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Speaker 1: Lay Your Armor Down, a novel by Michael Ferris Smith,

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Chapter one. She moved in the solemn lamplight of the

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cluttered house, like a vague figure of a troubled dream.

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She shuffled from room to room, opening drawers and closet doors,

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and picking up things and putting them into the grocery sack,

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no sense or order to the gathering. A random ring

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and a broken bracelet from a spilled jewelry box, one shoe,

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a ragged notebook from the bottom of a stack of

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other ragged notebooks, two postcards from a long dead sister,

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a handful of hair clips, a small wooden picture frame

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that held the rudimentary drawing of an angel that had

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been created by her child decades before. She wore a

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thin housecoat that hung on her aged and slender figure,

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her gray hair, and a matted mess. She talked to

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herself as she moved throughout the house, reminding herself of

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errands that had been years ago completed, and gossiping about

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people she no longer knew, and singing fragments of songs

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that had once played on the radio during the summer

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days of her small down ut. In doorways, she would

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stop and look into the shadows and touch the tip

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of her index finger to her chin and hold it

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there in trouble fault, and then she would begin again

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to fill the sack with random fragments of time gone by.

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At the end of the hallway, the closet door was open,

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and the contents overflowed and spilled out onto the floor,

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as if the house were regurgitating its own clutter. The

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pace of her rambling quickened as she dropped to her

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knees and began to dig into the closet as if

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just remembering something essential, her arms thin and weak but

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working in a sudden fever as she pushed away dirty

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towels and newspapers and shoe boxes. As she burrowed into

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the closet. At the bottom of the pile, she found

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a thin red coffee can, and she opened the top

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and felt inside and touched the roll of cash. She

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kept digging, and she pulled out three more coffee cans

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from beneath the rubble, and each one held a roll

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of cash of various size, a savings hidden away and

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then forgotten, and then remembered again in the swirling winds

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of her mind. She dropped the rolls of money into

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a grocery sack. With the random gathering, ran her fingers

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across her pallid face, her eyes like deepest windows into

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the sprawling world. She seemed to gather herself and let

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out a great exhale, as if arriving at a moment

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of resignation. She stood and straightened her house coat, and

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stepped out of her slippers and brushed off her ashy feet,

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and then she stepped back into them, and she took

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the grocery sack under her arm, and she made for

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the front door. She opened it, and the night wind

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greeted her, and she gazed out into the darkness, a

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traveler ready for some journey, a star blown sky above

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the winding road that led from the house, and the

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road badly patched and bumpy as she stumbled twice, but

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caught herself both times, cursing the uneven ground in a

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quick insult, before returning again to the harried conversations of

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her lost world. She wandered from the road and into

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the field, where she pushed through the knee high grass.

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Were searching eyes busied with the hunt stop stared in

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the direction of her shuffling, and the wind pushed at

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her wild hair and slushed through the wild grass, and

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on the other side of the field, she entered into

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the woods, where the moon glow gave shadows through the trees,

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and where she held out her hands and touched the

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trunks as she moved through the forest, the dark guardians

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willing to give her pass, and the wind shook leaves

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from the limbs and they fell around her in swirls

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of decay. As she stepped across the leaf strewn earth,

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the small crunches of aged and careful steps. She was

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not afraid until she was deep into the woods, and

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she stopped and looked around, and whatever confused purpose had

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been there to guide her slipped off into the dark

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and left her alone. There was wind, and there were

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the calls of the night, and between the black tree

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limbs there were stars and moon the heaven's infinite. She

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leaned her back against a tree and hugged herself as

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if suddenly cold, and she began to cry. She cried

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and began walking again, in no direction, moving through the

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woods in a confused and careful gait, and beginning to

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call out the names of people who passed through her mind,

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names that both meant something and meant nothing. Her father

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and a woman she once sat next to on an airplane,

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and a pigtail friend from childhood, and the old man

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who taught her to ride a horse, and the boy

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who sacked her groceries. Once upon a time, the wind

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gained strength, and the limbs swayed and bent, and her

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hair whipped on her head, and she clutched the sack

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with both hands and called out to anyone who might

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be listening. And she lost a slipper and moved with

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one bare foot and panicked eyes and a deepening fear

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that something in the dark was going to devour her.

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She was lost in head and heart and soul. And

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she stopped and stared up at the moon, and she

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began to question it, as if it had the answers

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to the universe. Who are you? And where am I?

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What are we? And the questions continue and carried her

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as she meandered through the dark, walking into branches that

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scratched her face, and bits of leaf and limb getting

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stuck in her hair, and she lost her other slipper.

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She was no longer crying and no longer questioning the moon,

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but now transformed into something ancient and mindless and driven

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by some ordained task, as if she was no longer

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of grat flesh and bone, but instead a shapeless spirit

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of the wood that drifted timelessly. She moved through the

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night in a random pattern of wind, and then through

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the trees she saw the firelight. She fixed her eyes

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on the flames, and she pushed away low hanging limbs

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and crunched across the leaves, and her mouth moved as

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if speaking, but she was soundless. As she came into

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the clearing, two crouching silhouettes next to the fire, two

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figures rising when they looked up at the old woman

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who emerged from the wood, Twigs in her hair and

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a torn housecoat and bare feet and stick like legs,

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and the distant gaze She regarded the dark figures, and

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then she looked again into the starstruck night, at the

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marble white moon. She let her arms fall to her sides,

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and a great release, and she spoke in some language

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they did not understand. She then fell silent, and the

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sack dropped from her hand and spilled onto the ground.

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A spindle of cash rolled forward and settled in the firelight,

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and there was no judgment among them, but for the

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emptiness in which they all stood. Chapter two. They left

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the dying fire and walked out of the clearing, the

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tawny light on their backs and darkness before them. Their

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car parked on the roadside, a big four door thing

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long as a boat, two hubcaps missing, the antenna snapped off.

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Each man lit a cigarette before climbing in and closing

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the doors, and then they sat there, smoking and staring

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through the bulk smeared windshield. Something small and bright eyed

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crossed the road, and it stopped and looked at the car,

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and then continued on its journey and disappeared into the brush.

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Falling leaves swirled in the wind and fell in the

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moonlight like flakes of rust. One man sniffed and the

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other coughed as the car filled with smoke, and the

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driver rolled down the window and he smoked and scratched

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at his beard before flicking out the cigarette a little

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red spray as the butt bounced on the road. The

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man in the passenger seat smoked more methodically and was

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still at it when the car cranked and the headlight

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split the dark. The big car moved in a great

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lurch and began its descent from the hillside, filling the

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night with a low rumble. They drove through the darkness,

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past rolling pastures lying by leaning fence posts held erect

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by strands of barbed wire, pass gatherings of hard woods,

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and over skinny bridges with rotted rails, where the moon

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reflected in the wabbled creek water. The big car crews

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through the bends in the road where deer stood, backed

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away and still and waiting. It rolled through the desolate

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four way stops where there was nothing and no one,

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and they drove on with their red tipped cigarettes across

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the fallen landscape of the autumn, where the fields had

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turned the color of sand, and the stars stabbed the

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sky and darts of silver. Neither man spoke. They emerged

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from the unmarked country roads and turned onto a two

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lane highway. Mailboxes stood on the roadside at the end

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of the gravel driveways, and sleeping houses sat quiet and peaceful.

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Back in the gloom. Dogs slept on porches and raised

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their heads to regard the loud thing moving through the night,

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and then returned to slumber. As the growl of the

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engine disappeared, the lights of the world appeared in the

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fluorescence of gas stations and in flashing red signals and

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yellow street lamps, and then disappeared in the rear view

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mirror as the car followed the highway right through the

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meager town and entered a new dark thirteen more miles

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of silence between them and pine trees and the rise

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and dip of the hills, And then, as if leaving

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one country and crossing into another, the landscape bottomed out.

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The car now traveled a flat terrain in a rhythmic glide,

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as if rolling across the serenity of lake water. Spanish

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moss hung from tree limbs in gray and gathered clumps,

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and the long and drooping limbs of the willows swayed

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in the wind, and the swamp slurped up against the roadside,

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as if only waiting for the command from some weather

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god to swallow what was left of the raised earth.

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The frame that held the child's drawing of the angel

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sat between them on the bench seat. The man in

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the passenger seat picked it up. He flicked a cigarette

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lighter and looked at it in the solitary light of

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the flame, and he ran his thumb across an angel

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wing then he set the frame back on the seat

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and gazed out into the night. The driver looked over

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at him and wanted to ask why they had bothered

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to bring it along, but he only gave a silent

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look of disgust and his eyes returned to the road.

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Then there it was, the all night truck stop, sat

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in isolation, as if it had long ago been misplaced

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and forgotten. The car bumped across the potholed parking lot

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and stopped in front of the glass doors of the diner.

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A handful of cats hunted around the dumpster. Two eighteen

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wheelers parked off behind the gas pumps. Darkness closed around,

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as if the place had been created as a sojourn

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for some final plummet. The neon sign read open in

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the front window, and the bugs danced around it in

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the cotton candy glow. From behind bent and twisted blinds.

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The lights of the diner cut into the night in

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awkward slants. The two men sat there and stared until

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the man in the passenger seat coughed and shifted in

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his seat. Well, ain't you going to say something? The

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driver grabbed a cigarette pack from the dashboard. About what

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The driver then looked at himself in the rear view

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mirror and rubbed at his bloodshot eyes before climbing out

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of the car. The passenger watched as the bearded man

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pulled open the door to the dinner and disappeared inside.

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About what he muttered, and then got out and followed. Okay,

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that was a couple of chapters from a recently released

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novel by Michael Ferris Smith. The title of the novel

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is Lay Your Armor Down. I ordered a hard copy

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of this book. Smith has become one of my favorite authors.

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The stories are great and the way he writes them

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as just spectacular as you could as you just heard.

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He has several novels available on Amazon. I'll link his

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author page and a link to this particular novel in

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the description below. You can click on it and go

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straight to it and buy the Kendall copy a hard copy.

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I don't know if it's out in paperback yet, but

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this book has met with great reviews, great sales. I

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read it and covered from cover to cover. I pre

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ordered it and it came to me like the first

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day that it was released. It showed up in my

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mailbox and I read it in like two nights. It's

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just so good. Like all of his work, it's really good,

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so wanted to share that with y'all. Check him out.

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Michael Ferris myth fantastic author. If you haven't heard me

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talk about him before. He's got two of his novels

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have been made into major motion pictures. He's a good

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screenplay writer, and he's a very talented musician as well.

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He's got a band in Oxford and they do a

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few gigs here and there, so he's a real creative person.

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And hope you guys enjoyed chapter one and two of

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that novel. There's a lot more to it. It's a

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I don't know, thirty chapter book, but it's a great story,

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so you guys pick it up. Thanks for listening to

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the podcast, and we'll see you guys on the next one.

