WEBVTT

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<v Speaker 1>And now I'm sure our good friend doctor Watson is

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<v Speaker 1>ready for us.

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<v Speaker 2>Let's go in and join.

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<v Speaker 3>Come in, Ah, there you are, mister Bartell.

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<v Speaker 1>Good evening doctor. Are you already with the night's new

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<v Speaker 1>sheerlock Ons adventure?

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<v Speaker 2>I am ready? If you are the boy? How would

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<v Speaker 2>you like to hear a story that took place in Italy?

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<v Speaker 2>In Italy, say you?

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<v Speaker 1>And the Great cherlock Holm certainly did get around?

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<v Speaker 2>What took you there? Doctor?

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<v Speaker 4>We've gone to Rome to investigate the sudden death of

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<v Speaker 4>Cardinal Tosca, an inquiry which I may tell you, mister Bartell,

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<v Speaker 4>was carried out by Holmes at the express desire of

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<v Speaker 4>his Holiness, the.

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<v Speaker 2>Pope, Say, doctor, that sounds like a well known o

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<v Speaker 2>mister Bartell. That's the story that I'm afraid I can

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<v Speaker 2>never tell you.

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<v Speaker 4>However, tonight's adventure took place a few days after Holmes

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<v Speaker 4>had brought his case to a satisfactory, though somewhat terrifying conclusion.

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<v Speaker 4>I suggested to the great Man that a short holiday

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<v Speaker 4>would be good for us before returning to England, and

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<v Speaker 4>so we spent some happy days browsing among the architectural

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<v Speaker 4>treasures of old Rome.

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<v Speaker 2>The Colosseum, the.

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<v Speaker 4>Baths of Caracalla, the Forum, the wonderful ruins on the

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<v Speaker 4>Palatine Hill. I couldn't drag homes away from the mister Bartel,

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<v Speaker 4>and at nighttime he was able to indulce to his

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<v Speaker 4>heart's content, his great love of music. Finally, it was

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<v Speaker 4>two nights before we were to sail for England. I

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<v Speaker 4>remember we went to the opera house to hear the

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<v Speaker 4>famous Italian soprano Gina Valcazy singing bared his immortal l traviata.

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<v Speaker 4>I can hear that exquisite voice now, mister Bartel, as

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<v Speaker 4>Holmes and I seated in a box, listened spelled down

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<v Speaker 4>to the great Valcazy singing her last day.

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<v Speaker 2>What a voice, Watson, what a magrificent boy, Yes it is, Holmes.

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<v Speaker 4>A pity though, that most opera stars who seeing at

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<v Speaker 4>Nightingale seemed to have the figures of.

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<v Speaker 2>An usually well fed powder pigeons. Poor woman, she must

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<v Speaker 2>weigh at least twenty stone. Nevertheless, you mustn't refer to

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<v Speaker 2>her as poor, my dear chap. Despite her somewhat unfortunate proportions,

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<v Speaker 2>Signora Gildavalkse remains one of the greatest and wealthiest of

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<v Speaker 2>contemporary supanos. Listen to real clause, I say, I'm not

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<v Speaker 2>admitial second uncore, you might as well go back to

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<v Speaker 2>addressing room. Now the opera's almost over.

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<v Speaker 4>Why are we going back to the addressing because during

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<v Speaker 4>the last intervision I received a note from her requesting

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<v Speaker 4>my attendance.

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<v Speaker 2>Oh what did the notes say? Well, it seems that

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<v Speaker 2>the lady is not too popular with certain numbers of

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<v Speaker 2>the opera company. Well, I had no wish to become

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<v Speaker 2>entangled in any opera clashed temperaments, I confess I find

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<v Speaker 2>myself not a little interested in meeting the lady. She's

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<v Speaker 2>interesting an uncore, Are.

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<v Speaker 4>You really going back to her dressing a summons from

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<v Speaker 4>you know these years no more to be disobeyed than

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<v Speaker 4>our royal command.

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<v Speaker 5>I must ask you, gentlemen, not to stand upside laval.

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<v Speaker 2>Cases dressing room.

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<v Speaker 5>We permit on our strangers, particularly foreigners.

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<v Speaker 2>That the Senora has requested our presents. May I ask who.

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<v Speaker 5>You are permitting me to introduce myself? Gentlemen, I am

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<v Speaker 5>Armando Bellini, Inspector of Police.

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<v Speaker 2>My name is homes Sheila comes and this is my friend,

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<v Speaker 2>doctor Watson. Sure lack of homes. But this is a

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<v Speaker 2>great honor.

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<v Speaker 5>Allow me to apologize here in the opera house.

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<v Speaker 2>We have to be so careful.

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<v Speaker 5>You understand that of be intrigues, there are so many.

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<v Speaker 5>But send your homes and his friend. I am so

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<v Speaker 5>happy to meet you both at headquarters. I hear wonderful

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<v Speaker 5>reports of your work and the guidenal Tosca.

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<v Speaker 2>I shoul prefer not to mention that unfortunate matter, Inspector,

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<v Speaker 2>except on the conditions of extreme privacy.

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<v Speaker 4>Are quite so, and behind the scenes that the opera

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<v Speaker 4>is not the most secluded place.

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<v Speaker 5>Please to forgive me. You are waiting to see laval Cases.

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<v Speaker 5>She is still on the stage. She has requested your presence.

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<v Speaker 5>You say in your hand, yes.

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<v Speaker 2>I trust the meeting is to be a social and

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<v Speaker 2>not a professional one.

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<v Speaker 4>Where sailing for England in a couple of days, and

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<v Speaker 4>you came to hear the great Arcsa singer before you left.

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<v Speaker 4>Most understand a magnificent voice. Inspector, Yes, a doctor and

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<v Speaker 4>still well. I am a devote opera over myself. Yet

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<v Speaker 4>I cannot help but feel it's a futuralizer.

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<v Speaker 2>With those who can add the youth and youth into

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<v Speaker 2>a great voyage. That's true truth in your But where

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<v Speaker 2>can you find such a combination? I have found it

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<v Speaker 2>here in the opera. There is a girl. She is

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<v Speaker 2>my protegee. Someday I hope she will be my wife.

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<v Speaker 5>The moment she is only understudying labar Casey. If she

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<v Speaker 5>should ever get to the opportunity of seeing her her place,

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<v Speaker 5>then a new star will be born.

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<v Speaker 2>Really, what's her name? Lisa Bordoni.

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<v Speaker 5>She has but recently come to Rome from Milano, where

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<v Speaker 5>she studied with the great Alfaerra. Confidentially, I think that

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<v Speaker 5>lab Casey is so jealous of all that.

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<v Speaker 2>Here is Lisa now, and that.

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<v Speaker 4>Is her brother with her, Lisa Karma pleaser to join us,

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<v Speaker 4>by George, What a beautiful girl?

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<v Speaker 2>What is it? Amando?

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<v Speaker 5>Permit me to present the famous English detective Senior Shelackholmes

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<v Speaker 5>and his friend, doctor waw Do you do?

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<v Speaker 2>How do you do, young lady? Glad to meet you both.

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<v Speaker 2>This is my brother Walley.

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<v Speaker 3>I do. I certainly feel that I know a lot

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<v Speaker 3>about you two gentlemen. No, I can't tell you how

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<v Speaker 3>many times I've read your stories, Doctor Watson.

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<v Speaker 5>In Liza, I'm very flattered, Lisa Karama, we were just

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<v Speaker 5>saying that a youth and a beauty combine with the

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<v Speaker 5>voice Liza, our future hope and the opera.

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<v Speaker 2>Your they will comely, Sam Mia, Your they will come soon.

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<v Speaker 6>I hope you're right, Armando, But as long as I

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<v Speaker 6>understandy Gina Valcazy, I don't see when I'll get my chance.

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<v Speaker 2>She's disgustingly healthy. If you're brought my saying so, young lady,

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<v Speaker 2>your name is BORDONI you and your brother don't sound

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<v Speaker 2>at the least Italian.

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<v Speaker 3>We're not, mister Holmes, We're American. But to succeed in

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<v Speaker 3>Italian opera, my sister has found that an Italian name

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<v Speaker 3>is essential, so the Bordon family became the Bordonis.

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<v Speaker 6>In any case, my real name is Lizzie Borden.

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<v Speaker 2>I'm here you, mister Holmes, is a famous detective. We'll

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<v Speaker 2>see that I had to change my name. I can

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<v Speaker 2>well understand who was Lizzie boy Well, my never are

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<v Speaker 2>one of the greatest and most successful of murderesses, who

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<v Speaker 2>wilted enacts with incredible dexterity. I've often regretted that I

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<v Speaker 2>listen Tibet instead of America at the time of that

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<v Speaker 2>particular case in your arms.

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<v Speaker 5>I do not understand the you Anglo saxons to me,

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<v Speaker 5>and murderous is a murderous?

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<v Speaker 4>Now when you speak of a greatness in women, I feel.

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<v Speaker 4>But here comes Ginovar Casey. Now I will introduce you.

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<v Speaker 6>Many times, but I tell you will not know. I

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<v Speaker 6>want to send outside by dressing room. Send them away,

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<v Speaker 6>letter Kasey, is a time.

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<v Speaker 4>Buddy you wish to see, Senior shell uck home said

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<v Speaker 4>the famous detective here.

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<v Speaker 2>Has a come here in answer to your request.

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<v Speaker 5>Please up, permit me to present him. And also is

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<v Speaker 5>a friend doctor Watts. How are you dosingta to meet you?

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<v Speaker 2>Senor da case And now perhaps if we may come

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<v Speaker 2>into your dressing room and confer privately? What would love?

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<v Speaker 6>But please you have to say it to a detective,

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<v Speaker 6>I mean not the police, as perro gokay, hold of you.

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<v Speaker 2>The grab She slammed the door in my face. Wa

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<v Speaker 2>waiter sus and you bring me a small coffee? Please?

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<v Speaker 2>You very pleasant dining here on the hotel teress and

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<v Speaker 2>has confess this.

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<v Speaker 4>Is amazingly warm, considering yesterday snow yes its later. I

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<v Speaker 4>suggest we pay another.

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<v Speaker 2>Visit to the opera, and again about cases, saying 'l

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<v Speaker 2>Dan Rigoletto up on my soul, Homes.

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<v Speaker 4>It seems to me that you're astonishingly caresual after the

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<v Speaker 4>way that woman insulted you last night, slamming the door

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<v Speaker 4>in your faces.

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<v Speaker 2>If you were a tradesman, shocking, what would you have

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<v Speaker 2>me do, my dear chap, force my way into a

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<v Speaker 2>into a room, demand an apology, or have my friend

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<v Speaker 2>challenge her to a duel in order to avenge my honor. Oh,

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<v Speaker 2>don't try to be funny, Homes. You know perfectly well

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<v Speaker 2>what I mean. The lady asks you to come and

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<v Speaker 2>see her, and when you do, she pretends she's never

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<v Speaker 2>heard of you.

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<v Speaker 4>And here it is nearly twenty four hours later, and

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<v Speaker 4>you've done absolutely nothing about it.

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<v Speaker 2>Dear old Watson nearly quite upset over the affair, aren't

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<v Speaker 2>you well? If it will make you any happier, let

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<v Speaker 2>me tell you what I have done something about it.

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<v Speaker 2>I'm delighted to hear it. What This morning I was

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<v Speaker 2>able to obtain a specimen about our cases handwriting from

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<v Speaker 2>an autographed picture in the possession of Inspector Biline. I

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<v Speaker 2>compared the writing with that on the note and I

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<v Speaker 2>that I received in the box last night it was

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<v Speaker 2>that it was the same, proving that the message I

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<v Speaker 2>received was authentical. In that case, why did she snub

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<v Speaker 2>you like that? Well? Something was to fight her, I

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<v Speaker 2>suppose something or someone who was standing at the dressing

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<v Speaker 2>room door with us. Well, who was the respecta Bellini,

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<v Speaker 2>Lisa Bordoni and her brother. Therefore, we may assume that

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<v Speaker 2>love Alcaze had no wish to recognize me, and they

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<v Speaker 2>are presents. But if you think that, hold, why haven't

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<v Speaker 2>you been in touch with her today? She may be

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<v Speaker 2>in some dreadful Nay, if she is, she can find

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<v Speaker 2>me easily enough. I meanwhile, I'm perfectly happy to pet alone.

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<v Speaker 2>The last few weeks have been sufficiently strenuous without becoming

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<v Speaker 2>involved in some fresh case. My so homes, you must

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<v Speaker 2>be tired. I've never known you to be so indifferent

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<v Speaker 2>to a case. Great Scott, while it's Watson. Look walking

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<v Speaker 2>towards Signora vel CAZy herself and judging from the latest expression,

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<v Speaker 2>she seems to be in some distress. Could you mean, Sigela,

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<v Speaker 2>I'm not to speak. This is my colleague, doctor Watson.

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<v Speaker 2>How do you do? First?

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<v Speaker 6>I must apologize for not yeah, the last night it

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<v Speaker 6>would have been a dangerous If that casey, I'd acknowledged

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<v Speaker 6>that she had to communicate with you.

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<v Speaker 2>That's just what my friend assumed. Adams speak quite felly

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<v Speaker 2>nas and no one can overhear us. See ROMs. I

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<v Speaker 2>am being persecuted.

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<v Speaker 6>My life is in a danger.

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<v Speaker 2>You want to save me?

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<v Speaker 6>See season and now to day tragedy as a struck

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<v Speaker 6>my sister, my beloved Bella lies on your death from

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<v Speaker 6>a murderous attack, an attack that was immense for me.

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<v Speaker 2>Good Lord, what happened, madam? If you will please to

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<v Speaker 2>keep it.

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<v Speaker 6>Quiet, a little lot of jazy speak, will.

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<v Speaker 2>I learn what happened? I'm sorry, madam.

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<v Speaker 6>The morning, this is the morning always myself take my

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<v Speaker 6>dog for a walk. But this is the morning I

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<v Speaker 6>feel the trace of a cold. I asked my sister

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<v Speaker 6>to take the dog for a walk. Please do understand

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<v Speaker 6>that my sater is a very.

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<v Speaker 2>Much like me in the pianos, I understand, Senora, Please continue.

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<v Speaker 2>She woke alone in the park.

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<v Speaker 6>From nowhere her husband came gallop and the rider though

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<v Speaker 6>pase how much I learned from the traces in the snow.

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<v Speaker 2>When I got to find that was she able to

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<v Speaker 2>tell you who the horseman was No, she cannot speaks

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<v Speaker 2>to you.

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<v Speaker 6>They say at the hospital that her skull is a

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<v Speaker 6>fractured that she may not leave in your arms.

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<v Speaker 2>That attack, it was immense for me.

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<v Speaker 6>You must have protected me.

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<v Speaker 2>I shall do everything in my No, what's wrong, madam?

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<v Speaker 2>Somewhere that is the cat?

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<v Speaker 4>I know me.

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<v Speaker 2>I cannot stand right me. I'll make it go away.

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<v Speaker 6>Please, I gotta say someone even thing now.

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<v Speaker 2>It must be your imagination. I am sorry to make

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<v Speaker 2>such a scene, but I cannot appear to be near

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<v Speaker 2>a cat. I cannot tell you what it DoD to me.

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<v Speaker 2>May it sound no, No, not at all, Senora. Such

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<v Speaker 2>a condition is quite common. In fact, I believe medical

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<v Speaker 2>science has given it a name. It's known as Alora Povia.

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<v Speaker 2>Whatever it is it called. It make me ill. I

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<v Speaker 2>must go to my room. I cannot stand much more,

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<v Speaker 2>my poor I imagine with your sister death door, Signora,

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<v Speaker 2>you will not sing tonight, sing your arms.

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<v Speaker 6>I love her very much, but even as sister is

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<v Speaker 6>only a sister, my art is my life. In an hour, singer,

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<v Speaker 6>I sing Hilda in a rigoletto. You will attend the performance,

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<v Speaker 6>and afterwards you will tell a love at Casey, how she.

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<v Speaker 2>May trap this devil who seek to destroyer?

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<v Speaker 4>Oh Holmes, it's after nine point thirty. We've missed quite

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<v Speaker 4>a lot of the opera. How they was going to above?

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<v Speaker 2>Now just been time to hear at our case he

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<v Speaker 2>sing the incomparable kronomy let's slip in the quite as

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<v Speaker 2>we can. Seems to me we should have been in

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<v Speaker 2>our box from the beginning of a performance. She asked

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<v Speaker 2>you to keep an eye on chan. But it occurred

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<v Speaker 2>to me that an attack on her during the performance

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<v Speaker 2>was unlikely, and that our time might be more profitably

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<v Speaker 2>spent thinking inquiries of the writing academy. She drew a blank.

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<v Speaker 2>We fell no trace of that mysterious writer. No, but

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<v Speaker 2>at least we tried. Here we are, let's stand at

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<v Speaker 2>the back of the theater forty minutes, Great Scott, that

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<v Speaker 2>isn't our cases singing. It's the understudy. But helese protaghe

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<v Speaker 2>the American girl. He's a Bodoni. What a beautiful life one,

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<v Speaker 2>but with a beautiful, wonderful range. But yeah, we have

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<v Speaker 2>no time to listen to her. Now we must go

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<v Speaker 2>to the dark cases dressing them at once. We know

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<v Speaker 2>she left the theater tonight with the intention of singing,

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<v Speaker 2>I'm very much afraid there's the devil's work of what Watson?

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<v Speaker 2>Why on earth doesn't she answer? Listen? Cats inside her

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<v Speaker 2>dressing room. Come on, Watson, lock pt your shoulder to it.

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<v Speaker 2>Come on, help me, Come on? What's more? Come on?

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<v Speaker 4>Now?

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<v Speaker 2>What's there? Fights? Cout? She's unconscious, Watson, See what you

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<v Speaker 2>can do for her. She must have think of the fights. Yes,

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<v Speaker 2>some fiend knowing her deadly fear of cats as lucks

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<v Speaker 2>her in here with half a dozen nothings shore shore

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<v Speaker 2>on shore. Her eyes are opening homes. She's coming to

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<v Speaker 2>sor Varse. Her lips are moving. She's trying to speak,

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<v Speaker 2>sor tell me who did this to you? Hu, greats heavens.

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<v Speaker 2>Her voice is gone. I've known many vicious crimes in

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<v Speaker 2>my lifetime, Watson, but to murder her voice, a boy

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<v Speaker 2>that was one of the treasures of the world, is

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<v Speaker 2>as by a killing as I've ever encountered.

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<v Speaker 1>Doctor Watson will tell you the rest of his story

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<v Speaker 1>in just a few seconds. And right now would be

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<v Speaker 1>a wonderful time to try a glass of Petrie California

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<v Speaker 1>port in the evening after dinner, well, anytime you're taking

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<v Speaker 1>things easy, is the perfect time for petre Port. Petre

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<v Speaker 1>Port is a rich red wine, the kind of wine

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<v Speaker 1>you like to sip slowly so you won't miss a

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<v Speaker 1>drop of its truly fine flavor. I'm not kidding when

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<v Speaker 1>I say you owe it to yourself and your family

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<v Speaker 1>to try petri Port. In fact, you should try pet

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<v Speaker 1>Report and Petrie Muscatel. So don't buy one, buy two,

291
00:15:49.279 --> 00:15:53.159
<v Speaker 1>buy both Port and Muscatel. Just be sure you get Petrie,

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<v Speaker 1>because Petree wine is always good wine.

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<v Speaker 2>Well, Dr Watson saw the great.

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<v Speaker 1>Opera They gonna lost her voice when someone locked in

295
00:16:01.799 --> 00:16:02.759
<v Speaker 1>a room full of cats?

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<v Speaker 2>Huh, what did you?

297
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<v Speaker 4>And Sharlock Holmes dough We took Senior Valcazy back to

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<v Speaker 4>her hotel at once and saw that she was properly

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<v Speaker 4>taken care of.

300
00:16:09.960 --> 00:16:12.600
<v Speaker 2>How did the understudy, Lisa Bordoni make out? Doctor?

301
00:16:12.679 --> 00:16:15.919
<v Speaker 4>The tragedy that overtook Clark Valcazy gave her her great chance.

302
00:16:16.440 --> 00:16:19.159
<v Speaker 4>She received a tremendous ovasion at the close of the performance,

303
00:16:19.200 --> 00:16:21.759
<v Speaker 4>and it seemed certain that another star had been born.

304
00:16:22.360 --> 00:16:24.440
<v Speaker 4>But let me tell you the story just as it happened,

305
00:16:24.480 --> 00:16:27.240
<v Speaker 4>mister Bartel. A little later that night, Holmes and I

306
00:16:27.360 --> 00:16:29.720
<v Speaker 4>were once again standing on the balcony of our hotel,

307
00:16:30.120 --> 00:16:32.399
<v Speaker 4>watching a crowd of people that had assembled in the colture.

308
00:16:35.080 --> 00:16:37.279
<v Speaker 4>You see that crowd, Watson, Yes, I suppose they've come

309
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<v Speaker 4>here to proclaim the news stuff.

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<v Speaker 2>Oh no, my dear fellow, that crowd isn't planning a celebration.

311
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<v Speaker 2>Look at them and listen to their angry murmuring her afraith,

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00:16:44.320 --> 00:16:45.679
<v Speaker 2>there's going to be trouble. R. I don't like to

313
00:16:45.720 --> 00:16:47.840
<v Speaker 2>look at it. Oh. Here comes Lisa Bord and his

314
00:16:47.960 --> 00:16:51.200
<v Speaker 2>brother Wally. What trumk, sir, mister Holmes, mister Holt, You've

315
00:16:51.240 --> 00:16:52.600
<v Speaker 2>got to do something. What's happened? Well?

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00:16:52.639 --> 00:16:54.639
<v Speaker 3>Somehow the story about the cats and lave val Casey's

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00:16:54.679 --> 00:16:56.919
<v Speaker 3>dressing room is spread the crowd outside her, saying that

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00:16:57.039 --> 00:16:59.440
<v Speaker 3>my sister Lisa planned the whole thing so that she

319
00:16:59.519 --> 00:17:00.840
<v Speaker 3>could sing all Casey's part in.

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00:17:00.840 --> 00:17:01.759
<v Speaker 2>The opportunity of her sister.

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<v Speaker 3>Now in a room at the hotel here, I managed

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00:17:04.039 --> 00:17:05.559
<v Speaker 3>to get her away from the crowd and I locked

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<v Speaker 3>her in.

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00:17:06.319 --> 00:17:09.079
<v Speaker 2>But the mob, I'm frightened. Ah. Here comes the official

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00:17:09.119 --> 00:17:12.799
<v Speaker 2>representative of law and daughter and inspected bilin Waale. Where

326
00:17:12.880 --> 00:17:14.640
<v Speaker 2>is Lisa? I was just telling mister Holmes that I'd

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00:17:14.640 --> 00:17:16.839
<v Speaker 2>locked her in a room and that crowd's in a

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<v Speaker 2>dangerous mood. Belina, what precautions you're taking?

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00:17:19.240 --> 00:17:21.440
<v Speaker 5>I ever thrown a card on of police around the hotel.

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00:17:21.960 --> 00:17:24.279
<v Speaker 5>The mob is getting out of her hand, and Lisa

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<v Speaker 5>must be protected. As a matter of fact, the situation

332
00:17:27.599 --> 00:17:28.440
<v Speaker 5>is even worse than.

333
00:17:28.400 --> 00:17:29.160
<v Speaker 2>The crowd knows.

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00:17:29.599 --> 00:17:32.240
<v Speaker 5>I have just been thought that Lava Case's twin sister,

335
00:17:32.319 --> 00:17:33.240
<v Speaker 5>Bella died.

336
00:17:33.039 --> 00:17:36.160
<v Speaker 2>In the hospital to night, that I had some murder charge.

337
00:17:36.799 --> 00:17:39.200
<v Speaker 2>If the crowd knew about that, I tremble to think

338
00:17:39.279 --> 00:17:40.640
<v Speaker 2>what might happen? Did you see that.

339
00:17:42.599 --> 00:17:46.839
<v Speaker 4>Casey's sister was a twin inspector in your homes? She

340
00:17:47.079 --> 00:17:50.039
<v Speaker 4>was a horror exactly double in everything but voice.

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<v Speaker 2>Indeed, how very illuminating. If you don't mind, I s

342
00:17:53.079 --> 00:17:54.640
<v Speaker 2>I have a few words in private with my friend

343
00:17:54.680 --> 00:17:58.640
<v Speaker 2>doctor Watson excuses for a moment. What do you make

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00:17:58.680 --> 00:18:00.440
<v Speaker 2>of at homes? Why are you a check? Well?

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00:18:00.519 --> 00:18:02.799
<v Speaker 4>The American girl seemed very charming and all that, but

346
00:18:02.920 --> 00:18:05.200
<v Speaker 4>she might have done it. It had to be either her,

347
00:18:05.400 --> 00:18:08.240
<v Speaker 4>her brother, or the inspector himself. They all had a

348
00:18:08.319 --> 00:18:10.599
<v Speaker 4>motive for wanting lav bel CAZy to lose her voice.

349
00:18:11.079 --> 00:18:13.799
<v Speaker 4>But I must say I can't understand the motive behind

350
00:18:13.839 --> 00:18:15.039
<v Speaker 4>the murder of her to insist.

351
00:18:15.200 --> 00:18:16.519
<v Speaker 2>I think I can give you the answer to that

352
00:18:16.680 --> 00:18:19.200
<v Speaker 2>question in a very few minutes. But meanwhile, the mob

353
00:18:19.359 --> 00:18:23.440
<v Speaker 2>gets uglier and uglier. The only way to avert violence, Watson,

354
00:18:23.519 --> 00:18:25.720
<v Speaker 2>is to give them quick proof and a certainty of conviction,

355
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<v Speaker 2>and just go back to Bilini and the young American,

356
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<v Speaker 2>and I want to keep an eye on them. Meanwhile,

357
00:18:29.359 --> 00:18:32.039
<v Speaker 2>I want you to slip out and get me a cat.

358
00:18:32.200 --> 00:18:35.720
<v Speaker 2>Cat fo You'll find out soon enough. What kind of

359
00:18:35.759 --> 00:18:36.039
<v Speaker 2>a cat?

360
00:18:36.079 --> 00:18:36.160
<v Speaker 3>Oh?

361
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<v Speaker 2>Any kind? But hurry, Come on, kittie, kitty, Come on, kitty.

362
00:18:53.200 --> 00:18:54.440
<v Speaker 2>There's a good kitty.

363
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<v Speaker 7>Yeah, yeah, here, what you're doing a hotel kas Seor

364
00:19:00.240 --> 00:19:01.319
<v Speaker 7>you want to play with my cat?

365
00:19:01.400 --> 00:19:04.480
<v Speaker 2>Oh? Is he your cat? Charming little fellow. I'd like

366
00:19:04.559 --> 00:19:07.000
<v Speaker 2>to borrow him for a little while. Why you want

367
00:19:07.039 --> 00:19:08.960
<v Speaker 2>to borrow my cat? Why? I thought i'd take him

368
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<v Speaker 2>up to my hotel room and have a little game

369
00:19:10.839 --> 00:19:13.559
<v Speaker 2>with him. I'm not some old socks he can play with.

370
00:19:14.039 --> 00:19:18.240
<v Speaker 7>Deal the English at a crazy race. My cat does

371
00:19:18.440 --> 00:19:20.160
<v Speaker 7>not like to play with the old socks.

372
00:19:20.279 --> 00:19:22.079
<v Speaker 2>Look here, he has fifty lire for you.

373
00:19:22.680 --> 00:19:25.680
<v Speaker 7>Oh no, no, no, I tell you my cat does

374
00:19:25.799 --> 00:19:28.079
<v Speaker 7>not like to play with the old socks. My cat

375
00:19:28.119 --> 00:19:30.240
<v Speaker 7>would stay here and you can keep it your money.

376
00:19:30.279 --> 00:19:33.240
<v Speaker 2>I give you a halfred a leer so that you

377
00:19:33.359 --> 00:19:36.359
<v Speaker 2>may stuff my cat full of old socks. No, no,

378
00:19:36.759 --> 00:19:38.759
<v Speaker 2>give me back my cat. Oh that crazy is with you.

379
00:19:39.000 --> 00:19:41.319
<v Speaker 2>You'll get it back there. Stuff him, stub him, the

380
00:19:41.440 --> 00:19:43.319
<v Speaker 2>crazy englishman. He's stealing my cart.

381
00:19:57.319 --> 00:19:59.920
<v Speaker 4>Well, I've got a cat for your homes but I

382
00:20:00.039 --> 00:20:02.599
<v Speaker 4>wish you tell me what we're doing outside val CAS's

383
00:20:02.640 --> 00:20:03.119
<v Speaker 4>door with it.

384
00:20:03.680 --> 00:20:07.039
<v Speaker 2>I'm going to try an experiment. You open her bedroom

385
00:20:07.079 --> 00:20:15.880
<v Speaker 2>doors softly, so slip the cat in so and close

386
00:20:16.000 --> 00:20:21.599
<v Speaker 2>the door. Homes Man, what the places you think you're doing?

387
00:20:22.079 --> 00:20:23.119
<v Speaker 2>You don't drive her mad.

388
00:20:23.119 --> 00:20:23.519
<v Speaker 7>I think not.

389
00:20:23.720 --> 00:20:33.119
<v Speaker 2>Listen and watch through the keyhole if you can Holmes voice,

390
00:20:33.440 --> 00:20:34.799
<v Speaker 2>it's come back. Yes, I thought it might.

391
00:20:35.240 --> 00:20:38.000
<v Speaker 4>I can see her through the keyhole. She's picking the

392
00:20:38.079 --> 00:20:41.200
<v Speaker 4>cat up by the scruff of its neck. She's walking

393
00:20:41.200 --> 00:20:41.519
<v Speaker 4>toward the.

394
00:20:41.519 --> 00:20:44.559
<v Speaker 2>Balconyes, and towards the crowds down below. An excellent opportunity

395
00:20:44.599 --> 00:20:47.599
<v Speaker 2>for a public confession. Come on, come up, what do

396
00:20:47.680 --> 00:20:50.279
<v Speaker 2>you want? I charge you with the murder of your sister,

397
00:20:50.359 --> 00:20:51.759
<v Speaker 2>the great singer about Kissy.

398
00:21:08.160 --> 00:21:12.200
<v Speaker 5>If there was a magnificence inior homes a magnifson. The

399
00:21:12.319 --> 00:21:14.799
<v Speaker 5>way you force her to confess on the balcony in

400
00:21:14.880 --> 00:21:15.759
<v Speaker 5>a full side of the.

401
00:21:15.839 --> 00:21:17.480
<v Speaker 2>Mark, and so you saved Lisa.

402
00:21:18.119 --> 00:21:20.640
<v Speaker 6>I can't thank you enough, mister Holmes, No can I,

403
00:21:21.519 --> 00:21:23.440
<v Speaker 6>though I still don't see how you guessed.

404
00:21:23.880 --> 00:21:25.960
<v Speaker 2>She looked so much like a sister that she fool

405
00:21:26.000 --> 00:21:29.200
<v Speaker 2>even me her understand Yes, it was an extremely cunning plot,

406
00:21:29.240 --> 00:21:32.480
<v Speaker 2>mister Donay. The real Valcase sent me that note last night.

407
00:21:32.640 --> 00:21:34.559
<v Speaker 2>When I met her at the dressing room door, she

408
00:21:34.720 --> 00:21:37.079
<v Speaker 2>denied having sent for me because the three of you

409
00:21:37.160 --> 00:21:40.400
<v Speaker 2>were there, I suppose as she suspected one of us. Oh, yes, obviously,

410
00:21:40.400 --> 00:21:43.039
<v Speaker 2>and Lida no doubt. She told her twin sister, Bella

411
00:21:43.119 --> 00:21:45.160
<v Speaker 2>and about having sent me the message, and also announced

412
00:21:45.160 --> 00:21:47.640
<v Speaker 2>her intention of coming to see me. Bella saw her

413
00:21:47.680 --> 00:21:52.480
<v Speaker 2>opportunity murdered. Lavalcase assumed her identity, and to give added

414
00:21:52.559 --> 00:21:55.559
<v Speaker 2>realism to her role, followed through with her sister's plans

415
00:21:55.599 --> 00:21:56.839
<v Speaker 2>by coming to see me today.

416
00:21:57.119 --> 00:22:00.279
<v Speaker 3>But I still don't understand this business, mister Holmes. Why

417
00:22:00.319 --> 00:22:02.359
<v Speaker 3>did the twin sister lock herself in her dressing room

418
00:22:02.400 --> 00:22:03.240
<v Speaker 3>and fill it with cats.

419
00:22:03.839 --> 00:22:06.279
<v Speaker 2>What did it accomplish? It gave me the chance to sing,

420
00:22:06.839 --> 00:22:10.359
<v Speaker 2>That's true, which is why Watson felt certain the criminal

421
00:22:10.599 --> 00:22:14.559
<v Speaker 2>must be you, your brother, or senor Belline. But you see,

422
00:22:14.640 --> 00:22:17.200
<v Speaker 2>the episode of the cats accomplished one other thing. It

423
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<v Speaker 2>made it plausible that the great Falcase should never sing again.

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<v Speaker 2>To whose advantage would that be an impostor, of course,

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<v Speaker 2>a person or a twin sister who could not sing,

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<v Speaker 2>and who must surely end her sister's great things. Exactly,

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00:22:29.759 --> 00:22:31.599
<v Speaker 2>my dear fellow. As soon as I knew they were

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00:22:31.640 --> 00:22:35.000
<v Speaker 2>twin sisters and everything, but voyce it became more than

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00:22:35.039 --> 00:22:38.720
<v Speaker 2>a possibility. It became probability. But it had to be tested.

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<v Speaker 2>That's why I sent for the cat, Watson. When the sister,

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<v Speaker 2>thinking herself unobserved, exhibited no terror for cats, well it

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<v Speaker 2>became a certain day on my soul. This is as

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<v Speaker 2>fantastic a plot as ever. We've met a diabolical plan, Watson,

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00:22:51.759 --> 00:22:54.240
<v Speaker 2>and I'm only thankful, Miss Boudonney that we were able

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00:22:54.279 --> 00:22:56.400
<v Speaker 2>to expose it before the crowd reached you tonight. I

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00:22:56.480 --> 00:22:58.160
<v Speaker 2>don't know what I can ever do to repay you,

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00:22:58.279 --> 00:23:00.079
<v Speaker 2>mister Holmes. Oh that would be hard, my dear. A

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<v Speaker 2>box of cuff and garden for your London debut would

439
00:23:02.519 --> 00:23:05.160
<v Speaker 2>be well an ample repayment. And from what I hear

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00:23:05.200 --> 00:23:07.880
<v Speaker 2>of your reception in Brigolletto tonight, I shan't have to

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00:23:07.920 --> 00:23:09.720
<v Speaker 2>wait very long for that rewards.

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00:23:12.920 --> 00:23:16.119
<v Speaker 7>Excuse me, please, All over the hotel I look up

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<v Speaker 7>for my cat, I say to myself, jeez, he's stealing

444
00:23:21.559 --> 00:23:24.559
<v Speaker 7>my cat. He's picked up alder. You arrassed him. He

445
00:23:24.680 --> 00:23:26.599
<v Speaker 7>tried to bribe him, and he run away from my

446
00:23:26.720 --> 00:23:29.200
<v Speaker 7>cat and feeling full of old English salt.

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00:23:29.839 --> 00:23:31.160
<v Speaker 2>Oh Goshi, we are.

448
00:23:43.559 --> 00:23:45.440
<v Speaker 1>Doctor id you like to have a picture of you

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00:23:45.599 --> 00:23:46.920
<v Speaker 1>running away with that fellow's cat?

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00:23:46.960 --> 00:23:51.079
<v Speaker 2>On dear, you a cat stealer? You know a bit funny,

451
00:23:51.119 --> 00:23:53.200
<v Speaker 2>mister Bartle. Believe me, it was most.

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00:23:53.000 --> 00:23:55.880
<v Speaker 1>Embarrassing, I know, but it was all for a good cause,

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<v Speaker 1>and I think you were splendid about the whole thing.

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<v Speaker 2>Uh.

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00:23:59.079 --> 00:24:00.960
<v Speaker 1>Incidentally, how do you having to look for a cat

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00:24:01.039 --> 00:24:03.799
<v Speaker 1>in the hotel kitchen? There's usually one round the back

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00:24:03.920 --> 00:24:06.319
<v Speaker 1>door of a kitchen. Haven't you ever wandered well the

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00:24:06.839 --> 00:24:08.079
<v Speaker 1>backstage in the hotel?

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00:24:08.599 --> 00:24:09.240
<v Speaker 2>Fascinating?

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00:24:09.519 --> 00:24:11.720
<v Speaker 1>Of course I have, but I've never been in a

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00:24:11.759 --> 00:24:14.599
<v Speaker 1>hotel kitchen, then where were you and the wine sell it?

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00:24:14.960 --> 00:24:16.440
<v Speaker 2>I should have known, I guess, doctor.

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00:24:16.480 --> 00:24:18.519
<v Speaker 1>I like to look at bottles of Petrie wine because

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<v Speaker 1>when I see a Petrie wine, I know I'm looking

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<v Speaker 1>at a good wine. And Petrie wine is good because

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<v Speaker 1>of the Petrie family. The Petrie family first started making

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00:24:27.759 --> 00:24:31.240
<v Speaker 1>fine wine before the beginning of this century generations ago.

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00:24:32.119 --> 00:24:35.279
<v Speaker 1>Since then, wine making has been their heritage, hand it

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00:24:35.400 --> 00:24:38.799
<v Speaker 1>on down from father to son. So you can take

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00:24:38.839 --> 00:24:41.480
<v Speaker 1>it for granted that the Petrie family really knows how

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<v Speaker 1>to turn luscious, sun ripened grapes into clear, fragrant, delicious wine.

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00:24:47.480 --> 00:24:49.039
<v Speaker 1>And you can take it for granted too, that the

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<v Speaker 1>name Petrie on a bottle of wine is more than

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<v Speaker 1>a trademark.

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00:24:52.720 --> 00:24:54.160
<v Speaker 2>It's the personal assurance of.

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00:24:54.160 --> 00:24:56.920
<v Speaker 1>The Petrie family that every drop of wine in that

477
00:24:57.000 --> 00:24:59.839
<v Speaker 1>bottle is good wine. You just can't go wrong with

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00:25:00.039 --> 00:25:06.640
<v Speaker 1>Patrick wine because Patrie took time to bring you good wine. Well,

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00:25:06.680 --> 00:25:08.559
<v Speaker 1>doctor Watson, what story are you planning to tell us

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00:25:08.599 --> 00:25:08.960
<v Speaker 1>next week?

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00:25:09.160 --> 00:25:10.920
<v Speaker 4>Next week, mister Bartel, and I'm going to tell you

482
00:25:11.039 --> 00:25:13.519
<v Speaker 4>a strange adventure that Holmes and I had many many

483
00:25:13.599 --> 00:25:14.079
<v Speaker 4>years ago.

484
00:25:14.759 --> 00:25:16.160
<v Speaker 2>It concerns a young Girl, the.

485
00:25:16.279 --> 00:25:19.519
<v Speaker 4>Mutilation of her doll, and the tragedy that overtook a

486
00:25:19.640 --> 00:25:21.720
<v Speaker 4>certain wise woman from the mountains.

487
00:25:36.480 --> 00:25:40.319
<v Speaker 1>Tonight Sherlock Holmes Adventure was written by Dennis Green and

488
00:25:40.480 --> 00:25:42.920
<v Speaker 1>Anthony Boucher, and was suggested by an.

489
00:25:42.839 --> 00:25:44.359
<v Speaker 2>Incident in this Arthur.

490
00:25:44.240 --> 00:25:48.880
<v Speaker 1>Conan Doyle story. The Adventure of Black Peter Music is

491
00:25:48.960 --> 00:25:52.920
<v Speaker 1>by Dean Fossler. Mister Rathbonne appears through the courtesy of

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00:25:53.000 --> 00:25:57.119
<v Speaker 1>Metro Goldwyn Mayer, and Tonight Doctor Watson was played by

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00:25:57.200 --> 00:26:01.640
<v Speaker 1>mister Eric Snood, who substituted for Miss Nigel Bruce. Mister

494
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<v Speaker 1>Bruce is scheduled to return to the program next week.

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00:26:10.599 --> 00:26:14.200
<v Speaker 1>The Petrie Wine Company of San Francisco, California invites you

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<v Speaker 1>to tune in again next week, same time, same station.

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<v Speaker 2>Sherlock Holmes comes to you from our Hollywood studios.

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<v Speaker 1>This is Harry Bartel saying good night for the Petrie family.
