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Speaker 1: Wal CBS Radio Mystery Theater Presents, come in.

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Speaker 2: Welcome. I'm e G. Marshall.

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Speaker 3: Are you familiar with the old expression when they made you,

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they threw away the mold? Or there's nobody else.

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Speaker 2: Like you in the whole world?

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Speaker 3: What is it inside every human being that makes him

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or her unique? One of a kind?

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Speaker 4: What kind of a doctor are you?

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Speaker 2: What kind of a place is this?

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Speaker 4: Anyone to leave me.

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Speaker 3: Now, Susan, this is the last time I'm going to

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ask You'll calm yourself myself.

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Speaker 4: I'm going to tell you I'm not I'm enough and

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take her and stay. Susan, stop yelling.

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Speaker 3: You the truth.

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Speaker 4: I'm a sea I need I'll see you, but tomorrow

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I'm not do them.

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Speaker 5: I'm not do them.

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Speaker 1: Our mystery drama The Deadly Double was written especially for

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the Mystery Theater by Vicky Dan and stars Marion Solda's.

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It is sponsored in part by Buick Mortar Division. I'll

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be back shortly with Act one. Her name is Anita

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Gregory and she leads a quiet life, an almost solitary

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life except for a single casual friendship.

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Speaker 2: It isn't that she likes being alone.

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Speaker 1: She has her painting to keep her occupied and a

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considerable sum of money in the bank to ensure her independence.

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It's just that she prefers a peaceful existence, for there

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are certain things that happened long ago that she would

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prefer to forget. She has no way of knowing all

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that tonight, those certain things are about.

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Speaker 3: To intrude unexpectedly from the past and totally disrupt the

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serenity of the present.

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Speaker 2: Look, Anita, there's this great old like on kerl N.

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Speaker 4: I don't care, Max. Now, why don't you go home?

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Speaker 2: Well, it's not even one o'clock.

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Speaker 4: Not even one o'clock, Max, I want to go to sleep.

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Speaker 2: Why you're mad at me?

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Speaker 4: I'm not mad at you. You're using me as an excuse.

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Speaker 2: What are you talking about.

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Speaker 6: You haven't written so much as a sentence in the

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past month.

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Speaker 3: I've explained that to you. There comes a time in

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every writer's creative life when he reaches an pass what

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you might call a writer's block.

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Speaker 6: Off a Max, you like the idea of being a writer,

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but deep inside you are basically a bum.

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Speaker 2: Huh.

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Speaker 6: I'm your friend, so I can tell you why do

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you delude yourself?

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Speaker 3: Why I need fresh ideas? I need fresh ideas? To

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rejuvenate me.

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Speaker 4: Good night, Max.

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Speaker 2: It's not like you and you're painting.

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Speaker 3: All you have to do is look out the window

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at some tree and you're inspired.

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Speaker 6: My pictures are good, Max, because I don't sit around

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waiting to be in fired.

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Speaker 4: I paint what I see, A face, a tree in

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the wind.

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Speaker 2: A leaf, Anita, You don't understand?

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Speaker 4: Who would call asleep? Hello?

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Speaker 2: What? What? What? How?

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Speaker 4: Now? Would I?

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Speaker 2: Yes? Where? Yes? All right?

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Speaker 4: Yes, I promise, I promise.

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Speaker 2: Alida you okay? Who was I?

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Speaker 4: I can't believe it?

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Speaker 2: Who was that on the phone? My sister, Your sister, Susan,

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Susan the not, Oh, don't call that.

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Speaker 4: She's just disturbed.

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Speaker 2: Well, she's in an institution, isn't she.

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Speaker 4: It's a rest home? Max? How many times do I

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have to tell you it's a arrest?

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Speaker 2: Well? Call her what you want. You're the one who

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pays the bill. Hey, you really look shook up? What's

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the matter?

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Speaker 4: I haven't I haven't seen Susan. It's been five years,

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and now now she she walked. She's out.

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Speaker 2: She's out.

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Speaker 3: When they release her, they didn't, they didn't wait a minute.

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Speaker 2: You mean she escaped, she left. I'll call a police

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don't do that.

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Speaker 4: What No, police? No, No, they can't be anybody else.

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I know where she is and I'll take care of

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this in my own way.

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Speaker 3: An I don't want to be difficult, but you're the

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one who signed the commitment papers. You're the one who

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had her declared insane.

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Speaker 4: I never even went up there to Westbrook.

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Speaker 2: I couldn't.

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Speaker 4: But five years is a long time. People change. I

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need a lot of things can happen in five years.

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She said. She was trying to get in touch with

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me for a long time. They wouldn't let her write,

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her phone or anything.

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Speaker 2: Anita, where are you going?

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Speaker 4: Lock the door when you leave, Max, Let.

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Speaker 2: Me come with you.

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Speaker 4: No, I have to go alone. It'll be all right.

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I know what I'm doing.

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Speaker 3: Call me when you get back. Sure, I'll be waiting

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up for you. Remember, I'm just down the hole. Got

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to go, Anita. What I hope you know what you're doing?

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Speaker 2: So do I?

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Speaker 4: She said, there'd be a phone booth. God, where is she?

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Speaker 7: Susan, Susan, it's me, Anita. Where are you, Susan?

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Speaker 4: Is that you? Who's there? Susan?

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Speaker 6: It?

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Speaker 4: Yes, Anita, it's me, Susan.

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Speaker 3: Thanks for being stupid. Enough to come, miss taking a nap?

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Speaker 4: Miss what what am I?

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Speaker 3: Well, you're a mile off Highway twenty five at two

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o'clock in the morning.

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Speaker 4: Oh oh, she must have knocked me up. Oh where's

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my car?

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Speaker 2: H what car? See?

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Speaker 1: You better get into my car. You must be freezing

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in that thin dress.

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Speaker 4: Dress could have sworn I was wearing. She did that,

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she changed clothes with me on top of everything.

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Speaker 2: What are you talking about, miss sister?

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Speaker 4: She took my car? Why walach't you even changed into

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Are you a policeman?

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Speaker 2: No, no, we don't have policemen here. Miss. I'm the sheriff.

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My name's Tom Wiley.

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Speaker 4: Oh I'm Anita Gregory.

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Speaker 1: Well please to meet you, Miss Gregory, and allow us

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you get in my car before you get a pneumonia.

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Speaker 6: Are you taking me down to the station or whatever

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it is that you call it around here?

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Speaker 2: Well, actually we call it the sheriff's office.

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Speaker 4: Well, I don't mean to inconvenience you or anything.

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Speaker 2: Oh no, no, it's my job. Now suppose you start.

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Speaker 1: All over again and tell me exactly what happened. Now

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you say, Susan is your sister twin sister?

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Speaker 2: Oh? Oh, twin sister. Miss Gregory.

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Speaker 1: I still don't understand how you're gonna agree to meet

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her on a deserted highway.

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Speaker 2: Didn't you know she was dangerous?

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Speaker 6: No?

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Speaker 2: I wasn't sure you were sure.

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Speaker 4: Well, you see, she sounded so upset, and.

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Speaker 6: I was so surprised to hear from her in the

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first place.

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Speaker 4: It's been five years. How did I know she'd gotten

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better or not?

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Speaker 2: Now, missus Gregory.

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Speaker 4: Don't call me Anita. I hate miss Gregory. That sounds

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so hard, eh.

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Speaker 2: I never liked formality myself.

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Speaker 6: Wait a minute, this this doesn't look like a sheriff's

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so that sign says Westbrook.

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Speaker 4: Why are we stopping here? He doc sir, where'd you

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find it?

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Speaker 6: Well?

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Speaker 2: You know where that phone bos is off? Ex eleven?

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Oh she was. She's frankly lying in the road. Lucky

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I came by when I did shoes and Hugh might

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have gotten killed.

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Speaker 4: My name is Anita Gregory.

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Speaker 6: I don't think we've met, and I don't see why

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it's any of.

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Speaker 3: Your living And you realize it's big because of your

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little lesque paid everybody's been up path the night trying

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to find you.

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Speaker 4: Wait a minute, I don't think you heard me.

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Speaker 2: I'm not.

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Speaker 3: I heard what you said. Eric, Take Susan Gregory back

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to her room.

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Speaker 1: I'm sorry, but I had to bring you back, bring

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me back.

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Speaker 3: We really appreciate the sheriff saying back.

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Speaker 4: This is all a mistake.

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Speaker 3: I think you need a satit.

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Speaker 4: Who do you think you are?

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Speaker 3: That's not our problem. The problem is who do you

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think you are?

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Speaker 2: Susan.

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Speaker 4: You think that I'm Susan err and you sheriff. You

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brought me here deliberately.

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Speaker 2: You don't believe me either.

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Speaker 4: That whole time in the car, you are playing along with.

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Speaker 6: Me, all the time thinking I'm somebody else.

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Speaker 2: I'm sorry, but you might have gotten hurt.

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Speaker 4: This is insane. It isn't really happening. Tomorrow I wake

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up and let go of me.

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Speaker 2: Take her to her room.

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Speaker 3: Eric, restrain her if necessary.

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Speaker 4: To please.

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Speaker 6: This is all a mistake, at the horrible mistake. If

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I'm here and Susan is out there somewhere miles away.

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Speaker 2: Now in my.

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Speaker 4: Car, Susan, you must now look.

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Speaker 2: Find her before she hurts.

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Speaker 6: Somebody, please sheruff listen, Listen to me. My name is

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Anita Gregory. I live at four twenty Oak Leaf Terrace. Look,

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if you don't believe me.

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Speaker 2: Ask Max. That's right.

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Speaker 6: Max knows he was there when Susan called. Max will

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tell you.

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Speaker 4: Please believe me, Please please.

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Speaker 2: H that poor girl. It's really a shame about people

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like her. In the car. She seemed so normal.

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Speaker 3: She's schizoon. Think she's two people?

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Speaker 2: You mean this Anita character.

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Speaker 3: Oh that's a sad part. She does have a sister

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or sister, Anita who putty here? There is a sister,

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that's right, twin sister. As a matter of fact, I

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think that's part of the reason she has such a

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serious identity problem.

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Speaker 2: Twin.

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Speaker 3: Is it remotely possible that the girl I brought back.

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Speaker 2: He is the other sister?

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Speaker 1: If you're not sious, I know I'm no psychiatrists, But

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looking back on it, she didn't seem that crazy to me.

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Speaker 3: That girl was Susan. She couldn't fool me for a minute.

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Speaker 1: A perfect example of being in the wrong place at

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the right time. As far as doctor Cooper is concerned,

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Susan is back where she can't harm anybody who. As

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far as Sheriff Whiley is concerned, he has just apprehended

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a dangerous lunatic.

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Speaker 2: But what about Anita? She is about to.

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Speaker 1: Discover that while it is relatively easy to prove a

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person is insane, it is quite a different.

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Speaker 2: Matter to prove that a person is sane.

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Speaker 1: I'll be back in a moment with that too. By

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all physical appearances, Anita Gregory is identical to her sister Susan.

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Same eyes, same hair, same voice, But the similarity ends there,

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because no two minds can ever be the same. It

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is merely logical that doctor Cooper will presently recognize her

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for what she really is?

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Speaker 2: Or is it.

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Speaker 3: The moy is Susan?

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Speaker 2: How is you? Huh?

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Speaker 4: Oh? Is it morning?

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Speaker 2: Yes? Morning?

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Speaker 3: More or less, it's eleven thirty.

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Speaker 2: She had a rather late night.

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Speaker 4: Oh no, oh, I thought I dreamt all this.

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Speaker 2: Oh no, Susan.

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Speaker 3: And that's why, after last night we must make an

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even more determined effort to face reality.

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Speaker 6: Call me Susan once more, and I'm gonna scream, go

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right the head.

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Speaker 2: It's good therapy. Let out all your hostilities.

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Speaker 6: Isn't it at all conceivable to you that being identical twins,

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Susan and I might have changed places?

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Speaker 3: But yes, there is a possibility.

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Speaker 6: Good, We're getting somewhere. Now, what about a phone call?

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00:14:35,759 --> 00:14:37,039
Speaker 3: I'm afraid that's our question.

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Speaker 6: We could clear this matter up entirely with a single

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phone call.

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Speaker 3: You know the rules about phone calls. Besides, after last

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night's escapade, you've had all privileges suspended.

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Speaker 2: Doctor.

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Speaker 6: When I get out of here, I'll make sure you

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00:14:54,039 --> 00:14:55,080
never practice again.

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Speaker 3: Oh that's excellent. Redirected hostility must be calm.

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Speaker 4: I must maintained my cool. Doctor, explain to me about

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my case.

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Speaker 3: You know all about your casees humor me.

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Speaker 2: Very well.

264
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Speaker 3: Your name is Susan Gregory. Five years ago, following a

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series of incidents where you repeatedly attempted to kill your sister, Anita,

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you were declared legally insane.

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Speaker 6: Now those incidents, couldn't they have been merely frustration or

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anger of the moment.

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Speaker 3: Unfortunately, no, You see, it's been inside you since you

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were a child. No matter what you did, your sister

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did it better. The years went on and you watched

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as Anita became a successful artist. You grew more and

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more resentful. Your jealousy became. Even now, you're often jealous

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enough to try to be her.

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Speaker 2: In this way, you can have what she's always had.

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Speaker 6: All right, now, taking this a step further, just pretend,

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pretend Now that the real Susan Gregory is out there,

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living in Anita's apartment and driving her car pretending to

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be her, how long do you suppose she'll be able

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to carry it off before she gets caught?

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Speaker 3: Not very long, of course, little things traits unique to

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Anita would be missing close friends. Notice these things? That is,

283
00:16:41,440 --> 00:16:45,559
if Anita has any close friends. Oh she has well

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discuss it all later.

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Speaker 4: It's time for your treatment. What kind of treatment?

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00:16:50,879 --> 00:16:55,639
Speaker 3: Eric is waiting outside to take you to therapy three?

287
00:16:55,840 --> 00:16:59,360
Speaker 4: I asked you what kind of treatment are Eric?

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00:16:59,559 --> 00:17:00,519
Speaker 3: Would you take her?

289
00:17:00,600 --> 00:17:02,240
Speaker 2: Please be down in a few minutes.

290
00:17:02,279 --> 00:17:05,119
Speaker 6: Look, I'm not stupid. I took psychology in college. I

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00:17:05,160 --> 00:17:07,599
know a little bit about behavior modification and the things

292
00:17:07,599 --> 00:17:08,599
they do in places like this.

293
00:17:08,680 --> 00:17:10,960
Speaker 4: Now what is it? Is it electric shock therapy?

294
00:17:11,440 --> 00:17:14,319
Speaker 3: I don't know why you're sore, upset? You feel much

295
00:17:14,359 --> 00:17:16,799
better you always do afterwards.

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Speaker 2: Is now listen?

297
00:17:19,200 --> 00:17:21,319
Speaker 4: Staying here for a few days is one thing.

298
00:17:21,440 --> 00:17:23,759
Speaker 6: Now, I've tried discussing the whole thing rationally with you,

299
00:17:23,839 --> 00:17:24,680
and what happens.

300
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Speaker 4: You aren't going to give me any shot? Tree, Eric,

301
00:17:27,480 --> 00:17:29,720
you call yourself a doctor, you're a charott and you're

302
00:17:29,759 --> 00:17:30,240
a quack.

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00:17:30,480 --> 00:17:33,039
Speaker 3: You see, Susan, it's just a matter of time before

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your true nature comes through you.

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00:17:35,000 --> 00:17:36,640
Speaker 6: His show way till I get out of here, I'm

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00:17:36,640 --> 00:17:41,720
gonna sue you up to this hospital as everybody.

307
00:17:46,400 --> 00:17:50,240
Speaker 4: Well, Sister, Anita, you've done all right for yourself.

308
00:17:52,160 --> 00:17:57,160
Speaker 6: This is a nice little apartment. I think I'm gonna

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00:17:57,319 --> 00:17:57,839
like it here.

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Speaker 4: Musn't get excited. I can pull this off. Just remember

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00:18:05,240 --> 00:18:08,880
I'm Anita, now, yes.

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Speaker 3: Whoa, I'm just gonna let me in. Look, don't be mad.

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Speaker 2: I can explain why I didn't wait up for you.

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00:18:17,799 --> 00:18:21,039
Speaker 3: I fell asleep. I just went out like I like

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00:18:21,119 --> 00:18:24,759
the minute I hit the couch. Anyhow, tell me what

316
00:18:24,839 --> 00:18:29,960
happened with what? Well, Anita, don't keep me in suspense

317
00:18:30,079 --> 00:18:32,000
like this, what happened with your crazy sister?

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00:18:33,640 --> 00:18:36,680
Speaker 4: I sent her back to Westbrook.

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00:18:36,720 --> 00:18:41,160
Speaker 6: We had a long chat, and then I.

320
00:18:40,160 --> 00:18:42,720
Speaker 2: Drove her back and that was it.

321
00:18:43,240 --> 00:18:45,480
Speaker 4: Yeah, she just wanted to talk.

322
00:18:46,640 --> 00:18:53,200
Speaker 3: So everything's all right now, everything's fine. Hey, this is

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00:18:53,279 --> 00:18:57,799
your old friend Max. If something's bothering you, you can tell.

324
00:18:57,559 --> 00:19:01,359
Speaker 4: Me, of course not. I'm just tired.

325
00:19:02,920 --> 00:19:06,160
Speaker 3: You're sure nothing's bothering you? You're not mad at me?

326
00:19:06,319 --> 00:19:06,519
Speaker 2: Oh?

327
00:19:06,640 --> 00:19:07,240
Speaker 4: Of course?

328
00:19:07,319 --> 00:19:07,359
Speaker 3: Not?

329
00:19:09,240 --> 00:19:14,000
Speaker 2: Come here here closer.

330
00:19:20,160 --> 00:19:24,200
Speaker 4: I need I see. I'm not mad at you.

331
00:19:25,440 --> 00:19:32,960
Speaker 3: Why why did you kiss me? Why you never kissed

332
00:19:33,000 --> 00:19:38,640
me before? You said I wasn't ready for a serious relationship.

333
00:19:39,279 --> 00:19:43,920
You wanted to keep it platonic I did.

334
00:19:44,920 --> 00:19:51,039
Speaker 6: Oh well, sorry, Max, If you don't like it, I

335
00:19:52,319 --> 00:19:53,119
won't do it again.

336
00:19:53,279 --> 00:19:56,839
Speaker 3: Oh well, no, I'm I'm not sorry.

337
00:19:57,039 --> 00:19:59,200
Speaker 4: Max. I have a headache.

338
00:20:00,559 --> 00:20:02,880
Speaker 2: You asking me to leave? Anita?

339
00:20:03,039 --> 00:20:04,000
Speaker 4: Yes, do you mind?

340
00:20:05,200 --> 00:20:08,240
Speaker 2: No? No? Sure? I sure, I understand.

341
00:20:08,279 --> 00:20:13,000
Speaker 4: Maybe some other time, Okay, sure right now?

342
00:20:14,039 --> 00:20:19,880
Speaker 2: By that was closer.

343
00:20:21,400 --> 00:20:23,279
Speaker 4: I hope that dummy swallowed it.

344
00:20:27,559 --> 00:20:30,519
Speaker 3: Susan, how do we feel today?

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00:20:31,720 --> 00:20:31,799
Speaker 2: We?

346
00:20:33,079 --> 00:20:34,599
Speaker 4: How do we feel?

347
00:20:36,079 --> 00:20:39,240
Speaker 6: I only wish you could feel like I feel right now.

348
00:20:39,839 --> 00:20:43,839
Speaker 3: I have a surprise for you. You have a visitor.

349
00:20:44,200 --> 00:20:44,880
Speaker 4: What did you say?

350
00:20:46,079 --> 00:20:47,000
Speaker 2: Someone's here to see you?

351
00:20:47,119 --> 00:20:51,920
Speaker 4: He says he's an old friend Max. Hold Max, Max

352
00:20:52,039 --> 00:20:52,359
is here.

353
00:20:52,920 --> 00:20:53,680
Speaker 2: You want to see him?

354
00:20:53,680 --> 00:20:55,880
Speaker 4: Max A wonderful, beautiful Max.

355
00:20:56,279 --> 00:20:56,960
Speaker 2: I send him in.

356
00:20:57,880 --> 00:21:03,680
Speaker 3: You can come in this organ be right outside, Max.

357
00:21:04,559 --> 00:21:07,640
Speaker 2: Anita, oh so bad you came.

358
00:21:07,680 --> 00:21:08,839
Speaker 4: I thought I was going.

359
00:21:08,720 --> 00:21:13,720
Speaker 2: Crazy, Anita, it is you? Well, of course it's me

360
00:21:14,319 --> 00:21:16,279
or I wasn't sure. Max.

361
00:21:16,359 --> 00:21:18,000
Speaker 4: I've got to get out of this place.

362
00:21:18,599 --> 00:21:24,799
Speaker 3: Don't worry never hear Max is here. Wow, this is

363
00:21:24,880 --> 00:21:26,160
wild and it isn't funny.

364
00:21:26,599 --> 00:21:27,960
Speaker 4: Now, how did you figure I was here?

365
00:21:28,359 --> 00:21:31,359
Speaker 3: Give me credit, honey, I had her peg for Susan

366
00:21:31,440 --> 00:21:32,680
the minute she opened the door.

367
00:21:33,680 --> 00:21:39,119
Speaker 2: She's in my apartment, sure making life. She's you. But

368
00:21:39,240 --> 00:21:40,920
she didn't fool me for a minute.

369
00:21:41,039 --> 00:21:46,640
Speaker 3: No, what really did it was when she kissed me

370
00:21:47,480 --> 00:21:53,160
she was here? You see, you'd never do that. I

371
00:21:53,200 --> 00:21:57,039
mean she assumed I was your boyfriend.

372
00:21:57,079 --> 00:21:57,240
Speaker 2: Oh.

373
00:21:57,240 --> 00:21:58,799
Speaker 6: I can't wait to see the look on that doctor's

374
00:21:58,839 --> 00:22:00,319
face when you tell him Max.

375
00:22:00,359 --> 00:22:02,119
Speaker 4: Would you get doctor Cooper and tell them who I

376
00:22:02,160 --> 00:22:02,640
really am?

377
00:22:02,759 --> 00:22:04,720
Speaker 2: He what an idea for a story?

378
00:22:05,400 --> 00:22:09,000
Speaker 3: Two sisters, twin sisters who change places.

379
00:22:09,039 --> 00:22:10,960
Speaker 4: You have my permission to write the story. Now get

380
00:22:11,000 --> 00:22:13,039
doctor Cooper and we can discuss it on the way home.

381
00:22:13,160 --> 00:22:15,640
Speaker 3: Sure, of course I have to go into greater depth,

382
00:22:15,720 --> 00:22:18,839
take more time to evolve my characters.

383
00:22:19,000 --> 00:22:22,599
Speaker 4: You want thinking what I think you're thinking.

384
00:22:23,079 --> 00:22:24,720
Speaker 2: I could come up a couple of times a week

385
00:22:24,759 --> 00:22:25,480
with a tape requis.

386
00:22:25,559 --> 00:22:27,359
Speaker 4: Oh no, you can't be thinking.

387
00:22:27,039 --> 00:22:27,799
Speaker 2: That, Anita.

388
00:22:27,799 --> 00:22:30,759
Speaker 3: Please just give me a few weeks. That's all I

389
00:22:30,799 --> 00:22:35,400
need know. But can't you see it's perfect? I haven't

390
00:22:35,400 --> 00:22:38,839
been inspired for months. You said, so, You're absolutely not,

391
00:22:39,000 --> 00:22:41,240
and the story would practically right itself.

392
00:22:41,359 --> 00:22:42,279
Speaker 2: It's a bestseller.

393
00:22:42,680 --> 00:22:45,640
Speaker 3: We ripped the facade off metal institutions.

394
00:22:45,839 --> 00:22:46,759
Speaker 2: What an exposer?

395
00:22:46,799 --> 00:22:48,680
Speaker 4: I said, No, oh, how.

396
00:22:48,559 --> 00:22:49,720
Speaker 2: Can you be so selfish?

397
00:22:49,759 --> 00:22:50,279
Speaker 4: Selfish?

398
00:22:50,400 --> 00:22:52,119
Speaker 2: I'm being selfish, as you see.

399
00:22:52,160 --> 00:22:55,400
Speaker 3: I'm thirty six years old and I've never been published.

400
00:22:55,440 --> 00:22:56,480
Speaker 4: You don't seem to understand that.

401
00:22:56,519 --> 00:22:58,640
Speaker 6: Every day I'm in this place, I lose a little

402
00:22:58,640 --> 00:23:01,799
bit more of my grip. There's drugs, there's shock therapy.

403
00:23:02,279 --> 00:23:03,960
Speaker 4: Do you know what that can do to a person?

404
00:23:04,000 --> 00:23:06,000
Speaker 2: Come on, it can't be that bad, do you.

405
00:23:06,559 --> 00:23:09,000
Speaker 6: This place can drive anybody crazy.

406
00:23:09,480 --> 00:23:12,039
Speaker 4: I thought that I could live through anything. Nothing ever

407
00:23:12,079 --> 00:23:13,519
really moved me or excited me.

408
00:23:13,640 --> 00:23:15,640
Speaker 2: Well, just why you could pull it off?

409
00:23:15,720 --> 00:23:17,920
Speaker 6: Yeah? But even if my mind was made of concrete,

410
00:23:18,160 --> 00:23:19,680
this place would, he wrote it.

411
00:23:19,640 --> 00:23:22,319
Speaker 2: We'd be rich, both of us. Hey, I'll tell you what.

412
00:23:23,559 --> 00:23:25,039
I'll give you fifty percent.

413
00:23:24,880 --> 00:23:26,200
Speaker 4: And you're forgetting something else.

414
00:23:26,920 --> 00:23:30,359
Speaker 2: Susan, All right, she'll get a percentage too.

415
00:23:30,480 --> 00:23:33,119
Speaker 4: I listen, Max, forget about me for a minute.

416
00:23:33,880 --> 00:23:37,920
Speaker 6: You can't let an insane person loose in the normal world.

417
00:23:38,519 --> 00:23:41,400
Speaker 2: Why not? It's all relative, isn't It is?

418
00:23:41,480 --> 00:23:44,920
Speaker 3: The whole world going crazy. Who are we to say

419
00:23:44,960 --> 00:23:47,160
what is and what is normal?

420
00:23:47,680 --> 00:23:48,440
Speaker 2: What a thing?

421
00:23:48,680 --> 00:23:53,319
Speaker 4: Listen, Hey, you don't know, Susan. She's dangerous.

422
00:23:53,680 --> 00:23:55,000
Speaker 2: She seemed all right.

423
00:23:55,920 --> 00:23:59,279
Speaker 3: Besides, weren't you the one who said that maybe the

424
00:23:59,319 --> 00:24:00,400
doctors were mad?

425
00:24:00,440 --> 00:24:04,359
Speaker 4: As she hasn't changed at all. She's vicious, she could

426
00:24:04,400 --> 00:24:05,079
even kill.

427
00:24:05,440 --> 00:24:06,920
Speaker 2: Don't try to talk me out of them.

428
00:24:06,960 --> 00:24:08,119
Speaker 4: Listen, take me seriously.

429
00:24:08,160 --> 00:24:11,559
Speaker 6: For once, when we were little, even then she did

430
00:24:11,839 --> 00:24:12,680
vicious things.

431
00:24:12,920 --> 00:24:14,720
Speaker 4: She broke the heads off all my dolls.

432
00:24:14,759 --> 00:24:16,359
Speaker 6: She took the goldfish out of the bowl, and she

433
00:24:16,440 --> 00:24:17,319
watched them die.

434
00:24:17,599 --> 00:24:19,000
Speaker 2: Typical, healthy Tom.

435
00:24:19,039 --> 00:24:23,920
Speaker 4: Don't want to discuss it anymore. Get me out of here, please.

436
00:24:23,960 --> 00:24:31,440
Speaker 2: All right, Anita, Sure that's how you wanted. Doctor. I'm

437
00:24:31,480 --> 00:24:32,559
ready to go now, all right.

438
00:24:32,599 --> 00:24:36,720
Speaker 6: Now tell him Max, tell the doctor Tom what who

439
00:24:36,759 --> 00:24:37,680
I am?

440
00:24:38,279 --> 00:24:40,440
Speaker 4: Doctor Max knows.

441
00:24:40,720 --> 00:24:43,839
Speaker 3: I think this has been too much of a strain

442
00:24:44,039 --> 00:24:49,160
for her. You'd better go immediately, of.

443
00:24:49,240 --> 00:24:53,359
Speaker 2: Course, Doctor, goodbye.

444
00:24:54,200 --> 00:24:57,640
Speaker 6: No, Ma, she'll kill you when she finds out that

445
00:24:57,720 --> 00:24:58,079
you know.

446
00:24:58,920 --> 00:25:00,000
Speaker 4: She'll kill you.

447
00:25:05,799 --> 00:25:09,319
Speaker 1: We live in a world ravaged with fear, a world

448
00:25:09,359 --> 00:25:13,000
where the voices of logic and common sense seldom find

449
00:25:13,039 --> 00:25:16,599
a sympathetic listener. It is not so very unlike the

450
00:25:16,640 --> 00:25:21,519
purgatory in which Anita Gregory is now imprisoned. Today, into

451
00:25:21,559 --> 00:25:25,759
that dim world, a candle of hope has briefly flickered

452
00:25:26,319 --> 00:25:27,759
and finally been extinguished.

453
00:25:28,359 --> 00:25:44,079
Speaker 3: I'll be back shortly with Act three japons, don't j suis?

454
00:25:45,000 --> 00:25:46,680
Speaker 2: I think? Therefore?

455
00:25:46,720 --> 00:25:51,039
Speaker 1: I am so, said the great philosopher Rene Descartes. It

456
00:25:51,200 --> 00:25:55,079
was this brilliant Frenchman who logically demonstrated that there is

457
00:25:55,200 --> 00:25:57,920
only one thing of which a man can be sure of,

458
00:25:58,680 --> 00:26:03,640
and that is his existence. After all, most people accept

459
00:26:03,799 --> 00:26:05,599
what they see as truth.

460
00:26:06,359 --> 00:26:10,000
Speaker 2: They do not question the obvious. They leave that for

461
00:26:10,079 --> 00:26:10,960
the philosophers.

462
00:26:12,039 --> 00:26:15,640
Speaker 3: Oh, doctor Shy, what brings you here?

463
00:26:16,319 --> 00:26:18,319
Speaker 2: Well? You know what.

464
00:26:18,240 --> 00:26:21,640
Speaker 3: Happened was I was typing up the week's report and

465
00:26:21,799 --> 00:26:23,359
I suddenly realized that.

466
00:26:23,400 --> 00:26:25,359
Speaker 2: I never got you to sign this release for that

467
00:26:25,400 --> 00:26:29,759
Gregory girl. It was such a hectic night it totally

468
00:26:29,799 --> 00:26:31,480
slipped my mind. Of course.

469
00:26:32,000 --> 00:26:34,240
Speaker 3: Also, could you fill in her sister's full name in

470
00:26:34,279 --> 00:26:37,160
the dress I needed for the records. I am glad

471
00:26:37,200 --> 00:26:42,119
you stopped by. She was asking for you for me.

472
00:26:43,000 --> 00:26:44,000
Speaker 2: If she says there's.

473
00:26:43,839 --> 00:26:46,880
Speaker 3: Something she'd like to tell you, now, you don't have

474
00:26:46,920 --> 00:26:49,000
to see her if you don't want to, I'm sure

475
00:26:49,000 --> 00:26:50,359
it isn't anything important.

476
00:26:50,559 --> 00:26:53,519
Speaker 2: Fall Well, as long as I'm here. Oh, I'd like

477
00:26:53,559 --> 00:26:54,480
to see how she's doing.

478
00:26:59,119 --> 00:27:05,039
Speaker 3: Oh, Susan sheriff. Oh how you been just wonderful?

479
00:27:05,160 --> 00:27:05,799
Speaker 4: Can't you tell?

480
00:27:07,880 --> 00:27:12,039
Speaker 2: Doc Cooper said you wanted to see me? I did.

481
00:27:13,839 --> 00:27:15,160
What was it you wanted to tell me?

482
00:27:16,759 --> 00:27:24,559
Speaker 4: I forget? I think there was something. Why can't I remember?

483
00:27:25,079 --> 00:27:27,519
Speaker 3: I take your time, and I want to tell you

484
00:27:30,359 --> 00:27:31,799
nice paintings on the wall.

485
00:27:32,680 --> 00:27:37,440
Speaker 6: Oh, that's the doctor's idea, he feels. By giving us

486
00:27:37,519 --> 00:27:41,319
a creative outlet, it's releasing hostility.

487
00:27:42,319 --> 00:27:42,880
Speaker 2: Very good.

488
00:27:43,039 --> 00:27:49,119
Speaker 6: Well, I'm a professional artist. I mean, Anita is a

489
00:27:49,160 --> 00:27:54,400
professional artist. I'm supposed to be Susan. Susan can't paints.

490
00:27:54,400 --> 00:27:56,599
Susan cooks Anita paints.

491
00:27:56,599 --> 00:27:57,759
Speaker 4: It's always been that way.

492
00:27:58,000 --> 00:28:02,960
Speaker 3: Well I'm sure, no, that creak. But I think you're

493
00:28:03,079 --> 00:28:03,720
very good.

494
00:28:04,039 --> 00:28:07,119
Speaker 4: Yes, you know I am.

495
00:28:07,400 --> 00:28:08,160
Speaker 2: Look at that wall.

496
00:28:09,799 --> 00:28:13,480
Speaker 6: Look at the girl in the picture. There, her hands,

497
00:28:14,559 --> 00:28:15,680
her arms.

498
00:28:15,359 --> 00:28:16,680
Speaker 4: There by her neck.

499
00:28:17,920 --> 00:28:20,799
Speaker 6: Do you know how many years of training it takes

500
00:28:21,640 --> 00:28:27,680
the discipline anatomy classes live models to get the bones,

501
00:28:27,799 --> 00:28:34,279
the muscles, the skin tones just right, to understand the shading.

502
00:28:36,480 --> 00:28:39,000
Speaker 2: Well, Like I said, it's very good.

503
00:28:39,359 --> 00:28:43,039
Speaker 4: Would you say I have a style style?

504
00:28:43,799 --> 00:28:45,640
Speaker 2: Yeah, yeah, I say so.

505
00:28:45,839 --> 00:28:49,599
Speaker 6: You see, it takes years to develop a style. I

506
00:28:49,720 --> 00:28:53,799
spent two years in Paris. That's heaven for an artist,

507
00:28:54,599 --> 00:28:59,000
and that's what influenced me, those early impressionists. But Max says,

508
00:28:59,039 --> 00:29:01,160
I still have a distinctive stuff.

509
00:29:03,119 --> 00:29:05,440
Speaker 4: Oh Max, Max, Max, That's.

510
00:29:05,240 --> 00:29:07,640
Speaker 2: What I wanted to tell you. What about Max?

511
00:29:07,640 --> 00:29:08,839
Speaker 4: She's going to kill Max?

512
00:29:08,920 --> 00:29:10,039
Speaker 2: Who's going to kill Max?

513
00:29:10,119 --> 00:29:10,480
Speaker 4: Right now?

514
00:29:11,279 --> 00:29:16,200
Speaker 6: Max is writing a book about us how we changed places?

515
00:29:16,200 --> 00:29:19,759
Speaker 4: And I warned him. I said, Max, Susan hates.

516
00:29:19,519 --> 00:29:21,519
Speaker 6: To be tricked, and she hates people fooling her. And

517
00:29:21,559 --> 00:29:23,440
when she finds out that you know who she is,

518
00:29:24,319 --> 00:29:26,640
she's going to get really mad and she'll kill you.

519
00:29:27,680 --> 00:29:28,640
Speaker 2: That's very interesting.

520
00:29:30,480 --> 00:29:32,000
Speaker 4: You think I'm crazy, don't you.

521
00:29:32,160 --> 00:29:33,359
Speaker 2: Oh no, I didn't say that.

522
00:29:33,359 --> 00:29:37,279
Speaker 4: That's all right, it's quite all right.

523
00:29:38,480 --> 00:29:39,000
Speaker 2: I tried.

524
00:29:39,319 --> 00:29:40,200
Speaker 4: I did my best.

525
00:29:40,240 --> 00:29:45,519
Speaker 6: I warned him, and he didn't believe me either. When

526
00:29:45,559 --> 00:29:48,920
Max is found dead, maybe then you'll believe me.

527
00:29:50,920 --> 00:29:54,920
Speaker 4: That's all I wanted to tell you. Thanks for coming.

528
00:29:55,440 --> 00:29:58,640
Speaker 2: Oh, there's no trouble, Hi. I wanted to see.

529
00:29:58,440 --> 00:30:03,559
Speaker 4: How you were doing now excuse me, I'm very tired.

530
00:30:03,759 --> 00:30:08,279
Speaker 2: Sure, sure, I was just leaving. Bye, Susan.

531
00:30:12,279 --> 00:30:15,200
Speaker 3: We'll wait a minute. Don't you want this bag?

532
00:30:16,119 --> 00:30:20,920
Speaker 2: All the release for him? Thanks? Doc? I don't know

533
00:30:20,960 --> 00:30:23,279
what's with me these days. Look, I.

534
00:30:25,240 --> 00:30:29,240
Speaker 1: I want to ask you about Susan's sister, Nita Gregory.

535
00:30:30,000 --> 00:30:30,559
Speaker 2: What about it?

536
00:30:31,720 --> 00:30:36,640
Speaker 3: I was wondering when you saw her last last Oh? Well,

537
00:30:36,720 --> 00:30:39,519
I really I don't think that's very important. Well, what

538
00:30:39,680 --> 00:30:45,680
is your impression of the sister Anita? I hear she's

539
00:30:45,720 --> 00:30:47,319
an excellent artist.

540
00:30:47,519 --> 00:30:48,839
Speaker 2: You here?

541
00:30:49,359 --> 00:30:52,920
Speaker 3: Yeah, well, actually i've never met her.

542
00:30:53,880 --> 00:30:56,640
Speaker 2: You what, there really wasn't any need to.

543
00:30:56,920 --> 00:31:00,680
Speaker 3: I mean, she pays the bills on time, and she

544
00:31:00,839 --> 00:31:02,440
never comes to visit.

545
00:31:03,680 --> 00:31:05,680
Speaker 2: When did Susan start painting?

546
00:31:06,960 --> 00:31:11,640
Speaker 3: Just recently? How recently? Well, I don't see why. Oh

547
00:31:12,359 --> 00:31:16,160
about a week ago. She's in bad for a beginner.

548
00:31:17,079 --> 00:31:19,359
Matter of fact, she's pretty good.

549
00:31:20,000 --> 00:31:23,960
Speaker 2: Did it occur to you that maybe she was too good?

550
00:31:30,960 --> 00:31:38,000
Speaker 3: Chapter two? The second week? Oh, that's good, and let's

551
00:31:38,000 --> 00:31:43,160
see what we've got so far. Meanwhile, Susan Gregory, in

552
00:31:43,279 --> 00:31:46,759
the guise of Anita, continued more and more to assume

553
00:31:46,839 --> 00:31:48,720
the identity of her sister.

554
00:31:51,480 --> 00:31:54,839
Speaker 4: The door wasn't locked, so I just thought i'd come in.

555
00:31:55,440 --> 00:31:57,920
Speaker 2: Oh, I never locked my door.

556
00:31:58,039 --> 00:31:58,799
Speaker 4: What are you writing?

557
00:31:59,599 --> 00:32:01,960
Speaker 2: Uh? Nothing, just the usual junk.

558
00:32:02,400 --> 00:32:03,119
Speaker 4: Can I see?

559
00:32:04,279 --> 00:32:07,640
Speaker 3: No, I never show an unfinished work to anybody.

560
00:32:08,039 --> 00:32:13,119
Speaker 2: Just isn't done. Why, well, it's bad luck. Hey, hey,

561
00:32:13,160 --> 00:32:13,839
give me that back.

562
00:32:13,960 --> 00:32:23,039
Speaker 6: I just want to see give it back, let me see.

563
00:32:21,359 --> 00:32:23,759
Speaker 2: How Now look what you've done.

564
00:32:25,519 --> 00:32:30,519
Speaker 4: I'm sorry, Max, I'm really sorry. Sure, I mean, you're

565
00:32:30,640 --> 00:32:34,079
so funny. You can get so excited about a silly piece

566
00:32:34,119 --> 00:32:34,640
of paper.

567
00:32:34,720 --> 00:32:36,240
Speaker 2: I wouldn't expect you to understand.

568
00:32:36,279 --> 00:32:39,519
Speaker 4: Why not, But it's very.

569
00:32:39,359 --> 00:32:43,640
Speaker 2: Personal when a writer writes. But you did just now.

570
00:32:43,680 --> 00:32:44,559
It was almost.

571
00:32:44,319 --> 00:32:52,480
Speaker 3: Like like tearing me in half physically. I don't see

572
00:32:52,519 --> 00:32:58,559
it so funny.

573
00:32:55,720 --> 00:32:59,920
Speaker 4: It's very funny. It's a screat.

574
00:33:01,200 --> 00:33:11,960
Speaker 8: It's a scream. You know it's no, that's a lot

575
00:33:12,119 --> 00:33:16,000
of you're playing crazy.

576
00:33:16,559 --> 00:33:19,240
Speaker 2: Me crazy looks so shocked.

577
00:33:20,480 --> 00:33:24,160
Speaker 4: Don't fight it. It's no crime to be crazy. It

578
00:33:24,240 --> 00:33:25,640
happens to the best of us.

579
00:33:26,519 --> 00:33:26,799
Speaker 2: I know.

580
00:33:28,759 --> 00:33:32,880
Speaker 6: Hey, you're not taking me seriously. Hi you Max, I'm

581
00:33:32,880 --> 00:33:33,839
only kidding.

582
00:33:35,039 --> 00:33:36,079
Speaker 4: Can't you take a joke?

583
00:33:36,880 --> 00:33:37,119
Speaker 2: Sure?

584
00:33:37,240 --> 00:33:41,759
Speaker 3: Sure, I tell you what you come over about six

585
00:33:41,799 --> 00:33:42,960
and I'll make you some chili.

586
00:33:44,200 --> 00:33:44,680
Speaker 2: You like that?

587
00:33:44,680 --> 00:33:47,640
Speaker 3: Wouldn't you, Yes, I would.

588
00:33:47,920 --> 00:34:00,000
Speaker 9: Okay, six them, Max just a minute?

589
00:34:00,160 --> 00:34:03,319
Speaker 4: Uh, Max, I told you what?

590
00:34:05,319 --> 00:34:14,760
Speaker 3: Oh miss Anita Gregory. Yes, huh, it's it's amazing. I

591
00:34:14,800 --> 00:34:15,559
beg your pardon.

592
00:34:16,000 --> 00:34:20,199
Speaker 1: Oh the resemblance, it's it's it's fantastic. Oh, between you

593
00:34:20,239 --> 00:34:25,639
and your sister, I mean sister, Susan Gregory, I'm an

594
00:34:25,639 --> 00:34:26,639
acquaintance of hers.

595
00:34:27,079 --> 00:34:30,320
Speaker 2: Oh I'm sorry. Let me introduce myself. I wish you would.

596
00:34:30,400 --> 00:34:35,000
Speaker 1: The name's Wiley, Tom Wiley. I'm sheriff up in Clay

597
00:34:35,039 --> 00:34:41,239
County near Westbrook, where your sister is the staying sheriff.

598
00:34:42,960 --> 00:34:44,199
Speaker 2: Could I come in for a minute.

599
00:34:44,480 --> 00:34:46,559
Speaker 4: Oh, well, of course, please.

600
00:34:47,760 --> 00:34:51,880
Speaker 2: Thank you. Hew, you have a very nice apartment. Miss Gregory,

601
00:34:51,960 --> 00:34:52,679
we thank you.

602
00:34:54,440 --> 00:34:54,679
Speaker 3: Well.

603
00:34:55,480 --> 00:34:56,760
Speaker 4: Can I do for you? Sheriff?

604
00:34:57,280 --> 00:35:00,239
Speaker 1: You see, I'm the officer who apprehended your sister after

605
00:35:00,320 --> 00:35:04,280
she escaped from Westbrook, and I, uh, well, she was

606
00:35:04,800 --> 00:35:07,360
really nice and likable and.

607
00:35:08,679 --> 00:35:10,719
Speaker 2: Well, to be perfectly honest, I.

608
00:35:10,639 --> 00:35:12,760
Speaker 4: Am, yes, be perfectly honest.

609
00:35:12,840 --> 00:35:18,000
Speaker 1: Well, I have to admit there was a remote possibility

610
00:35:18,039 --> 00:35:22,039
that well, she might have been a victim of mistaken identity.

611
00:35:23,079 --> 00:35:26,800
Oh you know you're you're not at all what I.

612
00:35:26,880 --> 00:35:29,840
Speaker 6: Expected you to be Oh what were you expecting, an Ogre?

613
00:35:30,000 --> 00:35:34,960
Speaker 2: Oh, I don't know, really disappointed, well kind of?

614
00:35:36,440 --> 00:35:41,039
Speaker 6: Oh something wrong all these.

615
00:35:42,639 --> 00:35:46,880
Speaker 2: Paintings, Yes, you were.

616
00:35:49,760 --> 00:35:50,000
Speaker 4: Well.

617
00:35:51,480 --> 00:35:55,679
Speaker 6: I almost hate to admit it, but look, I can't

618
00:35:55,719 --> 00:35:57,280
expect everyone to love my word.

619
00:35:57,360 --> 00:35:59,280
Speaker 2: Oh I didn't say that I didn't like them. It's

620
00:35:59,320 --> 00:36:06,800
just a welly you have a style. It's it's very distinct.

621
00:36:07,719 --> 00:36:10,079
Speaker 4: I'll hear it comes. Everyone's a critic.

622
00:36:10,599 --> 00:36:19,119
Speaker 3: I honestly like your work, Anita. Well, I I really

623
00:36:19,280 --> 00:36:19,960
better get back.

624
00:36:20,039 --> 00:36:22,039
Speaker 2: Thanks, thanks for everything.

625
00:36:22,119 --> 00:36:22,320
Speaker 3: Yeah.

626
00:36:22,519 --> 00:36:23,880
Speaker 2: Sure. Oh.

627
00:36:23,920 --> 00:36:27,639
Speaker 1: Oh, by the way, you wouldn't happen to know a

628
00:36:27,679 --> 00:36:28,880
guy named Max.

629
00:36:29,760 --> 00:36:34,719
Speaker 4: Max? Oh sure, he lives down the hall. I thought

630
00:36:34,719 --> 00:36:35,880
it was him at the door before.

631
00:36:37,320 --> 00:36:42,360
Speaker 3: Why, well, I'm wondering it's uh, that's the same Max,

632
00:36:43,159 --> 00:36:47,480
the same Max. Your sister had a visitor the other day,

633
00:36:47,519 --> 00:36:50,639
a guy named Max, and I was just wondering if

634
00:36:50,639 --> 00:36:51,079
it could be this.

635
00:36:51,320 --> 00:36:56,719
Speaker 4: No, I well, no, the Max that I know never

636
00:36:56,760 --> 00:36:57,360
met Susan.

637
00:36:58,719 --> 00:37:02,320
Speaker 6: You see, I don't I don't like to let new

638
00:37:02,400 --> 00:37:05,199
friends know that my sister.

639
00:37:05,960 --> 00:37:07,480
Speaker 4: You understand, I mean, oh, sure.

640
00:37:07,440 --> 00:37:11,519
Speaker 2: Sure, I understand. Sure, Well it was just a thought.

641
00:37:12,480 --> 00:37:17,599
Speaker 1: Heyes, anyway, bye, goodbye.

642
00:37:18,719 --> 00:37:30,079
Speaker 6: So Max does know all this time, I trusted that idiot.

643
00:37:31,400 --> 00:37:34,719
Speaker 4: And he knew all along. That must have been when

644
00:37:34,760 --> 00:37:38,800
he was writing about wanted to hide from me. It

645
00:37:39,000 --> 00:37:44,440
all fits all this time. He made up fool of me,

646
00:37:46,239 --> 00:37:46,960
tread me.

647
00:37:49,119 --> 00:37:53,800
Speaker 2: Hey, I made why'd you lock your door? So?

648
00:37:53,960 --> 00:37:54,239
Speaker 6: I all?

649
00:37:54,440 --> 00:37:54,719
Speaker 2: Max?

650
00:37:55,360 --> 00:37:57,039
Speaker 4: Well Max, just a minute?

651
00:37:59,480 --> 00:38:05,840
Speaker 2: Hello? Why did you lock me out? Here? I brought

652
00:38:05,840 --> 00:38:10,719
some wine. I thought we'd have a nice evening.

653
00:38:11,199 --> 00:38:12,119
Speaker 4: Thank you, Max.

654
00:38:13,639 --> 00:38:16,280
Speaker 6: I guarantee you this is going to be an evening

655
00:38:17,480 --> 00:38:18,840
you'll never forget.

656
00:38:27,039 --> 00:38:31,119
Speaker 2: Oh, I must say, and here you? Oh you really are?

657
00:38:31,199 --> 00:38:35,559
Did you saw that chili was fantastic?

658
00:38:35,760 --> 00:38:37,159
Speaker 4: How you certainly ate enough?

659
00:38:37,440 --> 00:38:41,320
Speaker 2: Yeah? I'm positively stuffed. Let's have some more.

660
00:38:41,360 --> 00:38:46,719
Speaker 6: Wife, But you finished it all either way, Max.

661
00:38:47,719 --> 00:38:48,760
Speaker 4: How's your book coming?

662
00:38:50,119 --> 00:38:53,159
Speaker 2: My book? Yeah? Your book?

663
00:38:53,880 --> 00:38:55,559
Speaker 4: You never did tell me what it was about.

664
00:38:56,280 --> 00:38:57,639
Speaker 2: Well, it's such all.

665
00:38:59,760 --> 00:39:01,119
Speaker 4: Did you put me in it?

666
00:39:02,280 --> 00:39:02,360
Speaker 6: You?

667
00:39:02,880 --> 00:39:03,119
Speaker 2: Yeah?

668
00:39:03,320 --> 00:39:06,079
Speaker 4: Me, I'm your inspiration.

669
00:39:06,199 --> 00:39:09,159
Speaker 3: I I what's gotten into you?

670
00:39:09,800 --> 00:39:10,159
Speaker 2: Anita?

671
00:39:10,239 --> 00:39:14,760
Speaker 4: Don't call me Anita? I hate that name. You know

672
00:39:15,159 --> 00:39:18,760
very well. I'm Susan. Oh, don't play dumb, Max. You

673
00:39:18,800 --> 00:39:20,159
knew all the time, didn't.

674
00:39:19,920 --> 00:39:23,000
Speaker 2: You, didn't you? I don't know what you're talking about.

675
00:39:23,119 --> 00:39:25,440
Speaker 4: I'm Susan and you knew all about it. Oh, quit

676
00:39:25,519 --> 00:39:26,280
playing dumb.

677
00:39:27,320 --> 00:39:30,519
Speaker 6: I happen to know all about your little visit to Westbrook,

678
00:39:30,639 --> 00:39:33,559
or I don't want to hear it. I'm not interested.

679
00:39:35,119 --> 00:39:39,559
I'm more interested in this bookend. Did you know Max,

680
00:39:39,920 --> 00:39:41,719
that they're only too like it in the whole world,

681
00:39:41,760 --> 00:39:43,639
that they belonged to my grandfather, that they came all

682
00:39:43,679 --> 00:39:44,440
away from Spain.

683
00:39:44,920 --> 00:39:48,199
Speaker 4: They are made of mahogany. They're hand carved. But look

684
00:39:48,719 --> 00:39:52,400
notice the base that solid, bunky, What are you doing?

685
00:39:52,480 --> 00:39:55,960
Speaker 6: I really thought you liked me, but you were just

686
00:39:56,239 --> 00:39:57,920
using me, making a full of me.

687
00:39:58,039 --> 00:39:59,519
Speaker 4: You drink me, Susan.

688
00:40:00,480 --> 00:40:02,199
Speaker 2: Wait a second, let me scay mad.

689
00:40:02,239 --> 00:40:05,000
Speaker 4: When people fool me, I get really.

690
00:40:04,760 --> 00:40:09,760
Speaker 2: Mad, Susan's put that down. You could kill somebody with

691
00:40:09,840 --> 00:40:10,280
an eye.

692
00:40:10,440 --> 00:40:13,880
Speaker 6: Intend to kill you?

693
00:40:13,880 --> 00:40:18,559
Speaker 4: No, mad, You're such an easy target.

694
00:40:19,119 --> 00:40:19,880
Speaker 2: You're crazy.

695
00:40:20,880 --> 00:40:21,199
Speaker 5: Kill you.

696
00:40:21,719 --> 00:40:29,039
Speaker 2: I've killed him, Please sale you lie, kill a little

697
00:40:29,119 --> 00:40:30,320
standil don't love.

698
00:40:33,079 --> 00:40:39,920
Speaker 4: Ye're too late. He's dead. I kill him.

699
00:40:40,000 --> 00:40:41,320
Speaker 2: No he's not dead, he's just fainted.

700
00:40:41,480 --> 00:40:43,639
Speaker 4: No, he's dead.

701
00:40:43,760 --> 00:40:47,039
Speaker 3: He's alive, Susan, not that I really care. After what

702
00:40:47,199 --> 00:40:49,840
he did to your sister, I wanted to kill him.

703
00:40:51,239 --> 00:40:53,320
Speaker 4: I'm not sorry he kicked me.

704
00:40:53,519 --> 00:40:57,239
Speaker 2: You know, I know, I know. Now are you ready

705
00:40:57,360 --> 00:41:01,119
to go back now, Susan m hm m hm.

706
00:41:02,880 --> 00:41:07,159
Speaker 8: Suonan, you know.

707
00:41:09,480 --> 00:41:14,239
Speaker 1: How you told me with your paintings. You see, your

708
00:41:14,360 --> 00:41:16,159
sister has a distinctive style.

709
00:41:17,159 --> 00:41:22,119
Speaker 3: She tried to tell me that in Westbrook, she duplicated

710
00:41:22,679 --> 00:41:28,719
from memory those three paintings on that wall exactly.

711
00:41:33,079 --> 00:41:41,519
Speaker 2: Is the artist. But I don't care. Max, I didn't really.

712
00:41:41,440 --> 00:41:45,800
Speaker 6: Mean to I heard him, I understand, but I'm I'm

713
00:41:45,960 --> 00:41:47,599
still not sorry.

714
00:41:47,760 --> 00:41:49,639
Speaker 4: I'm not sorry about anything.

715
00:41:52,400 --> 00:41:53,840
Speaker 2: You can take me back.

716
00:41:53,719 --> 00:42:00,639
Speaker 10: Now, all right, all right, Susan, Susan, m h, Susan,

717
00:42:03,360 --> 00:42:05,079
that's a nice name.

718
00:42:11,440 --> 00:42:16,920
Speaker 1: The sheriff took Susan home to Westbrook, and Anita, after

719
00:42:17,039 --> 00:42:19,800
many embarrassed apologies, is back at work.

720
00:42:20,519 --> 00:42:21,719
Speaker 2: I understand she's.

721
00:42:21,559 --> 00:42:24,719
Speaker 1: Been commissioned to do a mural inside the Sheriff's office.

722
00:42:25,760 --> 00:42:29,159
For those of you wondering about the unfortunate Max, it

723
00:42:29,320 --> 00:42:33,039
seems doctor Cooper was very interested to learn of his book,

724
00:42:33,800 --> 00:42:37,519
so interested, in fact, that he's made Max a permanent

725
00:42:37,639 --> 00:42:38,920
fixture of at Westbrook.

726
00:42:39,480 --> 00:42:44,599
Speaker 2: You could call him the resident author. I'll be right back.

727
00:42:56,000 --> 00:42:58,400
Speaker 1: To any of you who are asking if there is

728
00:42:58,519 --> 00:43:02,000
a moral a listen to be learned from our little story.

729
00:43:02,239 --> 00:43:05,679
Speaker 3: Let me assure you we do not attempt to moralize.

730
00:43:06,119 --> 00:43:10,159
Speaker 1: We do not presume to teach. However, if you happen

731
00:43:10,199 --> 00:43:12,559
to be close friends with a writer who is hard

732
00:43:12,679 --> 00:43:17,920
up for a story, I would just say, be prepared

733
00:43:18,119 --> 00:43:23,000
for anything. Our cast included Marion Soltis, Robert Dryden, and

734
00:43:23,119 --> 00:43:26,800
Leon Janney. The entire production was under the direction of

735
00:43:26,920 --> 00:43:27,679
Hymon Brown.

736
00:43:31,320 --> 00:43:35,719
Speaker 2: And now a preview of our next tale. I saw

737
00:43:35,960 --> 00:43:36,719
it happened.

738
00:43:37,760 --> 00:43:38,880
Speaker 4: I saw it happened.

739
00:43:39,119 --> 00:43:41,239
Speaker 3: Man, you must get a hold of your se was

740
00:43:41,320 --> 00:43:43,519
shot just as he turned the corner.

741
00:43:44,559 --> 00:43:46,320
Speaker 2: His revolver was still in his holster.

742
00:43:46,440 --> 00:43:47,440
Speaker 4: He never had a chest.

743
00:43:48,480 --> 00:43:51,760
Speaker 2: Joe never read a chest. I know how hard it

744
00:43:51,880 --> 00:43:59,480
is being. I saw it happened. Why Why did I

745
00:43:59,679 --> 00:44:00,880
see here it happened.

746
00:44:05,159 --> 00:44:08,719
Speaker 3: I saw it happen as if I were sitting in

747
00:44:08,800 --> 00:44:11,280
a theater and it was all taking place in the

748
00:44:11,320 --> 00:44:12,119
giant's screen.

749
00:44:13,199 --> 00:44:15,079
Speaker 4: And from that night on I saw it happen.

750
00:44:15,719 --> 00:44:19,400
Speaker 3: Every night, every night I was condemned to relive it

751
00:44:19,480 --> 00:44:22,480
again and again and again.

752
00:44:23,320 --> 00:44:23,880
Speaker 2: This is E. G.

753
00:44:24,079 --> 00:44:27,280
Speaker 3: Marshall inviting you to return to our mystery theater for

754
00:44:27,440 --> 00:44:34,880
another adventure in the macabre. Until next time, Pleasants dreams,