1
00:00:00,080 --> 00:00:03,319
Speaker 1: Creativity is an addiction, unplugged because we will always say

2
00:00:03,399 --> 00:00:07,360
yes to creativity, totally uncut because we all make mistakes.

3
00:00:07,719 --> 00:00:10,960
So let's turn it into a tool. This is arrow unplugged,

4
00:00:11,119 --> 00:00:15,119
coming to the pages. Yeah, coming to the pages. It's

5
00:00:15,160 --> 00:00:18,120
no different than other methods of acceptance in an age

6
00:00:18,120 --> 00:00:22,440
of mental power outages, which means what to anyone who

7
00:00:22,480 --> 00:00:26,359
is present beyond myself? We all have these areas in

8
00:00:26,399 --> 00:00:29,679
our life that we retreat to or walk into where

9
00:00:29,679 --> 00:00:32,479
we need to be refreshed or replenished. Now for me,

10
00:00:32,560 --> 00:00:35,799
it's coming to these pages in this book. There's no judgment,

11
00:00:36,359 --> 00:00:40,000
and I can be as transparent as I choose to be. Hardly,

12
00:00:40,119 --> 00:00:42,479
if ever, do I ever meet anyone who is so

13
00:00:42,679 --> 00:00:47,079
willing to talk about their personal space or refresh and replenish.

14
00:00:47,439 --> 00:00:51,159
Speakers and preachers talk about their energized plans and purposes,

15
00:00:51,840 --> 00:00:55,359
But where on the map is the connection made? Knowing

16
00:00:55,399 --> 00:00:58,359
would help others on their personal paths to gain in

17
00:00:58,439 --> 00:01:01,560
confidence by way of using the methods and tools that

18
00:01:01,600 --> 00:01:04,480
have opened the path to be more refreshed and replenished.

19
00:01:05,560 --> 00:01:10,400
Just take great notes. Coming to the page. Got to

20
00:01:10,439 --> 00:01:12,519
get to the page, And I don't know if that's

21
00:01:12,519 --> 00:01:15,120
an addiction, or if that's just my way of saying,

22
00:01:15,159 --> 00:01:19,680
there's something on this page that allows me to speak out.

23
00:01:20,159 --> 00:01:26,799
Or here's the strange part, maybe it's speaking in to me. Hey, serow.

24
00:01:26,879 --> 00:01:28,760
This is the Daily Mess, a chronological walk through in

25
00:01:28,799 --> 00:01:31,879
everyday world. I am a daily writer. There is so

26
00:01:32,239 --> 00:01:35,760
much going on in this everyday world and place, and

27
00:01:35,840 --> 00:01:38,519
yet we don't see it. It just marches right by

28
00:01:38,560 --> 00:01:40,959
a soon we're going it was what you heard, what

29
00:01:41,040 --> 00:01:43,879
you saw, what you want. But if you open your

30
00:01:43,920 --> 00:01:48,200
eyes and your mind's eye, there's a lot to be received.

31
00:01:49,319 --> 00:01:52,079
This is the daily Mess. What is it about Hollywood

32
00:01:52,719 --> 00:01:56,879
that keeps the writers, directors, actors and investors locked in

33
00:01:57,000 --> 00:02:02,120
retelling the same old story? Why is the Star Wars

34
00:02:02,159 --> 00:02:05,359
saga still hanging out with us? We also seem to

35
00:02:05,400 --> 00:02:09,400
be oversaturated with superhero syndrome and not making the big

36
00:02:09,439 --> 00:02:12,960
bucks isn't scaring any of them away? Do we really

37
00:02:13,000 --> 00:02:15,400
need to have this many mission impossibles in Pirates of

38
00:02:15,439 --> 00:02:19,000
the Caribbean sort of makes you wonder what movie life

39
00:02:19,000 --> 00:02:22,360
would be like if the A I's were given permission

40
00:02:22,680 --> 00:02:25,400
to kind of give us new air to breathe. Would

41
00:02:25,439 --> 00:02:29,280
the computer generated storylines be connected to the same characters

42
00:02:29,439 --> 00:02:32,280
that have been going on for thirty years. Yet if

43
00:02:32,319 --> 00:02:36,560
you really dig into the street speak conversations, most people

44
00:02:37,000 --> 00:02:39,840
are talking about what they're binge watching and not what

45
00:02:39,840 --> 00:02:42,639
they're going to the movie theater to see. They don't

46
00:02:42,639 --> 00:02:45,719
want to see just two hours of a storyline. We're

47
00:02:45,719 --> 00:02:50,400
addicted to six to twelve episodes per season with big

48
00:02:50,759 --> 00:02:56,879
name actors. What is going on? And it's not just Hollywood,

49
00:02:56,960 --> 00:02:59,479
it's everything that we do. Walk into a low store,

50
00:02:59,599 --> 00:03:02,360
walking in to a grocery store, no matter where you go,

51
00:03:02,680 --> 00:03:07,439
everything seems to keep doing the same thing. We have

52
00:03:07,520 --> 00:03:12,560
found comfort and security in no change at all. And

53
00:03:12,840 --> 00:03:15,479
is that a great place to be? Because when change

54
00:03:15,639 --> 00:03:20,240
does occur, what enforced that change? And when we do

55
00:03:20,360 --> 00:03:23,919
need change, too many people are saying, naw, we're okay,

56
00:03:24,280 --> 00:03:28,599
We're okay, We've got comfort and security. So this is

57
00:03:28,639 --> 00:03:31,599
not a finger at Hollywood. What this is. This is

58
00:03:31,879 --> 00:03:37,360
the idea of embracing the need for change. We are

59
00:03:37,680 --> 00:03:40,759
the same people now the experiences around us, from weather

60
00:03:40,759 --> 00:03:45,000
conditions to political worlds to the financial situations. We're in

61
00:03:45,039 --> 00:03:50,280
a place of change, but we aren't changing with the change.

62
00:03:50,400 --> 00:03:54,199
We see everything going wrong around us. We complain as

63
00:03:54,240 --> 00:03:57,919
loud as we can, but we're not shape shifting in

64
00:03:57,960 --> 00:04:01,560
the way of embracing that change. Go ahead, take the notes,

65
00:04:02,080 --> 00:04:04,520
write down in a journal, put it on a posted note,

66
00:04:04,719 --> 00:04:08,080
leave yourself a dear future reader opportunity to come back

67
00:04:08,120 --> 00:04:13,520
and say, holy crap, everything around us moved except us.

68
00:04:14,159 --> 00:04:16,279
I'm mariol and that's the daily mess.

