WEBVTT

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<v Speaker 1>In retirement. My kneesic thus from absence of children's feet

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<v Speaker 1>hammering through the holes, then from the hush that replaced them,

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<v Speaker 1>hush punctuated by the rubber feet of the carts, the

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<v Speaker 1>huffle of jackets, the occasional coffer venernestrida buried in some

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<v Speaker 1>decades old encyclopedia. For thirty nine years I stewarded an

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<v Speaker 1>elementary school library, where chaos was more likely to take

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<v Speaker 1>the form of a cocoa stain or a condestined pockumen

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<v Speaker 1>swore than anything supernatural. I believed in the ordinary magic

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<v Speaker 1>of reading locks and well tendered g decimals. Now, at

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<v Speaker 1>sixty seven, two mornings a week, I volunteer at the

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<v Speaker 1>Rivertown Public Library. Rivers run behind the brick building, and

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<v Speaker 1>on quiet days you can almost smell the silt winding

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<v Speaker 1>through the stacks. I like the routine, the comfort of

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<v Speaker 1>methodical tiding, and a low hum of whisper chatter. The

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<v Speaker 1>main floor has a modernity that tries too hard. Glass panels,

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<v Speaker 1>half unwrapped computer kiosks, and shelving units that move at

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<v Speaker 1>the flick of a key, but up one narrow staircase

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<v Speaker 1>and past the microfiche cabinets, coroners remain unchanged and tampered,

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<v Speaker 1>dust eer thick with that send only old books her

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<v Speaker 1>meant on Tuesdays. I've made it my habit to us

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<v Speaker 1>near the alcove by the local history section. It's an

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<v Speaker 1>unpopular spot, overlooked unless there is a genealogy club or

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<v Speaker 1>a power outed pushing guests from the computers. There's always

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<v Speaker 1>a sense of waiting here, as if the shells themselves

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<v Speaker 1>expect old secrets to be handled once more. That's where

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<v Speaker 1>I found the first set, a row of battered hardcovers,

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<v Speaker 1>spines faded from near black to colorless brow. They were

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<v Speaker 1>ordinary at glance, settlement histories and encyclopedia of Windmills by

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<v Speaker 1>Poetry Digest, all with a sort of library cards that

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<v Speaker 1>still make my hut skip an a steutic beat. Most

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<v Speaker 1>had been checked at twice, maybe three times in over

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<v Speaker 1>a century, but a few stood apart. The first card

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<v Speaker 1>to catch my eye belonged to Pathways for Youth nineteen

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<v Speaker 1>twenty two. Instead of names and dates, its return field

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<v Speaker 1>was scored with alternating black and white squires, a checkerboard

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<v Speaker 1>hand drawn with girt to the margins. The next oddity

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<v Speaker 1>came in meadows a handbook where right beneath the expected date,

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<v Speaker 1>due and name columns, there was only a single and

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<v Speaker 1>written shakily beneath the date, No borrow or name, no

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<v Speaker 1>indication whether the book was ever read outside the library

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<v Speaker 1>walls LP one last card in old Songs and singing games,

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<v Speaker 1>expecting perhaps a signature or in kay blotch. Instead, the

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<v Speaker 1>lines had trailed off into looping symbols, dashes, and walls,

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<v Speaker 1>all growing less legible as they sprawled toward the card's

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<v Speaker 1>bottom edge. It felt less like a mistake and more

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<v Speaker 1>like a moment of wealth, something unfinished. I hesitated, thumb

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<v Speaker 1>pressed against the brittle corner. Over the years, I'd catalog

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<v Speaker 1>dozens of mishaalved items, odd descriptions, and the usual assortment

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<v Speaker 1>of inexplicable notations. Once someone had checked out a mystery

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<v Speaker 1>novel under the name Daffy the Ghost, Once a child

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<v Speaker 1>had drawn a picture of her handster on a check

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<v Speaker 1>out card after learning to sign her name. But these

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<v Speaker 1>new notations felt both smaller and strangery, deliberate obscurity, like

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<v Speaker 1>an inside joke whose punch line had vanished with the teller.

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<v Speaker 1>This wasn't concerning not yet, but it was tugging. I

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<v Speaker 1>replaced the books, made a mental note to mention them

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<v Speaker 1>to Lena, anewhad librarian, who would either laugh or scribble

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<v Speaker 1>within her growing list of non essential upgrades. Then I

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<v Speaker 1>dropped the matter, as much as that's ever been possible

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<v Speaker 1>for me. Horridor was the rule. Anomalies markers of disorder

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<v Speaker 1>are meant to be understood, cataloged, corraled. Who would leave

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<v Speaker 1>records that led nowhere? Until I knew it was already

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<v Speaker 1>impossible to forget. Mornings in the public library begin with

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<v Speaker 1>a minor choreography. Lin unlocks the main doors by eight

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<v Speaker 1>forty five, even though we officially open at nine, and

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<v Speaker 1>I arrived ten minutes after, warmly dressed against the chill.

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<v Speaker 1>The radiator is never quash. George the Custodian appears in

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<v Speaker 1>its customary wolvest with his battered key ring and equip

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<v Speaker 1>about the stove failing again or the gutters overflowing. All

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<v Speaker 1>of us know each other's habits better than our birthdays.

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<v Speaker 1>The library itself is a monument to improvisation, felt in

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<v Speaker 1>nineteen o six. It still bears the founding placu above

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<v Speaker 1>the portico, though ivy is slowly making off with the

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<v Speaker 1>one in nineteen o six. The original wing is all stonework,

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<v Speaker 1>arched windows and elaborate wood paneling, veined with generations of

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<v Speaker 1>attempts to match stain color ef the repairs. In the

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<v Speaker 1>nineteen sixties, someone boxed in two skylights with fluorescent fixtures,

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<v Speaker 1>creating a permanent battlefield between sun and tube. The second

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<v Speaker 1>four is a patchwork of half old offices, their functions

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<v Speaker 1>lost to time. The basement hosts a Genia Elogy room,

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<v Speaker 1>I relic from when the city wanted to double Azalis

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<v Speaker 1>Island for the Canadian Midwest. If you listen closely, even

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<v Speaker 1>on the busiast day, you'll hear the river more than

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<v Speaker 1>the traffic outside. I cherish the peculiarities. The hidden broom

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<v Speaker 1>closet where all Valentine's turn up in February. The mezzanine

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<v Speaker 1>with railing hot suited Towardwardian children but not modern adults.

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<v Speaker 1>The side stair, whose purpose no one remembers, but which

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<v Speaker 1>cannot for some reason be removed. There's no shortage of

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<v Speaker 1>characters inhabiting this place. Lena at twenty six is both

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<v Speaker 1>a whirlwind and a warrior new to the job, living

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<v Speaker 1>by bullet journal, often apologizing for not knowing where the

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<v Speaker 1>migration patterns were a bird's monograph disappeared. She's ambitious and

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<v Speaker 1>sometimes overwhelmed, still learning to navigate the town's culture of

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<v Speaker 1>polite secrecy. George is the library's bones, retired, once hired

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<v Speaker 1>back as a consulting custodiane. He doesn't do plumbing on Mondays,

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<v Speaker 1>but can jury break any broken hinge with three minutes thought.

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<v Speaker 1>When asked for library legends, he half jokes about the

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<v Speaker 1>cat who live in the eaves, but he can recall

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<v Speaker 1>the precise years when the water table crept up to

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<v Speaker 1>the file room carpet esdre a third floor fixtion sure

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<v Speaker 1>in our official town historian spends countless hours in the

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<v Speaker 1>genealogy nook. She has an uneven collection of clip on

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<v Speaker 1>urrants and encyclopedic knowledge of family trees, and a tourne

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<v Speaker 1>that brooks no disagreement on which Civil War regiment camped upstream.

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<v Speaker 1>She's been recording oral histories with a tape recorder that

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<v Speaker 1>sounds like its cheering tax. There are always a pair

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<v Speaker 1>of high school volunteers this year, so we in Rafi,

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<v Speaker 1>commanded by parental decree to assist with technology support. Although

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<v Speaker 1>they mostly grumble about the ancient catalog software and fully

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<v Speaker 1>at the first hint of heavy lifting, there's something enduring

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<v Speaker 1>about their irreverence. It keeps the solemnity from tipping into

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<v Speaker 1>self importance. Town and library feed each other's mythologies For

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<v Speaker 1>the annual Founder's Day. The board debates which carved initials

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<v Speaker 1>in reading runcy pre date the building. The legend of

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<v Speaker 1>the fantom subscribe at the person who stole an entire

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<v Speaker 1>run of nineteen forties Atlantic Monthly is revived every few

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<v Speaker 1>years at staff lunches. The blackout front mentioned doners who

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<v Speaker 1>dreamed the building into being a line not only half

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<v Speaker 1>comically infuriates Esther. As for me, I find satisfaction and

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<v Speaker 1>routine in the privacy of curiosity. Even as a child,

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<v Speaker 1>I plucked volumes at random, more interested in what others

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<v Speaker 1>had scribbled in margins or pressed between pages. My favorite

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<v Speaker 1>find is a girl someone's spelling list and pencil tucked

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<v Speaker 1>in a child's book of mosses, the word conspelled five

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<v Speaker 1>different ways. I am not opposed to stories of ghost

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<v Speaker 1>espouse or enchanted ledges, but my own strength is skepticism.

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<v Speaker 1>I delight in finding tangible explanations for the oddities lurking

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<v Speaker 1>in marginalia and circulation locks. Library cars with the strict

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<v Speaker 1>ruled lines meant order, a ledger against forgetfulness, a record

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<v Speaker 1>of stewardship. Every signature, every date was another strand of

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<v Speaker 1>the web that made a library's memory strong. Everything is

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<v Speaker 1>supposed to be catalog, as if putting a thing on

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<v Speaker 1>paper keeps it in check. Knowing the rules, I believed,

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<v Speaker 1>was the surest way to keep confusion or entropiet bay.

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<v Speaker 1>Yet those strange cards negedard, not quite out of order,

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<v Speaker 1>but out of place, as if they belonged to a

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<v Speaker 1>kind of library no one had intended. Two weeks after

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<v Speaker 1>the first set, when the memory of those etch checkboards

139
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<v Speaker 1>had nearly faded, I found myself for shoving a heavy

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<v Speaker 1>reference set in the alcove behind the encyclopedias. These particular

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<v Speaker 1>volumes were rarely to touch, now that the town leaned

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<v Speaker 1>more on Wikipedia than bund geography. It was in the

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<v Speaker 1>act of returning Encyclopedia of Agriculture for Rome and twelve

144
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<v Speaker 1>that my hand snout something worged behind the stuck an

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<v Speaker 1>old cloth bund booked domestic arrangements in the Upper Midwest,

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<v Speaker 1>a title that would put half of the town to sleep.

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<v Speaker 1>Its library card was tucked in the back, peaking yellow

148
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<v Speaker 1>and shy. The borrower field for the last checkout was

149
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<v Speaker 1>simply and oddly must has no surname, just the HONORIFK,

150
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<v Speaker 1>hovering alone above the faint lines. Stranger still, the borrowed

151
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<v Speaker 1>date read FAP thirty slash forty nine, a date which,

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<v Speaker 1>even before retiring, I could have sworn did not exist.

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<v Speaker 1>The return date box was scold with the shape of

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<v Speaker 1>two open brackets before, perhaps in a stylized hand, it

155
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<v Speaker 1>said awaited, the letters dissolving into lines. I spent longer

156
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<v Speaker 1>than I cared to admit, frowning at that card. My

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<v Speaker 1>experience with library pranks told me to expect a child's

158
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<v Speaker 1>judle or flirtician. But this was too deliberate, too neat

159
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<v Speaker 1>to be idle mischief, who, even in joking, borrows a

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<v Speaker 1>book in nineteen forty nine on a day that didn't exist. Determined,

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<v Speaker 1>I took it to the reference desk and started scanning

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<v Speaker 1>our digital record for the date or name pattern. The

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<v Speaker 1>sesca be a hundred people, but a cross referenced with

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<v Speaker 1>the residential directories Lena had imported last spring. None of

165
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<v Speaker 1>the surnames associated with Messess in nineteen forty nine came close.

166
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<v Speaker 1>Not one match the handwriting or the period that led

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<v Speaker 1>me to the calendars. I had to double check. Was

168
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<v Speaker 1>there a leap here Fluke, There was not. February had

169
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<v Speaker 1>only twenty eight days that year. I checked him, or

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<v Speaker 1>checked no explanation. Other volunteers shrugged. George quinted at it

171
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<v Speaker 1>and sad, I've seen stranger. Lena, ever supportive, suggested perhaps

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<v Speaker 1>our record keeping arabusy librarian distracted mid task. But by

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<v Speaker 1>now whatever comfort I taken in the initial odity began

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<v Speaker 1>to curdle, not into fear, but into a peculiar flavor

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<v Speaker 1>of disbelief. Up to this moment I had always found reason,

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<v Speaker 1>eventually for every wild cataloging irregularity. But there was an

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<v Speaker 1>ever so innocent, so precise it seemed designed to be found.

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<v Speaker 1>As I closed the book, the question had grown larger.

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<v Speaker 1>How many other books held cars like this? What pattern

180
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<v Speaker 1>joined these errors together in impossibility? Was this some library's

181
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<v Speaker 1>private amusement, or was something stranger at work, something with them,

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<v Speaker 1>its own rules, its own twin logics of for ecod

183
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<v Speaker 1>and omission. There's a quiet urgency to certain curiosities, the

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<v Speaker 1>ones that settle into a groove in your mind and

185
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<v Speaker 1>make every interrupted question feel unfinished. I made my task systematic.

186
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<v Speaker 1>My first step was to canvass the library's outer zones,

187
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<v Speaker 1>shelving that edged on to forbidden. The long forgotten were

188
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<v Speaker 1>as simply resisted use. I started with the space behind

189
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<v Speaker 1>the radiators. There, in a battered copy of folk Tales

190
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<v Speaker 1>of the Prairie, I found a coud with the signature

191
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<v Speaker 1>field replaced by nat to liberate, waiting at the word

192
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<v Speaker 1>trailed off to the card's margin, both plea and non answer.

193
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<v Speaker 1>I set the book aside and moved on. In a

194
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<v Speaker 1>massive refforts room, between our dated atlases and county reports,

195
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<v Speaker 1>I thumbed through several volumes. One check out card began

196
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<v Speaker 1>in the spidery handwriting of the nineteen fifty s M.

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<v Speaker 1>Jensen April nineteen, nineteen fifty five, but half way through

198
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<v Speaker 1>a signature, the pen had lifted. The rest was replaced

199
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<v Speaker 1>by a pictogram, a circle bisected by a single hurroots lash,

200
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<v Speaker 1>as if intention had vanished midstroke. Another book revealed the

201
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<v Speaker 1>sequence of initials es spe ah that started normal, and

202
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<v Speaker 1>a cave line by line into what could have been

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<v Speaker 1>a semic writing or a child's imitation thereof. Each frind

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<v Speaker 1>was odd, but not so unique as to see my

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<v Speaker 1>isolated It felt as if in each some one had

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<v Speaker 1>started to record real intent and then changed their mind,

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00:10:08.279 --> 00:10:11.240
<v Speaker 1>or perhaps had lost track of what they wanted. Inside

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<v Speaker 1>the old, mostly nord mapped chess, I found a pamphlet

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<v Speaker 1>from the early fall Out shelter ear. Its check of

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00:10:16.799 --> 00:10:19.279
<v Speaker 1>card was a thick card stalk yellowed at the edges.

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<v Speaker 1>Only a single field had been filled, just to dick

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<v Speaker 1>twenty twenty eighth s last six slash twenty, not far

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<v Speaker 1>off pass, but four years into this future. No signature,

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<v Speaker 1>no indication of the intended borrower. It was impossible, and

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00:10:32.200 --> 00:10:35.879
<v Speaker 1>yet starkly prisoned in blue green arch, evelynk. The improbabilities

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<v Speaker 1>sent a prickling sensation up the back of my neck.

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<v Speaker 1>Now I was thoroughly engaged with a growing sack of anomalies.

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<v Speaker 1>I began to reach out first to Esther, who I

219
00:10:43.559 --> 00:10:46.320
<v Speaker 1>found deep in a rill of Sensus microphone. She cocked

220
00:10:46.320 --> 00:10:48.440
<v Speaker 1>anighbrow at my pile, tilting her head to examine the

221
00:10:48.519 --> 00:10:53.039
<v Speaker 1>newest find cataloging experiments. She posited, speculating that librarians in

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00:10:53.080 --> 00:10:56.399
<v Speaker 1>the past sometimes tested or practiced handwriting styles on sample cards.

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00:10:57.279 --> 00:10:59.720
<v Speaker 1>She pointed to the odd pictogram and said that's almost

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<v Speaker 1>for an Maybe someone was dueling while waiting for slow

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00:11:02.080 --> 00:11:05.039
<v Speaker 1>day returns. George wondered over a while I was digging

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<v Speaker 1>for more in the muffin scented staff lounge. His approach

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<v Speaker 1>to such things was typically pragmatic. I showed him the

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00:11:10.960 --> 00:11:14.039
<v Speaker 1>twenty twenty eight D eight weird old drunk all over the place.

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<v Speaker 1>He shruge. Found a love letter in a copy of

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<v Speaker 1>Modern Plumbing, wants meant for some one name brook Up.

231
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<v Speaker 1>Nobody in town by that name, but who's to say?

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<v Speaker 1>On Tuesdays, I spent hours cross referenting the found names

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00:11:24.519 --> 00:11:28.720
<v Speaker 1>against our local archives, some physical, some digitized. The process

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00:11:28.799 --> 00:11:33.000
<v Speaker 1>was exhausting, but curdled quickly into fascination. Many signatures belonged

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<v Speaker 1>to no resident, not in any decade, not in marriage

236
00:11:35.600 --> 00:11:38.840
<v Speaker 1>or death records. Others led to curious a contradiction. The

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00:11:38.879 --> 00:11:41.919
<v Speaker 1>signature Tommy Redcliffe, written in a nineteen twelve copy of

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<v Speaker 1>The River's Edge, matched the legend of a local child

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00:11:44.279 --> 00:11:46.480
<v Speaker 1>who vanished in nineteen thirty, almost as if the book

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00:11:46.519 --> 00:11:48.840
<v Speaker 1>itself was its own echo, one year before anyone even

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00:11:48.879 --> 00:11:52.200
<v Speaker 1>considered Tommy missing one another. I recognized the name of

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00:11:52.240 --> 00:11:55.279
<v Speaker 1>a living town from mister A. Las Brogan, who serves

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<v Speaker 1>now on his owning committee, and whom I accosted at

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<v Speaker 1>the coffee shop. He denied ever checking out anything at

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00:12:00.159 --> 00:12:03.080
<v Speaker 1>the public library, not even as a child. When shown

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00:12:03.120 --> 00:12:05.759
<v Speaker 1>the card, he looked genuinely befuddled, traced the lines with

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00:12:05.759 --> 00:12:08.480
<v Speaker 1>a finger, and then eyes shining a bit, laughed. Maybe

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00:12:08.519 --> 00:12:11.039
<v Speaker 1>I meant to and forgot a pattern, if it could

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00:12:11.080 --> 00:12:14.279
<v Speaker 1>be called, that began to reveal itself. These strange cards

250
00:12:14.279 --> 00:12:17.000
<v Speaker 1>were most commonly unnoted in books which had barely circulated.

251
00:12:17.080 --> 00:12:20.240
<v Speaker 1>Tucked in corners were thus claimed ownership. It was almost

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00:12:20.279 --> 00:12:22.440
<v Speaker 1>as if neglect were absence had drawn these in complete

253
00:12:22.480 --> 00:12:25.799
<v Speaker 1>records to themselves, a clustering of an attention or perhaps expectancy.

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00:12:26.440 --> 00:12:29.759
<v Speaker 1>Every card was a new contradiction. Some seemed almost playful,

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00:12:29.799 --> 00:12:32.240
<v Speaker 1>a blank signature field signed with a single loose spiral

256
00:12:32.279 --> 00:12:35.200
<v Speaker 1>instead of a name. Others were solemn, the single word

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00:12:35.240 --> 00:12:37.919
<v Speaker 1>a toment where a surname should be not one for it.

258
00:12:37.960 --> 00:12:40.799
<v Speaker 1>Any category was this the work of a cataloger with

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00:12:40.879 --> 00:12:44.000
<v Speaker 1>a pension for the whimsical. What was someone actively playing

260
00:12:44.039 --> 00:12:47.120
<v Speaker 1>with the notion of checkout itself, deliberately inserting inconsistencies to

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00:12:47.200 --> 00:12:51.000
<v Speaker 1>undermine the record's authority. I began studying handwriting. Some cards

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00:12:51.000 --> 00:12:53.960
<v Speaker 1>had the careful slanting style of past head librarians, but

263
00:12:54.159 --> 00:12:57.200
<v Speaker 1>just as many didn't match any sample we preserved. Some

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00:12:57.279 --> 00:13:00.320
<v Speaker 1>signatures changed styles within a single card, mutating for because

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00:13:00.320 --> 00:13:02.240
<v Speaker 1>of to block letters, or from adult to what might

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00:13:02.279 --> 00:13:04.919
<v Speaker 1>have been a child, or someone writing left handed. The

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00:13:05.000 --> 00:13:07.840
<v Speaker 1>transformation was subtle but continuous, a kind of flux rather

268
00:13:07.879 --> 00:13:10.759
<v Speaker 1>than simple error. By the close of that restless week,

269
00:13:10.840 --> 00:13:13.799
<v Speaker 1>it was clear these were not scattered blunders, no pranks

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00:13:13.840 --> 00:13:16.720
<v Speaker 1>to could achieve the scale or variety without detection unless

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00:13:16.759 --> 00:13:18.720
<v Speaker 1>every librarian over a hundred years had been a part

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00:13:18.759 --> 00:13:21.960
<v Speaker 1>time trickster. The more cards I located, the more intentional

273
00:13:22.000 --> 00:13:23.799
<v Speaker 1>each scened, not quite secret but not meant to be

274
00:13:23.919 --> 00:13:27.440
<v Speaker 1>legible to OUs eiders. The act of finding became tinged withal.

275
00:13:28.120 --> 00:13:30.120
<v Speaker 1>It began to feel as if the cards themselves were

276
00:13:30.159 --> 00:13:32.360
<v Speaker 1>waiting to be found, or perhaps were in the process

277
00:13:32.399 --> 00:13:35.240
<v Speaker 1>of becoming. Each discovery deepened my sense that there was

278
00:13:35.240 --> 00:13:37.960
<v Speaker 1>a game hidden here, with rules that kept shifting. That

279
00:13:38.080 --> 00:13:40.440
<v Speaker 1>was the point when my questions mutated, not just who

280
00:13:40.559 --> 00:13:43.159
<v Speaker 1>or how many, but how and why? How could cards

281
00:13:43.200 --> 00:13:45.639
<v Speaker 1>alter their language and even their physical state with time?

282
00:13:46.159 --> 00:13:48.080
<v Speaker 1>Why were some so precise a date in the future,

283
00:13:48.120 --> 00:13:50.559
<v Speaker 1>a scribble turning into absence, a name half recalled and

284
00:13:50.600 --> 00:13:54.279
<v Speaker 1>half invented, and more insistent. If the system of record

285
00:13:54.320 --> 00:13:56.960
<v Speaker 1>was supposed to bring clarity, why did these fragments radiate

286
00:13:57.039 --> 00:14:00.559
<v Speaker 1>not confusion but expectation, like unfinished promises linger in the air.

287
00:14:01.240 --> 00:14:03.600
<v Speaker 1>I carried these questions to Lino on a gray morning,

288
00:14:03.639 --> 00:14:05.679
<v Speaker 1>when the early frost clungt to a river bank grass.

289
00:14:06.360 --> 00:14:08.600
<v Speaker 1>She looked, worn out, pouring over budges, and where she

290
00:14:08.600 --> 00:14:11.320
<v Speaker 1>claimed was a haunt of printer install I spread the

291
00:14:11.360 --> 00:14:13.759
<v Speaker 1>latest samples before her, cards in three different hands, some

292
00:14:13.840 --> 00:14:16.320
<v Speaker 1>with dates, some with nothing but a line broken and confusion.

293
00:14:16.879 --> 00:14:19.320
<v Speaker 1>She looked them over, then the corner of one, and said,

294
00:14:19.440 --> 00:14:21.720
<v Speaker 1>it makes me nervous for the collection. Honestly, if we

295
00:14:21.759 --> 00:14:23.879
<v Speaker 1>don't know how many records are missing or wrong, we

296
00:14:23.919 --> 00:14:26.960
<v Speaker 1>can't know what's here at all. She tried to reassure herself.

297
00:14:27.000 --> 00:14:29.639
<v Speaker 1>But it must just be all losted weird filing errors

298
00:14:29.679 --> 00:14:32.639
<v Speaker 1>will restore order. She added a line in her notebook,

299
00:14:32.679 --> 00:14:36.799
<v Speaker 1>anyway check legacy card's re inconsistencies. George listened as I

300
00:14:36.840 --> 00:14:40.240
<v Speaker 1>recounted my theory of an ongoing phenomenon. He smirked and

301
00:14:40.279 --> 00:14:42.559
<v Speaker 1>told a new story. Once found my nickname and a

302
00:14:42.559 --> 00:14:44.600
<v Speaker 1>card in a book about flag Eticotte years before I

303
00:14:44.600 --> 00:14:46.759
<v Speaker 1>started here. No one called me Buck but my uncle

304
00:14:46.759 --> 00:14:49.480
<v Speaker 1>from Tennessee, and he'd never been. He shook his head,

305
00:14:49.480 --> 00:14:52.879
<v Speaker 1>half dismissive, half remembering the effect of these stories didn't

306
00:14:52.879 --> 00:14:56.080
<v Speaker 1>settles Panicolovus were in ways both professional and personal, to

307
00:14:56.120 --> 00:14:58.799
<v Speaker 1>attach to the tangible marvels and failures of record keeping

308
00:14:58.799 --> 00:15:01.159
<v Speaker 1>for that. But what settled as was the notion that

309
00:15:01.200 --> 00:15:03.840
<v Speaker 1>a system itself might be porous or unfinished, that someone

310
00:15:03.879 --> 00:15:06.519
<v Speaker 1>or something conscribe brecks not for recal, but for deferral

311
00:15:06.720 --> 00:15:10.080
<v Speaker 1>or even anticipation. One evening after lock up, I returned

312
00:15:10.120 --> 00:15:12.600
<v Speaker 1>to a fairy tale collection I'd examined only days before.

313
00:15:13.200 --> 00:15:16.440
<v Speaker 1>The checkout card, once initialed and half smudged, now sported

314
00:15:16.440 --> 00:15:18.840
<v Speaker 1>a new symbol riding the margins, a double loopment dissected

315
00:15:18.840 --> 00:15:21.600
<v Speaker 1>by a cross. The earlier initials were paler as if

316
00:15:21.600 --> 00:15:24.559
<v Speaker 1>retreating into the paper beneath the new remark, I couldn't

317
00:15:24.559 --> 00:15:27.000
<v Speaker 1>have made a mistake. I prided myself on careful observation,

318
00:15:27.720 --> 00:15:29.919
<v Speaker 1>but now forced to admit the evidence, it was clear

319
00:15:29.919 --> 00:15:33.039
<v Speaker 1>that the cart had changed. Esther back in her alcove

320
00:15:33.200 --> 00:15:36.039
<v Speaker 1>provided another clue. I brought her the card to cross

321
00:15:36.120 --> 00:15:39.679
<v Speaker 1>reference with a stack of journals documenting local legends. She

322
00:15:39.759 --> 00:15:42.679
<v Speaker 1>leafed through, gesturing for silence, and then set her finger

323
00:15:42.720 --> 00:15:45.000
<v Speaker 1>to her page. In the nineteen thirty one River Town Chronicle.

324
00:15:45.559 --> 00:15:48.000
<v Speaker 1>There in faded ink was a reference to an unfinished

325
00:15:48.080 --> 00:15:50.159
<v Speaker 1>check in a story of a schoolgirl returning a book

326
00:15:50.159 --> 00:15:53.039
<v Speaker 1>that had no record of ever being loaned. In the margin,

327
00:15:53.159 --> 00:15:54.879
<v Speaker 1>a sigil similar to that on my card, a kind

328
00:15:54.879 --> 00:15:57.399
<v Speaker 1>of looping hashtig was dudled as a child might What

329
00:15:57.519 --> 00:16:01.159
<v Speaker 1>did that mean? Where these notations referenced stories never properly

330
00:16:01.159 --> 00:16:04.159
<v Speaker 1>added to the library's official logs, or perhaps stories not

331
00:16:04.279 --> 00:16:08.080
<v Speaker 1>yet told the cards. The possibilities were changing over time

332
00:16:08.200 --> 00:16:10.960
<v Speaker 1>and in response to being noticed, like a ledger not

333
00:16:11.039 --> 00:16:13.639
<v Speaker 1>quite willing to become fixed, not quite ready to settle

334
00:16:13.639 --> 00:16:16.360
<v Speaker 1>into the past. By then I understood these were not

335
00:16:16.480 --> 00:16:21.399
<v Speaker 1>randomness nor lost catalog in traditions nor casual mistakes, the scale,

336
00:16:21.480 --> 00:16:25.559
<v Speaker 1>variety and mutability. This was something with intent, rhythm, and ambiguity.

337
00:16:26.120 --> 00:16:28.120
<v Speaker 1>I realized I had to see the entire range to

338
00:16:28.200 --> 00:16:31.240
<v Speaker 1>understand what sort of order could contain so much ongoing uncertainty.

339
00:16:31.840 --> 00:16:34.559
<v Speaker 1>I needed to reach the source from which these fragments emanated.

340
00:16:35.279 --> 00:16:37.759
<v Speaker 1>That night, I hesitated by door. I had only half remembered.

341
00:16:38.360 --> 00:16:40.799
<v Speaker 1>The sub basement archive, with its iron banded door and

342
00:16:40.799 --> 00:16:43.399
<v Speaker 1>smell of flooded cement, was the last realm with secrets.

343
00:16:43.440 --> 00:16:45.879
<v Speaker 1>Might be more than legend. It was the space most

344
00:16:45.919 --> 00:16:48.879
<v Speaker 1>of us acknowledged but didn't enter. Lena had mentioned it

345
00:16:48.919 --> 00:16:51.480
<v Speaker 1>only in the context of structural concerns. When the inspector

346
00:16:51.519 --> 00:16:54.799
<v Speaker 1>came by last autumn, George, on request found the correct

347
00:16:54.840 --> 00:16:58.120
<v Speaker 1>skeleton key, his monologue only half joking, if nobody's seen

348
00:16:58.159 --> 00:17:00.000
<v Speaker 1>you in a week, I'll send in Zoie with the flat.

349
00:17:00.879 --> 00:17:03.879
<v Speaker 1>The door stark, but we muscled it aside. The sub

350
00:17:03.879 --> 00:17:06.240
<v Speaker 1>basement ceilings were low and thick with cobweb, the floor

351
00:17:06.240 --> 00:17:09.839
<v Speaker 1>pitted by a century of sievage. Cabinets lined the dusty walls,

352
00:17:09.839 --> 00:17:13.279
<v Speaker 1>some still bearing labels and calligraphy. Here were more ledgers

353
00:17:13.319 --> 00:17:16.079
<v Speaker 1>and log books, data sheets, and hand managed indexes to

354
00:17:16.119 --> 00:17:19.200
<v Speaker 1>books no longer held or perhaps never acquired. On the

355
00:17:19.240 --> 00:17:21.960
<v Speaker 1>third Cabernet, I found Elijah wedge tight between two milty

356
00:17:21.960 --> 00:17:25.079
<v Speaker 1>black and knock have boxes. It was heavier than it looked,

357
00:17:25.119 --> 00:17:28.359
<v Speaker 1>and marked unwarped by generations of moisture and pressure. With

358
00:17:28.440 --> 00:17:31.720
<v Speaker 1>real effort, I pried it free. Leona hung back, half

359
00:17:31.759 --> 00:17:35.039
<v Speaker 1>protective of her authority, half awed by us bellunking. She

360
00:17:35.079 --> 00:17:38.440
<v Speaker 1>agreed with George, spend fifteen minutes no more. I sat

361
00:17:38.480 --> 00:17:40.519
<v Speaker 1>on a crate and let the weakbeam of George's headlamp

362
00:17:40.559 --> 00:17:43.559
<v Speaker 1>settle across the first page. The writing on the Elijah

363
00:17:43.680 --> 00:17:48.119
<v Speaker 1>was recognizable and shudderingly strained multiple hands, shifting line by line,

364
00:17:48.519 --> 00:17:52.079
<v Speaker 1>page after page of unfinished less names, intentions, tasks started

365
00:17:52.079 --> 00:17:54.720
<v Speaker 1>and uncompleted, half written notes, and the kind of incomplete

366
00:17:54.720 --> 00:17:58.039
<v Speaker 1>messages it distracted librarian might leave for herself but never finish.

367
00:17:58.480 --> 00:18:00.400
<v Speaker 1>There were partial sketches, half a map, part of a

368
00:18:00.480 --> 00:18:03.039
<v Speaker 1>musical staff, the beginnings of a recipe, written and abandoned

369
00:18:03.039 --> 00:18:06.559
<v Speaker 1>mid direction. Some names matched the found cards exactly, but

370
00:18:06.599 --> 00:18:09.200
<v Speaker 1>in almost all cases the ledger's reference preceded the card's

371
00:18:09.200 --> 00:18:13.000
<v Speaker 1>appearance by weeks, months, decades, and Just as often the

372
00:18:13.079 --> 00:18:14.960
<v Speaker 1>names were those of residents who had never set foot

373
00:18:14.960 --> 00:18:16.759
<v Speaker 1>in the building or were long dead by the time

374
00:18:16.799 --> 00:18:20.119
<v Speaker 1>the library was founded. I recognized one from a tombstone

375
00:18:20.119 --> 00:18:22.480
<v Speaker 1>I had seen in the old Lutheran Cemetery, dated eighteen

376
00:18:22.519 --> 00:18:25.440
<v Speaker 1>thirty three. Then there were the future dates scattered throughout,

377
00:18:25.599 --> 00:18:28.960
<v Speaker 1>entries marked a week or month ahead, sometimes further Arthur

378
00:18:29.039 --> 00:18:32.160
<v Speaker 1>surveying completed twenty twenty four, slash five, slash four return

379
00:18:32.240 --> 00:18:35.759
<v Speaker 1>and accorded July twenty twenty nine. One page was nothing

380
00:18:35.759 --> 00:18:38.759
<v Speaker 1>but a running list of initiated requests, many never resolved,

381
00:18:38.839 --> 00:18:42.519
<v Speaker 1>their status columns filled with floating ellipses. The further I read,

382
00:18:42.599 --> 00:18:44.519
<v Speaker 1>the more I had the sensation of an inventory, not

383
00:18:44.559 --> 00:18:47.319
<v Speaker 1>a facts, but of alternatives of things that had almost happened,

384
00:18:47.400 --> 00:18:50.200
<v Speaker 1>records that balanced just on the edge of realization. I

385
00:18:50.279 --> 00:18:53.480
<v Speaker 1>tested several names, running them backward through our digital catalog,

386
00:18:53.599 --> 00:18:55.839
<v Speaker 1>through the old staff rosters, and even down into the

387
00:18:55.839 --> 00:18:59.640
<v Speaker 1>footnotes of Ester's oral histories. The references in the legispan time,

388
00:18:59.720 --> 00:19:02.759
<v Speaker 1>played and sometimes large. A chemiss Altman's request to borrow

389
00:19:02.799 --> 00:19:05.079
<v Speaker 1>a book before the town's founding, a sequence of partial

390
00:19:05.119 --> 00:19:07.400
<v Speaker 1>signatures dated to years in which the library was closed

391
00:19:07.400 --> 00:19:10.599
<v Speaker 1>for repairs. The handwriting continued to morph, as if every

392
00:19:10.599 --> 00:19:13.240
<v Speaker 1>attempt to set something down in intention, a name, partial

393
00:19:13.240 --> 00:19:16.079
<v Speaker 1>act became inscribed with the flavor of its incompletion, what

394
00:19:16.240 --> 00:19:19.119
<v Speaker 1>names should have ended? Sometimes there were only trailing lines

395
00:19:19.160 --> 00:19:22.400
<v Speaker 1>faded into suggestion. As I turned page after page, a

396
00:19:22.480 --> 00:19:25.480
<v Speaker 1>feeling grew not fear but a sword of humility. This

397
00:19:25.599 --> 00:19:29.640
<v Speaker 1>latger was not genealogy, nor a standout library register. It

398
00:19:29.680 --> 00:19:32.400
<v Speaker 1>was a mass or record of Astro's potential asteriscudence, with

399
00:19:32.519 --> 00:19:36.079
<v Speaker 1>tasks begun and never finished, messages readied and abandoned. It

400
00:19:36.160 --> 00:19:38.759
<v Speaker 1>recorded not just what occurred, but what had nearly occurred.

401
00:19:39.440 --> 00:19:41.960
<v Speaker 1>The discovery was so strange and so encompassing, I lost

402
00:19:42.000 --> 00:19:43.680
<v Speaker 1>awareness of the dust in my nose or the cold

403
00:19:43.680 --> 00:19:46.400
<v Speaker 1>in my back. Could the library really contain care for

404
00:19:46.599 --> 00:19:48.880
<v Speaker 1>and give space in not only its completed histories, but

405
00:19:48.960 --> 00:19:52.319
<v Speaker 1>every almost every failed or forgotten or unfinished intention. I

406
00:19:52.400 --> 00:19:54.200
<v Speaker 1>let out a long brett and looked up at Lena

407
00:19:54.200 --> 00:19:56.680
<v Speaker 1>and George, both of whom stood silent, apprehensive now in

408
00:19:56.720 --> 00:19:59.799
<v Speaker 1>the torches blue glow. Even George, the practical one, was

409
00:20:00.599 --> 00:20:03.519
<v Speaker 1>Now that's a lot of open loops. I nodded, spine

410
00:20:03.559 --> 00:20:05.519
<v Speaker 1>tingling not in fear, but as one who says, of

411
00:20:05.559 --> 00:20:09.079
<v Speaker 1>the world's boundaries is just irreparably shifted. The ledger I've

412
00:20:09.119 --> 00:20:11.960
<v Speaker 1>realized was not evidence of failure, nor simply of disorder,

413
00:20:12.079 --> 00:20:13.960
<v Speaker 1>but the mechanism itself, the method by which the un

414
00:20:14.000 --> 00:20:16.480
<v Speaker 1>finished could live beside the completed, by which absence would

415
00:20:16.519 --> 00:20:20.200
<v Speaker 1>not be erased, but documented. The building, the records, the work,

416
00:20:20.400 --> 00:20:22.519
<v Speaker 1>All of it operated within a logic wider than any

417
00:20:22.519 --> 00:20:25.559
<v Speaker 1>catalog I'd known. I doubted every assumption I ever made

418
00:20:25.599 --> 00:20:28.559
<v Speaker 1>about what is meant by a library's memory. Some rest

419
00:20:28.559 --> 00:20:32.079
<v Speaker 1>in current ran beneath our rows of books, drawing intention, anticipation,

420
00:20:32.400 --> 00:20:35.279
<v Speaker 1>and abandonment into record, as if the library's true purpose

421
00:20:35.319 --> 00:20:37.119
<v Speaker 1>was not to lend and return, but to mark all

422
00:20:37.119 --> 00:20:39.440
<v Speaker 1>the things that fumble at the edge of becoming. And

423
00:20:39.640 --> 00:20:41.640
<v Speaker 1>just then, for the first time, as a lifeful keeper

424
00:20:41.640 --> 00:20:44.240
<v Speaker 1>of orderly histories, I found comfort not in knowing, but

425
00:20:44.240 --> 00:20:46.799
<v Speaker 1>in wondering. I remember the way they are pressed in

426
00:20:46.799 --> 00:20:49.839
<v Speaker 1>the sub basement. That night, leanis Shoulders had drawn up

427
00:20:49.880 --> 00:20:51.960
<v Speaker 1>tado resolve to accompany me was giving way to the

428
00:20:52.000 --> 00:20:55.720
<v Speaker 1>uncertainty that comes when facts outgrow their keepers. George watched

429
00:20:55.759 --> 00:20:58.480
<v Speaker 1>with that mechanic's calm, but lingered at the door, unwilling

430
00:20:58.519 --> 00:21:00.319
<v Speaker 1>to step too far into archives that e even he,

431
00:21:00.480 --> 00:21:03.359
<v Speaker 1>after all his decades, considered a space for long GONGOs,

432
00:21:03.759 --> 00:21:06.960
<v Speaker 1>not living custodians. I was left holding a ledger, it

433
00:21:07.000 --> 00:21:09.440
<v Speaker 1>spine poff with humidity and its half pulling at my lap.

434
00:21:10.000 --> 00:21:12.599
<v Speaker 1>I kept turning the pages after they retreated up the stairs,

435
00:21:12.640 --> 00:21:15.359
<v Speaker 1>trailing light and half hearted reminders that fifteen minutes was

436
00:21:15.440 --> 00:21:18.640
<v Speaker 1>really plenty, you know. Down there time felt constructive from

437
00:21:18.680 --> 00:21:21.359
<v Speaker 1>dust and chance, a pale current carrying me further away

438
00:21:21.359 --> 00:21:24.039
<v Speaker 1>from the tidy comfort of proper records. When the door

439
00:21:24.079 --> 00:21:26.279
<v Speaker 1>clicked behind them, I settled deeper on my crate, ran

440
00:21:26.279 --> 00:21:28.960
<v Speaker 1>a finger down an entry, returned to lade Maud nineteen

441
00:21:29.000 --> 00:21:32.039
<v Speaker 1>thirty seven, never taken shelf on asturt to the right,

442
00:21:32.079 --> 00:21:35.160
<v Speaker 1>A date, firstmudgie, then nearly palinsist overwritten with the intricate

443
00:21:35.200 --> 00:21:37.400
<v Speaker 1>swirl I'd just begun to find on check her cards above.

444
00:21:38.039 --> 00:21:39.960
<v Speaker 1>The effect was not like anything I could name, almost

445
00:21:40.000 --> 00:21:41.960
<v Speaker 1>as if every scribbled intention had been caught in the

446
00:21:42.000 --> 00:21:44.799
<v Speaker 1>act of crossing out its own self. Had I wandered

447
00:21:44.799 --> 00:21:47.680
<v Speaker 1>far from the habits I trusted, yes, but the world

448
00:21:47.640 --> 00:21:50.319
<v Speaker 1>above weight, and besides, I was unwilling, unable to climb

449
00:21:50.400 --> 00:21:53.400
<v Speaker 1>up again with nothing but fragments. In the following days,

450
00:21:53.440 --> 00:21:56.200
<v Speaker 1>with Lina's reluctant approval and George's cautious eye on the clock,

451
00:21:56.359 --> 00:21:59.119
<v Speaker 1>I slipped into a new rhythm. The ledger, now wrapped

452
00:21:59.119 --> 00:22:01.039
<v Speaker 1>in a pillow case to cat retain its spreading mold,

453
00:22:01.119 --> 00:22:03.359
<v Speaker 1>came back upstairs and was placed onto a side desk

454
00:22:03.400 --> 00:22:06.480
<v Speaker 1>in the record room. I began copying out entries, comparing

455
00:22:06.519 --> 00:22:08.720
<v Speaker 1>them line by line to cars had found, then to

456
00:22:08.720 --> 00:22:12.319
<v Speaker 1>book stolen circulation. At first, the idea was simple, see

457
00:22:12.359 --> 00:22:15.960
<v Speaker 1>whether the ledges workers matched the anomalies. But almost immediately

458
00:22:16.079 --> 00:22:19.880
<v Speaker 1>something stranger emerged. I checked a battered collection of poetry.

459
00:22:20.039 --> 00:22:22.400
<v Speaker 1>Certain its card had once been clean, a single legible

460
00:22:22.400 --> 00:22:25.440
<v Speaker 1>sigature two neat dates, But to day when I opened it,

461
00:22:25.559 --> 00:22:28.039
<v Speaker 1>this signature had grown fainter, the day field now filled

462
00:22:28.039 --> 00:22:31.440
<v Speaker 1>with jack attentative marks. I checked the ledger. There, beside

463
00:22:31.440 --> 00:22:33.480
<v Speaker 1>a line for the poetry collection was a new date,

464
00:22:33.559 --> 00:22:35.640
<v Speaker 1>three days in the future, and a half written name,

465
00:22:35.799 --> 00:22:38.039
<v Speaker 1>not my own, but disturbing the closer familiar flock of

466
00:22:38.039 --> 00:22:41.319
<v Speaker 1>my initials, but not quite settled carefully, I set out

467
00:22:41.319 --> 00:22:44.680
<v Speaker 1>to document the phenomenon in motion. Esther, reliable as always,

468
00:22:44.720 --> 00:22:47.319
<v Speaker 1>came into help. I assured her the altered cards, then

469
00:22:47.359 --> 00:22:49.759
<v Speaker 1>explained how the ledges seemed to prefigure their changes by

470
00:22:49.759 --> 00:22:52.720
<v Speaker 1>hours or days. She was skeptical, the healthy story in

471
00:22:52.759 --> 00:22:56.759
<v Speaker 1>skepticism that makes every proof heavier but more satisfying to carry. Still,

472
00:22:56.839 --> 00:22:59.000
<v Speaker 1>she agreed to observe keeping a log. As we set

473
00:22:59.039 --> 00:23:01.559
<v Speaker 1>certain books aside, waiting to see whether the appearance of

474
00:23:01.599 --> 00:23:03.839
<v Speaker 1>names or symbols on their checkout cards matched the ledger's

475
00:23:03.880 --> 00:23:07.359
<v Speaker 1>next entry. We devised a pattern, mark the position of ricard,

476
00:23:07.480 --> 00:23:10.240
<v Speaker 1>note the precise wording, photograph if necessary, then leave the

477
00:23:10.240 --> 00:23:15.039
<v Speaker 1>book untouched. Sometimes nothing happened for days, but twice, almost thrillingly,

478
00:23:15.079 --> 00:23:17.359
<v Speaker 1>after a new entry appeared in the ledger, we found

479
00:23:17.359 --> 00:23:19.960
<v Speaker 1>a corresponding change in the book's card, even though neither

480
00:23:19.960 --> 00:23:23.559
<v Speaker 1>of us nor any one else on staff had moved it. Once,

481
00:23:23.640 --> 00:23:25.920
<v Speaker 1>a book that hadn't budged from a locked reference display

482
00:23:25.920 --> 00:23:28.640
<v Speaker 1>gained a checkout card dated next week, signed lessender with

483
00:23:28.720 --> 00:23:31.960
<v Speaker 1>a spidery flourish. In the ledger under to day's date,

484
00:23:32.000 --> 00:23:33.799
<v Speaker 1>the same name had emerged in new ink with the

485
00:23:33.839 --> 00:23:37.640
<v Speaker 1>cryptic note attempted, not completed what we told Lena, she

486
00:23:37.680 --> 00:23:40.279
<v Speaker 1>looked fit to uninstall all the security cameras and replaced

487
00:23:40.319 --> 00:23:43.640
<v Speaker 1>them with sage bundles. More curious Stelle. Often the names

488
00:23:43.640 --> 00:23:46.359
<v Speaker 1>that appeared in the ledger were entirely unfamiliar or attached

489
00:23:46.359 --> 00:23:49.319
<v Speaker 1>to no known burrowers, and more than once those names

490
00:23:49.359 --> 00:23:52.119
<v Speaker 1>began to crop up elsewhorse, golled not on library perphernalia,

491
00:23:52.319 --> 00:23:54.440
<v Speaker 1>but in the margins, as signed to a nation's slips,

492
00:23:54.680 --> 00:23:57.440
<v Speaker 1>or as new email subscribers to the library's newsletter, or

493
00:23:57.480 --> 00:23:59.759
<v Speaker 1>as names cited in public comment at a ten board meeting.

494
00:24:00.319 --> 00:24:03.039
<v Speaker 1>As to grew engrossed cross referencing not just within the

495
00:24:03.039 --> 00:24:05.839
<v Speaker 1>building but against her vast private holds of genealogies and

496
00:24:05.960 --> 00:24:09.640
<v Speaker 1>oral accounts. Once she plunk down a folder, look maploss,

497
00:24:09.640 --> 00:24:12.480
<v Speaker 1>she saw, pointing to a fresh sledger notation. This not

498
00:24:12.720 --> 00:24:14.359
<v Speaker 1>just a book. That's the phrase that shows up in

499
00:24:14.400 --> 00:24:16.279
<v Speaker 1>local folk or the tale about the boy who never

500
00:24:16.319 --> 00:24:18.880
<v Speaker 1>met the river sto branch. Sometimes it's a teacher who

501
00:24:18.920 --> 00:24:21.440
<v Speaker 1>almost taught here. Sometimes it's an orchard that almost crew

502
00:24:21.440 --> 00:24:24.279
<v Speaker 1>where the courthouse is now. Dechtail gets half recalled finds

503
00:24:24.319 --> 00:24:26.799
<v Speaker 1>itself in some children's rhyme or a newspaper letter, but

504
00:24:26.880 --> 00:24:30.240
<v Speaker 1>never sticks. She grew speculative, tracing a finger over the

505
00:24:30.279 --> 00:24:33.119
<v Speaker 1>wavering names, and invented attempts. You think it's just books,

506
00:24:33.119 --> 00:24:35.359
<v Speaker 1>Maybe it's larger. Maybe the ledger holds a bit of

507
00:24:35.359 --> 00:24:38.960
<v Speaker 1>every unfinished business anybody in town ever left behind. Lina

508
00:24:39.039 --> 00:24:42.000
<v Speaker 1>recoiled at the scale. That's not possible. We'd see the patterns,

509
00:24:42.160 --> 00:24:44.160
<v Speaker 1>wouldn't we. There has to be a limit, a will,

510
00:24:44.359 --> 00:24:47.319
<v Speaker 1>a mechanism. Secret librarians a tradition of encoding and sanctioned

511
00:24:47.319 --> 00:24:50.000
<v Speaker 1>activities may be a way to warn off nose epicions

512
00:24:50.000 --> 00:24:52.880
<v Speaker 1>from dangerous or in complete knowledge. But the more Lena

513
00:24:52.920 --> 00:24:56.160
<v Speaker 1>tried to impose an order sorting potential precedents into knee columns,

514
00:24:56.200 --> 00:24:59.599
<v Speaker 1>the more she ran up against contradiction. Many ledger entry

515
00:24:59.599 --> 00:25:03.160
<v Speaker 1>stretched well before the library's physical founding and interperiods when

516
00:25:03.200 --> 00:25:07.200
<v Speaker 1>no institutional records could exist. Against Lena's practical concern in

517
00:25:07.359 --> 00:25:11.680
<v Speaker 1>esther's hungry curiosity, George's response was almost earthly. While he

518
00:25:11.759 --> 00:25:14.640
<v Speaker 1>doubted the mystical, one afternoon, he confessed, all I know

519
00:25:14.839 --> 00:25:16.599
<v Speaker 1>is when I was a kid, I tried taking a

520
00:25:16.640 --> 00:25:18.599
<v Speaker 1>copy of you as flags and their meaning without a

521
00:25:18.680 --> 00:25:21.680
<v Speaker 1>checkout card, got scared, put it back, never told any one.

522
00:25:21.759 --> 00:25:23.920
<v Speaker 1>Years later, first week on this job, I found a

523
00:25:23.920 --> 00:25:26.400
<v Speaker 1>card in that same book, half finished with my nicknames,

524
00:25:26.400 --> 00:25:28.720
<v Speaker 1>called like my uncle used to call me. Never figured

525
00:25:28.720 --> 00:25:31.000
<v Speaker 1>who did it. Maybe it was me, maybe not, Maybe

526
00:25:31.000 --> 00:25:35.000
<v Speaker 1>Sometimes records keep themselves. This notion struck her ry, grizzled

527
00:25:35.000 --> 00:25:39.039
<v Speaker 1>wisdom that complicated the more elegant hypotheses. The phenomenon perhaps

528
00:25:39.200 --> 00:25:42.279
<v Speaker 1>was neither mystical nor institutional, but something resting in between,

529
00:25:42.319 --> 00:25:44.799
<v Speaker 1>a record of half intended acts, perimating a place devoted

530
00:25:44.839 --> 00:25:47.640
<v Speaker 1>to the persistence of story, even stories that never really began.

531
00:25:48.359 --> 00:25:50.759
<v Speaker 1>It was with some hesitation that Lena brought in doctor Clifford,

532
00:25:50.759 --> 00:25:53.119
<v Speaker 1>a retired linguist with a reputation for chasing oddities and

533
00:25:53.160 --> 00:25:56.160
<v Speaker 1>poking at furquall with a precision that made staff meetings unpredictable.

534
00:25:56.920 --> 00:25:59.839
<v Speaker 1>Clifford responded to Lena's call foot volunteers with manic energy,

535
00:26:00.039 --> 00:26:02.079
<v Speaker 1>spend a morning listening to my count, then asked to

536
00:26:02.079 --> 00:26:04.920
<v Speaker 1>see the original cards in the ledger. He's quinted through

537
00:26:05.000 --> 00:26:08.640
<v Speaker 1>thick glasses at three and complete checkout slips mottering you

538
00:26:08.799 --> 00:26:11.000
<v Speaker 1>see he jabbed at the mark on a card for

539
00:26:11.039 --> 00:26:12.720
<v Speaker 1>a field guide to likens. And this is not a

540
00:26:12.799 --> 00:26:16.119
<v Speaker 1>random deedle, not entirely. It's a pattern from unfinished writing systems.

541
00:26:16.119 --> 00:26:18.160
<v Speaker 1>See how it frames intent, mode and content like a

542
00:26:18.160 --> 00:26:21.079
<v Speaker 1>grammar that wants to pull something into being, but never lands.

543
00:26:21.559 --> 00:26:23.960
<v Speaker 1>I told him about the shifting signatures and dates that

544
00:26:24.000 --> 00:26:28.200
<v Speaker 1>seemed to jump forward hypothesis, he intoned, But not ghosts,

545
00:26:28.400 --> 00:26:31.559
<v Speaker 1>not institutional accidents, but an emergent phenomenon. This building is

546
00:26:31.599 --> 00:26:33.880
<v Speaker 1>less an arc of than a crystallization spot for incomplete

547
00:26:33.920 --> 00:26:36.119
<v Speaker 1>human intentions. That's why the marks are never quite final.

548
00:26:36.160 --> 00:26:39.319
<v Speaker 1>There almost always almost expressions of conscience ful that didn't

549
00:26:39.319 --> 00:26:43.440
<v Speaker 1>find truction esther in exchange to glance, part exasperation, part agreement.

550
00:26:44.519 --> 00:26:47.160
<v Speaker 1>Clifford's theory, whether or not we truly believed it, gave

551
00:26:47.240 --> 00:26:49.359
<v Speaker 1>shape to the feelings that had been rising, that each

552
00:26:49.359 --> 00:26:52.079
<v Speaker 1>in complete card, each flickering ledger line, was a record

553
00:26:52.119 --> 00:26:54.400
<v Speaker 1>not just of what had been attempted, but of human

554
00:26:54.440 --> 00:26:59.400
<v Speaker 1>possibility itself. Clifford suggested an experiment leaven and signs slept inside,

555
00:26:59.480 --> 00:27:01.720
<v Speaker 1>but Martin or reading one that was scheduled for removal

556
00:27:01.759 --> 00:27:04.400
<v Speaker 1>from the arka of the following week never checked out

557
00:27:04.559 --> 00:27:07.599
<v Speaker 1>with no prior anomalies and deliberately attempt but never finish

558
00:27:07.720 --> 00:27:10.400
<v Speaker 1>the process of borrowing it. Let's see if it gets

559
00:27:10.440 --> 00:27:12.759
<v Speaker 1>caught in the network of Neelie was, he said as

560
00:27:12.799 --> 00:27:15.799
<v Speaker 1>a light Sowey and Raffi wrote in after months of

561
00:27:15.839 --> 00:27:18.640
<v Speaker 1>side eyed library duty, giggled at the formality, but gave

562
00:27:18.680 --> 00:27:20.599
<v Speaker 1>it a go. Raffi filled out the slip with only

563
00:27:20.640 --> 00:27:22.680
<v Speaker 1>the letter art, before changing his mind and shoving the

564
00:27:22.680 --> 00:27:25.200
<v Speaker 1>book back on the shelf. Over the coming days we

565
00:27:25.279 --> 00:27:28.559
<v Speaker 1>checked a ledger. Sure enough, a partia entry appeared. Attempt

566
00:27:28.640 --> 00:27:31.960
<v Speaker 1>interrupted our date uncertain in the book. The slap now

567
00:27:31.960 --> 00:27:34.200
<v Speaker 1>showed a watery stain, as if someone had tried to

568
00:27:34.200 --> 00:27:36.079
<v Speaker 1>erase the start of a name, and in its place

569
00:27:36.200 --> 00:27:38.480
<v Speaker 1>new initials appeared to raffer, with the rest blode and trailing,

570
00:27:38.519 --> 00:27:41.839
<v Speaker 1>often to squiggle. The phenomenon responded in whatever way to

571
00:27:41.880 --> 00:27:44.400
<v Speaker 1>our half finished actions in our intention, or maybe it

572
00:27:44.400 --> 00:27:48.079
<v Speaker 1>had always done so. The effect was the same. Clifford's approached,

573
00:27:48.119 --> 00:27:51.079
<v Speaker 1>welling on linguistic and completion. The nature of interrupted intention

574
00:27:51.200 --> 00:27:53.279
<v Speaker 1>began to shape my own sense of the ledger's purpose.

575
00:27:54.079 --> 00:27:56.440
<v Speaker 1>Each card, each entry was not lost data, but a

576
00:27:56.440 --> 00:27:59.799
<v Speaker 1>fossil of unrealized possibility a symbolic remont. It was not

577
00:27:59.839 --> 00:28:02.839
<v Speaker 1>the product that fascinated, but the residue of the attempt.

578
00:28:03.480 --> 00:28:06.279
<v Speaker 1>When we pressed Clifford was at magic psychology or just

579
00:28:06.319 --> 00:28:10.480
<v Speaker 1>a quirk of communal memory, he shrugged. Languages die in stage.

580
00:28:10.519 --> 00:28:14.519
<v Speaker 1>Its writing systems leave behind ghosts, half learned letters, broken conventions, rules,

581
00:28:14.519 --> 00:28:17.319
<v Speaker 1>half remembered. Maybe a library is haunted not by dead people,

582
00:28:17.359 --> 00:28:19.680
<v Speaker 1>but by dead attempts, the unfinished business of a hundred

583
00:28:19.759 --> 00:28:22.319
<v Speaker 1>minds at work in a house of stories. Still, the

584
00:28:22.400 --> 00:28:24.279
<v Speaker 1>Ledger and the cause began to feel like less of

585
00:28:24.279 --> 00:28:26.160
<v Speaker 1>a riddle to be solved and more a repository to

586
00:28:26.160 --> 00:28:29.359
<v Speaker 1>be honored, as if the institution didn't simply record what

587
00:28:29.480 --> 00:28:32.839
<v Speaker 1>was finished, but embraced what never quite found its shape. Yet,

588
00:28:32.880 --> 00:28:35.160
<v Speaker 1>the question lingered if the library could preserve failed or

589
00:28:35.160 --> 00:28:38.240
<v Speaker 1>in complete intentions, Whose had it missed? How large was

590
00:28:38.279 --> 00:28:41.519
<v Speaker 1>the scope? Did each incomplete accur somewhere? And could we

591
00:28:41.559 --> 00:28:45.599
<v Speaker 1>find their traces? Clifford pushed for a deeper exploration. There

592
00:28:45.680 --> 00:28:47.720
<v Speaker 1>is a logic here, a system. If the ledger is

593
00:28:47.759 --> 00:28:51.359
<v Speaker 1>a hub, where does its record stop? We decided, perhaps unwisely,

594
00:28:51.519 --> 00:28:53.799
<v Speaker 1>to map the broader territory, testing the edges where the

595
00:28:53.839 --> 00:28:57.319
<v Speaker 1>ledgers influence bled into the rest of the building. Clifford,

596
00:28:57.599 --> 00:29:00.599
<v Speaker 1>Esther and I spent afternoons proving neglected call, unlocking the

597
00:29:00.640 --> 00:29:03.240
<v Speaker 1>crossbiece beneath the reading room, cracking the old map chest

598
00:29:03.359 --> 00:29:06.039
<v Speaker 1>and peering into the unused STUBU returned long fallen out

599
00:29:06.039 --> 00:29:09.240
<v Speaker 1>of favor with post war upgrades. The crowsbace yielded a

600
00:29:09.240 --> 00:29:11.640
<v Speaker 1>tangle of milty stained files, and in a batted folder

601
00:29:11.680 --> 00:29:14.960
<v Speaker 1>marked Choral Society ashifiscores with their own incomplete cards, lists

602
00:29:14.960 --> 00:29:17.359
<v Speaker 1>of attendees, not all of whom ever performed here, and

603
00:29:17.400 --> 00:29:20.160
<v Speaker 1>some whose names matched no choir rosters at all. The

604
00:29:20.200 --> 00:29:22.640
<v Speaker 1>map chest, etched with water rings from decades of use,

605
00:29:22.839 --> 00:29:25.480
<v Speaker 1>held a drawer labeled Uncharted Rivers with a checkout cow

606
00:29:25.559 --> 00:29:28.200
<v Speaker 1>covered not and names, but wandering coordinates suntrailing off into

607
00:29:28.200 --> 00:29:31.960
<v Speaker 1>the impossible. The foul marked town Curiosities was even stranger,

608
00:29:32.039 --> 00:29:34.160
<v Speaker 1>a set of cards where names and stories began strang

609
00:29:34.240 --> 00:29:37.039
<v Speaker 1>only to fade entirely halfway through the ink, softening into nothing,

610
00:29:37.079 --> 00:29:39.720
<v Speaker 1>as if even the attempt at identity was only part warereal.

611
00:29:40.279 --> 00:29:42.759
<v Speaker 1>Clifford stared at the file, tracing the fithered lines. It

612
00:29:42.799 --> 00:29:46.279
<v Speaker 1>all shares one thing, not knowledge but intension, Each incomplete hacked,

613
00:29:46.319 --> 00:29:49.640
<v Speaker 1>each abandoned project, each unrealized visit leaves not a memory

614
00:29:49.720 --> 00:29:52.359
<v Speaker 1>but a shadow of its attempt. Clifford theorized that this

615
00:29:52.440 --> 00:29:55.039
<v Speaker 1>logic made the library a focal point for possibility of living,

616
00:29:55.200 --> 00:29:59.039
<v Speaker 1>growing algorithm for the town's curiosities and mischances. I watched

617
00:29:59.039 --> 00:30:02.759
<v Speaker 1>as Ester grew quiet, digesting scope. She found carve reffitting

618
00:30:02.799 --> 00:30:04.880
<v Speaker 1>her own great aunt as a child no less, with

619
00:30:04.920 --> 00:30:08.279
<v Speaker 1>an unfinished fairy tale ridden across the date field. She smiled,

620
00:30:08.359 --> 00:30:11.279
<v Speaker 1>half glad, half melancholy. She always used to tell that one,

621
00:30:11.279 --> 00:30:13.200
<v Speaker 1>and then trail off before the ending. I never did

622
00:30:13.279 --> 00:30:15.960
<v Speaker 1>learn how the wolf was defeated. For me, the questions

623
00:30:16.000 --> 00:30:19.720
<v Speaker 1>only multiply. If this place held all our unfinished intentions,

624
00:30:19.759 --> 00:30:22.960
<v Speaker 1>could it stretch beyond even the library? Where else in town,

625
00:30:23.079 --> 00:30:25.759
<v Speaker 1>in any place colored by human desire and expectation? Might

626
00:30:25.799 --> 00:30:28.440
<v Speaker 1>there be similar traces, faint, persistent, waiting for someone to

627
00:30:28.480 --> 00:30:31.359
<v Speaker 1>pay attention. We gathered again by the reference desk, the

628
00:30:31.359 --> 00:30:34.119
<v Speaker 1>four of us, surrounded by outslits, the Master, a ledger,

629
00:30:34.200 --> 00:30:37.559
<v Speaker 1>and a hush full of expectancy. Clifford, after a day

630
00:30:37.599 --> 00:30:40.200
<v Speaker 1>steeped analysis, at last laid out to hysterie as plain

631
00:30:40.240 --> 00:30:42.839
<v Speaker 1>as he ever would. This is a theory of echoed intent.

632
00:30:42.960 --> 00:30:46.640
<v Speaker 1>The library collects echoes, not memories, not upcomes, but intentions

633
00:30:46.720 --> 00:30:50.119
<v Speaker 1>left halfway. Whenever someone nearly borrows a book, nearly records

634
00:30:50.119 --> 00:30:52.519
<v Speaker 1>a story, nearly creates something it doesn't quite, some trace

635
00:30:52.559 --> 00:30:55.480
<v Speaker 1>presses itself into the fabric of this place. He tapped

636
00:30:55.480 --> 00:30:58.400
<v Speaker 1>the ledger, then a slip, then near around us. This

637
00:30:58.519 --> 00:31:01.240
<v Speaker 1>building is poorous to possibility. The cards, the ledger, These

638
00:31:01.240 --> 00:31:03.880
<v Speaker 1>are physical fossils of what the town's people intended but failed,

639
00:31:03.960 --> 00:31:06.839
<v Speaker 1>or abandoned, or simply forgot they wanted. He leaned in,

640
00:31:07.079 --> 00:31:09.440
<v Speaker 1>more animated than I'd seen anyone go over in complete

641
00:31:09.480 --> 00:31:12.799
<v Speaker 1>records in all my years. It's not supernatural. That's the

642
00:31:12.799 --> 00:31:15.240
<v Speaker 1>accumulated pressure of Maybe's and Neil is rooted in a

643
00:31:15.240 --> 00:31:18.000
<v Speaker 1>space that expects and absorbs the intimacy of unfinished business.

644
00:31:18.039 --> 00:31:20.039
<v Speaker 1>The library is a vessel for not just the known,

645
00:31:20.200 --> 00:31:24.039
<v Speaker 1>but for futures unspoiling from every small hesitation. Esther chimed

646
00:31:24.039 --> 00:31:27.200
<v Speaker 1>in her voice, Steadium. Now, maybe it's communal, some emergent

647
00:31:27.200 --> 00:31:29.680
<v Speaker 1>effect of habit in story. I mean, aren't half the

648
00:31:29.680 --> 00:31:33.519
<v Speaker 1>tales in townfolk or half started anyway, Lena still resistant,

649
00:31:33.519 --> 00:31:36.680
<v Speaker 1>shook her head. A building can't keep intentions on its own.

650
00:31:36.720 --> 00:31:39.160
<v Speaker 1>Someone must have built this, someone with a sense of mischief,

651
00:31:39.400 --> 00:31:41.359
<v Speaker 1>or or a need to record things that would embarrass

652
00:31:41.359 --> 00:31:44.559
<v Speaker 1>off founding board. But she no longer suggested purging or

653
00:31:44.559 --> 00:31:47.759
<v Speaker 1>digitizing the whole thing. Instead, she watched us all for

654
00:31:47.799 --> 00:31:49.559
<v Speaker 1>a long beat, her gaze flicking to the ledger, as

655
00:31:49.559 --> 00:31:52.440
<v Speaker 1>if the very act of watching might create an entry. Later,

656
00:31:52.599 --> 00:31:54.759
<v Speaker 1>Clifford and I argued about whether the ledger caused new

657
00:31:54.759 --> 00:31:58.039
<v Speaker 1>activity or merely reflected it. If someone's name appear, might

658
00:31:58.039 --> 00:32:00.839
<v Speaker 1>they feel drawn to visit? If event was listed as

659
00:32:00.920 --> 00:32:03.599
<v Speaker 1>sorry begun, did that nudge the town toward gossip? Or

660
00:32:03.599 --> 00:32:06.079
<v Speaker 1>had it simply harvested what had lurked and spoken in

661
00:32:06.119 --> 00:32:08.839
<v Speaker 1>the collective mind. What changed for me was not a

662
00:32:08.839 --> 00:32:11.200
<v Speaker 1>definite answer, but a warming excitement, a sense that I

663
00:32:11.279 --> 00:32:13.720
<v Speaker 1>was standing at a cross roads, not of evidence, but

664
00:32:13.799 --> 00:32:17.240
<v Speaker 1>of meaning. Remembering George's words, I wondered aloud if the

665
00:32:17.279 --> 00:32:20.119
<v Speaker 1>unfinished stories made the place not weaker but stronger, allowing

666
00:32:20.160 --> 00:32:22.920
<v Speaker 1>a library to grow alongside its community's honest attempts as

667
00:32:22.920 --> 00:32:25.839
<v Speaker 1>well as its fulfilled promises. I felt compelled to find

668
00:32:25.839 --> 00:32:29.000
<v Speaker 1>my own unfinished traces, to take the idea personally alone.

669
00:32:29.039 --> 00:32:31.519
<v Speaker 1>After closing, I slipped through the stacks, half hoping and

670
00:32:31.559 --> 00:32:33.599
<v Speaker 1>half reading, to find evidence of some half lived intent.

671
00:32:34.319 --> 00:32:36.680
<v Speaker 1>I reached up to poetry for the early years of volume.

672
00:32:36.720 --> 00:32:40.160
<v Speaker 1>I remembered almost signing for long ago, when heartbreak demanded Wordsworth,

673
00:32:40.160 --> 00:32:43.319
<v Speaker 1>but prey prevented the gesture. Inside the check of card

674
00:32:43.319 --> 00:32:45.720
<v Speaker 1>bore the faint tract of bur and unfinished signature in

675
00:32:45.720 --> 00:32:47.599
<v Speaker 1>my youthful pain the day to time, when as still

676
00:32:47.599 --> 00:32:50.160
<v Speaker 1>a doubts about my place in this town, I put

677
00:32:50.160 --> 00:32:52.839
<v Speaker 1>my finger against the card, uncertain whether I had imagined

678
00:32:52.839 --> 00:32:56.079
<v Speaker 1>the whole thing. It felt delicate, tentative, but undeniably their

679
00:32:56.119 --> 00:32:59.200
<v Speaker 1>traceful life I had almost lived and forgotten. George joined

680
00:32:59.240 --> 00:33:01.880
<v Speaker 1>me by the circulation and despa Next morning, licking his stomachs,

681
00:33:01.880 --> 00:33:04.880
<v Speaker 1>he flipped through books, mattering. He found a card with

682
00:33:04.920 --> 00:33:06.839
<v Speaker 1>the russel not quite his name, but close to the

683
00:33:06.839 --> 00:33:09.319
<v Speaker 1>one he'd almost adopted. Jia's uller in trailing off into

684
00:33:09.319 --> 00:33:11.200
<v Speaker 1>a little waive, as if even the writer lost in test.

685
00:33:11.240 --> 00:33:14.039
<v Speaker 1>Halfway through, he grinned, plucked the card out, and set

686
00:33:14.039 --> 00:33:16.960
<v Speaker 1>it gently back in place. After that it was Lena

687
00:33:17.000 --> 00:33:19.359
<v Speaker 1>who grew the most affected. For a week, she called

688
00:33:19.359 --> 00:33:23.039
<v Speaker 1>the story's destructions something to clay before modernization grant inspection.

689
00:33:23.599 --> 00:33:26.079
<v Speaker 1>But late one afternoon she quietly admitted that she found

690
00:33:26.079 --> 00:33:28.480
<v Speaker 1>a slip in the reference computer instructions never filled up

691
00:33:28.519 --> 00:33:30.640
<v Speaker 1>beyond allow dated just a week before she had abandoned

692
00:33:30.680 --> 00:33:33.759
<v Speaker 1>her digitization pilot and switched back to paper. She eyed

693
00:33:33.759 --> 00:33:35.799
<v Speaker 1>the slip, then the ledger, as if she glimpsed a

694
00:33:35.799 --> 00:33:38.160
<v Speaker 1>part of herself. She never intended to show her to

695
00:33:38.240 --> 00:33:40.400
<v Speaker 1>test the theory, or perhaps amply to feel the delight

696
00:33:40.440 --> 00:33:43.079
<v Speaker 1>of participation. I repeatedly stopped just short of borrow in

697
00:33:43.119 --> 00:33:46.640
<v Speaker 1>a forgotten gardening book native shrubs and bury producing plants.

698
00:33:47.039 --> 00:33:50.039
<v Speaker 1>Each time I filled out my name to the sickend letter, hesitated,

699
00:33:50.160 --> 00:33:52.599
<v Speaker 1>then pushed the book far back on the shelf. Three

700
00:33:52.680 --> 00:33:55.400
<v Speaker 1>days later, the checkout card appeared, with my handwriting partial,

701
00:33:55.400 --> 00:33:57.319
<v Speaker 1>and I'm resolved, an exact echo of my almost to

702
00:33:57.319 --> 00:33:59.960
<v Speaker 1>the date field and touched. I couldn't determine whether the

703
00:34:00.119 --> 00:34:02.200
<v Speaker 1>library was responding to me, or whether I was now

704
00:34:02.200 --> 00:34:06.119
<v Speaker 1>more attuned to possibility. The experience felt neither miraculous nor threatening,

705
00:34:06.200 --> 00:34:08.599
<v Speaker 1>but generly electric as if had stumbled onto a language

706
00:34:08.639 --> 00:34:11.280
<v Speaker 1>I had been speaking in dreams. Yet not every trace

707
00:34:11.280 --> 00:34:15.480
<v Speaker 1>could be cataloged. Some cards, those featuring names, dates, or incomprehensible,

708
00:34:15.480 --> 00:34:18.360
<v Speaker 1>simple stubborny, refused to align with any known intent or story.

709
00:34:18.880 --> 00:34:21.400
<v Speaker 1>A few seemed perfect in versus entries for borrowers who

710
00:34:21.400 --> 00:34:23.440
<v Speaker 1>couldn't be located at any point in the living or

711
00:34:23.480 --> 00:34:26.599
<v Speaker 1>dead rolls of the town. Did these represent stories nobody

712
00:34:26.639 --> 00:34:29.559
<v Speaker 1>even remembered almost living, or were they the detritus of

713
00:34:29.559 --> 00:34:32.639
<v Speaker 1>failed attempts by strangers, or glimpses into a wider pattern

714
00:34:32.679 --> 00:34:36.000
<v Speaker 1>nobody could hold in mind all at once. Esther, reading

715
00:34:36.039 --> 00:34:40.320
<v Speaker 1>through her family's archives with fresh eyes, grew philosophical. Maybe families,

716
00:34:40.559 --> 00:34:43.840
<v Speaker 1>maybe communities, maybe nations are built as much on intentions

717
00:34:43.880 --> 00:34:46.800
<v Speaker 1>never realized as on accomplishments, on starts and hesitations and

718
00:34:46.800 --> 00:34:50.159
<v Speaker 1>second thoughts. She touched a slip referencing her own ancestor

719
00:34:50.159 --> 00:34:53.360
<v Speaker 1>and shrugged, it doesn't diminish us, If anything, it makes

720
00:34:53.360 --> 00:34:56.800
<v Speaker 1>the place Richer interer, even cliffer, defender of pattern and

721
00:34:56.840 --> 00:35:00.079
<v Speaker 1>productionist logic, gave in simple wonder. Standing by windows, the

722
00:35:00.159 --> 00:35:02.800
<v Speaker 1>revers eving light spelled through the stacks, he quietly allowed

723
00:35:02.880 --> 00:35:04.960
<v Speaker 1>perhaps the best we can do is notice the trace

724
00:35:05.360 --> 00:35:08.239
<v Speaker 1>and then go on making new ones. I settled into

725
00:35:08.280 --> 00:35:10.599
<v Speaker 1>this view, and sure whether I was finally comfortable with

726
00:35:10.599 --> 00:35:14.199
<v Speaker 1>the ambiguity or merely resigned. I did not need final

727
00:35:14.280 --> 00:35:16.360
<v Speaker 1>answers none the less. I wanted to see what further

728
00:35:16.400 --> 00:35:19.920
<v Speaker 1>participation would bring a few weeks later, the library's routine

729
00:35:19.960 --> 00:35:22.400
<v Speaker 1>cycled onward of the board debated budgets, len a campaign

730
00:35:22.480 --> 00:35:25.039
<v Speaker 1>to save the local mural, and George Hammer in hand

731
00:35:25.320 --> 00:35:27.719
<v Speaker 1>justified three days worth of repast or a single hinge.

732
00:35:28.199 --> 00:35:30.679
<v Speaker 1>I missed the intensity of discovery, but my hands still

733
00:35:30.719 --> 00:35:33.480
<v Speaker 1>tremble faintly when approaching the reference alcove now, or when

734
00:35:33.519 --> 00:35:36.199
<v Speaker 1>passing the nooks where the dust was deepest. On a

735
00:35:36.199 --> 00:35:38.920
<v Speaker 1>Wednesday morning, blooming with for city outside, I was shoving

736
00:35:38.920 --> 00:35:40.960
<v Speaker 1>a collection of the boired songs of the Upper Midwest.

737
00:35:41.519 --> 00:35:44.039
<v Speaker 1>I paused, as habit, to glance at the card tucked inside,

738
00:35:44.119 --> 00:35:47.679
<v Speaker 1>not with the urgency of old, but a gentle curiosity. There,

739
00:35:47.920 --> 00:35:50.760
<v Speaker 1>written in a round, careful hand I didn't recognize was

740
00:35:50.760 --> 00:35:53.199
<v Speaker 1>my full name, Barber al Wilmut, inscribed in a steady,

741
00:35:53.320 --> 00:35:56.440
<v Speaker 1>confident stroke. Their date due was set for three weeks

742
00:35:56.440 --> 00:35:59.199
<v Speaker 1>from now, and the book Sided Bird's Songs was one

743
00:35:59.199 --> 00:36:01.719
<v Speaker 1>I'd never borrow nor even read. Beyond a glance at

744
00:36:01.760 --> 00:36:05.079
<v Speaker 1>the color plates. The effect was deeply peculiar, not menacing,

745
00:36:05.199 --> 00:36:09.039
<v Speaker 1>not even uncanny, just quietly gently impossible. For a moment,

746
00:36:09.079 --> 00:36:11.679
<v Speaker 1>I thought this the library, prompting me, is this an

747
00:36:11.719 --> 00:36:14.639
<v Speaker 1>invitation or just another echo anticipating a choice I haven't

748
00:36:14.639 --> 00:36:17.119
<v Speaker 1>made yet, or has some shape of myself I do

749
00:36:17.159 --> 00:36:19.079
<v Speaker 1>not quite know, already decided for me or through me

750
00:36:19.159 --> 00:36:21.840
<v Speaker 1>that this book will matter some day soon. I stood

751
00:36:21.920 --> 00:36:24.760
<v Speaker 1>the book cradled against mevercage, caught between delight and wonder

752
00:36:24.800 --> 00:36:27.760
<v Speaker 1>in a new live question. I didn't feel watched on

753
00:36:27.880 --> 00:36:29.679
<v Speaker 1>this scene, as if the work of a library and

754
00:36:29.719 --> 00:36:31.639
<v Speaker 1>of a life was to leave traces not just of

755
00:36:31.679 --> 00:36:33.800
<v Speaker 1>what we finished, but also of what we nearly started.

756
00:36:33.960 --> 00:36:35.880
<v Speaker 1>So the sum of all attempts might shape a memory

757
00:36:35.920 --> 00:36:39.119
<v Speaker 1>more honest than certainty. I still don't know how that's possible,

758
00:36:39.719 --> 00:36:42.199
<v Speaker 1>but perhaps in this place some questions I meant only

759
00:36:42.239 --> 00:36:45.559
<v Speaker 1>to be asked and never quite answer. The shelves, the cards,

760
00:36:45.639 --> 00:36:47.639
<v Speaker 1>the ledger of all the half finished stories and gentle

761
00:36:47.679 --> 00:36:51.599
<v Speaker 1>maybes felt like a comfort, proof that curiosity itself endures

762
00:36:52.440 --> 00:36:54.960
<v Speaker 1>and That is the end. Thank you for listening and

763
00:36:55.000 --> 00:37:02.480
<v Speaker 1>I will see you in the next one, two,
