1
00:00:00,280 --> 00:00:07,160
Speaker 1: H finding light with a bow, stringing again of exotic places,

2
00:00:07,559 --> 00:00:35,880
wishing with some willing, There offer us escape.

3
00:00:26,280 --> 00:00:29,399
Speaker 2: Escape, designed to pray from the four walls of pre

4
00:00:29,440 --> 00:00:34,520
There for half all of high adventure. Escape with us

5
00:00:34,600 --> 00:00:38,159
now for the year one hundred thousand and eighty, and

6
00:00:38,240 --> 00:00:41,240
a world where beauty and talent as side by side

7
00:00:41,880 --> 00:00:45,079
as eight te Wells that tribes it in his immortal staring.

8
00:00:46,039 --> 00:01:01,200
The time machine, Dot, you must be mad.

9
00:01:01,880 --> 00:01:05,239
Speaker 3: A time machine. Here's my friend, a time machine.

10
00:01:05,640 --> 00:01:11,840
Speaker 4: This thing, this very thing, the compassions, this framework made

11
00:01:11,840 --> 00:01:15,719
of quartz and bronze ivory, with its.

12
00:01:15,640 --> 00:01:18,239
Speaker 5: Levers and styles, and the seasons in middle.

13
00:01:19,200 --> 00:01:22,680
Speaker 3: This is the result of three years hard work. I

14
00:01:22,799 --> 00:01:24,519
promise you follow that on.

15
00:01:24,599 --> 00:01:27,400
Speaker 1: This machine a man can go wherever he likes in time.

16
00:01:28,239 --> 00:01:31,400
By working these leather the man can choose. Essentially his years.

17
00:01:31,560 --> 00:01:35,120
Speaker 3: Is very days for real, old man. Time is only

18
00:01:35,200 --> 00:01:36,079
a time of space.

19
00:01:36,879 --> 00:01:38,640
Speaker 1: If we can move about on all the other dimensions

20
00:01:38,640 --> 00:01:41,319
of space, why not in time too?

21
00:01:42,079 --> 00:01:44,400
Speaker 3: It is impossible. Out of the questions, but.

22
00:01:44,480 --> 00:01:46,640
Speaker 4: All of the journeys I've already taken him on this

23
00:01:46,799 --> 00:01:47,680
little contraction.

24
00:01:49,159 --> 00:01:52,319
Speaker 3: I'm afraid you've been having a bad dream. May not

25
00:01:52,400 --> 00:01:57,359
develop into a liar. Very well, you shall have proof,

26
00:01:57,439 --> 00:02:02,040
my friends. How the time follow the teach beside me.

27
00:02:02,120 --> 00:02:05,239
Thanks these ivory dials, and I'll take you for a

28
00:02:05,280 --> 00:02:10,000
little sin well you mean right now? Right now? Or

29
00:02:10,159 --> 00:02:14,879
just indusr? Things should take off like the flying red horse.

30
00:02:15,719 --> 00:02:19,879
Out of any preparations you a be look at. This

31
00:02:19,879 --> 00:02:22,719
should not even a tooth brush. You'll be back here

32
00:02:22,759 --> 00:02:30,919
in my laboratory in less than a minute. No, I

33
00:02:31,000 --> 00:02:34,280
I'm on now, old tight.

34
00:02:34,360 --> 00:02:36,080
Speaker 5: It sways a good deal, and heye.

35
00:02:35,919 --> 00:02:39,919
Speaker 3: To lose you. I gotta be frightened, Dudley, and your

36
00:02:40,039 --> 00:02:43,360
braver than I am. Tell me what time is it?

37
00:02:43,960 --> 00:02:46,599
Speaker 5: It's just twelve noon?

38
00:02:46,800 --> 00:02:52,039
Speaker 3: Always started one who with justice control of this? Is

39
00:02:53,759 --> 00:02:56,680
everything ships right? What did you notice anything?

40
00:02:56,680 --> 00:02:57,000
Speaker 4: You think?

41
00:02:57,479 --> 00:03:00,599
Speaker 3: I mean noise, humming, noise, nothing else? What time of it?

42
00:03:01,240 --> 00:03:04,599
You just ask me, old man, it's true. I saw

43
00:03:05,159 --> 00:03:08,960
what my watch says eleven o'clock. It was sworn it

44
00:03:09,080 --> 00:03:11,520
was noon a moment ago. Must be something wrong with it.

45
00:03:11,639 --> 00:03:14,080
Speaker 1: Told that I touched the levels and test it, and

46
00:03:14,199 --> 00:03:17,879
we've gone forward a full day, twenty.

47
00:03:17,560 --> 00:03:26,639
Speaker 3: Three hours away. Yes that's actually finished, scoffling color. Yes, yes,

48
00:03:26,719 --> 00:03:30,879
I believe I have the hold tight, this will be

49
00:03:30,879 --> 00:03:34,120
the real article. I'm ready to me good.

50
00:03:34,000 --> 00:03:40,479
Speaker 4: Man, well take good five, take your fine dine hundred

51
00:03:40,599 --> 00:03:41,319
six three dollars.

52
00:03:43,039 --> 00:03:49,240
Speaker 3: They went over. They had written job making swaying say, laboratory,

53
00:03:49,280 --> 00:03:52,960
still away like this, leaving us today. I don't think

54
00:03:53,080 --> 00:03:53,680
up my seat.

55
00:03:54,240 --> 00:03:56,199
Speaker 6: I thought this smart, having a pot of the sky

56
00:03:56,719 --> 00:04:01,120
being pos everything and everything second fine and sa I

57
00:04:01,159 --> 00:04:02,240
know the moon winning.

58
00:04:02,360 --> 00:04:05,400
Speaker 3: So it was like a bat a musical, all.

59
00:04:05,400 --> 00:04:08,680
Speaker 4: The clinking of an eye, three group and drop like

60
00:04:08,680 --> 00:04:10,479
a couple of slops, and then.

61
00:04:10,439 --> 00:04:14,199
Speaker 3: Passed away all the fire. We were going back now

62
00:04:14,280 --> 00:04:17,279
our pay give a second a second flight, second flight

63
00:04:17,360 --> 00:04:20,120
of snow fighting across the world. And the color was

64
00:04:20,160 --> 00:04:23,079
a quite squat straight and still he went off. He's

65
00:04:23,079 --> 00:04:23,720
in the future.

66
00:04:24,439 --> 00:04:29,399
Speaker 6: All the pels three weeks past, all that. Don't off, Amy,

67
00:04:30,040 --> 00:04:34,800
I thought it become run one hundred fo the get there,

68
00:04:35,759 --> 00:04:36,720
I say, say.

69
00:04:37,399 --> 00:04:40,079
Speaker 4: Something, stand say anymore, sund it.

70
00:04:54,480 --> 00:05:00,000
Speaker 3: You are right anyway, han't believe so the broken bone,

71
00:05:01,240 --> 00:05:05,759
what happened? I'm not sure not to stop to suddenly?

72
00:05:06,519 --> 00:05:07,600
Where are we doubling?

73
00:05:08,639 --> 00:05:14,120
Speaker 1: The grolsy yourself a wide, long, beautiful, vast gardener.

74
00:05:14,279 --> 00:05:18,160
Speaker 3: I meant geographically just very well. When we started where

75
00:05:18,199 --> 00:05:22,079
my laboratory stood one hundred thousand years ago, and the

76
00:05:22,160 --> 00:05:24,519
year Dudley, what is the year now?

77
00:05:25,160 --> 00:05:33,319
Speaker 4: One hundred thousand and eighty, it seemed as the looting

78
00:05:33,399 --> 00:05:38,519
inc but me the pleasant ones for the garden which

79
00:05:38,560 --> 00:05:43,480
we found ourselves was beautiful in summary, with an unexpected.

80
00:05:43,000 --> 00:05:46,879
Speaker 3: Perfume about it, always like the teens. At some distance.

81
00:05:46,920 --> 00:05:49,639
It could be a large and imposing building, and everything

82
00:05:49,800 --> 00:05:53,759
was required in the peaceful but almost too much.

83
00:05:53,639 --> 00:05:59,839
Speaker 5: Soul and the sense of strangeness, an incriminal strangeness, and

84
00:06:00,120 --> 00:06:05,439
shugar my spine Hill, one hundred thousand and eighty.

85
00:06:09,160 --> 00:06:09,319
Speaker 3: Do you.

86
00:06:11,279 --> 00:06:12,040
Speaker 2: Want to go back?

87
00:06:13,360 --> 00:06:18,160
Speaker 3: Yes? Yes, I rather think I let's go back from

88
00:06:18,199 --> 00:06:21,519
over there the bushes from the humans tomorrow.

89
00:06:27,279 --> 00:06:30,160
Speaker 4: If a child seems to be a very small girl

90
00:06:30,240 --> 00:06:33,079
with a beast and some kind of mark in her house,

91
00:06:34,040 --> 00:06:36,319
my dear, you'll be all right now. You will be

92
00:06:36,399 --> 00:06:40,000
harmed because she wasn't stand English bustioning us to go

93
00:06:40,120 --> 00:06:41,399
with her. And what about the animal?

94
00:06:41,439 --> 00:06:43,480
Speaker 3: Did you see? No that I live too fast for her?

95
00:06:44,319 --> 00:06:45,959
Perhaps you got to go back to uplish. The girl

96
00:06:46,040 --> 00:06:48,519
seems to be all right now? I mean, are like, yes,

97
00:06:48,680 --> 00:06:53,560
get bad enough. Well, they haven't program because they're here

98
00:06:54,519 --> 00:07:01,399
all around them. They had up on sounds of feet

99
00:07:01,519 --> 00:07:05,360
to surround them. The little people are the dealer, and

100
00:07:05,480 --> 00:07:08,240
the girl we saved was not a child, but a

101
00:07:08,279 --> 00:07:09,120
full grown woman.

102
00:07:10,000 --> 00:07:14,279
Speaker 4: But they all stood four feet high, dressed in simple tunics, beautiful.

103
00:07:13,839 --> 00:07:18,920
Speaker 3: Creatures that have it trailed. There's some soft kind of frailty.

104
00:07:20,319 --> 00:07:22,959
They were like weary figures in the dreams. And all

105
00:07:23,000 --> 00:07:25,160
we could hear was the rustling of their clothes that

106
00:07:25,279 --> 00:07:27,759
they have said happily around us, their faces and we

107
00:07:28,040 --> 00:07:34,319
do smiles. Why they're not savage at all? They had

108
00:07:34,439 --> 00:07:39,360
very loving, gentle little people. Yeah, there's something terribly wrong.

109
00:07:40,000 --> 00:07:41,639
Now do you mean seem to have the minds of

110
00:07:41,720 --> 00:07:44,079
five year old? How do you listened? To be far

111
00:07:44,199 --> 00:07:44,800
ahead of us?

112
00:07:44,839 --> 00:07:48,000
Speaker 1: They've caused incredibly ahead of us the knowledge and science.

113
00:07:48,519 --> 00:07:51,720
Speaker 4: We look at them children, they seem happy in this

114
00:07:51,920 --> 00:08:00,160
huge gargments that I've changed my mind. Let's stay that

115
00:08:00,319 --> 00:08:02,959
we shall enjoy spending a few days with our little friends.

116
00:08:06,600 --> 00:08:09,879
The little people led us home into their valley. The

117
00:08:10,000 --> 00:08:13,560
lit a colossal building, leaving all together in one huge hall,

118
00:08:14,040 --> 00:08:17,439
seating in another, playing squallocking together.

119
00:08:17,199 --> 00:08:20,279
Speaker 3: In the sunshine, and we lived with them for days

120
00:08:20,399 --> 00:08:21,399
in utter contentions.

121
00:08:22,959 --> 00:08:25,360
Speaker 4: One afternoon, Dudley and I walked along the banks of

122
00:08:25,439 --> 00:08:28,439
the great city, the little people.

123
00:08:28,160 --> 00:08:32,399
Speaker 1: All the way, the same clothes, the strange soft hairless skins,

124
00:08:32,759 --> 00:08:38,039
same semline roundness of limbs, orders because they're vegetarian, the

125
00:08:38,200 --> 00:08:40,720
vegetarian because they had to be then run across, and

126
00:08:40,759 --> 00:08:41,399
the horses of.

127
00:08:41,480 --> 00:08:45,600
Speaker 3: Dogs, cattalica and areas. No nother dimension was good reason,

128
00:08:46,600 --> 00:08:51,039
all extinct by love. This is a dilasauries with us, Dudley.

129
00:08:52,480 --> 00:08:56,840
There is something strange here, something hidden away and silent

130
00:08:57,519 --> 00:09:00,200
here in the year one hundred thousand and eighty out

131
00:09:00,240 --> 00:09:03,799
the same way. I think it's precaution of removing the

132
00:09:04,039 --> 00:09:06,240
control levels of the time machine, putting a massive paddle

133
00:09:06,320 --> 00:09:07,120
in the main switches on.

134
00:09:08,000 --> 00:09:10,799
Speaker 1: The much fancy the idea of someone riding away with

135
00:09:10,879 --> 00:09:13,679
it into another century and leaving us here for the rest.

136
00:09:13,519 --> 00:09:19,399
Speaker 3: Of our lives. Dudley, you know where we are, yes,

137
00:09:19,600 --> 00:09:23,279
this is where we were ended right off. I wasn't

138
00:09:23,320 --> 00:09:27,320
sure what did you ask? What happened to the machines?

139
00:09:28,879 --> 00:09:31,759
But they take it away, they've stolen it.

140
00:09:32,039 --> 00:09:32,879
Speaker 5: This is where it was.

141
00:09:33,320 --> 00:09:37,320
Speaker 2: It's right here, look hollow time here where the dragon over.

142
00:09:37,360 --> 00:09:45,200
Speaker 3: Come along, done it fast right there, the monuments, the

143
00:09:45,320 --> 00:09:50,759
brass doors and the base so hard and locked the machine.

144
00:09:51,519 --> 00:09:54,360
It must be in their hands tight we must get it.

145
00:10:00,159 --> 00:10:06,480
No good buys. You will never never unny here.

146
00:10:08,519 --> 00:10:15,240
Speaker 6: We never call a kidney see the fame machine.

147
00:10:27,840 --> 00:10:29,200
Speaker 3: The laughs that Red Skelton and.

148
00:10:29,200 --> 00:10:31,799
Speaker 4: Amos Andy bring to CBS and Sunday Nights are double

149
00:10:31,879 --> 00:10:35,799
triples and quadruples because of the French relatives.

150
00:10:35,320 --> 00:10:37,480
Speaker 3: And strange acquaintances they bring with him.

151
00:10:38,000 --> 00:10:39,519
Speaker 4: Hardly a Sunday night goes by.

152
00:10:39,720 --> 00:10:40,399
Speaker 3: If you meet.

153
00:10:40,240 --> 00:10:43,480
Speaker 4: Shorty, the Kings Sapphire and the whole host of Amos

154
00:10:43,519 --> 00:10:46,960
and Andy money friends. Red Skelton generously gets.

155
00:10:46,799 --> 00:10:49,120
Speaker 3: Time to Willie clam and the rest of his laugh

156
00:10:49,200 --> 00:10:50,159
provooking pals.

157
00:10:50,759 --> 00:10:53,200
Speaker 4: You're invited to meet them all again tonight on most

158
00:10:53,200 --> 00:10:56,000
of these same stations. When Red Skelton and his gang

159
00:10:56,080 --> 00:10:58,559
and Amos and Andy and their friends back the house

160
00:10:58,639 --> 00:11:03,360
with mert, that's the as the stars a dress, and

161
00:11:03,519 --> 00:11:06,320
now we'll return you to escape.

162
00:11:15,879 --> 00:11:18,919
Speaker 3: We were caught in the year one hundred thousand of matings.

163
00:11:19,519 --> 00:11:23,320
The time machine was gone. The brass doors of the monuments.

164
00:11:22,919 --> 00:11:26,080
Speaker 4: Hills, our retreat was cut off, the thin line by

165
00:11:26,080 --> 00:11:28,120
which we could make our way back home, back to

166
00:11:28,240 --> 00:11:31,519
our own times and our own people, back to nineteen fifty.

167
00:11:32,639 --> 00:11:34,639
Speaker 5: We had no way of communicating with the little.

168
00:11:34,399 --> 00:11:36,440
Speaker 3: People, of asking what they had done with the machine,

169
00:11:36,559 --> 00:11:39,080
or for how to get it back. There was nothing

170
00:11:39,279 --> 00:11:43,440
hostile in their attitude. They were more like simple wondering children.

171
00:11:44,240 --> 00:11:47,320
Only once the young woman Weena, who was slightly had

172
00:11:47,399 --> 00:11:49,600
stayed on our first day, had become really friendly.

173
00:11:50,240 --> 00:11:52,799
Speaker 4: She went with us wherever we walked, faught as presents

174
00:11:52,840 --> 00:11:56,360
of starland flowers, lept mirrors at night in the fall,

175
00:11:57,000 --> 00:11:58,480
and we in turn at top of a.

176
00:11:58,519 --> 00:11:59,440
Speaker 3: Few words of English.

177
00:12:00,399 --> 00:12:03,440
Speaker 4: Now we've doubled our records, like men racing against the truck,

178
00:12:04,000 --> 00:12:05,919
so that we might speak to earn, distubble the seekers

179
00:12:05,960 --> 00:12:06,720
of our immense luck.

180
00:12:07,960 --> 00:12:09,600
Speaker 3: We were talking to her, one night after the other

181
00:12:09,679 --> 00:12:17,200
at no, yes, no, how can you be so sure

182
00:12:17,240 --> 00:12:18,600
your people? Machines?

183
00:12:19,440 --> 00:12:20,159
Speaker 2: Are there any thieves?

184
00:12:20,159 --> 00:12:24,480
Speaker 3: And on your perfect so nothing? Wakeen And she doesn't understand.

185
00:12:24,840 --> 00:12:28,360
He must be sleeping somewhere in his hall. We are

186
00:12:29,360 --> 00:12:31,000
they take machines?

187
00:12:31,559 --> 00:12:32,440
Speaker 4: You certainly?

188
00:12:33,080 --> 00:12:44,320
Speaker 3: No, we we are a friend m we must have machines. Yes, yes,

189
00:12:44,960 --> 00:12:53,759
who took machines other people, not yours? What about those doors?

190
00:12:53,879 --> 00:12:54,200
Speaker 4: We know.

191
00:12:55,679 --> 00:13:03,120
Speaker 3: Doors open you a machine in in there must open,

192
00:13:04,120 --> 00:13:05,080
must hope.

193
00:13:07,639 --> 00:13:11,440
Speaker 4: Oh oh, of.

194
00:13:11,480 --> 00:13:20,720
Speaker 3: Course we jest word mm hmmmm, to become us? How

195
00:13:22,320 --> 00:13:25,639
are we caught here in this century? We spend our

196
00:13:25,759 --> 00:13:30,159
lives with the little people of the secret. We'll go

197
00:13:30,240 --> 00:13:33,000
back to the monument tomorrow. You will find a way

198
00:13:33,000 --> 00:13:43,440
of breaking good night, buddy, suddenly say did you just

199
00:13:46,039 --> 00:13:46,679
here again?

200
00:13:48,440 --> 00:13:52,480
Speaker 4: And my face cool into the touch, and my face

201
00:13:52,559 --> 00:13:53,120
in my hair.

202
00:13:57,039 --> 00:13:57,799
Speaker 1: That the claim.

203
00:13:58,919 --> 00:14:01,840
Speaker 3: I don't know, but the little people are all away.

204
00:14:02,960 --> 00:14:04,759
Let's get out of here, I went the fresh hair.

205
00:14:07,759 --> 00:14:10,039
Speaker 4: We went quickly through the hall from outside, away from

206
00:14:10,080 --> 00:14:11,600
the frantic rustling of the little people.

207
00:14:12,240 --> 00:14:14,639
Speaker 3: The moon was full of the over hair rooms, and

208
00:14:14,720 --> 00:14:17,879
it was close to din, with the pink towns feeding

209
00:14:17,960 --> 00:14:20,679
close behind us. And we turned our nerves we like it,

210
00:14:20,879 --> 00:14:24,639
our muscles pink, and it was only we lied, coming

211
00:14:24,759 --> 00:14:29,440
swiftly to join us. Then what do you mean when

212
00:14:29,480 --> 00:14:35,559
are dark? But why should it be a fit of

213
00:14:35,559 --> 00:14:38,600
the night that made nothing like a long dark place?

214
00:14:38,679 --> 00:14:42,200
That's our Cuba, Perhaps just something underground.

215
00:14:49,080 --> 00:14:51,879
Speaker 4: It was another day we had wandered into a lovely

216
00:14:52,039 --> 00:14:54,120
wooded place about the miles from the community.

217
00:14:55,279 --> 00:14:58,120
Speaker 3: Suddenly we not screamed, reaped up short.

218
00:14:58,799 --> 00:15:01,759
Speaker 4: A pair of glaring eyes were fixed upon us as

219
00:15:01,799 --> 00:15:05,200
we stood there petrified the thing. A little ape like

220
00:15:05,320 --> 00:15:08,399
figure rushed the copper path and disappeared in the clearing

221
00:15:08,440 --> 00:15:13,000
about thirty yards away. And it seemed to be a

222
00:15:13,120 --> 00:15:15,279
dull white with white hair on its head and bois

223
00:15:15,360 --> 00:15:17,000
back and looked like a small He was running on

224
00:15:17,039 --> 00:15:19,320
all paws over this Contreena.

225
00:15:19,720 --> 00:15:25,279
Speaker 3: You know what, who are them? Morelocks? What are they?

226
00:15:26,639 --> 00:15:26,919
Speaker 4: Weena?

227
00:15:27,000 --> 00:15:30,799
Speaker 3: Tell me, let's go over there and see where it disappeared.

228
00:15:30,879 --> 00:15:35,919
Come along, power. In the clearing we found around well

229
00:15:36,039 --> 00:15:38,679
like over Dudley, and I leaned over and looked down

230
00:15:38,720 --> 00:15:42,799
a deep hank. A small white creature was beating down

231
00:15:42,840 --> 00:15:46,840
a madder in the well. A human spider with large,

232
00:15:47,000 --> 00:15:50,159
bright eyes watching me. That went swiftly down. Then it

233
00:15:50,240 --> 00:15:53,840
disappeared in the half hour. Did you see it like

234
00:15:53,960 --> 00:15:57,159
an eight? Yes, but also like men. So there are

235
00:15:57,240 --> 00:15:59,200
two species of men in this world.

236
00:15:59,399 --> 00:16:03,000
Speaker 4: Yes, the little people above, the growl of this upscene thing,

237
00:16:03,120 --> 00:16:06,799
this bleached monster below, and let white look common to

238
00:16:06,840 --> 00:16:10,200
animals that live in the dark. My huge rats are

239
00:16:10,559 --> 00:16:12,039
worms that are cold to the touch.

240
00:16:12,559 --> 00:16:15,879
Speaker 3: I know because they've touched Malla. You can feel the

241
00:16:15,960 --> 00:16:17,840
air being sucked down into the shafts.

242
00:16:17,960 --> 00:16:21,080
Speaker 1: Yes, the earth must be tunneled enormously here and drafted.

243
00:16:22,120 --> 00:16:24,200
These monsters must live in the tunnels.

244
00:16:25,840 --> 00:16:28,399
Speaker 3: I think we know now who's stole our time machine. Ah,

245
00:16:29,480 --> 00:16:30,559
then then we'll.

246
00:16:30,399 --> 00:16:31,840
Speaker 2: Go down and have a look.

247
00:16:31,919 --> 00:16:37,919
Speaker 3: Whoa, let go, you're not you've never come back. We

248
00:16:38,039 --> 00:16:41,080
must have our machine, my dear, you wait for us here.

249
00:16:43,519 --> 00:16:47,000
Speaker 4: And so we went down, our heels ringing on the

250
00:16:47,080 --> 00:16:50,480
small metallic bars that were mental creatures, so much smaller

251
00:16:50,519 --> 00:16:50,840
than us.

252
00:16:51,879 --> 00:16:56,720
Speaker 3: Down we climb down, down, ever.

253
00:16:56,720 --> 00:17:01,120
Speaker 4: In darkness, down seemed to the center of the earth,

254
00:17:02,039 --> 00:17:03,559
into the poor of the world.

255
00:17:05,680 --> 00:17:10,000
Speaker 3: Yeah, so much longer? Oh no, can we reach bottom?

256
00:17:11,559 --> 00:17:12,480
Speaker 4: Can't be much color?

257
00:17:13,480 --> 00:17:18,960
Speaker 3: Yeah you hear that? Are you hearing all? Not? There?

258
00:17:19,960 --> 00:17:23,680
Thank Heaven for that? All right? All right, him on

259
00:17:23,720 --> 00:17:25,920
the bottom, come along just too of that?

260
00:17:27,359 --> 00:17:28,640
Speaker 2: Yeah, give me your hands.

261
00:17:30,359 --> 00:17:37,559
Speaker 3: Here, we're here in the land of the molocks. Yeah,

262
00:17:37,599 --> 00:17:43,680
the match, yes, yes, yes, here it'll be a large

263
00:17:43,799 --> 00:17:49,599
vaulted together at the end of this passage. What do

264
00:17:49,680 --> 00:17:55,319
you suppose they'll do The conchs. I had no idea.

265
00:17:56,720 --> 00:18:00,839
Let it take care of lot to be caught. Another

266
00:18:00,920 --> 00:18:08,680
man live the bothering mind. Suddenly there that them pupping

267
00:18:08,759 --> 00:18:12,920
the air out the thousands upon the close of the

268
00:18:13,440 --> 00:18:16,200
smaller than eleven years. You haven't seen any yet. They

269
00:18:16,279 --> 00:18:18,079
kept a lot of friends who came down the head

270
00:18:18,119 --> 00:18:21,880
of it. Why why do you suppose they want by

271
00:18:22,039 --> 00:18:25,920
time machine? I think they wanted us on the machines.

272
00:18:26,200 --> 00:18:27,279
Speaker 4: And we come to them.

273
00:18:27,400 --> 00:18:33,440
Speaker 3: We lost early child color. If that noise does come

274
00:18:33,519 --> 00:18:36,079
from air pumps, yeah, why is it so stuffy?

275
00:18:36,160 --> 00:18:36,319
Speaker 5: Yeah?

276
00:18:36,359 --> 00:18:48,680
Speaker 3: So a pressing dody that smells blood black mother match study,

277
00:18:49,839 --> 00:18:56,480
but straight ahead on the white metal treat that for

278
00:18:56,640 --> 00:19:04,400
a year. Yes, the more haunch they know that the

279
00:19:04,599 --> 00:19:10,279
cattle are think then what they've done is more lock.

280
00:19:11,039 --> 00:19:15,200
But you know, yes, I know.

281
00:19:16,680 --> 00:19:21,319
Speaker 4: Another match, Yes, yes that I have no more have

282
00:19:21,480 --> 00:19:22,200
used the last match?

283
00:19:22,400 --> 00:19:27,799
Speaker 3: Oh well, let's we have to go back there. You

284
00:19:27,880 --> 00:19:28,640
know the secret now?

285
00:19:28,680 --> 00:19:35,319
Speaker 4: Anyway, MLAs living here underground at the matters of this age.

286
00:19:36,519 --> 00:19:41,759
Speaker 3: And our friends up above, and this cattle set by them.

287
00:19:41,599 --> 00:19:45,920
Speaker 1: Allas clothes apply the house until the day when when

288
00:19:45,920 --> 00:19:48,039
they've cut out of the herd and brought.

289
00:19:47,960 --> 00:19:53,240
Speaker 3: Under ground of food distance. The futures are looking at.

290
00:19:54,240 --> 00:19:56,440
This is what we met of the twentieth century, shall

291
00:19:56,519 --> 00:20:13,599
come to that? What can ton't you what? They're darkness?

292
00:20:21,480 --> 00:20:23,920
They went back in an evil darkness, fighting every seventh.

293
00:20:23,960 --> 00:20:27,039
We went ye, back to those projecting bars, keeping.

294
00:20:26,880 --> 00:20:30,000
Speaker 4: Human crying, our high bluing and kind of grasping and

295
00:20:31,359 --> 00:20:36,240
rising up again upcard daylight and freedom, away from their stretch.

296
00:20:36,079 --> 00:20:39,440
Speaker 3: And the eagerness of their icy hands. And they did

297
00:20:39,519 --> 00:20:43,640
not follow what daylight was their enemies and their great tears.

298
00:20:48,039 --> 00:20:50,960
Speaker 4: We lived among the lush gardens of the little people,

299
00:20:51,160 --> 00:20:55,000
like prisoners, like men without the tree, like.

300
00:20:55,119 --> 00:20:58,079
Speaker 3: Men who are dead. So they still walked. The earth

301
00:20:59,240 --> 00:21:03,039
for the times was locked away behind great glass doors,

302
00:21:03,799 --> 00:21:10,599
and we knew we could never force them open. Then

303
00:21:10,640 --> 00:21:13,480
one day we had told this of an old book,

304
00:21:13,559 --> 00:21:14,480
an anxious.

305
00:21:14,119 --> 00:21:17,000
Speaker 4: Time structure that had survived through many ages and was

306
00:21:17,079 --> 00:21:18,839
filled with many curious objects.

307
00:21:19,200 --> 00:21:22,680
Speaker 3: A museum, that it must be a museum power, But

308
00:21:22,880 --> 00:21:25,079
from from earlier time I'm in no mood to going

309
00:21:25,079 --> 00:21:25,680
in a museum.

310
00:21:25,720 --> 00:21:28,960
Speaker 1: Do you see what specimens pometically sealed in the museums?

311
00:21:29,400 --> 00:21:31,599
Speaker 3: Press? There are things, weapons, machinery is something we can.

312
00:21:31,599 --> 00:21:33,799
Speaker 4: Us yes, of course, if we could find some dynamite

313
00:21:33,839 --> 00:21:36,200
or gunpowder, if we could glass those doors, we could

314
00:21:36,279 --> 00:21:36,519
get in.

315
00:21:36,799 --> 00:21:40,279
Speaker 3: Then where is this place? Arena? This this old building

316
00:21:40,440 --> 00:21:44,599
that no one ever goes near. I thank you a

317
00:21:44,880 --> 00:21:54,480
chanceful man, a swim one, but a chance number. All

318
00:21:54,599 --> 00:21:58,200
day we wandered through the great ruin laws. The bill

319
00:21:58,319 --> 00:22:01,920
had been deserted. I knew, but perhaps a century. The

320
00:22:02,039 --> 00:22:04,680
childlike men that time had long since used to care

321
00:22:04,680 --> 00:22:09,319
about anything but their own personal compass. It was late afternoon,

322
00:22:09,400 --> 00:22:12,799
and growing back, and came up the section we have

323
00:22:12,960 --> 00:22:17,359
found nothing useful to us until then. Now came the

324
00:22:17,440 --> 00:22:22,960
worst disappoints of all. And it's dust, all.

325
00:22:24,400 --> 00:22:29,799
Speaker 4: Be dust ptenion another dad's hopeless.

326
00:22:31,000 --> 00:22:33,440
Speaker 1: We were out of our head hope that nitrates would

327
00:22:33,480 --> 00:22:35,000
retain their form for one.

328
00:22:35,039 --> 00:22:36,279
Speaker 3: Hundred thousand years.

329
00:22:37,000 --> 00:22:41,640
Speaker 4: So m m hm oh, wait just a moment, something

330
00:22:41,680 --> 00:22:43,680
in this case and you can break it with your

331
00:22:43,680 --> 00:22:44,960
eleven stand back, a little.

332
00:22:49,720 --> 00:22:53,559
Speaker 3: Box of matches, smatically see a way, Let me see

333
00:22:56,480 --> 00:22:59,839
that's perfect. But don't you dance? What should we do?

334
00:23:00,400 --> 00:23:02,920
Burns down those brass rooms? You better keep them.

335
00:23:02,960 --> 00:23:07,079
Speaker 4: You can can't tell us from the Floyd Lola put

336
00:23:07,119 --> 00:23:10,079
Prince leading away into the darkstipy into the gallery. So

337
00:23:11,000 --> 00:23:12,599
we better go like keen up and carry when I

338
00:23:12,680 --> 00:23:15,400
come and fight, and don't be fighting by the we'll

339
00:23:15,440 --> 00:23:21,240
be all like Hi. We came on of the gloom

340
00:23:21,279 --> 00:23:23,920
of that flaced into the deeper gloom of dusk, and

341
00:23:24,079 --> 00:23:27,559
suddenly we passed. He would set all around us with

342
00:23:27,640 --> 00:23:31,440
them alas they were about the sus surrounding us and

343
00:23:31,599 --> 00:23:34,599
coming closing a long wooden line of death, like their

344
00:23:34,680 --> 00:23:38,079
eyes blinking in a half light, the tiny mouth and

345
00:23:38,160 --> 00:23:38,960
lie whatever.

346
00:23:38,799 --> 00:23:45,640
Speaker 6: Time as the masters of fire, O the horse is Hi.

347
00:23:47,279 --> 00:23:49,079
We're having in shadow again in the mis.

348
00:23:49,400 --> 00:23:55,680
Speaker 3: I little sense a light like fire, and the head

349
00:23:55,680 --> 00:23:59,039
of the conti of the face. But monats turned into

350
00:23:59,039 --> 00:24:01,920
fear and tried by the player. Some of them plumbered

351
00:24:01,920 --> 00:24:02,559
into the ddle of the.

352
00:24:02,599 --> 00:24:05,000
Speaker 4: Raging plane, and the rest traded away like a pot.

353
00:24:05,559 --> 00:24:07,279
But they have left narrows have the way for our

354
00:24:07,319 --> 00:24:10,400
retreatingly set down a larm corridor of peeping plane.

355
00:24:10,559 --> 00:24:13,720
Speaker 3: And flipping it text to stake. Because the community of

356
00:24:13,720 --> 00:24:14,559
a little people.

357
00:24:16,599 --> 00:24:19,960
Speaker 4: As we ran it, has a huge fund string around

358
00:24:20,039 --> 00:24:22,400
the store that were mut tight in our time machines

359
00:24:22,920 --> 00:24:25,559
and in the player of the distance tires.

360
00:24:26,000 --> 00:24:26,759
Speaker 2: We saw something that.

361
00:24:26,839 --> 00:24:34,880
Speaker 3: Stopped the shot. They opened the door. It's attacked. They're

362
00:24:34,880 --> 00:24:36,880
they're waiting for us in time, waiting or not worth

363
00:24:36,960 --> 00:24:39,759
going in. It's still expect me one minute of throwd

364
00:24:39,920 --> 00:24:41,839
on again. Then I touched the little away or right.

365
00:24:42,880 --> 00:24:43,440
Speaker 4: God, by.

366
00:24:45,559 --> 00:24:47,559
Speaker 3: No, my dear, you hold tag around my next you're

367
00:24:47,599 --> 00:24:49,519
coming home with that right.

368
00:24:51,720 --> 00:24:52,000
Speaker 4: Willing.

369
00:24:52,640 --> 00:24:53,599
Speaker 3: I lost the machine.

370
00:24:53,680 --> 00:24:54,559
Speaker 6: They had a coffee.

371
00:24:54,839 --> 00:25:01,000
Speaker 3: I don't see them among our quiches, the the clothes,

372
00:25:01,079 --> 00:25:01,640
get the scene.

373
00:25:01,640 --> 00:25:02,519
Speaker 5: I'll be ready at the moment.

374
00:25:04,279 --> 00:25:06,319
Speaker 3: I waited for the hum every single on the pacha

375
00:25:06,519 --> 00:25:10,119
and there in the darkness Moloch. But suddenly upon the

376
00:25:10,839 --> 00:25:15,079
cold the system sumers swore un over my bug touching

377
00:25:15,160 --> 00:25:18,839
a passing away from the machine. I know that to

378
00:25:19,039 --> 00:25:22,680
be a man who, like I missed them away.

379
00:25:22,920 --> 00:25:29,400
Speaker 6: My test gives me letters with me all the time trying.

380
00:25:31,440 --> 00:25:36,400
Speaker 3: The fire away with God very made it.

381
00:25:38,279 --> 00:25:38,599
Speaker 4: All right.

382
00:25:40,559 --> 00:25:46,039
Speaker 3: I'm all my spots and wait up en give this

383
00:25:46,160 --> 00:25:51,559
sing up. What happened? They talk from my hand the

384
00:25:51,720 --> 00:25:57,319
last minute they got that, and I tried to save us.

385
00:25:57,599 --> 00:26:07,039
I couldn't. I still ask peace laturnic, then the lacunic.

386
00:26:08,599 --> 00:26:21,960
Speaker 4: Nothing else, and so we came home again, back into

387
00:26:22,000 --> 00:26:25,319
the very minute from which we had met, back into

388
00:26:25,400 --> 00:26:30,640
twelve noon. Out the twenty second, nineteen fifteen, we were

389
00:26:30,680 --> 00:26:37,039
in Dublay's laboratory, again, motionless, sitting on the ridiculous contractions

390
00:26:37,599 --> 00:26:39,799
which he has called time machine.

391
00:26:42,480 --> 00:26:43,279
Speaker 5: Was it all agreeing?

392
00:26:44,559 --> 00:26:48,079
Speaker 3: Did any of it happen? Could any of it happened?

393
00:26:50,079 --> 00:26:57,759
Of course not, how stupid member of this that of

394
00:26:57,839 --> 00:27:03,839
this little piece of green soup. I hold him my hands.

395
00:27:14,359 --> 00:27:17,680
Speaker 1: Escape is produced and directed by Norman McDonald's Today We

396
00:27:17,839 --> 00:27:20,680
Brought You The Time Machine by H. G. Wells, a

397
00:27:20,759 --> 00:27:24,519
deathball radio by Irving Rabbits and starring John Dayner's father

398
00:27:24,839 --> 00:27:26,799
and Larry Dubkin as Dudley.

399
00:27:26,759 --> 00:27:30,799
Speaker 3: With Georgia Ellis as we Are. The special music for Escape.

400
00:27:30,720 --> 00:27:32,920
Speaker 4: Was arranged and played by Ivan Detmars.

401
00:27:34,319 --> 00:27:37,440
Speaker 3: Next Week Escape with Us a fall fishing boat off the.

402
00:27:37,480 --> 00:27:40,759
Speaker 4: California coast and a night of keller and death at

403
00:27:40,799 --> 00:27:45,039
the hands of a break met, as bot Nelson tells it.

404
00:27:45,119 --> 00:27:46,480
Speaker 3: Into the tidings.

405
00:27:46,079 --> 00:28:02,200
Speaker 2: Seven hours sleep. However, to da