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<v Speaker 1>About time we had another special edition. Hey, this is

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<v Speaker 1>your host, Cliff Dunning of Earth Ancients, and this week

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<v Speaker 1>we are focusing on the planet Mars. As you know,

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<v Speaker 1>if you've been following the podcast for a while now,

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<v Speaker 1>you know that I'm an advocate of archaeological ruins on

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<v Speaker 1>the planet Mars, which means at some point in the

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<v Speaker 1>past the planet had a population, had a civilization. And

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<v Speaker 1>we're not, you know, guessing, we're not suggesting this is,

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<v Speaker 1>you know, the way it is. We've had real science.

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<v Speaker 1>We've had planetary scientists here, We've had image specialists, and

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<v Speaker 1>we've had research investigators, some who have spent portions of

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<v Speaker 1>their entire lives studying the planet Mars and making determinations

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<v Speaker 1>that not only are there archaeological ruins, there could be

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<v Speaker 1>a partial atmosphere that supports life. Now, when we say

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<v Speaker 1>things like this, when we present this material, it runs

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<v Speaker 1>in the face of what's being presented now by NASA,

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<v Speaker 1>which is looking for microbes, spending billions of dollars with

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<v Speaker 1>these rovers, and rovers have cameras on them, they have

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<v Speaker 1>other scientific equipment for testing, and NASA would like us

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<v Speaker 1>to believe that there's nothing on Mars other than the

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<v Speaker 1>remains of a very rudimentary microbe life, single cell organisms

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<v Speaker 1>that lived on the surface or in what was water

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<v Speaker 1>at one time. And you know, that's fine for that scenario,

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<v Speaker 1>But the truth of the man is they've known that

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<v Speaker 1>there are ruins on Mars. When they launched the Viking

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<v Speaker 1>satellite program, they imaged a variety of areas, and they

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<v Speaker 1>continue to image areas that show that there are not

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<v Speaker 1>only temples, pyramids and unusual large reliefs. And when I

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<v Speaker 1>say unusual, some of these release are miles across by

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<v Speaker 1>miles long, and it also looks like that they were

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<v Speaker 1>built for to be observed from outside of the atmosphere

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<v Speaker 1>of the planet. But there's a lot that we have

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<v Speaker 1>discovered since we began reporting on Mars. We've had doctor

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<v Speaker 1>John Brandenberg on there, who wrote a book called Death

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<v Speaker 1>on Mars, who believes that there were a number of

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<v Speaker 1>nuclear wars on the planet, one that may have destroyed

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<v Speaker 1>the atmosphere and eventually killed off the remaining life. And

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<v Speaker 1>today we are presenting another look at the planet with

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<v Speaker 1>an image specialist has done extensive imagery of Sidonia where

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<v Speaker 1>this face is, but has also reported back that the

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<v Speaker 1>evidence that we have discovered is being manipulated by NASA.

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<v Speaker 1>And what that means is, as they continue to image

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<v Speaker 1>the planet Mars, they are altering the feed so that

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<v Speaker 1>when the public looks at this imagery, what they're getting

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<v Speaker 1>is modifications, areas that are completely wided out or removed,

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<v Speaker 1>and distortions. Now, why would they distort images? Why don't

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<v Speaker 1>they just come clean and show us what they have

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<v Speaker 1>found on the planet. Well, remember, in nineteen sixty, NASA,

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<v Speaker 1>as it was becoming NASA, actually it was still the

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<v Speaker 1>Department of Defense, but NASA was in place, requisitioned a

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<v Speaker 1>study by the Brookies Institute of the United States asking

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<v Speaker 1>what would happen if the public was told that there's

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<v Speaker 1>evidence of an alien civilization on the planet Mars. And

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<v Speaker 1>what came back to them was a document, And remember

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<v Speaker 1>this is nineteen sixty, over sixty years ago. The document

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<v Speaker 1>came back and revealed that, according to their analysis, the

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<v Speaker 1>Americans or the planet Earth as a whole, would be traumatized,

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<v Speaker 1>religions being affected, people committing suicide, institutions failing, people losing

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<v Speaker 1>faith not only in the church but in the institutions

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<v Speaker 1>of government. And to this day they still adhere to

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<v Speaker 1>that outdated document and what we are getting is heavy,

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<v Speaker 1>heavy censoring. And I've mentioned a little bit about the

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<v Speaker 1>censoring of imagery, but even in the face of likely

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<v Speaker 1>skeleton remains, archaeological ruins and great evidence of civilization on

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<v Speaker 1>the planet, they still prefer to keep this from us. Now.

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<v Speaker 1>I have mentioned this very very quite recently, that this

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<v Speaker 1>discovery of an alien civilization is part of our destiny,

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<v Speaker 1>part of our evolution. And when we discover and when

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<v Speaker 1>it is released to us that there is a civilization

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<v Speaker 1>or there was a civilization on Mars, we immediately evolve

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<v Speaker 1>where we understand that we're not the only ones in

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<v Speaker 1>our cosmos. The big lie is over. And it also

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<v Speaker 1>allows us to consider other civilizations, living civilizations, which also

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<v Speaker 1>brings up the question of uapiece unidentified unidentified aerial phenomenon,

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<v Speaker 1>which is used to be UFOs unidentified flying objects. Who's

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<v Speaker 1>behind those crafts? Why are those civilizations observing us? And

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<v Speaker 1>this is typically outside of the United States. When these

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<v Speaker 1>crafts land and the beings inside them come out and communicate,

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<v Speaker 1>that's a whole different animal, a whole different story, a

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<v Speaker 1>whole different level of awareness that we need to understand.

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<v Speaker 1>And it's my belief that when we become more comfortable

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<v Speaker 1>that we're not the only ones in our cosmos in

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<v Speaker 1>the universe, it's a growth it's a huge growth factor.

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<v Speaker 1>It's an important, needed, and beneficial growth factor. So this

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<v Speaker 1>is why when we start with an ancient civilization, it's

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<v Speaker 1>not such a traumatic situation. It's not such a traumatic

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<v Speaker 1>bit of news. Now, one of the things I've run

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<v Speaker 1>across with a lot of my listeners and a lot

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<v Speaker 1>of people on our social media is people deny and

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<v Speaker 1>are afraid to know that there's a there are ruins

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<v Speaker 1>of a civilization on Mars. Not only are they fearful,

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<v Speaker 1>they're angry because possibly it changes the perception of their life.

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<v Speaker 1>Or more importantly, they don't want to know that. They

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<v Speaker 1>want to continue thinking that we are the only beings

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<v Speaker 1>in our cosmos and there's nothing else. Well, that's just

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<v Speaker 1>not right. That's not right at all. And our ancestors

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<v Speaker 1>knew that, and we need to know that because we

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<v Speaker 1>need to move beyond our current paradigm into the next dimension,

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<v Speaker 1>into the next century as space travelers, and when you're

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<v Speaker 1>a space traveler, you're going to run into other civilizations.

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<v Speaker 1>And this is what this is why Mars is an

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<v Speaker 1>important first step into our evolution. So today's program is

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<v Speaker 1>the Face on Mars beyond mere tricks of light and shadow,

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<v Speaker 1>and my guest is image specialist Gary Legier. Discovery New

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<v Speaker 1>Artifacts is very exciting. And there's a new museum in Cairo,

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<v Speaker 1>of all places, that has just opened. It's the Grand

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<v Speaker 1>Egyptian Museum. I've been waiting almost eight years for it

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<v Speaker 1>to open, and let me tell you, the statuary by

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<v Speaker 1>itself is worth the price of admission. We're talking over

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<v Speaker 1>one hundred thousand artifacts on display from all parts of Egypt.

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<v Speaker 1>And this is a fabulous museum. This is cliff from

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<v Speaker 1>Earth Ancients and our seventh annual Grand Egyptian Tour is

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<v Speaker 1>April twenty eight through May tenth. We have a handful

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<v Speaker 1>of seats left. Come out and join us. It is

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<v Speaker 1>going to be an amazing tour take in all things

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<v Speaker 1>ancient Egypt. We are gonna see the megalists. We're gonna

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<v Speaker 1>go to places that are off the beaten paths to

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<v Speaker 1>see huge statuary, temples and even the pyramids. For all

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<v Speaker 1>the details, go to Earth Ancients dot com forward slash

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<v Speaker 1>Tours and you will see not only the itinerary, but

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<v Speaker 1>some of the fabulous hotels and other sites that we

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<v Speaker 1>will visit. This is not to be missed. April twenty

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<v Speaker 1>eight through May tenth. Come out and join me. For

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<v Speaker 1>more information, go to Earth Ancients dot com forward slash Tours.

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<v Speaker 1>It's been a while since we've talked about Mars. Mars

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<v Speaker 1>is one of my favorite topics, simply because there's great

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<v Speaker 1>evidence of archaeological ruins, there is evidence of in some places,

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<v Speaker 1>active life, and as we'll hear today, what we're hearing

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<v Speaker 1>from NASA is just not only faults, but it's deceiving

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<v Speaker 1>and it's just sad that we have to deal with

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<v Speaker 1>this professional organization who is not necessarily well. I guess

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<v Speaker 1>you could say they are lying to us because we're

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<v Speaker 1>not getting the real story. My returning guests is Gary Lazier.

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<v Speaker 1>We've had Gary on the program a few times in

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<v Speaker 1>the past, but he is presenting a new book. It's

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<v Speaker 1>called The Face on Mars Beyond Mere Tricks of Light

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<v Speaker 1>and Shadow.

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<v Speaker 2>The Faces of Mars.

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<v Speaker 1>Oh, sorry about what I say, Okay, The Faces of

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<v Speaker 1>Mars Beyond the Yeah, beyond mere Tricks of Light and Shadow.

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<v Speaker 1>Gary is known as the Mars revealer. This is that's

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<v Speaker 1>his tag name, and for years he would not give

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<v Speaker 1>his real name because he felt uncomfortable about divulging this material.

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<v Speaker 1>And I gotta say this about Gary. He is a

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<v Speaker 1>top notch image specialist in the same kind of quantities

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<v Speaker 1>and quality that we get from Mark and other people

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<v Speaker 1>that we have on the show. So Hey, Mark, Carlotto

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<v Speaker 1>is the one we've had on the show before. So hey, Gary,

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<v Speaker 1>Welcome to Earth Ancients, and congratulations on this book.

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<v Speaker 2>Thank you very much. It's a little slow going because

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<v Speaker 2>you know, I just wanted to put this thing together.

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<v Speaker 2>Well what I felt was the time for me to

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<v Speaker 2>do so, because Cliff, as you know, it's been over

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<v Speaker 2>twenty years since we even had any real serious look

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<v Speaker 2>and study and book about it. The last ones well,

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<v Speaker 2>you know, you mentioned doctor Carlotto. He had the case

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<v Speaker 2>for the face etc. That was more than twenty years.

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<v Speaker 2>Richard Hogland, the Monuments of Mars that was more than

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<v Speaker 2>twenty years, and some other people that would you know,

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<v Speaker 2>touch base on the face and stuff, but no stronger,

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<v Speaker 2>no stronger case than Hogland's and with the compiled help

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<v Speaker 2>he had with that again, Carloto, Brandon Burgo of this

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<v Speaker 2>that would have done that subject was more than twenty years.

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<v Speaker 2>So you know, we've had a lot of things happen

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<v Speaker 2>and a lot of data that we have gained and

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<v Speaker 2>garnered over that time until now. Because remember back then,

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<v Speaker 2>as big as controversies and fanfare and whatnot, it was

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<v Speaker 2>only due to a simple minimal amount of imagery they

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<v Speaker 2>had access at that time, mainly the Viking data and

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<v Speaker 2>the Global Surveyor was just coming into play, and no

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<v Speaker 2>real efforts since then. Really Hoakland, you know, would put

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<v Speaker 2>out on the Enterprise mission a lot of good articles

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<v Speaker 2>about the face at that time, still challenging NASA, but

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<v Speaker 2>no further books or efforts of that type of caliber

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<v Speaker 2>which laid out as you know, a lot of information, right,

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<v Speaker 2>scientific information from those fields of science. So but I

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<v Speaker 2>came at it like, well, you know, you know, doing

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<v Speaker 2>the more revelation. You know, I've been connected to many

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<v Speaker 2>of these individuals, some have become friends and stuff and

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<v Speaker 2>whatnot and colleagues. But to me, that's not the issue.

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<v Speaker 2>The issue is the data, and the data is what

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<v Speaker 2>counts because over the years up until now, since those

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<v Speaker 2>books were written, we have multiple sources and multiple imagery

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<v Speaker 2>showing that this thing not only never disappeared according to

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<v Speaker 2>the NASA's original life from Viking that was, you know,

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<v Speaker 2>gone a few hours later, it's still there in every

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<v Speaker 2>single image. We have multiple views, multiple spectrums or resolutions also,

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<v Speaker 2>and the best resolution one that we got up there

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<v Speaker 2>now is as you know, the Mores reconnaissance orbit has

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<v Speaker 2>two cameras on it, the high rise camera and also

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<v Speaker 2>the CTX camera camera, which is abbreviated for context. So

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<v Speaker 2>the context camera would look down, you know, take its

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<v Speaker 2>imagery and then that's why they call it context whatever

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<v Speaker 2>they see in that, and the high rise zooms in

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<v Speaker 2>on what the context is seeing and it'll do its

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<v Speaker 2>thing right. So that's good. That's a twofold they should

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<v Speaker 2>have thought it that long ago, but it is what

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<v Speaker 2>it is. And over time, you know, we've gotten so

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<v Speaker 2>many amounts from Mars honesty, even Mars expressed grace less

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<v Speaker 2>with a couple we'll get into that later.

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<v Speaker 1>I think it's great, though, Gary, that you had doctor

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<v Speaker 1>John Brandenburg right the forward, because not only does he highlight,

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<v Speaker 1>it's wonderful because his book and Death on Mars is

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<v Speaker 1>a nice contribution to the whole Mars mystery. And of

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<v Speaker 1>course we know that he predicts that it was a

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<v Speaker 1>thriving planet that was nuked basically in some kind of

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<v Speaker 1>a war that leveled and destroyed the atmosphere but also

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<v Speaker 1>likely killed most of the inhabitants on the surface. So

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<v Speaker 1>that was great that he did that, so wonderful. So

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<v Speaker 1>let's talk about this. How you open the book. You

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<v Speaker 1>get into the actual history of earthman's interest in Mars,

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<v Speaker 1>which I think is great, and talk about your feelings

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<v Speaker 1>and why you decided to bring that up, because you

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<v Speaker 1>talk about Kepler and Newton presenting observations of the nearby

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<v Speaker 1>planetary systems, and that kind of got us interested in

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<v Speaker 1>local planets, didn't it.

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<v Speaker 2>Yes, especially a personal Loll. You mentioned Kepler, and then

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<v Speaker 2>they didn't have the advanced telescopic abilities that personval Loll

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<v Speaker 2>had and others. And when Lowell would look through the camera,

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<v Speaker 2>I mean the camera the telescope at Mars, he was

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<v Speaker 2>believing he was seeing patterns, which is really there. Scientists

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<v Speaker 2>officials would like to say, oh, those are just artifacts

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<v Speaker 2>from the air and the camera lens. That's not true,

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<v Speaker 2>but he would term them because how they look geometrically.

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<v Speaker 2>Did multiple drawings of that mapping the planet over time

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<v Speaker 2>to each observation that he was able to get good

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<v Speaker 2>glimpses of it, he would draw it out, and it

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<v Speaker 2>looked like geometric network patterns, which he believed, or canals

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<v Speaker 2>for a dying civilization, for which with seasonal changes or

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<v Speaker 2>periodic planetary changes, the waters collected at the top and

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<v Speaker 2>south at the north and south would as they melt,

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<v Speaker 2>they would fill in and irrigate through this canal network

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<v Speaker 2>of which he believed those lines represent. Now, because being

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<v Speaker 2>so far away, yeah, it would be common sense to

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<v Speaker 2>think something like that, But I believe that what he

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<v Speaker 2>is seeing is actually the geometric sculpting of the entire planet.

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<v Speaker 2>I'd come across with a different tooth in this too.

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<v Speaker 2>Get ready, everybody, eke. I believe that Mars, as crazy

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<v Speaker 2>as it sounds, has been artistically vaulted on an entire

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<v Speaker 2>planetary scale before the whoopie doos, which means cataclysmic events,

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<v Speaker 2>natural or otherwise, it.

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<v Speaker 1>Was artistically sculpted. Gary, Are you seeing which I have seen,

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<v Speaker 1>that the civilization purposely went out and created these giant

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<v Speaker 1>relief sculptures and images that you can only see from

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<v Speaker 1>the atmosphere, or are you seeing something else?

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<v Speaker 2>Well you could, well you would be able to see

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<v Speaker 2>it from afar obviously, but that not just certain structures

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<v Speaker 2>that were sculpted or whatnot, but the entire planetary surface

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<v Speaker 2>has its own grids and lines. In the way of

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<v Speaker 2>the mastery artists on with the ability to sculpt the

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<v Speaker 2>planetary surface literally and whether it's rock utilizing, what metal utilizing,

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<v Speaker 2>potentially lie beings on the surface to come in and

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<v Speaker 2>also do things after the main cutting has been done.

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<v Speaker 2>It's really an amazing deald In theory when you consider

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<v Speaker 2>the things of what we're gonna look at, and when

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<v Speaker 2>we detail of the face itself, because the face is

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<v Speaker 2>artistically sculpted. It's not eroded, it's not collapsed, it's not

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<v Speaker 2>created by windblown sheep and none of that. The whole

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00:19:25.640 --> 00:19:30.640
<v Speaker 2>thing has artistry, ornate artistry which not only makes the face,

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<v Speaker 2>but the area aren't around the face, and continuing on

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<v Speaker 2>and on and on. Now do they happen to use

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<v Speaker 2>natural features in order to do some of this sculpting.

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<v Speaker 2>That's possible. I don't know much. We need boots on

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<v Speaker 2>the ground to really determine these things. But like you said,

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<v Speaker 2>a lot as crazy as this theory of mind sounds.

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<v Speaker 2>I doubt they would be looking for that right away,

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<v Speaker 2>though I do predict they'll be able to see that

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<v Speaker 2>upon going there, because there's no softening or obfuscation that

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<v Speaker 2>could be done. And I believe each member that goes

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<v Speaker 2>would have to be breathed because you don't want to

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<v Speaker 2>have a lot of heart attacks before you get there

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<v Speaker 2>of what there they expect.

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<v Speaker 1>So you're saying that your belief is that the planet's

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<v Speaker 1>surface has been archa architecturally engineered.

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<v Speaker 2>And archaeologically that falls in but both hands, yes, sir.

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<v Speaker 1>And you do you say that because of the Sidonia

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<v Speaker 1>region or are you talking about just everything that you

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<v Speaker 1>see that this image that is available to you has

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<v Speaker 1>a part of.

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<v Speaker 2>The picture, part of the bigger picture, correct, part of

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<v Speaker 2>the bigger picture worldwide? So like not only is where

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<v Speaker 2>it started for me obviously with the face in ninety

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<v Speaker 2>eight and when I came to see it and I

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<v Speaker 2>was like, you know, this doesn't make sense because the

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<v Speaker 2>art continues on, it continues on into the surrounding areas

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<v Speaker 2>where my my processing skills will null and void. Really,

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00:21:03.319 --> 00:21:06.440
<v Speaker 2>back then I was going off of whatever NASA, and

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<v Speaker 2>now I produce views which we'll get into later that

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<v Speaker 2>showed a detail of what I would see near the

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00:21:13.440 --> 00:21:18.039
<v Speaker 2>face originally from ninety eight onward. That the details continue

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<v Speaker 2>on the surface artistically, not like as a chaot chaotic,

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00:21:22.480 --> 00:21:29.160
<v Speaker 2>unnatural looking thing, but the lines geometries. Think of like

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00:21:30.240 --> 00:21:34.039
<v Speaker 2>remember Charlotte's web. Think think of a Charlotte Web type

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00:21:34.160 --> 00:21:38.720
<v Speaker 2>character that's able to do mastery beautiful ordinate images and

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00:21:38.839 --> 00:21:41.759
<v Speaker 2>their webs, and then an image within an image, whether

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00:21:41.759 --> 00:21:44.599
<v Speaker 2>the image as they overlay with different things and at

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<v Speaker 2>different times and maybe angles of the sun or times

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00:21:47.519 --> 00:21:50.559
<v Speaker 2>of the seasons or times of the year, various details

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00:21:50.559 --> 00:21:53.960
<v Speaker 2>can peek through from various levels. Does that make sense.

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<v Speaker 2>It's really extreme, And I know we don't have to

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00:21:58.440 --> 00:22:00.440
<v Speaker 2>go on that tangent, but I just want to throw

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00:22:00.519 --> 00:22:03.200
<v Speaker 2>that out there because this is what they're really seeing.

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<v Speaker 2>And so for after all this time, nothing has just

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00:22:07.559 --> 00:22:13.720
<v Speaker 2>proven my crazy claim, if anything is. But I accept

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00:22:13.759 --> 00:22:16.640
<v Speaker 2>that people find that hard to accept and see. But

306
00:22:16.680 --> 00:22:19.160
<v Speaker 2>that's okay. In time and as my skills get better

307
00:22:19.400 --> 00:22:23.079
<v Speaker 2>to reveal these details on these service in these images

308
00:22:23.759 --> 00:22:28.039
<v Speaker 2>than the more clarity that they like to provide for us,

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00:22:29.119 --> 00:22:33.400
<v Speaker 2>it will become known. And as you mentioned, Sidonia and

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00:22:33.480 --> 00:22:37.359
<v Speaker 2>how NASA really loves to steer clear from this place

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<v Speaker 2>as much as possible, even answering about it. They're not

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00:22:42.759 --> 00:22:45.720
<v Speaker 2>allowed to talk about it. They're not allowed to even

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00:22:45.799 --> 00:22:50.640
<v Speaker 2>mention that there's any hints of artificiality or extraterrestrial intelligence.

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<v Speaker 2>And this goes back to the original story of when

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00:22:53.599 --> 00:22:56.960
<v Speaker 2>it was discovered. Many like Hogland presented in his book

316
00:22:57.240 --> 00:22:59.480
<v Speaker 2>how it was like Tobias Ow and naming it head.

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<v Speaker 2>Oh my god, look at that. But that's also a

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00:23:02.920 --> 00:23:07.519
<v Speaker 2>cover story from a source I cannot name who had

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<v Speaker 2>told me that how we really got the original image

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<v Speaker 2>of the face of why we even get to see

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<v Speaker 2>it now is because the Soviets back then, in the

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<v Speaker 2>Viking days, we were still in the Cold War, remember yeah,

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00:23:22.359 --> 00:23:24.599
<v Speaker 2>and they were breaches, you know, they were in like

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<v Speaker 2>you know, Colonel Corso Stephen said they had to have

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00:23:27.839 --> 00:23:31.920
<v Speaker 2>a nut file compartmentalized places because they were really probing

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00:23:32.519 --> 00:23:36.240
<v Speaker 2>not just for our you know, Cold War issues of

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00:23:36.240 --> 00:23:38.759
<v Speaker 2>trying to find about weapons and stuff. They really wanted

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00:23:38.759 --> 00:23:41.640
<v Speaker 2>to know about Roswell and they really were interested in

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00:23:41.680 --> 00:23:44.880
<v Speaker 2>Mars so some So the long story short there of

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<v Speaker 2>what I was told again by an unnamed person that

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<v Speaker 2>the Soviets back then had received the xerox picture of

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00:23:53.880 --> 00:23:57.359
<v Speaker 2>what they had found, the face, and they touted it

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00:23:57.440 --> 00:23:58.279
<v Speaker 2>around the world.

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00:23:58.799 --> 00:24:03.119
<v Speaker 1>So NASA had a couple with something also the Russians

335
00:24:03.160 --> 00:24:04.640
<v Speaker 1>out of them huh wow.

336
00:24:05.480 --> 00:24:07.880
<v Speaker 2>Well right, And but that made it also the other

337
00:24:08.039 --> 00:24:12.039
<v Speaker 2>nations that hey, where there's something really on Mars. And

338
00:24:12.079 --> 00:24:15.480
<v Speaker 2>that's why I believe in time deals had to have

339
00:24:15.559 --> 00:24:18.359
<v Speaker 2>been made of something for the US to help them

340
00:24:18.960 --> 00:24:23.119
<v Speaker 2>and which may be a good thing anyway, to help

341
00:24:23.240 --> 00:24:26.240
<v Speaker 2>them be able to get there to study it themselves.

342
00:24:26.680 --> 00:24:30.519
<v Speaker 2>And what has happened since then you have international space

343
00:24:30.559 --> 00:24:35.359
<v Speaker 2>agencies of Mars, even existential enemies at Mars making progress,

344
00:24:35.480 --> 00:24:39.559
<v Speaker 2>making a space a place that's obviously a war fighting

345
00:24:39.640 --> 00:24:44.160
<v Speaker 2>domain potentially as well as a place to be able

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00:24:45.160 --> 00:24:47.519
<v Speaker 2>to not just change the nation, but to change the

347
00:24:47.559 --> 00:24:50.240
<v Speaker 2>world and or to control the world.

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<v Speaker 1>So let's talk a little bit about some of the

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00:24:53.720 --> 00:24:55.839
<v Speaker 1>early parts of this book. I want you to talk

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00:24:55.839 --> 00:25:02.000
<v Speaker 1>about Percival and Lows Mars Canals. Now he made this.

351
00:25:02.519 --> 00:25:07.039
<v Speaker 1>He was using what we would consider a rudimentary telescope,

352
00:25:07.920 --> 00:25:12.319
<v Speaker 1>but he made some fairly significant discoveries that turned out

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00:25:12.319 --> 00:25:15.839
<v Speaker 1>to be false because he was kind of embellishing on

354
00:25:15.960 --> 00:25:19.640
<v Speaker 1>what he saw, but you mentioned that the canals. Did

355
00:25:19.680 --> 00:25:22.400
<v Speaker 1>he find anything else of significance?

356
00:25:23.720 --> 00:25:30.599
<v Speaker 2>Well, he again, he seized because of how the geometry

357
00:25:31.119 --> 00:25:36.319
<v Speaker 2>would look at whatnot they would he would obviously there

358
00:25:36.400 --> 00:25:40.079
<v Speaker 2>was a striving civilization, but it was dying. Because he

359
00:25:40.119 --> 00:25:42.920
<v Speaker 2>would also notice a lot of dust storms. So he

360
00:25:43.000 --> 00:25:48.240
<v Speaker 2>can see, in his opinion, building a civilization around because

361
00:25:48.279 --> 00:25:52.440
<v Speaker 2>of the canals that it's a it's a very rough place.

362
00:25:52.519 --> 00:25:55.519
<v Speaker 2>It had, it had some whoop de deus, and it

363
00:25:55.599 --> 00:25:58.960
<v Speaker 2>made a struggle to survive. Now, there was a movie

364
00:25:59.000 --> 00:26:01.480
<v Speaker 2>Cliff and I have it on one of my YouTube

365
00:26:01.559 --> 00:26:05.160
<v Speaker 2>channels I can't access anymore with millions of us. Surprisingly,

366
00:26:06.799 --> 00:26:11.960
<v Speaker 2>from nineteen fifty two it had Peter Graves called Planet Mars. Wait,

367
00:26:12.319 --> 00:26:15.000
<v Speaker 2>red Planet Mars or Planet Mars. I think it was

368
00:26:15.319 --> 00:26:18.599
<v Speaker 2>red Planet Mars, but either way, isn't it. At the

369
00:26:18.640 --> 00:26:22.599
<v Speaker 2>beginning it was like they're observing Mars and it would

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00:26:22.640 --> 00:26:25.519
<v Speaker 2>show the ice caps at the top and the canals,

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00:26:26.079 --> 00:26:29.359
<v Speaker 2>and then as the water melted, then it was black

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<v Speaker 2>and white. Now mind you, but you could tell in

373
00:26:31.559 --> 00:26:34.519
<v Speaker 2>the canals. He's like, well, now they're shiny. Why is

374
00:26:34.519 --> 00:26:37.880
<v Speaker 2>it shiny? Well, because it are melting water. Therefore, the

375
00:26:37.920 --> 00:26:42.880
<v Speaker 2>sun's reflections. And again that was built on what was

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00:26:42.960 --> 00:26:47.920
<v Speaker 2>theorized and pretty much accepted as the most possible means,

377
00:26:47.920 --> 00:26:51.359
<v Speaker 2>based on, like you said, the limitations of lulls observations

378
00:26:51.759 --> 00:26:55.559
<v Speaker 2>to build and theorize the civilization around them. That made

379
00:26:55.559 --> 00:27:00.319
<v Speaker 2>that feasible. But the mariner, you know, probes obviously shot

380
00:27:00.359 --> 00:27:02.839
<v Speaker 2>that down in a lot. But I'm sure that they

381
00:27:02.920 --> 00:27:05.960
<v Speaker 2>see what I described, that those patterns didn't go away.

382
00:27:06.200 --> 00:27:10.119
<v Speaker 2>They're part of a much bigger, artistical, ornate network that

383
00:27:10.200 --> 00:27:13.119
<v Speaker 2>they will never want to admit. And the cliff I

384
00:27:13.160 --> 00:27:17.039
<v Speaker 2>told others there too of a time that if NASA

385
00:27:17.200 --> 00:27:20.839
<v Speaker 2>is speeding the mare is after all them months, I'm

386
00:27:20.880 --> 00:27:25.160
<v Speaker 2>sure they must have a camera facing forward because as

387
00:27:25.200 --> 00:27:28.799
<v Speaker 2>they record all that data, they could even speed it

388
00:27:28.920 --> 00:27:32.680
<v Speaker 2>up so they would see those patterns. But as you're

389
00:27:32.720 --> 00:27:36.480
<v Speaker 2>going there, the patterns would be changing, they would shifting.

390
00:27:36.559 --> 00:27:39.119
<v Speaker 2>As it gets bigger and bigger, you would still see

391
00:27:39.119 --> 00:27:44.079
<v Speaker 2>the patterns changing and shifting. And that's the theory. Again,

392
00:27:44.519 --> 00:27:47.240
<v Speaker 2>I can't prove it, but if I'm NASA's sign, if

393
00:27:47.279 --> 00:27:49.839
<v Speaker 2>I thought of it, you know, that would be great

394
00:27:49.880 --> 00:27:52.880
<v Speaker 2>to study those canals and learn that they're not only

395
00:27:52.880 --> 00:27:55.599
<v Speaker 2>not canals they had to come up with another excuse. Oh,

396
00:27:55.640 --> 00:27:58.240
<v Speaker 2>you see, it just looks like a moon or whatever.

397
00:27:58.440 --> 00:28:01.160
<v Speaker 2>You know, there was totally distrust. But yet if they

398
00:28:01.160 --> 00:28:04.680
<v Speaker 2>were looking for that real question by doing what I said,

399
00:28:05.079 --> 00:28:06.680
<v Speaker 2>they would see Oh and we could never let no

400
00:28:06.680 --> 00:28:09.279
<v Speaker 2>one know this. It's a little intelligent. They would see

401
00:28:09.279 --> 00:28:13.359
<v Speaker 2>that the planet was sculted. Even with its bombardments and

402
00:28:13.599 --> 00:28:16.480
<v Speaker 2>issues that have happened over the years, you still have

403
00:28:16.680 --> 00:28:21.519
<v Speaker 2>the main artistical imprint in its foundations. Does that make sense? Yea.

404
00:28:22.079 --> 00:28:26.200
<v Speaker 1>So it's funny because you have you have Loll ushering

405
00:28:26.319 --> 00:28:31.440
<v Speaker 1>in our interest in space, and you say, which I

406
00:28:31.440 --> 00:28:36.559
<v Speaker 1>thought was interesting that Loll inspired guard who developed the

407
00:28:36.599 --> 00:28:40.519
<v Speaker 1>liquid fuel for early rockets. So talk about the progression

408
00:28:41.200 --> 00:28:45.759
<v Speaker 1>from uh, looking at Mars to having an interest in

409
00:28:45.880 --> 00:28:48.440
<v Speaker 1>becoming space adventurers.

410
00:28:49.079 --> 00:28:52.880
<v Speaker 2>Well, well, again this goes back to the heart of

411
00:28:52.920 --> 00:28:54.680
<v Speaker 2>the matter of even the issue of the book of

412
00:28:54.720 --> 00:28:57.519
<v Speaker 2>why I brought that all up, because if you look

413
00:28:57.839 --> 00:29:02.880
<v Speaker 2>at Lowell's finding and then how this before we even

414
00:29:03.559 --> 00:29:08.599
<v Speaker 2>went to space orbit, let alone Mars. This were talked

415
00:29:08.640 --> 00:29:12.559
<v Speaker 2>about the twenties, thirties, forties. Well, well, they finally sent

416
00:29:12.680 --> 00:29:15.400
<v Speaker 2>something up in the sixties, right to go to Mars,

417
00:29:15.440 --> 00:29:19.200
<v Speaker 2>the Mariner missions, so you had a quite a few

418
00:29:19.240 --> 00:29:26.880
<v Speaker 2>decades there to build up this this societal concept of

419
00:29:26.920 --> 00:29:31.279
<v Speaker 2>what the potentially expect from Mars is fascinating, right, and

420
00:29:31.799 --> 00:29:35.480
<v Speaker 2>the are we alone question, you know, was bound and

421
00:29:35.480 --> 00:29:38.720
<v Speaker 2>it was pretty much accepted. And when you know, they

422
00:29:38.759 --> 00:29:43.440
<v Speaker 2>were many people were disillusioned and hurt because when they

423
00:29:43.480 --> 00:29:47.039
<v Speaker 2>said at the Mariner that there was nothing there. But

424
00:29:47.200 --> 00:29:50.119
<v Speaker 2>it was always a goal to go to Mars. I

425
00:29:50.119 --> 00:29:53.599
<v Speaker 2>don't think just because of Lowell's findings. I've also put

426
00:29:53.640 --> 00:29:59.039
<v Speaker 2>in the book about Nicola Tesla with the recorded the

427
00:29:59.519 --> 00:30:04.079
<v Speaker 2>recording and the receiving of messages, he believes he was

428
00:30:04.119 --> 00:30:08.359
<v Speaker 2>communicating with Mars. So there's a lot of factors. And

429
00:30:08.480 --> 00:30:13.160
<v Speaker 2>because of those decades of Lowell in the societal mindset

430
00:30:13.240 --> 00:30:16.599
<v Speaker 2>what to expect, obviously the government had interests to go

431
00:30:16.799 --> 00:30:19.039
<v Speaker 2>check it out, you know, so that was going to

432
00:30:19.119 --> 00:30:22.440
<v Speaker 2>be on the board, uh to look at.

433
00:30:22.519 --> 00:30:27.200
<v Speaker 1>But it is because Gary talk real briefly about what

434
00:30:27.319 --> 00:30:33.759
<v Speaker 1>Tesla UH found. He he was testing some uh what

435
00:30:33.839 --> 00:30:38.839
<v Speaker 1>it was very early WiFi, and he got some was

436
00:30:38.880 --> 00:30:42.799
<v Speaker 1>it messages or more like signals from what he thought

437
00:30:42.839 --> 00:30:45.400
<v Speaker 1>was Mars.

438
00:30:45.400 --> 00:30:51.400
<v Speaker 2>Well, it's even better than that. Hold on. Sorry, he's

439
00:30:51.440 --> 00:30:55.359
<v Speaker 2>even better than that clip and everyone else because he

440
00:30:55.440 --> 00:31:02.279
<v Speaker 2>actually claimed he was communicating, that there was communicat. Now

441
00:31:02.759 --> 00:31:06.319
<v Speaker 2>over the years people have said, well, he was contacting

442
00:31:06.400 --> 00:31:09.480
<v Speaker 2>and connecting with the Black Night satellite. That's another subject

443
00:31:09.519 --> 00:31:13.880
<v Speaker 2>for something else obviously relatable potentially thereof might know to

444
00:31:14.000 --> 00:31:18.039
<v Speaker 2>history or might not not just a passers but of Mars.

445
00:31:18.359 --> 00:31:23.200
<v Speaker 2>But he claimed that he was receiving the signals from

446
00:31:23.240 --> 00:31:27.519
<v Speaker 2>Mars and stuff, and that even by the electrical experiments

447
00:31:27.519 --> 00:31:30.640
<v Speaker 2>he was doing, he was proposing that we could also

448
00:31:30.759 --> 00:31:37.359
<v Speaker 2>use that to send craft to Mars womb by jettison

449
00:31:37.480 --> 00:31:41.880
<v Speaker 2>using that worldwide and maybe maybe you could, maybe you could,

450
00:31:42.400 --> 00:31:48.160
<v Speaker 2>and you know, we have a dismantled, degradated system of

451
00:31:48.160 --> 00:31:51.720
<v Speaker 2>what Tesla was actually doing that was perfected in the past.

452
00:31:51.759 --> 00:31:54.880
<v Speaker 2>I mean, you're the pyramid man. I think certainly you

453
00:31:54.960 --> 00:31:57.680
<v Speaker 2>could have stoot and a tune to well, if what

454
00:31:57.799 --> 00:32:00.279
<v Speaker 2>he was doing in the pyramids maybe connected to something

455
00:32:00.319 --> 00:32:03.440
<v Speaker 2>like that, the volume of power may be big enough

456
00:32:03.440 --> 00:32:06.720
<v Speaker 2>to actually send craft to Mars or beyond. You're talking

457
00:32:08.079 --> 00:32:09.559
<v Speaker 2>pyramids on other planets.

458
00:32:09.799 --> 00:32:13.119
<v Speaker 1>You're talking about warren Cliffe Tower that he built.

459
00:32:13.319 --> 00:32:17.000
<v Speaker 2>Right, But but that's like you know, some people say

460
00:32:17.000 --> 00:32:21.920
<v Speaker 2>that the pyramids have a concepts of that mind, but

461
00:32:22.039 --> 00:32:25.960
<v Speaker 2>it would be an obvious and much larger magnitude. Uh,

462
00:32:26.000 --> 00:32:29.240
<v Speaker 2>and capability you know, that reach out into the heavens,

463
00:32:29.640 --> 00:32:32.640
<v Speaker 2>you know, not just given power from the ether of

464
00:32:32.680 --> 00:32:35.559
<v Speaker 2>the earth, you know, to the earth. And uh, it's

465
00:32:35.559 --> 00:32:39.119
<v Speaker 2>so it's incredible. But he actually believe he was communicating

466
00:32:39.160 --> 00:32:41.640
<v Speaker 2>with the Martians. I haven't read too much on what

467
00:32:41.839 --> 00:32:46.720
<v Speaker 2>was actually stated in those communications. Uh, but the government

468
00:32:46.759 --> 00:32:49.880
<v Speaker 2>may know, you know, they everyone, you know, John Trump,

469
00:32:49.880 --> 00:32:52.960
<v Speaker 2>they all grabbed that stuff up. Hopefully that's a blessing.

470
00:32:53.000 --> 00:32:56.640
<v Speaker 2>We'll find out how Cliff. But uh, because it is

471
00:32:56.680 --> 00:32:59.319
<v Speaker 2>something to which we don't have to worry about all

472
00:32:59.359 --> 00:33:03.119
<v Speaker 2>these problems. Our fossil fuels and everything creates free energy.

473
00:33:03.160 --> 00:33:06.200
<v Speaker 2>But not only free energy, it gives us the energy

474
00:33:06.240 --> 00:33:11.440
<v Speaker 2>to thrive and also expand away from Earth. Because these

475
00:33:11.440 --> 00:33:14.799
<v Speaker 2>are concepts that could be utilized on multiple planets. Maybe

476
00:33:14.799 --> 00:33:19.640
<v Speaker 2>that's why we have pyramids on Mars and supposedly potentially

477
00:33:19.640 --> 00:33:22.519
<v Speaker 2>on other places, but Mars is our prime target where

478
00:33:22.519 --> 00:33:26.519
<v Speaker 2>we know for sure this pyramidal things, you know, And

479
00:33:26.839 --> 00:33:29.920
<v Speaker 2>that gets right into this subject of what this book

480
00:33:30.039 --> 00:33:33.960
<v Speaker 2>is stemming forth on regards to the face of Mars.

481
00:33:34.400 --> 00:33:40.400
<v Speaker 2>Because from around Tesla's time, he was not the only

482
00:33:40.440 --> 00:33:46.440
<v Speaker 2>one receiving communications. There was a professor Todd and Jenkins

483
00:33:47.200 --> 00:33:52.839
<v Speaker 2>who also it was like the first fax machine as

484
00:33:52.839 --> 00:33:55.440
<v Speaker 2>it was toy'll be able to make a graphic representation

485
00:33:56.000 --> 00:33:59.079
<v Speaker 2>of signals that they would receive. They believe that they

486
00:33:59.079 --> 00:34:03.920
<v Speaker 2>were receiving signals from space also from what I hear

487
00:34:04.119 --> 00:34:07.319
<v Speaker 2>also really about Mars, because Mores was an issue. They

488
00:34:07.400 --> 00:34:11.480
<v Speaker 2>knew what Tesla was saying. So they built a thing

489
00:34:11.559 --> 00:34:16.519
<v Speaker 2>to receive signals and it would, you know, show its

490
00:34:16.519 --> 00:34:19.239
<v Speaker 2>blips and dots and maybe in time someone learning to

491
00:34:19.480 --> 00:34:23.719
<v Speaker 2>decode and understand what all that represents, you know, But

492
00:34:23.800 --> 00:34:28.679
<v Speaker 2>that was the first early stages, and at the time

493
00:34:28.719 --> 00:34:31.559
<v Speaker 2>it was best then to do so because the world

494
00:34:31.679 --> 00:34:36.039
<v Speaker 2>was not that filled with radio static and stuff like that.

495
00:34:36.480 --> 00:34:40.199
<v Speaker 1>But they stop you for a minute, Gary, you're talking

496
00:34:40.239 --> 00:34:43.960
<v Speaker 1>about in nineteen twenty four Jenkins developed the radio camera,

497
00:34:45.119 --> 00:34:48.079
<v Speaker 1>which I never heard of before, and he actually was

498
00:34:48.119 --> 00:34:55.199
<v Speaker 1>able to trace the patterns of these signals, and you

499
00:34:55.960 --> 00:34:59.039
<v Speaker 1>come up with a theory that he actually found an

500
00:34:59.039 --> 00:35:02.280
<v Speaker 1>early face or something. Talk about that.

501
00:35:03.719 --> 00:35:06.199
<v Speaker 2>Yes, indeed, and matter of fact, as I do, maybe

502
00:35:06.239 --> 00:35:08.360
<v Speaker 2>I could find a picture of it for you. Yes,

503
00:35:10.639 --> 00:35:15.679
<v Speaker 2>I'll try now as he now to understand this and

504
00:35:16.000 --> 00:35:21.719
<v Speaker 2>to appreciate what you just said. They needed radio silence,

505
00:35:22.360 --> 00:35:25.119
<v Speaker 2>all right, So there was times of the year and

506
00:35:25.159 --> 00:35:28.440
<v Speaker 2>they would even had the governments, the US government made

507
00:35:28.480 --> 00:35:31.599
<v Speaker 2>sure that there was radio silence for a few minutes,

508
00:35:32.599 --> 00:35:34.920
<v Speaker 2>not just in this country but around the world when

509
00:35:34.960 --> 00:35:40.639
<v Speaker 2>they did this experiment and it was receiving signals that

510
00:35:41.840 --> 00:35:45.280
<v Speaker 2>I can find it here and in those signals, you know,

511
00:35:45.920 --> 00:35:48.880
<v Speaker 2>I'm sure it just to get it more downloaded as data.

512
00:35:49.320 --> 00:35:51.360
<v Speaker 2>You know. I'm sure they didn't know how to read

513
00:35:51.360 --> 00:35:53.719
<v Speaker 2>it or if it's said anything, but they would look for,

514
00:35:53.960 --> 00:35:57.159
<v Speaker 2>you know, obvious patterns and stuff like that like what

515
00:35:57.239 --> 00:36:02.280
<v Speaker 2>they do today. Again, they're probably better at it now. Uh,

516
00:36:01.800 --> 00:36:04.280
<v Speaker 2>I don't want to dead air. I'm trying to find

517
00:36:04.320 --> 00:36:04.719
<v Speaker 2>the thing.

518
00:36:06.079 --> 00:36:12.039
<v Speaker 1>Is that like an early radio telescope.

519
00:36:11.360 --> 00:36:14.360
<v Speaker 2>That I believe. So I believe because there wasn't a

520
00:36:14.440 --> 00:36:17.880
<v Speaker 2>visual telescope that got them the info. But uh, I

521
00:36:18.360 --> 00:36:20.840
<v Speaker 2>put it the information in the book. But yeah, it

522
00:36:20.880 --> 00:36:23.880
<v Speaker 2>was more like a radio tele to receive and then

523
00:36:24.239 --> 00:36:29.199
<v Speaker 2>uh and then the transcribe what was being uh scene,

524
00:36:29.320 --> 00:36:33.360
<v Speaker 2>Now I know I have it here here's the secondary so,

525
00:36:34.599 --> 00:36:40.119
<v Speaker 2>and in that it looked like a side profile of

526
00:36:40.159 --> 00:36:42.360
<v Speaker 2>a face. Kind of reminds me of the old hit

527
00:36:42.639 --> 00:36:45.920
<v Speaker 2>Alfred Hitchcock shows and movies in the past. Remember clip

528
00:36:46.159 --> 00:36:49.119
<v Speaker 2>with that that drawing. It kind of looked like that.

529
00:36:49.239 --> 00:36:54.199
<v Speaker 2>I'm riding chance. I see this. I know I got

530
00:36:54.239 --> 00:36:57.800
<v Speaker 2>it here because I put it in the book. So

531
00:36:57.880 --> 00:37:00.559
<v Speaker 2>I keep all my files for the book in the file.

532
00:37:01.199 --> 00:37:06.480
<v Speaker 3>But h chapter one, right, But yeah, I need to

533
00:37:07.920 --> 00:37:10.079
<v Speaker 3>I don't have the book handy on here just to

534
00:37:10.280 --> 00:37:11.360
<v Speaker 3>open and go to it.

535
00:37:12.320 --> 00:37:17.559
<v Speaker 2>I have it here. I have the comparison to like, yeah,

536
00:37:18.159 --> 00:37:21.360
<v Speaker 2>let me just open that for a second. I'll find

537
00:37:21.360 --> 00:37:23.719
<v Speaker 2>this secondary. I know I got it. I don't know

538
00:37:23.760 --> 00:37:27.239
<v Speaker 2>why I'm not saying that I have all images sucked

539
00:37:27.280 --> 00:37:30.079
<v Speaker 2>at SO, but sorry for this time. If you had

540
00:37:30.119 --> 00:37:37.039
<v Speaker 2>that at all, I apologize, But uh, come on now,

541
00:37:37.079 --> 00:37:39.079
<v Speaker 2>I'm determined to find this clip. I didn't think I

542
00:37:39.079 --> 00:37:40.880
<v Speaker 2>would need to pull this up. Maybe I should have

543
00:37:40.920 --> 00:37:41.920
<v Speaker 2>thought more about it.

544
00:37:42.840 --> 00:37:46.039
<v Speaker 1>Well, hey, it's it's a it's a rare fine because

545
00:37:46.159 --> 00:37:52.719
<v Speaker 1>I had not heard of Jenkins's radio camera, and the

546
00:37:52.760 --> 00:37:56.960
<v Speaker 1>imagery was fascinating. I was like blown away that he

547
00:37:57.199 --> 00:38:07.559
<v Speaker 1>had actually imaged signals from Mars. So that's pretty cool.

548
00:38:09.599 --> 00:38:09.880
<v Speaker 2>Yeah.

549
00:38:10.039 --> 00:38:12.400
<v Speaker 1>You In the first part of the book, you also

550
00:38:12.480 --> 00:38:17.480
<v Speaker 1>go into the American space program where they launched the

551
00:38:17.559 --> 00:38:24.000
<v Speaker 1>Mariner nine in twenty or excuse me, nineteen seventy one,

552
00:38:25.679 --> 00:38:30.239
<v Speaker 1>and in those very very rudimentary images we see these

553
00:38:31.239 --> 00:38:35.039
<v Speaker 1>huge dust storms.

554
00:38:39.679 --> 00:38:40.440
<v Speaker 2>Can't hear me now?

555
00:38:41.199 --> 00:38:41.440
<v Speaker 1>Yeah?

556
00:38:42.119 --> 00:38:44.880
<v Speaker 2>Yeah, sorry, I had a little accident in with my mic,

557
00:38:45.440 --> 00:38:48.920
<v Speaker 2>so please repeat that, or.

558
00:38:49.199 --> 00:38:52.000
<v Speaker 1>Yeah, go ahead, show us those images of Jenkins.

559
00:38:53.079 --> 00:38:55.639
<v Speaker 2>Yeah, well that's what I'm that's what I'm looking for.

560
00:38:55.840 --> 00:39:01.679
<v Speaker 2>I don't know why in my file here there's an image. Wow,

561
00:39:01.840 --> 00:39:07.239
<v Speaker 2>it's not supposed to be there. But okay, damn it.

562
00:39:07.320 --> 00:39:09.199
<v Speaker 2>You might have to cut out this dead time. Is

563
00:39:09.199 --> 00:39:11.320
<v Speaker 2>that a problem. Yeah, don't worry about it. No, just

564
00:39:11.320 --> 00:39:12.800
<v Speaker 2>just move on to the.

565
00:39:13.360 --> 00:39:17.039
<v Speaker 1>Move on to the death storms. Because I've never seen

566
00:39:17.039 --> 00:39:23.280
<v Speaker 1>these photographs before, and I didn't realize that, uh, Mariner

567
00:39:23.400 --> 00:39:26.960
<v Speaker 1>nine its mission was to image the I mean, there

568
00:39:27.000 --> 00:39:29.000
<v Speaker 1>must have been a very rudimentary camera.

569
00:39:31.480 --> 00:39:33.599
<v Speaker 2>Yeah, it was. It was like it was analogue like

570
00:39:33.639 --> 00:39:36.559
<v Speaker 2>a team basically a ton of a TV camera like,

571
00:39:38.639 --> 00:39:41.039
<v Speaker 2>but it would show like the images of what it

572
00:39:41.119 --> 00:39:46.360
<v Speaker 2>was able to acquire. It was, you know, very cratered uh,

573
00:39:47.039 --> 00:39:49.800
<v Speaker 2>looking like a moon, you know, the moon type thing,

574
00:39:49.920 --> 00:39:53.719
<v Speaker 2>and obviously they use that to their advantages. Whatever the

575
00:39:53.760 --> 00:39:56.920
<v Speaker 2>things that were really seeing, uh, they're able to stash

576
00:39:56.960 --> 00:39:59.559
<v Speaker 2>away and make plans for because NASA does not tell

577
00:39:59.639 --> 00:40:03.559
<v Speaker 2>us that it's about what's on Mars. Uh, let alone

578
00:40:03.880 --> 00:40:10.639
<v Speaker 2>any potential archaeological implications or handiwork of intelligence. And you

579
00:40:10.719 --> 00:40:15.639
<v Speaker 2>know what, I'm really getting frustrated. Now, don't worry about it.

580
00:40:15.719 --> 00:40:19.000
<v Speaker 1>We've got a lot of other things to see. We're

581
00:40:19.000 --> 00:40:21.760
<v Speaker 1>gonna take a short commercial break to allow our sponsors

582
00:40:22.280 --> 00:40:26.400
<v Speaker 1>to identify themselves, and will return shortly with my guest today,

583
00:40:26.880 --> 00:40:32.519
<v Speaker 1>image specialist Gary Lazier, discussing his due book, The Face

584
00:40:32.599 --> 00:41:23.760
<v Speaker 1>on Mars. Will be right back. My guest today is

585
00:41:23.800 --> 00:41:26.960
<v Speaker 1>image specialist Gary Lagier, who has written a new book

586
00:41:27.000 --> 00:41:30.800
<v Speaker 1>called The Face on Mars. Beyond mere tricks of light

587
00:41:30.880 --> 00:41:33.920
<v Speaker 1>and shadow. This is an in depth look at not

588
00:41:33.960 --> 00:41:37.679
<v Speaker 1>only the Face on Mars, but the city known as

589
00:41:37.960 --> 00:41:42.920
<v Speaker 1>Sidonia and the archaeological ruins that are almost visible to

590
00:41:42.960 --> 00:41:50.119
<v Speaker 1>the naked eye. Let's talk about what was the purpose

591
00:41:50.199 --> 00:41:54.480
<v Speaker 1>of Mariner nine, because I'm not familiar with the various

592
00:41:54.519 --> 00:41:55.360
<v Speaker 1>early missions.

593
00:41:55.679 --> 00:41:59.480
<v Speaker 2>Well, it was the fly by around a view implanets

594
00:41:59.480 --> 00:42:00.559
<v Speaker 2>of our soul system.

595
00:42:00.800 --> 00:42:05.719
<v Speaker 1>Oh so they actually programmed in a fly by. And

596
00:42:06.000 --> 00:42:08.199
<v Speaker 1>was it an orbit too or just a fly by

597
00:42:08.239 --> 00:42:08.800
<v Speaker 1>of Mars?

598
00:42:08.920 --> 00:42:11.760
<v Speaker 2>No, No, it was it was fly by in the

599
00:42:11.840 --> 00:42:14.800
<v Speaker 2>orbit the planet. That's why I had limited views on

600
00:42:14.840 --> 00:42:22.119
<v Speaker 2>what how many images that it could capture? Obviously, Yeah,

601
00:42:22.639 --> 00:42:25.880
<v Speaker 2>I can't believe it. I apologize, clip, but you know what,

602
00:42:26.480 --> 00:42:29.760
<v Speaker 2>I can send you images of it later if you

603
00:42:29.800 --> 00:42:32.519
<v Speaker 2>want to add that. It don't take too much room.

604
00:42:32.679 --> 00:42:34.159
<v Speaker 1>We'll put that one into the gallery.

605
00:42:35.000 --> 00:42:37.519
<v Speaker 2>All right, Yeah, that'll work. And the picture of Todd

606
00:42:37.559 --> 00:42:41.280
<v Speaker 2>and Jenkins. I'll give you the mission. And it's for

607
00:42:41.400 --> 00:42:43.039
<v Speaker 2>the life of me, I don't know why it's not

608
00:42:43.079 --> 00:42:43.800
<v Speaker 2>here in my file.

609
00:42:43.840 --> 00:42:47.440
<v Speaker 1>I see not so Mariner nine was a pass by,

610
00:42:47.599 --> 00:42:51.039
<v Speaker 1>but what it caught in was enough to inspire them

611
00:42:51.079 --> 00:42:56.239
<v Speaker 1>to develop the Viking orbit or the Viking mark. And

612
00:42:56.320 --> 00:43:00.880
<v Speaker 1>this is in nineteen seventy five according to your documents.

613
00:43:01.639 --> 00:43:04.960
<v Speaker 1>And talk a little bit about what that uncovered, because

614
00:43:04.960 --> 00:43:09.480
<v Speaker 1>that's where we get the shocker, which is the face right.

615
00:43:09.719 --> 00:43:14.440
<v Speaker 2>Uh well indeed, well, yeah, they wanted to send Viking

616
00:43:14.480 --> 00:43:18.679
<v Speaker 2>the obviously there was a worthy worthiness and the data

617
00:43:18.760 --> 00:43:21.440
<v Speaker 2>that they have acquired to go there, and plus public

618
00:43:21.480 --> 00:43:24.480
<v Speaker 2>demand and plus you know, the you know, to be

619
00:43:24.519 --> 00:43:26.840
<v Speaker 2>able to get funds. They were a new agency and

620
00:43:26.880 --> 00:43:30.079
<v Speaker 2>they had to do start doing exploration missions, which is

621
00:43:30.119 --> 00:43:33.800
<v Speaker 2>where you brought up before the call for the show

622
00:43:33.840 --> 00:43:37.360
<v Speaker 2>about Brookings and how what Brookings laid out on what

623
00:43:37.960 --> 00:43:41.639
<v Speaker 2>how it should be handled, where they specifically mentioned that

624
00:43:42.480 --> 00:43:48.760
<v Speaker 2>upon the future excavation uh explorations UH, that they would

625
00:43:48.800 --> 00:43:54.599
<v Speaker 2>find alien artifacts on the moon, Mars, and Venus. Those

626
00:43:54.639 --> 00:43:58.360
<v Speaker 2>three was specifically mentioned. And that's incredible because that's like,

627
00:43:58.519 --> 00:44:03.079
<v Speaker 2>well a knowledge, like well, what would make you think that, well,

628
00:44:03.239 --> 00:44:06.440
<v Speaker 2>we could alude back to the Todd and Jenkins whatever

629
00:44:06.519 --> 00:44:09.079
<v Speaker 2>they really know, because once that data was acquired, it

630
00:44:09.159 --> 00:44:12.639
<v Speaker 2>was taken away. It was the questioned you can understand that.

631
00:44:14.639 --> 00:44:18.639
<v Speaker 2>Then we had other hints out a face like the

632
00:44:18.679 --> 00:44:24.639
<v Speaker 2>best one is nineteen fifty eight Jack Kirby's comic The

633
00:44:24.679 --> 00:44:28.679
<v Speaker 2>Face of Mars. You know where astronauts go there, they

634
00:44:28.800 --> 00:44:31.840
<v Speaker 2>land on Mars, they climb in the face. Brennan falls

635
00:44:31.880 --> 00:44:35.400
<v Speaker 2>through the eye of the face and he as he's falling,

636
00:44:35.800 --> 00:44:40.840
<v Speaker 2>he experiences a virtual holographic history of what went on

637
00:44:40.960 --> 00:44:47.719
<v Speaker 2>there beings that were there, a war that was unleashed

638
00:44:48.159 --> 00:44:54.840
<v Speaker 2>upon Mars and that they had struck I guess the

639
00:44:54.880 --> 00:44:57.360
<v Speaker 2>planet they were at war with, which is what the

640
00:44:57.480 --> 00:45:02.800
<v Speaker 2>asteroid belt now, and that those surviving beings came and

641
00:45:02.840 --> 00:45:06.920
<v Speaker 2>did to Mars, decimated it. That was really interesting because

642
00:45:06.920 --> 00:45:12.800
<v Speaker 2>that's nineteen fifty eight and it's given us potential. You know,

643
00:45:12.880 --> 00:45:16.360
<v Speaker 2>that they destroyed the planet. They blew up the planet. Now,

644
00:45:16.960 --> 00:45:19.000
<v Speaker 2>whether Mors was a moon of it or not, that

645
00:45:19.119 --> 00:45:22.280
<v Speaker 2>might have some differences, but certainly it was a planet

646
00:45:22.960 --> 00:45:26.280
<v Speaker 2>much greater size than what Mars is and whatever. It's

647
00:45:26.400 --> 00:45:29.000
<v Speaker 2>a bit but people like to say and thing that

648
00:45:29.119 --> 00:45:32.079
<v Speaker 2>maybe Mars was once a moon a satellite of this

649
00:45:32.159 --> 00:45:35.880
<v Speaker 2>large planet, which you know, our Earth is supposedly the

650
00:45:35.920 --> 00:45:38.639
<v Speaker 2>top of If you go, you have people talking about

651
00:45:38.639 --> 00:45:41.840
<v Speaker 2>Samerians and Anonochy befores So that's how that ties in.

652
00:45:43.679 --> 00:45:48.000
<v Speaker 1>So let's talk about the face. This was imaged in

653
00:45:48.079 --> 00:45:53.719
<v Speaker 1>nineteen seventy five in the Viking mission image number it's

654
00:45:53.840 --> 00:45:56.199
<v Speaker 1>number thirty five A seventy two.

655
00:45:57.280 --> 00:45:59.199
<v Speaker 2>Yeah, can I ship screen?

656
00:45:59.679 --> 00:46:02.000
<v Speaker 1>Yeah, go ahead, do your thing. Let's take a look

657
00:46:02.039 --> 00:46:06.719
<v Speaker 1>at it. And I think it was an innocent reaction

658
00:46:06.880 --> 00:46:11.119
<v Speaker 1>that one of the scientists or technicians made at their

659
00:46:11.159 --> 00:46:14.119
<v Speaker 1>first view of it, they were like, that's a face.

660
00:46:15.679 --> 00:46:17.400
<v Speaker 1>It's like, it's so obvious a face.

661
00:46:18.199 --> 00:46:23.719
<v Speaker 2>Uh. And it was designed to remember that's the story

662
00:46:23.760 --> 00:46:27.000
<v Speaker 2>we were told, Cliff, that's the story that we were

663
00:46:27.000 --> 00:46:30.280
<v Speaker 2>told that, like, hey, there's a face. That story came

664
00:46:30.320 --> 00:46:34.880
<v Speaker 2>out after it was discovered the Soviets acquired of Zerom

665
00:46:34.960 --> 00:46:39.440
<v Speaker 2>stopping show we get around the world to kick Pope

666
00:46:39.519 --> 00:46:40.519
<v Speaker 2>NASA kick them in the.

667
00:46:40.440 --> 00:46:43.119
<v Speaker 1>Butt, oh right, to kind of say, get let the

668
00:46:43.199 --> 00:46:44.039
<v Speaker 1>can out of the bag.

669
00:46:45.199 --> 00:46:48.480
<v Speaker 2>So who it was the overall overwall. There was the

670
00:46:48.559 --> 00:46:52.480
<v Speaker 2>first moment even before the Russians acquired that someone, Yeah

671
00:46:52.920 --> 00:46:53.679
<v Speaker 2>that's a face.

672
00:46:54.400 --> 00:46:57.199
<v Speaker 1>Yeah, show us the photo. You got a photo, all right?

673
00:46:57.280 --> 00:46:59.480
<v Speaker 2>So I don't know if you you see my screen,

674
00:47:00.280 --> 00:47:02.559
<v Speaker 2>go ahead, do it all right? That that's the cover

675
00:47:02.639 --> 00:47:05.039
<v Speaker 2>of my book everyone, the faces of Mars beyond Me

676
00:47:05.079 --> 00:47:10.760
<v Speaker 2>and tricks the light and shadow. Uh? Why you not

677
00:47:15.840 --> 00:47:20.559
<v Speaker 2>wait a minute? Whin it moving? I use this program

678
00:47:20.599 --> 00:47:22.960
<v Speaker 2>all the time. It's supposed to go to the next image,

679
00:47:23.039 --> 00:47:31.239
<v Speaker 2>next image. Okay, what's wrong with this? Sorry, Cliff, this

680
00:47:31.320 --> 00:47:35.519
<v Speaker 2>thing is not doing what it's supposed to be doing. Okay,

681
00:47:35.760 --> 00:47:39.760
<v Speaker 2>I'm gonna, I'm gonna, I'm gonna unshare, I'm gonna close

682
00:47:39.840 --> 00:47:43.880
<v Speaker 2>the program, open it again. Maybe that's an issue. It's

683
00:47:43.880 --> 00:47:46.800
<v Speaker 2>a new program, so I but it's it's easier to

684
00:47:46.920 --> 00:47:53.960
<v Speaker 2>use feasible for doing shows and such. Open with photos

685
00:47:54.000 --> 00:47:57.360
<v Speaker 2>and that's just a simple photo program. All right, got it?

686
00:47:58.679 --> 00:48:01.159
<v Speaker 2>All right? Now let me go to share again. So again,

687
00:48:01.280 --> 00:48:07.079
<v Speaker 2>sorry for the editing work. When you request for ailing, No,

688
00:48:07.239 --> 00:48:14.559
<v Speaker 2>I don't want to have a companion share. Oh all right.

689
00:48:14.639 --> 00:48:15.440
<v Speaker 2>Do you see that now?

690
00:48:15.719 --> 00:48:15.960
<v Speaker 1>Yep?

691
00:48:16.360 --> 00:48:21.159
<v Speaker 2>Okay, that's the cover now, oh there is all right?

692
00:48:21.639 --> 00:48:25.880
<v Speaker 1>Now is this a Viking image you're showing right now?

693
00:48:26.639 --> 00:48:30.320
<v Speaker 2>Yes, since you brought up Viking now, the mariners is

694
00:48:30.360 --> 00:48:33.400
<v Speaker 2>for all we know, they did not see this supposedly

695
00:48:33.480 --> 00:48:36.480
<v Speaker 2>with you know, the I think it was Mariner ten

696
00:48:36.639 --> 00:48:40.239
<v Speaker 2>or whatnot, or Mariner seven, Marina nine one of them

697
00:48:40.639 --> 00:48:44.920
<v Speaker 2>that got closer and I think orbited or at least

698
00:48:44.920 --> 00:48:49.159
<v Speaker 2>they got closer enough to uh take a lot more

699
00:48:49.199 --> 00:48:53.000
<v Speaker 2>pictures uh before it left compared to their previous Now,

700
00:48:53.119 --> 00:48:55.039
<v Speaker 2>I don't know if they had seen it or not

701
00:48:55.159 --> 00:48:59.280
<v Speaker 2>then or anything else really did not scale that would

702
00:48:59.519 --> 00:49:03.639
<v Speaker 2>alert it is for what nineteen seventy six missions of

703
00:49:03.760 --> 00:49:08.039
<v Speaker 2>the Viking orbitors and landers, there was two missions Viking

704
00:49:08.760 --> 00:49:13.440
<v Speaker 2>one Viking two, both orbiters, both had landers, both landed,

705
00:49:13.480 --> 00:49:16.199
<v Speaker 2>and two different spots of the planet, which happened to

706
00:49:16.239 --> 00:49:19.639
<v Speaker 2>be also the zones where doctor Brandon burg projets that

707
00:49:20.119 --> 00:49:23.000
<v Speaker 2>the nukes went off. What a coincidence they go to

708
00:49:23.039 --> 00:49:26.840
<v Speaker 2>both sides four thousand miles apart from each other. That

709
00:49:26.960 --> 00:49:30.079
<v Speaker 2>makes you really wonder what they knew when Cliff. But anyway,

710
00:49:30.800 --> 00:49:33.920
<v Speaker 2>but yes, so this is a frame thirty five A

711
00:49:34.119 --> 00:49:37.960
<v Speaker 2>seventy two from the Viking in nineteen seventy six, the

712
00:49:38.000 --> 00:49:40.199
<v Speaker 2>famous face.

713
00:49:39.960 --> 00:49:42.840
<v Speaker 1>On mar Let me just ask you real quickly, Gary,

714
00:49:42.920 --> 00:49:46.360
<v Speaker 1>have you enhanced this or reprocessed this at all? Or

715
00:49:46.400 --> 00:49:49.599
<v Speaker 1>is this is? I processed it from the raw data?

716
00:49:50.599 --> 00:49:53.800
<v Speaker 4>Okay, so this will be look you want to see NASAs,

717
00:49:53.880 --> 00:49:57.039
<v Speaker 4>it'll be softer, you wouldn't see as much details, and

718
00:49:57.079 --> 00:50:01.039
<v Speaker 4>you would see more contrasts, and you know, us obfuscating

719
00:50:01.119 --> 00:50:02.800
<v Speaker 4>details for some reason.

720
00:50:03.119 --> 00:50:06.840
<v Speaker 1>But uh yeah, this is uh so to my eye.

721
00:50:07.360 --> 00:50:09.519
<v Speaker 1>And I'm not an archaeologist, but I'm kind of a

722
00:50:09.559 --> 00:50:13.800
<v Speaker 1>suit I'm kind of an amateur. This this has obvious

723
00:50:14.119 --> 00:50:20.920
<v Speaker 1>art archaeological implications. These are yeah, just just I mean,

724
00:50:21.039 --> 00:50:24.320
<v Speaker 1>this is the first image. Uh not only is the

725
00:50:24.400 --> 00:50:29.800
<v Speaker 1>face humanoid. But you got the DNM pyramid. Obviously they

726
00:50:29.920 --> 00:50:32.599
<v Speaker 1>got this pyramid shape, which is huge.

727
00:50:32.719 --> 00:50:33.079
<v Speaker 2>I don't know.

728
00:50:33.119 --> 00:50:35.039
<v Speaker 1>I mean, this thing must be miles across.

729
00:50:35.840 --> 00:50:41.119
<v Speaker 2>It's uh, it's great, like corner to the corner, it's like, uh,

730
00:50:42.920 --> 00:50:46.559
<v Speaker 2>two and a half three miles. So we're dealing with

731
00:50:46.599 --> 00:50:48.679
<v Speaker 2>a two and a half mile wide, three mile you know,

732
00:50:48.920 --> 00:50:49.880
<v Speaker 2>round off a little bit.

733
00:50:50.039 --> 00:50:53.880
<v Speaker 1>Yeah, I mean the engineering, the engineering alone is just

734
00:50:54.000 --> 00:50:58.719
<v Speaker 1>mind blowing. How they how they did this. So somebody,

735
00:50:58.920 --> 00:51:03.400
<v Speaker 1>somebody begins to adhere to the Brookies Institute document, which

736
00:51:03.440 --> 00:51:10.559
<v Speaker 1>is if we reveal information of a dead or loss

737
00:51:10.599 --> 00:51:15.679
<v Speaker 1>civilization on Mars, the inhabitants of Earth will lose their mind.

738
00:51:16.000 --> 00:51:20.639
<v Speaker 1>There will be mass suicide, churches, religions would fail, and

739
00:51:20.719 --> 00:51:27.360
<v Speaker 1>government agencies would collapse. This is I mean, we talk

740
00:51:27.440 --> 00:51:30.440
<v Speaker 1>about this ahead of time before we start gary about.

741
00:51:30.519 --> 00:51:33.400
<v Speaker 1>We have this big ancient alien movement of everything on

742
00:51:33.440 --> 00:51:37.559
<v Speaker 1>Earth that we can't explain as the result of alien intervention.

743
00:51:37.840 --> 00:51:41.880
<v Speaker 1>This is more of an ancient alien should be. It

744
00:51:41.920 --> 00:51:46.039
<v Speaker 1>should be an ancient alien focus because these are obvious

745
00:51:46.559 --> 00:51:48.440
<v Speaker 1>archaeological ruins.

746
00:51:48.719 --> 00:51:53.199
<v Speaker 2>On an alien world. There you go, ancient aliens from Walnut,

747
00:51:54.480 --> 00:51:56.679
<v Speaker 2>So go ahead, and explain what we're looking at here,

748
00:51:56.719 --> 00:51:59.400
<v Speaker 2>would you please? So again, this is thirty five a

749
00:51:59.599 --> 00:52:04.159
<v Speaker 2>seven and this was what again like a TV camera

750
00:52:04.199 --> 00:52:10.119
<v Speaker 2>and analogue camera. I believe they also sent the information

751
00:52:10.280 --> 00:52:15.119
<v Speaker 2>back I guess using what is that black white black white,

752
00:52:15.119 --> 00:52:17.679
<v Speaker 2>black white? What's what's that? It's on the tip of

753
00:52:17.679 --> 00:52:20.719
<v Speaker 2>my tongue binary, you know, in order to for the

754
00:52:20.760 --> 00:52:23.119
<v Speaker 2>images and the data to be transposed, and it would

755
00:52:23.159 --> 00:52:29.320
<v Speaker 2>be you know, transform into the pictures and the visual data.

756
00:52:29.800 --> 00:52:32.199
<v Speaker 2>All right, So I don't know the ins and outs. Again,

757
00:52:32.280 --> 00:52:35.440
<v Speaker 2>that's the where the scientists like Arlotto and Oakland, I

758
00:52:35.800 --> 00:52:37.639
<v Speaker 2>come up to this book, like you noticed, with a

759
00:52:37.679 --> 00:52:41.719
<v Speaker 2>different approach. So, but this is from nineteen seventy sixth

760
00:52:41.719 --> 00:52:45.519
<v Speaker 2>of you that has showed us. And to the left

761
00:52:45.679 --> 00:52:48.480
<v Speaker 2>of the faces, you know, that's what Oakland and others

762
00:52:48.719 --> 00:52:51.000
<v Speaker 2>had so much focus and worked on and on called

763
00:52:51.000 --> 00:52:54.960
<v Speaker 2>the city and the city square. And there's the face

764
00:52:55.320 --> 00:53:02.360
<v Speaker 2>casting is his shadow? Now this even then because of

765
00:53:02.400 --> 00:53:05.280
<v Speaker 2>the shadow, you know, this thing is huge.

766
00:53:05.920 --> 00:53:08.840
<v Speaker 1>What is the what's the guest mean? On the actual

767
00:53:09.400 --> 00:53:10.920
<v Speaker 1>height and width.

768
00:53:12.519 --> 00:53:15.280
<v Speaker 2>Of one mile and a half long from the top

769
00:53:15.320 --> 00:53:17.320
<v Speaker 2>of the forehead, the top of the head to the

770
00:53:17.360 --> 00:53:21.079
<v Speaker 2>bottom of the tin of the very structure one and

771
00:53:21.119 --> 00:53:25.360
<v Speaker 2>a half miles from left to right. It's one mile.

772
00:53:26.400 --> 00:53:30.400
<v Speaker 2>Now look at the shadow. This thing is fifteen hundred

773
00:53:30.400 --> 00:53:35.760
<v Speaker 2>feet high, minimum fifteen hundred feet high. So this is

774
00:53:35.800 --> 00:53:39.480
<v Speaker 2>not something that could just be blown away by the

775
00:53:39.519 --> 00:53:44.000
<v Speaker 2>wind or destroyed. And even in this image clip, I mean,

776
00:53:44.039 --> 00:53:46.960
<v Speaker 2>if you can look out, look at the artistic markings

777
00:53:47.000 --> 00:53:53.039
<v Speaker 2>of the face, follow it away on the surrounding artscape.

778
00:53:53.079 --> 00:53:54.320
<v Speaker 2>That's what I call it. I don't call it the

779
00:53:54.400 --> 00:53:58.039
<v Speaker 2>landscape that's not sand. But looking at that, you can

780
00:53:58.119 --> 00:54:00.480
<v Speaker 2>see all those like patterns. Do you see that in

781
00:54:00.480 --> 00:54:00.840
<v Speaker 2>the image?

782
00:54:00.880 --> 00:54:04.719
<v Speaker 1>Club I I it's too it's too blurry. It's it's

783
00:54:04.760 --> 00:54:06.920
<v Speaker 1>too rudimentary to see any great detail.

784
00:54:07.840 --> 00:54:12.880
<v Speaker 2>Fair enough, all right, let's say we can help that. Okay,

785
00:54:12.880 --> 00:54:14.039
<v Speaker 2>that should be a little better.

786
00:54:14.360 --> 00:54:17.480
<v Speaker 1>That's a little bit better. But I have to say this, Gary,

787
00:54:17.639 --> 00:54:20.280
<v Speaker 1>I want to just make this comment. When we look

788
00:54:20.280 --> 00:54:23.840
<v Speaker 1>at this very first image of the face and what

789
00:54:23.920 --> 00:54:27.079
<v Speaker 1>we get later from NASA, it's obvious that they are

790
00:54:27.199 --> 00:54:35.360
<v Speaker 1>totally suppressing the details of this image. If we could

791
00:54:35.440 --> 00:54:38.639
<v Speaker 1>see this with a very good camera, I bet you

792
00:54:38.719 --> 00:54:41.199
<v Speaker 1>we'd see a completely different look than what we get

793
00:54:41.239 --> 00:54:42.920
<v Speaker 1>in that cat box image.

794
00:54:43.559 --> 00:54:47.239
<v Speaker 2>Well, well we'll get into that cop box soon, so

795
00:54:47.760 --> 00:54:50.800
<v Speaker 2>I'm gonna show that. But yeah, well that point bring

796
00:54:50.920 --> 00:54:55.360
<v Speaker 2>up again. But this face, and even for a low

797
00:54:55.440 --> 00:55:00.239
<v Speaker 2>resolutions it's detail is good. The details that we have

798
00:55:00.320 --> 00:55:03.559
<v Speaker 2>from higher resolution. I mean I've done more than just

799
00:55:03.599 --> 00:55:06.199
<v Speaker 2>look at this phase bypasser. I've been studying this phase

800
00:55:06.559 --> 00:55:10.360
<v Speaker 2>intently with every new piece of little data, low resolution,

801
00:55:10.519 --> 00:55:15.119
<v Speaker 2>high resolution. Everyone observed so I can get back on

802
00:55:15.199 --> 00:55:18.679
<v Speaker 2>his study. I've been studying this face, matching up data points.

803
00:55:19.679 --> 00:55:22.039
<v Speaker 2>The point you make I have heard before from many,

804
00:55:22.079 --> 00:55:24.719
<v Speaker 2>But that's because many people and I'm not saying this

805
00:55:24.800 --> 00:55:30.400
<v Speaker 2>to be sarcastic or anything from them not studying it.

806
00:55:30.519 --> 00:55:33.800
<v Speaker 2>Does that make sense to really know something every nook

807
00:55:33.840 --> 00:55:36.960
<v Speaker 2>and cranny. It's not gonna happen in ten minutes with

808
00:55:37.079 --> 00:55:41.400
<v Speaker 2>someone that's not really familiar. But when you study this

809
00:55:41.559 --> 00:55:44.400
<v Speaker 2>for so many years and so much time, and then

810
00:55:44.679 --> 00:55:50.079
<v Speaker 2>with other image data again from lower resolution, even lower resolution,

811
00:55:50.159 --> 00:55:53.840
<v Speaker 2>to what we have here to like you mentioned high

812
00:55:53.960 --> 00:55:59.360
<v Speaker 2>rise imagery and stuff like that, these details are there,

813
00:56:00.840 --> 00:56:07.000
<v Speaker 2>but I would say more obfuscated now, well, I mean

814
00:56:07.800 --> 00:56:10.639
<v Speaker 2>harder to see. They make it harder to see. They

815
00:56:10.679 --> 00:56:13.559
<v Speaker 2>try to make it look as natural as possible by

816
00:56:13.599 --> 00:56:19.079
<v Speaker 2>so relief, by overcontrasting, so it's harder to bring out details.

817
00:56:19.239 --> 00:56:21.719
<v Speaker 2>I'm going to show you some examples of that everybody,

818
00:56:21.880 --> 00:56:24.920
<v Speaker 2>because it's the truth. And as far as I see again,

819
00:56:25.000 --> 00:56:27.119
<v Speaker 2>I'm not trying to have a big head or nothing.

820
00:56:27.400 --> 00:56:30.639
<v Speaker 2>I'm the only one that's been showing the actual relief

821
00:56:30.679 --> 00:56:34.000
<v Speaker 2>details on the face and around the face out of

822
00:56:34.199 --> 00:56:36.639
<v Speaker 2>pretty amongst all the Mars researchers.

823
00:56:36.880 --> 00:56:39.119
<v Speaker 1>I have to say this though, I think it's funny

824
00:56:39.119 --> 00:56:43.480
<v Speaker 1>that you said the Russians out of the Americans with this,

825
00:56:43.760 --> 00:56:47.480
<v Speaker 1>because I don't think we would be allowed to see

826
00:56:47.480 --> 00:56:51.159
<v Speaker 1>this face if the Russians hadn't already exposed it. It's

827
00:56:51.199 --> 00:56:53.400
<v Speaker 1>exactly creative detail.

828
00:56:53.119 --> 00:57:00.559
<v Speaker 2>Exactly, it's exactly. It's a perfect humanoid, a guy on

829
00:57:00.639 --> 00:57:04.199
<v Speaker 2>a visage. It's it's it's not a row shar test.

830
00:57:04.280 --> 00:57:09.440
<v Speaker 2>It's not parabidolia. I got I got babies a year

831
00:57:09.440 --> 00:57:14.440
<v Speaker 2>and a half years old, two years old, three face face,

832
00:57:14.960 --> 00:57:17.480
<v Speaker 2>and I don't coach them. I'm just doing it in

833
00:57:17.480 --> 00:57:19.840
<v Speaker 2>their round. I'll make sure that you know the fact

834
00:57:19.840 --> 00:57:22.400
<v Speaker 2>they always look at screens. You don't have to guide

835
00:57:22.400 --> 00:57:26.920
<v Speaker 2>them with anything. Face. Oh okay, that's you know, And

836
00:57:26.960 --> 00:57:29.920
<v Speaker 2>that's the thing they they they put labels on things

837
00:57:30.159 --> 00:57:35.239
<v Speaker 2>to make it like it's it's a detriment our. It's

838
00:57:35.280 --> 00:57:37.800
<v Speaker 2>our fault that we see a face. Oh, you're a

839
00:57:37.840 --> 00:57:41.440
<v Speaker 2>bad person, not because you know, it just comes naturally.

840
00:57:41.480 --> 00:57:44.760
<v Speaker 2>You're a naturally bad person. Because it's a defect that

841
00:57:44.760 --> 00:57:47.400
<v Speaker 2>that's making you see a face, you know, I mean,

842
00:57:47.719 --> 00:57:50.800
<v Speaker 2>ridiculous assumptions. Is one and most part of the story

843
00:57:51.119 --> 00:57:54.599
<v Speaker 2>about how we got that image to the Russians. From

844
00:57:54.599 --> 00:57:59.239
<v Speaker 2>the same person. He also told me that if NASA

845
00:57:59.400 --> 00:58:04.320
<v Speaker 2>was told they're scientists and everything and they're geologists there

846
00:58:04.360 --> 00:58:08.639
<v Speaker 2>and that's all I'll say, were to even hint at

847
00:58:08.639 --> 00:58:12.960
<v Speaker 2>an alien intelligence or a face or anything, that not

848
00:58:13.000 --> 00:58:15.199
<v Speaker 2>only would they lose their jobs and whatnot, and that

849
00:58:15.320 --> 00:58:20.079
<v Speaker 2>NDASA signed NASA would lose their funding. There would be

850
00:58:20.199 --> 00:58:25.159
<v Speaker 2>no public NASA this day. That was never changed.

851
00:58:26.280 --> 00:58:29.599
<v Speaker 1>See if I think, yeah, I think today if they

852
00:58:29.639 --> 00:58:34.239
<v Speaker 1>were to say we have found evidence of archaeological civilized

853
00:58:34.360 --> 00:58:37.960
<v Speaker 1>ruins on the planet Mars, people would go, let's throw

854
00:58:38.000 --> 00:58:38.719
<v Speaker 1>some money at that.

855
00:58:40.199 --> 00:58:42.519
<v Speaker 2>Yeah, And that was and that was the goal. That

856
00:58:42.639 --> 00:58:44.880
<v Speaker 2>was the goal you mentioned it earlier. Thank you, Cliff

857
00:58:44.880 --> 00:58:47.320
<v Speaker 2>for making that point, because that was the goal, you said,

858
00:58:47.360 --> 00:58:50.360
<v Speaker 2>like from the era in the decades before we went

859
00:58:50.400 --> 00:58:53.800
<v Speaker 2>to space and the Brookings, the need to make Brookings

860
00:58:53.800 --> 00:58:56.599
<v Speaker 2>the fascination. They knew that in order to get that

861
00:58:56.679 --> 00:59:01.360
<v Speaker 2>space program off the ground, it would get more cars,

862
00:59:01.400 --> 00:59:03.800
<v Speaker 2>would get money, and they would get the money. They

863
00:59:03.840 --> 00:59:05.880
<v Speaker 2>made a lot of money going. I had doctor guild

864
00:59:05.880 --> 00:59:08.679
<v Speaker 2>Livin on my show to Marson revelation a few times

865
00:59:08.920 --> 00:59:11.159
<v Speaker 2>in the pass before he died. God rest his soul.

866
00:59:11.159 --> 00:59:13.800
<v Speaker 2>We're going to get vindication from yet everybody, I promise,

867
00:59:14.239 --> 00:59:18.599
<v Speaker 2>But uh, he even told me it was. It was

868
00:59:18.599 --> 00:59:22.800
<v Speaker 2>basically a scam. They put things on there, like the

869
00:59:22.880 --> 00:59:26.519
<v Speaker 2>light detection experiments, so they came to him. They blackballed

870
00:59:26.559 --> 00:59:31.119
<v Speaker 2>them because it detected life. And never since they had

871
00:59:31.199 --> 00:59:35.920
<v Speaker 2>never on any mission since Yeah, and this is his words,

872
00:59:36.400 --> 00:59:40.880
<v Speaker 2>have they decided or allowed him to his proposals or

873
00:59:40.920 --> 00:59:45.039
<v Speaker 2>anyone's proposals to put on light detection experiments, only experiments

874
00:59:45.039 --> 00:59:48.360
<v Speaker 2>and the millions and billions to look for possible signs

875
00:59:49.519 --> 00:59:53.400
<v Speaker 2>a possible past life, never to find out to replicate.

876
00:59:53.719 --> 00:59:56.960
<v Speaker 2>Now though he said, though you've got both sites of

877
00:59:57.079 --> 01:00:02.079
<v Speaker 2>the landers, replicable test showing consists the results indicating positive

878
01:00:02.119 --> 01:00:05.400
<v Speaker 2>s lines of life. What more replication would you want?

879
01:00:05.760 --> 01:00:08.480
<v Speaker 2>But yes, with better tools and the things that we

880
01:00:08.519 --> 01:00:13.119
<v Speaker 2>have now, it makes more sense to reaffirm those experiments.

881
01:00:13.519 --> 01:00:16.360
<v Speaker 2>NASA would not do it. The last proposal he had

882
01:00:16.400 --> 01:00:19.119
<v Speaker 2>sent to them, they didn't bother open it. They sent

883
01:00:19.199 --> 01:00:25.559
<v Speaker 2>it back to him in a cab. Now, how the disgraceful? Now,

884
01:00:26.840 --> 01:00:29.280
<v Speaker 2>so they wanted this thing, that's the question. But he

885
01:00:29.480 --> 01:00:32.719
<v Speaker 2>told me that it was all about the money. They

886
01:00:32.800 --> 01:00:35.360
<v Speaker 2>put these experiments on board, saying, yeah, we're going to

887
01:00:35.400 --> 01:00:39.000
<v Speaker 2>look for life. Why Cliff, because they didn't expect the

888
01:00:39.119 --> 01:00:45.519
<v Speaker 2>fun I did. They knew that we're not gonna find it. Anyway,

889
01:00:45.599 --> 01:00:47.400
<v Speaker 2>let's do this. They wanted it to make it on

890
01:00:47.440 --> 01:00:50.519
<v Speaker 2>a bison tental year, which made it even greater. They wanted,

891
01:00:50.679 --> 01:00:53.320
<v Speaker 2>you know, during the summer of seventy six, people eating

892
01:00:53.320 --> 01:00:55.800
<v Speaker 2>their hot dogs, they only had quarters made the bison

893
01:00:55.880 --> 01:00:58.119
<v Speaker 2>tendel will remember that. I mean, you had so many

894
01:00:58.199 --> 01:01:01.559
<v Speaker 2>things and tho it Behold, that's the year they get

895
01:01:01.599 --> 01:01:06.559
<v Speaker 2>the detections of the radio uh, radioactive isotopes for nuclear

896
01:01:06.559 --> 01:01:09.519
<v Speaker 2>weapons that can only come from nuclear weapons or a supernova,

897
01:01:09.760 --> 01:01:12.840
<v Speaker 2>which ain't a supernova because mores would there be there'll

898
01:01:12.880 --> 01:01:16.079
<v Speaker 2>be no mores to study let alone this can.

899
01:01:15.920 --> 01:01:19.280
<v Speaker 1>You can you update this image because this is still

900
01:01:19.480 --> 01:01:23.280
<v Speaker 1>talking early seventies, but you've enhanced it.

901
01:01:23.320 --> 01:01:28.800
<v Speaker 2>Well, yes, well I'll move on. Let's see better process view.

902
01:01:29.199 --> 01:01:33.400
<v Speaker 1>That's that's a little bit better. Still pretty similar, well for.

903
01:01:33.079 --> 01:01:36.280
<v Speaker 2>For its age. But my point was to bring out

904
01:01:36.400 --> 01:01:42.320
<v Speaker 2>details that no one has really focused in on our shown.

905
01:01:43.119 --> 01:01:45.079
<v Speaker 2>You know what I mean, and you've seen it. You've

906
01:01:45.119 --> 01:01:49.519
<v Speaker 2>seen it, so all right, boom, there you go, good quality, uh,

907
01:01:49.599 --> 01:01:52.039
<v Speaker 2>even for them. It brings out a little more detail.

908
01:01:52.559 --> 01:01:55.679
<v Speaker 2>Now I want to do this point about the face clip.

909
01:01:55.800 --> 01:01:57.880
<v Speaker 2>I'm sorry it in the road, but let me finishes

910
01:01:57.960 --> 01:02:03.360
<v Speaker 2>about uh about the gill because we found what that year,

911
01:02:03.599 --> 01:02:07.000
<v Speaker 2>the radio isotopic of zen On one twenty xen On

912
01:02:07.000 --> 01:02:11.519
<v Speaker 2>one twenty nine, brandon Burg's model and showing nuclear weapons.

913
01:02:12.039 --> 01:02:16.639
<v Speaker 2>It found the face. It had a trifecta because then

914
01:02:16.679 --> 01:02:21.079
<v Speaker 2>they discovered the life. Boom, that's it. Case closed. They

915
01:02:21.079 --> 01:02:23.960
<v Speaker 2>were mad. They were mad that now they knew that

916
01:02:24.119 --> 01:02:28.800
<v Speaker 2>more money was coming in. They want these questions solved,

917
01:02:29.159 --> 01:02:34.480
<v Speaker 2>and no answeren's Viking. They took so long that they

918
01:02:34.559 --> 01:02:37.559
<v Speaker 2>waited until the late nineties to send the Mars Observer,

919
01:02:38.880 --> 01:02:43.599
<v Speaker 2>which got what it disappeared at a precisely six pm

920
01:02:43.719 --> 01:02:46.920
<v Speaker 2>where it went black everybody. But then they sent Global

921
01:02:46.960 --> 01:02:50.440
<v Speaker 2>surveyor basically using the sum of attained the same quality

922
01:02:50.519 --> 01:02:55.679
<v Speaker 2>camera except some lowered prices or experiments, and then we

923
01:02:55.719 --> 01:03:00.960
<v Speaker 2>got further imageries of Sidonia and everything. None. Now a

924
01:03:01.039 --> 01:03:05.719
<v Speaker 2>clip checked this one out. This one is abously.

925
01:03:06.079 --> 01:03:09.159
<v Speaker 1>Now I've never seen this. Is this your your enhancements

926
01:03:09.239 --> 01:03:10.039
<v Speaker 1>or is this the actual?

927
01:03:10.239 --> 01:03:13.920
<v Speaker 2>And uh, it's my processing from a low resolution Mars

928
01:03:14.000 --> 01:03:19.840
<v Speaker 2>Express camera. Now if you notice, we have never seen

929
01:03:20.119 --> 01:03:24.480
<v Speaker 2>the face like this again from any NASA image. Correct? Uh,

930
01:03:24.519 --> 01:03:27.559
<v Speaker 2>where's the shadow? Where's the shadow? Want to see it? Replicated?

931
01:03:27.599 --> 01:03:30.719
<v Speaker 2>Where's the shadow? They never do it? But yet Mars

932
01:03:30.800 --> 01:03:35.760
<v Speaker 2>Express gives us an image where the shadow is being seen.

933
01:03:36.199 --> 01:03:39.239
<v Speaker 2>Now get this, look at the study. Study it closely.

934
01:03:39.599 --> 01:03:42.719
<v Speaker 2>Though it's lower resolution, everyone, that doesn't mean it's not

935
01:03:42.960 --> 01:03:46.519
<v Speaker 2>valuable for any data I processes from the raw. So

936
01:03:46.599 --> 01:03:50.960
<v Speaker 2>everything you're seeing in this image, there's not a peg artifacts, there's.

937
01:03:50.800 --> 01:03:54.480
<v Speaker 1>No you see Mars Express, that's the European Space Agency

938
01:03:54.599 --> 01:03:56.039
<v Speaker 1>right correct.

939
01:03:56.599 --> 01:04:01.000
<v Speaker 2>Now, notice the shadow, the shadow is at a different peri. Yeah,

940
01:04:01.239 --> 01:04:04.719
<v Speaker 2>almost it's coming into the zone of where this one is.

941
01:04:05.119 --> 01:04:07.920
<v Speaker 2>This one's like more at what between four and five

942
01:04:08.320 --> 01:04:12.079
<v Speaker 2>five o'clock four and five o'clock pointing to this one,

943
01:04:13.960 --> 01:04:17.159
<v Speaker 2>it's more like three point thirty four o'clock. So you know,

944
01:04:17.320 --> 01:04:20.599
<v Speaker 2>that's good that no one else And I'm like, damn,

945
01:04:20.960 --> 01:04:24.000
<v Speaker 2>it's a shame that someone else has the Uh, the

946
01:04:24.039 --> 01:04:27.559
<v Speaker 2>cajone needs to take it more is express. But notice

947
01:04:27.559 --> 01:04:28.960
<v Speaker 2>how it's lower resolution.

948
01:04:29.119 --> 01:04:31.239
<v Speaker 1>You know what I have to say about.

949
01:04:31.039 --> 01:04:34.519
<v Speaker 2>Casting a shadow. At least we finally have another image

950
01:04:34.519 --> 01:04:37.920
<v Speaker 2>from someone that shows what is casting its shadow.

951
01:04:38.159 --> 01:04:42.000
<v Speaker 1>But what's really startling about this image Gary is and.

952
01:04:42.000 --> 01:04:44.000
<v Speaker 2>After DNM casting its shadow.

953
01:04:44.360 --> 01:04:48.000
<v Speaker 1>Yeah, but what's interesting is if we have a camera

954
01:04:48.039 --> 01:04:51.159
<v Speaker 1>that can enhance the pixels, it's going to be a

955
01:04:51.199 --> 01:04:57.119
<v Speaker 1>devastating image of great design and engineering.

956
01:04:57.239 --> 01:05:01.159
<v Speaker 2>Yes, you're right, because he what I have there Now,

957
01:05:01.320 --> 01:05:03.880
<v Speaker 2>I see it because I'm used to the art. I'm

958
01:05:03.960 --> 01:05:07.039
<v Speaker 2>used to I studied this, I know this service. I

959
01:05:07.119 --> 01:05:11.039
<v Speaker 2>see it all over right now. There's no image pixelations,

960
01:05:11.079 --> 01:05:14.599
<v Speaker 2>no distortions. This is actually in the data. It's just

961
01:05:14.719 --> 01:05:17.639
<v Speaker 2>low resolution. It could have been better quality, but it

962
01:05:17.679 --> 01:05:21.559
<v Speaker 2>doesn't take away the artscapes. Remember I started focusing on

963
01:05:21.599 --> 01:05:24.800
<v Speaker 2>the artscape so that the face sits on. That ultimately

964
01:05:24.880 --> 01:05:29.119
<v Speaker 2>led me worldwide to my dairy. Now, this one is

965
01:05:29.199 --> 01:05:33.039
<v Speaker 2>the second image of nineteen seventy six that was found

966
01:05:33.199 --> 01:05:38.280
<v Speaker 2>by Greg Molinar and T. Pietro Vince d Pietro, remember

967
01:05:38.400 --> 01:05:41.320
<v Speaker 2>after thirty five a seventy two, the one with the shadow.

968
01:05:41.840 --> 01:05:45.119
<v Speaker 2>They said, oh, they took an image a few hours later.

969
01:05:45.159 --> 01:05:48.159
<v Speaker 2>It shows that the face disappeared or so longer there

970
01:05:48.320 --> 01:05:52.400
<v Speaker 2>they were lying. They found an image when they looked,

971
01:05:53.320 --> 01:05:55.840
<v Speaker 2>were able to look at the time when they did that.

972
01:05:56.039 --> 01:05:59.679
<v Speaker 2>This image was taken actually later, I think in the

973
01:05:59.679 --> 01:06:04.079
<v Speaker 2>same month or a couple months away. This is title seven.

974
01:06:04.239 --> 01:06:07.239
<v Speaker 2>The first one was thirty five. A's orbit thirty five,

975
01:06:07.599 --> 01:06:10.840
<v Speaker 2>so this is seventy eight thirteen. This was orbit seventy,

976
01:06:11.400 --> 01:06:13.719
<v Speaker 2>so not far away from each other. They were able

977
01:06:13.760 --> 01:06:19.360
<v Speaker 2>to image the thing again without the shadow. Yeah, okay,

978
01:06:19.639 --> 01:06:22.920
<v Speaker 2>and it looks They found that in an this labeled file.

979
01:06:23.400 --> 01:06:25.679
<v Speaker 2>It was label it was placed in a different file

980
01:06:25.960 --> 01:06:31.519
<v Speaker 2>and they discovered this which they after themselves. D Pietro

981
01:06:31.679 --> 01:06:35.719
<v Speaker 2>Molnar the TNM pyramid, that's how it's named. I'm about

982
01:06:35.760 --> 01:06:39.000
<v Speaker 2>to do a video in fact called the Pyramids of

983
01:06:39.000 --> 01:06:43.119
<v Speaker 2>Mars King of the Morrison Pyramids, the DNM pyramid. I'll

984
01:06:43.119 --> 01:06:44.800
<v Speaker 2>send you a link to that when I'm done with that.

985
01:06:44.960 --> 01:06:48.039
<v Speaker 2>But you know, it a cool shape from shading of it,

986
01:06:48.039 --> 01:06:51.519
<v Speaker 2>it's pretty wild from a Mars recard.

987
01:06:51.679 --> 01:06:55.280
<v Speaker 1>What do they suspect that this region they call it

988
01:06:55.320 --> 01:06:58.679
<v Speaker 1>the city? But is the thinking that it was a

989
01:06:58.719 --> 01:07:03.880
<v Speaker 1>civic area where people met and there was a meeting

990
01:07:03.960 --> 01:07:08.000
<v Speaker 1>area in one of these buildings, or what is the

991
01:07:08.079 --> 01:07:13.559
<v Speaker 1>general thinking of Sidonia Gary, Oh.

992
01:07:12.960 --> 01:07:14.960
<v Speaker 2>That we would need to see that area more on

993
01:07:15.079 --> 01:07:17.840
<v Speaker 2>focus Back to thirty five a seventy two. Again, there's

994
01:07:17.880 --> 01:07:21.480
<v Speaker 2>the DNM pyramid. There's the face now to the left,

995
01:07:21.519 --> 01:07:24.760
<v Speaker 2>which seventy eight to thirteen does not have in it

996
01:07:24.840 --> 01:07:27.840
<v Speaker 2>is what they called the city. Those features, they are

997
01:07:27.840 --> 01:07:31.199
<v Speaker 2>what they called the city. Obviously. The second one booms

998
01:07:31.239 --> 01:07:34.199
<v Speaker 2>right out at you as a pyramid, right, it's not

999
01:07:34.239 --> 01:07:37.119
<v Speaker 2>a pyramid as we know it. But Martis has bizarre

1000
01:07:37.320 --> 01:07:42.960
<v Speaker 2>world of various shaped pyramids based in geometry. Everyone says,

1001
01:07:42.960 --> 01:07:46.159
<v Speaker 2>a pier pyramid, pyramids at four slides. Yeah, but what

1002
01:07:46.239 --> 01:07:47.920
<v Speaker 2>you know here on earth? But how do you know

1003
01:07:48.280 --> 01:07:50.639
<v Speaker 2>even here on earth that may be destroyed or somewhere

1004
01:07:50.639 --> 01:07:53.880
<v Speaker 2>else out there, you can still make pyramids out of

1005
01:07:53.960 --> 01:07:58.719
<v Speaker 2>various geometrical shapes. Even Carl Sagan said that you look

1006
01:07:58.760 --> 01:08:02.519
<v Speaker 2>for the geometry. That's how you look for previous civilizations

1007
01:08:02.599 --> 01:08:07.480
<v Speaker 2>techno signatures. Right, it was Naturing doing this. Well. This

1008
01:08:07.679 --> 01:08:12.679
<v Speaker 2>was right between the second and under those little cluster

1009
01:08:12.760 --> 01:08:16.760
<v Speaker 2>of features here that was called the city square, and

1010
01:08:17.880 --> 01:08:20.439
<v Speaker 2>next to a third it's right right next to a

1011
01:08:20.439 --> 01:08:25.279
<v Speaker 2>three pronged domus type structure. It's pretty cool with pointing

1012
01:08:25.399 --> 01:08:26.880
<v Speaker 2>those tips of pointy.

1013
01:08:26.800 --> 01:08:31.399
<v Speaker 1>Have you detected any staircases or interests, entrances or exits

1014
01:08:31.800 --> 01:08:35.279
<v Speaker 1>out of any of these buildings, not per.

1015
01:08:35.199 --> 01:08:38.399
<v Speaker 2>Se with the resolution we have, but it is possible

1016
01:08:39.039 --> 01:08:42.800
<v Speaker 2>that there are, I mean, but higher resolution that may show.

1017
01:08:43.319 --> 01:08:47.319
<v Speaker 2>But again it all depends on the master artist on

1018
01:08:47.439 --> 01:08:50.359
<v Speaker 2>that did this. But you ask a good question. I'll

1019
01:08:50.439 --> 01:08:53.239
<v Speaker 2>keep it for future reference to alert you if and

1020
01:08:53.279 --> 01:08:57.239
<v Speaker 2>when I find it, so you can see that's the city.

1021
01:08:57.359 --> 01:09:00.319
<v Speaker 2>So did people congregate there? I mean, they ain't it

1022
01:09:00.439 --> 01:09:02.960
<v Speaker 2>after what they could as we know on earth, this

1023
01:09:03.079 --> 01:09:06.000
<v Speaker 2>city the city square people. And how if you go

1024
01:09:06.119 --> 01:09:09.119
<v Speaker 2>from the city square, a little cluster here all the

1025
01:09:09.119 --> 01:09:12.600
<v Speaker 2>way it goes straight to the face through like the

1026
01:09:12.640 --> 01:09:16.640
<v Speaker 2>mouth of something connected to it. You know, and there's geometry,

1027
01:09:16.800 --> 01:09:20.439
<v Speaker 2>cerahedral geometry. Richard Hogland had turned it, and you know

1028
01:09:20.560 --> 01:09:25.399
<v Speaker 2>you see those mathematical, scientific layouts of many of these structures.

1029
01:09:25.720 --> 01:09:28.000
<v Speaker 2>I again, I come at it with a different approach

1030
01:09:28.399 --> 01:09:32.359
<v Speaker 2>to add on to the continued research of where they

1031
01:09:32.439 --> 01:09:33.119
<v Speaker 2>left off.

1032
01:09:33.640 --> 01:09:38.119
<v Speaker 1>Now, so my question to you now in this refined

1033
01:09:38.199 --> 01:09:45.039
<v Speaker 1>imagery is we're gonna take a short commercial break to

1034
01:09:45.159 --> 01:09:49.319
<v Speaker 1>allow our sponsors to identify themselves, and we will return

1035
01:09:49.399 --> 01:09:54.880
<v Speaker 1>shortly with my guests today, Gary Lazier, presenting information from

1036
01:09:54.880 --> 01:09:58.800
<v Speaker 1>his new book, The Face on Mars Beyond Mere Tricks

1037
01:09:58.840 --> 01:10:47.920
<v Speaker 1>of Light and Shadow, will be right back. My guest

1038
01:10:47.920 --> 01:10:51.720
<v Speaker 1>today is immage specialist Gary Lagier, who has written a

1039
01:10:51.720 --> 01:10:54.199
<v Speaker 1>new book called The Face on Mars. Gary has been

1040
01:10:54.239 --> 01:10:59.439
<v Speaker 1>imaging and studying planet Mars for over two decades and

1041
01:10:59.479 --> 01:11:02.239
<v Speaker 1>has collected the great archive of photographs that you can

1042
01:11:02.319 --> 01:11:06.079
<v Speaker 1>see in his book, which is now available on Amazon.

1043
01:11:08.039 --> 01:11:13.119
<v Speaker 1>As an image specialist, have you found symbology what we

1044
01:11:13.159 --> 01:11:17.159
<v Speaker 1>would consider numbers or anything that's kind of like, hey,

1045
01:11:17.800 --> 01:11:21.640
<v Speaker 1>this is city X, or this is a this is

1046
01:11:21.880 --> 01:11:24.119
<v Speaker 1>we want to identify this area for those who are

1047
01:11:24.159 --> 01:11:24.760
<v Speaker 1>flying over.

1048
01:11:26.439 --> 01:11:29.800
<v Speaker 2>Well, symbology you brought that up and We're gonna look

1049
01:11:29.840 --> 01:11:32.439
<v Speaker 2>at that this face. There's plenty of that. You notice

1050
01:11:32.479 --> 01:11:35.800
<v Speaker 2>yourself by looking at it, You yourself said, there's a symbol.

1051
01:11:35.840 --> 01:11:41.840
<v Speaker 2>What did you see? A hominid humanoid? Is face a face? Right?

1052
01:11:42.399 --> 01:11:46.520
<v Speaker 2>So now that's why I say this is the greatest

1053
01:11:46.560 --> 01:11:50.239
<v Speaker 2>techno signature ever discovered. The question of why are we

1054
01:11:50.479 --> 01:11:53.680
<v Speaker 2>alone or not? Is answered by looking at this. This

1055
01:11:53.720 --> 01:11:56.079
<v Speaker 2>is why NASA don't want to touch it again. They'll

1056
01:11:56.119 --> 01:11:58.479
<v Speaker 2>have that funding pulled all back to that original stuff

1057
01:11:58.800 --> 01:12:01.319
<v Speaker 2>because it's so opten. They had to make such a

1058
01:12:01.399 --> 01:12:04.920
<v Speaker 2>counter reaction from to make it so obvious that they

1059
01:12:04.960 --> 01:12:08.479
<v Speaker 2>would mock you, like the UFO crowd mock you, shame

1060
01:12:08.600 --> 01:12:12.239
<v Speaker 2>you call you names, Well, call me whatever you want, man.

1061
01:12:12.279 --> 01:12:15.079
<v Speaker 2>But I go by the data and you can see

1062
01:12:15.119 --> 01:12:20.479
<v Speaker 2>this this symbology boom. There's a little bit better processed

1063
01:12:20.560 --> 01:12:23.680
<v Speaker 2>image of it. Now go to a more extreme processed

1064
01:12:23.680 --> 01:12:27.039
<v Speaker 2>image of it, you know, And I'm like, okay, each

1065
01:12:27.039 --> 01:12:32.079
<v Speaker 2>of these is valuable now because especially for comparative analysis

1066
01:12:32.119 --> 01:12:35.039
<v Speaker 2>with higher res imagery, I like to try to bring

1067
01:12:35.079 --> 01:12:39.840
<v Speaker 2>out the details as best as possible, to show the

1068
01:12:39.960 --> 01:12:43.119
<v Speaker 2>data points. If that makes sense to I can match

1069
01:12:43.199 --> 01:12:46.600
<v Speaker 2>up with the newer resolutions that might make it harder

1070
01:12:46.600 --> 01:12:48.520
<v Speaker 2>and to confirm some of the features we see in

1071
01:12:48.600 --> 01:12:51.960
<v Speaker 2>low resolution. But if you have data points, yes, and

1072
01:12:52.039 --> 01:12:56.560
<v Speaker 2>you could, that's the confirmation. So that being said, there

1073
01:12:56.600 --> 01:12:59.199
<v Speaker 2>you go, Cliff, you brought that up, the famous cat box.

1074
01:13:00.039 --> 01:13:04.840
<v Speaker 1>Well, that's that's that's an abomination. That's not anything.

1075
01:13:04.920 --> 01:13:09.199
<v Speaker 2>Well, there's reasons for that, not just the quality. It's not.

1076
01:13:09.279 --> 01:13:13.800
<v Speaker 2>It wasn't just the quality obviously of the crapola. And

1077
01:13:14.359 --> 01:13:16.760
<v Speaker 2>but the thing is you could tell see still see

1078
01:13:16.760 --> 01:13:20.199
<v Speaker 2>as high high res. Now I believe they did it

1079
01:13:20.239 --> 01:13:23.039
<v Speaker 2>on purpose. They did it at a time the whomen

1080
01:13:23.199 --> 01:13:27.840
<v Speaker 2>they should have been more specific and when they first

1081
01:13:27.840 --> 01:13:29.840
<v Speaker 2>showed it, oh, it shows that's nothing. It's not a

1082
01:13:29.880 --> 01:13:33.800
<v Speaker 2>face at all. Why remember when you go into planets

1083
01:13:33.800 --> 01:13:38.159
<v Speaker 2>at the time when Mar's uh Mars uh not Observer

1084
01:13:38.840 --> 01:13:42.119
<v Speaker 2>Global Surveyor got there, and what other missions do they

1085
01:13:42.199 --> 01:13:45.560
<v Speaker 2>go there? And there's a process called aerobraking, and then

1086
01:13:45.600 --> 01:13:48.920
<v Speaker 2>you look at circles of planet as you gradually lower

1087
01:13:49.199 --> 01:13:51.960
<v Speaker 2>to the orbit and height above the planet, you want

1088
01:13:52.000 --> 01:13:57.840
<v Speaker 2>to be in the position in right. So during aerobreaking,

1089
01:13:58.600 --> 01:14:03.560
<v Speaker 2>almost towards the end, they looked at Siddonia from a

1090
01:14:03.720 --> 01:14:08.760
<v Speaker 2>side view so far away at an angle to try

1091
01:14:09.039 --> 01:14:13.199
<v Speaker 2>to use to mislead the public that what they're seeing

1092
01:14:13.239 --> 01:14:16.800
<v Speaker 2>shows is not a face at all because it looks

1093
01:14:16.800 --> 01:14:19.159
<v Speaker 2>like crap. Is kind of hard, but be honest, So

1094
01:14:19.199 --> 01:14:22.960
<v Speaker 2>what you're saying is you see a face even though

1095
01:14:22.960 --> 01:14:23.760
<v Speaker 2>it looks like crap.

1096
01:14:24.079 --> 01:14:28.399
<v Speaker 1>Yeah, they're desperate to change the narrative from a hominin

1097
01:14:28.520 --> 01:14:33.159
<v Speaker 1>face to a cat box, which is just a big

1098
01:14:33.359 --> 01:14:40.680
<v Speaker 1>u uh sandbox with no definition of anything, and uh,

1099
01:14:40.840 --> 01:14:43.960
<v Speaker 1>thinking that that'll be enough for people to not pay

1100
01:14:44.000 --> 01:14:44.920
<v Speaker 1>attention anymore.

1101
01:14:45.720 --> 01:14:48.279
<v Speaker 2>Well, right, because people live their lives. They don't expect

1102
01:14:48.399 --> 01:14:51.119
<v Speaker 2>or encourage people to study the data. It's all take

1103
01:14:51.159 --> 01:14:53.920
<v Speaker 2>their word for everything. But I don't want.

1104
01:14:53.760 --> 01:14:56.520
<v Speaker 1>To ask you something before we go forward. This is

1105
01:14:57.039 --> 01:15:00.279
<v Speaker 1>not only detrimental to our evolution because we need to

1106
01:15:00.359 --> 01:15:03.119
<v Speaker 1>know that we're not the only ones out there. But

1107
01:15:03.199 --> 01:15:09.720
<v Speaker 1>this is this is uh, it's almost overwhelming and its

1108
01:15:10.399 --> 01:15:18.840
<v Speaker 1>lack of purposeful clarity. But also when you completely when

1109
01:15:18.880 --> 01:15:22.560
<v Speaker 1>you decide that you want to deceive the public, deceive

1110
01:15:22.600 --> 01:15:26.680
<v Speaker 1>them and say there's no life forms there never have

1111
01:15:26.960 --> 01:15:32.720
<v Speaker 1>been on Mars. That's that's a that's terrible, president, insult

1112
01:15:32.800 --> 01:15:35.960
<v Speaker 1>of your intelligence and the people that will.

1113
01:15:35.840 --> 01:15:38.479
<v Speaker 2>Say, Okay, well, look how many do to that today?

1114
01:15:39.079 --> 01:15:42.520
<v Speaker 1>I'm always dude, I've always I've always said that if

1115
01:15:42.560 --> 01:15:45.880
<v Speaker 1>they can clarify it, like if the Chinese were to

1116
01:15:45.960 --> 01:15:48.399
<v Speaker 1>land on rover on Mars and actually show the true

1117
01:15:48.439 --> 01:15:51.520
<v Speaker 1>imagery there, or the Russians would say, we're gonna orbit

1118
01:15:51.640 --> 01:15:56.239
<v Speaker 1>and take images of the Chinese. But the problem I'm

1119
01:15:56.279 --> 01:16:00.560
<v Speaker 1>saying is that if NASA and the Powers that Be outed,

1120
01:16:01.079 --> 01:16:06.119
<v Speaker 1>they should not only be immediately removed from their position,

1121
01:16:06.239 --> 01:16:09.960
<v Speaker 1>but they should face more consequences, perhaps like.

1122
01:16:10.680 --> 01:16:15.199
<v Speaker 2>Those are forms of crimes against humanity in the absence

1123
01:16:15.279 --> 01:16:19.039
<v Speaker 2>of what you're describing, depriving us of knowledge, depriving us

1124
01:16:19.399 --> 01:16:22.760
<v Speaker 2>of who we are seeking questions as a whole, and

1125
01:16:22.840 --> 01:16:26.560
<v Speaker 2>disseminating that information in the public. Now, why did it

1126
01:16:26.600 --> 01:16:29.479
<v Speaker 2>also look like this cliff? Why did they have to

1127
01:16:30.279 --> 01:16:32.520
<v Speaker 2>look at it from such a glance from far away

1128
01:16:32.560 --> 01:16:36.159
<v Speaker 2>at an angle during arobraking, Because there's an issue here

1129
01:16:36.560 --> 01:16:40.520
<v Speaker 2>the shape. It's the shape of the face itself that

1130
01:16:40.680 --> 01:16:43.199
<v Speaker 2>gives it away. Why didn't they couldn't they just go

1131
01:16:43.399 --> 01:16:46.640
<v Speaker 2>over it directly and show us how much crap it

1132
01:16:46.680 --> 01:16:49.600
<v Speaker 2>looks like? Because it still looks like a face even

1133
01:16:49.640 --> 01:16:52.720
<v Speaker 2>at this position and what I see, I could still

1134
01:16:52.720 --> 01:16:55.319
<v Speaker 2>see a mouth, I see an eye, I see a forehead,

1135
01:16:55.359 --> 01:16:58.840
<v Speaker 2>I see a chim that just looks retarded by because

1136
01:16:58.880 --> 01:17:01.760
<v Speaker 2>it's not a slant. You know, they don't tell you that.

1137
01:17:01.840 --> 01:17:03.760
<v Speaker 2>They wanted you to believe this is how it is

1138
01:17:03.760 --> 01:17:07.399
<v Speaker 2>looking down. Obviously there was an uproar, all right. So

1139
01:17:07.840 --> 01:17:13.399
<v Speaker 2>there's that. Now there's the there's the what theyugh rectified

1140
01:17:14.000 --> 01:17:16.199
<v Speaker 2>image of the same image.

1141
01:17:16.640 --> 01:17:20.239
<v Speaker 1>I still think that's been manipulated too much. I don't see.

1142
01:17:20.760 --> 01:17:25.760
<v Speaker 2>Well, it's what to decide, and so it's what to decide.

1143
01:17:25.800 --> 01:17:27.520
<v Speaker 2>Think of your face. If you want to look on

1144
01:17:27.680 --> 01:17:30.800
<v Speaker 2>to the side, people might see a part of your cheek.

1145
01:17:31.199 --> 01:17:33.279
<v Speaker 2>For the other side, depending on the angle you're at.

1146
01:17:33.319 --> 01:17:37.039
<v Speaker 2>You know what I mean. It was it's therefore it's

1147
01:17:37.039 --> 01:17:40.319
<v Speaker 2>a shape issue. It's not of just a detail issue.

1148
01:17:40.600 --> 01:17:42.680
<v Speaker 2>It's a shape issue. They were trying to hide that

1149
01:17:42.800 --> 01:17:48.159
<v Speaker 2>shape and ocfuscated it by making it look ridiculous. It

1150
01:17:48.199 --> 01:17:50.520
<v Speaker 2>was even worse than this cliff because you had the

1151
01:17:50.560 --> 01:17:53.520
<v Speaker 2>scan lines running through it. When they released it, it

1152
01:17:53.560 --> 01:17:58.680
<v Speaker 2>was even more what's that word contrasted? The white was cut.

1153
01:17:58.680 --> 01:18:01.960
<v Speaker 2>Where you see whites, you can't see none of the details.

1154
01:18:02.079 --> 01:18:05.000
<v Speaker 2>I mean, it was worse than this. I'm sparing your people,

1155
01:18:06.039 --> 01:18:10.319
<v Speaker 2>you know, so, but this is much better version. Okay,

1156
01:18:10.520 --> 01:18:13.399
<v Speaker 2>but it still looks off they you know, because of

1157
01:18:13.439 --> 01:18:16.199
<v Speaker 2>the angle. They weren't wanting to really tell people. They

1158
01:18:16.239 --> 01:18:18.640
<v Speaker 2>wanted you to well, they didn't want you to read.

1159
01:18:18.640 --> 01:18:20.720
<v Speaker 2>But if you read it and follow the mission and

1160
01:18:20.840 --> 01:18:24.000
<v Speaker 2>how that image was taken, you'd be like, oh, okay,

1161
01:18:24.239 --> 01:18:27.279
<v Speaker 2>you know it was way to decide we need more data,

1162
01:18:27.399 --> 01:18:30.560
<v Speaker 2>That's what we would say, right, Okay, so there you go.

1163
01:18:31.000 --> 01:18:34.840
<v Speaker 2>We have speeches and it's not to be. It's not

1164
01:18:34.880 --> 01:18:38.399
<v Speaker 2>to be. I processed this one from the raw data itself,

1165
01:18:38.760 --> 01:18:41.159
<v Speaker 2>the Saint NASA's image of what they gave you.

1166
01:18:42.199 --> 01:18:46.359
<v Speaker 1>I takes out here. What year was this image taken?

1167
01:18:47.079 --> 01:18:51.319
<v Speaker 2>Nineteen ninety eight apri it's still fairly old, okay, well, right,

1168
01:18:51.359 --> 01:18:55.960
<v Speaker 2>but then this was the first image since nineteen seventy six. Yes,

1169
01:18:56.680 --> 01:19:00.800
<v Speaker 2>and what the rectified version looks more like the seventy

1170
01:19:00.880 --> 01:19:05.119
<v Speaker 2>six version than what we've see in here, right, I mean,

1171
01:19:05.319 --> 01:19:10.199
<v Speaker 2>look how much more detail? Sorry, everyone, look how much

1172
01:19:10.279 --> 01:19:13.760
<v Speaker 2>more detail there is? And again, the art scape follow

1173
01:19:13.800 --> 01:19:16.880
<v Speaker 2>the details, the faith, all those little lines follow them

1174
01:19:16.880 --> 01:19:21.119
<v Speaker 2>all because that's not natural, that's art, that's moornate art.

1175
01:19:21.319 --> 01:19:24.079
<v Speaker 2>And you could I know that because I literally traced

1176
01:19:24.079 --> 01:19:26.880
<v Speaker 2>over it. It took me months and months to trace

1177
01:19:26.920 --> 01:19:29.720
<v Speaker 2>over every nook and cranny of this and then when

1178
01:19:29.720 --> 01:19:32.960
<v Speaker 2>I seen it to accept it, get beyond my own

1179
01:19:33.000 --> 01:19:37.000
<v Speaker 2>paradigm shift of what I had to change even as

1180
01:19:37.039 --> 01:19:39.239
<v Speaker 2>I was doing it. But once it all came in

1181
01:19:39.279 --> 01:19:42.399
<v Speaker 2>the view, I said that whole thing is artificial, and

1182
01:19:42.680 --> 01:19:44.720
<v Speaker 2>the art scape set it sits on.

1183
01:19:45.279 --> 01:19:49.279
<v Speaker 1>You can identify it as artificial. But I have to

1184
01:19:49.399 --> 01:19:50.960
<v Speaker 1>just tell you that it's disappointing.

1185
01:19:52.199 --> 01:19:54.239
<v Speaker 2>And I'm not saying that your.

1186
01:19:54.119 --> 01:19:56.640
<v Speaker 1>Work isn't good. Gary, Your work is good. You're a

1187
01:19:56.640 --> 01:20:00.920
<v Speaker 1>good imager, you're a good enhancer. But it's still compared

1188
01:20:00.960 --> 01:20:04.560
<v Speaker 1>to the very first series. It's a disappointment because I

1189
01:20:04.560 --> 01:20:11.920
<v Speaker 1>want to see, well, from the thirty five A seventy two.

1190
01:20:13.560 --> 01:20:16.039
<v Speaker 2>Well, this is my resolution, you can pull more data

1191
01:20:16.039 --> 01:20:18.520
<v Speaker 2>out of it. I'm just saying in the thirty five

1192
01:20:18.520 --> 01:20:21.920
<v Speaker 2>A seventy two what you've seen back here already when

1193
01:20:21.960 --> 01:20:24.119
<v Speaker 2>I showed, that's the most data you can really pull

1194
01:20:24.159 --> 01:20:27.119
<v Speaker 2>out of that at that resolution of that analog camera

1195
01:20:27.159 --> 01:20:31.720
<v Speaker 2>at that time. So that believe me, I know, but

1196
01:20:32.640 --> 01:20:36.199
<v Speaker 2>it's all still worthy for comparative analysis, which is what

1197
01:20:36.239 --> 01:20:38.760
<v Speaker 2>I had to do in order to really learn to face.

1198
01:20:38.800 --> 01:20:40.560
<v Speaker 2>It ain't going to come from one image. You got

1199
01:20:40.560 --> 01:20:44.159
<v Speaker 2>to confirm things that you think, you see, things that

1200
01:20:44.279 --> 01:20:47.239
<v Speaker 2>are there, and then make it make more sense by

1201
01:20:47.279 --> 01:20:50.039
<v Speaker 2>continuing study it by the more data we get.

1202
01:20:50.279 --> 01:20:53.880
<v Speaker 1>Let me ask you this, The European Space Agency took

1203
01:20:53.960 --> 01:20:59.840
<v Speaker 1>independent images of that face that are much more color.

1204
01:21:00.359 --> 01:21:03.399
<v Speaker 1>I think they use some kind of specialized camera, and

1205
01:21:03.720 --> 01:21:08.960
<v Speaker 1>I think even those are better than this, the NASSA version.

1206
01:21:09.680 --> 01:21:12.079
<v Speaker 1>See this is right now. You show me this right now,

1207
01:21:12.079 --> 01:21:15.119
<v Speaker 1>I'm like, what's you're comparing them? It's like they're two

1208
01:21:15.199 --> 01:21:16.640
<v Speaker 1>different images.

1209
01:21:16.760 --> 01:21:21.079
<v Speaker 2>Ah now, well one is the seventy eight thirteen face

1210
01:21:21.159 --> 01:21:24.720
<v Speaker 2>on the left. That's the Viking phase from the one

1211
01:21:24.720 --> 01:21:29.439
<v Speaker 2>I showed you without casting that shadow. Now, doctor Carlotto

1212
01:21:29.560 --> 01:21:32.199
<v Speaker 2>did this to show what I just described to you

1213
01:21:32.239 --> 01:21:35.079
<v Speaker 2>all on how they took this image of the face

1214
01:21:35.159 --> 01:21:38.680
<v Speaker 2>to begin with, because it's at a side angle view,

1215
01:21:39.039 --> 01:21:42.760
<v Speaker 2>and the better to describe that is by doctor Carlotto

1216
01:21:43.279 --> 01:21:46.159
<v Speaker 2>shifting the view of the Viking phase so you could

1217
01:21:46.359 --> 01:21:49.439
<v Speaker 2>better understand what I just described that they imaged it

1218
01:21:49.479 --> 01:21:52.319
<v Speaker 2>out of view, you know what I mean, that's how

1219
01:21:52.359 --> 01:21:55.399
<v Speaker 2>they took it. They weren't nowhere near overhead. They were

1220
01:21:55.439 --> 01:21:58.880
<v Speaker 2>way over yonder looking at it. Hey, you know, let's

1221
01:21:58.880 --> 01:22:00.760
<v Speaker 2>try to make this not look like a face and

1222
01:22:00.880 --> 01:22:06.399
<v Speaker 2>how people were right over it. Crap, but anyway, but

1223
01:22:06.560 --> 01:22:10.920
<v Speaker 2>at the Corlado put this best representation together, which is

1224
01:22:10.960 --> 01:22:21.159
<v Speaker 2>really cool. Now this two years after this escapade, right,

1225
01:22:22.560 --> 01:22:30.800
<v Speaker 2>two years after, three years after we finally get a

1226
01:22:31.399 --> 01:22:35.319
<v Speaker 2>with them getting the image right above the face. You know,

1227
01:22:35.680 --> 01:22:38.880
<v Speaker 2>so this is what it is.

1228
01:22:39.720 --> 01:22:44.119
<v Speaker 1>I still think one I think that that has still

1229
01:22:44.239 --> 01:22:50.640
<v Speaker 1>been uh uh edited heavily edited by NASA. Number one.

1230
01:22:51.439 --> 01:22:55.439
<v Speaker 1>Number two is in that first image the well, the

1231
01:22:56.680 --> 01:23:03.319
<v Speaker 1>design of the eye is much deeper, much more clarified,

1232
01:23:03.840 --> 01:23:08.279
<v Speaker 1>the nose, the mouth. This is so heavily edited, it's ridiculous.

1233
01:23:09.199 --> 01:23:14.840
<v Speaker 2>Well again from various points of view. It's what it

1234
01:23:14.880 --> 01:23:18.319
<v Speaker 2>falls down to now is if it's the shape of

1235
01:23:18.479 --> 01:23:21.319
<v Speaker 2>why they wanted to use the shape against us and

1236
01:23:21.439 --> 01:23:24.199
<v Speaker 2>the declar side of face, why looking at an angle

1237
01:23:24.239 --> 01:23:28.000
<v Speaker 2>claiming it was above is in order to hide the

1238
01:23:28.079 --> 01:23:31.640
<v Speaker 2>symbolic because it doesn't just have the horminid side. We're

1239
01:23:31.680 --> 01:23:33.399
<v Speaker 2>gonna get into that and I'll show you that. But

1240
01:23:33.520 --> 01:23:36.960
<v Speaker 2>that's jumping ahead. But this was what we got in

1241
01:23:37.000 --> 01:23:42.279
<v Speaker 2>two thousand and one Space Odyssey. Everything symbolic. Now I

1242
01:23:42.319 --> 01:23:45.000
<v Speaker 2>had the processes from the raw and I could and

1243
01:23:45.039 --> 01:23:49.239
<v Speaker 2>I have processed it better. They give it out where

1244
01:23:49.279 --> 01:23:51.880
<v Speaker 2>the details you see like where are white? You know,

1245
01:23:52.199 --> 01:23:55.680
<v Speaker 2>it's like more contrasted as hard as it's softened. You

1246
01:23:55.720 --> 01:23:58.520
<v Speaker 2>don't get the CDR escape around it too well. And

1247
01:23:58.560 --> 01:24:02.079
<v Speaker 2>if you do, it's it's often it's like it's hard

1248
01:24:02.079 --> 01:24:03.800
<v Speaker 2>to You got to study it. That's why I said,

1249
01:24:03.880 --> 01:24:06.239
<v Speaker 2>there's no way to really learn to face or not

1250
01:24:06.319 --> 01:24:09.520
<v Speaker 2>to face unless you closely study it. You in comparative

1251
01:24:09.520 --> 01:24:14.279
<v Speaker 2>analysis with multiple other images and uh, in order to

1252
01:24:15.960 --> 01:24:19.520
<v Speaker 2>confirm that that seventy six face is this face now

1253
01:24:20.239 --> 01:24:22.800
<v Speaker 2>the most that they have tried to do, Cliff, which

1254
01:24:22.800 --> 01:24:26.680
<v Speaker 2>we're gonna show. I show that because the busting this

1255
01:24:26.760 --> 01:24:30.159
<v Speaker 2>is a little bit better processing job. I just wanted

1256
01:24:30.199 --> 01:24:31.960
<v Speaker 2>to show you the difference.

1257
01:24:31.600 --> 01:24:34.920
<v Speaker 1>Is just ask you real quickly, Gary, when you're processing

1258
01:24:35.520 --> 01:24:44.720
<v Speaker 1>the raw data, Ah, so you're you're you're clarifying, uh layers,

1259
01:24:45.119 --> 01:24:47.600
<v Speaker 1>How talk about your process.

1260
01:24:47.359 --> 01:24:51.439
<v Speaker 2>It's funny. It's funny to say that because as I'm

1261
01:24:51.479 --> 01:24:55.319
<v Speaker 2>processing it I could swear I'm having the like you said,

1262
01:24:55.399 --> 01:24:57.680
<v Speaker 2>or you brought up layers like I have to get

1263
01:24:57.760 --> 01:25:01.840
<v Speaker 2>through something that just doesn't seem that natural that I

1264
01:25:01.840 --> 01:25:04.239
<v Speaker 2>should be able to see and bring out more easily.

1265
01:25:04.560 --> 01:25:06.960
<v Speaker 2>I have to dig down more, and I could still

1266
01:25:07.000 --> 01:25:08.960
<v Speaker 2>do that to many of my images, and it still

1267
01:25:09.000 --> 01:25:11.199
<v Speaker 2>needs that. But I've gotten through a lot of the

1268
01:25:11.239 --> 01:25:13.840
<v Speaker 2>fluff to get to be able to see the tattoo

1269
01:25:13.880 --> 01:25:16.560
<v Speaker 2>as it was, to show that, hey, this thing is

1270
01:25:16.560 --> 01:25:19.560
<v Speaker 2>not natural, This isn't sand and dirt. I don't see

1271
01:25:19.600 --> 01:25:22.279
<v Speaker 2>any erosion because it's all part of the art. There

1272
01:25:22.359 --> 01:25:24.680
<v Speaker 2>might be a couple of little crumblies, but this thing

1273
01:25:24.760 --> 01:25:27.199
<v Speaker 2>is fairly in pressing in shape as well as the

1274
01:25:27.279 --> 01:25:30.880
<v Speaker 2>art escape as sits on, despite craters here and there.

1275
01:25:31.159 --> 01:25:34.439
<v Speaker 2>In fact, many craters are also. I questioned it it

1276
01:25:34.439 --> 01:25:36.800
<v Speaker 2>could be craters at all, because they seem to be

1277
01:25:36.920 --> 01:25:43.800
<v Speaker 2>fused in the art scapes of or after the accident happened,

1278
01:25:43.800 --> 01:25:46.960
<v Speaker 2>it was modified again to fit it into the artscapes,

1279
01:25:47.279 --> 01:25:50.359
<v Speaker 2>which brings implications there too. Someone must have been there

1280
01:25:50.439 --> 01:25:52.680
<v Speaker 2>to try to do a fix up. I don't know

1281
01:25:53.279 --> 01:25:55.520
<v Speaker 2>that these are just questions at the top of my

1282
01:25:55.520 --> 01:25:57.520
<v Speaker 2>head of notes I made I'm just.

1283
01:25:57.239 --> 01:26:00.880
<v Speaker 1>Asking the question as a novice to this whole thing.

1284
01:26:01.000 --> 01:26:01.640
<v Speaker 2>It's the eye.

1285
01:26:02.399 --> 01:26:06.560
<v Speaker 1>Do you think that at some point they'll go, oh, well,

1286
01:26:06.640 --> 01:26:11.520
<v Speaker 1>our camera wasn't really functioning well. And at some point

1287
01:26:11.560 --> 01:26:15.920
<v Speaker 1>they'll show a true version of the face and say, ah,

1288
01:26:16.159 --> 01:26:17.479
<v Speaker 1>now we had the right camera.

1289
01:26:18.880 --> 01:26:23.439
<v Speaker 2>Well that we have that now with Marty's reconnaissance orbiter.

1290
01:26:23.760 --> 01:26:26.039
<v Speaker 2>But even though they soar from a lot of things

1291
01:26:26.039 --> 01:26:27.880
<v Speaker 2>and do a lot of things to where if you

1292
01:26:27.880 --> 01:26:29.319
<v Speaker 2>don't know what you're looking at, it's going to be

1293
01:26:29.359 --> 01:26:31.640
<v Speaker 2>harder to match up. I know what I'm looking at.

1294
01:26:31.720 --> 01:26:36.119
<v Speaker 2>I matched up details. I see that face, and no

1295
01:26:36.199 --> 01:26:38.760
<v Speaker 2>offense to any other researchers. They're limited on how they

1296
01:26:38.840 --> 01:26:41.600
<v Speaker 2>know the face. They see the math, they see the science,

1297
01:26:41.640 --> 01:26:44.680
<v Speaker 2>they see geometry. I see the art. As an artist,

1298
01:26:45.079 --> 01:26:47.720
<v Speaker 2>I see the art, and I've had several tattoo artists.

1299
01:26:47.880 --> 01:26:49.800
<v Speaker 2>I've helped them to see this too, and it flipped

1300
01:26:49.800 --> 01:26:55.239
<v Speaker 2>them out. Now, the so, like the eye you mentioned,

1301
01:26:55.560 --> 01:26:58.960
<v Speaker 2>the eye isn't this feature is not flat everyone. That's

1302
01:26:58.960 --> 01:27:01.359
<v Speaker 2>what I'm trying to tell you. NASA sorphans is to

1303
01:27:01.439 --> 01:27:04.479
<v Speaker 2>try to make it look as flat as possible. Therefore,

1304
01:27:04.760 --> 01:27:06.720
<v Speaker 2>it's a shape issue. That's why they had to look

1305
01:27:06.720 --> 01:27:10.399
<v Speaker 2>at it at a s form slide angle. Despite the details,

1306
01:27:10.439 --> 01:27:13.159
<v Speaker 2>the relief, they'll try to off you skates some they

1307
01:27:13.159 --> 01:27:15.439
<v Speaker 2>want to make try to make this look as flat

1308
01:27:15.760 --> 01:27:19.880
<v Speaker 2>as natural as possible, and yet it is not as contrere.

1309
01:27:20.399 --> 01:27:23.039
<v Speaker 2>But uh, the data is out, at least the red data.

1310
01:27:23.079 --> 01:27:25.680
<v Speaker 2>You can peer through that. But they know many aren't

1311
01:27:25.680 --> 01:27:27.439
<v Speaker 2>going to do that. Many don't know how to do that,

1312
01:27:27.479 --> 01:27:30.840
<v Speaker 2>and they make it nearly impossible for anyone to even trying.

1313
01:27:31.359 --> 01:27:34.720
<v Speaker 2>And you know, but I did. You know I did,

1314
01:27:34.840 --> 01:27:35.520
<v Speaker 2>And whether I'm.

1315
01:27:35.399 --> 01:27:38.720
<v Speaker 1>Purse or blessing, if they if they're using photoshop and

1316
01:27:38.920 --> 01:27:43.520
<v Speaker 1>they're photo details, that's a little bit better. If they're

1317
01:27:43.560 --> 01:27:44.479
<v Speaker 1>photo shopping out.

1318
01:27:45.159 --> 01:27:47.119
<v Speaker 2>Now you see what I'm saying in glyv you just

1319
01:27:47.159 --> 01:27:50.119
<v Speaker 2>said that's a little better. Now, this is even better

1320
01:27:50.159 --> 01:27:52.640
<v Speaker 2>what I did here than what they have given out

1321
01:27:52.640 --> 01:27:55.640
<v Speaker 2>for sure. But I'm just going through like different processes

1322
01:27:56.039 --> 01:28:00.560
<v Speaker 2>of processing it. That's like the show for detail stages

1323
01:28:00.920 --> 01:28:03.920
<v Speaker 2>right as an example of what is seen. I make

1324
01:28:03.960 --> 01:28:06.319
<v Speaker 2>sure the air force is clean. I could bring out more.

1325
01:28:06.960 --> 01:28:08.880
<v Speaker 2>When I'm at that point, I believe I could, And

1326
01:28:09.039 --> 01:28:11.319
<v Speaker 2>I go to the next step, which is this to

1327
01:28:11.359 --> 01:28:14.600
<v Speaker 2>bring out more right, and then I go to the

1328
01:28:14.640 --> 01:28:18.039
<v Speaker 2>next step, bring out even more and like you just said,

1329
01:28:18.039 --> 01:28:20.399
<v Speaker 2>that's a little better. It's the same image, but you

1330
01:28:20.560 --> 01:28:24.640
<v Speaker 2>just said this is a little better. Now. So now

1331
01:28:25.600 --> 01:28:29.720
<v Speaker 2>these different examples, you get to see the things that

1332
01:28:29.800 --> 01:28:32.239
<v Speaker 2>NASA is really trying to hide, because why am I

1333
01:28:32.359 --> 01:28:36.199
<v Speaker 2>doing this? Why is it me that is doing this

1334
01:28:36.319 --> 01:28:39.680
<v Speaker 2>the show everyone else they should give me the damn job,

1335
01:28:39.920 --> 01:28:44.600
<v Speaker 2>but they won't. I'm a feeler, you know, But think

1336
01:28:44.640 --> 01:28:47.199
<v Speaker 2>about it. You bring up very good points and it's

1337
01:28:47.279 --> 01:28:51.039
<v Speaker 2>very important. That's why over the years, remember all these

1338
01:28:51.079 --> 01:28:53.760
<v Speaker 2>images we have now with a face Cliff and everyone

1339
01:28:54.399 --> 01:28:57.079
<v Speaker 2>trip trip a year or two or three or four

1340
01:28:57.159 --> 01:29:00.800
<v Speaker 2>goes why trip drip drip drip. You know, now the

1341
01:29:00.880 --> 01:29:03.640
<v Speaker 2>drinds are starting to happen more so. But it's like,

1342
01:29:04.119 --> 01:29:08.079
<v Speaker 2>that's why it took me twenty years, since two thousand

1343
01:29:08.119 --> 01:29:11.079
<v Speaker 2>and one, they've released this, since ninety eight when it

1344
01:29:11.119 --> 01:29:14.359
<v Speaker 2>first started for me now to be able to come

1345
01:29:14.439 --> 01:29:15.960
<v Speaker 2>up with the idea because I don't see no one

1346
01:29:16.000 --> 01:29:19.800
<v Speaker 2>else doing it. To compile this book together, utilizing all

1347
01:29:19.840 --> 01:29:22.720
<v Speaker 2>the images of the face and the various different views

1348
01:29:23.199 --> 01:29:26.800
<v Speaker 2>and the show what we have now of the face

1349
01:29:26.920 --> 01:29:30.880
<v Speaker 2>it's basically a compendium of the continued research into the

1350
01:29:30.960 --> 01:29:34.600
<v Speaker 2>face at a different approach, not like the scientifics of Hoagland,

1351
01:29:34.640 --> 01:29:37.479
<v Speaker 2>Porlado and all that. They again, they only had a

1352
01:29:37.520 --> 01:29:41.000
<v Speaker 2>minimal amount of imagery. Think about if they started working

1353
01:29:41.039 --> 01:29:43.920
<v Speaker 2>with all the modern imagery like I do in this

1354
01:29:44.000 --> 01:29:47.279
<v Speaker 2>book now to go by to show this is not

1355
01:29:47.439 --> 01:29:50.840
<v Speaker 2>closed at all. Now, so, like you said, that's two

1356
01:29:50.880 --> 01:29:53.720
<v Speaker 2>thousand and one. That's a little better. Now here's a

1357
01:29:53.760 --> 01:29:54.840
<v Speaker 2>Mars odisy view.

1358
01:29:55.399 --> 01:29:58.840
<v Speaker 1>Oh my god, now this is nice. See this has

1359
01:29:58.960 --> 01:30:00.319
<v Speaker 1>a really well defined.

1360
01:30:01.960 --> 01:30:05.079
<v Speaker 2>Yes, and it helps you can tell the shape to

1361
01:30:05.159 --> 01:30:09.720
<v Speaker 2>it because of the shadow. There's death. There's death to it.

1362
01:30:10.079 --> 01:30:11.880
<v Speaker 2>This thing is not flat at all.

1363
01:30:12.600 --> 01:30:16.359
<v Speaker 1>Okay, I'm sorry. Who shot? Is this a European space agency?

1364
01:30:16.840 --> 01:30:20.479
<v Speaker 2>No? This one, this one is of the resolution max

1365
01:30:20.520 --> 01:30:24.800
<v Speaker 2>resolution of the type of quality resolution of Mars express

1366
01:30:25.359 --> 01:30:28.199
<v Speaker 2>Mars expresses camera. Well, we'll get into that in a minute.

1367
01:30:28.520 --> 01:30:32.960
<v Speaker 2>Has stereo stereo camera, not just one lens. It has

1368
01:30:33.000 --> 01:30:36.079
<v Speaker 2>a stereo camera zooming down and I'll tell you something.

1369
01:30:36.399 --> 01:30:38.279
<v Speaker 1>So here's the question I have for you, is the

1370
01:30:38.319 --> 01:30:42.359
<v Speaker 1>imager do you think this is? I think it's been manipulated,

1371
01:30:42.399 --> 01:30:44.680
<v Speaker 1>but not as badly as NASA.

1372
01:30:45.199 --> 01:30:47.880
<v Speaker 2>Yeah, well this is this is NASA's image. This is

1373
01:30:47.880 --> 01:30:48.800
<v Speaker 2>from More's honesty.

1374
01:30:49.159 --> 01:30:52.279
<v Speaker 1>But my question to you is based on our early

1375
01:30:52.840 --> 01:30:57.920
<v Speaker 1>image that they took from that uh Viking image, that

1376
01:30:58.039 --> 01:31:01.640
<v Speaker 1>Viking photo, how much manipulation you think this is? I

1377
01:31:01.720 --> 01:31:05.399
<v Speaker 1>think this has had probably i'd say sixty to seventy percent,

1378
01:31:05.560 --> 01:31:11.439
<v Speaker 1>but they've left a lot of the original uh rendering,

1379
01:31:11.800 --> 01:31:16.359
<v Speaker 1>carving in text, especially with that eye, that eye giveaway.

1380
01:31:17.039 --> 01:31:19.600
<v Speaker 2>Now let me let me make this point too. This

1381
01:31:19.760 --> 01:31:22.279
<v Speaker 2>image you see here, NASA did not release it like

1382
01:31:22.479 --> 01:31:26.159
<v Speaker 2>looking like this. They release it to where basically the

1383
01:31:26.199 --> 01:31:30.920
<v Speaker 2>whole hominid side of the face is practically over contrasted.

1384
01:31:31.560 --> 01:31:33.680
<v Speaker 2>I bring out the details even though this is the

1385
01:31:33.720 --> 01:31:36.199
<v Speaker 2>best mors odyssey of the face we got. That's why

1386
01:31:36.279 --> 01:31:38.399
<v Speaker 2>it and you're gonna see where I go with it,

1387
01:31:38.680 --> 01:31:43.600
<v Speaker 2>and that what I compare it to and with excuse me,

1388
01:31:43.920 --> 01:31:47.600
<v Speaker 2>but notice Cliff why I also want to focus. Remember

1389
01:31:47.640 --> 01:31:51.800
<v Speaker 2>I said, no other image imagers taking a picture of

1390
01:31:51.800 --> 01:31:55.439
<v Speaker 2>the face casting a shadow, except mores expressed and a

1391
01:31:55.560 --> 01:31:59.920
<v Speaker 2>much lower resolution, smaller looking we More's odysty took a

1392
01:32:00.039 --> 01:32:03.119
<v Speaker 2>great image with the shadow just starting to come off.

1393
01:32:04.239 --> 01:32:07.000
<v Speaker 2>See got there at the corner. The shadow is just

1394
01:32:07.039 --> 01:32:10.000
<v Speaker 2>starting to come off. And guess what I did a

1395
01:32:10.079 --> 01:32:12.359
<v Speaker 2>shape from shading up. Oh I SHOs show you that,

1396
01:32:13.279 --> 01:32:17.439
<v Speaker 2>damn it. But anyway, uh maybe but anyway, or I

1397
01:32:17.520 --> 01:32:21.680
<v Speaker 2>might make a video of it, but either way showing

1398
01:32:21.720 --> 01:32:24.439
<v Speaker 2>that it has contours. You just said that like you're

1399
01:32:24.479 --> 01:32:28.439
<v Speaker 2>seeing details that other Moras Odyssey images were not really

1400
01:32:28.479 --> 01:32:31.640
<v Speaker 2>showing you. But also at the same time, this isn't

1401
01:32:31.680 --> 01:32:34.159
<v Speaker 2>showing some of the details of some of even other

1402
01:32:34.279 --> 01:32:38.680
<v Speaker 2>these Moras Odyssey images. If because the tricks a light

1403
01:32:38.760 --> 01:32:43.399
<v Speaker 2>and shadow instead of negative way, it's a positive way

1404
01:32:43.399 --> 01:32:47.079
<v Speaker 2>because this face was sculpted using the mastery of tricks

1405
01:32:47.079 --> 01:32:49.359
<v Speaker 2>and light and shadow and of the sun, whether it's

1406
01:32:49.439 --> 01:32:52.760
<v Speaker 2>position of day and the sky, a position of season,

1407
01:32:53.119 --> 01:32:58.520
<v Speaker 2>position of epoch forrobably now but uh, it's really incredible.

1408
01:32:59.479 --> 01:33:02.720
<v Speaker 2>The detail shows. I knew you would focus on the eye,

1409
01:33:02.960 --> 01:33:05.920
<v Speaker 2>but not only are I notice the mouth. No matter

1410
01:33:05.960 --> 01:33:09.800
<v Speaker 2>what image they give us, they always want us knowing

1411
01:33:10.000 --> 01:33:13.000
<v Speaker 2>that people always just focus on the eye and what

1412
01:33:13.239 --> 01:33:16.720
<v Speaker 2>the mouth. You can even whether you contrast the most,

1413
01:33:16.760 --> 01:33:19.720
<v Speaker 2>you can't not get rid of the eye or the mouth.

1414
01:33:20.159 --> 01:33:23.960
<v Speaker 2>So that's why they obviouscate it, which means what. This

1415
01:33:24.000 --> 01:33:27.039
<v Speaker 2>thing is not flat, That mouth is open, and it's

1416
01:33:27.079 --> 01:33:32.840
<v Speaker 2>a beautifully sculpted head though, I'll tell you that. I

1417
01:33:32.920 --> 01:33:36.960
<v Speaker 2>that's genius to show the lid. It's a master of art.

1418
01:33:37.239 --> 01:33:40.239
<v Speaker 1>Yeah, I mean I can tell that. And the thing

1419
01:33:40.279 --> 01:33:43.640
<v Speaker 1>that's so amazing is that the sheer scale of this

1420
01:33:43.720 --> 01:33:48.800
<v Speaker 1>thing miles and miles of length. That eye is probably

1421
01:33:49.920 --> 01:33:52.560
<v Speaker 1>you know, who knows a quarter of a mile long by.

1422
01:33:52.640 --> 01:33:56.720
<v Speaker 2>Well, from the top, from the top to the bottom

1423
01:33:56.920 --> 01:33:59.239
<v Speaker 2>of the chin is one and a half miles. I

1424
01:33:59.279 --> 01:34:05.119
<v Speaker 2>mean from left to right it's one mile high. Is bigger,

1425
01:34:05.279 --> 01:34:07.399
<v Speaker 2>is much bigger than a jet. Let's put that way.

1426
01:34:07.439 --> 01:34:11.399
<v Speaker 2>A jet is pretty small when and I have an

1427
01:34:11.399 --> 01:34:15.319
<v Speaker 2>Apple picture in the book comparison how a seven fifty

1428
01:34:15.359 --> 01:34:18.439
<v Speaker 2>seven jet would look flying over the eye. This thing

1429
01:34:18.520 --> 01:34:22.039
<v Speaker 2>is huge. So you're right, you know it was meant

1430
01:34:22.079 --> 01:34:25.000
<v Speaker 2>to be seen. I think that's the point you're trying,

1431
01:34:25.119 --> 01:34:29.000
<v Speaker 2>really trying to make because it's so pronounced. Now here's

1432
01:34:29.079 --> 01:34:34.199
<v Speaker 2>Moore's express. Now it's basically the same type of resolution,

1433
01:34:34.560 --> 01:34:38.840
<v Speaker 2>but there is a stereo camera. But here's one difference.

1434
01:34:38.960 --> 01:34:42.439
<v Speaker 2>Look at all those details. Remember what I said about

1435
01:34:42.920 --> 01:34:47.479
<v Speaker 2>seeing the rscapes. Look at this, Look at these details.

1436
01:34:50.119 --> 01:34:53.920
<v Speaker 2>Look at that. What's NASA's camera missing. I mean I

1437
01:34:53.920 --> 01:34:56.479
<v Speaker 2>could see the points. I could see that it's there

1438
01:34:56.720 --> 01:34:59.399
<v Speaker 2>in EU since especially when you learn the service, learn

1439
01:34:59.439 --> 01:35:01.640
<v Speaker 2>how to see it, learn what you're looking at, and

1440
01:35:01.680 --> 01:35:05.000
<v Speaker 2>then when you compare it to moors express, it brings

1441
01:35:05.039 --> 01:35:10.079
<v Speaker 2>it out more moresbout the tattoo. That's so express brings

1442
01:35:10.079 --> 01:35:13.039
<v Speaker 2>out the tattoo. And ess what do you see? What

1443
01:35:13.079 --> 01:35:15.359
<v Speaker 2>do you think of the same as compared to honysty.

1444
01:35:15.520 --> 01:35:18.279
<v Speaker 1>I'm telling you it's low res and it's an embarrassment.

1445
01:35:19.840 --> 01:35:22.359
<v Speaker 2>I can't and you can't still see a face.

1446
01:35:22.560 --> 01:35:24.359
<v Speaker 1>I can see the eye of the part of the mouth,

1447
01:35:24.399 --> 01:35:27.800
<v Speaker 1>but it's it's like, why are they giving us imagery

1448
01:35:27.840 --> 01:35:31.159
<v Speaker 1>that is childish?

1449
01:35:31.760 --> 01:35:33.800
<v Speaker 2>I guess it's the level of tech they give us.

1450
01:35:33.800 --> 01:35:37.119
<v Speaker 2>They're not giving us their fullest resis and and everything.

1451
01:35:37.399 --> 01:35:39.359
<v Speaker 2>We need. Light er on these these will bring out

1452
01:35:39.359 --> 01:35:45.159
<v Speaker 2>the tattoos all the more. But in order for me,

1453
01:35:45.560 --> 01:35:46.000
<v Speaker 2>this is.

1454
01:35:45.960 --> 01:35:49.079
<v Speaker 5>How it looks, in order for me to pull out

1455
01:35:49.159 --> 01:35:55.000
<v Speaker 5>the tattoo sore. So that's the image you started with,

1456
01:35:55.079 --> 01:35:58.439
<v Speaker 5>Pury What just the image you started with?

1457
01:36:00.119 --> 01:36:04.039
<v Speaker 2>No the nineteen ninety eight pat box image In nineteen

1458
01:36:04.119 --> 01:36:05.560
<v Speaker 2>ninety eight. No, no, no, no, no.

1459
01:36:05.600 --> 01:36:11.960
<v Speaker 1>The image before this, which is Mar's honesty. Is this

1460
01:36:12.039 --> 01:36:14.239
<v Speaker 1>the final image or is this cleaned up?

1461
01:36:15.279 --> 01:36:18.079
<v Speaker 2>No? This is processed from the raw that I do myself.

1462
01:36:18.159 --> 01:36:21.039
<v Speaker 2>When you do the raw of the odysseys, they come

1463
01:36:21.079 --> 01:36:24.880
<v Speaker 2>in strips. You have to you have to process these

1464
01:36:24.880 --> 01:36:27.560
<v Speaker 2>strip and then stiff the strips together to make an

1465
01:36:27.560 --> 01:36:28.720
<v Speaker 2>amiss an image.

1466
01:36:28.880 --> 01:36:34.720
<v Speaker 1>It's still missing a lot of data. It's like, well,

1467
01:36:35.119 --> 01:36:37.960
<v Speaker 1>you published it, but it's missing a lot they took

1468
01:36:38.000 --> 01:36:39.399
<v Speaker 1>out and I can.

1469
01:36:39.359 --> 01:36:41.359
<v Speaker 2>Still bring out. I can still bring out more of

1470
01:36:41.399 --> 01:36:44.359
<v Speaker 2>the relief, but I see it faintly. Once I see

1471
01:36:44.399 --> 01:36:46.720
<v Speaker 2>it faintly, and I see it in my opinion, it's clean.

1472
01:36:47.800 --> 01:36:50.399
<v Speaker 2>Until I get another version of something else. I can

1473
01:36:50.479 --> 01:36:53.119
<v Speaker 2>always go back to this. And as I learned more

1474
01:36:53.159 --> 01:36:55.039
<v Speaker 2>how to get through these levels, I had to go

1475
01:36:55.119 --> 01:36:57.159
<v Speaker 2>through this just for you to see the detail you

1476
01:36:57.199 --> 01:37:01.199
<v Speaker 2>have here, which is the details we see here. Yeah,

1477
01:37:02.359 --> 01:37:05.079
<v Speaker 2>you know again, it would look even better than this

1478
01:37:05.159 --> 01:37:08.680
<v Speaker 2>one now, the beauty of it, they're almost a match.

1479
01:37:08.720 --> 01:37:12.359
<v Speaker 2>And resolution and everything and position of which of what,

1480
01:37:12.680 --> 01:37:15.680
<v Speaker 2>uh of where the camera took it, but a different

1481
01:37:15.720 --> 01:37:19.079
<v Speaker 2>time of day. Now here's what I get when I

1482
01:37:19.199 --> 01:37:22.840
<v Speaker 2>merged the two together. This is what you get when

1483
01:37:22.880 --> 01:37:30.600
<v Speaker 2>I merged the Mars honesty, this one with this one,

1484
01:37:32.119 --> 01:37:37.039
<v Speaker 2>we get this one obviously bringing them both together. What

1485
01:37:37.199 --> 01:37:38.520
<v Speaker 2>is your opinion, Cliff.

1486
01:37:38.319 --> 01:37:42.239
<v Speaker 1>Much better this is on the back, Yeah, you do.

1487
01:37:43.359 --> 01:37:48.960
<v Speaker 1>This has more dimension, more depth this one has, and.

1488
01:37:49.039 --> 01:37:52.319
<v Speaker 2>Each image being different times in the day, they both

1489
01:37:52.439 --> 01:37:56.600
<v Speaker 2>add to bring out the details better. So therefore this

1490
01:37:56.680 --> 01:38:00.479
<v Speaker 2>is an unprecedented unreleased image from anyone though there cause

1491
01:38:00.520 --> 01:38:03.920
<v Speaker 2>they both come from released images. But when you fuse

1492
01:38:04.000 --> 01:38:07.000
<v Speaker 2>them together, make sure everything's matched up right, because you

1493
01:38:07.000 --> 01:38:09.119
<v Speaker 2>don't want it to you know what I mean, everything

1494
01:38:09.279 --> 01:38:13.239
<v Speaker 2>size right, matched up. We get therefore it's like a

1495
01:38:13.279 --> 01:38:17.520
<v Speaker 2>new image. But notice it's coming from me and not NASA. Yeah.

1496
01:38:17.920 --> 01:38:22.119
<v Speaker 1>Why The interesting thing about this is that you've done

1497
01:38:22.199 --> 01:38:26.199
<v Speaker 1>what you could with the data, but it was purpose

1498
01:38:26.600 --> 01:38:30.920
<v Speaker 1>purposefully edited out in certain areas, so there's there's no detail,

1499
01:38:31.000 --> 01:38:33.479
<v Speaker 1>Like the mouth is only the upper part of the lip.

1500
01:38:34.039 --> 01:38:36.600
<v Speaker 1>There's a big, huge space where they want us to

1501
01:38:36.640 --> 01:38:39.600
<v Speaker 1>believe that there was some damage or something. Likely they

1502
01:38:39.640 --> 01:38:40.359
<v Speaker 1>just took it out.

1503
01:38:40.640 --> 01:38:42.960
<v Speaker 2>They just it's it's all it's all art carved. There's

1504
01:38:43.000 --> 01:38:47.000
<v Speaker 2>no damage. It's all art carves. And you know, think

1505
01:38:47.039 --> 01:38:49.119
<v Speaker 2>giving me everyone of what you will. I know what

1506
01:38:49.159 --> 01:38:51.319
<v Speaker 2>I'm talking about. I know the face. I'm an expert

1507
01:38:51.359 --> 01:38:53.720
<v Speaker 2>on the face, so I it feel some people laugh

1508
01:38:53.800 --> 01:38:56.319
<v Speaker 2>and yeah, yeah, I've been studying this for years and

1509
01:38:56.399 --> 01:38:59.239
<v Speaker 2>as an artist, every feature that you're seeing is really

1510
01:38:59.279 --> 01:39:03.359
<v Speaker 2>there the face. This is Artistlary Card. It's not no dunes,

1511
01:39:03.399 --> 01:39:07.199
<v Speaker 2>no erosion. That's great, not even standing dirt. If anything,

1512
01:39:07.520 --> 01:39:11.840
<v Speaker 2>this that image should have been your help bring out

1513
01:39:11.840 --> 01:39:14.399
<v Speaker 2>that heavy metal. Yeah, very cool.

1514
01:39:14.680 --> 01:39:17.319
<v Speaker 1>Okay, keep showing us more you get more evolution of this.

1515
01:39:17.560 --> 01:39:22.479
<v Speaker 2>Oh indeed, all right, So now this is a Moores

1516
01:39:22.520 --> 01:39:28.880
<v Speaker 2>Reconnaissance Orbiter context image. Now this is the image where

1517
01:39:29.760 --> 01:39:34.000
<v Speaker 2>beautiful detail. It's lower resolution than More's Global Surveyor, but

1518
01:39:34.039 --> 01:39:38.680
<v Speaker 2>it's definitely higher resolution than Moore's Express and Moore's odysty.

1519
01:39:39.000 --> 01:39:42.159
<v Speaker 2>And again, notice how when I fuse them, I only

1520
01:39:42.199 --> 01:39:44.520
<v Speaker 2>did it enough. I could have done a little better,

1521
01:39:44.560 --> 01:39:47.199
<v Speaker 2>but I wanted to show what the little shadow coming

1522
01:39:47.239 --> 01:39:50.279
<v Speaker 2>off from the bottom right. You see that? Yeah, So

1523
01:39:50.520 --> 01:39:53.000
<v Speaker 2>that's that's why that's there, because in this you obviously

1524
01:39:53.039 --> 01:39:56.720
<v Speaker 2>don't see it, but here you do. So that's why

1525
01:39:56.800 --> 01:40:00.359
<v Speaker 2>it's important because you have details being seen here that

1526
01:40:00.399 --> 01:40:02.439
<v Speaker 2>are not so easily seen in here. But when you

1527
01:40:02.560 --> 01:40:06.880
<v Speaker 2>merge them, like you said, it changes the perspective and

1528
01:40:07.039 --> 01:40:11.399
<v Speaker 2>it and it validates what each image actually has to show,

1529
01:40:11.439 --> 01:40:13.880
<v Speaker 2>like when you say that look that could have been

1530
01:40:13.920 --> 01:40:16.960
<v Speaker 2>distorted a fake. But when you match images and comparative

1531
01:40:17.600 --> 01:40:21.520
<v Speaker 2>analysis and especially through overlaying and doing what needs to

1532
01:40:21.560 --> 01:40:25.199
<v Speaker 2>be done to fuse it correctly, you bring out what

1533
01:40:25.319 --> 01:40:28.279
<v Speaker 2>each image has the show. I mean, so you might

1534
01:40:28.319 --> 01:40:31.319
<v Speaker 2>know the better term astronomers call is stacking, you know.

1535
01:40:31.399 --> 01:40:34.399
<v Speaker 2>But this is more complex than just stacking an image,

1536
01:40:34.600 --> 01:40:36.720
<v Speaker 2>you know, because you got to match up as much

1537
01:40:36.760 --> 01:40:40.079
<v Speaker 2>detail as possible to bring out what each image shows.

1538
01:40:40.279 --> 01:40:43.239
<v Speaker 2>To bring out the details that's really harder to see.

1539
01:40:43.439 --> 01:40:45.760
<v Speaker 2>So we have a cheat. To me, I call it

1540
01:40:45.800 --> 01:40:48.319
<v Speaker 2>a cheat in a loophole because now I how to

1541
01:40:48.319 --> 01:40:52.119
<v Speaker 2>hone in on the details to reveal them.

1542
01:40:52.279 --> 01:40:54.680
<v Speaker 1>We're going to take a short commercial break to allow

1543
01:40:54.720 --> 01:40:58.800
<v Speaker 1>our sponsors to identify themselves and will return shortly with

1544
01:40:58.840 --> 01:41:04.920
<v Speaker 1>my guess Today. Image specialist Gary Lazier discussing his latest book,

1545
01:41:05.760 --> 01:41:55.520
<v Speaker 1>The Face on Mars, will be right back. I Guess

1546
01:41:55.520 --> 01:41:58.560
<v Speaker 1>Today is Gary. This year he is at Mars Image Specialist,

1547
01:41:59.159 --> 01:42:03.039
<v Speaker 1>also known as the Mars Revealer. You can see him

1548
01:42:03.119 --> 01:42:07.439
<v Speaker 1>on his website Mars revealer dot com, and he has

1549
01:42:07.520 --> 01:42:14.760
<v Speaker 1>a podcast, Mars Revealer. I think it's funny because as

1550
01:42:14.800 --> 01:42:17.600
<v Speaker 1>you get better at this, Gary, I think at some

1551
01:42:17.680 --> 01:42:20.319
<v Speaker 1>point you're gonna show the real original face. You're gonna

1552
01:42:20.319 --> 01:42:21.399
<v Speaker 1>get a knock on your door.

1553
01:42:23.159 --> 01:42:25.880
<v Speaker 2>Well, extrange things have happened already, but I'm not gonna

1554
01:42:25.920 --> 01:42:28.479
<v Speaker 2>get into it. A little crazy, you know, your people

1555
01:42:28.640 --> 01:42:32.199
<v Speaker 2>think I'm more nuts than I him. Now, so this

1556
01:42:32.279 --> 01:42:36.760
<v Speaker 2>is again, now this was taken this particular image Mars

1557
01:42:36.920 --> 01:42:41.439
<v Speaker 2>Mars reconnaissance or over of context image we have, Cliff. Now,

1558
01:42:41.880 --> 01:42:45.880
<v Speaker 2>at this time we have about fifteen the side fifteen

1559
01:42:45.960 --> 01:42:49.960
<v Speaker 2>or seventeen context image use of the face from various

1560
01:42:50.359 --> 01:42:55.000
<v Speaker 2>positions you know, natter which means directly overhead off, nator

1561
01:42:55.119 --> 01:42:58.920
<v Speaker 2>means you know, not overhead, so that could be anywhere,

1562
01:42:59.079 --> 01:43:04.479
<v Speaker 2>but you know, and different lighting conditions. So this this

1563
01:43:04.520 --> 01:43:08.680
<v Speaker 2>particular one who was released in twenty twelve. And now

1564
01:43:08.760 --> 01:43:15.640
<v Speaker 2>this is where photoclinometry, which is what doctor Mercolado uses

1565
01:43:15.680 --> 01:43:19.439
<v Speaker 2>and knows of and made the shape from shading program.

1566
01:43:19.760 --> 01:43:25.000
<v Speaker 2>That's a form of photoclinometry. This image out of all

1567
01:43:25.079 --> 01:43:27.760
<v Speaker 2>the other ones we have except maybe two, which comes

1568
01:43:27.880 --> 01:43:31.560
<v Speaker 2>to where I call the Goldilocks zone is the only

1569
01:43:31.600 --> 01:43:35.199
<v Speaker 2>image that gives us a true rendering of the accurate

1570
01:43:35.279 --> 01:43:39.640
<v Speaker 2>shape of the face. To do correct shape from shading

1571
01:43:39.680 --> 01:43:45.760
<v Speaker 2>with now, because the thing with shape from shading, it's

1572
01:43:45.760 --> 01:43:48.039
<v Speaker 2>all on light position. You have to have it and

1573
01:43:48.159 --> 01:43:51.520
<v Speaker 2>what I call the Goldielock zone light position, even though

1574
01:43:51.520 --> 01:43:55.680
<v Speaker 2>if it's overhead the sun acts as that Goldilocks position

1575
01:43:55.800 --> 01:43:58.960
<v Speaker 2>to where you can zoom in on an image and

1576
01:43:59.199 --> 01:44:01.680
<v Speaker 2>you can see christ detail looks great, But if you

1577
01:44:01.760 --> 01:44:04.760
<v Speaker 2>run it through shape from shading, it was more ridiculous

1578
01:44:04.760 --> 01:44:08.760
<v Speaker 2>than Nasaso's why because it's not at the right Goldilocks

1579
01:44:08.840 --> 01:44:11.880
<v Speaker 2>zone spart. You need the right zone area to get

1580
01:44:11.880 --> 01:44:14.840
<v Speaker 2>an accurate rendering of anything. The Pyramids of Geeza, the

1581
01:44:14.880 --> 01:44:18.720
<v Speaker 2>Eiffel Tower, cliftunning looking up at the sky as Google

1582
01:44:18.760 --> 01:44:20.760
<v Speaker 2>camera looks down on him. What are you doing near

1583
01:44:20.800 --> 01:44:23.760
<v Speaker 2>that pyramids on? You know what I'm saying. So this

1584
01:44:23.840 --> 01:44:30.319
<v Speaker 2>is a great detailed image, Nator, pretty much, Nator. Now

1585
01:44:30.399 --> 01:44:35.439
<v Speaker 2>notice both eyes pulding us the other eye, yeah, the

1586
01:44:35.520 --> 01:44:40.319
<v Speaker 2>other side and face it has a pupil, I mean,

1587
01:44:40.640 --> 01:44:44.840
<v Speaker 2>and notice this eye as a pupil. You know that

1588
01:44:45.079 --> 01:44:48.000
<v Speaker 2>this was centered because it's not just solely one face.

1589
01:44:48.880 --> 01:44:53.600
<v Speaker 2>You mentioned that earlier about symbology, Well, that's the greatest

1590
01:44:53.640 --> 01:44:57.399
<v Speaker 2>techno center. It's a symbol. This geometric designing, in this

1591
01:44:57.800 --> 01:45:01.560
<v Speaker 2>artistic designing, there's weapresent pations of things we're familiar with

1592
01:45:01.640 --> 01:45:04.840
<v Speaker 2>hominids and what Well, we're gonna look at that soon

1593
01:45:04.920 --> 01:45:08.119
<v Speaker 2>and get the answer to that. So let's go on.

1594
01:45:09.960 --> 01:45:12.279
<v Speaker 2>In two thousand and one, with the two thousand and

1595
01:45:12.319 --> 01:45:18.079
<v Speaker 2>one release, NASA made it. They yeah, using a hit

1596
01:45:18.079 --> 01:45:21.960
<v Speaker 2>piece release in two thousand and seven, they used the

1597
01:45:22.000 --> 01:45:24.399
<v Speaker 2>two thousand and one image to make a hit piece

1598
01:45:24.920 --> 01:45:27.800
<v Speaker 2>once and for all, to put the case of the

1599
01:45:27.880 --> 01:45:33.039
<v Speaker 2>face to bed. They killed it. They wanted to myrderalize it,

1600
01:45:33.720 --> 01:45:38.359
<v Speaker 2>and they it was no longer ever officially since two

1601
01:45:38.399 --> 01:45:40.880
<v Speaker 2>thousand and seven. Did you know this, Cliff and others?

1602
01:45:41.000 --> 01:45:45.720
<v Speaker 2>It was never officially anymore called officially the Face of Mars.

1603
01:45:46.359 --> 01:45:51.760
<v Speaker 2>It ended in this hit piece from two thousand and seven, okay,

1604
01:45:51.800 --> 01:45:54.520
<v Speaker 2>which they used the full face image of two thousand

1605
01:45:54.520 --> 01:45:59.000
<v Speaker 2>and one as its odyssey to bring that deception to us.

1606
01:45:59.039 --> 01:46:02.960
<v Speaker 2>Why do I say deceven? Okay, here's two thousand and seven.

1607
01:46:03.079 --> 01:46:06.079
<v Speaker 2>It gives us something to where people looked at it

1608
01:46:06.960 --> 01:46:10.279
<v Speaker 2>not a word. Crickets, you said, you gotta be kidding me.

1609
01:46:10.520 --> 01:46:14.880
<v Speaker 2>This show's not just offfu scation, a deliberate withholding of

1610
01:46:15.039 --> 01:46:18.720
<v Speaker 2>image data. Because remember, if this is the two thousand

1611
01:46:18.760 --> 01:46:21.439
<v Speaker 2>and one full face image, how did they release it

1612
01:46:21.479 --> 01:46:23.399
<v Speaker 2>to us? Did it look like this? In two thousand

1613
01:46:23.399 --> 01:46:25.520
<v Speaker 2>and one we looked at that image? Did you see

1614
01:46:25.520 --> 01:46:30.479
<v Speaker 2>it looking like this? Cliff? No, you see it black

1615
01:46:30.520 --> 01:46:35.760
<v Speaker 2>and white? Yeah, where'd the color image come from? It

1616
01:46:35.880 --> 01:46:39.359
<v Speaker 2>came out from Graybeard, Mike Maddlon's draw to use it

1617
01:46:39.359 --> 01:46:42.119
<v Speaker 2>as a hit piece and to tease us, which I'm

1618
01:46:42.119 --> 01:46:45.079
<v Speaker 2>going to do a data quality act and a foyer.

1619
01:46:46.319 --> 01:46:49.560
<v Speaker 2>He never released this image in nineteen, I mean in

1620
01:46:49.600 --> 01:46:52.960
<v Speaker 2>two thousand and one with the black and white version.

1621
01:46:53.439 --> 01:46:53.720
<v Speaker 2>He did.

1622
01:46:54.039 --> 01:46:57.439
<v Speaker 1>What camera are they using on this?

1623
01:46:57.439 --> 01:47:02.840
<v Speaker 2>This was the Morsel orbiter camera Aboards Global surveyor higher

1624
01:47:02.880 --> 01:47:08.319
<v Speaker 2>resolution than that Mars Reconnaissance litbit or context camera, but

1625
01:47:08.760 --> 01:47:11.880
<v Speaker 2>less resolution obviously than the high rise, so it's in

1626
01:47:11.920 --> 01:47:20.359
<v Speaker 2>between the context and the high rise. The resolution came well, ah, again, affuscation.

1627
01:47:21.239 --> 01:47:25.159
<v Speaker 2>They do it on purpose. Even with this, No one, Cliff,

1628
01:47:25.479 --> 01:47:28.880
<v Speaker 2>everyone else, Even though the Mores researchers proved me wrong.

1629
01:47:29.760 --> 01:47:32.880
<v Speaker 2>No other image This image has never been released by

1630
01:47:32.880 --> 01:47:36.920
<v Speaker 2>Mike Malon Mailan Space Science Systems until two thousand and seven,

1631
01:47:36.960 --> 01:47:41.439
<v Speaker 2>would a hit piece along with Moore's Express images, More's

1632
01:47:41.479 --> 01:47:44.600
<v Speaker 2>Express not saying nothing, then also putting out big release

1633
01:47:45.000 --> 01:47:49.159
<v Speaker 2>of their site of their More's Express image, Like we

1634
01:47:49.319 --> 01:47:54.319
<v Speaker 2>just looked at in this hit piece where NASA revealed

1635
01:47:54.399 --> 01:47:57.680
<v Speaker 2>this color image and no one said anything about it,

1636
01:47:57.760 --> 01:48:03.880
<v Speaker 2>you know what they're all focused on instead? What oh,

1637
01:48:03.960 --> 01:48:07.079
<v Speaker 2>before we get there and there's a point he said, look, look,

1638
01:48:07.119 --> 01:48:09.960
<v Speaker 2>what'd you say that it looks too What would you say, Well,

1639
01:48:10.039 --> 01:48:15.199
<v Speaker 2>we're exposed there you go, bring out the collar, bring

1640
01:48:15.239 --> 01:48:17.840
<v Speaker 2>out the detail better. It makes more sense, all right,

1641
01:48:17.880 --> 01:48:21.760
<v Speaker 2>But balloom does it. They can't have us seeing the

1642
01:48:21.840 --> 01:48:24.800
<v Speaker 2>face like this? What was just a mountain? It's a massive,

1643
01:48:25.119 --> 01:48:28.199
<v Speaker 2>it's a hill. It's a even a new a new

1644
01:48:28.279 --> 01:48:32.600
<v Speaker 2>a new human deficiency. That's hard fault. It's a mimotolith.

1645
01:48:33.880 --> 01:48:36.800
<v Speaker 2>They don't know what to call this thing. But yet

1646
01:48:37.079 --> 01:48:40.880
<v Speaker 2>the colors, how do you explain the colors for a hill,

1647
01:48:40.960 --> 01:48:43.520
<v Speaker 2>a mountain, a massive or anything else. Look at you

1648
01:48:43.640 --> 01:48:47.880
<v Speaker 2>ornate beauty. It looks metallic. It looks metallic. And if

1649
01:48:47.880 --> 01:48:50.680
<v Speaker 2>it's metallic, now we know how this thing could survive

1650
01:48:50.720 --> 01:48:53.760
<v Speaker 2>from a round for maybe a few hundred million years.

1651
01:48:54.159 --> 01:48:56.439
<v Speaker 1>Yeah, you know, this is the first image I've seen

1652
01:48:56.479 --> 01:48:59.359
<v Speaker 1>that shows it looks like he's wearing a space helmet

1653
01:48:59.439 --> 01:49:04.680
<v Speaker 1>or some kind because that shade up and then bring

1654
01:49:04.680 --> 01:49:07.840
<v Speaker 1>that out for you. That forehead line that goes across

1655
01:49:07.840 --> 01:49:10.760
<v Speaker 1>from one side or the other is so straight. It's

1656
01:49:11.119 --> 01:49:13.560
<v Speaker 1>a it's a design element.

1657
01:49:13.920 --> 01:49:18.520
<v Speaker 2>It's uncanny, it's it's that's why you know. It falls

1658
01:49:18.520 --> 01:49:20.680
<v Speaker 2>back to the shape because the features that we're seeing

1659
01:49:20.800 --> 01:49:23.359
<v Speaker 2>is all part of surface relief. We know, this thing's

1660
01:49:23.399 --> 01:49:25.520
<v Speaker 2>fifteen hundred foot high, you said at the beginning of

1661
01:49:25.560 --> 01:49:29.520
<v Speaker 2>the show, as a giant sculpture. There's no greater techno

1662
01:49:29.640 --> 01:49:32.279
<v Speaker 2>signature anywhere in the Solar system that at least they've

1663
01:49:32.319 --> 01:49:35.199
<v Speaker 2>allowed us to see of which they so called discovered,

1664
01:49:35.960 --> 01:49:38.880
<v Speaker 2>than this. And that's why they all steer away from it.

1665
01:49:38.960 --> 01:49:41.119
<v Speaker 2>Why didn't they send them the rovers here? Think about

1666
01:49:41.159 --> 01:49:44.319
<v Speaker 2>it now, you people know, think for yourselves, or pack

1667
01:49:44.359 --> 01:49:46.560
<v Speaker 2>them and smoke them, let the hand of brainwash and

1668
01:49:46.600 --> 01:49:49.119
<v Speaker 2>go off, and then you'll be like, holy crap, now

1669
01:49:49.199 --> 01:49:52.880
<v Speaker 2>this is what everyone focused on. Cliff, I'll just do

1670
01:49:53.159 --> 01:49:58.119
<v Speaker 2>that for that hit piece. According to them, a true shape,

1671
01:49:59.560 --> 01:50:02.159
<v Speaker 2>a true three D shaping on the face, what it

1672
01:50:02.199 --> 01:50:06.000
<v Speaker 2>really looks like, and it is ridiculous. People didn't want

1673
01:50:06.000 --> 01:50:08.359
<v Speaker 2>to even want to notice the color. Again, I'm the

1674
01:50:08.399 --> 01:50:11.039
<v Speaker 2>only one, the only researcher, not a whole one of

1675
01:50:11.159 --> 01:50:14.279
<v Speaker 2>the whole team, and we were all connected, no one.

1676
01:50:14.520 --> 01:50:18.640
<v Speaker 2>They're all focusing on that bump. Oh that bump. Well

1677
01:50:18.720 --> 01:50:21.439
<v Speaker 2>there is a bump, but it's not where it is

1678
01:50:21.520 --> 01:50:25.039
<v Speaker 2>and it's not what that represents this image. Remember they

1679
01:50:25.119 --> 01:50:27.199
<v Speaker 2>used for a hit piece to put it to Bet

1680
01:50:27.640 --> 01:50:31.560
<v Speaker 2>to kill the discussion officially ever again even being considered

1681
01:50:31.560 --> 01:50:34.439
<v Speaker 2>being considered or talked about as valid. They made it

1682
01:50:34.479 --> 01:50:37.239
<v Speaker 2>as like a gravestone and the faces laying down in

1683
01:50:37.319 --> 01:50:40.520
<v Speaker 2>his gray dead. They killed it and they would yet

1684
01:50:40.520 --> 01:50:42.920
<v Speaker 2>teasing us. Here's some color data, but U sheep will

1685
01:50:43.000 --> 01:50:46.359
<v Speaker 2>notice that you'll focus on the gravestone, which is the bump.

1686
01:50:46.760 --> 01:50:48.560
<v Speaker 2>That's how I come to I know how they think.

1687
01:50:48.720 --> 01:50:51.520
<v Speaker 2>But notice how soft and everything. But like you said,

1688
01:50:51.800 --> 01:50:55.119
<v Speaker 2>it doesn't look what was that word again that you

1689
01:50:55.239 --> 01:50:58.039
<v Speaker 2>use for the color image? It looks on their process

1690
01:50:58.199 --> 01:51:01.279
<v Speaker 2>or whatever it was you said, it just doesn't look right.

1691
01:51:01.439 --> 01:51:04.239
<v Speaker 2>Well here it is, and they but yet look in

1692
01:51:04.359 --> 01:51:07.880
<v Speaker 2>this you can still see colors pinks, purples, you know,

1693
01:51:08.000 --> 01:51:10.319
<v Speaker 2>but you're like, I got to bring it out more.

1694
01:51:10.439 --> 01:51:14.680
<v Speaker 2>That's why what I had to do in this obviously,

1695
01:51:14.920 --> 01:51:17.920
<v Speaker 2>are you saying that it's not easy to do. It's

1696
01:51:17.920 --> 01:51:18.840
<v Speaker 2>not easy to do.

1697
01:51:19.359 --> 01:51:22.800
<v Speaker 1>And Gary, are you saying that this is a metal

1698
01:51:23.880 --> 01:51:27.319
<v Speaker 1>uh yes, sculpture or is it not earth?

1699
01:51:28.680 --> 01:51:32.039
<v Speaker 2>It's metallic in my opinion because look at the colors,

1700
01:51:32.199 --> 01:51:35.239
<v Speaker 2>and I don't know about you. Even though they're approximate

1701
01:51:35.279 --> 01:51:39.279
<v Speaker 2>colors near near reality, what do I mean by that? Now?

1702
01:51:39.399 --> 01:51:41.840
<v Speaker 2>When I did make an issue about the color data,

1703
01:51:41.920 --> 01:51:44.399
<v Speaker 2>I've had other resarchers to say, oh, that's More's expressed

1704
01:51:44.399 --> 01:51:46.800
<v Speaker 2>color data they put on it because More's a spec

1705
01:51:46.920 --> 01:51:50.000
<v Speaker 2>release colored data of the face and their version of

1706
01:51:50.039 --> 01:51:52.800
<v Speaker 2>the face. Also at the same time as it's his piece,

1707
01:51:52.960 --> 01:51:56.640
<v Speaker 2>Nassa used it, not allowed, not allowed, yes, say to

1708
01:51:56.800 --> 01:51:59.039
<v Speaker 2>say anything. They just put out their data. Let people

1709
01:51:59.079 --> 01:52:02.279
<v Speaker 2>download it. There's ZIP and it was all in control

1710
01:52:02.319 --> 01:52:04.359
<v Speaker 2>of Mike Malon and Nassa. Oh this pro is a

1711
01:52:04.399 --> 01:52:07.039
<v Speaker 2>face is not a face. Look at it. Look at it.

1712
01:52:07.039 --> 01:52:09.920
<v Speaker 2>There's a hill. But yet no one's mentioning her color.

1713
01:52:09.960 --> 01:52:12.359
<v Speaker 2>And someone said it's MOR's express color. I said, no,

1714
01:52:12.439 --> 01:52:15.319
<v Speaker 2>it's not because you can. First off, I know Mars

1715
01:52:15.319 --> 01:52:19.399
<v Speaker 2>Global Surveyor and Moore's Express. Mars Express has red, red, blue,

1716
01:52:19.439 --> 01:52:25.239
<v Speaker 2>green color filters for the camera. Mars Global Surveyor has CMYK.

1717
01:52:26.079 --> 01:52:30.399
<v Speaker 2>What we're seeing here is from CMYK, not red green blue,

1718
01:52:30.720 --> 01:52:34.479
<v Speaker 2>And in the CMYK image, you're I was able to

1719
01:52:34.720 --> 01:52:37.840
<v Speaker 2>various other color images like We're gone, I'm chaos, other

1720
01:52:37.920 --> 01:52:40.920
<v Speaker 2>areas to bring out the colors. Wow, it made it

1721
01:52:41.079 --> 01:52:45.039
<v Speaker 2>such a life, such vivid, beautiful compared it was even

1722
01:52:45.039 --> 01:52:48.079
<v Speaker 2>looking worse than what you see here at least. Yeah,

1723
01:52:48.079 --> 01:52:50.159
<v Speaker 2>you can see some colors trying to come through, and

1724
01:52:50.199 --> 01:52:52.800
<v Speaker 2>those images I worked on, but I knew there was

1725
01:52:53.000 --> 01:52:55.520
<v Speaker 2>there was there because again I focus on relief, and

1726
01:52:55.560 --> 01:52:59.600
<v Speaker 2>I always said that the colors would help reveal the tattoo. Now,

1727
01:53:00.199 --> 01:53:02.880
<v Speaker 2>so this is what they gave out as part of

1728
01:53:02.880 --> 01:53:05.000
<v Speaker 2>the hit piece. It's not a face. Now they say

1729
01:53:05.000 --> 01:53:07.279
<v Speaker 2>that's the true shape, and many people ever since then

1730
01:53:07.640 --> 01:53:10.159
<v Speaker 2>believe that is the true shape because why would not.

1731
01:53:10.479 --> 01:53:13.720
<v Speaker 2>Why look, there's a shape of the first Okay, is

1732
01:53:13.760 --> 01:53:17.800
<v Speaker 2>it really all right? Well, here's my more better color

1733
01:53:17.880 --> 01:53:20.920
<v Speaker 2>process view of it. You know, still looks ridiculous, but

1734
01:53:21.000 --> 01:53:24.079
<v Speaker 2>it looks moreful and making sense. And this does at.

1735
01:53:24.079 --> 01:53:28.319
<v Speaker 1>Least what is there another image of this on another ah,

1736
01:53:29.520 --> 01:53:30.239
<v Speaker 1>check this out?

1737
01:53:30.560 --> 01:53:33.319
<v Speaker 2>So this is what they release. So now what this

1738
01:53:33.520 --> 01:53:38.720
<v Speaker 2>iTunes too? On that same hit piece release, they put

1739
01:53:38.760 --> 01:53:43.960
<v Speaker 2>out a video, just an automation video, no sound, using

1740
01:53:44.039 --> 01:53:48.039
<v Speaker 2>that full on face image in color as you can

1741
01:53:48.079 --> 01:53:50.960
<v Speaker 2>see here as title Saydonia mensa the face of Mars

1742
01:53:51.159 --> 01:53:54.239
<v Speaker 2>two thousand and six Essa at all given and mailis

1743
01:53:54.319 --> 01:53:57.560
<v Speaker 2>face Sience systems. Yeah, two thousand and six. Well that's

1744
01:53:57.600 --> 01:54:01.319
<v Speaker 2>when they're more Express image of the face was taken,

1745
01:54:01.680 --> 01:54:04.000
<v Speaker 2>but they saved it to use out of the public

1746
01:54:04.079 --> 01:54:07.199
<v Speaker 2>hit piece because they had to work together with NASA

1747
01:54:07.359 --> 01:54:10.399
<v Speaker 2>dominant and control. That's why I believe More's Express had

1748
01:54:10.439 --> 01:54:13.359
<v Speaker 2>to be lower resolution too, because without NASA and the

1749
01:54:13.520 --> 01:54:16.239
<v Speaker 2>US they wouldn't have had a successful mission. So they

1750
01:54:16.239 --> 01:54:18.680
<v Speaker 2>had a total line. So they were allowed to put

1751
01:54:18.720 --> 01:54:21.520
<v Speaker 2>that off and not say nothing. But NASA has the dominant.

1752
01:54:21.560 --> 01:54:25.119
<v Speaker 2>Say so this was two thousand was from a video,

1753
01:54:26.000 --> 01:54:30.760
<v Speaker 2>So there you go. Boom boom boom. Now that's what

1754
01:54:30.800 --> 01:54:34.119
<v Speaker 2>they gave a show comparison. Now let's look at the

1755
01:54:34.239 --> 01:54:37.680
<v Speaker 2>true shape of the face. What they're off you, skating

1756
01:54:37.720 --> 01:54:40.000
<v Speaker 2>from you all. And what it took me to reveal

1757
01:54:40.199 --> 01:54:45.119
<v Speaker 2>using real science, using photoclinometry, and what they were using

1758
01:54:45.239 --> 01:54:48.520
<v Speaker 2>was mola crap pola. And think of it as like

1759
01:54:48.560 --> 01:54:53.520
<v Speaker 2>a wire frame image, right like like they used it

1760
01:54:53.479 --> 01:54:56.920
<v Speaker 2>in my computer games not long ago, splash screens. They

1761
01:54:56.960 --> 01:54:59.199
<v Speaker 2>make the wire frame and splash the image on it.

1762
01:55:00.079 --> 01:55:03.039
<v Speaker 2>Never mind the details, never mind the relief, but it

1763
01:55:03.039 --> 01:55:05.119
<v Speaker 2>all becomes part of the wire frame that you have

1764
01:55:05.239 --> 01:55:07.720
<v Speaker 2>set up for it. Right, So you can morph that

1765
01:55:07.880 --> 01:55:09.880
<v Speaker 2>thing to look like a pyramid. You can make it

1766
01:55:09.880 --> 01:55:12.079
<v Speaker 2>look flat, you can make it look like a crater.

1767
01:55:12.439 --> 01:55:16.079
<v Speaker 2>You put that data on that model, that's gonna be

1768
01:55:16.199 --> 01:55:19.560
<v Speaker 2>the shape of the true shape. Are you following me

1769
01:55:19.600 --> 01:55:20.760
<v Speaker 2>so far? Yeah?

1770
01:55:20.840 --> 01:55:23.920
<v Speaker 1>I want to see something a different angle of this.

1771
01:55:25.000 --> 01:55:29.039
<v Speaker 2>Are you gonna right now? All right? So here's a better,

1772
01:55:29.319 --> 01:55:33.239
<v Speaker 2>you know, higher resolution, correct size view of what they

1773
01:55:33.279 --> 01:55:37.039
<v Speaker 2>gave out that day, And make sure appreche Now why

1774
01:55:37.039 --> 01:55:42.640
<v Speaker 2>do I say metal? Look here clip, Look between those

1775
01:55:42.680 --> 01:55:46.279
<v Speaker 2>colors on the sides of the face. Clearly that looks

1776
01:55:46.319 --> 01:55:49.159
<v Speaker 2>like silvers. Look at the beautiful green one eye, Look

1777
01:55:49.199 --> 01:55:50.680
<v Speaker 2>at the goals.

1778
01:55:51.199 --> 01:55:54.760
<v Speaker 1>This is hard to conceive of, though, because the thing

1779
01:55:54.840 --> 01:55:57.840
<v Speaker 1>as you say it is, that would be an unheard

1780
01:55:57.880 --> 01:56:02.640
<v Speaker 1>of amount of of material. Yeah, I mean that's ridiculous.

1781
01:56:02.800 --> 01:56:06.159
<v Speaker 1>Look at the mouth. As ridiculous as that looks. It

1782
01:56:06.359 --> 01:56:09.720
<v Speaker 1>looks red and pink like a whip wood. I said,

1783
01:56:09.720 --> 01:56:12.560
<v Speaker 1>you can't pick the shit up. Everybody look at it.

1784
01:56:12.880 --> 01:56:15.880
<v Speaker 1>I was like, okay, very interesting. At least I'm doing

1785
01:56:15.920 --> 01:56:18.840
<v Speaker 1>my research. In my mind, I know this image is crap.

1786
01:56:18.880 --> 01:56:21.119
<v Speaker 2>I couldn't prove it then, but I knew it because

1787
01:56:21.159 --> 01:56:23.279
<v Speaker 2>I know the details of the face, and I had

1788
01:56:23.279 --> 01:56:26.159
<v Speaker 2>a conception already by the details of the face in

1789
01:56:26.239 --> 01:56:30.039
<v Speaker 2>my mind what the three D shape would potentially look like.

1790
01:56:30.119 --> 01:56:35.199
<v Speaker 2>Does that make sense now here? It is from the video. Well,

1791
01:56:35.199 --> 01:56:37.640
<v Speaker 2>I'm gonna show as it turns around in the video.

1792
01:56:37.720 --> 01:56:40.399
<v Speaker 2>I'm gonna just show you segments now, Cliff. When you

1793
01:56:40.399 --> 01:56:44.479
<v Speaker 2>see the colorized face up there, do you also see

1794
01:56:44.479 --> 01:56:47.359
<v Speaker 2>the where it says audio video participants chat. Do you

1795
01:56:47.399 --> 01:56:48.760
<v Speaker 2>see that? Or no?

1796
01:56:48.760 --> 01:56:49.000
<v Speaker 1>No?

1797
01:56:49.640 --> 01:56:52.159
<v Speaker 2>All right, good. I'm only seeing that because that's why

1798
01:56:52.199 --> 01:56:54.319
<v Speaker 2>I'm moving the image around just in case if you

1799
01:56:54.399 --> 01:56:55.000
<v Speaker 2>don't see.

1800
01:56:54.840 --> 01:56:57.479
<v Speaker 1>It, I'm lost on this. Where's the eyes?

1801
01:56:59.079 --> 01:57:03.800
<v Speaker 2>The eye is Look to the left where that purple

1802
01:57:04.039 --> 01:57:08.840
<v Speaker 2>dark corner bends. In look at the eye. You can

1803
01:57:08.880 --> 01:57:09.960
<v Speaker 2>see the pupil on top of.

1804
01:57:09.960 --> 01:57:12.720
<v Speaker 1>The eye is like, uh oh, I see it, okay,

1805
01:57:13.039 --> 01:57:15.479
<v Speaker 1>right there it is, so it's kind of weird.

1806
01:57:15.600 --> 01:57:18.359
<v Speaker 2>Note how flat it looks. But notice the big bump

1807
01:57:18.399 --> 01:57:20.520
<v Speaker 2>on the head on the corner of the head. Again,

1808
01:57:20.920 --> 01:57:25.119
<v Speaker 2>there is a bump, but that's not the bump and

1809
01:57:25.159 --> 01:57:28.479
<v Speaker 2>it's not represented as what it really is supposed to

1810
01:57:28.560 --> 01:57:30.800
<v Speaker 2>be in reality as that face structure.

1811
01:57:30.880 --> 01:57:33.680
<v Speaker 1>I think that there there must have been some geological

1812
01:57:35.000 --> 01:57:37.600
<v Speaker 1>calamities that collapsed part of this face.

1813
01:57:38.119 --> 01:57:42.199
<v Speaker 2>There you go collapse, there's no collapse. There was a collapse,

1814
01:57:42.239 --> 01:57:44.880
<v Speaker 2>you would have a disruption in the flow of the art.

1815
01:57:45.279 --> 01:57:47.960
<v Speaker 1>So you're saying that these are the tattoo.

1816
01:57:48.279 --> 01:57:51.000
<v Speaker 2>Like let's say you got a tattoo cliff take a

1817
01:57:51.079 --> 01:57:54.439
<v Speaker 2>knife or some chick grabs or a cap scratches you.

1818
01:57:54.439 --> 01:57:59.000
<v Speaker 2>You know, then you could tell the distorted collapse of

1819
01:57:59.159 --> 01:58:02.119
<v Speaker 2>the skiff where it cuts away from the picture. But

1820
01:58:02.159 --> 01:58:06.199
<v Speaker 2>when if it was collapse, that's what things we would see.

1821
01:58:06.199 --> 01:58:09.159
<v Speaker 2>We would see chaos, breakage of the art. But there's

1822
01:58:09.159 --> 01:58:10.279
<v Speaker 2>no breakage of the art.

1823
01:58:10.479 --> 01:58:14.359
<v Speaker 1>Then there's only one conclusion, is not real this has

1824
01:58:14.399 --> 01:58:15.840
<v Speaker 1>been photo edited.

1825
01:58:16.800 --> 01:58:20.119
<v Speaker 2>That this is the This is from the video. They

1826
01:58:20.279 --> 01:58:22.920
<v Speaker 2>edited it. They edited it well. That this is a

1827
01:58:23.039 --> 01:58:25.439
<v Speaker 2>video of what they wanted us the same release day

1828
01:58:25.880 --> 01:58:28.159
<v Speaker 2>and the hippiece of two thousand and seven, they gave

1829
01:58:28.159 --> 01:58:31.439
<v Speaker 2>this little video on that release page, which is what

1830
01:58:31.720 --> 01:58:34.119
<v Speaker 2>Deza scenes from. All I did is bring out the

1831
01:58:34.159 --> 01:58:36.760
<v Speaker 2>color more. But it looked like this, you know, it

1832
01:58:36.800 --> 01:58:39.079
<v Speaker 2>looks like what you see on top spinning around. I

1833
01:58:39.159 --> 01:58:41.640
<v Speaker 2>just did this so it'll make it look at least

1834
01:58:41.680 --> 01:58:44.279
<v Speaker 2>a little better. You can focus on the details more,

1835
01:58:44.479 --> 01:58:49.159
<v Speaker 2>and it just makes the ridiculousness stand out even more. Now, Wow,

1836
01:58:49.199 --> 01:58:53.159
<v Speaker 2>when you considered a true shape, look at the difference

1837
01:58:54.520 --> 01:58:59.000
<v Speaker 2>on the very What a big difference The work below

1838
01:58:59.119 --> 01:59:04.000
<v Speaker 2>is you the work below, Well, it's from the processed

1839
01:59:04.039 --> 01:59:11.439
<v Speaker 2>image from this Yeah, the only image they ever gave

1840
01:59:11.520 --> 01:59:13.399
<v Speaker 2>us where we could get an accurate shape of the

1841
01:59:13.479 --> 01:59:14.800
<v Speaker 2>face or shape from shading.

1842
01:59:16.279 --> 01:59:17.800
<v Speaker 1>Okay, and that was.

1843
01:59:17.760 --> 01:59:20.760
<v Speaker 2>Given in twenty twelve. No one noticed it, not even

1844
01:59:20.760 --> 01:59:23.359
<v Speaker 2>Hobland boy. Maybe they threw it out there. Let's see

1845
01:59:23.359 --> 01:59:25.920
<v Speaker 2>how deep he goes down the rabbit hole with twenty

1846
01:59:25.960 --> 01:59:29.039
<v Speaker 2>twelve and NASA conspiracy, they gave us this image. I

1847
01:59:29.079 --> 01:59:32.159
<v Speaker 2>didn't notice until years later, but it was pretty funny,

1848
01:59:32.760 --> 01:59:34.399
<v Speaker 2>you know, I had it all this time, but it

1849
01:59:34.520 --> 01:59:38.079
<v Speaker 2>still until I started in studying photo klonometry and working

1850
01:59:38.119 --> 01:59:41.720
<v Speaker 2>with shape from shading, shape from shadow, I was able

1851
01:59:41.720 --> 01:59:46.279
<v Speaker 2>to show science by a scientific program proven by who

1852
01:59:46.720 --> 01:59:51.199
<v Speaker 2>what better source in doctor Mark Carlatto. Right, So there

1853
01:59:51.239 --> 01:59:55.119
<v Speaker 2>you go, this is Carlino's program, and with the right image,

1854
01:59:55.119 --> 01:59:57.479
<v Speaker 2>the right position, we're able to get a correct view.

1855
01:59:57.880 --> 02:00:02.520
<v Speaker 2>Why at NASA doing that with this? They're deliberately obvious

1856
02:00:02.520 --> 02:00:05.239
<v Speaker 2>skating to change the shape. Remember why look at it

1857
02:00:05.279 --> 02:00:08.000
<v Speaker 2>from one distance? Has to be because it a shape

1858
02:00:08.159 --> 02:00:10.920
<v Speaker 2>they don't want us seeing the face Legler. Even from

1859
02:00:10.960 --> 02:00:13.159
<v Speaker 2>the slide, people might say they see a mountain, but

1860
02:00:13.199 --> 02:00:14.720
<v Speaker 2>then they look at it, they're like, you know what

1861
02:00:15.319 --> 02:00:18.960
<v Speaker 2>that looks like? The sorry profoil of a freaky face. Yeah,

1862
02:00:19.399 --> 02:00:22.600
<v Speaker 2>and that's what it is. And that's how it really looks.

1863
02:00:23.239 --> 02:00:25.560
<v Speaker 2>It does not look at all what they tried to

1864
02:00:25.560 --> 02:00:28.079
<v Speaker 2>pull on us in two thousand and seven. So when

1865
02:00:28.199 --> 02:00:32.359
<v Speaker 2>Cliff you mentioned earlier about putting someone in handcuffs, get

1866
02:00:32.399 --> 02:00:35.840
<v Speaker 2>this guy who manipulated this shape and it has real

1867
02:00:36.039 --> 02:00:39.640
<v Speaker 2>in two thousand and seven, it's what we should be seeing.

1868
02:00:40.039 --> 02:00:42.920
<v Speaker 2>This is what NASA is really seeing. Oh my God,

1869
02:00:42.960 --> 02:00:46.920
<v Speaker 2>it is scary. It's too scary. It's too scary. This

1870
02:00:47.000 --> 02:00:49.640
<v Speaker 2>looks more comfortable. It leaves it to the mind. Well

1871
02:00:49.720 --> 02:00:52.119
<v Speaker 2>since theys, well, it don't look like a face like that,

1872
02:00:52.319 --> 02:00:55.039
<v Speaker 2>you know, I mean above maybe I can see somebody

1873
02:00:55.039 --> 02:00:57.399
<v Speaker 2>like this. But why would NASA alive now? But I'll

1874
02:00:57.399 --> 02:01:00.720
<v Speaker 2>take their word for it, fools, because look how about

1875
02:01:00.760 --> 02:01:05.119
<v Speaker 2>it now? Does it break your paradigm? That's a change?

1876
02:01:05.880 --> 02:01:08.800
<v Speaker 2>And Cliff, would you agree not? At least at least

1877
02:01:08.800 --> 02:01:11.560
<v Speaker 2>it makes more sense to the details we see from above?

1878
02:01:12.680 --> 02:01:15.239
<v Speaker 2>And well it makes more sense than this.

1879
02:01:15.680 --> 02:01:18.760
<v Speaker 1>Still pretty wrong. I mean, you play with it so much.

1880
02:01:18.880 --> 02:01:22.359
<v Speaker 1>You're seeing details that we can't conceive of because.

1881
02:01:22.439 --> 02:01:25.119
<v Speaker 2>You live on this. The details are all there, but

1882
02:01:25.159 --> 02:01:28.600
<v Speaker 2>it's still very raw details. All those details, the points

1883
02:01:28.600 --> 02:01:31.920
<v Speaker 2>of interest, like all those spiky points everything. Someone says spiky,

1884
02:01:32.119 --> 02:01:34.960
<v Speaker 2>Well it's not flat. Someone does a master artist on

1885
02:01:35.039 --> 02:01:37.720
<v Speaker 2>at work here and they use that for TRASA light

1886
02:01:37.760 --> 02:01:40.840
<v Speaker 2>in shadow and to make his forms. You could see

1887
02:01:40.840 --> 02:01:44.279
<v Speaker 2>this in the in the data two dimensionally. Here's the is.

1888
02:01:44.600 --> 02:01:46.640
<v Speaker 2>I didn't just do this and put it out overnight

1889
02:01:47.720 --> 02:01:51.520
<v Speaker 2>money for months and confirm that I'm seeing the data

1890
02:01:51.560 --> 02:01:53.640
<v Speaker 2>points before I said this is it, and believe it

1891
02:01:53.680 --> 02:01:56.439
<v Speaker 2>or not, there aren't some who aren't vocal. There's one

1892
02:01:56.600 --> 02:01:58.680
<v Speaker 2>who kind of is vocal, but too afraid to bring

1893
02:01:58.720 --> 02:02:02.760
<v Speaker 2>it out in the open. And they disagree because they've

1894
02:02:02.760 --> 02:02:06.159
<v Speaker 2>been too brainwashed by this. And also they really didn't

1895
02:02:06.199 --> 02:02:10.079
<v Speaker 2>know what they were looking at anyway, no effects, but

1896
02:02:10.279 --> 02:02:12.760
<v Speaker 2>that's the reality. So you see, that's safe. Here we go.

1897
02:02:12.800 --> 02:02:16.560
<v Speaker 2>You wanted other views. That's the other side of face.

1898
02:02:18.279 --> 02:02:21.159
<v Speaker 2>So what you see and look, notice you can still

1899
02:02:21.199 --> 02:02:25.920
<v Speaker 2>see the pupil in the eye, the open mouth from

1900
02:02:25.920 --> 02:02:30.319
<v Speaker 2>a side view where side views a concern profile. That's

1901
02:02:30.319 --> 02:02:33.640
<v Speaker 2>how it looks on this side. Yeah, and obviously it

1902
02:02:34.119 --> 02:02:38.680
<v Speaker 2>debunks NASA's pretty color view there. Same thing here you

1903
02:02:38.720 --> 02:02:42.960
<v Speaker 2>could tell WHOA then you're telling me NASA is telling

1904
02:02:43.039 --> 02:02:46.720
<v Speaker 2>us the truth everything you just said even before the show,

1905
02:02:46.760 --> 02:02:49.600
<v Speaker 2>Cliff and on it, you were completely right about NASA.

1906
02:02:49.640 --> 02:02:53.239
<v Speaker 2>They're deliberately going out of their way and that's what it.

1907
02:02:53.319 --> 02:02:57.279
<v Speaker 2>They said, crimes against humanity. So I support your thesis

1908
02:02:57.319 --> 02:02:58.880
<v Speaker 2>on that, and I think you should do a paper

1909
02:02:58.920 --> 02:03:03.199
<v Speaker 2>on that. Cliff, I think us slide on into it. Yeah,

1910
02:03:03.920 --> 02:03:07.640
<v Speaker 2>because it's a crime against humanity. We all have a

1911
02:03:07.720 --> 02:03:10.880
<v Speaker 2>right to know. You said to yourself. So but either

1912
02:03:10.920 --> 02:03:14.439
<v Speaker 2>way either so that's what let's let's continue around other

1913
02:03:14.600 --> 02:03:20.199
<v Speaker 2>perspective views. Do you do? Uh? Does does Maelan have a.

1914
02:03:21.880 --> 02:03:25.760
<v Speaker 1>Straight shot using this colorized image?

1915
02:03:26.720 --> 02:03:30.680
<v Speaker 2>Uh? Yeah, right here straight looking down? That was the face.

1916
02:03:31.079 --> 02:03:33.920
<v Speaker 2>That's this one. That's that one, okay, fun and that's

1917
02:03:33.920 --> 02:03:37.000
<v Speaker 2>the one from two thousand and one, that's one twelve.

1918
02:03:37.039 --> 02:03:40.079
<v Speaker 2>But you know we went over it already. So yeah, this,

1919
02:03:40.319 --> 02:03:42.079
<v Speaker 2>you know, that's from the two thousand and one image

1920
02:03:42.119 --> 02:03:43.920
<v Speaker 2>that they used from the two thousand and seven at

1921
02:03:43.960 --> 02:03:47.439
<v Speaker 2>piece and they used what they call the mola data

1922
02:03:47.840 --> 02:03:50.720
<v Speaker 2>is crap polar. That's why the chapter in the book

1923
02:03:51.399 --> 02:03:55.560
<v Speaker 2>Richard Oldland was cool and uh provided for me to

1924
02:03:55.720 --> 02:03:59.399
<v Speaker 2>contribute to the book to describe about that mola crapola

1925
02:03:59.439 --> 02:04:02.279
<v Speaker 2>how it has not show the real shape or let

1926
02:04:02.319 --> 02:04:05.239
<v Speaker 2>alone size of the face or any details. You got

1927
02:04:05.239 --> 02:04:07.159
<v Speaker 2>to get the book The Faces of Mars Beyond Metrix

1928
02:04:07.159 --> 02:04:09.760
<v Speaker 2>of the Latent Shadow to read it and or go

1929
02:04:09.800 --> 02:04:13.359
<v Speaker 2>to Enterprise Mission archives as how to make them, uh,

1930
02:04:14.119 --> 02:04:16.960
<v Speaker 2>how to make them face out of a molar hill?

1931
02:04:17.159 --> 02:04:19.640
<v Speaker 2>Know how to make a mountain out of a molehill?

1932
02:04:20.000 --> 02:04:21.840
<v Speaker 2>And he was right, how to make him out and

1933
02:04:21.880 --> 02:04:24.840
<v Speaker 2>out of a molar hill. Mola crap pola they wanted.

1934
02:04:25.079 --> 02:04:27.640
<v Speaker 2>They use mola to deceive us, though we cannot give

1935
02:04:27.720 --> 02:04:30.640
<v Speaker 2>us the true shape or any details as the basis

1936
02:04:30.720 --> 02:04:32.359
<v Speaker 2>to say, this is the true shape. But you got

1937
02:04:32.640 --> 02:04:40.640
<v Speaker 2>shape from shadow photoclinometry, something really scientific. Yeah, we get that. Yeah,

1938
02:04:40.680 --> 02:04:43.039
<v Speaker 2>and we got that right. And now we're spinning it

1939
02:04:43.199 --> 02:04:46.479
<v Speaker 2>because the animation spins around. I just grab certain frames

1940
02:04:46.520 --> 02:04:49.640
<v Speaker 2>just spinning around, just to show you example. And compared

1941
02:04:49.680 --> 02:04:51.920
<v Speaker 2>to how it would look from the real true shape

1942
02:04:51.920 --> 02:04:53.800
<v Speaker 2>of the face, which one makes it looks like in

1943
02:04:53.920 --> 02:04:56.359
<v Speaker 2>most sense the one on the bottom, it might be

1944
02:04:56.439 --> 02:05:01.000
<v Speaker 2>more scary. Throw some nuts, every one, because this is

1945
02:05:01.039 --> 02:05:04.079
<v Speaker 2>what NASA is really they're looking down at. This is

1946
02:05:04.119 --> 02:05:06.079
<v Speaker 2>what they're keeping us from. This is why you have

1947
02:05:06.159 --> 02:05:09.119
<v Speaker 2>international spacecraft that we had to also help get the

1948
02:05:09.159 --> 02:05:11.920
<v Speaker 2>Mars too, because the cats out of the bag, like

1949
02:05:12.439 --> 02:05:15.640
<v Speaker 2>Cliffs said, since the Soviets, so there had to be

1950
02:05:15.680 --> 02:05:18.039
<v Speaker 2>a policy and the means of bringing the world together,

1951
02:05:18.199 --> 02:05:20.439
<v Speaker 2>not just the US thing. And this one world to

1952
02:05:20.560 --> 02:05:24.520
<v Speaker 2>order is doomed. Good good, good olding trunk. Keep doing it,

1953
02:05:25.039 --> 02:05:26.399
<v Speaker 2>you know, won't piss me off.

1954
02:05:27.119 --> 02:05:29.720
<v Speaker 6>All right, So let's let's see here we go now

1955
02:05:29.760 --> 02:05:33.680
<v Speaker 6>watch this. Yeah, as we spin around as from the

1956
02:05:33.760 --> 02:05:36.520
<v Speaker 6>chin view. Now, Cliff, do you think at least the

1957
02:05:36.560 --> 02:05:42.119
<v Speaker 6>bottom might look make look like more sense than how nasaprivise? Yeah,

1958
02:05:42.159 --> 02:05:44.600
<v Speaker 6>I mean, you know, because now at least we see

1959
02:05:44.680 --> 02:05:48.159
<v Speaker 6>reasons of the relief that we're able to city two dimensionally.

1960
02:05:48.479 --> 02:05:51.960
<v Speaker 6>It's actually, like you said, it's been all carved and

1961
02:05:52.000 --> 02:05:57.239
<v Speaker 6>you can see carved features around the face. They all

1962
02:05:57.279 --> 02:06:00.319
<v Speaker 6>are escaped like little cells, like like dragon scale was

1963
02:06:00.359 --> 02:06:06.319
<v Speaker 6>like you know, and then the magnificent geometrical layouts and

1964
02:06:06.439 --> 02:06:08.159
<v Speaker 6>of the art, the only art.

1965
02:06:08.479 --> 02:06:12.520
<v Speaker 2>It's it's just so encompassing. It's freaky, to be honest,

1966
02:06:12.960 --> 02:06:15.640
<v Speaker 2>but hey, all the more power. That's why. Don't be

1967
02:06:15.680 --> 02:06:18.399
<v Speaker 2>a fraid Like my friend doctor John Brandenburg said, well

1968
02:06:18.439 --> 02:06:23.680
<v Speaker 2>why not because they're long deck. It's like inheritance. We're

1969
02:06:23.720 --> 02:06:26.359
<v Speaker 2>going to Mars, folks, We're going to Mars and this

1970
02:06:26.399 --> 02:06:28.239
<v Speaker 2>is what we're gonna see. Do you think that you're

1971
02:06:28.239 --> 02:06:30.600
<v Speaker 2>gonna see this? Oh, no reason to go there, nothing

1972
02:06:30.640 --> 02:06:34.319
<v Speaker 2>to see here. Stay away from Slidonia or man, you

1973
02:06:34.439 --> 02:06:37.359
<v Speaker 2>gotta get me on a rocket like tomorrow. Elon You

1974
02:06:37.399 --> 02:06:37.880
<v Speaker 2>know what I mean.

1975
02:06:40.560 --> 02:06:43.359
<v Speaker 1>I used to think Elon Musk would be the one

1976
02:06:43.359 --> 02:06:44.920
<v Speaker 1>who would out the government.

1977
02:06:45.000 --> 02:06:48.680
<v Speaker 2>But I think that he's complacent. I don't think, well,

1978
02:06:48.720 --> 02:06:50.960
<v Speaker 2>he's gotta be he you know, they're they're the ones

1979
02:06:51.000 --> 02:06:53.199
<v Speaker 2>that are really gonna be funding it. In my opinion,

1980
02:06:53.680 --> 02:06:56.279
<v Speaker 2>NASA I don't have much respect for anymore. And I

1981
02:06:56.319 --> 02:06:59.079
<v Speaker 2>mean them as a political agency, not those who have

1982
02:06:59.199 --> 02:07:02.199
<v Speaker 2>to suffer and go through the deceptions and force people

1983
02:07:02.199 --> 02:07:05.279
<v Speaker 2>to lie to us and becompliicit. They got to get paid, right,

1984
02:07:05.560 --> 02:07:09.520
<v Speaker 2>Everyone's got families. It's the organization and what they did

1985
02:07:09.560 --> 02:07:15.800
<v Speaker 2>to us regards to all this, it's just so embarrassing.

1986
02:07:16.039 --> 02:07:19.680
<v Speaker 2>But they they're not no longer considered a scientific agency.

1987
02:07:19.760 --> 02:07:22.640
<v Speaker 2>Not a science agency, never a straight answer. There's so

1988
02:07:22.680 --> 02:07:25.760
<v Speaker 2>many acronyms, you know that and euphemisms. This stands for

1989
02:07:26.359 --> 02:07:29.319
<v Speaker 2>when you know, when we're faced with something like this,

1990
02:07:29.359 --> 02:07:32.359
<v Speaker 2>where it takes someone like me, no matter what you think, Yeah,

1991
02:07:32.640 --> 02:07:34.680
<v Speaker 2>I studied that. I learned how to do what I

1992
02:07:34.760 --> 02:07:37.520
<v Speaker 2>need to do to reveal what NASA will not reveal

1993
02:07:37.600 --> 02:07:40.520
<v Speaker 2>to you. This is the reality, what they're really looking at.

1994
02:07:40.920 --> 02:07:43.119
<v Speaker 2>You think that if they showed us this in nineteen

1995
02:07:43.199 --> 02:07:46.079
<v Speaker 2>ninety eight, as I'm showing here now, you know why

1996
02:07:46.159 --> 02:07:49.239
<v Speaker 2>they didn't want to look down at it, and you

1997
02:07:49.279 --> 02:07:51.279
<v Speaker 2>know they wanted to try to make it look as

1998
02:07:51.279 --> 02:07:54.319
<v Speaker 2>smooth as possible. They were trying to adde the shape

1999
02:07:54.359 --> 02:07:58.760
<v Speaker 2>of the face to make it look as flat as possible.

2000
02:07:59.039 --> 02:08:04.720
<v Speaker 1>Right this get some conclusionary remarks, Gary, give us the

2001
02:08:04.840 --> 02:08:07.239
<v Speaker 1>last work.

2002
02:08:07.359 --> 02:08:10.399
<v Speaker 2>Look that from the Darius Angeles you we're closing it down.

2003
02:08:10.479 --> 02:08:14.119
<v Speaker 2>We're closing it down. So again, this is the show

2004
02:08:14.560 --> 02:08:17.359
<v Speaker 2>what the true science is that NASA's not giving you,

2005
02:08:17.880 --> 02:08:20.720
<v Speaker 2>and how NASA presents us. But it's still interesting to

2006
02:08:20.760 --> 02:08:23.479
<v Speaker 2>look at. And as you study this, and who knows,

2007
02:08:23.479 --> 02:08:25.960
<v Speaker 2>maybe it'll inspire you. What do you think of all this?

2008
02:08:26.039 --> 02:08:27.760
<v Speaker 2>Do you think your kids have the right to see this?

2009
02:08:28.079 --> 02:08:29.720
<v Speaker 2>Do you think you want to run next door and

2010
02:08:30.319 --> 02:08:33.039
<v Speaker 2>you know, go stamp your neighbors, steal their shit and

2011
02:08:33.039 --> 02:08:35.439
<v Speaker 2>they all set the world on fire because we have

2012
02:08:35.520 --> 02:08:37.399
<v Speaker 2>this left there? Or does it make you feel more

2013
02:08:37.439 --> 02:08:40.159
<v Speaker 2>inspired like we used to be, Cliff, growing up with

2014
02:08:40.239 --> 02:08:43.319
<v Speaker 2>store trep that gave us the vision. That can't help

2015
02:08:43.359 --> 02:08:45.920
<v Speaker 2>get NASA get money for space for what, only for

2016
02:08:45.960 --> 02:08:48.239
<v Speaker 2>them to lie and control it and hide it from us.

2017
02:08:48.880 --> 02:08:51.039
<v Speaker 2>That's why I agree with Oh, that's another point I

2018
02:08:51.079 --> 02:08:53.159
<v Speaker 2>want to bring up, Cliff, know it is Google Earth.

2019
02:08:53.680 --> 02:08:56.800
<v Speaker 2>They use Molla data too. Where's the big bump on

2020
02:08:56.840 --> 02:08:59.960
<v Speaker 2>the forehead, They still change the shape, that's Mulla data.

2021
02:09:00.159 --> 02:09:02.880
<v Speaker 2>How NASA presents it to the world and yet as

2022
02:09:02.920 --> 02:09:06.279
<v Speaker 2>far from the truth because it's deception. They don't want

2023
02:09:06.279 --> 02:09:07.880
<v Speaker 2>to show us what it really looks like.

2024
02:09:08.000 --> 02:09:11.359
<v Speaker 1>Oh, Google Google Mars right, right.

2025
02:09:11.239 --> 02:09:14.640
<v Speaker 2>Google Earth, Google Mars. Correct, And that's what his base.

2026
02:09:14.760 --> 02:09:17.520
<v Speaker 2>They had to run like as scientists do, and the

2027
02:09:17.720 --> 02:09:21.079
<v Speaker 2>essay had to do under NASA's tarte and control on

2028
02:09:21.239 --> 02:09:24.359
<v Speaker 2>how things get presented as real does so, not only

2029
02:09:24.399 --> 02:09:26.560
<v Speaker 2>do we have them cought busted with the two thousand

2030
02:09:26.560 --> 02:09:29.119
<v Speaker 2>and one image for a two thousand and seven hit piece,

2031
02:09:29.680 --> 02:09:32.439
<v Speaker 2>we're able to bust them for that as well as

2032
02:09:32.520 --> 02:09:37.880
<v Speaker 2>the color as well as the true shape. Here it is.

2033
02:09:38.199 --> 02:09:41.000
<v Speaker 2>You have some mad marsh and Morezavilla showing it to

2034
02:09:41.079 --> 02:09:44.319
<v Speaker 2>you all in twenty twenty six at this point. And

2035
02:09:44.399 --> 02:09:45.920
<v Speaker 2>you know, and there's a book on it called The

2036
02:09:45.960 --> 02:09:48.880
<v Speaker 2>Faces of the Mars Beyond Mere Tricks of Light and Shadow.

2037
02:09:48.920 --> 02:09:51.239
<v Speaker 2>I would appreciate you all getting it. It's my first book.

2038
02:09:51.680 --> 02:09:53.439
<v Speaker 2>The next one is going to start being made. The

2039
02:09:53.479 --> 02:09:57.479
<v Speaker 2>Pyramids and Mores Oasis of the damns. But so check

2040
02:09:57.520 --> 02:09:59.720
<v Speaker 2>that out. This is how Google Earth presents it. It's

2041
02:09:59.760 --> 02:10:03.840
<v Speaker 2>really disgusting, you know, and you know, and social intelligence.

2042
02:10:03.880 --> 02:10:07.199
<v Speaker 2>This is those my intebligence, more than what NASA showed

2043
02:10:07.199 --> 02:10:11.319
<v Speaker 2>in two thousand and seven, because Cliff, Cliff, I didn't

2044
02:10:11.359 --> 02:10:14.479
<v Speaker 2>know that. You know, the erosion is so bad. It's

2045
02:10:14.600 --> 02:10:20.439
<v Speaker 2>changing shape, you know, over a couple of years now.

2046
02:10:20.880 --> 02:10:23.399
<v Speaker 2>So there's again side views just to compare and show

2047
02:10:23.520 --> 02:10:27.399
<v Speaker 2>you that this is deliberate on their end. I'm deliberate

2048
02:10:27.439 --> 02:10:29.760
<v Speaker 2>on my end showing you the truth to call them out.

2049
02:10:30.000 --> 02:10:33.119
<v Speaker 2>They're cold busted and I'm gonna have freedom of information

2050
02:10:33.239 --> 02:10:37.319
<v Speaker 2>acts going, believe me something starting this year too. So

2051
02:10:37.760 --> 02:10:40.439
<v Speaker 2>again there's a you know, another view. And notice here, Cliff,

2052
02:10:40.840 --> 02:10:45.920
<v Speaker 2>what's amazing. I believe that there's a purpose s position

2053
02:10:46.039 --> 02:10:49.680
<v Speaker 2>because of the mouth being opened at certain times or

2054
02:10:49.720 --> 02:10:52.319
<v Speaker 2>angles and positions. Look what we see between the mouth

2055
02:10:52.439 --> 02:10:55.199
<v Speaker 2>on the other side, on the ground away from the face,

2056
02:10:55.479 --> 02:11:00.199
<v Speaker 2>what is that thing sticking up? Pointy thing? And as

2057
02:11:00.239 --> 02:11:03.760
<v Speaker 2>it turns, it matches up directly with the lines of

2058
02:11:03.800 --> 02:11:06.880
<v Speaker 2>the face, the car tours of the face. As it turns.

2059
02:11:07.079 --> 02:11:11.640
<v Speaker 2>It's deliberate, it's deliberate, and I could show that video wise,

2060
02:11:11.680 --> 02:11:13.680
<v Speaker 2>then you do understand that better. But I just wanted

2061
02:11:13.680 --> 02:11:16.479
<v Speaker 2>to say it to make note. So this thing's fascinating

2062
02:11:16.520 --> 02:11:19.279
<v Speaker 2>and it looks then it looks kind of scary. It

2063
02:11:19.319 --> 02:11:22.000
<v Speaker 2>definitely makes more sense than now Massive presenting it, because

2064
02:11:22.000 --> 02:11:24.159
<v Speaker 2>at least now it makes a little bit more sense.

2065
02:11:24.199 --> 02:11:26.960
<v Speaker 2>And then it should make more sense because why are

2066
02:11:26.960 --> 02:11:29.560
<v Speaker 2>you seeing it now through me? And they're avoiding at

2067
02:11:29.600 --> 02:11:33.640
<v Speaker 2>all courts to show this. Yeah, and this is we're

2068
02:11:33.680 --> 02:11:36.600
<v Speaker 2>almost done here. This is all like the second to

2069
02:11:36.680 --> 02:11:38.600
<v Speaker 2>last image we got from high Rise. This is how

2070
02:11:38.680 --> 02:11:42.079
<v Speaker 2>Massive presents it. Wow, they give it to the world.

2071
02:11:42.359 --> 02:11:44.880
<v Speaker 2>Remember is your money you pay for this. That's why

2072
02:11:44.880 --> 02:11:47.800
<v Speaker 2>I want down a quality act, because why they're giving

2073
02:11:47.920 --> 02:11:51.960
<v Speaker 2>us crapolay we pay them. We should be seeing what

2074
02:11:52.000 --> 02:11:55.199
<v Speaker 2>they're able to see. They're obvious skating. Look at this,

2075
02:11:55.439 --> 02:11:57.920
<v Speaker 2>there's the ie, there's the mouth. Oh yeah, you see

2076
02:11:57.960 --> 02:12:01.560
<v Speaker 2>subtle details smoothed out everywhere. That's nice. But if you

2077
02:12:01.560 --> 02:12:03.439
<v Speaker 2>don't know what you're looking at at the first glance,

2078
02:12:03.479 --> 02:12:05.760
<v Speaker 2>like you said, who the hell's gonna see what I do? Right, Cliff,

2079
02:12:05.960 --> 02:12:07.680
<v Speaker 2>you brought that up early. It's a great point. I

2080
02:12:07.680 --> 02:12:09.840
<v Speaker 2>should have put that in a book. But anyway, my

2081
02:12:09.920 --> 02:12:11.760
<v Speaker 2>next one, and I'll even throw your name in front

2082
02:12:11.760 --> 02:12:14.960
<v Speaker 2>of quote. Now, this is how they give it out.

2083
02:12:15.439 --> 02:12:18.319
<v Speaker 2>Here's the true version by process from the raw.

2084
02:12:22.319 --> 02:12:24.640
<v Speaker 1>Wow, they really overexpose it.

2085
02:12:24.840 --> 02:12:29.239
<v Speaker 2>Image big, big, and they soften it to hide the relief,

2086
02:12:29.279 --> 02:12:32.520
<v Speaker 2>to hide all the artistical relief, not just on the face,

2087
02:12:32.560 --> 02:12:35.479
<v Speaker 2>but away from it. Because now you could see, if

2088
02:12:35.520 --> 02:12:38.439
<v Speaker 2>you follow the lines, you could tell this is not natural.

2089
02:12:38.479 --> 02:12:41.399
<v Speaker 2>This is not erosion, This is permanent, this is esched,

2090
02:12:41.640 --> 02:12:46.239
<v Speaker 2>this is ordnately carved. This is something unfathomable because, like

2091
02:12:46.279 --> 02:12:49.000
<v Speaker 2>you said, the size and scale of the face itself

2092
02:12:49.199 --> 02:12:56.560
<v Speaker 2>bewilders you. What about everything else that sits on I'm crazy, right, No,

2093
02:12:56.960 --> 02:12:59.199
<v Speaker 2>this is what they're looking at and what they're steering

2094
02:12:59.239 --> 02:13:02.560
<v Speaker 2>away from. Yeah, not just in this area, by the way.

2095
02:13:03.479 --> 02:13:07.239
<v Speaker 2>So here's an upright view of it of that same image. Okay,

2096
02:13:07.359 --> 02:13:09.880
<v Speaker 2>that was the second the last image. We got one

2097
02:13:10.079 --> 02:13:13.199
<v Speaker 2>release to us a few weeks back, and the previous

2098
02:13:13.199 --> 02:13:15.680
<v Speaker 2>one that was released to us this is that one.

2099
02:13:15.920 --> 02:13:18.920
<v Speaker 2>So again we have like fifteen or seventeen different images,

2100
02:13:19.119 --> 02:13:22.279
<v Speaker 2>and every single one is released like this to the public.

2101
02:13:22.840 --> 02:13:24.359
<v Speaker 2>Oh so what do I do? I go to the

2102
02:13:24.479 --> 02:13:28.399
<v Speaker 2>row I still haven't found anyone here to China, England

2103
02:13:28.439 --> 02:13:32.680
<v Speaker 2>and Russia wherever no one else is processing these images apparently,

2104
02:13:32.880 --> 02:13:34.640
<v Speaker 2>I would love to if you could do it, people,

2105
02:13:34.960 --> 02:13:41.600
<v Speaker 2>please show it. I one colloberative, discussion, colloperative, you know,

2106
02:13:41.880 --> 02:13:44.760
<v Speaker 2>maybe even work to reveal what's there? Am I wrong?

2107
02:13:45.079 --> 02:13:47.520
<v Speaker 2>Prove me wrong? The data is only because I could

2108
02:13:47.520 --> 02:13:49.680
<v Speaker 2>prove me wrong, and maybe you could help me even

2109
02:13:49.760 --> 02:13:52.760
<v Speaker 2>bring out more with skills you might have that I'm

2110
02:13:52.840 --> 02:13:55.399
<v Speaker 2>lacking to get through every little thing that I believe,

2111
02:13:55.479 --> 02:13:58.720
<v Speaker 2>Like Cliffs even said, layers of different things to bring

2112
02:13:58.760 --> 02:14:00.880
<v Speaker 2>out what we should be able to see easily. But

2113
02:14:00.920 --> 02:14:03.039
<v Speaker 2>it's pretty amazing, though, what did you a Greek cliff?

2114
02:14:04.119 --> 02:14:08.960
<v Speaker 2>You've done? You would expect this from NASA, right, not me? Yeah?

2115
02:14:09.520 --> 02:14:11.560
<v Speaker 2>Well me in my lifetime.

2116
02:14:11.600 --> 02:14:16.760
<v Speaker 1>If they actually catch the Malane group that deceived everyone,

2117
02:14:16.760 --> 02:14:19.680
<v Speaker 1>they're probably gonna heads will roll. I have always said

2118
02:14:19.720 --> 02:14:23.279
<v Speaker 1>that heads should roll, So all right, hey, well listen,

2119
02:14:23.439 --> 02:14:25.760
<v Speaker 1>this is amazing. My guess it has been Gary Lazier.

2120
02:14:25.880 --> 02:14:31.399
<v Speaker 1>The book is The Face on Mars Beyond Mere Tricks

2121
02:14:31.439 --> 02:14:35.319
<v Speaker 1>of Light and Shadow. It came out last I think

2122
02:14:35.600 --> 02:14:41.439
<v Speaker 1>you said, October. It's available on Amazon and it is

2123
02:14:41.479 --> 02:14:45.159
<v Speaker 1>three hundred pages plus, and it is filled with all

2124
02:14:45.199 --> 02:14:49.520
<v Speaker 1>these images we have presented. If you would rather see

2125
02:14:49.560 --> 02:14:51.680
<v Speaker 1>it up close and personal, now you can go to

2126
02:14:51.720 --> 02:14:57.000
<v Speaker 1>the Facebook page. Go to Earth Ancient's Facebook and Gary's presenting.

2127
02:14:57.159 --> 02:14:58.880
<v Speaker 1>I think he's going to give us at least ten

2128
02:14:59.039 --> 02:15:03.479
<v Speaker 1>images that you can see. Plus he's throwing in a

2129
02:15:03.560 --> 02:15:05.960
<v Speaker 1>video I believe, right, Yeah.

2130
02:15:05.840 --> 02:15:07.960
<v Speaker 2>Yeah, you could link to or in bed you can

2131
02:15:08.760 --> 02:15:12.760
<v Speaker 2>link to the video where you have what NASA's presenting

2132
02:15:13.199 --> 02:15:14.640
<v Speaker 2>and what Gary exposes.

2133
02:15:14.720 --> 02:15:20.600
<v Speaker 1>So, hey, man, you've done exemplary work. It's fantastic.

2134
02:15:21.960 --> 02:15:24.600
<v Speaker 2>I'm glad you read the book. So in your opinion,

2135
02:15:24.760 --> 02:15:26.439
<v Speaker 2>what would you give it to the people should they

2136
02:15:26.479 --> 02:15:27.000
<v Speaker 2>bite the book?

2137
02:15:27.000 --> 02:15:28.800
<v Speaker 1>How many stores would you give it? Out of five

2138
02:15:29.439 --> 02:15:32.479
<v Speaker 1>I'd give it. I'd give it close to five. I

2139
02:15:32.560 --> 02:15:33.880
<v Speaker 1>give it four plus.

2140
02:15:34.279 --> 02:15:37.000
<v Speaker 2>Wow. Thanks, there you go, and I all the replies

2141
02:15:37.039 --> 02:15:39.600
<v Speaker 2>I've got so far, believe it or not, of five stars,

2142
02:15:39.640 --> 02:15:42.279
<v Speaker 2>I have more than twenty some reviews through good read

2143
02:15:43.279 --> 02:15:44.079
<v Speaker 2>to positive.

2144
02:15:44.079 --> 02:15:46.159
<v Speaker 1>I haven't read the whole book, though, Gary, I need

2145
02:15:46.199 --> 02:15:48.199
<v Speaker 1>to read the whole book. That's why I should.

2146
02:15:48.439 --> 02:15:50.840
<v Speaker 2>I gotta get a twist, you gotta get to go

2147
02:15:50.880 --> 02:15:51.479
<v Speaker 2>through a twist.

2148
02:15:51.800 --> 02:15:54.720
<v Speaker 1>I'll hold off my stars until after I finished the book.

2149
02:15:54.760 --> 02:15:55.600
<v Speaker 2>So fair enough.

2150
02:15:55.640 --> 02:15:58.279
<v Speaker 1>Hey, but listen, man, you're doing excellent work. I want

2151
02:15:58.319 --> 02:16:01.800
<v Speaker 1>to thank you for joining me. And when the next

2152
02:16:01.800 --> 02:16:03.239
<v Speaker 1>book comes out, let's have you back.

2153
02:16:04.199 --> 02:16:07.399
<v Speaker 2>Definitely, what even, Cliff, if you want to set up

2154
02:16:07.399 --> 02:16:09.520
<v Speaker 2>just to show about more sometimes I got it. I

2155
02:16:09.560 --> 02:16:12.319
<v Speaker 2>got many funds. We could get into showing some pyramids,

2156
02:16:12.800 --> 02:16:15.520
<v Speaker 2>you know, talking about you know, the prep for the

2157
02:16:15.560 --> 02:16:18.720
<v Speaker 2>next book. Maybe if you want so, don't be a stranger,

2158
02:16:18.800 --> 02:16:21.359
<v Speaker 2>my friend, as long as you call me and invite

2159
02:16:21.399 --> 02:16:24.560
<v Speaker 2>me back. And if you're listeners, fans, audience, you know,

2160
02:16:24.560 --> 02:16:26.760
<v Speaker 2>I would like to see more of other things. And

2161
02:16:27.159 --> 02:16:30.239
<v Speaker 2>you know, see my crazy face here, my crazy words.

2162
02:16:30.560 --> 02:16:32.760
<v Speaker 2>You know, if you all, thank you very much. Cliff,

2163
02:16:32.799 --> 02:16:33.200
<v Speaker 2>you rock.

2164
02:16:39.799 --> 02:16:42.760
<v Speaker 1>You may have heard me mention that we will have

2165
02:16:42.840 --> 02:16:46.959
<v Speaker 1>a gallery. Gary, he just has sent me a really

2166
02:16:47.040 --> 02:16:51.239
<v Speaker 1>nice gallery of photographs, including the enhanced images he was

2167
02:16:51.239 --> 02:16:56.520
<v Speaker 1>speaking about. But obviously there's a lot of photographs that

2168
02:16:56.559 --> 02:16:58.639
<v Speaker 1>we can't include in the gallery because it would be

2169
02:16:58.719 --> 02:17:01.840
<v Speaker 1>too big. And to see those, go to Earth Ancients

2170
02:17:01.920 --> 02:17:05.399
<v Speaker 1>on YouTube. Go YouTube Earth Ancients and the Punch in

2171
02:17:06.360 --> 02:17:09.719
<v Speaker 1>the Face on Mars with Gary Lazier L E. G.

2172
02:17:09.879 --> 02:17:11.200
<v Speaker 2>G I E. R.

2173
02:17:11.440 --> 02:17:16.200
<v Speaker 1>E and all that information will be there, and of

2174
02:17:16.239 --> 02:17:20.600
<v Speaker 1>course his book The Face on Mars is available on

2175
02:17:21.040 --> 02:17:25.319
<v Speaker 1>Amazon or wherever you get your books. The other thing

2176
02:17:25.680 --> 02:17:29.040
<v Speaker 1>is that he has a well no he doesn't have

2177
02:17:29.159 --> 02:17:34.079
<v Speaker 1>a audible version of it, but there's enough images in

2178
02:17:34.159 --> 02:17:36.200
<v Speaker 1>the gallery that you get a sense of what's going on.

2179
02:17:37.559 --> 02:17:44.319
<v Speaker 1>And it's amazing because he's able to remove the photoshop

2180
02:17:44.879 --> 02:17:48.520
<v Speaker 1>application that NASA has put on and extract a lot

2181
02:17:48.559 --> 02:17:52.399
<v Speaker 1>more detail, which is very I mean, Mark Carlotto can

2182
02:17:52.440 --> 02:17:54.600
<v Speaker 1>do that to a degree, but Gary's been practicing a

2183
02:17:54.600 --> 02:17:58.120
<v Speaker 1>lot longer, and it's it's a lot of work because

2184
02:17:58.239 --> 02:18:01.600
<v Speaker 1>sometimes you take a portion of the face off or

2185
02:18:01.719 --> 02:18:05.479
<v Speaker 1>some of the Sidonia region and you can't get it back.

2186
02:18:07.239 --> 02:18:10.079
<v Speaker 1>It's just amazing that they're doing this, you know, they

2187
02:18:10.120 --> 02:18:14.719
<v Speaker 1>do it with a lot of portions of the planet.

2188
02:18:15.479 --> 02:18:18.799
<v Speaker 1>I have a photograph that was leaked that I talked about.

2189
02:18:18.840 --> 02:18:24.399
<v Speaker 1>It's by a lake. It's Atlantis Chaos portion of Mars,

2190
02:18:25.079 --> 02:18:28.600
<v Speaker 1>and there's a city by the lake, and it's so revealing.

2191
02:18:28.639 --> 02:18:32.399
<v Speaker 1>You can actually see roads and buildings and steeples and

2192
02:18:32.440 --> 02:18:35.879
<v Speaker 1>things like that. It's really really strange. I always joke

2193
02:18:36.120 --> 02:18:38.879
<v Speaker 1>that I've had it for about four or five years.

2194
02:18:39.200 --> 02:18:41.280
<v Speaker 1>When I show it to an archaeologist, they go, well,

2195
02:18:41.319 --> 02:18:44.639
<v Speaker 1>how much have they excavated? And I don't tell them

2196
02:18:44.680 --> 02:18:46.520
<v Speaker 1>it's Mars. They tell them it's a place on Earth.

2197
02:18:47.239 --> 02:18:51.200
<v Speaker 1>And when I say that, I say it's Mars. They quiet,

2198
02:18:51.559 --> 02:18:55.479
<v Speaker 1>They get very quiet all of a sudden, which is fascinating.

2199
02:18:55.600 --> 02:19:03.159
<v Speaker 1>So I fully expect that when NASA is outed, and

2200
02:19:03.200 --> 02:19:05.159
<v Speaker 1>they can be added by China, or they can be

2201
02:19:05.159 --> 02:19:08.319
<v Speaker 1>added by Russia or by India. All three of those

2202
02:19:08.360 --> 02:19:13.479
<v Speaker 1>countries have very active space programs, although I'm not familiar

2203
02:19:13.479 --> 02:19:20.600
<v Speaker 1>with a rover that is active with Russia or with India.

2204
02:19:20.639 --> 02:19:24.959
<v Speaker 1>Those are extremely expensive. The rovers that America has there

2205
02:19:24.959 --> 02:19:28.440
<v Speaker 1>are a couple of billion each, I mean billion with

2206
02:19:28.559 --> 02:19:32.319
<v Speaker 1>a bee, and I don't think I don't think other

2207
02:19:32.360 --> 02:19:35.280
<v Speaker 1>people other than China and America can afford it. So

2208
02:19:36.000 --> 02:19:40.799
<v Speaker 1>but when you see rover footage, I mean, they're doing

2209
02:19:40.959 --> 02:19:44.120
<v Speaker 1>everything they can to keep that thing away from ruins,

2210
02:19:44.200 --> 02:19:46.719
<v Speaker 1>but they bump into them all the time. So this

2211
02:19:46.879 --> 02:19:50.399
<v Speaker 1>is a real problem. This is a serious, serious problem

2212
02:19:50.440 --> 02:19:56.000
<v Speaker 1>of this cover up, and I fully expect. I mean,

2213
02:19:56.159 --> 02:20:02.239
<v Speaker 1>I can't imagine the administration of NASA keeping their jobs

2214
02:20:02.280 --> 02:20:06.680
<v Speaker 1>when they're outed, when they are showing photographs of ruins,

2215
02:20:06.680 --> 02:20:08.879
<v Speaker 1>and Manassa goes, well, we didn't know they were there.

2216
02:20:09.760 --> 02:20:14.200
<v Speaker 1>I mean, they're going to be humiliated, and rightly so.

2217
02:20:15.559 --> 02:20:20.040
<v Speaker 1>We're spending our tax dollars on their joke of an

2218
02:20:20.079 --> 02:20:24.479
<v Speaker 1>experiment to let us think that there's only microbes and

2219
02:20:24.559 --> 02:20:27.159
<v Speaker 1>bits and places where there's a little bit of water.

2220
02:20:28.399 --> 02:20:31.799
<v Speaker 1>There's entire forests that we didn't even talk about today

2221
02:20:31.920 --> 02:20:36.360
<v Speaker 1>on Mars that have been documented. So anyhow, I hope

2222
02:20:36.360 --> 02:20:39.280
<v Speaker 1>you enjoyed that. Remember to go to Facebook, go to

2223
02:20:39.319 --> 02:20:48.000
<v Speaker 1>Earth Anxious and see the footage of the presentation. All right,

2224
02:20:48.040 --> 02:20:49.479
<v Speaker 1>that's it for this program. I want to think my

2225
02:20:49.520 --> 02:20:54.840
<v Speaker 1>guest today, Gary Lazier, coming to us from Colorado as always,

2226
02:20:54.840 --> 02:20:58.920
<v Speaker 1>the team of Gail Tour, Mark Foster, and Feya Pavar.

2227
02:20:59.680 --> 02:21:03.719
<v Speaker 1>You guys rock all right, take care of you well,

2228
02:21:03.799 --> 02:21:06.840
<v Speaker 1>and we will talk to you again really soon.

2229
02:22:06.360 --> 02:22:06.920
<v Speaker 4>All
