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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of Charlie Chan.

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But first I do want to encourage you. If you're

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enjoying the podcast, follow us using your favorite podcast software,

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and you can become one of our ongoing Patreon supporters

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for as little as two dollars per month at Patreon

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dot Rightdetectives dot net. Well, I don't have a precise

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date for this week's episode of Charlie chand, however, I

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was able to locate a synopsis for the first episode,

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which aired the week before the one we played last weekend.

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This isn't the same story, so this aired after that

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sometime during the summer of nineteen forty four. Here is

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the Pearl of Great Price.

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Speaker 2: Good Evening. This asides an ex filling in for Peter Laurie.

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When the danger threatens anyone of her brood, even the

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placid and uninspired mother, hen can become an avenging demon,

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purposeful and unmindful of her own safety. And in man too,

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this instinct to preserve one's own is strong. Indeed, as

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you will hear tonight in the Mystery Playhouse. Tonight, the

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Mystery Playhouse is proud to play host to an ardent

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stamp collector, a proud and loving father and master detective,

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the incomparable Charlie Chan. The record of mister Chan's achievements

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in crime detection, you know, is equaled only by his

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reputation as a family man, a role he much prefers.

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By the way, however hard Charlie has tried, he's never

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been able completely to retire and live the life of

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a simple, home loving man. Take for instance, one night

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when he was seated in the living room poring over

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his beloved stamp collection, his daughter Rose was writing a

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letter to her boyfriend overseas with the Navy, and Tommy,

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his number one son, was expected home from a war

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bottle rob. Yeah.

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Speaker 3: Can you see an imprint of a kiss by vemale rouge.

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Speaker 4: Very disconcerting machine designed to transfer letter to film. A

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humbly suggest you substitute words I salute my brave warrior

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with a kiss.

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Speaker 3: Sounds silly there, I'll just say, consider yourself kissed you much.

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Speaker 4: He is not American slang for dog.

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Speaker 3: Sure, he's in the navy as me, so he's no

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sea dog.

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Speaker 4: Would appear seagull more appropriate for a navy flaying man.

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Speaker 3: I can't say, consider yourself kissed.

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Speaker 2: You all go.

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Speaker 4: If boyfriend to receive letter from number one daughter before

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his return home, suggests choice of suitable epithet and letter

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sealed and mailed. Okay, Hi, Sis, neighbors surely must appreciate

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the effort of number one son in keeping them from

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quiet evening.

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Speaker 3: I'm sorry, there is the noisiest kid I know.

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Speaker 5: Kid.

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Speaker 6: Okay, Grandma, Oh son, you brought newspaper as we quested paper.

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Speaker 4: The newspaper.

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Speaker 6: Oh, I'm sorry that I meant to, but I well,

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I can run down now, I'll be right back.

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Speaker 4: Wait, Sun that takes sister's letter.

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Speaker 3: Oh, now, don't do any favors. Besides, I want to

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make sure this letter reaches you. Mean, it doesn't say

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in your.

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Speaker 4: Pocket, So I'll mail it myself.

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Speaker 3: And what's more, Dad, if you want to read your

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paper tonight, I'll see that you get it.

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Speaker 6: I suppose you'll never forget anything important that so long.

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Speaker 4: Suggest that family storm be deferred thunder outside of more

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immediate concern possible rain coming, since new stand some distance away,

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suggests number one daughter.

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Speaker 5: Okay, Dad, it.

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Speaker 3: Won't be wrong, and don't worries it rains. I'll take

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a cab be right there.

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Speaker 6: Someday I'm gonna lose my temper with that name sound

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then yes, Dad.

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Speaker 4: Suggest you retain temper and go to the kitchen for usual

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snacks before retiring. Oh all right, Dad, I fully appreciate

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now burden of honorable wife with eleven sources of trouble.

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Ie some what happened sounded like shot?

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Speaker 2: Oh Dad, did I scare?

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Speaker 4: You? Did not soothe me? Number one son carries gun?

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Speaker 2: Perhaps no, Dad, just some firecrackers.

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Speaker 6: I was taken out of my pocket a torpedo dropped.

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Speaker 5: To the floor.

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Speaker 4: Hire crackers hardly placing for one your age.

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Speaker 6: Huh Oh gosh, Dad, you got me wrong. I was

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just holding them for the neighborhood kids so they wouldn't

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hurt themselves. They were using them to whip up the

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bond sales in Chinatown.

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Speaker 4: With number one some holding same fear greatly honorable mother

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will have no home to return to if best seem

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to me.

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Speaker 6: Well, okay, Dad, But if they don't sell a lot

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of bonds, those kids will have your stamps, your paper, miss.

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Speaker 4: Kind of web.

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Speaker 5: Sorry, that's okay?

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Speaker 2: Is it?

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Speaker 3: Take the cabra up?

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Speaker 7: Yeah, cabra from the bank.

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Speaker 8: Day, Hey cab I stop it?

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Speaker 2: Sorry kid, my CAP's take.

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Speaker 5: You can't stay in here.

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Speaker 2: I've hired the take.

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Speaker 5: Hey, look comes a back.

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Speaker 2: I see you've broken that.

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Speaker 5: It's tough, okay. Manti here comes.

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Speaker 2: Chucking, going muy.

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Speaker 5: Hey, who's your name? I don't know, but she's coming along.

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Speaker 8: She's sinking too much.

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Speaker 2: Hey you there's an investigation going on her here.

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Speaker 4: On a thousand pleasants. Captain sinnery, But I too, am investigating.

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Speaker 2: Well, Charlie chan ha, how higher disturbed?

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Speaker 4: Captain disturbed? Tell me why are you here?

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Speaker 2: I'll hold up at the bank. Pretty routine stuff, chan

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guard shot nothing that would interest you? What are you

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looking at?

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Speaker 4: Notice? Small coral beads in hem.

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Speaker 2: M oh these pick him up and gutter? Why the interest?

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Speaker 4: Believe small beats came from necklace one by number one?

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Daughter rose, Yes, she failed to return from posting letter.

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Beads suggest possible harm befell her.

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Speaker 2: Hey, wait a minute, the news voice said a Chinese

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girl got in the can age.

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Speaker 4: Seldom gives credit to eyes of youth. Tell me it

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was car followed.

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Speaker 2: Yes, Chan, one of our squad cars gave it a chase.

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I got away by beating a freight train to a carsing.

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We're sure one of our bullets at the back of.

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Speaker 4: The car fervently trusted the same bullet did not go further.

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Danger to daughter almost too much to bear.

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Speaker 2: Easy, Now, Chan, you go home. I'll get rose back

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for you. Turn in my bad Thank you.

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Speaker 4: First time in humble career, find emotions stronger than detecting instincts.

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Speaker 6: Dad, you've got a cop that's pacing up and down. Well,

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you haven't been off your feet in twenty two hours?

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Speaker 4: Dad, did you hear me? Give me some ears open,

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but mine clothed?

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Speaker 6: Well? Oh, will you eat something? A bowl of soup,

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a little wise anything?

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Speaker 4: No, thank you. Some thoughts are not of food. They

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little and number one daughter.

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Speaker 5: Gosh, Dad, I shouldn't have let her go.

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Speaker 2: I should have gone myself.

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Speaker 4: And greatful, lulnerable mother knows nothing of misfortune.

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Speaker 6: Oh, I'll get a dad, it's good news, I'm sure.

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Speaker 5: Hello. Oh, yes, he's here, Cappy Flannery.

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Speaker 8: Yes you have Oh, oh that's all right, I'll tell

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him Dad.

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Speaker 4: They found the cab in a ditch in ditch you

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mean he's dad.

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Speaker 6: It was empty, looked as though it had been driven

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there deliberately to hide it.

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Speaker 5: It had a bullet hole in the back.

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Speaker 2: I must go, said Dad. Dad.

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Speaker 5: Wait, I tell you the rest.

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Speaker 4: Captain Fennery has surely located owner, Captain Ferry. How do

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you know, no, Captain Fennery.

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Speaker 5: Well, I'll go with you, Dad.

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Speaker 3: No.

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Speaker 4: Son remain here close to phone in case there is

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further news of sister.

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Speaker 2: Basic as Charlie Chan. He wants to ask you a

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couple of questions.

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Speaker 9: Look, I ain't deny it. It was my care but I

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don't know nothing about to hold up. I loaned the

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heck to my brother.

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Speaker 4: I had to. The kid was wild.

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Speaker 9: The only way I could keep him straight was to

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let him drive the careboys in a while so we

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could make some money.

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Speaker 4: Where does wild brother make headquarters?

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Speaker 5: Uh?

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Speaker 2: How do you reach step tunk when you want them? Why?

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I don't you see what well is?

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Speaker 9: There's a cigar store on the outskirts of the town.

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Sometimes I can get him there, but not now I try.

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Speaker 2: Well, you better keep trying. You don't want to murder.

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Speaker 5: I crossed that, ye right?

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Speaker 4: So I am mixed up and old Robinson.

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Speaker 2: It was your cab.

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Speaker 9: But but I tell you.

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Speaker 4: I alluse please Captain Flennary, mister Russick, should you contact

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while brother inform him please? I'm holding him responsible for

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safety of number one daughter Rose? Uh your daughter?

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Speaker 2: You heard him?

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Speaker 5: Rose?

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Speaker 2: Chan was in your cab when your kid brother pulled

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that bank job. He hasn't returned since.

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Speaker 4: Who I no wonder you're so interested in his kids? Hey?

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Speaker 9: Do look at me like that, mister Chan? Honest, I'd

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never been mixed up in O Robins and killing's.

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Speaker 2: Get going, Russick and find your brother.

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Speaker 4: Eh, yeah, sure, I'll do my press.

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Speaker 9: You can better A yes, sir, sure will?

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Speaker 2: What do you think Chan? Is he in another? None?

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Speaker 4: Think? Not too surprised at mention of daughter? He was it.

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Speaker 2: Wise to mention her? Wouldn't she be safer? I didn't

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know who she is?

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Speaker 4: Believe unknown Chinese girl might become liability to men and hiding,

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therefore kill her. But daughter askst for bargaining.

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Speaker 2: Then you feel pretty sure their next move will be

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to contact you.

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Speaker 4: Hope such his case. Return home now to await developments.

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Oh there you are, Dan, Gosh, where have you been

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taking first steps on path that leads to honorable sister. Gosh,

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I'm sure glad you got back.

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Speaker 6: This was stuck under the door, but when I looked out,

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no one was there.

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Speaker 4: And written note and rapping prefa.

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Speaker 6: It's a demand for money for sister's release.

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Speaker 4: Gosh, Dad, what's happened to her, honorable sister getting cab

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used for holder by a mistake?

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Speaker 2: Then this is a ransom note?

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Speaker 4: Yes, son, geez ten thousand dollars?

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Speaker 5: Well you get it.

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Speaker 4: Here is legitimate question. Long standing friends may help, but

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first we'll attempt to contact mister Vaughan, president of bank,

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which was rob. Oh, we'll answer, Dor, Please phone mister Vaughan. Yes, Dad,

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Captain Flannery.

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Speaker 2: Glad you're here. Chen Russick just came back to the station.

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Host said he was sure he could locate his brother.

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Speaker 4: Good also have news for you. Ransom note delivered here

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demanding ten thousand dollars for release of daughter.

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Speaker 2: Ten thousand dollars. Yeah, I got mister Vaughan on the.

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Speaker 4: Phone coming son.

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Speaker 2: Hey, now, look, Chan, you're not gonna pay any ransom

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while I'm on the forest.

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Speaker 4: Give me time, Imily suggest good friend retained shirt. You'll

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only use banker to divide and conquer enemies, the use

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of cab driver Russick.

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Speaker 2: What do you mean?

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Speaker 4: Listen to phone conversation. Hello, Hello, mister Vaughan. Regret delay. No,

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have not yet apprehended criminals. Hope to do so before

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night is out. Greatly need your worthy assistance. Also cooperation

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of some suburban bank owner of cab involved will also help.

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Listen closely. Please to most dangerous plan for releasing daughter

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who had more is in hands of desperate criminals.

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Speaker 10: Would you please take these can cuss off.

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Speaker 3: It's uncomfortable being locked to this chair.

236
00:13:14,360 --> 00:13:15,360
Speaker 4: Don't move, miss Chan.

237
00:13:15,480 --> 00:13:16,120
Speaker 2: They won't hurt.

238
00:13:16,480 --> 00:13:19,200
Speaker 4: Size of his hideout wasn't built for your comfort. Oh

239
00:13:19,799 --> 00:13:21,720
are you sure you left that note where your old

240
00:13:21,720 --> 00:13:22,759
man will find Yeah.

241
00:13:22,720 --> 00:13:24,639
Speaker 5: Chucky, Yeah, it slipped it under the door, just like

242
00:13:24,679 --> 00:13:25,000
this said.

243
00:13:25,080 --> 00:13:26,279
Speaker 2: I stay to be sure.

244
00:13:26,480 --> 00:13:27,120
Speaker 5: I'm telling you.

245
00:13:27,200 --> 00:13:27,879
Speaker 4: Yeah, like you told me.

246
00:13:27,919 --> 00:13:28,519
Speaker 11: You can handle it.

247
00:13:28,480 --> 00:13:28,919
Speaker 2: It away.

248
00:13:28,919 --> 00:13:30,279
Speaker 4: So, of all the dames in the world, we got

249
00:13:30,360 --> 00:13:31,519
to pick up Chan's daughters.

250
00:13:31,519 --> 00:13:32,639
Speaker 5: That's bad. Huh.

251
00:13:33,000 --> 00:13:34,759
Speaker 11: He's for getting ten grand for all, aren't we?

252
00:13:35,240 --> 00:13:37,360
Speaker 5: Did you pull off the bank stick up? No, you're

253
00:13:37,360 --> 00:13:38,759
pumped off a guard and got.

254
00:13:38,559 --> 00:13:39,600
Speaker 4: No dough shut out.

255
00:13:41,279 --> 00:13:44,080
Speaker 8: It must he could be my dad, Charlie, chance open

256
00:13:44,159 --> 00:13:44,559
that door.

257
00:13:44,639 --> 00:13:46,320
Speaker 11: Shots, well, you'll stop the inflot jumping.

258
00:13:46,720 --> 00:13:54,200
Speaker 5: Okay, if I got news sucked up, it was my brother.

259
00:13:54,200 --> 00:13:56,639
I want to see me all right. He's got a proposition.

260
00:13:56,679 --> 00:14:00,519
I don't want to hit the kids such a proposition. Look, Molly,

261
00:14:00,600 --> 00:14:04,200
I'm not quiet, go too well. My brother picked up

262
00:14:04,200 --> 00:14:06,559
two old gents in his caps. See they're on their

263
00:14:06,600 --> 00:14:08,679
way to would hit the bank about five miles from here,

264
00:14:08,799 --> 00:14:09,080
I put.

265
00:14:09,120 --> 00:14:09,679
Speaker 4: It's get all it.

266
00:14:09,679 --> 00:14:11,480
Speaker 5: Though, So oh, what are going to meet the guy

267
00:14:11,559 --> 00:14:13,039
that's going to open up this hill bank.

268
00:14:13,240 --> 00:14:14,159
Speaker 4: I'm still listening.

269
00:14:14,519 --> 00:14:15,720
Speaker 2: Okay, get this payoff.

270
00:14:16,639 --> 00:14:18,720
Speaker 5: They're going there to get that ten grand we're asking

271
00:14:18,759 --> 00:14:19,480
for this chanting.

272
00:14:20,200 --> 00:14:23,200
Speaker 4: Yeah, on a level, they couldn't open.

273
00:14:23,000 --> 00:14:25,159
Speaker 5: A vunch bank on the kind of time locks or

274
00:14:25,159 --> 00:14:28,120
something that sounds to me like a frame up. And

275
00:14:28,200 --> 00:14:30,159
I'll wait a minute. My brother ain't no store for

276
00:14:30,200 --> 00:14:31,039
the cops.

277
00:14:31,480 --> 00:14:32,559
Speaker 9: I'll tell you he picked up.

278
00:14:32,519 --> 00:14:33,720
Speaker 2: These two gents cruises.

279
00:14:33,799 --> 00:14:35,320
Speaker 5: It could happen, Chuck, but it didn't.

280
00:14:35,440 --> 00:14:36,919
Speaker 4: Why is your brother playing ball with us?

281
00:14:36,960 --> 00:14:39,759
Speaker 5: All of a sudden, he's getting smart for a change,

282
00:14:39,960 --> 00:14:42,120
beginning to realize he ain't going to make a million

283
00:14:42,200 --> 00:14:42,840
driving a hug.

284
00:14:42,960 --> 00:14:44,200
Speaker 4: Yeah, it took him a long time.

285
00:14:44,240 --> 00:14:45,000
Speaker 9: Wait a minute, Chuck.

286
00:14:46,759 --> 00:14:51,000
Speaker 11: If I heard rough to kill this himself, i'd know.

287
00:14:52,679 --> 00:14:55,320
Speaker 6: Fer Kid, let the cigar still waiting for you.

288
00:14:56,240 --> 00:14:58,559
Speaker 4: I think I'll talk. Yes a minute, Molly, suppose this

289
00:14:58,639 --> 00:14:59,120
is a trap.

290
00:14:59,200 --> 00:15:00,360
Speaker 2: We still got cham Kid.

291
00:15:00,600 --> 00:15:02,399
Speaker 5: Wait, lovedy, keep your eye on it.

292
00:15:02,480 --> 00:15:03,360
Speaker 4: Do we get back all ye?

293
00:15:03,440 --> 00:15:04,559
Speaker 5: I say we play this safe.

294
00:15:04,559 --> 00:15:06,679
Speaker 2: I want ten grand for that name, and I want.

295
00:15:06,519 --> 00:15:08,240
Speaker 11: Ten times that from the Hicks Bank.

296
00:15:18,000 --> 00:15:18,240
Speaker 2: Chad.

297
00:15:18,840 --> 00:15:22,000
Speaker 4: I think that's a car now, Yeah, that's it, splendid,

298
00:15:22,000 --> 00:15:26,360
mister Ussic. Wait, man has left the car. The woman's

299
00:15:26,399 --> 00:15:31,559
pucking it. Hey, report's supposed to meet me in my cads, Suspect.

300
00:15:31,639 --> 00:15:34,600
Only one will accompany you to bank, although we'll return

301
00:15:34,639 --> 00:15:38,960
to hiding place to await outcome if anything wrong. Fear

302
00:15:39,039 --> 00:15:42,240
for safety of number one daughter and your brother. I

303
00:15:42,240 --> 00:15:46,240
fig you're right, cheer man already in cad. Woman on

304
00:15:46,360 --> 00:15:49,759
way too, intercene. We telephone number one son to follow

305
00:15:49,879 --> 00:15:53,200
gang car back to hiding place. Okay, I'd better go

306
00:15:53,279 --> 00:15:56,600
up before it gets suspicious. Much depends on you, mister Ussic.

307
00:15:57,200 --> 00:16:01,279
Remember carefully all instructions speak caution, doory.

308
00:16:01,120 --> 00:16:18,720
Speaker 9: Chat I will I'll be chick, but chut. Like I've

309
00:16:18,720 --> 00:16:20,639
been telling you, Molly, it looks like it. Let five

310
00:16:20,720 --> 00:16:23,360
sish to me a lot better than hold Chance daughter

311
00:16:23,440 --> 00:16:24,799
for measly ten grand.

312
00:16:24,679 --> 00:16:27,840
Speaker 5: Chanzer what she got to do with this setup?

313
00:16:27,879 --> 00:16:29,919
Speaker 4: Russick, quit storm and folks.

314
00:16:29,919 --> 00:16:31,960
Speaker 9: One guy in my cat call the other one form.

315
00:16:32,120 --> 00:16:34,480
He's the president of the bank you stuck up while

316
00:16:34,480 --> 00:16:35,720
you were using my cats.

317
00:16:35,799 --> 00:16:37,080
Speaker 2: What you say, yeah?

318
00:16:37,120 --> 00:16:39,000
Speaker 9: And sort of the cops who shot at you when

319
00:16:39,000 --> 00:16:40,759
they put that bullet hole in the body of my head.

320
00:16:40,840 --> 00:16:43,320
Speaker 11: That still don't put Chance daughter in the picture, Russick.

321
00:16:43,960 --> 00:16:45,039
Speaker 2: The guy did that.

322
00:16:45,720 --> 00:16:47,440
Speaker 9: He's the pig suret of his hick bank, and he

323
00:16:47,519 --> 00:16:49,600
told Bond he was helping him because he was afraid

324
00:16:49,639 --> 00:16:50,039
of the chance.

325
00:16:50,159 --> 00:16:52,159
Speaker 4: Okay, so how come he didn't drive him out to

326
00:16:52,200 --> 00:16:53,639
this hick bank, because that's why they were heading.

327
00:16:53,840 --> 00:16:55,799
Speaker 9: They wouldn't do that till eleven thirty. So I drove

328
00:16:55,840 --> 00:16:58,399
him the chance house. By the way, it's getting light,

329
00:16:58,399 --> 00:16:59,879
and that bikes is a good four miles from you.

330
00:17:00,159 --> 00:17:03,639
Speaker 11: H Russic, you really like this deal?

331
00:17:03,720 --> 00:17:06,039
Speaker 2: Huh sure? I think that's you set up.

332
00:17:05,920 --> 00:17:07,400
Speaker 4: For real, doo and.

333
00:17:09,079 --> 00:17:10,000
Speaker 5: You'll do the driving.

334
00:17:10,480 --> 00:17:14,480
Speaker 9: Who else I want to hid my fifty percent cut fifty.

335
00:17:15,680 --> 00:17:19,160
Speaker 11: Let him dream Russick.

336
00:17:20,119 --> 00:17:22,480
Speaker 5: If it don't come off, you and your.

337
00:17:22,440 --> 00:17:24,160
Speaker 4: Kid brother both lose.

338
00:17:25,640 --> 00:17:28,119
Speaker 12: We all do not like you, Rustic.

339
00:17:29,160 --> 00:17:33,880
Speaker 11: You see Chuck here handles a sort off real nice.

340
00:17:34,079 --> 00:17:35,799
Speaker 5: If the cops are at the Hick.

341
00:17:35,799 --> 00:17:38,880
Speaker 4: Bank, your head gets blowed off.

342
00:17:40,039 --> 00:17:43,839
Speaker 11: Yeah, because I won't be there to have the pleasure

343
00:17:43,839 --> 00:17:45,720
because I'm not going with you, just you and Chuck.

344
00:17:46,200 --> 00:17:49,160
I'll be back at the hideout if Chuck don't come

345
00:17:49,200 --> 00:17:53,519
back by midnight. Little brother gets it too right between

346
00:17:53,559 --> 00:17:55,480
his baby blue eyes.

347
00:17:57,720 --> 00:17:59,960
Speaker 4: You still want to play bank robber?

348
00:18:00,680 --> 00:18:01,359
Speaker 1: We sure?

349
00:18:01,400 --> 00:18:02,079
Speaker 4: Why shouldn't I?

350
00:18:02,319 --> 00:18:06,920
Speaker 11: Okay, you uh haven't any way of contact?

351
00:18:07,000 --> 00:18:08,160
Speaker 5: And mister Chan have you?

352
00:18:08,759 --> 00:18:10,759
Speaker 2: I wouldn't know him if I fell over him.

353
00:18:12,400 --> 00:18:14,440
Speaker 10: Yeah, too bad.

354
00:18:14,519 --> 00:18:17,319
Speaker 11: Somebody can't tell Chan tell him what that?

355
00:18:17,440 --> 00:18:18,640
Speaker 5: If this is a frame up?

356
00:18:19,480 --> 00:18:20,720
Speaker 11: His daughter gets it two.

357
00:18:22,400 --> 00:18:26,000
Speaker 4: You see. Yeah, that's his worry.

358
00:18:26,240 --> 00:18:27,920
Speaker 2: Let's get started. It's almost eleven thirty.

359
00:18:28,000 --> 00:18:31,759
Speaker 7: Huh yeah, Hey yeah, Molly, this little gang ain't on

360
00:18:31,759 --> 00:18:32,160
the level.

361
00:18:32,200 --> 00:18:35,880
Speaker 4: He's got more guts than this kid brother yourself? What

362
00:18:36,000 --> 00:18:37,039
choices he got? Now?

363
00:18:37,960 --> 00:18:42,480
Speaker 11: Okay, you too better get throwing the seeing your Russic.

364
00:18:52,359 --> 00:18:56,160
Speaker 4: That rustic. It's stone building. A head must be Yeah.

365
00:18:56,400 --> 00:18:58,599
Speaker 9: See here that looks like water and there's.

366
00:18:58,440 --> 00:18:58,960
Speaker 2: The other guy.

367
00:18:59,119 --> 00:19:02,400
Speaker 4: Yeah, and I just went in. This begins to look good.

368
00:19:02,559 --> 00:19:04,559
Should pull up? Are you nuts for case?

369
00:19:04,599 --> 00:19:07,440
Speaker 2: The black? First? Go around the black? Slow chump? But

370
00:19:07,559 --> 00:19:07,960
it ain't it.

371
00:19:08,000 --> 00:19:10,119
Speaker 9: Easier if we walk in while if busy getting the money,

372
00:19:10,160 --> 00:19:10,799
we can't be there.

373
00:19:10,839 --> 00:19:22,359
Speaker 7: Do like I say, Okay, pull up right in front

374
00:19:22,400 --> 00:19:25,000
of the door, right in front, that's right, so.

375
00:19:25,000 --> 00:19:27,279
Speaker 4: As I can cover you in the entrance while you're going.

376
00:19:28,039 --> 00:19:28,599
Speaker 5: You'll hurt me.

377
00:19:28,720 --> 00:19:30,359
Speaker 2: Rus get going.

378
00:19:30,799 --> 00:19:34,319
Speaker 4: But I walk right up to the door and stand

379
00:19:34,440 --> 00:19:35,039
beside it.

380
00:19:35,319 --> 00:19:41,200
Speaker 12: I'll keep it covered with the sort of Okay, wait, wait,

381
00:19:45,200 --> 00:19:45,559
but you.

382
00:19:45,559 --> 00:19:53,400
Speaker 4: Asked for us, all right, Yeah, he shot mystery.

383
00:19:53,559 --> 00:19:55,839
Speaker 2: Well you won't be bothered by him anymore.

384
00:19:56,559 --> 00:19:59,519
Speaker 4: He's dead.

385
00:19:59,400 --> 00:20:07,640
Speaker 9: N he's trailing a day.

386
00:20:14,640 --> 00:20:18,200
Speaker 4: Evil woman has gone inside house. Pray that trailing her

387
00:20:18,200 --> 00:20:22,039
proofs fruitful. In quest for honorable sister the park car here, sir,

388
00:20:22,160 --> 00:20:32,039
all right, dad, be quiet, Come let us investigate. Okay, Dad,

389
00:20:36,640 --> 00:20:40,519
see dead? Look that window on the side, there's a

390
00:20:40,599 --> 00:20:51,759
light approach seemed cautiously. I can see honorable sisters inside

391
00:20:52,279 --> 00:20:55,359
this handcuffed chair. Gee what are we going to do?

392
00:20:55,680 --> 00:20:57,319
Speaker 6: Should I get the car and get help? No?

393
00:20:58,240 --> 00:21:02,200
Speaker 4: Wait, son, have plan. Go to car, drive up to

394
00:21:02,279 --> 00:21:04,799
front of the door with much cress. Okay, Dad, humble

395
00:21:04,839 --> 00:21:08,200
father will remain here to make sure no harm before

396
00:21:08,279 --> 00:21:09,119
his honorable sister.

397
00:21:19,559 --> 00:21:22,240
Speaker 11: So, miss Chen, if Russick is on the square, we'll

398
00:21:22,319 --> 00:21:25,279
leave you here tied up. You're smart old man to

399
00:21:25,359 --> 00:21:26,839
find and what.

400
00:21:26,880 --> 00:21:27,440
Speaker 4: Happened to be?

401
00:21:28,279 --> 00:21:31,599
Speaker 6: If he.

402
00:21:31,720 --> 00:21:35,799
Speaker 11: You mean of Russic double crosses. Look, if Chuck don't

403
00:21:35,799 --> 00:21:38,960
show up by midnight, and that ain't far off, I'm

404
00:21:39,000 --> 00:21:41,640
sending you to what you call your honorable ancestors.

405
00:21:42,039 --> 00:21:43,960
Speaker 4: Hey, Molly, you you won't kill her, will you?

406
00:21:45,240 --> 00:21:47,960
Speaker 11: Don't you worry your little head, muggsy, you won't know

407
00:21:48,000 --> 00:21:48,920
a thing about it.

408
00:21:49,759 --> 00:21:50,480
Speaker 2: What does that mean?

409
00:21:51,559 --> 00:21:52,240
Speaker 4: Are you kidding?

410
00:21:52,880 --> 00:21:55,319
Speaker 5: If Chuck don't get back, you'll get bumped off too.

411
00:21:55,400 --> 00:21:58,039
Now stop worrying, honest Smiley, I'm telling you my butter

412
00:21:58,079 --> 00:21:58,799
is no story.

413
00:21:58,960 --> 00:22:00,400
Speaker 2: We'll see kid, Molly.

414
00:22:00,440 --> 00:22:01,519
Speaker 5: Maybe the cat broke.

415
00:22:01,400 --> 00:22:02,319
Speaker 2: Down on the way back.

416
00:22:02,359 --> 00:22:02,799
Speaker 8: The mate.

417
00:22:03,640 --> 00:22:05,160
Speaker 2: Hey, it's Chuck.

418
00:22:05,640 --> 00:22:07,200
Speaker 4: I told you to pull it off and get back.

419
00:22:07,279 --> 00:22:08,599
Speaker 5: None soon, neither.

420
00:22:10,759 --> 00:22:11,400
Speaker 2: Enough the tailor.

421
00:22:11,880 --> 00:22:13,599
Speaker 5: I'm getting out. I ain't got no rod. You've a

422
00:22:13,599 --> 00:22:16,680
way that door, don't open it? Off olf of the window. Hey,

423
00:22:16,720 --> 00:22:18,559
I miss that'll hold somewhere.

424
00:22:18,559 --> 00:22:19,240
Speaker 2: I gotta chance.

425
00:22:19,359 --> 00:22:21,160
Speaker 5: I'm going I take that dog shut.

426
00:22:21,400 --> 00:22:22,599
Speaker 8: I'll try you out for it.

427
00:22:23,599 --> 00:22:27,119
Speaker 12: Open that door, you shine, I'm sorry, you'll be killed.

428
00:22:27,279 --> 00:22:29,160
Speaker 5: What is yellow? I find it out?

429
00:22:29,240 --> 00:22:29,480
Speaker 13: See you?

430
00:22:30,920 --> 00:22:33,559
Speaker 10: So you should gut him? Key, you'll there surrenders?

431
00:22:34,599 --> 00:22:37,519
Speaker 5: So I had another rod? Have I lost the doors?

432
00:22:37,599 --> 00:22:39,359
Speaker 13: If I don't love about blasphemy.

433
00:22:39,480 --> 00:22:41,480
Speaker 5: She'll open it. You'll like you CAUs you're long shoe.

434
00:22:41,559 --> 00:22:45,079
Speaker 3: I can't have handcuts, remember, okay, Okay, I'll take him off.

435
00:22:45,400 --> 00:22:49,240
Speaker 5: I want to get out there and stop them there

436
00:22:50,240 --> 00:22:52,640
now they're off, Now get out there? Hey, what are

437
00:22:52,680 --> 00:22:52,960
you doing?

438
00:22:53,279 --> 00:22:54,880
Speaker 10: See how you look with the handcuts on?

439
00:22:55,519 --> 00:22:55,559
Speaker 5: No?

440
00:22:55,720 --> 00:22:56,119
Speaker 2: Stand there?

441
00:22:56,160 --> 00:22:56,960
Speaker 3: Will you be sife?

442
00:23:00,119 --> 00:23:04,240
Speaker 4: Oh dad, I'm happy to find pearl of great price

443
00:23:04,359 --> 00:23:04,799
un harmed?

444
00:23:05,039 --> 00:23:05,279
Speaker 2: Boy?

445
00:23:05,400 --> 00:23:06,480
Speaker 4: Am I glad to see you?

446
00:23:06,799 --> 00:23:08,119
Speaker 5: You're right, sir? So you tell me?

447
00:23:08,200 --> 00:23:08,799
Speaker 10: I'm okay with.

448
00:23:09,519 --> 00:23:11,440
Speaker 4: Where are the others? What others? Daughter?

449
00:23:11,599 --> 00:23:13,640
Speaker 10: What were the police surrounded the house?

450
00:23:13,920 --> 00:23:16,240
Speaker 4: No police? Only humble father and brother? What?

451
00:23:16,559 --> 00:23:21,480
Speaker 5: Hey? Hard of a handcuff? You're on? You asked? Smart?

452
00:23:22,079 --> 00:23:22,279
Speaker 12: Huh?

453
00:23:22,720 --> 00:23:24,119
Speaker 9: Oh I get it?

454
00:23:24,200 --> 00:23:24,680
Speaker 3: How but dead?

455
00:23:24,680 --> 00:23:26,200
Speaker 4: Where'd all the shops come from you.

456
00:23:26,400 --> 00:23:27,920
Speaker 10: You hardlyver carry a gun.

457
00:23:28,079 --> 00:23:30,559
Speaker 4: Is correct, did not do so on this occasion?

458
00:23:30,720 --> 00:23:31,799
Speaker 5: Hey, what are you've given her?

459
00:23:32,000 --> 00:23:35,240
Speaker 11: I suppose you made all that racket out there with firecrackers.

460
00:23:35,440 --> 00:23:39,440
Speaker 4: Again, correct, firecrackers taken from number one son, which were

461
00:23:39,519 --> 00:23:41,720
to be used and worthy cause? What do you mean dead?

462
00:23:42,039 --> 00:23:45,440
No questions now? Please, first must attend wounded brother of

463
00:23:45,480 --> 00:23:49,720
mister Russick, then deliver evil lady to police. Explanations will

464
00:23:49,799 --> 00:23:50,519
come at home.

465
00:23:58,319 --> 00:23:59,160
Speaker 2: Smarty dads.

466
00:24:00,319 --> 00:24:03,240
Speaker 4: Palette says yes, stomach says no. Gee.

467
00:24:03,400 --> 00:24:05,680
Speaker 6: Captain Flannery sure was please, and we turned over that

468
00:24:05,839 --> 00:24:08,119
Molly dame. Huh, Dad, he thought you were great on

469
00:24:08,200 --> 00:24:08,640
this case.

470
00:24:08,799 --> 00:24:11,599
Speaker 4: I'm deeply grateful to a number one son for assistance

471
00:24:12,599 --> 00:24:15,880
there was nothing. Also deeply grateful for brave assistance of

472
00:24:15,960 --> 00:24:17,279
mister Russick and mister Vaughan.

473
00:24:17,440 --> 00:24:20,039
Speaker 5: And don't forget says here, Oh, cut it out down, No,

474
00:24:20,240 --> 00:24:20,680
I mean it.

475
00:24:21,240 --> 00:24:22,920
Speaker 2: She was wonderful, wasn't she, Dad?

476
00:24:23,279 --> 00:24:26,920
Speaker 4: Yes, son, how wonderful. I did not realize until I

477
00:24:27,000 --> 00:24:30,880
thought I might lose her. Fate turns on small wheels.

478
00:24:31,440 --> 00:24:34,559
Consider good fortune at beginning when beads were torn from

479
00:24:34,599 --> 00:24:36,160
worthy sisters still the evil one.

480
00:24:36,319 --> 00:24:38,920
Speaker 10: Oh but Dad, those seeds weren't torn.

481
00:24:39,559 --> 00:24:42,599
Speaker 3: Explain please, Oh gosh, your daughter's in heres with a

482
00:24:42,640 --> 00:24:45,920
little of her father's ability, I dropped those beads deliberately.

483
00:24:46,839 --> 00:24:49,640
Speaker 4: Number one daughter causes humble father deepprived.

484
00:24:49,880 --> 00:24:53,039
Speaker 10: Thanks d But tell me what about those firecrackers?

485
00:24:53,400 --> 00:24:57,000
Speaker 4: In case of firecrackers, must admit fortune smiled kindly on.

486
00:24:57,160 --> 00:25:01,039
Humble father took them from honorable brother who held saman

487
00:25:01,160 --> 00:25:02,720
safe keeping for neighborhood children.

488
00:25:02,920 --> 00:25:04,759
Speaker 6: Yes, yes, the kids were going to use him to

489
00:25:04,759 --> 00:25:08,000
sell war bonds. Well, I guess they won't be too disappointed.

490
00:25:08,440 --> 00:25:10,799
Chinatown will sell its quota without fireworks.

491
00:25:11,119 --> 00:25:14,680
Speaker 4: Your son and humble father will do his bit with

492
00:25:15,039 --> 00:25:17,839
share of reward from bank, will purchase fund for each

493
00:25:18,039 --> 00:25:19,160
firecracker exploded.

494
00:25:19,359 --> 00:25:22,160
Speaker 6: Gosh, Dad, then this war bond drive will really.

495
00:25:22,039 --> 00:25:35,559
Speaker 2: Go over with a bang. Well, Charlie, you did it again.

496
00:25:36,680 --> 00:25:39,119
I guess it doesn't hurt to have a smart daughter around. Huh.

497
00:25:40,440 --> 00:25:42,720
Certainly been fine to have you with us tonight, and

498
00:25:42,839 --> 00:25:44,759
I hope we can tear you away again from the

499
00:25:44,799 --> 00:25:48,160
family heart to say nothing of your stamp collection real soon.

500
00:25:50,000 --> 00:25:54,319
Right about now, mister Lorry, if we were here invite

501
00:25:54,359 --> 00:25:57,400
you all to the green room eavesdrop on the rehearsal

502
00:25:57,480 --> 00:26:01,319
for our next mystery playhouse production, and who might be different?

503
00:26:02,480 --> 00:26:02,880
Follow me?

504
00:26:03,039 --> 00:26:15,079
Speaker 10: Please come, don't be so self conscious. I never said

505
00:26:15,119 --> 00:26:17,400
any such thing about the corn that comes.

506
00:26:17,240 --> 00:26:19,960
Speaker 5: Out of your tripe writer nail I made for you.

507
00:26:21,079 --> 00:26:24,200
Speaker 8: Oh no, you're thinking of the precious mister Warren, our

508
00:26:24,319 --> 00:26:28,240
leading man, the ambulatory werewolf of the Mega typles.

509
00:26:28,920 --> 00:26:32,519
Speaker 2: Don't be bitter, burnhard, jeffill right, you fat aparts when

510
00:26:32,559 --> 00:26:33,319
you can handle it.

511
00:26:33,559 --> 00:26:36,079
Speaker 10: I was playing leads when you were a standing I'll lay.

512
00:26:35,960 --> 00:26:36,880
Speaker 2: Off at will you.

513
00:26:36,960 --> 00:26:39,119
Speaker 5: Look, you've all worked together so long. You've got your

514
00:26:39,160 --> 00:26:41,400
private lives mixed up with the characters you're supposed to

515
00:26:41,440 --> 00:26:46,119
be playing. Okay, okay, check Master Control to see if

516
00:26:46,119 --> 00:26:47,920
we're getting the air on time. Check but it looks

517
00:26:47,960 --> 00:26:49,079
like we got the channel on the nose.

518
00:26:49,200 --> 00:26:52,480
Speaker 12: Okay, ed No, as you were saying, I was saying

519
00:26:52,519 --> 00:26:52,880
that if you.

520
00:26:52,960 --> 00:26:55,799
Speaker 5: Can't keep your petty jealousies outside the studio, I'll have

521
00:26:55,880 --> 00:26:56,559
a new cast.

522
00:26:56,720 --> 00:26:58,240
Speaker 10: So what about our public jet?

523
00:26:58,359 --> 00:27:02,160
Speaker 5: They won't like that flowed your irreplaceable illusions like a

524
00:27:02,240 --> 00:27:06,039
toy balloon, And what about our contract? Read your cancelation

525
00:27:06,279 --> 00:27:08,160
clause and don't start anything you can't finish.

526
00:27:08,279 --> 00:27:10,119
Speaker 11: What about our subordinate characters, Jeff?

527
00:27:10,119 --> 00:27:11,200
Speaker 5: Are we also on the griddle?

528
00:27:11,359 --> 00:27:11,920
Speaker 2: Yes? Yes?

529
00:27:12,079 --> 00:27:12,279
Speaker 6: Can't?

530
00:27:12,359 --> 00:27:15,160
Speaker 5: You can quit wandering around the studio making tastes at

531
00:27:15,160 --> 00:27:17,119
every engine who I cast on this show?

532
00:27:17,279 --> 00:27:18,160
Speaker 11: And how are you faking?

533
00:27:18,440 --> 00:27:19,880
Speaker 2: Or lay off the wise tracks?

534
00:27:19,920 --> 00:27:22,119
Speaker 5: Can't or your reputation is the hand that dies. A

535
00:27:22,200 --> 00:27:23,880
thousand deaths will catch up with you.

536
00:27:24,119 --> 00:27:27,480
Speaker 8: What about Mary's smith, Jeff, haven't you any unkind words

537
00:27:27,519 --> 00:27:31,079
for our honey haired heroin of tonight's master piece of man?

538
00:27:31,240 --> 00:27:31,279
Speaker 3: No?

539
00:27:31,599 --> 00:27:32,160
Speaker 13: I have not.

540
00:27:32,480 --> 00:27:35,119
Speaker 5: Mary at least tries to play her part in spite

541
00:27:35,119 --> 00:27:38,319
of Warren's wolfing, and you're burn my resent.

542
00:27:38,640 --> 00:27:39,680
Speaker 8: What she and Warren does.

543
00:27:39,720 --> 00:27:40,799
Speaker 10: There's no concern of mind.

544
00:27:40,880 --> 00:27:43,200
Speaker 5: I'll lay off Palmer. In the studio, I'm the boss.

545
00:27:43,279 --> 00:27:45,680
I'll make the wise cracks and I'll do the telling outside.

546
00:27:45,720 --> 00:27:48,160
You can beat each other's brains out for all I care, Jeff.

547
00:27:48,160 --> 00:27:49,799
Speaker 4: I can take care of myself.

548
00:27:49,559 --> 00:27:51,079
Speaker 2: When it comes to Warren the wonder Man.

549
00:27:51,160 --> 00:27:52,319
Speaker 4: Mary, worry about me?

550
00:27:52,680 --> 00:27:53,160
Speaker 5: Fight down?

551
00:27:53,240 --> 00:27:54,279
Speaker 4: Can't look Mary?

552
00:27:54,720 --> 00:27:55,480
Speaker 2: Just play your part.

553
00:27:55,759 --> 00:27:58,039
Speaker 5: You're new to radio, but you're good. Don't let these

554
00:27:58,119 --> 00:28:00,759
technically perfect Mike Monkeys tell different.

555
00:28:00,599 --> 00:28:04,160
Speaker 8: Yeah, dear, and don't fall for Jeff Private lessons and

556
00:28:04,279 --> 00:28:05,319
emotional acting.

557
00:28:05,680 --> 00:28:07,599
Speaker 2: Yeah, Mary, beware, take care.

558
00:28:07,759 --> 00:28:09,720
Speaker 4: We're an audious aggregation.

559
00:28:09,480 --> 00:28:14,000
Speaker 8: And directors never never collect etchings or go to Atlantic City.

560
00:28:14,559 --> 00:28:19,000
Speaker 5: Ye abstracts this season, Darling letter to go jet. Okay, now, Cas,

561
00:28:19,359 --> 00:28:21,759
there's nothing the matter with this show that you can't remedy.

562
00:28:22,000 --> 00:28:24,400
If you just forget your personal differences for the next

563
00:28:24,480 --> 00:28:26,160
thirty minutes, I'll snap out of it.

564
00:28:26,319 --> 00:28:30,319
Speaker 2: Let's go. I'm about to sound that shooting spot in

565
00:28:30,400 --> 00:28:30,960
the phone book.

566
00:28:31,000 --> 00:28:33,160
Speaker 5: That's okay, but keep that gun away from the town. Michael,

567
00:28:33,200 --> 00:28:34,079
you'll blow us off the air.

568
00:28:34,240 --> 00:28:37,960
Speaker 2: Okay, And mister thanks for staying up for Mary Wells.

569
00:28:37,960 --> 00:28:38,799
He's a good kid. Top.

570
00:28:38,880 --> 00:28:40,599
Speaker 4: Why doesn't she let on that she's your daughter.

571
00:28:41,000 --> 00:28:43,240
Speaker 2: She wants to make her own way in radio, not

572
00:28:43,359 --> 00:28:44,759
to like for doing myself.

573
00:28:44,599 --> 00:28:47,079
Speaker 7: Well she will pop twenty second yet.

574
00:28:47,160 --> 00:28:49,480
Speaker 5: Okay, Gang, I'm going in the control room. Stand by

575
00:28:49,640 --> 00:28:50,400
and make it good.

576
00:28:55,839 --> 00:29:03,039
Speaker 4: Why okay?

577
00:29:03,119 --> 00:29:05,119
Speaker 5: Here comes the last scene ed so far, so good?

578
00:29:05,200 --> 00:29:12,240
Speaker 10: Yeah, Hello like to Tective Agency Alice. Oh yes, Charlie,

579
00:29:12,319 --> 00:29:13,960
where are you phoning from from.

580
00:29:13,920 --> 00:29:15,480
Speaker 13: The phone booth at the corner drug.

581
00:29:15,440 --> 00:29:17,519
Speaker 4: Shawalla, but you show so far?

582
00:29:17,640 --> 00:29:20,039
Speaker 5: Yeah, yeah, cut the volume on that show room speaker

583
00:29:20,119 --> 00:29:22,160
in OK, Jeff, I thought you wanted to.

584
00:29:22,160 --> 00:29:24,440
Speaker 2: Really hear this last see I do, but not that badly.

585
00:29:26,960 --> 00:29:28,799
Speaker 4: That's better that lacing it gave the cast.

586
00:29:28,839 --> 00:29:29,559
Speaker 5: Sure snapped them.

587
00:29:29,440 --> 00:29:29,960
Speaker 2: Out of Jeff.

588
00:29:30,240 --> 00:29:32,599
Speaker 5: Yeah, but there's so much bad thought out there. I

589
00:29:32,680 --> 00:29:35,400
don't have to make some stage that shooting spot is

590
00:29:35,480 --> 00:29:35,880
coming up.

591
00:29:36,079 --> 00:29:40,480
Speaker 4: What I've just found out and killed our fian who

592
00:29:40,680 --> 00:29:43,079
was our old friends.

593
00:29:46,480 --> 00:29:47,119
Speaker 9: I'm sure.

594
00:29:49,039 --> 00:29:50,799
Speaker 12: Somebody, somebody.

595
00:29:54,400 --> 00:29:58,519
Speaker 5: They played that like the remember that yeah for one truck? Yeah, probably,

596
00:29:58,839 --> 00:30:02,079
and I probably pulled the ticket. Wife, Say, what's going

597
00:30:02,119 --> 00:30:04,240
out there in the studio? I didn't fire that shot.

598
00:30:04,319 --> 00:30:05,839
He's over by the curtain in front of the phone.

599
00:30:05,880 --> 00:30:13,200
Boots ed cut the show. I'm going out there to

600
00:30:13,240 --> 00:30:15,359
see what goes come him as the control of the

601
00:30:15,440 --> 00:30:17,039
pipe in the sand by officer.

602
00:30:27,039 --> 00:30:30,720
Speaker 2: Well, well, looks like actors are expendable too, doesn't it.

603
00:30:31,960 --> 00:30:34,680
This one certainly died in the line of duty, write

604
00:30:34,720 --> 00:30:38,680
in the radio studio script in hand, probably the best

605
00:30:38,759 --> 00:30:43,920
scene he ever played, so much for snide remarks, why

606
00:30:43,960 --> 00:30:46,720
don't you plan to be in your seats our next performance?

607
00:30:47,359 --> 00:30:50,920
When Bigtown Steve Wilson, fighting newspaper editor that he is,

608
00:30:51,599 --> 00:30:54,720
becomes involved in murder in.

609
00:30:54,799 --> 00:30:55,880
Speaker 4: The radio studio.

610
00:30:57,759 --> 00:31:01,200
Speaker 2: Peter Laurie is our regular mystery, a master of ceremonies,

611
00:31:01,240 --> 00:31:04,400
and he'll be back on the job soon. But for now,

612
00:31:05,359 --> 00:31:08,920
this is Sergeant X closing the doors of the Mystery

613
00:31:09,000 --> 00:31:44,279
Playhouse and saying for him good night, sweet type. This

614
00:31:44,559 --> 00:31:46,359
is the armed Forces of Lady O.

615
00:31:46,440 --> 00:32:28,319
Speaker 1: Says welcome back. I have a special place in my

616
00:32:28,440 --> 00:32:32,519
heart for this episode. No great sleuthing, but as an

617
00:32:32,839 --> 00:32:37,759
episode promoting national unity and showing Charlie Chan and his

618
00:32:37,920 --> 00:32:41,960
dedication to his family with both their strong points as

619
00:32:42,039 --> 00:32:44,519
well as a nice little bit of bickering. This is

620
00:32:44,599 --> 00:32:47,519
a fun episode. I do have to say that the

621
00:32:47,680 --> 00:32:51,920
teaser is one of the most tantalizing that I've ever

622
00:32:52,039 --> 00:32:58,559
heard on mystery playoffs. But sadly the episode advertised is missing,

623
00:32:59,279 --> 00:33:04,640
along with every other episode from July nineteen forty two

624
00:33:04,960 --> 00:33:09,200
on to nineteen forty eight, which is really sad. If

625
00:33:09,319 --> 00:33:14,359
someone found the script for that episode, I would love

626
00:33:14,480 --> 00:33:18,599
to hear a reperformance. This is such a great setup

627
00:33:18,720 --> 00:33:22,839
for a mystery, and you've got some radio bid stuff

628
00:33:22,960 --> 00:33:26,359
going on. I wish I knew what happened. Now, I

629
00:33:26,440 --> 00:33:30,799
should note regarding Charlie Chan, that there was one more

630
00:33:31,079 --> 00:33:37,000
American Charlie Chan series in nineteen forty seven to forty eight.

631
00:33:37,359 --> 00:33:40,880
Santos Ortega, who started in so many New York based

632
00:33:40,960 --> 00:33:46,440
detective series, held the incomparable Charlie Chan. Sadly it was

633
00:33:46,480 --> 00:33:49,559
a serial show and we don't have any complete stories.

634
00:33:49,680 --> 00:33:53,720
So next week we'll turn our attention down under well

635
00:33:53,839 --> 00:33:59,119
listener comments and feedback, and we have some comments regarding

636
00:33:59,240 --> 00:34:04,079
episode four seven eight six s Wall of sixty nine

637
00:34:04,519 --> 00:34:08,119
rites over on Spotify. I'm sure I missed the reason,

638
00:34:08,400 --> 00:34:14,000
but why is a Honolulu detective helping another series? And

639
00:34:14,199 --> 00:34:19,880
David actually responded the movie Beverly Hills Cop with Eddie

640
00:34:20,000 --> 00:34:25,199
Murphy might explain that premise. Maybe, Well, I have never

641
00:34:25,400 --> 00:34:30,559
heard the axle fully to Charlie Chan connection, but now

642
00:34:30,599 --> 00:34:35,159
I've heard it, I can't hear it. Appreciate the comment David,

643
00:34:35,639 --> 00:34:39,480
who writes also that I enjoyed this episode and I

644
00:34:39,559 --> 00:34:42,480
will be back for more. I'll look forward to it.

645
00:34:43,039 --> 00:34:46,159
Now it's time to thank our Patreon support of the day,

646
00:34:46,199 --> 00:34:49,239
and I want to thank Martin, Patreon supporter since March

647
00:34:49,320 --> 00:34:53,320
twenty twenty four currently supporting the podcast at the Master

648
00:34:53,480 --> 00:34:57,199
Detective level of fifteen dollars or more per month. Thanks

649
00:34:57,239 --> 00:34:59,280
so much for your support, Martin, and that will do

650
00:34:59,400 --> 00:35:03,119
it for today. If you're enjoying the podcast, please follow

651
00:35:03,239 --> 00:35:08,079
us using your favorite podcast software. And if you're enjoying

652
00:35:08,159 --> 00:35:11,639
this podcast on YouTube, be sure to lock the video,

653
00:35:11,800 --> 00:35:15,880
subscribe to the channel, and mark the notification bell. We

654
00:35:16,079 --> 00:35:20,880
will be back next Tuesday with another episode of Charlie

655
00:35:21,000 --> 00:35:25,559
Chan but join us back here tomorrow for broadways my beatware.

656
00:35:26,280 --> 00:35:32,719
Speaker 13: All right, you the lady over there, Belcolm h We

657
00:35:32,840 --> 00:35:37,800
want you to be sure, man, I'm sure. Well no,

658
00:35:38,440 --> 00:35:40,800
it's not my sister that way out man.

659
00:35:42,079 --> 00:35:46,440
Speaker 4: Now, the gentlemen, my wife was blond? Is this your wife?

660
00:35:47,039 --> 00:35:47,559
Speaker 2: Take it easy.

661
00:35:47,559 --> 00:35:49,719
Speaker 4: I haven't seen Aggie in three years. It's going as

662
00:35:49,760 --> 00:35:52,920
five six weight one twenty four, approximately twenty two years

663
00:35:52,920 --> 00:35:55,480
of age. Aggie's gonna turn up here one of these days.

664
00:35:55,559 --> 00:35:56,400
Speaker 7: I'll make book on it.

665
00:35:56,920 --> 00:35:59,559
Speaker 4: She ain't done it yet, lives ain't Aggie through that

666
00:35:59,679 --> 00:36:00,360
door over there?

667
00:36:00,440 --> 00:36:02,039
Speaker 2: Please, you're next, lady.

668
00:36:10,599 --> 00:36:13,119
Speaker 1: I hope you'll be with us then. In the meantime,

669
00:36:13,440 --> 00:36:18,920
send your comments to Box thirteen at Greatdetectives dot net,

670
00:36:19,599 --> 00:36:23,599
Follow us on Twitter at Radio Detectives, and check us

671
00:36:23,679 --> 00:36:30,760
out on Instagram, Instagram, dot com slash Great Detectives from Boise, Idaho.

672
00:36:31,039 --> 00:36:33,960
This is your host, Adam Graham signing off.

