WEBVTT

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<v Speaker 1>Unsolved mysteries down the ages.

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<v Speaker 2>Man has been seeking the answer to the riddles what

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<v Speaker 2>happens in the unseen realm beyond? With all our science,

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<v Speaker 2>we're as far from answering that question as man was

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<v Speaker 2>in the beginning. But with the accumulated records of the past,

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<v Speaker 2>the conviction is born strongly upon some that there is

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<v Speaker 2>a link joining us mortals with those who have fast

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<v Speaker 2>this way before.

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<v Speaker 3>Days of the world. As the scene is the famous

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<v Speaker 3>American newspaper correspondence Home, it is evening and the group

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<v Speaker 3>of guests are seated around the table enjoying thereafter dinner,

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<v Speaker 3>coffee and cigars.

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<v Speaker 1>Long fire casts a ruddy glow over the room, and

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<v Speaker 1>the soft candlelight throws grotesque, shallow shapes.

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<v Speaker 2>On the walls and ceiling as the guests settle themselves

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<v Speaker 2>more comfortably in their chair. Jiliously, that was a good story.

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<v Speaker 2>Well told you you don't really believe in ghosts. Before

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<v Speaker 2>I answer that question, let me ask you one. Go ahead.

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<v Speaker 1>Do you completely wholly and absolutely disbelieve in them?

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<v Speaker 2>When you'll put it that way, I'm not sure that

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<v Speaker 2>I can answer you, but I suppose in their heart

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<v Speaker 2>of heart, most men, while they won't admit it. Do

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<v Speaker 2>have a secret belief in ghosts or something similar?

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<v Speaker 1>Now what do you say, Jackson? You're a newspaper man

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<v Speaker 1>of wide experience. Have you ever run into what you

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<v Speaker 1>might call a true ghost story in your newspaper work?

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<v Speaker 2>Yes, I have an experience of my own and one

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<v Speaker 2>impact which I.

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<v Speaker 1>Owe my life exactly Jackson. It was that experience of.

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<v Speaker 2>Yours that I had and learn. What is that, Jackson?

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<v Speaker 1>Something we haven't heard about.

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<v Speaker 2>I man't tell it to many people, which you will

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<v Speaker 2>tell it us. Why don't you, Jackson?

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<v Speaker 1>It's going to be published next month anyway?

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<v Speaker 2>All right? A you fellas know I was porn correspondent

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<v Speaker 2>of the Sketch Mirror group and one of my assignments

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<v Speaker 2>was to interview celebrities before they became celebrities. Well, I

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<v Speaker 2>had to make a quick trip to England. Looked very

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<v Speaker 2>much as if they asked us government is about the

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<v Speaker 2>fall and the Lloyd George of being the saddle. So

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<v Speaker 2>I had to interview Lloyd George before the news broke.

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<v Speaker 2>I've concluded my interview and was all I did believe

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<v Speaker 2>when I met an old friend. You've become a lord

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<v Speaker 2>since I first knew him, and I've made no difference

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<v Speaker 2>to him and the result all that I found myself

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<v Speaker 2>and then Northumblant home, being reeted by her ladyship and

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<v Speaker 2>her very charming daughter. Here the latter I noticed I

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<v Speaker 2>want to know both to meet a vide old friend

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<v Speaker 2>of mine, Jackson.

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<v Speaker 4>Were not with the Jackson the very I'm so glad

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<v Speaker 4>to meet you, mister Jackson. Heth is spoken of you.

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<v Speaker 2>And I'm the lighted to meet Keith's mother and sister.

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<v Speaker 4>Dear. We mostly keep mister Jackson standing in the cold.

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<v Speaker 5>We shall want to carry you any more up the

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<v Speaker 5>night dogs very good, sir, all right, thanks to take

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<v Speaker 5>our cats up, Come ride, use the horn, get your phones,

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<v Speaker 5>gown out and thanks old man.

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<v Speaker 2>And it is a bit chilly house.

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<v Speaker 6>Riding up to the house here in the carriage is

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<v Speaker 6>an experience to run accustom to riding in the closed car.

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<v Speaker 6>We don't use the car much up here. And tonight

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<v Speaker 6>Arthur has it down in the village getting into supply.

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<v Speaker 2>It was charming even it's chilly. But then this open

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<v Speaker 2>the fire makes up for all the gold drink jections.

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<v Speaker 2>Was thanks, yes, hey one, yes, thanks, Oh that's help.

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<v Speaker 4>Did you boys have dinner tonight, and.

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<v Speaker 2>Thank you we did on the train. And by the way,

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<v Speaker 2>I take back all I've ever thought or said about

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<v Speaker 2>dinners on an English train. That was one of the

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<v Speaker 2>best means I ever had.

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<v Speaker 4>Excitedly, we're are hungry than usual.

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<v Speaker 2>There's something I must say, even if all the books

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<v Speaker 2>ever written on etiquets say that has contraried a good taste.

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<v Speaker 4>Would deny to Jackson, I'm sure we'll forgive you.

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<v Speaker 2>You're home. It is without question the most beautiful place

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<v Speaker 2>I've ever seen. Why when we were driving up the

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<v Speaker 2>hill that looked like some picture out of a children's

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<v Speaker 2>story book, a picture of an old medieval castle. The

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<v Speaker 2>broad bridge, the pork colors, the mote, the towers and

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<v Speaker 2>the turrets. It is somewhat of the medieval castle.

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<v Speaker 5>The more thing was built in the days of hands

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<v Speaker 5>of the second in each generation since decided this little bit,

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<v Speaker 5>and believe that we added electric lights prop.

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<v Speaker 6>The plumbing with the devout approval of the family. The

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<v Speaker 6>electric lights against my own.

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<v Speaker 4>Most ardent.

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<v Speaker 2>Electric lights and plumbing, I can't think of anything more

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<v Speaker 2>to be desired.

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<v Speaker 4>We even have one of the best ghosts in the englis.

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<v Speaker 2>By Joseph, you might at least give a chap time

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<v Speaker 2>to warm his seat before you drag out the family's

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<v Speaker 2>kill it.

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<v Speaker 4>Well, it's not as skeleton. We shouldn't say things like that.

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<v Speaker 4>You must forgive Evelyn, mister Jackson.

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<v Speaker 6>But Lady Evelyn, the ghost is uh for him, almost

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<v Speaker 6>in the obsession with Evelyn.

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<v Speaker 2>Well, I'm sure that it's. Lady Evelyn's ghost is half

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<v Speaker 2>as charming as you are, Miss Evelyn, and she's a

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<v Speaker 2>the whost if very much to me.

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<v Speaker 4>Thank you live. Go at the gallery and show the

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<v Speaker 4>Jackson Ldia's in portrait now.

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<v Speaker 2>Now, my god, I would be delighted, really, if it

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<v Speaker 2>isn't too much trouble, no trouble at Pold Jackson. It's

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<v Speaker 2>like the all God. Since the gallery is on the

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<v Speaker 2>way to the bedroom.

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<v Speaker 6>Go along with the Jackson you come to meet, you

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<v Speaker 6>see is the Jackson. Lady Evelyn's ghost is a very

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<v Speaker 6>special ghost. She always warns us of any intending disaster.

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<v Speaker 2>And do you always heed her warning?

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<v Speaker 4>We do know, since she's warning a mother about father.

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<v Speaker 4>Brother paid no attention. He was killed just as the

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<v Speaker 4>ghost warm mother.

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<v Speaker 2>He would be Is that the only infant?

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<v Speaker 4>You know?

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<v Speaker 6>It's a family tradition dating back several hundred years. Here's

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<v Speaker 6>a gallery that's which on the light.

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<v Speaker 2>Mm, no need to tell nigh which one there?

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<v Speaker 1>She is nice?

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<v Speaker 2>Why, hey, dear, part of the view I sail.

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<v Speaker 5>Then, don't pay too much attention to what Ablen tells

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<v Speaker 5>you about the familyous keleton.

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<v Speaker 4>You know, Keith is quite right into Jackson. Evelyn is

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<v Speaker 4>unduliantos end.

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<v Speaker 2>You're not any more enthusiastic than I am. I am

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<v Speaker 2>enjoying the whole thing immansely like I'd rather like to

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<v Speaker 2>meet this ghost lady Elvin will Will.

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<v Speaker 4>Why didn't you sleep in the haunted wing? No, my dear, my.

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<v Speaker 2>Dear, yes, by Joel and by the fellow up here,

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<v Speaker 2>and the first night you want to speaking in a

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<v Speaker 2>haunted wing. But Jackson did sleep in the haunted wings.

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<v Speaker 2>The wind howled dismally among the turrets, and the wrong

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<v Speaker 2>roof LEDs. The old paneled walls creaked as night wore

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<v Speaker 2>on and the cold became more intense. One by one,

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<v Speaker 2>the sounds in the old castle died away, and soon

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<v Speaker 2>Jackson fell into a sound sleep. He wakened with a

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<v Speaker 2>feeling that someone was in the room. Set up in

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<v Speaker 2>the Big four poster bed a woman who was against

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<v Speaker 2>the far wall, Miss Avellan, dressed in old fashioned clothes,

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<v Speaker 2>playing a part of the ghost. But the figure shook

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<v Speaker 2>its head, turned a pair of luminous eyes on him,

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<v Speaker 2>and started to write on the wall or a woman

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<v Speaker 2>for warning message blazed out in the letters of fire.

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<v Speaker 1>Jackson closed his eyes and looked again.

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<v Speaker 4>A trick.

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<v Speaker 2>She's riding with posphers or something. Again, the figure shook

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<v Speaker 2>its head, gave him a searching look that went right

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<v Speaker 2>through him, and turning, walked out of the room through

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<v Speaker 2>the three foot stone walls. By George eight o'clock. I

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<v Speaker 2>didn't realize I was taking so long as tell this story.

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<v Speaker 2>He'll be late for the theater.

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<v Speaker 1>Oh hang the theater. Finish the story here, George Well.

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<v Speaker 2>I did my best to disregard the ghost warning His

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<v Speaker 2>large drows me to the boat right to say. He

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<v Speaker 2>tried to, but the car broke down. I missed the boat,

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<v Speaker 2>and two days later Keith, with a face as white

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<v Speaker 2>as a sheet, handed me the morning paper. In glaring headlines.

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<v Speaker 2>I read steamship Titanic sunk all on board lost. Thought

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<v Speaker 2>that was an exaggeration, but I might have been one

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<v Speaker 2>of the more than thousand who were long god life.

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<v Speaker 2>What did the warning that was written on the wall say,

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<v Speaker 2>beware of the Titanic? Nothing more? I told her ladyship

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<v Speaker 2>next morning, and she was the one who instructed the chauffeur.

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<v Speaker 2>When she found I was determined to sail, she instructed

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<v Speaker 2>him to break the car if necessary, to prevent my

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<v Speaker 2>sailing on the Tatanic.

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<v Speaker 1>Now, do you, fellows, believe in ghosts?

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<v Speaker 2>Imaginations? An our jackson, old boy, We're glad you missed

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<v Speaker 2>the Titanic, and we're dying glad you're here to be

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<v Speaker 2>our host at the dinner. Body who's got time for

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<v Speaker 2>one toast? And off to the theater. Out of deference

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<v Speaker 2>to people who are still alive, character names in these

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<v Speaker 2>unsold mysteries have been changed inasmuch as any solution must

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<v Speaker 2>have necessity, be supposition, liberties of time, place, and character

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<v Speaker 2>exist in a solution that will be presented after you

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<v Speaker 2>have heard from your sponsor, Ladies and gentlemen, the solution

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<v Speaker 2>for what you've been waiting. Of course, I don't blame

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<v Speaker 2>you for believing in ghosts after an experience like that,

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<v Speaker 2>but just the same you can really explain it. I

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<v Speaker 2>think I can.

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<v Speaker 1>I'd like to hear.

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<v Speaker 2>You if you ever met a perfect stranger and had

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<v Speaker 2>the strange sensation of having met him somewhere before. Yea,

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<v Speaker 2>All the same thing applies to building, and the older

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<v Speaker 2>these buildings are the more vibration of previous happenings. I

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<v Speaker 2>will be to make their effect upon you. You mean to.

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<v Speaker 1>Say that if I go into a building where a

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<v Speaker 1>murder has been committed, I'll be aware of a strange feeling.

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<v Speaker 2>You will, if you are sufficiently sensitive. I'll agree there.

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<v Speaker 2>But that doesn't explain actually seeing what is generally called

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<v Speaker 2>a ghost. If you have ever tried lying down in

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<v Speaker 2>perfect ease and comfort, allowing your imagination to drift back

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<v Speaker 2>to some particular and memorable scene, the picture will come

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<v Speaker 2>to you as vividly as if it had happened yesterday.

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<v Speaker 2>Or take an author writing a story, the characters are

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<v Speaker 2>just as real in his mind as any group of

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<v Speaker 2>living people about whom he has only read. I'll agree

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<v Speaker 2>to all that very well. Don't you think that if

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<v Speaker 2>over a period of centuries, people living in a certain

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<v Speaker 2>house are all agreed that the ghost of the beautiful

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<v Speaker 2>woman halts the house? Don't you think that that impression

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<v Speaker 2>will impress itself. There is wrongly upon a stranger who

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<v Speaker 2>sleeps in the so called haunted room, is I think

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<v Speaker 2>that's perfectly reasonable. I really do think that if a

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<v Speaker 2>sufficient number of.

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<v Speaker 1>People all think along one line.

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<v Speaker 2>Something is going to result. And of course you were

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<v Speaker 2>thinking of your trip on the Titanic as wholl is

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<v Speaker 2>the ghost, so you are willing to admit that concentrated

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<v Speaker 2>thinking will produce a manifestation. And if that's the case,

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<v Speaker 2>why deny that an extremely emotional incident would produce a

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<v Speaker 2>similar manifestation. There's something of that, isn't there.

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<v Speaker 1>You've got me almost convinced.

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<v Speaker 2>But just the same, I'll have a stronger belief in

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<v Speaker 2>ghost when I meet one face to face. Well, if

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<v Speaker 2>I ever meet a ghost, I hope it will be

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<v Speaker 2>like the ghost of the Lady Evelyn One, that you

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<v Speaker 2>will have such good intentions bread in it that even

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<v Speaker 2>if I am a stranger, it will warn me of

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<v Speaker 2>any impending disaster. Of course, the ghost of Lady Elden

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<v Speaker 2>would have warn anyone who had been in the room,

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<v Speaker 2>whether or not they had had any intention of sailing

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<v Speaker 2>on the Tatanic. That part of it, I think is

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<v Speaker 2>coincident do you

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<v Speaker 6>Wa