WEBVTT

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<v Speaker 1>Thanks for tuning in to another show in the next

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<v Speaker 1>real family of film podcasts.

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<v Speaker 2>I want to skip those ads and get early access.

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<v Speaker 1>Become a member at true story dot fm, slash Joint,

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<v Speaker 1>and discover all the other great perks that come with it.

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<v Speaker 2>The film board gathers in the Gang of Thugs is

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<v Speaker 2>going Dino hunting by Sea, Jungle and Sky and Gareth

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<v Speaker 2>Edwards launch of the proposed next trilogy with Jurassic World

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<v Speaker 2>rebirth Doctor Henry Lumis.

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<v Speaker 3>This is Zora Bennett, our mission specialists.

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<v Speaker 4>Sorry, what mission?

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<v Speaker 3>This would be a medical breakthrough that could save countless lives.

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<v Speaker 3>It comes from the largest dinosaurs on the planet.

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<v Speaker 5>Oh my god.

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<v Speaker 3>Fortunately for us, all these species exist in one isolated place.

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<v Speaker 5>Can you be ready tomorrow? I can guarantee your safety here,

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<v Speaker 5>I mean more or less.

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<v Speaker 3>More or less, he's your guy.

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<v Speaker 5>We're the best that moving things and people and a

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<v Speaker 5>lot of places they shouldn't be well put towards Barbados

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<v Speaker 5>avoid government patrol. But aren't that many anymore?

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<v Speaker 2>What's that?

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<v Speaker 3>No one's dumb enough to go where we're going.

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<v Speaker 5>Because island was the research facility for the original Jurassic Park.

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<v Speaker 3>We need DNA from the three biggest dinosaurs.

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<v Speaker 4>Do we have to get a sample from an egg?

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<v Speaker 1>I suppose we could try and get it from the parent,

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<v Speaker 1>but they're flying Carnival the size of an F sixteenth.

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<v Speaker 1>Maybe we should make it quick.

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<v Speaker 2>Just as amber trapped mosquitoes once preserved prehistoric DNA, the

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<v Speaker 2>very spark that brought dinosaurs roaring into existence, Rebirth revides

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<v Speaker 2>a franchise weaving strands of nostalgia new genetic twists for

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<v Speaker 2>a modern audience. Tonight, we'll explore how narrative, visuals, directing,

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<v Speaker 2>and performance can I'm buying to resurrect that primordial wonder

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<v Speaker 2>while having a bit of fun right at the water's edge.

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<v Speaker 2>Your guides this month none other than a full squad

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<v Speaker 2>of dino might adventurers. I'm Pete Wright, and today we've

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<v Speaker 2>got Steve Sarmento, Tommy Matt's the third, Justin, JJ Yeager

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<v Speaker 2>and Mandy Kappan, all here to figure out if cloning

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<v Speaker 2>dinosaur movies is still a good idea, or if it's

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<v Speaker 2>finally time to nuke the islands from space. High Team. Hi,

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<v Speaker 2>welcome to the show. I'm so glad you're all here.

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<v Speaker 2>I have to ask to start we got opening thoughts

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<v Speaker 2>are very important to one member of the team in particular,

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<v Speaker 2>and as the person who champions baby dinosaurs the most,

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<v Speaker 2>I would I like to open the floor to Tom Thomas,

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<v Speaker 2>what did you think of Rebirth?

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<v Speaker 5>Well, first of all, it's a pleasure to be here

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<v Speaker 5>and a happy baby Segasaurus to all of you. As

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<v Speaker 5>we know, I'm a real dino head. I have been

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<v Speaker 5>a proponent for these movies ever since the first one

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<v Speaker 5>came out. I've been trying to catch any of that

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<v Speaker 5>fever since Chasing That Dragon, and it has never come through.

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<v Speaker 5>But I thought, hey, I kind of like this directory

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<v Speaker 5>they have the screenplay person from the first one. I

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<v Speaker 5>heard hype that it was going to be darker and smaller,

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<v Speaker 5>and instead we got this movie.

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<v Speaker 3>Let me just start by saying, I liked two things

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<v Speaker 3>in this movie. Oh my gosh, I can't wait to

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<v Speaker 3>hear what they are. You like two things. I'm so

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<v Speaker 3>happy you like two things. I liked to oh my gosh.

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<v Speaker 5>And Mandy maybe knows what it is because Mandy and

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<v Speaker 5>Night were next to each other. Oh no, I like

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<v Speaker 5>three things, and one of them my favorite part of

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<v Speaker 5>the entire movie was Mandy's reclining chair, an noise.

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<v Speaker 4>Every time she did a very tiny bladder and I

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<v Speaker 4>had to pee a lot, and I would come back

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<v Speaker 4>every time I'd be like, oh, I have to peek

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<v Speaker 4>and Tommy and that was highly entertaining and I'm sorry

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<v Speaker 4>that the rest of you did not have that experience.

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<v Speaker 2>Really, the theater experiments experience is everything for me. Like this,

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<v Speaker 2>I think that's really important. Okay, so we've got three things.

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<v Speaker 2>One of them has already been mentioned for tom We'll

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<v Speaker 2>see how that plays out. JJ, you seem to be

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<v Speaker 2>particularly bearish on this movie.

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<v Speaker 3>Is I'm I'm beside myself and I know, I mean,

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<v Speaker 3>we do this movie, this franchise multiple times for all

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<v Speaker 3>the reasons that Tommy mentioned, and we do a ton

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<v Speaker 3>of franchise movies in the film board because we're connected,

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<v Speaker 3>we feel things, and you know, some of the some

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<v Speaker 3>of what we do is based on the idea that

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<v Speaker 3>people are going to be talking about a movie that's

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<v Speaker 3>coming out, and this movie I don't believe anyone is

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<v Speaker 3>going to be talking about. I think this is essentially

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<v Speaker 3>what I felt throughout the film was we're still doing

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<v Speaker 3>this and I mean this at every level right in

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<v Speaker 3>the filmmaking in the film board in reality, like how

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<v Speaker 3>are we still doing this over and over again? Like

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<v Speaker 3>let's let's try something different, because this is I mean,

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<v Speaker 3>there's there's so much that makes me angry about this film,

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<v Speaker 3>and the ridiculousness in this film is legion. There is

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<v Speaker 3>so much that is needn't have bothered about. So many

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<v Speaker 3>turns in this film are completely valueless. So I would

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<v Speaker 3>this is why you got my very loud reaction when

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<v Speaker 3>I heard that there are things that people like that's

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<v Speaker 3>what I need here, because it was it was worthless

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<v Speaker 3>to me.

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<v Speaker 2>Oh, dear, okay, JJ coming in hot Steve, if I remember,

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<v Speaker 2>you are a massive booster for David Cap, right, I

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<v Speaker 2>think you really love David cap.

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<v Speaker 3>Is that right?

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<v Speaker 2>No? Oh, I don't know why you're getting that problem.

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<v Speaker 2>That's right, there are there are.

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<v Speaker 1>Things, but I really, after I reflect on this, mom,

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<v Speaker 1>I thought, you know, this movie is the perfect metaphor

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<v Speaker 1>for itself. You have a world where people have grown

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<v Speaker 1>in different to dinosaurs. You've got creative people trying to

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<v Speaker 1>make the biggest, baddest mutated thing, and they're slapping stuff

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<v Speaker 1>together and sometimes you end up with these ugly, horrible results.

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<v Speaker 1>You've got greedy corporations that are just trying to make

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<v Speaker 1>a profit above anything else. And in the end, families

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<v Speaker 1>are left abused and traumatized and they just wanted to

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<v Speaker 1>spend time together. And that's this movie, and that is

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<v Speaker 1>what's going on with this franchise at this point.

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<v Speaker 2>How Well said that was really well said. That was

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<v Speaker 2>a parade of truth. I appreciate that, Steve. And coming

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<v Speaker 2>to us from the reptile room in a veterinarian clinic

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<v Speaker 2>this week is really extraordinary. Mandy. The first thing that

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<v Speaker 2>I heard from tom about your adventures to go see

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<v Speaker 2>this movie together was, Mandy's really mad at me because

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<v Speaker 2>we're doing this movie and she's grudge watching it. Is

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<v Speaker 2>that accurate?

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<v Speaker 4>I'm going to say the thing that always gets a reaction.

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<v Speaker 4>You ready, I've never seen Jurassic Park insane. I've never

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<v Speaker 4>seen any of these movies start right, So I thought,

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<v Speaker 4>But I love you guys, and I love the film board,

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<v Speaker 4>and I'm becoming a nerd, so I wanted to jump

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<v Speaker 4>in and try this. But I did have a positive

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<v Speaker 4>that Tommy's not being honest about how much he enjoyed

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<v Speaker 4>one feature of this movie a lot, and throughout the movie.

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<v Speaker 4>I snuck in hallapeno cheddar powder for our popcorn.

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<v Speaker 5>Right, cont so good.

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<v Speaker 4>And that was fantastic. No, Jesus refuses to like anything

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<v Speaker 4>about this movie.

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<v Speaker 3>This is not a liking. This is the concept that

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<v Speaker 3>contraband exists. I've worked at multiple theaters in my life.

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<v Speaker 3>It's really not a thing anyway. Go on, Okay, well, getting.

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<v Speaker 2>Some real no butt energy from JJ's corner to call

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<v Speaker 2>this this.

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<v Speaker 4>So I enjoyed my popcorn.

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<v Speaker 2>Okay, that's something, all right, I have to say, I

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<v Speaker 2>echo Steve. I feel like this movie. I could not

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<v Speaker 2>help but wonder if they knew they were lampooning themselves

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<v Speaker 2>as they you know, seen after scene was was addressing

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<v Speaker 2>the meta issue of whether we should be watching this

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<v Speaker 2>movie or if we should just put it to bed.

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<v Speaker 2>I liked more about the last set of Jurassic World

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<v Speaker 2>movies than I did about this one, and that's largely

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<v Speaker 2>to say that for me, the dinosaurs are fun on screen,

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<v Speaker 2>and most of them I thought looked really good and interesting,

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<v Speaker 2>and anytime a dinosaur is eating someone, I'm into it.

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<v Speaker 2>And the problem is that there are humans in the movie,

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<v Speaker 2>and they have been given scripts with words that just

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<v Speaker 2>don't work. And I think I think some of our

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<v Speaker 2>principal cast were miscast in their worst way. This is

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<v Speaker 2>a thing we've talked about before, which is, you know,

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<v Speaker 2>when you have sometimes a charismatic performer can bring dead

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<v Speaker 2>material to life by the sheer power of will and

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<v Speaker 2>that charisma. And sometimes you have just actors that are very,

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<v Speaker 2>very talented at their craft and they cannot do anything

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<v Speaker 2>with mud and what they were handed. Actors that I

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<v Speaker 2>otherwise like were given mud in this script and it

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<v Speaker 2>just didn't play the last point before we I promise

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<v Speaker 2>we'll move on. Is I forgot my last point? Oh no,

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<v Speaker 2>that's probably telling.

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<v Speaker 3>Well, maybe what you could do is talk about it

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<v Speaker 3>sarcastically and just avoid discussing what it actually is, so

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<v Speaker 3>that the audience is left to kind of figure out

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<v Speaker 3>what really happened and guess at it as opposed to

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<v Speaker 3>really finding out what the story is about. That would

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<v Speaker 3>be very much like watching this movie.

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<v Speaker 4>Or you could glisten.

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<v Speaker 3>And like maybe maybe like like giggle kind of flirtatiously

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<v Speaker 3>in an environment that makes no sense for it. That

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<v Speaker 3>would work too.

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<v Speaker 5>Yeah, Now to your point, Pete, I mean they at

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<v Speaker 5>the read through, they must have noticed that Scarlett Johansson,

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<v Speaker 5>who I really really like, can't deliver that type of joke,

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<v Speaker 5>which is a deadpan kind of sarcastic, slightly quippish, but

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<v Speaker 5>still underwritten. She can't do it, and then the movie

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<v Speaker 5>has her do it nineteen times. It's a disaster.

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<v Speaker 4>I don't even remember and attempt at a joke. Honestly,

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<v Speaker 4>I'm not making a joke.

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<v Speaker 5>Well, the audience didn't catch it either, but there were

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<v Speaker 5>a bunch He kept trying to, like sarcastically make people

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<v Speaker 5>do stuff or say things, and it just it was

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<v Speaker 5>completely wooden and weird. And I really like her, but

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<v Speaker 5>it's just the movie didn't adapt to that fact of, oh,

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<v Speaker 5>we need to write jokes. It can't. Like Ryan Reynolds

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<v Speaker 5>can present that type of a joke and people will laugh.

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<v Speaker 5>She cannot.

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<v Speaker 3>So much of her interactions with Loomis. With Loomis was

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<v Speaker 3>like that, right, whereas she like Loomis is the doctor,

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<v Speaker 3>he's the he's the brainy one. No, he's the guy

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<v Speaker 3>fear of.

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<v Speaker 4>Yeah.

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<v Speaker 3>Think about the recruitment scene where she and the evil

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<v Speaker 3>guy are sitting closely together even though they literally just met,

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<v Speaker 3>and she hasn't really even accepted the job. But now

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<v Speaker 3>all of a sudden, they're a team to try to

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<v Speaker 3>recruit the doctor to join, and they are having this

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<v Speaker 3>interaction that's loaded with these kind of sarcastic quips that

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<v Speaker 3>like none of them hit as jokes, and you have

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<v Speaker 3>no chemistry between the characters because they haven't been established

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<v Speaker 3>as a relation. They don't even really like each other.

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<v Speaker 3>There's there's really nothing to go off of. And so

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<v Speaker 3>even Tommy, I love what you're saying, but I actually

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<v Speaker 3>don't even think it's any I think it's more what

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<v Speaker 3>Pete's saying, and that it has really nothing to do

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<v Speaker 3>with Scarlett Johansson. It has to do with an utterly

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<v Speaker 3>confusing script that makes no sense of character interaction at all.

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<v Speaker 4>It felt like it was written by AI. It was

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<v Speaker 4>just the most generic, lowest common denominator, obvious, terribly unnuanced.

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<v Speaker 5>If you look really carefully at the credits cap, the

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<v Speaker 5>oh is this zero is? At least that took me

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<v Speaker 5>a long time.

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<v Speaker 1>I ask for Mandy to come in with her tagline, Mandy,

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<v Speaker 1>you missed your cue.

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<v Speaker 2>There's a script?

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<v Speaker 1>Yeah, right, that was the question about this whole movie.

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<v Speaker 2>Where is it? Yeah?

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<v Speaker 4>Before we record I'll let you guys know how ditsy

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<v Speaker 4>I am, but whilst recording I like to appear very knowledgeable.

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<v Speaker 2>This is the Fountain of Youth problem, Like this is

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<v Speaker 2>I mean, you say, this isn't a Scarlet Johanson problem,

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<v Speaker 2>and it's not really Scarlett Johanson's problem. But Fountain of Youth,

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<v Speaker 2>which is another Apple TV original, has John Krasinsky and

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<v Speaker 2>Natalie Portman, and it has the same script problems. The

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<v Speaker 2>script is terrible, and yet Krasinski, through power of will

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<v Speaker 2>and charisma, can make stupid words come out charmingly and

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<v Speaker 2>I enjoy watching him do it. And Natalie Portman, whom

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<v Speaker 2>I adore as an actor and find so many of

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<v Speaker 2>her very serious works fantastic, is completely dead wood in

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<v Speaker 2>the movie. She also cannot deliver the kind of of

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<v Speaker 2>sort of insipid language that is rife in that script.

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<v Speaker 2>I'm all about a dumb movie, but casting the right

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<v Speaker 2>performer to do it is so critical, And Scarlett Johansson

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<v Speaker 2>was handed this wet log of a script and was

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<v Speaker 2>asked to do something really incredible with it and be

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<v Speaker 2>and a strong character of agency that shoots guns and

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<v Speaker 2>hangs off of boats, and it just never conjured the

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<v Speaker 2>black widowness that we all know she can deliver. It

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<v Speaker 2>never once achieved that level of energy.

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<v Speaker 1>I'd like to add one thing about the script and

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<v Speaker 1>the problem with this franchise, and I think this might

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<v Speaker 1>be it. Because we went through the first trilogy, went

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<v Speaker 1>through the second trilogy. They're doing this and I don't

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<v Speaker 1>think anybody has really honed in on what makes a

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<v Speaker 1>Jurassic Park movie a Jurassic Park movie. They dialed that

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<v Speaker 1>in with Fast and Furious. Mind I figured that out,

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<v Speaker 1>and so now they can crank those out and they

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<v Speaker 1>can be silly, it can be ridiculous. I don't think

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<v Speaker 1>they've written any writer who's really cracked the code of

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<v Speaker 1>what makes the Jurassic Park movie the success that it is.

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<v Speaker 1>They've got the first one, other attempts and they've tried

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<v Speaker 1>various things, and I think that's the problem with this.

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<v Speaker 1>What is it supposed to be? Is it just people

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<v Speaker 1>with dinosaurs? Is it supposed to be you know, the

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<v Speaker 1>theme park?

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<v Speaker 2>What is it?

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<v Speaker 1>And I don't think it has a strong sense of

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<v Speaker 1>what ties it into that franchise, and so we get

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<v Speaker 1>something that feels like reheated other movies other things, because

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<v Speaker 1>there's no sense of identity of this is what a

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<v Speaker 1>Jurassic Park movie is supposed to be.

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<v Speaker 2>I think that's a really good question, Steve, and I

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<v Speaker 2>would love it if we could just lobby bandy this

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<v Speaker 2>about a little bit. What is a Jurassic Park movie?

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<v Speaker 5>Tom?

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<v Speaker 2>It's literally raising your hand, is what I do.

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<v Speaker 5>It's from the first book. It's running around in the dark.

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<v Speaker 5>It's being out matched, running around in the dark without

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<v Speaker 5>any equipment, without all these guns. You don't need this movie.

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<v Speaker 5>This franchise got obsessed with this idea that everyone instantly

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<v Speaker 5>becomes super bored with dinosaurs, which is so dumb. No

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<v Speaker 5>one's gonna get bored, And so they started.

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<v Speaker 3>Reinvent telling on themselves, telling themselves.

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<v Speaker 5>Yeah, I mean, and like the fact that we're still

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<v Speaker 5>this movie, as terrible as it is, is making a

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<v Speaker 5>zillion dollars, is doing it very very well. And so

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<v Speaker 5>people aren't bored with dinosaurs, but the movies insisting we are,

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<v Speaker 5>And so they have to keep creating new hybrids, new things.

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<v Speaker 5>You put the original unknowable creatures because we don't really

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<v Speaker 5>know what they are, and put them break a fence

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<v Speaker 5>and put people out in the dark, and not in

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<v Speaker 5>these crazy locales. We don't need tanks, we don't need guns,

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<v Speaker 5>we certainly don't need everything shot at noon. But like

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<v Speaker 5>people are afraid of the dark, and people are afraid

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<v Speaker 5>of nature in the dark and being hunted. Just go

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<v Speaker 5>back to that. That's what I was really hoping for

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<v Speaker 5>with this.

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<v Speaker 4>I liked the movie the second time I watched it

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<v Speaker 4>when it was called Jaws. That's what I thought this

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<v Speaker 4>movie was trying to be.

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<v Speaker 3>Yeah, it needs to be scarier, right, I mean, honestly so,

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<v Speaker 3>I think I was. I think one of my first

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<v Speaker 3>theater jobs was when the original Jurassic Park came through,

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<v Speaker 3>and I think that was back in the time when

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<v Speaker 3>I wasn't comfortable watching a scary movie, and that I

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<v Speaker 3>like the concept of it hearkening to Jaws or this

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<v Speaker 3>running in the dark concept, because really the fear or

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<v Speaker 3>the you think about the jump scares or the intense

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<v Speaker 3>dread scenes in the original Jurassic Park and even in

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<v Speaker 3>some of the good movies there are good movies in

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00:17:32.640 --> 00:17:36.000
<v Speaker 3>this franchise that came later. They stayed true to that

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00:17:36.119 --> 00:17:39.680
<v Speaker 3>in allowing us to tap into our fear in something

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00:17:39.759 --> 00:17:43.880
<v Speaker 3>that we are interestingly interested in, which I think is

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<v Speaker 3>a great way to do it. I think when we

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<v Speaker 3>saw the first Jurassic World movie here, that Chris Pratt piece,

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<v Speaker 3>you know, I thought that was a pretty decent movie,

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<v Speaker 3>that it was fun, it was a nice ride. This

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00:17:55.759 --> 00:18:00.960
<v Speaker 3>is completely sanitized, confusing, nonsense, and there's so many reasons

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<v Speaker 3>for it. You could even argue that the grandioseness of

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<v Speaker 3>the theme in the original is something that's really special

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<v Speaker 3>about this that doesn't even really play here either. They're

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00:18:12.200 --> 00:18:14.359
<v Speaker 3>getting rid of all of that. That piece of we're

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00:18:14.359 --> 00:18:16.519
<v Speaker 3>getting tired of our own stuff is what I feel

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<v Speaker 3>from this movie. And that's why I'm saying they're telling

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<v Speaker 3>on themselves. They don't even really care about this anymore,

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<v Speaker 3>and they're just letting it die, which is terribly sad.

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<v Speaker 2>Well, look at what you and Tom together just described

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<v Speaker 2>in picking out the first Jurassic Park and the first

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<v Speaker 2>Jurassic World. The thing that's fantastic about those movies, and

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<v Speaker 2>I say fantastic with a degree of cinematic relativism. The

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00:18:38.960 --> 00:18:41.880
<v Speaker 2>thing that is fantastic is that these are human systems

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00:18:41.880 --> 00:18:46.039
<v Speaker 2>that have been created that run amuck, and I can

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<v Speaker 2>see myself being in either one of them. I can

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<v Speaker 2>see myself being a visitor in one of these parks

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<v Speaker 2>and having the horror show of the fence breaking down

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<v Speaker 2>and being terrified of that. That's what makes those movies

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<v Speaker 2>special and provocative. And as soon as they give the

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<v Speaker 2>the people a mission you've got to go in and

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00:19:08.039 --> 00:19:11.880
<v Speaker 2>predator this island, it becomes nonsense because I can no

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00:19:12.000 --> 00:19:15.920
<v Speaker 2>longer see myself doing it. I'm never going to take

335
00:19:16.200 --> 00:19:19.960
<v Speaker 2>the neurotoxin in let's hang a flag on neurotoxin and

336
00:19:20.119 --> 00:19:24.119
<v Speaker 2>never effing use it at all. I have thoughts about

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00:19:24.160 --> 00:19:25.119
<v Speaker 2>those kinds of things.

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<v Speaker 3>This movie.

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00:19:25.839 --> 00:19:28.079
<v Speaker 2>I'm never going to be on that damn boat. I'm

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00:19:28.119 --> 00:19:31.759
<v Speaker 2>never going to be there. This lost the soul of

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00:19:31.880 --> 00:19:34.440
<v Speaker 2>running around in the dark. Hat tip, Tom. That was

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00:19:34.599 --> 00:19:35.799
<v Speaker 2>just a perfect way.

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<v Speaker 4>To do it, unless you have a criminally reckless father

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00:19:39.680 --> 00:19:42.839
<v Speaker 4>who takes you and your little sister and your stoner

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00:19:42.920 --> 00:19:46.119
<v Speaker 4>boyfriend through the no supply.

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<v Speaker 5>Yeah.

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00:19:47.480 --> 00:19:50.920
<v Speaker 4>I mean, they're the ones that were supposed to relate to, right,

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<v Speaker 4>They're the ones we're supposed to feel like.

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<v Speaker 5>They're the audience. Yeah, yeah, because I know if my

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00:19:56.160 --> 00:19:59.920
<v Speaker 5>child was going to go across a river to a boat,

351
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<v Speaker 5>I spent the whole time going come, come, come, Come, Come, Come, Come,

352
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<v Speaker 5>it's god, my knee doesn't work. My knee is fine.

353
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<v Speaker 5>My knee doesn't work, is fine.

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<v Speaker 4>Now I'm going to run right And the repetitive moments,

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<v Speaker 4>I mean, I hope we get into that a little bit,

356
00:20:17.880 --> 00:20:21.839
<v Speaker 4>but anyway, I think that's a failure in itself. Our

357
00:20:22.359 --> 00:20:27.559
<v Speaker 4>connecting characters are idiots. I mean, I'm sorry, and also

358
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<v Speaker 4>not funny.

359
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<v Speaker 3>Now he's again what we're idiots? That's the point, right.

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<v Speaker 5>The boy The boyfriend was supposed to be funny, yes, no,

361
00:20:41.480 --> 00:20:45.039
<v Speaker 5>but he's not. He was underwritten everything this This was

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<v Speaker 5>a very first draft script that they forgot to punch

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<v Speaker 5>up or they just assumed people will be able to

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00:20:52.119 --> 00:20:54.319
<v Speaker 5>deliver these lines, and like Pete said, it takes a

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<v Speaker 5>certain type of actor to deliver these type of under

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<v Speaker 5>under underwritten lines and the move I mean it was

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<v Speaker 5>I was embarrassed for the movie. Many and I saw it,

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<v Speaker 5>and it was the theater was full and silent.

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<v Speaker 3>Yeah, I laughed at it repeatedly of like, what do

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<v Speaker 3>you think I'm gonna say about this movie?

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<v Speaker 4>Like, oh, I was jealous of a little kid who

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<v Speaker 4>was too scared and his mom had to take him

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<v Speaker 4>out in the lobby and wait for the rest of

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<v Speaker 4>the family, and when I peed for the fourth time,

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<v Speaker 4>I was like, you nailed call.

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<v Speaker 5>Call.

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<v Speaker 4>You're out in a lobby, running around the hall. Whatever

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<v Speaker 4>you're doing, it's better than what I'm doing.

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<v Speaker 2>I want to transition to Garrett Edwards because you know,

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<v Speaker 2>we've talked about Edwards on this show before. We've talked

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<v Speaker 2>about Godzilla. One of the great single shots of Godzilla,

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<v Speaker 2>where much of the movie I feel like it's is

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<v Speaker 2>sort of lost in sense memory. I remember it. I

384
00:21:50.920 --> 00:21:53.119
<v Speaker 2>remember feeling that it was kind of a it was

385
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<v Speaker 2>a middling to fair movie, that it was good, with

386
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<v Speaker 2>some incredibly beautiful sequences and shots, one of them being

387
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<v Speaker 2>the sky diving the Halo divers who jumped out of

388
00:22:03.640 --> 00:22:07.279
<v Speaker 2>the plane and dove through the red smoke. It seems

389
00:22:08.079 --> 00:22:10.799
<v Speaker 2>it's possible that Gareth Edwards has a thing for red

390
00:22:11.119 --> 00:22:16.240
<v Speaker 2>and red smoke. There are some I think beautiful sequences

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<v Speaker 2>of emerging dinosaurs and the disastrous Rex. I guess is

392
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<v Speaker 2>that what it's called the d Rex. There is a

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00:22:25.839 --> 00:22:29.400
<v Speaker 2>moment you can kind of feel that Edwards is trying

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<v Speaker 2>to conjure Spielberg's tendency to hide the big bad and

395
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<v Speaker 2>just show us little bits of it and its weird head.

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<v Speaker 2>And I imagine if I liked the movie more, I

397
00:22:42.119 --> 00:22:45.680
<v Speaker 2>would have been more impacted by those choices, because I

398
00:22:45.759 --> 00:22:50.160
<v Speaker 2>do think they were legitimately beautiful smoke reveals. I think

399
00:22:50.160 --> 00:22:53.920
<v Speaker 2>they looked great, and they could have been really scary thoughts.

400
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<v Speaker 3>The point that I have difficulty with that, Like I

401
00:22:56.400 --> 00:22:58.759
<v Speaker 3>want to give you that point. I want to be

402
00:22:58.799 --> 00:23:01.599
<v Speaker 3>able to be objective and to see the points in

403
00:23:01.640 --> 00:23:04.480
<v Speaker 3>filmmaking that are coming there. But the d Bag or

404
00:23:04.480 --> 00:23:08.079
<v Speaker 3>the d Rex, Like, the thing that's problem with it

405
00:23:08.119 --> 00:23:10.960
<v Speaker 3>is it's no longer a dinosaur, right. I mean, if

406
00:23:11.000 --> 00:23:12.880
<v Speaker 3>we said it's running in the dark, that's one thing,

407
00:23:12.880 --> 00:23:16.319
<v Speaker 3>but also it's dinosaurs. We no longer have dinosaurs anymore.

408
00:23:16.359 --> 00:23:19.400
<v Speaker 3>And we started down this path eight movies ago, four

409
00:23:19.400 --> 00:23:21.720
<v Speaker 3>movies ago. But the point is, like, now we have

410
00:23:21.839 --> 00:23:25.279
<v Speaker 3>this thing that we've just created that's just a big monster,

411
00:23:25.559 --> 00:23:29.359
<v Speaker 3>and it's no longer the innovation or the specialness of

412
00:23:29.400 --> 00:23:32.599
<v Speaker 3>the dinosaur aspect of it is completely lost because they

413
00:23:32.599 --> 00:23:35.720
<v Speaker 3>are trying to create a mutant that's scary, and there's

414
00:23:36.079 --> 00:23:38.359
<v Speaker 3>that's a whole different movie. That's not what this that's

415
00:23:38.400 --> 00:23:41.160
<v Speaker 3>not what we're going to see here. Show me the dinosaurs.

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<v Speaker 2>But toja, you forget that after the first movie there

417
00:23:44.480 --> 00:23:47.640
<v Speaker 2>are only five dinosaurs in the universe, so we have

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00:23:47.759 --> 00:23:52.799
<v Speaker 2>to genetically create them or else there are no more dinosaurs.

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<v Speaker 2>That's one of the things that bugged me more than

420
00:23:54.880 --> 00:23:58.279
<v Speaker 2>anything about this movie that they keep forgetting how many

421
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<v Speaker 2>dinosaurs there are that are legitimately scary, Like, like, they

422
00:24:03.240 --> 00:24:07.000
<v Speaker 2>haven't played very much with dinosaur insects. Those things are

423
00:24:07.200 --> 00:24:08.279
<v Speaker 2>creepy and.

424
00:24:08.359 --> 00:24:10.960
<v Speaker 5>No, instead we got locusts for that whole one movie.

425
00:24:11.160 --> 00:24:12.119
<v Speaker 2>Right, that's right.

426
00:24:12.359 --> 00:24:19.400
<v Speaker 5>Do you remember that those were those were metallic ants?

427
00:24:19.720 --> 00:24:24.400
<v Speaker 1>Yes, right, Well, and we took this the frightening t

428
00:24:24.559 --> 00:24:27.519
<v Speaker 1>rex from the first one and we turned it into

429
00:24:27.599 --> 00:24:30.440
<v Speaker 1>this punchline where the raft inflates and then when it

430
00:24:30.440 --> 00:24:33.359
<v Speaker 1>falls down, the t rex is moved away very quickly.

431
00:24:33.400 --> 00:24:36.160
<v Speaker 1>I was like, so this was the stealthiest t rex ever.

432
00:24:36.200 --> 00:24:39.200
<v Speaker 1>Where when it's introduced in the first one, one step

433
00:24:39.599 --> 00:24:42.640
<v Speaker 1>shakes the ground, ripples the water. This one just like

434
00:24:43.000 --> 00:24:45.920
<v Speaker 1>rolls over and sneaks off. Despite the fact that the

435
00:24:45.920 --> 00:24:48.680
<v Speaker 1>rest of the family can see what that t rex did.

436
00:24:49.200 --> 00:24:51.400
<v Speaker 1>But for the audience, where did it go? I'm like,

437
00:24:51.759 --> 00:24:53.640
<v Speaker 1>she heard it? She should have heard it. I'm like,

438
00:24:53.880 --> 00:24:58.440
<v Speaker 1>I like the visual gag wrong time for wrong dinosaur,

439
00:24:58.960 --> 00:25:00.839
<v Speaker 1>or that you took the t rex and made it

440
00:25:00.960 --> 00:25:01.880
<v Speaker 1>something that it's not.

441
00:25:02.519 --> 00:25:05.799
<v Speaker 2>And now sometimes sometimes a t rex tiptoes like Scooby Doo.

442
00:25:06.039 --> 00:25:10.440
<v Speaker 5>Right, Oh my god, this movie is filled with tiptoeing

443
00:25:10.480 --> 00:25:15.119
<v Speaker 5>dinosaurs because the movie has the movie. Unfortunately Gareth Edwards

444
00:25:15.160 --> 00:25:18.799
<v Speaker 5>really he found one trick and did it six times.

445
00:25:18.839 --> 00:25:21.279
<v Speaker 5>I believe I counted, which is we're able to see

446
00:25:21.279 --> 00:25:25.039
<v Speaker 5>the dinosaur. The character can't. It's sneaking up behind it,

447
00:25:25.240 --> 00:25:27.640
<v Speaker 5>and something the size of a skyscraper is like adop,

448
00:25:27.680 --> 00:25:31.279
<v Speaker 5>noop nooop. Yeah, like just sort of like like steps

449
00:25:31.319 --> 00:25:34.279
<v Speaker 5>on a branch and is like like, I mean everyone

450
00:25:34.400 --> 00:25:39.079
<v Speaker 5>is so deaf or something. And I mean that's a

451
00:25:39.119 --> 00:25:44.200
<v Speaker 5>really weird effect to choose six times in a movie

452
00:25:44.279 --> 00:25:47.839
<v Speaker 5>filled with six dinosaurs sneaking up behind you every time?

453
00:25:48.000 --> 00:25:50.279
<v Speaker 5>What is that? Why would a director make that?

454
00:25:50.599 --> 00:25:54.400
<v Speaker 4>He chose to have Bella run into her father's arms

455
00:25:54.440 --> 00:25:58.720
<v Speaker 4>with him going oh, Bella, Bella sixteen times. It was

456
00:25:58.759 --> 00:26:02.720
<v Speaker 4>like the same beat over and over over. The whole

457
00:26:02.799 --> 00:26:08.039
<v Speaker 4>movie was just close call relief, close call relief. It

458
00:26:08.079 --> 00:26:12.880
<v Speaker 4>was relentless and then that secret's my favorite part.

459
00:26:13.200 --> 00:26:15.559
<v Speaker 5>Meaning, let's say, one of the many scenes that drove

460
00:26:15.599 --> 00:26:19.559
<v Speaker 5>me insane was the raft and then t Rex is

461
00:26:19.640 --> 00:26:23.160
<v Speaker 5>chasing them. They hide behind two stones and he tries

462
00:26:23.240 --> 00:26:24.680
<v Speaker 5>to put his face through it and he can't, and

463
00:26:24.720 --> 00:26:29.759
<v Speaker 5>he's like, and he leaves walk over the stonescraper.

464
00:26:30.079 --> 00:26:31.799
<v Speaker 4>It was like a kid getting their head caught in

465
00:26:31.799 --> 00:26:32.319
<v Speaker 4>the banister.

466
00:26:32.799 --> 00:26:36.400
<v Speaker 5>It was ridiculous. He turned into like, better luck next time.

467
00:26:36.440 --> 00:26:36.920
<v Speaker 3>A saurus.

468
00:26:36.920 --> 00:26:42.599
<v Speaker 5>He was like, he just the dinosaurs were stupid, even

469
00:26:42.680 --> 00:26:46.119
<v Speaker 5>for dinosaurs. That being said, I'm gonna name check the

470
00:26:46.119 --> 00:26:48.039
<v Speaker 5>one of the things that I loved about this movie,

471
00:26:48.559 --> 00:26:53.480
<v Speaker 5>Sleepy t Rex. Oh, the rest of the t Rex

472
00:26:53.720 --> 00:26:56.039
<v Speaker 5>was kind of dumb, although he was my favorite dinosaur

473
00:26:56.079 --> 00:26:59.160
<v Speaker 5>by far of the entire movie. But when he's just like, yeah,

474
00:26:59.200 --> 00:27:02.119
<v Speaker 5>I had a big and like it rolls over, I

475
00:27:02.240 --> 00:27:05.480
<v Speaker 5>just like started clapping. I was so excited. I me

476
00:27:05.599 --> 00:27:07.680
<v Speaker 5>the baby stegosaur feeling.

477
00:27:07.720 --> 00:27:10.039
<v Speaker 2>Well, that's what's interesting about that. I'm on Sleepy t

478
00:27:10.200 --> 00:27:13.160
<v Speaker 2>Rex team too. I found that super charming and funny

479
00:27:13.200 --> 00:27:16.880
<v Speaker 2>and what a like weird, wonderful idea to put it

480
00:27:16.920 --> 00:27:20.799
<v Speaker 2>sleeping like slumbering on this island. Yeah, like sm and

481
00:27:20.880 --> 00:27:22.960
<v Speaker 2>Jerry idea though, guys, I mean little bit maybe it's

482
00:27:23.519 --> 00:27:25.480
<v Speaker 2>but I mean like we're this is yeah, okay, keep going.

483
00:27:25.559 --> 00:27:28.680
<v Speaker 2>But it's something we've never seen before, right, That's that's

484
00:27:28.960 --> 00:27:31.880
<v Speaker 2>compelling in its own rights. I'm surprised Tom that the

485
00:27:32.079 --> 00:27:34.880
<v Speaker 2>hybrid little like, I don't know, weird. Was it a

486
00:27:34.920 --> 00:27:39.480
<v Speaker 2>baby's trites Seratops. It was literally a baby trit Serratops Dolorus. Yeah,

487
00:27:39.480 --> 00:27:43.200
<v Speaker 2>Dolores didn't appeal to you more, and I'm I'm opening

488
00:27:43.240 --> 00:27:46.119
<v Speaker 2>the conversation with Dolores because I want to talk about kids.

489
00:27:46.279 --> 00:27:50.160
<v Speaker 2>But you first access to grind on Dolores.

490
00:27:51.039 --> 00:27:53.680
<v Speaker 5>Access to grind about most of the dinosaurs is there's

491
00:27:53.799 --> 00:27:56.880
<v Speaker 5>so little practicality that everything. I just didn't think it

492
00:27:56.920 --> 00:27:59.279
<v Speaker 5>looked good. I thought that would be the part that

493
00:27:59.319 --> 00:28:01.440
<v Speaker 5>we could do. So for a movie that was very

494
00:28:01.440 --> 00:28:04.200
<v Speaker 5>excited about. We went to Peru. We filmed in Peru.

495
00:28:04.400 --> 00:28:06.160
<v Speaker 5>A lot of this movie was filmed in a room

496
00:28:06.759 --> 00:28:09.160
<v Speaker 5>because there was so much green screen, and a lot

497
00:28:09.160 --> 00:28:11.359
<v Speaker 5>of the dinosaurs just looked bad. I didn't believe that

498
00:28:11.359 --> 00:28:14.319
<v Speaker 5>they're crushing those plants. It doesn't look like it's slicing

499
00:28:14.319 --> 00:28:17.359
<v Speaker 5>through the water. And Dolores looked really fake and dumb.

500
00:28:17.359 --> 00:28:22.599
<v Speaker 5>And was so panderingly Disney like, it didn't do anything.

501
00:28:22.640 --> 00:28:25.000
<v Speaker 5>It was just sort of like squeak, squeak, squeak. And

502
00:28:25.039 --> 00:28:28.200
<v Speaker 5>then at least at the very end of the movie,

503
00:28:28.640 --> 00:28:31.799
<v Speaker 5>it's in a backpack heading towards a climate which we

504
00:28:31.839 --> 00:28:35.880
<v Speaker 5>know kills all the dinosaurs, like Dolores is not going

505
00:28:35.920 --> 00:28:38.400
<v Speaker 5>to make it. That's the one thing that started with

506
00:28:38.519 --> 00:28:41.519
<v Speaker 5>is dinosaurs can't leave this forest, and she's like, hop in,

507
00:28:41.599 --> 00:28:43.920
<v Speaker 5>I'm going to feed you more twizzlers.

508
00:28:44.200 --> 00:28:47.359
<v Speaker 2>Yea is a little girl who's going to be very sad.

509
00:28:47.839 --> 00:28:49.799
<v Speaker 3>Yes, I think what you missed in the run up

510
00:28:49.799 --> 00:28:51.359
<v Speaker 3>to this film is that this is a collab with

511
00:28:51.400 --> 00:28:57.200
<v Speaker 3>the Land Before Time. So funny the river I agree

512
00:28:57.200 --> 00:28:59.319
<v Speaker 3>with you, though. I mean the river sequence in particular

513
00:28:59.400 --> 00:29:03.559
<v Speaker 3>looked really bad. I mean I never, at once, at

514
00:29:03.640 --> 00:29:07.000
<v Speaker 3>any time thought that the t rex was actually physically

515
00:29:07.119 --> 00:29:10.400
<v Speaker 3>close to the raft, So it was all the you know,

516
00:29:10.480 --> 00:29:13.279
<v Speaker 3>suspension of disbelief for me to even get there with

517
00:29:13.440 --> 00:29:17.599
<v Speaker 3>any of the harrowing and any of the activities. So yeah,

518
00:29:17.640 --> 00:29:19.319
<v Speaker 3>I had a lot of problems with how it looked

519
00:29:19.359 --> 00:29:22.319
<v Speaker 3>and that again we're let's go back to Pete's original question,

520
00:29:22.440 --> 00:29:24.279
<v Speaker 3>what is the first movie about right. We said running

521
00:29:24.279 --> 00:29:26.400
<v Speaker 3>in the dark, we said dinosaurs. The other thing that

522
00:29:26.440 --> 00:29:28.960
<v Speaker 3>was so special, but the initial Jurassic Park and Mandy,

523
00:29:29.000 --> 00:29:32.240
<v Speaker 3>you should see it because when they made it, it

524
00:29:32.640 --> 00:29:37.000
<v Speaker 3>spectacularly looked good. It still does and it holds up

525
00:29:37.039 --> 00:29:40.119
<v Speaker 3>to so much of it was practical exactly like that.

526
00:29:40.400 --> 00:29:43.000
<v Speaker 3>This movie, this franchise is meant to be about that too.

527
00:29:43.160 --> 00:29:45.759
<v Speaker 2>I think, well, here's the here's the other piece that

528
00:29:45.799 --> 00:29:48.000
<v Speaker 2>I think is really critical that we don't have in

529
00:29:48.000 --> 00:29:51.079
<v Speaker 2>this movie, and I think we're missing it. The audience

530
00:29:51.119 --> 00:29:55.759
<v Speaker 2>surrogate in the first movie and again in Jurassic World

531
00:29:56.599 --> 00:30:02.720
<v Speaker 2>is a younger sibling who is brilliant about dinosaurs. They're

532
00:30:02.759 --> 00:30:05.799
<v Speaker 2>the ones leading us through this universe and telling us

533
00:30:06.160 --> 00:30:09.279
<v Speaker 2>what to be afraid of because they have my first

534
00:30:09.279 --> 00:30:12.759
<v Speaker 2>dinosaur book and they've memorized it. And now we get

535
00:30:12.799 --> 00:30:16.079
<v Speaker 2>to be scared when the child is scared. This movie

536
00:30:16.119 --> 00:30:20.599
<v Speaker 2>misunderstands what is so important about that role and places

537
00:30:21.160 --> 00:30:25.680
<v Speaker 2>a child only to serve as a victim, only as

538
00:30:25.759 --> 00:30:28.119
<v Speaker 2>someone for us to respond to, because we don't like

539
00:30:28.200 --> 00:30:32.240
<v Speaker 2>children in peril without telling us why we should be scared.

540
00:30:32.640 --> 00:30:35.000
<v Speaker 2>None of the neither of the kids in this movie.

541
00:30:35.039 --> 00:30:37.839
<v Speaker 2>I think do are written in such a way that

542
00:30:37.960 --> 00:30:42.240
<v Speaker 2>give us what was so special about the intelligence of

543
00:30:42.279 --> 00:30:46.039
<v Speaker 2>the younger siblings in the two good Jurassic Park movies.

544
00:30:46.599 --> 00:30:48.799
<v Speaker 2>And I'm saying some of the other Jurassic Park movies

545
00:30:48.839 --> 00:30:53.440
<v Speaker 2>I also liked, but those two had that that thing

546
00:30:53.559 --> 00:30:55.640
<v Speaker 2>in common, and I thought that was really special. I

547
00:30:55.680 --> 00:30:56.680
<v Speaker 2>did not get any of that.

548
00:30:56.759 --> 00:30:59.640
<v Speaker 4>Here, speak for yourself. I love children in peril.

549
00:31:00.720 --> 00:31:03.759
<v Speaker 2>I know, I know I'm not just saying smart children

550
00:31:03.880 --> 00:31:06.880
<v Speaker 2>in dumb children in parables?

551
00:31:07.200 --> 00:31:10.680
<v Speaker 5>Right, No, there was no one to really root for,

552
00:31:10.880 --> 00:31:13.880
<v Speaker 5>stick up for, and the family doesn't make any sense.

553
00:31:14.440 --> 00:31:18.039
<v Speaker 5>You said, uh, you know something about how these children

554
00:31:18.079 --> 00:31:21.119
<v Speaker 5>were weren't written in a way. You can stop at

555
00:31:21.160 --> 00:31:24.559
<v Speaker 5>the word written about all of these characters. Unfortunately, I

556
00:31:24.640 --> 00:31:28.880
<v Speaker 5>know that's an easy pot shot, but like, there's no characters.

557
00:31:29.119 --> 00:31:31.880
<v Speaker 5>No one's real, and the only thing that makes them

558
00:31:31.920 --> 00:31:35.920
<v Speaker 5>real is stuff that happened off screen involving marriages and

559
00:31:36.039 --> 00:31:39.079
<v Speaker 5>children which we've never seen. To wit, Mandy leaned over

560
00:31:39.160 --> 00:31:41.839
<v Speaker 5>to me at one point after we're learning the fourth

561
00:31:41.880 --> 00:31:46.920
<v Speaker 5>backstory of someone we've never met and we'll never meet. Yeah, everyone,

562
00:31:47.000 --> 00:31:49.920
<v Speaker 5>She was like, are any of these people promoted? I

563
00:31:49.960 --> 00:31:52.880
<v Speaker 5>was like, none of them like, this is all new

564
00:31:52.920 --> 00:31:56.160
<v Speaker 5>stuff that we're getting on this interminable boat ride where

565
00:31:56.160 --> 00:32:00.000
<v Speaker 5>they're just forcing character development and it's not development, it's

566
00:32:00.240 --> 00:32:01.480
<v Speaker 5>just background sketches.

567
00:32:01.839 --> 00:32:06.400
<v Speaker 4>Yeah, and then when they start killing people off, I

568
00:32:06.440 --> 00:32:13.119
<v Speaker 4>didn't know who those people were. Didn't care nop right.

569
00:32:13.440 --> 00:32:16.880
<v Speaker 5>You mean the woman on the boat and the man

570
00:32:17.279 --> 00:32:21.400
<v Speaker 5>and the French guy who the French guy who following

571
00:32:21.440 --> 00:32:24.680
<v Speaker 5>along this weird new thing where a random character gets

572
00:32:24.759 --> 00:32:28.119
<v Speaker 5>the worst death. It's never the bad person. There was

573
00:32:28.160 --> 00:32:31.000
<v Speaker 5>the one from Jurassic whatever where that like the assistant

574
00:32:31.039 --> 00:32:33.680
<v Speaker 5>gets eaten by like nineteen things at once, and then

575
00:32:34.400 --> 00:32:37.559
<v Speaker 5>the French guy gets swallowed alive at least the bad

576
00:32:37.599 --> 00:32:40.400
<v Speaker 5>guy gets his head dropped off. I don't It doesn't

577
00:32:40.400 --> 00:32:40.960
<v Speaker 5>make a lot of.

578
00:32:40.920 --> 00:32:46.039
<v Speaker 4>Sense horror movies where there's an ensemble. It's exciting when

579
00:32:46.119 --> 00:32:48.799
<v Speaker 4>you're getting to know all the gang right, and you're like, oh,

580
00:32:48.839 --> 00:32:51.680
<v Speaker 4>he's the wise ass and oh she's got a past.

581
00:32:51.799 --> 00:32:54.319
<v Speaker 4>And then they randomly kill one. You don't know which

582
00:32:54.319 --> 00:32:56.319
<v Speaker 4>one it's going to be, but you're equally getting to

583
00:32:56.359 --> 00:32:57.880
<v Speaker 4>know them all. You know it's not going to be

584
00:32:57.920 --> 00:33:00.559
<v Speaker 4>Nev Campbell got it fine, but we don't know who

585
00:33:00.559 --> 00:33:04.359
<v Speaker 4>it's going to be and in this one, I mean,

586
00:33:04.599 --> 00:33:07.440
<v Speaker 4>we didn't know these characters, we didn't care about them.

587
00:33:07.480 --> 00:33:11.640
<v Speaker 4>There was and then, of course, as JJ keeps pointing out,

588
00:33:11.759 --> 00:33:15.200
<v Speaker 4>the characters didn't seem to care. They were like, no, okay,

589
00:33:15.200 --> 00:33:18.440
<v Speaker 4>maybe scream a bunch and then moving on, which I

590
00:33:18.559 --> 00:33:20.799
<v Speaker 4>know has to happen in these movies. I get it.

591
00:33:20.920 --> 00:33:25.240
<v Speaker 4>But but had we known them, had we seen them

592
00:33:25.799 --> 00:33:28.519
<v Speaker 4>be kind to this family they take on board or

593
00:33:29.279 --> 00:33:32.359
<v Speaker 4>have a just a couple of moments. I'm not saying

594
00:33:32.480 --> 00:33:35.519
<v Speaker 4>scenes where we learned their backstories, just give them a

595
00:33:35.519 --> 00:33:39.279
<v Speaker 4>personality so that we're like, oh, I was rooting for him,

596
00:33:39.319 --> 00:33:42.000
<v Speaker 4>I liked him, But no, they didn't. They couldn't do

597
00:33:42.039 --> 00:33:42.480
<v Speaker 4>that for us.

598
00:33:42.920 --> 00:33:44.759
<v Speaker 2>Well, it's really funny you bring that up. If we

599
00:33:44.799 --> 00:33:46.799
<v Speaker 2>had seen, if we had a scene where they were

600
00:33:46.880 --> 00:33:49.160
<v Speaker 2>nice to that family, that is a really important point.

601
00:33:49.200 --> 00:33:51.160
<v Speaker 2>And I want to go back to Gareth Edwards because

602
00:33:51.160 --> 00:33:56.319
<v Speaker 2>we just last night watched Rogue one, another Gareth Edwards film,

603
00:33:56.400 --> 00:34:00.880
<v Speaker 2>a good one on the beach, Stormtroopers on the ad.

604
00:34:00.920 --> 00:34:02.920
<v Speaker 2>But you want to you know something, You go back

605
00:34:02.920 --> 00:34:06.559
<v Speaker 2>and you watch that movie and the pacing of that

606
00:34:06.680 --> 00:34:13.199
<v Speaker 2>movie feels very much like this. It's so so fast

607
00:34:13.639 --> 00:34:17.920
<v Speaker 2>that you never really get a sense for characters and

608
00:34:17.960 --> 00:34:21.760
<v Speaker 2>how they genuinely feel about one another. It is emotion

609
00:34:22.000 --> 00:34:26.960
<v Speaker 2>that is forced fed down your throat underneath title cards

610
00:34:27.039 --> 00:34:30.880
<v Speaker 2>of new planets, they move around so so fast. Now

611
00:34:30.920 --> 00:34:34.800
<v Speaker 2>coming up, now, we just finished rewatching both seasons of

612
00:34:34.800 --> 00:34:40.440
<v Speaker 2>and Or, which was so patiently deliberate in its exposition

613
00:34:40.519 --> 00:34:44.400
<v Speaker 2>of character, and so running into Rogue one felt like

614
00:34:44.480 --> 00:34:49.719
<v Speaker 2>a fairly jarring experience. And yet here, having just watched

615
00:34:49.719 --> 00:34:52.440
<v Speaker 2>that the other night, now watching this, I'm realizing maybe

616
00:34:52.440 --> 00:34:57.039
<v Speaker 2>this is one of the directorial sort of fingerprints that

617
00:34:57.119 --> 00:35:00.039
<v Speaker 2>Gareth Edwards is bringing to the role. Makes me you

618
00:35:00.119 --> 00:35:02.639
<v Speaker 2>want to go back and watch Godzilla again. Just how

619
00:35:03.039 --> 00:35:06.239
<v Speaker 2>sort of manufactured is the pacing of those movies.

620
00:35:06.679 --> 00:35:09.559
<v Speaker 5>The big difference between Rogue One, Godzilla and this is

621
00:35:09.920 --> 00:35:12.400
<v Speaker 5>you were bringing so we are bringing so much of

622
00:35:12.440 --> 00:35:18.239
<v Speaker 5>ourselves to Star Wars, to Godzilla, because whether even if

623
00:35:18.280 --> 00:35:21.880
<v Speaker 5>there's not characters, there's adapts, there's things, there's stormtroopers all that.

624
00:35:22.000 --> 00:35:24.960
<v Speaker 5>Right here, you're not even to JJ's point, we're not

625
00:35:24.960 --> 00:35:27.840
<v Speaker 5>even seeing the same dinosaurs. We get two dinosaurs we've

626
00:35:27.840 --> 00:35:30.840
<v Speaker 5>seen before, and the restaur all make them MPs three

627
00:35:31.079 --> 00:35:32.119
<v Speaker 5>and I.

628
00:35:31.840 --> 00:35:35.800
<v Speaker 2>Believe the velociraptor got such short shrift like they. I

629
00:35:35.920 --> 00:35:38.400
<v Speaker 2>cannot believe that.

630
00:35:37.559 --> 00:35:42.199
<v Speaker 3>That's the revelation from it. Like they, Jurassic Park created

631
00:35:42.679 --> 00:35:46.599
<v Speaker 3>the conversation about velociraptors in the world. I'm not saying

632
00:35:46.599 --> 00:35:50.000
<v Speaker 3>they created velociraptors, although that's a whole different philosophical point

633
00:35:50.039 --> 00:35:52.000
<v Speaker 3>that I'd like to talk about dinosaurs and all that stuff.

634
00:35:52.039 --> 00:35:54.559
<v Speaker 3>But the point is, nobody talked about velociraptors until we

635
00:35:54.559 --> 00:35:58.159
<v Speaker 3>saw Jurassic Park, and now they're not even mentioned in this.

636
00:35:58.239 --> 00:36:02.440
<v Speaker 3>In Chris Pratt's universe, Jurassic World, they are the focus, right.

637
00:36:02.519 --> 00:36:06.239
<v Speaker 3>It's like we've we've they've they've literally the velociraptor has

638
00:36:06.280 --> 00:36:09.400
<v Speaker 3>a character arc that leads you to Jurassic World, and

639
00:36:09.440 --> 00:36:14.039
<v Speaker 3>now they've ignored them completely. Evidently someone tired of that

640
00:36:14.159 --> 00:36:20.159
<v Speaker 3>narrative within the Jurassic Park Jurassic franchise, and that's really saddening.

641
00:36:20.199 --> 00:36:22.679
<v Speaker 5>They seem to think with this franchise that the way

642
00:36:22.679 --> 00:36:26.199
<v Speaker 5>to go is Alien three, Alien four, keep going, instead

643
00:36:26.199 --> 00:36:30.000
<v Speaker 5>of when the answer was right there alien romulus small

644
00:36:30.400 --> 00:36:33.400
<v Speaker 5>running around in the dark, the original things. Yeah.

645
00:36:33.519 --> 00:36:36.679
<v Speaker 1>Start to Pete's point, then if we had a kid

646
00:36:37.000 --> 00:36:38.880
<v Speaker 1>that could tell us, because we've got these new monsters

647
00:36:38.880 --> 00:36:40.639
<v Speaker 1>that could say, oh, that looks like this, and this,

648
00:36:41.159 --> 00:36:43.119
<v Speaker 1>they could give us something. Because in the first Jurassic

649
00:36:43.199 --> 00:36:45.519
<v Speaker 1>Park we get, you know, Samuel doing that great piece

650
00:36:45.519 --> 00:36:48.320
<v Speaker 1>about velociraptor and how smart they are and all that

651
00:36:48.559 --> 00:36:50.320
<v Speaker 1>we knew that they were a threat. We have no

652
00:36:50.400 --> 00:36:52.480
<v Speaker 1>idea of what type of threat any of these are.

653
00:36:52.559 --> 00:36:56.159
<v Speaker 1>So whether we're in the tunnels, which I thought, here's

654
00:36:56.199 --> 00:36:58.559
<v Speaker 1>our opportunity for being scared in the dark we're getting caught,

655
00:36:58.639 --> 00:37:01.519
<v Speaker 1>or in the convenience store, which okay, so it's sort

656
00:37:01.559 --> 00:37:04.920
<v Speaker 1>of a reheat of the kitchen scene from the first one.

657
00:37:04.960 --> 00:37:08.320
<v Speaker 1>But okay, but I don't know what these dinosaurs are

658
00:37:08.440 --> 00:37:10.960
<v Speaker 1>capable of, what their strengths are, what their weaknesses, that

659
00:37:11.039 --> 00:37:13.239
<v Speaker 1>their strategies might be. If I had had a kid

660
00:37:13.599 --> 00:37:16.280
<v Speaker 1>that could say, oh, this looks like this, and they

661
00:37:16.280 --> 00:37:20.320
<v Speaker 1>were known for this. Okay, now I've got some some

662
00:37:20.400 --> 00:37:22.840
<v Speaker 1>steaks in this of like they need to be sure

663
00:37:22.880 --> 00:37:25.039
<v Speaker 1>not to not to make a noise, don't move, don't

664
00:37:25.039 --> 00:37:27.320
<v Speaker 1>do this. You know, we have nothing to go on.

665
00:37:27.760 --> 00:37:30.519
<v Speaker 4>Wasn't that supposed to be the purpose of Loomis he

666
00:37:30.639 --> 00:37:34.280
<v Speaker 4>was he was explaining what these dinosaurs were. I mean,

667
00:37:34.320 --> 00:37:37.320
<v Speaker 4>I doubt him so milk toast that I tuned out.

668
00:37:37.360 --> 00:37:40.199
<v Speaker 4>I wasn't I didn't care. But yeah, this is the

669
00:37:40.280 --> 00:37:43.760
<v Speaker 4>interesting thing. This is the thing though, This is the

670
00:37:43.800 --> 00:37:46.320
<v Speaker 4>thing about these characters. It seems like like they put

671
00:37:46.360 --> 00:37:50.719
<v Speaker 4>these characters who are otherwise wise about dinosaurs in a

672
00:37:50.800 --> 00:37:54.960
<v Speaker 4>place where there aren't dinosaurs anymore. Going back to JJ's point,

673
00:37:55.039 --> 00:37:58.760
<v Speaker 4>like they're all hybrids. How could our experts in dinosaurs

674
00:37:58.800 --> 00:38:02.559
<v Speaker 4>really know anything about the crazy genetic hybrids that are

675
00:38:02.599 --> 00:38:03.719
<v Speaker 4>wandering around here.

676
00:38:03.880 --> 00:38:06.400
<v Speaker 2>No one could know. This just goes back to the

677
00:38:06.480 --> 00:38:10.400
<v Speaker 2>sort of the frailty of the story itself. And yet

678
00:38:10.440 --> 00:38:13.960
<v Speaker 2>here we are this movie that is purported to start

679
00:38:14.000 --> 00:38:20.559
<v Speaker 2>a new trilogy, right unless it's a healthcare story, you know.

680
00:38:20.840 --> 00:38:22.280
<v Speaker 2>I don't know how we're going to go back to

681
00:38:22.320 --> 00:38:25.400
<v Speaker 2>the theater for this, but it's supposed to start a

682
00:38:25.400 --> 00:38:28.000
<v Speaker 2>new trilogy. And it was also supposed to, as we've

683
00:38:28.000 --> 00:38:33.119
<v Speaker 2>already hinted, to take us back to the original tone

684
00:38:33.159 --> 00:38:39.440
<v Speaker 2>of the original movie, and that nostalgia factor. It weighs

685
00:38:39.480 --> 00:38:44.599
<v Speaker 2>heavily on me in this movie. I think because I

686
00:38:44.719 --> 00:38:48.840
<v Speaker 2>knew going in that John Matheson was trying to channel.

687
00:38:48.880 --> 00:38:53.719
<v Speaker 2>Spielberg shot it in thirty five millimeter panavision anamorphics, trying

688
00:38:53.800 --> 00:38:56.519
<v Speaker 2>to do lens flair and all that stuff, and it

689
00:38:56.639 --> 00:39:00.679
<v Speaker 2>felt not like that like the Tonally, I felt like

690
00:39:00.719 --> 00:39:04.639
<v Speaker 2>the movie the camera had no texture and no personality.

691
00:39:04.719 --> 00:39:08.760
<v Speaker 2>Am I alone very flat, very flat when it's not

692
00:39:08.960 --> 00:39:09.639
<v Speaker 2>very fake.

693
00:39:09.599 --> 00:39:13.199
<v Speaker 3>Those you're an interesting shot, I mean really like I'm

694
00:39:13.239 --> 00:39:16.880
<v Speaker 3>not saying I mean maybe the motion control on the boat,

695
00:39:17.719 --> 00:39:20.880
<v Speaker 3>I mean yeah, but again it's all there's just so

696
00:39:21.039 --> 00:39:24.559
<v Speaker 3>much bake. There's nothing, there's nothing daring about what they

697
00:39:24.599 --> 00:39:27.159
<v Speaker 3>did with the camera, and that was painfully apparent.

698
00:39:27.320 --> 00:39:27.920
<v Speaker 5>So there's me.

699
00:39:28.800 --> 00:39:32.079
<v Speaker 1>Mandy meant mentioned Jaws before, and I thought, yes, that

700
00:39:32.440 --> 00:39:34.639
<v Speaker 1>that whole sequence reminded me so much of Jaws, when

701
00:39:34.679 --> 00:39:37.559
<v Speaker 1>she gets out on a frontend's got a shoot that

702
00:39:37.679 --> 00:39:41.280
<v Speaker 1>and they bobble the shot and all that. There were

703
00:39:41.360 --> 00:39:44.559
<v Speaker 1>so many times where I thought, you're missing this because

704
00:39:44.599 --> 00:39:47.079
<v Speaker 1>I just got hungry for watching Jaws again, because I

705
00:39:47.079 --> 00:39:49.400
<v Speaker 1>thought the way that was shot in Jaws, the way

706
00:39:49.440 --> 00:39:52.519
<v Speaker 1>the tension was created, the way the emotion carried through

707
00:39:52.639 --> 00:39:54.159
<v Speaker 1>that you're on the edge of your seat, and I

708
00:39:54.159 --> 00:39:56.920
<v Speaker 1>felt nothing of that in that shot. I thought, what

709
00:39:56.960 --> 00:39:59.719
<v Speaker 1>are they doing wrong. You've got a blueprint for how

710
00:39:59.719 --> 00:40:03.239
<v Speaker 1>to sho shoot something like this, follow that it's gonna

711
00:40:03.280 --> 00:40:05.960
<v Speaker 1>be different. You've got a different actor there, it's a

712
00:40:05.960 --> 00:40:08.960
<v Speaker 1>different situation. But use that template of how where your

713
00:40:08.960 --> 00:40:11.599
<v Speaker 1>close ups are, how you're cutting that scene together. Because

714
00:40:11.639 --> 00:40:14.559
<v Speaker 1>it just felt I felt like this should have been something,

715
00:40:14.679 --> 00:40:16.800
<v Speaker 1>and at that point in the movie I realized they

716
00:40:16.880 --> 00:40:19.519
<v Speaker 1>just didn't have any idea how to create that dynamic

717
00:40:19.639 --> 00:40:20.280
<v Speaker 1>in this film.

718
00:40:20.920 --> 00:40:24.719
<v Speaker 5>I have a suggestion about what went so wrong? Is

719
00:40:24.920 --> 00:40:28.639
<v Speaker 5>he Peter Jackson did. We were flying above the boat

720
00:40:29.360 --> 00:40:33.199
<v Speaker 5>on the same speed as them, making us safe. Jaws

721
00:40:33.280 --> 00:40:37.119
<v Speaker 5>is shot from the boat, so we're rocking, We're feeling

722
00:40:37.199 --> 00:40:41.880
<v Speaker 5>the unclearness, the trouble, all of this stuff, and we're

723
00:40:41.880 --> 00:40:45.559
<v Speaker 5>also suffering from character whiplash. Of Scarlett Johansson. One of

724
00:40:45.599 --> 00:40:48.239
<v Speaker 5>her many hilarious asides when she's like, Oh, you're gonna

725
00:40:48.239 --> 00:40:50.760
<v Speaker 5>take the shot, doctor, Well, the boat's gonna be going

726
00:40:50.760 --> 00:40:52.199
<v Speaker 5>like this, there's gonna be stuff in your eyes and

727
00:40:52.199 --> 00:40:54.239
<v Speaker 5>it's gonna be really hard, Okay, and he goes you

728
00:40:54.280 --> 00:40:57.920
<v Speaker 5>take it. She takes it and immediately does a terrible job.

729
00:40:58.639 --> 00:41:00.639
<v Speaker 5>She doesn't. She makes a big job of like I

730
00:41:00.639 --> 00:41:02.199
<v Speaker 5>should be the one to take the shot and is

731
00:41:02.199 --> 00:41:03.920
<v Speaker 5>like falling off the boat immediately.

732
00:41:04.039 --> 00:41:05.000
<v Speaker 4>But she listened.

733
00:41:06.559 --> 00:41:10.159
<v Speaker 5>Listening this movie is it's noon twenty four hours a

734
00:41:10.239 --> 00:41:11.079
<v Speaker 5>day in this movie.

735
00:41:11.440 --> 00:41:15.239
<v Speaker 3>This movie is a case against sarcasm. I mean, it's like,

736
00:41:15.920 --> 00:41:18.679
<v Speaker 3>I'm not saying that sarcasm doesn't have its place, but

737
00:41:18.800 --> 00:41:21.519
<v Speaker 3>if anyone wants to defend sarcasm, I will put this

738
00:41:21.559 --> 00:41:23.599
<v Speaker 3>film up and say this is when it doesn't hit.

739
00:41:25.000 --> 00:41:27.960
<v Speaker 3>Throughout they are constantly equipping back and forth with each

740
00:41:27.960 --> 00:41:29.920
<v Speaker 3>other about stuff like this in ways that are not

741
00:41:30.079 --> 00:41:32.880
<v Speaker 3>actual the actual things that they're talking about. Right, It's

742
00:41:33.159 --> 00:41:35.320
<v Speaker 3>it's it's told with an edge, it's told with some anger.

743
00:41:35.320 --> 00:41:38.079
<v Speaker 3>It's told with some meanness but meant to be playful,

744
00:41:38.320 --> 00:41:39.519
<v Speaker 3>and it's terrible.

745
00:41:39.920 --> 00:41:43.320
<v Speaker 5>It's pre Thunderbolt's Marvel humor. It's anti jokes. It's just

746
00:41:43.360 --> 00:41:45.280
<v Speaker 5>sort of like a what you thought that would work?

747
00:41:45.360 --> 00:41:45.480
<v Speaker 3>Right?

748
00:41:45.519 --> 00:41:46.599
<v Speaker 5>Did you rehearse that speech?

749
00:41:46.960 --> 00:41:47.800
<v Speaker 2>Or uh?

750
00:41:48.199 --> 00:41:50.760
<v Speaker 5>None of those things are good. Those aren't jokes. Those

751
00:41:50.800 --> 00:41:52.760
<v Speaker 5>are just sort of statements. It's just me you put

752
00:41:52.800 --> 00:41:55.480
<v Speaker 5>in that you put in while you're waiting to figure

753
00:41:55.519 --> 00:41:58.280
<v Speaker 5>out the joke, and then and then damn it, someone

754
00:41:58.320 --> 00:41:58.880
<v Speaker 5>called action.

755
00:42:01.360 --> 00:42:05.199
<v Speaker 2>The other piece that I just have to call out,

756
00:42:05.280 --> 00:42:11.559
<v Speaker 2>is the score we are the original movie, John Williams

757
00:42:11.599 --> 00:42:19.239
<v Speaker 2>extraordinary themes. Alexander Disblot scored the film, and I wonder,

758
00:42:21.360 --> 00:42:24.719
<v Speaker 2>I just really struggled with how often it felt so

759
00:42:24.920 --> 00:42:28.320
<v Speaker 2>much like they were relying on the nostalgia of those

760
00:42:28.400 --> 00:42:31.599
<v Speaker 2>original themes to make us feel like we felt in

761
00:42:31.639 --> 00:42:35.239
<v Speaker 2>the original movie, and it just felt like a replay.

762
00:42:35.679 --> 00:42:36.920
<v Speaker 2>Am I alone.

763
00:42:37.239 --> 00:42:39.079
<v Speaker 3>It was gross. It was gross.

764
00:42:39.239 --> 00:42:41.400
<v Speaker 5>I mean, he doesn't do the.

765
00:42:43.480 --> 00:42:49.559
<v Speaker 3>Scenes where they add sweeping strings for absolutely no purpose

766
00:42:49.760 --> 00:42:52.719
<v Speaker 3>are all over and it reminds me so much of

767
00:42:52.760 --> 00:42:55.679
<v Speaker 3>the most recent Indiana Jones. I don't remember, I didn't

768
00:42:55.719 --> 00:42:57.840
<v Speaker 3>see it. What's the what's the title of the most

769
00:42:57.880 --> 00:43:02.719
<v Speaker 3>recent Indiana Jones? They came Deal of the Century, Deal

770
00:43:02.760 --> 00:43:06.480
<v Speaker 3>and No Deal. So the interesting thing is, if you

771
00:43:06.519 --> 00:43:11.079
<v Speaker 3>watch the trailer to the most recent to Deal, Dial

772
00:43:11.119 --> 00:43:14.280
<v Speaker 3>of Destiny, you'll notice that they go into that original

773
00:43:14.639 --> 00:43:17.920
<v Speaker 3>John Williams wonderfulness. And then what it is is it's

774
00:43:17.960 --> 00:43:22.280
<v Speaker 3>like a DSL coda over and over of just repeating

775
00:43:22.320 --> 00:43:25.760
<v Speaker 3>the theme, repeating the theme one more time, repeating the

776
00:43:25.760 --> 00:43:28.440
<v Speaker 3>theme a little bit bigger, a little bit slower, a

777
00:43:28.519 --> 00:43:31.599
<v Speaker 3>little bit different, repeating the theme repeating the like, That's

778
00:43:31.639 --> 00:43:33.960
<v Speaker 3>what I felt about the score in this film is

779
00:43:34.000 --> 00:43:37.440
<v Speaker 3>that it wasn't really connected to the original thing, but

780
00:43:37.480 --> 00:43:41.800
<v Speaker 3>it was just trying to channel it and never ever ending,

781
00:43:41.880 --> 00:43:45.679
<v Speaker 3>never bringing us to any emotional period into what was

782
00:43:45.719 --> 00:43:48.960
<v Speaker 3>in the film. It was completely misplaced in this film.

783
00:43:49.000 --> 00:43:53.199
<v Speaker 3>And if you, I mean could be laugh it's laughable

784
00:43:53.280 --> 00:43:58.079
<v Speaker 3>how bad the score matched with the film in this one.

785
00:43:58.360 --> 00:44:02.440
<v Speaker 4>But that's a huge name film composition, right exactly.

786
00:44:02.800 --> 00:44:07.000
<v Speaker 2>It's you know, no, I mean it comes down to

787
00:44:07.760 --> 00:44:12.440
<v Speaker 2>I think choices made by Edwards and and those choices

788
00:44:12.440 --> 00:44:17.079
<v Speaker 2>to put all these pieces together are I really struggle.

789
00:44:16.719 --> 00:44:18.679
<v Speaker 4>With how do you spell Edwards? I'm going to send

790
00:44:18.760 --> 00:44:19.719
<v Speaker 4>him an email right.

791
00:44:19.599 --> 00:44:24.559
<v Speaker 2>Now, yeah, please worded If nothing else at Edwards, it's

792
00:44:24.840 --> 00:44:29.000
<v Speaker 2>just so stylistic. It emphasizes so much of this attempt

793
00:44:29.039 --> 00:44:33.199
<v Speaker 2>at big visuals over any sort of character mastery, which

794
00:44:33.239 --> 00:44:36.960
<v Speaker 2>is exactly opposite of what the first movie did, and

795
00:44:37.039 --> 00:44:42.360
<v Speaker 2>that is a real, real shame. Three principal monsters, the mosasaur,

796
00:44:42.960 --> 00:44:50.719
<v Speaker 2>the the big taposaurus, what was a gigantic Titanosaurus Titanosaurus

797
00:44:50.760 --> 00:44:54.159
<v Speaker 2>which was just I don't I mean, I'm glad I

798
00:44:54.199 --> 00:44:59.000
<v Speaker 2>wasn't sitting with any sort of paleontologist because I have

799
00:44:59.079 --> 00:45:04.079
<v Speaker 2>a feeling that that dinosaur doesn't exist the way it

800
00:45:04.239 --> 00:45:09.360
<v Speaker 2>was put on film. There is no way its skeletal

801
00:45:09.440 --> 00:45:12.559
<v Speaker 2>structure could hold the size of that on film. That

802
00:45:12.760 --> 00:45:16.320
<v Speaker 2>was ridiculous. That thing was a stupid aircraft carrier. Two

803
00:45:16.360 --> 00:45:19.079
<v Speaker 2>of them in love. This was a love scene and.

804
00:45:19.119 --> 00:45:23.840
<v Speaker 3>The sale drew the heart in. So this goes to

805
00:45:23.880 --> 00:45:27.039
<v Speaker 3>that philosophical point that I was alluding to earlier. Because

806
00:45:28.559 --> 00:45:32.760
<v Speaker 3>dinosaurs are very interesting. We're very creative about them. You know.

807
00:45:32.880 --> 00:45:35.719
<v Speaker 3>We've found out now as science has developed, that there

808
00:45:35.800 --> 00:45:38.639
<v Speaker 3>isn't a thing called a brontosaurus that actually we pieced

809
00:45:38.639 --> 00:45:41.480
<v Speaker 3>it together incorrectly. It's just different pieces from the brachiosaur

810
00:45:41.559 --> 00:45:43.800
<v Speaker 3>out there in the world. Yes, Tommy, if I'm bringing

811
00:45:43.800 --> 00:45:44.960
<v Speaker 3>this to your attention.

812
00:45:46.480 --> 00:45:47.159
<v Speaker 2>The first time.

813
00:45:47.559 --> 00:45:50.360
<v Speaker 3>The point of this, right is that if we keep

814
00:45:50.400 --> 00:45:54.480
<v Speaker 3>making up monsters or dinosaurs that aren't real on screen

815
00:45:54.639 --> 00:45:57.480
<v Speaker 3>in the Jurassic franchise, how is anyone going to ever

816
00:45:57.559 --> 00:45:58.719
<v Speaker 3>believe in dinosaurs?

817
00:45:59.039 --> 00:45:59.239
<v Speaker 5>Right?

818
00:45:59.320 --> 00:46:03.000
<v Speaker 3>I mean, we we're just making means up at this point.

819
00:46:03.199 --> 00:46:07.920
<v Speaker 3>These are no longer dinosaurs, they're monsters, right, right, So

820
00:46:07.920 --> 00:46:10.840
<v Speaker 3>so what are the real dinosaurs? Does anybody know were

821
00:46:10.840 --> 00:46:12.280
<v Speaker 3>there real dinosaurs in this movie?

822
00:46:12.719 --> 00:46:13.880
<v Speaker 5>No, this is all.

823
00:46:14.039 --> 00:46:16.840
<v Speaker 2>We're only the only the animals on the arc, I think,

824
00:46:16.920 --> 00:46:19.239
<v Speaker 2>is what we're talking about, right, that's all we get.

825
00:46:19.280 --> 00:46:23.320
<v Speaker 2>There were no philociraptors on the ar I know, Barney

826
00:46:23.480 --> 00:46:26.239
<v Speaker 2>for sure. No, I you know, I totally, I totally

827
00:46:26.239 --> 00:46:28.159
<v Speaker 2>get that. I totally relate to it, and that, you know,

828
00:46:28.199 --> 00:46:33.079
<v Speaker 2>because this Otherwise I'll just say, here's here's the thing.

829
00:46:33.480 --> 00:46:36.519
<v Speaker 2>The idea of having it. If you're going to have

830
00:46:36.559 --> 00:46:39.320
<v Speaker 2>a mission and make all these weird decisions leading us

831
00:46:39.320 --> 00:46:44.159
<v Speaker 2>to this movie, it's pretty on rails to just say

832
00:46:44.320 --> 00:46:47.840
<v Speaker 2>we're going to put these characters special Forces and have

833
00:46:47.960 --> 00:46:50.840
<v Speaker 2>them go get a blood sample from these three things.

834
00:46:50.880 --> 00:46:53.639
<v Speaker 2>It's more like a video game, but it is a structure.

835
00:46:53.719 --> 00:46:57.280
<v Speaker 2>It is a scaffolding for the story. And having them

836
00:46:57.280 --> 00:47:00.000
<v Speaker 2>get the mosasaur, big action set piece. Great, Having them

837
00:47:00.159 --> 00:47:03.760
<v Speaker 2>get the titanosaur, they get the blood, that's great. The

838
00:47:04.199 --> 00:47:12.199
<v Speaker 2>sequence on the cliff side, you guys, what the hell

839
00:47:12.239 --> 00:47:16.280
<v Speaker 2>were the native people's caves doing in the middle of

840
00:47:16.320 --> 00:47:21.760
<v Speaker 2>that cliff face where the flying dinosaurs laid their eggs.

841
00:47:22.000 --> 00:47:28.480
<v Speaker 2>Why was there a hand carved, clearly carved native structure?

842
00:47:28.880 --> 00:47:32.119
<v Speaker 2>Do I have any thoughts to why that exists where

843
00:47:32.159 --> 00:47:34.199
<v Speaker 2>it exists. Absolutely not.

844
00:47:34.400 --> 00:47:37.199
<v Speaker 5>I was assuming someone would explain it with their back

845
00:47:37.239 --> 00:47:43.480
<v Speaker 5>to the camera really really really really Okay, I do

846
00:47:43.639 --> 00:47:45.639
<v Speaker 5>need to bring Yeah, I do need to. I don't

847
00:47:45.639 --> 00:47:48.320
<v Speaker 5>have a reason for it, pete other than there were

848
00:47:48.360 --> 00:47:53.000
<v Speaker 5>people there before I guess obviously, but the because I

849
00:47:53.159 --> 00:47:54.639
<v Speaker 5>have to bring it up. But I will keep it

850
00:47:54.679 --> 00:47:56.800
<v Speaker 5>extremely short because I'm rail against it all the time.

851
00:47:56.800 --> 00:47:59.159
<v Speaker 5>But it's my biggest pet peeve. This movie is a

852
00:47:59.559 --> 00:48:05.280
<v Speaker 5>uh eight R nightmare, nightmare nightmare, and that is just

853
00:48:05.320 --> 00:48:08.599
<v Speaker 5>a sign of you haven't gotten it together. And test

854
00:48:08.599 --> 00:48:13.519
<v Speaker 5>audiences are confused and oh my god, it's so much

855
00:48:15.280 --> 00:48:18.960
<v Speaker 5>like every time someone is and they would stop sentences

856
00:48:19.320 --> 00:48:20.880
<v Speaker 5>when someone's face would.

857
00:48:20.679 --> 00:48:25.360
<v Speaker 3>Come on get bright and then I mean, it was egregious.

858
00:48:25.480 --> 00:48:28.840
<v Speaker 5>It was so annoying. Oh I hated it. I can't.

859
00:48:28.920 --> 00:48:30.079
<v Speaker 5>It drives me up the wall.

860
00:48:32.159 --> 00:48:34.559
<v Speaker 2>Do you remember this scene where the guy just wrote,

861
00:48:34.639 --> 00:48:37.000
<v Speaker 2>just as a decide, this doesn't actually involve bighty R,

862
00:48:37.079 --> 00:48:38.880
<v Speaker 2>but it's in my head. I'm not gonna be able

863
00:48:38.920 --> 00:48:42.519
<v Speaker 2>to let it go. Maybe ever where French Guy has

864
00:48:42.599 --> 00:48:45.039
<v Speaker 2>a big or was it French guy or was it

865
00:48:45.119 --> 00:48:47.719
<v Speaker 2>bad guy? He has a big stick, and there's a

866
00:48:47.760 --> 00:48:51.039
<v Speaker 2>helicopter that's been hanging in the thing and it's like creaking.

867
00:48:51.679 --> 00:48:53.639
<v Speaker 2>And he has a stick and he holds it up

868
00:48:54.559 --> 00:49:00.559
<v Speaker 2>and then touch it standing underneath it. What happens? Nothing

869
00:49:00.880 --> 00:49:03.840
<v Speaker 2>is a guy? Why is there a helicopter there?

870
00:49:04.039 --> 00:49:04.199
<v Speaker 1>Oh?

871
00:49:04.320 --> 00:49:05.519
<v Speaker 5>Yeah?

872
00:49:05.559 --> 00:49:08.800
<v Speaker 2>Why is that there? He gets the gun from the helicopter.

873
00:49:09.159 --> 00:49:11.159
<v Speaker 3>The pilot has a has a gun in his hand.

874
00:49:11.360 --> 00:49:13.360
<v Speaker 3>But why does the pilot what it was the pilot

875
00:49:13.519 --> 00:49:15.199
<v Speaker 3>shooting at as he's passing?

876
00:49:15.400 --> 00:49:17.239
<v Speaker 2>Well, probably bad dinosaurs, I get.

877
00:49:17.880 --> 00:49:19.199
<v Speaker 3>Why is that your choice?

878
00:49:19.519 --> 00:49:22.079
<v Speaker 5>Like if you make, if you make a pile of bullets,

879
00:49:22.119 --> 00:49:23.119
<v Speaker 5>it's softer when you lay.

880
00:49:24.280 --> 00:49:24.800
<v Speaker 3>That's it.

881
00:49:25.079 --> 00:49:30.599
<v Speaker 5>Yes, Also that gun doubled because three quarters the way

882
00:49:30.599 --> 00:49:32.480
<v Speaker 5>through the movie, all of a sudden, Scarlett Joe Hinson

883
00:49:32.480 --> 00:49:35.000
<v Speaker 5>had a forty five? Where was that the entire movie?

884
00:49:35.320 --> 00:49:39.360
<v Speaker 5>Remember when she jumped into the the huge human size drainage.

885
00:49:39.639 --> 00:49:43.039
<v Speaker 1>That was the same gun she got that guy when

886
00:49:43.039 --> 00:49:44.079
<v Speaker 1>they were under the.

887
00:49:44.280 --> 00:49:48.880
<v Speaker 5>Look what I'm saying is that, yeah, perfectly.

888
00:49:48.360 --> 00:49:53.000
<v Speaker 1>Exactly how many bullets were in that thing and all

889
00:49:53.039 --> 00:49:56.400
<v Speaker 1>the bullets yes, Okay.

890
00:49:57.880 --> 00:50:00.639
<v Speaker 5>The my favorite part of the ad R was that

891
00:50:00.840 --> 00:50:04.800
<v Speaker 5>very last thing when they're trying to unhook when Ali

892
00:50:05.039 --> 00:50:07.920
<v Speaker 5>is doing his big run off screen, and then he's

893
00:50:07.920 --> 00:50:08.760
<v Speaker 5>gonna be okay with.

894
00:50:08.719 --> 00:50:10.039
<v Speaker 2>The way these flyers.

895
00:50:10.119 --> 00:50:15.559
<v Speaker 5>Just like at one point there was so much confusion

896
00:50:15.559 --> 00:50:19.239
<v Speaker 5>about what is going on that Scarlett Johnson runs across

897
00:50:19.320 --> 00:50:22.599
<v Speaker 5>the street and her face is covered up by the

898
00:50:22.639 --> 00:50:26.679
<v Speaker 5>winch for two seconds. She goes and you can rewatch it.

899
00:50:26.719 --> 00:50:32.239
<v Speaker 5>I probably she goes hook stock. They had her saying

900
00:50:32.239 --> 00:50:34.320
<v Speaker 5>hook a stock because someone in the test audience was like,

901
00:50:34.400 --> 00:50:39.559
<v Speaker 5>what are they doing? There was so much Mandy as

902
00:50:39.599 --> 00:50:44.119
<v Speaker 5>a voiceover actor. Do you see that stuff more? Less?

903
00:50:44.159 --> 00:50:44.960
<v Speaker 5>Are you just so like?

904
00:50:46.000 --> 00:50:48.639
<v Speaker 4>Oh, I see it in a drys New Bananas.

905
00:50:48.760 --> 00:50:51.280
<v Speaker 5>Drive You okay, Well, there was a lot of that there.

906
00:50:51.079 --> 00:50:55.480
<v Speaker 4>But you brought up herschel Ali and that that's the

907
00:50:55.519 --> 00:50:59.719
<v Speaker 4>real crime, right, taking an actor of that caliber and

908
00:50:59.760 --> 00:51:06.239
<v Speaker 4>that charisma and reducing him to this. Oh he's so

909
00:51:06.400 --> 00:51:10.760
<v Speaker 4>wonderful And I just couldn't believe he did this.

910
00:51:11.760 --> 00:51:13.840
<v Speaker 2>I couldn't either. This felt very much like one for

911
00:51:13.920 --> 00:51:17.920
<v Speaker 2>the studio and then he'll get something else, right, you know, like,

912
00:51:18.039 --> 00:51:21.480
<v Speaker 2>please let this pay off for him. I And yet

913
00:51:21.639 --> 00:51:26.440
<v Speaker 2>all that said, his face is a booie to me

914
00:51:26.679 --> 00:51:30.639
<v Speaker 2>in the sea of dumbness, right, Like, I still enjoyed

915
00:51:30.679 --> 00:51:35.559
<v Speaker 2>watching him in this movie, and honestly same with with

916
00:51:35.800 --> 00:51:41.119
<v Speaker 2>Fierro Bailey. Jonathan Bailey. I just find him charismatic and

917
00:51:41.199 --> 00:51:45.280
<v Speaker 2>charming and I like watching him and I was able

918
00:51:45.360 --> 00:51:48.320
<v Speaker 2>to buy halfway through the movie to dissociate what they

919
00:51:48.320 --> 00:51:50.960
<v Speaker 2>were saying from what they looked like saying it, and

920
00:51:51.000 --> 00:51:54.159
<v Speaker 2>I was like, oh, yeah, I'd like I'd listen to

921
00:51:54.159 --> 00:51:55.199
<v Speaker 2>that guy at a dinner party.

922
00:51:55.400 --> 00:51:55.599
<v Speaker 5>You know.

923
00:51:55.679 --> 00:51:59.519
<v Speaker 4>I found him so milk toasty and so boring and

924
00:51:59.639 --> 00:52:02.599
<v Speaker 4>waste did to take someone charismatic?

925
00:52:03.519 --> 00:52:09.280
<v Speaker 2>Yeah, yeah, it's interesting. Okay, well we I feel like

926
00:52:09.320 --> 00:52:12.719
<v Speaker 2>we could continue. I don't know what we should.

927
00:52:12.800 --> 00:52:14.519
<v Speaker 3>Why are they safe on the boat? I mean that's

928
00:52:14.519 --> 00:52:15.880
<v Speaker 3>actually I got on the island in.

929
00:52:15.800 --> 00:52:19.679
<v Speaker 2>The first and where the spina Wait a minute, the

930
00:52:19.760 --> 00:52:23.639
<v Speaker 2>spinosauruses are the ones that were had the fins right

931
00:52:23.719 --> 00:52:27.960
<v Speaker 2>at the beginning. Wasn't the spinosaurus the big bad in

932
00:52:28.000 --> 00:52:31.880
<v Speaker 2>like Jurassic Park three? Wasn't it the giant thing? And

933
00:52:31.920 --> 00:52:33.920
<v Speaker 2>now it's it swims in schools?

934
00:52:34.360 --> 00:52:36.159
<v Speaker 3>It is meant to be big for sure.

935
00:52:36.519 --> 00:52:39.519
<v Speaker 2>But yeah, okay, well I can't even I can't even

936
00:52:39.559 --> 00:52:40.320
<v Speaker 2>with this movie.

937
00:52:41.199 --> 00:52:45.480
<v Speaker 5>When I say the other part that I liked. Remember, Yeah,

938
00:52:45.719 --> 00:52:48.199
<v Speaker 5>the last part I liked is the reveal that the

939
00:52:48.199 --> 00:52:50.400
<v Speaker 5>helicopter was already in the big dinosaur's mouth.

940
00:52:51.280 --> 00:52:56.199
<v Speaker 3>That was, now, visually that's cool. Why do not we

941
00:52:56.320 --> 00:52:57.239
<v Speaker 3>why don't we hear it?

942
00:52:57.920 --> 00:52:58.679
<v Speaker 2>We don't hear a thing?

943
00:52:59.000 --> 00:53:01.920
<v Speaker 3>That was frustrating, Like, yes, I love it as a reveal,

944
00:53:02.039 --> 00:53:04.840
<v Speaker 3>but I'm like, wait a second. This year event was

945
00:53:04.920 --> 00:53:08.400
<v Speaker 3>literally the loudest thing a second show and then it

946
00:53:08.480 --> 00:53:11.119
<v Speaker 3>was gone and we didn't. I mean, there's no.

947
00:53:13.000 --> 00:53:15.880
<v Speaker 5>This This movie has that real effect of if anything

948
00:53:15.960 --> 00:53:18.880
<v Speaker 5>is out of frame, it doesn't exist and you can't

949
00:53:18.880 --> 00:53:19.199
<v Speaker 5>hear it.

950
00:53:19.519 --> 00:53:22.639
<v Speaker 2>Yes, but which is not the first Bielberg thing.

951
00:53:23.079 --> 00:53:26.800
<v Speaker 5>Yes, was all the time the very first movie when

952
00:53:26.880 --> 00:53:30.280
<v Speaker 5>all the raptors are finally uh contacting them in the

953
00:53:30.320 --> 00:53:33.800
<v Speaker 5>big when dinosaurs ruled the world, and then they're like ah,

954
00:53:33.840 --> 00:53:36.920
<v Speaker 5>and then t Rex grabs it. Well they would have seen,

955
00:53:36.960 --> 00:53:39.960
<v Speaker 5>they would have been like, there's t Rex. It's right there.

956
00:53:40.280 --> 00:53:43.400
<v Speaker 5>But it worked for that because he doesn't let you breathe.

957
00:53:43.719 --> 00:53:46.800
<v Speaker 5>This movie's filled with bread and no one to care about.

958
00:53:47.039 --> 00:53:50.159
<v Speaker 1>And I just I was crossing my fingers at the

959
00:53:50.199 --> 00:53:53.639
<v Speaker 1>beginning because soon as technology was thwarted by a Snickers

960
00:53:53.719 --> 00:53:57.559
<v Speaker 1>bar rapper. I thought, oh, good lord, we are in trouble.

961
00:53:58.000 --> 00:54:02.719
<v Speaker 5>This week is delicious. Yes, that was it.

962
00:54:02.960 --> 00:54:04.800
<v Speaker 2>I was going to bring that up. Why does the

963
00:54:04.840 --> 00:54:09.679
<v Speaker 2>Snickers bar getting sucked into the interstitial like door fan

964
00:54:10.599 --> 00:54:13.159
<v Speaker 2>cause the entire compound to go down?

965
00:54:14.119 --> 00:54:14.480
<v Speaker 4>Allergy?

966
00:54:15.239 --> 00:54:17.920
<v Speaker 2>It was the building had a peanut allergy.

967
00:54:18.039 --> 00:54:21.159
<v Speaker 5>Yes, engins kryptonite is neugat.

968
00:54:26.159 --> 00:54:28.800
<v Speaker 2>Oh my god. Okay, So I I sat down and

969
00:54:28.840 --> 00:54:32.000
<v Speaker 2>I thought, sometimes I like to write write out some notes.

970
00:54:32.000 --> 00:54:35.559
<v Speaker 2>What do I think thematically this movie was going for?

971
00:54:35.679 --> 00:54:40.639
<v Speaker 2>And it does feel like an environmental movie. Right, we

972
00:54:40.719 --> 00:54:44.000
<v Speaker 2>can't go to the equator anymore because there are dinosaurs there. Also,

973
00:54:44.159 --> 00:54:48.119
<v Speaker 2>it's getting way too hot. The ecosystem is totally destabilized. Okay,

974
00:54:48.199 --> 00:54:53.440
<v Speaker 2>we're wearing our ideology fully on our sleeve. Do we

975
00:54:53.519 --> 00:54:58.280
<v Speaker 2>have problems with biotech's overreach? Yes, it's called the distortis Rex.

976
00:54:58.519 --> 00:55:02.280
<v Speaker 2>That's that's the name, the tortoise rex. It's a t

977
00:55:02.440 --> 00:55:08.440
<v Speaker 2>rex and a turtle. I don't know. And and so

978
00:55:08.599 --> 00:55:11.480
<v Speaker 2>I think this idea of having this movie be a

979
00:55:11.519 --> 00:55:16.920
<v Speaker 2>metaphor for climate change it may be too late, maybe

980
00:55:16.960 --> 00:55:22.000
<v Speaker 2>too late to raise awareness. And also it's probably too dumb,

981
00:55:25.119 --> 00:55:27.760
<v Speaker 2>you know, What we really need to do now is

982
00:55:27.760 --> 00:55:30.000
<v Speaker 2>we need to We need to we need to rank it.

983
00:55:30.880 --> 00:55:33.639
<v Speaker 2>Letterbox dot com, everybody, letterbox dot com, slash the next reel.

984
00:55:33.679 --> 00:55:37.239
<v Speaker 2>That's where you can find our HQ page for the

985
00:55:37.280 --> 00:55:39.719
<v Speaker 2>next real Family of Film podcasts, where we assign our

986
00:55:39.760 --> 00:55:42.480
<v Speaker 2>hearts and stars. This one isn't gonna cost you too much.

987
00:55:42.559 --> 00:55:45.639
<v Speaker 2>I don't imagine you know the rules. When you give

988
00:55:45.719 --> 00:55:49.719
<v Speaker 2>your star and heart rating, you have to also talk

989
00:55:49.760 --> 00:55:52.719
<v Speaker 2>about what movies you're removing other stars.

990
00:55:53.079 --> 00:55:54.320
<v Speaker 5>Insane every time.

991
00:55:54.360 --> 00:55:57.760
<v Speaker 2>I can't take it. I almost can't take it seriously anymore.

992
00:55:58.840 --> 00:56:03.800
<v Speaker 2>So uh JJ came in with the most animous what

993
00:56:03.840 --> 00:56:04.400
<v Speaker 2>do you think?

994
00:56:05.000 --> 00:56:05.159
<v Speaker 5>Well?

995
00:56:05.199 --> 00:56:08.239
<v Speaker 3>I started with a one point five, but I actually

996
00:56:08.360 --> 00:56:10.800
<v Speaker 3>dropped it down to a one based on our conversation

997
00:56:10.840 --> 00:56:13.199
<v Speaker 3>here because I was really like, you heard my excitement.

998
00:56:13.239 --> 00:56:15.920
<v Speaker 3>I was really hoping that y'all had something that you

999
00:56:16.039 --> 00:56:17.920
<v Speaker 3>liked about it. I see these movies because of you,

1000
00:56:18.400 --> 00:56:22.199
<v Speaker 3>and wow, this one. You guys didn't like it either,

1001
00:56:22.280 --> 00:56:23.920
<v Speaker 3>so it's way on the bottom. So I give it

1002
00:56:23.960 --> 00:56:27.559
<v Speaker 3>one star and a not like. It made me angry,

1003
00:56:27.800 --> 00:56:30.280
<v Speaker 3>it made me laugh at it. I'm done with it.

1004
00:56:30.519 --> 00:56:36.320
<v Speaker 2>Oh okay, all right, Tom.

1005
00:56:34.960 --> 00:56:43.440
<v Speaker 5>Dinotastic, No notes. No, movies are hard, huge studio movies

1006
00:56:43.480 --> 00:56:49.039
<v Speaker 5>are really hard. But this movie suffered from laziness, just complete,

1007
00:56:49.039 --> 00:56:51.960
<v Speaker 5>complete laziness, and I can't forgive that, especially when there's

1008
00:56:52.000 --> 00:56:54.679
<v Speaker 5>so many resources going to it. So I'm going to

1009
00:56:54.679 --> 00:56:59.159
<v Speaker 5>give it four stars at a heart what weird? Maybe

1010
00:56:59.159 --> 00:57:01.199
<v Speaker 5>second stars through the word and then I disappeared. No,

1011
00:57:01.239 --> 00:57:02.880
<v Speaker 5>I'm going to give it one and a half stars

1012
00:57:03.360 --> 00:57:07.400
<v Speaker 5>and the heart unfortunate. Everyone should have done everyone should

1013
00:57:07.400 --> 00:57:11.239
<v Speaker 5>have worked harder. This feels like no one cared enough.

1014
00:57:11.440 --> 00:57:13.760
<v Speaker 2>Ouch ouch, all right, Steve.

1015
00:57:15.079 --> 00:57:18.519
<v Speaker 1>So, the thing that I really really enjoyed about this

1016
00:57:18.559 --> 00:57:22.119
<v Speaker 1>movie was that it allowed me to take my wife

1017
00:57:22.320 --> 00:57:24.280
<v Speaker 1>and daughter and son in law to a D box

1018
00:57:24.360 --> 00:57:26.679
<v Speaker 1>movie for the first time. So we got to be

1019
00:57:27.440 --> 00:57:31.440
<v Speaker 1>entertained by jiggling, vibrating seats. For us, at least there

1020
00:57:31.519 --> 00:57:35.320
<v Speaker 1>was that as a bonus. But even even at the

1021
00:57:35.400 --> 00:57:37.039
<v Speaker 1>end event, my wife was like, well, I thought the

1022
00:57:37.039 --> 00:57:38.760
<v Speaker 1>seats would have maybe done a little bit more, and

1023
00:57:38.800 --> 00:57:40.679
<v Speaker 1>I thought I thought the movie would have done a

1024
00:57:40.719 --> 00:57:45.400
<v Speaker 1>little bit more. So I I also have to look

1025
00:57:45.400 --> 00:57:47.960
<v Speaker 1>at this within the Jurassic Park, and I think there

1026
00:57:47.960 --> 00:57:49.920
<v Speaker 1>are some that are worse than this, And so I'm

1027
00:57:49.960 --> 00:57:52.559
<v Speaker 1>gonna you know, I'm gonna go with.

1028
00:57:52.519 --> 00:57:54.239
<v Speaker 2>Two stars on this one.

1029
00:57:54.440 --> 00:57:56.960
<v Speaker 1>Okay, all right, I'm gonna go two stars. And yeah,

1030
00:57:57.000 --> 00:57:59.280
<v Speaker 1>I can't give it a heart because I just can't,

1031
00:57:59.320 --> 00:58:00.480
<v Speaker 1>but two stars.

1032
00:58:01.039 --> 00:58:07.079
<v Speaker 2>Okay, all right, Mandy given absolutely no nostalgia factor.

1033
00:58:07.880 --> 00:58:08.639
<v Speaker 5>Good point.

1034
00:58:08.920 --> 00:58:13.079
<v Speaker 4>Yeah, yeah, well, I mean I just didn't like it

1035
00:58:13.119 --> 00:58:17.199
<v Speaker 4>and I thought it failed, that everything attempted, and I'll

1036
00:58:17.199 --> 00:58:22.280
<v Speaker 4>give it one star. And the good news is it

1037
00:58:22.400 --> 00:58:26.599
<v Speaker 4>doesn't it in now way ruins the idea that I

1038
00:58:26.599 --> 00:58:30.599
<v Speaker 4>should watch Jurassic Park, you know. Good for my podcast,

1039
00:58:30.679 --> 00:58:33.840
<v Speaker 4>I will watch Jurassic Park and have people nerd out

1040
00:58:33.880 --> 00:58:35.760
<v Speaker 4>about it and get me all hyped up about it,

1041
00:58:36.039 --> 00:58:39.039
<v Speaker 4>love it because this doesn't seem to have anything to

1042
00:58:39.079 --> 00:58:39.440
<v Speaker 4>do with it.

1043
00:58:39.519 --> 00:58:41.639
<v Speaker 3>So yeah, it really doesn't.

1044
00:58:42.159 --> 00:58:43.880
<v Speaker 2>Well there are plants in it.

1045
00:58:44.079 --> 00:58:46.440
<v Speaker 5>Well, it'll be interesting when you do watch the first one.

1046
00:58:46.440 --> 00:58:48.480
<v Speaker 5>You'll be like, oh, that's what they were trying to

1047
00:58:48.800 --> 00:58:52.679
<v Speaker 5>replicate the feeling of this big da da da look

1048
00:58:52.760 --> 00:58:56.960
<v Speaker 5>dinosaurs in love, like like try to dress the waving

1049
00:58:57.039 --> 00:58:59.440
<v Speaker 5>of the torch. There's a lot of throwbacks and none

1050
00:58:59.480 --> 00:58:59.960
<v Speaker 5>of them were.

1051
00:59:01.400 --> 00:59:02.400
<v Speaker 1>I remember me.

1052
00:59:03.800 --> 00:59:06.360
<v Speaker 5>Yeah.

1053
00:59:04.639 --> 00:59:11.039
<v Speaker 4>Okay, but I will be having Hallepenno cheddar original.

1054
00:59:13.159 --> 00:59:17.239
<v Speaker 2>H I'm I think I'm probably on Camp Steve because

1055
00:59:17.440 --> 00:59:22.960
<v Speaker 2>there were moments of visual grace that I liked, uh enough,

1056
00:59:23.800 --> 00:59:26.239
<v Speaker 2>I'm I don't. I think I'm done with this movie.

1057
00:59:26.360 --> 00:59:28.159
<v Speaker 2>I don't think I'm going to go back to it.

1058
00:59:29.039 --> 00:59:32.239
<v Speaker 2>And that's so it just makes me sad, so sad

1059
00:59:32.320 --> 00:59:36.079
<v Speaker 2>as a fan of the Jurassic Park cinematic universe and

1060
00:59:36.199 --> 00:59:40.599
<v Speaker 2>literary universe, right, I like the books a lot, and

1061
00:59:40.679 --> 00:59:44.519
<v Speaker 2>so that's that's super frustrating. But man, I don't know

1062
00:59:45.039 --> 00:59:47.719
<v Speaker 2>I've given this is the This is the bigger problem

1063
00:59:47.719 --> 00:59:49.159
<v Speaker 2>I have right now is that the Chrichton I don't

1064
00:59:49.159 --> 00:59:54.400
<v Speaker 2>know who owns the the rights to this property is

1065
00:59:54.400 --> 00:59:59.119
<v Speaker 2>originally Michael Crichton characters and story, and there I believe

1066
00:59:59.320 --> 01:00:03.000
<v Speaker 2>that Crichton's widow is suing the production of The Pit

1067
01:00:03.320 --> 01:00:07.079
<v Speaker 2>because Er was a Michael Crichton universe and so they

1068
01:00:07.159 --> 01:00:09.519
<v Speaker 2>just renamed it the Pit instead of doing Er with

1069
01:00:09.559 --> 01:00:13.800
<v Speaker 2>Noah Wiley playing his original doctor. And that felt like

1070
01:00:13.960 --> 01:00:17.559
<v Speaker 2>such a stupid decision to me on behalf of the

1071
01:00:17.599 --> 01:00:21.000
<v Speaker 2>Crichton estate, not to let this crew create the Pit

1072
01:00:21.280 --> 01:00:23.840
<v Speaker 2>but actually make it an Er property and connect that

1073
01:00:23.880 --> 01:00:29.000
<v Speaker 2>to Michael Crichton. And yet this movie exists, like those

1074
01:00:29.039 --> 01:00:32.239
<v Speaker 2>two things should not exist in the same universe. It

1075
01:00:32.320 --> 01:00:36.719
<v Speaker 2>makes me so mad. So I don't know. Maybe I'm

1076
01:00:37.559 --> 01:00:39.440
<v Speaker 2>problem is I have this no half stars thing. So

1077
01:00:39.440 --> 01:00:42.000
<v Speaker 2>am I one star of my two stars? Definitely no heart.

1078
01:00:42.239 --> 01:00:44.079
<v Speaker 2>I'm going to go for two stars right now because

1079
01:00:44.119 --> 01:00:48.320
<v Speaker 2>I'm feeling gracious and well. Movies are fun to see anyway,

1080
01:00:48.360 --> 01:00:50.280
<v Speaker 2>And I also saw it in DBox. There was one

1081
01:00:50.320 --> 01:00:53.159
<v Speaker 2>good move one and it was in the first twenty

1082
01:00:53.159 --> 01:00:56.280
<v Speaker 2>minutes of the movie. It was a mosesare thing and

1083
01:00:56.800 --> 01:00:58.920
<v Speaker 2>I jumped out of my seat. I thought it was

1084
01:00:59.199 --> 01:01:05.639
<v Speaker 2>a great move. The rest of it was completely unused technology.

1085
01:01:05.800 --> 01:01:08.360
<v Speaker 3>So yes, anyway, was it when they introduced us to

1086
01:01:08.400 --> 01:01:11.199
<v Speaker 3>that family that we had no understanding of where they

1087
01:01:11.199 --> 01:01:12.559
<v Speaker 3>were in this story? And then all of a sudden

1088
01:01:12.599 --> 01:01:14.760
<v Speaker 3>we spend like ten minutes sailing with these people that

1089
01:01:14.840 --> 01:01:16.920
<v Speaker 3>have nothing to do with any story at all.

1090
01:01:17.400 --> 01:01:18.039
<v Speaker 2>Yeah?

1091
01:01:18.119 --> 01:01:19.320
<v Speaker 3>Right, that's cool.

1092
01:01:19.480 --> 01:01:20.119
<v Speaker 2>Yeah it was good.

1093
01:01:20.440 --> 01:01:23.159
<v Speaker 4>This movie needs a drinking game, bod.

1094
01:01:23.199 --> 01:01:24.840
<v Speaker 3>Yes, I'm into it.

1095
01:01:25.280 --> 01:01:30.199
<v Speaker 2>Maybe maybe it will just briefly the box office, you guys.

1096
01:01:30.599 --> 01:01:33.719
<v Speaker 2>It clawed in thirty point five million on Wednesday twenty

1097
01:01:33.760 --> 01:01:37.159
<v Speaker 2>six point three million on Friday, making it the top

1098
01:01:37.199 --> 01:01:39.280
<v Speaker 2>film in the US theaters. The three day total came

1099
01:01:39.320 --> 01:01:42.519
<v Speaker 2>into around eighty eighty five million. We'll see as we

1100
01:01:42.559 --> 01:01:44.960
<v Speaker 2>record this. We still have another day on the holiday weekend,

1101
01:01:45.679 --> 01:01:49.760
<v Speaker 2>the extended hall. I think it's a god. Is it

1102
01:01:49.800 --> 01:01:52.880
<v Speaker 2>going to be around one hundred and forty million dollars

1103
01:01:52.920 --> 01:01:54.960
<v Speaker 2>for this thing, which seems extraordinary?

1104
01:01:55.360 --> 01:01:58.000
<v Speaker 5>That's close to the opening movies.

1105
01:01:58.119 --> 01:02:03.760
<v Speaker 2>Yeah, yeah, wow, they did say rebirth. Yeah, they use

1106
01:02:03.840 --> 01:02:09.440
<v Speaker 2>that word for sure. It is underwhelming compared to Dominion

1107
01:02:09.519 --> 01:02:12.480
<v Speaker 2>Dominion Open at one hundred and forty five million, Fallen

1108
01:02:12.599 --> 01:02:15.840
<v Speaker 2>Kingdom at one forty eight, the original Jurassic World a

1109
01:02:15.880 --> 01:02:20.960
<v Speaker 2>massive two to eight. So it's lower than its benchmarks. Right,

1110
01:02:21.760 --> 01:02:26.199
<v Speaker 2>technically the slimmest haul in the era of Jurassic reboots.

1111
01:02:26.880 --> 01:02:29.639
<v Speaker 2>But here's the other piece that we we don't often

1112
01:02:29.679 --> 01:02:33.400
<v Speaker 2>do the complete math. And so just like researching what

1113
01:02:33.480 --> 01:02:37.239
<v Speaker 2>has been written thanks to mostly Hollywood reporter box office Mojo,

1114
01:02:38.519 --> 01:02:42.199
<v Speaker 2>two hundred and twenty five million dollar budget plus global marketing.

1115
01:02:42.800 --> 01:02:46.760
<v Speaker 2>If I think that puts our break even around something

1116
01:02:46.880 --> 01:02:51.639
<v Speaker 2>like six hundred and seventy five million dollars worldwide. That

1117
01:02:51.960 --> 01:03:00.079
<v Speaker 2>is a heavy number to make this even sniff profitability. Yeah, one,

1118
01:03:01.519 --> 01:03:07.880
<v Speaker 2>very very frustrating and sad. So that's it. Jurassic Park,

1119
01:03:08.079 --> 01:03:10.760
<v Speaker 2>Jassic World rebirth. Nobody even knows what to call it anymore.

1120
01:03:10.800 --> 01:03:12.280
<v Speaker 5>They've run out of garbage.

1121
01:03:12.880 --> 01:03:19.280
<v Speaker 2>Thank you all for hanging out here. JJ, thanks for

1122
01:03:19.320 --> 01:03:22.760
<v Speaker 2>being here, buddy, thank you. Yeah, love Tommy, You've got

1123
01:03:22.800 --> 01:03:24.599
<v Speaker 2>anything you want to say to the world.

1124
01:03:24.840 --> 01:03:28.400
<v Speaker 5>Watch the original Jurassic Park and Sinners is on HBO.

1125
01:03:28.880 --> 01:03:32.440
<v Speaker 5>You have masks. Watch is not this excellent?

1126
01:03:32.480 --> 01:03:37.519
<v Speaker 3>Excellent month from movies, Movies, Fantastic four. There's a lot

1127
01:03:37.519 --> 01:03:39.960
<v Speaker 3>coming out this month. Yeah, we don't always choose the

1128
01:03:39.960 --> 01:03:40.599
<v Speaker 3>best one.

1129
01:03:41.440 --> 01:03:47.280
<v Speaker 2>Uh the other show on the net. We did have

1130
01:03:47.320 --> 01:03:49.239
<v Speaker 2>one on the next reel. Definitely check that out and

1131
01:03:49.360 --> 01:03:55.360
<v Speaker 2>listen to Tommy on All the Feelings colon Adulting Now Broadcasting, Steve,

1132
01:03:55.400 --> 01:03:56.679
<v Speaker 2>what do you want to talk about?

1133
01:03:57.639 --> 01:03:59.840
<v Speaker 1>You know, we were so busy, you know, figuring out

1134
01:03:59.840 --> 01:04:02.239
<v Speaker 1>how we could do this podcast, you know episode we

1135
01:04:02.280 --> 01:04:03.320
<v Speaker 1>didn't think we are there or not.

1136
01:04:03.400 --> 01:04:07.360
<v Speaker 2>We should That's a great callback one day, Mandy. I'll

1137
01:04:07.400 --> 01:04:10.119
<v Speaker 2>understand that too, Mandy, what do you want to talk about?

1138
01:04:10.159 --> 01:04:11.199
<v Speaker 5>Podcast? Fights Away?

1139
01:04:13.000 --> 01:04:15.639
<v Speaker 4>I My podcast Make Me a Nerd is back for

1140
01:04:15.719 --> 01:04:21.519
<v Speaker 4>season two. Lots of exciting guests coming up, including well

1141
01:04:21.599 --> 01:04:26.119
<v Speaker 4>the season two launched with Justin Jaeger and Yeah, thunderb

1142
01:04:26.280 --> 01:04:30.840
<v Speaker 4>We did Thunderbolts. And I have lots of really fun

1143
01:04:31.000 --> 01:04:35.079
<v Speaker 4>different top topics and entities that I'm diving into. So

1144
01:04:35.320 --> 01:04:38.039
<v Speaker 4>make me a nerd and part of the True Story family.

1145
01:04:38.519 --> 01:04:41.639
<v Speaker 2>Outstanding, very well done, and I am Pete Wright and

1146
01:04:41.719 --> 01:04:45.360
<v Speaker 2>I actually have some things to plug that are new. First,

1147
01:04:46.039 --> 01:04:48.719
<v Speaker 2>we have Craft and Chaos, which is another new show

1148
01:04:48.880 --> 01:04:53.800
<v Speaker 2>on True Story FM, and it is a podcast about

1149
01:04:54.199 --> 01:04:58.280
<v Speaker 2>people remaining creative, creators being creative in a time where

1150
01:04:58.320 --> 01:05:00.519
<v Speaker 2>I don't know if you've heard the world like it's

1151
01:05:00.559 --> 01:05:03.159
<v Speaker 2>on fire. And it's a fun show and it's a

1152
01:05:03.239 --> 01:05:06.320
<v Speaker 2>roundtable show and we're doing a lot of fun stuff

1153
01:05:06.360 --> 01:05:10.320
<v Speaker 2>talking about issues facing people in the creative industries. And

1154
01:05:10.360 --> 01:05:15.719
<v Speaker 2>I also have a show called Headstone that has launched. Headstone,

1155
01:05:15.719 --> 01:05:17.199
<v Speaker 2>the trailer is out. I would love it if you

1156
01:05:17.239 --> 01:05:21.199
<v Speaker 2>would subscribe. It is a show about human legacy and

1157
01:05:21.559 --> 01:05:25.639
<v Speaker 2>it is very different from everything that I do, and

1158
01:05:26.360 --> 01:05:28.559
<v Speaker 2>I who knows what it will turn out to be,

1159
01:05:28.599 --> 01:05:31.119
<v Speaker 2>but I've got episodes recorded. I'm very excited to bring

1160
01:05:31.159 --> 01:05:35.599
<v Speaker 2>it to light. So Headstone another show over at True Story.

1161
01:05:35.960 --> 01:05:38.400
<v Speaker 2>Thank you everybody for downloading and listening to this show.

1162
01:05:38.400 --> 01:05:40.920
<v Speaker 2>We appreciate your time and attention. What is coming up

1163
01:05:41.039 --> 01:05:43.840
<v Speaker 2>next month? Tom I think that's your job.

1164
01:05:43.920 --> 01:05:48.599
<v Speaker 5>Now we're gonna go back and rewatch Y two K

1165
01:05:49.079 --> 01:05:56.519
<v Speaker 5>and Dresser Bark after Birth What I don't What did

1166
01:05:56.519 --> 01:05:58.119
<v Speaker 5>we design on? I don't remember.

1167
01:05:58.159 --> 01:05:59.920
<v Speaker 2>This is actually one of the reasons that I've just

1168
01:06:00.039 --> 01:06:01.079
<v Speaker 2>ied to just give it to you.

1169
01:06:01.519 --> 01:06:02.400
<v Speaker 5>Yeah, I don't.

1170
01:06:02.239 --> 01:06:04.199
<v Speaker 4>Remember, because I'm very excited.

1171
01:06:05.519 --> 01:06:08.960
<v Speaker 2>What is it? It's the Thursday Murder Club and it's

1172
01:06:08.960 --> 01:06:11.119
<v Speaker 2>a Netflix joint, so if you've got Netflix, you can

1173
01:06:11.199 --> 01:06:13.960
<v Speaker 2>just watch it when it releases. What was the what

1174
01:06:14.000 --> 01:06:14.239
<v Speaker 2>was the.

1175
01:06:14.159 --> 01:06:16.639
<v Speaker 4>Weekend Aug twenty eighth? I think Tommy said.

1176
01:06:16.480 --> 01:06:20.880
<v Speaker 2>It's very and of the month. So hang out with

1177
01:06:20.960 --> 01:06:24.840
<v Speaker 2>us online. Check out Discord at discord dot com, slash

1178
01:06:25.000 --> 01:06:27.239
<v Speaker 2>or thenextreal dot com you know, True Story dot FM,

1179
01:06:27.280 --> 01:06:29.440
<v Speaker 2>Slash Discord. Come join us there. We'd love to have you.

1180
01:06:29.480 --> 01:06:33.639
<v Speaker 2>Thank you everybody. Uh and until next month meeting adjourn.

1181
01:06:37.800 --> 01:06:41.239
<v Speaker 5>Did we all do it?

1182
01:06:41.719 --> 01:06:42.440
<v Speaker 4>Chair squeaking?

1183
01:06:43.119 --> 01:06:43.320
<v Speaker 5>Right?

1184
01:06:44.599 --> 01:06:45.159
<v Speaker 3>In the movie?

1185
01:06:45.199 --> 01:06:45.800
<v Speaker 5>They sound like

1186
01:06:48.760 --> 01:06:52.280
<v Speaker 4>That was chewy
