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<v Speaker 1>In a dystopian alternate universe, the government has decided that

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<v Speaker 1>all pre marital sex is now outlawed. However, under purge

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<v Speaker 1>like circumstances, the singles are allowed to mingle annually for

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<v Speaker 1>twelve hours on one night only. I'm Ronald Young Junior,

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<v Speaker 1>and I'm leaving the theater. All right. This is Ronald

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<v Speaker 1>and I Am leaving the theater after seeing one night Only.

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<v Speaker 1>One night Only. Written by Travis Brawn, directed by Will Gluck,

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<v Speaker 1>starring Monica Barbarro, Callum Turner, Maya Hawk, Julia Fox, King,

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<v Speaker 1>Princess Ben Marshall, z Way, Molly Ringwald, ste Higham, and

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<v Speaker 1>LeVar Burton per Usual. For complete cast listing of the

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<v Speaker 1>cast and crew, you can check out the link in

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<v Speaker 1>our show notes. I am not here alone today. I

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<v Speaker 1>am here with Jonqueline Hill. Fan favorite Jacqueline Hill. I've

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<v Speaker 1>heard at least one fan that says that you're their favorite.

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<v Speaker 2>Oh my gosh, person said in it, so it technically counts.

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<v Speaker 1>And there was somebody in the Patreon too, So oh,

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<v Speaker 1>they're like really really, really really leveraged on this.

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<v Speaker 2>Oh my gosh, I'm sensing a pattern.

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<v Speaker 1>That's the pattern me. Oh okay, yeah, that's a pattern, like, oh, okay,

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<v Speaker 1>that makes sense, Okay, one night only. This is a

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<v Speaker 1>romantic comedy set in New York City in a dystopian

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<v Speaker 1>future or present in which.

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<v Speaker 2>It could go either way. Like it and we'll get

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<v Speaker 2>to it. I do think it has something to say.

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<v Speaker 1>In a dystopian alternate universe in which sex before marriage

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<v Speaker 1>is outlawed except for one night exemption from seven pm

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<v Speaker 1>to seven am. It is the purge, but it is sex,

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<v Speaker 1>and that is the premise. These two young people are

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<v Speaker 1>out trying to also get some of that sex for themselves,

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<v Speaker 1>and they end up on a night long venture of

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<v Speaker 1>crossing paths over and over again, wondering why they keep

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<v Speaker 1>ending up unlucky in love? Jonqueline Hill, what did you

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<v Speaker 1>think of this? Your copy of the bank? Jocquolin Hill,

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<v Speaker 1>what did you think of this movie?

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<v Speaker 2>I really enjoyed this. This was like, this is kind

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<v Speaker 2>of the rom com I think I've been itching for

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<v Speaker 2>for a while. It is the twenty twenti's answer to

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<v Speaker 2>the rom com. I feel like it falls in line

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<v Speaker 2>with your say, Your New Year's Day, your Valentine's Day,

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<v Speaker 2>those sort of ensemble movies. Even though this is not

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<v Speaker 2>an ensemble. There are two stars. There are lots of cameos.

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<v Speaker 1>There's lots of cameos.

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<v Speaker 2>There's lots of Who's that. There's a lot of product.

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<v Speaker 1>Placement, a lot of product placement.

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<v Speaker 2>I'm like, oh, you want me to buy things? There

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<v Speaker 2>are things you would like me to purchase. Y'all paid

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<v Speaker 2>for this movie with.

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<v Speaker 1>A y jelly and directs.

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<v Speaker 2>Yes, they said we're a pair and we are going

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<v Speaker 2>to get it on this. But at the same time,

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<v Speaker 2>it was really fun. It was really enjoyable. I was

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<v Speaker 2>skeptical of the premise at first going in, but it

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<v Speaker 2>worked like they did it in a way that worked

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<v Speaker 2>that didn't. I mean, all round, corn coms are a

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<v Speaker 2>little corny, a little cheesy, but I think love is

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<v Speaker 2>inherently corny and cheesy, and so it really it really

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<v Speaker 2>worked for me. I enjoyed this. This was I had

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<v Speaker 2>a fun time. Would you call it a romp?

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<v Speaker 1>I don't know if I would call it a romp,

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<v Speaker 1>But I really loved this movie. I had a really

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<v Speaker 1>good time. Now I'm questioning on what my definition of

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<v Speaker 1>a romp is, but I had a good time from

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<v Speaker 1>the beginning to end. I like the music, I like

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<v Speaker 1>the setting in New York. Granted, I am a sucker

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<v Speaker 1>for movies set in New York, and now that I've

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<v Speaker 1>spent a lot more time in New York, I think

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<v Speaker 1>this is a one of the better depictions of being

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<v Speaker 1>in New York. One of the better depictions. I'm not

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<v Speaker 1>saying the best. I know this. New Yorkers are gonna

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<v Speaker 1>watch this, like, what are you talking about? You can't

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<v Speaker 1>get across town, and like, yes, I know all that's true,

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<v Speaker 1>but just showing the little bits of it were very

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<v Speaker 1>It was very fun. The setting and place. I thought.

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<v Speaker 1>Callum Turner and Monica Barbaro, who is my new celebrity crush,

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<v Speaker 1>I just I loved her so much. He's very charming.

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<v Speaker 1>I think she's charming enough for the both of them.

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<v Speaker 1>But I also think that Callum Turner played the role

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<v Speaker 1>that he was playing very very well. I thought that,

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<v Speaker 1>I don't know, they worked well together, Callum Turner more

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<v Speaker 1>on the side of Klum Turner was doing more. I'm

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<v Speaker 1>a focused man, I have goals, i have ambitions. I'm

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<v Speaker 1>going in a certain direction. This is I want my

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<v Speaker 1>life to be. And Monica Barbaro is more disillusioned with

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<v Speaker 1>her life. She wants more. She's a dreamer, she's a creative,

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<v Speaker 1>but she wants to fall in love. She wants romance.

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<v Speaker 1>And both of them are arriving at the conclusion that

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<v Speaker 1>they want to have sex on this night, but for

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<v Speaker 1>both of them, they didn't want it to be meaningless.

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<v Speaker 1>Until meaningless sex is kind of forced upon them in

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<v Speaker 1>a not in a non consensual way, but more in

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<v Speaker 1>a circumstantial way, which I don't know. I thought it

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<v Speaker 1>worked in terms of moving the plot along.

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<v Speaker 2>Yeah, I think one I understand why I do a

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<v Speaker 2>lipa Mary Kalum Turner. I'm like, I see how this happened.

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<v Speaker 2>It was a little bit. I'm like, these people can't

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<v Speaker 2>get laid. Are we sure? Are we do? Sound it's

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<v Speaker 2>looking like a skill issue because this should not be

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<v Speaker 2>a problem. I found myself thinking, Okay, what is the

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<v Speaker 2>politics of this movie? And it very much has something

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<v Speaker 2>to say about our current political climate that we're in.

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<v Speaker 2>It has a lot to say. It's kind of winking

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<v Speaker 2>at the falling birth rate a little. Yes, it's really

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<v Speaker 2>like and just like, and we're going to ge policies

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<v Speaker 2>to do that. Now, this is a policy that I

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<v Speaker 2>think would have the opposite effect but it gets at

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<v Speaker 2>that at the same time as it's like, hey, let

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<v Speaker 2>people do they want, we do what they want prosex.

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<v Speaker 2>It's very much like but it can be meaningful like

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<v Speaker 2>it's also a critique of hookup culture, and normally critiques

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<v Speaker 2>of hookup culture make me roll my eyes because I

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<v Speaker 2>feel like you should be able to do what you want,

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<v Speaker 2>but it kind of like, hey, what if you don't

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<v Speaker 2>want to do this. Something that I thought was interesting

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<v Speaker 2>and appreciated is how little the internet.

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<v Speaker 1>Showed up that. Okay, now that you say that, I'm realizing, yeah,

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<v Speaker 1>I mean it shows up. There's an app form at

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<v Speaker 1>one point, and then I can't think of another time

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<v Speaker 1>that it was really in there.

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<v Speaker 2>Yeah, they're all talking to each other in person. And

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<v Speaker 2>I was sitting there and I was thinking, if this

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<v Speaker 2>was the universe we lived in, I would have been

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<v Speaker 2>on the app days ago and been like, hey, like

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<v Speaker 2>what's going on? Blah blah blah, Like it would have

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<v Speaker 2>been like okay, and we're swiping and we're talking and

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<v Speaker 2>we're swiping and what are we doing? Like let And

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<v Speaker 2>it really didn't do that. It really was like, no,

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<v Speaker 2>these people are meeting in real life. People are going

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<v Speaker 2>off chemistry. They don't need one girl left her phone

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<v Speaker 2>at home. Like I thought that was really interesting how

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<v Speaker 2>it took the internet and phones out of the equation

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<v Speaker 2>in a way that didn't feel like, oh, this isn't

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<v Speaker 2>happening now. It spoke to how people when it comes

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<v Speaker 2>to dating, when it comes to relationships, when it comes

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<v Speaker 2>to sex, we're kind of tired of the apps. I

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<v Speaker 2>think it got at that.

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<v Speaker 1>I like this movie because I like anything that is

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<v Speaker 1>a call that is basically a commentary on our present

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<v Speaker 1>dating lives now, but set in kind of a dystopian

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<v Speaker 1>or futuristic way. And I think what this does well

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<v Speaker 1>is exactly what you said about the hookup culture, which

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<v Speaker 1>is it is saying essentially, society seems to be forcing

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<v Speaker 1>us in a direction, and there are quite a few

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<v Speaker 1>people that are either resigned to their fate of going

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<v Speaker 1>in that direction, which in this case is having the

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<v Speaker 1>night of sex, and you know, like kind of throwing

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<v Speaker 1>caution to the wind, doing what they have to do.

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<v Speaker 1>And there's some people who are just like, Okay, I'll

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<v Speaker 1>do it, but I don't really want to. I don't

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<v Speaker 1>necessarily want to do this thing that everyone says that

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<v Speaker 1>I have to do, and in some cases that is

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<v Speaker 1>the relationship escalator to marriage, kids, house, and another case

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<v Speaker 1>is it's hookup culture. And I feel like what this

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<v Speaker 1>movie does well is strike a balance between the two

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<v Speaker 1>of those things, because they did show all of these

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<v Speaker 1>people getting wild about the hook up, and in another

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<v Speaker 1>case they show a couple of people who are happily married,

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<v Speaker 1>or there's some indications that people are happily married and

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<v Speaker 1>not really worried about hooking up on this night. But

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<v Speaker 1>then I like when they deal with the grappling of

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<v Speaker 1>people who say, do we have to do this though,

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<v Speaker 1>Like we weren't responsible for whatever caused this policy, and

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<v Speaker 1>now we're kind of thrown into these circumstances that don't

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<v Speaker 1>really They don't really we don't want to be a

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<v Speaker 1>part of this. They like, we didn't ask for this.

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<v Speaker 1>They're just thrust upon us, and we're participating because maybe

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<v Speaker 1>we want to, or maybe we don't have any other choice,

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<v Speaker 1>maybe we don't feel like we have any other choice.

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<v Speaker 1>And I just I like a movie that does that

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<v Speaker 1>because that's what I feel like dating is right now.

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<v Speaker 1>I feel like the apps are you are either forced

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<v Speaker 1>onto an app or you're like forced to go out

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<v Speaker 1>to the party so you could meet people. It seem

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<v Speaker 1>like you're being social when the truth is we just

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<v Speaker 1>want to meet our person while doing the things that

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<v Speaker 1>we already do and hoping that they have a life

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<v Speaker 1>similar to ours and settle it that way. That would

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<v Speaker 1>be the nicest way, And that's kind of what happens

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<v Speaker 1>in this film.

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<v Speaker 2>Yeah, it was like, oh, dang, meet cutes, Like everyone

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<v Speaker 2>had a meet cute, like if whether it was people

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<v Speaker 2>like Oh, I'm going out with my friends and I

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<v Speaker 2>met them in line for the bath and we're gonna like,

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<v Speaker 2>oh we were out and about like oh, we were

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<v Speaker 2>at a party, Like meat cutes are happening, and I

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<v Speaker 2>think the world is their sy for meat cutes. One

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<v Speaker 2>other thing that I appreciated, which was very realistic, was

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<v Speaker 2>the way there's a sea where someone is eating soup dumplings,

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<v Speaker 2>and I'm like, yeah, that happens when you eat soup dumplings.

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<v Speaker 1>Correct, like the fall apart?

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<v Speaker 2>Yeah, Like sorry, I'm great with chopsticks, but this is

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<v Speaker 2>gonna happen with soup dumplings.

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<v Speaker 1>Yeah, agreed. I thought it was very realistic in that regard.

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<v Speaker 1>Do you think I'm wondering in case of the hooking.

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<v Speaker 1>Sorry now I'm thinking about soup dumplings. Do you think

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<v Speaker 1>with regard to especially when it comes to hookup culture,

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<v Speaker 1>dating all of that, do you think that this is

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<v Speaker 1>this movie pro sex or anti sex? Where did you

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<v Speaker 1>feel like it actually fell?

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<v Speaker 2>Okay? I think that's interesting because there's a moment towards

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<v Speaker 2>the end that made me think, is this a promise

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<v Speaker 2>ring ass movie? Is this a a Are we doing purity?

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<v Speaker 2>Are we doing purity culture? And as someone who I mean,

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<v Speaker 2>I don't I don't tell you grew up in church

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<v Speaker 2>and during the Bush years, yeah, a lot of abstinence

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<v Speaker 2>education literally in public school.

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<v Speaker 1>Wow.

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<v Speaker 2>Wow, And so there was a moment where it's like, hmmm,

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<v Speaker 2>what are you saying? But I think I think the

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<v Speaker 2>movie is pro hey, you should do what you want

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<v Speaker 2>to do and happy, healthy and safe ways. Yeah, Like

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<v Speaker 2>I think that's really what it comes down to, Like

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<v Speaker 2>we have elders. I'm getting very interesting. There's one person

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<v Speaker 2>where it's like, ooh, is this gonna be like, hey,

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<v Speaker 2>don't run off with that guy. See what happens, And

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<v Speaker 2>it's like, no, it actually ended up fine, and like

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<v Speaker 2>I'm having a great time and this is exactly what

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<v Speaker 2>I wanted. We're doing what we're doing, and then there

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<v Speaker 2>are other people who are like, well, yeah, I like you,

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<v Speaker 2>but I don't want to rush this. I kind of

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<v Speaker 2>want to like get to know you and date for

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<v Speaker 2>real and see what happens, and all right, if we

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<v Speaker 2>got a way a year, we got a wait a year.

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<v Speaker 2>So I don't I think it was on the way

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<v Speaker 2>out of the movie. I did have a moment where

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<v Speaker 2>is this anti sex? Is this? And I I don't

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<v Speaker 2>think it falls in the line of like anti rpro.

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<v Speaker 2>I think it's very much do what you want and

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<v Speaker 2>a take. I'm just not used to take that nuanced anymore.

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<v Speaker 1>I agree. I think it's very nuanced. I think this

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<v Speaker 1>movie is pro nuance, which is good. I think it's

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<v Speaker 1>it doesn't fall firmly on one side or the other.

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<v Speaker 1>I think it sticks to the rules of romance in

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<v Speaker 1>terms of its leads and saying, well, these two people

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<v Speaker 1>are falling in love and they're having some hesitations about

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<v Speaker 1>their other connections, which is a very real thing that

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<v Speaker 1>you don't often see depicted, saying I could hook up

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<v Speaker 1>with other people. I could, but I kind of don't

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<v Speaker 1>want to, you know what, I mean like I kinda

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<v Speaker 1>I don't. I like, I have this opportunity, but babe,

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<v Speaker 1>and it doesn't happen, and I'm kind of glad that

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<v Speaker 1>it didn't because I still kind of like this person

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<v Speaker 1>and I would rather put my energy into them. Yeah.

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<v Speaker 2>I don't know if you go through this, but like,

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<v Speaker 2>as a person who is out on the apps, sometimes

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<v Speaker 2>I'm like, yeah, I'm gonna swipe, I'm gonna go on dates,

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<v Speaker 2>and other times I'm like, yeah, I want to find someone,

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<v Speaker 2>but I just don't feel like doing this and I'm

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<v Speaker 2>not gonna do it if my heart's not in it.

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<v Speaker 2>I think it's very much like, don't do it if

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<v Speaker 2>your heart's not in it.

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<v Speaker 1>I absolutely agree.

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<v Speaker 2>I think it's also the movie is also just like

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<v Speaker 2>that's a great lesson. However, the movie it's also like capitalism, capitalism, capitalism,

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<v Speaker 2>oh uh, like subway signs. Every business featured in it

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<v Speaker 2>acknowledges it. They're like, oh yeah, we would totally do

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<v Speaker 2>it at campaign for that, and it's that almost is

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<v Speaker 2>that is also dystopian, where it's just like wow, America

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<v Speaker 2>runs every night and the one night like oh uh,

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<v Speaker 2>want to get fluent in Spanish and.

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<v Speaker 1>Love yeah, yeah, I forgot about that one.

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<v Speaker 2>Yeah, it's very much like that. At the same time,

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<v Speaker 2>they kind of the the an underlying plotline is them

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<v Speaker 2>making fun of that shameless capitalism. Yeah, and so it's

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<v Speaker 2>like it's a wink and a nod. It's a wink

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<v Speaker 2>and a nod to be like, yeah, we know.

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<v Speaker 1>It's savvy in the way that it incorporates advertising into

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<v Speaker 1>the film itself, but also the advertising is a bit

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<v Speaker 1>of a plot device that kind of is good for

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<v Speaker 1>world building, if you will, in a way that I enjoyed,

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<v Speaker 1>I thought was good. With all of that being said,

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<v Speaker 1>here on leaving the theater, we rate movies out of

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<v Speaker 1>five stars. I think you know the rating system. Well,

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<v Speaker 1>three means you'd see it again, five means perfect satisfying,

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<v Speaker 1>one hated it, two didn't like it, four loved it.

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<v Speaker 1>Jocquelin Hill, what do you rate this movie out of

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<v Speaker 1>five stars?

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<v Speaker 2>I'm a solid four. When the movie was ending, I

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<v Speaker 2>texted several group chats where I was like, Hey, go

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<v Speaker 2>see this movie. I even posted, Hey, I know it's

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<v Speaker 2>become a meme and we're rolling our eyes, but this

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<v Speaker 2>is actually a really cute movie. I think it's really

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<v Speaker 2>good it's nice to see. Is it a mid budget wrong? Come? Also,

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<v Speaker 2>who are the people friends with? Because everyone was in

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<v Speaker 2>that movie? Every single person was in that movie. There

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<v Speaker 2>was a moment where I was like, am I in

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<v Speaker 2>this movie? Was I in this movie? Like? What? What?

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<v Speaker 2>And at first I thought, Oh, it's like every now

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<v Speaker 2>there's one big one. And I was like, oh, it's

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<v Speaker 2>like every now, and then they're being like, hey, we

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<v Speaker 2>got we got a big one. And then I was like, oh,

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<v Speaker 2>this is a lot of big ones. How much did

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<v Speaker 2>that cost? Were these favors called in? Some people don't

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<v Speaker 2>even make an actual appearance, it's just their photo. But

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<v Speaker 2>even that is like, whoa what? Whoa what? Everyone is

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<v Speaker 2>in this movie.

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<v Speaker 1>I give it a four point one zero stars. And

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<v Speaker 1>the reason why is because I gave The Odyssey and

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<v Speaker 1>The Invite four stars, and I like Spider Man a

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<v Speaker 1>little more than that at four point one stars. I

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<v Speaker 1>liked this as much as I like Spider Man. I

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<v Speaker 1>want to see both of them again. It was just

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<v Speaker 1>it was good, It was enjoyable. It was a light,

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<v Speaker 1>fun time. It was for those people who listen to

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<v Speaker 1>this show that are looking for a movie that is

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<v Speaker 1>it's not gonna get a lot of fanfare. It's gonna

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<v Speaker 1>get swallowed up by Spider Man that is already made

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<v Speaker 1>a billion dollars in like six days, and it's up

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<v Speaker 1>against that again this weekend. If you're looking for something

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<v Speaker 1>that's not that and you want to just go to

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<v Speaker 1>the movies and feel the nostalgia of being at the

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<v Speaker 1>movies in a simpler time, this is the film for you.

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<v Speaker 1>This is the film for you. It's just it's easy,

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<v Speaker 1>it's right down the middle. It's enjoyable. I want to

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<v Speaker 1>watch it again. I want to show it to a

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<v Speaker 1>bunch of people. I want them all to watch it.

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<v Speaker 1>I just really enjoyed it. I think there's I think

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<v Speaker 1>it could have been a little shorter. I think they

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<v Speaker 1>stretched the ending a little bit. That's the only reason

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<v Speaker 1>why it's not getting like a four point five or

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<v Speaker 1>even a five star rating, because there was a couple

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<v Speaker 1>parts in which, especially at the end, where I was

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<v Speaker 1>satisfied at one point, and it kind of kept going

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<v Speaker 1>a little bit, maybe like two to three minutes longer

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<v Speaker 1>than I think it needed to.

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<v Speaker 2>I think it did a thing.

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<v Speaker 1>Are alert, don't actually spoil it?

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<v Speaker 2>Yeah they're.

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<v Speaker 1>Yeah, do it without spoiling a jocolate.

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<v Speaker 2>There is a satisfaction you want to have in the

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<v Speaker 2>movie that you kind of get but don't, and I

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<v Speaker 2>think they tried to have it both ways. I agree,

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<v Speaker 2>And you know what, I understand why they had to

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<v Speaker 2>have it both ways, because this particular element of movies

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<v Speaker 2>we don't get anymore.

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<v Speaker 1>We really don't.

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<v Speaker 2>We don't. I one time I was homesick and I

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<v Speaker 2>watched Ghost for the first time, and I was like,

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<v Speaker 2>we're not doing it like this anymore. The angle like,

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<v Speaker 2>we're not doing it like this anymore. And I think

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<v Speaker 2>we're still not doing it like this anymore. If we were,

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<v Speaker 2>we'd be out of five. But they were like, well,

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<v Speaker 2>maybe we can just a little, like we can be

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<v Speaker 2>like we know what the people want and one can

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<v Speaker 2>give them little of it, maybe both ways, both ways,

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<v Speaker 2>And it's like you can't have it both ways.

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<v Speaker 1>I think there's one scene in particular, and you're right

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<v Speaker 1>both ways. I think there's one scene in particular that

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<v Speaker 1>just went like you either I'll just say this, you

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<v Speaker 1>either in the movie with a dance number or you

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<v Speaker 1>in the movie with a time jump. You cannot end

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<v Speaker 1>with both.

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<v Speaker 2>Ooh yeah, yeah, Actually, now I think of it. I

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<v Speaker 2>think one of I think the more ridiculous ending would

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<v Speaker 2>have been the best one.

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<v Speaker 1>I think so too.

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<v Speaker 2>I think you have been so funny.

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<v Speaker 1>Actually yeah, I think you just you you there. In

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<v Speaker 1>most rom coms, there's a scene where the person runs

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<v Speaker 1>and it was you all along and they look at

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<v Speaker 1>each other and they have a little kiss, and the

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<v Speaker 1>classic ones will do the time jump right there and

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<v Speaker 1>it's over, or you end on music, or you do

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<v Speaker 1>the time jump and in with music in the time jump.

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<v Speaker 1>You don't end with music and then fade out and

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<v Speaker 1>then do a time jump. You just don't do that.

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<v Speaker 1>And I think that's probably we're out of practice. So

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<v Speaker 1>I'll just say that we're out of practice because that part,

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<v Speaker 1>At that point, I was like, hmm, what are we

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<v Speaker 1>doing here? Just we I get it. I'm happy. Stop

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<v Speaker 1>stop doing what you're doing. You're you're selling past the clothes.

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<v Speaker 1>As they say, you've closed the deal. You don't need

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<v Speaker 1>to keep selling anymore.

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<v Speaker 2>Yeah. I think we could have had a fun after

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<v Speaker 2>credits scene.

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<v Speaker 1>Mid credits. Yes, Hitch did that. Hitch did that. They're

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<v Speaker 1>dancing through the credits and that's fine, you know what

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<v Speaker 1>I mean, Like that's it is what it is.

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<v Speaker 2>With all those different people. I would have loved.

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<v Speaker 1>To see I'll take real. Yes in the credits.

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<v Speaker 2>Yes, and there are funny people in this movie.

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<v Speaker 1>I know they had some mouth ting.

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<v Speaker 2>I know there's riffing. There's one with two actors where

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<v Speaker 2>it's just like, what is this combination of people l

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<v Speaker 2>the cops.

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<v Speaker 1>Oh, I was the fake house at the bar, the

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<v Speaker 1>guys at the bar. Oh. Yes, yes another one, yes, yes, yes,

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<v Speaker 1>Like we're not riffing.

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<v Speaker 2>We're not riffing. We're not doing more with magic cards.

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<v Speaker 1>Okay, we're doing anyway. We're out of the review. This

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<v Speaker 1>is our normal drive home conversation we're having now, all

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<v Speaker 1>right with that? Leave at the Theater is a production

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<v Speaker 1>of Oh It's Big Rod Studios. I mixed this episode.

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<v Speaker 1>We are now the second week past the big announcement

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<v Speaker 1>that has been posted on Patreon, which has to do

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<v Speaker 1>with the new podcast that I am producing. I've been

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<v Speaker 1>working on it. I have done a lot of recording.

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<v Speaker 1>I've done a lot of traveling. I just listened to

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<v Speaker 1>the last available recorded tape today and I highlighted it all.

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<v Speaker 1>And I'll now I have to write, write episodes and

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<v Speaker 1>send them downstream to my editor. And make sure that

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<v Speaker 1>it is good. I am so excited about this. Every

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<v Speaker 1>time I listen back to tape, I wonder did I

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<v Speaker 1>actually get it? And I realize that I have something,

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<v Speaker 1>and now the right is what takes it over the

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<v Speaker 1>next edge to make it into the thing, the special

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<v Speaker 1>that it's supposed to be. I am doing that. And

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<v Speaker 1>today I went to the library and I was working,

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<v Speaker 1>and I came here and I watched the screening and

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<v Speaker 1>then I recorded this episode. I'll go home, I'll download this.

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<v Speaker 1>I'll do a lot of writing tomorrow morning, and arranging

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<v Speaker 1>and thinking and dreaming. I'll do all of that tomorrow

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<v Speaker 1>and more of it on Thursday, and then i'll do

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<v Speaker 1>more on Saturday. I have a lot of work, and

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<v Speaker 1>I'm excited about the work. It is truly a labor

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<v Speaker 1>of love to work for Oh It's Big Ron Studios.

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<v Speaker 1>But it's still labor. If that means something to you,

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<v Speaker 1>go to patreon dot com slash oh It's Big Ron,

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<v Speaker 1>or go to the link in our show notes. Show

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<v Speaker 1>art from Heather Wilder, theme music by the mysterious Breakmaster Cylinder.

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<v Speaker 1>For more information about One Night Only or Jocquallin Hill,

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<v Speaker 1>check out our show notes. You can follow me on Instagram,

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<v Speaker 1>Blue Sky, TikTok, threads, or letterbox at Owitz Big Ron.

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<v Speaker 1>That's at O H I T S b I g

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<v Speaker 1>R O N. You can find out more about this

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<v Speaker 1>show and other Ois Big Ron Studio shows by following

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<v Speaker 1>us on Instagram at Owens Big Ron Studios. Leaving the

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<v Speaker 1>theater will be back soon. Thanks for listening and thanks

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<v Speaker 1>for being on the show.

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<v Speaker 2>Thanks for having me friend. This was great. Give Ronald

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<v Speaker 2>your money so he can make cool stuff.

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<v Speaker 1>I'm Ronald Young Junior and I'm thinking about zoop tumplinks.
