1 00:00:00,120 --> 00:00:01,919 Speaker 1: Ow Mystery Theater. 2 00:00:18,719 --> 00:00:21,760 Speaker 2: Come in, we welcome. 3 00:00:22,760 --> 00:00:23,879 Speaker 1: I'm g Marshall. 4 00:00:25,079 --> 00:00:28,679 Speaker 2: There's a very fine line between life and death, so 5 00:00:28,960 --> 00:00:32,159 fine it prompted one writer to tell us that in 6 00:00:32,200 --> 00:00:34,600 the midst of life, we are in the midst of death. 7 00:00:35,479 --> 00:00:38,640 And in the story that follows, we'll see that where 8 00:00:38,679 --> 00:00:43,000 there's love and a will to survive, survive, we must. 9 00:00:43,560 --> 00:00:47,280 We are going on our journey into the macabre. Come 10 00:00:47,320 --> 00:00:52,280 with me to a breathtaking cavern in southern Arizona. Roger Marco, 11 00:00:52,439 --> 00:00:55,359 professor of geology, is leading a party of his students 12 00:00:55,399 --> 00:00:59,200 on a rock hunting expedition. They're deep below the surface 13 00:00:59,200 --> 00:01:02,200 of the earth in this little known cavern, chipping at 14 00:01:02,240 --> 00:01:04,200 specimens of sparkling stone. 15 00:01:04,519 --> 00:01:09,439 Speaker 3: Hold that light a little higher, Joe, Okay, that's better now, Can. 16 00:01:09,359 --> 00:01:10,319 Speaker 1: Everyone see clearly? 17 00:01:11,599 --> 00:01:15,719 Speaker 3: This is a splendid example of pyrite. You'll remember that 18 00:01:15,799 --> 00:01:18,680 this is also known as fool's gold because of its 19 00:01:18,760 --> 00:01:24,920 yellow color. It's used primarily Wait listen, good lad, it's 20 00:01:24,920 --> 00:01:25,359 a cabin. 21 00:01:25,599 --> 00:01:28,480 Speaker 4: Everybody out. 22 00:01:42,120 --> 00:01:46,959 Speaker 2: Our mystery drama Someday I'll find you was written especially 23 00:01:47,000 --> 00:01:50,359 for the radio Mystery Theater by Bob Duran and stars 24 00:01:50,480 --> 00:02:03,079 Betsy Palmer from a cavern in southern Arizona. We go 25 00:02:03,200 --> 00:02:06,599 now to a fashionable apartment in Chicago, the home of 26 00:02:06,640 --> 00:02:10,719 Professor Roger Markle. Anne Markle, the professor's wife, is in 27 00:02:10,759 --> 00:02:13,759 her dressing room getting ready for the opera. Her sister 28 00:02:13,879 --> 00:02:16,800 Made is at the living room bar mixing a batch 29 00:02:16,840 --> 00:02:17,919 of cocktails. 30 00:02:18,199 --> 00:02:22,680 Speaker 5: Oliver Lemonville and Olin. Since when did you take up Martini? All? 31 00:02:22,719 --> 00:02:26,439 About two years ago? Has it been that long since 32 00:02:26,439 --> 00:02:30,919 I've seen you? Not since mother's funeral? Oh, that's right. Oh, 33 00:02:30,960 --> 00:02:33,479 I wish you'd visit us more often, mad Hey, will 34 00:02:33,520 --> 00:02:35,879 you use it me? Yep, for sure. You know you're 35 00:02:35,919 --> 00:02:39,520 always welcome, And Roger is so fond of you. Oh, honey, 36 00:02:39,560 --> 00:02:42,319 you know how it is. We all get into our 37 00:02:42,360 --> 00:02:44,439 little ruts. We've just got to stay on a few 38 00:02:44,520 --> 00:02:48,080 days after Roger gets back, he's dying to see you. Well, 39 00:02:48,120 --> 00:02:50,800 that can be arranged. I have nothing to rush home 40 00:02:50,919 --> 00:02:54,520 or he's due back Sunday. What's he doing this time? Well, 41 00:02:54,639 --> 00:02:56,919 he has a group of students exploring some cave in 42 00:02:56,960 --> 00:02:59,319 Arizona and he wants to write a book about it. 43 00:02:59,400 --> 00:03:02,759 Here's your mother, dear. I'm sure it'll be a good one. 44 00:03:03,960 --> 00:03:07,240 The book I mean. Oh, well, in his position he 45 00:03:07,319 --> 00:03:10,159 has to publish. It's expected. Well, all the more reason 46 00:03:10,159 --> 00:03:13,680 to be proud of him and I. Well, we'd better 47 00:03:13,680 --> 00:03:15,719 call the taxi if we want to make dinner before 48 00:03:15,759 --> 00:03:17,919 the Oh now, I'll get it, dear, I'll get it. 49 00:03:17,919 --> 00:03:20,800 You finish your drink, all right? It might be the vallet. 50 00:03:20,960 --> 00:03:27,039 I had two of Roger's suits sent out. Yes, Missus Markle. No, no, no, 51 00:03:27,240 --> 00:03:27,960 I'm her sister. 52 00:03:28,919 --> 00:03:29,960 Speaker 6: Is she at home? Please? 53 00:03:30,560 --> 00:03:31,159 Speaker 5: Yes, she is. 54 00:03:32,280 --> 00:03:35,360 Speaker 2: What is it, Detective Homes Man, I'd like to see 55 00:03:35,400 --> 00:03:37,759 Missus Markle the police. 56 00:03:38,400 --> 00:03:41,479 Speaker 5: Yes, Oh is it, Mat, she's out there. Come in. 57 00:03:42,360 --> 00:03:45,599 What's the matter, Matt? I don't know. Anne, This gentleman 58 00:03:45,719 --> 00:03:49,000 is from the police, Missus Markles. 59 00:03:49,080 --> 00:03:53,439 Speaker 2: Yes, I'm Detective homes thirty, first Precinct. Would you both 60 00:03:53,520 --> 00:03:54,280 sit down please? 61 00:03:54,439 --> 00:03:54,639 Speaker 6: Well? 62 00:03:54,879 --> 00:03:55,400 Speaker 5: What is this? 63 00:03:55,560 --> 00:04:00,000 Speaker 2: It's about your husbands, Professor Roger Markles University. 64 00:04:00,199 --> 00:04:02,120 Speaker 5: Roger, what is it? What's happened? 65 00:04:02,360 --> 00:04:04,879 Speaker 2: Well, we've had word from the state police in Arizona. 66 00:04:05,039 --> 00:04:09,840 He was exploring a cave. There was a cave in 67 00:04:10,120 --> 00:04:14,000 early today and mister Markle hasn't been found. 68 00:04:14,039 --> 00:04:16,759 Speaker 5: Oh, dear God, no, I don't quite understand you say 69 00:04:16,800 --> 00:04:20,600 that Roger was in a cave in. Yes, three of 70 00:04:20,639 --> 00:04:22,439 the students who were with him escape. 71 00:04:22,480 --> 00:04:26,240 Speaker 2: They say Professor Markle got them to safety, but before 72 00:04:26,279 --> 00:04:27,560 he himself could get out. 73 00:04:27,399 --> 00:04:31,360 Speaker 5: The whole wall of the cavern collapse. Oh no, no. 74 00:04:31,199 --> 00:04:34,160 Speaker 2: That's the story we get from Arizona. Of course, we'll 75 00:04:34,160 --> 00:04:36,720 want to question the students more fully when they get home. 76 00:04:37,199 --> 00:04:38,439 They're being flown in tonight. 77 00:04:38,639 --> 00:04:41,240 Speaker 5: But my husband, Roger's still out there. 78 00:04:41,519 --> 00:04:45,319 Speaker 2: We're not sure of anything yet, Missus Markle. They say 79 00:04:45,399 --> 00:04:47,879 he must have been buried in the collapse. There was 80 00:04:47,959 --> 00:04:50,959 no sign of him, they tell us. The cruiser digging. 81 00:04:51,639 --> 00:04:53,800 Speaker 5: I've got to go to him. I'll have to fly 82 00:04:53,879 --> 00:04:57,079 out tonight. And Dear, there's nothing we can do. I 83 00:04:57,079 --> 00:04:59,399 don't expect to do anything, but I have to be 84 00:04:59,480 --> 00:05:02,079 with him. I just have to be there, Missus Markle. 85 00:05:02,279 --> 00:05:04,639 Speaker 2: The best thing you can do is stay right here. 86 00:05:04,800 --> 00:05:08,040 We'll keep you informed regularly. The minute we hear anything 87 00:05:08,160 --> 00:05:09,279 me informed. 88 00:05:09,879 --> 00:05:13,000 Speaker 5: My husband is dying under towns of earth, and you 89 00:05:13,079 --> 00:05:15,199 expect me to sit here waiting to be in far 90 00:05:15,519 --> 00:05:19,560 All right, an, we'll go. We'll fly out tonight. I 91 00:05:19,600 --> 00:05:22,439 think we really have to go, Sergeant. If they find him, alive. 92 00:05:22,560 --> 00:05:23,639 She ought to be there. 93 00:05:23,839 --> 00:05:32,279 Speaker 2: That's up to you, ma'am. 94 00:05:25,920 --> 00:05:37,319 Speaker 5: Why are they giving up? Why? And dear, there's no 95 00:05:37,680 --> 00:05:41,480 use digging anymore. They've hit solid rock and Roger's been 96 00:05:41,560 --> 00:05:43,759 under there for more than forty eight hours. 97 00:05:43,560 --> 00:05:45,879 Speaker 1: There's just snow hosts. 98 00:05:46,360 --> 00:05:48,879 Speaker 5: They can't get. No, we came all this way and 99 00:05:48,879 --> 00:05:52,399 they've given up, Darling, they did all the The least 100 00:05:52,439 --> 00:05:56,000 they could do is give me his body to bury. 101 00:05:56,519 --> 00:06:01,600 And oh, dear, let me take you home with me. No, no, 102 00:06:01,759 --> 00:06:04,839 I want to get back to Chicago. There's so many 103 00:06:04,879 --> 00:06:07,600 things that I have to take care of. All right, 104 00:06:07,879 --> 00:06:11,680 we'll go back. I'll stay with you until you're settler. 105 00:06:19,160 --> 00:06:22,439 More coffee and no, thank you. No, dinner was lovely 106 00:06:23,879 --> 00:06:28,759 and I've I've got to bring this up sometime now. 107 00:06:28,920 --> 00:06:31,519 I know you've you want to be getting home. It's 108 00:06:31,560 --> 00:06:34,720 been more than a month now, you know. I'd stay 109 00:06:34,759 --> 00:06:37,319 as long as you need me, but I've got to 110 00:06:37,319 --> 00:06:40,279 get back to Texas for a while. I'll even come 111 00:06:40,319 --> 00:06:43,079 back here in a few weeks if you want. No, No, Madgine, 112 00:06:43,079 --> 00:06:46,959 I've I've got to start adjusting. It's it's time you 113 00:06:47,000 --> 00:06:49,360 did go home, my dear. You know you've been wonderful 114 00:06:49,360 --> 00:06:52,279 and I just couldn't have gotten through this without you. 115 00:06:53,120 --> 00:06:56,240 But you do have your own life, and I've got 116 00:06:56,240 --> 00:06:59,600 to start remaking mine. I think the sooner you try that, 117 00:07:00,160 --> 00:07:05,240 the better you'll be. Somehow, I don't feel like a widow. 118 00:07:06,399 --> 00:07:08,839 I feel as though any minute I'm going to hear 119 00:07:09,600 --> 00:07:11,959 Roger's key in the door. I know, and I know 120 00:07:13,040 --> 00:07:16,120 when Ed died, I used to hear or thought I 121 00:07:16,160 --> 00:07:19,639 heard him coming in the back door. Once I even 122 00:07:19,639 --> 00:07:23,319 thought he was in the shower. Darling, we just don't 123 00:07:23,439 --> 00:07:27,160 change overnight. It takes a long time getting used to 124 00:07:27,839 --> 00:07:31,439 you buried it. You had a few mins. But you know, 125 00:07:31,680 --> 00:07:34,560 it's just impossible to believe death like this. I have 126 00:07:34,680 --> 00:07:38,000 to take the word of someone that I don't even 127 00:07:38,079 --> 00:07:42,399 know that my husband is dead. Yes, yes, I suppose 128 00:07:42,439 --> 00:07:47,519 that's even harder to accept. I just don't have any choice. Well, 129 00:07:47,639 --> 00:07:51,879 I'll try to get a flight out Sunday. Darling. You've 130 00:07:51,879 --> 00:07:55,040 got to promise me, one thing, anything, that you'll come 131 00:07:55,279 --> 00:07:59,600 visit me. I promise maybe in the fall, definitely in 132 00:07:59,639 --> 00:08:02,360 the fall. I'll hold you to it, and I'll call 133 00:08:02,439 --> 00:08:05,560 you every Sunday. Oh yes, yes, we must keep in 134 00:08:05,639 --> 00:08:09,680 touch and much more often than we have been. But now, 135 00:08:09,720 --> 00:08:12,079 don't you worry about me, Madge. I do have lots 136 00:08:12,120 --> 00:08:15,439 of friends here at the university, and I'm I'll be 137 00:08:15,519 --> 00:08:30,720 all right in time. Hello, Anne, how are you about 138 00:08:30,759 --> 00:08:31,480 the same, Madge? 139 00:08:32,279 --> 00:08:34,519 Speaker 7: Oh? When I call last week, you've seen more cheerful. 140 00:08:34,559 --> 00:08:36,840 Speaker 5: Oh, you know how it is day to day. 141 00:08:38,080 --> 00:08:41,240 Speaker 7: Well, I'm holding you to our bargain. I'll visit in 142 00:08:41,279 --> 00:08:44,039 the fall. It's the first of October. 143 00:08:44,600 --> 00:08:47,360 Speaker 5: Yes, Roger's birthday. 144 00:08:47,519 --> 00:08:48,639 Speaker 7: When can I expect you? 145 00:08:49,159 --> 00:08:49,200 Speaker 5: Ar? 146 00:08:49,279 --> 00:08:51,399 Speaker 7: Texas hospitality is ready and waiting. 147 00:08:51,480 --> 00:08:55,879 Speaker 5: Oh, I hadn't thought about it, Madge. But how about 148 00:08:55,879 --> 00:08:58,399 a week from today? Yes, I think I could fly 149 00:08:58,480 --> 00:08:59,120 out on the eighth. 150 00:08:59,159 --> 00:09:01,559 Speaker 7: Oh, I was hoping you'd say that I'm dying. 151 00:09:02,080 --> 00:09:04,399 Speaker 5: Oh, and I want to see you too. I'm so 152 00:09:04,559 --> 00:09:05,759 anxious to talk with you. 153 00:09:06,159 --> 00:09:07,440 Speaker 7: That's what sisters are for. 154 00:09:08,240 --> 00:09:19,360 Speaker 5: I'll expect you a week from today, and you're looking wonderful. 155 00:09:19,919 --> 00:09:22,679 I wish I felt it. Listen one week under our 156 00:09:22,720 --> 00:09:25,080 Texas skies and you'll be a different woman. Oh, I'm 157 00:09:25,120 --> 00:09:29,200 a different woman all right. How how was the plane trip? 158 00:09:30,159 --> 00:09:32,399 I hardly notice. So that's the way it is with 159 00:09:32,519 --> 00:09:35,879 these jets. They're so smooth. You hardly know you're flying 160 00:09:36,919 --> 00:09:41,840 olive right. You're still drinking Martini's, aren't you. Well, I 161 00:09:41,879 --> 00:09:45,840 haven't had a drink since the accident. Well, it's time 162 00:09:46,000 --> 00:09:52,679 you did. Here's too uh what, there's not much to 163 00:09:52,759 --> 00:09:58,480 drink too anymore. I'm sorry. I should have realized there's 164 00:09:58,519 --> 00:10:02,120 nothing worse than phony carefulness when you're ripped apart inside. 165 00:10:03,320 --> 00:10:05,639 But I thought you'd be a little better by this time. 166 00:10:05,759 --> 00:10:08,320 I didn't mean it that way, mad, I was doing 167 00:10:08,360 --> 00:10:13,840 it for myself, I guess, and I I don't know 168 00:10:14,080 --> 00:10:17,759 what to say. Well, I thought time would help. I'm 169 00:10:17,799 --> 00:10:21,120 not over it. I'll never get over it. I'm so 170 00:10:21,240 --> 00:10:24,919 glad you came anyway. It shows you're not wrapping yourself 171 00:10:24,960 --> 00:10:27,320 into a cuckoob. I haven't had the time to do that. 172 00:10:27,840 --> 00:10:30,960 The university wants me to go back to teaching. That's 173 00:10:31,000 --> 00:10:34,720 the Marble's idea. They're just being nice, But I might 174 00:10:34,759 --> 00:10:38,320 take them up on it. When Roger was alive, it 175 00:10:38,480 --> 00:10:42,879 was my life. But now I have to do something. Well, 176 00:10:42,919 --> 00:10:45,000 for the next two weeks, you have nothing to do 177 00:10:45,039 --> 00:10:48,799 but relax. Oh, I wish I could relax. If I 178 00:10:49,120 --> 00:10:54,879 ever get over this terrible nagging feeling. It takes time. Dear, 179 00:10:55,799 --> 00:10:59,399 Roger's death was a shocked to you. That's what nags me. 180 00:11:00,720 --> 00:11:05,240 I've had the feeling that Roger is not dead. It 181 00:11:05,320 --> 00:11:11,600 gets strong, Anne, don't torture yourself with that. I know 182 00:11:11,799 --> 00:11:14,799 you and Roger were very close. It's natural that at 183 00:11:14,799 --> 00:11:18,559 a time like this you'd feel a certain spiritual bar 184 00:11:18,879 --> 00:11:22,320 Oh it's more than that match. This is a certainty 185 00:11:22,360 --> 00:11:26,679 I have that Roger is alive. I don't think he 186 00:11:26,759 --> 00:11:30,200 died in that cave in. And sometimes we want to 187 00:11:30,279 --> 00:11:33,399 believe so strong so that we get carried away. No, no, no, 188 00:11:33,559 --> 00:11:37,879 this this time. I all right, Anne, Maybe I'm wrong. 189 00:11:39,159 --> 00:11:41,679 If it helps you to believe this way, that's best. 190 00:11:42,000 --> 00:11:44,480 If it makes getting up in the morning easy, oh 191 00:11:44,480 --> 00:11:50,600 it does. But the nights, oh those nights. Finish your 192 00:11:50,639 --> 00:11:53,879 martini and I'll tell you what we're going to do tonight. 193 00:11:54,519 --> 00:11:57,559 We're going to el Vodro across the border. It's a 194 00:11:57,600 --> 00:12:00,639 typical Mexican border town, but loads of fun, even on 195 00:12:00,679 --> 00:12:03,320 a Monday night. Oh, you just can't be unhappy with 196 00:12:03,360 --> 00:12:06,120 all that luck. Wisic the color the lights. I don't 197 00:12:06,159 --> 00:12:08,639 know if I'm up to that, Mad, I know you 198 00:12:08,679 --> 00:12:12,399 don't want phony cheerfulness, but try a little gayety hunh 199 00:12:12,759 --> 00:12:18,080 just for me? Well all right, and maybe I'll take 200 00:12:18,080 --> 00:12:26,960 another martini. I'm feeling looser already, but I tell you 201 00:12:27,440 --> 00:12:32,879 it is exciting. Hey, how about a fresh taco? Delicious? 202 00:12:32,879 --> 00:12:33,159 Speaker 2: Oh? 203 00:12:33,360 --> 00:12:37,720 Speaker 5: Somehow they're better from the street vendors. Yeah, I would 204 00:12:37,799 --> 00:12:41,440 like to buy a silver piece. I love Mexican silver jewelry. 205 00:12:41,679 --> 00:12:44,879 I know the perfect shop. It's on a side street. 206 00:12:45,480 --> 00:12:48,480 They sell all sorts of stuff, but their silver counter 207 00:12:48,519 --> 00:12:51,360 is the best in town. Great, come on, I spend 208 00:12:51,360 --> 00:12:54,840 almost every other weekend down here. Oh I love it 209 00:12:54,879 --> 00:12:59,080 is garrish, though, mad. Don't you think that's what makes 210 00:12:59,080 --> 00:13:00,279 it delightful? Huh? 211 00:13:01,240 --> 00:13:01,519 Speaker 7: Match? 212 00:13:02,200 --> 00:13:06,600 Speaker 5: Yes, look in the front of that shop, the pictures. 213 00:13:07,440 --> 00:13:10,879 What about them? I've got to have a closer look. 214 00:13:10,960 --> 00:13:14,559 And what's the hurry? What is it? Look at this painting? 215 00:13:14,639 --> 00:13:14,960 Speaker 7: Match? 216 00:13:15,879 --> 00:13:22,399 Speaker 5: Oh, yes, you see it too well? And no, no really, 217 00:13:22,440 --> 00:13:26,840 it's a good likeness, even to the little mole on 218 00:13:26,879 --> 00:13:30,480 his neck. Oh, and this is a painting of Roger, 219 00:13:30,720 --> 00:13:35,440 an exact likeness. And look at the date below the 220 00:13:35,559 --> 00:13:40,799 artist's name, August of this year. Yes, I see that 221 00:13:41,080 --> 00:13:44,159 was three months after the accident. 222 00:13:54,159 --> 00:13:57,879 Speaker 2: Can it really be a portrait of Anne Markle's late husband, Roger. 223 00:13:58,919 --> 00:14:01,679 It's not easy to add your portrait painted three months 224 00:14:01,720 --> 00:14:05,480 after you're presumed dead, unless, of course you aren't dead. 225 00:14:06,720 --> 00:14:10,159 Madge seems to think it's just a likeness, that it's 226 00:14:10,200 --> 00:14:12,200 not really Roger Markle in the painting. 227 00:14:12,840 --> 00:14:14,360 Speaker 6: But try to convince Anne of that. 228 00:14:15,639 --> 00:14:18,360 Speaker 2: You'll see how impossible that is when I returned shortly 229 00:14:18,399 --> 00:14:32,279 with that too. The long arm of coincidence seems to 230 00:14:32,320 --> 00:14:36,519 be injecting itself into Anne Markle's life. In a small 231 00:14:36,559 --> 00:14:39,600 Mexican border town, she has found a portrait of her husband, 232 00:14:39,799 --> 00:14:43,440 presumably painted three months after he was buried under tons 233 00:14:43,480 --> 00:14:47,440 of earth and rock in an Arizona cavan. Surely it's 234 00:14:47,519 --> 00:14:52,159 coincidence that some artist painted the portrait, But I wonder 235 00:14:53,240 --> 00:14:58,159 perhaps the artist had a model for his painting. Anne 236 00:14:58,159 --> 00:15:00,879 has never accepted the fact of her husband's death. 237 00:15:01,720 --> 00:15:05,559 Speaker 5: It is Roger, there's no doubt. The face, the expression 238 00:15:05,639 --> 00:15:08,559 in the eyes, it's it's Roger. Can you make out 239 00:15:08,559 --> 00:15:12,279 the artist's name and say there's an initial? E? Se 240 00:15:13,240 --> 00:15:18,559 r Em Crenshaw E Crenshaw Senora is interested in the 241 00:15:18,639 --> 00:15:21,840 painting very much. It happens to be a portrait of 242 00:15:21,879 --> 00:15:26,000 my husband. Ah, Senora, we surely want to buy it. Yes, 243 00:15:26,080 --> 00:15:30,279 I'll buy it, but I must know where you got it? Why? 244 00:15:30,360 --> 00:15:34,000 From the artist? I represent him here. I receive his 245 00:15:34,159 --> 00:15:38,879 work on Oh you call it a big American world consignment. 246 00:15:39,559 --> 00:15:42,720 See that is what hecalls. I display them here and 247 00:15:42,759 --> 00:15:45,879 get twenty percent of the selling price. Where can I 248 00:15:45,960 --> 00:15:50,960 find this artist? This E. Crenshaw, Senora is interested in 249 00:15:51,039 --> 00:15:55,440 buying before. I'm more interested in finding the artist. Would 250 00:15:55,639 --> 00:15:59,480 fifty dollars be satisfactory? One hundred? If you'll take me 251 00:15:59,480 --> 00:16:03,159 to the paint I must talk to him. Sold for 252 00:16:03,320 --> 00:16:08,039 one hundred dollars American, of course. Yes. The painter leaves 253 00:16:08,320 --> 00:16:10,600 just outside the town in the flat. Yes, and now 254 00:16:10,600 --> 00:16:13,159 can you give me his address? Or Senora, there are 255 00:16:13,200 --> 00:16:16,840 no addresses in the flats. Just ask anyone for the 256 00:16:16,879 --> 00:16:20,679 Americano or look for the greenhouse at the end of 257 00:16:20,720 --> 00:16:25,320 the row. He is the only one that's painted. Excuse me, Senora, 258 00:16:25,480 --> 00:16:29,039 I will wrap the painting and you're only going to 259 00:16:29,080 --> 00:16:31,840 hurt yourself even more. The man who posts for this 260 00:16:31,919 --> 00:16:35,080 can't be Roger. I'll know when I talked to this Egrenshaw. 261 00:16:35,559 --> 00:16:37,720 I'll be able to tell by his answers whether it 262 00:16:37,799 --> 00:16:41,159 was Roger or not. But I I already know it is. 263 00:16:41,720 --> 00:16:44,120 You're not thinking of going there tonight? Why not? Well, 264 00:16:44,159 --> 00:16:47,320 there aren't any street lights out there, practically no streets. 265 00:16:48,240 --> 00:16:52,039 The flats are nothing but tar paper sheds. Well, we 266 00:16:52,080 --> 00:16:55,039 should take me there first thing in the morning. Please match, 267 00:17:00,919 --> 00:17:04,119 No wonder there aren't any addresses, There aren't any streak. 268 00:17:04,240 --> 00:17:07,079 Well that's what I told you last night. The flats 269 00:17:07,079 --> 00:17:10,279 are a sore point with the village government. Well why 270 00:17:10,279 --> 00:17:12,839 should this Crenshaw want to live out here? It doesn't 271 00:17:12,880 --> 00:17:17,480 cost anything. Oh there's the greenhouse. Well, certainly different from 272 00:17:17,519 --> 00:17:20,440 the rest of the artist's touch, no doubt. Yes, that's 273 00:17:20,440 --> 00:17:23,880 bigger than the others do. And there's your artist. Looks 274 00:17:23,920 --> 00:17:26,680 like he's expecting us. Oh, but how would he know? 275 00:17:27,079 --> 00:17:31,279 I imagine the grapevine is very well developed down here. Oh 276 00:17:31,319 --> 00:17:33,880 he's waving. Well, at least he seems friendly enough. 277 00:17:34,240 --> 00:17:36,400 Speaker 2: Good money, fine day, isn't it. 278 00:17:36,640 --> 00:17:39,119 Speaker 5: Yes, Yes, mister Crenshaw, that's me. 279 00:17:39,480 --> 00:17:41,319 Speaker 2: Welcome to my humble villa. 280 00:17:41,880 --> 00:17:42,960 Speaker 5: You were expecting. 281 00:17:43,519 --> 00:17:46,519 Speaker 2: I heard a charming American woman was interested in one 282 00:17:46,599 --> 00:17:48,319 of my paintings, Spot one. 283 00:17:48,559 --> 00:17:51,880 Speaker 5: In fact, Hey, we talk it's very important to me. 284 00:17:52,000 --> 00:17:54,720 Speaker 2: Certainly this way, ladies, I have a fresh coffee ar 285 00:17:54,880 --> 00:17:55,039 give you. 286 00:17:55,240 --> 00:17:57,400 Speaker 5: Thank you so much. I'm Anne Markle and this is 287 00:17:57,440 --> 00:17:58,759 my sister Madge Connor. 288 00:17:58,839 --> 00:18:02,720 Speaker 3: How do you do charms? It's not much of a villa, 289 00:18:02,839 --> 00:18:03,880 but I like it. 290 00:18:04,000 --> 00:18:07,279 Speaker 2: After you, ladies, Oh wow, what a bad. 291 00:18:08,240 --> 00:18:09,319 Speaker 5: What do the natives think of it? 292 00:18:09,480 --> 00:18:10,799 Speaker 6: As they think I'm crazy? 293 00:18:11,039 --> 00:18:13,799 Speaker 5: Sh sit down. Well, I would like to get right 294 00:18:13,839 --> 00:18:16,559 to the point, mister Crenshaw. This painting of. 295 00:18:16,519 --> 00:18:18,759 Speaker 2: Yours, Yes, I like that one. It's one of the 296 00:18:18,759 --> 00:18:19,920 best likenesses I've done. 297 00:18:20,319 --> 00:18:23,759 Speaker 5: Well, I'm convinced that the man in your painting is 298 00:18:23,839 --> 00:18:27,640 my husband. Oh you painted this last August. Now, how 299 00:18:27,680 --> 00:18:30,480 did you meet him? Did he tell you his name? No? 300 00:18:30,839 --> 00:18:33,720 Speaker 2: As a matter of fact, he didn't seem to know 301 00:18:34,200 --> 00:18:34,720 his name. 302 00:18:35,000 --> 00:18:35,559 Speaker 5: What. 303 00:18:36,920 --> 00:18:40,400 Speaker 2: I met him in a bar one night, the canteena Flora. 304 00:18:41,079 --> 00:18:44,519 He was sitting there staring into a beer. I started 305 00:18:44,839 --> 00:18:52,680 sketching him and we got to talking. You don't mind, No, 306 00:18:53,440 --> 00:19:01,440 you've got a sensitive face, musician. No, what's your business? 307 00:19:01,960 --> 00:19:03,519 Speaker 6: I don't know. I mean. 308 00:19:04,880 --> 00:19:07,759 Speaker 3: Lots of things. I'm not really sure. Head a little 309 00:19:07,799 --> 00:19:08,319 to the left. 310 00:19:08,319 --> 00:19:14,000 Speaker 2: Police, No thanks, I'm ed Crenshaw, Jose, two more beers. 311 00:19:14,039 --> 00:19:17,799 Please don't want to tell me your name? Well, it 312 00:19:17,920 --> 00:19:20,799 just matter. We all go through life anonymously anyway. 313 00:19:20,839 --> 00:19:26,480 Speaker 3: Well, I'm not sure. I can't remember exactly. 314 00:19:27,759 --> 00:19:33,240 Speaker 2: Something wrong. No, I don't think so. Why, Well you 315 00:19:33,279 --> 00:19:36,640 don't seem to forget it. We all have our reasons. 316 00:19:36,880 --> 00:19:37,799 Question period over. 317 00:19:39,160 --> 00:19:42,759 Speaker 3: I'm trying to get to Acapulco. 318 00:19:43,480 --> 00:19:45,759 Speaker 6: You've got a long way to go. Yes, I know. 319 00:19:45,880 --> 00:19:49,799 Speaker 3: I'm trying to find a girl, a girl I knew 320 00:19:49,799 --> 00:19:56,279 they want a lovely girl. And I can't quite remember 321 00:19:56,279 --> 00:19:58,559 her face. Her name was Anne. 322 00:19:59,039 --> 00:20:03,160 Speaker 2: Oh, running after instead of away from? 323 00:20:03,160 --> 00:20:05,960 Speaker 3: No, No, I seem to have run out of money. 324 00:20:06,599 --> 00:20:09,880 Speaker 2: He had just a little higher police. Now, I'll give 325 00:20:09,920 --> 00:20:13,079 you ten bucks for posing. I can probably get you 326 00:20:13,079 --> 00:20:16,359 a ride of ocabooclel tomorrow for free. I know the 327 00:20:16,440 --> 00:20:20,759 comings and going to verybody and well that'd be fine. Well, 328 00:20:21,279 --> 00:20:23,000 I just about does it. You want to see it? 329 00:20:24,319 --> 00:20:25,680 See what here? 330 00:20:28,240 --> 00:20:31,680 Speaker 6: But that looks like someone I know. 331 00:20:32,240 --> 00:20:37,640 Speaker 2: Oh, I'll fill in the colors later. Listen, you stay 332 00:20:37,680 --> 00:20:40,519 here a minute. I have another beer. I want to 333 00:20:40,519 --> 00:20:48,920 make a phone call about that ride. Okay, okay. I 334 00:20:49,000 --> 00:20:51,799 went to the phone to call the police. This guy 335 00:20:51,880 --> 00:20:55,960 needed help. He wasn't drunk, he was dazed. He didn't 336 00:20:55,960 --> 00:20:58,599 know who he was. I figured the police might have 337 00:20:58,640 --> 00:21:02,359 something about a guy, and I called him and then 338 00:21:02,440 --> 00:21:03,000 went back. 339 00:21:02,839 --> 00:21:03,319 Speaker 5: To the bar. 340 00:21:04,240 --> 00:21:04,839 Speaker 6: He was gone. 341 00:21:06,079 --> 00:21:09,759 Speaker 5: Roger's alive. He's been here. He's alive and dazed, and 342 00:21:10,079 --> 00:21:12,759 we've got to find him. Now. Do you believe me? 343 00:21:13,000 --> 00:21:13,240 Speaker 7: Yes? 344 00:21:13,359 --> 00:21:18,200 Speaker 5: I do, mister Crenshaw. How is this man dressed well? 345 00:21:18,720 --> 00:21:21,720 Speaker 1: Work clothes? Sort of come to think that. 346 00:21:21,960 --> 00:21:24,680 Speaker 2: I remember noticing how his face didn't seem to go 347 00:21:24,839 --> 00:21:25,480 with the clothes. 348 00:21:25,720 --> 00:21:29,599 Speaker 5: My husband is a college professor, mister Crenshaw, and a geologists. 349 00:21:29,680 --> 00:21:32,160 Of course he was in those clothes because six months 350 00:21:32,160 --> 00:21:36,000 ago he was digging geological specimens in an Arizona cave 351 00:21:36,079 --> 00:21:39,519 and there was a cave in oh and he was 352 00:21:39,519 --> 00:21:42,440 reported dead. I've been a widow for six months, but 353 00:21:42,519 --> 00:21:45,200 I never believed it. Now he escaped from that cave 354 00:21:45,240 --> 00:21:46,759 in and he is trying to find me. 355 00:21:47,160 --> 00:21:47,440 Speaker 6: Wow. 356 00:21:47,839 --> 00:21:51,559 Speaker 5: We spent our honeymoon in Acapulco twenty five years ago, 357 00:21:52,519 --> 00:21:55,440 and I'm the girl he's trying to find im. An. 358 00:21:55,920 --> 00:21:59,079 I know this sounds outrageous, mister Crenshaw, but I believe 359 00:21:59,119 --> 00:22:03,680 she's right, Professor Markle is obviously suffering from some sort 360 00:22:03,680 --> 00:22:06,359 of amnesia. Can we notify the police between here and 361 00:22:06,400 --> 00:22:08,440 Acapulco to look for him? 362 00:22:08,640 --> 00:22:12,200 Speaker 2: Yes, but it's been almost two months since he was here, 363 00:22:12,720 --> 00:22:14,240 a long time image. 364 00:22:14,960 --> 00:22:18,279 Speaker 5: I want to go, mister Crenshaw. You've been so kind. 365 00:22:19,039 --> 00:22:20,599 May I offer you so much? 366 00:22:20,640 --> 00:22:22,400 Speaker 2: I don't know no money at a time like this, 367 00:22:22,759 --> 00:22:24,519 but promise to let me know what happens. 368 00:22:24,559 --> 00:22:28,960 Speaker 5: Oh, I promise, I do promise. Come on, Madge, I'm 369 00:22:28,960 --> 00:22:32,119 going to the police and then I'm flying to Acapulco 370 00:22:32,880 --> 00:22:36,240 to the hotel where we spend our honeymoon. 371 00:22:41,079 --> 00:22:41,920 Speaker 1: Good morning, by. 372 00:22:41,839 --> 00:22:44,880 Speaker 5: Do I have a reservation missus Ann Markle? 373 00:22:45,279 --> 00:22:51,079 Speaker 1: One moment please? Yes, this is Marco, Room five eleven, 374 00:22:51,160 --> 00:22:53,039 and will you sign the registery please? 375 00:22:53,200 --> 00:22:58,039 Speaker 5: Of course? May I ask how long you've been on 376 00:22:58,079 --> 00:22:58,759 the desk here? 377 00:22:59,319 --> 00:23:00,400 Speaker 1: Four years? Madam? 378 00:23:01,880 --> 00:23:06,160 Speaker 5: Would you look at this painting? Please tell me if 379 00:23:06,160 --> 00:23:08,279 this man has checked in here in the last month 380 00:23:08,400 --> 00:23:08,680 or two. 381 00:23:09,880 --> 00:23:12,680 Speaker 1: I would not want to get involved, madam. You would 382 00:23:12,680 --> 00:23:13,759 have to see the manager for that. 383 00:23:13,920 --> 00:23:14,000 Speaker 7: No. 384 00:23:14,079 --> 00:23:17,160 Speaker 5: Please, this is a painting of my husband and I 385 00:23:17,200 --> 00:23:19,400 have a very strong reason to believe that he may 386 00:23:19,480 --> 00:23:22,319 have come here in the past six to eight weeks. 387 00:23:22,519 --> 00:23:24,599 You see, my husband is suffering from amnesia. 388 00:23:24,759 --> 00:23:29,599 Speaker 1: Yes, this gentleman was here about three I don't know 389 00:23:29,960 --> 00:23:33,720 four weeks ago. I remember him well, you do. Yes, 390 00:23:33,880 --> 00:23:35,519 he left without paying his spieling. 391 00:23:35,640 --> 00:23:37,440 Speaker 5: I'll take care of it. I'll pay it. But tell 392 00:23:37,480 --> 00:23:40,279 me when did he leave? Did he say where he 393 00:23:40,400 --> 00:23:40,799 was going? 394 00:23:40,960 --> 00:23:44,160 Speaker 1: Oh, madam, I remember I was on the desk when 395 00:23:44,200 --> 00:23:48,160 he came in. I had just come on Judy. Good afternoon, sir. 396 00:23:49,319 --> 00:23:53,519 Speaker 3: I'd like a room, please, a certain particular room. 397 00:23:54,000 --> 00:23:57,599 Speaker 1: Oh, we are fairly well booked, sir. W room did 398 00:23:57,640 --> 00:23:58,240 you wish? Well? 399 00:24:00,000 --> 00:24:03,519 Speaker 3: This is the water and uh, there's there's a little balcony, 400 00:24:03,839 --> 00:24:05,599 a balcony with flowers. 401 00:24:06,200 --> 00:24:08,000 Speaker 1: We have two hundred rooms like that. 402 00:24:08,200 --> 00:24:14,519 Speaker 3: Oh well, let me think, uh five something five five, 403 00:24:14,640 --> 00:24:16,640 five eleven, yes, five eleven. 404 00:24:16,759 --> 00:24:19,839 Speaker 1: Let me take you a little mm hmm, you are 405 00:24:19,920 --> 00:24:23,440 in love? Yes, five eleven is available. Would you sign 406 00:24:23,480 --> 00:24:24,359 the registered priests? 407 00:24:25,359 --> 00:24:27,640 Speaker 6: Uh? Yes, yes, yes? 408 00:24:27,720 --> 00:24:31,160 Speaker 1: Uh? Is there something wrong, sir, No. 409 00:24:30,720 --> 00:24:33,519 Speaker 6: No, no, just I'm just trying to think. 410 00:24:33,720 --> 00:24:33,839 Speaker 5: Uh. 411 00:24:35,319 --> 00:24:40,440 Speaker 3: Oh, there I'm meeting my wife. 412 00:24:40,480 --> 00:24:42,279 Speaker 6: I expect she'll be along shortly. 413 00:24:42,440 --> 00:24:46,799 Speaker 1: Yes, sir, mister smith the smith, did you sign the 414 00:24:46,920 --> 00:24:48,160 register mister Smith. 415 00:24:49,039 --> 00:24:49,440 Speaker 6: I did. 416 00:24:49,839 --> 00:24:53,240 Speaker 1: Wait, yes, sir, how very curious. 417 00:24:53,240 --> 00:24:56,160 Speaker 3: I wonder why I did that? Well, sir, my name 418 00:24:56,240 --> 00:25:01,799 is uh that's funny. May I have the key place? Yes, sir, 419 00:25:01,920 --> 00:25:04,720 I'm going to our room, and you tell missus my 420 00:25:05,079 --> 00:25:06,480 WiFi have already gone up. 421 00:25:08,000 --> 00:25:10,319 Speaker 1: I saw him around the hotel for a day or two, 422 00:25:10,799 --> 00:25:12,359 and then he vanished. 423 00:25:12,640 --> 00:25:16,799 Speaker 5: Room five eleven was our honeymoon suite twenty five years ago. 424 00:25:17,480 --> 00:25:19,799 May I see the registry please, of the day that 425 00:25:19,880 --> 00:25:20,559 he registered. 426 00:25:20,640 --> 00:25:27,559 Speaker 1: Oh yes, well, let's see September twenty fifth. It's just 427 00:25:28,160 --> 00:25:31,000 here it is. That is the generalman's signature. 428 00:25:30,680 --> 00:25:34,720 Speaker 5: Tom Smith. Yes, that is my husband's handwriting. 429 00:25:34,880 --> 00:25:38,160 Speaker 1: He used the room but never checked out. In fact, 430 00:25:39,400 --> 00:25:43,519 one moment in the safe here, I have something. One 431 00:25:43,559 --> 00:25:48,680 of the maids sterning. Would this have belonged to your husband? 432 00:25:50,119 --> 00:25:53,119 Speaker 5: I gave him this ring on our tenth wedding anniversary, 433 00:25:53,400 --> 00:25:53,759 and this. 434 00:25:53,920 --> 00:25:56,319 Speaker 1: Mister Smith, was actually your husband. 435 00:25:56,119 --> 00:25:57,000 Speaker 5: There is no doubt of it. 436 00:25:57,039 --> 00:25:57,319 Speaker 6: Now. 437 00:25:57,960 --> 00:25:58,880 Speaker 5: How was he dressed? 438 00:25:59,480 --> 00:26:01,920 Speaker 1: I don't really remember, madad, But was he. 439 00:26:01,920 --> 00:26:05,079 Speaker 5: In like work boots you know, and the clothes? 440 00:26:05,640 --> 00:26:05,880 Speaker 7: No? 441 00:26:05,880 --> 00:26:08,680 Speaker 1: No, no, if he had been I would have hesitated 442 00:26:08,720 --> 00:26:12,920 to accommodate him. He was wearing an inexpensive suit, I believe, 443 00:26:13,440 --> 00:26:15,559 and he had only a small suitcase. 444 00:26:15,759 --> 00:26:18,200 Speaker 5: He must have bought the clothes in Ilvadro. 445 00:26:18,559 --> 00:26:22,000 Speaker 1: If Madame would care to consider the bill. 446 00:26:22,200 --> 00:26:24,920 Speaker 5: Oh, of course, and added to mine. Now I'll be 447 00:26:25,000 --> 00:26:27,160 here for a while. I'm going to try and have 448 00:26:27,200 --> 00:26:29,039 the Acapulco police search for him. 449 00:26:29,359 --> 00:26:33,519 Speaker 1: They will be quite cooperative, Madame. But this was four 450 00:26:33,559 --> 00:26:36,960 weeks ago. Do you think he has reason to stay 451 00:26:37,000 --> 00:26:38,759 in I don't know. 452 00:26:39,519 --> 00:26:43,359 Speaker 5: He's suffering from some sort of memory loss, and all 453 00:26:43,400 --> 00:26:45,960 I can do is look for him, just as he 454 00:26:46,039 --> 00:26:47,240 seems to be looking for me. 455 00:26:54,359 --> 00:27:02,519 Speaker 8: Hello missus Margot, yes, yesterday about your husband. Yes, something 456 00:27:02,559 --> 00:27:07,960 occurred to me last night, the day before he well disappeared. 457 00:27:08,440 --> 00:27:09,400 Speaker 1: He came to the. 458 00:27:09,440 --> 00:27:11,000 Speaker 7: Desk asking for his. 459 00:27:10,920 --> 00:27:15,079 Speaker 1: Wife, Lonaine, just my wife, Yes, and he said he 460 00:27:15,119 --> 00:27:18,000 wanted to find her because they had to be living 461 00:27:18,079 --> 00:27:19,000 for Los Angeles. 462 00:27:19,319 --> 00:27:23,599 Speaker 8: What he said, his graduate classes were starting and he 463 00:27:23,680 --> 00:27:24,440 had to get back. 464 00:27:25,400 --> 00:27:30,960 Speaker 5: Of course that's where he goes next, Manuel, is it? 465 00:27:31,359 --> 00:27:31,880 Speaker 7: Yes, madam? 466 00:27:31,960 --> 00:27:34,240 Speaker 5: Would you have my bill made up right away? I'm 467 00:27:34,319 --> 00:27:37,039 flying out as soon as I can get a reservation. Oh, 468 00:27:37,079 --> 00:27:39,319 and would you have the operator place a call to 469 00:27:39,400 --> 00:27:45,079 missus Madge Conners COO N N Eers and next Laredo, Texas. 470 00:27:45,559 --> 00:27:49,000 The area code is five one two seven six eight 471 00:27:49,599 --> 00:27:56,599 three to one one two. And what is it, Madge, 472 00:27:56,640 --> 00:27:59,160 I'm on my way to Los Angeles. What I have 473 00:27:59,319 --> 00:28:02,200 one more lead to trace? A little apartment Roger and 474 00:28:02,240 --> 00:28:04,160 I had in Westwood when he was studying for his 475 00:28:04,240 --> 00:28:05,319 master's at UCLA. 476 00:28:05,839 --> 00:28:06,920 Speaker 7: Well, what brought that up? 477 00:28:07,920 --> 00:28:10,680 Speaker 5: Roger was here in Acapulco, Madge? Are you sure I 478 00:28:10,720 --> 00:28:13,559 have Roger's ring, the one I gave him? 479 00:28:13,680 --> 00:28:13,759 Speaker 7: What? 480 00:28:14,440 --> 00:28:16,559 Speaker 5: They found it under the bed in the room he had, 481 00:28:16,960 --> 00:28:19,480 and the clerk remembered him, He says. Roger told him 482 00:28:19,480 --> 00:28:21,880 that he had to get back to Los Angeles for 483 00:28:21,960 --> 00:28:26,039 graduate classes. And that's exactly where we went when we 484 00:28:26,079 --> 00:28:27,359 came back from our honeymoon. 485 00:28:27,559 --> 00:28:31,000 Speaker 7: And I think it's time you went to the newspapers. 486 00:28:31,839 --> 00:28:33,839 You know you can't skip all over the country. 487 00:28:34,079 --> 00:28:36,839 Speaker 5: No, I don't want that kind of publicity, not for Roger. 488 00:28:37,000 --> 00:28:40,680 Speaker 7: But the papers can describe his condition. Someone knowing the 489 00:28:40,720 --> 00:28:41,799 story might see him. 490 00:28:42,000 --> 00:28:46,119 Speaker 5: Well, I'll consider it after I've been to Los Angeles. 491 00:28:46,480 --> 00:28:48,000 Speaker 7: Do you want me to meet you there? 492 00:28:48,160 --> 00:28:51,640 Speaker 5: No, thanks, Madge, I'll go alone and I'll call you, 493 00:28:51,680 --> 00:28:52,799 honey from La tomorrow. 494 00:28:52,960 --> 00:28:54,839 Speaker 7: All right, you all sit by the. 495 00:28:54,720 --> 00:28:58,400 Speaker 5: Phone and pray, Madge, Oh, pray for me. 496 00:29:07,960 --> 00:29:09,400 Speaker 1: On a wing and a prayer. 497 00:29:09,759 --> 00:29:13,119 Speaker 2: Anne Markel goes to Los Angeles for one more trace 498 00:29:13,160 --> 00:29:17,480 of her missing husband. It appears that Professor Roger Markle, 499 00:29:17,839 --> 00:29:21,319 stunned from the cave in he escaped in Arizona, is 500 00:29:21,400 --> 00:29:25,160 wandering through his past life trying to find his wife Anne. 501 00:29:25,920 --> 00:29:29,200 And Anne is frantically trying to follow his trail, and 502 00:29:29,319 --> 00:29:32,839 with luck to intercept him. We'll pick up the trail 503 00:29:32,920 --> 00:29:36,319 that leads to a surprising outcome when I return shortly 504 00:29:36,559 --> 00:29:50,920 with Act three. In these days of modern jet transportation, 505 00:29:51,519 --> 00:29:54,920 one can go anywhere in a matter of hours. The 506 00:29:55,000 --> 00:29:58,359 jet plane is indeed a magic carpet that can eliminate 507 00:29:58,440 --> 00:30:02,839 the distance between lovers and bring them together. Now, Anne 508 00:30:02,839 --> 00:30:06,079 Marcle rides such a magic carpet, settling gently on the 509 00:30:06,119 --> 00:30:09,680 runway at Los Angeles, closing the distance between her and 510 00:30:09,720 --> 00:30:13,000 her husband, whom she sure is in this city looking 511 00:30:13,039 --> 00:30:16,640 for her. A cab ride to a westward hotel, a 512 00:30:16,680 --> 00:30:20,279 restless night, and next morning we join Anne in front 513 00:30:20,319 --> 00:30:22,359 of a neat white garden apartment. 514 00:30:28,839 --> 00:30:31,400 Speaker 5: Is you're the superintendent. 515 00:30:31,519 --> 00:30:33,599 Speaker 1: That's right. But we haven't got any vacancies, ma'am. 516 00:30:33,680 --> 00:30:38,279 Speaker 5: No, no, no, it's not that I'm looking for someone. Yeah, 517 00:30:38,319 --> 00:30:40,640 have you buy any chance? Seen this man in this 518 00:30:40,680 --> 00:30:41,559 painting recently? 519 00:30:43,279 --> 00:30:43,799 Speaker 1: Last week? 520 00:30:44,400 --> 00:30:44,960 Speaker 5: Last week? 521 00:30:45,160 --> 00:30:49,400 Speaker 9: Yeah, caught him trying to get into Apartment two A. 522 00:30:48,920 --> 00:30:52,680 Speaker 5: Our apartment. What was that? The man was my husband. 523 00:30:53,119 --> 00:30:56,240 We lived in Apartment two A twenty five years ago. 524 00:30:56,599 --> 00:30:59,960 Speaker 9: Twenty five years ago, yesh, maybe that explains it. 525 00:31:00,480 --> 00:31:03,480 Speaker 5: He raised a hell of a fuss. He's suffering from amnesia. 526 00:31:03,559 --> 00:31:04,480 What happened? 527 00:31:04,799 --> 00:31:08,319 Speaker 9: People in two BE called said, some guy was hammering 528 00:31:08,400 --> 00:31:13,680 on the door to the apartment next door. I look 529 00:31:13,759 --> 00:31:16,960 out the window across the pool. Sure enough, this guy 530 00:31:17,079 --> 00:31:19,400 is on the balcony in front of two A, hanging 531 00:31:19,480 --> 00:31:20,000 on the door. 532 00:31:20,680 --> 00:31:20,880 Speaker 3: Hi. 533 00:31:21,039 --> 00:31:25,119 Speaker 1: I tail it over and and open the store. 534 00:31:25,559 --> 00:31:27,119 Speaker 9: Hey, what's going on here? 535 00:31:27,119 --> 00:31:28,960 Speaker 1: What you want? I want to get into my apartment? 536 00:31:29,160 --> 00:31:30,480 Speaker 10: And are you in there? 537 00:31:30,720 --> 00:31:32,079 Speaker 1: She's in your apartment? 538 00:31:32,160 --> 00:31:33,279 Speaker 9: The Murphys live here. 539 00:31:33,359 --> 00:31:35,960 Speaker 3: I took this place a month ago, just before my honeymoon. 540 00:31:35,960 --> 00:31:37,960 Speaker 9: Look, mag if you want trouble, I know how to 541 00:31:37,960 --> 00:31:38,440 hand it out. 542 00:31:38,480 --> 00:31:40,640 Speaker 5: Now, scram Who are you to tell me to get out? 543 00:31:40,680 --> 00:31:43,759 Speaker 3: I'm getting this the foster. Mister, who the soper? Now 544 00:31:43,759 --> 00:31:45,319 you're the one who'd better scram. 545 00:31:45,160 --> 00:31:48,200 Speaker 1: I'm the super w you are. I never saw you before. 546 00:31:48,359 --> 00:31:50,839 Speaker 9: Look, buddy, let's go quietly and I won't call the 547 00:31:50,880 --> 00:31:52,039 police otherwise. 548 00:31:52,079 --> 00:31:53,200 Speaker 1: Doesn't she answer? 549 00:31:53,480 --> 00:31:55,759 Speaker 5: And okay, let's go, come on. 550 00:31:56,119 --> 00:31:57,279 Speaker 3: Why don't you answer? 551 00:31:57,759 --> 00:32:04,279 Speaker 5: And and Anne, he called my name? It was you 552 00:32:04,680 --> 00:32:08,519 he was looking for. Oh, yes, and he called my name. 553 00:32:09,240 --> 00:32:12,559 That means he knows who I am. Maybe he even 554 00:32:12,599 --> 00:32:15,079 knows who he is by now what happened? 555 00:32:15,119 --> 00:32:15,240 Speaker 7: Then? 556 00:32:15,480 --> 00:32:16,079 Speaker 5: Where did he go? 557 00:32:16,400 --> 00:32:19,680 Speaker 9: I ushered him out to the street and didn't see 558 00:32:19,720 --> 00:32:20,119 him again. 559 00:32:20,359 --> 00:32:22,680 Speaker 5: And this was a week ago, a week yesterday. 560 00:32:23,599 --> 00:32:26,119 Speaker 9: If he's like you say he is, the police might 561 00:32:26,119 --> 00:32:26,759 have picked him up. 562 00:32:27,319 --> 00:32:28,440 Speaker 1: Why don't you try them? 563 00:32:28,880 --> 00:32:31,079 Speaker 5: If only they have? Sure hope you'll. 564 00:32:30,920 --> 00:32:33,920 Speaker 9: Find him soon. Fellow running around like that could get 565 00:32:33,920 --> 00:32:34,480 into trouble. 566 00:32:41,960 --> 00:32:44,880 Speaker 5: Hello, Matt, it's Anne. Anne. 567 00:32:45,240 --> 00:32:46,119 Speaker 7: What's the news. 568 00:32:46,200 --> 00:32:49,880 Speaker 5: Roger's on his way home to Chicago. I'm flying out immediately. 569 00:32:49,960 --> 00:32:53,240 What will you come and stay with me? I need 570 00:32:53,279 --> 00:32:54,160 you now, Madge. 571 00:32:54,200 --> 00:32:57,559 Speaker 7: Well, of course I'll leave tonight. How do you know 572 00:32:57,640 --> 00:32:58,400 he's going home? 573 00:32:58,480 --> 00:33:01,279 Speaker 5: He got a ride. I'd even be there looking for 574 00:33:01,319 --> 00:33:03,480 me and look, I'm going to tell you all about 575 00:33:03,519 --> 00:33:09,799 it when I see it. And I even hounded the 576 00:33:09,839 --> 00:33:12,200 airlines trying to see if Roger might have flown out 577 00:33:12,200 --> 00:33:15,279 of Los Angeles during the week and nothing. Right. Now, 578 00:33:15,440 --> 00:33:17,759 come on, stop the cat and mouse and tell me 579 00:33:17,839 --> 00:33:20,680 how you know Roger's in Chicago. I was having lunch 580 00:33:20,759 --> 00:33:22,839 in a little coffee shop in the valley, yes, a 581 00:33:22,880 --> 00:33:26,559 truck stop really, and I'd been walking and showing Roger's painting. 582 00:33:27,279 --> 00:33:30,079 I guess people thought I was a crazy woman. Well 583 00:33:30,279 --> 00:33:32,359 it was a little round, but I put the painting 584 00:33:32,400 --> 00:33:34,960 down on the counter, and when I ordered a chicken sandwich, 585 00:33:35,279 --> 00:33:37,920 the counter clerk looked at the painting and told me 586 00:33:38,039 --> 00:33:41,559 Roger had been there. Oh he was positive because, as 587 00:33:41,559 --> 00:33:43,079 he put it, the guy was trying to get a 588 00:33:43,160 --> 00:33:46,079 ride to Chicago. Well, he told me. One of the 589 00:33:46,119 --> 00:33:51,119 truck drivers offered Roger a ride and they left together. Oh. Now, 590 00:33:51,200 --> 00:33:54,440 this was six days ago. All the time I was 591 00:33:54,519 --> 00:33:57,559 chasing around Los Angeles, Roger was on his way home, 592 00:33:58,079 --> 00:34:00,519 but I almost expected him to open the door for 593 00:34:00,640 --> 00:34:03,319 me when I got in this afternoon. You aren't there, 594 00:34:03,400 --> 00:34:07,079 of course, But now at last we're in the same 595 00:34:07,200 --> 00:34:20,039 city together. Oh, Rogers coming home. How about a movie tonight? No, No, 596 00:34:20,199 --> 00:34:23,199 I want to go to Kelsey's again. We've been there 597 00:34:23,239 --> 00:34:25,639 three nights in a row. Met I feel so sure 598 00:34:25,679 --> 00:34:28,360 that Roger might turn up there. We spent so many 599 00:34:28,360 --> 00:34:31,199 happy evenings there when we first came to Chicago. Honey, 600 00:34:31,280 --> 00:34:34,559 we've got the police and all the newspapers on the lookout. 601 00:34:34,920 --> 00:34:38,480 Why don't we just sit tight? I can't image. I 602 00:34:38,599 --> 00:34:42,639 have to keep doing something to keep from going crazy. Okay, 603 00:34:43,480 --> 00:34:46,679 Kelsey's it is, But I think that Bartender is starting 604 00:34:46,719 --> 00:34:56,400 to wonder about us. Well, we're pretty sure at least 605 00:34:56,400 --> 00:34:59,480 that Rogers in Chicago or on his way. Its just 606 00:34:59,519 --> 00:35:02,840 a matter of time. Why not try to relax. I'm 607 00:35:02,880 --> 00:35:05,920 closer to him than i've been yet. I can't relax. 608 00:35:06,599 --> 00:35:09,440 It just might be any minute. Even here, I feel 609 00:35:09,480 --> 00:35:13,519 that I'm doing something, putting myself in this path, perhaps only, 610 00:35:13,599 --> 00:35:16,280 but in his condition, anything might happen to him. I 611 00:35:16,840 --> 00:35:20,000 almost feel that I ought to be on this street 612 00:35:20,039 --> 00:35:24,559 match and look at the window. Look what it's Roger. 613 00:35:25,360 --> 00:35:29,480 He's there on the sidewalk. He's looking right in at me. Roger, 614 00:35:29,800 --> 00:35:32,079 good lord, excuse me, I'm sorry. 615 00:35:31,800 --> 00:35:33,239 Speaker 7: I'm terrible. 616 00:35:33,280 --> 00:35:40,440 Speaker 5: Hurry excuse me. Roger, Roger Roger, and where is he? 617 00:35:41,320 --> 00:35:44,800 I don't know. I saw Roger at the window. I 618 00:35:45,199 --> 00:35:48,159 thought he saw me. He looked right at me. But 619 00:35:48,239 --> 00:35:52,639 he's gone. I've got to find him. He can't be far. 620 00:35:53,119 --> 00:36:02,760 And wait, wait, it is too late. Anne, Oh, thank 621 00:36:02,920 --> 00:36:04,960 heavens for you, Lieutenant homes. 622 00:36:04,599 --> 00:36:07,360 Speaker 1: Well, I heard the call come over the radio. I'm curious. 623 00:36:07,880 --> 00:36:10,039 Speaker 2: I knew immediately it had something to do with this 624 00:36:10,119 --> 00:36:11,000 Professor Markle. 625 00:36:11,239 --> 00:36:13,840 Speaker 5: I'm frantic about Anne. Where could she go? 626 00:36:14,079 --> 00:36:16,559 Speaker 6: Well, she could have turned on any of these side streets. 627 00:36:16,639 --> 00:36:19,360 Speaker 5: She's so upset she'd take any chance to find her husband. 628 00:36:19,599 --> 00:36:22,559 Speaker 2: Missus Connors, do you think Professor Markle is alive? 629 00:36:23,280 --> 00:36:24,360 Speaker 5: Why? Of course, I. 630 00:36:24,320 --> 00:36:28,239 Speaker 2: Mean, Missus Markle isn't imagining this, wanting to hope. 631 00:36:28,360 --> 00:36:30,599 Speaker 5: I thought it might be like that at first, Lieutenant, 632 00:36:30,639 --> 00:36:32,719 But I was with her when she found the painting 633 00:36:33,039 --> 00:36:35,920 and when she talked with the artist. And then Professor 634 00:36:35,920 --> 00:36:38,719 Markle did turn up in Alco Poolgo and in Los Angeles. 635 00:36:38,760 --> 00:36:41,039 Speaker 6: And you saw him tonight. 636 00:36:41,119 --> 00:36:45,000 Speaker 5: Well, Anne saw him first. My back was through the window, 637 00:36:45,039 --> 00:36:47,400 but when I turned I saw someone moving away. 638 00:36:47,559 --> 00:36:50,880 Speaker 2: Well, if he's alive in this city, we'll find him tonight, 639 00:36:51,360 --> 00:36:52,639 Missus Markle too. 640 00:36:58,119 --> 00:37:01,199 Speaker 5: No, he just couldn't have gone this far so fast. 641 00:37:01,840 --> 00:37:04,880 He didn't recognize me. He looked as though he didn't 642 00:37:04,880 --> 00:37:08,800 even see me. Maybe I'd better go back. He couldn't 643 00:37:08,800 --> 00:37:12,840 have come this far. Oh, Roger, Roger, where are you? 644 00:37:13,239 --> 00:37:18,519 And over here, Madge? He thank you? Oh, thank god, 645 00:37:18,719 --> 00:37:22,400 we found you. I called the police. I'm with Lieutenant Holmes. 646 00:37:22,639 --> 00:37:25,639 Come get in on, mad I've lost him. 647 00:37:25,719 --> 00:37:27,519 Speaker 2: I've sent out an alert on the whole area. 648 00:37:27,559 --> 00:37:28,880 Speaker 6: Missus Markle, we'll find him. 649 00:37:30,199 --> 00:37:31,639 Speaker 1: Get in. We'll keep on cruising. 650 00:37:31,840 --> 00:37:34,840 Speaker 5: I just didn't know which way to turn. I took 651 00:37:34,880 --> 00:37:37,599 a chance and went left, but he must have gone 652 00:37:37,599 --> 00:37:38,159 the other way. 653 00:37:38,280 --> 00:37:39,039 Speaker 6: We'll cruise back. 654 00:37:39,159 --> 00:37:40,079 Speaker 1: Keep your eyes open. 655 00:37:40,199 --> 00:37:46,039 Speaker 2: It's harder to recognize someone at night, matche They look. 656 00:37:46,000 --> 00:37:48,039 Speaker 5: Uh that man at the end of the block where 657 00:37:48,760 --> 00:37:54,119 I think. Yes, Oh stop, Lieutenant, please stop, he's walking 658 00:37:54,199 --> 00:37:59,000 Tartis that that's Roger's walk? It is Roger. See him. 659 00:37:59,039 --> 00:38:01,880 He's in the light of the street. No, and Roger 660 00:38:01,960 --> 00:38:04,760 over here, Roger, Oh, he doesn't hear me? 661 00:38:04,920 --> 00:38:16,159 Speaker 11: And wait, Roger, Roger and stop? Look okay, thank god. 662 00:38:17,039 --> 00:38:20,400 Speaker 2: Car fifty one, the headquarters ambulance to Elman Spring ambulance. 663 00:38:21,000 --> 00:38:22,639 Speaker 5: Come on's back. 664 00:38:22,639 --> 00:38:24,519 Speaker 8: Everybody please please stand back, everybody. 665 00:38:24,679 --> 00:38:28,079 Speaker 5: Look is she I don't know, I don't know. 666 00:38:29,320 --> 00:38:30,880 Speaker 3: Why did she run like that? 667 00:38:31,400 --> 00:38:32,400 Speaker 5: It wasn't Roger. 668 00:38:32,679 --> 00:38:34,960 Speaker 11: There wasn't anyone there on the street. 669 00:38:39,320 --> 00:38:45,559 Speaker 3: And there you were, Oh, Roger last I've be looking 670 00:38:45,760 --> 00:38:48,840 everywhere for you, know, dearest, Oh. 671 00:38:48,840 --> 00:38:52,159 Speaker 5: I knew you were alive all the time. I kept looking, 672 00:38:52,639 --> 00:38:55,679 I kept following you. I never gave up. 673 00:38:56,039 --> 00:38:59,880 Speaker 3: You were following me, Yes, well, I was looking for you. 674 00:39:01,039 --> 00:39:03,280 I couldn't find you with the honeymoon suite. And then 675 00:39:03,519 --> 00:39:07,719 in Los Angeles our old apartment, remember, well, you weren't 676 00:39:07,719 --> 00:39:11,440 there either, and I was confused. I kept trying to think, 677 00:39:11,480 --> 00:39:15,800 where would a go next? And then I knew, yes, yes, 678 00:39:15,840 --> 00:39:18,840 we left Los Angeles when I got the teaching job 679 00:39:18,880 --> 00:39:19,599 in Chicago. 680 00:39:19,719 --> 00:39:22,960 Speaker 5: That's just what I did. When I learned you were 681 00:39:22,960 --> 00:39:25,960 on your way to Acapulco, I just knew you were 682 00:39:25,960 --> 00:39:29,199 looking for me in the old, the old places. I 683 00:39:29,239 --> 00:39:30,559 tried to think, where you're. 684 00:39:30,480 --> 00:39:35,760 Speaker 3: Going NeXT's two minds with a single thought, because we've. 685 00:39:35,599 --> 00:39:37,559 Speaker 5: Been one since the day we were married. 686 00:39:37,639 --> 00:39:42,039 Speaker 3: Yes, Oh, and I knew. I knew that someday i'd 687 00:39:42,119 --> 00:39:42,519 find you. 688 00:39:44,519 --> 00:39:48,519 Speaker 5: Oh, let's go home, home to our apartment. 689 00:39:49,840 --> 00:39:53,039 Speaker 6: Well that isn't home for us anymore. 690 00:39:53,199 --> 00:39:57,000 Speaker 5: And Roger, dear, I know you've suffered a terrible shock. 691 00:39:57,079 --> 00:40:01,360 But we'll work it out together. You'll be f It'll 692 00:40:01,360 --> 00:40:02,280 take time, but. 693 00:40:02,880 --> 00:40:06,880 Speaker 6: Trust me, you don't understand, do you go? 694 00:40:07,039 --> 00:40:09,480 Speaker 5: I do, darling, and I'm going to help you. 695 00:40:09,599 --> 00:40:13,920 Speaker 3: No. No, I should have realized it's too soon. 696 00:40:14,960 --> 00:40:15,920 Speaker 5: But what's too soon? 697 00:40:17,039 --> 00:40:18,639 Speaker 6: You'll understand in time? 698 00:40:19,039 --> 00:40:21,039 Speaker 5: What is it? Roger? What are you trying to say? 699 00:40:21,119 --> 00:40:25,440 Speaker 3: I didn't realize the truth until I saw you, and 700 00:40:25,480 --> 00:40:30,559 now I know and you'll know soon too, my darling. 701 00:40:30,840 --> 00:40:34,760 Speaker 5: Roger, I trust you. If you say so, then that's 702 00:40:34,840 --> 00:40:35,280 enough for me. 703 00:40:36,559 --> 00:40:41,440 Speaker 6: Come here. It's time for us to go to be 704 00:40:41,599 --> 00:40:42,639 together always. 705 00:40:42,760 --> 00:40:46,960 Speaker 5: And that's all I want, Roger, is to be together always. 706 00:40:47,400 --> 00:40:49,199 Speaker 6: Hey, don't look so worried. 707 00:40:50,679 --> 00:40:53,400 Speaker 3: Let me tell you the trouble I had realizing just 708 00:40:53,880 --> 00:40:54,880 what was happening. 709 00:40:56,840 --> 00:41:01,360 Speaker 6: I'm sorry, Missus Gunners. There's no pulse, Dear God. 710 00:41:01,559 --> 00:41:15,480 Speaker 2: Missus Markle is dead. Love has a way of fulfilling 711 00:41:15,519 --> 00:41:20,800 itself across eternity. Anne and Roger Markle find each other, 712 00:41:21,480 --> 00:41:26,320 and Madge earth bound and mourning for her sister cannot 713 00:41:26,360 --> 00:41:28,760 know the joy Roger and Anne are sharing. 714 00:41:29,719 --> 00:41:31,639 Speaker 1: She will bury her sister's. 715 00:41:31,199 --> 00:41:35,639 Speaker 2: Body without the slightest inkling of Anne and Roger's present happiness. 716 00:41:36,199 --> 00:41:39,360 For they love one another and have found one another, 717 00:41:40,199 --> 00:41:41,960 and what more could either of the mask. 718 00:41:43,039 --> 00:41:44,000 Speaker 6: I'll be back shortly. 719 00:41:44,960 --> 00:41:47,920 Speaker 4: If you have not yet prepared your will, please listen carefully. 720 00:41:48,119 --> 00:41:50,119 Without a will, the laws of the state and not 721 00:41:50,280 --> 00:41:53,599 you will determine who receives your property and in what amounts, 722 00:41:53,719 --> 00:41:56,400 who manages the affairs of your estate. Your choice as 723 00:41:56,480 --> 00:41:59,440 guardian of your minor children may never be known. Your 724 00:41:59,440 --> 00:42:03,719 loved ones face unnecessary legal costs and needless court delays. Now, 725 00:42:03,760 --> 00:42:06,320 for only twelve ninety five, you can make your own 726 00:42:06,360 --> 00:42:09,159 will quickly and safely with the American Willkit. 727 00:42:09,280 --> 00:42:10,840 Speaker 1: You'll receive simple fill in the. 728 00:42:10,760 --> 00:42:14,119 Speaker 4: Blank will forms with easy to follow directions. The forms 729 00:42:14,159 --> 00:42:17,159 were prepared by lawyers to be valid in all fifty states. 730 00:42:17,559 --> 00:42:20,280 Order now, and you'll also receive free of charge, our 731 00:42:20,400 --> 00:42:23,840 easy reading Personal Protection Guide, giving you important tips and 732 00:42:23,920 --> 00:42:27,039 special information that can save you money. Now is the 733 00:42:27,079 --> 00:42:29,960 time to take advantage of this special mail order opportunity 734 00:42:30,079 --> 00:42:32,440 to order call toll free one eight hundred five four 735 00:42:32,480 --> 00:42:35,000 to two one two one two only twelve ninety five 736 00:42:35,039 --> 00:42:37,639 plus shipping. That's one eight hundred five four two one 737 00:42:37,719 --> 00:42:40,719 two one two money back. If not satisfied, call now 738 00:42:40,760 --> 00:42:43,440 one eight hundred five four to two one two one two. 739 00:42:44,800 --> 00:42:48,880 Speaker 3: The rent film car payment Peddy's braces. A wish I 740 00:42:49,000 --> 00:42:52,280 was made of money. I wish I could fall asleep. 741 00:42:52,480 --> 00:42:56,280 Speaker 1: Fan Man, help me to sleep, Christer Sanday. 742 00:42:55,719 --> 00:43:00,280 Speaker 12: It's me, but not with SAand these days for occasional sleeplessness. 743 00:42:59,800 --> 00:43:00,920 Speaker 1: I have composed. 744 00:43:01,719 --> 00:43:05,039 Speaker 4: Composed helps you fall asleep faster sooner than without it. 745 00:43:05,960 --> 00:43:12,320 Speaker 3: Oh, sleepier already well compose use only as directed col Poz. 746 00:43:12,320 --> 00:43:13,880 Speaker 1: Recommended by the Sandman. 747 00:43:25,920 --> 00:43:32,559 Speaker 2: Some people chase rainbows, others chase butterflies. We're all pursuing 748 00:43:32,719 --> 00:43:38,119 something in life, a hope, a dream, a mate, even happiness. 749 00:43:38,920 --> 00:43:42,320 And when the object of our pursuit is love, no 750 00:43:42,599 --> 00:43:46,480 barrier is too great to overcome. For love is the 751 00:43:46,559 --> 00:43:49,320 pot of gold at the end of the rainbow, the 752 00:43:49,360 --> 00:43:54,480 monarch butterfly of all human needs and emotions. And in 753 00:43:54,559 --> 00:43:58,280 our story just concluded it was the force that transcended 754 00:43:58,840 --> 00:44:04,400 even death. Our cast included Bessie Palmer, Joan Shay, Larry Haynes, 755 00:44:04,559 --> 00:44:08,599 Gil Mack, and Robert Maxwell. The entire production was under 756 00:44:08,639 --> 00:44:10,039 the direction of Hyman Brown. 757 00:44:15,599 --> 00:44:16,159 Speaker 4: Here on the. 758 00:44:16,119 --> 00:44:18,679 Speaker 10: Family Game Show, we've asked our contestant tyrants how often 759 00:44:18,719 --> 00:44:21,559 their children exercise? Parents, what's your answer? 760 00:44:21,719 --> 00:44:23,280 Speaker 5: One hour a day? What do you say? 761 00:44:23,360 --> 00:44:23,639 Speaker 7: Kids? 762 00:44:23,719 --> 00:44:29,519 Speaker 5: Almost never, except for ten minutes of recessed school. We 763 00:44:29,719 --> 00:44:30,559 have no idea. 764 00:44:30,840 --> 00:44:34,199 Speaker 10: Don't feel bad. Most parents overestimate the amount of exercise 765 00:44:34,239 --> 00:44:36,480 their kids get. They often think their kids get all 766 00:44:36,480 --> 00:44:39,400 the exercise they need at school. Now, don what's the 767 00:44:39,400 --> 00:44:41,320 winning answer? How much exercise. 768 00:44:40,840 --> 00:44:41,679 Speaker 5: Should kids get? 769 00:44:42,039 --> 00:44:44,400 Speaker 12: Well, Bob, it's one to two hours of vigorous exercise 770 00:44:44,440 --> 00:44:44,760 a day. 771 00:44:45,000 --> 00:44:45,199 Speaker 5: You know. 772 00:44:45,360 --> 00:44:48,159 Speaker 12: Daily exercises a must for all of us, especially young people. 773 00:44:48,280 --> 00:44:50,039 One to two hours each day will keep young people 774 00:44:50,079 --> 00:44:53,000 fit and healthy, mora alert for school, better, able to handle. 775 00:44:52,719 --> 00:44:53,920 Speaker 1: Stress off the streets. 776 00:44:54,000 --> 00:44:54,840 Speaker 5: Out of trump. 777 00:44:58,480 --> 00:45:01,159 Speaker 12: Parents, you can win big where daily exercises a part 778 00:45:01,199 --> 00:45:07,480 of your family game. Remember a message from the President's 779 00:45:07,480 --> 00:45:09,199 Council on Physical Fitness and Sports. 780 00:45:11,079 --> 00:45:11,679 Speaker 1: This is E. G. 781 00:45:11,880 --> 00:45:15,239 Speaker 2: Marshall inviting you to return to our Mystery theater for 782 00:45:15,360 --> 00:45:44,440 another adventure in the macabre. Until next time, Pleasant Dreams. 783 00:45:45,639 --> 00:45:49,360 Speaker 13: You're listening to WW changers Radio Mattie five. I'm Earl Dickinson, 784 00:45:50,039 --> 00:45:51,960 and in the next few minutes we will have complete 785 00:45:52,000 --> 00:45:55,159 details of these stories of police chasing Detroit ends in 786 00:45:55,239 --> 00:45:59,480 the arrest of a man wanted for murder. A Classic 787 00:45:59,559 --> 00:46:05,239 Tucker automobile auctions for a record price. Communication workers at 788 00:46:05,280 --> 00:46:08,920 Michigan Bell give the okay to a new contract over there. 789 00:46:09,480 --> 00:46:13,400 These stories coming up along with sports at one point 790 00:46:13,400 --> 00:46:15,760 fifteen and you know by now the Toronto Blue J's 791 00:46:15,800 --> 00:46:18,079 they have gotten back into this playoff series with the 792 00:46:18,280 --> 00:46:22,239 Oakland A's. Weather Command predicts partly cloudy and cool this morning, 793 00:46:22,280 --> 00:46:25,840 a low in the upper thirties, very chilly Saturday. Later 794 00:46:25,880 --> 00:46:29,280 today partly cloudy, windy, cool, ahi only about fifty two 795 00:46:29,360 --> 00:46:32,440 degrees wog. Ahead to Sunday, partially sunny, another chili day, 796 00:46:32,519 --> 00:46:36,280 maybe an afternoon sprinkle Hi purshing that fifty degree mark. 797 00:46:36,320 --> 00:46:41,679 Speaker 2: All news, all the time, News Radio ninety five WWJ, 798 00:46:42,079 --> 00:46:44,760 didwe CBS News. 799 00:46:44,960 --> 00:46:45,880 Speaker 1: I'm Jim Shennaby. 800 00:46:46,079 --> 00:46:48,920 Speaker 5: Some low income elderly folks can sleep a little easier. 801 00:46:49,039 --> 00:46:52,599 Speaker 12: The Senate has refused to repeal catastrophic health coverage. The 802 00:46:52,679 --> 00:46:55,519 upper chamber instead voted to preserve some benefits of the 803 00:46:55,559 --> 00:46:57,599 plan while killing off the unpopular circle.