Speaker 1: Ow Mystery Theater.
Speaker 2: Come in, we welcome.
Speaker 1: I'm g Marshall.
Speaker 2: There's a very fine line between life and death, so
fine it prompted one writer to tell us that in
the midst of life, we are in the midst of death.
And in the story that follows, we'll see that where
there's love and a will to survive, survive, we must.
We are going on our journey into the macabre. Come
with me to a breathtaking cavern in southern Arizona. Roger Marco,
professor of geology, is leading a party of his students
on a rock hunting expedition. They're deep below the surface
of the earth in this little known cavern, chipping at
specimens of sparkling stone.
Speaker 3: Hold that light a little higher, Joe, Okay, that's better now, Can.
Speaker 1: Everyone see clearly?
Speaker 3: This is a splendid example of pyrite. You'll remember that
this is also known as fool's gold because of its
yellow color. It's used primarily Wait listen, good lad, it's
a cabin.
Speaker 4: Everybody out.
Speaker 2: Our mystery drama Someday I'll find you was written especially
for the radio Mystery Theater by Bob Duran and stars
Betsy Palmer from a cavern in southern Arizona. We go
now to a fashionable apartment in Chicago, the home of
Professor Roger Markle. Anne Markle, the professor's wife, is in
her dressing room getting ready for the opera. Her sister
Made is at the living room bar mixing a batch
of cocktails.
Speaker 5: Oliver Lemonville and Olin. Since when did you take up Martini? All?
About two years ago? Has it been that long since
I've seen you? Not since mother's funeral? Oh, that's right. Oh,
I wish you'd visit us more often, mad Hey, will
you use it me? Yep, for sure. You know you're
always welcome, And Roger is so fond of you. Oh, honey,
you know how it is. We all get into our
little ruts. We've just got to stay on a few
days after Roger gets back, he's dying to see you. Well,
that can be arranged. I have nothing to rush home
or he's due back Sunday. What's he doing this time? Well,
he has a group of students exploring some cave in
Arizona and he wants to write a book about it.
Here's your mother, dear. I'm sure it'll be a good one.
The book I mean. Oh, well, in his position he
has to publish. It's expected. Well, all the more reason
to be proud of him and I. Well, we'd better
call the taxi if we want to make dinner before
the Oh now, I'll get it, dear, I'll get it.
You finish your drink, all right? It might be the vallet.
I had two of Roger's suits sent out. Yes, Missus Markle. No, no, no,
I'm her sister.
Speaker 6: Is she at home? Please?
Speaker 5: Yes, she is.
Speaker 2: What is it, Detective Homes Man, I'd like to see
Missus Markle the police.
Speaker 5: Yes, Oh is it, Mat, she's out there. Come in.
What's the matter, Matt? I don't know. Anne, This gentleman
is from the police, Missus Markles.
Speaker 2: Yes, I'm Detective homes thirty, first Precinct. Would you both
sit down please?
Speaker 6: Well?
Speaker 5: What is this?
Speaker 2: It's about your husbands, Professor Roger Markles University.
Speaker 5: Roger, what is it? What's happened?
Speaker 2: Well, we've had word from the state police in Arizona.
He was exploring a cave. There was a cave in
early today and mister Markle hasn't been found.
Speaker 5: Oh, dear God, no, I don't quite understand you say
that Roger was in a cave in. Yes, three of
the students who were with him escape.
Speaker 2: They say Professor Markle got them to safety, but before
he himself could get out.
Speaker 5: The whole wall of the cavern collapse. Oh no, no.
Speaker 2: That's the story we get from Arizona. Of course, we'll
want to question the students more fully when they get home.
They're being flown in tonight.
Speaker 5: But my husband, Roger's still out there.
Speaker 2: We're not sure of anything yet, Missus Markle. They say
he must have been buried in the collapse. There was
no sign of him, they tell us. The cruiser digging.
Speaker 5: I've got to go to him. I'll have to fly
out tonight. And Dear, there's nothing we can do. I
don't expect to do anything, but I have to be
with him. I just have to be there, Missus Markle.
Speaker 2: The best thing you can do is stay right here.
We'll keep you informed regularly. The minute we hear anything
me informed.
Speaker 5: My husband is dying under towns of earth, and you
expect me to sit here waiting to be in far
All right, an, we'll go. We'll fly out tonight. I
think we really have to go, Sergeant. If they find him, alive.
She ought to be there.
Speaker 2: That's up to you, ma'am.
Speaker 5: Why are they giving up? Why? And dear, there's no
use digging anymore. They've hit solid rock and Roger's been
under there for more than forty eight hours.
Speaker 1: There's just snow hosts.
Speaker 5: They can't get. No, we came all this way and
they've given up, Darling, they did all the The least
they could do is give me his body to bury.
And oh, dear, let me take you home with me. No, no,
I want to get back to Chicago. There's so many
things that I have to take care of. All right,
we'll go back. I'll stay with you until you're settler.
More coffee and no, thank you. No, dinner was lovely
and I've I've got to bring this up sometime now.
I know you've you want to be getting home. It's
been more than a month now, you know. I'd stay
as long as you need me, but I've got to
get back to Texas for a while. I'll even come
back here in a few weeks if you want. No, No, Madgine,
I've I've got to start adjusting. It's it's time you
did go home, my dear. You know you've been wonderful
and I just couldn't have gotten through this without you.
But you do have your own life, and I've got
to start remaking mine. I think the sooner you try that,
the better you'll be. Somehow, I don't feel like a widow.
I feel as though any minute I'm going to hear
Roger's key in the door. I know, and I know
when Ed died, I used to hear or thought I
heard him coming in the back door. Once I even
thought he was in the shower. Darling, we just don't
change overnight. It takes a long time getting used to
you buried it. You had a few mins. But you know,
it's just impossible to believe death like this. I have
to take the word of someone that I don't even
know that my husband is dead. Yes, yes, I suppose
that's even harder to accept. I just don't have any choice. Well,
I'll try to get a flight out Sunday. Darling. You've
got to promise me, one thing, anything, that you'll come
visit me. I promise maybe in the fall, definitely in
the fall. I'll hold you to it, and I'll call
you every Sunday. Oh yes, yes, we must keep in
touch and much more often than we have been. But now,
don't you worry about me, Madge. I do have lots
of friends here at the university, and I'm I'll be
all right in time. Hello, Anne, how are you about
the same, Madge?
Speaker 7: Oh? When I call last week, you've seen more cheerful.
Speaker 5: Oh, you know how it is day to day.
Speaker 7: Well, I'm holding you to our bargain. I'll visit in
the fall. It's the first of October.
Speaker 5: Yes, Roger's birthday.
Speaker 7: When can I expect you?
Speaker 5: Ar?
Speaker 7: Texas hospitality is ready and waiting.
Speaker 5: Oh, I hadn't thought about it, Madge. But how about
a week from today? Yes, I think I could fly
out on the eighth.
Speaker 7: Oh, I was hoping you'd say that I'm dying.
Speaker 5: Oh, and I want to see you too. I'm so
anxious to talk with you.
Speaker 7: That's what sisters are for.
Speaker 5: I'll expect you a week from today, and you're looking wonderful.
I wish I felt it. Listen one week under our
Texas skies and you'll be a different woman. Oh, I'm
a different woman all right. How how was the plane trip?
I hardly notice. So that's the way it is with
these jets. They're so smooth. You hardly know you're flying
olive right. You're still drinking Martini's, aren't you. Well, I
haven't had a drink since the accident. Well, it's time
you did. Here's too uh what, there's not much to
drink too anymore. I'm sorry. I should have realized there's
nothing worse than phony carefulness when you're ripped apart inside.
But I thought you'd be a little better by this time.
I didn't mean it that way, mad, I was doing
it for myself, I guess, and I I don't know
what to say. Well, I thought time would help. I'm
not over it. I'll never get over it. I'm so
glad you came anyway. It shows you're not wrapping yourself
into a cuckoob. I haven't had the time to do that.
The university wants me to go back to teaching. That's
the Marble's idea. They're just being nice, But I might
take them up on it. When Roger was alive, it
was my life. But now I have to do something. Well,
for the next two weeks, you have nothing to do
but relax. Oh, I wish I could relax. If I
ever get over this terrible nagging feeling. It takes time. Dear,
Roger's death was a shocked to you. That's what nags me.
I've had the feeling that Roger is not dead. It
gets strong, Anne, don't torture yourself with that. I know
you and Roger were very close. It's natural that at
a time like this you'd feel a certain spiritual bar
Oh it's more than that match. This is a certainty
I have that Roger is alive. I don't think he
died in that cave in. And sometimes we want to
believe so strong so that we get carried away. No, no, no,
this this time. I all right, Anne, Maybe I'm wrong.
If it helps you to believe this way, that's best.
If it makes getting up in the morning easy, oh
it does. But the nights, oh those nights. Finish your
martini and I'll tell you what we're going to do tonight.
We're going to el Vodro across the border. It's a
typical Mexican border town, but loads of fun, even on
a Monday night. Oh, you just can't be unhappy with
all that luck. Wisic the color the lights. I don't
know if I'm up to that, Mad, I know you
don't want phony cheerfulness, but try a little gayety hunh
just for me? Well all right, and maybe I'll take
another martini. I'm feeling looser already, but I tell you
it is exciting. Hey, how about a fresh taco? Delicious?
Speaker 2: Oh?
Speaker 5: Somehow they're better from the street vendors. Yeah, I would
like to buy a silver piece. I love Mexican silver jewelry.
I know the perfect shop. It's on a side street.
They sell all sorts of stuff, but their silver counter
is the best in town. Great, come on, I spend
almost every other weekend down here. Oh I love it
is garrish, though, mad. Don't you think that's what makes
it delightful? Huh?
Speaker 7: Match?
Speaker 5: Yes, look in the front of that shop, the pictures.
What about them? I've got to have a closer look.
And what's the hurry? What is it? Look at this painting?
Speaker 7: Match?
Speaker 5: Oh, yes, you see it too well? And no, no really,
it's a good likeness, even to the little mole on
his neck. Oh, and this is a painting of Roger,
an exact likeness. And look at the date below the
artist's name, August of this year. Yes, I see that
was three months after the accident.
Speaker 2: Can it really be a portrait of Anne Markle's late husband, Roger.
It's not easy to add your portrait painted three months
after you're presumed dead, unless, of course you aren't dead.
Madge seems to think it's just a likeness, that it's
not really Roger Markle in the painting.
Speaker 6: But try to convince Anne of that.
Speaker 2: You'll see how impossible that is when I returned shortly
with that too. The long arm of coincidence seems to
be injecting itself into Anne Markle's life. In a small
Mexican border town, she has found a portrait of her husband,
presumably painted three months after he was buried under tons
of earth and rock in an Arizona cavan. Surely it's
coincidence that some artist painted the portrait, But I wonder
perhaps the artist had a model for his painting. Anne
has never accepted the fact of her husband's death.
Speaker 5: It is Roger, there's no doubt. The face, the expression
in the eyes, it's it's Roger. Can you make out
the artist's name and say there's an initial? E? Se
r Em Crenshaw E Crenshaw Senora is interested in the
painting very much. It happens to be a portrait of
my husband. Ah, Senora, we surely want to buy it. Yes,
I'll buy it, but I must know where you got it? Why?
From the artist? I represent him here. I receive his
work on Oh you call it a big American world consignment.
See that is what hecalls. I display them here and
get twenty percent of the selling price. Where can I
find this artist? This E. Crenshaw, Senora is interested in
buying before. I'm more interested in finding the artist. Would
fifty dollars be satisfactory? One hundred? If you'll take me
to the paint I must talk to him. Sold for
one hundred dollars American, of course. Yes. The painter leaves
just outside the town in the flat. Yes, and now
can you give me his address? Or Senora, there are
no addresses in the flats. Just ask anyone for the
Americano or look for the greenhouse at the end of
the row. He is the only one that's painted. Excuse me, Senora,
I will wrap the painting and you're only going to
hurt yourself even more. The man who posts for this
can't be Roger. I'll know when I talked to this Egrenshaw.
I'll be able to tell by his answers whether it
was Roger or not. But I I already know it is.
You're not thinking of going there tonight? Why not? Well,
there aren't any street lights out there, practically no streets.
The flats are nothing but tar paper sheds. Well, we
should take me there first thing in the morning. Please match,
No wonder there aren't any addresses, There aren't any streak.
Well that's what I told you last night. The flats
are a sore point with the village government. Well why
should this Crenshaw want to live out here? It doesn't
cost anything. Oh there's the greenhouse. Well, certainly different from
the rest of the artist's touch, no doubt. Yes, that's
bigger than the others do. And there's your artist. Looks
like he's expecting us. Oh, but how would he know?
I imagine the grapevine is very well developed down here. Oh
he's waving. Well, at least he seems friendly enough.
Speaker 2: Good money, fine day, isn't it.
Speaker 5: Yes, Yes, mister Crenshaw, that's me.
Speaker 2: Welcome to my humble villa.
Speaker 5: You were expecting.
Speaker 2: I heard a charming American woman was interested in one
of my paintings, Spot one.
Speaker 5: In fact, Hey, we talk it's very important to me.
Speaker 2: Certainly this way, ladies, I have a fresh coffee ar
give you.
Speaker 5: Thank you so much. I'm Anne Markle and this is
my sister Madge Connor.
Speaker 3: How do you do charms? It's not much of a villa,
but I like it.
Speaker 2: After you, ladies, Oh wow, what a bad.
Speaker 5: What do the natives think of it?
Speaker 6: As they think I'm crazy?
Speaker 5: Sh sit down. Well, I would like to get right
to the point, mister Crenshaw. This painting of.
Speaker 2: Yours, Yes, I like that one. It's one of the
best likenesses I've done.
Speaker 5: Well, I'm convinced that the man in your painting is
my husband. Oh you painted this last August. Now, how
did you meet him? Did he tell you his name? No?
Speaker 2: As a matter of fact, he didn't seem to know
his name.
Speaker 5: What.
Speaker 2: I met him in a bar one night, the canteena Flora.
He was sitting there staring into a beer. I started
sketching him and we got to talking. You don't mind, No,
you've got a sensitive face, musician. No, what's your business?
Speaker 6: I don't know. I mean.
Speaker 3: Lots of things. I'm not really sure. Head a little
to the left.
Speaker 2: Police, No thanks, I'm ed Crenshaw, Jose, two more beers.
Please don't want to tell me your name? Well, it
just matter. We all go through life anonymously anyway.
Speaker 3: Well, I'm not sure. I can't remember exactly.
Speaker 2: Something wrong. No, I don't think so. Why, Well you
don't seem to forget it. We all have our reasons.
Question period over.
Speaker 3: I'm trying to get to Acapulco.
Speaker 6: You've got a long way to go. Yes, I know.
Speaker 3: I'm trying to find a girl, a girl I knew
they want a lovely girl. And I can't quite remember
her face. Her name was Anne.
Speaker 2: Oh, running after instead of away from?
Speaker 3: No, No, I seem to have run out of money.
Speaker 2: He had just a little higher police. Now, I'll give
you ten bucks for posing. I can probably get you
a ride of ocabooclel tomorrow for free. I know the
comings and going to verybody and well that'd be fine. Well,
I just about does it. You want to see it?
See what here?
Speaker 6: But that looks like someone I know.
Speaker 2: Oh, I'll fill in the colors later. Listen, you stay
here a minute. I have another beer. I want to
make a phone call about that ride. Okay, okay. I
went to the phone to call the police. This guy
needed help. He wasn't drunk, he was dazed. He didn't
know who he was. I figured the police might have
something about a guy, and I called him and then
went back.
Speaker 5: To the bar.
Speaker 6: He was gone.
Speaker 5: Roger's alive. He's been here. He's alive and dazed, and
we've got to find him. Now. Do you believe me?
Speaker 7: Yes?
Speaker 5: I do, mister Crenshaw. How is this man dressed well?
Speaker 1: Work clothes? Sort of come to think that.
Speaker 2: I remember noticing how his face didn't seem to go
with the clothes.
Speaker 5: My husband is a college professor, mister Crenshaw, and a geologists.
Of course he was in those clothes because six months
ago he was digging geological specimens in an Arizona cave
and there was a cave in oh and he was
reported dead. I've been a widow for six months, but
I never believed it. Now he escaped from that cave
in and he is trying to find me.
Speaker 6: Wow.
Speaker 5: We spent our honeymoon in Acapulco twenty five years ago,
and I'm the girl he's trying to find im. An.
I know this sounds outrageous, mister Crenshaw, but I believe
she's right, Professor Markle is obviously suffering from some sort
of amnesia. Can we notify the police between here and
Acapulco to look for him?
Speaker 2: Yes, but it's been almost two months since he was here,
a long time image.
Speaker 5: I want to go, mister Crenshaw. You've been so kind.
May I offer you so much?
Speaker 2: I don't know no money at a time like this,
but promise to let me know what happens.
Speaker 5: Oh, I promise, I do promise. Come on, Madge, I'm
going to the police and then I'm flying to Acapulco
to the hotel where we spend our honeymoon.
Speaker 1: Good morning, by.
Speaker 5: Do I have a reservation missus Ann Markle?
Speaker 1: One moment please? Yes, this is Marco, Room five eleven,
and will you sign the registery please?
Speaker 5: Of course? May I ask how long you've been on
the desk here?
Speaker 1: Four years? Madam?
Speaker 5: Would you look at this painting? Please tell me if
this man has checked in here in the last month
or two.
Speaker 1: I would not want to get involved, madam. You would
have to see the manager for that.
Speaker 7: No.
Speaker 5: Please, this is a painting of my husband and I
have a very strong reason to believe that he may
have come here in the past six to eight weeks.
You see, my husband is suffering from amnesia.
Speaker 1: Yes, this gentleman was here about three I don't know
four weeks ago. I remember him well, you do. Yes,
he left without paying his spieling.
Speaker 5: I'll take care of it. I'll pay it. But tell
me when did he leave? Did he say where he
was going?
Speaker 1: Oh, madam, I remember I was on the desk when
he came in. I had just come on Judy. Good afternoon, sir.
Speaker 3: I'd like a room, please, a certain particular room.
Speaker 1: Oh, we are fairly well booked, sir. W room did
you wish? Well?
Speaker 3: This is the water and uh, there's there's a little balcony,
a balcony with flowers.
Speaker 1: We have two hundred rooms like that.
Speaker 3: Oh well, let me think, uh five something five five,
five eleven, yes, five eleven.
Speaker 1: Let me take you a little mm hmm, you are
in love? Yes, five eleven is available. Would you sign
the registered priests?
Speaker 6: Uh? Yes, yes, yes?
Speaker 1: Uh? Is there something wrong, sir, No.
Speaker 6: No, no, just I'm just trying to think.
Speaker 5: Uh.
Speaker 3: Oh, there I'm meeting my wife.
Speaker 6: I expect she'll be along shortly.
Speaker 1: Yes, sir, mister smith the smith, did you sign the
register mister Smith.
Speaker 6: I did.
Speaker 1: Wait, yes, sir, how very curious.
Speaker 3: I wonder why I did that? Well, sir, my name
is uh that's funny. May I have the key place? Yes, sir,
I'm going to our room, and you tell missus my
WiFi have already gone up.
Speaker 1: I saw him around the hotel for a day or two,
and then he vanished.
Speaker 5: Room five eleven was our honeymoon suite twenty five years ago.
May I see the registry please, of the day that
he registered.
Speaker 1: Oh yes, well, let's see September twenty fifth. It's just
here it is. That is the generalman's signature.
Speaker 5: Tom Smith. Yes, that is my husband's handwriting.
Speaker 1: He used the room but never checked out. In fact,
one moment in the safe here, I have something. One
of the maids sterning. Would this have belonged to your husband?
Speaker 5: I gave him this ring on our tenth wedding anniversary,
and this.
Speaker 1: Mister Smith, was actually your husband.
Speaker 5: There is no doubt of it.
Speaker 6: Now.
Speaker 5: How was he dressed?
Speaker 1: I don't really remember, madad, But was he.
Speaker 5: In like work boots you know, and the clothes?
Speaker 7: No?
Speaker 1: No, no, if he had been I would have hesitated
to accommodate him. He was wearing an inexpensive suit, I believe,
and he had only a small suitcase.
Speaker 5: He must have bought the clothes in Ilvadro.
Speaker 1: If Madame would care to consider the bill.
Speaker 5: Oh, of course, and added to mine. Now I'll be
here for a while. I'm going to try and have
the Acapulco police search for him.
Speaker 1: They will be quite cooperative, Madame. But this was four
weeks ago. Do you think he has reason to stay
in I don't know.
Speaker 5: He's suffering from some sort of memory loss, and all
I can do is look for him, just as he
seems to be looking for me.
Speaker 8: Hello missus Margot, yes, yesterday about your husband. Yes, something
occurred to me last night, the day before he well disappeared.
Speaker 1: He came to the.
Speaker 7: Desk asking for his.
Speaker 1: Wife, Lonaine, just my wife, Yes, and he said he
wanted to find her because they had to be living
for Los Angeles.
Speaker 8: What he said, his graduate classes were starting and he
had to get back.
Speaker 5: Of course that's where he goes next, Manuel, is it?
Speaker 7: Yes, madam?
Speaker 5: Would you have my bill made up right away? I'm
flying out as soon as I can get a reservation. Oh,
and would you have the operator place a call to
missus Madge Conners COO N N Eers and next Laredo, Texas.
The area code is five one two seven six eight
three to one one two. And what is it, Madge,
I'm on my way to Los Angeles. What I have
one more lead to trace? A little apartment Roger and
I had in Westwood when he was studying for his
master's at UCLA.
Speaker 7: Well, what brought that up?
Speaker 5: Roger was here in Acapulco, Madge? Are you sure I
have Roger's ring, the one I gave him?
Speaker 7: What?
Speaker 5: They found it under the bed in the room he had,
and the clerk remembered him, He says. Roger told him
that he had to get back to Los Angeles for
graduate classes. And that's exactly where we went when we
came back from our honeymoon.
Speaker 7: And I think it's time you went to the newspapers.
You know you can't skip all over the country.
Speaker 5: No, I don't want that kind of publicity, not for Roger.
Speaker 7: But the papers can describe his condition. Someone knowing the
story might see him.
Speaker 5: Well, I'll consider it after I've been to Los Angeles.
Speaker 7: Do you want me to meet you there?
Speaker 5: No, thanks, Madge, I'll go alone and I'll call you,
honey from La tomorrow.
Speaker 7: All right, you all sit by the.
Speaker 5: Phone and pray, Madge, Oh, pray for me.
Speaker 1: On a wing and a prayer.
Speaker 2: Anne Markel goes to Los Angeles for one more trace
of her missing husband. It appears that Professor Roger Markle,
stunned from the cave in he escaped in Arizona, is
wandering through his past life trying to find his wife Anne.
And Anne is frantically trying to follow his trail, and
with luck to intercept him. We'll pick up the trail
that leads to a surprising outcome when I return shortly
with Act three. In these days of modern jet transportation,
one can go anywhere in a matter of hours. The
jet plane is indeed a magic carpet that can eliminate
the distance between lovers and bring them together. Now, Anne
Marcle rides such a magic carpet, settling gently on the
runway at Los Angeles, closing the distance between her and
her husband, whom she sure is in this city looking
for her. A cab ride to a westward hotel, a
restless night, and next morning we join Anne in front
of a neat white garden apartment.
Speaker 5: Is you're the superintendent.
Speaker 1: That's right. But we haven't got any vacancies, ma'am.
Speaker 5: No, no, no, it's not that I'm looking for someone. Yeah,
have you buy any chance? Seen this man in this
painting recently?
Speaker 1: Last week?
Speaker 5: Last week?
Speaker 9: Yeah, caught him trying to get into Apartment two A.
Speaker 5: Our apartment. What was that? The man was my husband.
We lived in Apartment two A twenty five years ago.
Speaker 9: Twenty five years ago, yesh, maybe that explains it.
Speaker 5: He raised a hell of a fuss. He's suffering from amnesia.
What happened?
Speaker 9: People in two BE called said, some guy was hammering
on the door to the apartment next door. I look
out the window across the pool. Sure enough, this guy
is on the balcony in front of two A, hanging
on the door.
Speaker 3: Hi.
Speaker 1: I tail it over and and open the store.
Speaker 9: Hey, what's going on here?
Speaker 1: What you want? I want to get into my apartment?
Speaker 10: And are you in there?
Speaker 1: She's in your apartment?
Speaker 9: The Murphys live here.
Speaker 3: I took this place a month ago, just before my honeymoon.
Speaker 9: Look, mag if you want trouble, I know how to
hand it out.
Speaker 5: Now, scram Who are you to tell me to get out?
Speaker 3: I'm getting this the foster. Mister, who the soper? Now
you're the one who'd better scram.
Speaker 1: I'm the super w you are. I never saw you before.
Speaker 9: Look, buddy, let's go quietly and I won't call the
police otherwise.
Speaker 1: Doesn't she answer?
Speaker 5: And okay, let's go, come on.
Speaker 3: Why don't you answer?
Speaker 5: And and Anne, he called my name? It was you
he was looking for. Oh, yes, and he called my name.
That means he knows who I am. Maybe he even
knows who he is by now what happened?
Speaker 7: Then?
Speaker 5: Where did he go?
Speaker 9: I ushered him out to the street and didn't see
him again.
Speaker 5: And this was a week ago, a week yesterday.
Speaker 9: If he's like you say he is, the police might
have picked him up.
Speaker 1: Why don't you try them?
Speaker 5: If only they have? Sure hope you'll.
Speaker 9: Find him soon. Fellow running around like that could get
into trouble.
Speaker 5: Hello, Matt, it's Anne. Anne.
Speaker 7: What's the news.
Speaker 5: Roger's on his way home to Chicago. I'm flying out immediately.
What will you come and stay with me? I need
you now, Madge.
Speaker 7: Well, of course I'll leave tonight. How do you know
he's going home?
Speaker 5: He got a ride. I'd even be there looking for
me and look, I'm going to tell you all about
it when I see it. And I even hounded the
airlines trying to see if Roger might have flown out
of Los Angeles during the week and nothing. Right. Now,
come on, stop the cat and mouse and tell me
how you know Roger's in Chicago. I was having lunch
in a little coffee shop in the valley, yes, a
truck stop really, and I'd been walking and showing Roger's painting.
I guess people thought I was a crazy woman. Well
it was a little round, but I put the painting
down on the counter, and when I ordered a chicken sandwich,
the counter clerk looked at the painting and told me
Roger had been there. Oh he was positive because, as
he put it, the guy was trying to get a
ride to Chicago. Well, he told me. One of the
truck drivers offered Roger a ride and they left together. Oh. Now,
this was six days ago. All the time I was
chasing around Los Angeles, Roger was on his way home,
but I almost expected him to open the door for
me when I got in this afternoon. You aren't there,
of course, But now at last we're in the same
city together. Oh, Rogers coming home. How about a movie tonight? No, No,
I want to go to Kelsey's again. We've been there
three nights in a row. Met I feel so sure
that Roger might turn up there. We spent so many
happy evenings there when we first came to Chicago. Honey,
we've got the police and all the newspapers on the lookout.
Why don't we just sit tight? I can't image. I
have to keep doing something to keep from going crazy. Okay,
Kelsey's it is, But I think that Bartender is starting
to wonder about us. Well, we're pretty sure at least
that Rogers in Chicago or on his way. Its just
a matter of time. Why not try to relax. I'm
closer to him than i've been yet. I can't relax.
It just might be any minute. Even here, I feel
that I'm doing something, putting myself in this path, perhaps only,
but in his condition, anything might happen to him. I
almost feel that I ought to be on this street
match and look at the window. Look what it's Roger.
He's there on the sidewalk. He's looking right in at me. Roger,
good lord, excuse me, I'm sorry.
Speaker 7: I'm terrible.
Speaker 5: Hurry excuse me. Roger, Roger Roger, and where is he?
I don't know. I saw Roger at the window. I
thought he saw me. He looked right at me. But
he's gone. I've got to find him. He can't be far.
And wait, wait, it is too late. Anne, Oh, thank
heavens for you, Lieutenant homes.
Speaker 1: Well, I heard the call come over the radio. I'm curious.
Speaker 2: I knew immediately it had something to do with this
Professor Markle.
Speaker 5: I'm frantic about Anne. Where could she go?
Speaker 6: Well, she could have turned on any of these side streets.
Speaker 5: She's so upset she'd take any chance to find her husband.
Speaker 2: Missus Connors, do you think Professor Markle is alive?
Speaker 5: Why? Of course, I.
Speaker 2: Mean, Missus Markle isn't imagining this, wanting to hope.
Speaker 5: I thought it might be like that at first, Lieutenant,
But I was with her when she found the painting
and when she talked with the artist. And then Professor
Markle did turn up in Alco Poolgo and in Los Angeles.
Speaker 6: And you saw him tonight.
Speaker 5: Well, Anne saw him first. My back was through the window,
but when I turned I saw someone moving away.
Speaker 2: Well, if he's alive in this city, we'll find him tonight,
Missus Markle too.
Speaker 5: No, he just couldn't have gone this far so fast.
He didn't recognize me. He looked as though he didn't
even see me. Maybe I'd better go back. He couldn't
have come this far. Oh, Roger, Roger, where are you?
And over here, Madge? He thank you? Oh, thank god,
we found you. I called the police. I'm with Lieutenant Holmes.
Come get in on, mad I've lost him.
Speaker 2: I've sent out an alert on the whole area.
Speaker 6: Missus Markle, we'll find him.
Speaker 1: Get in. We'll keep on cruising.
Speaker 5: I just didn't know which way to turn. I took
a chance and went left, but he must have gone
the other way.
Speaker 6: We'll cruise back.
Speaker 1: Keep your eyes open.
Speaker 2: It's harder to recognize someone at night, matche They look.
Speaker 5: Uh that man at the end of the block where
I think. Yes, Oh stop, Lieutenant, please stop, he's walking
Tartis that that's Roger's walk? It is Roger. See him.
He's in the light of the street. No, and Roger
over here, Roger, Oh, he doesn't hear me?
Speaker 11: And wait, Roger, Roger and stop? Look okay, thank god.
Speaker 2: Car fifty one, the headquarters ambulance to Elman Spring ambulance.
Speaker 5: Come on's back.
Speaker 8: Everybody please please stand back, everybody.
Speaker 5: Look is she I don't know, I don't know.
Speaker 3: Why did she run like that?
Speaker 5: It wasn't Roger.
Speaker 11: There wasn't anyone there on the street.
Speaker 3: And there you were, Oh, Roger last I've be looking
everywhere for you, know, dearest, Oh.
Speaker 5: I knew you were alive all the time. I kept looking,
I kept following you. I never gave up.
Speaker 3: You were following me, Yes, well, I was looking for you.
I couldn't find you with the honeymoon suite. And then
in Los Angeles our old apartment, remember, well, you weren't
there either, and I was confused. I kept trying to think,
where would a go next? And then I knew, yes, yes,
we left Los Angeles when I got the teaching job
in Chicago.
Speaker 5: That's just what I did. When I learned you were
on your way to Acapulco, I just knew you were
looking for me in the old, the old places. I
tried to think, where you're.
Speaker 3: Going NeXT's two minds with a single thought, because we've.
Speaker 5: Been one since the day we were married.
Speaker 3: Yes, Oh, and I knew. I knew that someday i'd
find you.
Speaker 5: Oh, let's go home, home to our apartment.
Speaker 6: Well that isn't home for us anymore.
Speaker 5: And Roger, dear, I know you've suffered a terrible shock.
But we'll work it out together. You'll be f It'll
take time, but.
Speaker 6: Trust me, you don't understand, do you go?
Speaker 5: I do, darling, and I'm going to help you.
Speaker 3: No. No, I should have realized it's too soon.
Speaker 5: But what's too soon?
Speaker 6: You'll understand in time?
Speaker 5: What is it? Roger? What are you trying to say?
Speaker 3: I didn't realize the truth until I saw you, and
now I know and you'll know soon too, my darling.
Speaker 5: Roger, I trust you. If you say so, then that's
enough for me.
Speaker 6: Come here. It's time for us to go to be
together always.
Speaker 5: And that's all I want, Roger, is to be together always.
Speaker 6: Hey, don't look so worried.
Speaker 3: Let me tell you the trouble I had realizing just
what was happening.
Speaker 6: I'm sorry, Missus Gunners. There's no pulse, Dear God.
Speaker 2: Missus Markle is dead. Love has a way of fulfilling
itself across eternity. Anne and Roger Markle find each other,
and Madge earth bound and mourning for her sister cannot
know the joy Roger and Anne are sharing.
Speaker 1: She will bury her sister's.
Speaker 2: Body without the slightest inkling of Anne and Roger's present happiness.
For they love one another and have found one another,
and what more could either of the mask.
Speaker 6: I'll be back shortly.
Speaker 4: If you have not yet prepared your will, please listen carefully.
Without a will, the laws of the state and not
you will determine who receives your property and in what amounts,
who manages the affairs of your estate. Your choice as
guardian of your minor children may never be known. Your
loved ones face unnecessary legal costs and needless court delays. Now,
for only twelve ninety five, you can make your own
will quickly and safely with the American Willkit.
Speaker 1: You'll receive simple fill in the.
Speaker 4: Blank will forms with easy to follow directions. The forms
were prepared by lawyers to be valid in all fifty states.
Order now, and you'll also receive free of charge, our
easy reading Personal Protection Guide, giving you important tips and
special information that can save you money. Now is the
time to take advantage of this special mail order opportunity
to order call toll free one eight hundred five four
to two one two one two only twelve ninety five
plus shipping. That's one eight hundred five four two one
two one two money back. If not satisfied, call now
one eight hundred five four to two one two one two.
Speaker 3: The rent film car payment Peddy's braces. A wish I
was made of money. I wish I could fall asleep.
Speaker 1: Fan Man, help me to sleep, Christer Sanday.
Speaker 12: It's me, but not with SAand these days for occasional sleeplessness.
Speaker 1: I have composed.
Speaker 4: Composed helps you fall asleep faster sooner than without it.
Speaker 3: Oh, sleepier already well compose use only as directed col Poz.
Speaker 1: Recommended by the Sandman.
Speaker 2: Some people chase rainbows, others chase butterflies. We're all pursuing
something in life, a hope, a dream, a mate, even happiness.
And when the object of our pursuit is love, no
barrier is too great to overcome. For love is the
pot of gold at the end of the rainbow, the
monarch butterfly of all human needs and emotions. And in
our story just concluded it was the force that transcended
even death. Our cast included Bessie Palmer, Joan Shay, Larry Haynes,
Gil Mack, and Robert Maxwell. The entire production was under
the direction of Hyman Brown.
Speaker 4: Here on the.
Speaker 10: Family Game Show, we've asked our contestant tyrants how often
their children exercise? Parents, what's your answer?
Speaker 5: One hour a day? What do you say?
Speaker 7: Kids?
Speaker 5: Almost never, except for ten minutes of recessed school. We
have no idea.
Speaker 10: Don't feel bad. Most parents overestimate the amount of exercise
their kids get. They often think their kids get all
the exercise they need at school. Now, don what's the
winning answer? How much exercise.
Speaker 5: Should kids get?
Speaker 12: Well, Bob, it's one to two hours of vigorous exercise
a day.
Speaker 5: You know.
Speaker 12: Daily exercises a must for all of us, especially young people.
One to two hours each day will keep young people
fit and healthy, mora alert for school, better, able to handle.
Speaker 1: Stress off the streets.
Speaker 5: Out of trump.
Speaker 12: Parents, you can win big where daily exercises a part
of your family game. Remember a message from the President's
Council on Physical Fitness and Sports.
Speaker 1: This is E. G.
Speaker 2: Marshall inviting you to return to our Mystery theater for
another adventure in the macabre. Until next time, Pleasant Dreams.
Speaker 13: You're listening to WW changers Radio Mattie five. I'm Earl Dickinson,
and in the next few minutes we will have complete
details of these stories of police chasing Detroit ends in
the arrest of a man wanted for murder. A Classic
Tucker automobile auctions for a record price. Communication workers at
Michigan Bell give the okay to a new contract over there.
These stories coming up along with sports at one point
fifteen and you know by now the Toronto Blue J's
they have gotten back into this playoff series with the
Oakland A's. Weather Command predicts partly cloudy and cool this morning,
a low in the upper thirties, very chilly Saturday. Later
today partly cloudy, windy, cool, ahi only about fifty two
degrees wog. Ahead to Sunday, partially sunny, another chili day,
maybe an afternoon sprinkle Hi purshing that fifty degree mark.
Speaker 2: All news, all the time, News Radio ninety five WWJ,
didwe CBS News.
Speaker 1: I'm Jim Shennaby.
Speaker 5: Some low income elderly folks can sleep a little easier.
Speaker 12: The Senate has refused to repeal catastrophic health coverage. The
upper chamber instead voted to preserve some benefits of the
plan while killing off the unpopular circle.