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<v Speaker 1>You are now listening to the Someone's Favorite Productions podcast network.

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<v Speaker 2>The audio commentary. It's a dying art form, but here

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<v Speaker 2>at one track, mind I your wonky at Affable host

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<v Speaker 2>Bryan Luis Rodriguez analyze film through the prism of these

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<v Speaker 2>embryonic forms of podcasting, one audio commentary at a time. Masterpieces,

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<v Speaker 2>crapster pieces, live action, animation, cult classics, films literally no

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<v Speaker 2>one has ever heard of. No track is too small,

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<v Speaker 2>and no track is too big. Join me and my

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<v Speaker 2>guests from the entertainment world as we keep these features

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<v Speaker 2>alive every other Tuesday. Hey, who else is going to

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<v Speaker 2>discuss Bill and Ted's bogus journey one week and Citizen

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<v Speaker 2>Kane the next us that's who Sure, you have to

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<v Speaker 2>put up with my voice, but there's a certain give

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<v Speaker 2>and take in this industry. That's one track mine, part

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<v Speaker 2>of the Someone's Favorite Productions family and available wherever you

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<v Speaker 2>get your podcasts.

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<v Speaker 3>Hello there, and welcome back.

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<v Speaker 4>What is this place? Is connected? Disconnected?

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<v Speaker 3>It's connected, disconnected.

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<v Speaker 5>Disconnected, disconnected, disconnected, disconnected.

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<v Speaker 6>Disconnected, disconnected, disconnected, disconnected, disconnected, disconnected.

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<v Speaker 3>I'm starting to feel disconnected. I reached the number that

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<v Speaker 3>has been disconnected. Hi there, and welcome back to another Thursday,

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<v Speaker 3>and I'm back. I missed last Thursday for the first

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<v Speaker 3>time ever at somebody else host my show, and that

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<v Speaker 3>felt weird as hell. I hope everybody's happy to be

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<v Speaker 3>back to normal. I'm happy because Jake is here. Jake,

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<v Speaker 3>how have you never been here before? That's weird.

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<v Speaker 4>I have no idea. Beats me, man, You've been doing

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<v Speaker 4>this forever, so I'm an episode man.

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<v Speaker 3>Yeah you are. You are very well known around these

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<v Speaker 3>parts and around lines Gate headquarters. How's how's the channel going?

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<v Speaker 4>Same old, same old, but now daily videos? Whether they'd

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<v Speaker 4>be shorter, long form? And the grind never ends? Ryan?

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<v Speaker 4>I know you know that all too well.

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<v Speaker 3>Uh yeah, I would hesitate to say I know about grinding.

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<v Speaker 3>It wasn't popular in high school, but will say that

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<v Speaker 3>it's been It's been an interesting few years. You know.

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<v Speaker 3>You mentioned something I've always wanted to ask you. How

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<v Speaker 3>would do you prefer long content or short content? Do

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<v Speaker 3>you have something that you prefer making.

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<v Speaker 4>I miss the days of when I started TikTok and

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<v Speaker 4>I can make videos that are like fifteen to thirty seconds.

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<v Speaker 4>That's my sweet spot, just to be like Hey, I

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<v Speaker 4>got a brain farting of an idea that I want

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<v Speaker 4>to pitch out people, and more often than not it

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<v Speaker 4>worked so interesting.

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<v Speaker 3>I don't think I've ever made anything shorter than about

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<v Speaker 3>two and a half minutes, and I kind of I'm

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<v Speaker 3>very jealous of that. I feel like that would be amazing,

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<v Speaker 3>and then I alwos also feel like I'd edit it

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<v Speaker 3>for like four hours anyway, and something could be a problem. Yeah.

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<v Speaker 4>No, I'm used to the edit grind, and I more

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<v Speaker 4>often than not, if you have a good idea and

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<v Speaker 4>you just kind of throw it out to the world,

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<v Speaker 4>it's a lot better and it'll get more views than

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<v Speaker 4>if you like spend hours editing whatever you're trying to do.

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<v Speaker 4>It's I love to edit, but I've kind of taught

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<v Speaker 4>myself don't go too crazy.

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<v Speaker 3>Yeah, I get it. I get it. Unfortunately, when you

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<v Speaker 3>have a four hour interview that you need to edit,

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<v Speaker 3>like I right now, it's a mess. Speaking of interviews,

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<v Speaker 3>you have stepped into the interview game over the last

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<v Speaker 3>couple of years. What is what is your favorite interview

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<v Speaker 3>you've done so far?

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<v Speaker 4>I really like talking with Aaron. I've done it a

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<v Speaker 4>couple of times. Aaron Gershman over at Lionsgate. Those have

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<v Speaker 4>been fun. But I'm only fifty one episodes into Boutique

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<v Speaker 4>Talk my podcast, and I enjoy talking just about everybody

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<v Speaker 4>you've been on there before, and it's just been, you know,

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<v Speaker 4>fun to kind of shoot the physical media shit. I

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<v Speaker 4>used to be just talking about a specific title, but

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<v Speaker 4>I've kind of like broadened it out to a topic

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<v Speaker 4>that I think more people kind of enjoy instead of

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<v Speaker 4>having to do your homework and watch a movie beforehand.

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<v Speaker 3>Yeah, that part is tough, especially if you're trying to

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<v Speaker 3>talk with somebody that maybe they don't want to do

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<v Speaker 3>enough research or don't want to dive into the let's

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<v Speaker 3>analyze a film too too much. And a lot of

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<v Speaker 3>people they kind of hesitat or shy away from speaking

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<v Speaker 3>too much on especially specific title if somebody they know

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<v Speaker 3>worked on it or who knows. Anyway, it's a weird

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<v Speaker 3>game to play. But my favorite thing is stuff like

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<v Speaker 3>you do recently, is being able to learn from who

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<v Speaker 3>people are and what their impacts to things are. And

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<v Speaker 3>the lions Gate thing's kind of crazy, been getting you

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<v Speaker 3>quite a bit of attention, and I've had him on twice.

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<v Speaker 4>I'm hoping to do like a once a year check

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<v Speaker 4>in just to see like how line the Limited has

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<v Speaker 4>done as a whole. I might expand that out next

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<v Speaker 4>time and just say lions Gate in general and topics

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<v Speaker 4>on more things other than just lines. I think that

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<v Speaker 4>would be interesting to come from a guy kind of

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<v Speaker 4>higher up over there as well. But I've liked talking

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<v Speaker 4>with Mexifunk. He makes some great designs and he will

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<v Speaker 4>talk your ear off in the best way possible. He's

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<v Speaker 4>got so much insight to just like soak up like

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<v Speaker 4>a sponge.

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<v Speaker 3>Well, it's in the name. So we got to ask

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<v Speaker 3>why why steel books? I know that you've answered this

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<v Speaker 3>many times. I've seen you talk about it hundreds of times,

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<v Speaker 3>But for anybody that's new to you, why why steel books?

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<v Speaker 4>The first steel book I ever got was back when

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<v Speaker 4>Django Unchained came out. Son theaters absolutely loved the movie.

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<v Speaker 4>Went to Target on a whim because I wanted to

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<v Speaker 4>add to the collection. The day it came out on

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<v Speaker 4>New Really Tuesday, randomly saw on the shelf Django Unchained

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<v Speaker 4>on Blu Ray, and then this weird looking thing right

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<v Speaker 4>next to it with a very simple yet striking image

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<v Speaker 4>that really spoke to me and the steel book thing.

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<v Speaker 4>Had no idea what it was, but I grabbed it

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<v Speaker 4>off the shelf and I bought it immediately, and it's

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<v Speaker 4>been it's been an addiction ever since. Ryan. I think

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<v Speaker 4>I last I counted, I had close to eleven hundred

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<v Speaker 4>steel books. So it's just yeah, it's fun. I like it.

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<v Speaker 3>The Shelf Shock Rewinded video that you did for this year,

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<v Speaker 3>I don't remember the exact numbers you had, the vast

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<v Speaker 3>majority that came out last year. Yeah, holy shit. I mean,

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<v Speaker 3>first of all, they're getting so hard to track down,

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<v Speaker 3>They're getting so hard to come in on damage. They're

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<v Speaker 3>getting so hard to get replenishment stock because four K

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<v Speaker 3>discs have become more and more rare. Wow, that is

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<v Speaker 3>so many.

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<v Speaker 4>It's rare. I mean, I guess I'm lucky in a

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<v Speaker 4>sense because a lot of studios send me this stuff. Anyway,

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<v Speaker 4>I'm very blessed when it comes to that. And when

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<v Speaker 4>they send a package to you, they don't throw it

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<v Speaker 4>in a goddamn bubble mailer like Amazon does. That drives

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<v Speaker 4>me crazy to no end. I also put my negative

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<v Speaker 4>posts of like I bought a sawtoo seal book, and

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<v Speaker 4>there were two times that I got it sent to me.

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<v Speaker 4>One was in a bubble mailer, one was in a box.

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<v Speaker 4>They both came dented as shit, So I it's it's hard.

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<v Speaker 4>I missed the days of going into best Buy and

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<v Speaker 4>like coming finding the best steal book that was. That

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<v Speaker 4>was really what made me fall in love with steel books,

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<v Speaker 4>is that I could get in there with my hands

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<v Speaker 4>and look at all the new artwork in person. Buying

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<v Speaker 4>physical media in twenty twenty six majoritily online is just

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<v Speaker 4>it doesn't hit the same It doesn't.

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<v Speaker 3>I mean, first of all, the you know, the problem

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<v Speaker 3>of facing first off stocking crises that we've had over

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<v Speaker 3>the last year is a shitty thing to have to

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<v Speaker 3>focus on, especially when you would think you're a consumer.

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<v Speaker 3>They want your money, they should make that easy. But

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<v Speaker 3>also it's just not as simple as saying yes to

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<v Speaker 3>all of that. But the other thing, you know, back

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<v Speaker 3>in you know, I don't want to say like the

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<v Speaker 3>heyday of physical media necessarily, but the heyday of steel books,

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<v Speaker 3>probably around twenty eighteen ish, of when you could walk

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<v Speaker 3>straight into best Buy on release day and there would

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<v Speaker 3>be fifteen copies of any steel book that was coming

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<v Speaker 3>out that day, and not only did you not have

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<v Speaker 3>to pre order and fear that it would sell out

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<v Speaker 3>on day one. You could go in there and choose,

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<v Speaker 3>You could wait a week, you could see, how do

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<v Speaker 3>I like this design? Why gonna waffle on it? Can

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<v Speaker 3>I wait for a sale? That was That's a very

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<v Speaker 3>different world than we have now.

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<v Speaker 4>Right, And then the fifteen twenty dollars steal books that

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<v Speaker 4>would hit day one at that price. Now they do

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<v Speaker 4>not even come close. You're lucky if you get like

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<v Speaker 4>that forty dollars price mark on a.

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<v Speaker 3>Lot of these.

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<v Speaker 4>A lot of things have changed even back in the

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<v Speaker 4>day to where like a pre order bonus would be

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<v Speaker 4>a steal book at Best Buy, Like that was like

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<v Speaker 4>very very cool. Like for the Disney steal books, a

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<v Speaker 4>lot of those were just hey, pre order this movie.

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<v Speaker 4>We'll know your numbers coming. We'll throw in this random

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<v Speaker 4>case for you. Have fun with it.

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<v Speaker 3>Yep. I miss those days greatly. I miss better design

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<v Speaker 3>sometimes it's a it's a weird different change to face nowadays.

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<v Speaker 3>But you watch all kinds of movies. What else do

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<v Speaker 3>you like collecting? Who's your favorite label? Right now? That's

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<v Speaker 3>not a steel book.

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<v Speaker 4>Label, Arrow is old, reliable, that's for sure. I think

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<v Speaker 4>with my taste, they consistently come out with something every

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<v Speaker 4>month that I'm happy with. I would say overall, Second

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<v Speaker 4>Site is the one to where like whenever any title

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<v Speaker 4>gets released from that label, specifically, it makes me happy

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<v Speaker 4>because I know it's getting like the most definitive edition

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<v Speaker 4>it possibly will get, either in those chunky box sets

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<v Speaker 4>that you kind of see behind me back.

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<v Speaker 3>Yeah, we get a few of that there. Yeah.

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<v Speaker 4>I also have a lot of like the individual cases too,

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<v Speaker 4>because for me, I like Second Site because their transfers

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<v Speaker 4>are kick ass and their special features are so thorough

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<v Speaker 4>every single time. So I would say if I had

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<v Speaker 4>to pick one, Second Site would be the one that

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<v Speaker 4>I still get like the most excited about.

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<v Speaker 3>I I mean, well, hell, that's a great transition. I'm

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<v Speaker 3>gonna share one of my pickups because it's one that

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<v Speaker 3>I've been very excited for for a while. Second Site's

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<v Speaker 3>Ugly step Sister came in. I saw this at Panicfest

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<v Speaker 3>here in Kansas City last year. Loved the movie, had

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<v Speaker 3>been waiting for a good release of it. I almost

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<v Speaker 3>cave and got the German one, and thankfully, right around

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<v Speaker 3>then they posted that they were gonna be putting it out,

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<v Speaker 3>and so glad I waited because it's genuinely an incredible

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<v Speaker 3>package of a film that could win an Oscar this week,

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<v Speaker 3>and that's the crazy thing.

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<v Speaker 4>Hopefully it won't, but I really want it to, Like

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<v Speaker 4>that would be the one to where if it did win,

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<v Speaker 4>I'd be the most happy, because I always happy when

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<v Speaker 4>I got a nomination. But I think that's yeah, that's

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<v Speaker 4>that movie's win in particular.

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<v Speaker 3>I agree it is absolutely a long shot one that

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<v Speaker 3>it likely will not win, and it probably shouldn't, but

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<v Speaker 3>that's okay, I get it. What about you? What are

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<v Speaker 3>some pickups for you? And then I'll share the rest

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<v Speaker 3>of mine.

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<v Speaker 4>You know, me being a very terrible guest on here,

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<v Speaker 4>all of my pickups are in the next room. Give

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<v Speaker 4>me a second. How about instead of showing because I

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<v Speaker 4>am literally in the middle of putting away over a

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<v Speaker 4>hundred movies. So I saw the table that I normally

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<v Speaker 4>record on is in that room full of movies, and

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<v Speaker 4>I have like a very janky setup here right now.

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<v Speaker 4>So instead of going through those movies, what if I

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<v Speaker 4>just get one of my packages and open it right

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<v Speaker 4>kind of showcase off what's in there.

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<v Speaker 3>Let's do that and I will while you're grabbing that,

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<v Speaker 3>I will tell everybody what we're talking about tonight after

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<v Speaker 3>the announcements. So tonight after the announcements, we are going

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<v Speaker 3>to be covering the Oscars this weekend, but in particular,

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<v Speaker 3>we're going to be talking about the Best Actor category,

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<v Speaker 3>playing around with some things around that, discussing who has

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<v Speaker 3>nominated the films themselves, some other you know, other fun picks,

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<v Speaker 3>and just randomly having a conversation about that because it's

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<v Speaker 3>one of the categories that's a little more of a

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<v Speaker 3>toss up than some of the others. I feel like

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<v Speaker 3>Best Actress we kind of already know who's gonna win.

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<v Speaker 3>It's not really a question at this point. Best Pictures

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<v Speaker 3>a little up in the air, of course, but that's

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<v Speaker 3>it's ten films and there's really only a two horse

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<v Speaker 3>race on that one, so we don't really need to

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<v Speaker 3>go too much into that. But Best Actor, I think,

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<v Speaker 3>is gonna be an actual interesting conversation, So definitely want

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<v Speaker 3>to talk about that one in depth, and some alternate

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<v Speaker 3>choices as well. Yes, it's gonna be a fun one,

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<v Speaker 3>all right. Actor is there's a lot to talk about

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<v Speaker 3>with Best Actor. Rags, I cannot wait to dig into

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<v Speaker 3>that more with you.

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<v Speaker 4>I grabbed a few that I've seen from the new

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<v Speaker 4>releases and then all on box This sucker from the

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<v Speaker 4>movie room dot com right here. I absolutely love that

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<v Speaker 4>small business.

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<v Speaker 3>So they're good people.

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<v Speaker 4>Yeah, I know that def crocodile is always in your

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<v Speaker 4>chat over here, so I'm here a hair high nice.

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<v Speaker 4>I had a chance to watch this Bill Plumpton movie,

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<v Speaker 4>and I didn't really know what to expect because with

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<v Speaker 4>his movies they go all over the damn place. Yep,

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<v Speaker 4>but this is kind of spoofing the nineteen fifties coming

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<v Speaker 4>of age movies, and I had a really fun time

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<v Speaker 4>with this last third, specifically, it really like went into

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<v Speaker 4>a different gear that I wasn't expecting and really really

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<v Speaker 4>enjoyed this.

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<v Speaker 3>It is a fun movie. I'm so glad that we

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<v Speaker 3>got it out.

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<v Speaker 4>On the completely different side of the fence from MVD

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<v Speaker 4>I got Knockoff. I'm trying to grab movies that I

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<v Speaker 4>I've seen recently to kind of go over movies that

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<v Speaker 4>I've watched and had no idea that Jean Claude van

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<v Speaker 4>Dam and Rob Schneider were in a movie together, and

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<v Speaker 4>it's still weird. That they're in a movie together, like,

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<v Speaker 4>it makes no sense greater in this movie. It's okay,

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<v Speaker 4>it's not the greatest, but the transfer is pretty dang

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<v Speaker 4>solid on here. So if you are a JCDV fan,

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<v Speaker 4>then I would recommend that one for sure. And then

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<v Speaker 4>one that I found at Walmart for ten dollars. They

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<v Speaker 4>have this new end cap of like two thousands movies

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<v Speaker 4>and I didn't known this in the collection. It's a

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<v Speaker 4>shout select title and I love me some Senacious D.

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<v Speaker 4>So I got TENACIOUSD in the Destiny. This was going

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<v Speaker 4>for like what was that Walmart? That's wild. This is

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<v Speaker 4>going for like eighteen twenty bucks, and now it was

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<v Speaker 4>ten dollars at Walmart. There's also the shouts like version

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<v Speaker 4>of Little Nikky over there too. If you don't have

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<v Speaker 4>that so interesting, justn't FYI.

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<v Speaker 3>I don't have Little Nikky, So that's intriguing.

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<v Speaker 4>You should you should go and look. But I'll open

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<v Speaker 4>up this sucker right now live. Normally I film videos

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<v Speaker 4>on this, but I think they'll be okay if I

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<v Speaker 4>open this one for a different audience.

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<v Speaker 3>I guess you're still advertising for them.

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<v Speaker 4>Absolutely right, Yeah, I'm showing off their logo very proudly.

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<v Speaker 4>I like this company a lot because they go above

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<v Speaker 4>and beyond to package your stuff as crazily great as possible.

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<v Speaker 4>You go in here, you got some nice packaging. You

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<v Speaker 4>open it up yet even more packaging right there, and

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<v Speaker 4>it looks like these are my vinegar syndrome waters. So

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<v Speaker 4>that's nice, nice, so much. This is why editing comes

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<v Speaker 4>into play when I do these unboxings, because man, it's

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<v Speaker 4>great to see. But packaging on packaging box. Yeah. You

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<v Speaker 4>also have these bubble mailers, which I really like because

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<v Speaker 4>they're like envelopes.

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<v Speaker 3>I've reuse those so much.

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<v Speaker 4>Yeah, first one up is Demon Warp. If I can

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<v Speaker 4>get it out here. There we go a movie I

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<v Speaker 4>have not seen, but I've heard very weird ass things about.

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<v Speaker 4>Have you seen this one? Ryan?

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<v Speaker 3>It is a weird ass movie. I hope you love it.

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<v Speaker 4>It's kind of it's kind of bizarre. It didn't get

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<v Speaker 4>like the VSU treatment. It's weird that this movie is

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<v Speaker 4>just in like a little slipcover like this. I guess.

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<v Speaker 3>Yeah, I get that. Yeah, and that's one of that

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<v Speaker 3>people have wanted for a long time.

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<v Speaker 4>Yeah, I've heard that's one of the reasons why I

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<v Speaker 4>kind of wanted to pick it up, and this movie

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<v Speaker 4>I wanted to pick up because in just the past

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<v Speaker 4>few months, I've been really craving to watch erotic thrillers again.

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<v Speaker 4>Bring them back, Ryan, bring them back.

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<v Speaker 3>I wish, I wish I could.

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<v Speaker 4>When I saw the Body of Evidence was getting nice

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<v Speaker 4>four K like this from Vinegar Syndrome. I picked this

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<v Speaker 4>up pronto because I've probably seen four or five of

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<v Speaker 4>them in the past, like sixty days or so, have

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<v Speaker 4>never seen Body of Evidence. All I know is Madonna

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<v Speaker 4>and Wax, Like those are the only elements that I

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<v Speaker 4>know of this movie you need to know. So I'm

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<v Speaker 4>hoping it's good. And a lot of Vinegar Syndrome titles

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<v Speaker 4>have had William Dafoe in it for like six months

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<v Speaker 4>or so, so yeah, to dig into this sucker.

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<v Speaker 3>And they've even gotten him for us some new interviews,

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<v Speaker 3>which has been pretty surprising to see me.

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<v Speaker 4>Yeah, what did I watch recently, Red Rose Hotel, I

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<v Speaker 4>think it's what it was called. Yeah, brand new interview

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<v Speaker 4>with him. Watched it, thoroughly enjoyed it. If you want, Yeah,

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<v Speaker 4>if you want any Vinegar Syndrome titles and you go

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<v Speaker 4>to the movie room dot com, you can use discount

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<v Speaker 4>code steal book ten save ten percent on new release stuff,

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<v Speaker 4>so that's always kind of nice. I'm done pitching and plugging.

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<v Speaker 4>Ryan always be selling on the phone.

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<v Speaker 3>Since I wasn't here last week, I've got like four

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<v Speaker 3>or five things that i wanted to talk about. But

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<v Speaker 3>first contributor copy from Saturn's Core of the Stupefying Tales

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<v Speaker 3>of pamelas such. This is a compilation of all of

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<v Speaker 3>Pamela's films, assisted with the audio commentaries on this one

341
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<v Speaker 3>great interesting, like almost Looney Tunes esque movies that people

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<v Speaker 3>need to see to believe they're great. Third Window Films

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<v Speaker 3>doesn't get enough love. Brand new release of the Angel

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<v Speaker 3>Guts Collection. Still missing the one film out of the collection,

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<v Speaker 3>but it's because the actress basically said that it can't

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<v Speaker 3>be released, so it's not gonna be released from a

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<v Speaker 3>company that you're intimately familiar with. Umbrella got the Tie

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00:17:13.359 --> 00:17:16.000
<v Speaker 3>Horror Collection in this was just on sale with them,

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<v Speaker 3>So here is that. Very interested to check out some

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<v Speaker 3>of those because I've never seen any of them, and

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<v Speaker 3>you've been on to Umbrella titles recently, so we're gonna

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<v Speaker 3>talk about that in a minute. A twenty four got

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<v Speaker 3>in their newest zine. It's got the Pillion cover and

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<v Speaker 3>they've got a little poster type thing for the next

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<v Speaker 3>film Meditation. Yeah. Yeah. I there's a Patreon for a

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<v Speaker 3>group called I'm not remembering their name, and I should

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<v Speaker 3>oh Layered Butter. Layered Butter is a group that has

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<v Speaker 3>put out art books essentially with some articles mixed in.

359
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<v Speaker 3>And that sounds like I'm describing old playboys. It's not.

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<v Speaker 3>It is primarily based on films and pop culture. And

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<v Speaker 3>they started a Patreon for many posters. And I'm a

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<v Speaker 3>suck for art and I'm a sucker for we'll say,

363
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<v Speaker 3>supporting artists directly, and they are giving a lot of

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<v Speaker 3>the Patreon money straight to artists. So their newest poster

365
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<v Speaker 3>is a cover of the Matrix.

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<v Speaker 4>It is many too. I was expecting like aero video

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<v Speaker 4>level maybe like that's that's a teeny guy, that's do

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<v Speaker 4>you have those?

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<v Speaker 3>Oh that's so cool. There are five of them in here,

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<v Speaker 3>so I can keep two of them and share art

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<v Speaker 3>with other people that I want to share. That's really cool.

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<v Speaker 3>That is the fun part.

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<v Speaker 4>With a lot of suries. I do a series of

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<v Speaker 4>videos called Physical Media pen Pals, and I would love

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<v Speaker 4>to do like postcards with actual art to kind of

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<v Speaker 4>ship out to people actual art.

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<v Speaker 3>Speaking of, this is the newest issue of my magazine,

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<v Speaker 3>The Physical Media Advocate. We've got really like. Okay, it's

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<v Speaker 3>my favorite cover. It's the female prisoner scorpion cover. Incredible

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<v Speaker 3>issue this month, maybe my favorite one that we've ever done.

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<v Speaker 3>Genuinely check it out. You can get it on Amazon

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<v Speaker 3>and about fifteen or sixteen stores in person around the

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<v Speaker 3>US and one in Canada. Now I am so stoked

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<v Speaker 3>to be able to have that out there. And then

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<v Speaker 3>the last thing, hopefully he's listening to this patron of

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00:19:07.240 --> 00:19:10.119
<v Speaker 3>the show, Tony Youngblood. He and I were shooting some

387
00:19:10.160 --> 00:19:13.720
<v Speaker 3>ideas back and forth for genre labels for your collection.

388
00:19:13.960 --> 00:19:15.680
<v Speaker 3>And I've tried this a couple times in the past

389
00:19:15.720 --> 00:19:18.079
<v Speaker 3>and I couldn't get it done in a way that

390
00:19:18.799 --> 00:19:22.319
<v Speaker 3>appease the idiotic OCD side of my brain and my collection.

391
00:19:22.720 --> 00:19:25.759
<v Speaker 3>And Tony, Tony put these together. These are three D

392
00:19:25.839 --> 00:19:29.519
<v Speaker 3>printed and they are coming with an L shaped bracket.

393
00:19:29.680 --> 00:19:32.759
<v Speaker 3>This is it, and it's got this groove around one side,

394
00:19:32.759 --> 00:19:35.039
<v Speaker 3>so you stick the bottom portion of this in between

395
00:19:35.079 --> 00:19:38.319
<v Speaker 3>two releases. The groove is sticking out towards the edge

396
00:19:38.359 --> 00:19:42.519
<v Speaker 3>of your shelf, and the labels themselves here are they

397
00:19:42.519 --> 00:19:46.079
<v Speaker 3>fit directly into the groove. Here's Fames, Dance and Musical.

398
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<v Speaker 3>So when they are up hanging in your collection, you

399
00:19:49.480 --> 00:19:51.960
<v Speaker 3>can put these in the groove and they're completely visible

400
00:19:51.960 --> 00:19:54.160
<v Speaker 3>on the side. They look like the old VHS stickers.

401
00:19:54.319 --> 00:19:56.640
<v Speaker 3>They look like they can be peeled off. They are

402
00:19:56.720 --> 00:20:00.839
<v Speaker 3>different colors. There are like forty options that he sent

403
00:20:00.880 --> 00:20:05.279
<v Speaker 3>in here. Jeez, this is incredible, Tony. You're amazing. Thanks

404
00:20:05.319 --> 00:20:08.759
<v Speaker 3>for doing this, Absolutely incredible to get this in the

405
00:20:08.759 --> 00:20:12.000
<v Speaker 3>mail from you. Came very quickly, all the way from Nashville.

406
00:20:12.000 --> 00:20:13.400
<v Speaker 3>So amazing, Thank you, Thank you.

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<v Speaker 4>Well, here's a good improv question for you, Ryan. How

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00:20:16.240 --> 00:20:19.039
<v Speaker 4>do you categorize your collection? Do you go by genre?

409
00:20:19.200 --> 00:20:20.039
<v Speaker 4>Is there any other way?

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00:20:21.039 --> 00:20:24.759
<v Speaker 3>I don't right now? It is is there space over

411
00:20:24.880 --> 00:20:27.279
<v Speaker 3>in that stack, then put it there. But before that,

412
00:20:27.960 --> 00:20:32.279
<v Speaker 3>I really like the way that labels look together, especially

413
00:20:32.279 --> 00:20:34.559
<v Speaker 3>when they're all designed the same way. So I was

414
00:20:34.640 --> 00:20:36.960
<v Speaker 3>going within the label if they have spine numbers, going

415
00:20:37.039 --> 00:20:39.480
<v Speaker 3>by spine number order, and then I got everything on

416
00:20:39.519 --> 00:20:41.960
<v Speaker 3>the wall, and then I realized, I don't want to

417
00:20:41.960 --> 00:20:44.119
<v Speaker 3>watch a movie based on the spine number. I want

418
00:20:44.119 --> 00:20:46.319
<v Speaker 3>to look at it based on the title or the genre,

419
00:20:46.720 --> 00:20:48.240
<v Speaker 3>and those are the only two ways I should have

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00:20:48.240 --> 00:20:51.000
<v Speaker 3>done this. So although it looks beautiful when it's done right,

421
00:20:51.839 --> 00:20:54.480
<v Speaker 3>holy shit is it rough to find things sometimes, especially

422
00:20:54.519 --> 00:20:56.599
<v Speaker 3>if you have Now this is gonna sound like bragging

423
00:20:56.839 --> 00:20:58.920
<v Speaker 3>and I don't have them anymore. But when I had

424
00:20:59.000 --> 00:21:01.920
<v Speaker 3>every single Vinegarson title ever released, and I went, oh,

425
00:21:01.920 --> 00:21:05.240
<v Speaker 3>I know Vinegar Syndrome released that, I have no idea

426
00:21:05.480 --> 00:21:08.559
<v Speaker 3>where in the five hundred and eighty titles it came out.

427
00:21:09.039 --> 00:21:14.880
<v Speaker 3>So I'm sitting there going nope, now like seven rows down,

428
00:21:14.880 --> 00:21:16.480
<v Speaker 3>and You're like, where the hell is it it?

429
00:21:16.680 --> 00:21:16.799
<v Speaker 2>Uh.

430
00:21:17.039 --> 00:21:21.000
<v Speaker 3>It sucked to do that, but it did kind of

431
00:21:21.039 --> 00:21:23.799
<v Speaker 3>like burn into my brain eventually. So on one hand,

432
00:21:23.839 --> 00:21:26.119
<v Speaker 3>I think it taught me my collection a little bit better,

433
00:21:26.480 --> 00:21:28.799
<v Speaker 3>but that's not a great thing, especially for other people.

434
00:21:29.160 --> 00:21:31.200
<v Speaker 3>So uh, as soon as I clean this up, I'm

435
00:21:31.200 --> 00:21:33.000
<v Speaker 3>about to sell a shit ton of titles. So if

436
00:21:33.000 --> 00:21:35.039
<v Speaker 3>people are after some of my stuff, send me a

437
00:21:35.079 --> 00:21:36.720
<v Speaker 3>DM and maybe you can get a sneak peek of

438
00:21:36.799 --> 00:21:40.680
<v Speaker 3>some things. But when I go back to re reorganize,

439
00:21:40.680 --> 00:21:43.799
<v Speaker 3>it'll probably either be by title or by genre, and

440
00:21:43.799 --> 00:21:46.599
<v Speaker 3>then title within the genres.

441
00:21:45.960 --> 00:21:49.839
<v Speaker 4>I worked at Hollywood Video for ten months up until

442
00:21:49.880 --> 00:21:52.920
<v Speaker 4>the whole franchise closed in college, Like I have like

443
00:21:52.960 --> 00:21:55.000
<v Speaker 4>a bucket list of things I wanted to do in college,

444
00:21:55.000 --> 00:21:56.960
<v Speaker 4>working at a movie store was definitely one of them,

445
00:21:57.599 --> 00:22:01.799
<v Speaker 4>and so it it imprinted my brain to go alphabetically.

446
00:22:02.000 --> 00:22:05.400
<v Speaker 4>They go alphabetically by genre. I just did alphabetically, and

447
00:22:05.440 --> 00:22:08.119
<v Speaker 4>I've grown into this boutique room, so now I do

448
00:22:08.279 --> 00:22:13.240
<v Speaker 4>bi label alphabetically. That's just how my brain is wired.

449
00:22:13.240 --> 00:22:15.359
<v Speaker 4>And it's a lot easier to find that than it

450
00:22:15.440 --> 00:22:19.000
<v Speaker 4>is by spine number. Right, friend of the channel films

451
00:22:19.039 --> 00:22:21.599
<v Speaker 4>by color DJ, he has a lot of criteria on

452
00:22:21.640 --> 00:22:23.960
<v Speaker 4>movies and he does it by the number. I think

453
00:22:23.960 --> 00:22:25.880
<v Speaker 4>he's a maniac for doing that. I wouldn't be able

454
00:22:25.880 --> 00:22:28.559
<v Speaker 4>to find anything, but he has the numbers memorized when

455
00:22:28.559 --> 00:22:31.119
<v Speaker 4>they came out, So however your brain works just kind

456
00:22:31.119 --> 00:22:32.160
<v Speaker 4>of put him up like that.

457
00:22:32.880 --> 00:22:36.319
<v Speaker 3>Yeah, And there's I mean, the amount of other people's

458
00:22:36.359 --> 00:22:38.440
<v Speaker 3>collections that I've seen now doing this for so long,

459
00:22:38.759 --> 00:22:42.319
<v Speaker 3>I've seen people go by director by release, year by

460
00:22:42.759 --> 00:22:49.480
<v Speaker 3>country by There's been a couple by spine color. I've

461
00:22:49.519 --> 00:22:50.599
<v Speaker 3>never understood that one.

462
00:22:52.440 --> 00:22:55.960
<v Speaker 4>It looks very nice on the shelf though beautiful, beutiful.

463
00:22:55.839 --> 00:22:58.160
<v Speaker 3>But I certainly don't think I definitely want to watch

464
00:22:58.200 --> 00:22:59.359
<v Speaker 3>a Red Spine title tonight.

465
00:23:00.119 --> 00:23:02.119
<v Speaker 4>No, I've never had that feeling in my life.

466
00:23:03.119 --> 00:23:05.039
<v Speaker 3>Well, what about some recent watches. What have you been

467
00:23:05.079 --> 00:23:08.000
<v Speaker 3>checking out recently? Because thankfully, one thing that I do

468
00:23:08.079 --> 00:23:11.079
<v Speaker 3>appreciate about you, sir, specifically, there are other people that

469
00:23:11.119 --> 00:23:14.000
<v Speaker 3>talk about collecting. Not only do you talk about collecting,

470
00:23:14.039 --> 00:23:16.799
<v Speaker 3>you talk about watching things. So what have you been watching.

471
00:23:18.799 --> 00:23:21.319
<v Speaker 4>For the past two and a half years. I've put

472
00:23:21.400 --> 00:23:24.119
<v Speaker 4>up a movie review a day on letterboxed. That's just

473
00:23:24.119 --> 00:23:26.519
<v Speaker 4>something that I like to do. I won't be able

474
00:23:26.519 --> 00:23:28.799
<v Speaker 4>to watch every single movie in my collection, I know that,

475
00:23:29.319 --> 00:23:31.400
<v Speaker 4>but if I can attack the ones that I haven't seen,

476
00:23:31.519 --> 00:23:34.559
<v Speaker 4>just to kind of inch that pie closer the pie chart.

477
00:23:34.599 --> 00:23:37.599
<v Speaker 4>I have my movies app and I can categorize them

478
00:23:37.640 --> 00:23:40.319
<v Speaker 4>by movies I've watched my collection and movies I haven't.

479
00:23:40.759 --> 00:23:42.680
<v Speaker 4>And I'm very close to that fifty to fifty split

480
00:23:42.720 --> 00:23:46.000
<v Speaker 4>in my collection. I don't like that whatsoever. So the

481
00:23:47.240 --> 00:23:51.839
<v Speaker 4>movies that I have watched are either movies that recently,

482
00:23:51.839 --> 00:23:53.200
<v Speaker 4>I guess I've been trying to go back to, like

483
00:23:53.240 --> 00:23:55.759
<v Speaker 4>classic movies instead of like trying to keep up with

484
00:23:55.799 --> 00:23:58.640
<v Speaker 4>new releases. I do that too, but last week was

485
00:23:58.680 --> 00:24:00.200
<v Speaker 4>one door. I'm like, I just want to unwind to

486
00:24:00.240 --> 00:24:03.640
<v Speaker 4>watch like a classic movie. So I rewatched No Country

487
00:24:03.680 --> 00:24:06.039
<v Speaker 4>for Old Men for the first time and ever since

488
00:24:06.079 --> 00:24:09.839
<v Speaker 4>it came out, watch the Criterion edition. That transfer looks

489
00:24:09.920 --> 00:24:12.519
<v Speaker 4>phenomenal if you haven't seen it, and the movie is

490
00:24:12.519 --> 00:24:16.400
<v Speaker 4>also phenomenal. Shock her there. But I did watch The

491
00:24:16.440 --> 00:24:19.079
<v Speaker 4>French Connection for the first time. I'm trying. I'm trying

492
00:24:19.119 --> 00:24:23.119
<v Speaker 4>to go through the director's filmography. I've watched a handful

493
00:24:23.880 --> 00:24:27.640
<v Speaker 4>and uh yeah, French Connection. It's okay. I guess I

494
00:24:27.640 --> 00:24:30.240
<v Speaker 4>wanted to like it a little bit more. But the action,

495
00:24:30.640 --> 00:24:33.039
<v Speaker 4>like that car chase scene is so damn good, and

496
00:24:33.079 --> 00:24:38.039
<v Speaker 4>even like the there's a little tiny action scene with

497
00:24:38.160 --> 00:24:40.759
<v Speaker 4>a car going over a bridge going back over in

498
00:24:40.799 --> 00:24:46.119
<v Speaker 4>the shootout afterwards. I just I think that I don't know,

499
00:24:46.359 --> 00:24:48.799
<v Speaker 4>he's got an eye for action. He doesn't really bust

500
00:24:48.799 --> 00:24:51.079
<v Speaker 4>it out that often, but when he does, he usually

501
00:24:51.160 --> 00:24:53.039
<v Speaker 4>puts a big smile on my face.

502
00:24:53.839 --> 00:24:58.400
<v Speaker 3>Not to mention, that scene influenced so many movies after that.

503
00:24:58.440 --> 00:25:01.119
<v Speaker 3>You can literally see the DNA that scene well.

504
00:25:00.960 --> 00:25:04.720
<v Speaker 4>And that was shot illegally, like they did not let

505
00:25:04.759 --> 00:25:07.480
<v Speaker 4>the city know at all. People were randomly going in

506
00:25:07.519 --> 00:25:10.480
<v Speaker 4>the car crash that you do see was accidental, like

507
00:25:10.720 --> 00:25:13.799
<v Speaker 4>that whole that whole approach to that movie that he

508
00:25:13.839 --> 00:25:17.640
<v Speaker 4>took specifically in that action sequence, absolutely wild. There's a

509
00:25:17.680 --> 00:25:19.960
<v Speaker 4>great uh I it doesn't have a four K yet.

510
00:25:20.039 --> 00:25:23.559
<v Speaker 4>I watched the Blu ray it. There's a great special

511
00:25:23.640 --> 00:25:26.440
<v Speaker 4>feature on just like them filming that scene shot for shot,

512
00:25:27.000 --> 00:25:29.000
<v Speaker 4>and uh yeah, definitely worth to watch. And it was

513
00:25:29.039 --> 00:25:32.920
<v Speaker 4>a very very interesting, interesting movie. And I'm glad that

514
00:25:32.960 --> 00:25:34.559
<v Speaker 4>I had the physical media. I don't know if the

515
00:25:34.599 --> 00:25:37.200
<v Speaker 4>streaming kind of put in the bigot tree at the

516
00:25:37.240 --> 00:25:39.559
<v Speaker 4>beginning back. I know that was a big deal when

517
00:25:39.559 --> 00:25:40.759
<v Speaker 4>they took it out. I don't know if they ever

518
00:25:40.799 --> 00:25:44.000
<v Speaker 4>reversed course, but I think that's important for his character,

519
00:25:44.440 --> 00:25:47.200
<v Speaker 4>Like if that's not there, you don't really hate him

520
00:25:47.200 --> 00:25:49.119
<v Speaker 4>as much. And I don't think you're supposed to root

521
00:25:49.119 --> 00:25:49.880
<v Speaker 4>for this man at all.

522
00:25:50.920 --> 00:25:55.279
<v Speaker 3>I would agree, Uh yeah, good movie, good movie. Censorship shucks.

523
00:25:55.640 --> 00:25:57.920
<v Speaker 3>That was not the right way to say that. Censorship shut,

524
00:25:59.039 --> 00:26:03.480
<v Speaker 3>censorship shock. I have some interesting things to talk about

525
00:26:03.480 --> 00:26:05.480
<v Speaker 3>this week since I was not here last week. I

526
00:26:05.519 --> 00:26:08.400
<v Speaker 3>was at a documentary film fest in Columbia, Missouri, and

527
00:26:08.680 --> 00:26:11.240
<v Speaker 3>checked out a handful of titles there. I also went

528
00:26:11.279 --> 00:26:14.519
<v Speaker 3>and saw The Bride in theaters this last weekend. Long

529
00:26:14.519 --> 00:26:19.519
<v Speaker 3>story shot on The Bride. Very stylish, very bombastic, very

530
00:26:19.720 --> 00:26:23.319
<v Speaker 3>incredible performances from everybody. Is it a great movie? Not

531
00:26:23.400 --> 00:26:26.119
<v Speaker 3>even remotely close. Is it a super entertaining movie that

532
00:26:26.160 --> 00:26:28.640
<v Speaker 3>I think pretty much everybody should see and would likely

533
00:26:28.720 --> 00:26:31.720
<v Speaker 3>enjoy in some ways? Absolutely? Yes. Even though it's not

534
00:26:31.759 --> 00:26:33.799
<v Speaker 3>a great movie, it's still a four star movie for me.

535
00:26:34.079 --> 00:26:36.000
<v Speaker 3>I think that the plot is scattered. I think a

536
00:26:36.039 --> 00:26:38.319
<v Speaker 3>couple of things don't really work, but everything else that

537
00:26:38.359 --> 00:26:41.680
<v Speaker 3>does works better than most other films that take tiny swings,

538
00:26:41.920 --> 00:26:44.319
<v Speaker 3>and this is a huge swing and it worked very

539
00:26:44.400 --> 00:26:47.559
<v Speaker 3>very well. Jesse Buckley deserves all the awards ever, and

540
00:26:47.599 --> 00:26:51.039
<v Speaker 3>thankfully she will win in three days, so congrats to her.

541
00:26:51.880 --> 00:26:55.480
<v Speaker 4>Thankfully the voting was already done before The Bride came out.

542
00:26:55.880 --> 00:26:58.000
<v Speaker 4>Is kind of what I heard. I mean, she definitely

543
00:26:58.000 --> 00:26:59.759
<v Speaker 4>goes for the fence in that movie, from what I've heard,

544
00:26:59.799 --> 00:27:02.400
<v Speaker 4>but a lot of things don't work unfortunately.

545
00:27:03.279 --> 00:27:06.839
<v Speaker 3>Yeah, I agree, and then some other things. So the documentaries,

546
00:27:07.240 --> 00:27:09.519
<v Speaker 3>there is one near and Dear to my Heart. A

547
00:27:09.559 --> 00:27:11.920
<v Speaker 3>movie called Seas that I got to see finally is

548
00:27:11.960 --> 00:27:15.400
<v Speaker 3>about a small town in Kansas where the local police

549
00:27:15.440 --> 00:27:21.039
<v Speaker 3>force came in and seized their county's newspapers, their electronic devices,

550
00:27:21.240 --> 00:27:23.960
<v Speaker 3>their cell phones, went to the house of the editor

551
00:27:24.119 --> 00:27:27.680
<v Speaker 3>and stole his essentially stole walked in with a warrant

552
00:27:27.680 --> 00:27:31.480
<v Speaker 3>that they unjustifiably got, took his personal computer and cell phones.

553
00:27:32.200 --> 00:27:34.400
<v Speaker 3>His like ninety seven year old mother was in the

554
00:27:34.400 --> 00:27:36.839
<v Speaker 3>house there who used to run the newspaper, and the

555
00:27:36.960 --> 00:27:40.480
<v Speaker 3>day after this illegal seizing, she passed away. And it

556
00:27:40.960 --> 00:27:43.680
<v Speaker 3>seems like it's from the stress of this situation, because

557
00:27:44.200 --> 00:27:46.279
<v Speaker 3>it came in and harmed the whole family. They ended

558
00:27:46.359 --> 00:27:50.559
<v Speaker 3>up suing the city. And it's this long, very interesting

559
00:27:50.559 --> 00:27:53.440
<v Speaker 3>look at small town controversies and how they can affect

560
00:27:53.480 --> 00:27:57.880
<v Speaker 3>people and about fighting the First Amendment rights in small

561
00:27:57.920 --> 00:28:01.000
<v Speaker 3>towns that don't get proper news coverage for stuff like this,

562
00:28:01.599 --> 00:28:04.400
<v Speaker 3>and thankfully this one did. And because when you go

563
00:28:04.400 --> 00:28:06.519
<v Speaker 3>against a harden no's journalist, he's going to get the

564
00:28:06.519 --> 00:28:09.200
<v Speaker 3>word out. And it is something that I think everybody

565
00:28:09.200 --> 00:28:11.480
<v Speaker 3>should see. It's a very important movie for right now.

566
00:28:11.640 --> 00:28:13.720
<v Speaker 3>And that led into my second important movie, which is

567
00:28:13.720 --> 00:28:16.079
<v Speaker 3>a movie called First They Came for My College is

568
00:28:16.160 --> 00:28:19.920
<v Speaker 3>about a college out of Florida that has essentially been

569
00:28:19.960 --> 00:28:23.880
<v Speaker 3>taken over by people from different ideologies. They changed the

570
00:28:24.119 --> 00:28:28.559
<v Speaker 3>board of trustees, they changed the onboarding requirements, they rooted

571
00:28:28.599 --> 00:28:31.000
<v Speaker 3>certain people out of the college to change the way

572
00:28:31.079 --> 00:28:34.400
<v Speaker 3>that it was developing students in the state. And it

573
00:28:34.559 --> 00:28:38.599
<v Speaker 3>was a crazy, crazy time. There's so much that I

574
00:28:38.599 --> 00:28:41.200
<v Speaker 3>could describe and don't need to get to the political

575
00:28:41.240 --> 00:28:44.200
<v Speaker 3>side of it, but it is something that is terrifying

576
00:28:44.200 --> 00:28:46.559
<v Speaker 3>and nobody should be able to do that. It is awful.

577
00:28:47.039 --> 00:28:48.880
<v Speaker 3>But go watch the movie. It is great. It should

578
00:28:48.880 --> 00:28:51.640
<v Speaker 3>be coming to probably another festival near you soon and

579
00:28:51.880 --> 00:28:54.400
<v Speaker 3>eventually I imagine something like that will probably be in like

580
00:28:54.559 --> 00:28:57.400
<v Speaker 3>HBO Max it's that type of documentary that or Netflix

581
00:28:57.400 --> 00:29:02.359
<v Speaker 3>something like that. Theater wise, you go how many times

582
00:29:02.400 --> 00:29:04.839
<v Speaker 3>do you go theater every year? Because you are you're

583
00:29:04.880 --> 00:29:07.839
<v Speaker 3>a big defender of it, like myself. I am.

584
00:29:07.960 --> 00:29:12.119
<v Speaker 4>Yeah. The recently though, like the past couple of times

585
00:29:12.119 --> 00:29:14.519
<v Speaker 4>that I've win, I've had negative experiences, which kind of

586
00:29:14.559 --> 00:29:18.880
<v Speaker 4>sours me from going as often. But tomorrow the family

587
00:29:18.880 --> 00:29:20.799
<v Speaker 4>and I are going to go see Hoppers and this

588
00:29:20.839 --> 00:29:23.279
<v Speaker 4>will be their first movie in four D X with

589
00:29:23.400 --> 00:29:28.200
<v Speaker 4>like moving seats and the mist whenever, like it's like

590
00:29:28.359 --> 00:29:30.559
<v Speaker 4>raining or something like that. We saw My Wife and

591
00:29:30.599 --> 00:29:34.559
<v Speaker 4>I saw Send Help, like that awesome experience for that movie.

592
00:29:34.759 --> 00:29:37.039
<v Speaker 4>I thought it really elevated it. So I'm hoping Hoppers

593
00:29:37.079 --> 00:29:40.319
<v Speaker 4>does the same thing. I plan on seeing Project hell

594
00:29:40.359 --> 00:29:45.079
<v Speaker 4>Mary on Monday with that Amazon exclusive showing. I try

595
00:29:45.079 --> 00:29:47.480
<v Speaker 4>to go as often as I can, but with two

596
00:29:47.680 --> 00:29:50.559
<v Speaker 4>little ones in elementary school, I don't go as often

597
00:29:50.599 --> 00:29:53.240
<v Speaker 4>as i'd like, but a handful of times a month

598
00:29:53.319 --> 00:29:54.599
<v Speaker 4>is what I try to strive for.

599
00:29:55.640 --> 00:29:59.000
<v Speaker 3>I miss it. Up until December. I was going every

600
00:29:59.000 --> 00:30:01.319
<v Speaker 3>single weekend, and now that's wild.

601
00:30:02.519 --> 00:30:05.880
<v Speaker 4>Four movies on a Sunday, like it was crazy.

602
00:30:05.640 --> 00:30:07.640
<v Speaker 3>My biggest day last year I went to five back

603
00:30:07.680 --> 00:30:09.920
<v Speaker 3>to back on a Sunday and it was It's a

604
00:30:10.160 --> 00:30:12.119
<v Speaker 3>damn good day to do that. I will say.

605
00:30:12.279 --> 00:30:14.720
<v Speaker 4>I just prayed a double feature Ryan. I couldn't imagine

606
00:30:14.720 --> 00:30:17.640
<v Speaker 4>seeing five movies in theaters in one day. I would

607
00:30:17.680 --> 00:30:20.119
<v Speaker 4>explode with happiness.

608
00:30:19.400 --> 00:30:19.640
<v Speaker 2>It is.

609
00:30:20.559 --> 00:30:22.200
<v Speaker 3>It is heaven, and it'd be able to get like

610
00:30:23.039 --> 00:30:26.640
<v Speaker 3>unending diet soda refills all day, a couple large popcorns

611
00:30:26.640 --> 00:30:29.119
<v Speaker 3>throughout the day not have to actually eat food and

612
00:30:29.160 --> 00:30:31.640
<v Speaker 3>just live off a popcorn. That is That is a

613
00:30:31.640 --> 00:30:35.480
<v Speaker 3>good day. I wanted to talk about something and I

614
00:30:35.480 --> 00:30:37.240
<v Speaker 3>don't want to awkwardly put you in a spot. So

615
00:30:37.400 --> 00:30:38.880
<v Speaker 3>if you want me to pull you off the screen,

616
00:30:39.039 --> 00:30:41.160
<v Speaker 3>I happily will. It's nothing political or anything like that,

617
00:30:41.200 --> 00:30:44.839
<v Speaker 3>but it is quite personal. I didn't know what I

618
00:30:44.839 --> 00:30:46.039
<v Speaker 3>was gonna say about this, so a lot of this

619
00:30:46.160 --> 00:30:49.960
<v Speaker 3>is off the cuff, not prepared. Two days ago, I

620
00:30:50.000 --> 00:30:52.559
<v Speaker 3>walked into a lot of people here know this. I

621
00:30:52.599 --> 00:30:54.799
<v Speaker 3>work for the federal government have for the last almost

622
00:30:54.799 --> 00:30:57.839
<v Speaker 3>seventeen years of my life. Two years ago, I walked

623
00:30:57.839 --> 00:31:02.119
<v Speaker 3>in and resigned for my job on the spot. I

624
00:31:02.200 --> 00:31:06.519
<v Speaker 3>am moving into a time where I cannot stand what

625
00:31:06.599 --> 00:31:08.599
<v Speaker 3>is happening with this administration, so I wanted to walk

626
00:31:08.640 --> 00:31:10.599
<v Speaker 3>away from that. I'm also at a period of my

627
00:31:10.640 --> 00:31:13.720
<v Speaker 3>life where I'm meeting I mean not to brag at

628
00:31:13.720 --> 00:31:15.319
<v Speaker 3>the same time while I'm talking about this, but we

629
00:31:15.400 --> 00:31:17.640
<v Speaker 3>met with Fathom Events today. Now I've got a relationship

630
00:31:17.640 --> 00:31:19.599
<v Speaker 3>with Fathom Events to put some of our films and

631
00:31:19.880 --> 00:31:21.640
<v Speaker 3>theaters across the country through Fathom.

632
00:31:21.839 --> 00:31:23.839
<v Speaker 4>Yeah, I'm gonna puff up your chest about that, but

633
00:31:24.039 --> 00:31:25.519
<v Speaker 4>that's a big fucking deal.

634
00:31:25.960 --> 00:31:29.400
<v Speaker 3>Yeah, it was a good day. So while doing that,

635
00:31:29.480 --> 00:31:31.480
<v Speaker 3>I can't really work at the government at the same time,

636
00:31:31.519 --> 00:31:33.599
<v Speaker 3>and so I think that I'm on the cusp of

637
00:31:33.640 --> 00:31:36.559
<v Speaker 3>something incredible and I need more time for that. And

638
00:31:36.599 --> 00:31:38.880
<v Speaker 3>so over the next two months, I'm going to be

639
00:31:38.880 --> 00:31:41.799
<v Speaker 3>putting all my time into this and essentially hope that

640
00:31:41.880 --> 00:31:44.000
<v Speaker 3>the country's got me and that people will come out

641
00:31:44.039 --> 00:31:48.400
<v Speaker 3>and support Antenna in a way that I can support

642
00:31:48.400 --> 00:31:50.799
<v Speaker 3>you all back in return and keep prices low, to

643
00:31:50.839 --> 00:31:54.000
<v Speaker 3>keep you included, to keep you interested with great movies,

644
00:31:54.079 --> 00:31:57.759
<v Speaker 3>to curate in ways that you can understand and trust

645
00:31:57.799 --> 00:32:00.960
<v Speaker 3>our taste and flavors, and so all that means is

646
00:32:02.160 --> 00:32:05.400
<v Speaker 3>I need support more than ever. So please watch more

647
00:32:05.400 --> 00:32:07.400
<v Speaker 3>of the videos. If you want to join, the Patreon

648
00:32:07.440 --> 00:32:09.960
<v Speaker 3>link is in the description below. I would say, if

649
00:32:10.000 --> 00:32:12.279
<v Speaker 3>you want sign up for a year in advance, you

650
00:32:12.319 --> 00:32:14.920
<v Speaker 3>get it like a ten percent discount. I would say,

651
00:32:16.440 --> 00:32:18.480
<v Speaker 3>get into our discord. It is by far the most

652
00:32:18.519 --> 00:32:21.000
<v Speaker 3>supportive movie community I've ever seen on the internet. And

653
00:32:21.039 --> 00:32:22.519
<v Speaker 3>I don't say that just because it's me. If this

654
00:32:22.599 --> 00:32:24.960
<v Speaker 3>was anybody else's discord, I would say the same thing.

655
00:32:25.000 --> 00:32:28.680
<v Speaker 3>The people here are just immense half The people in

656
00:32:28.720 --> 00:32:30.720
<v Speaker 3>the chat right now are close friends because I've lived

657
00:32:30.720 --> 00:32:32.559
<v Speaker 3>in that discord with them for the last four years.

658
00:32:32.839 --> 00:32:36.200
<v Speaker 3>It is a wonderful time. We do monthly watch alongs

659
00:32:36.240 --> 00:32:38.960
<v Speaker 3>in our discord, whereas I supply you the movie, and

660
00:32:39.000 --> 00:32:40.839
<v Speaker 3>I will say, if you're in there, last month I

661
00:32:40.880 --> 00:32:43.160
<v Speaker 3>showed everybodys Stolen Kingdom. Nobody else has had a chance

662
00:32:43.200 --> 00:32:44.880
<v Speaker 3>to see it, and you might get more and more

663
00:32:44.960 --> 00:32:48.319
<v Speaker 3>of those early viewings like that, so please check it out.

664
00:32:49.519 --> 00:32:53.680
<v Speaker 3>I am terrified. I will say that after having mental

665
00:32:53.680 --> 00:32:57.279
<v Speaker 3>stability for supporting a family for seventeen years, I don't

666
00:32:57.319 --> 00:32:59.960
<v Speaker 3>have that safety net now, and you all could help

667
00:33:00.119 --> 00:33:01.720
<v Speaker 3>be a good safety net. So I appreciate you.

668
00:33:02.119 --> 00:33:04.799
<v Speaker 4>First off, congratulations. I know that's got to beat. You've

669
00:33:04.799 --> 00:33:07.119
<v Speaker 4>got to be shitting bricks for doing what you did.

670
00:33:07.799 --> 00:33:10.680
<v Speaker 4>But if I were in your shoes, I would always

671
00:33:10.720 --> 00:33:13.799
<v Speaker 4>have like a what if if that didn't come to pass?

672
00:33:13.839 --> 00:33:17.480
<v Speaker 4>You know? So I am very excited for what the

673
00:33:17.519 --> 00:33:22.960
<v Speaker 4>future holds. I think you're onto something great here. And

674
00:33:23.559 --> 00:33:26.440
<v Speaker 4>you were the busiest man that I know of juggling

675
00:33:26.480 --> 00:33:29.480
<v Speaker 4>as many things as you did with work a nine

676
00:33:29.519 --> 00:33:31.880
<v Speaker 4>to five that you had. I can't imagine how crazy,

677
00:33:31.920 --> 00:33:35.119
<v Speaker 4>how Tasmanian devil you're gonna go when you're all in

678
00:33:35.160 --> 00:33:38.759
<v Speaker 4>for this, So yeah, I'm very excited for you. Man.

679
00:33:39.160 --> 00:33:41.279
<v Speaker 3>Let's say, the last three days, I don't think I've

680
00:33:41.279 --> 00:33:44.079
<v Speaker 3>had a moment that wasn't with the meeting. Because of it,

681
00:33:43.640 --> 00:33:45.680
<v Speaker 3>I saw that it was about to happen. I said, Okay,

682
00:33:45.720 --> 00:33:47.680
<v Speaker 3>let's schedule every meeting and now let's get it done.

683
00:33:47.720 --> 00:33:50.240
<v Speaker 3>So thank you for everybody that's already there. I don't

684
00:33:50.240 --> 00:33:52.160
<v Speaker 3>want to minimize the amount of people that are in

685
00:33:52.200 --> 00:33:54.960
<v Speaker 3>there already, but just to say, we love to build

686
00:33:55.000 --> 00:33:56.319
<v Speaker 3>a community, so if you want to come in there,

687
00:33:56.359 --> 00:33:58.599
<v Speaker 3>please join. We'd love to have you. You guys are

688
00:33:58.680 --> 00:34:02.160
<v Speaker 3>incredible and I am so eager for increased mental health

689
00:34:02.680 --> 00:34:06.119
<v Speaker 3>and very very excited for that. But I missed last

690
00:34:06.160 --> 00:34:08.239
<v Speaker 3>week and I'm excited to talk about releases. So let's

691
00:34:08.280 --> 00:34:11.920
<v Speaker 3>talk about some goddamn physical media, all right? Coming soon

692
00:34:12.119 --> 00:34:14.920
<v Speaker 3>on four K and Blu Ray from Fun City Editions,

693
00:34:15.280 --> 00:34:17.519
<v Speaker 3>a film that I'm kind of shocked they are doing

694
00:34:17.599 --> 00:34:21.599
<v Speaker 3>on four K. It is Spike of Bensonhurst from nineteen

695
00:34:21.679 --> 00:34:26.880
<v Speaker 3>eighty eight. This is starring Ernest borgnine and god, I

696
00:34:27.039 --> 00:34:28.760
<v Speaker 3>love the way that they did the art on this.

697
00:34:29.559 --> 00:34:32.039
<v Speaker 3>We've got Paul Morrissey film. We don't have a release

698
00:34:32.119 --> 00:34:34.119
<v Speaker 3>date for it yet. The way that Fun City has

699
00:34:34.119 --> 00:34:37.039
<v Speaker 3>been doing it, I'm about probably two months out on this.

700
00:34:37.079 --> 00:34:38.920
<v Speaker 3>I would imagine two two and a half months something

701
00:34:38.960 --> 00:34:41.079
<v Speaker 3>like that. This is going to be a limited edition

702
00:34:41.199 --> 00:34:44.559
<v Speaker 3>site exclusive slipcover with new artwork by Colin Murdoch, double

703
00:34:44.599 --> 00:34:46.519
<v Speaker 3>sided rap. We've got a book of the new essay

704
00:34:46.519 --> 00:34:49.280
<v Speaker 3>by Margaret Barton FuMO. We got a newly recorded audio

705
00:34:49.320 --> 00:34:52.320
<v Speaker 3>commentary by Will morris an image gallery at trailer on here,

706
00:34:52.599 --> 00:34:55.239
<v Speaker 3>newly recorded video interviews with the casting director and the DP,

707
00:34:55.440 --> 00:34:58.880
<v Speaker 3>plus archival extras. Fun City, have you been keeping tabs

708
00:34:58.920 --> 00:34:59.440
<v Speaker 3>on that much?

709
00:35:00.079 --> 00:35:02.679
<v Speaker 4>Not as much as I would like to. I have

710
00:35:02.760 --> 00:35:05.960
<v Speaker 4>a handful of their releases, but nothing crazy. And I

711
00:35:06.000 --> 00:35:07.679
<v Speaker 4>see a couple of people in the chat. Is that

712
00:35:08.000 --> 00:35:10.440
<v Speaker 4>the guy from step by Step on there? That looks

713
00:35:10.480 --> 00:35:14.800
<v Speaker 4>exactly like him? That's amazing. Yeah. Also, I'm from Iowa.

714
00:35:14.960 --> 00:35:18.119
<v Speaker 4>I always love me some Ernest borgnine also Iowa native,

715
00:35:18.159 --> 00:35:21.280
<v Speaker 4>Iowa born. So yeah, this is definitely on my radar

716
00:35:21.320 --> 00:35:22.880
<v Speaker 4>for sure. I've never heard of this movie if I'm

717
00:35:22.880 --> 00:35:23.559
<v Speaker 4>being honest.

718
00:35:23.320 --> 00:35:26.599
<v Speaker 3>Though, I gotta be honest neither had I until this announcement.

719
00:35:26.639 --> 00:35:29.679
<v Speaker 3>So yeah, this is this is an interesting one. It

720
00:35:29.840 --> 00:35:34.199
<v Speaker 3>is a very it's a very fun city choice. It's

721
00:35:34.199 --> 00:35:36.519
<v Speaker 3>probably the best way to say that they are all

722
00:35:36.559 --> 00:35:39.480
<v Speaker 3>about these titles that have not gotten enough love and

723
00:35:39.480 --> 00:35:41.880
<v Speaker 3>respect in their time, and then out every once in

724
00:35:41.920 --> 00:35:44.840
<v Speaker 3>a while they will put out something incredible like Ladies

725
00:35:44.840 --> 00:35:47.239
<v Speaker 3>and jen was the Fabulous Stains that they just did,

726
00:35:47.599 --> 00:35:50.320
<v Speaker 3>but this is now their second four K, so it

727
00:35:50.400 --> 00:35:53.280
<v Speaker 3>must mean that Fabulous Stains did pretty well and now

728
00:35:53.400 --> 00:35:56.239
<v Speaker 3>they are all about this one, so we shall see.

729
00:35:57.840 --> 00:36:02.719
<v Speaker 3>Uh next up the bra We got this honestly got

730
00:36:02.840 --> 00:36:06.119
<v Speaker 3>pretty clever steel book design here. I love the minimalism

731
00:36:06.119 --> 00:36:08.039
<v Speaker 3>that they went with. Here you can preorder this. This

732
00:36:08.079 --> 00:36:10.599
<v Speaker 3>is not an exclusive. This is available on Groove, on Amazon,

733
00:36:10.760 --> 00:36:14.000
<v Speaker 3>on Walmart, a whole bunch of places. They're also I

734
00:36:14.000 --> 00:36:16.119
<v Speaker 3>think I put it in here. Oh it's this one specifically.

735
00:36:16.159 --> 00:36:18.719
<v Speaker 3>There's also a standard four K Blu Ray DVD, so

736
00:36:18.719 --> 00:36:20.199
<v Speaker 3>if you don't want the still, you don't have to

737
00:36:20.199 --> 00:36:23.400
<v Speaker 3>get it. Thankfully, Warner is still doing pretty good to

738
00:36:23.840 --> 00:36:26.840
<v Speaker 3>offer both options, which I wish more companies would.

739
00:36:27.039 --> 00:36:28.880
<v Speaker 4>Well, I'm hoping that they can do it for as

740
00:36:28.920 --> 00:36:33.199
<v Speaker 4>long as possible. With the whole merger that's going to happen.

741
00:36:33.360 --> 00:36:36.840
<v Speaker 4>We still know who it's being called at Paramount, but

742
00:36:36.840 --> 00:36:41.679
<v Speaker 4>it hasn't been finalized yet. I'm very pessimistic about it,

743
00:36:41.719 --> 00:36:44.719
<v Speaker 4>I guess because when they when sky Dance took over Paramount,

744
00:36:44.920 --> 00:36:47.960
<v Speaker 4>they have not released a lot of physical media releases,

745
00:36:48.280 --> 00:36:50.320
<v Speaker 4>so it makes me nervous.

746
00:36:50.800 --> 00:36:53.320
<v Speaker 3>Well, not only that, the rumor is when that whole

747
00:36:53.320 --> 00:36:56.920
<v Speaker 3>Skydance thing happened, literally their entire physical media side that

748
00:36:57.000 --> 00:37:00.039
<v Speaker 3>was creating it inside was all cut and so the

749
00:37:00.079 --> 00:37:02.079
<v Speaker 3>only thing that we can really hope for is licensing.

750
00:37:02.159 --> 00:37:04.760
<v Speaker 3>But the reality is are they going to license the

751
00:37:04.760 --> 00:37:06.559
<v Speaker 3>big titles about it.

752
00:37:06.559 --> 00:37:08.840
<v Speaker 4>It's not happening with Paramount, so why would they do it?

753
00:37:08.880 --> 00:37:11.760
<v Speaker 4>Why would they be? ANDWB has such a great team

754
00:37:11.840 --> 00:37:15.239
<v Speaker 4>right now, they're firing on all cylinders, like probably my

755
00:37:15.400 --> 00:37:19.480
<v Speaker 4>favorite transfers that come from a major studio. So I

756
00:37:19.639 --> 00:37:22.079
<v Speaker 4>just I don't want to see them being fucked with.

757
00:37:22.119 --> 00:37:24.199
<v Speaker 4>And I feel like the rip cors is gonna be

758
00:37:24.239 --> 00:37:26.000
<v Speaker 4>pulled from them and I'm gonna be so heartbroken.

759
00:37:26.880 --> 00:37:29.960
<v Speaker 3>I agree. And with the whole Paramount WB Netflix Love

760
00:37:30.039 --> 00:37:32.760
<v Speaker 3>Triangle thing that was happening, the reality is no matter

761
00:37:32.760 --> 00:37:36.239
<v Speaker 3>who won, we all lose, whether it be Netflix, whether

762
00:37:36.239 --> 00:37:38.719
<v Speaker 3>it be Paramount, whether it be the government stepping in

763
00:37:38.719 --> 00:37:41.679
<v Speaker 3>and saying neither one can purchase it. Paramount's still in trouble.

764
00:37:41.800 --> 00:37:43.280
<v Speaker 3>They're still in a shit ton of debts. So no

765
00:37:43.360 --> 00:37:45.840
<v Speaker 3>matter what the outcome, it was kind of dire. So

766
00:37:46.000 --> 00:37:46.880
<v Speaker 3>we'll see what happened.

767
00:37:47.079 --> 00:37:47.400
<v Speaker 4>Yep.

768
00:37:48.760 --> 00:37:50.599
<v Speaker 3>Next up a film that I did not get to

769
00:37:50.599 --> 00:37:53.519
<v Speaker 3>see last year but I'm dying to see. May nineteenth,

770
00:37:53.559 --> 00:37:55.519
<v Speaker 3>we are getting a four K blu ray and DVD

771
00:37:55.719 --> 00:37:59.000
<v Speaker 3>of Arco. This is coming from Neon and Decal. This

772
00:37:59.039 --> 00:38:01.760
<v Speaker 3>is an animated film from last year. It is nominated

773
00:38:01.800 --> 00:38:05.320
<v Speaker 3>for Best Animated Feature on Sunday and some people think

774
00:38:05.320 --> 00:38:06.920
<v Speaker 3>that this has an actual chance.

775
00:38:07.360 --> 00:38:10.119
<v Speaker 4>I'm not so sure that it does. But yeah, it's

776
00:38:10.199 --> 00:38:13.599
<v Speaker 4>K Pop. Unfortunately, it's gonna be K Pop. Is a

777
00:38:13.599 --> 00:38:17.360
<v Speaker 4>fine movie. I have never seen Arco, but it's got

778
00:38:17.360 --> 00:38:19.800
<v Speaker 4>a hell of a cast and it just looks like

779
00:38:20.480 --> 00:38:23.000
<v Speaker 4>color gasms out the eyeballs, and I love that from

780
00:38:23.039 --> 00:38:23.840
<v Speaker 4>animated movies.

781
00:38:24.719 --> 00:38:29.000
<v Speaker 3>Yeah, it's it's incredible, incredible animation. So dying to see this.

782
00:38:29.000 --> 00:38:30.320
<v Speaker 3>This is gonna be a two disc set. If you

783
00:38:30.320 --> 00:38:34.440
<v Speaker 3>buy the four K you've got combo pack release with HDR.

784
00:38:34.519 --> 00:38:37.199
<v Speaker 3>You've got French and English audio tracks on here. Three

785
00:38:37.239 --> 00:38:40.400
<v Speaker 3>exclusive interviews. We've got a bunch of featurettes behind the scenes,

786
00:38:40.719 --> 00:38:46.679
<v Speaker 3>animation to animation featurettes, song and color with the composer, Teasers, trailers, storyboards, sketches,

787
00:38:47.079 --> 00:38:49.480
<v Speaker 3>pretty much everything that you could want on a title

788
00:38:49.559 --> 00:38:51.639
<v Speaker 3>like this. It's got it and so I definitely want

789
00:38:51.639 --> 00:38:52.360
<v Speaker 3>to check this one out.

790
00:38:52.480 --> 00:38:53.639
<v Speaker 4>Looks pretty good.

791
00:38:55.760 --> 00:39:00.599
<v Speaker 3>Next up is one that I did not see because

792
00:39:00.840 --> 00:39:03.039
<v Speaker 3>I'd never heard of this before. Was an ass April

793
00:39:03.119 --> 00:39:05.280
<v Speaker 3>twenty first from Bleaker Street. There's a Blu ray and

794
00:39:05.320 --> 00:39:09.360
<v Speaker 3>DVD coming of Stray Kids, The Dominate Experience. This is

795
00:39:09.480 --> 00:39:13.280
<v Speaker 3>another K pop group and it's a live concert performance.

796
00:39:13.559 --> 00:39:15.440
<v Speaker 3>Have have you been bit by the K pop drug?

797
00:39:16.159 --> 00:39:18.639
<v Speaker 4>I just had a conversation with my oldest daughter today.

798
00:39:18.760 --> 00:39:21.760
<v Speaker 4>The K pop is her favorite form of music now

799
00:39:21.960 --> 00:39:26.400
<v Speaker 4>and she's got a tiny, small, but mighty record collection

800
00:39:26.480 --> 00:39:29.360
<v Speaker 4>and she wants to add some kpop to her vinyl collection.

801
00:39:29.559 --> 00:39:31.880
<v Speaker 4>So yeah, that'll be next up. I will get a

802
00:39:31.960 --> 00:39:36.079
<v Speaker 4>crash course very soon, I think nice. Yeah.

803
00:39:36.199 --> 00:39:40.440
<v Speaker 3>VCI next putting out Poverty Row Classics number two on

804
00:39:40.519 --> 00:39:42.440
<v Speaker 3>May twelfth. This is a Blu ray double feature of

805
00:39:42.519 --> 00:39:45.880
<v Speaker 3>east Side Kids and that Gang of Mine. The reality

806
00:39:45.920 --> 00:39:49.199
<v Speaker 3>is with these there's never any bonus features. You're basically getting.

807
00:39:51.360 --> 00:39:54.119
<v Speaker 3>I'm I kind of want to do HD in quotes

808
00:39:54.159 --> 00:39:57.119
<v Speaker 3>because it's VCI, so it's not always even properly HD.

809
00:39:57.239 --> 00:39:59.840
<v Speaker 3>But this likely is the best that these are going

810
00:39:59.840 --> 00:40:01.920
<v Speaker 3>to look ever, and so if these are films that

811
00:40:01.960 --> 00:40:03.920
<v Speaker 3>you've been interested in or that you love, or that

812
00:40:03.960 --> 00:40:06.000
<v Speaker 3>you've never seen and you're dying to see, this will

813
00:40:06.039 --> 00:40:07.960
<v Speaker 3>likely be the best way to see them. Just don't

814
00:40:08.000 --> 00:40:10.800
<v Speaker 3>count on crisp restorations necessarily.

815
00:40:10.880 --> 00:40:13.360
<v Speaker 4>Normally when these get released, you're just happy to have them.

816
00:40:15.679 --> 00:40:19.960
<v Speaker 3>Yeah. Next up May twelfth, Blu Ray coming from Alliance,

817
00:40:20.039 --> 00:40:22.679
<v Speaker 3>which just a reminder that is mill Creek. So if

818
00:40:22.719 --> 00:40:26.000
<v Speaker 3>it's weird seeing a different company associated with Ultraman, it's

819
00:40:26.000 --> 00:40:29.400
<v Speaker 3>because it is still mill Creek. This is Ultraman great

820
00:40:29.559 --> 00:40:33.000
<v Speaker 3>and Ultraman powered the complete series the spans from nineteen

821
00:40:33.119 --> 00:40:36.400
<v Speaker 3>ninety to ninety three. I did not see any extras

822
00:40:36.400 --> 00:40:37.840
<v Speaker 3>listed for this, but I know that these are a

823
00:40:37.880 --> 00:40:40.360
<v Speaker 3>couple series people have been after for a while, and

824
00:40:40.880 --> 00:40:43.400
<v Speaker 3>I gotta be honest, I had dabbled in the Ultraman thing.

825
00:40:43.679 --> 00:40:45.280
<v Speaker 3>I had no idea that they could mind this for

826
00:40:45.320 --> 00:40:46.840
<v Speaker 3>like the last six and a half years and just

827
00:40:46.920 --> 00:40:47.519
<v Speaker 3>keep them coming.

828
00:40:47.840 --> 00:40:50.440
<v Speaker 4>I've been a partner with mill Creek for about three

829
00:40:50.519 --> 00:40:54.159
<v Speaker 4>years and I have probably got sent twenty different iterations

830
00:40:54.159 --> 00:40:57.679
<v Speaker 4>of Ultraman and I had no idea that that ip

831
00:40:57.920 --> 00:40:58.840
<v Speaker 4>went that deep.

832
00:40:59.400 --> 00:41:02.880
<v Speaker 3>It's crazy, and supposedly there's still some that people are

833
00:41:02.960 --> 00:41:06.320
<v Speaker 3>longing for, which means there's probably more coming from Alliance.

834
00:41:06.519 --> 00:41:07.960
<v Speaker 4>Yeah, until the end of time.

835
00:41:08.320 --> 00:41:11.039
<v Speaker 3>Yeah, most likely. June ninth, we are getting a blu

836
00:41:11.159 --> 00:41:15.519
<v Speaker 3>ray from Cleopatra Records of Diana, Iron Maiden's Lost Singer

837
00:41:15.559 --> 00:41:17.920
<v Speaker 3>from twenty twenty five. This is a pair of fans

838
00:41:17.920 --> 00:41:20.239
<v Speaker 3>of the heavy metal band Iron Maiden launch a crowdfunding

839
00:41:20.280 --> 00:41:23.639
<v Speaker 3>campaign to help Paul Diano aka the Beast, the band's

840
00:41:23.760 --> 00:41:26.199
<v Speaker 3>iconic original singer on the band's first two albums, Iron

841
00:41:26.199 --> 00:41:29.280
<v Speaker 3>Maiden and Killers, get Back on his Feet literally, emotionally

842
00:41:29.280 --> 00:41:32.480
<v Speaker 3>and professionally. Looks like a fun release if you're a

843
00:41:32.480 --> 00:41:35.719
<v Speaker 3>fan of the band and lots and lots to cover

844
00:41:35.800 --> 00:41:42.199
<v Speaker 3>there interesting choice, all right. Next up is the Gay Desperado,

845
00:41:42.320 --> 00:41:44.960
<v Speaker 3>also coming from VCI. This is on June ninth. This

846
00:41:45.039 --> 00:41:48.320
<v Speaker 3>is from nineteen thirty six. Now I know, I just

847
00:41:48.360 --> 00:41:51.320
<v Speaker 3>stated that VCI is usually not something that we can

848
00:41:51.320 --> 00:41:53.920
<v Speaker 3>count on. That being said, I can pretty much guarantee

849
00:41:53.920 --> 00:41:55.880
<v Speaker 3>this one is going to look great because this is

850
00:41:55.920 --> 00:41:58.880
<v Speaker 3>done with the support of the Mary Pickford Foundation, and

851
00:41:59.079 --> 00:42:01.559
<v Speaker 3>every single release that the Mary Pickford Foundation has had

852
00:42:01.559 --> 00:42:05.360
<v Speaker 3>a hand in has turned out immaculates. So very much

853
00:42:05.400 --> 00:42:08.079
<v Speaker 3>interested in this to get a title from nineteen thirty

854
00:42:08.079 --> 00:42:10.000
<v Speaker 3>six that is probably going to be I don't know,

855
00:42:10.079 --> 00:42:14.360
<v Speaker 3>seventeen dollars on release in really great looking restoration. I mean,

856
00:42:14.360 --> 00:42:19.239
<v Speaker 3>that's a win win for all of us. Next up

857
00:42:19.320 --> 00:42:23.239
<v Speaker 3>this beautiful steel book of a Racer where they erased

858
00:42:23.360 --> 00:42:26.199
<v Speaker 3>the cover art nineteen ninety six. Is a Racer coming.

859
00:42:26.519 --> 00:42:28.559
<v Speaker 3>It sounds like it's going to be June sixteenth, but

860
00:42:28.599 --> 00:42:31.119
<v Speaker 3>that's not been confirmed yet, coming in a four K

861
00:42:31.199 --> 00:42:34.119
<v Speaker 3>steel book in the US and the UK. Obviously, this

862
00:42:34.239 --> 00:42:36.840
<v Speaker 3>is not the final cover art, but they will update

863
00:42:36.880 --> 00:42:39.000
<v Speaker 3>this later after you've all paid for it and have

864
00:42:39.079 --> 00:42:40.719
<v Speaker 3>it on the way to you. Even if you hate

865
00:42:40.840 --> 00:42:43.039
<v Speaker 3>the cover art, Jake, tell me that I'm not the

866
00:42:43.079 --> 00:42:44.480
<v Speaker 3>only one that thinks this is a terrible plan.

867
00:42:44.840 --> 00:42:47.480
<v Speaker 4>You know how I just praised Warner Brothers Ryan like

868
00:42:47.519 --> 00:42:49.960
<v Speaker 4>this is like one of my major gripes with them

869
00:42:49.960 --> 00:42:52.119
<v Speaker 4>because it's happened numerous times. The one I can remember

870
00:42:52.119 --> 00:42:55.039
<v Speaker 4>is Constantine to where like they did this with their logo.

871
00:42:55.639 --> 00:42:57.400
<v Speaker 4>That steel Book ended up being one of my favorites

872
00:42:57.440 --> 00:42:59.360
<v Speaker 4>of the year. That Steal Book was an absolute stunner.

873
00:42:59.719 --> 00:43:02.000
<v Speaker 4>I just wish I knew what I was buying like that.

874
00:43:02.159 --> 00:43:04.280
<v Speaker 4>That's the craziest part to me. And they have the

875
00:43:04.280 --> 00:43:06.840
<v Speaker 4>inside art but not the outside. I don't know what

876
00:43:06.960 --> 00:43:09.239
<v Speaker 4>holds them up with these releases.

877
00:43:09.719 --> 00:43:12.199
<v Speaker 3>Especially because I think it's been like the last three

878
00:43:12.280 --> 00:43:14.960
<v Speaker 3>or four we've gotten fairly early leaks at a few

879
00:43:15.000 --> 00:43:18.559
<v Speaker 3>of them and nothing ever changes. They did similar things

880
00:43:18.559 --> 00:43:20.880
<v Speaker 3>with like the Beetlejuice one a couple years ago in

881
00:43:20.920 --> 00:43:23.239
<v Speaker 3>the UK, and it was exactly the same as the

882
00:43:23.360 --> 00:43:26.639
<v Speaker 3>artwork to be confirmed later. It's the exact same thing.

883
00:43:26.679 --> 00:43:29.440
<v Speaker 3>If you know what it's going to be, just share it.

884
00:43:29.960 --> 00:43:32.400
<v Speaker 4>Yep. It shouldn't be that hard. And they plan these

885
00:43:32.400 --> 00:43:34.360
<v Speaker 4>out so far in advance that like you would think

886
00:43:34.400 --> 00:43:36.360
<v Speaker 4>that they would have this readily available and they just

887
00:43:36.440 --> 00:43:38.679
<v Speaker 4>are deciding to fuck with us. I have no idea.

888
00:43:40.159 --> 00:43:42.239
<v Speaker 4>I don't like it, though, Ryan, I don't like it.

889
00:43:42.679 --> 00:43:44.800
<v Speaker 3>I also don't like paying for something that I don't

890
00:43:44.800 --> 00:43:46.679
<v Speaker 3>know what I'm getting. That is the big thing, and

891
00:43:46.760 --> 00:43:50.480
<v Speaker 3>really the only reason to buy an extra expensive steel

892
00:43:50.519 --> 00:43:52.239
<v Speaker 3>book of one of these is if you love the art.

893
00:43:52.519 --> 00:43:55.559
<v Speaker 3>And the hard part is they're not releasing the standard

894
00:43:55.639 --> 00:43:57.840
<v Speaker 3>up with this in the US most likely, which means

895
00:43:58.119 --> 00:43:59.920
<v Speaker 3>if you don't get the steel book, you're screwed.

896
00:44:00.920 --> 00:44:03.880
<v Speaker 4>With Constantine. They had a couple different versions, and I know,

897
00:44:06.119 --> 00:44:07.920
<v Speaker 4>I don't know if we're right if Eraser is a

898
00:44:07.920 --> 00:44:10.119
<v Speaker 4>big enough title to get both a standard and his

899
00:44:10.159 --> 00:44:12.079
<v Speaker 4>steel book. I think they might go one way or

900
00:44:12.079 --> 00:44:15.400
<v Speaker 4>the other, and that way might be steelbook. But this

901
00:44:15.559 --> 00:44:18.159
<v Speaker 4>is a Schwarzenegger blind spot for me. I've never seen

902
00:44:18.199 --> 00:44:21.119
<v Speaker 4>a racer. It's been a long time movie that was

903
00:44:21.280 --> 00:44:24.119
<v Speaker 4>very like, yeah, if you like Schwarzenegger, here's something to

904
00:44:24.159 --> 00:44:26.519
<v Speaker 4>feed into your veins. I guess you'll like it.

905
00:44:26.559 --> 00:44:28.840
<v Speaker 3>I guess it's been a long time, but I remember

906
00:44:28.920 --> 00:44:31.760
<v Speaker 3>it being like the top of the bottom tier, essentially

907
00:44:32.000 --> 00:44:35.880
<v Speaker 3>in the great View. So that being said, I'd still

908
00:44:35.920 --> 00:44:38.199
<v Speaker 3>like to have maybe every Arnold Schwarzenegger on four K

909
00:44:39.039 --> 00:44:41.719
<v Speaker 3>and the best that it could be. I don't know.

910
00:44:42.400 --> 00:44:46.719
<v Speaker 3>It's fine. Next up. This has been an interesting saga

911
00:44:46.760 --> 00:44:50.480
<v Speaker 3>to watch. So April twenty first, good Luck, Have Fun,

912
00:44:50.519 --> 00:44:54.039
<v Speaker 3>Don't Die is being released now. Previously this was sort

913
00:44:54.039 --> 00:44:56.400
<v Speaker 3>of being reported to be only Blu Ray and DVD

914
00:44:56.559 --> 00:45:00.599
<v Speaker 3>coming out. Well, they changed course last week and put

915
00:45:00.639 --> 00:45:02.599
<v Speaker 3>this out on four K. Now, the big story with

916
00:45:02.639 --> 00:45:05.840
<v Speaker 3>this is that this was doing so well in the

917
00:45:05.840 --> 00:45:09.880
<v Speaker 3>theaters and not even necessarily monetarily, but word of mouthwise,

918
00:45:09.960 --> 00:45:13.320
<v Speaker 3>they kept not having drop offs, they kept doing about

919
00:45:13.320 --> 00:45:15.480
<v Speaker 3>the same level, and they weren't making a ton of money,

920
00:45:15.480 --> 00:45:17.559
<v Speaker 3>but they were making money. They just kept it in

921
00:45:17.639 --> 00:45:22.760
<v Speaker 3>theaters and that fervent support led to them seemingly upgrading

922
00:45:22.800 --> 00:45:25.320
<v Speaker 3>this to four K. Now. Also, if you went on

923
00:45:25.320 --> 00:45:27.280
<v Speaker 3>the day that they announced the Blu Ray, everybody in

924
00:45:27.280 --> 00:45:29.519
<v Speaker 3>the comment section was saying, this is a movie that

925
00:45:29.599 --> 00:45:31.159
<v Speaker 3>has to be on four K, and I will wait

926
00:45:31.199 --> 00:45:33.360
<v Speaker 3>for the four K. So maybe they just actually paid

927
00:45:33.360 --> 00:45:35.480
<v Speaker 3>attention and said, ooh, maybe we should invest in that.

928
00:45:35.840 --> 00:45:38.000
<v Speaker 3>But I do love seeing this. I do love a

929
00:45:38.039 --> 00:45:42.440
<v Speaker 3>studio that will listen. It's also it's Universal, which has

930
00:45:42.480 --> 00:45:44.239
<v Speaker 3>been known to do a Blu Ray and then six

931
00:45:44.239 --> 00:45:46.280
<v Speaker 3>months later put out a four K. So to see

932
00:45:46.280 --> 00:45:48.639
<v Speaker 3>them willing to change course on this gives me a

933
00:45:48.639 --> 00:45:50.679
<v Speaker 3>little bit of hope for the future. Did you see

934
00:45:50.719 --> 00:45:51.800
<v Speaker 3>Good Luck, Have Fun, Don't Day?

935
00:45:52.239 --> 00:45:54.840
<v Speaker 4>I was actually one of the many I guess that

936
00:45:54.920 --> 00:45:56.960
<v Speaker 4>saw it later in its theatrical run. I saw it

937
00:45:57.039 --> 00:46:01.320
<v Speaker 4>like the fourth Weekend, and I I liked the concept.

938
00:46:01.360 --> 00:46:04.400
<v Speaker 4>I'm a sucker for a good time travel movie, and

939
00:46:05.239 --> 00:46:07.920
<v Speaker 4>I liked I like the first two thirds of this movie.

940
00:46:08.000 --> 00:46:12.199
<v Speaker 4>I thought the final act was a little bit I

941
00:46:12.199 --> 00:46:16.159
<v Speaker 4>don't know, boring. I guess it didn't go It went crazy,

942
00:46:16.199 --> 00:46:18.159
<v Speaker 4>but it went crazy for crazy sake. It didn't go

943
00:46:18.239 --> 00:46:21.000
<v Speaker 4>crazy to have like a great idea. Yeah, have you

944
00:46:21.000 --> 00:46:21.280
<v Speaker 4>seen it?

945
00:46:21.320 --> 00:46:24.199
<v Speaker 3>Ryan, I'm not. I'm dying to see it, especially because

946
00:46:24.320 --> 00:46:26.719
<v Speaker 3>I love Gore Verbinski, and so to see him back

947
00:46:26.800 --> 00:46:28.760
<v Speaker 3>making a big movie that's getting a lot of praise,

948
00:46:29.079 --> 00:46:30.840
<v Speaker 3>I just makes me a little happy.

949
00:46:31.000 --> 00:46:32.880
<v Speaker 4>I feel like not enough people talk about a cure

950
00:46:32.880 --> 00:46:36.119
<v Speaker 4>for wellness. I love that movie and the way that

951
00:46:36.119 --> 00:46:39.199
<v Speaker 4>that third act revealed itself. I fell head over heels

952
00:46:39.199 --> 00:46:41.960
<v Speaker 4>for kind of the opposite way with like a Cure

953
00:46:42.000 --> 00:46:45.239
<v Speaker 4>for Wellness, I think built very greatly. This one has

954
00:46:45.280 --> 00:46:47.159
<v Speaker 4>a hell of an opening, and for me, the longer

955
00:46:47.159 --> 00:46:49.079
<v Speaker 4>it goes on, the less I was kind of intrigued

956
00:46:49.079 --> 00:46:49.599
<v Speaker 4>to watch it.

957
00:46:50.519 --> 00:46:53.760
<v Speaker 3>I will state and this is just a dumb, nerdy

958
00:46:53.840 --> 00:46:56.360
<v Speaker 3>millennial reference for anybody. But back in the day, in

959
00:46:56.400 --> 00:46:58.519
<v Speaker 3>the early days of YouTube, there was a character called

960
00:46:58.519 --> 00:47:01.679
<v Speaker 3>Asking Ninja and he did a super cut thing one time,

961
00:47:01.719 --> 00:47:04.599
<v Speaker 3>and somebody asked him about Pirates of the Caribbean, and

962
00:47:05.000 --> 00:47:07.039
<v Speaker 3>one of the best jokes ever he said it needed

963
00:47:07.119 --> 00:47:09.159
<v Speaker 3>a little more gore and a lot less for Binsky.

964
00:47:09.239 --> 00:47:11.440
<v Speaker 3>And I've stood by that and I think that's hilarious

965
00:47:11.840 --> 00:47:15.519
<v Speaker 3>and the world needs more gore Verbinski next up. This

966
00:47:15.599 --> 00:47:17.679
<v Speaker 3>has been an interesting week for this as well. So

967
00:47:17.800 --> 00:47:21.599
<v Speaker 3>June tenth, Madman in Australia is releasing a four K

968
00:47:21.719 --> 00:47:24.920
<v Speaker 3>box set with one Blu ray included of an Akura

969
00:47:25.000 --> 00:47:28.840
<v Speaker 3>Kurvesawa collection. Now, this is going to have all kinds

970
00:47:28.840 --> 00:47:30.880
<v Speaker 3>of the four K discs that have been released worldwide

971
00:47:30.920 --> 00:47:34.679
<v Speaker 3>already multiple times over and Red Beard on four K,

972
00:47:35.199 --> 00:47:37.760
<v Speaker 3>and it's also going to get a Blu ray of

973
00:47:37.920 --> 00:47:41.559
<v Speaker 3>another disc that's going to have seven episodes of Toho Masterworks.

974
00:47:41.679 --> 00:47:44.079
<v Speaker 3>It's wonderful to create offering insights in the making of

975
00:47:44.119 --> 00:47:47.679
<v Speaker 3>these enduring classics. Now it's got Ikaru, it's got seven Samurai,

976
00:47:47.719 --> 00:47:49.800
<v Speaker 3>it's got thrown a Blood, It's got the Hidden Fortress,

977
00:47:50.000 --> 00:47:52.599
<v Speaker 3>yo Jimbo, Sanjuro, High and Low, Red Beard, and then

978
00:47:52.639 --> 00:47:55.400
<v Speaker 3>Akurra Kursaw. It's wonderful to create. It is one hundred

979
00:47:55.440 --> 00:47:59.079
<v Speaker 3>and eighty dollars USD. Honestly not a bad price. But

980
00:47:59.400 --> 00:48:01.800
<v Speaker 3>the big toss up here is it's mad Man out

981
00:48:01.800 --> 00:48:04.920
<v Speaker 3>of Australia. Now, they're not known for being awful, and

982
00:48:05.239 --> 00:48:08.119
<v Speaker 3>to be frank, Criterions kind of known for being pretty

983
00:48:08.159 --> 00:48:11.199
<v Speaker 3>poor with their encoding, so it's it's kind of a

984
00:48:11.199 --> 00:48:13.440
<v Speaker 3>toss up to pick up this from mad Man instead

985
00:48:13.440 --> 00:48:16.400
<v Speaker 3>of Criterion. But really, I think BFI is probably the

986
00:48:16.440 --> 00:48:18.400
<v Speaker 3>way to go on these if they're going to get

987
00:48:18.400 --> 00:48:20.440
<v Speaker 3>all of them. The other thing that people should know,

988
00:48:20.440 --> 00:48:23.119
<v Speaker 3>I believe Redbeard is just an upscale to four K,

989
00:48:23.559 --> 00:48:26.719
<v Speaker 3>So if that's something that would bother you, you might just

990
00:48:26.760 --> 00:48:29.800
<v Speaker 3>pick up the individuals from BFI. Any thoughts on Kursawa

991
00:48:29.880 --> 00:48:31.440
<v Speaker 3>or Madwin mad Man from you?

992
00:48:31.960 --> 00:48:36.519
<v Speaker 4>I am such a terrible foreign film watcher. It's sad.

993
00:48:37.440 --> 00:48:40.079
<v Speaker 4>I want to get into more of them, but working

994
00:48:40.119 --> 00:48:42.480
<v Speaker 4>my nine to five job and dealing with family, and

995
00:48:42.519 --> 00:48:44.920
<v Speaker 4>like my only free time on the weekdays is going

996
00:48:44.920 --> 00:48:48.079
<v Speaker 4>downstairs to watch it after everyone's in bed. The more

997
00:48:48.119 --> 00:48:50.480
<v Speaker 4>I read subtitles, the more I get sleepy at that

998
00:48:50.599 --> 00:48:54.320
<v Speaker 4>time of night. So Kurusawa is a director that I

999
00:48:54.360 --> 00:48:56.679
<v Speaker 4>have not really dug into that much. So like this

1000
00:48:56.760 --> 00:48:59.599
<v Speaker 4>box that it kind of like screams to me. I

1001
00:48:59.639 --> 00:49:01.599
<v Speaker 4>wish I knew how it opened and what it looked

1002
00:49:01.639 --> 00:49:04.800
<v Speaker 4>like with all the stuff inside of the box. Yeah,

1003
00:49:04.840 --> 00:49:06.840
<v Speaker 4>but all these titles on four K. If you're a

1004
00:49:06.880 --> 00:49:09.239
<v Speaker 4>fan of the director, it's and you don't own any

1005
00:49:09.280 --> 00:49:10.480
<v Speaker 4>of them, it's kind of a no brainer.

1006
00:49:10.960 --> 00:49:12.760
<v Speaker 3>Yeah, it's it's a pretty great price to get all

1007
00:49:12.800 --> 00:49:15.000
<v Speaker 3>of them at once. I will say that I see

1008
00:49:15.719 --> 00:49:17.360
<v Speaker 3>I hate to say this name out loud. I'm sorry.

1009
00:49:17.360 --> 00:49:19.039
<v Speaker 3>This is not meant to hurt you. Mister. A fat

1010
00:49:19.039 --> 00:49:21.719
<v Speaker 3>Man in the chat says didn't Madman stop releasing discs

1011
00:49:21.719 --> 00:49:24.480
<v Speaker 3>at one point? I don't know that they like announced

1012
00:49:24.480 --> 00:49:27.320
<v Speaker 3>that they stopped, but I believe they like slowed way

1013
00:49:27.400 --> 00:49:30.480
<v Speaker 3>down before they released some things. So I may be

1014
00:49:30.519 --> 00:49:33.280
<v Speaker 3>wrong there. And Terry, you might know, since you're a

1015
00:49:33.519 --> 00:49:36.360
<v Speaker 3>native Australian. If you know the answer, let me know, Terry.

1016
00:49:36.519 --> 00:49:41.119
<v Speaker 3>I'd love to hear it. Let's see next, there's a

1017
00:49:41.239 --> 00:49:45.920
<v Speaker 3>Kickstarter going on for Castration Movie Anthology three. Obviously, we

1018
00:49:46.000 --> 00:49:48.880
<v Speaker 3>just talked about Castration Movie because it was just released

1019
00:49:48.920 --> 00:49:51.199
<v Speaker 3>through Vinegar Syndrome this month on Blu Ray by Muscle

1020
00:49:51.280 --> 00:49:53.800
<v Speaker 3>brand new partner label. You can see an interview with

1021
00:49:54.079 --> 00:49:56.599
<v Speaker 3>Liz Purchill on the channel for Muscle and they are

1022
00:49:56.639 --> 00:49:59.239
<v Speaker 3>already about to make the third one, and I believe

1023
00:49:59.280 --> 00:50:02.639
<v Speaker 3>they're supposed to be four or five total, and so

1024
00:50:02.679 --> 00:50:04.119
<v Speaker 3>they plan on doing a lot of these. But the

1025
00:50:04.119 --> 00:50:07.360
<v Speaker 3>big thing is these are long films. Each one of

1026
00:50:07.400 --> 00:50:10.599
<v Speaker 3>these is like four and a half or longer hours.

1027
00:50:11.559 --> 00:50:14.519
<v Speaker 3>Kind of crazy. But they do these pretty special editions

1028
00:50:14.519 --> 00:50:17.000
<v Speaker 3>for the kickstarters, so if you want to support, this

1029
00:50:17.079 --> 00:50:19.039
<v Speaker 3>is the best time to do it before the Kickstarter ends,

1030
00:50:19.079 --> 00:50:21.039
<v Speaker 3>and they actually have a bundle so you can go

1031
00:50:21.119 --> 00:50:24.239
<v Speaker 3>back and get the original Kickstarter exclusive versions of the

1032
00:50:24.239 --> 00:50:27.360
<v Speaker 3>first two as well to have the matching extra special

1033
00:50:27.480 --> 00:50:32.199
<v Speaker 3>editions of all three. Terror Vision is a name that

1034
00:50:32.239 --> 00:50:34.239
<v Speaker 3>we have not been talking about much recently because they've

1035
00:50:34.239 --> 00:50:37.480
<v Speaker 3>been facing some manufacturing woes and finally they are coming

1036
00:50:37.480 --> 00:50:39.119
<v Speaker 3>off on the other side of that, and so at

1037
00:50:39.119 --> 00:50:42.440
<v Speaker 3>the time we are seeing some of their discstart to

1038
00:50:42.480 --> 00:50:44.639
<v Speaker 3>ship that we're put up for pre order in the

1039
00:50:44.760 --> 00:50:48.079
<v Speaker 3>thirteen weeks of Halloween, we are getting a brand new

1040
00:50:48.119 --> 00:50:51.639
<v Speaker 3>slipcover art for Dante's Inferno, which I gotta admit this

1041
00:50:51.800 --> 00:50:54.159
<v Speaker 3>is an easy contender for best slipcover of the year

1042
00:50:54.199 --> 00:50:58.239
<v Speaker 3>so far. For me, this is frickin' beautiful. Love this release.

1043
00:50:58.280 --> 00:51:00.559
<v Speaker 3>If you've never seen Dante's Inferno's from NIGHTE, you know eleven,

1044
00:51:00.719 --> 00:51:03.199
<v Speaker 3>there's I don't remember how many is to say on here.

1045
00:51:03.440 --> 00:51:07.559
<v Speaker 3>There's three different restorations and I think three different score options,

1046
00:51:08.000 --> 00:51:12.679
<v Speaker 3>so even each score and restoration can be intertwined. So

1047
00:51:12.719 --> 00:51:15.800
<v Speaker 3>there's literally like nine versions or six version something like

1048
00:51:15.840 --> 00:51:18.239
<v Speaker 3>that you can watch on this disc. That's crazy. I'm

1049
00:51:18.239 --> 00:51:19.719
<v Speaker 3>bad at doing the math in my head, but it's

1050
00:51:19.840 --> 00:51:22.480
<v Speaker 3>it's a lot, and it's crazy. Love that they did this.

1051
00:51:22.480 --> 00:51:25.280
<v Speaker 3>This is incredible. Check it out if you don't have

1052
00:51:25.320 --> 00:51:29.039
<v Speaker 3>the original slipcover. They also are releasing a standard edition

1053
00:51:29.119 --> 00:51:32.199
<v Speaker 3>of Sledgehammer, and I should say that for Dante's Inferno

1054
00:51:32.239 --> 00:51:34.639
<v Speaker 3>and this they're both shipping immediately. They've been in their

1055
00:51:34.679 --> 00:51:36.719
<v Speaker 3>warehouse for a while, but they didn't want to piss

1056
00:51:36.760 --> 00:51:38.639
<v Speaker 3>people off and put these up before the other ones

1057
00:51:38.639 --> 00:51:40.559
<v Speaker 3>could start shipping. So now that they got some of those,

1058
00:51:40.880 --> 00:51:42.719
<v Speaker 3>if you got one of those shipping. You can order

1059
00:51:42.760 --> 00:51:43.800
<v Speaker 3>this with it as well.

1060
00:51:43.960 --> 00:51:45.880
<v Speaker 4>This past like year and a half for Terror Vision

1061
00:51:45.880 --> 00:51:48.840
<v Speaker 4>and it's just been like bad luck. I'm like stacked

1062
00:51:48.880 --> 00:51:51.480
<v Speaker 4>on top of each other with the whole warehouse woes,

1063
00:51:51.519 --> 00:51:54.360
<v Speaker 4>them having to move and then yeah, production issues on

1064
00:51:54.400 --> 00:51:55.960
<v Speaker 4>a lot of their stuff. It's just they can't catch

1065
00:51:55.960 --> 00:51:56.559
<v Speaker 4>a fucking break.

1066
00:51:56.599 --> 00:52:00.079
<v Speaker 3>It sucks. Yeah, it's it's been a while. I know

1067
00:52:00.159 --> 00:52:02.159
<v Speaker 3>a lot of people are worried about Gator Bait, as

1068
00:52:02.159 --> 00:52:06.079
<v Speaker 3>we've got sibbonar asking about it. Gator Bait supposedly might

1069
00:52:06.119 --> 00:52:09.119
<v Speaker 3>finally be shipping next month, and I know that's crazy

1070
00:52:09.159 --> 00:52:13.239
<v Speaker 3>because that's literally eleven months after announcement. But we were

1071
00:52:13.239 --> 00:52:15.360
<v Speaker 3>trying to go for the best product, and we were told,

1072
00:52:15.400 --> 00:52:18.199
<v Speaker 3>I believe it all in four different times that somebody

1073
00:52:18.239 --> 00:52:20.880
<v Speaker 3>had found the missing reel. We had to check it

1074
00:52:20.920 --> 00:52:23.880
<v Speaker 3>out literally otherwise why would we release it in an

1075
00:52:23.960 --> 00:52:27.000
<v Speaker 3>inferior way. So I'm glad that we went the distance

1076
00:52:27.079 --> 00:52:29.519
<v Speaker 3>and we got now even more footage than we thought

1077
00:52:29.679 --> 00:52:31.880
<v Speaker 3>was possible for the film. So check it.

1078
00:52:31.800 --> 00:52:33.400
<v Speaker 4>Out, make it worth the way.

1079
00:52:33.480 --> 00:52:37.119
<v Speaker 3>Right exactly May fifth, we're getting a four K steel

1080
00:52:37.119 --> 00:52:39.400
<v Speaker 3>book of a sci fi classic. It came from Outer

1081
00:52:39.480 --> 00:52:42.239
<v Speaker 3>Space from nineteen fifty three. It's got a four K disc,

1082
00:52:42.360 --> 00:52:44.519
<v Speaker 3>a Blu ray disc in a digital copy, and it

1083
00:52:44.599 --> 00:52:47.599
<v Speaker 3>does have I believe the three D version on the

1084
00:52:47.639 --> 00:52:51.199
<v Speaker 3>Blu ray disc. Have you seen it came from outer Space?

1085
00:52:51.599 --> 00:52:53.800
<v Speaker 4>I haven't. But this artwork on the steel book does

1086
00:52:53.840 --> 00:52:55.360
<v Speaker 4>not make it look like it's from the fifties. I

1087
00:52:55.360 --> 00:52:57.559
<v Speaker 4>can tell you that much that looks. That looks more

1088
00:52:57.559 --> 00:52:59.440
<v Speaker 4>like an animated movie or something you'd see off of

1089
00:52:59.519 --> 00:53:01.719
<v Speaker 4>like Star Trek Discovery than anything else.

1090
00:53:02.559 --> 00:53:04.440
<v Speaker 3>I'm probably gonna piss some people off in the chat.

1091
00:53:04.800 --> 00:53:06.639
<v Speaker 3>I'm not a fifty sci fi guy. I will say

1092
00:53:06.639 --> 00:53:08.519
<v Speaker 3>I think the art on this is much better than

1093
00:53:08.519 --> 00:53:12.440
<v Speaker 3>the movie. But this is a great looking steal book

1094
00:53:12.440 --> 00:53:16.199
<v Speaker 3>and people should see this at least once. And Cinema

1095
00:53:16.199 --> 00:53:18.800
<v Speaker 3>Force is asking, isn't this already on four K from imprint?

1096
00:53:19.119 --> 00:53:21.039
<v Speaker 3>Not only is it already on four K from Imprint,

1097
00:53:21.320 --> 00:53:24.159
<v Speaker 3>it's already on four K from Universal. They're just trying

1098
00:53:24.159 --> 00:53:26.039
<v Speaker 3>to milk more money out of the physical media crowd.

1099
00:53:26.280 --> 00:53:29.639
<v Speaker 3>So this is really only if you desperately want the

1100
00:53:29.639 --> 00:53:32.480
<v Speaker 3>movie on four K and you don't have the original one. Otherwise,

1101
00:53:32.480 --> 00:53:36.119
<v Speaker 3>there's not really a reason to get this all right

1102
00:53:36.519 --> 00:53:39.119
<v Speaker 3>now the next sort of weird story of the week.

1103
00:53:39.760 --> 00:53:42.960
<v Speaker 3>Neon is releasing No Other Choice from Last Fall on

1104
00:53:43.039 --> 00:53:47.519
<v Speaker 3>four K and Blu ray this October, almost a full

1105
00:53:47.639 --> 00:53:50.360
<v Speaker 3>year after the film was released in theaters. It's an

1106
00:53:50.400 --> 00:53:53.480
<v Speaker 3>award season snub. It's a film that people have been

1107
00:53:53.559 --> 00:53:55.960
<v Speaker 3>dying to see. It's one that is still playing in

1108
00:53:55.960 --> 00:53:58.880
<v Speaker 3>some theaters. This is going to have two different versions

1109
00:53:58.880 --> 00:54:00.519
<v Speaker 3>of the film. We got the theatrical cut and an

1110
00:54:00.559 --> 00:54:03.679
<v Speaker 3>expanded cut, which I'm excited to see. But this is

1111
00:54:04.880 --> 00:54:07.559
<v Speaker 3>a film that is directed by Park Chan Wook that

1112
00:54:07.719 --> 00:54:12.840
<v Speaker 3>I adored. This has a thirty two page Deloxe hardcover

1113
00:54:12.920 --> 00:54:15.119
<v Speaker 3>book with it. It's got a making of that's thirty

1114
00:54:15.159 --> 00:54:17.280
<v Speaker 3>minutes behind the scenes. If you buy it from the

1115
00:54:17.320 --> 00:54:19.719
<v Speaker 3>Neon website, you get these two enamel pins at the bottom,

1116
00:54:19.760 --> 00:54:23.719
<v Speaker 3>which they're cute and all. But after shipping in taxes,

1117
00:54:24.079 --> 00:54:28.679
<v Speaker 3>this one film and two pins eighty four dollars. Jake,

1118
00:54:28.880 --> 00:54:31.599
<v Speaker 3>my god, eighty four dollars.

1119
00:54:32.079 --> 00:54:36.760
<v Speaker 4>I like that Neon is taking the A twenty four approach.

1120
00:54:36.800 --> 00:54:39.079
<v Speaker 4>It looks like with some of their packaging. I wonder

1121
00:54:39.119 --> 00:54:40.960
<v Speaker 4>what the size is, if it's more of like just

1122
00:54:41.000 --> 00:54:42.480
<v Speaker 4>your standard size or if it is going to be

1123
00:54:42.519 --> 00:54:44.599
<v Speaker 4>like a giant A twenty four size, you can't really

1124
00:54:44.679 --> 00:54:47.599
<v Speaker 4>tell from that image. I guess with the discs in there,

1125
00:54:47.639 --> 00:54:49.880
<v Speaker 4>if it is like two scale, it'd probably be more

1126
00:54:49.880 --> 00:54:52.519
<v Speaker 4>like a regular case. I wonder if it's taking so

1127
00:54:52.599 --> 00:54:57.159
<v Speaker 4>long because they're trying to figure out, like major packaging,

1128
00:54:57.239 --> 00:54:59.480
<v Speaker 4>just making sure distribution wise it goes smoothly. I don't

1129
00:54:59.480 --> 00:55:02.079
<v Speaker 4>know why it would announce it so early on in

1130
00:55:02.119 --> 00:55:02.679
<v Speaker 4>the process.

1131
00:55:04.000 --> 00:55:07.440
<v Speaker 3>This is very interesting. I feel like they, I don't know,

1132
00:55:07.440 --> 00:55:10.119
<v Speaker 3>they got to recoup some money or something like that,

1133
00:55:10.199 --> 00:55:12.199
<v Speaker 3>but it's it's kind of weird. It's also gonna be

1134
00:55:12.199 --> 00:55:16.199
<v Speaker 3>on Amazon. And what's interesting here is I believe the

1135
00:55:16.239 --> 00:55:18.760
<v Speaker 3>packaging wise, it'll mirror what they did for Old Boy.

1136
00:55:18.800 --> 00:55:20.039
<v Speaker 3>Did you ever see that one in person?

1137
00:55:20.519 --> 00:55:23.119
<v Speaker 4>I love that I have it. Yeah, I love that edition.

1138
00:55:23.199 --> 00:55:26.360
<v Speaker 4>But that edition was like fifty bucks. I don't know

1139
00:55:26.400 --> 00:55:28.920
<v Speaker 4>why this is adding on an additional thirty.

1140
00:55:29.440 --> 00:55:33.119
<v Speaker 3>Old Boy was sixty at retail when it released, and

1141
00:55:33.199 --> 00:55:35.239
<v Speaker 3>so this has two pins on top of it, and

1142
00:55:35.360 --> 00:55:37.880
<v Speaker 3>enamel pins are certainly not cheap. I will say that

1143
00:55:38.440 --> 00:55:42.000
<v Speaker 3>these two pins don't look worth whatever.

1144
00:55:43.480 --> 00:55:45.480
<v Speaker 4>Enamel pins are kind of cheap if you order enough

1145
00:55:45.519 --> 00:55:48.440
<v Speaker 4>of them, Like I I've got steel book obsessed enamel pins,

1146
00:55:48.440 --> 00:55:51.119
<v Speaker 4>and I paid. I bought a hundred of them and

1147
00:55:51.159 --> 00:55:53.440
<v Speaker 4>it ended up being like three bucks apiece.

1148
00:55:53.800 --> 00:55:55.840
<v Speaker 3>So if you that's to you, not to a consumer,

1149
00:55:56.079 --> 00:55:56.840
<v Speaker 3>I will say that.

1150
00:55:57.119 --> 00:55:58.800
<v Speaker 4>Yeah no, But I mean like, if you buy a

1151
00:55:58.840 --> 00:56:01.199
<v Speaker 4>thousand of them, that costs breaks down to maybe a

1152
00:56:01.239 --> 00:56:04.000
<v Speaker 4>buck fifty a buck, and then of course, yeah, I

1153
00:56:05.480 --> 00:56:07.480
<v Speaker 4>for me, twenty bucks for two pins. If that is

1154
00:56:07.519 --> 00:56:10.159
<v Speaker 4>that real justification, that's that's wild.

1155
00:56:10.480 --> 00:56:13.679
<v Speaker 3>Well, and the film itself is seventy dollars, the tax

1156
00:56:13.760 --> 00:56:15.719
<v Speaker 3>comes out to about seven bucks, and then the shipping

1157
00:56:15.760 --> 00:56:19.239
<v Speaker 3>they're charging is seven or eight bucks, so it's I mean,

1158
00:56:19.280 --> 00:56:21.800
<v Speaker 3>shipping is that expensive. I'm not going to argue with that.

1159
00:56:21.840 --> 00:56:27.880
<v Speaker 3>Shipping is expensive nowadays, but eighty four dollars for one

1160
00:56:28.000 --> 00:56:32.079
<v Speaker 3>movie two pins shipped is so much money.

1161
00:56:32.280 --> 00:56:35.599
<v Speaker 4>It's a lot. I might wait until this will probably

1162
00:56:35.679 --> 00:56:38.639
<v Speaker 4>hit like a Barnes and Noble for hopefully sixty and

1163
00:56:39.239 --> 00:56:41.880
<v Speaker 4>kind of negate the shipping and pins and all that stuff,

1164
00:56:41.920 --> 00:56:45.079
<v Speaker 4>and then it's a maybe for me. I still haven't

1165
00:56:45.079 --> 00:56:47.000
<v Speaker 4>seen no other choice. I've heard nothing but great things

1166
00:56:47.039 --> 00:56:49.800
<v Speaker 4>about it. I will watch it at some point, but

1167
00:56:50.400 --> 00:56:52.519
<v Speaker 4>I'd want that some point to be for the first

1168
00:56:52.559 --> 00:56:54.719
<v Speaker 4>time on four K. I just eighty bucks is too

1169
00:56:54.760 --> 00:56:55.639
<v Speaker 4>much for my blood.

1170
00:56:56.280 --> 00:56:58.800
<v Speaker 3>Yeah, and I will say again, not not sticking up

1171
00:56:58.800 --> 00:57:00.880
<v Speaker 3>for the company, but understanding cost a little bit. There

1172
00:57:00.960 --> 00:57:03.000
<v Speaker 3>are four discs here, so I would expect it to

1173
00:57:03.000 --> 00:57:05.239
<v Speaker 3>be a little more expensive. Two four K discs. That's

1174
00:57:05.280 --> 00:57:06.920
<v Speaker 3>a great choice. That is a lot of money to

1175
00:57:07.000 --> 00:57:10.360
<v Speaker 3>manufacture two four K discs. I could have seen forty

1176
00:57:10.360 --> 00:57:14.800
<v Speaker 3>five fifty bucks on this. Seventy that's out of my

1177
00:57:14.800 --> 00:57:19.360
<v Speaker 3>price range. I am priced out on this. Let's get

1178
00:57:19.400 --> 00:57:23.360
<v Speaker 3>into a much more affordable four K release. Radiance is

1179
00:57:23.360 --> 00:57:26.159
<v Speaker 3>putting out a four K of the Pornographers from nineteen

1180
00:57:26.199 --> 00:57:28.679
<v Speaker 3>sixty six. This is a four K Blu ray dual

1181
00:57:28.719 --> 00:57:32.079
<v Speaker 3>format release in the UK only, and this is coming

1182
00:57:32.079 --> 00:57:36.679
<v Speaker 3>on June twenty second. This is of course by Shohe Imamura,

1183
00:57:37.159 --> 00:57:40.519
<v Speaker 3>and this has been released by Criterion previously. I believe

1184
00:57:40.559 --> 00:57:42.559
<v Speaker 3>it's still DVD only in the US by them. I

1185
00:57:42.599 --> 00:57:44.440
<v Speaker 3>may be wrong somebody else. Let me know if I'm

1186
00:57:44.440 --> 00:57:47.719
<v Speaker 3>wrong there, but all that tells me Criterion likely still

1187
00:57:47.719 --> 00:57:49.400
<v Speaker 3>has the rights in the US and now they're likely

1188
00:57:49.400 --> 00:57:51.159
<v Speaker 3>going to put it out on four K. So if

1189
00:57:51.159 --> 00:57:52.599
<v Speaker 3>you just want to wait for a local version, you

1190
00:57:52.599 --> 00:57:55.119
<v Speaker 3>can probably pick that one up eventually. But this over

1191
00:57:55.159 --> 00:57:57.119
<v Speaker 3>in the UK, we are getting an interview with a

1192
00:57:57.119 --> 00:58:00.159
<v Speaker 3>couple actors. We're getting interview with Tony Rains, which a

1193
00:58:00.159 --> 00:58:02.920
<v Speaker 3>lot of people love him. We're getting TV documentary on

1194
00:58:02.960 --> 00:58:05.880
<v Speaker 3>Imamura featuring the filmmaker himself discussing his key films. That's

1195
00:58:05.920 --> 00:58:08.719
<v Speaker 3>over an hour long. That's from back in ninety five,

1196
00:58:08.719 --> 00:58:11.119
<v Speaker 3>but I love that sort of an extra, We've got

1197
00:58:11.159 --> 00:58:13.800
<v Speaker 3>a limited edition booklet with new writing by Jasper Sharp.

1198
00:58:14.000 --> 00:58:16.360
<v Speaker 3>This is going to be limited to five thousand copies.

1199
00:58:16.400 --> 00:58:18.920
<v Speaker 3>That's a pretty big limited edition for Radiance, So check

1200
00:58:18.960 --> 00:58:21.960
<v Speaker 3>it out if you are into it, and thanks for

1201
00:58:22.079 --> 00:58:25.239
<v Speaker 3>the affirmation there. It is still DVD only, which means

1202
00:58:25.679 --> 00:58:27.400
<v Speaker 3>it's likely going to get a four K and Blu

1203
00:58:27.519 --> 00:58:32.639
<v Speaker 3>Ray release by Criterion here in the US eventually. The pornographers,

1204
00:58:32.639 --> 00:58:34.719
<v Speaker 3>are you gonna check this out? I know you're not

1205
00:58:34.760 --> 00:58:38.920
<v Speaker 3>a super foreign film fan. I don't mind foreign films,

1206
00:58:39.599 --> 00:58:42.000
<v Speaker 3>not a lot of as much as you. By right, yeah, no, this,

1207
00:58:42.400 --> 00:58:44.840
<v Speaker 3>I have no idea what it's about. So I do

1208
00:58:44.960 --> 00:58:48.320
<v Speaker 3>like Radiance though as a label normally for their Blu

1209
00:58:48.440 --> 00:58:49.000
<v Speaker 3>Ray releases.

1210
00:58:49.039 --> 00:58:52.079
<v Speaker 4>They limited to like three thousand copies, so it's nice

1211
00:58:52.079 --> 00:58:54.519
<v Speaker 4>to see that. For four k, hopefully it stands the

1212
00:58:54.559 --> 00:58:56.400
<v Speaker 4>test of time. There's not gonna be any other format

1213
00:58:56.440 --> 00:58:58.280
<v Speaker 4>above it, so they printed a little bit extra.

1214
00:58:59.400 --> 00:59:01.559
<v Speaker 3>Yeah, a lot of people that love these films are

1215
00:59:01.599 --> 00:59:04.360
<v Speaker 3>definitely going to import, and then when Criterion releases theirs

1216
00:59:04.360 --> 00:59:06.360
<v Speaker 3>will probably not sell nearly as much as it was.

1217
00:59:06.440 --> 00:59:09.599
<v Speaker 4>I could see it. I could definitely see it all right.

1218
00:59:09.760 --> 00:59:13.079
<v Speaker 3>Next up is Warm Water Under a Red Bridge from

1219
00:59:13.079 --> 00:59:15.199
<v Speaker 3>two thousand and one, is coming on June twenty second

1220
00:59:15.199 --> 00:59:17.280
<v Speaker 3>on Blu Ray over in the UK only. Now this

1221
00:59:17.360 --> 00:59:19.159
<v Speaker 3>is UK only because this did just get a Blu

1222
00:59:19.239 --> 00:59:21.599
<v Speaker 3>Ray release that came out again by Film Movement here

1223
00:59:21.639 --> 00:59:23.480
<v Speaker 3>in the US. You can pick that up on the

1224
00:59:23.559 --> 00:59:27.119
<v Speaker 3>Vinegar Syndrome website. This is I believe, I think it

1225
00:59:27.119 --> 00:59:29.880
<v Speaker 3>says here. I think it's his last film. Yeah, show

1226
00:59:29.920 --> 00:59:32.519
<v Speaker 3>him Mura's last feature, reuniting the cast and crew of

1227
00:59:32.519 --> 00:59:35.960
<v Speaker 3>as Palmdor Winning the Eel for a boldly sensuous and

1228
00:59:36.039 --> 00:59:39.239
<v Speaker 3>taboo breaking love story. This is going to have a

1229
00:59:39.320 --> 00:59:41.320
<v Speaker 3>couple brand new things. We got an introduction of the

1230
00:59:41.320 --> 00:59:43.880
<v Speaker 3>film by Takashi Mike on this which is really cool.

1231
00:59:44.239 --> 00:59:47.000
<v Speaker 3>A teaser trailer directed by Mik with newly filmed intro

1232
00:59:47.599 --> 00:59:50.840
<v Speaker 3>archival discussion with Emma Mura and Takashi mik and then

1233
00:59:50.920 --> 00:59:53.119
<v Speaker 3>a booklet with this as Usual with Me writing by

1234
00:59:53.159 --> 00:59:56.880
<v Speaker 3>Bastian Maroni. Yeah, we've got some new extras on this

1235
00:59:56.960 --> 00:59:58.519
<v Speaker 3>that are not on the film Movement release, So if

1236
00:59:58.519 --> 01:00:00.880
<v Speaker 3>you love this movie, you might want to pick up both.

1237
01:00:01.119 --> 01:00:06.559
<v Speaker 3>There's a reason to there. Next up, so Low from

1238
01:00:06.679 --> 01:00:09.000
<v Speaker 3>nineteen seventy is coming on June twenty second the UK

1239
01:00:09.159 --> 01:00:11.880
<v Speaker 3>June twenty third here in the US from Radiance. This

1240
01:00:11.960 --> 01:00:15.119
<v Speaker 3>is about a womanizing violinist and jewel thief played by

1241
01:00:15.199 --> 01:00:19.440
<v Speaker 3>Jean Pierre Macky, who must abandon his care free lifestyle

1242
01:00:19.480 --> 01:00:21.360
<v Speaker 3>when he learns that his younger brother is part of

1243
01:00:21.400 --> 01:00:24.639
<v Speaker 3>the leftist revolutionary group responsible for the brutal murders of

1244
01:00:24.760 --> 01:00:28.119
<v Speaker 3>powerful men. Determined to save the life of his idealistic sibling,

1245
01:00:28.360 --> 01:00:30.920
<v Speaker 3>the cynical Drifter becomes embroiled in a struggle that is

1246
01:00:30.960 --> 01:00:34.400
<v Speaker 3>not his to fight. A decade after appearing in Latite

1247
01:00:34.480 --> 01:00:38.639
<v Speaker 3>contrell los Mirs, Jean Pierre Machy, I just murdered that. Sorry, Ronnie,

1248
01:00:38.880 --> 01:00:40.239
<v Speaker 3>Please tell me the right way to say that. I'm

1249
01:00:40.239 --> 01:00:43.920
<v Speaker 3>not French returned to acting with his profamily satirical crime drama.

1250
01:00:44.239 --> 01:00:48.119
<v Speaker 3>Unflinching and heavily influenced by American cinema, Solo captures the

1251
01:00:48.199 --> 01:00:50.920
<v Speaker 3>visceral feeling of disillusionment of a post nineteen sixty eight

1252
01:00:51.000 --> 01:00:54.400
<v Speaker 3>French society brimming with rage at the sinister powers that be.

1253
01:00:54.840 --> 01:00:57.280
<v Speaker 3>We've got some archival extras on here. We've got an

1254
01:00:57.320 --> 01:01:00.400
<v Speaker 3>interview with an actor from twenty twenty two, interview with

1255
01:01:00.440 --> 01:01:04.280
<v Speaker 3>John Pierre, Mark Maki's assistant and friend from twenty twenty two.

1256
01:01:04.360 --> 01:01:08.400
<v Speaker 3>Reversible sleeve in a booklet, with new archival extras in

1257
01:01:08.480 --> 01:01:12.559
<v Speaker 3>this that is with Maki as well, some good stuff.

1258
01:01:13.159 --> 01:01:15.840
<v Speaker 4>Yeah no, from the description that you just read, sounds

1259
01:01:15.920 --> 01:01:21.559
<v Speaker 4>right up my alley. The artwork looks pretty damn solid too, So.

1260
01:01:20.480 --> 01:01:24.119
<v Speaker 3>When when does radiance artwork not looks solid? Them and

1261
01:01:24.159 --> 01:01:25.519
<v Speaker 3>Deaf Crocodile always the.

1262
01:01:25.440 --> 01:01:28.079
<v Speaker 4>Best, and I'm always a sucker for that middle section

1263
01:01:28.400 --> 01:01:31.440
<v Speaker 4>can just like go out and get folded back in

1264
01:01:31.679 --> 01:01:34.079
<v Speaker 4>without having to actually like fold it in half. It

1265
01:01:34.119 --> 01:01:36.559
<v Speaker 4>just kind of goes in like butter. It's It's nice,

1266
01:01:37.079 --> 01:01:39.079
<v Speaker 4>It is perfect, all right.

1267
01:01:39.199 --> 01:01:41.119
<v Speaker 3>Next up from them is the one that I just

1268
01:01:41.199 --> 01:01:42.840
<v Speaker 3>mentioned that I don't want to slaughter again.

1269
01:01:44.280 --> 01:01:46.679
<v Speaker 4>I think you should try it again contre Le Moore.

1270
01:01:46.679 --> 01:01:49.440
<v Speaker 3>Something like that. This is from nineteen fifty nine, also

1271
01:01:49.519 --> 01:01:51.599
<v Speaker 3>a Machi film. This is going to be a four

1272
01:01:51.639 --> 01:01:55.599
<v Speaker 3>K restoration supervised by Machi Delicious Products. There is going

1273
01:01:55.599 --> 01:01:58.039
<v Speaker 3>to be some archival interviews on here. There's going to

1274
01:01:58.039 --> 01:02:01.360
<v Speaker 3>be newly improved English subtitles, a reversible sleeve in a book.

1275
01:02:01.480 --> 01:02:06.559
<v Speaker 3>It's writing by Raymond Durgnott. Yeah, I need to check

1276
01:02:06.599 --> 01:02:09.119
<v Speaker 3>this out because I've heard that all of their stuff

1277
01:02:09.239 --> 01:02:15.440
<v Speaker 3>is great. Next up, they are doing volume six of

1278
01:02:15.480 --> 01:02:17.440
<v Speaker 3>their zine that they've been doing over at Radiance. This

1279
01:02:17.519 --> 01:02:20.119
<v Speaker 3>is volume six of Dirty Art House. This is going

1280
01:02:20.199 --> 01:02:22.599
<v Speaker 3>to be a UK release, but anybody in the US

1281
01:02:22.639 --> 01:02:24.440
<v Speaker 3>can pick it up as well. This is coming on

1282
01:02:24.519 --> 01:02:26.199
<v Speaker 3>June twenty second, so if you pick it up with

1283
01:02:26.239 --> 01:02:28.719
<v Speaker 3>their June titles, it will ship with them. This one

1284
01:02:28.800 --> 01:02:31.800
<v Speaker 3>is dedicated to the less discussed side of serious cinema,

1285
01:02:31.960 --> 01:02:35.880
<v Speaker 3>encompassing the strange, controversial and difficult films with new writing

1286
01:02:35.880 --> 01:02:39.519
<v Speaker 3>from around the world. Issue six focuses on family values.

1287
01:02:39.840 --> 01:02:43.800
<v Speaker 3>We've got pieces on happiness, Julian Donkey Boy I Standalone,

1288
01:02:43.840 --> 01:02:46.679
<v Speaker 3>and Karne and the Killing of a Sacred Deer kat

1289
01:02:46.760 --> 01:02:49.920
<v Speaker 3>Ellener on Anna ILOs Lobos and then Annie Rose Malomet

1290
01:02:49.960 --> 01:02:52.639
<v Speaker 3>on La Luna. I kind of really want this one

1291
01:02:52.639 --> 01:02:54.360
<v Speaker 3>because I love writing on gasperdo way.

1292
01:02:55.039 --> 01:02:58.920
<v Speaker 4>Yeah, no, I do too, And just like the Murderer's

1293
01:02:59.039 --> 01:03:00.960
<v Speaker 4>row of directors that they decided to pick from here,

1294
01:03:01.000 --> 01:03:02.159
<v Speaker 4>I love to see that.

1295
01:03:02.679 --> 01:03:07.760
<v Speaker 3>Yeah, absolutely good, good list here. This one's interesting. I

1296
01:03:07.800 --> 01:03:09.320
<v Speaker 3>know you and I both have quite a bit. From

1297
01:03:09.320 --> 01:03:11.960
<v Speaker 3>Imprint and via Vision. They are putting out a four

1298
01:03:12.039 --> 01:03:15.159
<v Speaker 3>K soon of ace Ventura When Nature Calls from ninety

1299
01:03:15.199 --> 01:03:17.719
<v Speaker 3>eight is a five Yeah, ninety five. This is the

1300
01:03:17.760 --> 01:03:21.000
<v Speaker 3>sequel to ace Ventura. How do you feel about aast

1301
01:03:21.039 --> 01:03:22.159
<v Speaker 3>Ventura when Nature Calls?

1302
01:03:22.760 --> 01:03:26.920
<v Speaker 4>I grew up with both ace Ventura movies and the

1303
01:03:27.679 --> 01:03:30.360
<v Speaker 4>when he puts the slinky down that great wall, like

1304
01:03:30.400 --> 01:03:33.760
<v Speaker 4>I still chuckle to this day. I've got a sop

1305
01:03:33.760 --> 01:03:36.280
<v Speaker 4>spot for this movie. The rhino from this movie is

1306
01:03:36.400 --> 01:03:37.880
<v Speaker 4>up for sale right now. I don't know if you

1307
01:03:37.880 --> 01:03:40.039
<v Speaker 4>know that going out of the bung Hole like still

1308
01:03:40.039 --> 01:03:42.559
<v Speaker 4>one of my favorite scenes of all time. So I

1309
01:03:42.559 --> 01:03:45.480
<v Speaker 4>cannot wait to go and see this movie on four K.

1310
01:03:45.920 --> 01:03:47.920
<v Speaker 4>I'm assuming this means that there's also gonna be a

1311
01:03:47.960 --> 01:03:50.760
<v Speaker 4>four K from Shout down the Line too. I know

1312
01:03:50.880 --> 01:03:53.079
<v Speaker 4>that that kind of came out in the States, so

1313
01:03:53.760 --> 01:03:55.199
<v Speaker 4>we'll see how it goes, but I'm gonna watch it

1314
01:03:55.199 --> 01:03:56.880
<v Speaker 4>either way. On four K, I'm kind of excited about

1315
01:03:56.920 --> 01:03:57.360
<v Speaker 4>this one.

1316
01:03:57.559 --> 01:03:58.960
<v Speaker 3>So it did come out in the States for the

1317
01:03:58.960 --> 01:04:01.800
<v Speaker 3>first one, but I will say this one seems different

1318
01:04:01.960 --> 01:04:04.719
<v Speaker 3>because Imprint is doing the four K restoration of this,

1319
01:04:04.880 --> 01:04:07.599
<v Speaker 3>and they did not do the restoration of the first one.

1320
01:04:07.920 --> 01:04:10.679
<v Speaker 3>So I'm kind of curious because I can't think of

1321
01:04:10.719 --> 01:04:13.559
<v Speaker 3>any other Imprint for K restoration that they've done in

1322
01:04:13.679 --> 01:04:16.320
<v Speaker 3>house that has been licensed out to somebody else yet,

1323
01:04:16.800 --> 01:04:19.880
<v Speaker 3>So it could be the first, it could be uh

1324
01:04:19.960 --> 01:04:21.679
<v Speaker 3>the one that goes out there, but I just so

1325
01:04:21.719 --> 01:04:23.559
<v Speaker 3>happened to have sitting next to me the last deduction.

1326
01:04:23.840 --> 01:04:25.119
<v Speaker 3>I know a lot of people are waiting for this

1327
01:04:25.159 --> 01:04:29.679
<v Speaker 3>to be released in a more inexpensive version, but via

1328
01:04:29.760 --> 01:04:33.000
<v Speaker 3>Vision and Imprint did the restoration for that, so I

1329
01:04:33.239 --> 01:04:35.119
<v Speaker 3>don't know if it's going to get released, because that's

1330
01:04:35.199 --> 01:04:37.280
<v Speaker 3>that's a lot of work to just license out to somebody.

1331
01:04:38.360 --> 01:04:40.400
<v Speaker 4>I'm excited for this one, though, Man, I got there.

1332
01:04:40.480 --> 01:04:43.760
<v Speaker 4>I have both the Viavision and Shout Studios edition of

1333
01:04:43.800 --> 01:04:47.360
<v Speaker 4>that movie, and I like the lenticular that Viavision came

1334
01:04:47.400 --> 01:04:50.880
<v Speaker 4>out with the classic start work. But the steel book

1335
01:04:50.880 --> 01:04:52.880
<v Speaker 4>that was inside of there was scratched as shit, and

1336
01:04:52.920 --> 01:04:55.320
<v Speaker 4>I was I wasn't the only one that that happened to.

1337
01:04:55.960 --> 01:04:59.079
<v Speaker 4>It happened to a lot of different versions of that

1338
01:04:59.159 --> 01:05:01.719
<v Speaker 4>I've seen being sent to, like some of my fellow

1339
01:05:02.079 --> 01:05:04.920
<v Speaker 4>social media people. So I don't know if it was

1340
01:05:04.920 --> 01:05:07.000
<v Speaker 4>just a manufacturing issue and there was nothing that they

1341
01:05:07.000 --> 01:05:08.960
<v Speaker 4>could do on their end, but a little bit of

1342
01:05:08.960 --> 01:05:09.960
<v Speaker 4>a bummer, that's for sure.

1343
01:05:10.280 --> 01:05:12.199
<v Speaker 3>So Sibner's gonna hate that I can do this, But

1344
01:05:12.239 --> 01:05:14.000
<v Speaker 3>it was literally in the stack next to me. Here

1345
01:05:14.119 --> 01:05:17.840
<v Speaker 3>is the steel book. I do have a mark here.

1346
01:05:17.840 --> 01:05:20.400
<v Speaker 3>It's not a scratch. It's probably I can probably get

1347
01:05:20.440 --> 01:05:24.679
<v Speaker 3>that off if I scrubbed it. Thankfully, I'm not seeing scratches.

1348
01:05:24.719 --> 01:05:28.559
<v Speaker 4>That's good. Mine look faded and like weathered a little bit,

1349
01:05:28.639 --> 01:05:31.400
<v Speaker 4>like not like a whole bunch of scratches, but like

1350
01:05:31.480 --> 01:05:34.480
<v Speaker 4>a lot of different spots. It just it didn't look

1351
01:05:34.760 --> 01:05:37.079
<v Speaker 4>that great at all. It was it was kind of

1352
01:05:37.079 --> 01:05:40.320
<v Speaker 4>a bummer. I am kind of curious what that dot

1353
01:05:40.360 --> 01:05:41.119
<v Speaker 4>is right here?

1354
01:05:41.880 --> 01:05:45.760
<v Speaker 3>Huh, Like I can feel it ever so slightly but

1355
01:05:45.800 --> 01:05:46.840
<v Speaker 3>not a dent or anything like that.

1356
01:05:46.920 --> 01:05:47.119
<v Speaker 4>Yeah.

1357
01:05:47.239 --> 01:05:53.960
<v Speaker 3>Interesting, Sibner says, it's all a conspiracy. Ryan only owns

1358
01:05:54.000 --> 01:05:57.000
<v Speaker 3>twenty movies. Yep. That's uh, that's that's what this means.

1359
01:05:58.239 --> 01:05:59.960
<v Speaker 4>I had a couple of DROs onto that twenty.

1360
01:06:00.199 --> 01:06:04.639
<v Speaker 3>Then maybe all right, let's get into some old old titles.

1361
01:06:04.639 --> 01:06:08.039
<v Speaker 3>We got nineteen thirty threes International House coming on April

1362
01:06:08.079 --> 01:06:12.000
<v Speaker 3>twenty first from Universal. This is a George Burns film.

1363
01:06:12.239 --> 01:06:14.880
<v Speaker 3>We got WC. Fields in this. This is a pre

1364
01:06:14.960 --> 01:06:18.199
<v Speaker 3>code film that I've not checked out any of these

1365
01:06:18.880 --> 01:06:22.000
<v Speaker 3>mod titles that Universal has been doing, but I gotta

1366
01:06:22.000 --> 01:06:25.800
<v Speaker 3>be honest, I'm very curious about this because are they

1367
01:06:25.960 --> 01:06:29.360
<v Speaker 3>doing full blown HD restorations? Is this like let's put

1368
01:06:29.559 --> 01:06:31.800
<v Speaker 3>an older scan up on a Blu ray just to

1369
01:06:31.840 --> 01:06:34.360
<v Speaker 3>make some people happy. I kind of has anybody checked

1370
01:06:34.360 --> 01:06:36.039
<v Speaker 3>out any of these older ones? I'd love to hear

1371
01:06:36.079 --> 01:06:36.639
<v Speaker 3>some thoughts.

1372
01:06:36.800 --> 01:06:39.239
<v Speaker 4>I haven't, but I'm assuming the latter. I'm assuming it's

1373
01:06:39.280 --> 01:06:43.400
<v Speaker 4>another example of hey, this is on disc, be happy, right.

1374
01:06:43.079 --> 01:06:47.440
<v Speaker 3>Which sucks. But at the same time, this isn't gonna

1375
01:06:47.440 --> 01:06:50.639
<v Speaker 3>sell five thousand copies or anything, so I get it. Yep,

1376
01:06:52.039 --> 01:06:55.199
<v Speaker 3>all right, next up from Universal as well, On April

1377
01:06:55.199 --> 01:06:58.280
<v Speaker 3>twenty first is the Private War of Major Benson. This

1378
01:06:58.320 --> 01:07:01.480
<v Speaker 3>one is with Julie Adams and Charlton and same exact

1379
01:07:01.480 --> 01:07:04.480
<v Speaker 3>sort of thing. This one's from nineteen fifty five from Universal.

1380
01:07:05.519 --> 01:07:07.079
<v Speaker 3>Breaking the mold a little bit before I go back

1381
01:07:07.079 --> 01:07:10.199
<v Speaker 3>to Universal. Altitude Film in the UK is putting out

1382
01:07:10.559 --> 01:07:13.480
<v Speaker 3>Nouvelle Vague from Richard link Later from last year, which

1383
01:07:13.480 --> 01:07:15.679
<v Speaker 3>is supposedly amazing. I need to see this. This is

1384
01:07:15.800 --> 01:07:18.519
<v Speaker 3>about the Guard film Breathless and the making of that,

1385
01:07:18.679 --> 01:07:20.880
<v Speaker 3>but it's supposed to be just incredible to see. You

1386
01:07:20.920 --> 01:07:23.519
<v Speaker 3>can check that out now. You can pre order it. Now.

1387
01:07:23.719 --> 01:07:26.199
<v Speaker 3>Back to some older titles with Warner Archive before we

1388
01:07:26.239 --> 01:07:29.039
<v Speaker 3>get back to Universal. They announced a ton of stuff

1389
01:07:29.039 --> 01:07:32.360
<v Speaker 3>this month, so stuff that looks really great. Actually, April

1390
01:07:32.440 --> 01:07:34.199
<v Speaker 3>twenty eighth, we got a Blu ray coming of twenty

1391
01:07:34.239 --> 01:07:37.559
<v Speaker 3>eight thousand years in Sing Sing from nineteen thirty two.

1392
01:07:37.960 --> 01:07:40.639
<v Speaker 3>This is an HD master from four case scans the

1393
01:07:40.639 --> 01:07:44.039
<v Speaker 3>original nitrate camera negative. This is gonna have classic WB

1394
01:07:44.119 --> 01:07:47.440
<v Speaker 3>shorts on here, two of them, classic WB cartoons on here,

1395
01:07:47.480 --> 01:07:50.199
<v Speaker 3>two of them, and the original trailer. Are you picking

1396
01:07:50.239 --> 01:07:51.800
<v Speaker 3>up much more inner archive these days?

1397
01:07:52.480 --> 01:07:57.159
<v Speaker 4>Again? Another handful situation I'm a lover of the animation

1398
01:07:57.440 --> 01:08:00.079
<v Speaker 4>that they put out on physical media because they have

1399
01:08:00.280 --> 01:08:03.400
<v Speaker 4>such a catalog of titles that they're actually utilizing, which

1400
01:08:03.440 --> 01:08:07.920
<v Speaker 4>is great to see. What that the Huckleberry Hound box

1401
01:08:07.920 --> 01:08:10.360
<v Speaker 4>set that they put out. Absolutely love that sucker.

1402
01:08:11.159 --> 01:08:14.639
<v Speaker 3>It is amazing And the best part is it looks incredible,

1403
01:08:15.599 --> 01:08:18.239
<v Speaker 3>genuinely great looking blu rays. And this is kind of

1404
01:08:18.279 --> 01:08:20.439
<v Speaker 3>where I wanted to sing the praises of Warner Archive

1405
01:08:20.479 --> 01:08:22.319
<v Speaker 3>because this is the opposite of what I was just

1406
01:08:22.319 --> 01:08:25.239
<v Speaker 3>saying with Universal, Like it's cool that Universal is releasing

1407
01:08:25.279 --> 01:08:28.239
<v Speaker 3>stuff on HD, I guess, but if you want to

1408
01:08:28.239 --> 01:08:30.239
<v Speaker 3>see the way to do it, Warner Archive is doing

1409
01:08:30.239 --> 01:08:32.680
<v Speaker 3>it not only right, but showing other people how to

1410
01:08:32.760 --> 01:08:35.960
<v Speaker 3>do it. And it's a masterclass because these will look incredible.

1411
01:08:37.720 --> 01:08:39.920
<v Speaker 3>Next up from them is King Richard and the Crusaders

1412
01:08:39.920 --> 01:08:42.319
<v Speaker 3>from nineteen fifty four. This is also coming on April

1413
01:08:42.359 --> 01:08:45.159
<v Speaker 3>twenty eighth form Warner Archive. This is four K Skins

1414
01:08:45.159 --> 01:08:49.000
<v Speaker 3>the original Camera Negative as well. You've got classic WB cartoons,

1415
01:08:49.319 --> 01:08:52.960
<v Speaker 3>Satan's Waiting and Baby Buggy Bunny, classic Joe mcdok short

1416
01:08:53.039 --> 01:08:55.439
<v Speaker 3>So You Want to Be a Banker, plus the original trailer.

1417
01:08:56.159 --> 01:08:59.159
<v Speaker 3>This one is George Sanders film and Virginia Mayo's in

1418
01:08:59.239 --> 01:09:02.800
<v Speaker 3>this supposedly great not my style of films, so I

1419
01:09:02.840 --> 01:09:04.880
<v Speaker 3>will not be checking this one out, but glad for

1420
01:09:04.960 --> 01:09:05.439
<v Speaker 3>other people.

1421
01:09:06.079 --> 01:09:08.680
<v Speaker 4>The Pudding you had me at Satan's Waiting. That's a

1422
01:09:08.760 --> 01:09:10.479
<v Speaker 4>hell of a cartoon title, man.

1423
01:09:10.760 --> 01:09:12.159
<v Speaker 3>I gotta be honest. I do wish I could buy

1424
01:09:12.199 --> 01:09:14.279
<v Speaker 3>the short on their own without the film, because I

1425
01:09:14.319 --> 01:09:18.439
<v Speaker 3>don't agree. Then we got their second volume of Monogram Mattinee.

1426
01:09:18.439 --> 01:09:20.359
<v Speaker 3>They announced the first one, I believe just last year,

1427
01:09:20.359 --> 01:09:21.840
<v Speaker 3>so now we're alread getting the second one. This has

1428
01:09:21.920 --> 01:09:24.840
<v Speaker 3>Louisiana and Song of the Range. These are from nineteen

1429
01:09:24.880 --> 01:09:28.520
<v Speaker 3>forty seven and forty four, respectively. This is gonna be

1430
01:09:28.560 --> 01:09:32.079
<v Speaker 3>four K scans of nitrate fine grain elements. No extras

1431
01:09:32.119 --> 01:09:33.960
<v Speaker 3>on these ones, but it's a double feature and it'll

1432
01:09:34.000 --> 01:09:37.680
<v Speaker 3>still be very interesting at that price, so check it out.

1433
01:09:38.920 --> 01:09:41.880
<v Speaker 3>Next up is crack Up from nineteen forty six, same day,

1434
01:09:41.960 --> 01:09:45.039
<v Speaker 3>April twenty eighth. This is gonna be just knocked off

1435
01:09:45.079 --> 01:09:48.720
<v Speaker 3>all my genre labels from that four case scans of

1436
01:09:48.720 --> 01:09:51.520
<v Speaker 3>the original nitrate negative on this one. This is gonna

1437
01:09:51.600 --> 01:09:56.239
<v Speaker 3>have subtitles as always, but no new extras on this Patibrian,

1438
01:09:56.319 --> 01:09:59.319
<v Speaker 3>Claire Trevor, and Herbert Marshall. I assume you have not

1439
01:09:59.359 --> 01:10:00.520
<v Speaker 3>seen crack Piet.

1440
01:10:01.319 --> 01:10:04.239
<v Speaker 4>A lot of these older Warner Archives things like I

1441
01:10:04.359 --> 01:10:07.359
<v Speaker 4>wish that I have seen, but I am such a

1442
01:10:08.680 --> 01:10:11.199
<v Speaker 4>nothing nothing for you. I feel like I'm just silent

1443
01:10:11.279 --> 01:10:12.720
<v Speaker 4>in the corner over here, Ryan.

1444
01:10:12.920 --> 01:10:18.279
<v Speaker 3>I'm learning every single month. Next a title that I'd

1445
01:10:18.319 --> 01:10:20.960
<v Speaker 3>not heard of but now looks quite good. Actually, nineteen

1446
01:10:21.039 --> 01:10:24.399
<v Speaker 3>thirty seven's Captain's Courageous coming from Warner Archive on the

1447
01:10:24.399 --> 01:10:27.800
<v Speaker 3>same day. This is with Freddie Bartholomew Spenter, Tracy Lionel

1448
01:10:27.800 --> 01:10:31.039
<v Speaker 3>Barrymore and Melvin Douglass, directed by Victor Fleming. Name that

1449
01:10:31.039 --> 01:10:34.560
<v Speaker 3>you will likely recognize this one is four K scans

1450
01:10:34.600 --> 01:10:37.520
<v Speaker 3>of the best preservation elements. We get an MGM cartoon

1451
01:10:37.600 --> 01:10:40.600
<v Speaker 3>The Wayward Pups MGM Robert Benchley short How to Start

1452
01:10:40.600 --> 01:10:43.920
<v Speaker 3>the Day, Leo's on the Air Captain's Courageous Radio promo,

1453
01:10:44.520 --> 01:10:47.399
<v Speaker 3>which I love that Warner Archive includes a bunch of

1454
01:10:47.399 --> 01:10:49.000
<v Speaker 3>those on a lot of their stuff they get like

1455
01:10:49.039 --> 01:10:52.000
<v Speaker 3>the old Lux Radio Theater plays and then of course

1456
01:10:52.000 --> 01:10:54.720
<v Speaker 3>the original trailer on here fun looking set. This looks

1457
01:10:54.760 --> 01:10:59.560
<v Speaker 3>like a good release, Simaphore says, Warner Archive is the

1458
01:10:59.560 --> 01:11:01.880
<v Speaker 3>most import and work being done in film preservation right now.

1459
01:11:02.079 --> 01:11:06.920
<v Speaker 3>It's up there for sure. Next for Warner Archive is

1460
01:11:06.920 --> 01:11:09.119
<v Speaker 3>a title that I am kind of shocked it took

1461
01:11:09.159 --> 01:11:11.399
<v Speaker 3>this long to come to Blu Ray. Yeah, but nineteen

1462
01:11:11.520 --> 01:11:15.640
<v Speaker 3>nineties Private Benjamin with Goldiehan. This will also have on

1463
01:11:15.720 --> 01:11:19.479
<v Speaker 3>here two episodes of the Private Benjamin TV series. Any

1464
01:11:19.520 --> 01:11:21.720
<v Speaker 3>thoughts on Goldiehan or Private Benjamin.

1465
01:11:22.039 --> 01:11:24.279
<v Speaker 4>I had no idea how a TV series, which is

1466
01:11:24.359 --> 01:11:27.159
<v Speaker 4>kind of me pleasant surprise to actually have some of

1467
01:11:27.159 --> 01:11:30.279
<v Speaker 4>those episodes on here. Warner Archive for special features, always

1468
01:11:30.319 --> 01:11:33.439
<v Speaker 4>think outside of the box and just throw some random crap.

1469
01:11:33.720 --> 01:11:36.760
<v Speaker 4>Sometimes it relates to whatever you're buying, sometimes it doesn't,

1470
01:11:36.920 --> 01:11:38.239
<v Speaker 4>but I'm always happy that it's there.

1471
01:11:38.319 --> 01:11:38.600
<v Speaker 3>Ryan.

1472
01:11:39.479 --> 01:11:41.399
<v Speaker 4>Private Benjamin's a movie that I've wanted to watch and

1473
01:11:41.439 --> 01:11:44.119
<v Speaker 4>I have not seen, so I will be picking up

1474
01:11:44.119 --> 01:11:45.000
<v Speaker 4>this Blu Ray for sure.

1475
01:11:45.680 --> 01:11:49.439
<v Speaker 3>Yeah. Goldiehn kind of always amazing and pretty much everything

1476
01:11:49.439 --> 01:11:51.319
<v Speaker 3>that she does, so I would very much like to

1477
01:11:51.359 --> 01:11:53.520
<v Speaker 3>see this cleaned up and on HD, so I will

1478
01:11:53.520 --> 01:11:57.840
<v Speaker 3>get this one eventually. Next up is Aerosmith, Not the Band,

1479
01:11:58.039 --> 01:12:00.920
<v Speaker 3>the movie from nineteen thirty one. This is April twenty

1480
01:12:00.920 --> 01:12:04.199
<v Speaker 3>eighth from Warner Archive as well. This says it's based

1481
01:12:04.199 --> 01:12:08.079
<v Speaker 3>on Sinclair Lewis's nineteen twenty five Pulitzer Prize winning novel

1482
01:12:08.119 --> 01:12:10.840
<v Speaker 3>Aerosmith is the compelling story of a man torn between

1483
01:12:10.880 --> 01:12:14.560
<v Speaker 3>two sets of values. Ronald Coleman stars is Martin Aerosmith,

1484
01:12:14.640 --> 01:12:18.279
<v Speaker 3>an idealistic small town doctor and a research scientist who

1485
01:12:18.319 --> 01:12:21.239
<v Speaker 3>relocates to the West Indies. His determination to end the

1486
01:12:21.279 --> 01:12:24.560
<v Speaker 3>bubonic plague epidemic there sets off a tragic series of

1487
01:12:24.560 --> 01:12:26.880
<v Speaker 3>events which forced him to come to terms with his

1488
01:12:27.000 --> 01:12:30.279
<v Speaker 3>career and personal life. This one is going to have

1489
01:12:30.479 --> 01:12:33.880
<v Speaker 3>a like I just mentioned nineteen thirty seven Lux Radio

1490
01:12:33.920 --> 01:12:37.640
<v Speaker 3>Theater with Spencer Tracy and Fayray. This film with Fayray

1491
01:12:37.720 --> 01:12:40.680
<v Speaker 3>and Myrna Loy. Lots of big names in this title,

1492
01:12:41.039 --> 01:12:43.159
<v Speaker 3>and I bet this restoration is going to look great

1493
01:12:43.159 --> 01:12:45.319
<v Speaker 3>because it was done in twenty twenty three by the

1494
01:12:45.319 --> 01:12:48.239
<v Speaker 3>Library of Congress themselves in association with the Film Foundation.

1495
01:12:48.920 --> 01:12:51.159
<v Speaker 3>I definitely want to take this one home with me

1496
01:12:51.199 --> 01:12:56.680
<v Speaker 3>at some point because it sounds great. Next from Warner

1497
01:12:56.840 --> 01:13:00.079
<v Speaker 3>Archive is their most odd choice of the month. If

1498
01:13:00.159 --> 01:13:02.560
<v Speaker 3>you like. April twenty eighth, we are getting a four

1499
01:13:02.640 --> 01:13:06.800
<v Speaker 3>K Blu Ray dual format release of George Stevens, a

1500
01:13:06.840 --> 01:13:09.800
<v Speaker 3>filmmaker's journey from nineteen eighty four. This is there, I

1501
01:13:09.840 --> 01:13:14.279
<v Speaker 3>believe fourth four K UHD release at this point. I

1502
01:13:14.279 --> 01:13:16.319
<v Speaker 3>believe they're still supposed to have at least two more

1503
01:13:16.359 --> 01:13:18.239
<v Speaker 3>coming out later this year, so keep an eye out

1504
01:13:18.279 --> 01:13:21.680
<v Speaker 3>on those. Warner has been making some great choices. You

1505
01:13:21.720 --> 01:13:24.600
<v Speaker 3>got Gone with the Wind coming soon, or sorry, Cassa

1506
01:13:24.640 --> 01:13:28.359
<v Speaker 3>Bloca coming soon. You've got titles that they've really put

1507
01:13:28.359 --> 01:13:32.439
<v Speaker 3>some love into and weren't. Archive has had their hands

1508
01:13:32.439 --> 01:13:34.239
<v Speaker 3>in a lot of great restoration stuff that people have

1509
01:13:34.279 --> 01:13:37.680
<v Speaker 3>been dying to see. But this is wild to get

1510
01:13:37.680 --> 01:13:41.520
<v Speaker 3>this on four K. Lieutenant Colonel George Stevens wrote in

1511
01:13:41.560 --> 01:13:44.840
<v Speaker 3>his wartime journal to the title, life is a journey,

1512
01:13:44.960 --> 01:13:47.119
<v Speaker 3>and it's always most interesting when you're not sure where

1513
01:13:47.159 --> 01:13:50.520
<v Speaker 3>you're going. This is going to have a twenty twenty

1514
01:13:50.560 --> 01:13:53.520
<v Speaker 3>six four K restoration from the original negative, a four

1515
01:13:53.640 --> 01:13:57.479
<v Speaker 3>K blu ray combo feature. We've got Hdr goldbi Vision

1516
01:13:57.520 --> 01:14:00.520
<v Speaker 3>on this, brand new special features and they went all

1517
01:14:00.560 --> 01:14:03.439
<v Speaker 3>out on this. We've got Christopher Nolan speaking about Stevens's

1518
01:14:03.439 --> 01:14:07.720
<v Speaker 3>creativity and humanistic ethics of Shane Germo del Toro speaking

1519
01:14:07.720 --> 01:14:10.119
<v Speaker 3>about Stevens as a modernist a tour, and The Greatest

1520
01:14:10.159 --> 01:14:12.880
<v Speaker 3>Story Ever Told as his most ambitious work. And then

1521
01:14:12.920 --> 01:14:15.560
<v Speaker 3>to round out the trio of greats, Martin Scorsese speaking

1522
01:14:15.600 --> 01:14:18.720
<v Speaker 3>of Steven's intensity and artistry and of the Greatest Story

1523
01:14:18.720 --> 01:14:21.560
<v Speaker 3>Ever Told is the final movement of Steven's multi picture symphony.

1524
01:14:22.119 --> 01:14:27.079
<v Speaker 4>This is wild, absolutely yeah, Like, it's shocking that a

1525
01:14:27.119 --> 01:14:30.439
<v Speaker 4>documentary would get a four K release regardless, and the

1526
01:14:30.479 --> 01:14:33.159
<v Speaker 4>fact that they're going all out for special features wise

1527
01:14:33.199 --> 01:14:35.439
<v Speaker 4>for this as well, getting some of the greatest or

1528
01:14:35.520 --> 01:14:39.760
<v Speaker 4>greatest filmmakers making movies. Now, Yeah, I cannot wait to

1529
01:14:39.760 --> 01:14:41.600
<v Speaker 4>get my hands on the sucker. Kind of a nod

1530
01:14:41.640 --> 01:14:44.199
<v Speaker 4>choice that Private Benjamin did not get a four K

1531
01:14:44.319 --> 01:14:47.720
<v Speaker 4>release and this documentary did, but I can't say i'm

1532
01:14:47.760 --> 01:14:48.640
<v Speaker 4>mad at the choice either.

1533
01:14:49.720 --> 01:14:52.720
<v Speaker 3>To be fair, this is likely a more important in

1534
01:14:52.760 --> 01:14:56.439
<v Speaker 3>the cinematic history realm type of film, so I'm glad

1535
01:14:56.520 --> 01:14:58.760
<v Speaker 3>that they're swinging for that type of fence. That means

1536
01:14:58.760 --> 01:14:59.000
<v Speaker 3>a lot.

1537
01:14:59.039 --> 01:15:03.439
<v Speaker 4>Actually, yeah, I'm a sucker for a documentary, especially about

1538
01:15:03.439 --> 01:15:06.359
<v Speaker 4>a filmmaker. I've never seen this one, so I'm excited

1539
01:15:06.359 --> 01:15:07.399
<v Speaker 4>to check it out for the first time.

1540
01:15:08.159 --> 01:15:10.560
<v Speaker 3>Speaking of documentary, filmmakers. We got Ryan Levey here, What's

1541
01:15:10.560 --> 01:15:15.479
<v Speaker 3>going on right? Welcome, Welcome, going to our next one.

1542
01:15:16.399 --> 01:15:19.760
<v Speaker 3>Another title that I am shocked did not get licensed

1543
01:15:19.800 --> 01:15:21.520
<v Speaker 3>down to a boutique, even though I know a few

1544
01:15:21.560 --> 01:15:25.880
<v Speaker 3>that have tried. May nineteenth, Sony themselves is releasing Adam

1545
01:15:25.960 --> 01:15:30.239
<v Speaker 3>Rifkins The Dark Backward from nineteen ninety one. This is

1546
01:15:30.279 --> 01:15:34.079
<v Speaker 3>starring Judd Nelson and Bill Paxton. In this cult comedy classic,

1547
01:15:34.359 --> 01:15:37.079
<v Speaker 3>garbage Man Marty tries his hand at a stand up

1548
01:15:37.119 --> 01:15:40.439
<v Speaker 3>comedy show, failing miserably until a third arm is seriously

1549
01:15:40.479 --> 01:15:43.800
<v Speaker 3>grows from his back. Gus, his accordion player friend, figures

1550
01:15:43.800 --> 01:15:45.600
<v Speaker 3>out a way to use the new arm and gets

1551
01:15:45.640 --> 01:15:48.600
<v Speaker 3>them signed with a sleazy talent agent. Just when success

1552
01:15:48.640 --> 01:15:52.119
<v Speaker 3>seems near, Marty's girlfriend leaves him and can the Arm

1553
01:15:52.199 --> 01:15:54.359
<v Speaker 3>be far behind? Directed and written by Adam Rifkins, who

1554
01:15:54.399 --> 01:15:57.279
<v Speaker 3>also did Detroit Rock City and of course the I

1555
01:15:57.319 --> 01:15:59.119
<v Speaker 3>think it was the Canalog that released all of his

1556
01:15:59.279 --> 01:16:01.800
<v Speaker 3>home videos and stuff in a compilation in the last

1557
01:16:01.880 --> 01:16:04.520
<v Speaker 3>couple of years over at the Vinegar Center website. This

1558
01:16:04.760 --> 01:16:07.239
<v Speaker 3>is a crazy choice for Sony to do this, but

1559
01:16:07.279 --> 01:16:10.079
<v Speaker 3>I also feel like any other company would have done

1560
01:16:10.079 --> 01:16:11.960
<v Speaker 3>this on four K and gotten all kinds of new

1561
01:16:12.000 --> 01:16:15.039
<v Speaker 3>special features and we're getting nothing on this discs. That's

1562
01:16:15.079 --> 01:16:15.840
<v Speaker 3>a kind of wild.

1563
01:16:16.039 --> 01:16:20.119
<v Speaker 4>Yeah, especially this screams Vindeger syndrome to me, like this

1564
01:16:20.239 --> 01:16:23.239
<v Speaker 4>type of movie where I mean hell, I mean this

1565
01:16:23.319 --> 01:16:25.800
<v Speaker 4>is kind of like Freaked Territory too with Umbrella, So

1566
01:16:26.119 --> 01:16:27.720
<v Speaker 4>I would think there'd be a lot of people that

1567
01:16:27.760 --> 01:16:30.279
<v Speaker 4>would want to put this out. It's just it's weird

1568
01:16:30.279 --> 01:16:33.680
<v Speaker 4>that it just kind of gets bland out there by Sony, like, yeah,

1569
01:16:33.880 --> 01:16:35.960
<v Speaker 4>here it is. I guess I feel like they could

1570
01:16:35.960 --> 01:16:39.800
<v Speaker 4>have made more people more happy if a boutique got

1571
01:16:39.840 --> 01:16:40.399
<v Speaker 4>their hands on this.

1572
01:16:41.399 --> 01:16:45.039
<v Speaker 3>Yeah, And the hard part, Sony's not really licensing much

1573
01:16:45.079 --> 01:16:47.760
<v Speaker 3>to people right now. They used to do more with Shout,

1574
01:16:47.800 --> 01:16:49.880
<v Speaker 3>They used to do more Indicator back in the day,

1575
01:16:49.920 --> 01:16:53.359
<v Speaker 3>had all kinds of shout titles. Not really much happening

1576
01:16:53.439 --> 01:16:56.960
<v Speaker 3>with Sony. But at the same time, Criterions got Sony's number,

1577
01:16:56.960 --> 01:16:58.960
<v Speaker 3>But Criteria is never going to release The Dark Backward

1578
01:16:58.960 --> 01:17:00.399
<v Speaker 3>by Adam Rivkap No.

1579
01:17:02.000 --> 01:17:04.800
<v Speaker 4>I've never seen this one, but that sybnopsis sounds wild

1580
01:17:04.920 --> 01:17:06.960
<v Speaker 4>as hell, and I am very intrigued now, and I

1581
01:17:07.000 --> 01:17:09.079
<v Speaker 4>love me some Bill Paxton, who doesn't It's a.

1582
01:17:09.159 --> 01:17:11.000
<v Speaker 3>It's a hell of a cast, and it's Adam Rifkin.

1583
01:17:11.119 --> 01:17:15.720
<v Speaker 3>I mean yeah, the Troit rock Cities. Yep, all right,

1584
01:17:16.399 --> 01:17:19.479
<v Speaker 3>another crazy choice. But Sony is capitalizing on the air

1585
01:17:19.680 --> 01:17:23.159
<v Speaker 3>four K release of Blue Thunder, so on May fifth,

1586
01:17:23.199 --> 01:17:25.479
<v Speaker 3>we are getting a blu ray release of the Blue

1587
01:17:25.479 --> 01:17:28.880
<v Speaker 3>Thunder TV show starring the one and only mister Dana Carvey,

1588
01:17:29.760 --> 01:17:35.960
<v Speaker 3>Dick but Kiss, James Farentino, Bubba Smith, Sandy McPeak. This

1589
01:17:36.000 --> 01:17:39.119
<v Speaker 3>is so odd. Obviously it's just to try to get

1590
01:17:39.119 --> 01:17:42.439
<v Speaker 3>the people that are googling Blue Thunder four K release

1591
01:17:42.640 --> 01:17:43.760
<v Speaker 3>or something, but.

1592
01:17:44.079 --> 01:17:47.199
<v Speaker 4>This is wild. I've never seen a single episode of this,

1593
01:17:47.279 --> 01:17:50.439
<v Speaker 4>but I've seen clips of Dana Carvey in this, so

1594
01:17:50.880 --> 01:17:52.600
<v Speaker 4>I don't know if I want to add this to

1595
01:17:52.640 --> 01:17:56.359
<v Speaker 4>the collection, but I am more intrigued about it, I guess.

1596
01:17:56.439 --> 01:17:59.399
<v Speaker 4>And the must the mustache on Dick buck Kiss, I

1597
01:17:59.399 --> 01:18:01.960
<v Speaker 4>mean second to none, top tier mustache. There.

1598
01:18:02.720 --> 01:18:06.560
<v Speaker 3>He is a star in that, that's for sure, all right.

1599
01:18:07.239 --> 01:18:09.199
<v Speaker 3>And by he I did mean the mustache. By the way,

1600
01:18:09.840 --> 01:18:14.560
<v Speaker 3>back to Universal Million Dollar Legs with Billy Gilbert, Edward Kleine,

1601
01:18:14.600 --> 01:18:17.119
<v Speaker 3>Ben Turpin, this is a pre code film from nineteen

1602
01:18:17.159 --> 01:18:19.239
<v Speaker 3>thirty two coming to Blue Rye in April twenty first,

1603
01:18:20.000 --> 01:18:24.520
<v Speaker 3>another W. C. Fields title. We are getting more and

1604
01:18:24.600 --> 01:18:26.159
<v Speaker 3>more of those, it feels like, so they must be

1605
01:18:26.199 --> 01:18:29.359
<v Speaker 3>doing sort of well for them at least. So that's

1606
01:18:29.399 --> 01:18:33.199
<v Speaker 3>that one. And then I don't even know where to

1607
01:18:33.199 --> 01:18:37.520
<v Speaker 3>start with this cover art. It looks terrible. That's where

1608
01:18:37.520 --> 01:18:40.960
<v Speaker 3>you can start. That looks not right at all, That

1609
01:18:41.000 --> 01:18:46.640
<v Speaker 3>looks bad, that looks generic, that looks photoshopped all get out.

1610
01:18:46.800 --> 01:18:48.000
<v Speaker 4>I don't like it.

1611
01:18:48.800 --> 01:18:51.720
<v Speaker 3>No, it is it is not AI. I've seen a

1612
01:18:51.720 --> 01:18:53.479
<v Speaker 3>lot of people mention that it's AI. It is not.

1613
01:18:53.680 --> 01:18:58.319
<v Speaker 3>It is just genuinely terrible cover art. It's bad photoshop. Yeah,

1614
01:18:58.359 --> 01:19:01.720
<v Speaker 3>that is obviously it's nineteen so it's very young. That

1615
01:19:01.880 --> 01:19:04.000
<v Speaker 3>is George Burns supposedly.

1616
01:19:04.399 --> 01:19:06.119
<v Speaker 4>I have no idea, couldn't, couldn't tell you. It does

1617
01:19:06.159 --> 01:19:08.359
<v Speaker 4>not look like the George Burns I know. But the

1618
01:19:08.439 --> 01:19:11.039
<v Speaker 4>George Burns I know is probably fifty years older than

1619
01:19:11.079 --> 01:19:12.479
<v Speaker 4>that photo, so who the hell knows.

1620
01:19:12.680 --> 01:19:16.479
<v Speaker 3>But even worse, Gracie Allen, what is this? I don't

1621
01:19:16.520 --> 01:19:19.560
<v Speaker 3>even know? Here, Yeah, nineteen thirty five's here comes Cookie

1622
01:19:19.640 --> 01:19:23.199
<v Speaker 3>April twenty first, coming on Blu Ray. This is wild

1623
01:19:23.800 --> 01:19:28.359
<v Speaker 3>rough choice YEP. Next up Bing Crosby and W. C.

1624
01:19:28.520 --> 01:19:31.199
<v Speaker 3>Fields in Mississippi coming on April twenty first. This is

1625
01:19:31.199 --> 01:19:34.399
<v Speaker 3>from nineteen thirty five, also starring Joan Bennett. Another one

1626
01:19:34.399 --> 01:19:41.079
<v Speaker 3>that I know nothing about. Next up? Uh okay, this

1627
01:19:41.119 --> 01:19:42.600
<v Speaker 3>is one of those moments where I'm gonna get a

1628
01:19:42.600 --> 01:19:45.079
<v Speaker 3>little upset Here. April tenth, We're getting a blu ray

1629
01:19:45.119 --> 01:19:49.119
<v Speaker 3>from Universal of Midwinter Break starring Leslie Manville, and yet

1630
01:19:49.399 --> 01:19:52.000
<v Speaker 3>the Testament of Ann Lee from last year is not

1631
01:19:52.079 --> 01:19:56.319
<v Speaker 3>getting a physical release. Really, I don't even know where

1632
01:19:56.319 --> 01:19:58.119
<v Speaker 3>to start with some of these studios.

1633
01:19:58.560 --> 01:19:59.960
<v Speaker 4>I don't know if they know where to go either,

1634
01:20:00.319 --> 01:20:02.199
<v Speaker 4>Like they're just kind of throwing stuff the wall. But

1635
01:20:02.680 --> 01:20:07.920
<v Speaker 4>that movie at least has some brand recognitions of name value.

1636
01:20:07.960 --> 01:20:11.520
<v Speaker 4>I've never heard of when Mid Winter Break at all

1637
01:20:11.920 --> 01:20:14.199
<v Speaker 4>like that. No, don't even know who.

1638
01:20:14.880 --> 01:20:16.680
<v Speaker 3>I know who Leslie Manville is, but I know a

1639
01:20:16.680 --> 01:20:19.640
<v Speaker 3>lot more people know who Amanda Seyferd is. Absolutely, come on,

1640
01:20:20.000 --> 01:20:23.680
<v Speaker 3>come on, all right, we got some Keyno titles that

1641
01:20:24.000 --> 01:20:26.840
<v Speaker 3>just like we're clogging up the dam and suddenly the

1642
01:20:26.920 --> 01:20:28.439
<v Speaker 3>litt a whole bunch of them go. So let's talk

1643
01:20:28.439 --> 01:20:30.600
<v Speaker 3>about these. May twenty six, we're getting a four K

1644
01:20:30.640 --> 01:20:34.039
<v Speaker 3>Blu ray dual format release of The Great Outdoors with

1645
01:20:34.119 --> 01:20:36.479
<v Speaker 3>Dan Aykroyd and John Candy. This is gonna have a

1646
01:20:36.520 --> 01:20:39.359
<v Speaker 3>new audio commentary by the director Howard Deutsch. We've got that,

1647
01:20:39.520 --> 01:20:43.119
<v Speaker 3>moderated by filmmaker Douglas Hogsdale. New commentary by Joe Ramoni,

1648
01:20:43.239 --> 01:20:46.119
<v Speaker 3>new commentary by Paul Anthony Nelson and Lee zek Raya.

1649
01:20:46.520 --> 01:20:48.840
<v Speaker 3>Those are the only new extras, but they are three

1650
01:20:48.920 --> 01:20:52.199
<v Speaker 3>commentary so that's a lot of extras in terms of

1651
01:20:52.239 --> 01:20:54.840
<v Speaker 3>the time. But it would be nice to see some

1652
01:20:54.960 --> 01:20:58.119
<v Speaker 3>like on camera interviews or something. But it's Keno, so yeah,

1653
01:20:58.520 --> 01:20:59.039
<v Speaker 3>I get it.

1654
01:20:59.199 --> 01:21:02.079
<v Speaker 4>I wish Keno did more of that. When they do it,

1655
01:21:02.079 --> 01:21:04.720
<v Speaker 4>it's not it's actually pretty dang good, Like that Crime

1656
01:21:04.840 --> 01:21:07.319
<v Speaker 4>Baby edition that they came out with that had so

1657
01:21:07.439 --> 01:21:09.640
<v Speaker 4>many extras on there and that was such a nice surprise.

1658
01:21:09.720 --> 01:21:12.319
<v Speaker 4>I wish that. I wish Keino would do that more often.

1659
01:21:12.479 --> 01:21:14.640
<v Speaker 4>It would be it would be uh. I think it'd

1660
01:21:14.640 --> 01:21:16.439
<v Speaker 4>be in their benefit to do so. Like I think

1661
01:21:16.479 --> 01:21:20.199
<v Speaker 4>people just kind of more or less expect their releases

1662
01:21:20.239 --> 01:21:22.119
<v Speaker 4>not to have special features, and that's kind of a shame.

1663
01:21:22.880 --> 01:21:24.840
<v Speaker 3>That being said, eventually you'd be able to pick this

1664
01:21:24.920 --> 01:21:28.039
<v Speaker 3>up for sixteen bucks that is also true. Yeah, I

1665
01:21:28.079 --> 01:21:29.079
<v Speaker 3>can't really complain.

1666
01:21:29.399 --> 01:21:29.640
<v Speaker 4>Yep.

1667
01:21:30.800 --> 01:21:34.520
<v Speaker 3>Speaking of cheesy four K's coming from Keno May twenty six,

1668
01:21:34.560 --> 01:21:37.199
<v Speaker 3>we are getting Harry and the Goddamn Henderson's on four

1669
01:21:37.279 --> 01:21:39.960
<v Speaker 3>K from nineteen eighty seven. Love that they're using one

1670
01:21:39.960 --> 01:21:43.600
<v Speaker 3>of the original posters on this Keino is great about that. Usually,

1671
01:21:44.359 --> 01:21:46.119
<v Speaker 3>this one is going to have a new audio commentary

1672
01:21:46.119 --> 01:21:48.840
<v Speaker 3>by the director William Deer, new audio commentary by Joe Ramoni,

1673
01:21:49.159 --> 01:21:52.279
<v Speaker 3>new audio commentary by Brian Reesman and Max every and

1674
01:21:52.479 --> 01:21:55.079
<v Speaker 3>all kinds of archival extras on the Blu ray disc,

1675
01:21:55.439 --> 01:21:58.920
<v Speaker 3>including deleted scenes, theatrical trailer, making of herring in the Henderson's,

1676
01:21:58.960 --> 01:22:03.000
<v Speaker 3>a news rap, and more. Harry and the Henderson's. Any

1677
01:22:03.000 --> 01:22:03.720
<v Speaker 3>thoughts on this one?

1678
01:22:04.640 --> 01:22:07.000
<v Speaker 4>I wish they could have got John Lethgow back to

1679
01:22:07.119 --> 01:22:10.640
<v Speaker 4>talk about Harry and the Goddamn Henderson's. I would love

1680
01:22:10.720 --> 01:22:13.199
<v Speaker 4>to hear what present day Liftgow has to say about

1681
01:22:13.199 --> 01:22:16.439
<v Speaker 4>this movie, because, Yeah, this was one from my childhood

1682
01:22:16.479 --> 01:22:16.800
<v Speaker 4>for sure.

1683
01:22:17.920 --> 01:22:20.560
<v Speaker 3>Yeah, this is this is a fun one. I will

1684
01:22:20.560 --> 01:22:22.840
<v Speaker 3>definitely pick this up and look forward to showing my

1685
01:22:22.920 --> 01:22:24.199
<v Speaker 3>kids because this is a wild movie.

1686
01:22:24.279 --> 01:22:26.119
<v Speaker 4>Yeah.

1687
01:22:26.239 --> 01:22:28.439
<v Speaker 3>Next, a movie that should never be on four K.

1688
01:22:28.960 --> 01:22:33.960
<v Speaker 3>Twenty seventeen's The Snowman starring Michael Fassbender, and it's also

1689
01:22:33.960 --> 01:22:37.319
<v Speaker 3>got Rebecca Ferguson. New audio commentary by Steve Mitchell and

1690
01:22:37.439 --> 01:22:41.119
<v Speaker 3>Michael Charles Hill. New audio commentary by Howard s Berger

1691
01:22:41.399 --> 01:22:43.680
<v Speaker 3>and Mark Edward Hook. I got asked Howard what he

1692
01:22:43.760 --> 01:22:45.800
<v Speaker 3>was doing, why are we talking about The Snowman? For

1693
01:22:45.880 --> 01:22:48.840
<v Speaker 3>two new commentaries extras on the Blu ray disc, we

1694
01:22:48.960 --> 01:22:51.560
<v Speaker 3>the cast of characters creating the world of the film,

1695
01:22:51.640 --> 01:22:55.279
<v Speaker 3>The Snowman, Killer, Norwegian Landscape, stunt files, and a trailer.

1696
01:22:55.880 --> 01:22:58.520
<v Speaker 3>This is this is weird.

1697
01:22:59.159 --> 01:23:03.600
<v Speaker 4>I agree. Group of friends and I every year bring

1698
01:23:03.640 --> 01:23:06.640
<v Speaker 4>over a movie that we think is like the worst

1699
01:23:06.720 --> 01:23:09.039
<v Speaker 4>that we haven't seen, Like we've heard nothing but bad

1700
01:23:09.079 --> 01:23:12.720
<v Speaker 4>things about The Snowman. Was the worst movie we watched

1701
01:23:12.800 --> 01:23:16.039
<v Speaker 4>of that year that I brought it. Because this movie

1702
01:23:16.079 --> 01:23:20.520
<v Speaker 4>should work. The premise is great, it just falls on

1703
01:23:20.600 --> 01:23:23.800
<v Speaker 4>its face and I don't know why this movie in

1704
01:23:23.840 --> 01:23:28.079
<v Speaker 4>particular is getting a four K release. I despise this movie.

1705
01:23:28.159 --> 01:23:32.720
<v Speaker 3>Ryan, I don't even know what to say to this,

1706
01:23:32.960 --> 01:23:36.359
<v Speaker 3>Like this is one of those things where in a

1707
01:23:36.479 --> 01:23:39.600
<v Speaker 3>year where we've literally had titles delayed because of a

1708
01:23:39.720 --> 01:23:43.000
<v Speaker 3>lack of four K disc manufacturing. This is taking the

1709
01:23:43.039 --> 01:23:44.960
<v Speaker 3>spot of some of those, and that sort of thing

1710
01:23:45.199 --> 01:23:46.199
<v Speaker 3>kind of pisses me off.

1711
01:23:46.319 --> 01:23:49.359
<v Speaker 4>Pino has to be hoarding these four K discs right like,

1712
01:23:49.399 --> 01:23:50.960
<v Speaker 4>they come out with a bunch of four k's, which

1713
01:23:50.960 --> 01:23:54.000
<v Speaker 4>I'd love to see. But it does stink that the

1714
01:23:54.039 --> 01:23:57.720
<v Speaker 4>snowman kind of snuck its way through the goal line here.

1715
01:23:58.920 --> 01:24:03.359
<v Speaker 3>Yeah, I don't even know what to say is that's

1716
01:24:03.399 --> 01:24:05.520
<v Speaker 3>probably already more time than it deserves. So let's just

1717
01:24:05.520 --> 01:24:07.199
<v Speaker 3>go to the next one because we're almost done already

1718
01:24:07.199 --> 01:24:10.239
<v Speaker 3>for the week. Swashbuckler from nineteen seventy six getting a

1719
01:24:10.319 --> 01:24:13.119
<v Speaker 3>Keeno release on May nineteenth. This had been released previously.

1720
01:24:13.159 --> 01:24:15.319
<v Speaker 3>This is gonna have a new audio commentary by Howard

1721
01:24:15.359 --> 01:24:18.880
<v Speaker 3>Asberger again and Steve Mitchell. The Making of Swashbuckler is

1722
01:24:18.920 --> 01:24:21.359
<v Speaker 3>also on the disc. We get a trailer on here.

1723
01:24:21.399 --> 01:24:24.159
<v Speaker 3>This is Robert Shaw, James Earl Jones, Peter Boyle film

1724
01:24:24.479 --> 01:24:27.680
<v Speaker 3>and normally this isn't my style film, but the cast

1725
01:24:27.720 --> 01:24:28.880
<v Speaker 3>on this makes me feel.

1726
01:24:28.720 --> 01:24:32.000
<v Speaker 4>Like I have to see this right See, I'm not

1727
01:24:32.039 --> 01:24:36.479
<v Speaker 4>a big pirate genre fan to begin with, but James.

1728
01:24:36.239 --> 01:24:39.279
<v Speaker 3>Earl Jones on the High Seas I might need to

1729
01:24:39.279 --> 01:24:44.039
<v Speaker 3>see that. Yeah, that sounds perfect, Robert, that's mentioned my god. Yeah,

1730
01:24:44.439 --> 01:24:49.079
<v Speaker 3>Peter Boyle, come on, that'll be great. Let's see. Matt

1731
01:24:49.119 --> 01:24:51.119
<v Speaker 3>As wants to know what are the chances that tomorrow

1732
01:24:51.159 --> 01:24:54.840
<v Speaker 3>we get Criterion announcements. Honestly, this is a terrible answer,

1733
01:24:55.199 --> 01:24:57.880
<v Speaker 3>kind of fifty to fifty. Last month they did it

1734
01:24:58.079 --> 01:25:01.880
<v Speaker 3>on Friday the thirteenth as well. This year or this month,

1735
01:25:01.920 --> 01:25:04.199
<v Speaker 3>will they do the same, Maybe, maybe not. I will

1736
01:25:04.239 --> 01:25:09.159
<v Speaker 3>say it looks like Kpop Demon Hunters leaked on Amazon

1737
01:25:09.199 --> 01:25:10.920
<v Speaker 3>earlier today, so that's likely going to be one of

1738
01:25:10.960 --> 01:25:13.760
<v Speaker 3>the titles, And the fact that a Criterion title leaked

1739
01:25:14.399 --> 01:25:16.840
<v Speaker 3>leads me to believe they're probably about to announce, So

1740
01:25:17.039 --> 01:25:20.039
<v Speaker 3>I'm actually leaning towards tomorrow we're going to get THO announcements,

1741
01:25:20.399 --> 01:25:22.079
<v Speaker 3>So keep an eye on the site. I will post

1742
01:25:22.239 --> 01:25:25.199
<v Speaker 3>if they do. The other thing is most likely if

1743
01:25:25.199 --> 01:25:27.560
<v Speaker 3>they are doing a flash sale this month, which they

1744
01:25:27.600 --> 01:25:30.399
<v Speaker 3>normally do in March, that will likely be next Tuesday,

1745
01:25:30.560 --> 01:25:32.439
<v Speaker 3>So over the next week, keep an eye on that.

1746
01:25:32.840 --> 01:25:37.479
<v Speaker 3>Nice we have I think just a couple more May

1747
01:25:37.600 --> 01:25:41.359
<v Speaker 3>nineteenth from Keno nineteen thirty two's Night World. This has

1748
01:25:41.359 --> 01:25:44.399
<v Speaker 3>two new audio commentaries, one by Jeremy Arnold one by

1749
01:25:44.680 --> 01:25:49.159
<v Speaker 3>Tim Lucas. This is with Boris Karloff, and I believe

1750
01:25:49.399 --> 01:25:52.399
<v Speaker 3>there's at least one other big name in this. I

1751
01:25:52.439 --> 01:25:55.199
<v Speaker 3>can't remember, I think so, But yeah, this is supposed

1752
01:25:55.199 --> 01:25:56.720
<v Speaker 3>to be pretty good, this says, taking a cue from

1753
01:25:56.720 --> 01:25:59.359
<v Speaker 3>Grand Hotel. This star studed nineteen thirty two. Gym is

1754
01:25:59.439 --> 01:26:01.640
<v Speaker 3>set within the wall of a swinky nightclub owned by

1755
01:26:01.640 --> 01:26:05.520
<v Speaker 3>affable racketeer Happy McDonald played by Boris Karloff. In the

1756
01:26:05.520 --> 01:26:07.880
<v Speaker 3>course of a single evening, McDonald's framed for murder by

1757
01:26:07.920 --> 01:26:12.680
<v Speaker 3>his faithless wife and a choreographer. The philosophic philosophical doorman

1758
01:26:13.039 --> 01:26:16.199
<v Speaker 3>fears for his beloved wife's life. An alcoholic socialite, the

1759
01:26:16.199 --> 01:26:18.880
<v Speaker 3>son of an acquitted murderess, finds love in the arms

1760
01:26:18.880 --> 01:26:21.399
<v Speaker 3>of a hard boiled chorus girl and a beat cop

1761
01:26:21.600 --> 01:26:24.600
<v Speaker 3>burst into foil a pair of trigger happy mobsters. That

1762
01:26:24.720 --> 01:26:26.680
<v Speaker 3>is a hell of a night, wild night.

1763
01:26:26.920 --> 01:26:29.520
<v Speaker 4>I guess so, yeah, night world. He imagine that all

1764
01:26:29.560 --> 01:26:33.239
<v Speaker 4>the time? Absolutely crazy.

1765
01:26:33.279 --> 01:26:37.479
<v Speaker 3>Synopsis sir, all right, next, Oh, I guess we're ending

1766
01:26:37.880 --> 01:26:42.000
<v Speaker 3>on this. So the second title from Antenna has been announced,

1767
01:26:42.039 --> 01:26:45.319
<v Speaker 3>and would love to share that A Bluebird is going

1768
01:26:45.359 --> 01:26:48.560
<v Speaker 3>to be premiering next month at Front Despoa in Brazil.

1769
01:26:48.960 --> 01:26:50.760
<v Speaker 3>This is a title that we picked up before it

1770
01:26:50.800 --> 01:26:53.479
<v Speaker 3>was seen by anybody. This is going to be playing

1771
01:26:53.520 --> 01:26:56.520
<v Speaker 3>for the first time in a theater next month. We're

1772
01:26:56.520 --> 01:26:58.920
<v Speaker 3>going to be putting this out theatrically. This is gonna

1773
01:26:58.920 --> 01:27:00.680
<v Speaker 3>sound crazy because it's so far advance, but I just

1774
01:27:00.720 --> 01:27:03.520
<v Speaker 3>want to get people excited about it. Next January is

1775
01:27:03.560 --> 01:27:05.479
<v Speaker 3>what we're planning for this one. It's going to be

1776
01:27:05.479 --> 01:27:08.319
<v Speaker 3>having a full year of festival showings. We're also kind

1777
01:27:08.319 --> 01:27:09.840
<v Speaker 3>of doing something fun with this that I want to

1778
01:27:09.880 --> 01:27:13.359
<v Speaker 3>read straight from the press release. Antenna is not planning

1779
01:27:13.359 --> 01:27:15.960
<v Speaker 3>to release this until twenty twenty seven, but we are

1780
01:27:16.000 --> 01:27:18.239
<v Speaker 3>hoping to use the festival circuit to generate momentum for

1781
01:27:18.239 --> 01:27:20.640
<v Speaker 3>the eventual theatrical release. This is going to be released

1782
01:27:20.680 --> 01:27:23.640
<v Speaker 3>in a very unusual way. We're capitalizing on the mysteries

1783
01:27:23.640 --> 01:27:26.319
<v Speaker 3>of the film and turning its theatrical release into somewhat

1784
01:27:26.520 --> 01:27:30.039
<v Speaker 3>of a scavenger hunt. I've got some crazy things scheduled

1785
01:27:30.079 --> 01:27:32.520
<v Speaker 3>for this, and I really hope people check this out.

1786
01:27:32.920 --> 01:27:35.680
<v Speaker 3>This film is a stylish blend of techno sci fi,

1787
01:27:35.720 --> 01:27:38.399
<v Speaker 3>noir and dark humor. It is a love story wrapped

1788
01:27:38.399 --> 01:27:41.319
<v Speaker 3>into mystery as a lonely man named Charles, who's played

1789
01:27:41.319 --> 01:27:45.079
<v Speaker 3>by Boardwalk Empire's David mckely, meets a young woman named

1790
01:27:45.159 --> 01:27:47.119
<v Speaker 3>Chloe and embarks on a quest to find her when

1791
01:27:47.159 --> 01:27:50.239
<v Speaker 3>she suddenly disappears in a strange world that seems intent

1792
01:27:50.359 --> 01:27:53.920
<v Speaker 3>on keeping them apart. With echoes of a seventies paranoia

1793
01:27:53.960 --> 01:27:56.840
<v Speaker 3>thrillers and contemporary neon noir, It's a Los Angeles filmed

1794
01:27:56.880 --> 01:28:00.159
<v Speaker 3>example of how small budgets can create big works in

1795
01:28:00.199 --> 01:28:03.159
<v Speaker 3>the right hands. There's some big names in this that

1796
01:28:03.199 --> 01:28:05.800
<v Speaker 3>you'll like. It's a great movie directed by g RD

1797
01:28:05.840 --> 01:28:07.479
<v Speaker 3>and Black. I hope you check it out because it

1798
01:28:07.560 --> 01:28:11.840
<v Speaker 3>is a lot of fun. Eric from MVD is watching tonight.

1799
01:28:11.920 --> 01:28:12.640
<v Speaker 3>What's up Eric?

1800
01:28:13.039 --> 01:28:13.640
<v Speaker 4>Going? Eric?

1801
01:28:14.800 --> 01:28:17.039
<v Speaker 3>Yeah, it is wild. It is focused on tech. It

1802
01:28:17.119 --> 01:28:20.239
<v Speaker 3>is done by somebody who's done some work in video

1803
01:28:20.279 --> 01:28:23.840
<v Speaker 3>games previously, so it is something that will if you

1804
01:28:23.840 --> 01:28:25.720
<v Speaker 3>are into the tech side of things, it will definitely

1805
01:28:25.720 --> 01:28:26.479
<v Speaker 3>pique your interest.

1806
01:28:26.560 --> 01:28:29.720
<v Speaker 4>I bet well the whole scavenger hunt aspect too, Like

1807
01:28:29.840 --> 01:28:32.319
<v Speaker 4>you got my mind run in a mile a minute.

1808
01:28:32.039 --> 01:28:36.560
<v Speaker 3>Here, Yeah, it is. It is something that I've already

1809
01:28:36.560 --> 01:28:39.560
<v Speaker 3>having more fun doing that for this one title that

1810
01:28:39.680 --> 01:28:41.680
<v Speaker 3>I think anything that I did in seventeen years with

1811
01:28:41.720 --> 01:28:44.520
<v Speaker 3>the government, so already proving my choice to be smart.

1812
01:28:44.920 --> 01:28:47.079
<v Speaker 3>All right, let's talk about what's coming out next week.

1813
01:28:47.119 --> 01:28:49.439
<v Speaker 3>In case you forgot, we got lots of titles to cover.

1814
01:28:50.199 --> 01:28:52.079
<v Speaker 3>Minic coming on four K. I feel like that was

1815
01:28:52.119 --> 01:28:54.239
<v Speaker 3>originally announced god two and a half years ago, So

1816
01:28:54.279 --> 01:28:56.399
<v Speaker 3>finally next week you'll be able to get that from Keno,

1817
01:28:56.479 --> 01:28:59.119
<v Speaker 3>the Jurassic Park standalone four K. This is the new

1818
01:28:59.239 --> 01:29:02.520
<v Speaker 3>version with Dolby Vision, and at most this is outside

1819
01:29:02.520 --> 01:29:04.359
<v Speaker 3>of the Steel book, so if you wanted that disc,

1820
01:29:04.439 --> 01:29:06.920
<v Speaker 3>you can pick it up. There ilsa The Tigris of

1821
01:29:07.000 --> 01:29:10.039
<v Speaker 3>Siberia from Keno on four K. Dead again four K

1822
01:29:10.079 --> 01:29:12.359
<v Speaker 3>from Keno. Again. We were just talking about this Keino

1823
01:29:12.439 --> 01:29:15.640
<v Speaker 3>doing so many four k's. There are five four ks

1824
01:29:15.680 --> 01:29:18.399
<v Speaker 3>from Keno just in these first two rows of Blu

1825
01:29:18.479 --> 01:29:22.079
<v Speaker 3>ray dot Com. We've got a French four K coming

1826
01:29:22.079 --> 01:29:25.600
<v Speaker 3>from Criterion, Testament coming from Criterion as well, Port of

1827
01:29:25.600 --> 01:29:28.760
<v Speaker 3>Shadows four K from Keno, the substitute four K from

1828
01:29:28.800 --> 01:29:31.239
<v Speaker 3>Lionsgate Limited. Steel can't believe they did the substitute on

1829
01:29:31.239 --> 01:29:35.640
<v Speaker 3>four K. Wild choice. I ship it's a great choice

1830
01:29:35.840 --> 01:29:37.960
<v Speaker 3>just for their first four k' that's a hell of

1831
01:29:37.960 --> 01:29:41.439
<v Speaker 3>a pick Leprecha on four K steel book is shipping

1832
01:29:41.479 --> 01:29:43.359
<v Speaker 3>from Lionsgate. Now, I'll see a lot of people getting

1833
01:29:43.359 --> 01:29:46.560
<v Speaker 3>that announcement today, which means you might get it by

1834
01:29:46.640 --> 01:29:50.520
<v Speaker 3>the seventeenth. What a way to celebrate Good Boy from

1835
01:29:50.560 --> 01:29:52.640
<v Speaker 3>Shutter Next week, we got The Lost World in Dress

1836
01:29:52.720 --> 01:29:55.119
<v Speaker 3>Park three on their four K standalone discs, The Boy

1837
01:29:55.199 --> 01:29:57.000
<v Speaker 3>the Beast four K steel Book coming next week from

1838
01:29:57.039 --> 01:29:59.279
<v Speaker 3>g Kids, and a Conda four K. Did you see

1839
01:29:59.319 --> 01:29:59.960
<v Speaker 3>the new Anaconda?

1840
01:30:00.840 --> 01:30:03.960
<v Speaker 4>I haven't, but I've heard terrible things about it, so

1841
01:30:04.000 --> 01:30:05.720
<v Speaker 4>I don't know how excited I am to watch it.

1842
01:30:05.760 --> 01:30:07.560
<v Speaker 4>But I do love me some Paul rud and Jack Black.

1843
01:30:07.680 --> 01:30:08.760
<v Speaker 4>So how bad can it be?

1844
01:30:08.920 --> 01:30:11.319
<v Speaker 3>Right? I mean, it's a good, good question that the

1845
01:30:11.359 --> 01:30:13.840
<v Speaker 3>sad answer is pretty bad. It can't it?

1846
01:30:13.920 --> 01:30:14.319
<v Speaker 4>Damn it?

1847
01:30:14.760 --> 01:30:18.680
<v Speaker 3>I've not seen it. Actually. Okay, the housemade four K.

1848
01:30:18.800 --> 01:30:20.439
<v Speaker 3>I did see that one, and I did like that one,

1849
01:30:20.479 --> 01:30:22.840
<v Speaker 3>so I'm curious about that one. Is this thing on

1850
01:30:22.840 --> 01:30:25.319
<v Speaker 3>four K? I've not seen that one yet. I'm kind

1851
01:30:25.319 --> 01:30:28.359
<v Speaker 3>of surprised that one got a four K. I'm proud

1852
01:30:28.359 --> 01:30:30.760
<v Speaker 3>of Fox to do that. Or twenty Century I guess

1853
01:30:32.119 --> 01:30:36.079
<v Speaker 3>get one. But is no Soy and Rental Family did

1854
01:30:36.119 --> 01:30:37.840
<v Speaker 3>better in the theater, I believe.

1855
01:30:38.119 --> 01:30:39.720
<v Speaker 4>I don't know if it's a Bradley Cooper thing or not.

1856
01:30:40.680 --> 01:30:43.279
<v Speaker 3>I I could have been contractual and I wasn't even

1857
01:30:43.319 --> 01:30:46.600
<v Speaker 3>thinking about that. Oh yeah, for All Mankind Season two

1858
01:30:46.600 --> 01:30:48.760
<v Speaker 3>coming on Blue Next week we get the Humphrey Bogart

1859
01:30:48.760 --> 01:30:51.079
<v Speaker 3>for Film Collection from one of our archive returned to

1860
01:30:51.119 --> 01:30:53.279
<v Speaker 3>Silent Hill four K, which that's got to be one

1861
01:30:53.319 --> 01:30:56.680
<v Speaker 3>of the fastest theater to four K discs I've ever seen.

1862
01:30:57.920 --> 01:31:00.399
<v Speaker 3>Faces of Death Steel book coming next week of the

1863
01:31:00.399 --> 01:31:04.159
<v Speaker 3>original Reminder that the rumor is the original series is

1864
01:31:04.159 --> 01:31:06.600
<v Speaker 3>getting an updated release later this year, so you might

1865
01:31:06.640 --> 01:31:07.720
<v Speaker 3>want to hold out for that one.

1866
01:31:07.840 --> 01:31:10.199
<v Speaker 4>I've had that steal book for like six months. That

1867
01:31:10.720 --> 01:31:12.880
<v Speaker 4>Dark Sky Films one it was.

1868
01:31:13.239 --> 01:31:15.560
<v Speaker 3>This is now the wide release. It was exclusive to

1869
01:31:15.600 --> 01:31:19.560
<v Speaker 3>their website. Gotcha, Jack Benny Comedy Classics from Keyno next week,

1870
01:31:19.600 --> 01:31:22.640
<v Speaker 3>America three thousand from Keno, The Birthday four K from Aero.

1871
01:31:22.720 --> 01:31:25.000
<v Speaker 3>If you're dying to have more Corey Feldman in your collection,

1872
01:31:25.840 --> 01:31:29.600
<v Speaker 3>loan Samurai Samurai four K from Wilgo. I'm hearing only

1873
01:31:29.640 --> 01:31:31.399
<v Speaker 3>good things about this movie. Definitely want to check that

1874
01:31:31.399 --> 01:31:34.279
<v Speaker 3>one out tennessee Williams four film collection from more Archive,

1875
01:31:34.720 --> 01:31:37.319
<v Speaker 3>K two four K and Blu Ray from Keno. Next

1876
01:31:37.359 --> 01:31:40.159
<v Speaker 3>week we Bury the Dead, which I heard good things about.

1877
01:31:40.199 --> 01:31:43.279
<v Speaker 3>Rebuilding which I saw, and I definitely recommend Josh O'Connor.

1878
01:31:43.960 --> 01:31:45.199
<v Speaker 3>I don't know how he did it. He was in

1879
01:31:45.239 --> 01:31:48.760
<v Speaker 3>like seven great movies last year. I want his life

1880
01:31:48.840 --> 01:31:53.640
<v Speaker 3>at this point. The Corral and Zodio Killer Project Zodiac

1881
01:31:53.680 --> 01:31:56.199
<v Speaker 3>Killer Project coming from Music Box Films were nothing but

1882
01:31:56.279 --> 01:31:58.520
<v Speaker 3>good things, and I missed that at Sundance last year.

1883
01:31:58.520 --> 01:32:00.920
<v Speaker 3>So dying to check that one out. Anything that you're

1884
01:32:00.960 --> 01:32:02.159
<v Speaker 3>super excited.

1885
01:32:01.760 --> 01:32:05.359
<v Speaker 4>For, Well, all the four K kinos I have my

1886
01:32:05.399 --> 01:32:07.319
<v Speaker 4>hands on already. I haven't had a chance to watch

1887
01:32:07.399 --> 01:32:11.119
<v Speaker 4>any yet, unfortunately, but I'm gonna be watching Mimic this weekend.

1888
01:32:11.399 --> 01:32:14.960
<v Speaker 4>That's a Del Toro movie that has I've never seen

1889
01:32:15.119 --> 01:32:17.079
<v Speaker 4>and I've heard nothing but good things about it, so

1890
01:32:17.359 --> 01:32:18.920
<v Speaker 4>I cannot wait to watch it for the first time.

1891
01:32:19.840 --> 01:32:22.159
<v Speaker 3>Nice nice, nice, nice. Yeah, I cannot wait to see

1892
01:32:22.359 --> 01:32:28.159
<v Speaker 3>Mimic in four K. I've it's been gosh, probably twenty

1893
01:32:28.239 --> 01:32:31.000
<v Speaker 3>years since I've seen it something like that. It's not

1894
01:32:31.199 --> 01:32:34.279
<v Speaker 3>been in the best of quality, and the other releases

1895
01:32:34.279 --> 01:32:36.600
<v Speaker 3>the Blu Ray looked awful on that film, so very

1896
01:32:36.600 --> 01:32:37.720
<v Speaker 3>curious to check it out.

1897
01:32:38.640 --> 01:32:41.520
<v Speaker 4>Cleaned it up a little bit. They're kind of wishy

1898
01:32:41.600 --> 01:32:43.520
<v Speaker 4>washy on their transfers, so I'm hoping this is one

1899
01:32:43.520 --> 01:32:45.239
<v Speaker 4>of those shining spots.

1900
01:32:45.279 --> 01:32:48.239
<v Speaker 3>I would like to think. So question from Mad House,

1901
01:32:48.359 --> 01:32:50.159
<v Speaker 3>what's the deal with Breaking Bed and Better Call SOULI

1902
01:32:50.159 --> 01:32:51.520
<v Speaker 3>four K? Are we ever going to see it happen?

1903
01:32:51.880 --> 01:32:54.119
<v Speaker 3>I mean, honestly, that's a that's a coin flip. I

1904
01:32:54.319 --> 01:32:57.359
<v Speaker 3>could see it happening because they're they're huge titles, but

1905
01:32:57.359 --> 01:32:59.800
<v Speaker 3>at the same time, based on when and how they

1906
01:32:59.800 --> 01:33:03.399
<v Speaker 3>were filmed, there's not really a huge increase that's gonna

1907
01:33:03.399 --> 01:33:06.000
<v Speaker 3>happen on those titles coming out on four K, and

1908
01:33:06.079 --> 01:33:08.000
<v Speaker 3>TV is already rough to sell in four K, so

1909
01:33:08.479 --> 01:33:11.640
<v Speaker 3>my money would lean towards no, but they would probably

1910
01:33:11.680 --> 01:33:12.560
<v Speaker 3>make a killing doing it.

1911
01:33:12.640 --> 01:33:12.800
<v Speaker 6>Yeah.

1912
01:33:12.920 --> 01:33:15.520
<v Speaker 4>I think Breaking Bad would sell very well. So even

1913
01:33:15.560 --> 01:33:19.359
<v Speaker 4>if there isn't like the biggest, you know, four K

1914
01:33:19.560 --> 01:33:22.560
<v Speaker 4>transfer bump, I still think it's kind of a no

1915
01:33:22.600 --> 01:33:24.079
<v Speaker 4>brainer for them to release at some point.

1916
01:33:24.319 --> 01:33:26.520
<v Speaker 3>Yeah, did you watch Better Call Saul as well?

1917
01:33:26.800 --> 01:33:28.560
<v Speaker 4>I love both of them. Yeah, both of them are great.

1918
01:33:28.760 --> 01:33:30.640
<v Speaker 4>Breaking Bad is my favorite show of all time. Better

1919
01:33:30.640 --> 01:33:33.439
<v Speaker 4>Call Saul is a completely different beast. But that's a

1920
01:33:33.479 --> 01:33:36.039
<v Speaker 4>show to where like it. Like from season one to six,

1921
01:33:36.079 --> 01:33:39.239
<v Speaker 4>it just grows and grows and grows. Yeah, I love both.

1922
01:33:39.479 --> 01:33:39.960
<v Speaker 4>They're great.

1923
01:33:40.479 --> 01:33:44.119
<v Speaker 3>I was such a big fan of Breaking Bad in

1924
01:33:44.159 --> 01:33:47.079
<v Speaker 3>an early fan. I saw it pretty much live as

1925
01:33:47.079 --> 01:33:50.439
<v Speaker 3>it was playing for most of the seasons. I watched

1926
01:33:50.600 --> 01:33:53.079
<v Speaker 3>the finale for Breaking Bad season five in a movie theater.

1927
01:33:53.479 --> 01:33:57.840
<v Speaker 3>It has been very interesting to see the love for

1928
01:33:57.880 --> 01:34:00.279
<v Speaker 3>the film or the show grow. But I got to say,

1929
01:34:00.479 --> 01:34:02.239
<v Speaker 3>as much as I was excited for Better Call Sault,

1930
01:34:02.279 --> 01:34:04.399
<v Speaker 3>I definitely thought it was gonna be a huge step down.

1931
01:34:04.439 --> 01:34:06.760
<v Speaker 3>It was. Breaking Bed is like a masterpiece. How can

1932
01:34:06.760 --> 01:34:09.479
<v Speaker 3>they even come close to it? At this point I've

1933
01:34:09.479 --> 01:34:11.840
<v Speaker 3>watched them both two or three times. Better Call Saul

1934
01:34:11.960 --> 01:34:12.960
<v Speaker 3>might be a better show.

1935
01:34:13.520 --> 01:34:15.640
<v Speaker 4>I definitely like the ending to Better Call Saul more

1936
01:34:15.680 --> 01:34:17.319
<v Speaker 4>than I do Breaking Bad. Yeah, for sure.

1937
01:34:17.840 --> 01:34:20.560
<v Speaker 3>I feel like the writing is better and Better Call

1938
01:34:20.600 --> 01:34:24.279
<v Speaker 3>Saul overall. However, the story itself is probably a little

1939
01:34:24.319 --> 01:34:26.520
<v Speaker 3>more interesting to most people on Breaking Bed.

1940
01:34:27.319 --> 01:34:31.000
<v Speaker 4>The character beats in Better Call Saul are more I

1941
01:34:31.000 --> 01:34:33.960
<v Speaker 4>guess higher leveled. I don't know a good way to

1942
01:34:33.960 --> 01:34:36.399
<v Speaker 4>say it, But there's more nuance in Better Call Saul,

1943
01:34:36.640 --> 01:34:39.479
<v Speaker 4>which I like a lot more on Breaking Bad. There's

1944
01:34:39.520 --> 01:34:41.840
<v Speaker 4>a lot more like I guess in your face stunts

1945
01:34:41.840 --> 01:34:44.640
<v Speaker 4>to kind of carry the like oh my god moments.

1946
01:34:44.920 --> 01:34:48.399
<v Speaker 4>With Better Call Saul. It's just like a frickin Domino

1947
01:34:48.520 --> 01:34:51.720
<v Speaker 4>set of like, Okay, these conversations are streaming themselves together

1948
01:34:52.119 --> 01:34:55.439
<v Speaker 4>and then you just press them and it's magic watching

1949
01:34:55.880 --> 01:34:58.920
<v Speaker 4>those conflicts happens.

1950
01:34:59.279 --> 01:35:01.920
<v Speaker 3>That's interesting cinema force. And the chat is saying the

1951
01:35:01.920 --> 01:35:03.840
<v Speaker 3>Breaking Bad was shot on thirty five millimeter. I could

1952
01:35:03.840 --> 01:35:06.680
<v Speaker 3>have swore it was only shot on two KHD, So

1953
01:35:06.800 --> 01:35:08.680
<v Speaker 3>if it was on thirty five millimeter, then absolutely it

1954
01:35:08.720 --> 01:35:10.720
<v Speaker 3>should be on four k because it would sell like hotcakes.

1955
01:35:10.760 --> 01:35:14.640
<v Speaker 3>But that that's interesting either way. Yeah, check them out.

1956
01:35:14.680 --> 01:35:17.079
<v Speaker 3>And I'm dying to see Pluribus. I've not started yet.

1957
01:35:17.399 --> 01:35:19.600
<v Speaker 4>I don't know why I haven't seen it, Like, yeah,

1958
01:35:19.800 --> 01:35:21.680
<v Speaker 4>I love his stuff, so yeah.

1959
01:35:21.680 --> 01:35:23.720
<v Speaker 3>My excuse is I don't I don't have Apple, so

1960
01:35:23.760 --> 01:35:25.319
<v Speaker 3>if they put it out on desks and I'll watch it,

1961
01:35:25.359 --> 01:35:27.760
<v Speaker 3>but I'm certainly not getting Apple TV for one show.

1962
01:35:28.079 --> 01:35:29.800
<v Speaker 4>A lot of Apple shows have been getting physical media

1963
01:35:29.840 --> 01:35:32.600
<v Speaker 4>releases recently. Y. Yeah, I would not be shocked if

1964
01:35:32.600 --> 01:35:33.039
<v Speaker 4>it did.

1965
01:35:33.359 --> 01:35:37.119
<v Speaker 3>Well and it would sell well. It's it's Vince freaking Gilligan. Please, yeah,

1966
01:35:37.880 --> 01:35:41.279
<v Speaker 3>all right tonight, it's it's Oscars weekend, which means we

1967
01:35:41.520 --> 01:35:43.880
<v Speaker 3>got to talk about it in some way, and it's

1968
01:35:44.239 --> 01:35:45.720
<v Speaker 3>to me at least, it's kind of boring just to

1969
01:35:45.800 --> 01:35:47.960
<v Speaker 3>run through what do you think is gonna win every category?

1970
01:35:48.000 --> 01:35:50.000
<v Speaker 3>What do you think should win every category? So we're

1971
01:35:50.039 --> 01:35:53.119
<v Speaker 3>gonna deep dive in one and the one that I'm

1972
01:35:53.159 --> 01:35:55.159
<v Speaker 3>glad that we agreed on this. I think the biggest

1973
01:35:55.199 --> 01:35:58.119
<v Speaker 3>fight is likely going to be in Best Lead Actor.

1974
01:35:58.359 --> 01:36:00.039
<v Speaker 3>Why do you think it's gonna be the biggest fight.

1975
01:36:01.119 --> 01:36:04.159
<v Speaker 4>Because it's gone all over the place in a lot

1976
01:36:04.159 --> 01:36:07.720
<v Speaker 4>of the other award shows, and I feel like there's

1977
01:36:07.760 --> 01:36:10.479
<v Speaker 4>always momentum swings, and like the Oscar campaign and when

1978
01:36:10.479 --> 01:36:13.399
<v Speaker 4>people actually vote, and this one I feel like has

1979
01:36:13.439 --> 01:36:17.000
<v Speaker 4>had a huge swing right when people were going to

1980
01:36:17.079 --> 01:36:20.600
<v Speaker 4>the ballots to place their vote. I have no idea

1981
01:36:20.680 --> 01:36:22.640
<v Speaker 4>where it's going to land. Then that makes me very

1982
01:36:22.760 --> 01:36:26.199
<v Speaker 4>very excited and I will talk about it. But all

1983
01:36:26.239 --> 01:36:30.479
<v Speaker 4>of these performances are very solid. Normally there's a low

1984
01:36:30.600 --> 01:36:32.600
<v Speaker 4>guy on the totem pole here. I think all these

1985
01:36:32.640 --> 01:36:33.159
<v Speaker 4>are strong.

1986
01:36:34.159 --> 01:36:36.640
<v Speaker 3>I feel like in any other year, all five of

1987
01:36:36.680 --> 01:36:40.239
<v Speaker 3>these could have won against like an average Oscar field

1988
01:36:40.319 --> 01:36:43.560
<v Speaker 3>of lead actors. So just for the record, we've got

1989
01:36:43.760 --> 01:36:46.600
<v Speaker 3>Timothy shall May from Marty Supreme, Leo DiCaprio for One

1990
01:36:46.600 --> 01:36:49.159
<v Speaker 3>Battle after Another, Ethan Hawk for Blue Moon, Michael B.

1991
01:36:49.279 --> 01:36:51.960
<v Speaker 3>Jordan for Sinners, and then Vagna Moora for The Secret Agent,

1992
01:36:52.000 --> 01:36:54.600
<v Speaker 3>which I liked all five films. I thought they were

1993
01:36:54.600 --> 01:36:58.079
<v Speaker 3>all pretty great. The Secret Agent I was a little

1994
01:36:58.119 --> 01:37:01.439
<v Speaker 3>low on. I've since watched it again and I raised

1995
01:37:01.439 --> 01:37:05.560
<v Speaker 3>my feelings on it just ever so slightly. Blue Moon

1996
01:37:05.600 --> 01:37:07.920
<v Speaker 3>I'd like to see again. I will say nothing would

1997
01:37:07.960 --> 01:37:10.399
<v Speaker 3>increase in in my opinion of Ethan Hawk. I think

1998
01:37:10.439 --> 01:37:13.840
<v Speaker 3>he was just remarkable in that movie. But the movie

1999
01:37:13.840 --> 01:37:16.880
<v Speaker 3>itself it was. It was very good. It just wasn't

2000
01:37:16.920 --> 01:37:19.840
<v Speaker 3>exactly what I wanted. But he is exactly what I

2001
01:37:19.840 --> 01:37:21.439
<v Speaker 3>always want because he's always incredible.

2002
01:37:22.199 --> 01:37:24.520
<v Speaker 4>That movie felt like a play for sure, not in

2003
01:37:24.560 --> 01:37:27.159
<v Speaker 4>a bad way, just that that's kind of what it was.

2004
01:37:27.199 --> 01:37:30.279
<v Speaker 4>But his performance is the main reason why you would

2005
01:37:30.279 --> 01:37:32.680
<v Speaker 4>want to see Blue Moon. It's definitely the main reason

2006
01:37:32.880 --> 01:37:36.319
<v Speaker 4>why that movie sticks with you. He kind of transforms

2007
01:37:36.399 --> 01:37:38.039
<v Speaker 4>into this character in the best way.

2008
01:37:38.800 --> 01:37:42.319
<v Speaker 3>Yeah, So on this one, let's let's run down who

2009
01:37:42.319 --> 01:37:44.439
<v Speaker 3>do we think is going to win this one? Who

2010
01:37:44.439 --> 01:37:46.039
<v Speaker 3>do you think the Oscar's picked to win this one?

2011
01:37:47.439 --> 01:37:50.600
<v Speaker 4>And I've been back and forth on it my place

2012
01:37:50.640 --> 01:37:54.800
<v Speaker 4>of work as an Oscar pool and for the longest

2013
01:37:54.800 --> 01:37:57.600
<v Speaker 4>time I really thought it was going to be Timothy Shallomey.

2014
01:37:57.720 --> 01:38:00.720
<v Speaker 4>But with that sag Or, I guess the Actors Award

2015
01:38:00.760 --> 01:38:03.840
<v Speaker 4>that Michael B. Jordan got and the speech that he gave,

2016
01:38:04.359 --> 01:38:07.720
<v Speaker 4>and when that award was given, that's when the votes

2017
01:38:07.760 --> 01:38:11.359
<v Speaker 4>were starting to flood in for the Oscars. I really

2018
01:38:11.399 --> 01:38:13.840
<v Speaker 4>do think Michael B. Jordan has a really good shot

2019
01:38:13.840 --> 01:38:15.920
<v Speaker 4>of winning an Oscar And I did not think that

2020
01:38:16.039 --> 01:38:17.479
<v Speaker 4>even three weeks ago.

2021
01:38:19.079 --> 01:38:22.119
<v Speaker 3>I am literally the same. I wanted to lead into

2022
01:38:22.159 --> 01:38:24.720
<v Speaker 3>it in an interesting way, but literally all the same

2023
01:38:24.960 --> 01:38:29.840
<v Speaker 3>choices of words there. What's odd is I loved Marty Supreme.

2024
01:38:29.880 --> 01:38:33.560
<v Speaker 3>I thought it was really great. It has cooled dramatically

2025
01:38:34.199 --> 01:38:38.319
<v Speaker 3>the thoughts from everybody in Like on Christmas weekend it

2026
01:38:38.439 --> 01:38:40.520
<v Speaker 3>was this is gonna win so many different things. This

2027
01:38:40.600 --> 01:38:43.399
<v Speaker 3>is a huge movie. Everybody's loving this. It has fallen

2028
01:38:43.560 --> 01:38:44.960
<v Speaker 3>off of a damn cliff since then.

2029
01:38:45.760 --> 01:38:50.640
<v Speaker 4>It's very odd. I don't know. I really hope that

2030
01:38:50.720 --> 01:38:54.039
<v Speaker 4>like the smear campaign that Timothy has had with the

2031
01:38:54.039 --> 01:39:00.159
<v Speaker 4>whole ballet and opera situation, like in my opinion, his

2032
01:39:00.199 --> 01:39:04.520
<v Speaker 4>words were taken out of contact and he was more

2033
01:39:04.560 --> 01:39:07.520
<v Speaker 4>talking like how he doesn't want the movies to kind

2034
01:39:07.560 --> 01:39:11.079
<v Speaker 4>of be forgotten a little bit, like he was grouping

2035
01:39:11.159 --> 01:39:14.000
<v Speaker 4>himself in with those and how he kind of felt

2036
01:39:14.039 --> 01:39:19.680
<v Speaker 4>about those different mediums of entertainment. I don't know. I

2037
01:39:19.680 --> 01:39:21.720
<v Speaker 4>don't think that's why he's going to lose. I just

2038
01:39:21.760 --> 01:39:24.880
<v Speaker 4>think it's because Marty Supreme as a whole has just

2039
01:39:25.000 --> 01:39:28.800
<v Speaker 4>like fallen off a cliff, which I don't really understand. Why. Again,

2040
01:39:28.880 --> 01:39:31.039
<v Speaker 4>all the movies that are nominated, at least for Best

2041
01:39:31.079 --> 01:39:35.079
<v Speaker 4>Actor here I have also thoroughly enjoyed. But yeah, I

2042
01:39:35.079 --> 01:39:36.880
<v Speaker 4>don't think Marty Supreme is gonna win a damn thing

2043
01:39:36.880 --> 01:39:37.239
<v Speaker 4>this year.

2044
01:39:38.319 --> 01:39:42.840
<v Speaker 3>I don't think it stands a chance for anything at all,

2045
01:39:45.000 --> 01:39:48.319
<v Speaker 3>which is wild because literally two months ago, I'd been like, yeah,

2046
01:39:48.600 --> 01:39:52.199
<v Speaker 3>I could see it winning three or four easily, but

2047
01:39:52.279 --> 01:39:54.520
<v Speaker 3>now I would be shocked if it wins one.

2048
01:39:55.640 --> 01:39:59.199
<v Speaker 4>But when I saw it just kind of changing course

2049
01:39:59.239 --> 01:40:01.479
<v Speaker 4>a little bit. Here when I saw one Battle after another.

2050
01:40:01.560 --> 01:40:03.279
<v Speaker 4>I thought Leo was kind of a lock for his

2051
01:40:03.399 --> 01:40:06.520
<v Speaker 4>performance too, And even though he doesn't do a lot,

2052
01:40:06.600 --> 01:40:10.159
<v Speaker 4>he is such a force in that movie. And I

2053
01:40:10.199 --> 01:40:13.159
<v Speaker 4>don't think I've laughed harder than some of the shit

2054
01:40:13.399 --> 01:40:17.720
<v Speaker 4>he pulled off in twenty twenty five. There might be

2055
01:40:17.760 --> 01:40:20.279
<v Speaker 4>a chance to where like he kind of squeaks in,

2056
01:40:20.560 --> 01:40:22.439
<v Speaker 4>I wouldn't be shocked if he won Best Actor in

2057
01:40:22.479 --> 01:40:24.720
<v Speaker 4>this either, I really wouldn't. I kind of think it's

2058
01:40:24.720 --> 01:40:27.920
<v Speaker 4>a three person race there. Leo to me is kind

2059
01:40:27.920 --> 01:40:32.840
<v Speaker 4>of in the back. But yeah, I don't know. I'm

2060
01:40:33.039 --> 01:40:35.600
<v Speaker 4>very excited to watch this Sunday just to see who

2061
01:40:35.680 --> 01:40:38.199
<v Speaker 4>actually wins, because I feel like, out of the main

2062
01:40:38.319 --> 01:40:42.840
<v Speaker 4>four actors, that's the one category to where I'm like,

2063
01:40:42.920 --> 01:40:44.960
<v Speaker 4>I really don't know where this is gonna land.

2064
01:40:46.399 --> 01:40:48.439
<v Speaker 3>So before we get in who we want to win,

2065
01:40:48.520 --> 01:40:51.560
<v Speaker 3>and maybe some some optional items that if none of

2066
01:40:51.560 --> 01:40:53.560
<v Speaker 3>these were nominated, whatever, what are some other ones we

2067
01:40:53.560 --> 01:40:55.560
<v Speaker 3>would have liked to see nominated? You? How do you

2068
01:40:55.560 --> 01:40:57.399
<v Speaker 3>feel about the Oscars? You watch him every year? You

2069
01:40:57.439 --> 01:40:59.680
<v Speaker 3>are you a fan? Because a lot of people are

2070
01:40:59.760 --> 01:41:01.159
<v Speaker 3>jaded about it and they just don't give a.

2071
01:41:01.079 --> 01:41:04.199
<v Speaker 4>Crap, Like I know, it's a big popularity contest and whatnot.

2072
01:41:04.239 --> 01:41:07.479
<v Speaker 4>But I ever since I was probably ten or eleven

2073
01:41:07.920 --> 01:41:11.479
<v Speaker 4>and my mom randomly had it on and I watched

2074
01:41:11.520 --> 01:41:14.359
<v Speaker 4>it and fell in love with the whole atmosphere of

2075
01:41:14.399 --> 01:41:18.680
<v Speaker 4>everything and people being so into winning the award and

2076
01:41:18.840 --> 01:41:21.119
<v Speaker 4>doing the acceptance speech and the whole just glitz and

2077
01:41:21.119 --> 01:41:24.039
<v Speaker 4>glamour of everything like that has kind of stuck with me.

2078
01:41:24.159 --> 01:41:27.319
<v Speaker 4>Even if Hollywood has changed since I first fell in

2079
01:41:27.359 --> 01:41:30.199
<v Speaker 4>love with it, I still am fascinated with the history

2080
01:41:30.319 --> 01:41:32.600
<v Speaker 4>of the Oscars and I want to kind of be

2081
01:41:32.760 --> 01:41:35.720
<v Speaker 4>there and watch it. Like I was watching live when

2082
01:41:35.760 --> 01:41:37.760
<v Speaker 4>the whole Chris Rock Will Smith thing happened, and that

2083
01:41:38.000 --> 01:41:41.840
<v Speaker 4>was absolutely surreal to watch that whole thing play out

2084
01:41:41.880 --> 01:41:44.159
<v Speaker 4>in real time, and just like there's not a lot

2085
01:41:44.199 --> 01:41:47.359
<v Speaker 4>of things that I watched live anymore, but there's something

2086
01:41:47.439 --> 01:41:51.239
<v Speaker 4>magical about the live format that you can always wake

2087
01:41:51.319 --> 01:41:52.880
<v Speaker 4>up the next day and see all the winners. But

2088
01:41:53.079 --> 01:41:56.319
<v Speaker 4>there's something to seeing the surprise and being in that

2089
01:41:56.399 --> 01:41:58.640
<v Speaker 4>moment that I can't get enough of.

2090
01:42:00.039 --> 01:42:02.640
<v Speaker 3>I will say, this is not me trying to, you know,

2091
01:42:02.680 --> 01:42:05.880
<v Speaker 3>place this on anybody else or anything, but I I

2092
01:42:05.880 --> 01:42:09.359
<v Speaker 3>love movies and this is like the biggest cheerleading event

2093
01:42:09.439 --> 01:42:11.600
<v Speaker 3>for movies all the year. You know, this is this

2094
01:42:11.680 --> 01:42:14.880
<v Speaker 3>is the moment. I don't watch any of the other awards,

2095
01:42:15.199 --> 01:42:18.640
<v Speaker 3>like the Actors Awards, the BAFTAs, They're all important, they

2096
01:42:18.640 --> 01:42:21.560
<v Speaker 3>all have meaning leading up to the Oscars. I just

2097
01:42:21.640 --> 01:42:24.399
<v Speaker 3>don't care. I don't watch them because this is the one.

2098
01:42:24.439 --> 01:42:27.039
<v Speaker 3>This is the one that affects careers. This is the

2099
01:42:27.039 --> 01:42:28.960
<v Speaker 3>one that people get jobs out of. This is the

2100
01:42:28.960 --> 01:42:31.319
<v Speaker 3>one that people lose jobs out of. This is the

2101
01:42:31.319 --> 01:42:34.800
<v Speaker 3>one where people get slapped. This is the one where

2102
01:42:35.760 --> 01:42:38.359
<v Speaker 3>like the biggest moments of the year happen. And I

2103
01:42:38.399 --> 01:42:41.920
<v Speaker 3>don't like have stock in this. I'm not gonna dislike

2104
01:42:42.000 --> 01:42:44.119
<v Speaker 3>somebody because they lose. I'm not gonna like somebody because

2105
01:42:44.119 --> 01:42:47.920
<v Speaker 3>they win. But it is like this is my passion,

2106
01:42:47.960 --> 01:42:51.079
<v Speaker 3>and so I'm gonna watch the Oscars live every single year.

2107
01:42:51.239 --> 01:42:52.520
<v Speaker 3>It's it's what I gotta do.

2108
01:42:53.000 --> 01:42:55.359
<v Speaker 4>I've watched it the past couple of years in a

2109
01:42:55.359 --> 01:42:58.560
<v Speaker 4>movie theater, like with a huge crowd. Nice and that

2110
01:42:58.720 --> 01:43:01.279
<v Speaker 4>is the best, man, and like that is where people

2111
01:43:01.359 --> 01:43:05.239
<v Speaker 4>get like the diehards come out and are as excited

2112
01:43:05.279 --> 01:43:08.000
<v Speaker 4>as you are to watch everything, and people are rooting

2113
01:43:08.000 --> 01:43:11.279
<v Speaker 4>for their own you know, winners and losers, and it's

2114
01:43:11.319 --> 01:43:13.640
<v Speaker 4>just it's a blast to kind of just like go

2115
01:43:13.800 --> 01:43:16.960
<v Speaker 4>and experience, and yeah, I love it. I look forward

2116
01:43:17.000 --> 01:43:19.600
<v Speaker 4>to it every year and I don't see that stopping

2117
01:43:19.600 --> 01:43:22.720
<v Speaker 4>anytime soon. It's gonna be very bizarre. I think in

2118
01:43:22.800 --> 01:43:25.399
<v Speaker 4>like twenty twenty nine when it gets moved over to YouTube,

2119
01:43:25.680 --> 01:43:27.359
<v Speaker 4>because then I feel like it's gonna be more popular

2120
01:43:27.399 --> 01:43:29.720
<v Speaker 4>than it has been the past decade because anybody can

2121
01:43:29.760 --> 01:43:30.119
<v Speaker 4>watch it.

2122
01:43:30.520 --> 01:43:34.680
<v Speaker 3>Yep, I would agree. So before we go down into

2123
01:43:34.720 --> 01:43:37.359
<v Speaker 3>our other choices as far as acting, how do you

2124
01:43:37.439 --> 01:43:40.840
<v Speaker 3>personally judge a good acting performance? Because I know for

2125
01:43:40.880 --> 01:43:43.319
<v Speaker 3>a lot of people, and this is where you get

2126
01:43:43.319 --> 01:43:45.239
<v Speaker 3>into the misogyny of it a little bit. It's like

2127
01:43:45.520 --> 01:43:49.359
<v Speaker 3>the female actress winners every year are the ones that

2128
01:43:49.439 --> 01:43:52.399
<v Speaker 3>gave the biggest emotions or cried or screamed the loud enough,

2129
01:43:52.399 --> 01:43:53.960
<v Speaker 3>and people are like, yeah, that's who's gonna win.

2130
01:43:54.479 --> 01:43:57.239
<v Speaker 4>The one that made themselves ugly. Like that shit always

2131
01:43:57.319 --> 01:43:59.960
<v Speaker 4>pisses me off, like I can't believe this beautiful woman

2132
01:44:00.319 --> 01:44:03.239
<v Speaker 4>turned to herself like was so vulnerable by having no

2133
01:44:03.399 --> 01:44:07.880
<v Speaker 4>makeup like that. I despise that outlook on the oscars,

2134
01:44:07.880 --> 01:44:13.000
<v Speaker 4>but it works so often with a best I guess

2135
01:44:13.079 --> 01:44:15.680
<v Speaker 4>actor or actress is the one that leaves the biggest

2136
01:44:15.680 --> 01:44:19.840
<v Speaker 4>impression on me. When I leave the theater, I can't stop

2137
01:44:19.880 --> 01:44:21.319
<v Speaker 4>thinking about the performance they gave.

2138
01:44:23.359 --> 01:44:25.359
<v Speaker 3>The way that I have tended, at least over the

2139
01:44:25.439 --> 01:44:27.760
<v Speaker 3>last few years to view it is which one do

2140
01:44:27.800 --> 01:44:30.600
<v Speaker 3>I get immersed in the character the most and forget

2141
01:44:30.640 --> 01:44:33.560
<v Speaker 3>that it is this giant, famous actor, which is a

2142
01:44:33.560 --> 01:44:36.199
<v Speaker 3>little more difficult. It's somebody like Wagner Mora, who I

2143
01:44:36.199 --> 01:44:38.720
<v Speaker 3>had no idea who that was before, and that whole

2144
01:44:38.720 --> 01:44:43.000
<v Speaker 3>movie The Secret Agent. Every single actor is somebody's like

2145
01:44:43.359 --> 01:44:46.199
<v Speaker 3>doppelganger in a weird way. But also you don't recognize

2146
01:44:46.199 --> 01:44:48.000
<v Speaker 3>any of these people. They're just humans.

2147
01:44:48.279 --> 01:44:50.880
<v Speaker 4>Which there's a lot of non actress in that movie too, specifically,

2148
01:44:50.920 --> 01:44:54.880
<v Speaker 4>which just kind of blends the everyday ness of that movie. Like,

2149
01:44:54.920 --> 01:44:58.800
<v Speaker 4>I didn't watch that movie until very recently because I

2150
01:44:59.239 --> 01:45:01.680
<v Speaker 4>saw that it was on Hulu and I wanted to

2151
01:45:01.760 --> 01:45:04.560
<v Speaker 4>kind of watch it before we did this podcast here.

2152
01:45:04.600 --> 01:45:08.800
<v Speaker 4>And yeah, that movie probably out of the five that

2153
01:45:08.840 --> 01:45:11.640
<v Speaker 4>are nominated for Best Actor, it still probably my weakest,

2154
01:45:11.960 --> 01:45:14.880
<v Speaker 4>but not a bad movie at all. That movie is

2155
01:45:14.920 --> 01:45:18.000
<v Speaker 4>a vibe all on itself. I think the opening was

2156
01:45:18.039 --> 01:45:20.600
<v Speaker 4>strong with the whole gas station scenario. That definitely like

2157
01:45:20.640 --> 01:45:23.479
<v Speaker 4>puts you in for what you're expected to kind of

2158
01:45:23.479 --> 01:45:25.840
<v Speaker 4>go through the rest of the movie. It builds. I

2159
01:45:25.880 --> 01:45:26.680
<v Speaker 4>really like that one.

2160
01:45:27.359 --> 01:45:30.560
<v Speaker 3>I would agree there. So out of these five, who

2161
01:45:30.560 --> 01:45:31.840
<v Speaker 3>do you want to win?

2162
01:45:34.399 --> 01:45:36.439
<v Speaker 4>I think out of the five, performance is the one

2163
01:45:36.479 --> 01:45:39.239
<v Speaker 4>that stuck with me most was Leo's performance Like that,

2164
01:45:39.359 --> 01:45:41.880
<v Speaker 4>that's the one interesting that I would love to see

2165
01:45:41.920 --> 01:45:45.800
<v Speaker 4>win because he doesn't really do those performances. Like I

2166
01:45:46.039 --> 01:45:50.119
<v Speaker 4>kind of was taken out of that being Leonardo DiCaprio.

2167
01:45:50.239 --> 01:45:52.159
<v Speaker 4>I kind of forgot that that was him. He kind

2168
01:45:52.159 --> 01:45:55.800
<v Speaker 4>of blended himself into something else. Timothy Shallamay I always

2169
01:45:55.840 --> 01:45:59.920
<v Speaker 4>knew was him. Michael B. Jordan's same thing. Ethan Hawk

2170
01:46:00.159 --> 01:46:05.840
<v Speaker 4>is probably the closest to being like I could kind

2171
01:46:05.880 --> 01:46:09.560
<v Speaker 4>of lose himself into the role. But there's not a

2172
01:46:09.560 --> 01:46:12.800
<v Speaker 4>lot of flashy moments in Blue Moon. There's a lot

2173
01:46:12.880 --> 01:46:17.319
<v Speaker 4>of emotional beats, both sad and comedic, with one battle

2174
01:46:17.359 --> 01:46:19.840
<v Speaker 4>after another that if you can hit both of those

2175
01:46:20.039 --> 01:46:21.920
<v Speaker 4>for me and going like with a little bit of

2176
01:46:21.920 --> 01:46:24.439
<v Speaker 4>anger issues too, that goes a long way to go.

2177
01:46:25.439 --> 01:46:28.760
<v Speaker 4>Just one route is not enough for me. If one

2178
01:46:28.840 --> 01:46:29.359
<v Speaker 4>does like more.

2179
01:46:30.000 --> 01:46:34.680
<v Speaker 3>You know, I loved Ethan Hawk and he is he

2180
01:46:34.760 --> 01:46:37.880
<v Speaker 3>is probably my second place choice. Leo's great. He definitely

2181
01:46:37.880 --> 01:46:39.920
<v Speaker 3>gets lost in this role quite a bit. He's somebody

2182
01:46:39.920 --> 01:46:42.720
<v Speaker 3>that is playing a little off type because he's quite

2183
01:46:42.760 --> 01:46:46.840
<v Speaker 3>neurotic in this movie. Of course, the shallow may performance

2184
01:46:46.960 --> 01:46:50.680
<v Speaker 3>it's it's it's a great performance. However, he's not even

2185
01:46:50.800 --> 01:46:54.760
<v Speaker 3>like trying that hard. My big thing here is he's

2186
01:46:54.800 --> 01:46:57.000
<v Speaker 3>a narcissistic asshole. He didn't even have to try for

2187
01:46:57.039 --> 01:46:59.560
<v Speaker 3>this role. He had to stop plucking his unibrow and

2188
01:46:59.760 --> 01:47:03.760
<v Speaker 3>be dick and voila, he got nominated for an asque Oscar.

2189
01:47:05.720 --> 01:47:08.840
<v Speaker 4>A thousand percent agree there, he's more playing a heightened

2190
01:47:08.960 --> 01:47:11.479
<v Speaker 4>version of what he already is, more or less like

2191
01:47:11.560 --> 01:47:15.640
<v Speaker 4>I think he already has wild opinions that he's not

2192
01:47:15.920 --> 01:47:18.920
<v Speaker 4>embarrassed to kind of put himself out there. And that's

2193
01:47:19.000 --> 01:47:21.239
<v Speaker 4>kind of what Marty Supreme is in a nutshell too.

2194
01:47:21.279 --> 01:47:24.399
<v Speaker 4>He's very motivated. He will do what he needs to

2195
01:47:24.439 --> 01:47:27.560
<v Speaker 4>do in order to succeed. And Toothy Shallo may say

2196
01:47:27.600 --> 01:47:29.800
<v Speaker 4>what you will about him, but he does not filter

2197
01:47:29.920 --> 01:47:32.439
<v Speaker 4>himself that often. Man. He just he kind of goes

2198
01:47:32.479 --> 01:47:33.279
<v Speaker 4>for it, whether you like it.

2199
01:47:33.399 --> 01:47:36.680
<v Speaker 3>Or not, so my choice here, though I did say

2200
01:47:36.680 --> 01:47:39.159
<v Speaker 3>ethan Aka is my second favorite, I still for this one.

2201
01:47:39.199 --> 01:47:41.079
<v Speaker 3>I want. I want Michael B. Jordan to win. And

2202
01:47:41.119 --> 01:47:46.479
<v Speaker 3>the main reason here he is one person conveying two

2203
01:47:46.520 --> 01:47:48.800
<v Speaker 3>people in a way where I knew who both of

2204
01:47:48.840 --> 01:47:53.560
<v Speaker 3>them were at any moment, and that is so much work,

2205
01:47:53.640 --> 01:47:56.960
<v Speaker 3>literally pulling double duty in a film that left almost

2206
01:47:57.399 --> 01:47:59.239
<v Speaker 3>more of an impression than any of these other movies,

2207
01:47:59.279 --> 01:48:02.399
<v Speaker 3>maybe besides one battle after another. And to have it

2208
01:48:02.520 --> 01:48:05.840
<v Speaker 3>pulled off the way that they did, the like Michael B.

2209
01:48:05.960 --> 01:48:10.239
<v Speaker 3>Jordan passing a cigarette to himself on camera is insane

2210
01:48:10.439 --> 01:48:13.000
<v Speaker 3>that we got that done, and obviously that's more Coogler

2211
01:48:13.079 --> 01:48:15.880
<v Speaker 3>getting just amazing noess on camera, but the fact that

2212
01:48:15.920 --> 01:48:17.520
<v Speaker 3>he's able to pull that off, and you can see

2213
01:48:17.560 --> 01:48:19.840
<v Speaker 3>the way that the two brothers hold a cigarette in

2214
01:48:19.880 --> 01:48:22.800
<v Speaker 3>a different way, that's Michael B. Jordan. And so I

2215
01:48:22.840 --> 01:48:25.039
<v Speaker 3>don't know, I'm a sucker for like Doppelganger films or

2216
01:48:25.079 --> 01:48:27.840
<v Speaker 3>Twin films or something like this, And I'll talk about

2217
01:48:27.880 --> 01:48:29.800
<v Speaker 3>another one in just a few minutes, but yeah, that's

2218
01:48:30.119 --> 01:48:33.399
<v Speaker 3>he is my choice, and I really really hope he wins.

2219
01:48:34.119 --> 01:48:37.840
<v Speaker 4>Yeah, again, I would be happier than hell if he won.

2220
01:48:38.000 --> 01:48:40.680
<v Speaker 4>Because I've been watching Michael B. Jordan since he was

2221
01:48:40.720 --> 01:48:43.760
<v Speaker 4>a little damn kid. I know he was in The Wire.

2222
01:48:43.840 --> 01:48:45.800
<v Speaker 4>Didn't really watch a lot of The Wire. I watched

2223
01:48:45.800 --> 01:48:48.159
<v Speaker 4>Friday Night Lights and when he kind of popped into

2224
01:48:48.199 --> 01:48:50.920
<v Speaker 4>the scene on season four and five, fell in love

2225
01:48:50.960 --> 01:48:53.359
<v Speaker 4>with the kid. Grew up with him just watching him

2226
01:48:53.359 --> 01:48:56.560
<v Speaker 4>on screen and to just see how he has grown

2227
01:48:56.640 --> 01:48:59.479
<v Speaker 4>as an actor, and anytime he pops up on screen,

2228
01:48:59.479 --> 01:49:04.640
<v Speaker 4>I'm happy that he's there. And this role was so

2229
01:49:04.640 --> 01:49:07.359
<v Speaker 4>so different for him, and the fact that he played

2230
01:49:07.359 --> 01:49:10.800
<v Speaker 4>two different roles as well, it just kind of magnifies

2231
01:49:11.479 --> 01:49:15.880
<v Speaker 4>his great acting ability. And yeah, I'm rooting for the kid.

2232
01:49:15.920 --> 01:49:16.600
<v Speaker 4>That's for damn sure.

2233
01:49:16.600 --> 01:49:19.600
<v Speaker 3>On Sunday, So out of the five movies, is one

2234
01:49:19.640 --> 01:49:23.199
<v Speaker 3>Battle your favorite movie? Like, outside of the Performance, which

2235
01:49:23.199 --> 01:49:24.279
<v Speaker 3>one is your favorite movie?

2236
01:49:24.640 --> 01:49:27.119
<v Speaker 4>One Battle after Another was my third favorite movie of

2237
01:49:27.159 --> 01:49:30.239
<v Speaker 4>the year, but my second favorite was Sinners. I had

2238
01:49:30.279 --> 01:49:33.439
<v Speaker 4>more of an enjoyable time with Sinners. It's a movie

2239
01:49:33.920 --> 01:49:37.439
<v Speaker 4>that I feel like was crafted for me. I love

2240
01:49:38.560 --> 01:49:43.079
<v Speaker 4>the blues as a music genre, I love that time frame.

2241
01:49:43.119 --> 01:49:45.720
<v Speaker 4>I'm a huge proponent of the movie Idlewhile even though

2242
01:49:45.800 --> 01:49:48.520
<v Speaker 4>like no one likes that movie. It's just outcast in

2243
01:49:48.640 --> 01:49:51.760
<v Speaker 4>like that Deep South in the nineteen twenties, and this

2244
01:49:51.800 --> 01:49:54.039
<v Speaker 4>movie does that, but it's a little bit more elevated.

2245
01:49:54.560 --> 01:49:57.079
<v Speaker 4>And the scene at the very very end after the

2246
01:49:57.119 --> 01:50:00.600
<v Speaker 4>credits with like, I won't I won't to spoil it

2247
01:50:00.640 --> 01:50:02.680
<v Speaker 4>if you haven't seen it. But that's what really put

2248
01:50:02.680 --> 01:50:04.439
<v Speaker 4>the cherry on top for me, because I was not

2249
01:50:04.640 --> 01:50:07.399
<v Speaker 4>expecting that type of stinger at the end, and for me,

2250
01:50:07.439 --> 01:50:10.479
<v Speaker 4>it elevated the entire movie to like a whole different level.

2251
01:50:11.600 --> 01:50:16.159
<v Speaker 3>Yeah, yeah, I would agree. It is my favorite of

2252
01:50:16.159 --> 01:50:19.520
<v Speaker 3>the five. I adore Sinners, I do. I do kind

2253
01:50:19.520 --> 01:50:21.960
<v Speaker 3>of find it interesting that for years we talked about

2254
01:50:22.119 --> 01:50:24.720
<v Speaker 3>Oscar timing, and now if a film didn't come out

2255
01:50:24.760 --> 01:50:27.520
<v Speaker 3>between Halloween and the end of January, it had no

2256
01:50:27.640 --> 01:50:31.239
<v Speaker 3>chance for an Oscar. And now Sinners came out last

2257
01:50:31.520 --> 01:50:34.640
<v Speaker 3>April or May March, and it's was it March? It

2258
01:50:34.720 --> 01:50:37.720
<v Speaker 3>was March, And now it's the most nominated film for

2259
01:50:37.840 --> 01:50:40.560
<v Speaker 3>an Oscar ceremony. Ever. That's wild.

2260
01:50:41.159 --> 01:50:44.520
<v Speaker 4>I feel like it's kind of having the same trajectory

2261
01:50:44.600 --> 01:50:46.520
<v Speaker 4>that the hurt Locker did, because the hurt Locker came

2262
01:50:46.520 --> 01:50:49.880
<v Speaker 4>out in January, the previous year, if I'm not mistaken,

2263
01:50:50.479 --> 01:50:52.880
<v Speaker 4>And a lot of movies came out and went, but

2264
01:50:53.439 --> 01:50:56.319
<v Speaker 4>the push was at the right place at the right time,

2265
01:50:56.359 --> 01:50:58.359
<v Speaker 4>and it just kept on going forward and forward, and

2266
01:50:58.399 --> 01:51:01.399
<v Speaker 4>it really stuck with you. It doesn't happen often, but

2267
01:51:01.520 --> 01:51:03.600
<v Speaker 4>I'm very happy that it happened with Sinners.

2268
01:51:04.239 --> 01:51:07.920
<v Speaker 3>Yeah, it's nice to see that the love came through

2269
01:51:07.960 --> 01:51:12.399
<v Speaker 3>for that one. So we've talked about our favorite performances

2270
01:51:12.399 --> 01:51:14.680
<v Speaker 3>of those five, we talked about our favorite movie. What

2271
01:51:14.840 --> 01:51:19.159
<v Speaker 3>about your just overall favorite actor in the current landscape?

2272
01:51:19.159 --> 01:51:20.359
<v Speaker 3>Who is your favorite actor?

2273
01:51:20.840 --> 01:51:24.159
<v Speaker 4>See, I'm an oddball because I don't have like big

2274
01:51:24.279 --> 01:51:26.840
<v Speaker 4>name actors that I really crave to see. I'm more

2275
01:51:26.840 --> 01:51:30.840
<v Speaker 4>of like a supporting cast person, one that I've loved

2276
01:51:30.920 --> 01:51:33.880
<v Speaker 4>forever that does not get enough work, but when he does,

2277
01:51:34.520 --> 01:51:38.000
<v Speaker 4>I am there to watch. It is Ben foster I

2278
01:51:38.319 --> 01:51:41.399
<v Speaker 4>great love Ben foster Man, and it doesn't matter if

2279
01:51:41.399 --> 01:51:43.960
<v Speaker 4>he's in a tiny roll or a piece of shit movie,

2280
01:51:44.000 --> 01:51:47.359
<v Speaker 4>I will be there. And with bells on, I'm a

2281
01:51:47.399 --> 01:51:51.880
<v Speaker 4>huge proponent of him, and he can elevate a kind

2282
01:51:51.920 --> 01:51:54.760
<v Speaker 4>of average movie like Hostage and make it into a

2283
01:51:54.800 --> 01:51:57.479
<v Speaker 4>movie that I will rewatch again and again just because

2284
01:51:57.479 --> 01:52:02.479
<v Speaker 4>his performance is so great newer actors. I'm even a

2285
01:52:02.479 --> 01:52:06.640
<v Speaker 4>fan of Michael Gandolfini, like any time he's popped up

2286
01:52:06.680 --> 01:52:09.760
<v Speaker 4>in a few movies, but he has really surprised me,

2287
01:52:09.840 --> 01:52:13.079
<v Speaker 4>whether that be Licorice Pizza or Warfare that came out

2288
01:52:13.159 --> 01:52:15.840
<v Speaker 4>last year, Like his part was very memorable to me,

2289
01:52:16.399 --> 01:52:18.880
<v Speaker 4>The Long Walk where he got an actual, like leading role.

2290
01:52:19.439 --> 01:52:21.920
<v Speaker 4>He kind of kicked it out of the park in

2291
01:52:21.960 --> 01:52:27.520
<v Speaker 4>my opinion, He's really surprising me. Actress wise, I would

2292
01:52:27.520 --> 01:52:30.159
<v Speaker 4>probably say Emma Stone, Like anytime she's in a movie,

2293
01:52:30.159 --> 01:52:32.560
<v Speaker 4>I'm like, yeah, okay, let's go. A lot of her

2294
01:52:32.840 --> 01:52:35.640
<v Speaker 4>recent work has been Your Ghosts related, and I love

2295
01:52:35.720 --> 01:52:39.039
<v Speaker 4>Your Ghosts. But even when she's in like a random

2296
01:52:39.920 --> 01:52:41.880
<v Speaker 4>like when she was coming up with like the Hot Chick,

2297
01:52:41.920 --> 01:52:43.800
<v Speaker 4>I really liked when she popped up in that, or

2298
01:52:44.800 --> 01:52:50.680
<v Speaker 4>just Easy A He's super bad. Like there's more movies

2299
01:52:50.720 --> 01:52:53.239
<v Speaker 4>of hers that I like because she's in it rather

2300
01:52:53.279 --> 01:52:54.720
<v Speaker 4>than like Corella is the only one I can think

2301
01:52:54.760 --> 01:52:57.720
<v Speaker 4>of them, like it didn't really work for me, but yeah,

2302
01:52:58.000 --> 01:52:59.800
<v Speaker 4>so still fun to see her pop up in anything.

2303
01:53:00.720 --> 01:53:06.399
<v Speaker 3>I completely get that. My supporting ones that I seem

2304
01:53:06.439 --> 01:53:09.079
<v Speaker 3>to stick in my mind at least Jesse Plemons. We're

2305
01:53:09.079 --> 01:53:10.800
<v Speaker 3>going to talk about him in a minute, because I

2306
01:53:10.840 --> 01:53:12.960
<v Speaker 3>think he is the biggest snub of the year. I

2307
01:53:13.000 --> 01:53:16.760
<v Speaker 3>think that his lead performance was not only deserving, I

2308
01:53:17.199 --> 01:53:20.039
<v Speaker 3>could have argued for that to win. You mentioned The

2309
01:53:20.039 --> 01:53:23.279
<v Speaker 3>Long Walk. David Johnson from The Long Walk is incredible.

2310
01:53:23.520 --> 01:53:26.359
<v Speaker 3>He was great in Alien Romulus, playing an android in

2311
01:53:26.399 --> 01:53:30.319
<v Speaker 3>the most believable way as an android. I would say

2312
01:53:30.439 --> 01:53:33.520
<v Speaker 3>I've got a lot of hope for Cooper Hoffman. Speaking

2313
01:53:33.600 --> 01:53:37.000
<v Speaker 3>of Long Walk, he has done some just incredible performances,

2314
01:53:37.920 --> 01:53:39.760
<v Speaker 3>one that we've not talked about tonight and I was

2315
01:53:39.800 --> 01:53:42.880
<v Speaker 3>going to talk about. So we'll mosey on over to

2316
01:53:42.960 --> 01:53:45.119
<v Speaker 3>other performances that I would have liked to have seen nominated,

2317
01:53:45.119 --> 01:53:48.319
<v Speaker 3>because it's an answer for both. I love Dylan O'Brien.

2318
01:53:48.479 --> 01:53:51.079
<v Speaker 3>I think he is going to be somebody that leaves

2319
01:53:51.119 --> 01:53:54.760
<v Speaker 3>a lasting impression on people. And I truly think for Twinless,

2320
01:53:54.760 --> 01:53:58.399
<v Speaker 3>I think he deserved an actual look from last year.

2321
01:53:58.800 --> 01:54:01.079
<v Speaker 3>Would just like we were just talking about with Michael B. Jordan,

2322
01:54:01.279 --> 01:54:04.560
<v Speaker 3>he played two roles. He played twin brothers, both very believable,

2323
01:54:04.600 --> 01:54:07.920
<v Speaker 3>both very obviously different people not on camera at the

2324
01:54:07.960 --> 01:54:10.960
<v Speaker 3>same time. If you watch the film, one of them die,

2325
01:54:11.000 --> 01:54:17.000
<v Speaker 3>So that's why. But he's a just ridiculously great charismatic

2326
01:54:17.039 --> 01:54:20.359
<v Speaker 3>performer and just completely magnetic in everything that he does.

2327
01:54:20.640 --> 01:54:27.439
<v Speaker 3>He is incredibly dickish in Twinless, but also incredibly humble

2328
01:54:27.520 --> 01:54:29.920
<v Speaker 3>and vulnerable and twinless in ways that a lot of

2329
01:54:29.960 --> 01:54:33.479
<v Speaker 3>people don't show in a lead role for the male

2330
01:54:33.560 --> 01:54:35.840
<v Speaker 3>side usually. And I know that we just said that's

2331
01:54:36.199 --> 01:54:39.279
<v Speaker 3>hilarious to hear about women, But for a role like this,

2332
01:54:39.479 --> 01:54:42.680
<v Speaker 3>it is a guy playing a role where he's forced

2333
01:54:42.720 --> 01:54:46.560
<v Speaker 3>to be in precarious situations that other actors, especially in

2334
01:54:46.600 --> 01:54:48.680
<v Speaker 3>the past, like far in the past, would have not

2335
01:54:48.760 --> 01:54:51.760
<v Speaker 3>even taken the role to be even remotely close to

2336
01:54:51.800 --> 01:54:55.520
<v Speaker 3>those situations. So Twinless is great. The other big one,

2337
01:54:55.640 --> 01:54:59.760
<v Speaker 3>Bigonia Jesse Plummans deserved to play, to win, to be nominated, whatever,

2338
01:55:00.119 --> 01:55:03.319
<v Speaker 3>my it's amazing. What else from your list?

2339
01:55:04.079 --> 01:55:06.399
<v Speaker 4>Jesse Plemons is the big one. For sure. I would

2340
01:55:06.399 --> 01:55:10.199
<v Speaker 4>probably take Wagner Mora off and put him in if

2341
01:55:10.199 --> 01:55:12.920
<v Speaker 4>I'm if I had my way, and I would put

2342
01:55:12.960 --> 01:55:14.920
<v Speaker 4>him in Best Actor. I wouldn't put him in Best Supporting.

2343
01:55:14.960 --> 01:55:17.560
<v Speaker 4>You could probably put oh, yeah, both, But to me,

2344
01:55:17.720 --> 01:55:20.039
<v Speaker 4>that's a that's a that's a two person movie and

2345
01:55:20.079 --> 01:55:23.000
<v Speaker 4>for the majority of the movie, and uh, he really

2346
01:55:23.239 --> 01:55:25.199
<v Speaker 4>really blew me away. So it sucked that he did

2347
01:55:25.199 --> 01:55:29.439
<v Speaker 4>not get the nomination. But I liked Joel Edgerton too.

2348
01:55:29.600 --> 01:55:32.960
<v Speaker 4>Entering Dreams. I really liked his performance, very subtle but

2349
01:55:33.159 --> 01:55:36.319
<v Speaker 4>very powerful as well. That movie really stuck with me

2350
01:55:36.359 --> 01:55:39.960
<v Speaker 4>when I watched it. Those are probably the main two

2351
01:55:40.479 --> 01:55:44.600
<v Speaker 4>that I could see myself fitting into that fifth spot,

2352
01:55:44.920 --> 01:55:50.520
<v Speaker 4>taking one out, placing one in that it feels strongest about. I.

2353
01:55:50.000 --> 01:55:53.039
<v Speaker 3>Uh, I love those picks. A kind of an odd

2354
01:55:53.039 --> 01:55:56.000
<v Speaker 3>ball pick for me. I I've never really been a

2355
01:55:56.079 --> 01:55:58.960
<v Speaker 3>huge fan of Jared Aronofsky, and for some reason, Cot

2356
01:55:59.000 --> 01:56:03.399
<v Speaker 3>Stealing hit for me last year. Austin Butler was incredible

2357
01:56:03.399 --> 01:56:07.039
<v Speaker 3>in that movie. Other than like Once upon a Time

2358
01:56:07.039 --> 01:56:09.960
<v Speaker 3>in Hollywood, I think I've still not seen any Austin

2359
01:56:10.000 --> 01:56:13.560
<v Speaker 3>Butler films and he was Nope, not seen either of

2360
01:56:13.600 --> 01:56:18.359
<v Speaker 3>the Really wow, I'm just behind. I loved him in

2361
01:56:18.439 --> 01:56:20.880
<v Speaker 3>cot Stealing. There was something about it. It was just

2362
01:56:21.640 --> 01:56:25.239
<v Speaker 3>fun and unique and I don't know like it was.

2363
01:56:25.279 --> 01:56:27.399
<v Speaker 3>It's another one of those like vibe films like Sarat.

2364
01:56:27.479 --> 01:56:28.560
<v Speaker 3>Did you get to see Sarat?

2365
01:56:28.920 --> 01:56:33.199
<v Speaker 4>I haven't seen Sarat so is weird.

2366
01:56:33.479 --> 01:56:35.560
<v Speaker 3>There's a lot of interesting things about Surat, and I

2367
01:56:35.600 --> 01:56:38.840
<v Speaker 3>feel I feel about Austin Butler's performance the way I

2368
01:56:38.880 --> 01:56:41.600
<v Speaker 3>felt about the entire film of Sarat. So there's not

2369
01:56:41.640 --> 01:56:44.279
<v Speaker 3>really a performance like that in Sat. But yeah, Austin

2370
01:56:44.319 --> 01:56:45.560
<v Speaker 3>Butler was incredible.

2371
01:56:45.800 --> 01:56:47.640
<v Speaker 4>Yeah, wave in here said he was in Eddington too.

2372
01:56:47.640 --> 01:56:50.239
<v Speaker 4>I forgot about that. Oh that's a very small performance

2373
01:56:50.279 --> 01:56:51.039
<v Speaker 4>but memorable.

2374
01:56:51.359 --> 01:56:54.159
<v Speaker 3>Yeah, I've not seen The Bike Riders, Reggie, I need.

2375
01:56:54.079 --> 01:56:55.680
<v Speaker 4>To for sure, very good in that too.

2376
01:56:55.800 --> 01:56:58.399
<v Speaker 3>Yeah, I've also I've still not seen Elvis either.

2377
01:57:00.279 --> 01:57:02.399
<v Speaker 4>That's a powerhouse performance for him, and he actually got

2378
01:57:02.439 --> 01:57:04.560
<v Speaker 4>nominated for that one, so yeah, they know that that

2379
01:57:04.600 --> 01:57:07.520
<v Speaker 4>makes sense. But I really liked KTT Steely and I

2380
01:57:07.560 --> 01:57:10.279
<v Speaker 4>thought that was one of the biggest surprises of last

2381
01:57:10.359 --> 01:57:13.720
<v Speaker 4>year for me Because Aeronofsky is very hit or miss

2382
01:57:13.760 --> 01:57:16.199
<v Speaker 4>with me in his filmography. This one didn't really feel

2383
01:57:16.239 --> 01:57:20.000
<v Speaker 4>like an Aeronofski film either. It just agree it had

2384
01:57:20.079 --> 01:57:23.439
<v Speaker 4>such a vibe to it, like I just vibed with

2385
01:57:23.479 --> 01:57:24.640
<v Speaker 4>that movie hardcore.

2386
01:57:24.760 --> 01:57:29.479
<v Speaker 3>Yeap. Not one ever would have been considered for an

2387
01:57:29.520 --> 01:57:32.079
<v Speaker 3>award necessarily, and it's probably not good enough turned in

2388
01:57:32.079 --> 01:57:35.000
<v Speaker 3>an Oscar, but I gotta say, Channing Tatum was kind

2389
01:57:35.039 --> 01:57:38.239
<v Speaker 3>of incredible and roof Man this year, and that movie

2390
01:57:38.479 --> 01:57:40.880
<v Speaker 3>is so much better than people have given it credit for.

2391
01:57:41.600 --> 01:57:45.079
<v Speaker 3>Macularly directed. It's based on a true story, so the

2392
01:57:45.119 --> 01:57:50.039
<v Speaker 3>writing is great. It is subtle performances that I mean

2393
01:57:50.520 --> 01:57:54.760
<v Speaker 3>Kiki in that movie is the facial acting that she

2394
01:57:54.880 --> 01:57:59.399
<v Speaker 3>gives in certain scenes are wildly great. It is such

2395
01:57:59.520 --> 01:58:03.479
<v Speaker 3>a unique story because it is real. You can feel that,

2396
01:58:03.640 --> 01:58:08.279
<v Speaker 3>like the personal side of things coming through every single scene.

2397
01:58:08.520 --> 01:58:10.800
<v Speaker 3>Love the movie. Everybody should see Rufe Man. It's so good.

2398
01:58:11.039 --> 01:58:12.880
<v Speaker 4>It's on my stack of shame right now. I have

2399
01:58:12.960 --> 01:58:15.479
<v Speaker 4>got the four K that I just have not watched yet.

2400
01:58:15.560 --> 01:58:17.640
<v Speaker 4>It's one that I'm waiting to watch. My wife and

2401
01:58:18.039 --> 01:58:21.000
<v Speaker 4>we have different bedtimes. I don't know if that's the

2402
01:58:21.000 --> 01:58:23.399
<v Speaker 4>same in your family or not, but like my wife

2403
01:58:23.439 --> 01:58:24.680
<v Speaker 4>likes to go to bed early, I like to go

2404
01:58:24.720 --> 01:58:27.239
<v Speaker 4>to bed super late. And one of these days we

2405
01:58:27.279 --> 01:58:29.760
<v Speaker 4>will kind of meet and watch it at home. For sure.

2406
01:58:30.800 --> 01:58:33.199
<v Speaker 3>I'm kind of curious, did you see Eddington?

2407
01:58:33.920 --> 01:58:35.079
<v Speaker 4>I did? I did see it.

2408
01:58:35.279 --> 01:58:36.359
<v Speaker 3>How do you feel about Eddington?

2409
01:58:36.880 --> 01:58:38.840
<v Speaker 4>That movie was a tale of two films for me.

2410
01:58:38.960 --> 01:58:42.000
<v Speaker 4>I was really vibing with the first half of the movie,

2411
01:58:42.439 --> 01:58:46.960
<v Speaker 4>and I think that movie, besides bo Burnham's Inside, is

2412
01:58:47.000 --> 01:58:51.319
<v Speaker 4>the best example of catching COVID and like putting it

2413
01:58:51.359 --> 01:58:55.279
<v Speaker 4>on screen in the best possible way. And then a

2414
01:58:55.399 --> 01:58:58.640
<v Speaker 4>major death happens in that movie and it completely threw

2415
01:58:58.720 --> 01:59:00.840
<v Speaker 4>me and I couldn't get back on board after that

2416
01:59:00.880 --> 01:59:03.800
<v Speaker 4>because it went in this entirely different avenue that I

2417
01:59:03.880 --> 01:59:06.359
<v Speaker 4>wasn't ready to I liked, I liked, I liked the

2418
01:59:06.439 --> 01:59:07.840
<v Speaker 4>lane I was in. I don't want to go in

2419
01:59:07.880 --> 01:59:10.479
<v Speaker 4>this new lane here, and it went fully in that

2420
01:59:10.560 --> 01:59:14.439
<v Speaker 4>new lane, and uh uh, yeah, I still liked it overall.

2421
01:59:14.479 --> 01:59:16.199
<v Speaker 4>I just wish that it was more of the first

2422
01:59:16.239 --> 01:59:17.600
<v Speaker 4>half of the movie than the second half.

2423
01:59:17.800 --> 01:59:22.239
<v Speaker 3>Right. I'm not sure if you've ever seen my letterbox profile,

2424
01:59:22.279 --> 01:59:25.039
<v Speaker 3>but literally I think I'm one of only a few

2425
01:59:25.039 --> 01:59:28.760
<v Speaker 3>people that have Inside on their letterbox top four. I

2426
01:59:28.800 --> 01:59:30.439
<v Speaker 3>adore that whole thing.

2427
01:59:31.279 --> 01:59:31.640
<v Speaker 2>He is.

2428
01:59:32.800 --> 01:59:35.399
<v Speaker 3>God, I could do it a full episode on bau Burnham.

2429
01:59:36.039 --> 01:59:39.119
<v Speaker 4>I will be on because I love that special and

2430
01:59:39.199 --> 01:59:42.600
<v Speaker 4>it sucks that bo Burnham has just disappeared like he

2431
01:59:42.640 --> 01:59:44.640
<v Speaker 4>was then promising young woman and I have not seen

2432
01:59:44.720 --> 01:59:45.159
<v Speaker 4>him since.

2433
01:59:46.760 --> 01:59:50.800
<v Speaker 3>Yeah. God, he is like a modern renaissance man, kind

2434
01:59:50.800 --> 01:59:53.359
<v Speaker 3>of like Donald Glover and I just I hope they

2435
01:59:53.399 --> 01:59:55.560
<v Speaker 3>always do something because they need to be creating.

2436
01:59:55.760 --> 01:59:57.319
<v Speaker 4>Agreed. I need to hear his voice.

2437
01:59:57.399 --> 02:00:01.800
<v Speaker 3>That's always Yeah, Adam, I'm saying I mentioned facial acting.

2438
02:00:01.800 --> 02:00:04.199
<v Speaker 3>What is facial acting? So the big thing with Kirsten

2439
02:00:04.279 --> 02:00:07.479
<v Speaker 3>Dunst in Roofman, she is there's a lot of scenes

2440
02:00:07.479 --> 02:00:10.680
<v Speaker 3>where she's not speaking, but the way that she portrays

2441
02:00:10.760 --> 02:00:14.479
<v Speaker 3>emotion with like a subtle movement of her eye can

2442
02:00:14.560 --> 02:00:16.359
<v Speaker 3>change the way you feel about in an entire scene.

2443
02:00:16.399 --> 02:00:19.279
<v Speaker 3>The way that she like changes the shape of her

2444
02:00:19.319 --> 02:00:24.760
<v Speaker 3>mouth just to convey losing confidence in Channing Tatum's character

2445
02:00:24.960 --> 02:00:27.760
<v Speaker 3>is wild and a lot of actors cannot pull something

2446
02:00:27.800 --> 02:00:30.399
<v Speaker 3>like that off. And so her control and her ability

2447
02:00:30.439 --> 02:00:32.840
<v Speaker 3>to act like that, I mean, from last year, it

2448
02:00:32.920 --> 02:00:36.199
<v Speaker 3>is the best performance like that that I've seen other

2449
02:00:36.279 --> 02:00:40.720
<v Speaker 3>than Juliet Lewis, who played Gosh. I'm not remembering the

2450
02:00:40.760 --> 02:00:44.680
<v Speaker 3>name of the movie right now, but Juliette Lewis plays

2451
02:00:44.720 --> 02:00:47.600
<v Speaker 3>a chair in a movie that is coming out from

2452
02:00:47.600 --> 02:00:51.039
<v Speaker 3>Osilliscope here soon in like six or seven months, I believe,

2453
02:00:51.319 --> 02:00:54.359
<v Speaker 3>And there's a scene where she is in one shot

2454
02:00:54.399 --> 02:00:56.720
<v Speaker 3>the camera does not move and Juliet Lewis is in

2455
02:00:57.000 --> 02:01:00.000
<v Speaker 3>what appears to be the most uncomfortable position I've ever

2456
02:01:00.920 --> 02:01:03.680
<v Speaker 3>and her body does not move for I think like

2457
02:01:03.720 --> 02:01:08.880
<v Speaker 3>eleven minutes straight. It is immaculate body control and that

2458
02:01:09.039 --> 02:01:12.279
<v Speaker 3>is just crazy. But yeah, Kirsten Dunst is probably the

2459
02:01:12.439 --> 02:01:15.399
<v Speaker 3>the closest behind her. Last year, By Design is the

2460
02:01:15.479 --> 02:01:18.039
<v Speaker 3>name of the cheer movie, Thanks Ronnie. By Design is.

2461
02:01:18.680 --> 02:01:21.239
<v Speaker 3>I did not love it, but for watching a feat

2462
02:01:21.359 --> 02:01:24.680
<v Speaker 3>of acting that should not exist and is crazy, sure,

2463
02:01:24.760 --> 02:01:26.439
<v Speaker 3>go check out Juliet Lewis and By Design.

2464
02:01:26.439 --> 02:01:28.359
<v Speaker 4>It's what got me. I've never heard of that movie

2465
02:01:28.359 --> 02:01:30.039
<v Speaker 4>and it has me intrigued to watch it just for

2466
02:01:30.199 --> 02:01:32.840
<v Speaker 4>that scene. Is that the majority of the movie is

2467
02:01:33.000 --> 02:01:33.640
<v Speaker 4>her as a chair.

2468
02:01:35.000 --> 02:01:38.479
<v Speaker 3>Yes, it's a weird story because she she goes chair

2469
02:01:38.560 --> 02:01:41.039
<v Speaker 3>shopping with some friends and she sees a chair and

2470
02:01:41.079 --> 02:01:43.359
<v Speaker 3>she falls in love with it and essentially wishes to

2471
02:01:43.359 --> 02:01:50.039
<v Speaker 3>be the chair. And it's it's a it's an interesting movie. Weird, Okay, Yeah,

2472
02:01:50.199 --> 02:01:53.319
<v Speaker 3>check out By Design if that's your thing. Other other

2473
02:01:53.399 --> 02:01:58.479
<v Speaker 3>than incredible lead performances for our acting category, what other

2474
02:01:58.560 --> 02:02:01.000
<v Speaker 3>categories you got your eyes on as like, ooh, this

2475
02:02:01.039 --> 02:02:01.840
<v Speaker 3>could be interesting.

2476
02:02:05.880 --> 02:02:09.000
<v Speaker 4>I think what was the best supporting actor that was

2477
02:02:09.119 --> 02:02:12.680
<v Speaker 4>kind of close as well. I think both actor categories.

2478
02:02:12.720 --> 02:02:18.960
<v Speaker 4>Actress Jesse Buckley has lead on lock. I don't know.

2479
02:02:19.039 --> 02:02:23.680
<v Speaker 4>I think this year is very fascinating just because there's

2480
02:02:23.720 --> 02:02:25.680
<v Speaker 4>not a lot of locks. Yeah, actor in a supporting

2481
02:02:25.760 --> 02:02:28.520
<v Speaker 4>role I think could go so many different ways as well.

2482
02:02:28.560 --> 02:02:31.920
<v Speaker 4>Like for the longest time, sarsguard was like the main

2483
02:02:32.119 --> 02:02:35.039
<v Speaker 4>person that was gonna be pick to win, but Sean

2484
02:02:35.079 --> 02:02:36.880
<v Speaker 4>penn is starting to creep his way in. He would

2485
02:02:36.920 --> 02:02:38.960
<v Speaker 4>be my personal winner. He's such a piece as shit

2486
02:02:39.279 --> 02:02:42.079
<v Speaker 4>in one battle after another, but one that has like

2487
02:02:43.159 --> 02:02:47.000
<v Speaker 4>different quirks that are just odd and not a Sean

2488
02:02:47.039 --> 02:02:49.399
<v Speaker 4>pennrole I thought he would ever play. So that's the

2489
02:02:49.439 --> 02:02:52.039
<v Speaker 4>one that stuck with me the most. I voted for

2490
02:02:52.119 --> 02:02:53.920
<v Speaker 4>del Roy Lindo though I think there's gonna be a

2491
02:02:53.920 --> 02:02:56.359
<v Speaker 4>lot of sinners love with the Oscars, and since this

2492
02:02:56.479 --> 02:03:00.359
<v Speaker 4>is the only one that the only nomination he's had

2493
02:03:00.439 --> 02:03:03.239
<v Speaker 4>the whole Award season, I feel like there might be

2494
02:03:03.319 --> 02:03:04.319
<v Speaker 4>a surprise win here.

2495
02:03:04.960 --> 02:03:07.079
<v Speaker 3>Well. That and I could see it being like a

2496
02:03:07.439 --> 02:03:09.920
<v Speaker 3>body of work type of Oscar for him.

2497
02:03:09.920 --> 02:03:12.399
<v Speaker 4>He's John Pennardy has two as well as right.

2498
02:03:12.760 --> 02:03:15.880
<v Speaker 3>And Stellen has given part of the pun but stellar

2499
02:03:16.159 --> 02:03:20.159
<v Speaker 3>performances for decades. Like so even looking at something like

2500
02:03:20.239 --> 02:03:22.920
<v Speaker 3>Nimpho Mania, he is remarkable in that movie.

2501
02:03:23.159 --> 02:03:26.239
<v Speaker 4>Yeah, and del Roy is one of those actors that

2502
02:03:26.800 --> 02:03:29.399
<v Speaker 4>I feel like, just in the past five or six

2503
02:03:29.479 --> 02:03:32.079
<v Speaker 4>years is really starting to get his flowers a little bit.

2504
02:03:32.680 --> 02:03:34.560
<v Speaker 4>But this might be the time to where like he

2505
02:03:34.600 --> 02:03:37.920
<v Speaker 4>gets the ultimate flower, I guess because Yeah, and his

2506
02:03:38.000 --> 02:03:40.399
<v Speaker 4>role in Centers is very memorable too. He doesn't have

2507
02:03:40.439 --> 02:03:42.520
<v Speaker 4>a lot of screen time, but it definitely sticks with you.

2508
02:03:43.359 --> 02:03:46.920
<v Speaker 3>Yeah, And honestly, I'd almost rather see del Roy linda

2509
02:03:47.000 --> 02:03:49.359
<v Speaker 3>win over Michael B. Jordan because I Michael B. Jordan

2510
02:03:49.439 --> 02:03:51.840
<v Speaker 3>is gonna have eight hundred and fourteen more chances of this.

2511
02:03:52.279 --> 02:03:55.840
<v Speaker 3>Del Roy Lindall probably will not get another big, meaty.

2512
02:03:55.560 --> 02:04:00.119
<v Speaker 4>Piece like this, right, Nope. And like he really I

2513
02:04:00.119 --> 02:04:03.239
<v Speaker 4>didn't really put any focus onto him until I saw

2514
02:04:03.279 --> 02:04:05.479
<v Speaker 4>it to Five Bloods, and that movie stuck with me.

2515
02:04:05.600 --> 02:04:08.279
<v Speaker 4>Oh great, and that movie yeah to where like I've

2516
02:04:08.279 --> 02:04:10.000
<v Speaker 4>just been a fan of his ever since I saw

2517
02:04:10.039 --> 02:04:12.840
<v Speaker 4>that movie. And Yeah, to see what he did in

2518
02:04:12.960 --> 02:04:15.399
<v Speaker 4>Centers really just put a smile on my face. He's

2519
02:04:15.439 --> 02:04:20.279
<v Speaker 4>a very charismatic alcoholic. It's Yeah, it's a fun Meatia.

2520
02:04:20.079 --> 02:04:24.680
<v Speaker 3>Role I, Ronnie. I agree, Ronnie says very annoying. Sentimental

2521
02:04:24.720 --> 02:04:28.159
<v Speaker 3>Value is coming to streaming after the Oscars. I I'm

2522
02:04:28.159 --> 02:04:30.319
<v Speaker 3>glad that it's coming out through Criterion. I kind of

2523
02:04:30.359 --> 02:04:31.920
<v Speaker 3>wish I could have it in my hand already to

2524
02:04:32.119 --> 02:04:35.520
<v Speaker 3>watch for the ceremony. Again. I really enjoyed that movie,

2525
02:04:36.159 --> 02:04:39.720
<v Speaker 3>probably third or fourth funniest scene in a movie all years.

2526
02:04:39.720 --> 02:04:42.479
<v Speaker 3>When all of the centophiles watching Sentimental Value laughed like

2527
02:04:42.520 --> 02:04:46.000
<v Speaker 3>crazy when they saw the DVD cover of Irreversible being

2528
02:04:46.000 --> 02:04:50.199
<v Speaker 3>handed to a nine year old, I got it. There's

2529
02:04:50.199 --> 02:04:52.399
<v Speaker 3>so much to talk about from last year, and that's

2530
02:04:52.800 --> 02:04:54.439
<v Speaker 3>let's make that the last question. How did you feel

2531
02:04:54.439 --> 02:04:56.960
<v Speaker 3>about twenty twenty five as a movie year? Because obviously

2532
02:04:57.239 --> 02:04:59.680
<v Speaker 3>we get complaints from so many people about the movie suck,

2533
02:04:59.760 --> 02:05:03.680
<v Speaker 3>nothing original is happening. I twenty twenty five I felt

2534
02:05:03.720 --> 02:05:04.560
<v Speaker 3>like was amazing.

2535
02:05:04.640 --> 02:05:08.159
<v Speaker 4>I thought it was strong too. And one person that

2536
02:05:08.199 --> 02:05:11.439
<v Speaker 4>I haven't talked about that put out my favorite movie

2537
02:05:11.439 --> 02:05:13.960
<v Speaker 4>and my fifth favorite movie of last year was Soderberg.

2538
02:05:14.359 --> 02:05:17.000
<v Speaker 4>I thought, like is one two punch of movies that

2539
02:05:17.039 --> 02:05:19.359
<v Speaker 4>came out in like it was your like a one

2540
02:05:19.479 --> 02:05:22.640
<v Speaker 4>or two week span with presence in Black Bag are

2541
02:05:22.720 --> 02:05:27.239
<v Speaker 4>like some of my favorite movie watching experiences, and they

2542
02:05:27.239 --> 02:05:30.199
<v Speaker 4>couldn't be further from each other either, Like one is

2543
02:05:30.239 --> 02:05:34.079
<v Speaker 4>just my espionage film, the other one is just a

2544
02:05:34.199 --> 02:05:38.680
<v Speaker 4>very unique ghost storytelling and both both were very memorable

2545
02:05:38.680 --> 02:05:39.199
<v Speaker 4>in my book.

2546
02:05:39.880 --> 02:05:41.760
<v Speaker 3>Interesting, So which one was your favorite from last year?

2547
02:05:41.800 --> 02:05:42.840
<v Speaker 3>Was a black black Bag?

2548
02:05:43.039 --> 02:05:47.279
<v Speaker 4>I like Presents. I really enjoyed Presence. I did not

2549
02:05:47.479 --> 02:05:49.880
<v Speaker 4>expect it to end where it did, and I thought

2550
02:05:50.079 --> 02:05:53.239
<v Speaker 4>the whole the stick with the camera moving in first

2551
02:05:53.279 --> 02:05:56.800
<v Speaker 4>person with the ghost perspective, really fucking stuck with me

2552
02:05:57.399 --> 02:06:00.399
<v Speaker 4>and I could not keep my eye. My eyes were

2553
02:06:00.399 --> 02:06:03.319
<v Speaker 4>glued to the screen the entire time. No distractions were

2554
02:06:03.319 --> 02:06:03.880
<v Speaker 4>even thought of.

2555
02:06:05.239 --> 02:06:10.279
<v Speaker 3>I loved the third act of Presence. I think the

2556
02:06:10.399 --> 02:06:12.640
<v Speaker 3>whole shtick got a little long in the tooth for me,

2557
02:06:12.760 --> 02:06:15.239
<v Speaker 3>but it was still effective and I still enjoyed it,

2558
02:06:15.279 --> 02:06:17.079
<v Speaker 3>and I thought it was great that the story itself

2559
02:06:17.079 --> 02:06:19.439
<v Speaker 3>that they leaned into finally in the third act. It

2560
02:06:19.640 --> 02:06:24.279
<v Speaker 3>was a lot of fun. Maybe about thirty minutes too long,

2561
02:06:24.359 --> 02:06:26.279
<v Speaker 3>And in terms of the Stick, I'm.

2562
02:06:26.159 --> 02:06:28.199
<v Speaker 4>The only one that I know that loves that movie

2563
02:06:28.199 --> 02:06:30.079
<v Speaker 4>as much as I do. But I think it was

2564
02:06:30.119 --> 02:06:32.279
<v Speaker 4>the only movie last year I gave a perfect rating too.

2565
02:06:32.399 --> 02:06:34.880
<v Speaker 4>I'm very very harsh when it comes to my five

2566
02:06:34.920 --> 02:06:38.520
<v Speaker 4>star ratings, but that one I wouldn't change anything. I really.

2567
02:06:38.800 --> 02:06:40.880
<v Speaker 4>I even liked the cutting to black and then going

2568
02:06:40.920 --> 02:06:43.560
<v Speaker 4>to a different scene, just because like who knows, like

2569
02:06:43.600 --> 02:06:46.640
<v Speaker 4>what the other realm is kind of doing and it

2570
02:06:46.720 --> 02:06:48.960
<v Speaker 4>might just be like here's a moment, here's a moment

2571
02:06:49.000 --> 02:06:51.479
<v Speaker 4>just flashes in and out. I don't know. Yeah, that

2572
02:06:51.800 --> 02:06:54.199
<v Speaker 4>movie's great. It really did something to me.

2573
02:06:54.960 --> 02:06:57.159
<v Speaker 3>I will say the one movie that I somehow just

2574
02:06:57.239 --> 02:06:59.159
<v Speaker 3>like the Oscars did not mention it all tonight, which

2575
02:06:59.159 --> 02:07:01.560
<v Speaker 3>I really wanted to, is other choice. I think, uh

2576
02:07:01.960 --> 02:07:04.720
<v Speaker 3>leeb young Hunt was was amazing in his lead role

2577
02:07:04.920 --> 02:07:07.520
<v Speaker 3>and it's a lot of fun, and uh I wish

2578
02:07:07.520 --> 02:07:10.560
<v Speaker 3>he got love. But I believe the the Academy hates

2579
02:07:10.600 --> 02:07:13.319
<v Speaker 3>Park chan Wook and we'll never forget him for that.

2580
02:07:13.720 --> 02:07:16.279
<v Speaker 3>I think there was a writer or strike thing and

2581
02:07:16.560 --> 02:07:18.760
<v Speaker 3>that's why he shut out basically.

2582
02:07:19.319 --> 02:07:21.680
<v Speaker 4>Yeah, because yeah, he can't be isn't it he can't

2583
02:07:21.720 --> 02:07:25.399
<v Speaker 4>be nominated because he made a movie when the writers

2584
02:07:25.479 --> 02:07:28.359
<v Speaker 4>or actors' strike was going on. Isn't that what happened?

2585
02:07:28.680 --> 02:07:31.119
<v Speaker 3>I think he could be now they're just doing it

2586
02:07:31.239 --> 02:07:34.159
<v Speaker 3>out of spite essentially whatever.

2587
02:07:34.840 --> 02:07:37.039
<v Speaker 4>I don't know, it's a petty reason.

2588
02:07:37.079 --> 02:07:41.439
<v Speaker 3>Nonetheless, Yeah, tell everybody about about about your your stuff

2589
02:07:41.439 --> 02:07:43.039
<v Speaker 3>and where you want them to follow you most.

2590
02:07:43.279 --> 02:07:48.880
<v Speaker 4>Yeah, steel Book obsessed on TikTok, Instagram, Facebook, YouTube, I

2591
02:07:48.960 --> 02:07:52.000
<v Speaker 4>post a video a day. If you want to follow

2592
02:07:52.079 --> 02:07:55.399
<v Speaker 4>me on letterboxed, it's at steel Book. I saw that

2593
02:07:55.439 --> 02:07:57.640
<v Speaker 4>handle was available, like, yep, I'm just gonna grab that.

2594
02:07:57.720 --> 02:08:01.720
<v Speaker 4>That's fine with me, and I have a couple of

2595
02:08:01.760 --> 02:08:06.680
<v Speaker 4>physical media releases coming out soon. I've got I was

2596
02:08:06.720 --> 02:08:10.880
<v Speaker 4>a producer, the main producer on the Dirties from Umbrella Entertainment.

2597
02:08:11.439 --> 02:08:15.439
<v Speaker 4>I hosted the interviews. I kind of crafted the way

2598
02:08:15.439 --> 02:08:18.640
<v Speaker 4>they were edited. I spent so much time on that

2599
02:08:18.760 --> 02:08:21.159
<v Speaker 4>sucker that I can't wait for it to get in

2600
02:08:21.199 --> 02:08:24.840
<v Speaker 4>people's hands. Matt Johnson I've loved for a very long time.

2601
02:08:24.880 --> 02:08:27.359
<v Speaker 4>So the fact that I was able to interview the

2602
02:08:27.399 --> 02:08:30.960
<v Speaker 4>guy and get their input on what they wanted for extras,

2603
02:08:31.600 --> 02:08:33.920
<v Speaker 4>both like physical goodies, like we have a T shirt

2604
02:08:33.960 --> 02:08:39.279
<v Speaker 4>coming out that is like a main factor in the

2605
02:08:39.319 --> 02:08:42.600
<v Speaker 4>setting or the plot of the Dirties, and the fact

2606
02:08:42.640 --> 02:08:44.000
<v Speaker 4>that we were able to come up with like such

2607
02:08:44.000 --> 02:08:47.079
<v Speaker 4>a cool box release. I'm thrilled to get it in

2608
02:08:47.119 --> 02:08:49.680
<v Speaker 4>people's hands, especially if you've seen Nirvana, the band of

2609
02:08:49.680 --> 02:08:51.920
<v Speaker 4>the show, of the movie and really liked that dig

2610
02:08:51.920 --> 02:08:54.359
<v Speaker 4>into his first work. This is a school shooting comedy,

2611
02:08:54.800 --> 02:08:58.960
<v Speaker 4>should not work whatsoever, and it absolutely does. And then

2612
02:08:59.000 --> 02:09:02.319
<v Speaker 4>I have some written work coming in there. Monsters and

2613
02:09:02.359 --> 02:09:04.840
<v Speaker 4>Curiosities box set coming out in April from Umbrella.

2614
02:09:06.520 --> 02:09:08.319
<v Speaker 3>Well, you've spent a lot of time talking about that one,

2615
02:09:08.319 --> 02:09:10.560
<v Speaker 3>but not enough tonight. Tell everybody why that box set

2616
02:09:10.600 --> 02:09:11.159
<v Speaker 3>is so special.

2617
02:09:12.279 --> 02:09:15.159
<v Speaker 4>It's a big one. It's a big, beefy box set

2618
02:09:16.159 --> 02:09:18.560
<v Speaker 4>with a whole bunch. Like the most known movie in

2619
02:09:18.560 --> 02:09:22.279
<v Speaker 4>that box set is The Brida Frankenstein probably, which has

2620
02:09:22.319 --> 02:09:25.239
<v Speaker 4>been released ad nauseum, but there are a lot of

2621
02:09:25.279 --> 02:09:28.600
<v Speaker 4>movies in there that have never received a proper blu

2622
02:09:28.720 --> 02:09:33.039
<v Speaker 4>ray release, which is very cool to see. I have

2623
02:09:33.359 --> 02:09:36.039
<v Speaker 4>a written piece based on the movie The Leech Woman,

2624
02:09:36.199 --> 02:09:40.600
<v Speaker 4>which is very late in like the Monster Run. It

2625
02:09:40.840 --> 02:09:45.920
<v Speaker 4>released in sixty five, I believe. But that movie is

2626
02:09:46.000 --> 02:09:50.039
<v Speaker 4>kind of about hiding your age and trying to be

2627
02:09:50.039 --> 02:09:52.960
<v Speaker 4>beautiful on the outside for as long as possible. So

2628
02:09:54.079 --> 02:09:57.640
<v Speaker 4>me and Aaron Holt Cult of Cinema on a whole

2629
02:09:57.640 --> 02:10:01.399
<v Speaker 4>bunch of different platforms. We had a discussion on age

2630
02:10:01.880 --> 02:10:04.920
<v Speaker 4>aging in cinema and like the horrors, how it's kind

2631
02:10:04.920 --> 02:10:08.439
<v Speaker 4>of being portrayed in the horror genre, and I think

2632
02:10:08.479 --> 02:10:10.920
<v Speaker 4>we had a damn good conversation. It was supposed to

2633
02:10:10.960 --> 02:10:15.880
<v Speaker 4>be a special feature on the disc, and Universal stepped

2634
02:10:15.920 --> 02:10:18.079
<v Speaker 4>in at like the twenty third hour and said, actually,

2635
02:10:18.159 --> 02:10:19.479
<v Speaker 4>you got to pay us for a lot of this

2636
02:10:20.399 --> 02:10:24.640
<v Speaker 4>licensing that you've utilized. Even though you're talking about the

2637
02:10:24.640 --> 02:10:26.399
<v Speaker 4>movie and you have the movie on the disc, you

2638
02:10:26.479 --> 02:10:27.680
<v Speaker 4>got to pay us again if you want to use

2639
02:10:27.680 --> 02:10:30.840
<v Speaker 4>it on the special feature. Which always sucks when that happens,

2640
02:10:30.880 --> 02:10:33.640
<v Speaker 4>and it really gutted a lot of people on the team,

2641
02:10:34.159 --> 02:10:35.920
<v Speaker 4>but you just kind of got to pivot when you can.

2642
02:10:36.000 --> 02:10:38.920
<v Speaker 4>I think what we turned that into into a written

2643
02:10:38.960 --> 02:10:42.319
<v Speaker 4>piece works. Still hoping I can get that special feature

2644
02:10:42.359 --> 02:10:44.319
<v Speaker 4>out just on my YouTube page at some point, because

2645
02:10:44.479 --> 02:10:49.239
<v Speaker 4>we've had a great conversation about just aging in cinema.

2646
02:10:49.279 --> 02:10:52.279
<v Speaker 4>But the box set as a whole, I think is

2647
02:10:53.319 --> 02:10:57.000
<v Speaker 4>such a cool piece. It's a huge box set, twenty

2648
02:10:57.760 --> 02:11:01.760
<v Speaker 4>twenty five twenty six films. There's a lot of content

2649
02:11:01.840 --> 02:11:05.560
<v Speaker 4>in that box and the booklet that's included has over

2650
02:11:05.600 --> 02:11:08.439
<v Speaker 4>one hundred pages hardbound book. If you're a fan of

2651
02:11:08.479 --> 02:11:12.159
<v Speaker 4>those like Universal Monster B type movies, I don't think

2652
02:11:12.399 --> 02:11:14.439
<v Speaker 4>I don't think you're gonna be disappointed in the set.

2653
02:11:15.439 --> 02:11:19.600
<v Speaker 3>It is one of those situations where I see so

2654
02:11:19.600 --> 02:11:21.640
<v Speaker 3>many people and I think I did as well, because

2655
02:11:21.640 --> 02:11:23.239
<v Speaker 3>we had not gotten the word on it yet. But

2656
02:11:23.640 --> 02:11:25.960
<v Speaker 3>when they first announced that box set, it was like,

2657
02:11:26.239 --> 02:11:28.279
<v Speaker 3>oh man, this is great, We're getting all these titles.

2658
02:11:28.600 --> 02:11:31.640
<v Speaker 3>Oh wait, there's like nothing extra on the discs. This

2659
02:11:31.760 --> 02:11:33.359
<v Speaker 3>sucks that we're doing it. And then you find out

2660
02:11:33.359 --> 02:11:37.520
<v Speaker 3>why later and it goes from complaints to understanding and

2661
02:11:37.600 --> 02:11:42.319
<v Speaker 3>empathy to like, hat studios just suck sometimes, Yeah, because

2662
02:11:42.319 --> 02:11:43.439
<v Speaker 3>we probably had.

2663
02:11:44.800 --> 02:11:48.279
<v Speaker 4>Three plus hours of bonus material, like just ready to go,

2664
02:11:48.760 --> 02:11:51.479
<v Speaker 4>and at the last second we couldn't. And I think

2665
02:11:51.479 --> 02:11:54.399
<v Speaker 4>there were a couple that we could have ultimately used,

2666
02:11:54.720 --> 02:11:56.239
<v Speaker 4>but we decided it was kind of an all or

2667
02:11:56.279 --> 02:11:59.199
<v Speaker 4>nothing effort, like we're either going to cause if you

2668
02:11:59.199 --> 02:12:02.039
<v Speaker 4>have one or two mattered across thirteen discs, like who cares,

2669
02:12:02.079 --> 02:12:04.359
<v Speaker 4>Like it's just going to get lost. So either you

2670
02:12:04.359 --> 02:12:07.159
<v Speaker 4>can fill all the discs with bonus content or just

2671
02:12:07.199 --> 02:12:09.640
<v Speaker 4>make the book as beefy as possible and at the

2672
02:12:09.720 --> 02:12:11.399
<v Speaker 4>end of the day, I'm happy with what the final

2673
02:12:11.439 --> 02:12:16.079
<v Speaker 4>product's going to be, but I'm a proponent for special features. Man,

2674
02:12:16.279 --> 02:12:17.720
<v Speaker 4>That's like one of the main reasons why I love

2675
02:12:17.760 --> 02:12:20.399
<v Speaker 4>physical media. So it stings that it's not there. But

2676
02:12:20.560 --> 02:12:23.000
<v Speaker 4>I still think the box set as a whole has

2677
02:12:23.199 --> 02:12:26.159
<v Speaker 4>value for sure, and I think it's it's worth checking

2678
02:12:26.159 --> 02:12:27.359
<v Speaker 4>out if you're a fan of that genre.

2679
02:12:28.479 --> 02:12:30.600
<v Speaker 3>Any other interviews or anything coming up on the show

2680
02:12:30.600 --> 02:12:31.439
<v Speaker 3>that you want to hype up.

2681
02:12:34.159 --> 02:12:37.199
<v Speaker 4>Nothing too crazy. I'm still working on a bunch. Nothing

2682
02:12:37.319 --> 02:12:41.880
<v Speaker 4>is finalized, but I'm hoping to get more kind of

2683
02:12:42.079 --> 02:12:46.600
<v Speaker 4>in the entertainment realm. Working on scheduling at the moment,

2684
02:12:46.640 --> 02:12:47.800
<v Speaker 4>so nothing to announce yet.

2685
02:12:48.479 --> 02:12:50.479
<v Speaker 3>All Right, everybody go follow Steep look obsessed. All the

2686
02:12:50.520 --> 02:12:53.720
<v Speaker 3>links are in the description below. Jake, thanks for doing this. Finally,

2687
02:12:54.159 --> 02:12:54.960
<v Speaker 3>absolutely no.

2688
02:12:55.039 --> 02:12:56.880
<v Speaker 4>It was a blast. I feel like I had nothing

2689
02:12:56.920 --> 02:12:59.399
<v Speaker 4>to say for two thirds of the new announcements because

2690
02:12:59.399 --> 02:13:02.199
<v Speaker 4>it was all just older films and foreign films not

2691
02:13:02.279 --> 02:13:05.319
<v Speaker 4>my forte. But yeah, it was fun to be on here.

2692
02:13:05.399 --> 02:13:08.000
<v Speaker 3>Nonetheless, I will be honest, I think this may be

2693
02:13:08.039 --> 02:13:11.680
<v Speaker 3>the most eclectic week of releases we've ever had. Literally,

2694
02:13:11.760 --> 02:13:14.159
<v Speaker 3>the titles that we're announced this week. I mean from

2695
02:13:14.640 --> 02:13:19.159
<v Speaker 3>radiance from universal pre code stuff to random keynotype, like

2696
02:13:19.439 --> 02:13:22.279
<v Speaker 3>we went from nineteen thirty two WC. Fields to Harry

2697
02:13:22.359 --> 02:13:23.159
<v Speaker 3>and the Hendersons.

2698
02:13:23.479 --> 02:13:27.199
<v Speaker 4>Yeah, I had something to say about Harry. That's about it.

2699
02:13:27.239 --> 02:13:28.319
<v Speaker 4>That's all you got from me.

2700
02:13:29.399 --> 02:13:31.960
<v Speaker 3>Well, on that note, thanks everybody praying out. Next week

2701
02:13:32.000 --> 02:13:34.239
<v Speaker 3>I will be back as usual, of course, because I'm

2702
02:13:34.239 --> 02:13:36.479
<v Speaker 3>always here other than last week. Let's not talk about that.

2703
02:13:36.960 --> 02:13:38.600
<v Speaker 3>We'll see you next time. Have a good week and

2704
02:13:38.640 --> 02:13:42.479
<v Speaker 3>stay safe. See y'all. Thank you for watching the Disconnected.

2705
02:13:42.760 --> 02:13:44.760
<v Speaker 3>On the way out, make sure that you are subscribed

2706
02:13:44.800 --> 02:13:47.039
<v Speaker 3>to the channel, that you've liked the video, and that

2707
02:13:47.079 --> 02:13:48.720
<v Speaker 3>you've copied the link to be able to share with

2708
02:13:48.760 --> 02:14:28.199
<v Speaker 3>someone else that may appreciate this. Welcome to the official

2709
02:14:28.279 --> 02:14:31.840
<v Speaker 3>Deaf Crocodile Podcast. I am Ryan Verl and every month

2710
02:14:31.960 --> 02:14:34.800
<v Speaker 3>I am joined by the owners of Deaf Crocodile themselves,

2711
02:14:34.960 --> 02:14:38.239
<v Speaker 3>Craig Rogers and Dennis Bartalk as we share the stories

2712
02:14:38.279 --> 02:14:41.640
<v Speaker 3>behind the restorations, the acquisitions, and the special features behind

2713
02:14:41.680 --> 02:14:46.359
<v Speaker 3>these restored home video releases curated by Deaf Crocodile. Not

2714
02:14:46.479 --> 02:14:48.600
<v Speaker 3>only will you find episodes where we break down the

2715
02:14:48.640 --> 02:14:51.720
<v Speaker 3>announcements but we will also be sharing audio commentaries from

2716
02:14:51.720 --> 02:14:54.079
<v Speaker 3>the home video releases themselves so that you can listen

2717
02:14:54.239 --> 02:14:56.880
<v Speaker 3>on the go. Proudly a part of the Someone's Favorite

2718
02:14:56.880 --> 02:15:04.600
<v Speaker 3>Productions podcast network. Hi, this is.

2719
02:15:04.560 --> 02:15:08.840
<v Speaker 5>Tony Matis Hi and this is John Matthews and we.

2720
02:15:08.760 --> 02:15:12.720
<v Speaker 6>Are the co hosts of the podcast Imprint Cast, the

2721
02:15:12.800 --> 02:15:15.960
<v Speaker 6>podcast dedicated to the Australia boutique label Imprint Films.

2722
02:15:16.560 --> 02:15:18.960
<v Speaker 5>Yes, if you want to know everything related to Imprint

2723
02:15:19.039 --> 02:15:21.399
<v Speaker 5>or in the Imprint world, this is the podcast for you,

2724
02:15:21.600 --> 02:15:25.359
<v Speaker 5>as we cover announcements and also upcoming releases from the

2725
02:15:25.359 --> 02:15:26.239
<v Speaker 5>Imprint lineup.

2726
02:15:26.800 --> 02:15:29.520
<v Speaker 6>Yes, and we are not the only hosts on the show.

2727
02:15:29.600 --> 02:15:33.680
<v Speaker 6>We also have family members who include Suzan Bolen, Paul Berryman,

2728
02:15:34.399 --> 02:15:36.720
<v Speaker 6>Jim Mulgerhill as well as Ryan Kendall.

2729
02:15:37.199 --> 02:15:40.600
<v Speaker 5>Also joining us are content creators. Content creators who contribute

2730
02:15:40.600 --> 02:15:44.039
<v Speaker 5>to the Imprint releases, doing commentaries essays. They're actually on

2731
02:15:44.079 --> 02:15:47.199
<v Speaker 5>the show discussing the releases they worked on via deep

2732
02:15:47.239 --> 02:15:49.319
<v Speaker 5>dive episodes covering various titles.

2733
02:15:49.359 --> 02:15:53.119
<v Speaker 6>You can also watch our videos on certain episodes with

2734
02:15:53.239 --> 02:15:56.399
<v Speaker 6>the content creyers as well as us as well as

2735
02:15:56.399 --> 02:15:58.720
<v Speaker 6>the family members. And of course you can always listen

2736
02:15:58.800 --> 02:16:01.920
<v Speaker 6>to this podcast us wherever you listen to your podcast

2737
02:16:02.000 --> 02:16:04.920
<v Speaker 6>and our YouTube channel, Imprintcast.

2738
02:16:04.960 --> 02:16:07.760
<v Speaker 5>And don't forget Imprintcasts is a part of Someone's Favorite

2739
02:16:07.760 --> 02:16:09.279
<v Speaker 5>Productions Podcast Network.

2740
02:16:15.239 --> 02:16:18.119
<v Speaker 1>Thank you for listening to hear more shows from the

2741
02:16:18.119 --> 02:16:21.960
<v Speaker 1>Someone's Favorite Productions Podcast Network. Please select the link in

2742
02:16:22.000 --> 02:16:22.560
<v Speaker 1>the description
