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Speaker 1: Well, you pretty much knew what was going to happen

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this evening on a very impromptu show, I had something

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I wanted to talk about tonight, and well, as we

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all know, Ozzy Osbourne passed away today. So we're going

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to be doing an Ozzy Osbourne show and I have

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a couple guests lined up, so we're going to go

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to that in just one second. Is going to take

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this time to invite everybody to join the Patreon for

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only five dollars a month Patreon, dot com, slash real

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Izzy Presley. Subscribe to this YouTube or whatever you're listening on.

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And if you're listening not onto the Patreon, well you're

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probably hearing ads. But Patreon, there are no ads. It's

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only five dollars a month. Just jump on there, hit

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up all the other social media's Real Izzy Presley, Twitter, Instagram, Facebook, Patreon, Cameo,

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everything all the way across the board. Of course, the

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show page on Facebook. Give that alike as well. Another

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f and podcast and without further ado, rest well Ozzy Osbourne.

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Speaker 2: Hi, this is Bobby Brown and welcome to another fucking podcast.

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Speaker 3: Charlie, I sayed, Toby a hawk, my man be the

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once great chap Now I study and muffishness no longer

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the factory hungry stallion. Wait ray, so many times people

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wash up h ex champion.

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Speaker 4: All right, let's go.

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Speaker 1: I think you know the guy, but I think you

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know it pretty dear well.

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Speaker 4: His name he Press Presley.

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Speaker 5: Presley.

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Speaker 6: What's my name?

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Speaker 4: Say my name?

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Speaker 6: Bench friend? Is he Presley?

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Speaker 5: Is he Presley?

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Speaker 6: Presley?

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Speaker 4: Ouch?

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Speaker 5: Is he Presley?

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Speaker 4: WHOA that sounds a little weird? Is he President? Is

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he Presley?

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Speaker 1: Is he Presley?

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Speaker 2: The heaviest, gurthiest rocky j around?

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Speaker 1: Hey, this is Jeff Levarr. You listen to?

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Speaker 4: Is he Presley?

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Speaker 1: Those aren't pillows? Hello, Las Vegas, Hello world, Hello, my

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loyal minions. It is good to see. He's always good

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to be seeing. I'm is He Presley. I'm the host

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of the program, which you know is another podcast. And

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we already got all the sentimental bullshit out of the way,

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the mutual bullshit out of the way at the top

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of the show, so we're just gonna dive right in.

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Uh Minnesota. Folks might remember my guest Rudy Pavich ninety

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three X. He's now a comedian and you've always been

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a comedian, though right, yeah.

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Speaker 6: I always dabbled in it. Before we get into that,

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I want to hear some of the sentimental ship.

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Speaker 1: Well no, no, no, listen, it was it wasn't the

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sentimental shit. It was actually more of the mutual bullshit

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the ok it was just the you know, join the

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Patreon here's my link.

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Speaker 4: Oh yeah, yeah, yeah, yeah, yeah, yeah yeah.

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Speaker 1: I just want you to get that ship out of

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the way so we can just dive right in.

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Speaker 4: So yeah, yeah, I get a well I get a

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percentage of this podcast. Yeah yeah, I don't know what

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the going rate is, but I usually charged sixty five

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to seventy. So okay, you know what, listen, let's just

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let our Jewish lawyers knock this shit out. Let's talk

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about Ozzy. That's why we're here today, everybody.

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Speaker 1: Okay, that is right, That is right. So you guys

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might remember from ninety three X so I'm sure you

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do if you're from the mid midwestern Minnesota area. Of course,

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as he is now a regular on the Adam Carolla Show.

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He does work for Adam. He's out on the road

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with at him all the time. Rudy Paviach, Welcome to another.

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Speaker 4: Podcast, dude, Great to great to hang with you.

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Speaker 6: Man. I love I love every chance we get to to,

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you know, shoot the kibbitz. But man, it's uh, it's

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under some terrible circumstances to how did you find out?

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If you don't mind me asking, you find out.

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Speaker 4: Through your phone? And did somebody tell you?

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Speaker 1: I think it was Uh, it was a text. But

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somebody commented on one of my posts today and it

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was like said, did Ozzie die? I'm like, huh because

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it was on my I was at Cole's the other

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day and there was this car in the handicapped spot

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with a license plate that said de O Forever. So

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I took the picture with the horns and uh yeah,

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and I'm like, huh. That was early this morning. I'm like, nah,

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what the fuck are you talking about? Then all of

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a sudden, Yeah, I got a text and I saw

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it online. I'm like, oh wow, this is fucking is

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how'd you find out?

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Speaker 6: My girlfriend, because she's addicted to social media is always

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sort of like my go to ever since Robin Williams.

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When Robin Williams passed away, I was so angry that

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my phone told me and not somebody like word of mouth.

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I didn't hear it from somebody, it's upset me that

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a piece of technology, you know, like because I remember

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when growing up, I remember when somebody who was you know,

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somebody that we looked up to, or whether it be

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an actor, an actress, a sports figure, whoever it was,

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you know when that person passed away, you it was.

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Speaker 4: There was a sort of like an instant comfort and

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an instant sort.

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Speaker 6: Of connection that you had with somebody when they told

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you that somebody that you admired had passed away. And

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I was so angry that my phone told me about

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Robin Williams that I never kind of wanted to go

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through that again. And luckily my girlfriend does not put

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her god damn phone down, so every time something happens,

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it's like, dude, I don't even think the body was

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cold yet, and she was already like, did.

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Speaker 4: You hear that Ozzie Osborne died?

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Speaker 6: And for how much it was darring to hear, especially

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after we just went through Malcolm Jamal Warner right just

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a couple of days ago, and then you know, you

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know that I wass say it comes in three for me.

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My dog Paul passed away last Monday, a week from yesterday,

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and then now you got it, and then you got.

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Speaker 4: Ozzy, and then I'm like, I'm done. I'm done. Listen,

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We're good, man. I don't need anymore. This was a

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tough enough one as it is. I mean, Ozzie alone

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would have been a tough one man.

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Speaker 6: Just because man, like, he's one of those guys. And

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at seventy six, you think about it. My grandfather passed

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away at seventy three, and I remember thinking when I

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was seventeen when he passed away, I'm like, seventy three

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is so old.

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Speaker 4: And that was in nineteen ninety.

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Speaker 6: Eight, and now we're staring at, you know, guys that

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are seventy three, Like, there's somebody in my family seventy

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three who does Iron.

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Speaker 4: Man's and he does like two three a year.

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Speaker 6: So when you hear that Ozzie passed it the way

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as seventy six, you go and the fact that there

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was what less than two weeks ago they just had

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the final show and everybody was there like a great sendoff.

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Speaker 4: But man, that was it was a tough one to

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hear this morning.

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Speaker 1: For sure. I tell you what you talk about, the

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social media thing, and especially there's a lot of people

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that hear about deaths on social media that are like

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in the family. You know, they because it's here.

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Speaker 5: I'll give you.

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Speaker 1: I'll give you an example. I was a host on

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the def Leopard Cruise almost ten years ago and Last

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in Line was playing that which is Dio's band with

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Andrew Freeman singing, and Jimmy Bain passed away on the.

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Speaker 4: Boat and oh I remember that.

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Speaker 1: Yeah, people that I was actually almost quoted on TMZ

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it says karaoke host. It didn't say who it was,

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Harry Host. Wow, but people were coming up to me

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saying it's on Facebook. Jimmy Baine died. I'm like, how

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is it there? I mean, it's just happened. I mean

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I didn't know about it. And I remember one of

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my bosses was in the crowd during karaoke and I

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just I I went up to him like do I

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say something? He's like no, I'm like, it's on Facebook.

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What am I supposed to do? He just kind of nodded,

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It's like do it?

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Speaker 6: You know?

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Speaker 1: Then I have like a bunch of musicians looking at me,

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going no, no, But what.

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Speaker 6: Would that be if you were like listen, ladies and gentlemen.

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I'm so sorry to tell you that Jimmy has A

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has passed away. He was an unceremoniously. It's gonna be tough.

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We're gonna have to move on without him. Cheryl, Cheryl,

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here comes Cheryl with the Bengals.

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Speaker 5: Cheryl.

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Speaker 4: I was just like, thanks guys so much with the booth. Yeah,

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it would be tough, man, Yeah it was.

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Speaker 1: Oh shit, I forgot to do this at the top

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of the show. This is very important part of the show.

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I usually do this in the words of my close

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personal friends, don't kill Steve all. But today I'm gonna

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do it as Aussie good to Craig One for the

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working man. You know, man, what are you It's a

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Natty Light. O. You've never had a Natty Light.

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Speaker 4: No, dude, I'm from northern Minnesota. Of course I've had that.

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Speaker 1: Okay, I was gonna say.

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Speaker 6: So. They they gave out a high school graduation, they

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give you a diploma and Natty Light crack that thing open,

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shotgun them in the parking lot.

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Speaker 1: But I don't know if you know this, Rudi, and

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we're obviously gonna get into Azzie, but Natty Light, one

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of the beer guys told me this when Natty Light

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came out. It was supposed to be a top tier beer,

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but they had nothing to put up against the shitty

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cheap beers, so that's why it went down as a

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shitty cheap beer. But it's really a premium beer, so cheer's.

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Speaker 4: I don't know where to go with that.

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Speaker 6: Uh I feel like Natty well, I feel like Natty Light.

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That I mean, I got to wonder what it came.

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Speaker 4: In, Like what was the can before that? Like what

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did it look like? What was it? How are they

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trying to market it?

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Speaker 6: Because you can buy a cube of that stuff for

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like eight dollars and seventy five cents, So how the

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hell were they trying to market that as a preel?

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Speaker 1: They did six They didn't that's what they were going

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to do. And then he said, then they realized, oh shit,

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they have all these cheap beers, we have nothing to

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go in that category. We're going to put this down there.

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Speaker 4: Well that's the case.

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Speaker 6: Then I'm pissed off at other premium beers because if

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it costs if it costs the same amount for Natty

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Light to be produced and they sell it at you know,

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ten bucks for a cube of it, or they sell

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it at seventeen dollars a six pack.

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Speaker 4: I'm pissed. I had other.

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Speaker 6: Premium beers who were selling me seventeen dollars, Like, dude that, Like,

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I bought a four pack of beer the.

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Speaker 4: Other day, seventeen dollars seventeen. I was like, that is

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they didn't have ice on it.

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Speaker 6: So I walk up to the counter, I throw it

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down and the guy goes like, whatever it came to,

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like seventeen twenty seven. I was like, I was like,

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I'm just buying one what I'm buying a one four pack?

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And he goes, yeah, seventeen. I was like, no beer

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is worth that, No beer is worth that, Like, I

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don't yeah, I don't think you know ice fishing growing up.

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I don't think we spent seventeen dollars and fifty cents

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on an entire weekend worth of beer. So how Yeah,

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So anyways, what was Ozzie's beer of choice?

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Speaker 4: Did you have a beer? I don't know.

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Speaker 1: I think he was a booze guy.

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Speaker 4: Yeah, he's a red wine guy. Wasn't he a wine guy?

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Speaker 1: Was wine guy?

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Speaker 5: Well?

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Speaker 1: I mean you saw the You've seen Decline of Western

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Civilization Part two when he's in his kitchen, he's made

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he's making fucking eggs and pouring his fucking h pouring

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his vodka. But I don't know, I don't know. It's

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just I tell you what though. I mean, I am

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honestly surprised that he made seventy six, you know, because.

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Speaker 4: Yeah, that's a guy who's gonna kicked off years ago.

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I mean, dear guy.

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Speaker 6: I mean, and you look at the people that were

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that were still hanging on too late in life, and

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you're like, dude, Mitch McDonald, dude, you're still around, like man, right,

238
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this guy gonna go one's this guy gonna kick off

239
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a lot of guys like that. Last guy's like Ozzy man.

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Speaker 1: You know, well, no, I mean, look at these guys

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that are still Lemmy was what sixty nine when he passed,

242
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and I was or did he hit seventy? I think

243
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it was sixty nine. But you know, you got Keith

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Richard still out there. You know, these guys that just

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destroyed their bodies and some continue to and still fucking

246
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are still kicking. And then you got you know, uh,

247
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you guys said die Well jogging thirty seven years old.

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Speaker 6: Absolutely, yeah, you know I was uh where it was.

249
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I was traveling recently, I was on tour. I went

250
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to a bar, maybe northern California somewhere, but they were

251
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playing a Stones concert and I'm like, I'm looking at

252
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it and I'm like, man, what is this?

253
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Speaker 4: Is this live?

254
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Speaker 6: This must have been like a couple of days ago,

255
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a couple of weeks ago. Dude, that also was like

256
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twenty two years ago. And I'm like, those guys look

257
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exactly the same. They still look They looked like, I

258
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swear to God, like those guys reached the age of

259
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like sixty five and then have never aged a day since.

260
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I look at Mick Jagger now and I'm like, dude,

261
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you look younger now than you did when you were

262
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dancing with Bowie.

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Speaker 1: Yeah. Well, we tried to block that out of our memory.

264
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It was a rough time for Oh my god, dude.

265
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I remember. I remember I went to see Back to

266
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the Future how many times in the theater and when

267
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you went to see Back to the Future you had

268
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to watch that fucking video because it was before the movie. Really,

269
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oh yeah, it was so bad that I remember my

270
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mom was so happy when it came out of VHS

271
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and the only place you could get It was McDonald's.

272
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So I got my copy of Back to the Future

273
00:14:04,159 --> 00:14:07,120
of VHS at McDonald's. You know what was on there?

274
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That fucking video you couldn't get away.

275
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Speaker 4: I don't know that.

276
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Speaker 1: It's just it's just ingrained in my head. It's like

277
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I hear it and I get fucking flashbacks and I

278
00:14:19,600 --> 00:14:21,279
want to like off a bridge or something.

279
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Speaker 4: Speaking of duets, what was the best and worst? Due

280
00:14:26,039 --> 00:14:27,360
at Ozzie had m.

281
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Speaker 1: Well, I mean, the best one is obviously Closed My

282
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Eyes Forever.

283
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Speaker 4: Obviously that is number one. That's a banger of a song.

284
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That song is so damn good.

285
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Speaker 6: I was driving to I was driving to Chicago, and

286
00:14:41,200 --> 00:14:43,879
I was, I don't know, have you ever run into

287
00:14:43,919 --> 00:14:45,000
the gals from Vixen?

288
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Speaker 1: I am friends with him?

289
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Speaker 6: Yes, get out, dude. So some of these gals are

290
00:14:49,799 --> 00:14:53,480
from Lacrosse, Wisconsin, and I was the.

291
00:14:53,559 --> 00:14:56,960
Speaker 1: Only the only gal that's left from the original band

292
00:14:57,039 --> 00:15:01,159
is Roxy, the drummer. So Ji Janet is the one

293
00:15:01,200 --> 00:15:01,879
from Lacrosse.

294
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Speaker 5: She was the singer.

295
00:15:03,039 --> 00:15:07,679
Speaker 1: She was she was my Vixen crush. Chaer is married

296
00:15:07,720 --> 00:15:10,240
to bam Ross, who's a famous drummer, and they live

297
00:15:10,320 --> 00:15:16,600
in Florida and the Jane Janet, I can't remember the

298
00:15:16,639 --> 00:15:20,559
guitar player. The guitar player passed away, like brain cancer

299
00:15:20,679 --> 00:15:21,759
or something fucked up.

300
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Speaker 4: On that she she literally closed her eyes forever.

301
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Speaker 1: Yeah, literally.

302
00:15:27,120 --> 00:15:28,120
Speaker 5: No, I was.

303
00:15:28,200 --> 00:15:31,399
Speaker 6: I was doing like a like an all female eighties

304
00:15:31,559 --> 00:15:36,279
rock drive playlist, just you know, and that's the song

305
00:15:36,399 --> 00:15:37,799
came on and I went back.

306
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Speaker 4: I listened to it three or four times.

307
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Speaker 6: And just because Ozzy had a couple of duets in

308
00:15:42,799 --> 00:15:44,879
there where he would you team up with somebody, his

309
00:15:44,960 --> 00:15:51,399
stuff with Rob Zombie was okay. Let me yeah, yeah,

310
00:15:51,720 --> 00:15:54,200
some of the stuff guy, Yeah, some of the stuff

311
00:15:54,279 --> 00:15:54,639
was good.

312
00:15:55,000 --> 00:15:55,840
Speaker 4: It was it was fine.

313
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Speaker 6: But Close My Eyes Forever is obviously number one if

314
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you got, if you got to put a stamp on

315
00:16:02,159 --> 00:16:06,480
the worst uh you know song featuring Ozzy, it's when

316
00:16:06,679 --> 00:16:08,639
him and Cold Chamber did Shock the Monkey.

317
00:16:09,080 --> 00:16:12,919
Speaker 4: That song is absolute garbage and dribble. The original wasn't

318
00:16:12,960 --> 00:16:13,759
even that great, but.

319
00:16:13,799 --> 00:16:16,480
Speaker 6: The fact that they did that song that reminded me

320
00:16:16,679 --> 00:16:19,559
of we don't need dancing in the streets.

321
00:16:21,120 --> 00:16:23,039
Speaker 1: We don't need I need it.

322
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Speaker 4: I didn't like the original, I don't need at the cover.

323
00:16:26,399 --> 00:16:28,559
I'm fine with where it is. Just leave it where

324
00:16:28,600 --> 00:16:28,799
it is.

325
00:16:29,120 --> 00:16:31,240
Speaker 6: I didn't like Shock the Monkey. I don't need Ozzy

326
00:16:31,279 --> 00:16:33,600
and Cold Chamber doing that song together. Leave it where

327
00:16:33,639 --> 00:16:35,799
it was, but close my eyes forever.

328
00:16:35,919 --> 00:16:36,120
Speaker 4: Man.

329
00:16:36,240 --> 00:16:39,440
Speaker 6: That is one else you can literally, I mean, that

330
00:16:39,559 --> 00:16:42,080
goes on every single playlist that I have. When whether

331
00:16:42,159 --> 00:16:44,200
it comes to, like, you know, the gym playlist, whether

332
00:16:44,200 --> 00:16:47,039
it comes to like my pre show playlist, whatever it is,

333
00:16:47,279 --> 00:16:47,799
it's on there.

334
00:16:47,799 --> 00:16:50,279
Speaker 1: It's a good palid on your pre show and your

335
00:16:50,360 --> 00:16:51,240
gym playlists.

336
00:16:53,200 --> 00:16:57,039
Speaker 4: Yeah, yeah, okay. But I also because like I like

337
00:16:57,120 --> 00:16:57,919
the highs and the lows.

338
00:16:58,000 --> 00:17:00,759
Speaker 6: Man, like my pre show is it has It'll have

339
00:17:01,000 --> 00:17:04,319
Ozzie and Lida, it'll have the Goodyear Pimps, It'll have

340
00:17:05,039 --> 00:17:09,359
Paul Simon, it'll have Elvis, it's got ice Cube. I

341
00:17:09,519 --> 00:17:11,359
just like the fact that it kind of goes all

342
00:17:11,440 --> 00:17:14,160
over the place that because my act is a little

343
00:17:14,160 --> 00:17:16,240
bit like that. There's times when my act I need

344
00:17:16,279 --> 00:17:17,799
to go really high energy and then I need to

345
00:17:17,839 --> 00:17:19,559
bring it down. And then I go high energy and

346
00:17:19,599 --> 00:17:21,960
I need to bring it down. So if I'm doing

347
00:17:22,039 --> 00:17:24,119
like ten minutes, and it's just if I'm hosting and

348
00:17:24,160 --> 00:17:26,079
I got to go out there just do a blistering

349
00:17:26,160 --> 00:17:29,680
ten minutes set. I'll usually try to keep the pace

350
00:17:29,880 --> 00:17:32,880
of the playlist up a little bit higher, but yeah,

351
00:17:32,960 --> 00:17:35,640
for the most part, I try to get some of

352
00:17:35,680 --> 00:17:36,240
those jams.

353
00:17:36,319 --> 00:17:38,160
Speaker 4: And you know, I don't know. I was on the

354
00:17:38,200 --> 00:17:38,960
way up to my cabin.

355
00:17:39,000 --> 00:17:40,920
Speaker 6: I'm in northern Minnesota, and I was on my way

356
00:17:41,000 --> 00:17:43,359
up here, and while I was driving, turned on a

357
00:17:43,440 --> 00:17:48,200
couple of Ozzie songs and just man like to be

358
00:17:48,319 --> 00:17:52,960
a part of that lineage of history of music, you know.

359
00:17:53,480 --> 00:17:56,079
I mean, that guy lived, That guy lived a thousand

360
00:17:56,160 --> 00:18:00,319
lifetimes in this industry, and just a small inner actions

361
00:18:00,359 --> 00:18:01,720
that I ever had with the guy, you know.

362
00:18:01,920 --> 00:18:04,960
Speaker 4: I interviewed him twice. Yeah, one time, one time in.

363
00:18:05,039 --> 00:18:10,000
Speaker 6: Studio, one time over the phone, and he was just

364
00:18:10,160 --> 00:18:13,240
he was there was something about him that, you know,

365
00:18:13,599 --> 00:18:15,720
he made you kind of feel like and it was

366
00:18:15,880 --> 00:18:18,599
I didn't get a chance to interview Ozzie until later,

367
00:18:18,799 --> 00:18:21,400
until like the first time I ever interviewed him.

368
00:18:21,400 --> 00:18:26,680
Speaker 4: I think the the Osborne's was just okay, off was.

369
00:18:26,799 --> 00:18:30,279
Speaker 6: Just coming off the air, like maybe like mid series,

370
00:18:31,079 --> 00:18:33,200
because I got the version of Ozzy that was a

371
00:18:33,279 --> 00:18:35,920
little bit more subdued and a little bit more willing

372
00:18:35,960 --> 00:18:37,680
to play the game because Shanon was like, Hey, we

373
00:18:37,759 --> 00:18:39,480
got this reality show and it's kicking ass.

374
00:18:39,519 --> 00:18:40,920
Speaker 4: Don't go in there and fuck this up.

375
00:18:41,559 --> 00:18:44,400
Speaker 6: So I kind of got that version of Ozzy he was,

376
00:18:44,519 --> 00:18:47,039
you know, obviously he cursed every other word co but

377
00:18:47,440 --> 00:18:48,960
I got to I feel like I got a different

378
00:18:49,039 --> 00:18:51,079
version of Like I I remember when I interviewed Sean

379
00:18:51,200 --> 00:18:54,599
from Slipknot. I had watched a bunch of old videos

380
00:18:54,599 --> 00:18:56,119
of him doing interviews and I'm like, oh, is this

381
00:18:56,240 --> 00:18:58,119
guy gonna come in here and just be an asshole?

382
00:18:58,160 --> 00:18:59,480
Speaker 4: Like I don't want to deal with, Like, I'm not

383
00:18:59,559 --> 00:19:01,440
that guy. I'm not I'm not a shock jock kind

384
00:19:01,440 --> 00:19:03,240
of guy. I just like to sit and chat.

385
00:19:03,640 --> 00:19:06,640
Speaker 6: And then he came into the studio and he was

386
00:19:07,319 --> 00:19:10,079
the super calm. He was very calm, he was very relaxed,

387
00:19:10,119 --> 00:19:12,359
he was very nice to talk to. And then after

388
00:19:12,519 --> 00:19:14,640
we turned the mics off, I said, I gotta be honest,

389
00:19:14,680 --> 00:19:16,559
I was a little nervous coming in here today because

390
00:19:16,599 --> 00:19:18,240
I saw some of the other interviews that you've done,

391
00:19:18,279 --> 00:19:20,240
and He's like, that was old me. He's like, that

392
00:19:20,400 --> 00:19:22,759
was that was me trying to be young, trying to

393
00:19:22,759 --> 00:19:24,759
be a rock star, trying to put my name out

394
00:19:24,799 --> 00:19:26,720
there and now I'm just trying to get because at

395
00:19:26,759 --> 00:19:30,519
the time he was doing a band called White Rabbits,

396
00:19:30,839 --> 00:19:33,559
Young White Rabbits, White Young Rabbits, something like that.

397
00:19:33,640 --> 00:19:34,359
Speaker 4: Yeah, it was, it was a thing.

398
00:19:34,440 --> 00:19:37,319
Speaker 6: He was doing it on the Warp tour, and he

399
00:19:38,039 --> 00:19:40,119
he was just a different version of him. So there's

400
00:19:40,279 --> 00:19:42,240
there's a part of me that is a little upset

401
00:19:42,279 --> 00:19:44,599
that I missed both of those guys during their heyday

402
00:19:44,640 --> 00:19:49,039
because for how much I, you know, enjoyed that conversation

403
00:19:49,240 --> 00:19:52,200
with both Sean and Ozzy, I kind of wish that

404
00:19:52,319 --> 00:19:54,400
one of them would have thrown a goddamn television out

405
00:19:54,440 --> 00:19:54,839
the window.

406
00:19:55,759 --> 00:19:58,279
Speaker 1: Well, yeah, because you want, you know, you want you

407
00:19:58,359 --> 00:20:01,599
want your TikTok moment kidding.

408
00:20:01,880 --> 00:20:04,880
Speaker 4: Yeah, absolutely, you want the story, you know, absolutely, Yeah.

409
00:20:04,799 --> 00:20:07,400
Speaker 1: But but I could, I could, Yeah, I could rather

410
00:20:07,759 --> 00:20:11,720
enjoy an older Ozzy interview because now you're talking to

411
00:20:11,880 --> 00:20:13,119
somebody who's a grandpa.

412
00:20:13,519 --> 00:20:14,400
Speaker 5: You know, and.

413
00:20:16,079 --> 00:20:19,799
Speaker 1: Just kidding, like getting the stories stories, you know, instead

414
00:20:19,839 --> 00:20:22,440
of you know, having wild fucking drunk Ozzy, you got

415
00:20:22,519 --> 00:20:27,759
somebody who's coherent ish and able to tell these stories

416
00:20:27,839 --> 00:20:30,559
because he's somebody that's been there, you know what I mean.

417
00:20:31,680 --> 00:20:33,440
Speaker 4: Yeah, yeah, yeah, it was.

418
00:20:33,960 --> 00:20:37,200
Speaker 6: You know, I didn't necessarily love the movie all that much.

419
00:20:37,400 --> 00:20:39,559
But the Motley Cruze bio pic.

420
00:20:39,759 --> 00:20:40,799
Speaker 4: Uh huh when that?

421
00:20:41,000 --> 00:20:43,759
Speaker 6: I forget that kid's name he was in He was

422
00:20:43,839 --> 00:20:49,000
in Righteous Gemstones, Tony Cavalera. I can't, I'm facing on it.

423
00:20:49,039 --> 00:20:52,160
I'm thinking of Max cavalleerra but Tony something. He was

424
00:20:52,200 --> 00:20:55,680
in Righteous Gemstones, but he plays Ozzy in the uh

425
00:20:56,319 --> 00:21:00,599
in the film and they they reenact the scene.

426
00:21:00,599 --> 00:21:01,400
Speaker 4: Do you ever see the movie?

427
00:21:01,880 --> 00:21:02,359
Speaker 5: Of course?

428
00:21:03,319 --> 00:21:05,839
Speaker 1: Of course I only watched it once.

429
00:21:06,000 --> 00:21:08,440
Speaker 4: Yeah, I agree, I watched it once. I was like,

430
00:21:08,440 --> 00:21:09,279
I don't need anymore.

431
00:21:09,519 --> 00:21:13,319
Speaker 1: I read the book. Did you read the book?

432
00:21:14,480 --> 00:21:16,759
Speaker 4: No, I'm not a reader.

433
00:21:18,680 --> 00:21:21,640
Speaker 1: I'm not yet when I watching able to sit down

434
00:21:21,680 --> 00:21:24,720
and read. Dude, that book. There is ship in that

435
00:21:24,880 --> 00:21:28,640
book that was not in the movie, like, for instance,

436
00:21:28,920 --> 00:21:32,119
Mick Mars, because each the book is like put each

437
00:21:32,279 --> 00:21:34,839
chapter is a different member of the band and sometimes

438
00:21:34,960 --> 00:21:38,119
like Doc McGee, and it just jumps all over the place. Right,

439
00:21:38,680 --> 00:21:42,480
Mick Mars is talking about the night that Vince killed Razzle,

440
00:21:42,799 --> 00:21:46,640
the drummer from uh NOOI Rocks, And they were at

441
00:21:46,680 --> 00:21:49,799
the party and Mick was feeling down because he was

442
00:21:49,839 --> 00:21:53,240
all fucked up, and he decided, well, nobody's gonna nobody

443
00:21:53,240 --> 00:21:55,359
gives a fuck about me. I'm just gonna walk into

444
00:21:55,400 --> 00:21:59,079
the ocean and die. So he walked into the ocean,

445
00:22:00,079 --> 00:22:03,799
and he came to after he washed up on shore

446
00:22:05,000 --> 00:22:08,839
and walked up to the sliding glass window and saw

447
00:22:08,880 --> 00:22:12,920
everybody was just just after the accident happened. So everybody's

448
00:22:12,920 --> 00:22:14,960
all sad inside. And he thinks, oh my god, they're

449
00:22:14,960 --> 00:22:18,680
actually sad about me. This I feel Oh my, what

450
00:22:18,799 --> 00:22:21,119
did I do? And he thinks he's a ghost. So

451
00:22:21,240 --> 00:22:24,920
he tries to walk through the plate glass window and

452
00:22:25,039 --> 00:22:25,880
knocked himself out.

453
00:22:26,640 --> 00:22:30,279
Speaker 4: Wow, I've never heard that story. Holy, never heard that story.

454
00:22:30,400 --> 00:22:32,359
Speaker 1: That is the saving story in the whole book.

455
00:22:33,079 --> 00:22:37,440
Speaker 4: Yeah, wow, I never knew that. That's crazy man, dude.

456
00:22:38,160 --> 00:22:41,400
Speaker 6: Yeah, it takes a special kind of narcissist to be

457
00:22:41,480 --> 00:22:44,440
able to pull off something like that. And that's funny

458
00:22:44,480 --> 00:22:46,640
that because if every member of that band, I feel

459
00:22:46,640 --> 00:22:49,400
like that would be the one guy that he seemed

460
00:22:49,400 --> 00:22:51,160
to be like a little more.

461
00:22:52,920 --> 00:22:54,759
Speaker 4: He's just a little bit older than everybody.

462
00:22:54,880 --> 00:22:56,759
Speaker 6: Yeah, you know, like he was already in his thirties

463
00:22:56,799 --> 00:22:58,720
by the time he hooked up with Tommy and them guys,

464
00:22:58,799 --> 00:23:02,119
so they were pups. So that's that he would be

465
00:23:02,240 --> 00:23:06,079
that guy to do that, you know. Was uh, was

466
00:23:06,119 --> 00:23:08,640
anybody from Motley Crue? Were they a part of the

467
00:23:09,079 --> 00:23:11,680
Last Auzzie Show? I don't remember seeing those guys on

468
00:23:11,759 --> 00:23:14,200
the playlist, so on the list.

469
00:23:14,160 --> 00:23:15,920
Speaker 1: Now they weren't they were?

470
00:23:16,039 --> 00:23:16,640
Speaker 5: Did you watch?

471
00:23:16,799 --> 00:23:19,640
Speaker 4: I mean, I mean I can't imagine that. I did

472
00:23:19,680 --> 00:23:20,119
a little bit.

473
00:23:20,200 --> 00:23:21,799
Speaker 6: Yeah, I caught a couple of clips here and there,

474
00:23:21,839 --> 00:23:24,920
and then I watched a couple of the longer clips

475
00:23:24,960 --> 00:23:26,119
I saw on YouTube.

476
00:23:27,720 --> 00:23:30,480
Speaker 4: It seemed cool. The Smashing Pumpkins thing would have been

477
00:23:30,519 --> 00:23:31,759
great to witness, you know.

478
00:23:31,799 --> 00:23:33,759
Speaker 6: Like when Billy Corgan came out and they had kind

479
00:23:33,759 --> 00:23:36,200
of an all star group going on, and that would

480
00:23:36,200 --> 00:23:39,519
have been fun to watch. But I think it just,

481
00:23:39,599 --> 00:23:42,079
you know, for whatever reason, it just you know, like

482
00:23:42,160 --> 00:23:43,359
even I brought it up to a friend of mine

483
00:23:43,400 --> 00:23:45,240
who's like a big Ausie fan, and I was like, oh,

484
00:23:45,319 --> 00:23:47,640
thank god they had that the send off show.

485
00:23:47,680 --> 00:23:48,920
Speaker 4: It's the last show ever. And he was like, what

486
00:23:49,000 --> 00:23:52,279
are you talking about? Do you not do not follow?

487
00:23:52,599 --> 00:23:54,000
I mean, dude, it was it was everywhere.

488
00:23:54,039 --> 00:23:54,960
Speaker 1: It was not for me.

489
00:23:55,519 --> 00:23:57,319
Speaker 4: I'm like, that's crazy, because I felt like it was.

490
00:23:57,799 --> 00:23:58,880
It was kind of everywhere.

491
00:23:58,960 --> 00:24:02,039
Speaker 1: You know, look, I tell you what though, I mean

492
00:24:02,119 --> 00:24:04,759
this the way that he was able to do that,

493
00:24:05,559 --> 00:24:08,359
and you know, obviously said that he passed, but thank

494
00:24:08,440 --> 00:24:10,759
god that you know, that show happened. He had a

495
00:24:10,839 --> 00:24:14,079
chance to say goodbye. That should send a message to

496
00:24:14,119 --> 00:24:17,000
the fucking Rock and Roll Hall of Fame because they've

497
00:24:17,039 --> 00:24:20,160
got all these people that have died that are not

498
00:24:20,319 --> 00:24:22,440
in there, and they got people that are still alive

499
00:24:22,519 --> 00:24:24,319
that should be in there, and now maybe it's like,

500
00:24:25,759 --> 00:24:27,480
maybe we should do this while they're still here.

501
00:24:27,960 --> 00:24:29,400
Speaker 4: Yeah, well, I don't know.

502
00:24:29,759 --> 00:24:31,759
Speaker 6: They got to make way for sha Ka Khan and

503
00:24:31,839 --> 00:24:33,720
whatever other people with shit they got to put in

504
00:24:33,759 --> 00:24:36,799
the You know, it's funny because that was like such

505
00:24:37,559 --> 00:24:40,559
a thing that Sharon was so angry about and just

506
00:24:40,680 --> 00:24:41,720
you know, really like kind of like.

507
00:24:42,200 --> 00:24:44,039
Speaker 4: I wanted to put her stint on the fact that

508
00:24:44,480 --> 00:24:46,119
he was getting snubbed by the Rock and Roll Hall

509
00:24:46,119 --> 00:24:48,160
of Fame and it was like, why do you care

510
00:24:48,279 --> 00:24:51,279
so much? Why do you care so much that it's

511
00:24:51,319 --> 00:24:53,200
a shell of a thing that it used to be

512
00:24:53,319 --> 00:24:55,000
and no one gives a shit about it anymore.

513
00:24:55,559 --> 00:24:59,279
Speaker 6: And you know, I do that with comics a lot too,

514
00:24:59,319 --> 00:25:01,759
where they angry about you know, like I didn't get

515
00:25:01,759 --> 00:25:03,519
booked on this, so this part of blablah blah, and

516
00:25:03,519 --> 00:25:05,759
I'm like, why do you care? Like this is this

517
00:25:05,880 --> 00:25:07,640
is it's not what it used to be. What's not

518
00:25:07,720 --> 00:25:09,240
a thing where you're like, it's not going to help

519
00:25:09,279 --> 00:25:13,799
your career anymore, you know. I see a lot of these, yeah,

520
00:25:13,839 --> 00:25:16,319
a lot of late night shows, you know, you see like, yeah,

521
00:25:16,519 --> 00:25:18,160
you know, like, oh I didn't get a Colbert, I

522
00:25:18,200 --> 00:25:20,000
didn't get a blah blah blah, And it was like, dude,

523
00:25:20,160 --> 00:25:23,240
I don't think anybody cares or watches that stuff anymore.

524
00:25:23,319 --> 00:25:25,759
Speaker 4: You know, Oh I didn't get a dry Bar. It's like, dude,

525
00:25:25,960 --> 00:25:27,079
make your own way, you know.

526
00:25:28,480 --> 00:25:30,359
Speaker 6: And that was that was kind of always the thing

527
00:25:30,440 --> 00:25:33,079
that you got to love the most about about Ozzy

528
00:25:33,559 --> 00:25:37,000
was that, you know, even though he didn't have like

529
00:25:37,200 --> 00:25:41,400
the stamp of approval from you know, some certain places

530
00:25:41,559 --> 00:25:43,920
or some certain industries or some certain hall of fames,

531
00:25:44,000 --> 00:25:47,119
whatever it is, he he had an audience and he

532
00:25:47,559 --> 00:25:49,519
was a hell of a showman and people that's what

533
00:25:49,559 --> 00:25:51,559
they gravitated towards, and they didn't give a shit about

534
00:25:51,559 --> 00:25:52,799
the fact that he wasn't in the Hall of Fame.

535
00:25:52,839 --> 00:25:57,440
Speaker 4: Who cares? Your legacy proves that you were definitely worthy

536
00:25:57,480 --> 00:25:58,960
of it, But why do you give a ship that

537
00:25:59,000 --> 00:25:59,519
you weren't in it?

538
00:25:59,559 --> 00:25:59,720
Speaker 5: You know.

539
00:25:59,720 --> 00:26:02,079
Speaker 6: I think if anything, it was like Sharon Nego, the

540
00:26:02,160 --> 00:26:04,680
fact that she was trying to do this thing and

541
00:26:04,759 --> 00:26:06,960
they said no, So she was gonna come hell or

542
00:26:07,039 --> 00:26:07,440
high water.

543
00:26:07,559 --> 00:26:08,599
Speaker 4: She was going to make it happen.

544
00:26:09,160 --> 00:26:09,319
Speaker 5: Right.

545
00:26:09,559 --> 00:26:12,799
Speaker 1: Do you have a favorite Azzie record, either with Sabbath

546
00:26:13,279 --> 00:26:14,680
or Soulo, Because I don't know if you knew this

547
00:26:14,759 --> 00:26:16,799
today is actually the anniversary of No More Tears.

548
00:26:17,799 --> 00:26:20,519
Speaker 4: Yeah, I did see that. Yeah, I would probably say

549
00:26:20,680 --> 00:26:21,680
just because my.

550
00:26:23,240 --> 00:26:28,680
Speaker 6: First introduction into Ozzy was probably like that was the thing,

551
00:26:28,799 --> 00:26:31,680
Like I was just kind of like not my first introduction,

552
00:26:31,759 --> 00:26:34,279
but the record that I really really loved the most

553
00:26:34,279 --> 00:26:37,039
because I was a little too young for Sabbath and

554
00:26:38,440 --> 00:26:41,640
so probably yeah, I would probably say No More of Tears,

555
00:26:41,799 --> 00:26:44,039
just like I love the songs on it. You know,

556
00:26:44,119 --> 00:26:48,200
they were big radio hits. I played a non stop

557
00:26:48,559 --> 00:26:51,480
you know, between my when I got enough to it,

558
00:26:51,720 --> 00:26:54,400
first started doing classic rock and then moving into rock radio.

559
00:26:55,240 --> 00:26:56,759
It was just it was non stop, and I think

560
00:26:56,759 --> 00:26:59,880
it was really like the first album that I saw him,

561
00:27:00,079 --> 00:27:02,759
you like significant the first time I saw Ozzi live.

562
00:27:02,839 --> 00:27:05,519
He did a significant amount of songs off that album.

563
00:27:06,079 --> 00:27:06,880
Speaker 4: So I love it.

564
00:27:06,960 --> 00:27:09,519
Speaker 6: I do have a funny It's not really necessarily my story.

565
00:27:09,599 --> 00:27:13,079
I just love the story that there was a This

566
00:27:13,279 --> 00:27:15,880
was at ninety three X in Minneapolis. It was not

567
00:27:16,039 --> 00:27:20,359
it was nineteen ninety seven. I think it was ninety seven,

568
00:27:20,440 --> 00:27:23,519
the first year of oz Fest. Oz Fest is at

569
00:27:23,759 --> 00:27:26,599
the Metrodome. Friend of mine is an intern at the

570
00:27:26,720 --> 00:27:32,200
radio station, and it's it's oz Fest day and they're

571
00:27:32,240 --> 00:27:33,599
bringing listeners back.

572
00:27:33,440 --> 00:27:35,400
Speaker 4: To go see Ozzy. They got a meet and greet

573
00:27:35,440 --> 00:27:35,839
lined up.

574
00:27:35,880 --> 00:27:38,200
Speaker 6: You win tickets, they bring you back. There's a dude

575
00:27:38,200 --> 00:27:41,160
who's in line to meet Ozzy, and this guy is.

576
00:27:41,240 --> 00:27:43,759
Speaker 4: Losing his shit. He's you know, he's like he's in line,

577
00:27:43,799 --> 00:27:47,039
He's like, I love you. He's freaking and everybody, I mean,

578
00:27:47,039 --> 00:27:48,599
it's been two hundred people in this meet and greet,

579
00:27:48,640 --> 00:27:50,480
and everyone's like, Jesus, dude, settle down.

580
00:27:51,079 --> 00:27:53,559
Speaker 6: And finally, yeah, they're in the back of the Metrodome

581
00:27:53,680 --> 00:27:57,119
and Ozzy walks out and the whole place goes bananas.

582
00:27:57,200 --> 00:27:59,440
Oh shit, people, and this guy is just screaming like

583
00:27:59,720 --> 00:28:02,200
he stop, and you could tell he was very annoying

584
00:28:02,240 --> 00:28:02,799
to other people.

585
00:28:03,240 --> 00:28:05,319
Speaker 4: And he's waiting fifteen twenty minutes to get his eight

586
00:28:05,480 --> 00:28:06,160
x ten signed.

587
00:28:06,480 --> 00:28:09,279
Speaker 6: And Ozzy could certainly hear this guy, but he's not

588
00:28:09,799 --> 00:28:13,880
acknowledging him, and Ozzy's just got it. He's clearly hung over,

589
00:28:14,000 --> 00:28:16,720
he's clearly probably you know, fucked up. He's trying to

590
00:28:16,759 --> 00:28:18,480
write his ship before he has to go on stage

591
00:28:18,519 --> 00:28:21,480
that after that night, and he's like not looking at anybody,

592
00:28:21,519 --> 00:28:23,480
and he's just signing eight by tens and he's just

593
00:28:23,599 --> 00:28:26,880
moving them along, moving him along. Guy comes up sets

594
00:28:26,920 --> 00:28:29,079
the eight y ten in front of Ozzie and he goes,

595
00:28:30,400 --> 00:28:31,400
I'm the biggest.

596
00:28:31,079 --> 00:28:31,920
Speaker 4: Fan of all time.

597
00:28:32,240 --> 00:28:34,559
Speaker 6: Look at this, and he pulls his shirt up and

598
00:28:34,680 --> 00:28:39,400
he has the entire album cover of Blizzard of Oz tattooed.

599
00:28:39,000 --> 00:28:39,680
Speaker 4: On his back.

600
00:28:40,079 --> 00:28:43,160
Speaker 6: His whole back is covered in it. And Ozzie is

601
00:28:43,960 --> 00:28:46,599
signing his eight x ten and he looks up and

602
00:28:46,720 --> 00:28:49,079
all he says is, what the fuck did you get

603
00:28:49,119 --> 00:28:51,240
that tattooed on you? So where's fucking al might have

604
00:28:51,319 --> 00:28:55,920
him made? And then goes goes back just signing, and

605
00:28:56,039 --> 00:28:59,880
he just pushes it along. Can you imagine a whole

606
00:29:00,519 --> 00:29:03,400
You've dedicated your life to Ozzie Osborn and the only

607
00:29:03,480 --> 00:29:07,400
thing he has ever said how much he hates your tattoo.

608
00:29:07,319 --> 00:29:09,319
Speaker 4: And the album that it was get dedicated to.

609
00:29:09,839 --> 00:29:11,200
Speaker 1: Dude, that is what.

610
00:29:11,359 --> 00:29:13,960
Speaker 4: That's That is the epitome of to me, that is

611
00:29:14,000 --> 00:29:15,119
the epitome of Ozzy.

612
00:29:15,440 --> 00:29:17,279
Speaker 1: On hold on the talk about let's let's go to

613
00:29:17,359 --> 00:29:22,319
the main the main jugular here, Which home did you was?

614
00:29:22,400 --> 00:29:23,440
Did you say it was diary?

615
00:29:24,240 --> 00:29:24,279
Speaker 5: No?

616
00:29:24,400 --> 00:29:26,160
Speaker 4: It was a Blizzard of Oz, Blizzard of Oz.

617
00:29:26,480 --> 00:29:31,119
Speaker 1: And he says, that's the worst fucking album I've ever made, the.

618
00:29:31,160 --> 00:29:35,359
Speaker 6: Worst fucking Alum, I have the maid, Yeah, HILARI with

619
00:29:35,519 --> 00:29:39,599
him he had because there's no way I don't know,

620
00:29:39,680 --> 00:29:40,039
but it was.

621
00:29:40,160 --> 00:29:42,839
Speaker 4: I think, to me, that is the funniest fucking thing.

622
00:29:43,279 --> 00:29:47,559
Speaker 1: Dude, it's fucking hilarious. He had to have been fucking

623
00:29:47,599 --> 00:29:48,680
with him, Yeah.

624
00:29:48,519 --> 00:29:49,720
Speaker 4: I mean forgot. Yeah.

625
00:29:49,920 --> 00:29:52,160
Speaker 6: And you know, I would like to think that I

626
00:29:52,319 --> 00:29:54,519
would also like to think that in a moment of

627
00:29:54,680 --> 00:29:57,119
just like hilarity of just listening to some asshole just

628
00:29:57,160 --> 00:29:59,799
screamed the entire time, Ozzy was like just came out

629
00:29:59,839 --> 00:30:01,680
of it, just you know, fucking.

630
00:30:01,759 --> 00:30:04,400
Speaker 4: Home long enough to go a fuck off.

631
00:30:04,519 --> 00:30:04,759
Speaker 3: Dude.

632
00:30:08,400 --> 00:30:10,119
Speaker 4: That is my favorite Ozzy story.

633
00:30:10,200 --> 00:30:10,359
Speaker 7: Man.

634
00:30:10,400 --> 00:30:11,440
Speaker 4: That is so funny.

635
00:30:11,519 --> 00:30:11,759
Speaker 5: Dude.

636
00:30:12,240 --> 00:30:16,920
Speaker 1: Yeah, yeah, yeah, yeah, they've been with him. I'm breaking

637
00:30:17,000 --> 00:30:21,319
this down too much because it's Randy. It's fucking oh dude,

638
00:30:21,519 --> 00:30:24,279
I don't know, it's he's fucking with.

639
00:30:24,319 --> 00:30:28,279
Speaker 6: Them yea, but yeah, but dude, he was always like

640
00:30:28,440 --> 00:30:31,400
you know, I I had made a comment to him

641
00:30:31,720 --> 00:30:35,039
during the during the over the phone interview that.

642
00:30:35,160 --> 00:30:35,799
Speaker 4: I did with him.

643
00:30:35,880 --> 00:30:39,079
Speaker 6: We were talking about the time him and Zach Wilde

644
00:30:39,200 --> 00:30:42,359
threw a couple of TVs out of a window.

645
00:30:42,440 --> 00:30:45,160
Speaker 4: And I think that happened in was it? Was it Europe?

646
00:30:45,279 --> 00:30:46,640
Was it Paris? I can't remember what.

647
00:30:46,680 --> 00:30:49,920
Speaker 6: He said, but we were chatting about it, and uh,

648
00:30:50,319 --> 00:30:52,440
and I said, uh, I said, you got a couple

649
00:30:52,519 --> 00:30:54,160
you got a couple of more you know, windows, and

650
00:30:54,720 --> 00:30:56,119
a couple of more TVs in yours?

651
00:30:56,160 --> 00:30:57,640
Speaker 4: Could you throw a couple more out the window?

652
00:30:57,960 --> 00:31:00,440
Speaker 6: And he goes, ah, those days are over? And I said,

653
00:31:00,480 --> 00:31:02,160
I said, well, what if I was a kid with cancer.

654
00:31:02,559 --> 00:31:04,440
You don't play baseball. What if I was a kid

655
00:31:04,480 --> 00:31:05,359
with cancer and I asked you.

656
00:31:05,400 --> 00:31:07,680
Speaker 4: To hit me a home run? But I can't, so

657
00:31:08,039 --> 00:31:09,519
I asked you to throw a TV out.

658
00:31:09,440 --> 00:31:11,599
Speaker 6: The window, and he goes, I'll do fucking ten for you,

659
00:31:11,880 --> 00:31:14,359
And I was like, yeah, you would, you would, you'd

660
00:31:14,400 --> 00:31:16,000
throw ten of them out the window for me?

661
00:31:16,160 --> 00:31:19,200
Speaker 4: The son of a bitch. Yeah. Fun, fun guy though.

662
00:31:19,240 --> 00:31:19,440
Speaker 6: Man.

663
00:31:19,559 --> 00:31:21,319
Speaker 4: It was great because he was.

664
00:31:23,640 --> 00:31:28,119
Speaker 6: The in studio time was about eighteen months before the

665
00:31:28,240 --> 00:31:29,480
phone interview that I did with him.

666
00:31:29,480 --> 00:31:32,039
Speaker 4: So he came into the studio and when he came in,

667
00:31:32,400 --> 00:31:37,359
he was he was you could tell he was tired.

668
00:31:37,400 --> 00:31:37,599
Speaker 7: He was.

669
00:31:37,960 --> 00:31:40,559
Speaker 6: It was it was two times, you know, Sharon was

670
00:31:42,119 --> 00:31:44,039
propping him up and you could tell he was like, ah,

671
00:31:44,119 --> 00:31:44,839
I don't want to do this.

672
00:31:45,400 --> 00:31:46,240
Speaker 4: And he kind of came in.

673
00:31:46,440 --> 00:31:48,559
Speaker 6: He wasn't like, you know, being a sour puss, but

674
00:31:48,640 --> 00:31:50,720
you could definitely tell he was like, I just want

675
00:31:50,759 --> 00:31:53,000
to get this done. And I thought, let's just hurry

676
00:31:53,039 --> 00:31:56,839
this thing along. And so in my mind, I'm like,

677
00:31:56,880 --> 00:31:58,839
all right, they said we have fifteen minutes. He's got

678
00:31:58,880 --> 00:32:00,759
a heart out. At fifteen minutes, I'll do him a

679
00:32:00,880 --> 00:32:03,440
solid and start to wrap this up. At ten, we'll

680
00:32:03,440 --> 00:32:03,880
get him out.

681
00:32:03,920 --> 00:32:05,000
Speaker 4: At twelve, we'll play.

682
00:32:04,799 --> 00:32:09,279
Speaker 6: An extra song then he can go. And I'm not

683
00:32:09,480 --> 00:32:11,759
I'm not shitt ye is he. I mean, he looked

684
00:32:11,839 --> 00:32:15,839
like death ran his ass over. And the second the

685
00:32:15,960 --> 00:32:19,400
on air light came on, dude just brought it.

686
00:32:19,640 --> 00:32:22,799
Speaker 1: Completely that I was gonna ask that if it was

687
00:32:22,920 --> 00:32:25,279
like if once he has to be on, he's on.

688
00:32:26,079 --> 00:32:26,279
Speaker 4: Yeah.

689
00:32:27,000 --> 00:32:29,440
Speaker 6: The second the second that light came on, he was

690
00:32:29,599 --> 00:32:31,079
I was like, I was like, hey, it's ninety three

691
00:32:31,160 --> 00:32:32,519
x min so it was ninety three x I don't

692
00:32:32,559 --> 00:32:35,039
forget tonight happened in Ozzie Ogeboye and like I was

693
00:32:35,039 --> 00:32:36,119
getting midsense.

694
00:32:36,160 --> 00:32:42,400
Speaker 4: He's like he's like gow crazy and many apps. It

695
00:32:42,519 --> 00:32:43,319
was like fuck.

696
00:32:43,400 --> 00:32:45,240
Speaker 6: I was like, do you literally look like a bag

697
00:32:45,319 --> 00:32:47,559
of smashed assholes nine seconds.

698
00:32:47,240 --> 00:32:49,880
Speaker 4: Ago and now you're you're bringing the heat.

699
00:32:50,079 --> 00:32:51,640
Speaker 6: And that was and that was the thing.

700
00:32:51,759 --> 00:32:54,400
Speaker 4: Man like he took pictures and I'm not kidding your dude.

701
00:32:54,400 --> 00:32:56,799
Speaker 6: He was literally like standing in line in front of

702
00:32:56,880 --> 00:32:59,200
the sign and people were you know, like there was

703
00:32:59,759 --> 00:33:01,400
they come up to like get a picture, and he'd

704
00:33:01,480 --> 00:33:04,039
like grab somebody's hair and he'd bite down, you know,

705
00:33:04,160 --> 00:33:06,400
you'd do the whole thing. And then the second they

706
00:33:06,440 --> 00:33:08,160
were like all right, time to go, he just his

707
00:33:08,279 --> 00:33:11,799
shoulders just shrunk and he was like okay, and he

708
00:33:11,920 --> 00:33:13,359
just got a sold turn out the door.

709
00:33:13,640 --> 00:33:15,960
Speaker 4: And but the guy he knew how to he knew

710
00:33:16,000 --> 00:33:16,200
how to.

711
00:33:16,200 --> 00:33:18,799
Speaker 6: Bring the show now, you know, Like that's that is

712
00:33:18,839 --> 00:33:20,680
the thing with sometimes, you know, you see a lot

713
00:33:20,759 --> 00:33:24,599
of people, especially like actors. I always think about like

714
00:33:25,279 --> 00:33:28,160
Jonah Hill, But I'm like, why are you that grumpy

715
00:33:28,240 --> 00:33:30,359
all the time? You know, it's your job to put

716
00:33:30,400 --> 00:33:32,000
a smile on. Ozzy he knew how to put a

717
00:33:32,039 --> 00:33:32,480
smile on.

718
00:33:33,240 --> 00:33:33,400
Speaker 5: You know.

719
00:33:34,000 --> 00:33:36,680
Speaker 6: It just you have the rest of the day to

720
00:33:36,759 --> 00:33:39,480
be a fucking bump on the log, But for that

721
00:33:39,640 --> 00:33:42,960
short amount of time that people are there, just trying

722
00:33:43,039 --> 00:33:43,640
to put.

723
00:33:43,519 --> 00:33:47,000
Speaker 1: Your best face on, you know exactly. It's funny. Eddie

724
00:33:47,000 --> 00:33:50,279
Trunk has this great story because Eddie Trunk freely to

725
00:33:51,240 --> 00:33:56,720
Megaphores and they were out doing interviews and it was

726
00:33:56,839 --> 00:34:00,160
all day all over New York aces ship housed, and

727
00:34:00,279 --> 00:34:02,440
they had one more interview to go and Ace is

728
00:34:02,519 --> 00:34:07,119
just in the limital and it's just kind of looks

729
00:34:07,119 --> 00:34:14,039
at it. He goes fish sandwich, What what tula McDonald's

730
00:34:14,119 --> 00:34:18,519
fish Sandwiches. He's out, So they go through the fucking

731
00:34:18,599 --> 00:34:21,679
drive through. He has to McDonald's fish Sandwiches and also boom.

732
00:34:22,079 --> 00:34:25,679
It was like a bag of cocaine hit him, Sarah

733
00:34:25,880 --> 00:34:27,760
and and he went and he had the best interview

734
00:34:27,800 --> 00:34:30,920
of the fucking of the whole day. It's just so wild.

735
00:34:31,719 --> 00:34:34,559
Speaker 4: It's yeah, that's that's part of the deal that I

736
00:34:34,599 --> 00:34:36,920
don't think enough people get credit for that.

737
00:34:37,400 --> 00:34:37,519
Speaker 5: You know.

738
00:34:37,599 --> 00:34:38,880
Speaker 6: Yeah, it's one thing to be able to be in

739
00:34:38,960 --> 00:34:41,280
a band and you can play your guitar, your instrument,

740
00:34:41,480 --> 00:34:43,840
whatever it is. But I don't think there's enough people

741
00:34:43,880 --> 00:34:45,880
that get credit for the guys that can really turn

742
00:34:45,920 --> 00:34:48,199
it on. Jack Black is a guy that can really

743
00:34:48,280 --> 00:34:52,199
turn it on. There's a there's a singer by the

744
00:34:52,280 --> 00:34:54,119
name of Lewis Capaldi. I don't know if you know

745
00:34:54,199 --> 00:34:57,159
that guy's name. Uh, he's a If you heard a

746
00:34:57,199 --> 00:34:58,519
couple of his songs, you go, I know who that

747
00:34:58,599 --> 00:35:01,159
guy is. But I interviewed him, and he's a guy

748
00:35:01,280 --> 00:35:04,679
that can definitely turn it off and on when he

749
00:35:04,719 --> 00:35:07,679
needs to. Paul Rubens was actually really good about it.

750
00:35:08,119 --> 00:35:12,360
I Rubbins was for the most part. He never dropped

751
00:35:12,400 --> 00:35:14,880
the character when he was out. He very seldom would

752
00:35:14,880 --> 00:35:17,639
he ever dropped the character. But every now and again,

753
00:35:18,760 --> 00:35:20,239
like I got a friend of mine who worked for

754
00:35:20,480 --> 00:35:25,400
man Pow in Chicago, and I don't think so, I

755
00:35:25,440 --> 00:35:28,519
don't know what happened to that guy. But Paul Rubins

756
00:35:28,599 --> 00:35:31,039
was in studio, you know, and he's like, you know,

757
00:35:31,079 --> 00:35:31,360
he's like.

758
00:35:32,519 --> 00:35:35,039
Speaker 4: Connect the DA and then they go to commercially. He's like,

759
00:35:35,440 --> 00:35:37,679
oh Jesus man, I can't wait to get back to la.

760
00:35:37,920 --> 00:35:41,159
Oh my god, I'm so tired. And then like they

761
00:35:41,280 --> 00:35:43,280
craked the microphones on again and he's.

762
00:35:43,159 --> 00:35:50,559
Speaker 1: Like, it's like you said, it's just what it's like,

763
00:35:50,719 --> 00:35:52,960
it's in the DNA, and they know they got to

764
00:35:53,000 --> 00:35:55,280
do it, and they do it and they just pull

765
00:35:55,360 --> 00:35:57,079
it off. How many times? How many times did you

766
00:35:57,119 --> 00:35:59,079
see Ozzie? I saw him once and that was I

767
00:35:59,119 --> 00:36:01,800
saw him on the Newmore No More Tourist Here tour.

768
00:36:02,320 --> 00:36:05,599
That would have been June twenty sixth, nineteen ninety two

769
00:36:05,639 --> 00:36:10,519
at the Target Center. Yeah, with with Slaughter and Ugly

770
00:36:10,639 --> 00:36:11,280
Kid Joe.

771
00:36:11,599 --> 00:36:15,000
Speaker 4: Oh no shit, Ugly Kid Joe dude. Yeah, man, God,

772
00:36:15,199 --> 00:36:17,199
you can't Jake love those guys.

773
00:36:17,880 --> 00:36:18,239
Speaker 6: I would have.

774
00:36:18,440 --> 00:36:20,199
Speaker 4: I'd have to think about it. So I saw Let's

775
00:36:20,199 --> 00:36:24,519
see so I saw oz Fest ninety eight. That was

776
00:36:24,599 --> 00:36:28,880
the big one. That was that was fool Slayer.

777
00:36:31,159 --> 00:36:37,519
Speaker 6: Snot Limp, Biscuit, Kilgore full Chamber System of a down

778
00:36:38,920 --> 00:36:42,880
Ozzy Obviously I saw them the next year, and that

779
00:36:43,320 --> 00:36:44,039
was the next year.

780
00:36:44,119 --> 00:36:46,000
Speaker 4: The year after that, I think it might have been

781
00:36:46,039 --> 00:36:46,920
the year after that.

782
00:36:47,119 --> 00:36:49,320
Speaker 6: Maybe it wasn't ninety nine, but it was two thousand

783
00:36:49,679 --> 00:36:52,800
and that's the year where it got super mainstream. That's

784
00:36:52,840 --> 00:36:55,400
the year where they brought out like pop a Roach.

785
00:36:56,280 --> 00:36:58,480
It was like, what are we doing here, you guys,

786
00:36:58,559 --> 00:37:00,920
this is not right now, Papa what the what?

787
00:37:01,400 --> 00:37:01,960
Speaker 4: Get out of here?

788
00:37:03,599 --> 00:37:07,079
Speaker 6: So yeah, yeah, it was like it was like Papa

789
00:37:07,199 --> 00:37:10,800
Roach and Lincoln Park who I really like Lincoln Bark,

790
00:37:11,400 --> 00:37:13,000
but I was the whole lineup that year.

791
00:37:13,039 --> 00:37:15,719
Speaker 4: I was likeugh, this is brutal. I saw so definitely

792
00:37:15,760 --> 00:37:16,519
those two times.

793
00:37:16,880 --> 00:37:20,960
Speaker 6: I saw him on the Mary Mayhem tour in Madison,

794
00:37:21,000 --> 00:37:29,039
Wisconsin with Rob Zombie. I saw him with Sabbath at

795
00:37:29,159 --> 00:37:31,000
the Target Center in Minneapolis.

796
00:37:31,679 --> 00:37:33,679
Speaker 4: That was when oh, what's his name?

797
00:37:34,000 --> 00:37:34,320
Speaker 1: John?

798
00:37:35,440 --> 00:37:39,000
Speaker 6: Except for the tea Timpenstra, I'm gonna screw this up.

799
00:37:39,360 --> 00:37:44,320
He was drumming for Black Sabbath at the time. Oh good, yeah, yeah,

800
00:37:44,320 --> 00:37:46,280
because he did the dude. I think he played for

801
00:37:46,679 --> 00:37:49,320
Faith No More back in the day. If I remember correctly,

802
00:37:49,840 --> 00:37:52,079
maybe I'm screwing that up. I can't remember. But then

803
00:37:52,079 --> 00:37:57,280
I also saw him again one more time with Rob Zombie,

804
00:37:58,079 --> 00:38:00,519
So I probably at least about five times it's made fine,

805
00:38:00,559 --> 00:38:02,679
maybe six times there was probably Yeah.

806
00:38:03,480 --> 00:38:05,719
Speaker 1: Yeah, it's weird. I think every time he when I

807
00:38:05,800 --> 00:38:07,679
was on Rocking one to one. I don't think he

808
00:38:07,880 --> 00:38:09,639
ever came through when I was with Rocking one on one,

809
00:38:10,159 --> 00:38:14,440
so I wouldn't have really had Yeah, God did heat. No,

810
00:38:14,599 --> 00:38:15,960
I don't think so, because I think I would have

811
00:38:16,119 --> 00:38:20,199
probably went. But you know, obviously we're at Saint Cloud,

812
00:38:20,679 --> 00:38:25,039
you're in Minneapolis, You're gonna have more access, yeah, and

813
00:38:25,119 --> 00:38:27,519
more tickets because you're ninety three X and we're a

814
00:38:28,159 --> 00:38:29,599
little station out of Saint Cloud, you know.

815
00:38:30,360 --> 00:38:34,039
Speaker 6: Of all those shows, yeah, I think that Mary Mayhem

816
00:38:34,199 --> 00:38:36,760
tour in Madison was probably my favorite.

817
00:38:37,840 --> 00:38:37,960
Speaker 7: You know.

818
00:38:38,559 --> 00:38:40,440
Speaker 6: Os West was great just because you know, you got

819
00:38:40,480 --> 00:38:42,000
to see all the bands. I really wanted to see

820
00:38:42,159 --> 00:38:44,400
Seven to Us, not Cold Chamber great, that was fine.

821
00:38:44,679 --> 00:38:47,239
Osney was awesome. You know, Zach Wilde gets up, he

822
00:38:47,360 --> 00:38:48,599
rips it phenomenal.

823
00:38:49,039 --> 00:38:49,239
Speaker 1: Yep.

824
00:38:49,440 --> 00:38:52,119
Speaker 6: But I think that Mary Mayhem tour may have been

825
00:38:52,199 --> 00:38:57,360
my favorite because it was December. It was Madison, you

826
00:38:57,400 --> 00:39:00,679
know State Street, it was you know, we were down there.

827
00:39:00,760 --> 00:39:03,800
It was in Madison's a magical town in the wintertime.

828
00:39:03,840 --> 00:39:06,079
Speaker 4: I love it there. And then we went to the show,

829
00:39:06,159 --> 00:39:09,320
which was at kempt Dame County Coliseum. Was that what

830
00:39:09,400 --> 00:39:10,800
it was called? Davee County.

831
00:39:11,199 --> 00:39:14,960
Speaker 6: But we go to the show and I can't remember.

832
00:39:15,760 --> 00:39:18,599
I feel like video Drone may have opened that show,

833
00:39:20,320 --> 00:39:23,840
so I remember correctly. And then Rob Zombie came out

834
00:39:24,440 --> 00:39:29,400
kills but then Ozzy comes out, and when he comes out,

835
00:39:29,480 --> 00:39:32,679
they have a giant sleigh that Ozzie is riding in

836
00:39:33,199 --> 00:39:38,000
and it's circling around the arena like on a Bully system,

837
00:39:38,440 --> 00:39:40,960
and he's got on his black Santa suit and he's

838
00:39:41,079 --> 00:39:44,119
like throwing T shirts and stuff out of the sleigh

839
00:39:44,440 --> 00:39:48,679
and then it lands on stage, and man, that show ripped.

840
00:39:48,719 --> 00:39:52,000
That was probably the most fun show I've seen it.

841
00:39:52,119 --> 00:39:53,880
That was probably the best, just because it was I

842
00:39:53,960 --> 00:39:56,000
had great seats for It is a little more intimate,

843
00:39:56,519 --> 00:40:00,639
you know that that if we don't want to call

844
00:40:00,719 --> 00:40:02,880
it it's not really a stadium. It's an arena, but

845
00:40:02,960 --> 00:40:06,039
it's not quite like a seventeen thousand seedar it's like

846
00:40:06,119 --> 00:40:08,719
a fourteen or thirteen thousand seater.

847
00:40:08,800 --> 00:40:10,960
Speaker 4: It's a little smaller. I think, is it worth it?

848
00:40:11,440 --> 00:40:14,400
Speaker 1: It was great. It's like where the hockey team plays

849
00:40:14,719 --> 00:40:16,119
the college hockey team.

850
00:40:16,960 --> 00:40:17,519
Speaker 4: Yeah, I might be.

851
00:40:17,559 --> 00:40:19,480
Speaker 6: I don't know if the college hockey team. I remember

852
00:40:19,519 --> 00:40:21,559
going to a couple of basketball games there for sure,

853
00:40:21,760 --> 00:40:24,360
so maybe it was. But maybe the hockey team plays

854
00:40:24,400 --> 00:40:26,039
it as well. So it's a little bit smaller, but

855
00:40:26,119 --> 00:40:28,360
it was great. It was I think that was probably

856
00:40:28,559 --> 00:40:33,199
the best time for sure. I remember he played Halloween

857
00:40:33,320 --> 00:40:39,039
night that Rob Zombie Osby tour was Halloween Night. That

858
00:40:39,159 --> 00:40:42,119
was downtown Minneapolis, man, and like the freaks on the

859
00:40:42,239 --> 00:40:44,679
light rail that night was oh man, that was a blast.

860
00:40:45,280 --> 00:40:47,239
Speaker 4: Yeah, that was fun. That was fun.

861
00:40:47,280 --> 00:40:49,559
Speaker 6: It was like, I are you guys going to the

862
00:40:49,599 --> 00:40:51,559
show or we with a bunch of cereal killers. You

863
00:40:51,559 --> 00:40:52,119
couldn't tell.

864
00:40:52,280 --> 00:40:55,239
Speaker 4: It was pretty wild. It was fun, man, Yeah, for sure.

865
00:40:55,360 --> 00:40:55,559
Speaker 1: Yeah.

866
00:40:55,880 --> 00:40:57,639
Speaker 4: So just those couple of times, just the one time

867
00:40:57,719 --> 00:40:59,239
you saw us on the.

868
00:40:59,239 --> 00:41:01,960
Speaker 1: One time we saw I saw Sabbath once and that

869
00:41:02,199 --> 00:41:04,199
was when it was called Heaven and Hell with Deal.

870
00:41:05,280 --> 00:41:08,440
Oh yeah, the Target Center, Target Center, it was them,

871
00:41:08,519 --> 00:41:09,760
and yeah I saw that and.

872
00:41:11,320 --> 00:41:15,719
Speaker 6: Yes, oh, I remember Dio got so pissed because somebody

873
00:41:15,760 --> 00:41:17,880
threw a like a beer cup.

874
00:41:19,280 --> 00:41:19,519
Speaker 5: Ship.

875
00:41:20,039 --> 00:41:23,199
Speaker 4: Yeah he lost. He was like, we are not a

876
00:41:23,519 --> 00:41:24,480
trash can.

877
00:41:27,519 --> 00:41:27,920
Speaker 3: And that was.

878
00:41:30,440 --> 00:41:34,840
Speaker 4: Yeah, that was finally time too. Yeah yeah, yeah yeah.

879
00:41:35,000 --> 00:41:36,559
Speaker 1: Do you have a favorite player.

880
00:41:38,639 --> 00:41:41,400
Speaker 6: I mean, you know, it's it's hard to beat Randy,

881
00:41:41,920 --> 00:41:44,679
hard to beat Randy. But I think only because I've

882
00:41:44,760 --> 00:41:46,800
met him a few times. I've had some great interactions

883
00:41:46,840 --> 00:41:51,400
with him. I mean Zach Wilde just yeah, dude, yeah.

884
00:41:51,400 --> 00:41:56,280
Speaker 4: Just phenomenal. Uh, Jakie Lee. You know, there was a

885
00:41:56,320 --> 00:41:58,199
couple of guys in the mix that were cool, but

886
00:41:58,440 --> 00:41:59,000
I think.

887
00:42:00,639 --> 00:42:02,400
Speaker 1: Well, I mean, like Brad Gillis was in it for

888
00:42:02,679 --> 00:42:07,400
just a just an right after yeah, right after Randy passed.

889
00:42:07,480 --> 00:42:09,480
But I mean Jake was Have you have you met

890
00:42:09,559 --> 00:42:13,559
Jake out here out here in Vegas? Yeah yeah, yeah

891
00:42:13,639 --> 00:42:16,280
really yeah. He came to one of our shows that

892
00:42:16,440 --> 00:42:19,440
vamped and I'm like, out of tune.

893
00:42:21,360 --> 00:42:24,800
Speaker 4: Yeah, And I remember the.

894
00:42:26,400 --> 00:42:31,519
Speaker 6: I remember the the oz Fest Guitar World issue that

895
00:42:31,639 --> 00:42:33,320
came out and it had a bunch of like it

896
00:42:33,400 --> 00:42:37,480
was basically showcasing all the guitarists from oz Fest that

897
00:42:37,639 --> 00:42:41,000
year of ninety eight, And I remember like reading about him,

898
00:42:41,079 --> 00:42:42,719
and I think they had a tab. It may have

899
00:42:42,800 --> 00:42:45,119
been no More Tears, may have been the tab if

900
00:42:45,159 --> 00:42:47,559
they had in Guitar World that for that issue.

901
00:42:48,199 --> 00:42:50,039
Speaker 4: But yeah, I always thought he was good.

902
00:42:50,079 --> 00:42:52,519
Speaker 6: But I mean Zach is just you know, like when

903
00:42:52,719 --> 00:42:55,079
when him and Nausie hooked up, man like that was

904
00:42:55,360 --> 00:42:57,400
to me that that is Yeah.

905
00:42:57,480 --> 00:42:58,239
Speaker 4: I mean, Randy is.

906
00:42:58,239 --> 00:43:02,400
Speaker 6: Obviously number one, but I mean a close, close second.

907
00:43:02,440 --> 00:43:04,119
It's got to be Zach Wild and the fact that

908
00:43:04,239 --> 00:43:05,280
there's a lot of people.

909
00:43:05,800 --> 00:43:08,840
Speaker 1: There's a lot of people who have put Tony I

910
00:43:08,960 --> 00:43:13,599
mean because Sarah. Yeah, I mean really that started fucking

911
00:43:13,599 --> 00:43:14,440
heavy metal music.

912
00:43:15,920 --> 00:43:18,000
Speaker 6: Yeah, I mean I guess I guess if you had to,

913
00:43:18,320 --> 00:43:20,360
if I had to say which guitarists, I would only

914
00:43:20,440 --> 00:43:23,679
say with Ozmy's solo stuff, Okay, but yeah, I mean Sabbath.

915
00:43:23,840 --> 00:43:26,519
I mean Sabbath dude is like I remember the first time,

916
00:43:26,599 --> 00:43:30,079
like listening to Sabbath and uh and hearing like you know,

917
00:43:30,400 --> 00:43:32,039
war Pigs and just going.

918
00:43:32,079 --> 00:43:33,280
Speaker 5: What is that?

919
00:43:34,000 --> 00:43:36,800
Speaker 4: It's like this is insane, you know.

920
00:43:36,920 --> 00:43:39,119
Speaker 6: And even the stuff that is supposed to scare you,

921
00:43:39,360 --> 00:43:41,960
like a Rob Zombie song, didn't connect with me as

922
00:43:42,039 --> 00:43:44,440
much as Black Sabbath did like that.

923
00:43:44,760 --> 00:43:46,239
Speaker 4: Was man, Dude.

924
00:43:47,400 --> 00:43:50,519
Speaker 6: It wasn't for you know, Tony getting his fingers chopped off, Dude,

925
00:43:50,519 --> 00:43:53,880
we would none of that sound. Would it maybe came around,

926
00:43:53,920 --> 00:43:55,920
but it wouldn't have sounded the way that it did. Yeah,

927
00:43:56,000 --> 00:43:58,400
and and and seeing Sabbath a couple of times that

928
00:43:58,519 --> 00:43:59,880
I did, I'm so glad that I had it.

929
00:44:00,039 --> 00:44:00,239
Speaker 1: Dance.

930
00:44:00,320 --> 00:44:05,360
Speaker 4: I saw the whole foursome once, which was brave. Yeah,

931
00:44:05,519 --> 00:44:07,199
it was. It was young, it was I was really

932
00:44:07,280 --> 00:44:10,239
young in radio. I saw the whole four some together.

933
00:44:12,199 --> 00:44:13,400
I can't remember where that was.

934
00:44:14,960 --> 00:44:18,119
Speaker 6: East Coast maybe East Coast, but I also saw him

935
00:44:18,119 --> 00:44:25,880
with John and then I also saw Yeah, I think

936
00:44:25,920 --> 00:44:28,559
I saw Ozzie. Excuse me, I think I saw.

937
00:44:32,719 --> 00:44:35,199
Speaker 4: Was it was it Geezer that was married to the

938
00:44:35,280 --> 00:44:36,960
girl from drain st H.

939
00:44:38,800 --> 00:44:42,400
Speaker 1: I don't know, but if he was good for him,

940
00:44:42,480 --> 00:44:44,960
because there's definite agea age gap there.

941
00:44:45,079 --> 00:44:47,440
Speaker 4: Yeah, definitely an age gap. I can't remember if it

942
00:44:47,480 --> 00:44:50,239
was him or not, but one of them, one of

943
00:44:50,280 --> 00:44:51,800
them play, and I think it was a Geezer. I

944
00:44:51,880 --> 00:44:53,920
think he came up on stage because I saw Draine

945
00:44:54,039 --> 00:44:54,440
s t H.

946
00:44:54,559 --> 00:44:56,559
Speaker 1: They were awful by the way, they were so bad.

947
00:44:57,159 --> 00:44:59,119
Speaker 4: It's one of the worst shows I've ever seen in

948
00:44:59,199 --> 00:45:01,159
my life. Is the reason why they only had one album.

949
00:45:02,840 --> 00:45:07,480
But but yeah, you know, think about like all the

950
00:45:07,639 --> 00:45:09,679
bands I was with.

951
00:45:10,440 --> 00:45:14,280
Speaker 6: I was with a very famous comedian one night and

952
00:45:15,599 --> 00:45:19,119
somebody who was like out with us had made a

953
00:45:19,239 --> 00:45:22,320
comment I'll never forget this and made a comment and

954
00:45:22,880 --> 00:45:24,920
the person was he was kind of kissing the guy's

955
00:45:25,000 --> 00:45:27,920
ass a little bit and the guy goes, uh. The

956
00:45:27,960 --> 00:45:30,480
guy goes, man, just you know, thank you so much.

957
00:45:30,639 --> 00:45:30,760
Speaker 3: Man.

958
00:45:30,800 --> 00:45:32,679
Speaker 6: I guess you know, I don't know where I would

959
00:45:32,719 --> 00:45:35,480
be without you. And the guy goes, uh, well, I

960
00:45:35,559 --> 00:45:38,199
know where I would be without you. I'd be exactly

961
00:45:38,239 --> 00:45:43,519
where I am right now, right here. Uh, I don't

962
00:45:43,559 --> 00:45:45,320
know where you would be without me, but I know

963
00:45:45,440 --> 00:45:46,920
I would be. And it was and it was he

964
00:45:47,039 --> 00:45:48,559
was kind of ribbing him a little bit, but it

965
00:45:48,639 --> 00:45:51,400
was very true. And I think about that with Ozzie

966
00:45:51,400 --> 00:45:53,079
a lot. I was thinking about that on my drive today,

967
00:45:53,519 --> 00:45:56,960
about all of the bands that, especially like through oz

968
00:45:57,039 --> 00:45:59,079
Fest that just kind of came and went, Like there

969
00:45:59,199 --> 00:46:02,320
was a band that I saw on oz Fest called

970
00:46:02,480 --> 00:46:03,159
Push Monkey.

971
00:46:04,320 --> 00:46:06,960
Speaker 4: I don't know what happened. Who knows?

972
00:46:07,440 --> 00:46:07,760
Speaker 1: Who knows?

973
00:46:07,800 --> 00:46:10,159
Speaker 6: If those guys were even they may have just formed

974
00:46:10,199 --> 00:46:14,599
in the parking lot and got on stage. They don't

975
00:46:14,800 --> 00:46:18,039
know how these guys got on the oz Fest. Their

976
00:46:18,159 --> 00:46:22,880
music was terrible, they were the showmanship was garbage. I'm like,

977
00:46:22,920 --> 00:46:26,000
I don't know how these guys did it. But there's

978
00:46:26,039 --> 00:46:28,199
a part of me that thought all those guys were

979
00:46:28,199 --> 00:46:31,480
probably thinking today we were in that band. Man, thanks

980
00:46:31,519 --> 00:46:34,119
to Ozzy, we got a chance to do oz Fest.

981
00:46:34,320 --> 00:46:35,920
And if you asked Ozzy, what do you think about

982
00:46:35,920 --> 00:46:38,760
that band called push Monkey, Ozzy would go the fun

983
00:46:39,119 --> 00:46:40,119
fucking what a dumb.

984
00:46:39,960 --> 00:46:44,639
Speaker 1: Nat They paid us about seventeen thousand dollars just to

985
00:46:44,719 --> 00:46:45,519
get on the tool.

986
00:46:46,039 --> 00:46:48,599
Speaker 4: There was that too, Yeah, yeah, there was a few bands.

987
00:46:48,679 --> 00:46:50,440
Speaker 6: Yeah, Like there was a couple of bands that came

988
00:46:50,519 --> 00:46:53,400
through there that I really liked that I thought could

989
00:46:53,400 --> 00:46:54,480
have gone a little bit further.

990
00:46:54,639 --> 00:46:57,039
Speaker 4: Like I really liked a band called Pooh Yeah that

991
00:46:57,239 --> 00:47:00,400
was on Ozfest. They were like, uh uh.

992
00:47:00,679 --> 00:47:03,360
Speaker 6: They were from Puerto Rico, and they only had two

993
00:47:03,519 --> 00:47:06,920
radio stations that could reach Puerto Rico from Miami. It

994
00:47:07,119 --> 00:47:10,679
was a Puerto Rican like dance station and a heavy

995
00:47:10,760 --> 00:47:14,280
metal station. So these dudes all they did was grow

996
00:47:14,440 --> 00:47:18,079
up on like on like Puerto Rican dance music and Pantera,

997
00:47:18,559 --> 00:47:20,719
so they but check them out. Like, I really loved

998
00:47:20,840 --> 00:47:22,400
their first album was really good. I think it was

999
00:47:22,440 --> 00:47:26,079
called Oasis, and their first album is great. They had

1000
00:47:26,440 --> 00:47:30,039
some really good songs. They just never really took off.

1001
00:47:30,400 --> 00:47:32,079
It was kind of a weird hybrid, you know. But

1002
00:47:32,119 --> 00:47:33,559
then there was a couple of bands in there too

1003
00:47:33,599 --> 00:47:36,039
that also could have Like I really liked Darwin's Waiting Room.

1004
00:47:36,079 --> 00:47:38,639
I thought that band could have had some potential. There's

1005
00:47:38,639 --> 00:47:40,400
a couple that kind of sneaked out of there, like

1006
00:47:40,559 --> 00:47:41,880
non Point became a thing.

1007
00:47:43,840 --> 00:47:45,400
Speaker 4: Yeah, I mean Kitty.

1008
00:47:46,400 --> 00:47:49,679
Speaker 6: You know, some people might say that their trajectory, they

1009
00:47:49,679 --> 00:47:50,880
didn't live up to the hype.

1010
00:47:51,920 --> 00:47:54,559
Speaker 4: I thought they were. You know, I still think that

1011
00:47:54,599 --> 00:47:56,960
they're that gal that Morgan Landers and her sister are

1012
00:47:57,000 --> 00:47:59,239
pretty good musicians. I think they needed to be surrounded.

1013
00:47:59,239 --> 00:48:03,440
I think the surround themselves with better artists. Yeah, there's

1014
00:48:03,440 --> 00:48:05,039
a little bit of that. I did hear some people

1015
00:48:05,119 --> 00:48:09,800
that are like close to the band that I'm just

1016
00:48:09,960 --> 00:48:11,199
this is just a room or I don't know if

1017
00:48:11,239 --> 00:48:13,079
it's happened or not. But there were guys that were

1018
00:48:13,360 --> 00:48:17,239
engineers on that first album that they would do an

1019
00:48:17,280 --> 00:48:20,320
eight hour session of recording, and then after the girls

1020
00:48:20,360 --> 00:48:23,280
would leave, the guys would come in and re record

1021
00:48:23,360 --> 00:48:26,639
the tracks to get them right. That's true, but I'm

1022
00:48:26,679 --> 00:48:28,320
just saying, but they were young. They were really young.

1023
00:48:28,400 --> 00:48:30,639
Speaker 1: But then I don't know, Rudy, I don't know. Keith

1024
00:48:30,760 --> 00:48:33,559
Roth is here. He just got off a marathon session

1025
00:48:33,639 --> 00:48:34,760
on Ozzie's boneyard.

1026
00:48:37,960 --> 00:48:38,800
Speaker 5: How are you, my man?

1027
00:48:39,199 --> 00:48:42,159
Speaker 1: Good? Good to see it, Keith met Rudy pavic Ruy,

1028
00:48:42,559 --> 00:48:43,639
my good friend, Keith Roth.

1029
00:48:44,599 --> 00:48:45,280
Speaker 4: So how are you, buddy?

1030
00:48:45,639 --> 00:48:47,679
Speaker 5: How you doing man? Good?

1031
00:48:48,000 --> 00:48:48,159
Speaker 4: Yeah?

1032
00:48:48,239 --> 00:48:48,480
Speaker 6: You too.

1033
00:48:49,039 --> 00:48:50,920
Speaker 1: You have any insight on what he was just talking

1034
00:48:50,960 --> 00:48:52,800
about with a kiddy?

1035
00:48:53,199 --> 00:48:57,760
Speaker 4: Yeah, no, we're just.

1036
00:48:57,920 --> 00:49:00,199
Speaker 6: We were discussing some of the bands that I I

1037
00:49:00,239 --> 00:49:01,519
don't know if you heard part of it, Keith, but

1038
00:49:01,559 --> 00:49:03,039
I was saying that there was a guy that I

1039
00:49:03,159 --> 00:49:05,440
was a comedian that I was on tour with. He

1040
00:49:05,559 --> 00:49:07,360
was well known, and there was a guy who was

1041
00:49:07,440 --> 00:49:08,920
kind of kissing his ass, and he goes, I don't

1042
00:49:08,920 --> 00:49:10,559
know where I'd be without you, And the guy goes, well,

1043
00:49:10,599 --> 00:49:11,320
I know where I would be.

1044
00:49:11,360 --> 00:49:13,360
Speaker 4: I'd be in the same exact spot. And I was

1045
00:49:13,440 --> 00:49:14,679
thinking about that with Ozzy.

1046
00:49:15,320 --> 00:49:17,679
Speaker 6: Where there were so many bands that came up that

1047
00:49:17,960 --> 00:49:20,199
just never really quite got off the ground.

1048
00:49:19,920 --> 00:49:20,400
Speaker 7: But he was.

1049
00:49:21,119 --> 00:49:23,119
Speaker 4: He never left man. You know, it's like he hit

1050
00:49:23,199 --> 00:49:25,679
that he hit that pinnacle, and he just never left.

1051
00:49:25,960 --> 00:49:30,280
Speaker 7: So yeah, yeah, it's just you know, I guess a

1052
00:49:30,320 --> 00:49:33,840
weird day, just reflecting, you know, yeah, no exactly. It's

1053
00:49:33,880 --> 00:49:35,719
like one of those guys that you know, you just

1054
00:49:35,760 --> 00:49:37,800
thought it was larger than life, that would always be here.

1055
00:49:37,840 --> 00:49:40,519
I mean, for me, reality said it when Bowie died

1056
00:49:40,599 --> 00:49:43,840
because I David Bowie, don't die, and then Bowie died,

1057
00:49:43,880 --> 00:49:46,519
and then Lemmy died or let me died, then Bowie died,

1058
00:49:46,599 --> 00:49:49,199
and then it was just like holy shit. So I mean,

1059
00:49:49,280 --> 00:49:51,719
but you know what even with Ozzie, you know, especially

1060
00:49:52,719 --> 00:49:54,639
you know, just doing that big benefit, I mean, you know,

1061
00:49:54,719 --> 00:49:57,239
the big show, the final performance a couple of weeks

1062
00:49:57,239 --> 00:50:00,079
ago in Birmingham. You know, maybe he knew something or

1063
00:50:00,079 --> 00:50:02,079
maybe they knew something. I really don't know, but it's

1064
00:50:02,119 --> 00:50:05,239
just an incredible uh you know, raising almost two hundred

1065
00:50:05,280 --> 00:50:09,000
million dollars for charity, which I think, yeah, I mean,

1066
00:50:09,079 --> 00:50:11,719
and you know and going out the way, uh you know,

1067
00:50:12,880 --> 00:50:15,920
you know that final in that town of Birmingham with

1068
00:50:16,039 --> 00:50:18,880
those guys, you know, closing out that thing.

1069
00:50:19,039 --> 00:50:20,639
Speaker 5: So it's been one of those days.

1070
00:50:20,679 --> 00:50:24,079
Speaker 7: It's been a marathon, and you know, but I'm glad

1071
00:50:24,119 --> 00:50:27,280
you guys are paying tribute and the whole oz Fest thing. Yeah,

1072
00:50:27,400 --> 00:50:28,880
you know, I don't think I've ever gone to an

1073
00:50:28,920 --> 00:50:31,719
oz fest. I mean I've seen Sabbath, you know, with

1074
00:50:31,880 --> 00:50:34,440
Ozzy when they reunited a few times. I mean, I

1075
00:50:34,800 --> 00:50:36,840
know one time we were playing at the Court Tavern

1076
00:50:36,880 --> 00:50:41,400
in New Brunswick, and I know the Pantera guys left

1077
00:50:41,480 --> 00:50:43,719
Giant Stadium and took a cab to New Brunswick to

1078
00:50:43,719 --> 00:50:46,880
come see us, which is pretty cool. Uh, little Uh,

1079
00:50:47,840 --> 00:50:49,480
But I don't think I've ever been to an OZ fest.

1080
00:50:49,559 --> 00:50:52,119
I mean I've seen Ozzy so many times, and I've

1081
00:50:53,880 --> 00:50:57,000
you know, seen him when they you know, Sabbath reunited.

1082
00:50:57,079 --> 00:50:59,960
But yeah, I for some odd reason, I never saw one.

1083
00:51:00,039 --> 00:51:02,719
But I'm sure that's a whole day, a whole festivity

1084
00:51:02,800 --> 00:51:05,679
of seeing a lot of a lot of unique bands

1085
00:51:05,760 --> 00:51:06,760
that I've never heard of.

1086
00:51:07,440 --> 00:51:08,960
Speaker 6: Yeah, that was you know, that was the thing about

1087
00:51:09,000 --> 00:51:12,679
being in Minneapolis, where were so fortunate to have Somerset,

1088
00:51:12,719 --> 00:51:16,719
Wisconsin next to us. That, Yeah, because my first taste

1089
00:51:16,760 --> 00:51:19,400
of an oz Fest. It was oz Fest Warped Tour

1090
00:51:19,920 --> 00:51:22,079
on the same day in the same venue.

1091
00:51:22,559 --> 00:51:23,119
Speaker 5: Wow, it was.

1092
00:51:23,559 --> 00:51:23,800
Speaker 1: Yeah.

1093
00:51:23,880 --> 00:51:26,360
Speaker 6: So I don't know if you've ever been to Somerset

1094
00:51:26,440 --> 00:51:29,079
the float right Amphitheater Keith, But on one side is

1095
00:51:29,119 --> 00:51:31,480
basically you know, they have the two stages. They have

1096
00:51:31,519 --> 00:51:33,320
the large stage and the second stage next to it,

1097
00:51:33,519 --> 00:51:35,000
but then up on the hill they got all this

1098
00:51:35,159 --> 00:51:37,360
room back there and that's where they put all the

1099
00:51:37,480 --> 00:51:40,320
trailers from warp to her So you were literally running

1100
00:51:40,360 --> 00:51:43,559
back and forth. You'd be like, okay, seven desk goes

1101
00:51:43,599 --> 00:51:46,639
on at twelve fifty, but then no Effects goes on

1102
00:51:47,119 --> 00:51:49,199
at one p fifteen, So we got to make our

1103
00:51:49,239 --> 00:51:52,840
way past the Mini Donuts stand to make sure we

1104
00:51:52,960 --> 00:51:54,880
get back because there's snots.

1105
00:51:54,519 --> 00:51:57,119
Speaker 1: Going on to stop for the media donuts though.

1106
00:51:57,599 --> 00:51:57,760
Speaker 4: Yeah.

1107
00:51:57,840 --> 00:52:01,840
Speaker 7: Yeah, Well the weird thing is I have been to

1108
00:52:01,960 --> 00:52:04,400
a warp tour, I mean because there was it happened

1109
00:52:04,719 --> 00:52:07,239
in Jersey a couple of times, and I've been to

1110
00:52:07,360 --> 00:52:09,639
Wisconsin and I've been in Minnesota, but I've never been

1111
00:52:09,679 --> 00:52:10,360
to that venue.

1112
00:52:10,559 --> 00:52:13,599
Speaker 5: But yeah, but the whole thing with Kitty, what were

1113
00:52:13,599 --> 00:52:14,519
you guys talking about.

1114
00:52:14,559 --> 00:52:16,920
Speaker 7: I heard something about like someone going into the studio

1115
00:52:17,000 --> 00:52:18,800
and fixing stuff for them at night or something.

1116
00:52:19,519 --> 00:52:21,360
Speaker 6: Yeah, that was It was a friend of mine who

1117
00:52:21,440 --> 00:52:24,000
was kind of like in the mix with you know,

1118
00:52:24,159 --> 00:52:27,440
like more like the promotion marketing side of Kitty when

1119
00:52:27,440 --> 00:52:29,679
they first came out, was telling us that, you know,

1120
00:52:29,760 --> 00:52:31,639
the girls would go into the studio and they would

1121
00:52:31,679 --> 00:52:33,800
record and then basically.

1122
00:52:33,519 --> 00:52:35,880
Speaker 4: They kind of had a few of the engineers who

1123
00:52:35,920 --> 00:52:37,320
were a part of it.

1124
00:52:37,480 --> 00:52:39,079
Speaker 6: They would wait until the girls would leave and then

1125
00:52:39,119 --> 00:52:40,960
they would go in and re record some of the

1126
00:52:41,079 --> 00:52:44,719
tracks to fix them because the plane was so off

1127
00:52:45,159 --> 00:52:47,920
that they were like, the record label is pumping out

1128
00:52:48,000 --> 00:52:49,440
so much money into this thing.

1129
00:52:49,559 --> 00:52:51,559
Speaker 4: We can't deliver a piece of shit, so we have

1130
00:52:51,679 --> 00:52:52,000
to do it.

1131
00:52:52,280 --> 00:52:53,800
Speaker 6: And you know, and to their credit, like I mean,

1132
00:52:53,840 --> 00:52:56,719
the they were young, they probably had a lot of

1133
00:52:56,760 --> 00:52:58,880
pressure on them, so, you know, but I go back,

1134
00:52:59,199 --> 00:53:01,599
I can't remember that drummer's name. I know the lead

1135
00:53:01,679 --> 00:53:04,679
singer was Morgan Landers, but I can't remember her sister's name.

1136
00:53:04,719 --> 00:53:07,079
Speaker 4: She was the drummer. But I follow her on Instagram

1137
00:53:07,239 --> 00:53:10,400
and the girl can drum yeah, the drummer. Yeah, she's great.

1138
00:53:10,480 --> 00:53:13,360
Speaker 6: And I feel bad that the band didn't get it's due.

1139
00:53:13,440 --> 00:53:15,800
There should have been a little bit more because I

1140
00:53:15,840 --> 00:53:17,639
had some good songs, you know, like they could keep

1141
00:53:17,679 --> 00:53:18,239
a man.

1142
00:53:18,320 --> 00:53:21,039
Speaker 4: But that just proves how hard this business is, you know.

1143
00:53:21,679 --> 00:53:23,559
Speaker 5: Oh, I mean, you know, that's a whole thing. I mean,

1144
00:53:23,599 --> 00:53:25,440
And there's a lot of scam to that too.

1145
00:53:25,519 --> 00:53:28,559
Speaker 7: There's the producer guy who's friends with the drummer guy,

1146
00:53:28,719 --> 00:53:31,119
who pays the drummer guy and then he gets a kickback.

1147
00:53:31,320 --> 00:53:34,039
A lot of that Hollywood bullshit was going on where

1148
00:53:34,400 --> 00:53:37,559
certain players were playing on certain records and then other

1149
00:53:37,599 --> 00:53:40,599
guys were coming in. But these guys could totally play

1150
00:53:40,679 --> 00:53:42,719
on their own records. It was like, you know, it's

1151
00:53:42,760 --> 00:53:47,039
that big eighties thing, you know, ego crushing or nineties crushing,

1152
00:53:47,159 --> 00:53:51,960
you know. I mean, but I mean, I guess, you know,

1153
00:53:52,079 --> 00:53:53,719
I guess that was probably before the days of pro

1154
00:53:53,840 --> 00:53:56,360
tools where they could just copy and paste maybe a

1155
00:53:56,440 --> 00:53:59,039
good part and kind of you know, build up the

1156
00:53:59,119 --> 00:53:59,760
track from there.

1157
00:54:00,519 --> 00:54:03,960
Speaker 6: Yeah yeah, yeah yeah, just move it a little bit

1158
00:54:04,039 --> 00:54:06,719
this way, move it a little bit down, yeah yeah yeah.

1159
00:54:06,960 --> 00:54:07,159
Speaker 4: Yeah.

1160
00:54:07,480 --> 00:54:07,639
Speaker 3: Man.

1161
00:54:07,719 --> 00:54:10,320
Speaker 7: I mean, now, I mean, I do know a guy

1162
00:54:10,400 --> 00:54:13,719
that goes in and like certain bands can only play

1163
00:54:13,840 --> 00:54:16,880
lead stuff, like they can't play rhythm guitar and uh,

1164
00:54:17,039 --> 00:54:19,880
and I know he's I can't mention names, but it's

1165
00:54:19,960 --> 00:54:22,639
like he goes in there and plays rhythm. I mean,

1166
00:54:22,719 --> 00:54:26,719
and these guys are playing like stadiums, like these bands,

1167
00:54:27,119 --> 00:54:28,199
but he does.

1168
00:54:28,079 --> 00:54:28,800
Speaker 5: The rhythm tracks.

1169
00:54:28,840 --> 00:54:30,800
Speaker 7: And then these guys just going there and do their

1170
00:54:31,880 --> 00:54:34,559
you know, their shredding and their march of the Bumblebees over.

1171
00:54:35,119 --> 00:54:37,880
You know, they just have they have issues playing you know,

1172
00:54:38,039 --> 00:54:41,559
just rhythm guitar. Yeah, and they're aware that other other

1173
00:54:41,639 --> 00:54:44,199
people are going in and cutting. They don't care. You know,

1174
00:54:44,280 --> 00:54:45,000
it's weird.

1175
00:54:46,119 --> 00:54:46,480
Speaker 5: It's all.

1176
00:54:47,079 --> 00:54:49,320
Speaker 1: It's so weird. There must be something on your lens

1177
00:54:49,400 --> 00:54:51,559
because it looks like you have three lines a blow

1178
00:54:51,679 --> 00:54:54,039
over your face and I'm oh, nice, kind of excited.

1179
00:54:54,559 --> 00:54:55,840
Speaker 5: Oh oh wait, I do see that?

1180
00:54:56,079 --> 00:55:01,880
Speaker 1: Yeah yeah, yeah, yeah, oh there it is. That's gone. Ah,

1181
00:55:02,039 --> 00:55:03,400
there it is. Okay.

1182
00:55:04,639 --> 00:55:06,400
Speaker 5: I wonder if it's a scratch.

1183
00:55:07,519 --> 00:55:07,960
Speaker 4: Scratch.

1184
00:55:08,079 --> 00:55:10,280
Speaker 1: Yeah, it looks scratched, but when it was down, it

1185
00:55:10,400 --> 00:55:10,760
was gone.

1186
00:55:11,719 --> 00:55:15,880
Speaker 4: Huh. The farther sometimes those lights, you know.

1187
00:55:16,840 --> 00:55:19,760
Speaker 5: Maybe I don't want to ruin the whole video for you.

1188
00:55:20,000 --> 00:55:23,280
Speaker 1: Well, yeah, it's it's not ruined. It's fine, Okay, I

1189
00:55:23,360 --> 00:55:25,079
think that it's not all ruined.

1190
00:55:25,119 --> 00:55:27,199
Speaker 5: It it just you know, yeah, it looks like this

1191
00:55:27,320 --> 00:55:28,840
is yeah, I see it though, just.

1192
00:55:28,880 --> 00:55:35,519
Speaker 1: Giving me urges, that's all. It was whiskey and cocaine.

1193
00:55:36,119 --> 00:55:39,079
Speaker 7: It does look like there's three little things cut up

1194
00:55:39,639 --> 00:55:41,280
rather efficiently.

1195
00:55:41,760 --> 00:55:44,320
Speaker 1: So you just you just got off the air right

1196
00:55:45,000 --> 00:55:47,639
a little while ago. Yeah, yeah, yeah, you've been talking

1197
00:55:47,639 --> 00:55:49,119
about Ozzie pretty much all day now.

1198
00:55:49,719 --> 00:55:52,480
Speaker 7: Well yeah, I mean Jose, I mean Mark Striegel and

1199
00:55:52,559 --> 00:55:54,800
Jose started and then he wants to go see Ghost

1200
00:55:55,280 --> 00:55:58,000
at the Garden, and then I jumped in. I I

1201
00:55:58,159 --> 00:56:01,199
was on for several hours. I think the whole tribute

1202
00:56:01,280 --> 00:56:05,079
was like almost seven hours, I think. So it was

1203
00:56:05,159 --> 00:56:08,400
just a lot of fans calling in and you know,

1204
00:56:08,880 --> 00:56:11,480
and you know, some musicians and things like that. But

1205
00:56:12,119 --> 00:56:14,440
you know, I mean just you know, having the honors

1206
00:56:14,480 --> 00:56:18,079
of working under that guy, and you know, he was

1207
00:56:18,159 --> 00:56:19,760
a really good dude man, you know.

1208
00:56:19,800 --> 00:56:22,119
Speaker 5: I mean like he was a really nice guy.

1209
00:56:22,440 --> 00:56:24,800
Speaker 7: I mean, sure, you know, he's the Prince of Darkness

1210
00:56:24,840 --> 00:56:27,119
and he had his moments, but uh, you know, I mean,

1211
00:56:27,199 --> 00:56:29,920
you know, he had that legacy and that personality.

1212
00:56:30,760 --> 00:56:32,639
Speaker 5: I mean, he was real, you know, and the band.

1213
00:56:32,719 --> 00:56:34,639
Speaker 7: You know, I was a big Sabbath fan growing up,

1214
00:56:35,239 --> 00:56:38,039
and you know, I always loved the band, and you know,

1215
00:56:38,159 --> 00:56:41,239
it's amazing what he did as a solo artist, you know,

1216
00:56:41,400 --> 00:56:43,519
just getting to the Hall of Fame as you know,

1217
00:56:43,840 --> 00:56:48,880
just under the Aussie Moniker and you know, so nothing

1218
00:56:48,920 --> 00:56:52,199
but positive stuff about you know him and the whole

1219
00:56:52,239 --> 00:56:52,480
so f.

1220
00:56:52,559 --> 00:56:54,199
Speaker 1: I mean, I don't know how well you knew him,

1221
00:56:54,199 --> 00:56:56,199
but Rudy was just he was talking about because Rudy

1222
00:56:56,239 --> 00:56:58,800
has been a ninety Reex and Minnie helpless and he

1223
00:56:58,880 --> 00:57:01,360
had Ausie and studio and he talked about he you

1224
00:57:01,400 --> 00:57:04,440
know when he came and he's like all of a sudden,

1225
00:57:04,440 --> 00:57:07,360
the light goes on and he's he's looking all the Osborne.

1226
00:57:07,480 --> 00:57:10,639
You know, did you have that experience with him too?

1227
00:57:10,800 --> 00:57:14,239
Speaker 7: Or I mean, you know I did. I've interviewed him

1228
00:57:14,239 --> 00:57:16,119
a few times. I've seen him out serious. You know,

1229
00:57:16,199 --> 00:57:18,920
he knew I am, I was. I know who he was,

1230
00:57:19,280 --> 00:57:21,119
and we chatted and you know, he had some laughs.

1231
00:57:21,159 --> 00:57:23,679
I mean the last time I saw him face to

1232
00:57:23,760 --> 00:57:26,599
face was at Jones Beach. I hosted a show. It

1233
00:57:26,760 --> 00:57:29,599
was an Ozzie and Stone sour and right before he

1234
00:57:29,679 --> 00:57:31,840
went on, they want to do a quick interview with

1235
00:57:32,000 --> 00:57:34,320
me and him, and uh, you know, the typical bullshit,

1236
00:57:34,400 --> 00:57:36,280
Oh yeah, how long's it tore out? And then we

1237
00:57:36,400 --> 00:57:39,320
started talking about Abby Road from the Beatles, and then

1238
00:57:39,360 --> 00:57:41,599
all of a sudden, it's like and I couldn't and

1239
00:57:41,719 --> 00:57:43,800
I know, the security team we're trying to get him.

1240
00:57:43,800 --> 00:57:46,920
For some reason, the door locked on the other side,

1241
00:57:47,360 --> 00:57:50,400
so they're like, you know, they're pounding, and it's almost,

1242
00:57:50,480 --> 00:57:52,760
you know, the organ music's going on, but he's so

1243
00:57:52,960 --> 00:57:55,719
into talking about you know, Abby Road and the Beatles

1244
00:57:55,760 --> 00:57:58,199
that it's like he could give a fuck the toy, yeah,

1245
00:57:58,239 --> 00:58:00,480
the record the same, but of something of interest. He

1246
00:58:00,599 --> 00:58:03,159
perks up and he's you know, the clarity is a

1247
00:58:03,199 --> 00:58:06,239
whole different vibe, and he you know, something that you

1248
00:58:06,320 --> 00:58:07,440
know that he's interested in.

1249
00:58:08,199 --> 00:58:10,159
Speaker 5: But yeah, he just seemed like a righteous dude, you know.

1250
00:58:10,280 --> 00:58:12,559
Speaker 7: I mean, like, you know, I wasn't around him all

1251
00:58:12,639 --> 00:58:14,320
the time, but the times that I wasn't around him,

1252
00:58:14,440 --> 00:58:16,639
I got a kick out of One New Year's Eve, though,

1253
00:58:17,519 --> 00:58:20,039
I did this hard and heavy house party and it

1254
00:58:20,119 --> 00:58:21,960
was like a zoom like this, and you know, I

1255
00:58:22,079 --> 00:58:24,360
was down in my studio and Ozzie and Sharon are

1256
00:58:24,400 --> 00:58:27,239
like zooming, and you know they I just found it

1257
00:58:27,480 --> 00:58:30,360
hysterical that there's Planet greer cheft my studio and there's

1258
00:58:30,440 --> 00:58:32,559
kind of like this going on, like what's that? You know,

1259
00:58:33,599 --> 00:58:36,639
but yeah, you know it's a it's a sad day,

1260
00:58:36,760 --> 00:58:37,840
you know, sad day.

1261
00:58:39,400 --> 00:58:41,440
Speaker 6: Did you got to do any sort of like deep

1262
00:58:41,559 --> 00:58:43,599
tracks or anything like that on the air, like to

1263
00:58:43,639 --> 00:58:45,360
anything that was sort of like a special version of

1264
00:58:45,440 --> 00:58:48,239
something or maybe him playing something that wasn't necessarily an

1265
00:58:48,280 --> 00:58:49,280
Ozzie or Sabbath song.

1266
00:58:51,480 --> 00:58:53,280
Speaker 7: Well, we did a lot of deep stuff, I mean,

1267
00:58:53,360 --> 00:58:55,400
you know, but but Ozzie's bonyard. You know, we generally,

1268
00:58:55,519 --> 00:58:59,599
I mean we're doing a Corncopeia, I mean, you know,

1269
00:59:00,079 --> 00:59:03,119
a street kids, you know, a lot of a lot

1270
00:59:03,159 --> 00:59:04,519
of deep stuff like that, you know, some of the

1271
00:59:04,599 --> 00:59:08,440
cover stuff that he's done, some stuff from the back

1272
00:59:08,519 --> 00:59:12,000
to the beginning festival in Birmingham. This week we're just

1273
00:59:12,039 --> 00:59:16,280
playing nothing but Sabbath and Ozzy. Like that's yeah, darting, Like,

1274
00:59:16,719 --> 00:59:20,199
are they're reairing the special now? They started that probably

1275
00:59:20,239 --> 00:59:24,199
about an hour ago. Yeah, so they're but you know,

1276
00:59:24,280 --> 00:59:25,719
I think till the end of the week it's just

1277
00:59:25,800 --> 00:59:28,199
Sabbath and Ozzy. You know, usually you know, you'll hear

1278
00:59:28,639 --> 00:59:31,440
Bloe Oyster Colt and Motorhead and pre Easton Maiden. But

1279
00:59:31,480 --> 00:59:33,840
I think it's just Sabbath and Ozzie all the way through.

1280
00:59:33,880 --> 00:59:37,480
Speaker 1: It's just you know, a few I think there's a

1281
00:59:37,519 --> 00:59:41,039
few of the channels that are only playing Auzsie is Sabbath, Yeah,

1282
00:59:41,119 --> 00:59:42,000
for the rest of the week.

1283
00:59:42,599 --> 00:59:44,280
Speaker 5: Yeah, but it's a rock god.

1284
00:59:44,440 --> 00:59:46,480
Speaker 6: You know, if you can do a guy a favor

1285
00:59:46,679 --> 00:59:49,039
going to the system and delete Shocked the Monkey with

1286
00:59:49,119 --> 00:59:52,440
him in Cold Chamber because that song is such garbage.

1287
00:59:52,519 --> 00:59:53,320
Speaker 4: It's so bad.

1288
00:59:53,840 --> 00:59:55,960
Speaker 6: That is the one cover that can't stand that he

1289
00:59:56,039 --> 00:59:59,599
does or for whatever reason, that song drives me insane.

1290
01:00:00,000 --> 01:00:01,519
Speaker 5: I don't think they've ever played that one.

1291
01:00:01,840 --> 01:00:04,079
Speaker 7: I mean listen as you know, I you know, I mean,

1292
01:00:04,119 --> 01:00:07,000
unless I'm doing my my own specialty shows that you know,

1293
01:00:07,199 --> 01:00:08,639
that's where where I picked the music.

1294
01:00:08,760 --> 01:00:11,119
Speaker 5: But you know, this is we're just kind of steering

1295
01:00:11,199 --> 01:00:11,840
the ship, you know.

1296
01:00:12,519 --> 01:00:14,199
Speaker 4: Yeah, I don't, I don't.

1297
01:00:14,199 --> 01:00:16,400
Speaker 7: I don't think that ever that one ever came came

1298
01:00:16,719 --> 01:00:19,480
on our show, The Culture Shut the Peter Gabriel cover.

1299
01:00:20,480 --> 01:00:23,400
Speaker 4: Yeah, it's so bad. It's it's like, I don't know

1300
01:00:23,440 --> 01:00:24,400
why they decided to go.

1301
01:00:24,920 --> 01:00:27,280
Speaker 6: There's so many other songs they could have picked because

1302
01:00:27,280 --> 01:00:30,559
I like both of those bands individually, and oh, I

1303
01:00:30,599 --> 01:00:32,360
don't know why they decided to go with that one,

1304
01:00:32,400 --> 01:00:34,519
but that's that song that we were talking. Izzy and

1305
01:00:34,559 --> 01:00:36,960
I were talking earlier about our our kind of favorite

1306
01:00:37,039 --> 01:00:40,559
duets and times he's collaborated, and I don't know, maybe

1307
01:00:40,599 --> 01:00:42,159
you're on board with the two of us, but we

1308
01:00:42,360 --> 01:00:44,800
both said, close my eyes forever with Lena, that is

1309
01:00:45,239 --> 01:00:46,800
that's the quintessential Assie.

1310
01:00:47,280 --> 01:00:48,519
Speaker 4: Yeah, collaboration.

1311
01:00:49,119 --> 01:00:50,239
Speaker 5: Yeah, I agree, I agree.

1312
01:00:50,360 --> 01:00:52,079
Speaker 7: You know, I love what he did with Leslie West too,

1313
01:00:52,280 --> 01:00:55,679
uh Mississippi Queen, just because of the history, you know,

1314
01:00:57,280 --> 01:00:59,840
I mean Mountain. I think Sabbath opened for Mountain on

1315
01:00:59,880 --> 01:01:02,880
the first tour of America, and so they that was

1316
01:01:02,920 --> 01:01:06,000
a strong bond those guys always had, so uh, you know,

1317
01:01:06,079 --> 01:01:08,760
for Leslie and and Uh and Ozzie to get together

1318
01:01:08,840 --> 01:01:10,159
to cut that was pretty cool.

1319
01:01:10,360 --> 01:01:13,599
Speaker 5: And Tweasel's appa right on staying Alive, that was yeah.

1320
01:01:14,440 --> 01:01:21,800
Speaker 1: Right, yeah, yeah, yeah, that's that was a fun In

1321
01:01:22,119 --> 01:01:24,920
the words of the great Jim Florentine about Shock the Monkey,

1322
01:01:25,280 --> 01:01:27,480
there's no reason for that. I ain't gonna do that.

1323
01:01:28,000 --> 01:01:30,119
Why why would you? There's no reason for that. There's

1324
01:01:30,159 --> 01:01:31,639
no reason for that, that's brutal.

1325
01:01:33,280 --> 01:01:36,159
Speaker 7: If you want to hear something amazing, there's this cat

1326
01:01:36,199 --> 01:01:38,599
out of Brooklyn. He's no longer on the planet, sadly.

1327
01:01:38,960 --> 01:01:42,280
Charles Bradley, Uh, you know, he was a James Brown,

1328
01:01:42,559 --> 01:01:45,480
R and B singer, you know, and then he started

1329
01:01:45,719 --> 01:01:48,519
you know, and then in Brooklyn, you know, these producer guys,

1330
01:01:49,000 --> 01:01:51,559
they started doing original records with him, and he did

1331
01:01:51,639 --> 01:01:55,480
this version of Changes that is one of the most amazing.

1332
01:01:56,239 --> 01:01:58,280
I mean, Ozzy and Sharon have heard it, you know,

1333
01:01:58,360 --> 01:02:00,280
brought him to tears. But if you want to hear

1334
01:02:00,440 --> 01:02:04,039
something incredible, check out Charles Bradley's version of Changes, which

1335
01:02:04,079 --> 01:02:09,119
he cut probably ten years twelve years ago because he passed. Yeah,

1336
01:02:09,239 --> 01:02:12,400
that's great, really really great. And you know he kind

1337
01:02:12,400 --> 01:02:15,199
of started getting his just dessert as an original guy,

1338
01:02:15,400 --> 01:02:17,440
like probably in his sixties, mid sixties.

1339
01:02:17,599 --> 01:02:20,719
Speaker 1: Yeah. Yeah, Where do you how do where do you

1340
01:02:20,760 --> 01:02:25,039
think Ozzie's gonna live in infamy with his legacy?

1341
01:02:28,039 --> 01:02:28,440
Speaker 5: Who may?

1342
01:02:28,920 --> 01:02:29,960
Speaker 1: Yeah, well, either of you.

1343
01:02:32,239 --> 01:02:35,719
Speaker 7: I mean me, I think, you know, one hundred two

1344
01:02:35,800 --> 01:02:38,320
hundred years from now. I mean I think like Morrison,

1345
01:02:38,639 --> 01:02:41,599
you know, I think like Cobain, you know, I think

1346
01:02:41,679 --> 01:02:46,159
like you know, anyone's on the mount Rushmore of rock idols,

1347
01:02:46,199 --> 01:02:49,639
you know, bo Yeah, and you know, I think he's

1348
01:02:49,679 --> 01:02:50,400
going to be right there.

1349
01:02:51,559 --> 01:02:54,760
Speaker 4: The sad part is that we're running out of the Yeah,

1350
01:02:56,280 --> 01:02:56,960
we're gonna.

1351
01:02:57,159 --> 01:03:02,599
Speaker 6: Eventually we're I mean, think of anybody that over the

1352
01:03:02,760 --> 01:03:06,480
last maybe even fifteen years that you go, that person's

1353
01:03:06,480 --> 01:03:08,440
going to be around for the rest of eternity.

1354
01:03:08,679 --> 01:03:10,880
Speaker 4: We're always going to be talking about them. I mean,

1355
01:03:11,559 --> 01:03:13,559
Jack White might be up there, you know.

1356
01:03:13,639 --> 01:03:15,119
Speaker 6: I mean, there's a couple of guys that we're still

1357
01:03:15,159 --> 01:03:16,920
coming up from like the nineties where we go, Okay,

1358
01:03:17,760 --> 01:03:19,960
that's the thing. That's what I'm saying, Like he's the

1359
01:03:20,039 --> 01:03:22,440
closest thing that we have to like an actual real

1360
01:03:22,519 --> 01:03:25,000
guitar god who's like still putting that stuff out. And

1361
01:03:25,079 --> 01:03:27,679
I don't I don't know, man, Like we're running out

1362
01:03:27,679 --> 01:03:32,000
of them, you know. If anything, we're getting more Beyonces,

1363
01:03:32,079 --> 01:03:35,079
we're getting more Ed Sheeran's, We're getting those artists that

1364
01:03:35,199 --> 01:03:38,760
will stick around. But there's you know, I mean, I

1365
01:03:38,800 --> 01:03:42,039
don't know. It just feels like it's a dying breed

1366
01:03:42,440 --> 01:03:46,440
of guys who want to live that lifestyle. And it's

1367
01:03:46,440 --> 01:03:48,199
exactly really bumps me out.

1368
01:03:48,920 --> 01:03:51,559
Speaker 7: I think the Internet kind of destroyed all, you know,

1369
01:03:51,800 --> 01:03:55,039
the legacy of rock icons because it was all about

1370
01:03:55,119 --> 01:03:57,440
the record, right, you make the record, what are they

1371
01:03:57,519 --> 01:03:59,840
doing in the studio? Like, oh, what's going on all

1372
01:04:00,039 --> 01:04:03,559
the you know, the mystique behind it, you know, and

1373
01:04:03,760 --> 01:04:05,519
and the record was such a big thing, and it

1374
01:04:05,599 --> 01:04:08,079
was like you know, the Internet, you know, it was

1375
01:04:08,159 --> 01:04:10,960
like you know, interviews and magazine. So these guys you know,

1376
01:04:11,239 --> 01:04:13,920
were larger, larger than life. And then you know, really

1377
01:04:14,000 --> 01:04:16,800
kind of after Nirvana, you know, everything was kind of

1378
01:04:16,880 --> 01:04:18,840
you know, you can google up, Oh what's actual rows?

1379
01:04:18,840 --> 01:04:21,719
Oh axles at McDonald's, you know, or I actually did this,

1380
01:04:22,159 --> 01:04:23,880
you know, that whole mistique. And I think that's why

1381
01:04:23,920 --> 01:04:26,960
a lot of those guys, their legacy was created before

1382
01:04:27,000 --> 01:04:28,239
the days of the Internet, you know.

1383
01:04:28,280 --> 01:04:31,079
Speaker 1: And that's why I think I think another MTV had

1384
01:04:31,119 --> 01:04:32,880
a lot to do with it too, because you know,

1385
01:04:33,239 --> 01:04:37,320
even before an apst, when MTV stopped playing rock and

1386
01:04:37,480 --> 01:04:42,000
roll and when all fucking rap, you know, there there

1387
01:04:42,079 --> 01:04:44,039
you have another fucking out that that's gone too.

1388
01:04:44,719 --> 01:04:48,400
Speaker 7: Yeah, and Vegas Ball was big, you know, and twenty Minutes.

1389
01:04:48,800 --> 01:04:52,440
Both those shows were incredible, you know for alternative rock.

1390
01:04:52,519 --> 01:04:55,239
And hard rock and heavy metal. Yeah, but you know

1391
01:04:55,840 --> 01:04:58,280
a lot of a lot of bands were made, made

1392
01:04:58,360 --> 01:04:59,519
and broken on those shows.

1393
01:05:00,239 --> 01:05:00,800
Speaker 5: Butead too.

1394
01:05:01,880 --> 01:05:03,840
Speaker 4: Yeah, you're right, man, Yeah, you're totally right.

1395
01:05:04,400 --> 01:05:05,280
Speaker 1: H v H one.

1396
01:05:05,320 --> 01:05:09,920
Speaker 6: I remember watching I was like fifteen and at the time,

1397
01:05:10,039 --> 01:05:13,239
Motley Crue was the biggest thing in my life. And

1398
01:05:14,199 --> 01:05:15,760
there was an episode I don't know what it was,

1399
01:05:15,840 --> 01:05:17,960
but they showed this thing where like Vince Neil was

1400
01:05:18,000 --> 01:05:20,360
trying to maybe do like a solo record, and he

1401
01:05:21,199 --> 01:05:26,440
goes to Desmond Child's studio and he's recording, he's recording tracks,

1402
01:05:26,519 --> 01:05:27,840
and at the end of it, he walks out and

1403
01:05:27,880 --> 01:05:29,239
Desmond Child like looks over.

1404
01:05:29,199 --> 01:05:31,239
Speaker 4: At like his assistant or something. He's like, oh, this

1405
01:05:31,440 --> 01:05:33,119
is terrible, Like I don't know how we're going to

1406
01:05:33,159 --> 01:05:33,679
clean this up.

1407
01:05:34,039 --> 01:05:37,840
Speaker 6: And then immediately Vince Neil goes to you know, the

1408
01:05:37,880 --> 01:05:39,599
plastic surgeon to get a face left.

1409
01:05:39,639 --> 01:05:43,519
Speaker 1: Oh. That was that was Reinventing Crew. That was when

1410
01:05:43,599 --> 01:05:48,199
they came back on that reunion tour, the Circus one

1411
01:05:49,599 --> 01:05:53,360
wherever the fuck they called that. It was early two thousands.

1412
01:05:55,280 --> 01:05:58,119
Speaker 6: I thought, yeah, maybe maybe ninety five ninety six would

1413
01:05:58,119 --> 01:05:59,599
have been too early, but I remember seeing that.

1414
01:05:59,760 --> 01:06:02,480
Speaker 5: Just Tommy Lee wasn't in the band, right, it was

1415
01:06:02,519 --> 01:06:03,000
the other three?

1416
01:06:03,079 --> 01:06:05,599
Speaker 1: Oh he was Tommy was That was the original four.

1417
01:06:05,920 --> 01:06:10,800
That was when they reached They played at Target Center events,

1418
01:06:10,880 --> 01:06:13,440
came out of the fucking circus box and.

1419
01:06:14,719 --> 01:06:18,079
Speaker 4: Dude, but I remember watching that, just going I don't

1420
01:06:18,079 --> 01:06:18,599
want to see that.

1421
01:06:18,880 --> 01:06:21,239
Speaker 6: You guys are supposed to have pentagrams and strippers, Like,

1422
01:06:21,280 --> 01:06:23,360
I don't want to see you getting a facelift, having

1423
01:06:23,440 --> 01:06:25,159
Desmond Child say that you suck.

1424
01:06:25,079 --> 01:06:27,119
Speaker 4: Like, no, I'm going to be the crew.

1425
01:06:27,280 --> 01:06:31,239
Speaker 7: You know, it's like all bands, you know, it's like, okay,

1426
01:06:31,360 --> 01:06:33,519
you know the band. You know, they lived together in

1427
01:06:33,599 --> 01:06:35,920
the same place. You know, they believed in the music.

1428
01:06:36,000 --> 01:06:38,000
It was all about that, you know, all bands, right,

1429
01:06:38,360 --> 01:06:40,280
and then you know the success and then the drugs.

1430
01:06:40,360 --> 01:06:42,360
But then like I don't know, you know, okay, now

1431
01:06:42,400 --> 01:06:44,840
we're rich as fuck, and like, you know, it's all

1432
01:06:44,880 --> 01:06:47,760
about going to the golf course and that, Like it's

1433
01:06:47,800 --> 01:06:50,960
hard to really love records being made by guys that are,

1434
01:06:51,000 --> 01:06:53,679
you know, sitting at a golf club where you know

1435
01:06:53,760 --> 01:06:56,119
the membership costs, that's what they're doing all day. I mean,

1436
01:06:56,400 --> 01:06:58,880
there's a legitimacy that's you know, to me, that's where

1437
01:06:58,880 --> 01:07:01,840
a lot of those records and died. You know, you'll

1438
01:07:01,840 --> 01:07:04,239
give them the success, you'll give them the uh okay,

1439
01:07:04,280 --> 01:07:06,159
and now they now they could afford the drugs.

1440
01:07:06,239 --> 01:07:08,880
Speaker 5: But then after that, it's like there's something kind of

1441
01:07:08,920 --> 01:07:09,760
feels fake to me.

1442
01:07:09,920 --> 01:07:13,280
Speaker 1: It's not well, it's there's something to be said about

1443
01:07:13,400 --> 01:07:17,320
bands that didn't reach that level of success. Oh yeah,

1444
01:07:17,320 --> 01:07:21,159
and are still putting out good music, probably because of

1445
01:07:21,280 --> 01:07:24,440
like like like the latest faster Pussycat stuff that's coming out.

1446
01:07:26,559 --> 01:07:27,880
Speaker 5: Yeah, and those guys are the real deal.

1447
01:07:27,960 --> 01:07:31,719
Speaker 7: They they've been living the same lifestyle or tamy, you

1448
01:07:31,800 --> 01:07:34,599
know since you know, since the first album were the

1449
01:07:34,639 --> 01:07:37,519
second record you know, yeah, yeah, I mean, band's chief

1450
01:07:37,599 --> 01:07:41,440
trick is another band. They make amazing records. Every every

1451
01:07:41,480 --> 01:07:43,519
time they put a record out, it's like, you know,

1452
01:07:43,679 --> 01:07:45,719
I love it all. Even with Sabbath, you know, people

1453
01:07:45,760 --> 01:07:48,440
would come down on Never Say Die and Technical Ectasy.

1454
01:07:48,480 --> 01:07:50,360
I thought those records were great. You know, they were

1455
01:07:50,599 --> 01:07:53,280
from that timeline and it's like, you know they were

1456
01:07:53,360 --> 01:07:56,000
still uh you know, chasing the dragon doing their thing,

1457
01:07:56,159 --> 01:07:58,440
and you know, maybe but there was still you know

1458
01:07:59,039 --> 01:08:01,559
a lot of legitimate Motley crue.

1459
01:08:01,599 --> 01:08:03,599
Speaker 5: I mean to me. I don't know. The first record

1460
01:08:03,719 --> 01:08:04,519
was the best one, and.

1461
01:08:06,400 --> 01:08:06,760
Speaker 4: I don't know.

1462
01:08:07,480 --> 01:08:10,880
Speaker 1: I listened to that record. I hear a garage band.

1463
01:08:11,199 --> 01:08:12,360
Speaker 5: Yeah, that's what I love about it.

1464
01:08:13,000 --> 01:08:15,880
Speaker 1: But then you listened to Shout at the Devil. How

1465
01:08:15,960 --> 01:08:20,039
did you go from this sloppy garage band to this

1466
01:08:20,560 --> 01:08:27,439
nicely polished, great songwriting, fucking rock god band within the

1467
01:08:27,560 --> 01:08:28,359
span of a year.

1468
01:08:29,600 --> 01:08:30,680
Speaker 5: So you're saying it was corporate.

1469
01:08:31,640 --> 01:08:36,319
Speaker 1: Oh, yeah, of course it was. It's there's too much,

1470
01:08:36,399 --> 01:08:41,079
it's too different, it's too different. There's no fucking way.

1471
01:08:42,680 --> 01:08:44,720
Speaker 5: I mean, that first record to me was punk rock.

1472
01:08:44,960 --> 01:08:45,119
You know.

1473
01:08:46,479 --> 01:08:49,159
Speaker 7: All those songs were really infectious, you know, like the

1474
01:08:49,279 --> 01:08:50,760
Raspberry is really catchy.

1475
01:08:51,359 --> 01:08:53,720
Speaker 5: I mean even the production, the raw production, it was

1476
01:08:53,760 --> 01:08:54,359
just so cool.

1477
01:08:54,640 --> 01:08:56,439
Speaker 7: And then I take it back. I did like Doctor

1478
01:08:56,479 --> 01:08:58,279
Feel Good too. I thought that was a great album.

1479
01:09:00,159 --> 01:09:00,319
Speaker 5: Yeah.

1480
01:09:00,479 --> 01:09:01,439
Speaker 1: They were a Motley show.

1481
01:09:02,640 --> 01:09:05,479
Speaker 4: They were like the eightieth version of Sugar Ray. Yeah,

1482
01:09:05,560 --> 01:09:07,960
Sugar Ray and a couple of like punk albums. And

1483
01:09:08,039 --> 01:09:10,319
then they were like I just want to oh wait,

1484
01:09:10,359 --> 01:09:13,239
you guys giving us pussy in drugs? Okay, Yeah, then

1485
01:09:13,279 --> 01:09:17,359
we'll keep writing more shitty songs like this that tore

1486
01:09:17,359 --> 01:09:17,720
they went.

1487
01:09:17,960 --> 01:09:19,960
Speaker 6: I was set the guys who have slowed down and

1488
01:09:20,079 --> 01:09:23,000
lost their fastball. I have to go call my daughter

1489
01:09:23,119 --> 01:09:25,520
before she goes to bed, so I am that I'm

1490
01:09:25,520 --> 01:09:29,159
in a different time zone. So dude, yeah, Rudy, you guys, Ezzy,

1491
01:09:29,279 --> 01:09:30,000
thanks for having me.

1492
01:09:30,079 --> 01:09:32,640
Speaker 1: Man, of course, what do you got coming up? Where

1493
01:09:32,640 --> 01:09:33,119
are you gonna be?

1494
01:09:34,199 --> 01:09:36,359
Speaker 4: Uh, let's see, So I got two weeks off. I'm

1495
01:09:36,359 --> 01:09:37,039
gonna be on the road.

1496
01:09:37,079 --> 01:09:41,600
Speaker 6: I'm gonna be in Atlanta, Georgia at the Atlanta Punchline

1497
01:09:41,640 --> 01:09:45,119
that's at the fifteenth and sixteenth, and then I'm back

1498
01:09:45,199 --> 01:09:47,680
out with Adam Carolla September thirteenth and fourteenth.

1499
01:09:47,760 --> 01:09:50,319
Speaker 4: I'm gonna be in al Paso, Texas.

1500
01:09:50,359 --> 01:09:52,479
Speaker 6: And just go to my website Rudypovitchcomedy dot com and

1501
01:09:52,600 --> 01:09:54,560
just give me a follow at Rudy Underscore Povitch.

1502
01:09:54,600 --> 01:09:56,119
Speaker 4: I got a bunch of shows between now and the

1503
01:09:56,199 --> 01:09:57,920
end of the year that I'll be uploading this week, so.

1504
01:09:58,279 --> 01:10:01,720
Speaker 1: And check them out all over the the Instagram and

1505
01:10:01,840 --> 01:10:03,960
the TikTok and all that shit.

1506
01:10:05,560 --> 01:10:09,560
Speaker 5: Yeah, oh, boys, except amongst all the kids.

1507
01:10:10,199 --> 01:10:11,279
Speaker 4: Yes, of course. Yeah.

1508
01:10:12,359 --> 01:10:14,279
Speaker 6: I hope you all get together again. I'm not under

1509
01:10:14,479 --> 01:10:15,760
terrible circumstances like that.

1510
01:10:16,000 --> 01:10:17,960
Speaker 4: But it's really nice to meet him. A man, is

1511
01:10:18,039 --> 01:10:20,279
he too? I was a pleasure man, right, you guys,

1512
01:10:20,319 --> 01:10:20,880
take care.

1513
01:10:20,960 --> 01:10:23,119
Speaker 1: And don't forget. Hold on, don't forget. Since you're in

1514
01:10:23,159 --> 01:10:25,319
the land of make a little golden light. I expect

1515
01:10:25,439 --> 01:10:27,399
some when you come back. You're on my fucking smoking

1516
01:10:27,479 --> 01:10:28,439
the bandit run right now?

1517
01:10:28,960 --> 01:10:30,960
Speaker 4: Yeah, dude, Yeah, I'm actually driving too.

1518
01:10:31,039 --> 01:10:35,079
Speaker 1: I drove back a couple like four kegs in about

1519
01:10:35,159 --> 01:10:36,920
fifteen cases up there will be good.

1520
01:10:37,479 --> 01:10:38,000
Speaker 4: You got them.

1521
01:10:38,560 --> 01:10:41,159
Speaker 5: Wait, Rudy, Rudy, real quick. I know you're leaving, but

1522
01:10:41,479 --> 01:10:43,319
you're so you're where are you right now?

1523
01:10:44,239 --> 01:10:45,079
Speaker 4: Northern Minnesota?

1524
01:10:45,520 --> 01:10:46,520
Speaker 5: Okay, and that's where you live.

1525
01:10:47,079 --> 01:10:49,920
Speaker 6: No, I live in Vegas. I came home because I

1526
01:10:50,039 --> 01:10:51,920
was on the road for three weeks and I'm I'm

1527
01:10:51,960 --> 01:10:53,600
just back here at my cabin, just hanging out for

1528
01:10:53,680 --> 01:10:56,079
a couple of weeks, just writing and just kind of

1529
01:10:56,159 --> 01:10:57,039
just taking care of stuff.

1530
01:10:57,079 --> 01:10:59,520
Speaker 7: So yeah, now I understand the whole thing with it.

1531
01:10:59,720 --> 01:11:02,279
Is he you being in Minnesota and all that stuff,

1532
01:11:02,439 --> 01:11:05,279
and Minnesota's great. I'm sure you're loving the weather this time.

1533
01:11:05,159 --> 01:11:05,520
Speaker 5: Of the year.

1534
01:11:05,840 --> 01:11:06,239
Speaker 4: Oh yeah.

1535
01:11:06,880 --> 01:11:09,039
Speaker 6: The reason why I chose this time of years because

1536
01:11:09,119 --> 01:11:11,159
Vegas is like one hundred and seven when you wake

1537
01:11:11,239 --> 01:11:14,640
up at five am. Yeah, yeah, I mean I've been

1538
01:11:14,680 --> 01:11:18,159
here for eight days now. It hasn't cracked seventy nine.

1539
01:11:18,279 --> 01:11:21,439
It's like Chef's kiss man, Yeah for sure.

1540
01:11:22,520 --> 01:11:25,880
Speaker 4: I like, Keith, are you and you're in New York?

1541
01:11:26,000 --> 01:11:26,560
Is that where you're at.

1542
01:11:26,960 --> 01:11:27,640
Speaker 5: I'm in Jersey.

1543
01:11:29,000 --> 01:11:29,640
Speaker 4: Oh you're in Jersey.

1544
01:11:29,680 --> 01:11:33,079
Speaker 6: Okay, right, I'm gonna be doing I'm doing the Grammercy

1545
01:11:33,199 --> 01:11:36,119
Theater September twenty first, and I'm also going to be

1546
01:11:36,319 --> 01:11:38,680
at red Bank, New Jersey.

1547
01:11:39,840 --> 01:11:42,960
Speaker 5: It's like I could throw a fastball from here. Yeah.

1548
01:11:43,079 --> 01:11:45,680
Speaker 6: Oh okay, okay, yeah, I'm in Red Bank. I think

1549
01:11:45,720 --> 01:11:47,680
in September. Man, So I'll drop you a line to

1550
01:11:47,720 --> 01:11:48,319
you if you want to call.

1551
01:11:49,119 --> 01:11:50,039
Speaker 1: I'll look you guys up.

1552
01:11:50,720 --> 01:11:53,000
Speaker 5: Yeah, you're playing the camp Basie. I would take it.

1553
01:11:53,640 --> 01:11:54,640
Speaker 4: I think that's where it is.

1554
01:11:54,760 --> 01:11:54,920
Speaker 1: Yeah.

1555
01:11:55,000 --> 01:11:57,159
Speaker 5: Yeah, it's a great theater, red Bank.

1556
01:11:58,119 --> 01:11:59,039
Speaker 4: Yeah, here's awesome.

1557
01:11:59,119 --> 01:11:59,319
Speaker 6: Yeah.

1558
01:12:00,039 --> 01:12:03,000
Speaker 7: Uh, there's a it's it's it's a great it's a

1559
01:12:03,039 --> 01:12:05,399
great rocket roll town. And so yeah, it's only forty

1560
01:12:05,439 --> 01:12:07,640
five minutes out of the city. It's perfect. I mean,

1561
01:12:07,680 --> 01:12:09,760
this is the uh, this used to be the best

1562
01:12:09,840 --> 01:12:12,760
kept secret. And then after Sandy and nine to eleven.

1563
01:12:12,920 --> 01:12:15,800
You know, everybody from New York came here and uh so,

1564
01:12:16,079 --> 01:12:18,479
and it's a suburb of New York. But Red Bank's

1565
01:12:18,520 --> 01:12:21,039
a great town and you're literally right down the streets.

1566
01:12:21,079 --> 01:12:22,199
So I'd love to come see you. Man.

1567
01:12:22,239 --> 01:12:22,760
Speaker 5: It'd be awesome.

1568
01:12:22,960 --> 01:12:25,239
Speaker 4: Yeah, for sure, man, we'll hook up. Sound good? All right, boys,

1569
01:12:25,319 --> 01:12:25,760
you take.

1570
01:12:25,640 --> 01:12:27,039
Speaker 5: Care, take travels. Rudy.

1571
01:12:27,119 --> 01:12:29,439
Speaker 4: Rudy, Yeah, Rudy.

1572
01:12:29,640 --> 01:12:31,920
Speaker 1: Rudy. Pavish dot com. Get all of his tour dates

1573
01:12:31,960 --> 01:12:34,079
and you can catch him out with Corolla and every

1574
01:12:34,119 --> 01:12:36,439
once in a while on the Corolla Show, reading his

1575
01:12:36,600 --> 01:12:41,279
news and being one of his lackeys. Love Rudy. Actually,

1576
01:12:41,319 --> 01:12:43,920
I honestly, I didn't meet Rudy until I moved to Vegas.

1577
01:12:44,439 --> 01:12:45,560
Speaker 5: Oh really yeah.

1578
01:12:46,279 --> 01:12:48,960
Speaker 1: But then it's like, oh shit, we we knew each other,

1579
01:12:49,119 --> 01:12:52,199
and we knew we knew like other people and oh shit,

1580
01:12:52,319 --> 01:12:55,399
oh shit, oh shit, oh shit. Oh oh you're from Minnesota.

1581
01:12:55,439 --> 01:12:58,119
I'm from Minnesota too. It's like we've turned into Minnesota.

1582
01:12:58,159 --> 01:13:00,880
People turn into fucking nut job when they find other

1583
01:13:00,920 --> 01:13:01,840
people from Minnesota.

1584
01:13:02,319 --> 01:13:02,479
Speaker 6: Yeah.

1585
01:13:02,600 --> 01:13:05,239
Speaker 7: Well, it's at bond, that instant camaraderie, you know, it's like,

1586
01:13:05,359 --> 01:13:09,920
you know, you guys are instant brothers, you know, knowing that. Yeah, no,

1587
01:13:10,039 --> 01:13:11,439
it makes all the sense in the world to me.

1588
01:13:12,119 --> 01:13:12,800
Speaker 5: I appreciate you.

1589
01:13:13,119 --> 01:13:16,760
Speaker 1: I appreciate you popping on being what time it is, Yeah,

1590
01:13:18,119 --> 01:13:19,600
it's only twelve fifteen. It's fine.

1591
01:13:19,880 --> 01:13:22,319
Speaker 7: Yeah, I'm going to catch up on some sports stuff

1592
01:13:22,399 --> 01:13:25,800
and you know, see how my beloved Yankees did tonight.

1593
01:13:25,920 --> 01:13:30,399
I don't know, and actually the conversation yeah, and and

1594
01:13:30,800 --> 01:13:33,800
the liberty and I believe it or not, and you know,

1595
01:13:33,920 --> 01:13:34,880
decompress a little bit.

1596
01:13:34,960 --> 01:13:36,880
Speaker 5: Yeah, it's been one of those crazy uh.

1597
01:13:36,960 --> 01:13:38,039
Speaker 1: One of those crazy days.

1598
01:13:38,039 --> 01:13:38,159
Speaker 6: Man.

1599
01:13:38,239 --> 01:13:41,199
Speaker 1: So what are you taking on to this day? It's

1600
01:13:41,439 --> 01:13:42,399
it's always been a lot.

1601
01:13:43,199 --> 01:13:45,479
Speaker 5: Yeah, I mean, you know, sadly, we all can't live forever,

1602
01:13:45,680 --> 01:13:45,840
you know.

1603
01:13:46,000 --> 01:13:48,439
Speaker 1: I mean, look like I told Rudy, it's like, well,

1604
01:13:48,479 --> 01:13:52,680
I'm surprised he lasted this long, you know, with the

1605
01:13:52,800 --> 01:13:54,960
life that he's had and what he's gone through the

1606
01:13:55,079 --> 01:13:58,920
last few you know, the last five six years. I'm

1607
01:13:58,960 --> 01:14:01,640
surprised this long. And I'm glad that he did that,

1608
01:14:01,720 --> 01:14:04,279
he was able to do that show to say goodbye,

1609
01:14:04,640 --> 01:14:07,640
because a lot of people don't get that chance. It

1610
01:14:08,079 --> 01:14:11,079
makes me think of like these old timers that have

1611
01:14:11,319 --> 01:14:14,680
been doing the same thing for their entire lives, and

1612
01:14:14,800 --> 01:14:19,159
as soon as they retire or you know, somebody that's

1613
01:14:19,159 --> 01:14:22,840
been with their with their wife for sixty years, one

1614
01:14:22,880 --> 01:14:25,039
of them dies and then within the next year another

1615
01:14:25,079 --> 01:14:26,159
one the other one dies.

1616
01:14:26,239 --> 01:14:31,279
Speaker 7: Because you see that all the time. Yeah, yeah, yeah, constantly. Yeah,

1617
01:14:31,479 --> 01:14:33,279
I mean and too with Ozzy. You know, he was

1618
01:14:33,760 --> 01:14:36,960
always regularly playing. You would do Ozzy, then he would

1619
01:14:36,960 --> 01:14:40,319
do Sabbath, you know, when that finally reconnected. One year

1620
01:14:40,359 --> 01:14:42,600
it was Ozzy, the next year was Sabbath. Sometimes it

1621
01:14:42,720 --> 01:14:45,399
was both on the oz Fest and then you know,

1622
01:14:45,479 --> 01:14:48,520
ever since that accident, he was making albums.

1623
01:14:48,600 --> 01:14:50,359
Speaker 5: You know, yeah, Patient.

1624
01:14:50,119 --> 01:14:52,640
Speaker 7: Number nine and uh, I forgot what the other one was,

1625
01:14:53,520 --> 01:14:56,199
which was uh but you know, and he kind of

1626
01:14:56,520 --> 01:14:58,520
you know, didn't he stopped playing, and then there was

1627
01:14:58,840 --> 01:15:00,840
the reunion, you know, then he was going out on tour,

1628
01:15:00,960 --> 01:15:03,479
and then the tours got postponed and you could see

1629
01:15:03,520 --> 01:15:06,479
physically there was something going on, and it was it

1630
01:15:06,560 --> 01:15:08,039
was a real battle for him to get up and

1631
01:15:08,159 --> 01:15:10,479
just do what he did, uh, you know, crazy a

1632
01:15:10,520 --> 01:15:11,319
couple of weeks.

1633
01:15:11,119 --> 01:15:14,000
Speaker 1: Ago, but uh yeah, and I'm glad he did it,

1634
01:15:14,159 --> 01:15:17,920
did it and did the lip syncing thing and he's saying,

1635
01:15:19,399 --> 01:15:20,960
went out there and we're all on top.

1636
01:15:21,520 --> 01:15:21,720
Speaker 5: Yeah.

1637
01:15:21,840 --> 01:15:24,399
Speaker 7: Lizzie Hale was on uh you know with us earlier,

1638
01:15:24,439 --> 01:15:26,840
and she was at the show and just was saying

1639
01:15:26,880 --> 01:15:28,760
how much of a love fest it all was, and

1640
01:15:28,920 --> 01:15:31,680
how uh you know how it was an emotional moment

1641
01:15:31,840 --> 01:15:34,720
for everybody that was there, you know, Guns N' Roses, Metallica,

1642
01:15:35,079 --> 01:15:38,560
every art you know, Sammy Hagar, you know, as Steven Tyler.

1643
01:15:38,680 --> 01:15:40,840
There was no egos, there was no attitude. It was

1644
01:15:40,960 --> 01:15:44,159
just they were all honored to be there because you know,

1645
01:15:44,520 --> 01:15:46,720
they knew it was going to be his last show.

1646
01:15:47,159 --> 01:15:48,920
You know, I don't think they thought he was going

1647
01:15:49,000 --> 01:15:51,840
to pass away two weeks later, right, But you know.

1648
01:15:52,520 --> 01:15:55,119
Speaker 1: It's almost like when people know that they're going to

1649
01:15:55,199 --> 01:15:58,560
die and they have their funeral while they're still alive,

1650
01:16:00,159 --> 01:16:04,039
so they can say goodbye to everybody, and everybody's saying

1651
01:16:04,079 --> 01:16:06,520
goodbye to a fucking body in a box, you know

1652
01:16:06,560 --> 01:16:07,000
what I mean.

1653
01:16:07,680 --> 01:16:10,800
Speaker 7: It just happened with a friend of mine a couple

1654
01:16:10,840 --> 01:16:13,720
of days before Ozzie, my friend Tim who started the

1655
01:16:13,800 --> 01:16:16,840
band Monster Magnet. Okay, yeah, he was one of the

1656
01:16:16,880 --> 01:16:20,159
founders of Monster Magnet and uh and with Dave and

1657
01:16:21,840 --> 01:16:24,079
mc bain and then you know, he started the Ribbuy Brothers,

1658
01:16:24,119 --> 01:16:26,960
which is an amazing garage rock band in my neck

1659
01:16:27,000 --> 01:16:29,960
of the woods, kind of like, you know, just a

1660
01:16:30,039 --> 01:16:32,840
great garage rock band with with the all the few

1661
01:16:32,880 --> 01:16:36,319
of the original members of Monster Magnet and Tim ran

1662
01:16:36,439 --> 01:16:39,199
Jack's music, which is an iconic record store in Red Bank.

1663
01:16:39,520 --> 01:16:43,039
Speaker 5: As we were just talking, you know, you know, Red Bank,

1664
01:16:43,079 --> 01:16:44,079
New Jersey, Jackson.

1665
01:16:44,199 --> 01:16:47,199
Speaker 7: Then, Uh, he wasn't feeling right for a few you

1666
01:16:47,279 --> 01:16:50,119
know years, he was like kind of and it turns

1667
01:16:50,159 --> 01:16:52,159
out they misdiagnosed him he had als.

1668
01:16:52,920 --> 01:16:54,880
Speaker 5: Oh wow, Yeah, in.

1669
01:16:54,960 --> 01:16:58,479
Speaker 7: February, it's you know, it was determined that he had als,

1670
01:16:58,640 --> 01:17:00,800
and you know, he passed away like.

1671
01:17:00,920 --> 01:17:03,399
Speaker 1: Two weeks ago, and I'm so sorry.

1672
01:17:03,880 --> 01:17:05,560
Speaker 7: Yeah, but you know, he kind of like went out

1673
01:17:05,600 --> 01:17:08,279
on his terms and yeah, you know, and it was

1674
01:17:08,479 --> 01:17:10,800
uh and we all got to see him. Two weeks

1675
01:17:11,319 --> 01:17:13,880
prior to that, there was a big tribute that was

1676
01:17:13,960 --> 01:17:16,239
for Tim. I mean, we everybody loved this guy. You

1677
01:17:16,279 --> 01:17:17,960
would fall in love with him, you would you would

1678
01:17:17,960 --> 01:17:19,600
have met him once and been best friends with him,

1679
01:17:19,680 --> 01:17:22,800
is I guarantee it, you know, And just you know,

1680
01:17:23,399 --> 01:17:27,720
so literally right after Tim's thing was the Aussie show

1681
01:17:27,760 --> 01:17:31,079
and it was almost even though it's two different plateaus

1682
01:17:31,159 --> 01:17:35,319
of you know, legends, but uh, you know it's very

1683
01:17:35,479 --> 01:17:38,319
very similar to you know, just what happened.

1684
01:17:38,920 --> 01:17:40,840
Speaker 1: Absolutely well, I'll tell you what, man, I know it's

1685
01:17:40,920 --> 01:17:42,840
late there, I know it's not that late, but you

1686
01:17:42,920 --> 01:17:45,960
got ship to do. I got shipped to do, Keith.

1687
01:17:46,039 --> 01:17:48,239
I'm going to see you in a couple of weeks.

1688
01:17:48,600 --> 01:17:51,199
Speaker 5: Yeah, yeah, right, yeah, one month, one month.

1689
01:17:51,439 --> 01:17:53,640
Speaker 1: It's it's one month and we're gonna be on the

1690
01:17:53,720 --> 01:17:56,560
on the Blue Cruise and we're going to be having

1691
01:17:56,600 --> 01:18:00,880
a good time relaxing because it's seven days and everything's

1692
01:18:00,920 --> 01:18:03,279
all spread out. We can actually chill and we can

1693
01:18:03,439 --> 01:18:07,399
hang and not have to rush. And I'm so excited.

1694
01:18:08,279 --> 01:18:10,279
Speaker 5: That's the beauty of all the on the Blue cruises.

1695
01:18:10,279 --> 01:18:12,760
Speaker 7: And this one's even longer, right, I mean yeah, and

1696
01:18:13,079 --> 01:18:16,079
we're so used to you know, flying out from you know, Miami,

1697
01:18:16,239 --> 01:18:19,319
and this one from Boston into Canada and to Portland.

1698
01:18:19,399 --> 01:18:22,319
But uh yeah, that's gonna be a lot of that's

1699
01:18:22,319 --> 01:18:24,520
always a great time on the Blue and it's gonna

1700
01:18:24,520 --> 01:18:26,800
be very cool catching up with you and all the

1701
01:18:27,479 --> 01:18:31,199
Dawson Dawson. Yes, that's always a Blast hanging with him.

1702
01:18:31,560 --> 01:18:32,279
Is Tyson on this?

1703
01:18:32,960 --> 01:18:38,239
Speaker 5: Yeah, of course Tyson and Todd, right, Brent, Brent Woods.

1704
01:18:38,000 --> 01:18:39,800
Speaker 1: Is on there, right, yeah, I think Brent's gonna be

1705
01:18:39,840 --> 01:18:41,399
on there, and Tyson will be on there with Will

1706
01:18:42,079 --> 01:18:47,079
and Brian. And do you think DJ Will might be

1707
01:18:47,199 --> 01:18:49,279
on there too? I think. Don't quote me on that.

1708
01:18:50,279 --> 01:18:53,720
I could be wrong, right right. Actually he was on

1709
01:18:53,760 --> 01:18:56,359
the Cruise of the Edge, so maybe he's coming on

1710
01:18:56,479 --> 01:18:56,720
this one.

1711
01:18:56,800 --> 01:18:59,079
Speaker 5: I don't know. I've never done Cruise to the Edge.

1712
01:18:59,119 --> 01:19:02,039
I've done I've done the last three.

1713
01:19:02,199 --> 01:19:09,239
Speaker 1: We're the hottest girls on Cruise at the Edge. I

1714
01:19:09,359 --> 01:19:13,279
want to be on that one, yeah, yeah, yeah, yeah,

1715
01:19:13,359 --> 01:19:17,520
yeah yeah. So yeah, we got that. November. If you

1716
01:19:17,600 --> 01:19:20,119
guys are going to be in Vegas for a Kiss Tardfest,

1717
01:19:20,239 --> 01:19:23,800
I mean the Kiss Cruise on the Land, come out

1718
01:19:23,840 --> 01:19:26,279
to the unofficial pre party at Dive Bar the night

1719
01:19:26,319 --> 01:19:29,600
before One Last Kiss is performing and I am hosting

1720
01:19:29,680 --> 01:19:32,239
the show, and I'm hosting the Las Vegas Guitar Trade

1721
01:19:32,279 --> 01:19:36,000
Show all weekend long, So come down to the Silverton

1722
01:19:36,039 --> 01:19:38,960
while you're in town for that. And of course, on

1723
01:19:39,079 --> 01:19:41,439
the twenty ninth of August, the day I get back

1724
01:19:42,119 --> 01:19:44,800
at Contribute Days, freely playing with the Killer Dwarfs here

1725
01:19:44,840 --> 01:19:49,119
in Las Vegas at the backstage bar and billiards, And

1726
01:19:49,840 --> 01:19:52,520
we're gonna have those guys on the show very very soon.

1727
01:19:52,840 --> 01:19:55,199
I'm going to tap my good friend Keith Roth to

1728
01:19:56,079 --> 01:19:58,479
co host with me on that, because why not let's

1729
01:19:58,479 --> 01:20:00,680
have you. Let's get some fucking said, let me at

1730
01:20:00,680 --> 01:20:01,479
my ultro music.

1731
01:20:02,039 --> 01:20:05,600
Speaker 5: Is this live, by the way, Yeah, no, okay, no,

1732
01:20:05,840 --> 01:20:06,640
unfortunately not.

1733
01:20:07,319 --> 01:20:08,960
Speaker 7: I was gonna say that you're you're gonna be on

1734
01:20:09,399 --> 01:20:11,600
the rock Strap this up Thursday.

1735
01:20:11,720 --> 01:20:13,239
Speaker 1: Oh yeah, well this will be up tonight.

1736
01:20:13,760 --> 01:20:16,640
Speaker 5: Oh okay, so yeah, this up come this Thursday.

1737
01:20:16,960 --> 01:20:21,199
Speaker 1: I figured there's going to be seventeen million Ausie remember

1738
01:20:21,279 --> 01:20:24,520
his podcast this evening? Why not make it seventeen million

1739
01:20:24,600 --> 01:20:28,279
and one? And then yes, a lot of.

1740
01:20:28,279 --> 01:20:30,000
Speaker 5: People have asked me, and I said, now I got

1741
01:20:30,039 --> 01:20:31,279
to be on Izzy's that's it.

1742
01:20:31,399 --> 01:20:32,239
Speaker 1: Yeah, I appreciate.

1743
01:20:32,399 --> 01:20:34,520
Speaker 5: I did the Boneyard and then I jumped right over here.

1744
01:20:34,600 --> 01:20:38,479
If I see it, I do apologize, you know, it's

1745
01:20:38,479 --> 01:20:39,199
all I did.

1746
01:20:39,359 --> 01:20:41,399
Speaker 1: Check him out on Ozzie's Boneyard, check him out on

1747
01:20:41,600 --> 01:20:42,319
uh on.

1748
01:20:43,079 --> 01:20:48,399
Speaker 5: Here Nation, and uh come see the Dictators. Uh yeah,

1749
01:20:48,560 --> 01:20:51,279
we got some stuff coming up Keith Rock. Just follow me,

1750
01:20:51,680 --> 01:20:52,119
hear it, and.

1751
01:20:52,319 --> 01:20:54,680
Speaker 1: Hit up Busy President dot com. Hit all my socials

1752
01:20:54,920 --> 01:20:56,840
you saw those all at the top of the show,

1753
01:20:56,920 --> 01:20:59,000
and sign up for the goddamn Pig for Ever. It's

1754
01:20:59,039 --> 01:21:03,199
only five dollars. Mark Patrion dot com slash Real Lizzie Presley.

1755
01:21:03,520 --> 01:21:05,920
I will talk to you guys, maybe in a couple

1756
01:21:05,960 --> 01:21:10,319
of days. For sure next week on behalf of Rudypovich

1757
01:21:10,439 --> 01:21:14,840
Rudypovich dot com, Keith Roth. My name is Lizzy Presley,

1758
01:21:15,199 --> 01:21:19,520
and don't forget what I lack in talent, I'll make

1759
01:21:19,640 --> 01:21:20,359
up four of the cock