WEBVTT

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<v Speaker 1>Hello, this is David Hedison, the actor. You've seen me

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<v Speaker 1>as Captain Lee Crane on Voyage to the Bottom of

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<v Speaker 1>the Sea, also as The Fly, also as Felix Writer

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<v Speaker 1>with Roger Moore on Live and Let Die and Kenmothy

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<v Speaker 1>dalkon un Licensed to Kill. And you are listening to

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<v Speaker 1>Doctor Sky.

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<v Speaker 2>Welcome once again to the Doctor Sky Show, proudly heard

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<v Speaker 2>here on teamtalknetwork dot com and on our flagship radio station,

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<v Speaker 2>News Talk eleven hundred KSNX the fifty thousand What Powerhouse

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<v Speaker 2>of the Desert self was give. You're a first time

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<v Speaker 2>listener to the Doctor Sky Show, we come to the

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<v Speaker 2>subjects of astronomy, space, avigation, weather, and of course the

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<v Speaker 2>realms of science fiction. As today, ladies and gentlemen, of

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<v Speaker 2>very special guest. In just a few moments, we'll be

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<v Speaker 2>speaking with veteran actor David Heedison, who has had a

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<v Speaker 2>remarkable career in not only film, television, but also page

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<v Speaker 2>In a brief introduction of our guest, David Edison. David

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<v Speaker 2>Edison was born Albert David Edison Junior in Providence for

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<v Speaker 2>by eleven. He decided he wanted to be an actor

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<v Speaker 2>after seeing Blood and Sand in nineteen forty one. He

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<v Speaker 2>started out in the theater as Al Edison, receiving a

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<v Speaker 2>Theater World Award for Most Promising Newcomer after appearing in

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<v Speaker 2>the play but to do him on nothing. He soon

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<v Speaker 2>signed on with twentieth Century five and starred in several

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<v Speaker 2>movies before going on to TV's Five Fingers in nineteen

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<v Speaker 2>fifty nine and then a name change to David Edison.

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<v Speaker 2>He then appeared in the popular TV science fiction series

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<v Speaker 2>Voyage to the Bottom of the Sea in nineteen sixty four,

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<v Speaker 2>and after the show went off the air, David Edison

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<v Speaker 2>continued acting in many made for TV films and guest

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<v Speaker 2>shots on TV series, including two James Bond films. He

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<v Speaker 2>was also a series regular on the soap opera Another

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<v Speaker 2>World in nineteen sixty four, and more recently he starred

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<v Speaker 2>in the theatrical production with a veteran actors Williet Mills

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<v Speaker 2>and Lois Middleton. Cedison can currently be seen on the

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<v Speaker 2>TV soap The Young and the Restlers. And with that,

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<v Speaker 2>we're proudly welcome to this introduction and to this program.

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<v Speaker 2>Actor David Edison's good after an answer, Hello, Hi, Yeah, well,

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<v Speaker 2>thank you so much.

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<v Speaker 1>I'm fine Goad and.

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<v Speaker 2>I think this will be a real trait for all

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<v Speaker 2>the fans.

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<v Speaker 1>Well, I hope so.

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<v Speaker 2>Of many of the movies that you've been in, and David,

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<v Speaker 2>I know we could go on for quite a long

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<v Speaker 2>time talking about all the different movies and films that

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<v Speaker 2>you appeared in. But the first one that I'd like

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<v Speaker 2>to discuss with everybody is I think one of the

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<v Speaker 2>greatest science fiction films ever made in nineteen fifty eight,

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<v Speaker 2>where you start in the title role as what Andre

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<v Speaker 2>Delambri in The Fly tell you the Diet.

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<v Speaker 1>It's amazing because you know, a book is coming out

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<v Speaker 1>this year because it's the fiftieth anniversary of The Fly,

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<v Speaker 1>and the name of the book is called The Fly

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<v Speaker 1>at fifty. It's the creation and legacy of a classic

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<v Speaker 1>science fiction film and it to be bought through my website.

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<v Speaker 1>And so I tell you what that is. 's do

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<v Speaker 1>It's www. David Hedderson, one word dot com.

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<v Speaker 2>That's fantastic, David, And you know, going back into the

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<v Speaker 2>history of science fiction films, I mean, I must say

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<v Speaker 2>this is one of my favorite and I think many

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<v Speaker 2>people's out there. Tell a little bit about the movie,

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<v Speaker 2>the role and also working with such great actors like

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<v Speaker 2>Vincent Price.

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<v Speaker 1>Oh, yes, it was incredible, because it's amazing. You know,

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<v Speaker 1>I didn't work that much with him in The Fly

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<v Speaker 1>because we worked on different days, because I worked principally

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<v Speaker 1>with Patricia Owens. But I got to meet Vincent and

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<v Speaker 1>we became great friends. When he became a guest star

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<v Speaker 1>and Voys to the Bottom of the Sea.

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<v Speaker 2>That's fantastic. And I know, of course that Jeff Gopolm

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<v Speaker 2>and of course the following series in the movies, of

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<v Speaker 2>course they did what in a readaptation of the original.

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<v Speaker 1>Fly under the Fly with Brett Harvey.

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<v Speaker 2>Wonderful stuff. You know, it's a great honor to have

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<v Speaker 2>you here, sir, because one of my favorite areas, and

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<v Speaker 2>I think the listeners in this archive will be most

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<v Speaker 2>impressed about, is your connection to a lot of the

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<v Speaker 2>science fiction television that was out there in the nineteen sixties.

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<v Speaker 2>And of course I'm referring to your role as Captain

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<v Speaker 2>d Crane in the great television series Everyone Allen program

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<v Speaker 2>Voyage to the Bottom of a Seat.

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<v Speaker 1>That's right.

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<v Speaker 2>How did you get started in that? I mean, that's

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<v Speaker 2>fascinating stuff.

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<v Speaker 1>Well, it's amazing. At first I turned it down I

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<v Speaker 1>had turned the movie down. I made the movie first,

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<v Speaker 1>and I didn't think I wanted to do that because

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<v Speaker 1>I had just worked with Irwin Allen on The Lost World,

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<v Speaker 1>and I thought to myself, well, it's more of sane,

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<v Speaker 1>you know. So I wanted to do something else, and

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<v Speaker 1>I turned it down. So then when the series came up,

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<v Speaker 1>he called me and wanted me to do it, and

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<v Speaker 1>I still didn't want to do it until I found

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<v Speaker 1>out that Richard he was going to play the Admiral.

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<v Speaker 1>And I was always a great admirer of his work,

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<v Speaker 1>and I thought, oh my, yes, I must work on

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<v Speaker 1>this series. And Richard and I get on famously. He's

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<v Speaker 1>a lovely person. He was a lovely person for a

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<v Speaker 1>great actor, and I think we made beautiful music together.

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<v Speaker 2>You know, I would agree, David, And I'm serious about this.

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<v Speaker 2>I have purchased all of the DVD series except for

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<v Speaker 2>the very last season, and religiously, like I mentioned to you,

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<v Speaker 2>I watched Lids in the evening to relax, and it

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<v Speaker 2>brings back a lot of memories. As I'm fifty two

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<v Speaker 2>years of age, and I remember this when I was

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<v Speaker 2>a young boy in New York City. He was my

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<v Speaker 2>favorite show. Now, was this on the ABC?

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<v Speaker 1>Yes, it was ABC, and it was on for four years,

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<v Speaker 1>one hundred and ten hours.

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<v Speaker 2>Fantastic stuff. And as we get more into the interview today,

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<v Speaker 2>I just want to remind our listeners here on The

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<v Speaker 2>Doctor Sky Show that our very very special guest today

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<v Speaker 2>is veteran actor David Heaterson, who's had a remarkableok for

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<v Speaker 2>religions gentlemen in film, television and stage, and he's here

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<v Speaker 2>today taking a few moments of his time and hit

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<v Speaker 2>through his busy schedule. We were speaking to him from

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<v Speaker 2>his home in southern California. Then again, David, I appreciate

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<v Speaker 2>your time on this very important thing.

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<v Speaker 1>Oh, thank you.

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<v Speaker 2>What I'd like to discuss now is a little bit

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<v Speaker 2>more about the whole theme of the Lawyers at the

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<v Speaker 2>bottom of the sea. They had so many advanced pieces

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<v Speaker 2>of technology inspired to us a little bit more for

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<v Speaker 2>people that may not know about the sea views of

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<v Speaker 2>nuclear powered submarine.

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<v Speaker 1>Well, there's not much I can say because the whole

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<v Speaker 1>thing was a set, you know, and there was nothing

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<v Speaker 1>tell the technical about it as far as I was concerned.

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<v Speaker 1>In fact, I was concerned at the time and when

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<v Speaker 1>we're shooting it, every time I picked up the mic

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<v Speaker 1>to talk to someone. There was a wire at the end,

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<v Speaker 1>and I thought it was this was so futuristic. They

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<v Speaker 1>didn't need that wire, but all during the show there was.

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<v Speaker 1>But the technical crew is fabulous and they did great stuff.

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<v Speaker 1>While I was doing the acting stuff on one stage,

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<v Speaker 1>they were creating all kinds of things by themselves elsewhere.

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<v Speaker 2>Well, David, the submarine the seaview, when we see that

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<v Speaker 2>in the opening credits and throughout the actual show itself. Yeah,

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<v Speaker 2>I mean this is a model. Do you know the size.

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<v Speaker 2>I mean, it's fairly large model, or it will.

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<v Speaker 1>Actually it wasn't a large marble because it was only

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<v Speaker 1>pots of the submarine.

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<v Speaker 2>Like the.

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<v Speaker 1>Control room would be one plot, the missile room would

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<v Speaker 1>be a whole different stage, and there was no continuity

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<v Speaker 1>about it at all. But the way we shot it

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<v Speaker 1>it made it look as if it were just one

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<v Speaker 1>whole huge ship. And they did a great job and

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<v Speaker 1>doing all they sudden they did at that time, I

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<v Speaker 1>think they did an extraordinary job.

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<v Speaker 2>Tell us a little bit about Herwin Allen. I mean,

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<v Speaker 2>I'm sure you've had interaction with him. I'm fascinated by

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<v Speaker 2>all the wonderful products that he's brought to the television

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<v Speaker 2>screen and what kind of was Oh, he was incredible.

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<v Speaker 1>He was a great shelman and he was really he

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<v Speaker 1>would get toll the enthusiastic about everything he ever did.

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<v Speaker 1>He would get enthusiastic about his actors. He would get

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<v Speaker 1>new projects and he would pin all these sketches on

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<v Speaker 1>the walls, and he would go to the networks and

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<v Speaker 1>he would put on such a show and he would

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<v Speaker 1>sell his product because they were caught up in his

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<v Speaker 1>wonderful imagination. Yeah, so that was all great. He was

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<v Speaker 1>an extraordinary man when you think about all the stuff

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<v Speaker 1>he did which was very successful, plus the big movies

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<v Speaker 1>like The Tring, Inferno and The Preside and Adventure. So

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<v Speaker 1>I think he was an incredible man. He was very

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<v Speaker 1>good to me, and I miss him very much.

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<v Speaker 2>Oh God, bless all the wonderful people who produced these

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<v Speaker 2>great television series that people in my generation and many

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<v Speaker 2>listening actually grew up with from the appertainly respect and

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<v Speaker 2>remember his legacy. That's right, you know, asking this question

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<v Speaker 2>an honor to be able to ask you this that

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<v Speaker 2>for people out there, we have a lot of young

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<v Speaker 2>students also that are aspiring to go into the world

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<v Speaker 2>of television, acting and the theater with your experiencer, tell

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<v Speaker 2>us what you recommend that a student today if they're

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<v Speaker 2>interested in a career like those. Things have changed, but

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<v Speaker 2>I'm sure the basics remain the same. What's the basics are.

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<v Speaker 1>The same is that you really have to want to

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<v Speaker 1>do it. You don't think about the money. You think

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<v Speaker 1>about this as something I have to do. Now have

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<v Speaker 1>a daughter and she's an actress, Alexander Heavison, but she

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<v Speaker 1>was an actress. She's mostly now into photography, but she

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<v Speaker 1>was acting for a brief time and she said to me, Dad,

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<v Speaker 1>I don't want to do this anymore, even though I'm

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<v Speaker 1>getting offers. She said, I'm not dedicated, and then she

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<v Speaker 1>changed her mind the dad, dedicated is the wrong word.

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<v Speaker 1>I'm not possised, And that's I was possessed. It was

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<v Speaker 1>something I had to do and to really become successful,

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<v Speaker 1>you really, really really.

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<v Speaker 2>Have to do it.

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<v Speaker 1>And to become an actor of all things, it's very

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<v Speaker 1>important to read. Read every damn book ever written, Read

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<v Speaker 1>the classics, read the plays, read, read, read, you can't

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<v Speaker 1>get enough of that. And by the time you're getting

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<v Speaker 1>an incredible education, and by the time you're ready to

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<v Speaker 1>get on your feet and do some work. It comes

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<v Speaker 1>off looking quite wonderful because I think of look at

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<v Speaker 1>Meryl Streep. She's so intelligent in her acting shows because

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<v Speaker 1>she's educated and she's learned things, and she's read books,

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<v Speaker 1>and she's knowledgeable, and she's political. And that's what it's

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<v Speaker 1>all about. Learn everything you possibly can about life and

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<v Speaker 1>about your fellow's human being. And I think that's terribly important.

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<v Speaker 1>But as I said, you really have to want to

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<v Speaker 1>do it. So there, Oh gee, I hope I get

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<v Speaker 1>a series. Oh they pay so much money. It's the

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<v Speaker 1>wrong attitude because you might get one and you might

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<v Speaker 1>last five minutes and you've had your success and that's

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<v Speaker 1>the end of it. You have nowhere else to go. Absolutely,

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<v Speaker 1>So that's my advice for what it's worth.

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<v Speaker 2>So the passion has to be there, the spark inside. Oh.

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<v Speaker 1>Absolute. You have to really really want it.

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<v Speaker 2>David, I've never had the opportunity to really ask this

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<v Speaker 2>as a veteran actor like yourself, And we do get

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<v Speaker 2>some gifts like this in this category, but here it is.

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<v Speaker 2>I mean, if you look at television, if you look

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<v Speaker 2>at the theater, and if you look at the film.

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<v Speaker 2>I mean, what do you find for yourself? Of the three,

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<v Speaker 2>what did you enjoy the most? And why?

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<v Speaker 1>I mean of most, it's I would say I like

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<v Speaker 1>the stage more than anything because on the stage, if

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<v Speaker 1>you goof you say, well, there's always tomorrow. On self,

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<v Speaker 1>if you you know, do the scene and you walk away,

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<v Speaker 1>and that evening you're thinking, damn, I missed that beat.

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<v Speaker 1>I shouldn't played the scene that way. It should have

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<v Speaker 1>been this way. And it's too late, you know, and

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<v Speaker 1>it's done. And then also your performance is in the

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<v Speaker 1>editor's hands and we're on the stage. It's all you.

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<v Speaker 1>You're on the you're on the stage, and the audiences

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<v Speaker 1>decide they're going to look at.

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<v Speaker 2>You or look away whatever.

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<v Speaker 1>So that's why I prefer the stage, because you have,

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<v Speaker 1>first of all, a long rehearsal period and you finally

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<v Speaker 1>get something a really interesting uh performance. Really in the

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<v Speaker 1>long run, well you really don't have that much time.

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<v Speaker 1>And film, particularly mostly in film, you do. You did

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<v Speaker 1>get some rehearsal time. But you know, in television, wham bam,

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<v Speaker 1>you learn the lines the night before and then you

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<v Speaker 1>get on the set and you cross your fingers hoping

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<v Speaker 1>that you hit the right notes, and then it's a print,

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<v Speaker 1>and then you watched the show and so many times

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<v Speaker 1>you're disappointed with what you did, but that's the way

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<v Speaker 1>it goes.

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<v Speaker 2>Well, they were thinking of stage and all the many

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<v Speaker 2>players that you've appeared in with different roles. What one

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<v Speaker 2>comes to mind were what two maybe that come to

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<v Speaker 2>mind that were your favorite? And for what particularly are

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<v Speaker 2>you talking about the stage or what absolutely on stage?

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<v Speaker 1>On stage? I would say, it's when I got the

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<v Speaker 1>Theater World Award. Now it was for you said much

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<v Speaker 1>ado about nothing that was wrong. It was to gain

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<v Speaker 1>as a month in the country, and that really I

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<v Speaker 1>got the Theater World four So that to me was

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<v Speaker 1>a wonderful experience and working with uder Hagen and Sir

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<v Speaker 1>Michael Redgrave it was extraordinary. And then while I was

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<v Speaker 1>in London, I worked in the BBC on a two

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<v Speaker 1>hour special of In Smoke with that divine actress Lee Remick,

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<v Speaker 1>who's now he's no longer aware us, but it was

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<v Speaker 1>an incredible experience with Tennessee Williams Summer in Smoke and

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<v Speaker 1>I really enjoy that. I think it's about the two

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<v Speaker 1>most memorable things I can remember doing. And then of

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<v Speaker 1>course on films.

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<v Speaker 2>There was a fly. I love the fly the moment.

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<v Speaker 1>I read it. I wasn't the first choice. I think

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<v Speaker 1>they asked Michael Rennee. He turned it down. Then there

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<v Speaker 1>was another actor, Rick Jason, who did combat. He turned

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<v Speaker 1>it down. I guess they didn't want the fly cloth

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<v Speaker 1>on the head for most of the performance that I thought,

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<v Speaker 1>that's where the great acting comes in.

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<v Speaker 2>And just to remind everyone, Michael Renee, of course, is

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<v Speaker 2>in the wonderful science fiction the feature film The Day

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<v Speaker 2>They Wrist.

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<v Speaker 1>It's all and wonderful, and I think Tom Cruise.

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<v Speaker 2>Is also doing It's either Canon Reeves or I think

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<v Speaker 2>it's Cannon Reeves. Excuse me, who's going to be in

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<v Speaker 2>the new The Daily Wristic Still? Oh really, I didn't

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<v Speaker 2>know that interesting stuff. Yeah, I appreciate your time today

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<v Speaker 2>and just kind of focusing a little bit more on

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<v Speaker 2>the discussion of Voyage to the Bottom of the Sea.

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<v Speaker 2>As you know, sir, The Boyage is named number thirty

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<v Speaker 2>in the top one hundred science fiction shows of all time,

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<v Speaker 2>and I've become hooked on this for the technology, for

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<v Speaker 2>your appearances, I'm just curious you describe some of your

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<v Speaker 2>favorite episodes as the human Computer and the Phantom Strikes

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<v Speaker 2>and the Return of the.

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<v Speaker 1>Oh yeah, those two. I like the Phantom Strike that

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<v Speaker 1>the Phantom was the one and the second was the

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<v Speaker 1>Phantom Return. Those two episodes Withalveod Rider I liked very much.

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<v Speaker 1>And there was something called man Beast and I'd love

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<v Speaker 1>running around the ship driving people crazy. And I didn't

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<v Speaker 1>have a stunt man of that at all. I did

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<v Speaker 1>everything myself and I just enjoyed a lot of them.

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<v Speaker 1>And of course there was something I really hated. I

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<v Speaker 1>can't remember the titles, but I would be fighting with

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<v Speaker 1>Irwin all the time. My god, We've got to do

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<v Speaker 1>better than this, right, And I mean the last year particularly,

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<v Speaker 1>it got it got pretty ridiculous with the lobster Man

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<v Speaker 1>and the Koffel Man and a lack Man, and I

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<v Speaker 1>thought I can't take it anymore. And I think the

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<v Speaker 1>series ended just in time well after the fourth year.

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<v Speaker 2>I think the same thing many people have said also

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<v Speaker 2>happened with Lost in Space because some of the monsters

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<v Speaker 2>became a little bit hard to swallow. Us all absolutely, absolutely, absolutely,

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<v Speaker 2>but that's who might have complained. Sorry, but thinking about

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<v Speaker 2>this entire series, which we just love ever so much,

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<v Speaker 2>there's one piece of technology in there that even today

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<v Speaker 2>I'm amazed. Bat is the flying sub all right?

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<v Speaker 1>Well that was Ewin's idea and I saw, I thought,

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<v Speaker 1>well that's pretty interesting, and the and the audiences loved it.

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<v Speaker 1>They just absolutely love the flying sut.

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<v Speaker 2>That's fantastic. You know, a little bit of trivia about yourself.

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<v Speaker 2>And again I'm not going to take face value of

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<v Speaker 2>what I quoted before. Again I apologize. I'm like, oh, no,

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<v Speaker 2>goblem internet movie database here, And again I realized I

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00:17:08.640 --> 00:17:10.200
<v Speaker 2>don't believe everything I read on the Internet.

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<v Speaker 1>No, absolutely, I always screw it up anyway, So don't

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<v Speaker 1>blame yourself.

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<v Speaker 2>Well, you're the first actor, as they say here, to

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<v Speaker 2>portray double of seven Cia friends, Felix is it Lightner right?

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<v Speaker 1>The Lee I t Ei right?

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<v Speaker 2>And that's him live and let Dry, which I'm sure

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<v Speaker 2>everybody knows and.

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<v Speaker 1>Want license to care, License to care with Timothy Dalton.

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<v Speaker 2>Well, these are fantastic movies. And now I can recollect

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<v Speaker 2>and remember you from these particular movies, which is fascinating.

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<v Speaker 2>And it also says here, let's see if this is

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<v Speaker 2>correct that your name is just one of just time

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00:17:42.079 --> 00:17:45.519
<v Speaker 2>celebrity names. Actually incorporated into the Statler Brother's Top ten

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<v Speaker 2>song the Movies because they needed a word that rhymed

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<v Speaker 2>with Edison. That's right, Edison, and I can't remember why

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<v Speaker 2>there was. It was a wonderful song.

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<v Speaker 1>That came out at the time. It says thank you

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<v Speaker 1>Commas Edison and thank you David Edison something like that.

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<v Speaker 2>And here's one day. But if you could comment on

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<v Speaker 2>for the listeners. I find this really fascinating. You turned

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<v Speaker 2>down the lead role in The Birdie Burns for in

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<v Speaker 2>nineteen sixty nine. That's right.

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<v Speaker 1>You know, it's funny because the Voyage had just finished

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<v Speaker 1>and then I've gotten married in London and it was

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<v Speaker 1>a new thing for me. I was growing up, getting married,

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<v Speaker 1>having children, and I think when the Brady Bunch came up,

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<v Speaker 1>I just suddenly turned it down. I thought, well, I

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<v Speaker 1>want to take a little rest here. I didn't think

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<v Speaker 1>it was going to be that successful actually, but it

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<v Speaker 1>turned out to be seven years. It was very, very successful.

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<v Speaker 2>Here's a cult following is renewals.

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<v Speaker 1>I know, you know, every actor can tell you that

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<v Speaker 1>they've turned down certain things that they were really sorry

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<v Speaker 1>that they had done. I mean, every single act that

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<v Speaker 1>you talked to will tell you about yell well, I

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<v Speaker 1>turned this down, and I turned that down. I was

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<v Speaker 1>a foolish thing, and another thing, and all's love boat?

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<v Speaker 2>Did you? Yeah?

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<v Speaker 1>The captain of the love boat? What are you going

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<v Speaker 1>to do?

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<v Speaker 2>That's amazing. I mean, all these things we learn in

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<v Speaker 2>our special interview today with David Edison and the latest Gentlement.

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<v Speaker 2>If you're just joining us, we're privileged under to have

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<v Speaker 2>veteran actor of both television, film and stage. As you know,

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<v Speaker 2>David Edison was discussing many of his landmark achievements throughout

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<v Speaker 2>his great career here on The Doctor Sky Show. But

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<v Speaker 2>just a couple of other questions, if I may kind

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<v Speaker 2>of giving us a better understanding of you and your career,

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<v Speaker 2>if we go back to talking about Richard Bassart, I mean,

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<v Speaker 2>he's one of one one of the great classic actors.

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<v Speaker 1>He has a great actor. I had seen him, I

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<v Speaker 1>think originally in Lestrava, the Italian film with Anthony Quinn,

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<v Speaker 1>and then he did several movies at Fox, but he

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<v Speaker 1>was only doing terribly interesting things. He was a fine.

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<v Speaker 2>Actor, fascinating and as we look on here today, let's

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<v Speaker 2>talk about David Edison in the year two thousand and

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<v Speaker 2>eight you mentioned you have this wonderful book, The Fly

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<v Speaker 2>at fifty coming out.

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<v Speaker 1>Yeah, it's coming out here. It should be out any

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<v Speaker 1>any time now, I think in October.

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<v Speaker 2>Fantastic.

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<v Speaker 1>Yes, I'm going to the show in Boston, Massachusetts, and

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<v Speaker 1>it's called Supermegafest dot Com. And it's being done in

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<v Speaker 1>the Framingham at the Shelton Framingham Hotel just outside of Boston,

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00:20:27.880 --> 00:20:30.960
<v Speaker 1>and the books will be there then, and it's called

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<v Speaker 1>The Fly at fifty The creation and legacy of a

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<v Speaker 1>classic science fiction film. How's that?

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<v Speaker 2>That is absolutely wonderful And just to remind people that

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<v Speaker 2>may know you in the more modern sense obviously, as

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<v Speaker 2>jud Arthur hendrickson The Young and the Wrestlers tell us

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<v Speaker 2>that whole trend. All right, Well, that's kind of about it.

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<v Speaker 1>There wasn't much work going on here. I sently got

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<v Speaker 1>a call for The Young and the arrest At first

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<v Speaker 1>I had done Another World, and I was on that

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<v Speaker 1>show because like six years, and that was great fun.

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<v Speaker 1>That was in New York. And then The Young and

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<v Speaker 1>the Restless was here in Los Angeles. So I was

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00:21:06.839 --> 00:21:09.960
<v Speaker 1>on that for one year and it was a great

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<v Speaker 1>experience and I think I liked it because my theater

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00:21:14.839 --> 00:21:18.680
<v Speaker 1>experience came in handy, where you know, on these soaps

397
00:21:18.720 --> 00:21:21.440
<v Speaker 1>you have to do long takes and you have to

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00:21:21.480 --> 00:21:25.359
<v Speaker 1>remember the lines and the moves and everything else difficult,

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00:21:25.599 --> 00:21:29.240
<v Speaker 1>and it's more difficult than making a movie because most

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<v Speaker 1>movies you do or TV you do them in short takes.

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<v Speaker 1>And that's why fair training comes in very handy.

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<v Speaker 2>Many times there are people who may not know, and

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00:21:39.720 --> 00:21:41.480
<v Speaker 2>I serve they'll go to the website and learn. But

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00:21:41.640 --> 00:21:43.920
<v Speaker 2>guest starts. I'm fascinated by this. I had a great

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00:21:44.000 --> 00:21:47.039
<v Speaker 2>show of the nineteen seventies and maybe earlier than that.

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<v Speaker 2>You were also appeared on the SBI.

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<v Speaker 1>All right, Yi, Wonder Woman, Stay Hand and all everything

408
00:21:55.240 --> 00:21:58.240
<v Speaker 1>everything that was on in those days, it was a

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<v Speaker 1>guest shot.

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<v Speaker 2>Well, everything can pusion as we wrap up the interview

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<v Speaker 2>and appreciate your time. As I mentioned many times here,

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<v Speaker 2>if you look at the entire episodes that you did

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<v Speaker 2>with television and the involvement there for the series, what

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<v Speaker 2>stands out as your probably proudest moments as far as

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<v Speaker 2>what series and particularly during what time during this.

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<v Speaker 1>Oh, I think voyage to the Bottom of the Sea

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<v Speaker 1>because of my great friendship with Richard and Irwin Allen

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<v Speaker 1>and very wonderful moments. You know, I was young and

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<v Speaker 1>really enjoying life, so it was lovely. I enjoyed that

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<v Speaker 1>very much.

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<v Speaker 2>And I read on one of the interviews that's on

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<v Speaker 2>one of the websites dedicated to the show that as

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<v Speaker 2>both of you would be ready in your navy uniforms

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00:22:42.160 --> 00:22:44.839
<v Speaker 2>and bronzed up with the makeup, you would visit various

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00:22:44.880 --> 00:22:47.039
<v Speaker 2>restaurants in the Hollywood area and people would get to

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00:22:47.079 --> 00:22:50.519
<v Speaker 2>know both you and Richard bace Ride. That's right, tell

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<v Speaker 2>us a little bit more about that.

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<v Speaker 1>That's so, we used to go to lunch at a

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00:22:53.640 --> 00:22:57.160
<v Speaker 1>certain place, and Rigid and I would go and we'd

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00:22:57.200 --> 00:22:59.960
<v Speaker 1>take off and we'd have some lovely lunch and people

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00:23:00.079 --> 00:23:02.880
<v Speaker 1>would come up to us and start talking as if

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00:23:02.880 --> 00:23:06.319
<v Speaker 1>we were trained and the Nelson, and.

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00:23:06.400 --> 00:23:06.960
<v Speaker 2>It was amazing.

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00:23:07.160 --> 00:23:11.279
<v Speaker 1>We met some incredible people. And also there were a

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00:23:11.319 --> 00:23:13.440
<v Speaker 1>lot of visaas you know, who came on the set

436
00:23:14.359 --> 00:23:17.759
<v Speaker 1>and they got these guest passes and we would talk

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00:23:17.799 --> 00:23:20.880
<v Speaker 1>to them as if we weren't too busy in a scene.

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<v Speaker 2>And this was a.

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00:23:22.039 --> 00:23:24.599
<v Speaker 1>Great experience meeting so many people from all over the

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00:23:24.599 --> 00:23:28.200
<v Speaker 1>country who really enjoyed the show. Now it's all over

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00:23:28.240 --> 00:23:28.720
<v Speaker 1>the world.

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00:23:29.319 --> 00:23:30.720
<v Speaker 2>It was a huge hit.

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00:23:30.680 --> 00:23:34.000
<v Speaker 1>In London, so there. Yeah, you never know, did you.

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<v Speaker 2>You know. One of the things in conclusion is the

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00:23:36.279 --> 00:23:38.440
<v Speaker 2>DVD sort of you could describe to us, is now

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00:23:38.480 --> 00:23:40.759
<v Speaker 2>out and complete and they might have most of them.

447
00:23:40.960 --> 00:23:43.920
<v Speaker 2>They're available in any any good place that's old.

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00:23:43.759 --> 00:23:46.559
<v Speaker 1>DVDs right, although they're all there right exactly. The fourth

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00:23:46.640 --> 00:23:50.000
<v Speaker 1>year is coming out next year, that of our voyage,

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00:23:50.240 --> 00:23:52.119
<v Speaker 1>but they're all three of them around now.

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00:23:52.599 --> 00:23:56.359
<v Speaker 2>Wow. In conclusion, did Edison, what's some of the later

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00:23:56.440 --> 00:23:59.079
<v Speaker 2>projects of what's next left with the fly At system?

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<v Speaker 2>What are you looking for to do well?

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<v Speaker 1>And nothing? Really, I've been working a lot of the

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00:24:03.279 --> 00:24:07.079
<v Speaker 1>active studio here in the West Coast with the young

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00:24:07.160 --> 00:24:11.400
<v Speaker 1>people and doing scenes and giving them some of my

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00:24:11.559 --> 00:24:15.000
<v Speaker 1>knowledge and just you know, passing it on is what

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00:24:15.160 --> 00:24:18.839
<v Speaker 1>you have to do. And also I'm working on a

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00:24:18.960 --> 00:24:22.319
<v Speaker 1>project of a prey by checkof called the Cherry Orchid

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00:24:23.039 --> 00:24:25.559
<v Speaker 1>and we're working on that. Keeping the brain young, you know,

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00:24:25.960 --> 00:24:28.920
<v Speaker 1>just learning lines and enjoying every minute of it.

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00:24:29.160 --> 00:24:32.400
<v Speaker 2>Absolutely right, David Edison, I want to thank you so much.

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<v Speaker 2>We're coming up to the bottom of the hour. Should

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00:24:34.279 --> 00:24:36.200
<v Speaker 2>be kind enough here to just remain on the line

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<v Speaker 2>with us just a few moments as because at the

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<v Speaker 2>bottom of our own laties and gentlemen, actor David Edison,

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<v Speaker 2>who's had a remarkable career as you've heard, in film,

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00:24:46.240 --> 00:24:48.759
<v Speaker 2>television and stage, joining us today here when The Doctor

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00:24:48.839 --> 00:24:52.480
<v Speaker 2>Sky Show reminiscing about Memory Lane. Of course some of

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00:24:52.480 --> 00:24:55.000
<v Speaker 2>the greatest and the best in the industry. He of

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00:24:55.039 --> 00:25:00.359
<v Speaker 2>course knew and those and also contributed greatly to our archive, video,

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00:25:00.599 --> 00:25:04.200
<v Speaker 2>stage and theater way and also television. I want to

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00:25:04.240 --> 00:25:06.680
<v Speaker 2>thank you David Edison for being our guest today and

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<v Speaker 2>thank you for inviting me my pleasure. That concludes this

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00:25:09.920 --> 00:25:12.519
<v Speaker 2>exciting edition of The Doctor Sky Show, hert weekly here

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00:25:12.519 --> 00:25:15.680
<v Speaker 2>on teen Talknetwork dot com and in our flagship radio station,

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00:25:16.240 --> 00:25:20.720
<v Speaker 2>News Talk eleven hundred KFNX, the fifty thousand what powerhouse

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<v Speaker 2>of the Desert Southwest. In conclusion, Doctor Sky always reminds

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<v Speaker 2>you to always keep your eyes to the skies. Thank you,

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<v Speaker 2>David Edison.