family was,

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<v Speaker 1>you know, all into moonshining and all kinds of other things.

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<v Speaker 1>But but yeah, so we were, we were not hillbillies.

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<v Speaker 5>Well, honestly, it's it's interesting that you bring that up, though,

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<v Speaker 5>because there's actually one other book that I wanted to mention,

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<v Speaker 5>which is really sort of foundation to this project which

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<v Speaker 5>is called Rampollo by Steven Stall, and it has nothing

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<v Speaker 5>to do with folklore, but it's all about the sort

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<v Speaker 5>of logging and mining of of Appalachia and how you know,

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<v Speaker 5>the sort of American conception of the mountaineers went from being, oh,

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<v Speaker 5>you know, they're these wonderful pioneers that were taming the

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<v Speaker 5>wilderness to oh, they're these backwards hillbillies who couldn't find

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<v Speaker 5>their way out of a paper bag, and really they're

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<v Speaker 5>not really using those forests anyway, so we can probably

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<v Speaker 5>just cut them down and sell the timber and just

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<v Speaker 5>leave them to be poor. And it was this really

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<v Speaker 5>interesting thing because when we talk about Appalachia, there's all

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<v Speaker 5>these really negative, nasty stereotypes about it that still really persist,

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<v Speaker 5>and in a way, like hillbillies themselves are kind of

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<v Speaker 5>like monsterized in sort of popular culture and stuff like Deliverance.

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<v Speaker 1>Oh yeah, yeah, I was just actually looking back at that,

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<v Speaker 1>you know, with the death of Burt Reynolds, looking back

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<v Speaker 1>at Deliverance, and there's still a lot of resentment up

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<v Speaker 1>in North Georgia around the way that the people there

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<v Speaker 1>were sort of presented in the movie. I mean, it

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<v Speaker 1>was just a movie, right, you know, I hardly ever

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<v Speaker 1>squeal like a pig is at my point, I guess reason.

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<v Speaker 4>No, I actually just watched that movie recently for the

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<v Speaker 4>first time. That's a Yeah.

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<v Speaker 1>That's a trip. Doesn't it make you want to go rafting?

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<v Speaker 4>Not?

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<v Speaker 2>So, I'm just like I was just more alarmed at

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<v Speaker 2>like what John Voight looks like.

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<v Speaker 1>Now, oh yeah, yeah, where he came from.

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<v Speaker 4>I was like wow.

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<v Speaker 1>But No.

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<v Speaker 2>One of the books that very similarly doesn't have anything

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<v Speaker 2>to do with folklore. It kind of touches into it

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<v Speaker 2>a little bit is Night Comes to the Cumberlands by

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<v Speaker 2>Harry Caudle.

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<v Speaker 4>It's an older book.

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<v Speaker 2>It's from nineteen sixty two, so there's a lot of

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<v Speaker 2>language that.

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<v Speaker 4>We don't use anymore.

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<v Speaker 2>It poorly represents a lot of people, but it is

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<v Speaker 2>kind of one of the first like overviews of why

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<v Speaker 2>why that, like why the entire region came to be

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<v Speaker 2>how it is, And a lot of it is just like, yeah,

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<v Speaker 2>basically like the people that lived there weren't seen as people.

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<v Speaker 2>So blow up the mountain, we tear the trees down.

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<v Speaker 2>We're just gonna tape everything that we can and you

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<v Speaker 2>see a lot of this like with you know, just

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<v Speaker 2>even today, like the coverage of the region.

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<v Speaker 4>But yeah, I found a lot.

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<v Speaker 2>Of difficulty in trying to find specific bits of folklore

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<v Speaker 2>that were kind of like because.

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<v Speaker 4>Like people talk to each other. There was a solid.

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<v Speaker 2>Culture that formed very early on across the Appalachian Mountains,

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00:21:44.480 --> 00:21:47.640
<v Speaker 2>but it's always covered in this kind of like very

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00:21:47.720 --> 00:21:50.920
<v Speaker 2>piecemeal sort of way. Whenever it's you know, condensed into

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00:21:51.119 --> 00:21:54.279
<v Speaker 2>any sort of like folkl worked ome or like it's

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<v Speaker 2>either like specifically about the Cherokee myths of the region,

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00:21:59.079 --> 00:22:04.720
<v Speaker 2>or it's specifically about the Hoodoo tradition of the former

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00:22:04.759 --> 00:22:06.720
<v Speaker 2>slaves that lived in the region or something like that,

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<v Speaker 2>like or it's like even the book I mentioned only

399
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<v Speaker 2>covers the Cumberlands and that it doesn't account for the

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00:22:14.640 --> 00:22:17.240
<v Speaker 2>Smoky Mountains, it doesn't account for the Blue Mountains. So

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00:22:17.440 --> 00:22:20.200
<v Speaker 2>it's it's very piecemeal in terms of like what information

402
00:22:20.279 --> 00:22:23.319
<v Speaker 2>you're able to access. So yeah, it's really interesting just

403
00:22:23.359 --> 00:22:27.240
<v Speaker 2>trying to trying to dig in and find anything that's cohesive.

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00:22:27.680 --> 00:22:29.720
<v Speaker 5>We read a lot Nowntain, there's a lot of there's

405
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<v Speaker 5>a lot of research that went into.

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<v Speaker 1>Us, but it is it is not super mainstream though

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<v Speaker 1>it's it's still relatively obscure. I'm trying to figure of

408
00:22:36.640 --> 00:22:40.079
<v Speaker 1>the only other big besides Manley Wade Weldman. Uh. The

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<v Speaker 1>only other thing that comes to mind is Earl Hamner Junior.

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<v Speaker 1>And you know, he did some work on The Twilight

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<v Speaker 1>Zone that kind of touched on this stuff a little

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<v Speaker 1>bit before you went in to do the Waltons. That's

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<v Speaker 1>a turn wow, yeah it is. But I mean he

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<v Speaker 1>did some really interesting episodes on on the Twilight Zone

415
00:22:54.640 --> 00:22:57.240
<v Speaker 1>that that that touched on. And there was one where

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<v Speaker 1>that the kids go into the pool what it be

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<v Speaker 1>called the chim Poole, And then there's one where a

418
00:23:02.960 --> 00:23:06.759
<v Speaker 1>guy uh it that they don't call it. Well, it's

419
00:23:06.839 --> 00:23:09.960
<v Speaker 1>basically a wear cat story, but it's a it's it

420
00:23:10.079 --> 00:23:15.960
<v Speaker 1>kind of ties into uh not the wampus Yeah, it's

421
00:23:16.039 --> 00:23:17.920
<v Speaker 1>kind of like a wampus Cat, but it's a it's

422
00:23:17.960 --> 00:23:20.559
<v Speaker 1>more it kind of like ties the Wampus cat story

423
00:23:21.160 --> 00:23:27.359
<v Speaker 1>into something like the Cat People movie, the val Lewton.

424
00:23:27.480 --> 00:23:32.559
<v Speaker 1>Oh yeah, yeah, so I mean to me, yeah, so anyway,

425
00:23:32.640 --> 00:23:35.240
<v Speaker 1>but let's let's talk monsters a little bit. So what

426
00:23:35.319 --> 00:23:37.160
<v Speaker 1>kind of monsters come up in this in the in

427
00:23:37.200 --> 00:23:39.720
<v Speaker 1>your book here, like what what can people expect, uh

428
00:23:40.680 --> 00:23:41.640
<v Speaker 1>when they read this?

429
00:23:43.200 --> 00:23:46.960
<v Speaker 5>So many there's a bunch we've got. The book sort

430
00:23:47.000 --> 00:23:50.279
<v Speaker 5>of kicks off with, and there's a lot of a

431
00:23:50.319 --> 00:23:54.200
<v Speaker 5>lot of appearances by figures from the Cherokee oral tradition,

432
00:23:55.279 --> 00:23:57.400
<v Speaker 5>like the Awa, which is this sort of like big

433
00:23:57.480 --> 00:24:03.880
<v Speaker 5>spindly malevolent spirit of madness. There's a raven mockers that

434
00:24:03.920 --> 00:24:09.200
<v Speaker 5>show up, which are these sort of like Cherokee they're

435
00:24:09.200 --> 00:24:12.559
<v Speaker 5>called witches, but really they're more like these malevolent spirits

436
00:24:12.599 --> 00:24:16.640
<v Speaker 5>that cluster around dyeing people. They're invisible, and they they

437
00:24:16.759 --> 00:24:19.200
<v Speaker 5>suck out all the remaining years of the life that

438
00:24:19.240 --> 00:24:22.559
<v Speaker 5>person would have led. There's hags that change their skin.

439
00:24:23.119 --> 00:24:25.440
<v Speaker 5>They're the black Shuck shows up in a sort of

440
00:24:25.559 --> 00:24:30.279
<v Speaker 5>like fairly ambiguous way a couple of times. And then

441
00:24:30.319 --> 00:24:33.319
<v Speaker 5>there's also there's a couple of monsters in there that

442
00:24:33.400 --> 00:24:37.480
<v Speaker 5>are sort of of my own invention, but you know,

443
00:24:37.559 --> 00:24:41.599
<v Speaker 5>in that like fine manly Wade Wellman tradition, they're invented,

444
00:24:41.680 --> 00:24:44.920
<v Speaker 5>but they kind of are invented to be like they

445
00:24:45.000 --> 00:24:46.559
<v Speaker 5>might have come out of a folk tale. So there's

446
00:24:46.559 --> 00:24:51.440
<v Speaker 5>a thing called the the Hog of the Bow. Also

447
00:24:51.960 --> 00:24:55.799
<v Speaker 5>fairly like like a big razorback that's also a bit

448
00:24:55.920 --> 00:24:59.839
<v Speaker 5>doggish and you know, has this big, like snaky fo

449
00:25:00.160 --> 00:25:03.880
<v Speaker 5>tongue and is also a little bit chatty because I

450
00:25:03.960 --> 00:25:08.119
<v Speaker 5>like monsters that talk because it's more fun that way.

451
00:25:08.160 --> 00:25:10.319
<v Speaker 5>If you, if you and you're your protagonist in the

452
00:25:10.319 --> 00:25:12.359
<v Speaker 5>monster can have kind of a conversation.

453
00:25:12.799 --> 00:25:17.119
<v Speaker 1>Sure, a little bit. Uh yeah, what's their monstervation exactly?

454
00:25:17.640 --> 00:25:20.880
<v Speaker 2>But if you, yes, it helps to be able to

455
00:25:20.920 --> 00:25:23.960
<v Speaker 2>bargain with a monster, honestly, Like if you have that ability,

456
00:25:24.200 --> 00:25:27.039
<v Speaker 2>like I mean, there's there, they always have an angle,

457
00:25:27.079 --> 00:25:28.039
<v Speaker 2>you're able to make a deal.

458
00:25:28.200 --> 00:25:28.640
<v Speaker 4>That's fine.

459
00:25:29.680 --> 00:25:32.200
<v Speaker 1>So so you said you grew up in Atlanta initially,

460
00:25:32.200 --> 00:25:34.079
<v Speaker 1>like that was where you were early es.

461
00:25:34.119 --> 00:25:38.079
<v Speaker 5>Sure, yeah, in Atlanta and in Dallas.

462
00:25:39.680 --> 00:25:43.519
<v Speaker 1>I had some really good text mix in Dallas. Uh

463
00:25:43.920 --> 00:25:46.920
<v Speaker 1>that's as far as Yeah, I went to the Conspiracy

464
00:25:47.000 --> 00:25:51.319
<v Speaker 1>Museum and uh and then the sixth Floor Museum and

465
00:25:51.599 --> 00:25:54.039
<v Speaker 1>ate some text mex and then moved on. So yeah,

466
00:25:54.119 --> 00:25:59.160
<v Speaker 1>that's my care, that's that's the experience. Basically. Yeah, I

467
00:25:59.200 --> 00:26:02.200
<v Speaker 1>saw the grassy know I moved on yeh, yeah, that's

468
00:26:03.079 --> 00:26:07.440
<v Speaker 1>there you go. So but but guess what, there's a

469
00:26:07.599 --> 00:26:11.400
<v Speaker 1>there's a Dallas Georgia, which doesn't have either of those things,

470
00:26:11.559 --> 00:26:13.319
<v Speaker 1>nor does it have good text Max.

471
00:26:16.559 --> 00:26:16.720
<v Speaker 6>Win.

472
00:26:17.279 --> 00:26:19.920
<v Speaker 1>So yeah, I'll probably trim this section down a bit.

473
00:26:23.799 --> 00:26:27.079
<v Speaker 4>I expected, just like shooting the ship.

474
00:26:27.200 --> 00:26:31.200
<v Speaker 1>So, yeah, how did y'all find out about Monster Talk

475
00:26:31.200 --> 00:26:33.119
<v Speaker 1>out of curiosity? Oh?

476
00:26:33.240 --> 00:26:35.039
<v Speaker 5>I've been listening for years.

477
00:26:35.720 --> 00:26:38.440
<v Speaker 4>Yeah, I actually know, I really.

478
00:26:38.039 --> 00:26:39.480
<v Speaker 5>Know how I came across.

479
00:26:39.240 --> 00:26:44.079
<v Speaker 1>A well, cool congratulation. I'm glad. Congratulations to me. I

480
00:26:44.079 --> 00:26:45.319
<v Speaker 1>guess is what I trying to say?

481
00:26:46.440 --> 00:26:48.400
<v Speaker 4>Long time listener, first time caller.

482
00:26:48.559 --> 00:26:50.559
<v Speaker 1>Yeah, I've always wanted to call it your radio show

483
00:26:50.599 --> 00:26:52.799
<v Speaker 1>and say longtime caller, first time listener, and I've never

484
00:26:52.839 --> 00:26:57.200
<v Speaker 1>had the opportunity, but man, I want to.

485
00:26:58.880 --> 00:27:02.039
<v Speaker 5>Oh that'd be not annoyed that I didn't think of that.

486
00:27:02.200 --> 00:27:06.680
<v Speaker 2>Ye, seriously, you guys have gotten me through so many

487
00:27:06.920 --> 00:27:10.480
<v Speaker 2>long crunch deadlines, like being awake at like three in

488
00:27:10.519 --> 00:27:14.880
<v Speaker 2>the morning drawing things for Star Wars or some ridiculous monster.

489
00:27:14.680 --> 00:27:18.359
<v Speaker 4>And then like it's a it's fantastic to be on

490
00:27:18.400 --> 00:27:18.759
<v Speaker 4>the show.

491
00:27:20.200 --> 00:27:23.759
<v Speaker 1>That's awesome. Yeah, we were both very excited about this. Well,

492
00:27:23.799 --> 00:27:26.599
<v Speaker 1>I'm glad to have you. I I really the manly

493
00:27:26.640 --> 00:27:29.920
<v Speaker 1>Wade Wellman stories. You know, they're not I don't think

494
00:27:29.920 --> 00:27:32.920
<v Speaker 1>they're super widely known, but it's actually there's this crazy

495
00:27:32.920 --> 00:27:36.279
<v Speaker 1>thing where like it's one of the first scary stories

496
00:27:36.319 --> 00:27:39.519
<v Speaker 1>I ever read was a Manly Wade Wellman story. My

497
00:27:39.720 --> 00:27:42.359
<v Speaker 1>grandmother sil John story. It was it was the one

498
00:27:42.359 --> 00:27:43.759
<v Speaker 1>with the behind her and I can't think of the

499
00:27:43.799 --> 00:27:44.519
<v Speaker 1>name of the story.

500
00:27:45.079 --> 00:27:48.720
<v Speaker 5>Actually actually was lying on my floor the des.

501
00:27:49.599 --> 00:27:53.960
<v Speaker 1>Desk on Jendro Yep, that's the one. Yeah, And so

502
00:27:54.000 --> 00:27:54.799
<v Speaker 1>what happened.

503
00:27:55.160 --> 00:27:57.200
<v Speaker 5>In these people don't know is a is a little

504
00:27:57.200 --> 00:27:57.920
<v Speaker 5>mountain cabin.

505
00:27:58.240 --> 00:28:02.680
<v Speaker 1>Oh see, here's the thing. This is embarrassing. But my

506
00:28:02.880 --> 00:28:09.039
<v Speaker 1>great grandmother who lived to be almost one hundred and five. Wow, well,

507
00:28:09.079 --> 00:28:10.920
<v Speaker 1>her daughter lived to be one hundred and her son

508
00:28:11.039 --> 00:28:13.000
<v Speaker 1>is my grandfather, is one hundred and two and still

509
00:28:13.000 --> 00:28:17.559
<v Speaker 1>seems to be doing fine. So she gave me this

510
00:28:17.599 --> 00:28:20.000
<v Speaker 1>book and it was I believe it was one of

511
00:28:20.000 --> 00:28:24.200
<v Speaker 1>the Alfred Hitchcock collections which had that story in it.

512
00:28:24.759 --> 00:28:28.880
<v Speaker 1>And I really liked it so much, so I must

513
00:28:28.880 --> 00:28:32.319
<v Speaker 1>have been about seven that I took all the pages

514
00:28:32.359 --> 00:28:38.480
<v Speaker 1>out and stuck them onto my favorite tree. So that is.

515
00:28:38.440 --> 00:28:39.920
<v Speaker 5>A very Appalachian thing today.

516
00:28:39.960 --> 00:28:42.880
<v Speaker 1>Yeah, and my mom, my mom was like, why did

517
00:28:42.920 --> 00:28:45.400
<v Speaker 1>you tear up that book, and I'm like, I'm decorating,

518
00:28:45.440 --> 00:28:50.759
<v Speaker 1>what are you talking about? Yeah, but now I can't.

519
00:28:50.839 --> 00:28:55.559
<v Speaker 1>I've actually I've got aspirations to repurchase that book, which

520
00:28:55.599 --> 00:28:58.079
<v Speaker 1>is not very expensive, but that would be, to the

521
00:28:58.119 --> 00:29:01.920
<v Speaker 1>best of my knowledge, the first monster book that I

522
00:29:02.000 --> 00:29:06.240
<v Speaker 1>ever personally owned. Uh and uh, and so I want

523
00:29:06.279 --> 00:29:08.160
<v Speaker 1>to get it and put it back in my collection.

524
00:29:08.319 --> 00:29:10.799
<v Speaker 1>Like I still have my first HP Lovecraft book, which

525
00:29:11.039 --> 00:29:12.839
<v Speaker 1>I had lost, but my brother in law bought me

526
00:29:12.880 --> 00:29:19.200
<v Speaker 1>a copy, so thanks Andy. Anyway, anyway, like.

527
00:29:19.240 --> 00:29:21.480
<v Speaker 5>Acts of my Father kind of thing. You know, it's

528
00:29:21.519 --> 00:29:23.559
<v Speaker 5>not the same book, but it is the same book, so.

529
00:29:24.079 --> 00:29:29.559
<v Speaker 1>Exactly where's the exactly? So sorry? But yeah, Wellman and

530
00:29:29.680 --> 00:29:32.599
<v Speaker 1>silver John stories basically introduce people to a lot of

531
00:29:32.640 --> 00:29:35.559
<v Speaker 1>real folklore and a lot of fake lore. But it's

532
00:29:35.640 --> 00:29:37.880
<v Speaker 1>funny though, because as I've done this show, and as

533
00:29:37.880 --> 00:29:42.440
<v Speaker 1>you've probably noticed his listeners, a lot of what is

534
00:29:42.519 --> 00:29:48.359
<v Speaker 1>fiction becomes folklore. Yeah, there's there's definitely some kind of

535
00:29:48.440 --> 00:29:52.480
<v Speaker 1>genetic material being swapped back and forth between fiction and

536
00:29:52.519 --> 00:29:56.119
<v Speaker 1>folklore and actual sightings. And I find that fascinating.

537
00:29:57.640 --> 00:30:00.039
<v Speaker 5>So there's a really there's a really interesting example of that,

538
00:30:00.079 --> 00:30:03.839
<v Speaker 5>which is one of manly Wade Wellman's most famous creations

539
00:30:03.920 --> 00:30:07.519
<v Speaker 5>is the gardenell, which is a sort of a cabin

540
00:30:07.599 --> 00:30:11.599
<v Speaker 5>that's actually a big carnivorous plant that is maybe sort

541
00:30:11.599 --> 00:30:14.559
<v Speaker 5>of a cryptid but also maybe sort of a malevolent spirit.

542
00:30:15.960 --> 00:30:19.119
<v Speaker 5>And he that creation shows up in a couple of

543
00:30:19.160 --> 00:30:23.440
<v Speaker 5>his short stories. And then something that you see people

544
00:30:23.480 --> 00:30:26.640
<v Speaker 5>like reporting that they run into, but you do see

545
00:30:26.680 --> 00:30:29.039
<v Speaker 5>people talking about it and just assuming that he got

546
00:30:29.119 --> 00:30:31.039
<v Speaker 5>it from folklore as opposed to him just making it

547
00:30:31.119 --> 00:30:34.839
<v Speaker 5>up out of whole cloth. So like, I definitely I

548
00:30:34.880 --> 00:30:37.079
<v Speaker 5>don't remember what book I read this send, but I

549
00:30:37.079 --> 00:30:41.240
<v Speaker 5>definitely remember reading a book that that just had had

550
00:30:41.240 --> 00:30:43.240
<v Speaker 5>a gardenell in it. It didn't call it a gardenell,

551
00:30:43.359 --> 00:30:47.400
<v Speaker 5>but it was. It was very clearly a manly Wade

552
00:30:47.599 --> 00:30:51.319
<v Speaker 5>Wellman gardenell. And you go back and look at when

553
00:30:51.359 --> 00:30:53.240
<v Speaker 5>the book was written, and it was written fairly recently,

554
00:30:53.279 --> 00:30:55.240
<v Speaker 5>and I guess whoever wrote it either didn't do their

555
00:30:55.279 --> 00:30:59.359
<v Speaker 5>homework or just figured it's a good story and they're

556
00:30:59.359 --> 00:31:02.160
<v Speaker 5>just doing their to get it injected into the folklortion.

557
00:31:03.559 --> 00:31:09.440
<v Speaker 1>Yeah, so that is interesting. It's just I well, you

558
00:31:09.440 --> 00:31:11.400
<v Speaker 1>know what, at some point I'm going to finish doing

559
00:31:11.440 --> 00:31:14.480
<v Speaker 1>my research on memes. Uh. And then and then I

560
00:31:14.519 --> 00:31:18.400
<v Speaker 1>want to get Susan blackmore on. And Susan used, Yeah,

561
00:31:18.400 --> 00:31:20.799
<v Speaker 1>she used to be a paranormal researcher and and then

562
00:31:20.880 --> 00:31:25.480
<v Speaker 1>became a skeptic, and now she reached researches psychology and uh,

563
00:31:25.519 --> 00:31:28.279
<v Speaker 1>and she's gotten really interested in memesince wrote a book

564
00:31:28.319 --> 00:31:29.960
<v Speaker 1>about it. And I want to have her on to

565
00:31:29.960 --> 00:31:32.079
<v Speaker 1>talk about that, because she's got this cool crossover because

566
00:31:32.480 --> 00:31:37.480
<v Speaker 1>not only, uh, did she study, you know, the paranormal,

567
00:31:37.480 --> 00:31:39.720
<v Speaker 1>which I'm interested in, but she also studied memetics. Because

568
00:31:39.720 --> 00:31:42.000
<v Speaker 1>if you studied the paranormal long enough, you start to

569
00:31:42.079 --> 00:31:47.599
<v Speaker 1>start thinking about how did these ideas get transferred? Yeah. Yeah,

570
00:31:47.720 --> 00:31:50.839
<v Speaker 1>it's just like and and I mean, whether they're real

571
00:31:50.880 --> 00:31:53.640
<v Speaker 1>or they're not. You know, I think we all know

572
00:31:53.640 --> 00:31:56.000
<v Speaker 1>where I fall on that, But but I'm still interested

573
00:31:56.000 --> 00:31:58.799
<v Speaker 1>in them. I'm interested in I find them fun and fascinating,

574
00:31:59.359 --> 00:32:03.799
<v Speaker 1>entertaining and scary, and but they also seem to speak

575
00:32:03.839 --> 00:32:05.640
<v Speaker 1>deeply do what it means to be human. And part

576
00:32:05.680 --> 00:32:09.119
<v Speaker 1>of that is how we share ideas and I can't

577
00:32:09.119 --> 00:32:12.880
<v Speaker 1>get away from that. So but let's let's let's talk

578
00:32:12.880 --> 00:32:16.200
<v Speaker 1>about some specific monsters. A little bit you mentioned wampus cats.

579
00:32:18.200 --> 00:32:20.519
<v Speaker 1>Do they Yeah? Yeah, do they show up in your stories?

580
00:32:21.119 --> 00:32:23.519
<v Speaker 1>Because I actually know the answer this sort of but.

581
00:32:24.519 --> 00:32:29.160
<v Speaker 5>Sort of tifvy. It sounded like you had something you

582
00:32:29.200 --> 00:32:29.759
<v Speaker 5>were thinking of.

583
00:32:29.960 --> 00:32:31.720
<v Speaker 4>I'm just gonna say we have we have a mask.

584
00:32:33.119 --> 00:32:34.599
<v Speaker 1>Yeah, the first story has that.

585
00:32:34.720 --> 00:32:39.079
<v Speaker 2>Yeah, it's it's basically Anna's first adventure. She's kind of

586
00:32:40.519 --> 00:32:43.839
<v Speaker 2>by fortune and fate. She's kind of given this very

587
00:32:43.839 --> 00:32:47.799
<v Speaker 2>powerful uh, it's kind of a maguffin. It kind of

588
00:32:47.839 --> 00:32:50.440
<v Speaker 2>kick starts the whole her whole journey.

589
00:32:51.480 --> 00:32:58.599
<v Speaker 1>Probably a wampus a traditional wampus cat, though, is what.

590
00:33:00.119 --> 00:33:03.559
<v Speaker 5>So the thing with the wampus cat that's really interesting

591
00:33:03.759 --> 00:33:07.000
<v Speaker 5>is that it's this sort of thing. It's this it's

592
00:33:07.039 --> 00:33:11.200
<v Speaker 5>often described as being either like a big, sort of

593
00:33:11.240 --> 00:33:15.000
<v Speaker 5>like gnarly looking cougar or just is a cougar, or

594
00:33:15.039 --> 00:33:17.599
<v Speaker 5>it's like sort of a ghostly cougar, or it's a

595
00:33:17.640 --> 00:33:22.279
<v Speaker 5>cat that walks on two legs. And the legend around

596
00:33:23.000 --> 00:33:28.279
<v Speaker 5>the wampus mask seems to intersect in sort of weird

597
00:33:28.319 --> 00:33:31.079
<v Speaker 5>ways with the wampus cat legends. So the first story

598
00:33:31.119 --> 00:33:35.519
<v Speaker 5>in the collection is based loosely on a Cherokee folk

599
00:33:35.559 --> 00:33:40.960
<v Speaker 5>tale from Tennessee about a woman whose husband is is

600
00:33:42.720 --> 00:33:45.839
<v Speaker 5>insane by this spirit of madness, the Awa, and so

601
00:33:45.920 --> 00:33:49.400
<v Speaker 5>the Shamans make her a the medicine men make her

602
00:33:50.119 --> 00:33:54.920
<v Speaker 5>this mask which will frighten the monster away. And so

603
00:33:56.039 --> 00:33:58.279
<v Speaker 5>when I was reading into it, I found all these

604
00:33:58.319 --> 00:34:01.160
<v Speaker 5>different versions of the story, and there was a more

605
00:34:01.200 --> 00:34:05.240
<v Speaker 5>recent version of the story where actually there's no demon

606
00:34:05.279 --> 00:34:09.039
<v Speaker 5>of madness. There's just this woman who wants to see

607
00:34:09.079 --> 00:34:11.800
<v Speaker 5>the secret rituals that the men are doing, and so

608
00:34:11.840 --> 00:34:14.760
<v Speaker 5>she makes her this cat mask, and the medicine men

609
00:34:14.800 --> 00:34:17.199
<v Speaker 5>catch her and turn her into a cat as a

610
00:34:17.239 --> 00:34:21.360
<v Speaker 5>sort of like punishment. And I haven't been able to

611
00:34:21.400 --> 00:34:25.880
<v Speaker 5>figure out where that particular version comes from, but it

612
00:34:26.000 --> 00:34:31.679
<v Speaker 5>seems like there's this whole complex of stories around this weird,

613
00:34:32.239 --> 00:34:37.320
<v Speaker 5>unnatural cat, maybe a person who's been transformed or is

614
00:34:37.400 --> 00:34:41.039
<v Speaker 5>maybe like a sort of memory of this woman who

615
00:34:41.079 --> 00:34:45.679
<v Speaker 5>wore this cat mask to beat this evil spirit. And

616
00:34:45.760 --> 00:34:48.480
<v Speaker 5>it's also like a really handy term just to apply

617
00:34:48.599 --> 00:34:50.800
<v Speaker 5>to cat that you see in the woods that you

618
00:34:50.840 --> 00:34:51.599
<v Speaker 5>don't know what it is.

619
00:34:54.119 --> 00:34:56.719
<v Speaker 1>Yeah, it's to me, it's this will sound weird, but

620
00:34:57.039 --> 00:35:00.920
<v Speaker 1>one of the earliest exposures I have to the Wampas

621
00:35:00.960 --> 00:35:05.400
<v Speaker 1>cat was actually from the computer game Hunt the Wampus,

622
00:35:05.440 --> 00:35:08.960
<v Speaker 1>and it. Later on there was a really cool game

623
00:35:10.360 --> 00:35:14.039
<v Speaker 1>called Mule, which was spelled like m dot U dot

624
00:35:14.159 --> 00:35:17.639
<v Speaker 1>l dot e, which is yes, yeah, which is multiple

625
00:35:17.800 --> 00:35:22.840
<v Speaker 1>use labor implement. That was a dandy bunting game from

626
00:35:22.960 --> 00:35:25.840
<v Speaker 1>Ozark Entertainment. So i'm the fact that they were Ozark.

627
00:35:25.880 --> 00:35:29.320
<v Speaker 1>I don't know if they brought in yeah, yeah, I

628
00:35:29.360 --> 00:35:30.880
<v Speaker 1>don't know if they brought in the wampus from the

629
00:35:31.280 --> 00:35:34.679
<v Speaker 1>Hunt the Wampus game or from local folklore, but it

630
00:35:34.719 --> 00:35:36.199
<v Speaker 1>really had nothing to do with the main part of

631
00:35:36.199 --> 00:35:37.440
<v Speaker 1>the game. The main part of the game was a

632
00:35:37.480 --> 00:35:42.280
<v Speaker 1>really fun sort of cooperative yet competitive trade game on

633
00:35:42.320 --> 00:35:45.079
<v Speaker 1>another planet. But at the same time, you could earn

634
00:35:45.119 --> 00:35:46.719
<v Speaker 1>extra money if you went out into the mountains and

635
00:35:46.800 --> 00:35:49.000
<v Speaker 1>hunted the wampus on the planet you were colonizing. So

636
00:35:51.760 --> 00:35:55.159
<v Speaker 1>that's a little bit of nerd trivia there. Yeah, but

637
00:35:55.320 --> 00:35:58.519
<v Speaker 1>it's neat because the Wampus falls into all kinds of categories.

638
00:35:58.840 --> 00:36:03.159
<v Speaker 1>It falls into uh, traditional folklore, and then it falls

639
00:36:03.199 --> 00:36:06.639
<v Speaker 1>into cryptids because people see them as sort of phantom cats,

640
00:36:06.639 --> 00:36:09.960
<v Speaker 1>and that falls into the alien big cat, mysterious cat

641
00:36:10.039 --> 00:36:12.760
<v Speaker 1>species sort of stuff that we talk about a lot.

642
00:36:14.199 --> 00:36:18.639
<v Speaker 1>So the Cheroke. He had Wampa stories before American was

643
00:36:18.719 --> 00:36:20.480
<v Speaker 1>colonized by Europeans.

644
00:36:21.559 --> 00:36:24.960
<v Speaker 5>Well, that's a little that's a little difficult to parse.

645
00:36:25.800 --> 00:36:28.679
<v Speaker 5>This is something where I have to I have to

646
00:36:28.920 --> 00:36:32.840
<v Speaker 5>be straight up like obviously, I'm coming into this as

647
00:36:32.840 --> 00:36:36.559
<v Speaker 5>an outsider, and my understanding is entirely based on what

648
00:36:36.639 --> 00:36:39.920
<v Speaker 5>I've read, and I referenced this book earlier, and I

649
00:36:39.960 --> 00:36:41.760
<v Speaker 5>want to sort of plug it again now that I'm

650
00:36:41.840 --> 00:36:44.960
<v Speaker 5>in front of my bookshelf and looking at it. James

651
00:36:44.960 --> 00:36:50.199
<v Speaker 5>Mooney was this ethnographer who did this really incredible this

652
00:36:50.320 --> 00:36:53.280
<v Speaker 5>really incredible long term study of the sort of like

653
00:36:54.440 --> 00:36:59.239
<v Speaker 5>history and formulas and mythology of a bunch of Indian groups.

654
00:36:59.280 --> 00:37:02.880
<v Speaker 5>But the only book of his that actually made it

655
00:37:02.920 --> 00:37:05.639
<v Speaker 5>out of this huge opus that he was planning on

656
00:37:05.679 --> 00:37:09.400
<v Speaker 5>writing before he does. Yeah, since Sacred Formulas of the

657
00:37:09.480 --> 00:37:13.679
<v Speaker 5>Cherokee and that thing is a gold mine. First person

658
00:37:13.760 --> 00:37:18.840
<v Speaker 5>interviews and and sort of like materials that he got

659
00:37:18.840 --> 00:37:21.639
<v Speaker 5>when he was talking to mostly the Eastern Band, but

660
00:37:21.679 --> 00:37:24.519
<v Speaker 5>a little bit of Eastern Band as well, and sort

661
00:37:24.519 --> 00:37:30.039
<v Speaker 5>of like cosmological stuff and and traditional sort of you

662
00:37:30.079 --> 00:37:34.119
<v Speaker 5>know what folklorets call wonder stories. And also there's a

663
00:37:34.159 --> 00:37:37.400
<v Speaker 5>lot of really good monsters in there, as you might imagine,

664
00:37:37.679 --> 00:37:41.599
<v Speaker 5>like the Oukatana, which is, you know, the big horned serpents,

665
00:37:41.800 --> 00:37:47.079
<v Speaker 5>and but with stuff like compis cat. There are there

666
00:37:47.119 --> 00:37:51.679
<v Speaker 5>are folk tale that are Cherokee that seemed to be

667
00:37:52.159 --> 00:37:55.639
<v Speaker 5>folded into the legend now. But whether or not they

668
00:37:55.679 --> 00:38:00.760
<v Speaker 5>were originally for me personally speaks not an I's done

669
00:38:00.760 --> 00:38:04.599
<v Speaker 5>a lot of research. I had trouble piecing together where

670
00:38:04.920 --> 00:38:07.400
<v Speaker 5>even the name comes from. Originally it sounds like an

671
00:38:07.440 --> 00:38:08.920
<v Speaker 5>Indian name, but I just don't know.

672
00:38:09.239 --> 00:38:14.079
<v Speaker 1>Yeah, yeah, Well, what other monsters appear in the text

673
00:38:14.079 --> 00:38:15.320
<v Speaker 1>that you would like to talk about?

674
00:38:16.639 --> 00:38:18.440
<v Speaker 5>Uh, Tiffany, you want to talk about raven monkers?

675
00:38:18.800 --> 00:38:21.079
<v Speaker 4>I was about to say, can we talk about raven monkers?

676
00:38:21.880 --> 00:38:26.559
<v Speaker 2>Yeah, so the raven Mocker you don't really especially I

677
00:38:26.760 --> 00:38:29.199
<v Speaker 2>especially appreciated Ausure's version of them.

678
00:38:29.440 --> 00:38:31.920
<v Speaker 4>They don't really have a face. It's kind of just

679
00:38:32.000 --> 00:38:35.440
<v Speaker 4>like a ceramic mask sort of thing.

680
00:38:35.719 --> 00:38:36.079
<v Speaker 1>Okay.

681
00:38:36.159 --> 00:38:39.760
<v Speaker 2>And this group of just like endemic witches who were

682
00:38:39.800 --> 00:38:43.880
<v Speaker 2>kind of plaguing in the land basically are like worshiping

683
00:38:43.920 --> 00:38:47.079
<v Speaker 2>the raven Mocker as a kind of an upstart god

684
00:38:47.280 --> 00:38:51.800
<v Speaker 2>essentially and doing dark deeds to kind of like usher

685
00:38:51.880 --> 00:38:53.920
<v Speaker 2>forth it's a rival sort of. It's there's kind of

686
00:38:53.920 --> 00:38:56.280
<v Speaker 2>a Lovecraftian bent to the story that I really like.

687
00:38:58.280 --> 00:38:59.960
<v Speaker 4>Our great secret knowledge.

688
00:39:00.679 --> 00:39:06.480
<v Speaker 2>So the Raven Macker itself in is a Cherokee legend.

689
00:39:06.599 --> 00:39:08.920
<v Speaker 4>I'm unsure if it's something that.

690
00:39:08.880 --> 00:39:14.039
<v Speaker 2>Appeared pre colonization or post colonization or like like where

691
00:39:14.079 --> 00:39:17.159
<v Speaker 2>the divide is basically, but it's.

692
00:39:17.079 --> 00:39:21.639
<v Speaker 4>Essentially just a dark spirit that is.

693
00:39:21.840 --> 00:39:24.920
<v Speaker 2>Related to death rights. So like I think Asha mentioned before,

694
00:39:25.079 --> 00:39:30.679
<v Speaker 2>like essentially it kind of hovers over you. It appears,

695
00:39:30.760 --> 00:39:34.079
<v Speaker 2>and it sucks the all the remaining years that you

696
00:39:34.239 --> 00:39:34.920
<v Speaker 2>have left to.

697
00:39:34.920 --> 00:39:37.639
<v Speaker 4>Live out of you and takes that for itself.

698
00:39:37.679 --> 00:39:39.960
<v Speaker 2>So if you are going to die in eighty years,

699
00:39:40.280 --> 00:39:41.599
<v Speaker 2>it lives eighty years more.

700
00:39:42.000 --> 00:39:45.679
<v Speaker 7>So it's kind of like it's very heavy and very existential,

701
00:39:45.760 --> 00:39:48.440
<v Speaker 7>very quickly, and the only person who can defeat it

702
00:39:48.519 --> 00:39:52.840
<v Speaker 7>is like a particular type of well trained shaman essentially.

703
00:39:53.559 --> 00:39:54.840
<v Speaker 1>And so if.

704
00:39:54.719 --> 00:39:58.000
<v Speaker 2>I if I recall correctly, you can't see it, like

705
00:39:58.079 --> 00:40:02.119
<v Speaker 2>it doesn't really take physical form, So there's kind of

706
00:40:02.159 --> 00:40:05.360
<v Speaker 2>a like ghostly element to it that I really like

707
00:40:05.400 --> 00:40:05.800
<v Speaker 2>as well.

708
00:40:05.960 --> 00:40:07.599
<v Speaker 4>So it's like it if.

709
00:40:07.480 --> 00:40:09.719
<v Speaker 2>It wants to be seen, it can take certain forms

710
00:40:09.719 --> 00:40:10.320
<v Speaker 2>and things like that.

711
00:40:10.360 --> 00:40:12.559
<v Speaker 4>But but I am large the only person who.

712
00:40:12.400 --> 00:40:14.880
<v Speaker 2>Can actively see and be like, there's a raven mocker

713
00:40:15.400 --> 00:40:18.760
<v Speaker 2>is a super train of like like like well versed

714
00:40:18.800 --> 00:40:22.440
<v Speaker 2>shaman in these in these particular rights in trying to

715
00:40:22.639 --> 00:40:26.800
<v Speaker 2>depict them in physical artwork, it's kind of interesting because.

716
00:40:26.519 --> 00:40:28.519
<v Speaker 4>Like how do you depict the undepictable?

717
00:40:29.000 --> 00:40:34.960
<v Speaker 5>But yeah, yeah, yeah, like what does it look like?

718
00:40:35.039 --> 00:40:35.880
<v Speaker 4>It's indescribable?

719
00:40:36.119 --> 00:40:39.239
<v Speaker 1>Was it was Eldridge? And what's the problem. I don't

720
00:40:40.400 --> 00:40:42.960
<v Speaker 1>at all. It practically draws itself. I don't see what

721
00:40:43.039 --> 00:40:43.760
<v Speaker 1>the issue is.

722
00:40:45.960 --> 00:40:48.360
<v Speaker 2>That's I was saying, like that's the problem with like,

723
00:40:48.360 --> 00:40:52.559
<v Speaker 2>like anytime you you attack the L word lovecraft onto anything, it.

724
00:40:52.599 --> 00:40:55.159
<v Speaker 4>Is just like, well, what does it look like? It's indescribable?

725
00:40:55.480 --> 00:40:58.679
<v Speaker 2>It's completely up to whoever has drawn it before or

726
00:40:58.760 --> 00:41:01.440
<v Speaker 2>whoever is created that try before. But I tend to

727
00:41:02.079 --> 00:41:04.440
<v Speaker 2>I don't know, like in my personal work, since I

728
00:41:04.480 --> 00:41:08.639
<v Speaker 2>am like I love creatures, I love like palaeontological reconstruction,

729
00:41:09.320 --> 00:41:11.760
<v Speaker 2>I try to like ground it a little bit in reality,

730
00:41:11.800 --> 00:41:13.599
<v Speaker 2>but then just like tweak it a little bit to

731
00:41:13.639 --> 00:41:15.679
<v Speaker 2>where it's a little bit like that doesn't make sense

732
00:41:15.800 --> 00:41:20.039
<v Speaker 2>or those joints don't work, or why is its hair

733
00:41:20.199 --> 00:41:22.719
<v Speaker 2>flying around or something like and give it to like

734
00:41:22.719 --> 00:41:24.760
<v Speaker 2>like an otherworldly flavor or something like that.

735
00:41:24.840 --> 00:41:28.239
<v Speaker 4>So with the Raven Mocker, I tried to not give

736
00:41:28.280 --> 00:41:29.920
<v Speaker 4>it edges like I did.

737
00:41:30.360 --> 00:41:32.400
<v Speaker 2>I did a version of the Ravenmacker where it's upper

738
00:41:32.480 --> 00:41:35.880
<v Speaker 2>half basically doesn't have edges, but the lower half has

739
00:41:35.920 --> 00:41:39.079
<v Speaker 2>these long spindling legs and these awful little like feet

740
00:41:39.119 --> 00:41:41.519
<v Speaker 2>that are kind of grabbing onto the surface that it's

741
00:41:41.519 --> 00:41:42.000
<v Speaker 2>sitting on.

742
00:41:42.760 --> 00:41:45.159
<v Speaker 4>And then of course horrible dead eyed mask.

743
00:41:45.639 --> 00:41:51.239
<v Speaker 1>Yeah, I'm very impressed with all the artwork. It looks amazing.

744
00:41:51.960 --> 00:41:52.920
<v Speaker 4>Thank you.

745
00:41:53.679 --> 00:41:55.480
<v Speaker 1>Can you describe Anna's abilities?

746
00:41:55.639 --> 00:41:58.679
<v Speaker 5>The way I would describe Anna's abilities is it's a

747
00:41:58.719 --> 00:42:01.480
<v Speaker 5>little vague in that way that the sort of abilities

748
00:42:01.480 --> 00:42:03.679
<v Speaker 5>of most folkloric which is are a little bit vague.

749
00:42:04.519 --> 00:42:09.960
<v Speaker 5>She has some element of just sort of raw magical power,

750
00:42:10.400 --> 00:42:14.519
<v Speaker 5>but mostly everything that she does is training and technique

751
00:42:14.559 --> 00:42:17.679
<v Speaker 5>and sort of wandering around. Is almost like she would

752
00:42:17.760 --> 00:42:19.360
<v Speaker 5>not think of herself in this way, but as an

753
00:42:19.360 --> 00:42:23.199
<v Speaker 5>ethnographer who's going around picking up this folk knowledge and

754
00:42:23.239 --> 00:42:26.639
<v Speaker 5>incorporating it into her sort of like retinue of tricks.

755
00:42:28.000 --> 00:42:30.800
<v Speaker 5>But really her her biggest powers that she's very observant

756
00:42:31.239 --> 00:42:35.760
<v Speaker 5>and she's a good talker, which is very important when

757
00:42:35.760 --> 00:42:39.800
<v Speaker 5>you're sort of a smallish woman facing down rabbiting but

758
00:42:39.960 --> 00:42:43.639
<v Speaker 5>somewhat chatty monstrosities been there?

759
00:42:46.480 --> 00:42:49.840
<v Speaker 1>Oh yeah, so did you? Did you include the snelly gaster?

760
00:42:51.559 --> 00:42:53.119
<v Speaker 5>Snelly gaster is not in this one, but I do

761
00:42:53.159 --> 00:42:54.760
<v Speaker 5>want to get to it in the future story.

762
00:42:54.960 --> 00:42:55.239
<v Speaker 1>Okay.

763
00:42:55.239 --> 00:43:01.679
<v Speaker 5>Also there's there's the There's a great mons which is

764
00:43:02.039 --> 00:43:06.440
<v Speaker 5>from Murphy, North Carolina, which is Tlanousi. The giant leech,

765
00:43:06.960 --> 00:43:10.360
<v Speaker 5>which is one of these great monsters that shows up

766
00:43:10.400 --> 00:43:13.559
<v Speaker 5>in a Cherokee folk tale about this place where two

767
00:43:13.639 --> 00:43:18.079
<v Speaker 5>rivers come together and there's this enormous like ten twenty

768
00:43:18.199 --> 00:43:22.159
<v Speaker 5>thirty foot leech that people when they try and cross

769
00:43:22.199 --> 00:43:24.400
<v Speaker 5>the river. And you know, most of these stories end

770
00:43:24.440 --> 00:43:26.960
<v Speaker 5>with and then a brave person went and like killed

771
00:43:26.960 --> 00:43:29.599
<v Speaker 5>the leech, and that story ends with, well, then a

772
00:43:29.639 --> 00:43:31.719
<v Speaker 5>brave person to try and kill the leach, and we

773
00:43:31.760 --> 00:43:33.679
<v Speaker 5>found his body later and the leech had eaten his

774
00:43:33.719 --> 00:43:35.960
<v Speaker 5>eyes and nose. So we just don't use that part

775
00:43:36.000 --> 00:43:36.880
<v Speaker 5>of the river anymore.

776
00:43:38.199 --> 00:43:41.199
<v Speaker 1>I have relatives up in Murphy. That's that's very cool.

777
00:43:41.519 --> 00:43:42.320
<v Speaker 1>I didn't know that.

778
00:43:42.239 --> 00:43:44.079
<v Speaker 5>It's a really cool spot. If you ever get a chance.

779
00:43:44.159 --> 00:43:47.599
<v Speaker 5>It's very It's sort of like a little floodplain's forest

780
00:43:47.679 --> 00:43:50.760
<v Speaker 5>that's down at the bottom of a canyon, and it's

781
00:43:50.920 --> 00:43:53.559
<v Speaker 5>very When I first went, it was flooded out. But

782
00:43:54.000 --> 00:43:56.599
<v Speaker 5>it's got this very nice kind of like spooky, swampy

783
00:43:56.719 --> 00:44:01.239
<v Speaker 5>vibe of like quartz and like slowing vines, and it

784
00:44:01.239 --> 00:44:03.079
<v Speaker 5>looks like the kind of place you might expect to

785
00:44:03.079 --> 00:44:03.320
<v Speaker 5>see it.

786
00:44:03.599 --> 00:44:06.159
<v Speaker 1>Leach A Tippany, you said you had been interested in

787
00:44:06.239 --> 00:44:11.800
<v Speaker 1>being a biologist marine biology, a marine biologist in particular.

788
00:44:12.719 --> 00:44:15.039
<v Speaker 1>Did you get to draw any water monsters for the book.

789
00:44:16.519 --> 00:44:17.440
<v Speaker 4>Not quite yet.

790
00:44:17.519 --> 00:44:19.360
<v Speaker 2>I although, like one of the things that I have

791
00:44:19.480 --> 00:44:24.559
<v Speaker 2>heard in my during over the span of my whole career, honestly.

792
00:44:24.360 --> 00:44:26.280
<v Speaker 4>Is that looks like a water creature.

793
00:44:26.559 --> 00:44:28.400
<v Speaker 2>Like whether or not it's actually if it's like a

794
00:44:28.519 --> 00:44:31.360
<v Speaker 2>house or a car or something like that, it'll be

795
00:44:31.440 --> 00:44:32.039
<v Speaker 2>that looks.

796
00:44:31.800 --> 00:44:35.199
<v Speaker 4>Like a water creature. Like Okay, so I guess like my.

797
00:44:36.639 --> 00:44:39.719
<v Speaker 2>Like endemic sort of like I like or fish and

798
00:44:39.760 --> 00:44:41.639
<v Speaker 2>goblin sharks and all sorts.

799
00:44:41.360 --> 00:44:44.119
<v Speaker 4>Of like weird deep sea things with teeth.

800
00:44:44.199 --> 00:44:47.360
<v Speaker 2>Like for a long time, I was super into studying

801
00:44:47.400 --> 00:44:49.079
<v Speaker 2>whales and dolphins and stuff like that.

802
00:44:49.239 --> 00:44:50.960
<v Speaker 4>So like that's something.

803
00:44:50.679 --> 00:44:52.760
<v Speaker 2>That people have always said about my work, whether or

804
00:44:52.800 --> 00:44:55.840
<v Speaker 2>not I'm actually drawing water or things in.

805
00:44:55.840 --> 00:44:58.360
<v Speaker 4>The water at all. So it's kind of interesting.

806
00:44:58.400 --> 00:45:01.199
<v Speaker 2>It's that's sort of like it's art subjective, but like

807
00:45:01.280 --> 00:45:05.559
<v Speaker 2>whatever people receive from it, like I'm happy to provide.

808
00:45:05.639 --> 00:45:07.519
<v Speaker 4>So that's something that people have always picked up on.

809
00:45:07.719 --> 00:45:08.639
<v Speaker 4>It's kind of interesting.

810
00:45:09.079 --> 00:45:11.440
<v Speaker 1>I mean, I could just imagine what you I think

811
00:45:11.960 --> 00:45:15.599
<v Speaker 1>if you had gotten into that, I think the the

812
00:45:15.639 --> 00:45:18.280
<v Speaker 1>illustrations you did with your papers would have been amazing.

813
00:45:18.360 --> 00:45:21.400
<v Speaker 1>I mean, your artists, these are some really good draw

814
00:45:21.599 --> 00:45:23.360
<v Speaker 1>probably scarier than a lot of people are used to

815
00:45:23.360 --> 00:45:24.719
<v Speaker 1>seeing in a in a science paper.

816
00:45:24.760 --> 00:45:31.599
<v Speaker 5>But yeah, I've seen a lot of folklore art that

817
00:45:31.760 --> 00:45:35.400
<v Speaker 5>is kind of it's kind of cute or it's sort

818
00:45:35.400 --> 00:45:38.000
<v Speaker 5>of like a mannered in this very like I am

819
00:45:38.079 --> 00:45:43.719
<v Speaker 5>presenting a painting of a folk tale, and Tiffany's feels

820
00:45:43.800 --> 00:45:46.840
<v Speaker 5>really like you took a sketchbook to a witch's sabbath

821
00:45:46.960 --> 00:45:49.039
<v Speaker 5>and just drew what she saw. So it just has

822
00:45:49.079 --> 00:45:52.280
<v Speaker 5>this wonderful like sketch from life energy to it. You're

823
00:45:52.280 --> 00:45:54.199
<v Speaker 5>not pulling some Pickman's model shit with us.

824
00:45:54.360 --> 00:45:56.039
<v Speaker 1>Are actually.

825
00:45:58.000 --> 00:46:02.360
<v Speaker 8>One day I'll see them, Oh, actually the way that

826
00:46:02.440 --> 00:46:03.440
<v Speaker 8>I like, I grew up.

827
00:46:03.400 --> 00:46:06.039
<v Speaker 2>With a mother who believed and was it if it

828
00:46:06.119 --> 00:46:11.400
<v Speaker 2>was paranormal ghosts, aliens, bigfoot things in the water, like

829
00:46:11.480 --> 00:46:14.760
<v Speaker 2>she believed it all and so like I hardcore like

830
00:46:14.960 --> 00:46:17.800
<v Speaker 2>wanted to be a cryptozoologist up until I was like

831
00:46:17.880 --> 00:46:20.960
<v Speaker 2>wait a minute, like and like in my like teens,

832
00:46:21.239 --> 00:46:26.360
<v Speaker 2>so like the idea of folklore and natural history being blended,

833
00:46:26.599 --> 00:46:28.599
<v Speaker 2>I don't I don't know, Like I've always had kind

834
00:46:28.599 --> 00:46:30.239
<v Speaker 2>of like a natural sensibility for that.

835
00:46:30.280 --> 00:46:31.960
<v Speaker 4>So the idea of you're watching.

836
00:46:31.639 --> 00:46:34.639
<v Speaker 2>An animal, is the animal like roaring all the time

837
00:46:34.800 --> 00:46:37.239
<v Speaker 2>or posing like aggressively all the time.

838
00:46:37.440 --> 00:46:41.280
<v Speaker 4>No, So like why would you draw a bigfoot doing that?

839
00:46:41.360 --> 00:46:41.960
<v Speaker 4>I don't know, Like.

840
00:46:41.960 --> 00:46:44.320
<v Speaker 2>There's a logical like leap for me at least in

841
00:46:44.400 --> 00:46:47.559
<v Speaker 2>that I want to depict things as if you were,

842
00:46:47.639 --> 00:46:51.079
<v Speaker 2>like the viewer was witnessing the monster, because if you

843
00:46:51.119 --> 00:46:54.199
<v Speaker 2>were seeing the monster, you would be the viewer. So like,

844
00:46:54.239 --> 00:46:56.639
<v Speaker 2>I don't know, that's kind of the sentibility that I

845
00:46:56.679 --> 00:46:59.000
<v Speaker 2>try to approach all of my like like quote unquote

846
00:46:59.079 --> 00:47:01.719
<v Speaker 2>paranormal or shinky or horror type.

847
00:47:01.480 --> 00:47:03.440
<v Speaker 5>Of things with I want to I want to jump

848
00:47:03.440 --> 00:47:06.920
<v Speaker 5>in on that also because one of the sensibilities that

849
00:47:07.000 --> 00:47:09.440
<v Speaker 5>I kind of tried to bring to these stories is

850
00:47:09.480 --> 00:47:12.639
<v Speaker 5>that they're they're sort of like folklore inflected fantasy, but

851
00:47:12.719 --> 00:47:15.800
<v Speaker 5>they're really deeply rooted in the sort of like lived

852
00:47:16.239 --> 00:47:20.559
<v Speaker 5>ecology and the lived history of the Southern Appalachians. And

853
00:47:20.920 --> 00:47:23.760
<v Speaker 5>I really like looking at folklore and these sort of

854
00:47:23.800 --> 00:47:30.480
<v Speaker 5>like supernatural ecosystems as ecosystems where yes, which there are

855
00:47:30.559 --> 00:47:34.639
<v Speaker 5>also salamanders like under the logs and the when the

856
00:47:34.679 --> 00:47:37.719
<v Speaker 5>forests are cut down by loggers, Like it's not just

857
00:47:37.760 --> 00:47:39.760
<v Speaker 5>the salamanders that are affected, it's the sort of like

858
00:47:39.800 --> 00:47:43.199
<v Speaker 5>spooky entities that are affected in some way too, and

859
00:47:43.599 --> 00:47:46.559
<v Speaker 5>just trying to like build this world. The thing that

860
00:47:46.599 --> 00:47:48.719
<v Speaker 5>I think George R. Martin is brilliant about in Game

861
00:47:48.760 --> 00:47:51.760
<v Speaker 5>of Thrones is that he presents a medieval world that

862
00:47:51.840 --> 00:47:54.840
<v Speaker 5>medieval people kind of thought that they lived in and

863
00:47:55.360 --> 00:47:58.199
<v Speaker 5>takes all that sort of like beastiery stuff and like

864
00:47:58.320 --> 00:48:02.320
<v Speaker 5>magic and far off lands, takes it seriously. And we're

865
00:48:02.400 --> 00:48:04.159
<v Speaker 5>kind of doing the same thing in this book, where

866
00:48:04.159 --> 00:48:07.239
<v Speaker 5>it's if you read these these stories collected and stuff

867
00:48:07.280 --> 00:48:09.920
<v Speaker 5>like the Silver Bullet, people lived in a world where

868
00:48:09.960 --> 00:48:13.239
<v Speaker 5>witches were real and ghosts were real, and these various

869
00:48:13.239 --> 00:48:16.519
<v Speaker 5>monsters were real. And also the bank might repossess your house,

870
00:48:16.599 --> 00:48:19.239
<v Speaker 5>and also you know it's getting harder and harder to

871
00:48:19.239 --> 00:48:21.760
<v Speaker 5>make a living on the home place, and also you've

872
00:48:21.760 --> 00:48:24.159
<v Speaker 5>got to harvest the corn, and all of this is true.

873
00:48:24.760 --> 00:48:27.519
<v Speaker 5>So there are these sort of injections of the uncanny.

874
00:48:28.039 --> 00:48:31.639
<v Speaker 5>But also if you're someone like Anna O'Brien, who's this

875
00:48:31.760 --> 00:48:35.079
<v Speaker 5>young witch who's like, this is her life now, everything

876
00:48:35.159 --> 00:48:38.639
<v Speaker 5>is important because everything is real, and that means that

877
00:48:39.000 --> 00:48:41.239
<v Speaker 5>dealing with which is just as important as dealing with

878
00:48:41.280 --> 00:48:43.000
<v Speaker 5>someone who's lost something and needs to find it.

879
00:48:43.079 --> 00:48:45.400
<v Speaker 1>Gotcha, that makes good sense. So you mentioned this this

880
00:48:45.440 --> 00:48:48.079
<v Speaker 1>book The Silver Bullet and other American witch stories, and

881
00:48:48.400 --> 00:48:51.199
<v Speaker 1>obviously if you've listened to monster Talk, you know that

882
00:48:51.320 --> 00:48:57.079
<v Speaker 1>I am really interested in silver bullets. Tracking down and

883
00:48:57.360 --> 00:49:01.519
<v Speaker 1>discovering that the silver bullets were much more associated with

884
00:49:01.559 --> 00:49:06.639
<v Speaker 1>witches than with were wolves up until the nineteen forties. Yeah,

885
00:49:06.679 --> 00:49:10.440
<v Speaker 1>like wildly, Yeah, I mean it's I mean, it's like

886
00:49:11.199 --> 00:49:15.320
<v Speaker 1>silver bullets were really, really, really important but for witches

887
00:49:15.320 --> 00:49:19.599
<v Speaker 1>and shape changers, not were wolves in particular. And so

888
00:49:20.400 --> 00:49:22.480
<v Speaker 1>I didn't know this book existed. That's really cool. I'll

889
00:49:22.480 --> 00:49:24.559
<v Speaker 1>have to track it down obviously, I'll put a link

890
00:49:24.559 --> 00:49:27.320
<v Speaker 1>in the show notes. But when you were looking at

891
00:49:27.360 --> 00:49:33.239
<v Speaker 1>witch lore of the Appalachians or Appalachians, I'm having trouble

892
00:49:33.239 --> 00:49:35.079
<v Speaker 1>fighting my roots, so.

893
00:49:36.840 --> 00:49:39.559
<v Speaker 5>This Embrace your Roots. It's that kind of podcast, that's right.

894
00:49:39.639 --> 00:49:42.880
<v Speaker 1>Yeah, when you're looking in at the witches the Appalachians,

895
00:49:43.519 --> 00:49:46.840
<v Speaker 1>did you see a lot of stories involving silver bullets.

896
00:49:47.199 --> 00:49:50.000
<v Speaker 5>There's a couple. Yeah, I'm actually like holding the book

897
00:49:50.039 --> 00:49:54.440
<v Speaker 5>right now. There's a lot of stories about They tend

898
00:49:54.519 --> 00:49:57.239
<v Speaker 5>to appear a lot in stories about shape changing witches,

899
00:49:57.280 --> 00:50:01.320
<v Speaker 5>which are common of course throughout America and British folklore,

900
00:50:01.320 --> 00:50:03.880
<v Speaker 5>but turn up in the Appalachians. There will be cases

901
00:50:03.880 --> 00:50:06.639
<v Speaker 5>where there's these there's these animals that are maybe kind

902
00:50:06.679 --> 00:50:09.920
<v Speaker 5>of not animals, and people will shoot at them and

903
00:50:10.199 --> 00:50:13.000
<v Speaker 5>the guns won't fire, and then you know, they get

904
00:50:13.559 --> 00:50:16.199
<v Speaker 5>a medicine man come in and you know, smell them

905
00:50:16.199 --> 00:50:17.719
<v Speaker 5>a silver bolt and they'll shoot it. And then the

906
00:50:17.760 --> 00:50:19.800
<v Speaker 5>next day someone in town is limping. They're like, aha,

907
00:50:20.159 --> 00:50:20.639
<v Speaker 5>it with you.

908
00:50:21.519 --> 00:50:24.679
<v Speaker 1>Yeah, it's all except that it's a witch and not

909
00:50:24.719 --> 00:50:28.000
<v Speaker 1>a werewolf. Right, Yeah, it's that that that whole trope

910
00:50:28.039 --> 00:50:30.360
<v Speaker 1>gets moved over to werewolf floor. And I just find

911
00:50:30.360 --> 00:50:33.119
<v Speaker 1>that fascinating. It's the uh I wounded, I knocked the

912
00:50:33.199 --> 00:50:35.159
<v Speaker 1>zero off, and then there's some main town that's got

913
00:50:35.159 --> 00:50:37.079
<v Speaker 1>a bandage on their air, you know really.

914
00:50:37.039 --> 00:50:38.400
<v Speaker 4>So it's like an energetic little bit.

915
00:50:38.519 --> 00:50:43.440
<v Speaker 9>So a lot of the the colonial perspective that came

916
00:50:43.559 --> 00:50:48.719
<v Speaker 9>to the Appellations was from Scott's Irish descent, and so

917
00:50:49.039 --> 00:50:53.599
<v Speaker 9>you almost seek like a one for one transition of

918
00:50:53.679 --> 00:50:57.400
<v Speaker 9>folklore from the British Isles to Appellations.

919
00:50:57.440 --> 00:50:59.880
<v Speaker 4>So that's where you get like black dog mits like

920
00:51:00.000 --> 00:51:02.920
<v Speaker 4>black shuck, he follows you.

921
00:51:03.400 --> 00:51:06.960
<v Speaker 2>He may prelude a death in your family. There's lots

922
00:51:06.960 --> 00:51:10.000
<v Speaker 2>of like death superstitions. If you see a bird, it's

923
00:51:10.039 --> 00:51:14.199
<v Speaker 2>a death. If a mirror crag, Yeah, those are they're

924
00:51:14.239 --> 00:51:17.679
<v Speaker 2>really good. But then like so even like the ghost

925
00:51:17.840 --> 00:51:20.400
<v Speaker 2>lore of like what to do with a ghost, how

926
00:51:20.440 --> 00:51:24.119
<v Speaker 2>to conjure a ghost, how to talk to a ghost,

927
00:51:24.159 --> 00:51:26.559
<v Speaker 2>how to dispel a ghost, like a lot of these

928
00:51:26.599 --> 00:51:30.519
<v Speaker 2>come directly from the British Isles, and so like one

929
00:51:30.519 --> 00:51:32.440
<v Speaker 2>of the long term projects that I've got going on

930
00:51:32.480 --> 00:51:35.920
<v Speaker 2>now is an exploration of like lesser known kind of

931
00:51:36.000 --> 00:51:38.760
<v Speaker 2>local English book color from different provinces and stuff like that,

932
00:51:39.800 --> 00:51:42.360
<v Speaker 2>because it's me and it's like it's creaturey and it's

933
00:51:42.400 --> 00:51:44.280
<v Speaker 2>kind of spooky. I tend to lame to the spookier

934
00:51:44.320 --> 00:51:47.159
<v Speaker 2>and the creatury sort of stories, so like these are

935
00:51:47.159 --> 00:51:48.760
<v Speaker 2>the things that I've attracted to. But there's a lot

936
00:51:48.760 --> 00:51:54.239
<v Speaker 2>of like literal one for one, parallels with Appalachian folk lore.

937
00:51:54.800 --> 00:52:00.519
<v Speaker 4>So a lot of the like lost brides appearing in

938
00:52:00.519 --> 00:52:00.840
<v Speaker 4>the river.

939
00:52:00.880 --> 00:52:03.920
<v Speaker 2>There's a lot of river folklore which has which actually

940
00:52:03.920 --> 00:52:06.360
<v Speaker 2>comes a lot from like water goddesses and old like

941
00:52:07.840 --> 00:52:09.599
<v Speaker 2>Anglo Saxon stuff from the.

942
00:52:09.519 --> 00:52:14.360
<v Speaker 4>British Isles and over Roman there's a lot of water

943
00:52:14.400 --> 00:52:15.239
<v Speaker 4>stuff in general.

944
00:52:15.760 --> 00:52:20.880
<v Speaker 2>But this like gets translated in the seventeenth, eighteenth, early

945
00:52:20.960 --> 00:52:25.039
<v Speaker 2>nineteen hundreds as like baptism stuff. So there's a lot

946
00:52:25.039 --> 00:52:27.920
<v Speaker 2>of like interesting like like as the culture shifts around it,

947
00:52:28.000 --> 00:52:32.679
<v Speaker 2>and as the cultural connotation like transforms into like what

948
00:52:32.719 --> 00:52:36.000
<v Speaker 2>we think of as Appalachia today, like the folklore kind

949
00:52:36.000 --> 00:52:36.400
<v Speaker 2>of gets.

950
00:52:36.360 --> 00:52:37.400
<v Speaker 4>Dragged along with it.

951
00:52:38.119 --> 00:52:40.000
<v Speaker 2>So there's I don't know, it's just it's it's a

952
00:52:40.039 --> 00:52:42.239
<v Speaker 2>really interesting like like at the same time holdover but

953
00:52:42.280 --> 00:52:44.559
<v Speaker 2>at the same time, like it's right on the cusp

954
00:52:44.599 --> 00:52:47.840
<v Speaker 2>of everything that's happening societal like as the history of

955
00:52:47.840 --> 00:52:49.119
<v Speaker 2>Appalasia has progressed.

956
00:52:49.880 --> 00:52:53.000
<v Speaker 1>Yeah, I've noticed that as well. And a lot of

957
00:52:53.000 --> 00:52:55.039
<v Speaker 1>the way the folklore comes over from Europe. Brother, well,

958
00:52:55.079 --> 00:52:58.119
<v Speaker 1>if you look at uh, it's true for everywhere that

959
00:52:58.159 --> 00:53:00.559
<v Speaker 1>it comes from. If you look at food and who

960
00:53:00.599 --> 00:53:03.199
<v Speaker 1>do as it came over from Africa and got sort

961
00:53:03.199 --> 00:53:05.719
<v Speaker 1>of transformed. But also even the.

962
00:53:05.679 --> 00:53:08.800
<v Speaker 8>Word itself, like the idea of goofer dust, like going

963
00:53:08.800 --> 00:53:11.280
<v Speaker 8>and getting graveyard dirt, and if you get the dirt

964
00:53:11.320 --> 00:53:16.280
<v Speaker 8>then you can acquire the powers of whatever the person possessed.

965
00:53:16.400 --> 00:53:18.559
<v Speaker 4>Like like I was just digging into that the other day.

966
00:53:18.639 --> 00:53:21.000
<v Speaker 1>It's really interesting, nice fun, nice fun.

967
00:53:21.840 --> 00:53:22.639
<v Speaker 4>The person who was.

968
00:53:22.599 --> 00:53:25.840
<v Speaker 2>Wealthy and if you get their graveyard dirt, then you

969
00:53:25.880 --> 00:53:26.960
<v Speaker 2>also will become wealthy.

970
00:53:27.039 --> 00:53:28.199
<v Speaker 4>Or if they're really good at the link.

971
00:53:28.320 --> 00:53:30.440
<v Speaker 1>Oh that's really cool. That's a really cool sympathetic magic.

972
00:53:30.480 --> 00:53:33.639
<v Speaker 1>I don't think I know that. Yeah, And then there's

973
00:53:34.159 --> 00:53:36.239
<v Speaker 1>what I was gonna say is that things like from

974
00:53:36.320 --> 00:53:40.360
<v Speaker 1>France you had the loo Guru, which was more of

975
00:53:40.400 --> 00:53:43.480
<v Speaker 1>a in Europe was kind of a classical werewolf, but

976
00:53:43.519 --> 00:53:46.679
<v Speaker 1>when it came to America and got down the rude, Yeah,

977
00:53:46.719 --> 00:53:48.599
<v Speaker 1>it became more of like a boogeyman who lives out

978
00:53:48.599 --> 00:53:51.559
<v Speaker 1>in the swamp, you know, like a sort of it'll

979
00:53:51.599 --> 00:53:55.760
<v Speaker 1>get you if you're bad kind of creature, which quite

980
00:53:55.760 --> 00:54:00.159
<v Speaker 1>a bit different. But have I I don't remember if

981
00:54:00.159 --> 00:54:02.480
<v Speaker 1>I've talked about it on the show before, but you

982
00:54:02.599 --> 00:54:05.800
<v Speaker 1>have you had that great Uh yeah, we had two

983
00:54:05.840 --> 00:54:07.679
<v Speaker 1>episodes on it. But I can't remember if I told

984
00:54:07.679 --> 00:54:12.119
<v Speaker 1>my black Dog story. I don't remember if oh no, yeah, yeah,

985
00:54:12.239 --> 00:54:15.440
<v Speaker 1>yeah I did, and uh but I don't know. So

986
00:54:15.559 --> 00:54:18.039
<v Speaker 1>if I've told this story before, my apologies. You know.

987
00:54:18.119 --> 00:54:20.480
<v Speaker 1>But when I when I was getting ready to get

988
00:54:20.480 --> 00:54:22.760
<v Speaker 1>in the Navy, I had to lose some weight, and

989
00:54:22.920 --> 00:54:25.440
<v Speaker 1>uh so I was and I love jogging, but I

990
00:54:25.440 --> 00:54:27.920
<v Speaker 1>still needed to lose some weight. Uh just my build

991
00:54:28.039 --> 00:54:32.639
<v Speaker 1>is very thick, and so I could run like twelve miles,

992
00:54:32.679 --> 00:54:35.559
<v Speaker 1>but I always was on the borderline for fitness according

993
00:54:35.639 --> 00:54:37.800
<v Speaker 1>to the body measurements. I hated that. Oh my god,

994
00:54:37.840 --> 00:54:46.239
<v Speaker 1>anyway is also yeah, yeah, but so I hear it's true.

995
00:54:46.320 --> 00:54:49.559
<v Speaker 1>Yeah I was. I was in fantastic shape as far

996
00:54:49.639 --> 00:54:52.400
<v Speaker 1>as like what I could do, but apparently you know, anyway,

997
00:54:52.440 --> 00:54:54.639
<v Speaker 1>it doesn't matter. But I ran all the time, but

998
00:54:54.679 --> 00:54:56.599
<v Speaker 1>I typically would work all day and then run at night.

999
00:54:56.639 --> 00:54:59.159
<v Speaker 1>I was a night runner, and I loved it. But

1000
00:54:59.239 --> 00:55:02.840
<v Speaker 1>as i'd run around my little hometown of Cartersville, there

1001
00:55:02.880 --> 00:55:04.960
<v Speaker 1>was an area where I would pick up a dog,

1002
00:55:05.159 --> 00:55:07.880
<v Speaker 1>and the dog belonged to a lady named miss I

1003
00:55:07.880 --> 00:55:09.960
<v Speaker 1>probably don't shoot so name. Her name was Miss jolly Is.

1004
00:55:10.199 --> 00:55:13.239
<v Speaker 1>I think she's passed on now, but she had this

1005
00:55:13.800 --> 00:55:17.159
<v Speaker 1>weird looking Her husband, I think ran a junk yard.

1006
00:55:17.239 --> 00:55:20.199
<v Speaker 1>But the dog had one eye missing, and it had

1007
00:55:20.239 --> 00:55:23.360
<v Speaker 1>this huge underbite. But it was a big, thick lab,

1008
00:55:23.760 --> 00:55:26.239
<v Speaker 1>black lab. And so at night when I would go running,

1009
00:55:26.280 --> 00:55:28.239
<v Speaker 1>that dog would would come. It would like see me.

1010
00:55:28.239 --> 00:55:30.280
<v Speaker 1>It would hop off the porch and it would run

1011
00:55:30.320 --> 00:55:32.159
<v Speaker 1>with me for a couple of blocks, and then it

1012
00:55:32.159 --> 00:55:34.079
<v Speaker 1>would give up and then go back home. It didn't

1013
00:55:34.119 --> 00:55:38.079
<v Speaker 1>chase me, it just ran alongside with me. Right. So

1014
00:55:38.199 --> 00:55:41.320
<v Speaker 1>I go off to the Navy, I got a boot camp,

1015
00:55:41.360 --> 00:55:43.280
<v Speaker 1>I go spend some time in the Middle East, and

1016
00:55:43.320 --> 00:55:46.880
<v Speaker 1>I come back to my hometown and my parents tell

1017
00:55:46.920 --> 00:55:50.119
<v Speaker 1>me that this dog has passed away. And I was

1018
00:55:50.199 --> 00:55:51.840
<v Speaker 1>sad to hear it because I'd gotten kind of used

1019
00:55:51.840 --> 00:55:57.440
<v Speaker 1>to it. But as I continued to run. One night,

1020
00:55:57.679 --> 00:56:03.360
<v Speaker 1>I was running and suddenly that dog appeared, and it

1021
00:56:03.480 --> 00:56:05.880
<v Speaker 1>was clearly the same dog. It had one eye and

1022
00:56:05.920 --> 00:56:09.639
<v Speaker 1>a huge underbite. It's not something you could miss, and

1023
00:56:09.679 --> 00:56:11.960
<v Speaker 1>you know, normally it ran alongside me, but that night

1024
00:56:12.199 --> 00:56:19.239
<v Speaker 1>I left it behind. So so the next day I

1025
00:56:19.320 --> 00:56:22.039
<v Speaker 1>went and asked Miss Jolly about her dog. I said,

1026
00:56:22.360 --> 00:56:25.440
<v Speaker 1>Miss Jolly, my parents told me your dog I had

1027
00:56:25.480 --> 00:56:28.400
<v Speaker 1>passed away. But last night, I swear I saw it,

1028
00:56:29.440 --> 00:56:31.280
<v Speaker 1>and she gave me a funny look. She said, well,

1029
00:56:32.760 --> 00:56:35.840
<v Speaker 1>they told me that I had to keep it chained up,

1030
00:56:36.079 --> 00:56:39.320
<v Speaker 1>and I didn't want to, so I told everybody it died.

1031
00:56:39.400 --> 00:56:41.519
<v Speaker 1>I just let it out at night.

1032
00:56:44.760 --> 00:56:45.559
<v Speaker 5>Oh my god.

1033
00:56:46.840 --> 00:56:50.559
<v Speaker 1>So yeah, so it wasn't actually dead. It's dead now,

1034
00:56:52.960 --> 00:57:02.280
<v Speaker 1>but holy cow, that scared the poop out of me anyway.

1035
00:57:02.440 --> 00:57:06.039
<v Speaker 1>So yeah, yeah, so black shuck rings real, real, dear

1036
00:57:06.119 --> 00:57:06.400
<v Speaker 1>to me.

1037
00:57:07.960 --> 00:57:11.559
<v Speaker 5>The shuck is in the book. It's sort of like

1038
00:57:11.639 --> 00:57:16.840
<v Speaker 5>major appearance in one story and more supporting than another.

1039
00:57:16.960 --> 00:57:21.599
<v Speaker 5>And having traveled in Latin America, there's all the obviously,

1040
00:57:21.639 --> 00:57:24.480
<v Speaker 5>you know, street dogs and pariah dogs, and it's really

1041
00:57:24.480 --> 00:57:26.760
<v Speaker 5>interesting to be around them because when you're around dogs

1042
00:57:26.760 --> 00:57:29.719
<v Speaker 5>in America, they are by and large very much pet

1043
00:57:30.119 --> 00:57:32.840
<v Speaker 5>sort of think of them and as man's best friend.

1044
00:57:33.239 --> 00:57:33.920
<v Speaker 1>I love dogs.

1045
00:57:33.960 --> 00:57:37.920
<v Speaker 5>I grew up with dogs, but go down to Guatemala

1046
00:57:38.800 --> 00:57:42.199
<v Speaker 5>or Columbia and they're just dogs out on the street

1047
00:57:42.400 --> 00:57:44.679
<v Speaker 5>living their lives, don't really have anything to do with

1048
00:57:45.119 --> 00:57:48.199
<v Speaker 5>or any interest in humans. And then you remember, oh,

1049
00:57:48.480 --> 00:57:52.960
<v Speaker 5>dogs are like medium sized predatory mammals and are potentially

1050
00:57:53.039 --> 00:57:58.159
<v Speaker 5>quite dangerous. Yes, And there's something about the Black Shuck

1051
00:57:58.199 --> 00:58:01.800
<v Speaker 5>in particular that for me is this like very It's

1052
00:58:01.840 --> 00:58:04.000
<v Speaker 5>an autonomous dog. You know, it's definitely a dog. It's

1053
00:58:04.039 --> 00:58:06.599
<v Speaker 5>not a wolf. It's a dog, but it's not a

1054
00:58:06.599 --> 00:58:09.760
<v Speaker 5>people dog. And sometimes there are these stories about the

1055
00:58:09.800 --> 00:58:12.480
<v Speaker 5>Black Shock accompanying young women on the road at night

1056
00:58:12.519 --> 00:58:15.400
<v Speaker 5>and protecting them from harm. And sometimes there are stories

1057
00:58:15.480 --> 00:58:20.440
<v Speaker 5>about the Black Shock following people for years. Sometimes it's

1058
00:58:20.559 --> 00:58:22.519
<v Speaker 5>more of a metaphor. It can be like a metaphor

1059
00:58:22.639 --> 00:58:23.280
<v Speaker 5>for depression.

1060
00:58:23.519 --> 00:58:24.119
<v Speaker 1>It can be.

1061
00:58:26.519 --> 00:58:29.360
<v Speaker 5>It can be a really grim omen It can be

1062
00:58:29.400 --> 00:58:32.840
<v Speaker 5>in some stories like obviously like the Beast of Bungay

1063
00:58:33.000 --> 00:58:35.440
<v Speaker 5>is it's a directly murderous enter.

1064
00:58:35.559 --> 00:58:38.920
<v Speaker 2>So there was a case in the sixteen d either

1065
00:58:38.960 --> 00:58:40.360
<v Speaker 2>fifteen hundreds or sixteen hundreds.

1066
00:58:40.400 --> 00:58:41.880
<v Speaker 4>And this is also the part of the This is

1067
00:58:41.880 --> 00:58:43.760
<v Speaker 4>one of the pieces that I did for my English.

1068
00:58:43.519 --> 00:58:50.800
<v Speaker 2>Folklore project where a church suddenly burst into flames and

1069
00:58:51.159 --> 00:58:54.320
<v Speaker 2>lots of people were electrocuted to death, and there is

1070
00:58:54.360 --> 00:58:58.440
<v Speaker 2>a strange association between lightning and a black dog. There

1071
00:58:58.440 --> 00:59:01.800
<v Speaker 2>are multiple witness reports of a black dog bursting in

1072
00:59:01.880 --> 00:59:04.039
<v Speaker 2>through the church doors, and supposedly still if you go

1073
00:59:04.079 --> 00:59:04.519
<v Speaker 2>there today.

1074
00:59:04.559 --> 00:59:07.239
<v Speaker 4>I haven't been there, but there.

1075
00:59:07.039 --> 00:59:11.159
<v Speaker 2>Are burn marks on the church door where supposedly the

1076
00:59:11.239 --> 00:59:13.440
<v Speaker 2>dogs scratched at the door to get in.

1077
00:59:13.880 --> 00:59:16.280
<v Speaker 1>Yeah, we've done, Yeah, we did. We've done two episodes

1078
00:59:16.320 --> 00:59:20.480
<v Speaker 1>on black dogs, and one was with folk lorese David Waldron.

1079
00:59:20.519 --> 00:59:22.800
<v Speaker 1>So if you want to hear an hour on that,

1080
00:59:22.880 --> 00:59:24.719
<v Speaker 1>you can go back to our show notes or and

1081
00:59:24.760 --> 00:59:26.920
<v Speaker 1>find that episode too. Yeah. It kind of reminds me

1082
00:59:26.920 --> 00:59:29.679
<v Speaker 1>of the Jersey Devil, where you know, there's the folklore

1083
00:59:29.880 --> 00:59:34.440
<v Speaker 1>and then there's this really cool religious and political history

1084
00:59:34.599 --> 00:59:39.280
<v Speaker 1>behind the folklore that I find as interesting, but it's

1085
00:59:39.400 --> 00:59:43.440
<v Speaker 1>not nearly as widely known. And that's just it's one

1086
00:59:43.440 --> 00:59:45.599
<v Speaker 1>of those things when you when you there's the scary

1087
00:59:45.639 --> 00:59:48.960
<v Speaker 1>monster part and then there's the hey, what does this mean?

1088
00:59:49.000 --> 00:59:52.039
<v Speaker 1>And as you say, metaphor figures right into that and

1089
00:59:52.079 --> 00:59:56.400
<v Speaker 1>sometimes that is literally the monsterification of other religious groups

1090
00:59:56.440 --> 01:00:00.599
<v Speaker 1>or other political groups or other social groups. As you say,

1091
01:00:00.639 --> 01:00:03.880
<v Speaker 1>even even Hillbillies themselves have been turned into monsters in

1092
01:00:04.239 --> 01:00:07.039
<v Speaker 1>some ways, which is just ridiculous.

1093
01:00:07.400 --> 01:00:09.519
<v Speaker 4>Monsters are always political.

1094
01:00:09.519 --> 01:00:12.280
<v Speaker 1>Yeah, I guess so. So I was gonna say, they're

1095
01:00:12.320 --> 01:00:15.679
<v Speaker 1>doing a monster conference and just a little bit south

1096
01:00:15.719 --> 01:00:20.440
<v Speaker 1>of Austin coming up next April, I believe Joseph Laycock.

1097
01:00:21.159 --> 01:00:24.280
<v Speaker 1>Oh yeah, I know Joe. So Joe is trying to

1098
01:00:24.320 --> 01:00:27.360
<v Speaker 1>put together a conference called Gods and Monsters, and I

1099
01:00:27.400 --> 01:00:30.960
<v Speaker 1>actually owe them a paper I need to put together.

1100
01:00:30.960 --> 01:00:34.800
<v Speaker 1>But the one of the things that he said in

1101
01:00:34.840 --> 01:00:40.440
<v Speaker 1>his invitation to submit articles was a quote that said

1102
01:00:41.440 --> 01:00:47.000
<v Speaker 1>monsters are meaning machines, right, which is wonderful. But but

1103
01:00:47.000 --> 01:00:48.760
<v Speaker 1>but sometimes they're also monsters, right.

1104
01:00:51.320 --> 01:00:54.079
<v Speaker 5>And that's that's sort of a balance that we we

1105
01:00:54.119 --> 01:00:58.000
<v Speaker 5>try and strike in this book, which is that the

1106
01:00:58.079 --> 01:01:02.039
<v Speaker 5>monsters are are there as monsters, you know, stuff like

1107
01:01:02.119 --> 01:01:05.800
<v Speaker 5>the Hags and the Raven Mocker and the Hog of

1108
01:01:05.840 --> 01:01:09.400
<v Speaker 5>the Bogs and the Aware. They're all they exist perfectly,

1109
01:01:09.559 --> 01:01:13.239
<v Speaker 5>really well as monsters. But when I was writing these stories,

1110
01:01:13.280 --> 01:01:17.079
<v Speaker 5>I was kind of trying to find things to say

1111
01:01:17.119 --> 01:01:20.719
<v Speaker 5>with the monsters. You know, when the black Shuck shows

1112
01:01:20.800 --> 01:01:24.239
<v Speaker 5>up the first time, it is as a monster, and

1113
01:01:24.280 --> 01:01:26.639
<v Speaker 5>when the black shock shows up the second time, it's

1114
01:01:26.639 --> 01:01:29.960
<v Speaker 5>as a much more ambiguous and sort of figure of

1115
01:01:30.480 --> 01:01:35.159
<v Speaker 5>mental illness, of trauma of depression, which as somebody I

1116
01:01:35.440 --> 01:01:38.000
<v Speaker 5>mentioned this earlier, but I might have cut out as

1117
01:01:38.039 --> 01:01:41.440
<v Speaker 5>somebody who deals with mental illness and depression. Like that's

1118
01:01:41.440 --> 01:01:44.159
<v Speaker 5>something that I feel like when I could really like

1119
01:01:44.280 --> 01:01:46.480
<v Speaker 5>dial into and it gives the stories a lot more

1120
01:01:46.519 --> 01:01:52.760
<v Speaker 5>heft if the supernatural is also the supernatural is is

1121
01:01:52.840 --> 01:01:55.440
<v Speaker 5>many ways, is many times a poetic way of looking

1122
01:01:55.440 --> 01:01:58.199
<v Speaker 5>at history, and history that won't stay buried, you know.

1123
01:01:58.320 --> 01:02:01.800
<v Speaker 5>A ghost is just the paswer that won't lie down.

1124
01:02:01.960 --> 01:02:06.360
<v Speaker 5>A monster is is an element of the unknown or

1125
01:02:06.400 --> 01:02:09.519
<v Speaker 5>a thing that scares us that you know, gets all

1126
01:02:09.599 --> 01:02:12.920
<v Speaker 5>this baggage sort of pile onto it. And the baggage

1127
01:02:12.960 --> 01:02:15.519
<v Speaker 5>is the fun bit, right like, because without baggage, a

1128
01:02:15.559 --> 01:02:17.559
<v Speaker 5>monster is just a toothy thing. And there's a lot

1129
01:02:17.599 --> 01:02:20.400
<v Speaker 5>of toothy things in the world. But the baggage is

1130
01:02:21.119 --> 01:02:23.239
<v Speaker 5>the it's the cultural stuff and the history and the

1131
01:02:23.239 --> 01:02:26.760
<v Speaker 5>politics and the religion, and that's really what I think

1132
01:02:26.800 --> 01:02:28.039
<v Speaker 5>makes a monster interesting.

1133
01:02:28.440 --> 01:02:30.599
<v Speaker 1>Yeah, I mean, if you think about all the ways

1134
01:02:30.679 --> 01:02:35.440
<v Speaker 1>monsters are presented in our culture. I mean even in

1135
01:02:35.480 --> 01:02:38.559
<v Speaker 1>the most what some people might consider not to be

1136
01:02:38.719 --> 01:02:42.239
<v Speaker 1>great cinema, but things like the Friday the Thirteenth franchise,

1137
01:02:42.320 --> 01:02:47.360
<v Speaker 1>where where monsters become symbols of punishment for sexual transgression,

1138
01:02:48.079 --> 01:02:53.159
<v Speaker 1>or with where Will stories where monsters represent the sort

1139
01:02:53.199 --> 01:02:56.639
<v Speaker 1>of the duality of man and the rage versus reason

1140
01:02:56.920 --> 01:03:01.519
<v Speaker 1>kind of approach. I mean, yeah, they're they're beautiful in

1141
01:03:01.559 --> 01:03:06.000
<v Speaker 1>that way, but man, depression is such a real monster,

1142
01:03:06.079 --> 01:03:09.519
<v Speaker 1>and it's it's so challenging because the way it SAPs

1143
01:03:09.719 --> 01:03:13.960
<v Speaker 1>your ability to get things done or your interest in life,

1144
01:03:14.039 --> 01:03:16.320
<v Speaker 1>or it can steal from you all the things that

1145
01:03:16.400 --> 01:03:17.000
<v Speaker 1>are important.

1146
01:03:18.440 --> 01:03:18.639
<v Speaker 2>Yeah.

1147
01:03:18.760 --> 01:03:21.400
<v Speaker 1>Yeah, it's so it's like a vampire and it's like

1148
01:03:21.440 --> 01:03:24.400
<v Speaker 1>it's like a curse, and it's like, uh, it's like

1149
01:03:24.440 --> 01:03:27.000
<v Speaker 1>a demon. It's like so many things. All these stories.

1150
01:03:27.559 --> 01:03:27.880
<v Speaker 5>It's like.

1151
01:03:29.599 --> 01:03:33.079
<v Speaker 1>Yeah, yeah, I mean they they these these things. It's

1152
01:03:33.119 --> 01:03:35.320
<v Speaker 1>like I wish they were real, because it would be

1153
01:03:35.360 --> 01:03:37.920
<v Speaker 1>so much easier to deal with a demon that it

1154
01:03:37.960 --> 01:03:40.880
<v Speaker 1>would be depression. Oh my gosh. Yeah. Yeah.

1155
01:03:41.519 --> 01:03:43.559
<v Speaker 2>Well, I mean, like I suffer from a lot of

1156
01:03:43.559 --> 01:03:46.119
<v Speaker 2>the same life as an artist, but like that's a

1157
01:03:46.119 --> 01:03:49.280
<v Speaker 2>lot of this the same that I focused with, like.

1158
01:03:49.320 --> 01:03:50.840
<v Speaker 4>Dealt with a lot of the time, like a lot

1159
01:03:50.840 --> 01:03:51.800
<v Speaker 4>of the time, remember the years.

1160
01:03:51.800 --> 01:03:54.519
<v Speaker 2>So that's definitely a place, and especially like I said,

1161
01:03:54.559 --> 01:03:58.960
<v Speaker 2>growing up with a person who believed in the literal

1162
01:03:59.079 --> 01:04:02.159
<v Speaker 2>existence of aliens are gonna get you, ghosts are gonna

1163
01:04:02.239 --> 01:04:05.639
<v Speaker 2>get you. Like those were a little bit less so

1164
01:04:05.760 --> 01:04:08.920
<v Speaker 2>my speed than the more so the like let's go

1165
01:04:08.960 --> 01:04:12.559
<v Speaker 2>find the lot ness monster, Like that's more mine, Like okay, cool,

1166
01:04:12.599 --> 01:04:13.280
<v Speaker 2>it's less.

1167
01:04:13.079 --> 01:04:16.440
<v Speaker 1>Threatening, it is, right, right, But at the same time it's.

1168
01:04:16.280 --> 01:04:20.679
<v Speaker 10>Still kind of inhabits that same basic like like socio political,

1169
01:04:20.920 --> 01:04:25.920
<v Speaker 10>like psychosomatic sort of core where it still is representing

1170
01:04:26.000 --> 01:04:28.559
<v Speaker 10>like whether or not it's your actual trauma, it's somebody

1171
01:04:28.559 --> 01:04:31.719
<v Speaker 10>else's trauma. So that's kind of the place that I

1172
01:04:31.760 --> 01:04:33.920
<v Speaker 10>always approach to, like especially like like I said, the

1173
01:04:34.000 --> 01:04:36.360
<v Speaker 10>Raven Mocker or like these things that are like they

1174
01:04:36.400 --> 01:04:39.199
<v Speaker 10>don't have definition, how do you describe the in the

1175
01:04:39.239 --> 01:04:43.000
<v Speaker 10>indescribable like and then I have to actually at some

1176
01:04:43.000 --> 01:04:44.719
<v Speaker 10>point I have to put a pencil to paper and

1177
01:04:44.760 --> 01:04:45.719
<v Speaker 10>actually draw the thing.

1178
01:04:45.920 --> 01:04:48.599
<v Speaker 4>So like like that's something that I always have in

1179
01:04:48.639 --> 01:04:50.199
<v Speaker 4>consideration when designing.

1180
01:04:51.000 --> 01:04:53.920
<v Speaker 1>Well, I've got a house fool of aspiring author artists.

1181
01:04:54.000 --> 01:04:57.119
<v Speaker 1>Rather when author. Yeah, well I have. I have three

1182
01:04:57.199 --> 01:04:59.760
<v Speaker 1>children and all of them love creating art, and I

1183
01:04:59.800 --> 01:05:01.440
<v Speaker 1>was just going to ask you, what what what do

1184
01:05:01.480 --> 01:05:03.679
<v Speaker 1>you use to do your art? Like how what medium

1185
01:05:03.679 --> 01:05:04.360
<v Speaker 1>are you working in?

1186
01:05:05.519 --> 01:05:08.360
<v Speaker 2>So for a long time I worked digitally. I was

1187
01:05:08.400 --> 01:05:14.000
<v Speaker 2>a super photoshop person. Honestly coming back to traditional artwork

1188
01:05:14.039 --> 01:05:15.679
<v Speaker 2>and just doing like soup.

1189
01:05:15.800 --> 01:05:17.280
<v Speaker 4>So all the things that I'm doing.

1190
01:05:17.119 --> 01:05:22.239
<v Speaker 2>For Anna O'Brien ghost Days are just well, the the

1191
01:05:22.400 --> 01:05:26.679
<v Speaker 2>cover art is an actual physical painting and all the

1192
01:05:26.719 --> 01:05:29.039
<v Speaker 2>interior spots are just pencil on paper.

1193
01:05:29.239 --> 01:05:31.440
<v Speaker 4>So coming back to that has kind of been like

1194
01:05:31.480 --> 01:05:32.920
<v Speaker 4>a journey.

1195
01:05:35.719 --> 01:05:37.920
<v Speaker 1>I've been trying to get my daughter to use a

1196
01:05:37.440 --> 01:05:40.320
<v Speaker 1>u a, you know, an art pad with her Mac

1197
01:05:40.480 --> 01:05:42.920
<v Speaker 1>and she's just not that interesting. She likes to pick

1198
01:05:43.000 --> 01:05:45.840
<v Speaker 1>up paper and ink and she'll paint with anything or

1199
01:05:45.920 --> 01:05:48.760
<v Speaker 1>draw with anything in the real world, but doesn't seem

1200
01:05:48.800 --> 01:05:51.960
<v Speaker 1>that interesting digital. And I think, unfortunately people are going

1201
01:05:52.039 --> 01:05:53.920
<v Speaker 1>to expect her to know the digital side. So I'll

1202
01:05:53.960 --> 01:05:56.440
<v Speaker 1>keep hammering at her because no both right, why not?

1203
01:05:56.440 --> 01:05:56.800
<v Speaker 1>No both?

1204
01:05:56.920 --> 01:05:57.360
<v Speaker 6>You know what?

1205
01:05:57.599 --> 01:06:01.199
<v Speaker 4>So, like I learned how to use Potoshop on the job.

1206
01:06:01.360 --> 01:06:04.400
<v Speaker 4>Nobody taught me. I went to a super ledie art school,

1207
01:06:04.719 --> 01:06:07.280
<v Speaker 4>so you know, like that comes when it comes. If

1208
01:06:07.320 --> 01:06:10.679
<v Speaker 4>she wants to go into that direction, then that's fine.

1209
01:06:10.400 --> 01:06:12.559
<v Speaker 1>But like, no, she'll do it exactly like I say.

1210
01:06:12.639 --> 01:06:16.800
<v Speaker 1>Or no, I know what, I'm the most laid back dad.

1211
01:06:16.840 --> 01:06:22.440
<v Speaker 1>I'm ridiculous. Yeah, before you go, if you've listened to

1212
01:06:22.440 --> 01:06:26.079
<v Speaker 1>the show, you probably know what I'm about to ask. So,

1213
01:06:26.840 --> 01:06:30.119
<v Speaker 1>oh man, all right, guys, what's your favorite monsters?

1214
01:06:31.679 --> 01:06:32.119
<v Speaker 4>You go first?

1215
01:06:32.480 --> 01:06:34.119
<v Speaker 5>Black Shock?

1216
01:06:34.920 --> 01:06:39.239
<v Speaker 1>Okay, that's just so you any particular reason besides what

1217
01:06:39.280 --> 01:06:42.119
<v Speaker 1>you've already talked about.

1218
01:06:42.880 --> 01:06:45.440
<v Speaker 5>It really is that autonomous dog thing. It's like it's

1219
01:06:45.440 --> 01:06:47.239
<v Speaker 5>one of I like spirits that they show up and

1220
01:06:47.280 --> 01:06:49.519
<v Speaker 5>you don't quite know what you're getting from them. That's

1221
01:06:49.639 --> 01:06:52.320
<v Speaker 5>sort of tilt toward the spooky. But also like have

1222
01:06:52.440 --> 01:06:55.440
<v Speaker 5>all these really complex facets, and you know, I just

1223
01:06:55.480 --> 01:06:55.960
<v Speaker 5>like dogs.

1224
01:06:56.320 --> 01:06:58.079
<v Speaker 1>I know when I get from them, I get a

1225
01:06:58.119 --> 01:07:00.840
<v Speaker 1>twenty percent increase in speed amazing.

1226
01:07:04.039 --> 01:07:05.280
<v Speaker 4>Plus by agility.

1227
01:07:05.400 --> 01:07:13.599
<v Speaker 1>That's right, Sorry, go ahead, Yeah, I just like uh,

1228
01:07:13.800 --> 01:07:14.519
<v Speaker 1>I like dogs.

1229
01:07:14.639 --> 01:07:17.159
<v Speaker 5>I like spooky dogs. I like spooky dogs that you

1230
01:07:17.159 --> 01:07:18.000
<v Speaker 5>don't know what they're gonna do.

1231
01:07:19.239 --> 01:07:21.880
<v Speaker 1>There you go, spooky do spooky do?

1232
01:07:22.039 --> 01:07:22.280
<v Speaker 5>I like?

1233
01:07:22.679 --> 01:07:23.880
<v Speaker 1>Go ahead, Tiffany, your turn.

1234
01:07:24.840 --> 01:07:33.920
<v Speaker 4>I'm gonna go with cad Borosaurus. Yeah, I've always been fascinated.

1235
01:07:33.360 --> 01:07:38.920
<v Speaker 2>By the pleasea saurid type like sea serpent, family of

1236
01:07:39.000 --> 01:07:39.800
<v Speaker 2>sea monsters.

1237
01:07:39.840 --> 01:07:42.480
<v Speaker 4>But that was one of the first ones I remember in.

1238
01:07:42.480 --> 01:07:45.840
<v Speaker 9>The nineties there was all the like paranormal shows and everything,

1239
01:07:45.880 --> 01:07:48.599
<v Speaker 9>and that was one that I saw that was.

1240
01:07:48.559 --> 01:07:50.719
<v Speaker 4>Like, we found a body.

1241
01:07:51.519 --> 01:07:55.199
<v Speaker 2>There is a physical specimen, but some idiot threw it away,

1242
01:07:55.440 --> 01:07:57.960
<v Speaker 2>and I was like, I remember being like eleven years

1243
01:07:58.000 --> 01:08:03.639
<v Speaker 2>old just being like you more and like like I'm

1244
01:08:03.679 --> 01:08:06.119
<v Speaker 2>eleven and I'm going to tell you what's what this

1245
01:08:06.239 --> 01:08:07.960
<v Speaker 2>is for science? Listen, and so.

1246
01:08:08.039 --> 01:08:10.639
<v Speaker 6>Like I remember being that child and being like we

1247
01:08:10.719 --> 01:08:12.280
<v Speaker 6>have to go back, we have to get into their

1248
01:08:12.400 --> 01:08:15.400
<v Speaker 6>keborosaur's body, and so like that was like one of

1249
01:08:15.440 --> 01:08:20.199
<v Speaker 6>my first intersections of folklore and like interest in science.

1250
01:08:20.279 --> 01:08:22.640
<v Speaker 4>So it's like both of those were branching cats for me.

1251
01:08:22.760 --> 01:08:23.680
<v Speaker 4>Have those same times.

1252
01:08:23.680 --> 01:08:26.079
<v Speaker 1>So yeah, and I bet, I bet you use an

1253
01:08:26.159 --> 01:08:27.560
<v Speaker 1>art caddie all the time now.

1254
01:08:29.760 --> 01:08:33.359
<v Speaker 2>Honestly, like, whenever I go back to the crypto videotype stuff,

1255
01:08:33.359 --> 01:08:35.520
<v Speaker 2>that's one of the first like prompts that I start

1256
01:08:35.600 --> 01:08:38.199
<v Speaker 2>with is like, let's go back to ken Porosaurus.

1257
01:08:38.239 --> 01:08:41.880
<v Speaker 4>So yeah, we shirek some busted wheels out here.

1258
01:08:42.319 --> 01:08:45.119
<v Speaker 1>There's how many c stories are there about? Well, we

1259
01:08:45.279 --> 01:08:48.399
<v Speaker 1>found a body, we pulled it. It was really weird looking,

1260
01:08:48.760 --> 01:08:51.840
<v Speaker 1>but it's stank. We had to throw it back in

1261
01:08:51.880 --> 01:08:52.279
<v Speaker 1>the water.

1262
01:08:52.840 --> 01:08:54.960
<v Speaker 4>It was too stink. You better throw it in the trash.

1263
01:08:55.199 --> 01:08:57.399
<v Speaker 1>I was in the Navy. It's got to be pretty

1264
01:08:57.439 --> 01:09:01.560
<v Speaker 1>skank before say they would just throw it overboard itself.

1265
01:09:03.000 --> 01:09:03.439
<v Speaker 1>It does.

1266
01:09:03.960 --> 01:09:07.920
<v Speaker 5>It's true, it's true. There's actually that just reminds me

1267
01:09:08.000 --> 01:09:10.439
<v Speaker 5>of one one lass is actually an ozark story. But

1268
01:09:10.800 --> 01:09:13.199
<v Speaker 5>Ozarks are basically just the western apple Achians. For all

1269
01:09:13.199 --> 01:09:18.039
<v Speaker 5>offense and purposes. There's a story of of this big

1270
01:09:18.319 --> 01:09:22.800
<v Speaker 5>tusked lizard called a gow row okay that supposedly lives

1271
01:09:22.840 --> 01:09:25.640
<v Speaker 5>in the cavern in these like deep caverns and devils

1272
01:09:25.680 --> 01:09:30.640
<v Speaker 5>in th hole in the in the Ozarks, And somebody

1273
01:09:30.680 --> 01:09:33.760
<v Speaker 5>supposedly shot a couple and like shipped them off to

1274
01:09:33.800 --> 01:09:36.800
<v Speaker 5>the Smithsonian. But wouldn't you know it, they never showed up.

1275
01:09:36.880 --> 01:09:42.319
<v Speaker 1>And no, Yeah, how do they even stay in business.

1276
01:09:42.359 --> 01:09:48.039
<v Speaker 1>They're losing those things. They're losing giant human skeletons. Is

1277
01:09:48.039 --> 01:09:52.920
<v Speaker 1>there no quality control in the Smithsonian. It's ridiculous.

1278
01:09:53.039 --> 01:09:57.960
<v Speaker 5>Yeah, let's let's give them the benefit of the doubt

1279
01:09:57.960 --> 01:09:59.920
<v Speaker 5>and just assume that the roads weren't so great back then.

1280
01:10:00.039 --> 01:10:02.000
<v Speaker 1>Oh that's a good point. That's a good point. Yeah.

1281
01:10:02.640 --> 01:10:05.640
<v Speaker 5>They You know, if you want some interesting history for

1282
01:10:05.800 --> 01:10:07.880
<v Speaker 5>your local museums, Yeah, no, for sure.

1283
01:10:08.039 --> 01:10:10.279
<v Speaker 1>Yeah, I was gonna say, the history of the Smithsonian

1284
01:10:10.840 --> 01:10:13.960
<v Speaker 1>is really interesting. I mean, the amount of money that

1285
01:10:14.000 --> 01:10:19.079
<v Speaker 1>went to create it is astonishingly large. It's really amazing.

1286
01:10:19.960 --> 01:10:23.640
<v Speaker 1>And it was covered on one of the seasons of

1287
01:10:24.439 --> 01:10:29.520
<v Speaker 1>Connections of the series by James Burke, who is a

1288
01:10:30.399 --> 01:10:33.880
<v Speaker 1>historian and TV presenter, and it's I can't summarize it here,

1289
01:10:33.880 --> 01:10:36.359
<v Speaker 1>but I'll try to find the episode and put it

1290
01:10:36.359 --> 01:10:38.039
<v Speaker 1>in the show notes on YouTube or something, but it's

1291
01:10:38.079 --> 01:10:40.520
<v Speaker 1>really neat. I think it was like one of the

1292
01:10:40.520 --> 01:10:42.960
<v Speaker 1>shorter versions of maybe season two or season three. Not

1293
01:10:43.000 --> 01:10:46.880
<v Speaker 1>really important for this conversation, but I do like my

1294
01:10:47.039 --> 01:10:49.039
<v Speaker 1>museums and the history of how they become the way

1295
01:10:49.039 --> 01:10:51.199
<v Speaker 1>they are is fascinating to me. Well, thank you so

1296
01:10:51.359 --> 01:10:53.840
<v Speaker 1>much both of you for joining us tonight on Monster Talk,

1297
01:10:54.640 --> 01:10:57.920
<v Speaker 1>and congratulations on being funded. And I hope that you're

1298
01:10:57.960 --> 01:11:00.760
<v Speaker 1>able to take this and get a little more out

1299
01:11:00.800 --> 01:11:02.880
<v Speaker 1>of it and maybe get those hardbacks out. This is

1300
01:11:03.000 --> 01:11:06.199
<v Speaker 1>really cool and the artwork's beautiful and the writing looks great,

1301
01:11:06.640 --> 01:11:09.239
<v Speaker 1>and I haven't read the whole thing, but what I

1302
01:11:09.239 --> 01:11:11.840
<v Speaker 1>did read was really interesting, and so I'm really interested

1303
01:11:11.840 --> 01:11:12.800
<v Speaker 1>to see the final product.

1304
01:11:12.800 --> 01:11:13.439
<v Speaker 5>Well, thank you so.

1305
01:11:13.439 --> 01:11:15.640
<v Speaker 4>Much, Blake, thank you, thank you so much.

1306
01:11:15.920 --> 01:11:20.479
<v Speaker 1>Monster you've been listening to Monster Talk, the science show

1307
01:11:20.479 --> 01:11:23.039
<v Speaker 1>about monsters. I'm Blake Smith, and you just heard an

1308
01:11:23.079 --> 01:11:26.760
<v Speaker 1>interview with Asher Elbine and Tiffany Terrill, the creators of

1309
01:11:26.800 --> 01:11:30.479
<v Speaker 1>a new illustrated book project about Appalachian folklore called Anna

1310
01:11:30.520 --> 01:11:34.119
<v Speaker 1>O'Brien Ghost Days. A link to the kickstarter is in

1311
01:11:34.159 --> 01:11:36.960
<v Speaker 1>the show notes at MonsterTalk dot org. I hope you'll

1312
01:11:37.000 --> 01:11:38.399
<v Speaker 1>check it out and if it's to your liking, that

1313
01:11:38.479 --> 01:11:41.079
<v Speaker 1>you'll support it. But act fast, because it took me

1314
01:11:41.159 --> 01:11:43.159
<v Speaker 1>longer to get this episode out than I wanted, and

1315
01:11:43.199 --> 01:11:45.760
<v Speaker 1>there's not much time left on the kickstarter. A link

1316
01:11:45.800 --> 01:11:47.720
<v Speaker 1>to it and a bunch of other stuff that we

1317
01:11:47.800 --> 01:11:49.960
<v Speaker 1>talked about in this episode are at the show notes

1318
01:11:50.000 --> 01:11:53.439
<v Speaker 1>at MonsterTalk dot org. Monster Talks an official podcast of

1319
01:11:53.439 --> 01:11:56.319
<v Speaker 1>Skeptic Magazine, and the views and opinions expressed on this

1320
01:11:56.399 --> 01:11:58.720
<v Speaker 1>show are those of myself and my guests and don't

1321
01:11:58.720 --> 01:12:02.319
<v Speaker 1>necessarily reflect the opinions of Skeptic Magazine or the Skeptic Society.

1322
01:12:02.680 --> 01:12:06.079
<v Speaker 1>We hope you've enjoyed this episode of Monster Talk. Each

1323
01:12:06.159 --> 01:12:08.399
<v Speaker 1>episode we strive to bring you the very best in

1324
01:12:08.520 --> 01:12:12.079
<v Speaker 1>monster related content, with a focus on bringing scientific skepticism

1325
01:12:12.119 --> 01:12:15.840
<v Speaker 1>into the conversation. If you enjoy Monster Talk, we now

1326
01:12:15.880 --> 01:12:18.640
<v Speaker 1>have a variety of ways to support the show, all

1327
01:12:18.680 --> 01:12:23.079
<v Speaker 1>with convenient links at monster talk dot org forwarge slash support.

1328
01:12:23.600 --> 01:12:27.680
<v Speaker 1>That's monster talk dot org forwarge Slash support. We have

1329
01:12:27.800 --> 01:12:29.760
<v Speaker 1>links there to our Patreon page, as well as a

1330
01:12:29.800 --> 01:12:33.039
<v Speaker 1>donation button. Another great way to support the show is

1331
01:12:33.079 --> 01:12:35.960
<v Speaker 1>to buy books from our Amazon Monster Talk wish list,

1332
01:12:36.399 --> 01:12:39.520
<v Speaker 1>which directly helps us with our research. We love used

1333
01:12:39.520 --> 01:12:41.960
<v Speaker 1>books very much, so don't feel compelled to buy new ones,

1334
01:12:42.039 --> 01:12:44.079
<v Speaker 1>and we love kindles so we can share our digital

1335
01:12:44.119 --> 01:12:47.560
<v Speaker 1>libraries with each other. And finally, without spending any money

1336
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1337
01:12:50.279 --> 01:12:54.399
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1338
01:12:54.399 --> 01:12:57.279
<v Speaker 1>reviews help keep us visible in iTunes, which is a

1339
01:12:57.279 --> 01:13:01.199
<v Speaker 1>great way to help us find you listeners. Please share

1340
01:13:01.239 --> 01:13:05.119
<v Speaker 1>our show on your favorite social media platforms. Monster talk.

1341
01:13:05.159 --> 01:13:08.159
<v Speaker 1>Theme music is by Pete Stealing Monkeys and as always,

1342
01:13:08.479 --> 01:13:09.399
<v Speaker 1>thanks for listening.

1343
01:13:49.239 --> 01:13:53.000
<v Speaker 3>Hungry for more skepticism Want to learn the truth about

1344
01:13:53.039 --> 01:13:57.279
<v Speaker 3>the scientific controversies of our time, then subscribe to Skeptic,

1345
01:13:57.760 --> 01:14:01.520
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1346
01:14:01.560 --> 01:14:06.079
<v Speaker 3>in the field. To subscribe, visit skeptic dot com today.

1347
01:14:06.880 --> 01:14:08.680
<v Speaker 2>There was a dude I knew in art school who

1348
01:14:08.720 --> 01:14:11.199
<v Speaker 2>only made girls panties and that was his art. Like

1349
01:14:11.239 --> 01:14:15.399
<v Speaker 2>that was fine, Like fine, I'm sorry what he made?

1350
01:14:15.560 --> 01:14:16.079
<v Speaker 1>Panties?

1351
01:14:16.920 --> 01:14:17.159
<v Speaker 7>No?

1352
01:14:17.159 --> 01:14:18.239
<v Speaker 4>No, I didn't make panties.

1353
01:14:18.279 --> 01:14:20.119
<v Speaker 1>No, what did you say he made?

1354
01:14:20.439 --> 01:14:22.840
<v Speaker 2>There was some art school kid who was like, we

1355
01:14:22.840 --> 01:14:27.199
<v Speaker 2>were in a narrative drawing class and he kept making panties.

1356
01:14:28.239 --> 01:14:29.840
<v Speaker 1>Are you're talking about the undergarment?

1357
01:14:30.760 --> 01:14:31.000
<v Speaker 5>Yes?

1358
01:14:31.239 --> 01:14:36.119
<v Speaker 1>Okay, all right, just making sure, all right.

1359
01:14:34.680 --> 01:14:38.279
<v Speaker 2>Sidetrack, But I could keep I have more stories from

1360
01:14:38.319 --> 01:14:39.119
<v Speaker 2>art schools.

1361
01:14:39.560 --> 01:14:40.680
<v Speaker 1>No doubt, no doubt.

1362
01:14:41.960 --> 01:14:44.439
<v Speaker 5>I'm so glad I did not go to art school.

1363
01:14:44.520 --> 01:14:46.479
<v Speaker 1>I got to play a colicolo game with a bunch

1364
01:14:46.520 --> 01:14:51.399
<v Speaker 1>of artists from SCAD, which was I wish that was. Yeah,

1365
01:14:52.399 --> 01:14:54.319
<v Speaker 1>you know, they've owned a big school in Atlanta. It

1366
01:14:54.359 --> 01:14:58.840
<v Speaker 1>looks really really cool. Speaking of artists, I need to

1367
01:14:58.880 --> 01:15:02.279
<v Speaker 1>take a huge on yu wi uh
