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<v Speaker 1>You know my god shoes.

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<v Speaker 2>Yeah, oh gosh, this love me when you get.

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<v Speaker 1>Only nobody it was my garden. You don't know how

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<v Speaker 1>to get close to me because when you don't why

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<v Speaker 1>it was like keep it said, don't.

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<v Speaker 2>The life of the body your on the you saw

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<v Speaker 2>me on my funny, I say.

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<v Speaker 1>For that is j Use. I didn't even know what

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<v Speaker 1>to expect there. I was like, we got a deep cut,

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<v Speaker 1>I got some new and then sorry you oh yes,

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<v Speaker 1>because before everyone was so afraid no, no, you're good,

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<v Speaker 1>you're good recording.

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<v Speaker 3>Yeah, you love it.

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<v Speaker 1>I didn't know what to expect. That was amazing. That

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<v Speaker 1>was actually the best gift anyone's got me. Thank you

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<v Speaker 1>so much.

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<v Speaker 3>Yours here.

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<v Speaker 1>Oh they board. They bought a whole billboard for me.

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<v Speaker 1>And I'm over here like, but I appreciate it because the.

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<v Speaker 3>Mix man, that's crazy. Yeah, not for sure, man, you know.

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<v Speaker 3>And I was talking to Fuse about these intros by

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<v Speaker 3>the way tweets on the cruise show.

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<v Speaker 1>We had it so especial, thank you guys, so fun

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<v Speaker 1>you know, And.

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<v Speaker 3>I was talking to Fuse about, you know, doing these intros.

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<v Speaker 3>He does them for for the artists that pull up

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<v Speaker 3>and you know, it takes time. It's it's days in

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<v Speaker 3>the making, and it's hours in the making as well.

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<v Speaker 3>And you know, Fuse cares about the music and the presentation.

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<v Speaker 2>I love that.

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<v Speaker 3>Yeah.

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<v Speaker 1>Wait, so you like so do you like Crash and Burn?

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<v Speaker 1>Do you have a you put Crash and Burn in there?

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<v Speaker 3>That's a yea yeah, it's in there.

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<v Speaker 1>We have the Blast one in there, and we got

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<v Speaker 1>then we got All Night Long. That's a crazy one.

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<v Speaker 1>That was like the first one that like kind of

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<v Speaker 1>go all over the place with it.

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<v Speaker 3>You know, I was all, there's a lot of ground

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<v Speaker 3>to cover of the music, right, you've been putting in

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<v Speaker 3>that work. Congratulations, Wings is out, Wings is out. Wings

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<v Speaker 3>is out, man, and it sounds amazing. The sound is out. Yeah,

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<v Speaker 3>you're flying right like you wanted to be free. This

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<v Speaker 3>was like a freeing. It was project for you especially,

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<v Speaker 3>you know. Okay, So Coachella was a vibe that was crazy. Congratulations,

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<v Speaker 3>first Vietnamese American to do so, right, let's get it. Congratulations.

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<v Speaker 3>That's crazy because you know that there's other Vietnamese children

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<v Speaker 3>or kids or adolescents or young adults watching you and

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<v Speaker 3>and creating a path for themselves. Because of the path

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<v Speaker 3>you've created for yourself.

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<v Speaker 1>You said it like you couldn't have said it any better.

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<v Speaker 1>I mean, I think I'm very That was the first

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<v Speaker 1>time that I was I actually told myself that I

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<v Speaker 1>was proud of myself. And you know, when you're a

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<v Speaker 1>child of immigrants, you don't say that a lot to

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<v Speaker 1>yourself because the standards are always so high, and growing up,

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<v Speaker 1>I was the first female in my family, and I

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<v Speaker 1>felt a lot of pressure to always make my parents proud,

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<v Speaker 1>and so my whole life I was really like never

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<v Speaker 1>living for myself and never trying to make myself proud.

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<v Speaker 1>But Coachella was that moment where I was like, damn,

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<v Speaker 1>this is a super Bowl of like all music festivals.

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<v Speaker 1>I'm here, I'm making history, and things might have not

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<v Speaker 1>gone the way I had planned, but I'm so proud

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<v Speaker 1>of myself for coming here, showing up, giving a show,

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<v Speaker 1>like representing my community, and I think that that's really special.

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<v Speaker 3>Sure. Yeah, after doing Coachella, you say it's like the

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<v Speaker 3>super Bowl, right, and it is because it's one of

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<v Speaker 3>the biggest stages in the world. After Coachella, was there

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<v Speaker 3>something or someone nagging at you saying, all right, well,

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<v Speaker 3>how do you top that.

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<v Speaker 1>Literally, and I think that that. Honestly, I'm just being

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<v Speaker 1>I'm like, haha, like I'm funny whatever, but like this

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<v Speaker 1>is not that funny. But I definitely kind of went

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<v Speaker 1>down a mental spiral of where because I always trusted

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<v Speaker 1>my gut, like I never let anybody. That's why That's

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<v Speaker 1>how I'm here is because I always felt like this

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<v Speaker 1>is the best decision. And maybe in hindsight, looking back,

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<v Speaker 1>I'm like, maybe I shouldn't have made that decision, but

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<v Speaker 1>it got me to where I'm at because I trusted myself.

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<v Speaker 1>After Coachella, it was like everybody wanting to work all

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<v Speaker 1>of a sudden, or people wanting to like send me

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<v Speaker 1>beats or all of a sudden wanting to write for me,

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<v Speaker 1>and all these things, and people saying like, oh, you

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<v Speaker 1>should dress like this, or you should collab with this person,

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<v Speaker 1>you should do these things. When you have all those voices,

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<v Speaker 1>you kind of stop trusting your gut, right And then

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<v Speaker 1>there was a moment where I felt that pressure just

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<v Speaker 1>take me down this wormhole where I was just like,

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<v Speaker 1>I don't want to do anything, and so I would

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<v Speaker 1>be in a studio and I was not created. I

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<v Speaker 1>hated it. I hated it, and it took such a

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<v Speaker 1>long time for me to finally find my drive again

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<v Speaker 1>and my purpose, and like towards the middle of making

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<v Speaker 1>the project was when I was like, oh shit, this

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<v Speaker 1>is really fun again, you know, and yes again. But

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<v Speaker 1>it was really scary because I think when you're at

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<v Speaker 1>kind of top of your career, I think there's multiple

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<v Speaker 1>top moments in your career, but you know, doing Coachalla

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<v Speaker 1>was definitely like a top moment for me. When you're

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<v Speaker 1>at that peak of your career and like all eyes

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<v Speaker 1>are on you and you are on these articles and whatever,

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<v Speaker 1>you feel a lot of pressure to to top it.

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<v Speaker 1>And I think I let the I think the yeah,

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<v Speaker 1>but I think I let the pressure kind of almost

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<v Speaker 1>bedridden me a little bit, where I was like, I

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<v Speaker 1>just can't make the music right now because it feels

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<v Speaker 1>like work.

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<v Speaker 3>A I was gonna say, it starts to feel like

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<v Speaker 3>work and you're being told what to do, and you

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<v Speaker 3>don't want to be told what to do exactly.

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<v Speaker 1>So I'm just I'm so grateful that I found my

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<v Speaker 1>stride and I'm like the projects out, I feel like

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<v Speaker 1>this weight has been lifted off of me, where I'm

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<v Speaker 1>just like I know, the project's good and it's gonna

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<v Speaker 1>have its moment, but it's for the fans. It's not

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<v Speaker 1>for me anymore. Yeah. Yeah, she's a Scorpio.

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<v Speaker 4>She doesn't like being totally to do.

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<v Speaker 1>Yeah it's fine, Yeah, can I You can send me

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<v Speaker 1>a list and I will think about doing it. But

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<v Speaker 1>you know what, those Scorpios are very hard workers, like

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<v Speaker 1>we're well, I mean.

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<v Speaker 3>Wait, jack You're a scorpio. Yeah, yeah, Jackie has four jobs.

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<v Speaker 1>That's exactly hustle. Like you know, you know, I used

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<v Speaker 1>to work at the Kick and Crab. Then I used

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<v Speaker 1>to also work on Sunset okay, and then I also

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<v Speaker 1>used to work like a customer service for a spin company.

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<v Speaker 1>So I was doing like I would be working multiple jobs,

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<v Speaker 1>and then after I would be done with my like

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<v Speaker 1>nine to five, I would create content or like make

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<v Speaker 1>music or whatever it is. But like we've always been

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<v Speaker 1>crazy and then grinding.

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<v Speaker 3>At one point, you had to make a decision, right,

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<v Speaker 3>it's either a life in healthcare or music. Yeah, and

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<v Speaker 3>you were at that four the road, I guess, and

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<v Speaker 3>you went with your gut with two grand in your pocket, and.

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<v Speaker 1>You went for I think I just it was really scary,

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<v Speaker 1>but I think I was at a point in my

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<v Speaker 1>life where I was like, damn, can I die today

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<v Speaker 1>and be happy with like the life that I have,

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<v Speaker 1>Because like, I love helping people. I've always loved to

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<v Speaker 1>help people, and I think that's why I went towards

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<v Speaker 1>the healthcare like route, also to make my parents proud,

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<v Speaker 1>but I've always loved that aspect of healthcare and the

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<v Speaker 1>medical fields of just like like you see people come

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<v Speaker 1>in and they have this concern and then all of

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<v Speaker 1>a sudden, like they leave feeling you know, relief or

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<v Speaker 1>at least they have like the help they need. Difference, Yeah,

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<v Speaker 1>but I always felt like, could I do this for

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<v Speaker 1>the rest of my life? And I was making music

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<v Speaker 1>at the same time while I was working in the

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<v Speaker 1>medical fields and I was literally shadowing a physician's assistant.

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<v Speaker 1>I was doing everything that I needed to do to

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<v Speaker 1>get into PA school. Then I missed my PA application

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<v Speaker 1>date by a day. And at the same time I

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<v Speaker 1>was also making music though, so I felt like I

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<v Speaker 1>was kind of in two different worlds. And I knew

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<v Speaker 1>my parents were gonna be so mad, Like I knew

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<v Speaker 1>they were gonna be so mad, but I was like,

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<v Speaker 1>maybe it's a sign and I didn't think back then

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<v Speaker 1>it was a sign I really thought my life was

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<v Speaker 1>over right or had to start over again, Like the

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<v Speaker 1>whole application process just takes forever already. Yeah, and uh.

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<v Speaker 1>And then when a room opened up in Los Angeles,

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<v Speaker 1>I was like.

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<v Speaker 3>Damn, should I just do it like a room?

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<v Speaker 1>Like a room, Yeah, like a room had opened up

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<v Speaker 1>at an engineer's house in La No. I mean, honestly,

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<v Speaker 1>I lived my first house that I lived here in

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<v Speaker 1>La It was like there was like twelve people there

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<v Speaker 1>and it was like all guys. I'd wake up, people

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<v Speaker 1>would be shooting a music video in the middle of

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<v Speaker 1>the kitchen, like right away. I wouldn't call it a

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<v Speaker 1>content house.

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<v Speaker 3>House. What it wasn't a trap house?

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<v Speaker 1>Was it is there something can be tweet? It was

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<v Speaker 1>definitely Mexican.

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<v Speaker 3>I think in between.

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<v Speaker 1>It was it was a refugee home for people with dreams. No,

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<v Speaker 1>but I that was that was a hard time in

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<v Speaker 1>my life, but it was fun at the same time

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<v Speaker 1>because I had just moved here and it was honestly

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<v Speaker 1>the best decision I could have ever made for myself

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<v Speaker 1>is to quit what I thought I would be doing

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<v Speaker 1>for the rest of my life and really just like

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<v Speaker 1>fully go in on the one thing I've always been

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<v Speaker 1>passionate about, which has been singing, like ever since I

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<v Speaker 1>was a child. And but the crazy thing is is

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<v Speaker 1>that I would never and this is where I'm like,

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<v Speaker 1>if I can do this, ship, anybody can do this.

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<v Speaker 1>I didn't grow up taking vocal classes, piano classes, arts,

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<v Speaker 1>anything like that. I watched all that like I would

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<v Speaker 1>be in my room. I would like I would visual

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<v Speaker 1>myself and maybe that's the manifestation part of it, is

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<v Speaker 1>like I never let that dream die. So when I

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<v Speaker 1>graduated from college, I moved back home to the Bay

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<v Speaker 1>and I started going with Charlie to this, to the

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<v Speaker 1>studio sessions or his studio sessions, and then I made

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<v Speaker 1>my first song with him, and I remember like, ooh,

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<v Speaker 1>this is where I want to be. So that was

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<v Speaker 1>kind of what started it all. But I just knew

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<v Speaker 1>that if I just really applied myself fully and gave

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<v Speaker 1>it one hundred and twenty percent, I knew it could

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<v Speaker 1>do something. And I can't even but back then, I

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<v Speaker 1>would have never thought I would do Coachella, Like right,

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<v Speaker 1>you know, you never dream about those things, but you.

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<v Speaker 3>Well, they seem so far away. They seemed so far away, Sally,

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<v Speaker 3>especially being you know, being a young person.

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<v Speaker 1>I mean, I'm like a minority in this There's not

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<v Speaker 1>a lot of people who look like me. Nor did

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<v Speaker 1>I grow up see people who looked like me make

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<v Speaker 1>R and B pop music.

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<v Speaker 3>Child of immigrants like you, just everything seemed so far away. Yeah, right.

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<v Speaker 3>Is it true that you you were going to tell

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<v Speaker 3>your mom that you know, you were building up the

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<v Speaker 3>courage to tell you mom, you're gonna do music instead

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<v Speaker 3>of health care. And the first thing she said was

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<v Speaker 3>you're pregnant.

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<v Speaker 1>Yeah, she thought I was pregnant. And I was like, wow,

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<v Speaker 1>this feels like this doesn't feel as bad anymore that

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<v Speaker 1>I'm gonna tell you I'm gonna move to La.

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<v Speaker 3>But she made it easy.

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<v Speaker 1>Yeah, but my dad was definitely worried, like he, oh

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<v Speaker 1>my god. Like he came and visited me in La.

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<v Speaker 1>We're having dinner. He's quiet. I'm like, I know a

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<v Speaker 1>lecture is about to come on.

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<v Speaker 3>You know that that immigrant silence, silence that it's just

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<v Speaker 3>a slow build up tools good talking to. It's gonna

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<v Speaker 3>take an hour and he's not gonna stop. No, there's

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<v Speaker 3>there's no comma, there's no period it's just straight.

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<v Speaker 1>And I was I was doing my thing, like you know,

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<v Speaker 1>we'd get pretty good streams and all that, and like

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<v Speaker 1>I was financially stable enough where music was kind of

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<v Speaker 1>you know, paying some of the rent. But like my

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<v Speaker 1>parents did not care. It wasn't until I got on

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<v Speaker 1>the Bay Area like hometown news this, like they were like,

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<v Speaker 1>she's famous. They started to be different. They believed you exactly.

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<v Speaker 1>So that was like something that was tangible for them.

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<v Speaker 1>And I think that that was when shit shit changed.

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<v Speaker 1>I don't know. My parents really started treating me like

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<v Speaker 1>the golden child.

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<v Speaker 4>And I love it.

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<v Speaker 1>I love it.

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<v Speaker 3>That's right.

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<v Speaker 1>My parents are funny. We're always like who's your favorite,

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<v Speaker 1>and they're always like everybody's my favorite.

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<v Speaker 3>But I know I'm there, you know, yeah exactly, but

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<v Speaker 3>I never used to be. I know I am now

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<v Speaker 3>now we have to work for it.

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<v Speaker 1>Like my sister and my brother, my older oldest brother,

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<v Speaker 1>they just had a kid, like I know, they did

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<v Speaker 1>that so that like they can get in front of me.

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<v Speaker 3>But like you're like, we brought the grandchildren.

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<v Speaker 1>Yeah yeah no, but I'm like no, but I'm a singer.

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<v Speaker 3>I'm an entertainer.

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<v Speaker 1>Yeah, that puts me at the front of the line

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<v Speaker 1>exactly with your parents.

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<v Speaker 3>Well, yeah, my parents, I think I'm the favorite because

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<v Speaker 3>I'm on the radio and I like went for my

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<v Speaker 3>I followed my dream and I followed through.

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<v Speaker 1>It's just because you're on the radio.

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<v Speaker 3>Yeah, that's probably.

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<v Speaker 1>Yeah.

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<v Speaker 3>But I wasn't the favorite, right, I was forgotten about it.

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<v Speaker 3>I had to work my way up. My brother, who

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<v Speaker 3>was shot, was the favorite because he got shot. He's

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<v Speaker 3>alive to tell the story, but he was always the

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<v Speaker 3>favorite because he got shot. He got de he got

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<v Speaker 3>and it worked a bit. And that's where I'm taking.

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<v Speaker 1>My parents on that Disney cruise because crazy, like I'm

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<v Speaker 1>over here, like, don't don't give a fuck what your

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<v Speaker 1>parents say, and follow your dreams.

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<v Speaker 5>But at the end of the day, we all I

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<v Speaker 5>give a fuck about is what my parents think, right,

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<v Speaker 5>I don't care how they get it's crazy.

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<v Speaker 3>We just want to make them proud. Yeah, that's it.

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<v Speaker 3>At the end of the day, we want to make

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<v Speaker 3>them proud. We want them to look at us like

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<v Speaker 3>they didn't waste their.

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<v Speaker 1>Time and they didn't immigrate here for no reason.

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<v Speaker 3>We don't want them to regret whatever it took to

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<v Speaker 3>get here.

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<v Speaker 1>Yeah, but for them, they're just like, what can I

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<v Speaker 1>brag about?

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<v Speaker 3>You know? How can I brag about you? Something about

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<v Speaker 3>that's a fact for real? So the title track wings

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<v Speaker 3>you You you finished the album with it right you

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<v Speaker 3>close out the album? Is that a song that you've

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<v Speaker 3>always wanted to write?

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<v Speaker 1>I think I'm a very vulnerable girly Like, yeah, I've

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<v Speaker 1>gotten a couple of fights in my life. I definitely

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<v Speaker 1>am tough, but I don't find anymore. But but I

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<v Speaker 1>will hold hold it down. Where's my mind?

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<v Speaker 3>At no?

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<v Speaker 1>No, no, So I I am a very vulnerable person.

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<v Speaker 1>Like I can make bops, but I love making that

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00:14:30.480 --> 00:14:35.600
<v Speaker 1>introspective type music that tells a story about like I

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<v Speaker 1>kind of just peeling back the layers a little bit.

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<v Speaker 1>I still feel like people don't fully know who tweet is,

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<v Speaker 1>but it's something that I'm It's like a it's like

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00:14:43.720 --> 00:14:46.440
<v Speaker 1>a slow play for me. Like I I am a

302
00:14:46.480 --> 00:14:50.720
<v Speaker 1>scorpio and I feel like scorpios are very mysterious in nature,

303
00:14:51.639 --> 00:14:54.320
<v Speaker 1>and like I can make friends, I can be friends

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00:14:54.360 --> 00:14:56.960
<v Speaker 1>with everybody, but like I don't let a lot of

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00:14:57.000 --> 00:15:00.440
<v Speaker 1>people into who I really am. Maybe it's a maybe

306
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<v Speaker 1>it's a trauma thing. Who knows. Maybe it's not even

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<v Speaker 1>a zodiac.

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<v Speaker 3>Thing whatever, but I think that's wrong with us. It's

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00:15:06.000 --> 00:15:07.120
<v Speaker 3>because of trauma, trust me.

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<v Speaker 1>Yeah yeah it is, I think so. Yeah. Yeah, So

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<v Speaker 1>I think like slowly with every project, I like to

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<v Speaker 1>like peel back the layers a little bit and kind

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<v Speaker 1>of just let people know. Like I'm over here talking

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<v Speaker 1>about like sex and love and all these things, right,

315
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<v Speaker 1>but like I'm still I'm still a cry baby at heart,

316
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<v Speaker 1>Like I still feel a lot, a lot too much.

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<v Speaker 1>Sometimes I don't want to trauma dump on here, but.

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<v Speaker 3>You know it, Yeah, yeah, I think it was captured

319
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<v Speaker 3>in wings, right. I think that vulnerability.

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<v Speaker 1>I think.

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<v Speaker 3>That that maybe that little girl that's still.

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<v Speaker 1>In there, there's always that inner child, you know, that

323
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<v Speaker 1>like that wants to just kind of have the life

324
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<v Speaker 1>that that.

325
00:15:49.919 --> 00:15:53.120
<v Speaker 3>Wants to win. Yeah, yeah, it wants to be taken.

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00:15:53.279 --> 00:15:54.679
<v Speaker 1>I used to hide a lot, you know, as a

327
00:15:54.799 --> 00:15:58.120
<v Speaker 1>as a little girl, I was so shy. I hated

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00:15:58.639 --> 00:16:01.080
<v Speaker 1>singing in front of people. I would always just sing

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<v Speaker 1>in my room. And that's why it's crazy that I'm

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00:16:03.120 --> 00:16:06.120
<v Speaker 1>here today and like I'm so much more confident than

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00:16:06.159 --> 00:16:09.000
<v Speaker 1>I was when I was eight years old. You know.

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00:16:09.240 --> 00:16:11.320
<v Speaker 1>Of course but I think I always do it for

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00:16:11.399 --> 00:16:15.279
<v Speaker 1>her because I wish I had the confidence I had

334
00:16:15.360 --> 00:16:17.919
<v Speaker 1>now as a little girl. But that also comes from

335
00:16:18.039 --> 00:16:20.879
<v Speaker 1>like the environment you grow up in.

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00:16:21.159 --> 00:16:22.679
<v Speaker 3>Is this why? And I've seen you know this has

337
00:16:22.720 --> 00:16:25.720
<v Speaker 3>been done many times, you know, throughout music history, But

338
00:16:26.080 --> 00:16:27.720
<v Speaker 3>is that why you make it a point to bring

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00:16:27.799 --> 00:16:30.679
<v Speaker 3>people on stage and sing with you. Absolutely, to me,

340
00:16:30.799 --> 00:16:33.679
<v Speaker 3>it feels as if you don't. I don't know if

341
00:16:33.679 --> 00:16:36.320
<v Speaker 3>it's survivor's guilt, I don't know what it is. But

342
00:16:36.480 --> 00:16:39.120
<v Speaker 3>you want to share that moment. You don't want to

343
00:16:39.200 --> 00:16:40.559
<v Speaker 3>be greedy, you don't want you want, you want to,

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00:16:40.679 --> 00:16:42.519
<v Speaker 3>but I'm a sharer. Yeah, you want to share that

345
00:16:42.639 --> 00:16:46.120
<v Speaker 3>moment and when you look into that audience, no one

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00:16:46.200 --> 00:16:48.960
<v Speaker 3>else matters at that moment, yeah than the people watching it.

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<v Speaker 1>Yeah. And I had that moment in Vancouver with a

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00:16:51.799 --> 00:16:54.559
<v Speaker 1>little girl named Jocelyn, and it was crazy. It was

349
00:16:54.639 --> 00:16:58.320
<v Speaker 1>like near the end of my set, but for whatever reason,

350
00:16:58.480 --> 00:17:01.240
<v Speaker 1>I just kept seeing this little girl in the state

351
00:17:01.399 --> 00:17:05.160
<v Speaker 1>or in the crowd singing. And then I look into

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<v Speaker 1>my manager. I was like, do I have some times?

353
00:17:06.599 --> 00:17:09.720
<v Speaker 1>She's like no, but fuck it whatever, So I was like, okay, cool,

354
00:17:09.799 --> 00:17:12.440
<v Speaker 1>Like I just had this impulsive idea and I go

355
00:17:12.599 --> 00:17:15.920
<v Speaker 1>down there and I'm telling the band like, let's strip

356
00:17:16.000 --> 00:17:18.640
<v Speaker 1>this down and not even knowing if she would really

357
00:17:18.720 --> 00:17:20.519
<v Speaker 1>know the lyrics, I just saw this little girl and

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<v Speaker 1>I was just like no, it was like something calling,

359
00:17:23.920 --> 00:17:26.680
<v Speaker 1>we have to do something. Yeah, So then I start

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<v Speaker 1>singing and then I hand the mic to her and

361
00:17:28.640 --> 00:17:31.759
<v Speaker 1>she knows the lyrics word for word. But on top

362
00:17:31.799 --> 00:17:35.319
<v Speaker 1>of that, she's perfect pitch, sounds like an angel. It

363
00:17:35.480 --> 00:17:37.640
<v Speaker 1>was just and the video ended up being like my

364
00:17:37.799 --> 00:17:40.359
<v Speaker 1>most viral video, and it really took girls like me

365
00:17:40.440 --> 00:17:44.119
<v Speaker 1>don't cry like to the next level. But I think

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<v Speaker 1>I don't look for those viral moments. But I definitely

367
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<v Speaker 1>every time I do something, I want to leave it

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<v Speaker 1>feeling fulfilled, Like I don't want to just do a

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<v Speaker 1>show from start to finish and not have any type

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<v Speaker 1>of connection with the fans. Like I need to leave

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<v Speaker 1>feeling like I gave you, guys, a but you also

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<v Speaker 1>gave me a lot to leave with and feel just

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<v Speaker 1>you know, when you have empty conversations with people, sure,

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<v Speaker 1>and then you feel you leave that feeling tired, You're drained.

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<v Speaker 3>Yeah, because there was nothing, There was nothing a coya.

376
00:18:12.519 --> 00:18:14.279
<v Speaker 1>So That's why it's like with shows, I always want

377
00:18:14.319 --> 00:18:17.440
<v Speaker 1>to like do the show and actually leave feeling like damn,

378
00:18:17.519 --> 00:18:18.599
<v Speaker 1>that really just recharged me.

379
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<v Speaker 3>Yeah, It's like going to someone's house and you bring

380
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<v Speaker 3>a bottle of wine or some fruit or some cookies.

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<v Speaker 3>You don't exactly you don't want them to leave empty hand.

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<v Speaker 1>Yeah, I want the entire experience for everybody to be

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<v Speaker 1>so good. And I think that's also maybe again I

384
00:18:33.599 --> 00:18:35.480
<v Speaker 1>fear that like my I don't know, I just have

385
00:18:35.559 --> 00:18:39.279
<v Speaker 1>this imposter synstrome sometimes where I'm like, if it all ends,

386
00:18:39.319 --> 00:18:41.599
<v Speaker 1>like I want to at least them to know, like

387
00:18:42.000 --> 00:18:44.079
<v Speaker 1>them to have had a good show, you know, yeah,

388
00:18:44.079 --> 00:18:46.519
<v Speaker 1>because you never know where you're tired, Like I just

389
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<v Speaker 1>I just want to live everything to the fullest.

390
00:18:49.519 --> 00:18:51.279
<v Speaker 3>So how long have you and Jackie known each other?

391
00:18:51.359 --> 00:18:51.599
<v Speaker 3>What is this?

392
00:18:51.720 --> 00:18:51.880
<v Speaker 2>Nine?

393
00:18:51.960 --> 00:18:52.519
<v Speaker 3>Ten years now?

394
00:18:52.680 --> 00:18:52.720
<v Speaker 5>No?

395
00:18:53.240 --> 00:18:54.079
<v Speaker 4>Five five?

396
00:18:54.279 --> 00:18:56.720
<v Speaker 1>Five years? About to be five years? Yeah, yeah, but

397
00:18:56.799 --> 00:18:59.079
<v Speaker 1>she's probably my most Like she's like one of those

398
00:18:59.119 --> 00:19:01.759
<v Speaker 1>friends that I don't talk to her all the time

399
00:19:01.799 --> 00:19:04.279
<v Speaker 1>and we just pick up where we left as the

400
00:19:04.440 --> 00:19:06.680
<v Speaker 1>easiest friendships. And where I'm at right now is like

401
00:19:06.759 --> 00:19:07.039
<v Speaker 1>I just.

402
00:19:07.279 --> 00:19:08.279
<v Speaker 3>That's how I am with everyone.

403
00:19:08.440 --> 00:19:10.880
<v Speaker 1>I easy, you know, Yeah, because like we're good.

404
00:19:11.079 --> 00:19:13.519
<v Speaker 3>We don't as good. Yeah, it is good. And when

405
00:19:13.519 --> 00:19:16.240
<v Speaker 3>I see you, I see you and it's love. Yeah,

406
00:19:16.960 --> 00:19:18.160
<v Speaker 3>that's the best kind of friendships.

407
00:19:19.440 --> 00:19:19.680
<v Speaker 1>Yeah.

408
00:19:20.079 --> 00:19:23.079
<v Speaker 4>He's always been just a very like loving and open person.

409
00:19:23.599 --> 00:19:25.640
<v Speaker 4>And I think you were one of the like first

410
00:19:25.720 --> 00:19:28.400
<v Speaker 4>people to accept me, like other than cook, other than

411
00:19:31.119 --> 00:19:33.720
<v Speaker 4>other than cook, like accept me into the friend groups

412
00:19:34.880 --> 00:19:36.039
<v Speaker 4>with very open arms.

413
00:19:36.279 --> 00:19:39.559
<v Speaker 5>I'm always I'm always going to be And she's always

414
00:19:39.599 --> 00:19:41.920
<v Speaker 5>waving the sweet flag, like we've got to get her

415
00:19:41.960 --> 00:19:42.200
<v Speaker 5>in here.

416
00:19:42.240 --> 00:19:49.799
<v Speaker 3>She's doing it. Like, no, I've seen people like have

417
00:19:50.039 --> 00:19:54.039
<v Speaker 3>such a hard time with your name. It's insane. I'm like,

418
00:19:54.119 --> 00:19:57.319
<v Speaker 3>her name is not tree, it's not thigh, it's not Dowey.

419
00:19:58.839 --> 00:19:59.640
<v Speaker 1>What else do I get?

420
00:20:00.480 --> 00:20:04.079
<v Speaker 3>Martinez Sey, Oh my.

421
00:20:05.960 --> 00:20:11.759
<v Speaker 1>Cheweet Gomez was like, and I remember when I was

422
00:20:11.799 --> 00:20:13.400
<v Speaker 1>a kid, I would be like, oh my god, our

423
00:20:13.480 --> 00:20:16.519
<v Speaker 1>names are so similar, like he has a sea, reminds

424
00:20:16.599 --> 00:20:19.680
<v Speaker 1>us a tee. But then that probably added to the

425
00:20:19.880 --> 00:20:23.400
<v Speaker 1>chewy chewee chewy like people probably didn't know how to

426
00:20:23.640 --> 00:20:26.960
<v Speaker 1>pronounce my name even more, you know, not because of you.

427
00:20:27.079 --> 00:20:28.680
<v Speaker 1>Oh my god, if you're listening, I don't think you are,

428
00:20:28.799 --> 00:20:31.039
<v Speaker 1>but if you are, I'm not blaming you. I'm just

429
00:20:31.079 --> 00:20:34.759
<v Speaker 1>saying my name is very hard end Okay, But if

430
00:20:34.799 --> 00:20:38.599
<v Speaker 1>you're really Vietnamese, it's tweet tweet tweet.

431
00:20:39.319 --> 00:20:40.920
<v Speaker 3>You're away from being Mexican.

432
00:20:41.000 --> 00:20:50.440
<v Speaker 1>Sweet chewey. What does your grandpa called me? She tweety

433
00:20:50.480 --> 00:20:54.640
<v Speaker 1>bird tweety That explains the tweety Birdji.

434
00:20:54.799 --> 00:20:56.640
<v Speaker 3>Yeah, that's it. There it is on the Gram.

435
00:20:56.839 --> 00:20:57.200
<v Speaker 1>I love it.

436
00:20:57.680 --> 00:20:59.279
<v Speaker 3>H The only feature is Blast.

437
00:21:00.240 --> 00:21:03.519
<v Speaker 1>Yeah, I did want another feature on Date. I think

438
00:21:04.920 --> 00:21:08.880
<v Speaker 1>I want a girl wrapper on it of some sorts.

439
00:21:09.839 --> 00:21:11.440
<v Speaker 1>I had somebody in mind. I don't know if it's

440
00:21:11.480 --> 00:21:13.680
<v Speaker 1>gonna happen, but I've been manifesting it and a.

441
00:21:13.720 --> 00:21:16.839
<v Speaker 3>Newer artists are an established artists.

442
00:21:16.599 --> 00:21:21.759
<v Speaker 1>An established artists. Yeah, but I definitely I was not

443
00:21:21.920 --> 00:21:24.720
<v Speaker 1>shy like sliding in the dms. That's how I got

444
00:21:24.799 --> 00:21:28.519
<v Speaker 1>the Blast feature. We actually met when we were doing

445
00:21:28.559 --> 00:21:30.640
<v Speaker 1>Coachella together. Our trailers were right next to each other,

446
00:21:30.759 --> 00:21:33.799
<v Speaker 1>and so we got introduced. And he's super cool, and

447
00:21:34.279 --> 00:21:36.000
<v Speaker 1>I remember I made the songs in the studio. I

448
00:21:36.079 --> 00:21:37.599
<v Speaker 1>was like, the only person that would sound good on

449
00:21:37.680 --> 00:21:40.519
<v Speaker 1>this is Blast. That's all I want. That that is

450
00:21:40.599 --> 00:21:44.039
<v Speaker 1>gonna happen, right, Yeah, And then I got out of

451
00:21:44.039 --> 00:21:46.079
<v Speaker 1>the studio and I was like, but I'm afraid to

452
00:21:46.160 --> 00:21:48.640
<v Speaker 1>ask you know what he says no. Then I was like, no,

453
00:21:49.200 --> 00:21:50.799
<v Speaker 1>you just have to slide in the dms and just

454
00:21:50.920 --> 00:21:52.680
<v Speaker 1>do it if he says if he says no, or

455
00:21:52.720 --> 00:21:55.119
<v Speaker 1>he just doesn't respond, it is what it is. But

456
00:21:55.480 --> 00:21:57.480
<v Speaker 1>then he heard it, he was like, oh, yeah, this

457
00:21:57.599 --> 00:22:00.759
<v Speaker 1>is hard or whatever, and then he killed it like

458
00:22:01.319 --> 00:22:04.799
<v Speaker 1>he sounds so good on it, and I just loved. Yes,

459
00:22:04.880 --> 00:22:07.200
<v Speaker 1>it's a good match. It's a really good match, and

460
00:22:07.839 --> 00:22:10.240
<v Speaker 1>I'm just I'm just happy it happened the way that

461
00:22:10.400 --> 00:22:13.720
<v Speaker 1>I you know, thank you so much.

462
00:22:13.839 --> 00:22:16.640
<v Speaker 3>The artwork. You're sitting on a mattress and there's there's

463
00:22:16.720 --> 00:22:20.119
<v Speaker 3>like down pillow feathers everywhere. Yeah, yeah, so what's that about.

464
00:22:20.599 --> 00:22:26.920
<v Speaker 1>I don't know. So what happened was is that we

465
00:22:27.279 --> 00:22:31.519
<v Speaker 1>rented out this trap house set. Again.

466
00:22:31.559 --> 00:22:33.119
<v Speaker 4>It also goes by going back to the.

467
00:22:37.200 --> 00:22:41.160
<v Speaker 1>And the director Edgar. He was like, Hey, there's this

468
00:22:41.240 --> 00:22:48.480
<v Speaker 1>really cool mattress. I was like, okay, okay, this mattressy dead.

469
00:22:49.279 --> 00:22:52.400
<v Speaker 1>So the mattress had like blood on it everything. I

470
00:22:52.519 --> 00:22:55.519
<v Speaker 1>was like, oh yeah, well maybe, but I was like

471
00:22:55.799 --> 00:22:57.599
<v Speaker 1>I was like, hey, we got to photoshop that out.

472
00:22:57.680 --> 00:22:59.880
<v Speaker 1>But also I'm not sitting on that bed, so that's

473
00:23:00.000 --> 00:23:03.640
<v Speaker 1>why I'm off the bed. But everyone always says, like, hey,

474
00:23:03.799 --> 00:23:06.279
<v Speaker 1>is the bed thing like a thing? Because I have

475
00:23:06.359 --> 00:23:08.079
<v Speaker 1>it in a lot of my like art cover arts.

476
00:23:09.319 --> 00:23:12.880
<v Speaker 1>It just finds its way. Maybe it wants a story.

477
00:23:12.960 --> 00:23:15.839
<v Speaker 1>I don't know, but like there's really no story behind

478
00:23:15.880 --> 00:23:19.960
<v Speaker 1>that aside from the fact that it looked cool. So

479
00:23:20.160 --> 00:23:23.400
<v Speaker 1>that's that's what it was. That's what it was. But

480
00:23:23.519 --> 00:23:25.880
<v Speaker 1>if you want a creative answer, I think that it

481
00:23:25.960 --> 00:23:28.599
<v Speaker 1>really added to like the inner child in me of

482
00:23:29.079 --> 00:23:32.079
<v Speaker 1>being at home when I was a kid and singing

483
00:23:32.119 --> 00:23:36.599
<v Speaker 1>in my bedroom top. All right, that makes sense too,

484
00:23:36.759 --> 00:23:37.000
<v Speaker 1>thank you.

485
00:23:40.279 --> 00:23:42.319
<v Speaker 3>Yeah, maybe it's it's it's it's a sign of like

486
00:23:42.359 --> 00:23:44.039
<v Speaker 3>maybe at one point you're gonna have to start a

487
00:23:44.079 --> 00:23:45.160
<v Speaker 3>mattress company or something.

488
00:23:46.119 --> 00:23:47.640
<v Speaker 1>Or it's a sign that I need a new one

489
00:23:47.640 --> 00:23:49.960
<v Speaker 1>because mine is dinting and mine has a dive it.

490
00:23:51.359 --> 00:23:52.519
<v Speaker 1>You know, I think I need a new bed.

491
00:23:54.480 --> 00:23:57.480
<v Speaker 3>Yeah, bad for your back. Yeah, I never realized how

492
00:23:57.480 --> 00:23:58.319
<v Speaker 3>important sleep was.

493
00:23:58.759 --> 00:24:02.359
<v Speaker 5>Sleep is, so you're in sleep in general, good mattress

494
00:24:02.400 --> 00:24:04.480
<v Speaker 5>is extremely important, especially as you get older.

495
00:24:04.599 --> 00:24:06.079
<v Speaker 3>Fucking expensive, though, what the fuck?

496
00:24:06.279 --> 00:24:09.480
<v Speaker 1>I know, you know, when I first when I first

497
00:24:09.559 --> 00:24:11.519
<v Speaker 1>moved out here. When I got my first bed, it

498
00:24:11.640 --> 00:24:13.680
<v Speaker 1>was like twelve hundred dollars and I did like a

499
00:24:13.799 --> 00:24:17.240
<v Speaker 1>payment plan on it la a wave plan, not even away,

500
00:24:17.440 --> 00:24:20.480
<v Speaker 1>just like a payment plan on a mattress that's paid

501
00:24:20.519 --> 00:24:23.920
<v Speaker 1>off now. But but now I need like I need

502
00:24:23.960 --> 00:24:25.200
<v Speaker 1>a new bed now, that's right.

503
00:24:25.319 --> 00:24:28.359
<v Speaker 3>Yeah, plenty of mattresses out here in LA.

504
00:24:28.599 --> 00:24:34.119
<v Speaker 1>Yeah, send me some lex rex links Rex that's what

505
00:24:34.200 --> 00:24:35.400
<v Speaker 1>I met, Link's rex.

506
00:24:35.200 --> 00:24:40.000
<v Speaker 3>Whatever right right, yo, Cloud eleven clud eleven. So that

507
00:24:40.640 --> 00:24:43.359
<v Speaker 3>that's was that an easy process it was to write

508
00:24:43.359 --> 00:24:43.640
<v Speaker 3>that song.

509
00:24:43.799 --> 00:24:46.079
<v Speaker 1>Yes, it was the first time I worked with the producers.

510
00:24:46.519 --> 00:24:49.960
<v Speaker 1>I usually have really good luck first sessions. I don't

511
00:24:49.960 --> 00:24:52.319
<v Speaker 1>know what it is. It's either everybody brings their A game.

512
00:24:52.440 --> 00:24:54.759
<v Speaker 1>I bring my A game. But it is so you

513
00:24:54.759 --> 00:24:58.039
<v Speaker 1>guys don't understand when you guys are working or when

514
00:24:58.119 --> 00:25:00.400
<v Speaker 1>any an artist is working with new producers or people

515
00:25:00.440 --> 00:25:01.759
<v Speaker 1>that you don't work with all the time for the

516
00:25:01.799 --> 00:25:05.079
<v Speaker 1>first time. It is the scariest thing ever, because then

517
00:25:05.319 --> 00:25:07.759
<v Speaker 1>you know they you're put into these rooms because they

518
00:25:07.839 --> 00:25:09.839
<v Speaker 1>either like your work you like their work, but you

519
00:25:09.920 --> 00:25:12.519
<v Speaker 1>don't know how it's gonna be synergy wise when you're

520
00:25:12.559 --> 00:25:15.920
<v Speaker 1>creating something from scratch and then also I place a

521
00:25:15.960 --> 00:25:18.240
<v Speaker 1>lot of pressure on myself, like I want to overperform

522
00:25:18.319 --> 00:25:20.759
<v Speaker 1>because I want them to leave, Like damn, that was

523
00:25:21.160 --> 00:25:23.599
<v Speaker 1>tweets so sick, like she rightes so good. Yeah yeah,

524
00:25:24.720 --> 00:25:26.759
<v Speaker 1>And again that comes from the immigrant mindset of like

525
00:25:27.680 --> 00:25:28.519
<v Speaker 1>trying to be the best.

526
00:25:28.599 --> 00:25:29.839
<v Speaker 3>You know, you gotta be the best. You gotta do

527
00:25:29.839 --> 00:25:30.319
<v Speaker 3>a good job.

528
00:25:30.559 --> 00:25:32.200
<v Speaker 1>You want them to remember you, you want them to

529
00:25:32.279 --> 00:25:37.079
<v Speaker 1>come back exactly, so I just remember. I don't know why,

530
00:25:37.200 --> 00:25:38.759
<v Speaker 1>but like first sessions, I feel like I'm on my

531
00:25:39.160 --> 00:25:42.200
<v Speaker 1>I'm on my A game, so go. I'm very good

532
00:25:42.240 --> 00:25:44.799
<v Speaker 1>with like melody riffs, like I'll go in there blackout

533
00:25:44.839 --> 00:25:47.599
<v Speaker 1>and just do like these crazy melodies. And it's people

534
00:25:47.599 --> 00:25:50.880
<v Speaker 1>always like, well that's it. You know. I just have

535
00:25:51.000 --> 00:25:55.000
<v Speaker 1>a knack for finding really good, sticky melodies and it

536
00:25:55.160 --> 00:25:59.119
<v Speaker 1>just comes just it's an intuitional intuitional into I don't know,

537
00:25:59.440 --> 00:26:02.319
<v Speaker 1>intuition thing whatever, intuitive thing.

538
00:26:03.680 --> 00:26:03.960
<v Speaker 2>Thank you.

539
00:26:07.160 --> 00:26:13.880
<v Speaker 1>That yeah, yeah, it's an intuitive thing, thank you so much.

540
00:26:14.240 --> 00:26:16.240
<v Speaker 1>But it was so fun. That was the first song

541
00:26:16.440 --> 00:26:19.359
<v Speaker 1>on the project that really made the project, and I

542
00:26:19.519 --> 00:26:22.160
<v Speaker 1>wanted to save it for when the project actually released,

543
00:26:22.440 --> 00:26:25.240
<v Speaker 1>but we didn't have anything to like release you know,

544
00:26:25.759 --> 00:26:27.359
<v Speaker 1>leading up to it, and I was like, it has

545
00:26:27.440 --> 00:26:31.240
<v Speaker 1>to be Cloud eleven. And also we we played it

546
00:26:31.680 --> 00:26:34.160
<v Speaker 1>at Coachella for the first time, but it wasn't out yet.

547
00:26:34.240 --> 00:26:36.440
<v Speaker 1>It was just like, here's a little tea, what's to come?

548
00:26:37.079 --> 00:26:39.160
<v Speaker 1>And it was so much fun. I just remember the

549
00:26:39.839 --> 00:26:43.160
<v Speaker 1>reaction of the crowd. We were throwing like the beach balls,

550
00:26:43.200 --> 00:26:45.480
<v Speaker 1>there were bubbles and everybody was having a good time.

551
00:26:45.519 --> 00:26:46.880
<v Speaker 1>And that's when I knew. I was like, Okay, yeah,

552
00:26:46.920 --> 00:26:47.960
<v Speaker 1>this is this is a good one.

553
00:26:48.079 --> 00:26:49.799
<v Speaker 4>This is my.

554
00:26:49.799 --> 00:26:52.680
<v Speaker 3>Commercial bop, you know, and the people help you or

555
00:26:52.759 --> 00:26:55.400
<v Speaker 3>the people helped you understand that, right because of that

556
00:26:55.519 --> 00:26:56.359
<v Speaker 3>feeling that you got.

557
00:26:56.519 --> 00:26:59.119
<v Speaker 1>Yeah, sometimes the answers are in the live crowd, man,

558
00:26:59.519 --> 00:27:01.359
<v Speaker 1>for real, the answers are in.

559
00:27:01.680 --> 00:27:03.240
<v Speaker 3>The strip club either one, you know what I mean.

560
00:27:03.480 --> 00:27:06.640
<v Speaker 1>Yeah, you know.

561
00:27:07.240 --> 00:27:09.359
<v Speaker 3>You know there's certain songs that are like played in

562
00:27:10.039 --> 00:27:11.720
<v Speaker 3>like there's certain like hip hop songs that are played

563
00:27:11.720 --> 00:27:13.000
<v Speaker 3>in the strip club. And if it pops in the

564
00:27:13.000 --> 00:27:16.720
<v Speaker 3>strip club, it's was role play a song that you

565
00:27:16.839 --> 00:27:17.920
<v Speaker 3>walked in with already.

566
00:27:18.359 --> 00:27:19.559
<v Speaker 1>No, I made it from scratch.

567
00:27:19.640 --> 00:27:20.480
<v Speaker 3>You made it from scratch.

568
00:27:20.599 --> 00:27:22.960
<v Speaker 1>That was fun for me. Roleplay was really fun because

569
00:27:23.039 --> 00:27:25.279
<v Speaker 1>roplay is one of my favorites. I love roleplay. It

570
00:27:25.400 --> 00:27:27.680
<v Speaker 1>is one of those that, like for some people, it

571
00:27:27.799 --> 00:27:31.799
<v Speaker 1>might not hit you right away. Cook, it takes. It

572
00:27:31.920 --> 00:27:38.640
<v Speaker 1>takes a lot of songs. Yeah he doesn't know good music.

573
00:27:38.680 --> 00:27:42.839
<v Speaker 1>It's fine, but that song is so fun. I played

574
00:27:42.839 --> 00:27:45.480
<v Speaker 1>with my voice a lot and it's just like with it,

575
00:27:45.559 --> 00:27:48.359
<v Speaker 1>I was having fun. And you know, public speaking for

576
00:27:48.440 --> 00:27:50.680
<v Speaker 1>me is really hard, not as of late, but like

577
00:27:50.920 --> 00:27:53.160
<v Speaker 1>it used to be. And using your voice in that

578
00:27:53.200 --> 00:27:55.599
<v Speaker 1>way on a track was probably the most difficult thing

579
00:27:55.680 --> 00:27:58.160
<v Speaker 1>I had to do on the project. Sure, sure, like talking,

580
00:27:58.240 --> 00:28:01.000
<v Speaker 1>I had to do that over and over. And then

581
00:28:01.200 --> 00:28:03.480
<v Speaker 1>there's guys out there, right, like I always work with guys,

582
00:28:03.519 --> 00:28:06.400
<v Speaker 1>of course, like I need some girls in the energies,

583
00:28:06.799 --> 00:28:09.400
<v Speaker 1>but like you know, the guys are outside the booth.

584
00:28:09.799 --> 00:28:12.359
<v Speaker 1>I'm in there trying to like sound all sexy and

585
00:28:13.039 --> 00:28:17.240
<v Speaker 1>it's so nerve wracking talking and having that voice. But

586
00:28:17.680 --> 00:28:19.319
<v Speaker 1>I'm so happy the song came out and just like

587
00:28:19.319 --> 00:28:21.200
<v Speaker 1>I want to be able to show people different sides

588
00:28:21.240 --> 00:28:21.400
<v Speaker 1>of me.

589
00:28:22.119 --> 00:28:24.519
<v Speaker 3>Who was hair down about.

590
00:28:24.799 --> 00:28:26.599
<v Speaker 1>Myself actually really yeah.

591
00:28:26.880 --> 00:28:27.319
<v Speaker 5>It was the.

592
00:28:29.039 --> 00:28:32.440
<v Speaker 1>First song we released on the project, and I wanted

593
00:28:32.519 --> 00:28:35.480
<v Speaker 1>that to be the first release because I was already

594
00:28:35.519 --> 00:28:38.039
<v Speaker 1>really stressed out, and the song I was basically writing about,

595
00:28:38.119 --> 00:28:40.440
<v Speaker 1>like let your hair down, let loose, like stop caring

596
00:28:40.480 --> 00:28:43.160
<v Speaker 1>about whatever it is. But you know it could be

597
00:28:43.279 --> 00:28:45.680
<v Speaker 1>for a guy to really like I feel like my lyrics,

598
00:28:46.119 --> 00:28:49.720
<v Speaker 1>you can you can apply it to whatever situation. But

599
00:28:50.039 --> 00:28:52.039
<v Speaker 1>it was really a song I wrote for myself to

600
00:28:52.200 --> 00:28:53.559
<v Speaker 1>just like, let your hair down.

601
00:28:54.400 --> 00:28:57.400
<v Speaker 3>Life is not that serious yeo moments.

602
00:28:57.559 --> 00:28:59.000
<v Speaker 1>Yeah, and you can let your hair out even if

603
00:28:59.000 --> 00:28:59.480
<v Speaker 1>you don't have hair.

604
00:28:59.559 --> 00:29:02.319
<v Speaker 3>Yeah, well, hey, what do I do?

605
00:29:03.039 --> 00:29:05.799
<v Speaker 1>Lay your hand down? It's a figure.

606
00:29:05.559 --> 00:29:12.400
<v Speaker 3>It's down. I do want to coming back, No, probably

607
00:29:12.480 --> 00:29:14.920
<v Speaker 3>not the strip club topic. Pretty more boy, and I

608
00:29:15.160 --> 00:29:17.640
<v Speaker 3>want to and I do want to introduce DJ Cook

609
00:29:17.680 --> 00:29:20.960
<v Speaker 3>beats out who used to work here everyone.

610
00:29:21.160 --> 00:29:24.359
<v Speaker 1>Two three. If you could pick one song out of

611
00:29:24.400 --> 00:29:25.599
<v Speaker 1>Tweetze catalog.

612
00:29:25.880 --> 00:29:27.400
<v Speaker 3>To be played at a strip club, what do you

613
00:29:27.440 --> 00:29:29.400
<v Speaker 3>think would be the most fitting song for a strip club.

614
00:29:30.039 --> 00:29:32.559
<v Speaker 3>For a strip club, I think it might be all

615
00:29:32.680 --> 00:29:35.240
<v Speaker 3>night long. You got to that slow jam, you know,

616
00:29:35.960 --> 00:29:40.079
<v Speaker 3>you know, coming up on stage.

617
00:29:40.279 --> 00:29:44.640
<v Speaker 1>And actually I've actually had videos of girls pull dancing

618
00:29:45.200 --> 00:29:45.920
<v Speaker 1>that song already.

619
00:29:46.480 --> 00:29:48.160
<v Speaker 3>So what I'm saying, So if it's a hit the

620
00:29:48.200 --> 00:29:49.119
<v Speaker 3>strip club, it's a hit.

621
00:29:49.720 --> 00:29:55.359
<v Speaker 1>I'm gonna start testing all my music and the CE market. Yeah,

622
00:29:55.440 --> 00:29:59.680
<v Speaker 1>get some wisp. I'm here for the music. I'm here for.

623
00:30:01.240 --> 00:30:01.559
<v Speaker 2>Record.

624
00:30:02.559 --> 00:30:04.880
<v Speaker 1>I was like, hey, heady, you don't need to give

625
00:30:04.920 --> 00:30:06.799
<v Speaker 1>me a dance, but slip that in there and.

626
00:30:09.200 --> 00:30:10.920
<v Speaker 3>For one dance on this one. You know what I'm saying.

627
00:30:11.079 --> 00:30:12.559
<v Speaker 1>Yeah, you know, Dan.

628
00:30:15.000 --> 00:30:18.759
<v Speaker 3>Yo Is, does touring kick your ass? Is that tough?

629
00:30:18.960 --> 00:30:19.920
<v Speaker 1>Dude? It's so hard.

630
00:30:20.000 --> 00:30:21.480
<v Speaker 3>It's hard, it is.

631
00:30:21.880 --> 00:30:24.759
<v Speaker 1>I'm like starting my stamina back up because I know

632
00:30:24.839 --> 00:30:27.039
<v Speaker 1>it's gonna get crazy. But it's fun.

633
00:30:27.240 --> 00:30:28.279
<v Speaker 3>Like, no, it's fun.

634
00:30:28.359 --> 00:30:32.720
<v Speaker 1>It's so much fun. But I again, he well, like

635
00:30:32.920 --> 00:30:35.559
<v Speaker 1>I I'm the type of artists when I do a

636
00:30:35.640 --> 00:30:37.799
<v Speaker 1>meet and greet you have to you have to pull

637
00:30:37.839 --> 00:30:40.200
<v Speaker 1>me away from the fans because it's hard for me

638
00:30:40.319 --> 00:30:42.359
<v Speaker 1>to They're spending all this money to come meet me.

639
00:30:42.839 --> 00:30:46.000
<v Speaker 1>I'm not gonna get hi right Like, that's not who

640
00:30:46.079 --> 00:30:48.119
<v Speaker 1>I am. And maybe I can meet myself in the

641
00:30:48.119 --> 00:30:50.359
<v Speaker 1>middle a little bit, but I give a lot. And

642
00:30:50.480 --> 00:30:53.160
<v Speaker 1>then then you have to do the show. Right then

643
00:30:53.519 --> 00:30:56.839
<v Speaker 1>you have to commute whatever it is, and the travel

644
00:30:56.920 --> 00:31:00.319
<v Speaker 1>alone will kick your ass out.

645
00:31:00.200 --> 00:31:03.039
<v Speaker 3>Of a suitcase. No you are, yeah, you are eating.

646
00:31:03.519 --> 00:31:04.839
<v Speaker 3>You gotta do it it was available.

647
00:31:05.680 --> 00:31:08.960
<v Speaker 1>Literally, it's so bad. Like when I was on tole Lma,

648
00:31:09.480 --> 00:31:12.640
<v Speaker 1>I gained like twenty pounds. I came home and I

649
00:31:12.720 --> 00:31:14.720
<v Speaker 1>had like all this acne and I was just like

650
00:31:15.160 --> 00:31:18.400
<v Speaker 1>it was fun, like but I, you know, stressed out,

651
00:31:18.640 --> 00:31:20.720
<v Speaker 1>so stressed out. We started the first week of tour

652
00:31:20.759 --> 00:31:22.319
<v Speaker 1>and she had forty shows, right, I was on the

653
00:31:22.359 --> 00:31:24.960
<v Speaker 1>whole entire tour. It was. It was a long tour.

654
00:31:26.680 --> 00:31:30.000
<v Speaker 1>I we were like, okay, we're working out for you know,

655
00:31:30.279 --> 00:31:32.680
<v Speaker 1>every time every day that we're here. First week, we're

656
00:31:32.759 --> 00:31:34.599
<v Speaker 1>really good. After that it was Jack at the Box

657
00:31:34.680 --> 00:31:34.960
<v Speaker 1>and beer.

658
00:31:35.119 --> 00:31:38.480
<v Speaker 3>That was it. Like that was it Jack and a beer.

659
00:31:38.559 --> 00:31:38.960
<v Speaker 3>Let's get it.

660
00:31:39.039 --> 00:31:39.880
<v Speaker 1>It was really bad.

661
00:31:40.079 --> 00:31:42.200
<v Speaker 3>So I love Box though, Dragon Box so good.

662
00:31:42.240 --> 00:31:43.880
<v Speaker 1>Yeah, but every day, I know, I know, I know

663
00:31:44.079 --> 00:31:47.880
<v Speaker 1>every day it was. It was a lot, but again

664
00:31:48.119 --> 00:31:50.200
<v Speaker 1>it's you know, not a lot of people get to

665
00:31:50.400 --> 00:31:54.319
<v Speaker 1>experience that. So I try to be grateful and trying

666
00:31:54.359 --> 00:31:58.039
<v Speaker 1>to make my situation as comfortable as possible.

667
00:31:58.440 --> 00:31:58.799
<v Speaker 3>For sure.

668
00:31:58.920 --> 00:32:01.680
<v Speaker 1>Yeah, but we we've done a lot of tours. We

669
00:32:01.799 --> 00:32:04.640
<v Speaker 1>have thugged a lot of tours, yeah, yeah, or thugged

670
00:32:04.680 --> 00:32:05.160
<v Speaker 1>it for a.

671
00:32:05.160 --> 00:32:09.240
<v Speaker 3>Lot of Yeah, for sure. God, independent artists, man, that's

672
00:32:09.240 --> 00:32:10.079
<v Speaker 3>got to be studied.

673
00:32:10.200 --> 00:32:13.519
<v Speaker 1>Yeah, I'm like, man, do I just get signed? I

674
00:32:13.559 --> 00:32:13.839
<v Speaker 1>don't know.

675
00:32:14.240 --> 00:32:17.319
<v Speaker 3>Nah, right at this point, is that even something you want?

676
00:32:17.960 --> 00:32:19.960
<v Speaker 1>I'm thinking about it more than I.

677
00:32:20.480 --> 00:32:22.319
<v Speaker 3>Use a lot of partnership instead of getting Yeah.

678
00:32:22.319 --> 00:32:24.559
<v Speaker 1>Maybe, yeah, I think because.

679
00:32:24.359 --> 00:32:26.519
<v Speaker 3>You're walking in with a lot of music, totally a

680
00:32:26.559 --> 00:32:27.400
<v Speaker 3>lot of accomplishment.

681
00:32:27.440 --> 00:32:30.720
<v Speaker 1>I mean, I've self funded everything myself. So that's the

682
00:32:30.799 --> 00:32:33.640
<v Speaker 1>part where I'm kind of like, it's a lot of money.

683
00:32:34.119 --> 00:32:36.880
<v Speaker 1>It's a lot of money for somebody, but I'm grateful.

684
00:32:36.920 --> 00:32:39.319
<v Speaker 1>I'm grateful that I get to use my own money

685
00:32:39.359 --> 00:32:42.680
<v Speaker 1>to pay for those things, because if it works, you

686
00:32:42.799 --> 00:32:45.720
<v Speaker 1>get that tenfold back. Right. But sometimes it would be

687
00:32:45.799 --> 00:32:47.960
<v Speaker 1>nice to have like a bigger team to like help

688
00:32:48.000 --> 00:32:51.279
<v Speaker 1>with things, because you know, but we'll see, we'll see

689
00:32:51.279 --> 00:32:51.559
<v Speaker 1>where that.

690
00:32:51.720 --> 00:32:53.920
<v Speaker 3>We're praying for you. Yeah, let's get it. Wings is

691
00:32:53.960 --> 00:32:56.599
<v Speaker 3>out on all these platforms, man, let's get it. Sweet,

692
00:32:56.599 --> 00:32:59.119
<v Speaker 3>Thank you very much, thank you so much. Let's get it.

693
00:32:59.200 --> 00:33:02.000
<v Speaker 3>I hope so show real ninety two three, Let's get it. Yeah,
