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<v Speaker 1>Welcome Friends Podcast podcasting time show Jack again, Bryan, they're

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<v Speaker 1>talking to black.

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<v Speaker 2>Welcome to Movie Film. It's episode three hundred and eleven,

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<v Speaker 2>brought to you by Mister Boy Productions. I'm Zachiysan. I'm

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<v Speaker 2>here with Brian Hall, and it is the last day

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<v Speaker 2>of February.

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<v Speaker 3>Oh yeah, wow, yeah, no Leapier.

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<v Speaker 2>For us, that's right, not this year, not a one

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<v Speaker 2>in four proposition this time. Yeah.

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<v Speaker 3>Do you have friends that were born on Leapier?

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<v Speaker 2>I I'm sure I do, And nobody comes to mind

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<v Speaker 2>off the top of my head, but I'm pretty sure.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah.

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<v Speaker 3>When I was growing up, one of my best friends

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<v Speaker 3>had a leap your birthday, and so, you know, as

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<v Speaker 3>was our way, we'd be like you're only two, you know,

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<v Speaker 3>like you're only threes. Yeah, it was really funny. It

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<v Speaker 3>holds up as a joke.

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<v Speaker 2>It's it's it's quality comedy.

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<v Speaker 3>Yeah, it's timeless.

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<v Speaker 2>How you doing you know, it's it's uh, it's nice.

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<v Speaker 2>I mean, you know, we're we're recording on a on

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<v Speaker 2>a Friday morning, So definitely I'm feeling a little bit

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<v Speaker 2>of the relaxation of the week coming to a close.

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<v Speaker 3>Yeah yeah, wait, actually that's the opposite of what I

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<v Speaker 3>would expect you to say. I mean, are you feeling

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<v Speaker 3>like the weekend will offer some relaxation or is that

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<v Speaker 3>when things get busy?

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<v Speaker 2>Well, for me, I make it a point to to

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<v Speaker 2>have as little to do on the weekends as possible.

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<v Speaker 3>Mm hm.

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<v Speaker 2>So that's I'm because because I'm I'm hustling all week

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<v Speaker 2>and I really I just need I need my I

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<v Speaker 2>need my me time. Oh yeah, on the weekend. So

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<v Speaker 2>so I'm kind of I'm I'm in the ramp down period.

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<v Speaker 2>I'm I'm making an active effort to to like keep

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<v Speaker 2>just the news of the world to one side. Like I'm, I'm,

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<v Speaker 2>I have a feeling this is something many of our

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<v Speaker 2>listeners are trying to figure out. How to balance knowing

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<v Speaker 2>everything that's going on with knowing everything that's going on.

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<v Speaker 3>It's hard when so much news makes your body tighten, Yes,

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<v Speaker 3>because you're like, how much more tightening can my body do?

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<v Speaker 3>So true.

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<v Speaker 2>So one thing I've been doing a lot of is

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<v Speaker 2>I've made it a point that like when I'm in

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<v Speaker 2>the car in the morning, I will I will put

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<v Speaker 2>on some news and just get a sense of what's

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<v Speaker 2>going on, and then that is my news for the day.

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<v Speaker 3>You know, I would say maybe something similar, but I

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<v Speaker 3>mean I'll still click on articles and whatnot. But something

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<v Speaker 3>I've really enjoyed is I subscribe to the Washington Post. Sure,

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<v Speaker 3>they have something called the Seven, okay, and so in

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<v Speaker 3>the morning they'll shoot out an email that will have

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<v Speaker 3>seven major news stories with bullet points and there's links

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<v Speaker 3>if you want to go deeper. But it gives you

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<v Speaker 3>an idea, like an overview of the major stories of

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<v Speaker 3>them moments. And I've really found that to be a

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<v Speaker 3>good way to sort of start the day, you know,

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<v Speaker 3>kind of have a general idea of what's going on,

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<v Speaker 3>and then if I'm want to learn more and then

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<v Speaker 3>you got can dig in.

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<v Speaker 2>I literally, just just two days ago canceled my subscription

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<v Speaker 2>to the Post.

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<v Speaker 3>Oh yeah yeah.

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<v Speaker 2>And if I'm being honest, it was a very difficult

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<v Speaker 2>decision because I'm somebody I believe in the importance of journalism.

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<v Speaker 2>I believe that if you want news, you have to

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<v Speaker 2>pay for it. I'm I'm I'm a big supporter of like,

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<v Speaker 2>you got to pay for the news, yep. And uh,

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<v Speaker 2>you know, for those listening just as a stickpin in time,

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<v Speaker 2>you know, Jeff Bezos, who owns the the who owns

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<v Speaker 2>the Post?

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<v Speaker 3>He he he went full Lex Luthor. Heel, turn, you

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<v Speaker 3>got ahead of me because I was gonna say, well, see,

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<v Speaker 3>you've always been a superman guy. I'm kind of a

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<v Speaker 3>Lex Luthor guy. It's literally like like, this is like

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<v Speaker 3>if Lex buys.

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<v Speaker 2>The planet, the Daily Planet, that is, you know. And

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<v Speaker 2>so he basically put out this edict that from now

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<v Speaker 2>on the editorial page of the op ed section of

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<v Speaker 2>the Post will only cover personal liberty and free markets.

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<v Speaker 3>Yeah yeah, And I'm like, so the free thought section

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<v Speaker 3>of the newspaper, now.

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<v Speaker 2>Yeah, is my thoughts only, you know? And I literally

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<v Speaker 2>I was like, that could not be more super villainy

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<v Speaker 2>if he was brandishing a shard of kryptonite while putting

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<v Speaker 2>that memo out. You know, yes, what else do I

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<v Speaker 2>do if you don't laugh your cry? I've been a

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<v Speaker 2>subscriber to the Post for literally decades. At this point,

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<v Speaker 2>I was like, I can't do it.

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<v Speaker 3>You know, well, I do want to mention if anyone

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<v Speaker 3>is interested. I'm not judging, no, no, no, I'm just kidding. Sorry, no,

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<v Speaker 3>but I was going to say, you don't have to

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<v Speaker 3>subscribe for that, And I actually I don't subscribe to it.

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<v Speaker 3>And by the way, this isn't me like backpedaling, because

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<v Speaker 3>but I promise I was not trying to put you

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<v Speaker 3>in an awkward But if anyone found that format intriguing,

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<v Speaker 3>I'm sure there are other places that do it too.

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<v Speaker 3>It doesn't but you don't actually have to subscribe just

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<v Speaker 3>to get those bullet points of the major news stories.

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<v Speaker 2>Yeah, I think that's good. Yeah, and it's by the way,

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<v Speaker 2>I should say the news operation at the Post that

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<v Speaker 2>the journalists are doing amazing things. Yeah, trying really hard

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<v Speaker 2>under very difficult circumstances. But this gets to something.

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<v Speaker 3>Broader, which is like maybe maybe.

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<v Speaker 2>You know, just like conglomerates and billionaires owning all the

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<v Speaker 2>news is not a great idea, I know.

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<v Speaker 3>I mean it's novel thought, right, Like, let's not have

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<v Speaker 3>people whose interests involve billions of dollars, yeah, in charge

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<v Speaker 3>of the information we receive.

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<v Speaker 2>So I was really wrestling with this earlier this week

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<v Speaker 2>because I was reading about how I don't know if

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<v Speaker 2>you heard about this, but you know, Donald Trump, as

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<v Speaker 2>a candidate before you even became president, was suing sixty minutes, yes, right,

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<v Speaker 2>because he alleged that he alleged election interference because they

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<v Speaker 2>interviewed Kamala Harris and they edited the interview in order

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<v Speaker 2>to fit in, you know, the time slot, which like, yeah,

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<v Speaker 2>that's how it works. That's that's how interviews work. You

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<v Speaker 2>edit them. That's I do interviews for the print for

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<v Speaker 2>the newspaper all the time. That's just how it is.

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<v Speaker 3>Yeah, yeah, I mean you see it often in print.

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<v Speaker 3>We'll say condensed for clarity and you know whatever exactly.

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<v Speaker 3>That's just that's just common practice.

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<v Speaker 2>And and and by the way, Donald Trump knows it's

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<v Speaker 2>common practice.

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<v Speaker 3>Right.

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<v Speaker 2>But sixty Minutes, which is owned by CBS, which is

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<v Speaker 2>part of Paramount Corporation, is about to be acquired by

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<v Speaker 2>sky Dance, and so that acquisition requires, you know, a

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<v Speaker 2>federal approval, and so in order to grease the skids

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<v Speaker 2>for that acquisition, CBS will likely settle the lawsuit, even

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<v Speaker 2>though it's a joke lawsuit to the two whatever, it

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<v Speaker 2>is twenty five million, So it's literally it's like a

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<v Speaker 2>twenty five million dollars bribe. Wow, right, And this is

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<v Speaker 2>not conspiracy talk, Yeah, this is just what's happening. And

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<v Speaker 2>my point is, like, in a broader sense, this is

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<v Speaker 2>not good. It's just not good because the precedent it

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<v Speaker 2>sets is horrific. It diminishes the value of actual journalism,

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<v Speaker 2>and it diminishes their ability to actually hold power to

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<v Speaker 2>account if powers like actually don't hold power to account,

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<v Speaker 2>right you know? Yeah, so I don't know. That's where

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<v Speaker 2>we're at, man, I know, I know. Anyway, So the

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<v Speaker 2>point I was making way way earlier was I've been

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<v Speaker 2>diminishing my news intake, and to make up for that,

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<v Speaker 2>I've been listening to more audio books.

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<v Speaker 3>No, what are you listening to?

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<v Speaker 2>Well, so I'm currently listening to a book that I

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<v Speaker 2>think our listeners would find interesting. And it's called Box

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<v Speaker 2>Office Poison. Oh yes, you sent me a link to this, Yeah,

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<v Speaker 2>so you would. I think you would find it really enjoyable.

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<v Speaker 2>And basically this is a book by Tim Robi and

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<v Speaker 2>it's called Hollywood's Story in a Century of Flops. So yeah,

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<v Speaker 2>crazy right, Yeah, And so you've got essentially going from

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<v Speaker 2>from nineteen sixteen to twenty nineteen, that's the and so

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<v Speaker 2>not every single flop ever, obviously, but certain key flops

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<v Speaker 2>and what they said about Hollywood at that moment.

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<v Speaker 3>That's fascinating. I like that because I would like to

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<v Speaker 3>learn about a flop in a time that I know

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<v Speaker 3>nothing about. Because you can see, you know, probably things

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<v Speaker 3>that feel familiar. It also teaches something about the era. Yeah.

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<v Speaker 2>So for example, the very first chapter is about a

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<v Speaker 2>movie called Intolerance, which was directed by d. W. Griffith.

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<v Speaker 2>You know, you know Griffith, right, heeded Birth of a Nation.

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<v Speaker 2>So after doing Birth of a Nation, which is just

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<v Speaker 2>a horrifically racist, awful movie, he tried to be like, no,

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<v Speaker 2>I'm not a racist, and he made a movie that's

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<v Speaker 2>equally offensive for different reasons. And then we've got another

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<v Speaker 2>chapter about Dune, the nineteen eighty four Dune.

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<v Speaker 3>Ah nice.

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<v Speaker 2>Oh hey, there's a chapter about the Magnificent Embersin's no. Yeah,

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<v Speaker 2>well I have to get it exactly. There was actually

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<v Speaker 2>the couple ones. Actually there was. There was one chapter

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<v Speaker 2>about the movie super Nova, which it's it's it was

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<v Speaker 2>directed by Walter Hill. I think it ended up as

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<v Speaker 2>like an Alan Smithy situation. I think, okay, And I

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<v Speaker 2>remember watching that in the theater back in two thousand

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<v Speaker 2>with Paul.

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<v Speaker 3>Wow two thousand, I was thinking this was this some

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<v Speaker 3>eighties movie I missed or.

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<v Speaker 2>No, no, no, yeah, this is more relatively more recent than that.

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<v Speaker 2>And it's a total catastrophe. But what's hilarious. It's like

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<v Speaker 2>the sci fi thing, shades of of you know, Event

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<v Speaker 2>Horizon and kind of but way way worse. And and

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<v Speaker 2>you've got a pretty decent cast, right, Angela Bassett, James Spader,

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<v Speaker 2>and you know, there's a total mess. And so sometimes

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<v Speaker 2>you watch these things and you're like, God, this is

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<v Speaker 2>the story behind how they made it is almost more interesting?

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<v Speaker 3>Yeah, sure, sure, that's this.

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<v Speaker 2>This is actually this one is kind of funny. There's

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<v Speaker 2>this amazing So it's set in space and there's like

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<v Speaker 2>a zero gravity love scene okay with Peter Faschinelle and

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<v Speaker 2>Robin Tunney, Okay, and they're like floating and doing it. Okay, Okay,

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<v Speaker 2>now wild. So the movie gets shot and it's done,

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<v Speaker 2>and then at some point MGM brought in Francis Coppola

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<v Speaker 2>to try to recut it.

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<v Speaker 3>Huh okay, And so.

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<v Speaker 2>They're trying to recut it, and they're trying to so

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<v Speaker 2>I guess the Spader character and the Angela Basset character.

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<v Speaker 2>Bear in mind, I've seen this movie. I saw it

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<v Speaker 2>twenty five years ago.

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<v Speaker 3>I do not.

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<v Speaker 2>Remember what it's about. Sure, it's just vapor. But anyway,

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<v Speaker 2>the Spader character angel bass they have a they have

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<v Speaker 2>some kind of a romance, and so as they're cutting

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<v Speaker 2>the movie together, they're trying to highlight the romance between them,

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<v Speaker 2>but there's no footage. So what they did was they

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<v Speaker 2>took this amazing brand. They took the footage from the

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<v Speaker 2>Robin Tunny Peter Faschinelli love scene.

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<v Speaker 3>Yes, and they digitally.

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<v Speaker 2>Darkened Robin Tunny and intercut shots of Angela Bassett's face

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<v Speaker 2>to make us think it's the same sex scene. But

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<v Speaker 2>once it's like, it's the darker version.

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<v Speaker 3>All right, let's skin tone aside. Let's put that on

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<v Speaker 3>the table for a second more. I mean, does their

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<v Speaker 3>hair even look similar?

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<v Speaker 2>No, what they did, it's just like certain shots that

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<v Speaker 2>avoid her face and then you just intercut like close

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<v Speaker 2>ups of Angela Bassett and James Spader.

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<v Speaker 3>I guess part of it. Why I'm even thinking that

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<v Speaker 3>is in my mind I always picture Robin Tuny with

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<v Speaker 3>short hair. I don't know why. The movies I've seen

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<v Speaker 3>her in.

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<v Speaker 2>Yeah no and in this also yeah yeah, So they

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<v Speaker 2>just like you don't see her face, I.

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<v Speaker 3>See, I see. Uh, Well, I gotta google that now

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<v Speaker 3>I have to know. So wait, so they did is

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<v Speaker 3>that with existing footage of Angela Bassett? Like they didn't

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<v Speaker 3>bring her in for reshoots just.

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<v Speaker 2>No, they just like, you know, probably ends in whatever

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<v Speaker 2>of her face.

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<v Speaker 3>Like so she it's like her eating a meal and

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<v Speaker 3>she's like, hmm, that's good, and they're like, oh, for

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<v Speaker 3>use that. Use that.

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<v Speaker 2>I mean, I suppose I'm picturing the editors here just

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<v Speaker 2>trying to make a silk purse out of a sow's ear.

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<v Speaker 2>It's pretty good, you know.

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<v Speaker 3>I don't know if I've ever had that come to

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<v Speaker 3>my mind to say that, I'm really impressed. Secondly, I

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<v Speaker 3>didn't make it up. No, No, I know, I'm just

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<v Speaker 3>I have to vocalize how pressed I am.

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<v Speaker 2>But so that that by itself was a fascinating like chapter.

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<v Speaker 3>See, that's this is the stuff obviously doing this show.

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<v Speaker 3>People know we love, like we really love not just

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<v Speaker 3>movies but filmmaking and stories like this. I mean, I

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<v Speaker 3>just yeah, gobble that stuff up.

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<v Speaker 2>So there there's another chapter as it happens. And this

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<v Speaker 2>is relevant because we were just talking about John mctiernan's

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<v Speaker 2>chapter about.

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<v Speaker 3>Roller Ball, which I know was a notorious flop but

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<v Speaker 3>I don't know why. I've never even seen it, to

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<v Speaker 3>be honest.

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<v Speaker 2>Well, you are not alone, we know that. Yeah, that's

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<v Speaker 2>a weird one, right because because that one it it

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<v Speaker 2>effectively killed John mccernan's career right.

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<v Speaker 3>In a couple of ways, right. I mean there was

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<v Speaker 3>the film not performing, But wasn't that the movie where

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<v Speaker 3>he was wired tapping a producer on the film.

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<v Speaker 2>That's exactly right.

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<v Speaker 3>And I got in trouble for that. I think I

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<v Speaker 3>don't even know if he got in much trouble for that,

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<v Speaker 3>but it was that he lied.

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<v Speaker 2>Right, he lied about it? Yeah. Yeah, so that's all, like,

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<v Speaker 2>you know, okay, and it really I mean, when you

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<v Speaker 2>think about it, what kind of a fifty megaton bomb

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<v Speaker 2>must a movie be to kill the career of the

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<v Speaker 2>guy who made Diehard and Predator?

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<v Speaker 3>Yeah? Yeah, Thomas Crown, Like I mean, he's he's made

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<v Speaker 3>some bona fide hits. Yeah.

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<v Speaker 2>So there's the whole thing that gets into that, and

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<v Speaker 2>and it is fascinating because the the I haven't watched

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<v Speaker 2>the remake of Rollerball since it came out, but I've

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<v Speaker 2>seen the the James con one relatively recently, and I'm like,

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<v Speaker 2>this is a good movie. Hmmm, Like it's a legitimately

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<v Speaker 2>good movie. It's not cheesy, it's it's pretty good. It's

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<v Speaker 2>got something to say, it has a point of view,

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<v Speaker 2>you know, And so to take whatever that movie had

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<v Speaker 2>going for and just turn it into this probably the

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<v Speaker 2>most two thousand movie you could ever make.

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<v Speaker 3>Yeah, I can kind of picture it in my mind.

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<v Speaker 3>It has llll cool j right, and Chris Kleine and Chris.

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<v Speaker 2>Klein in the James conrole. Right there, you got a problem, right, right,

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<v Speaker 2>you know.

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<v Speaker 3>I mean that's the thing with him. He gets dumped

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<v Speaker 3>on a lot, but I think he was cast badly

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<v Speaker 3>a lot. That's very good at what he does.

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<v Speaker 2>Well, well, that's the thing, right, I mean his his

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<v Speaker 2>uh uh, his American Pie character.

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<v Speaker 3>Notwithstanding election, he was he was very good just friends,

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<v Speaker 3>you know, he's good in those Yeah. Well, I I

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<v Speaker 3>think I think, Wow, I didn't realize we were going

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<v Speaker 3>to be like the defending Chris Kling. Yeah, he seemed

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<v Speaker 3>just from election.

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<v Speaker 2>He seems like a a perfectly cromulent personality, right, just

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<v Speaker 2>just a nice guy.

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<v Speaker 3>He seems like a nice guy.

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<v Speaker 2>And that, to me is the problem, at least from

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<v Speaker 2>the two that come to mind where they're trying to

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<v Speaker 2>have him buck buck his persona which.

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<v Speaker 3>Is Rollerball and and that.

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00:15:54.679 --> 00:15:59.200
<v Speaker 2>Street Fighter movie. It's like, well, he's not like a badass. Yeah, yeah,

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<v Speaker 2>exactly right, and so why are you trying to force

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<v Speaker 2>him into that? And then yeah, I don't know what

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<v Speaker 2>he's done lately, but that movie, I mean, it pretty

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00:16:09.279 --> 00:16:11.000
<v Speaker 2>much destroyed everybody's career, you know.

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<v Speaker 3>Wow. Yeah, and Cis came a call into llll cool

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00:16:16.120 --> 00:16:18.120
<v Speaker 3>J and he's like yes and jumped on that train

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<v Speaker 3>car and rode away.

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00:16:20.320 --> 00:16:23.759
<v Speaker 2>When a CBS procedural knocks onder your door, you damn

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00:16:23.759 --> 00:16:25.360
<v Speaker 2>sure better better answer.

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<v Speaker 3>Yeah, yeah, ll cool J.

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<v Speaker 2>And Chris O'Donnell both man.

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<v Speaker 3>I'll bet you they're sitting there every day. Every day

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<v Speaker 3>they open.

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00:16:33.600 --> 00:16:37.799
<v Speaker 2>Their mailbox and there's a little residual check for fourteen

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00:16:37.879 --> 00:16:40.399
<v Speaker 2>years of NCIS Los Angeles or whatever it is.

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<v Speaker 3>Oh man, should be right.

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<v Speaker 2>But that's the thing. So, so I was recommended this

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<v Speaker 2>book by uh, shoot, you know what. I wish I

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00:16:52.159 --> 00:16:53.879
<v Speaker 2>could remember the person who recommended to me, but but

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00:16:53.960 --> 00:16:57.200
<v Speaker 2>it was a good recommendation. I've really enjoyed listening to it.

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<v Speaker 2>And the great thing is each chapter is about a movie,

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<v Speaker 2>but you listen to it all and you're getting a story,

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<v Speaker 2>right because because it's all contextualized. So, for example, you

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00:17:07.960 --> 00:17:11.799
<v Speaker 2>talk about speed Racer and it's not just oh and

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00:17:11.839 --> 00:17:14.480
<v Speaker 2>speed Racer came out it sucked or whatever, or it flopped.

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00:17:14.680 --> 00:17:17.839
<v Speaker 2>It's like that year this movie was a big hit,

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<v Speaker 2>and you know, so it's giving you the moment that

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<v Speaker 2>the movie emerged into.

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<v Speaker 3>Right, right, that's an interesting one too. By the way.

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<v Speaker 3>I know it has its fans, Yeah, people that think

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<v Speaker 3>it was misunderstood and love it, and it's made me

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00:17:32.680 --> 00:17:34.519
<v Speaker 3>want to go back and rewatch it, but I just

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<v Speaker 3>never am in the mood or something. You know.

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00:17:37.079 --> 00:17:40.039
<v Speaker 2>I just rewatched it recently, and just for that reason

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<v Speaker 2>because exactly what we're saying. I mean, there are people

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00:17:42.160 --> 00:17:47.400
<v Speaker 2>who are very much on board with with what it's offering.

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<v Speaker 2>And I always say about speed Racer, I'm like, you know,

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<v Speaker 2>I appreciate that it's doing some kind of kind of

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<v Speaker 2>off the wall. It's just on a frequency that is

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<v Speaker 2>not playing for me.

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<v Speaker 3>Mmm, sure, right.

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<v Speaker 2>I think I think I applaud the watchousekis for for

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<v Speaker 2>being like, hey, we're just gonna we're gonna go wild

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<v Speaker 2>with Warner Brothers money. Yeah, you know, you do that

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00:18:13.720 --> 00:18:16.440
<v Speaker 2>enough and eventually Warner Brothers is gonna stop giving you

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<v Speaker 2>its money. Which is it seems to have happened.

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<v Speaker 1>You know.

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<v Speaker 3>Yeah, yeah, interesting, Okay, Okay, well maybe I want then,

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<v Speaker 3>So unless everyone wants to write in and persuade.

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<v Speaker 2>Me, oh, I know, there's plenty of very dedicated fans

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<v Speaker 2>of that movie out there, so it does know. But

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<v Speaker 2>but like I said, if anybody's interested, the book is

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<v Speaker 2>called Box Office Poison, Hollywood Story in a Century of flops,

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<v Speaker 2>and and it is very very it's entertaining and informative,

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<v Speaker 2>all right.

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<v Speaker 3>And you say you're doing the audiobook, you enjoy the

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<v Speaker 3>the narrator good narration.

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<v Speaker 2>Yeah, that's always a you know, sometimes you got a

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<v Speaker 2>good book with bad narration, right, Yeah.

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<v Speaker 3>I think I've mentioned this before, and not that it

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<v Speaker 3>was bad, but I many many years ago, I tried

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<v Speaker 3>to do to Kill a Mockingbird through an audio boo.

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<v Speaker 3>Just I wanted to revisit it, but I was like,

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<v Speaker 3>I'll do it while I'm doing things. And the woman

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<v Speaker 3>it was read by this really old woman, and she

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<v Speaker 3>was talking very slowly even when I sped it up,

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<v Speaker 3>and it just I didn't finish it actually I was like,

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<v Speaker 3>you know, what's screwed this? I'm just gonna read it.

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<v Speaker 2>Well, they got you to read, so that's something that's true.

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<v Speaker 2>I remember there was a there was a this is

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<v Speaker 2>not exactly an audiobook, but it was like an animated

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<v Speaker 2>comic of Watchmen.

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<v Speaker 3>Yeah, I remember that right.

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<v Speaker 2>And it was like one person doing all the voices

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<v Speaker 2>and everything. Oh yeah, yeah, yeah, so it was like an.

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<v Speaker 3>Audiobook and I just I was like, I can't take

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<v Speaker 3>this seriously, you know. You know that happened to me

379
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<v Speaker 3>when I did the audiobook for eleven twenty two sixty three,

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<v Speaker 3>the Stephen King Story, which was sure, sure, by the way,

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<v Speaker 3>I adored someday I would love to sit down and

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<v Speaker 3>read it, but it's just so damn big. I don't know.

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00:19:55.599 --> 00:19:59.240
<v Speaker 3>But anyway, yes, you had that as man narrating it,

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<v Speaker 3>and it's a a love story, so it'll be like

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<v Speaker 3>I love you, Josie, I love you too, Brant, you know,

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00:20:06.799 --> 00:20:10.599
<v Speaker 3>and I'm like that drives men. Yeah, It's like I

387
00:20:10.599 --> 00:20:13.440
<v Speaker 3>could tell it like didn't work for me by a

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<v Speaker 3>couple of degrees, even though I did love it overall,

389
00:20:16.000 --> 00:20:17.680
<v Speaker 3>where I was like, I don't know, maybe just tire

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00:20:17.759 --> 00:20:21.480
<v Speaker 3>like a woman too, you know, like you know what

391
00:20:21.519 --> 00:20:22.759
<v Speaker 3>that that you know what that reminds me.

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<v Speaker 2>Sorry, we're doing like a total tangent here, but that

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00:20:25.519 --> 00:20:28.079
<v Speaker 2>reminds me of the very first audiobook I ever read

394
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<v Speaker 2>or heard, excuse me, was Roddy McDowell reading The Batman

395
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<v Speaker 2>eighty nine novelization.

396
00:20:37.079 --> 00:20:39.039
<v Speaker 3>Wow, what a get right.

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00:20:40.920 --> 00:20:44.240
<v Speaker 2>Back in eighty nine, you know, and I just remember, uh,

398
00:20:45.039 --> 00:20:48.880
<v Speaker 2>it's the scene where you know, you've got the the

399
00:20:48.920 --> 00:20:50.480
<v Speaker 2>Harvey Dent press conference, you.

400
00:20:50.440 --> 00:20:53.440
<v Speaker 3>Know, uh huh. And then and then Alicia looked at

401
00:20:53.519 --> 00:20:55.799
<v Speaker 3>Jack pretty tough talk about Carl.

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00:20:56.079 --> 00:20:58.960
<v Speaker 2>You know, I'm like, to this day, I remember what

403
00:20:59.039 --> 00:21:01.720
<v Speaker 2>that sounds.

404
00:21:01.480 --> 00:21:07.640
<v Speaker 3>It's yeah, yeah.

405
00:21:05.839 --> 00:21:07.559
<v Speaker 2>Anyway, did he do his Nicholson?

406
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<v Speaker 3>I didn't ask.

407
00:21:10.559 --> 00:21:13.119
<v Speaker 2>I'm glad he didn't. Actually, yeah, that could have gone.

408
00:21:13.359 --> 00:21:18.160
<v Speaker 2>He did a joker. That was what I realized in hindsight.

409
00:21:18.279 --> 00:21:22.000
<v Speaker 2>His joker was his mad header, because he was the

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00:21:22.039 --> 00:21:23.359
<v Speaker 2>mad hacker in the series.

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<v Speaker 3>Okay, you know I was wondering, Yeah, if you went

412
00:21:26.759 --> 00:21:29.359
<v Speaker 3>a little more Caesar Romero or something, he went a

413
00:21:29.359 --> 00:21:30.039
<v Speaker 3>little nuts.

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00:21:30.119 --> 00:21:31.559
<v Speaker 2>Yeah he got nuts.

415
00:21:31.920 --> 00:21:34.599
<v Speaker 3>Yeah, yeah, come on, that's great.

416
00:21:34.920 --> 00:21:36.680
<v Speaker 2>Anyway, what have you seen lately, Brian?

417
00:21:36.839 --> 00:21:39.440
<v Speaker 3>I've seen a couple of things. I'll talk about two things,

418
00:21:39.480 --> 00:21:41.240
<v Speaker 3>then one thing we both saw, so we can talk

419
00:21:41.240 --> 00:21:44.720
<v Speaker 3>about that. But I saw a movie that I have

420
00:21:44.799 --> 00:21:49.039
<v Speaker 3>not heard a lot about called My Dead Friend Zoe.

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00:21:49.640 --> 00:21:50.559
<v Speaker 2>Yes, have you heard of this?

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00:21:50.960 --> 00:21:54.240
<v Speaker 3>I've heard of it, Okay, So apparently it comes out today.

423
00:21:54.240 --> 00:21:57.599
<v Speaker 3>It is a smaller film, but it is from Universal,

424
00:21:57.960 --> 00:22:01.119
<v Speaker 3>and it's a story about an arm vet who served

425
00:22:01.119 --> 00:22:03.400
<v Speaker 3>in Afghanistan who comes home and has to take care

426
00:22:03.440 --> 00:22:06.640
<v Speaker 3>of her grandfather played by Ed Harris, and his health

427
00:22:06.680 --> 00:22:12.000
<v Speaker 3>is declining, and all the while, she's basically hanging out

428
00:22:12.039 --> 00:22:15.279
<v Speaker 3>with the ghost of her best friend who she was

429
00:22:15.279 --> 00:22:19.200
<v Speaker 3>stationed with in Afghanistan. And so and the ghost is

430
00:22:19.240 --> 00:22:23.480
<v Speaker 3>a real sort of sarcastic, wise cracking sort of force

431
00:22:23.599 --> 00:22:27.240
<v Speaker 3>that drives our hero crazy a little bit. And it's

432
00:22:27.519 --> 00:22:31.720
<v Speaker 3>interesting because it's it's basically a dark comedy, like a

433
00:22:31.799 --> 00:22:38.359
<v Speaker 3>dramedy ghost story about PTSD. And it's funny because I

434
00:22:38.799 --> 00:22:41.319
<v Speaker 3>really was intrigued by the premise. And I'll have to

435
00:22:41.359 --> 00:22:43.759
<v Speaker 3>be honest, like when I started it, I wasn't quite

436
00:22:43.759 --> 00:22:46.559
<v Speaker 3>sure what to make of the movie. At first. It

437
00:22:46.599 --> 00:22:49.119
<v Speaker 3>begins like a little slower paced, and I wasn't sure

438
00:22:49.119 --> 00:22:53.759
<v Speaker 3>all the comedy was landing. But you know, I decided,

439
00:22:54.000 --> 00:22:55.640
<v Speaker 3>sorry I should say I saw this as a screener

440
00:22:55.640 --> 00:22:57.839
<v Speaker 3>and so I but I decided to stick with it,

441
00:22:58.039 --> 00:23:00.960
<v Speaker 3>and I thought the actors were good. And then it

442
00:23:01.119 --> 00:23:04.160
<v Speaker 3>just slowly started to click in the place, the tone,

443
00:23:04.240 --> 00:23:09.359
<v Speaker 3>the characters, the story. It starts revealing things, so we

444
00:23:09.400 --> 00:23:12.559
<v Speaker 3>start to understand a little bit more context between the friends.

445
00:23:13.400 --> 00:23:16.519
<v Speaker 3>And I went from starting the movie a little bit

446
00:23:16.640 --> 00:23:20.960
<v Speaker 3>like I appreciate the efforts, you know, to by the

447
00:23:21.039 --> 00:23:24.920
<v Speaker 3>end I had tears streaming down my face. Wow, So

448
00:23:24.960 --> 00:23:26.599
<v Speaker 3>I would I would say it's a little uneven, but

449
00:23:26.720 --> 00:23:31.440
<v Speaker 3>ultimately it was really impactful. And it's worth noting that

450
00:23:31.519 --> 00:23:36.160
<v Speaker 3>it was co written and directed by Kyle Hassman Stokes,

451
00:23:36.640 --> 00:23:40.119
<v Speaker 3>who himself is a veteran and this movie was inspired

452
00:23:40.160 --> 00:23:44.000
<v Speaker 3>by two friends that he lost. And I really do

453
00:23:44.039 --> 00:23:48.200
<v Speaker 3>feel like that enhances what you're watching because you can

454
00:23:48.319 --> 00:23:50.680
<v Speaker 3>just sense that this comes from a really personal place.

455
00:23:51.480 --> 00:23:54.680
<v Speaker 3>And yeah, I mean by the end of it, when

456
00:23:54.839 --> 00:23:56.480
<v Speaker 3>all of a sudden done, I mean, I really do

457
00:23:56.519 --> 00:23:59.000
<v Speaker 3>think it turned out to be a really lovely and

458
00:23:59.160 --> 00:24:02.599
<v Speaker 3>affecting tribute to his friends and to veterans and to

459
00:24:02.640 --> 00:24:07.599
<v Speaker 3>anyone's suffering from PTSD. Really pretty powerful by the end.

460
00:24:08.880 --> 00:24:11.839
<v Speaker 3>So that's great. Yeah, yeah, I was really glad that

461
00:24:12.000 --> 00:24:13.640
<v Speaker 3>I got to. Be honest, I don't know if I

462
00:24:13.640 --> 00:24:15.160
<v Speaker 3>would have even heard of it if it hadn't been

463
00:24:15.559 --> 00:24:18.880
<v Speaker 3>sent to me. And I just again for a little

464
00:24:18.880 --> 00:24:21.480
<v Speaker 3>bit of context, I was I couldn't beam it to

465
00:24:21.480 --> 00:24:22.960
<v Speaker 3>my TV for some reason, so I had to watch

466
00:24:22.960 --> 00:24:25.240
<v Speaker 3>it on my laptop, which I wasn't crazy about, and

467
00:24:26.000 --> 00:24:29.079
<v Speaker 3>and like you know, I wasn't quite on its wavelength

468
00:24:29.079 --> 00:24:31.079
<v Speaker 3>at the beginning, and I did find myself looking around

469
00:24:31.119 --> 00:24:33.640
<v Speaker 3>a little bit. And then to this film's credit, I

470
00:24:33.640 --> 00:24:38.599
<v Speaker 3>mean when it started clicking, I forgot all that it

471
00:24:38.680 --> 00:24:40.680
<v Speaker 3>had my full attention, and like I said, I had

472
00:24:40.799 --> 00:24:45.200
<v Speaker 3>tears at the end of it. So's it's a first

473
00:24:45.480 --> 00:24:52.119
<v Speaker 3>directorial effort from Houseman Stokes, and I think he you know,

474
00:24:52.559 --> 00:24:54.240
<v Speaker 3>like I said, it's very personal, and I think he

475
00:24:54.279 --> 00:25:00.079
<v Speaker 3>did a really great job sort of like distilling complicated thing,

476
00:25:00.400 --> 00:25:03.599
<v Speaker 3>you know, like obviously something from his life, but the

477
00:25:03.640 --> 00:25:05.359
<v Speaker 3>way that he was able to turn it into this

478
00:25:05.440 --> 00:25:11.319
<v Speaker 3>weird ghost comedy and have me understand something about him

479
00:25:11.319 --> 00:25:13.119
<v Speaker 3>that I don't know that I would have, you know,

480
00:25:13.640 --> 00:25:16.599
<v Speaker 3>understood when just written on paper, Like oh yeah, I

481
00:25:16.720 --> 00:25:18.279
<v Speaker 3>came back from this place and I lost a friend

482
00:25:18.279 --> 00:25:20.759
<v Speaker 3>and it makes me feel like this. You're like, well,

483
00:25:20.799 --> 00:25:24.200
<v Speaker 3>that's oh, that sounds terrible, but like experiencing it through

484
00:25:24.200 --> 00:25:28.279
<v Speaker 3>these characters in this unique and interesting take really brought

485
00:25:28.319 --> 00:25:30.599
<v Speaker 3>me into it and made me feel a lot of feelings.

486
00:25:30.640 --> 00:25:32.519
<v Speaker 3>And I think he did a really great job.

487
00:25:32.759 --> 00:25:33.839
<v Speaker 2>So that's great. O.

488
00:25:33.880 --> 00:25:37.960
<v Speaker 3>Yeah, I wanted to shut that out and then Zachi,

489
00:25:39.039 --> 00:25:44.079
<v Speaker 3>I did it. Last night, I spent three hours and

490
00:25:44.279 --> 00:25:48.079
<v Speaker 3>forty minutes in a movie theater and I finally saw

491
00:25:48.119 --> 00:25:52.799
<v Speaker 3>The Brutalist. Was it brutal the experience not the movie? Well,

492
00:25:52.880 --> 00:25:55.480
<v Speaker 3>if you ask me, no, you asked my friend, I

493
00:25:55.519 --> 00:26:00.720
<v Speaker 3>don't know what he would say. So for those who

494
00:26:00.759 --> 00:26:02.880
<v Speaker 3>don't know, and I, you know what, I didn't really

495
00:26:02.920 --> 00:26:04.680
<v Speaker 3>know what this was about when I went into it.

496
00:26:04.720 --> 00:26:10.400
<v Speaker 3>I knew it was about an immigrant immigrating to the

497
00:26:10.480 --> 00:26:13.960
<v Speaker 3>US after World War Two and he's an architect. That's

498
00:26:14.000 --> 00:26:16.720
<v Speaker 3>all I knew. And that is that is what it is.

499
00:26:16.759 --> 00:26:21.559
<v Speaker 3>It's a Hungarian Jewish Holocaust survivor comes over to the US.

500
00:26:22.559 --> 00:26:25.359
<v Speaker 3>Prior to the war, he was an architect and once

501
00:26:25.359 --> 00:26:27.200
<v Speaker 3>he gets to the US, he's struggling a little bit

502
00:26:27.200 --> 00:26:31.839
<v Speaker 3>to find work, and he ends up redesigning a wealthy

503
00:26:31.880 --> 00:26:37.440
<v Speaker 3>businessman's library. And I hesitate to say more than that,

504
00:26:37.480 --> 00:26:39.519
<v Speaker 3>because it actually was nice, not knowing where it was going,

505
00:26:40.720 --> 00:26:43.960
<v Speaker 3>but you know, needless to say, opportunities arise for him

506
00:26:44.119 --> 00:26:47.759
<v Speaker 3>following that, and an opportunity comes up where he can

507
00:26:47.960 --> 00:26:52.319
<v Speaker 3>make something grand and personal, and of course there are

508
00:26:52.880 --> 00:26:57.039
<v Speaker 3>you know, obstacles along the way. This is a really

509
00:26:57.119 --> 00:27:01.480
<v Speaker 3>interesting movie. It's I mean, I was lucky enough to

510
00:27:01.480 --> 00:27:04.640
<v Speaker 3>see it on a big screen, but that aside just

511
00:27:04.680 --> 00:27:09.359
<v Speaker 3>the filmmaking itself, it just feels very grand and gargantuan,

512
00:27:12.359 --> 00:27:14.599
<v Speaker 3>and at the same time it also is very intimate,

513
00:27:14.720 --> 00:27:18.039
<v Speaker 3>and it feels very lived in this story about the

514
00:27:18.240 --> 00:27:24.559
<v Speaker 3>immigrant experience, and I walked away transported. I really liked it,

515
00:27:24.640 --> 00:27:28.720
<v Speaker 3>and I talked about this many months back. But seeing

516
00:27:28.720 --> 00:27:32.160
<v Speaker 3>the movie Civil War, where I know some people could

517
00:27:32.279 --> 00:27:36.079
<v Speaker 3>you know, have some problems with it or be like, oh, yeah,

518
00:27:36.079 --> 00:27:37.480
<v Speaker 3>I was pretty good, but I don't know about this

519
00:27:37.519 --> 00:27:39.759
<v Speaker 3>and that, and I might even agree with you. But

520
00:27:40.400 --> 00:27:43.559
<v Speaker 3>I was in another world for two hours, and that

521
00:27:43.640 --> 00:27:47.759
<v Speaker 3>doesn't always happen. And I had the same feeling with

522
00:27:47.799 --> 00:27:50.880
<v Speaker 3>this where I really felt like I left another like

523
00:27:50.920 --> 00:27:53.359
<v Speaker 3>I almost time traveled to another era and hung around

524
00:27:54.400 --> 00:27:58.319
<v Speaker 3>beside this person and just experienced someone else's life for

525
00:27:59.519 --> 00:28:03.200
<v Speaker 3>three hours forty minutes. And that really moved me, and

526
00:28:03.240 --> 00:28:04.160
<v Speaker 3>I really enjoyed that.

527
00:28:06.880 --> 00:28:07.039
<v Speaker 2>You know.

528
00:28:07.119 --> 00:28:10.319
<v Speaker 3>The other thing too, was not knowing even what the

529
00:28:10.359 --> 00:28:14.319
<v Speaker 3>tone of this movie was. I didn't know what lay ahead.

530
00:28:14.400 --> 00:28:16.400
<v Speaker 3>I didn't know if there was some huge tragedy that

531
00:28:16.440 --> 00:28:19.440
<v Speaker 3>was going to happen. I didn't know if people were

532
00:28:19.440 --> 00:28:22.240
<v Speaker 3>gonna like, I mean, it's someone gonna like murder someone like.

533
00:28:22.319 --> 00:28:24.000
<v Speaker 3>I literally had no idea what the tone of this

534
00:28:24.079 --> 00:28:25.599
<v Speaker 3>movie was. And there is this.

535
00:28:26.079 --> 00:28:27.720
<v Speaker 2>Way to experience a movie, isn't it.

536
00:28:27.720 --> 00:28:30.440
<v Speaker 3>It really is, And you know, there was this sustained

537
00:28:30.599 --> 00:28:33.240
<v Speaker 3>unease in the air while I was watching it. I

538
00:28:33.279 --> 00:28:36.680
<v Speaker 3>was uncomfortable. And you know what, I'm sure he had

539
00:28:36.720 --> 00:28:38.759
<v Speaker 3>the same feeling that character. So I really did get

540
00:28:38.799 --> 00:28:40.640
<v Speaker 3>to experience that along with him, where he's getting to

541
00:28:40.680 --> 00:28:42.680
<v Speaker 3>do something exciting, and there was a moment where I

542
00:28:42.680 --> 00:28:44.039
<v Speaker 3>almost wanted to clap my hand because I was so

543
00:28:44.039 --> 00:28:47.880
<v Speaker 3>excited for him. But then there is the unease. You know,

544
00:28:47.920 --> 00:28:49.759
<v Speaker 3>he doesn't know what lays ahead. Things, a lot of

545
00:28:49.759 --> 00:28:53.000
<v Speaker 3>things are out of his control, and I feeling that,

546
00:28:53.119 --> 00:28:55.880
<v Speaker 3>I feel like, maybe that is why I experiencing the

547
00:28:55.880 --> 00:28:58.359
<v Speaker 3>movie the way that I did. I really felt transported

548
00:28:58.400 --> 00:29:04.480
<v Speaker 3>with it. I'll say it's I've heard a lot of

549
00:29:04.480 --> 00:29:06.640
<v Speaker 3>people speak about the fact that it's in two parts,

550
00:29:07.359 --> 00:29:10.559
<v Speaker 3>so there's a you know, being almost four hours, there's

551
00:29:10.559 --> 00:29:12.759
<v Speaker 3>an intermission in the middle, and I had heard a

552
00:29:12.799 --> 00:29:15.319
<v Speaker 3>lot of people talk about preferring the first half to

553
00:29:15.359 --> 00:29:19.640
<v Speaker 3>the second half, and I can understand that actually, because

554
00:29:19.640 --> 00:29:21.440
<v Speaker 3>I think the first half has a lot of drive

555
00:29:22.400 --> 00:29:26.480
<v Speaker 3>that's pretty irresistible. You know, this immigrant coming over and

556
00:29:26.519 --> 00:29:28.279
<v Speaker 3>not knowing anyone, not knowing what he's going to do,

557
00:29:28.319 --> 00:29:33.440
<v Speaker 3>and then finding opportunity, and that's it's paced. I should

558
00:29:33.480 --> 00:29:38.519
<v Speaker 3>say it's paced pretty leisurely, so know that getting into it.

559
00:29:38.759 --> 00:29:40.119
<v Speaker 3>I don't know if I call it slowburn, but I

560
00:29:40.119 --> 00:29:43.160
<v Speaker 3>would say it's a little leisurely. But you really want

561
00:29:43.200 --> 00:29:44.839
<v Speaker 3>to see things work out for this character, so I

562
00:29:44.880 --> 00:29:49.759
<v Speaker 3>was really invested and interested in this person. The second half,

563
00:29:50.440 --> 00:29:53.160
<v Speaker 3>I think people's feelings about it will depend on if

564
00:29:53.200 --> 00:29:57.920
<v Speaker 3>you were invested completely at this point. So you want

565
00:29:57.920 --> 00:30:00.920
<v Speaker 3>to know what's going to happen with this with this guy,

566
00:30:01.119 --> 00:30:04.240
<v Speaker 3>so that keeps you motivated. The second half becomes a

567
00:30:04.240 --> 00:30:07.480
<v Speaker 3>little bit more about him and his personal life, and

568
00:30:07.559 --> 00:30:10.000
<v Speaker 3>if you just aren't into it, like if it didn't

569
00:30:10.039 --> 00:30:13.720
<v Speaker 3>lock onto you, I could see people feeling like less

570
00:30:14.519 --> 00:30:18.720
<v Speaker 3>interested as it went along. But yeah, no, it's it's

571
00:30:18.799 --> 00:30:24.079
<v Speaker 3>just big, grand historical filmmaking. Like it reminded me actually

572
00:30:24.160 --> 00:30:28.599
<v Speaker 3>of The Master, that kind of a feeling or a

573
00:30:28.599 --> 00:30:33.160
<v Speaker 3>phantom thread both. Okay, pta movie great, great movies, great movies,

574
00:30:33.160 --> 00:30:35.960
<v Speaker 3>And I don't know that I connected with this one

575
00:30:36.000 --> 00:30:38.599
<v Speaker 3>as in the same ways that I did with those others.

576
00:30:38.680 --> 00:30:40.839
<v Speaker 3>I think The Master, at least in terms of how

577
00:30:40.839 --> 00:30:43.359
<v Speaker 3>that movie made me feel, is a good point of comparison.

578
00:30:45.480 --> 00:30:48.119
<v Speaker 2>Do you think it would have worked better for you

579
00:30:48.319 --> 00:30:51.119
<v Speaker 2>if Adrian Brody had a Rosta wig?

580
00:30:53.079 --> 00:30:55.000
<v Speaker 3>By the way, did we talk about this when they

581
00:30:55.079 --> 00:30:58.519
<v Speaker 3>showed that clip oh at the SNL thing that SNL

582
00:30:58.599 --> 00:31:01.960
<v Speaker 3>fifty was someone like like, oh, he I'm not gonna

583
00:31:01.960 --> 00:31:06.480
<v Speaker 3>I'm sure he doesn't get that oscar When they were

584
00:31:06.559 --> 00:31:08.720
<v Speaker 3>doing I mean for people who don't know what we're

585
00:31:08.720 --> 00:31:13.920
<v Speaker 3>talking about, years years, years back, when Adrian Brody hosted SNL,

586
00:31:14.359 --> 00:31:17.359
<v Speaker 3>he was introducing Oh, I don't forget remember who the

587
00:31:17.440 --> 00:31:17.880
<v Speaker 3>musical guests?

588
00:31:18.160 --> 00:31:18.440
<v Speaker 2>Remember?

589
00:31:18.559 --> 00:31:20.440
<v Speaker 3>I think they might have been like, have a reggae

590
00:31:20.440 --> 00:31:24.039
<v Speaker 3>bent to them, so he went. Nobody knew he was

591
00:31:24.039 --> 00:31:26.880
<v Speaker 3>going to do this. But when he you know, usually

592
00:31:26.920 --> 00:31:29.880
<v Speaker 3>you go ladies and gentlemen, you know, Maroon five or

593
00:31:29.920 --> 00:31:32.640
<v Speaker 3>something like that. Like he came out with a rosto

594
00:31:33.079 --> 00:31:36.079
<v Speaker 3>like dreadlock wig on and started talking in a fake

595
00:31:36.279 --> 00:31:40.960
<v Speaker 3>bad Jamaican accent and it and it went on for

596
00:31:41.079 --> 00:31:45.720
<v Speaker 3>like what felt like forever. And can you imagine what

597
00:31:45.839 --> 00:31:49.000
<v Speaker 3>Lorne Michaels was doing under the bleachers with like his

598
00:31:49.000 --> 00:31:51.759
<v Speaker 3>his papers, probably you know, squeezing them in his hands

599
00:31:52.160 --> 00:31:58.599
<v Speaker 3>watching it anyway, that's but yeah, anyway, so the brutalist.

600
00:31:58.640 --> 00:32:04.119
<v Speaker 3>I don't know that it's paced or plotted for maybe

601
00:32:04.160 --> 00:32:07.759
<v Speaker 3>like the casual moviegoer or something, someone who's looking for

602
00:32:07.799 --> 00:32:09.799
<v Speaker 3>something to just pop on on a Friday night. This

603
00:32:09.880 --> 00:32:13.480
<v Speaker 3>might not be for you, but like there is like

604
00:32:13.640 --> 00:32:17.680
<v Speaker 3>wonderful acting in this, and it's a really intriguing character film,

605
00:32:17.839 --> 00:32:20.319
<v Speaker 3>and it just feels like I say, I keep thinking

606
00:32:20.319 --> 00:32:23.400
<v Speaker 3>of the word transportive and epic in this really unique

607
00:32:23.400 --> 00:32:26.240
<v Speaker 3>and special way, and I was really glad to go

608
00:32:26.279 --> 00:32:27.160
<v Speaker 3>on the journey with it.

609
00:32:27.200 --> 00:32:30.200
<v Speaker 2>Well there you go, hey, that lights a fire under

610
00:32:30.240 --> 00:32:33.119
<v Speaker 2>me to carve out the I don't know how I'm

611
00:32:33.160 --> 00:32:35.880
<v Speaker 2>gonna make that three and a half, three hours and

612
00:32:35.880 --> 00:32:39.759
<v Speaker 2>forty five minutes fit in with my schedule, you know.

613
00:32:39.920 --> 00:32:42.079
<v Speaker 3>I mean, that's just it, isn't it. Wait? What was

614
00:32:42.079 --> 00:32:45.920
<v Speaker 3>I seeing? Oh that Mickey seventeen. Yes, I was like, yeah,

615
00:32:45.960 --> 00:32:47.960
<v Speaker 3>of course I want to see that. And then I

616
00:32:47.960 --> 00:32:49.519
<v Speaker 3>saw it was over two hours, and I was like,

617
00:32:49.640 --> 00:32:51.599
<v Speaker 3>why a lot.

618
00:32:51.480 --> 00:32:53.440
<v Speaker 2>Of those stuff, all those short movies seem to be

619
00:32:53.480 --> 00:32:56.839
<v Speaker 2>coming back. You know, there's a you know, under two

620
00:32:57.319 --> 00:32:59.960
<v Speaker 2>seems to be more common than not these days.

621
00:33:00.440 --> 00:33:02.200
<v Speaker 3>Yeah, but what I was going to say real quick

622
00:33:02.240 --> 00:33:06.119
<v Speaker 3>for you specifically, is you know, you obviously you could

623
00:33:06.119 --> 00:33:08.759
<v Speaker 3>break it up. There's a natural break in the middle

624
00:33:08.799 --> 00:33:12.759
<v Speaker 3>built into the movie. But I do wonder if the

625
00:33:12.839 --> 00:33:15.799
<v Speaker 3>second half you almost need to come right off the

626
00:33:15.799 --> 00:33:17.880
<v Speaker 3>first half to feel as this in the second half.

627
00:33:17.880 --> 00:33:19.839
<v Speaker 3>I don't know, I think, what do you think Family

628
00:33:19.920 --> 00:33:27.160
<v Speaker 3>Movie Night? No? No, no, no, sorry, I people haven't

629
00:33:27.160 --> 00:33:30.559
<v Speaker 3>seen it, not that it would be obvious, but you know,

630
00:33:30.640 --> 00:33:35.359
<v Speaker 3>it's funny. It's not that there's just like two sort

631
00:33:35.400 --> 00:33:40.319
<v Speaker 3>of sex scene moments, and uh one at the beginning

632
00:33:40.440 --> 00:33:43.799
<v Speaker 3>is like pretty graphic, but uh yeah, I mean I

633
00:33:43.799 --> 00:33:46.160
<v Speaker 3>mean you could like sort of if you had like chapters,

634
00:33:46.200 --> 00:33:50.000
<v Speaker 3>I'm sure you get like chapter skip or something, but yeah,

635
00:33:50.160 --> 00:33:51.720
<v Speaker 3>but I did watch something else.

636
00:33:51.920 --> 00:33:54.599
<v Speaker 2>Well, actually, before we can do that, we were talking

637
00:33:54.640 --> 00:33:56.599
<v Speaker 2>about the SNL thing. I just wanted to get Yeah,

638
00:33:56.599 --> 00:33:57.960
<v Speaker 2>I didn't get a chance to talk to you about it.

639
00:33:57.960 --> 00:33:59.799
<v Speaker 2>What did you think of the SNL. We haven't talked

640
00:33:59.759 --> 00:34:00.839
<v Speaker 2>about this out.

641
00:34:02.319 --> 00:34:05.160
<v Speaker 3>I really enjoyed it. I mean we've we've said we're

642
00:34:05.240 --> 00:34:09.880
<v Speaker 3>huge SNL people, and we still watch it every week,

643
00:34:09.880 --> 00:34:13.679
<v Speaker 3>and we also love learning about the history, and so

644
00:34:13.800 --> 00:34:16.079
<v Speaker 3>this was kind of all the above, right where you

645
00:34:16.119 --> 00:34:22.719
<v Speaker 3>get to watch sketches and relive the greatest of from

646
00:34:22.760 --> 00:34:24.599
<v Speaker 3>the past, but it was also kind of about the

647
00:34:24.639 --> 00:34:26.679
<v Speaker 3>lore and shining a light on you know, there were

648
00:34:26.679 --> 00:34:29.400
<v Speaker 3>all these documentaries that were dropping on Peacock about the

649
00:34:29.440 --> 00:34:33.000
<v Speaker 3>writers specifically and how they focus on the cow Bell

650
00:34:33.039 --> 00:34:36.280
<v Speaker 3>sketch for an hour and talk about what went into

651
00:34:36.440 --> 00:34:38.599
<v Speaker 3>creating that and how it came to be as we

652
00:34:38.639 --> 00:34:42.559
<v Speaker 3>know it, and I just devoured all that stuff, and.

653
00:34:42.719 --> 00:34:45.360
<v Speaker 2>You know, I was thinking, yeah, I saw I saw

654
00:34:45.519 --> 00:34:49.719
<v Speaker 2>some folks online who were like, what you know, something

655
00:34:49.719 --> 00:34:51.079
<v Speaker 2>to the effect of like, why are they making such

656
00:34:51.079 --> 00:34:52.440
<v Speaker 2>a big deal out of this SNL thing?

657
00:34:52.480 --> 00:34:55.519
<v Speaker 3>And I'm like, cause it's the fiftieth and that's a

658
00:34:55.599 --> 00:34:59.320
<v Speaker 3>huge deal, Like can we can we not? Well, I

659
00:34:59.320 --> 00:35:02.239
<v Speaker 3>would say I say two things. One what you just said,

660
00:35:02.280 --> 00:35:07.760
<v Speaker 3>because it's fifty years old and in television that's like monumental. Absolutely,

661
00:35:07.840 --> 00:35:11.960
<v Speaker 3>And secondly, if you don't care, then why are you

662
00:35:12.320 --> 00:35:15.440
<v Speaker 3>even commenting on it? Like, go pitch what you care

663
00:35:15.480 --> 00:35:17.199
<v Speaker 3>about when you care about exactly?

664
00:35:17.440 --> 00:35:20.000
<v Speaker 2>For me, yeah, I loved all the documentaries and then

665
00:35:20.079 --> 00:35:21.679
<v Speaker 2>they had the concert the night.

666
00:35:21.519 --> 00:35:24.480
<v Speaker 3>Before, which I yes, people have recommended it to me

667
00:35:24.519 --> 00:35:26.000
<v Speaker 3>and I still haven't watched it, but I'd like to see.

668
00:35:26.039 --> 00:35:30.239
<v Speaker 2>Yeah, I've seen the clips you know, on YouTube and whatnot,

669
00:35:30.239 --> 00:35:33.519
<v Speaker 2>but the actual yeah, the event, it was it was

670
00:35:34.480 --> 00:35:36.280
<v Speaker 2>for me. It was one of those things I was

671
00:35:36.280 --> 00:35:38.079
<v Speaker 2>watching with my oldest I was like, you know, I

672
00:35:38.480 --> 00:35:40.079
<v Speaker 2>feel like it's like the rings of a tree trunk.

673
00:35:40.119 --> 00:35:43.800
<v Speaker 2>How many SNL anniversary specials you get to watch, you know,

674
00:35:44.199 --> 00:35:47.159
<v Speaker 2>mm hmm, because the twenty fifth and I don't think

675
00:35:47.159 --> 00:35:50.239
<v Speaker 2>there was the thirtieth of the fortieth. Yeah, you know,

676
00:35:50.719 --> 00:35:52.840
<v Speaker 2>that's the fun and that's the history, and that's the

677
00:35:52.920 --> 00:35:55.320
<v Speaker 2>legacy and and I love all of that, you know,

678
00:35:55.400 --> 00:35:59.199
<v Speaker 2>And what I realize is like, you know.

679
00:35:59.360 --> 00:36:05.679
<v Speaker 3>The the the legacy of how you have your sketches

680
00:36:05.679 --> 00:36:08.280
<v Speaker 3>and then those are the sketches that you share with

681
00:36:08.360 --> 00:36:10.480
<v Speaker 3>your kids or that you shared with your parents, and

682
00:36:10.519 --> 00:36:11.360
<v Speaker 3>it just gets.

683
00:36:11.039 --> 00:36:14.440
<v Speaker 2>Passed along, right Yeah, yeah, And that's the amazing thing.

684
00:36:14.440 --> 00:36:18.199
<v Speaker 2>That's what makes this so unique, you know totally. I

685
00:36:18.239 --> 00:36:20.280
<v Speaker 2>think you know, because every couple of years we get

686
00:36:20.280 --> 00:36:23.480
<v Speaker 2>the oh, the show sucks now whatever, and that's almost missing.

687
00:36:23.559 --> 00:36:26.039
<v Speaker 2>The force for the trees, right is the existence of

688
00:36:26.039 --> 00:36:28.880
<v Speaker 2>the show, and you know it's gonna be this this

689
00:36:29.000 --> 00:36:30.880
<v Speaker 2>amazing thing that just carries on, you know.

690
00:36:31.880 --> 00:36:36.400
<v Speaker 3>I think that's a real key to unlocking a love

691
00:36:36.440 --> 00:36:42.119
<v Speaker 3>of the show, which is, yeah, every episode is uneven

692
00:36:42.199 --> 00:36:46.400
<v Speaker 3>because they made it in six days, and that's part

693
00:36:46.440 --> 00:36:50.320
<v Speaker 3>of its charm is when something does land, what a miracle,

694
00:36:51.119 --> 00:36:53.400
<v Speaker 3>you know, and when it doesn't, you think, oh, I

695
00:36:53.480 --> 00:36:55.400
<v Speaker 3>think I see what they were going for there, Like

696
00:36:55.440 --> 00:36:58.280
<v Speaker 3>it just didn't come together, you know, like it's all

697
00:36:58.440 --> 00:36:58.840
<v Speaker 3>part of.

698
00:36:58.800 --> 00:37:03.719
<v Speaker 2>It, right, And just to pick up on what you're saying,

699
00:37:04.239 --> 00:37:06.880
<v Speaker 2>what you realize is in any given season, with your

700
00:37:06.920 --> 00:37:13.360
<v Speaker 2>twenty plus episode, there will be probably like five sketches

701
00:37:13.480 --> 00:37:18.199
<v Speaker 2>that are just all timers. Sure, not to say the

702
00:37:18.239 --> 00:37:21.400
<v Speaker 2>rest will suck. Right, There'll be varying degrees of amusing

703
00:37:21.400 --> 00:37:25.079
<v Speaker 2>and some just won't at all. But there's gonna be

704
00:37:25.119 --> 00:37:28.480
<v Speaker 2>a handful in any given season that are just like

705
00:37:28.559 --> 00:37:30.960
<v Speaker 2>they are watched and talked about forever.

706
00:37:31.360 --> 00:37:32.079
<v Speaker 3>Yeah.

707
00:37:32.159 --> 00:37:35.960
<v Speaker 2>Right. For every one cow Bell, there's how many that

708
00:37:36.039 --> 00:37:38.000
<v Speaker 2>are just kind of you know, they just came and went,

709
00:37:38.039 --> 00:37:41.480
<v Speaker 2>and that's the nature of the form and that's.

710
00:37:41.280 --> 00:37:43.960
<v Speaker 3>What makes it fun, you know. I agree. I agree.

711
00:37:44.599 --> 00:37:47.239
<v Speaker 2>I should also say we're talking about audiobooks. I downloaded

712
00:37:47.239 --> 00:37:51.679
<v Speaker 2>the audiobook of Lorn, which is the biography. Yeah.

713
00:37:50.719 --> 00:37:54.599
<v Speaker 3>I listened to a long form interview with the author, yes,

714
00:37:54.760 --> 00:37:56.880
<v Speaker 3>and it made me really want to check it out.

715
00:37:57.039 --> 00:37:58.360
<v Speaker 2>Yeah. I was like, oh great, and then I saw

716
00:37:58.400 --> 00:38:02.639
<v Speaker 2>it's twenty two hours, and I was like, oh, okay, okay.

717
00:38:02.679 --> 00:38:04.880
<v Speaker 3>Then do you ever get like a little giddy thrill

718
00:38:04.920 --> 00:38:06.880
<v Speaker 3>though when you put it to like one point seven

719
00:38:06.920 --> 00:38:09.280
<v Speaker 3>speed and all of a sudden it's like sixteen hours.

720
00:38:09.280 --> 00:38:12.480
<v Speaker 3>You're like, hey, dude.

721
00:38:12.880 --> 00:38:15.119
<v Speaker 2>Remember that that it was? I think it was a

722
00:38:15.159 --> 00:38:18.159
<v Speaker 2>New York magazine about how the author of that book

723
00:38:18.239 --> 00:38:23.159
<v Speaker 2>accidentally didn't do like a blind copy when she sent

724
00:38:23.199 --> 00:38:27.440
<v Speaker 2>a mass email. Oh yes, yes, right, right, So she

725
00:38:27.519 --> 00:38:31.159
<v Speaker 2>sent a mass email to like all these luminaries SNL

726
00:38:31.239 --> 00:38:34.360
<v Speaker 2>related and not about like hey, I'm having like a

727
00:38:34.400 --> 00:38:36.599
<v Speaker 2>cocktail for the book or something to that effect. And

728
00:38:36.639 --> 00:38:40.280
<v Speaker 2>instead of doing a BCC, she accidentally just hit you know,

729
00:38:40.480 --> 00:38:44.280
<v Speaker 2>just her entire address book, right right, And so before

730
00:38:44.320 --> 00:38:47.719
<v Speaker 2>long this reply all theater started playing.

731
00:38:47.440 --> 00:38:52.920
<v Speaker 3>Out right right with these really famous pechos, like famous people.

732
00:38:53.000 --> 00:38:56.159
<v Speaker 2>Some people are like what Aaron Sorkin's like, why is

733
00:38:56.159 --> 00:38:59.159
<v Speaker 2>everybody emailing me? And I'm like, what a fascinating list

734
00:38:59.199 --> 00:39:02.159
<v Speaker 2>to it to be a part of right, Like that's

735
00:39:02.199 --> 00:39:04.960
<v Speaker 2>its own little status symbol, right if you're in that mix.

736
00:39:05.320 --> 00:39:07.960
<v Speaker 3>Yeah, something like that is like almost a historical document

737
00:39:08.039 --> 00:39:10.559
<v Speaker 3>like that should be in the Library of Congress email chain.

738
00:39:14.000 --> 00:39:16.639
<v Speaker 2>It was. It was very funny just reading reading the

739
00:39:17.480 --> 00:39:19.719
<v Speaker 2>responses to the responses and stuff and the way it

740
00:39:19.760 --> 00:39:21.199
<v Speaker 2>just kept escalating. So funny.

741
00:39:21.320 --> 00:39:23.480
<v Speaker 3>Yeah, yeah, it was anyway.

742
00:39:23.599 --> 00:39:25.559
<v Speaker 2>Sorry, I just I didn't get a chance to talk

743
00:39:25.559 --> 00:39:25.639
<v Speaker 2>to you.

744
00:39:25.760 --> 00:39:27.320
<v Speaker 3>No, no, well, you know, And it's funny too because

745
00:39:27.360 --> 00:39:31.719
<v Speaker 3>the show itself was very long, and I think, yeah, yeah,

746
00:39:31.800 --> 00:39:34.400
<v Speaker 3>I watched it with some friends and I think we

747
00:39:34.800 --> 00:39:36.639
<v Speaker 3>I don't know that we did it on purpose, but

748
00:39:36.760 --> 00:39:38.519
<v Speaker 3>we started it a little late, so we were able

749
00:39:38.519 --> 00:39:40.400
<v Speaker 3>to fast forward through a lot of the ads, and

750
00:39:40.840 --> 00:39:43.039
<v Speaker 3>you know, I made it go a little easier. But

751
00:39:44.360 --> 00:39:46.119
<v Speaker 3>it was fun. It just felt like a good celebration.

752
00:39:46.199 --> 00:39:50.960
<v Speaker 3>You know. They brought back some of their famous sketches,

753
00:39:51.039 --> 00:39:54.760
<v Speaker 3>but notably there were sketches that feature a huge cast

754
00:39:54.840 --> 00:39:57.400
<v Speaker 3>of characters so they could slot in a bunch of

755
00:39:57.440 --> 00:40:00.400
<v Speaker 3>major celebrities like Eddie Murphy and stuff to like just

756
00:40:00.400 --> 00:40:03.840
<v Speaker 3>make it feel big in like a celebration. And and

757
00:40:03.920 --> 00:40:06.920
<v Speaker 3>some of them hit, some of them didn't. And I

758
00:40:06.960 --> 00:40:08.840
<v Speaker 3>was talking about that with my friends because we were like, oh,

759
00:40:08.880 --> 00:40:10.559
<v Speaker 3>that didn't really work, did it? And I was like, yeah,

760
00:40:10.880 --> 00:40:13.679
<v Speaker 3>just and l you know, like some of it works,

761
00:40:13.679 --> 00:40:14.320
<v Speaker 3>some of it doesn't.

762
00:40:14.320 --> 00:40:18.199
<v Speaker 2>That's that's the show, the fact that and you and

763
00:40:18.280 --> 00:40:19.880
<v Speaker 2>I we talked about this. You know that they had

764
00:40:19.880 --> 00:40:26.000
<v Speaker 2>the Black Jeopardy sketch and you had Tracy Morgan as

765
00:40:26.039 --> 00:40:30.159
<v Speaker 2>a character. Yeah, and then Eddie Murphy playing Tracy Morgan

766
00:40:30.639 --> 00:40:35.239
<v Speaker 2>right right right, And I was like, imagine being Tracy Morgan. Yes,

767
00:40:35.480 --> 00:40:38.519
<v Speaker 2>he probably grew up idolizing Eddie Murphy and now he's

768
00:40:38.559 --> 00:40:40.440
<v Speaker 2>on stage imitating you.

769
00:40:41.119 --> 00:40:43.159
<v Speaker 3>I know, I thought that I thought that very thing,

770
00:40:43.400 --> 00:40:48.920
<v Speaker 3>what a What a mind trip, What a moment. Anyway,

771
00:40:49.280 --> 00:40:52.000
<v Speaker 3>what else did you see? Well, I saw something. We

772
00:40:52.039 --> 00:40:57.239
<v Speaker 3>both watched the same thing, which was September five. Yeah, yeah,

773
00:40:57.280 --> 00:41:00.800
<v Speaker 3>which is kind of fascinating because this, I I believe

774
00:41:01.079 --> 00:41:04.760
<v Speaker 3>came out last year. I think the thinking was it

775
00:41:04.760 --> 00:41:08.920
<v Speaker 3>would be an Awards contender, and it just I don't

776
00:41:08.920 --> 00:41:12.360
<v Speaker 3>even know when it actually dropped. It just streaming. I mean,

777
00:41:12.400 --> 00:41:16.599
<v Speaker 3>this just completely flew under the radar. I mean, this

778
00:41:16.719 --> 00:41:21.760
<v Speaker 3>was this was not a it was not a streaming original, right, No, No,

779
00:41:21.840 --> 00:41:24.239
<v Speaker 3>I think this wasn't well you know what, I feel like.

780
00:41:24.320 --> 00:41:26.920
<v Speaker 3>I do remember it playing at my regal for at

781
00:41:27.000 --> 00:41:30.679
<v Speaker 3>least a week or something, and I thought, oh, I'm

782
00:41:30.760 --> 00:41:34.639
<v Speaker 3>curious about that. But yeah, it's interesting. I kind of

783
00:41:34.639 --> 00:41:38.719
<v Speaker 3>wonder why that is. But well, I I if I

784
00:41:38.760 --> 00:41:44.559
<v Speaker 3>were to guess, yeah, well we probably have the same guess. Yeah.

785
00:41:44.679 --> 00:41:46.400
<v Speaker 2>So well we should say, first of all, so it's

786
00:41:46.480 --> 00:41:51.199
<v Speaker 2>about the terrorist attack at the Munich Olympics in nineteen

787
00:41:51.199 --> 00:41:58.760
<v Speaker 2>seventy two. But it's specifically about how the ABC Sports team,

788
00:42:00.400 --> 00:42:04.320
<v Speaker 2>uh we're the only uh TV crew that was positioned

789
00:42:04.360 --> 00:42:07.679
<v Speaker 2>to actually cover the story. Yeah, from like from from

790
00:42:07.760 --> 00:42:12.559
<v Speaker 2>a front row seat, and what what I really. You know,

791
00:42:12.599 --> 00:42:15.079
<v Speaker 2>I just realized I'm talking right right, I cut you off.

792
00:42:15.119 --> 00:42:17.559
<v Speaker 3>I bath, no, no, no, no, you're exactly yeah, go ahead.

793
00:42:18.360 --> 00:42:21.360
<v Speaker 2>I So anybody who knows me knows I'm a huge

794
00:42:21.400 --> 00:42:26.320
<v Speaker 2>fan of just like journalism movies. This is my sweet spot.

795
00:42:26.400 --> 00:42:29.679
<v Speaker 2>And and multiple listeners reached out to me and were like, Zach,

796
00:42:29.719 --> 00:42:30.280
<v Speaker 2>you got to watch this.

797
00:42:30.360 --> 00:42:31.519
<v Speaker 3>I was like, oh, I know, I know it's on

798
00:42:31.599 --> 00:42:33.800
<v Speaker 3>my radar, but I love Oh people know me. That's good.

799
00:42:34.519 --> 00:42:35.639
<v Speaker 3>But what I love is.

800
00:42:35.719 --> 00:42:41.840
<v Speaker 2>It it truly exists only within the field of awareness

801
00:42:41.880 --> 00:42:44.679
<v Speaker 2>of these TV people.

802
00:42:45.639 --> 00:42:46.679
<v Speaker 3>Yes, exactly.

803
00:42:47.159 --> 00:42:50.480
<v Speaker 2>We any any information we get, we only get if

804
00:42:50.519 --> 00:42:53.719
<v Speaker 2>they get right. And that's what I really liked about it.

805
00:42:53.760 --> 00:42:58.320
<v Speaker 2>I thought, Peter uh uh, Peter Sarsgard in the lead role,

806
00:42:58.440 --> 00:43:00.440
<v Speaker 2>he's rude art Ledge. It was like, like, this is

807
00:43:00.440 --> 00:43:02.280
<v Speaker 2>what a dork I am, Like, I know, Rune Arlich,

808
00:43:03.000 --> 00:43:06.599
<v Speaker 2>oh really yeah, but he's very good in the lead

809
00:43:06.760 --> 00:43:11.639
<v Speaker 2>and and really like it's a very small scale, but

810
00:43:11.639 --> 00:43:13.440
<v Speaker 2>but the steaks feel very high, you know.

811
00:43:13.639 --> 00:43:17.760
<v Speaker 3>Yeah. Well, and I wanted to call out John mcgarth macgaro, yeah,

812
00:43:17.840 --> 00:43:23.239
<v Speaker 3>from from The Big Short. Oh yeah, I didn't. I

813
00:43:23.239 --> 00:43:27.159
<v Speaker 3>didn't place him, but he is captivating. I mean, he's

814
00:43:27.280 --> 00:43:31.559
<v Speaker 3>very understated, but captivating. It's we talk about competence porn

815
00:43:32.280 --> 00:43:34.079
<v Speaker 3>and how much we love that in our stories, which

816
00:43:34.079 --> 00:43:38.920
<v Speaker 3>is basically something happens and smart, competent people are thinking

817
00:43:39.000 --> 00:43:41.960
<v Speaker 3>quickly on their feet and doing the best they can,

818
00:43:42.119 --> 00:43:45.840
<v Speaker 3>and the best thing can is pretty damn good, right.

819
00:43:45.760 --> 00:43:47.599
<v Speaker 2>And well, and and just to add to that and

820
00:43:47.800 --> 00:43:51.719
<v Speaker 2>grappling with the ramifications if if they get it.

821
00:43:51.679 --> 00:43:56.960
<v Speaker 3>Wrong, yes, yes, yes, Like there's a whole moment where

822
00:43:57.000 --> 00:44:02.119
<v Speaker 3>they're deciding who to call the perpetrators, like are they terrorists?

823
00:44:02.119 --> 00:44:04.280
<v Speaker 3>It's like, well, terrorists is a charge word. Do we know?

824
00:44:04.519 --> 00:44:06.760
<v Speaker 3>Like who are they? Blah blah blahlah, Like they don't

825
00:44:06.800 --> 00:44:08.960
<v Speaker 3>know anything, and they're figuring it out as they go,

826
00:44:09.000 --> 00:44:11.440
<v Speaker 3>and they have a responsibility as like you said, the

827
00:44:11.480 --> 00:44:14.519
<v Speaker 3>sole people who will be bringing this live to the world.

828
00:44:15.000 --> 00:44:18.880
<v Speaker 3>And it's an analog world, right, Like there's this moment

829
00:44:18.920 --> 00:44:23.159
<v Speaker 3>at the beginning I loved where this is happening in

830
00:44:23.639 --> 00:44:28.679
<v Speaker 3>the Olympic village, which they're pretty close to their broadcast operation,

831
00:44:29.119 --> 00:44:31.760
<v Speaker 3>and so just again being in nineteen seventy two, they

832
00:44:31.760 --> 00:44:33.960
<v Speaker 3>don't have little handheld cameras and stuff, so they have

833
00:44:34.000 --> 00:44:37.159
<v Speaker 3>to take a TV camera, like a big clunky sitcom

834
00:44:37.159 --> 00:44:40.000
<v Speaker 3>look in TV camera and they make the decision like

835
00:44:40.199 --> 00:44:42.480
<v Speaker 3>I don't know how find cable long enough and just

836
00:44:42.920 --> 00:44:47.039
<v Speaker 3>roll that thing out onto a hill. And I don't know,

837
00:44:47.159 --> 00:44:49.320
<v Speaker 3>just the quick thinking and the innovation, like they don't

838
00:44:49.360 --> 00:44:54.000
<v Speaker 3>realize it, but they're innovating live news coverage. Yeah. I

839
00:44:54.119 --> 00:44:57.199
<v Speaker 3>loved this movie. I thought it was riveting. Yeah I

840
00:44:57.719 --> 00:44:58.159
<v Speaker 3>think that.

841
00:44:58.280 --> 00:45:02.639
<v Speaker 2>Oh and by the way, Benjamin Walker, who he was

842
00:45:02.679 --> 00:45:04.760
<v Speaker 2>the guy from Abraham Lincoln Vampire Hunter.

843
00:45:05.280 --> 00:45:06.199
<v Speaker 3>Wait who did you play?

844
00:45:06.599 --> 00:45:08.199
<v Speaker 2>He plays Peter Jennings.

845
00:45:08.559 --> 00:45:10.440
<v Speaker 3>Oh yeah, wait was he Lincoln?

846
00:45:11.079 --> 00:45:11.719
<v Speaker 2>He was Lincoln?

847
00:45:11.880 --> 00:45:15.159
<v Speaker 3>Yeah, well, I'll be damned right. And and his Peter

848
00:45:15.320 --> 00:45:21.079
<v Speaker 3>Jennings was incredible, no joke. I yes, I I his

849
00:45:21.320 --> 00:45:24.599
<v Speaker 3>voice is spot on, right, Yeah. I was like, that

850
00:45:24.800 --> 00:45:30.320
<v Speaker 3>is exactly Peter Jennings's voice, you know. Yeah, yeah, no,

851
00:45:30.440 --> 00:45:32.840
<v Speaker 3>I I think I texted you afterwards and was like,

852
00:45:32.880 --> 00:45:35.920
<v Speaker 3>how did everyone miss this? This is just really and

853
00:45:35.960 --> 00:45:39.559
<v Speaker 3>it's like ninety minutes, it's only what it needs to

854
00:45:39.599 --> 00:45:44.679
<v Speaker 3>be and I, I don't know, I was I was riveted.

855
00:45:45.440 --> 00:45:49.519
<v Speaker 2>Yeah, I so. I suspect that current geopolitics played a

856
00:45:49.599 --> 00:45:54.280
<v Speaker 2>role in Yeah, this one probably getting getting you know,

857
00:45:54.599 --> 00:45:57.800
<v Speaker 2>swept under the rug a little bit navy fan with

858
00:45:57.880 --> 00:46:00.760
<v Speaker 2>a little hot button a little bit, yeah, and whether

859
00:46:00.800 --> 00:46:02.239
<v Speaker 2>that's the right decision wrong. So I'm not going to

860
00:46:02.280 --> 00:46:06.079
<v Speaker 2>get into that, but I think the movie itself works

861
00:46:06.360 --> 00:46:11.840
<v Speaker 2>because it's just it's about the responsibility that comes with with,

862
00:46:12.239 --> 00:46:13.679
<v Speaker 2>you know, being a journalist, you know.

863
00:46:14.400 --> 00:46:16.639
<v Speaker 3>Yeah, Like I mean, the movie isn't about politics or

864
00:46:16.679 --> 00:46:19.559
<v Speaker 3>even the situation itself, you know, that's right. It's just

865
00:46:19.840 --> 00:46:22.199
<v Speaker 3>a thing that's happening, and we're following the people that

866
00:46:22.280 --> 00:46:26.079
<v Speaker 3>have to figure out in a time before this was commonplace,

867
00:46:26.320 --> 00:46:30.079
<v Speaker 3>how do we as responsible journalists bring this to the world.

868
00:46:31.079 --> 00:46:34.440
<v Speaker 2>And in a marked contrast from the brutalist this one

869
00:46:34.480 --> 00:46:36.480
<v Speaker 2>is ninety four minutes soaking wet.

870
00:46:36.639 --> 00:46:37.519
<v Speaker 3>Yeah, which is great.

871
00:46:38.760 --> 00:46:39.920
<v Speaker 2>It's a nice little chaser.

872
00:46:40.760 --> 00:46:42.599
<v Speaker 3>Yeah. Oh and then I want to also call out

873
00:46:42.639 --> 00:46:44.480
<v Speaker 3>I don't know how to say her name, but Leoni

874
00:46:44.599 --> 00:46:49.360
<v Speaker 3>Binesh maybe. Yes, she's the German translator and she was

875
00:46:49.400 --> 00:46:51.679
<v Speaker 3>in a movie I really liked, called The Teacher's Lounge,

876
00:46:51.840 --> 00:46:55.639
<v Speaker 3>so I was happy to see her again. Oh great, Yeah,

877
00:46:55.719 --> 00:46:58.519
<v Speaker 3>well there we go. Yeah, I'm glad we both like that. Yeah.

878
00:46:58.599 --> 00:47:02.119
<v Speaker 2>Yeah, it's well, yeah, you know, I think it's on

879
00:47:02.239 --> 00:47:06.119
<v Speaker 2>streaming now. I don't know if it's on like VOD

880
00:47:07.039 --> 00:47:11.079
<v Speaker 2>or p VOD streaming. I don't know if any what

881
00:47:11.199 --> 00:47:12.440
<v Speaker 2>service is going to have it, but if it comes

882
00:47:12.480 --> 00:47:14.920
<v Speaker 2>across your radar, it's worth watching. I think it's pretty terrific.

883
00:47:15.000 --> 00:47:18.320
<v Speaker 3>Yeah, and I think it's screenplay is nominated either for

884
00:47:18.400 --> 00:47:21.360
<v Speaker 3>Best Screenplay or Best Adapted Screenplay. I'm not sure. Oh, okay,

885
00:47:21.400 --> 00:47:21.920
<v Speaker 3>well there you go.

886
00:47:21.960 --> 00:47:25.280
<v Speaker 2>So that's something at least. Hey, we got some listener

887
00:47:25.400 --> 00:47:28.480
<v Speaker 2>letters here, Brian. Oh great, So here's a note we

888
00:47:28.519 --> 00:47:31.000
<v Speaker 2>got from Spencer Toyson. And this is in regards to

889
00:47:31.079 --> 00:47:36.400
<v Speaker 2>our commentary track for Office Space. Okay, and he says, hello, dudes,

890
00:47:36.480 --> 00:47:38.679
<v Speaker 2>So the same feeling that the culture has for Office

891
00:47:38.679 --> 00:47:43.360
<v Speaker 2>Space I have for Superman three. It's appropriate because the

892
00:47:43.360 --> 00:47:44.679
<v Speaker 2>two movies are intertwined.

893
00:47:44.920 --> 00:47:46.360
<v Speaker 3>That's right, he says.

894
00:47:46.400 --> 00:47:48.719
<v Speaker 2>Definitely not a critical or financial success, but I can't

895
00:47:48.760 --> 00:47:51.800
<v Speaker 2>help but feel and acknowledge how purposefully goofy and intentional

896
00:47:51.840 --> 00:47:55.559
<v Speaker 2>Superman three is large, cowboy hats, suitcases full of alcohol,

897
00:47:55.719 --> 00:47:58.639
<v Speaker 2>and unemployed man being a super hacker. Well, it's like

898
00:47:58.679 --> 00:48:04.400
<v Speaker 2>he's describing my life. It's wonderful. As a Superman feature,

899
00:48:04.440 --> 00:48:06.880
<v Speaker 2>it's not the adaptation you'd think for sure. However, if

900
00:48:06.960 --> 00:48:10.079
<v Speaker 2>Evil Superman's worst crime is blowing out the Olympic torch,

901
00:48:10.519 --> 00:48:16.760
<v Speaker 2>come on, that's gold. Terrorizing a sculptor, making Pisa models platinum.

902
00:48:16.800 --> 00:48:19.559
<v Speaker 3>Maybe one of my top moments in the whole Superman series.

903
00:48:20.159 --> 00:48:23.199
<v Speaker 2>It's so great. I love it, he says. If anything,

904
00:48:23.440 --> 00:48:25.280
<v Speaker 2>if there's anything that the film has given us, it's

905
00:48:25.280 --> 00:48:30.519
<v Speaker 2>the resurgence of my use of the word keyster. And

906
00:48:30.559 --> 00:48:32.719
<v Speaker 2>I should say, by those for those of you who

907
00:48:32.800 --> 00:48:36.920
<v Speaker 2>came in late, that's because you and I, Brian, during

908
00:48:36.920 --> 00:48:40.119
<v Speaker 2>the course of our commentary track for that film, I

909
00:48:40.199 --> 00:48:42.599
<v Speaker 2>said that Superman must have taken that. How did he

910
00:48:42.639 --> 00:48:46.679
<v Speaker 2>get that jar of acid past the computer, the supercomputer?

911
00:48:47.000 --> 00:48:48.199
<v Speaker 2>Obviously he keystered it.

912
00:48:49.400 --> 00:48:51.280
<v Speaker 3>Yes, he key stirred the acid.

913
00:48:51.519 --> 00:48:55.239
<v Speaker 2>He keysterred the acid. And thus a catchphrase for the

914
00:48:55.280 --> 00:48:59.239
<v Speaker 2>ages was born and Spencer's and for that, I'm forever grateful.

915
00:48:59.280 --> 00:49:02.199
<v Speaker 2>It's further away from release, but I'm hopeful that generations

916
00:49:02.280 --> 00:49:06.719
<v Speaker 2>might find the gem that is Richard Pryor v Superman.

917
00:49:08.960 --> 00:49:11.519
<v Speaker 2>Thank you Spencer for that. And then we have another

918
00:49:11.559 --> 00:49:13.480
<v Speaker 2>note from Adam O and this is in regards to

919
00:49:13.519 --> 00:49:14.440
<v Speaker 2>our Diehard with.

920
00:49:14.440 --> 00:49:18.239
<v Speaker 3>A vengeance commentary track, Oh we Are our last episode.

921
00:49:18.599 --> 00:49:21.360
<v Speaker 2>Most recently, he says, this was the first Diehard movie

922
00:49:21.400 --> 00:49:23.440
<v Speaker 2>I saw, so I have a soft spot for it.

923
00:49:23.440 --> 00:49:26.239
<v Speaker 2>It's a big incoherent in the middle. Excuse me, let

924
00:49:26.239 --> 00:49:29.719
<v Speaker 2>me try that again, Ran, Sorry, it's a bit incoherent

925
00:49:29.760 --> 00:49:32.800
<v Speaker 2>in the middle, But Willis and Jackson have such great

926
00:49:32.880 --> 00:49:36.519
<v Speaker 2>chemistry it makes up for any flaws here here.

927
00:49:37.159 --> 00:49:40.199
<v Speaker 3>Yeah, we're big fans. I think that's sort of you know.

928
00:49:40.280 --> 00:49:43.039
<v Speaker 2>I think, like any big franchise, you sort of glom

929
00:49:43.039 --> 00:49:46.320
<v Speaker 2>onto whichever one you happen to see first. So I

930
00:49:46.639 --> 00:49:49.199
<v Speaker 2>do wonder about that a little bit like Diehard three

931
00:49:49.320 --> 00:49:52.800
<v Speaker 2>really blows up the paradigm, right, So do if you

932
00:49:52.840 --> 00:49:55.119
<v Speaker 2>watch that one first and then you watch the previous two,

933
00:49:55.159 --> 00:49:58.320
<v Speaker 2>are you like, Oh, this is so like small scale.

934
00:49:58.400 --> 00:50:00.159
<v Speaker 3>It's confined. He doesn't go anywhere.

935
00:50:00.239 --> 00:50:03.360
<v Speaker 2>Yeah, yeah, he's just in the one building. What's that

936
00:50:03.400 --> 00:50:09.159
<v Speaker 2>all about? But I think it has withstood the test

937
00:50:09.159 --> 00:50:10.519
<v Speaker 2>of time, I.

938
00:50:10.400 --> 00:50:12.360
<v Speaker 3>Think so, I think so. I think, yeah, time has

939
00:50:12.400 --> 00:50:15.440
<v Speaker 3>been kind to it. Also, I think it's more beloved

940
00:50:15.480 --> 00:50:18.639
<v Speaker 3>now than it's been. I think it's been people have

941
00:50:18.840 --> 00:50:21.360
<v Speaker 3>gone back and re evaluated it, or at least the

942
00:50:21.400 --> 00:50:24.519
<v Speaker 3>people who weren't crazy about it to begin with, right,

943
00:50:24.559 --> 00:50:26.400
<v Speaker 3>because I always liked it too because I was kind

944
00:50:26.400 --> 00:50:27.639
<v Speaker 3>of young and just took it for what it was

945
00:50:27.679 --> 00:50:28.880
<v Speaker 3>and what.

946
00:50:28.679 --> 00:50:31.800
<v Speaker 2>Was it not? Well, like my recollection is that it.

947
00:50:32.519 --> 00:50:34.199
<v Speaker 3>I mean it did really well, which we talked about

948
00:50:34.199 --> 00:50:36.400
<v Speaker 3>when it came out. I feel like there was a

949
00:50:36.440 --> 00:50:38.400
<v Speaker 3>moment and I don't know, it could just be in

950
00:50:38.440 --> 00:50:41.559
<v Speaker 3>my sphere, but when I talked about it with people

951
00:50:41.599 --> 00:50:45.440
<v Speaker 3>that was not a favorite.

952
00:50:44.599 --> 00:50:45.599
<v Speaker 2>It's fascinating to me.

953
00:50:45.920 --> 00:50:48.719
<v Speaker 3>Yeah, yeah, that's my memory of it because I remember

954
00:50:48.760 --> 00:50:52.480
<v Speaker 3>having this feeling always being surprised and being like, oh really,

955
00:50:52.599 --> 00:50:55.320
<v Speaker 3>I don't know. I think it's kind of good that.

956
00:50:55.800 --> 00:50:59.239
<v Speaker 2>Yeah, I guess I've never had like in depth conversations

957
00:50:59.280 --> 00:51:01.199
<v Speaker 2>about the I heard films with anybody.

958
00:51:01.519 --> 00:51:03.559
<v Speaker 3>Yeah, it was you know, like co workers and things.

959
00:51:03.559 --> 00:51:10.760
<v Speaker 2>But yeah, well hey, thank you everybody for for those

960
00:51:10.800 --> 00:51:15.960
<v Speaker 2>comments on our commentaries. Yeah, I had gotten one. I

961
00:51:16.000 --> 00:51:20.639
<v Speaker 2>got a message on Blue Sky from Terrence who just said, hey, guys,

962
00:51:20.679 --> 00:51:22.639
<v Speaker 2>I love listening to the show and I just want

963
00:51:22.679 --> 00:51:28.039
<v Speaker 2>to ask how are you guys doing, which I just

964
00:51:28.119 --> 00:51:30.119
<v Speaker 2>I was tickled by that message because because you know,

965
00:51:30.559 --> 00:51:34.199
<v Speaker 2>no but nobody asks us how we're doing. Brian. Yeah, no,

966
00:51:34.360 --> 00:51:36.440
<v Speaker 2>and I just want to say Terrence, thank you, a

967
00:51:36.639 --> 00:51:41.280
<v Speaker 2>thank you for asking don okay, I think, yeah, you.

968
00:51:41.239 --> 00:51:42.719
<v Speaker 3>Know, it's so funny. I was thinking of like a

969
00:51:42.760 --> 00:51:45.119
<v Speaker 3>comedy album like Adam Sandler when they have all the

970
00:51:45.159 --> 00:51:48.239
<v Speaker 3>foley like I wish you could hear like ice. I'm like,

971
00:51:48.280 --> 00:51:54.519
<v Speaker 3>well and then here like ice clinking in a glass, and.

972
00:51:58.920 --> 00:52:02.559
<v Speaker 2>You know I I my usual response is is taking

973
00:52:02.639 --> 00:52:04.159
<v Speaker 2>it one day at a time.

974
00:52:05.519 --> 00:52:07.599
<v Speaker 3>Yeah, yeah, I'd say the same. I mean, look, I

975
00:52:07.800 --> 00:52:10.320
<v Speaker 3>it'd be easy for me to say like good, yeah good.

976
00:52:10.360 --> 00:52:12.119
<v Speaker 3>You know people like how you doing? Oh good? Good?

977
00:52:12.239 --> 00:52:14.840
<v Speaker 3>Like you just say good. It's just like a response.

978
00:52:15.639 --> 00:52:19.320
<v Speaker 3>You know, life's got it. It's ups and downs at

979
00:52:19.360 --> 00:52:21.320
<v Speaker 3>the moment. I'll be entirely honest.

980
00:52:21.920 --> 00:52:23.960
<v Speaker 2>To quote the Just the Ten of Us theme song,

981
00:52:24.400 --> 00:52:26.039
<v Speaker 2>we're doing it the best we can.

982
00:52:26.320 --> 00:52:29.559
<v Speaker 3>Yeah. Yeah. So definitely, there are days when you know

983
00:52:29.639 --> 00:52:31.760
<v Speaker 3>you're you're doing something and it's really fun with your

984
00:52:31.760 --> 00:52:35.159
<v Speaker 3>friends and you're like, oh wow, I feel very lucky.

985
00:52:35.159 --> 00:52:37.480
<v Speaker 3>I feel very blessed for these people and the things

986
00:52:37.480 --> 00:52:39.639
<v Speaker 3>that I get to do and and that sort of thing.

987
00:52:39.679 --> 00:52:42.599
<v Speaker 3>And then there are other days when you know life's

988
00:52:42.599 --> 00:52:45.440
<v Speaker 3>not going your way and you feel a little down,

989
00:52:45.519 --> 00:52:49.360
<v Speaker 3>you know, So it's yeah, I would I would say

990
00:52:49.519 --> 00:52:51.639
<v Speaker 3>kind of up and down, but you know, truly, and

991
00:52:51.639 --> 00:52:56.519
<v Speaker 3>this is being honest. This doing this show and getting

992
00:52:56.559 --> 00:52:58.639
<v Speaker 3>to talk to Zachi for two hours every week is

993
00:52:59.280 --> 00:53:02.760
<v Speaker 3>truly highlight and lifts me up every time. And the

994
00:53:02.840 --> 00:53:06.199
<v Speaker 3>engagement with everybody, I mean, people leave comments after the

995
00:53:06.239 --> 00:53:08.920
<v Speaker 3>show and we get these listener letters, and I just

996
00:53:09.000 --> 00:53:12.559
<v Speaker 3>feel so touched by all of it, and so I

997
00:53:13.480 --> 00:53:17.079
<v Speaker 3>enjoy the connection that comes from this absolutely. Yeah.

998
00:53:17.159 --> 00:53:19.079
<v Speaker 2>Actually, speaking of just the ten of us, I don't

999
00:53:19.079 --> 00:53:20.480
<v Speaker 2>know if you knew this. I happened to be on

1000
00:53:20.519 --> 00:53:23.679
<v Speaker 2>YouTube the other day and they had the opening credits

1001
00:53:23.719 --> 00:53:26.039
<v Speaker 2>for that, you know, and it's it has a very

1002
00:53:26.039 --> 00:53:27.880
<v Speaker 2>catchy intro theme, so you do have to kind of

1003
00:53:27.920 --> 00:53:31.679
<v Speaker 2>listen to it. The kid like the did you ever

1004
00:53:31.719 --> 00:53:32.320
<v Speaker 2>watch that show?

1005
00:53:32.719 --> 00:53:35.039
<v Speaker 3>Yeah? I remember it, but no you're like aware of

1006
00:53:35.079 --> 00:53:35.719
<v Speaker 3>it though, right, Yeah?

1007
00:53:35.800 --> 00:53:37.960
<v Speaker 2>Yeah I was not. I was not a you know,

1008
00:53:38.199 --> 00:53:41.639
<v Speaker 2>a regular viewer. But the kid on that show, the

1009
00:53:41.719 --> 00:53:43.800
<v Speaker 2>young boy, is Matt Shackman.

1010
00:53:45.000 --> 00:53:45.920
<v Speaker 3>Wait, I know that name.

1011
00:53:46.320 --> 00:53:51.679
<v Speaker 2>He's the director of The Fantastic four. Wow. So he

1012
00:53:52.119 --> 00:53:55.800
<v Speaker 2>did Wanda Vision and then you know, based on the

1013
00:53:55.840 --> 00:53:57.840
<v Speaker 2>back of that he did the Fantastic four or he's

1014
00:53:57.840 --> 00:53:59.559
<v Speaker 2>doing the fantas I was like, I was like, is

1015
00:53:59.639 --> 00:54:00.960
<v Speaker 2>that the same? And I looked it up and it

1016
00:54:01.000 --> 00:54:03.920
<v Speaker 2>is indeed the same guy. I'm like, well, he really

1017
00:54:03.960 --> 00:54:05.280
<v Speaker 2>for doing it the best he can.

1018
00:54:05.639 --> 00:54:08.119
<v Speaker 3>Yeah.

1019
00:54:07.920 --> 00:54:08.000
<v Speaker 1>Uh.

1020
00:54:08.159 --> 00:54:11.559
<v Speaker 2>There there is a YouTube channel that is dedicated to

1021
00:54:11.639 --> 00:54:13.320
<v Speaker 2>taking This is for our listeners that you already know

1022
00:54:13.360 --> 00:54:15.639
<v Speaker 2>about the spring taking the Just the Ten of Us

1023
00:54:15.679 --> 00:54:20.239
<v Speaker 2>theme song and placing it on the opening the intro

1024
00:54:20.360 --> 00:54:24.800
<v Speaker 2>sequences from other shows under the thesis that the just

1025
00:54:24.880 --> 00:54:27.320
<v Speaker 2>the Ten of Us theme song works for any show,

1026
00:54:28.760 --> 00:54:31.039
<v Speaker 2>and it is rather remarkable because I would say it

1027
00:54:31.159 --> 00:54:34.599
<v Speaker 2>works about eighty percent of the time, like flawlessly.

1028
00:54:35.039 --> 00:54:37.719
<v Speaker 3>Yeah. Yeah, yeah, that reminds me. Yeah yeah, I think

1029
00:54:37.760 --> 00:54:39.320
<v Speaker 3>you sent me that a couple of years ago.

1030
00:54:39.960 --> 00:54:42.679
<v Speaker 2>Yeah. Like, there's just something about seeing Walter White making

1031
00:54:42.760 --> 00:54:44.599
<v Speaker 2>meth with the with the just the Ten of Us

1032
00:54:44.679 --> 00:54:47.800
<v Speaker 2>theme in the background that just kind of puts it

1033
00:54:47.800 --> 00:54:52.079
<v Speaker 2>puts a little spring in your step. I have to say, yeah, hey,

1034
00:54:52.119 --> 00:54:55.039
<v Speaker 2>we got some we got some news here, Brian Man, Yeah,

1035
00:54:55.320 --> 00:54:56.039
<v Speaker 2>a lot of news.

1036
00:54:56.800 --> 00:54:57.000
<v Speaker 3>Yeah.

1037
00:54:57.079 --> 00:55:01.760
<v Speaker 2>Unfortunately, a lot of passings have happened very recently and

1038
00:55:01.840 --> 00:55:06.159
<v Speaker 2>sort of clumped together. This is from a couple months ago,

1039
00:55:06.199 --> 00:55:08.199
<v Speaker 2>but I did want to mention it given that it

1040
00:55:08.599 --> 00:55:10.599
<v Speaker 2>very much overlaps with the things we talk about. John

1041
00:55:10.599 --> 00:55:14.440
<v Speaker 2>Irwin passed away. He was eighty eight years old, and

1042
00:55:14.840 --> 00:55:16.440
<v Speaker 2>you may not know the name, you may not know

1043
00:55:16.480 --> 00:55:18.480
<v Speaker 2>the face, but I suspect you know his voice because

1044
00:55:18.480 --> 00:55:21.360
<v Speaker 2>he's the voice of he Man in the nineteen eighties

1045
00:55:21.400 --> 00:55:22.280
<v Speaker 2>animated series.

1046
00:55:22.480 --> 00:55:24.239
<v Speaker 3>Yeah. Yeah.

1047
00:55:24.280 --> 00:55:27.320
<v Speaker 2>He was also the voice of Reggie in the Archie

1048
00:55:27.559 --> 00:55:29.840
<v Speaker 2>cartoon show. And he was the voice of Morris the

1049
00:55:29.880 --> 00:55:33.679
<v Speaker 2>Cat from the TV commercials.

1050
00:55:34.599 --> 00:55:40.039
<v Speaker 3>Oh interesting, I remember that. Yeah. And then I saw

1051
00:55:40.039 --> 00:55:43.280
<v Speaker 3>a random sort of little fact about him that I

1052
00:55:43.320 --> 00:55:45.599
<v Speaker 3>sent to you, which is he is also the voice

1053
00:55:45.639 --> 00:55:49.199
<v Speaker 3>of the radio sportscaster in That Is the Future Part two,

1054
00:55:49.360 --> 00:55:51.719
<v Speaker 3>who's announcing the football game when Old Biff is trying

1055
00:55:51.719 --> 00:55:54.360
<v Speaker 3>to prove to young Biff that the Sports Almanac is real.

1056
00:55:55.760 --> 00:56:00.679
<v Speaker 2>So that's hilarious. Yeah, so definitely, you know when when

1057
00:56:01.000 --> 00:56:03.280
<v Speaker 2>when you say he Man's voice, like, I can I

1058
00:56:03.360 --> 00:56:05.880
<v Speaker 2>know exactly what that voice is same, Yeah, I can

1059
00:56:05.920 --> 00:56:08.119
<v Speaker 2>hear it in my head, right, And and really what's

1060
00:56:08.199 --> 00:56:11.159
<v Speaker 2>kind of amazing is he did both Prince Adam and

1061
00:56:11.239 --> 00:56:14.960
<v Speaker 2>he Man and it was just a matter of you know,

1062
00:56:16.519 --> 00:56:20.400
<v Speaker 2>lowering it by an octave and sounding heroic, right, and

1063
00:56:20.400 --> 00:56:22.159
<v Speaker 2>you go a little higher pitched and you know you

1064
00:56:22.199 --> 00:56:27.599
<v Speaker 2>sound like like dorky Prince Adam.

1065
00:56:28.840 --> 00:56:30.639
<v Speaker 3>Yeah. Well, I mean yeah, and of course I can

1066
00:56:30.639 --> 00:56:33.440
<v Speaker 3>hear the echoe. I have the power.

1067
00:56:34.880 --> 00:56:42.840
<v Speaker 2>It is amazing how like that character has resonated, right,

1068
00:56:42.880 --> 00:56:45.360
<v Speaker 2>I mean, you know we joke about like, well it's

1069
00:56:45.360 --> 00:56:48.199
<v Speaker 2>fallen out of favor or whatever, but like that that cartoon,

1070
00:56:48.880 --> 00:56:53.039
<v Speaker 2>people still watch it and kids continue and I honestly

1071
00:56:53.119 --> 00:56:55.840
<v Speaker 2>like I think a big part of that is because

1072
00:56:57.280 --> 00:57:01.599
<v Speaker 2>he was voiced in such a welcoming way. Yeah, Like

1073
00:57:01.960 --> 00:57:06.719
<v Speaker 2>he seems like, uh like the friend you'd want to have.

1074
00:57:07.800 --> 00:57:09.800
<v Speaker 3>Yeah sure, yeah, yeah yeah.

1075
00:57:09.400 --> 00:57:11.719
<v Speaker 2>Right, Like like the connection I draw is like Peter

1076
00:57:11.880 --> 00:57:13.519
<v Speaker 2>Cullen as optimist prime right.

1077
00:57:13.679 --> 00:57:14.079
<v Speaker 3>Mm hmm.

1078
00:57:14.920 --> 00:57:18.719
<v Speaker 2>What what what Culin did so effect does so effectively

1079
00:57:18.880 --> 00:57:22.159
<v Speaker 2>is he has like the you know, the gravel to

1080
00:57:22.239 --> 00:57:27.639
<v Speaker 2>give it, you know, the sense of of uh like seriousness, right.

1081
00:57:27.599 --> 00:57:31.960
<v Speaker 3>But he he's he has the softness to make him

1082
00:57:31.960 --> 00:57:35.079
<v Speaker 3>sound like a friend. That I really do. I can't

1083
00:57:35.079 --> 00:57:37.000
<v Speaker 3>think of examples off the top of my head, but

1084
00:57:37.039 --> 00:57:40.480
<v Speaker 3>I have noticed this in films or shows or whatever

1085
00:57:40.519 --> 00:57:43.519
<v Speaker 3>where yeah, it's like when you have the toughest nails

1086
00:57:43.559 --> 00:57:47.000
<v Speaker 3>or hard boiled leader, that's great, but you also want

1087
00:57:47.039 --> 00:57:49.559
<v Speaker 3>to feel like it's a person who would bring you in,

1088
00:57:50.519 --> 00:57:53.320
<v Speaker 3>you know, like would not be like beat it, Brian,

1089
00:57:53.400 --> 00:57:56.320
<v Speaker 3>you can't hang you. You know, I really do feel

1090
00:57:56.320 --> 00:58:00.239
<v Speaker 3>like that's a really uh an unspoken part ingredient that's

1091
00:58:00.280 --> 00:58:02.679
<v Speaker 3>really important to those types of characters, where you feel

1092
00:58:02.679 --> 00:58:05.760
<v Speaker 3>like they'd feel like they want you to be a

1093
00:58:05.760 --> 00:58:09.800
<v Speaker 3>part of the heist too. You know, you're right, And

1094
00:58:09.880 --> 00:58:12.480
<v Speaker 3>both of those voice actors do a great job of

1095
00:58:12.480 --> 00:58:14.480
<v Speaker 3>imbuing their characters with that quality.

1096
00:58:15.280 --> 00:58:17.519
<v Speaker 2>Like I think at least part of the reason that

1097
00:58:17.599 --> 00:58:21.480
<v Speaker 2>eighty seven live action movie was not received particularly well

1098
00:58:21.639 --> 00:58:24.719
<v Speaker 2>is that, well, Dolph Vungren doesn't sound like he man.

1099
00:58:25.800 --> 00:58:30.079
<v Speaker 3>Yeah, you know, yeah, well, speaking of I mean, there

1100
00:58:30.079 --> 00:58:32.119
<v Speaker 3>were some I don't know if they're leaked, but there

1101
00:58:32.199 --> 00:58:33.639
<v Speaker 3>was some set up pictures.

1102
00:58:33.880 --> 00:58:34.079
<v Speaker 2>Yeah.

1103
00:58:34.159 --> 00:58:37.079
<v Speaker 3>Yeah, I guess this movie is actually happening. I know,

1104
00:58:37.159 --> 00:58:39.719
<v Speaker 3>you and I joked because they've been saying they're going

1105
00:58:39.800 --> 00:58:42.079
<v Speaker 3>to make a Masters of the Universe movie for I

1106
00:58:42.119 --> 00:58:43.400
<v Speaker 3>mean decades.

1107
00:58:43.440 --> 00:58:46.000
<v Speaker 2>I mean certainly the entire life of this podcast.

1108
00:58:46.239 --> 00:58:49.280
<v Speaker 3>Yeah yeah, And there have been scripts and you know,

1109
00:58:49.480 --> 00:58:52.119
<v Speaker 3>stops and starts. But you and I were joking, you know,

1110
00:58:52.599 --> 00:58:55.639
<v Speaker 3>when our butts are in seats in the theater and

1111
00:58:55.679 --> 00:58:57.480
<v Speaker 3>it's actually rolling in front of us, that's when we'll

1112
00:58:57.480 --> 00:59:01.920
<v Speaker 3>believe it. But we saw set photos and actually I

1113
00:59:01.920 --> 00:59:03.039
<v Speaker 3>don't know the actor's name.

1114
00:59:02.920 --> 00:59:05.000
<v Speaker 2>But Nicholas Gallazine.

1115
00:59:04.719 --> 00:59:08.840
<v Speaker 3>Okay, looks pretty good. Yeah, I think, well, well my

1116
00:59:08.960 --> 00:59:13.760
<v Speaker 3>wife is suddenly a fan. Well we should say two things. One,

1117
00:59:14.320 --> 00:59:18.039
<v Speaker 3>there's some sort of like teaser poster image thing where

1118
00:59:18.079 --> 00:59:20.920
<v Speaker 3>you just see a gripped fist holding the sword, which

1119
00:59:20.920 --> 00:59:23.800
<v Speaker 3>is awesome because it looks exactly against a Peck.

1120
00:59:23.920 --> 00:59:24.760
<v Speaker 2>We should say.

1121
00:59:24.679 --> 00:59:29.159
<v Speaker 3>Against the pack. Yeah, and that Gregory Peck's descendants. We're talking. No.

1122
00:59:30.800 --> 00:59:33.800
<v Speaker 3>But the set photo is kind of interesting and you

1123
00:59:33.880 --> 00:59:36.320
<v Speaker 3>have to think about it a little bit because we're

1124
00:59:36.320 --> 00:59:40.760
<v Speaker 3>seeing he Man or Prince Adam whoever in jeans and

1125
00:59:40.760 --> 00:59:44.679
<v Speaker 3>a button up shirt in modern times. So you're led

1126
00:59:44.719 --> 00:59:46.920
<v Speaker 3>to wonder, oh, is this another movie where he Man

1127
00:59:47.000 --> 00:59:49.559
<v Speaker 3>is sent to Earth? Kind of like the eighties film

1128
00:59:49.639 --> 00:59:51.679
<v Speaker 3>what's the story going to be here? I think some

1129
00:59:51.719 --> 00:59:56.079
<v Speaker 3>people were a little like, not this again. We have

1130
00:59:56.159 --> 00:59:59.599
<v Speaker 3>this take place on Eternia. I don't know. I mean,

1131
00:59:59.719 --> 01:00:01.719
<v Speaker 3>I'll ep an open mind, but I mean, what did

1132
01:00:01.760 --> 01:00:02.559
<v Speaker 3>you think when you saw that?

1133
01:00:02.800 --> 01:00:05.079
<v Speaker 2>Well, as soon as I saw the picture, I was like, oh, well,

1134
01:00:05.119 --> 01:00:09.639
<v Speaker 2>he's wearing a a white T shirt and a pink

1135
01:00:10.440 --> 01:00:14.519
<v Speaker 2>button down, so he looks like Prince Adam, right, So

1136
01:00:14.639 --> 01:00:16.760
<v Speaker 2>I was like, oh, so it's Prince Adam, it's not

1137
01:00:16.880 --> 01:00:18.920
<v Speaker 2>he Man. I was like, oh, so they're doing the

1138
01:00:18.960 --> 01:00:21.880
<v Speaker 2>thing like the old filmation show where he's got the

1139
01:00:21.920 --> 01:00:24.280
<v Speaker 2>exact same physique, right.

1140
01:00:24.199 --> 01:00:24.960
<v Speaker 3>Right, right right.

1141
01:00:25.239 --> 01:00:28.000
<v Speaker 2>But like people, people, people are like, oh, how can

1142
01:00:28.079 --> 01:00:31.079
<v Speaker 2>nobody recognize Superman when he takes the glasses of I'm like, hey,

1143
01:00:31.440 --> 01:00:34.360
<v Speaker 2>he Man just takes his shirt off and nobody recognizes it.

1144
01:00:35.079 --> 01:00:35.280
<v Speaker 3>Yeah.

1145
01:00:35.360 --> 01:00:40.719
<v Speaker 2>Yeah, he gets tan and and half naked. If I

1146
01:00:40.760 --> 01:00:43.039
<v Speaker 2>were to guess I don't know anything about this this

1147
01:00:43.199 --> 01:00:47.079
<v Speaker 2>movie thus far plot lives, but I would guess he's

1148
01:00:47.280 --> 01:00:49.440
<v Speaker 2>on Eternia and he doesn't know who he is.

1149
01:00:49.840 --> 01:00:51.480
<v Speaker 3>I was gonna say, I wonder if this is a

1150
01:00:51.519 --> 01:00:52.800
<v Speaker 3>hook situation.

1151
01:00:53.360 --> 01:00:57.079
<v Speaker 2>Yeah, yeah, that right exactly, you know that, that would

1152
01:00:57.079 --> 01:00:59.440
<v Speaker 2>be my guess. I have no idea, but the mirror.

1153
01:01:00.000 --> 01:01:03.159
<v Speaker 3>He looks pretty good. Yeah, I think so.

1154
01:01:03.719 --> 01:01:06.719
<v Speaker 2>And I saw interviews of him from like a year ago,

1155
01:01:06.760 --> 01:01:10.199
<v Speaker 2>and he was like this this you know, very thin

1156
01:01:11.079 --> 01:01:13.599
<v Speaker 2>looking guy. So I'm like, damn, he put in the.

1157
01:01:13.519 --> 01:01:14.440
<v Speaker 3>Work, that's for sure.

1158
01:01:14.639 --> 01:01:18.599
<v Speaker 2>Yeah, they've got a great cast. So and Travis knight By,

1159
01:01:18.639 --> 01:01:21.719
<v Speaker 2>though he's directing, he did he did Bumblebee Oh, which

1160
01:01:21.719 --> 01:01:24.719
<v Speaker 2>I liked exactly right, and that certainly had the exact

1161
01:01:24.800 --> 01:01:29.280
<v Speaker 2>right flavor in terms of respecting uh An eighties mythos.

1162
01:01:30.119 --> 01:01:32.960
<v Speaker 3>Yeah, very much. So you're right, yeah, the whole eighties thing.

1163
01:01:33.119 --> 01:01:36.719
<v Speaker 3>And then it also had humor and heart and so

1164
01:01:37.800 --> 01:01:42.559
<v Speaker 3>to me, the cast list is well, okay, Jared Leto

1165
01:01:42.760 --> 01:01:49.280
<v Speaker 3>eskeletor notwithstanding, and even that I'm willing to hold out

1166
01:01:49.320 --> 01:01:51.760
<v Speaker 3>for because I feel like there's the potential of Leto

1167
01:01:51.840 --> 01:01:55.199
<v Speaker 3>doing something fun and interesting with Frankly, if he must

1168
01:01:55.199 --> 01:01:58.880
<v Speaker 3>do this at all, that could actually kind of work.

1169
01:01:59.239 --> 01:02:00.800
<v Speaker 2>Yeah, you know, and it's going to be a CG

1170
01:02:01.039 --> 01:02:04.000
<v Speaker 2>thing and whatever, it's fine, but but like, and we

1171
01:02:04.039 --> 01:02:07.440
<v Speaker 2>talked about Idris Elba playing Man at Arms and Marina

1172
01:02:07.480 --> 01:02:10.480
<v Speaker 2>mcaren is the sorceress and all that sad I'm like, wow,

1173
01:02:10.519 --> 01:02:12.760
<v Speaker 2>I and I read that it's like trap Jaw and

1174
01:02:12.840 --> 01:02:16.119
<v Speaker 2>triclops and Fisto and I'm like, I know all of

1175
01:02:16.159 --> 01:02:16.800
<v Speaker 2>those guys.

1176
01:02:16.920 --> 01:02:18.320
<v Speaker 3>Yeah, they're like actually going for it.

1177
01:02:18.559 --> 01:02:20.559
<v Speaker 2>Yeah. Yeah, So I'm like, you know, show me, show

1178
01:02:20.559 --> 01:02:22.360
<v Speaker 2>me what battle Cat looks like, and let's get the

1179
01:02:22.360 --> 01:02:23.159
<v Speaker 2>sucker going, you know.

1180
01:02:23.239 --> 01:02:26.639
<v Speaker 3>Yeah, and Orco will there be Orco? That's that's the

1181
01:02:26.679 --> 01:02:30.239
<v Speaker 3>eternal question. I remember having a toy had that little

1182
01:02:30.320 --> 01:02:32.639
<v Speaker 3>zip thing that you pull through it. Yeah, it was

1183
01:02:32.679 --> 01:02:34.280
<v Speaker 3>like a drag strip, right, you know what. I love

1184
01:02:34.599 --> 01:02:35.199
<v Speaker 3>a filmation.

1185
01:02:35.400 --> 01:02:38.039
<v Speaker 2>The company that made the show was notoriously cheap, right,

1186
01:02:38.079 --> 01:02:40.760
<v Speaker 2>because they would you know, if you watch the show,

1187
01:02:40.800 --> 01:02:44.800
<v Speaker 2>they would reuse the same animation sequences and whatever. Right. So,

1188
01:02:45.039 --> 01:02:47.440
<v Speaker 2>Orco who was created for the show. He was originally

1189
01:02:47.519 --> 01:02:52.239
<v Speaker 2>going to be called Gorpo, and the reason they changed

1190
01:02:52.280 --> 01:02:56.159
<v Speaker 2>him to yeah is because if you put a G

1191
01:02:56.599 --> 01:03:00.239
<v Speaker 2>on his chest, yeah, you can't flip the cell.

1192
01:03:00.519 --> 01:03:02.199
<v Speaker 3>Oh. I thought, you're even. I thought it's going to

1193
01:03:02.239 --> 01:03:04.199
<v Speaker 3>be even more like my new show where it was

1194
01:03:04.239 --> 01:03:06.079
<v Speaker 3>like lip flap, because then you'd have to have a

1195
01:03:06.119 --> 01:03:09.760
<v Speaker 3>different sort of you could go orc. Oh no, that's good.

1196
01:03:10.280 --> 01:03:12.440
<v Speaker 2>No, it's just because he had a O on his chest.

1197
01:03:13.079 --> 01:03:17.960
<v Speaker 3>Oh that's so funny. That makes complete sense, And you

1198
01:03:18.000 --> 01:03:20.480
<v Speaker 3>know what, I respect that.

1199
01:03:19.920 --> 01:03:23.760
<v Speaker 2>I'm like, hey man, because here's the thing. Because filmation,

1200
01:03:24.760 --> 01:03:27.239
<v Speaker 2>even as a kid like I knew filmation shows and

1201
01:03:27.239 --> 01:03:29.000
<v Speaker 2>I was like, oh, filmation, they're the ones that always

1202
01:03:29.039 --> 01:03:32.880
<v Speaker 2>reuse the animation hm which a is entirely appropriate because

1203
01:03:32.880 --> 01:03:38.159
<v Speaker 2>he Man toys like constantly reused parts, right, And I knew,

1204
01:03:38.239 --> 01:03:39.880
<v Speaker 2>like even as a kid, I knew that.

1205
01:03:40.239 --> 01:03:43.960
<v Speaker 3>Right, Like as another beefy musclely action figures, just he

1206
01:03:44.039 --> 01:03:45.599
<v Speaker 3>Man's body painted green.

1207
01:03:46.039 --> 01:03:49.039
<v Speaker 2>Yeah, well, well the best, the most, the most mercenary

1208
01:03:49.159 --> 01:03:54.320
<v Speaker 2>use of this was a character called Faker, okay, which

1209
01:03:54.519 --> 01:03:56.800
<v Speaker 2>was it was he Man, it was it was the

1210
01:03:56.920 --> 01:03:59.039
<v Speaker 2>body was he Man, but it was it was molded

1211
01:03:59.039 --> 01:04:00.440
<v Speaker 2>in blue plastic.

1212
01:04:00.639 --> 01:04:02.039
<v Speaker 3>Mm hm oh.

1213
01:04:02.119 --> 01:04:07.719
<v Speaker 2>And they gave him Skeletor's harness in orange, so he's

1214
01:04:07.760 --> 01:04:10.719
<v Speaker 2>a blue he Man with an orange Skeletor harness. And

1215
01:04:10.719 --> 01:04:14.000
<v Speaker 2>they're like, this is Faker. He's the evil he Man robot.

1216
01:04:15.519 --> 01:04:20.079
<v Speaker 2>And I'm like, golf clap for that, right, because even

1217
01:04:20.119 --> 01:04:22.480
<v Speaker 2>as a kid, I was like, that is some bullshit

1218
01:04:22.639 --> 01:04:25.039
<v Speaker 2>right there. I know what y'all doing.

1219
01:04:25.480 --> 01:04:27.960
<v Speaker 3>They could have just taken he Man and put like

1220
01:04:28.000 --> 01:04:31.079
<v Speaker 3>an old timey mustache on him and called a Faker.

1221
01:04:31.159 --> 01:04:35.320
<v Speaker 3>So I gotta at least they used some paint, you know.

1222
01:04:35.639 --> 01:04:38.360
<v Speaker 2>So that was like Mattel was notorious for that Filmation

1223
01:04:38.440 --> 01:04:39.960
<v Speaker 2>to do the same thing. So I'm like, you know,

1224
01:04:40.239 --> 01:04:43.119
<v Speaker 2>I respect that partly because at the time in the eighties,

1225
01:04:44.280 --> 01:04:47.599
<v Speaker 2>Mattel was the sorry. Filmation was the only animation company

1226
01:04:47.679 --> 01:04:52.360
<v Speaker 2>that was fully made in the United States. Wow, And

1227
01:04:52.440 --> 01:04:54.400
<v Speaker 2>so that's how they kept costing and everyone else was

1228
01:04:54.440 --> 01:04:57.679
<v Speaker 2>shipping their work overseas. And guess what, we have no

1229
01:04:57.800 --> 01:05:02.199
<v Speaker 2>domestic animation now because overseas just does a cheaper so

1230
01:05:02.320 --> 01:05:03.719
<v Speaker 2>Filmation was holding down the line.

1231
01:05:03.760 --> 01:05:07.840
<v Speaker 3>I respect that, Yeah, totally. Anyway, he Man movie. We

1232
01:05:07.880 --> 01:05:08.679
<v Speaker 3>don't even know what it's called.

1233
01:05:08.760 --> 01:05:10.039
<v Speaker 2>Is it called Masters of the Universe.

1234
01:05:10.559 --> 01:05:12.719
<v Speaker 3>Yeah, I don't know that is.

1235
01:05:13.159 --> 01:05:15.760
<v Speaker 2>It's coming out next summer, so not twenty five but

1236
01:05:15.800 --> 01:05:16.400
<v Speaker 2>twenty six.

1237
01:05:16.920 --> 01:05:20.760
<v Speaker 3>I'm into it. It's tickling a little nostalgia for me.

1238
01:05:21.079 --> 01:05:22.800
<v Speaker 3>I really hope. I hope it's fun.

1239
01:05:23.199 --> 01:05:26.000
<v Speaker 2>Well, this is going to be an Amazon MGM release,

1240
01:05:26.079 --> 01:05:27.440
<v Speaker 2>so Brian, you know what that means.

1241
01:05:27.760 --> 01:05:29.480
<v Speaker 3>You know, we might be.

1242
01:05:29.440 --> 01:05:32.199
<v Speaker 2>Looking at a shared cinematic universe with Double O seven

1243
01:05:34.320 --> 01:05:39.440
<v Speaker 2>and Jack Reacher and I'm gonna say Bill and Ted. Yeah,

1244
01:05:39.480 --> 01:05:42.079
<v Speaker 2>maybe RoboCop or throw a RoboCop in there.

1245
01:05:42.719 --> 01:05:48.159
<v Speaker 3>Yeah maybe. Uh. Fred Astaire brought back through special effects.

1246
01:05:48.559 --> 01:05:52.039
<v Speaker 3>It'll be like the League of Extraordinary Gentlemen or something. Yeah.

1247
01:05:52.079 --> 01:05:55.079
<v Speaker 3>Oh man, Actually, you know what would be the most

1248
01:05:55.119 --> 01:05:58.280
<v Speaker 3>amazing magic trick ever, as if they did do something

1249
01:05:58.320 --> 01:06:00.960
<v Speaker 3>that ridiculous, but they're like, no, no, no, it's going

1250
01:06:01.000 --> 01:06:05.079
<v Speaker 3>to be good, Like let's really make something brilliant, play

1251
01:06:05.119 --> 01:06:07.079
<v Speaker 3>it totally straight. Yeah. I don't know why. That's just

1252
01:06:07.119 --> 01:06:09.000
<v Speaker 3>my thing. I want to see people do something that's

1253
01:06:09.039 --> 01:06:13.719
<v Speaker 3>really really stupid, but like really you know, like manipulate everyone,

1254
01:06:13.719 --> 01:06:15.320
<v Speaker 3>and then they're like, wait, I think that's actually good.

1255
01:06:15.400 --> 01:06:16.480
<v Speaker 3>I don't know how to feel about this.

1256
01:06:17.000 --> 01:06:20.719
<v Speaker 2>Well, it's like bell Air, right, the show, The Peacock Show.

1257
01:06:21.159 --> 01:06:23.480
<v Speaker 3>Oh right, yes, where again.

1258
01:06:23.880 --> 01:06:27.639
<v Speaker 2>That it started as like a trailer like let's let's

1259
01:06:27.960 --> 01:06:30.239
<v Speaker 2>do it like play it straight, and that's what makes

1260
01:06:30.239 --> 01:06:31.280
<v Speaker 2>it funny, like.

1261
01:06:31.239 --> 01:06:34.639
<v Speaker 3>A funnier die kind of thing. Yeah, yeah, like what if?

1262
01:06:34.719 --> 01:06:37.559
<v Speaker 2>And it's like pretty decent. That's yeah.

1263
01:06:37.840 --> 01:06:41.880
<v Speaker 3>I don't know, So you watched first season.

1264
01:06:41.920 --> 01:06:43.480
<v Speaker 2>At least I've watched the first season.

1265
01:06:43.559 --> 01:06:46.239
<v Speaker 3>Yeah, okay, okay, interesting and Will Smith I mean, because

1266
01:06:46.280 --> 01:06:49.000
<v Speaker 3>it didn't it start literally as a parody and then

1267
01:06:49.079 --> 01:06:52.840
<v Speaker 3>Will Smith was like, let's talk yeah exactly, yeah, Will

1268
01:06:52.840 --> 01:06:55.400
<v Speaker 3>Smith Man, you know you know, he is a producer

1269
01:06:55.480 --> 01:06:59.800
<v Speaker 3>on like on Cobra Kai. Interesting, right, and I didn't

1270
01:06:59.880 --> 01:07:03.639
<v Speaker 3>I would assume that whatever rights he had thanks to

1271
01:07:03.679 --> 01:07:06.559
<v Speaker 3>the twenty ten movie, he somehow still he gets he

1272
01:07:06.599 --> 01:07:07.920
<v Speaker 3>gets to dip his beak.

1273
01:07:08.000 --> 01:07:11.760
<v Speaker 2>You know, I totally forgot about that. Yeah, right, So

1274
01:07:12.239 --> 01:07:15.079
<v Speaker 2>I'm like, hey, you know, good, good for him. Yeah,

1275
01:07:15.199 --> 01:07:21.599
<v Speaker 2>totally make that money. So John Irwin a voice for

1276
01:07:21.679 --> 01:07:25.559
<v Speaker 2>the ages, truly, and he will be missed. Another another

1277
01:07:25.559 --> 01:07:27.280
<v Speaker 2>person who just passed away a couple days ago as

1278
01:07:27.280 --> 01:07:28.960
<v Speaker 2>we record this, Michelle Trachtenberg.

1279
01:07:29.920 --> 01:07:31.639
<v Speaker 3>Yeah, that was shocking.

1280
01:07:32.280 --> 01:07:35.840
<v Speaker 2>Came as a surprise. She was of course she I

1281
01:07:35.840 --> 01:07:38.360
<v Speaker 2>think for many people came on the scene with Harriet

1282
01:07:38.360 --> 01:07:42.960
<v Speaker 2>the Spy in the nineties. I knew her as as Dawn.

1283
01:07:43.039 --> 01:07:45.159
<v Speaker 2>She was Buffy the Vampire Slayer's younger sister. But of

1284
01:07:45.199 --> 01:07:46.880
<v Speaker 2>course she had been in Gossip Girl, she was in

1285
01:07:46.920 --> 01:07:51.719
<v Speaker 2>the movie euro Trip. Died at age thirty nine for

1286
01:07:53.199 --> 01:07:56.559
<v Speaker 2>a cause of death undetermined, But obviously age thirty nine

1287
01:07:56.639 --> 01:08:01.119
<v Speaker 2>is not you know, generally that's a normal thing, you know.

1288
01:08:01.480 --> 01:08:04.880
<v Speaker 3>Right, well, and she had had a surgery recently, right,

1289
01:08:05.159 --> 01:08:11.719
<v Speaker 3>something involved a liver transplant. Oh okay, so yeah, I

1290
01:08:11.760 --> 01:08:15.119
<v Speaker 3>mean you can kind of imagine. But yeah, see seeing

1291
01:08:15.119 --> 01:08:18.479
<v Speaker 3>that headline in the number thirty nine, it just feels

1292
01:08:18.479 --> 01:08:20.439
<v Speaker 3>like a kick to your chest. You shouldn't see that.

1293
01:08:21.479 --> 01:08:25.560
<v Speaker 2>Yeah, and she was somebody. I mean, she had continued

1294
01:08:25.600 --> 01:08:29.359
<v Speaker 2>to work, but you know, she had dealt with some stuff,

1295
01:08:29.399 --> 01:08:31.000
<v Speaker 2>you know. I mean I remember a couple of years

1296
01:08:31.000 --> 01:08:35.119
<v Speaker 2>ago when when all this stuff came out about about

1297
01:08:35.199 --> 01:08:38.760
<v Speaker 2>Joss Whedon, one of the things that was said is

1298
01:08:38.800 --> 01:08:41.479
<v Speaker 2>that he was not allowed to be alone with her.

1299
01:08:42.239 --> 01:08:42.720
<v Speaker 3>Yeah.

1300
01:08:42.880 --> 01:08:46.520
<v Speaker 2>Yeah, right, And so that made me think, like, man,

1301
01:08:46.720 --> 01:08:48.439
<v Speaker 2>you know, she was probably dealing with a lot of

1302
01:08:48.479 --> 01:08:51.800
<v Speaker 2>this Hollywood bullshit from a very young age and for

1303
01:08:51.960 --> 01:08:55.399
<v Speaker 2>most of her life probably, and that's just a rough

1304
01:08:55.439 --> 01:08:56.439
<v Speaker 2>thing in general, you know.

1305
01:08:57.039 --> 01:09:00.960
<v Speaker 3>And and then after she passed, I mean, what's sort

1306
01:09:00.960 --> 01:09:03.600
<v Speaker 3>of heartening to see is that all the tributes to

1307
01:09:03.640 --> 01:09:05.560
<v Speaker 3>her and all the people who had worked whether through

1308
01:09:05.560 --> 01:09:08.399
<v Speaker 3>all those years, just had nothing but really lovely and

1309
01:09:08.439 --> 01:09:10.680
<v Speaker 3>heartfelt things to say about her and her character. And

1310
01:09:10.760 --> 01:09:15.119
<v Speaker 3>so I mean, through it all, it sounds like she

1311
01:09:15.239 --> 01:09:18.520
<v Speaker 3>was someone that people really loved and enjoyed working with.

1312
01:09:18.600 --> 01:09:23.680
<v Speaker 2>So yeah, some Michelle Trackenberg gone at thirty nine. Also,

1313
01:09:23.760 --> 01:09:26.079
<v Speaker 2>this this is a big one. Gene Hackman died.

1314
01:09:27.359 --> 01:09:30.800
<v Speaker 3>This was shocking. I mean shocking. It's it's I mean,

1315
01:09:30.800 --> 01:09:32.119
<v Speaker 3>he was ninety five.

1316
01:09:32.520 --> 01:09:39.159
<v Speaker 2>Right, I feel like to some extent it was, at

1317
01:09:39.239 --> 01:09:40.600
<v Speaker 2>least for me. I'm not gonna speak for you, but

1318
01:09:40.640 --> 01:09:43.000
<v Speaker 2>it's like, well, once you're over ninety you're sort of like, well,

1319
01:09:43.159 --> 01:09:45.119
<v Speaker 2>this is a headline that's going to be coming at

1320
01:09:45.159 --> 01:09:45.680
<v Speaker 2>some point.

1321
01:09:45.880 --> 01:09:49.920
<v Speaker 3>But let me yes, I think what I mean is

1322
01:09:50.479 --> 01:09:52.680
<v Speaker 3>he is one of those people though he kind of

1323
01:09:52.680 --> 01:09:56.000
<v Speaker 3>disappeared from public life, so he's locked into my mind

1324
01:09:56.039 --> 01:09:58.279
<v Speaker 3>one years ago. Yeah, so like twenty some years ago,

1325
01:09:58.279 --> 01:10:00.840
<v Speaker 3>which is not too far from Royal ten and bombs

1326
01:10:00.880 --> 01:10:04.319
<v Speaker 3>or something, So in my mind he's still like that guy.

1327
01:10:04.880 --> 01:10:05.840
<v Speaker 2>Yeah right, but.

1328
01:10:06.039 --> 01:10:08.399
<v Speaker 3>No, he's ninety five and that's a heck of a life.

1329
01:10:08.479 --> 01:10:11.000
<v Speaker 3>And but this, this one's kind of.

1330
01:10:12.680 --> 01:10:16.560
<v Speaker 2>Weird, right, we don't know the full extent the circumstances.

1331
01:10:16.560 --> 01:10:18.439
<v Speaker 2>We may not know for for a while.

1332
01:10:18.680 --> 01:10:21.960
<v Speaker 3>Well, because his wife was also found dead, the two

1333
01:10:22.039 --> 01:10:24.560
<v Speaker 3>of them, and then also one of their dogs, that's right.

1334
01:10:24.720 --> 01:10:27.760
<v Speaker 3>And at first it seemed like, oh, this this feels

1335
01:10:27.800 --> 01:10:29.560
<v Speaker 3>like if they were all dead in their home, maybe

1336
01:10:29.600 --> 01:10:34.640
<v Speaker 3>it's a carbon monoxide kind of situation. But then police

1337
01:10:34.640 --> 01:10:39.239
<v Speaker 3>were saying that now this is suspicious in quotes circumstances,

1338
01:10:39.279 --> 01:10:42.680
<v Speaker 3>and there's some story that they're going to have to

1339
01:10:43.119 --> 01:10:44.920
<v Speaker 3>try to dig into to see what happened.

1340
01:10:44.920 --> 01:10:49.279
<v Speaker 2>What what I read is there were open pill bottles

1341
01:10:49.279 --> 01:10:52.840
<v Speaker 2>that were found and they were in different rooms. Yes,

1342
01:10:53.359 --> 01:10:56.800
<v Speaker 2>it is a moving target in terms of the full

1343
01:10:56.920 --> 01:10:59.680
<v Speaker 2>extent of what happened, and that is that is it'll all,

1344
01:11:00.319 --> 01:11:04.560
<v Speaker 2>you know, come out and due time. However, ultimately we're

1345
01:11:04.560 --> 01:11:08.720
<v Speaker 2>talking about a legend, yes, truly, I mean, like one

1346
01:11:08.760 --> 01:11:11.720
<v Speaker 2>of the greatest actors of all time, one of the

1347
01:11:11.760 --> 01:11:15.720
<v Speaker 2>most indelible screen presences. And I love what Zach Stantz

1348
01:11:16.479 --> 01:11:19.880
<v Speaker 2>said on social media. He says, be so good at

1349
01:11:19.880 --> 01:11:22.479
<v Speaker 2>what you do that you can die more than a

1350
01:11:22.520 --> 01:11:24.800
<v Speaker 2>decade after you retirement at age ninety five, and it

1351
01:11:24.840 --> 01:11:27.600
<v Speaker 2>will still feel like an unspeakable.

1352
01:11:26.960 --> 01:11:31.000
<v Speaker 3>Loss, right right, yeah, right, And that's really like.

1353
01:11:33.239 --> 01:11:39.680
<v Speaker 2>There was no precedent or antecedent for Gene Hackman. He

1354
01:11:39.760 --> 01:11:43.439
<v Speaker 2>was one of a kind, right obviously for me, and

1355
01:11:43.640 --> 01:11:45.520
<v Speaker 2>I would assume for many people listening, maybe even you.

1356
01:11:45.560 --> 01:11:49.600
<v Speaker 3>The first time I saw him was Superman probably, yeah, right.

1357
01:11:50.079 --> 01:11:53.600
<v Speaker 2>And I remember even as a kid when I was

1358
01:11:54.079 --> 01:11:58.880
<v Speaker 2>able to read, I was like, oh, Marlon Brando, Gene Hackman, Superman,

1359
01:11:59.439 --> 01:12:02.119
<v Speaker 2>Christopher I was like, so this guy is a big deal.

1360
01:12:02.199 --> 01:12:06.520
<v Speaker 3>That means right, credited before himself.

1361
01:12:06.600 --> 01:12:09.520
<v Speaker 2>Yeah, right, And and he was just a fact of

1362
01:12:09.760 --> 01:12:13.359
<v Speaker 2>movie going life, certainly for our childhoods.

1363
01:12:13.399 --> 01:12:16.119
<v Speaker 3>Oh yeah, yeah. And then of course you know Unforgiven

1364
01:12:16.439 --> 01:12:19.560
<v Speaker 3>and yeah, Hoosiers all that stuff.

1365
01:12:19.880 --> 01:12:22.600
<v Speaker 2>I mean, we can keep going the conversation French Connection

1366
01:12:22.760 --> 01:12:26.720
<v Speaker 2>one and to. But he was great in Runaway Jury,

1367
01:12:26.760 --> 01:12:28.520
<v Speaker 2>which was one of the last movies he did obviously

1368
01:12:28.640 --> 01:12:32.680
<v Speaker 2>mentioned Royal Tenenbaumbs. I mean, even like the the thing

1369
01:12:32.840 --> 01:12:41.119
<v Speaker 2>is he he whatever the movie was like like Superman four,

1370
01:12:41.199 --> 01:12:45.520
<v Speaker 2>nobody's gonna argue that's a good movie. M even Christopher

1371
01:12:45.560 --> 01:12:48.720
<v Speaker 2>Reeve looks like he's halfway out the door. Gen Hackman

1372
01:12:48.800 --> 01:12:51.439
<v Speaker 2>shows up man, He's he is not the bad part

1373
01:12:51.479 --> 01:12:55.279
<v Speaker 2>of that movie, right, right, he comes to play he right,

1374
01:12:55.359 --> 01:12:58.960
<v Speaker 2>And and you know, there's a there's a great story

1375
01:12:59.000 --> 01:13:03.840
<v Speaker 2>that Ben Stiller told about working with him on Royal

1376
01:13:03.880 --> 01:13:08.159
<v Speaker 2>Tannon Bombs where Stiller is like super intimidated working with

1377
01:13:08.239 --> 01:13:09.720
<v Speaker 2>him and he wants to talk to him about how

1378
01:13:09.800 --> 01:13:14.720
<v Speaker 2>much he loved him in the Posidon Adventure. And so

1379
01:13:15.119 --> 01:13:18.079
<v Speaker 2>the whole shoot. After several you know, weeks of knowing

1380
01:13:18.159 --> 01:13:21.000
<v Speaker 2>him whatever, feeling comfortable with him, he says, you know, Gene,

1381
01:13:21.000 --> 01:13:22.680
<v Speaker 2>I just want to say how much you know, I

1382
01:13:22.680 --> 01:13:24.520
<v Speaker 2>saw The Pasigon Adventure when I was a kid, and

1383
01:13:24.560 --> 01:13:26.239
<v Speaker 2>it's changed my life. It made me want to become

1384
01:13:26.279 --> 01:13:28.720
<v Speaker 2>a filmmaker and had such a big impact on me.

1385
01:13:29.079 --> 01:13:31.720
<v Speaker 2>And and Hackman goes, yeah, that was a money job.

1386
01:13:31.760 --> 01:13:37.840
<v Speaker 2>And then he gets up and walks away. I'm like, hey,

1387
01:13:37.880 --> 01:13:39.079
<v Speaker 2>he still showed up, you know.

1388
01:13:39.680 --> 01:13:42.319
<v Speaker 3>Yeah. You know what's funny is like I can imagine

1389
01:13:42.800 --> 01:13:45.880
<v Speaker 3>initially like maybe a little disappointment in that moment for Stiller,

1390
01:13:45.920 --> 01:13:48.399
<v Speaker 3>but then you're like, nah, man, that's Hackman. Like I

1391
01:13:48.479 --> 01:13:49.640
<v Speaker 3>just had a Hackman moment.

1392
01:13:50.319 --> 01:13:52.560
<v Speaker 2>You gotta well. And I love this quote. This was

1393
01:13:52.560 --> 01:13:54.520
<v Speaker 2>from Gene Hackman. He says, no matter what you feel

1394
01:13:54.520 --> 01:13:57.600
<v Speaker 2>about the project, be the best you can be because

1395
01:13:57.640 --> 01:14:03.000
<v Speaker 2>sometime somewhere someone we'll see it. It's great, isn't that something?

1396
01:14:03.279 --> 01:14:04.079
<v Speaker 3>Yeah?

1397
01:14:04.119 --> 01:14:09.600
<v Speaker 2>Like I read that quote, you know, as soon as

1398
01:14:09.600 --> 01:14:11.720
<v Speaker 2>this broke But that quote has been like living in

1399
01:14:11.760 --> 01:14:14.479
<v Speaker 2>my head for the last you know, thirty six hours,

1400
01:14:14.479 --> 01:14:19.319
<v Speaker 2>because I mean it's incredibly profound when you think about it. Yeah,

1401
01:14:19.720 --> 01:14:22.640
<v Speaker 2>And clearly, like you can draw a corollary with the

1402
01:14:22.680 --> 01:14:25.960
<v Speaker 2>pussign Adventure. Look, man, Ben Stillard didn't know. He just

1403
01:14:26.000 --> 01:14:26.840
<v Speaker 2>did that for the money.

1404
01:14:27.079 --> 01:14:30.600
<v Speaker 3>Yeah, absolutely, And then I mean, look at look at

1405
01:14:30.640 --> 01:14:33.840
<v Speaker 3>the impact he's had, you know, inspired by your work

1406
01:14:33.920 --> 01:14:36.640
<v Speaker 3>early on. That's right, by the way. I'm just looking

1407
01:14:36.640 --> 01:14:38.119
<v Speaker 3>at all his movies here, and I just have to

1408
01:14:38.159 --> 01:14:41.720
<v Speaker 3>call it Crimson Tide because fantast good lord him and

1409
01:14:41.760 --> 01:14:46.760
<v Speaker 3>Denzel squaring off in like tight, sweaty submarine quarters. I

1410
01:14:47.239 --> 01:14:47.960
<v Speaker 3>love that movie.

1411
01:14:48.359 --> 01:14:50.600
<v Speaker 2>Yeah, yeap, that one. And you and I we just

1412
01:14:50.640 --> 01:14:52.039
<v Speaker 2>watched Enemy of the State recently.

1413
01:14:52.279 --> 01:14:53.039
<v Speaker 3>Mm hmmm hm.

1414
01:14:53.800 --> 01:14:56.479
<v Speaker 2>He's great, great in that obviously, the conversation. Even like

1415
01:14:57.439 --> 01:15:00.880
<v Speaker 2>Behind Enemy Lines, which is not a movie I'm crazy about,

1416
01:15:01.239 --> 01:15:05.439
<v Speaker 2>he showed up, you know. Yeah, he was memorable in it.

1417
01:15:05.479 --> 01:15:10.399
<v Speaker 2>And I distinctly I remember when he had stopped acting

1418
01:15:11.399 --> 01:15:13.880
<v Speaker 2>and he said something. It was a couple of years

1419
01:15:13.880 --> 01:15:16.520
<v Speaker 2>after Welcome to Mooseport, which is his last movie, just like, yeah,

1420
01:15:16.520 --> 01:15:18.840
<v Speaker 2>I've done acting, and I was like, oh, man, that's

1421
01:15:18.840 --> 01:15:20.239
<v Speaker 2>a bummer, just not being able to see him. But

1422
01:15:20.279 --> 01:15:25.720
<v Speaker 2>I remember thinking, also imagine having the centeredness of being

1423
01:15:25.760 --> 01:15:27.680
<v Speaker 2>a huge Hollywood star and just being like you know.

1424
01:15:27.640 --> 01:15:32.520
<v Speaker 3>What I'm done. Yeah, Like it's not like Hollywood walked

1425
01:15:32.520 --> 01:15:36.239
<v Speaker 3>away from him, right right, because the truth of it is,

1426
01:15:36.279 --> 01:15:38.359
<v Speaker 3>he could have kept acting as long as he wanted.

1427
01:15:38.680 --> 01:15:41.840
<v Speaker 2>Yeah, and he's like, you know, I'm good. I've had

1428
01:15:41.840 --> 01:15:42.199
<v Speaker 2>a career.

1429
01:15:42.439 --> 01:15:44.640
<v Speaker 3>Well, and you know what's cool is he wrote a

1430
01:15:44.640 --> 01:15:47.439
<v Speaker 3>couple of books also, so he found like a new

1431
01:15:48.199 --> 01:15:50.800
<v Speaker 3>you know, passion, hobby, whatever you want to call it.

1432
01:15:51.119 --> 01:15:54.239
<v Speaker 3>And I love that, Like maybe, yeah, he had done

1433
01:15:54.279 --> 01:15:56.159
<v Speaker 3>what he felt like he needed to do or all

1434
01:15:56.159 --> 01:15:57.960
<v Speaker 3>that he wanted to do when it came to acting,

1435
01:15:58.000 --> 01:16:01.479
<v Speaker 3>so then he found another thing to invest themself. And yeah,

1436
01:16:01.479 --> 01:16:05.359
<v Speaker 3>you don't only see that. Yeah, it's refreshing. You know.

1437
01:16:06.800 --> 01:16:09.159
<v Speaker 2>What are some of your you mentioned Crimson Tide, What

1438
01:16:09.159 --> 01:16:11.000
<v Speaker 2>are some of your other favorites?

1439
01:16:11.439 --> 01:16:14.000
<v Speaker 3>I mean, yeah, I like Superman obviously was really big.

1440
01:16:15.239 --> 01:16:18.159
<v Speaker 3>I'm just like looking through his things. I'm actually they're

1441
01:16:18.199 --> 01:16:20.319
<v Speaker 3>the obvious ones, right, like, yeah, the conversation and stuff,

1442
01:16:20.359 --> 01:16:21.800
<v Speaker 3>but like I'm looking at the ones that I've kind

1443
01:16:21.800 --> 01:16:25.159
<v Speaker 3>of forgotten about, like the Firm, Oh sure, yeah, you know,

1444
01:16:25.279 --> 01:16:26.960
<v Speaker 3>or the Quick and the Dead. Of course he's so

1445
01:16:27.479 --> 01:16:29.880
<v Speaker 3>just so recently. Yeah, I mean he's a real sob

1446
01:16:30.000 --> 01:16:34.039
<v Speaker 3>in that movie. It's it's so good, and I'll admit

1447
01:16:34.079 --> 01:16:35.720
<v Speaker 3>there's ones in here I'm looking at that. I feel

1448
01:16:35.720 --> 01:16:37.479
<v Speaker 3>like I haven't seen that. I want to watch. I've

1449
01:16:37.479 --> 01:16:40.640
<v Speaker 3>never seen French Connection two. Kind of curious.

1450
01:16:41.279 --> 01:16:44.159
<v Speaker 2>I think I've said before. I'm like, it's it's more

1451
01:16:44.359 --> 01:16:46.680
<v Speaker 2>Popeye Doyle. It's not as good as the first one,

1452
01:16:46.720 --> 01:16:49.000
<v Speaker 2>but Shirting it's a it's a perfectly fine movie.

1453
01:16:49.199 --> 01:16:52.039
<v Speaker 3>Yeah, yeah. Or Postcards from the Edge, I've never seen.

1454
01:16:52.319 --> 01:16:53.279
<v Speaker 2>Yeah, I haven't seen that one.

1455
01:16:53.560 --> 01:16:55.600
<v Speaker 3>Yeah, So, I mean there's a lot, a lot of

1456
01:16:55.640 --> 01:16:58.960
<v Speaker 3>work here to dig through. Mississippi Burning, I think is

1457
01:16:59.319 --> 01:17:02.279
<v Speaker 3>a terrific movie. You know, I've never seen that. I

1458
01:17:02.800 --> 01:17:06.039
<v Speaker 3>recognized the poster as a VHS case.

1459
01:17:05.840 --> 01:17:10.119
<v Speaker 2>From my childhood, right, Yeah, Like, I mean, it's it's

1460
01:17:10.159 --> 01:17:15.840
<v Speaker 2>it's it's uh, Gene Hackman and Willem Dafoe investigating, you know,

1461
01:17:16.760 --> 01:17:23.279
<v Speaker 2>hate crimes in Mississippi's Lex luthoran the Green Goblin teaming up. Yeah,

1462
01:17:23.359 --> 01:17:26.760
<v Speaker 2>that's right, that's a that's a very good one.

1463
01:17:29.720 --> 01:17:32.600
<v Speaker 3>He's in Monny. Yes, I don't know that movie. I've

1464
01:17:32.600 --> 01:17:32.960
<v Speaker 3>seen it.

1465
01:17:33.359 --> 01:17:35.359
<v Speaker 2>Bonnie and Clyde has kind of put him on the map, right,

1466
01:17:35.399 --> 01:17:36.600
<v Speaker 2>he's Clyde's brother.

1467
01:17:36.720 --> 01:17:37.840
<v Speaker 3>Oh man, it's been a while.

1468
01:17:38.199 --> 01:17:41.239
<v Speaker 2>Yeah, uh, I would say, because that that's what really

1469
01:17:41.239 --> 01:17:42.600
<v Speaker 2>got the ball rolling for him, you know.

1470
01:17:43.840 --> 01:17:48.239
<v Speaker 3>Yeah, Bat twenty one, that's like a movie that used

1471
01:17:48.279 --> 01:17:50.479
<v Speaker 3>to be on like Fox thirty two on a Saturday.

1472
01:17:51.840 --> 01:17:54.079
<v Speaker 3>It's like bringing back memories classic.

1473
01:17:55.000 --> 01:17:55.640
<v Speaker 2>There's the.

1474
01:17:57.279 --> 01:18:00.000
<v Speaker 3>It was a movie with with Hugh Grant called Extreme

1475
01:18:00.079 --> 01:18:02.119
<v Speaker 3>he Measures. Yep, I'm looking at it here.

1476
01:18:02.159 --> 01:18:05.479
<v Speaker 2>Yeah, which I've always liked that one too, you know,

1477
01:18:06.159 --> 01:18:08.960
<v Speaker 2>the bird Cage that's like a I've never seen that.

1478
01:18:08.960 --> 01:18:12.000
<v Speaker 3>That's a blind spot for me. I gotta watch that one. Yeah.

1479
01:18:12.000 --> 01:18:14.279
<v Speaker 2>A lot of a lot of a lot of very

1480
01:18:14.279 --> 01:18:17.640
<v Speaker 2>good movies. And Runaway Jury you talk about it's it's

1481
01:18:17.760 --> 01:18:22.920
<v Speaker 2>him and and Dustin Hoffman on opposite sides of a

1482
01:18:23.000 --> 01:18:26.199
<v Speaker 2>of a legal war. I'm like, come on, man, a

1483
01:18:26.319 --> 01:18:28.520
<v Speaker 2>chance to watch these two guys square off totally?

1484
01:18:28.640 --> 01:18:28.880
<v Speaker 3>Yeah?

1485
01:18:28.960 --> 01:18:32.159
<v Speaker 2>Right, So uh, That's kind of the great thing is

1486
01:18:32.199 --> 01:18:34.359
<v Speaker 2>you look at his filmography and more often than not,

1487
01:18:34.399 --> 01:18:36.119
<v Speaker 2>you've got some really good movies waiting for you.

1488
01:18:36.520 --> 01:18:36.800
<v Speaker 3>Yep.

1489
01:18:37.359 --> 01:18:37.560
<v Speaker 2>You know.

1490
01:18:37.800 --> 01:18:40.760
<v Speaker 3>So so a life well lived and a career that

1491
01:18:40.960 --> 01:18:44.680
<v Speaker 3>is enviable regardless of what industry when happens to be

1492
01:18:44.720 --> 01:18:47.000
<v Speaker 3>in you know, absolutely.

1493
01:18:48.439 --> 01:18:51.560
<v Speaker 2>Other news I thought this. This literally just happened as

1494
01:18:51.640 --> 01:18:54.560
<v Speaker 2>as we as we hopped on, Joseph Wamba passed away.

1495
01:18:55.600 --> 01:18:58.359
<v Speaker 3>Yeah. I wasn't familiar with him, but you started telling

1496
01:18:58.359 --> 01:19:01.159
<v Speaker 3>me about him in his career and how influential he was,

1497
01:19:01.199 --> 01:19:03.600
<v Speaker 3>and I'm excited to talk about him.

1498
01:19:04.479 --> 01:19:07.279
<v Speaker 2>Yeah. So so uh, he's a he was an ex

1499
01:19:07.399 --> 01:19:15.159
<v Speaker 2>cop who he started out writing. He wrote for TV,

1500
01:19:15.279 --> 01:19:18.920
<v Speaker 2>he wrote for procedurals like Dragnet and whatnot. But what

1501
01:19:19.039 --> 01:19:21.359
<v Speaker 2>he started to do by virtue of his novels he wrote,

1502
01:19:21.399 --> 01:19:23.520
<v Speaker 2>he wrote a book called The New Centurions, which was

1503
01:19:23.600 --> 01:19:27.399
<v Speaker 2>kind of a real seminal work in terms of getting

1504
01:19:27.439 --> 01:19:33.880
<v Speaker 2>into the inner the inner turmoil of police, right, and

1505
01:19:34.239 --> 01:19:36.880
<v Speaker 2>that was in turn what led to the creation of

1506
01:19:36.960 --> 01:19:40.279
<v Speaker 2>shows like Police Story in the seventies, and that in

1507
01:19:40.359 --> 01:19:46.279
<v Speaker 2>turn led directly to your NPD Blues or or I mean,

1508
01:19:46.279 --> 01:19:49.800
<v Speaker 2>gosh even er, you know, to something like like Hill

1509
01:19:49.840 --> 01:19:55.399
<v Speaker 2>Street Blues NYPD, but like the idea of of police

1510
01:19:55.439 --> 01:19:59.399
<v Speaker 2>officers who are not just impervious and you know and

1511
01:20:00.479 --> 01:20:03.199
<v Speaker 2>Jack Webb, you know, and Dragnet, but they they are

1512
01:20:04.199 --> 01:20:07.039
<v Speaker 2>they have insecurities and everything else, and they grapple with

1513
01:20:07.039 --> 01:20:08.560
<v Speaker 2>the consequence of what they do. You know, the stuff

1514
01:20:08.560 --> 01:20:12.159
<v Speaker 2>that makes for great drama. And so again you get

1515
01:20:12.159 --> 01:20:13.800
<v Speaker 2>your Hill Street Blues, you get air M and IPD

1516
01:20:14.079 --> 01:20:16.720
<v Speaker 2>and seriously Er, which is not a cop show, but

1517
01:20:16.720 --> 01:20:19.920
<v Speaker 2>but it it takes that same approach, right, the inner

1518
01:20:19.960 --> 01:20:23.279
<v Speaker 2>turmoil of somebody who is in essence serving the public

1519
01:20:23.399 --> 01:20:26.840
<v Speaker 2>right And and you don't get the wire and any

1520
01:20:26.840 --> 01:20:30.359
<v Speaker 2>of this stuff, you know, without what Joseph Wamba did.

1521
01:20:30.439 --> 01:20:33.119
<v Speaker 2>You know, I have a whole unit in my media

1522
01:20:33.119 --> 01:20:36.439
<v Speaker 2>class where I talk about police procedurals and so Wamba,

1523
01:20:36.520 --> 01:20:40.920
<v Speaker 2>you know, has a pretty pretty big chunk of that history.

1524
01:20:41.000 --> 01:20:44.560
<v Speaker 2>You know, he gets he gets to claim that The

1525
01:20:44.600 --> 01:20:50.800
<v Speaker 2>New Centurions was was a movie and it started oh gosh,

1526
01:20:51.159 --> 01:20:54.359
<v Speaker 2>Georgia Scott. It starred Georgy Scott, and it's pretty great.

1527
01:20:54.399 --> 01:20:55.279
<v Speaker 2>It's based on his book.

1528
01:20:56.520 --> 01:20:58.359
<v Speaker 3>Yes, I say here in nineteen seventy two.

1529
01:20:58.800 --> 01:21:01.119
<v Speaker 2>Yep, yep, that's we're worth watching, you know.

1530
01:21:01.960 --> 01:21:04.760
<v Speaker 3>All right, Well, yeah, amazing, isn't it Isn't that interesting?

1531
01:21:05.640 --> 01:21:11.840
<v Speaker 3>Sometimes it just takes one person to lock onto something. Yeah,

1532
01:21:11.880 --> 01:21:15.439
<v Speaker 3>and then that's just the thing that everything else takes

1533
01:21:15.439 --> 01:21:16.199
<v Speaker 3>its cues from.

1534
01:21:17.279 --> 01:21:22.680
<v Speaker 2>Yeah. Yeah, And it's it's I would think, I mean,

1535
01:21:22.760 --> 01:21:24.520
<v Speaker 2>you know, over the course of his career, with the

1536
01:21:24.560 --> 01:21:28.199
<v Speaker 2>course of his life spent, he saw the ups and

1537
01:21:28.239 --> 01:21:33.079
<v Speaker 2>downs of how policing was perceived, and you know, I

1538
01:21:33.119 --> 01:21:37.159
<v Speaker 2>mean that was something he always maintained. He kept one

1539
01:21:37.199 --> 01:21:39.720
<v Speaker 2>foot in by virtue of the writing that he did.

1540
01:21:39.760 --> 01:21:42.399
<v Speaker 2>He was writing up through the twenty tens.

1541
01:21:43.119 --> 01:21:43.640
<v Speaker 3>Wow.

1542
01:21:44.399 --> 01:21:47.119
<v Speaker 2>You know. Yeah, there's a whole series of books called

1543
01:21:47.199 --> 01:21:51.800
<v Speaker 2>called the Hollywood Station Series which which look at you know,

1544
01:21:52.199 --> 01:21:56.000
<v Speaker 2>local police versus you know, the federal the federal role

1545
01:21:56.119 --> 01:21:59.680
<v Speaker 2>in policing and stuff. Really interesting stuff and certainly a

1546
01:21:59.760 --> 01:22:03.880
<v Speaker 2>very distinctive point of view. And again we can get

1547
01:22:03.960 --> 01:22:07.079
<v Speaker 2>into things like copaganda and all that stuff, which is

1548
01:22:07.119 --> 01:22:10.920
<v Speaker 2>still very you know, those are heated conversations. But in

1549
01:22:11.000 --> 01:22:16.880
<v Speaker 2>terms of the drama that has emerged, you know, I

1550
01:22:16.680 --> 01:22:19.520
<v Speaker 2>I think that The Wire, which is a show that

1551
01:22:19.560 --> 01:22:22.479
<v Speaker 2>you absolutely adore, and YPD Blue people know how I

1552
01:22:22.520 --> 01:22:25.720
<v Speaker 2>feel about that. You know, these are these are beacons,

1553
01:22:26.159 --> 01:22:29.800
<v Speaker 2>you know, of good drama, and they wouldn't exist if

1554
01:22:29.800 --> 01:22:33.479
<v Speaker 2>not for for things that Joseph Wamba sort of shot

1555
01:22:33.600 --> 01:22:34.319
<v Speaker 2>shone a light on.

1556
01:22:35.279 --> 01:22:35.560
<v Speaker 3>Wow.

1557
01:22:36.560 --> 01:22:40.159
<v Speaker 2>You know, so R I P R I P certainly, Yeah,

1558
01:22:40.199 --> 01:22:42.880
<v Speaker 2>Well I think I hear some music, Brian, So I

1559
01:22:42.920 --> 01:22:44.600
<v Speaker 2>think that means we have some Star Wars.

1560
01:22:44.359 --> 01:22:48.439
<v Speaker 3>News finally again, right. I mean it's uh, this used

1561
01:22:48.479 --> 01:22:50.800
<v Speaker 3>to be a reoccurring thing that we'd have every single week.

1562
01:22:51.359 --> 01:22:54.319
<v Speaker 3>It was a it was a regular feature. Yeah yeah,

1563
01:22:54.359 --> 01:22:55.399
<v Speaker 3>people people look.

1564
01:22:55.359 --> 01:22:55.840
<v Speaker 2>Forward to it.

1565
01:22:55.880 --> 01:23:01.600
<v Speaker 3>Families would gather around their iPhones. He's a sh here

1566
01:23:01.600 --> 01:23:04.560
<v Speaker 3>it comes here, right, And it's funny. I was picturing

1567
01:23:04.640 --> 01:23:07.199
<v Speaker 3>like one of those big stand up radios and kids

1568
01:23:07.279 --> 01:23:10.720
<v Speaker 3>running in with their dinner plates and lying on the ground.

1569
01:23:10.560 --> 01:23:13.640
<v Speaker 2>With their bowls of C three pos cereal.

1570
01:23:14.079 --> 01:23:16.159
<v Speaker 3>Yes, and they're hearing the Star Wars music. But they

1571
01:23:16.199 --> 01:23:19.000
<v Speaker 3>weren't like, oh, the continuing Adventures of Luke Skywalker. They're

1572
01:23:19.039 --> 01:23:21.920
<v Speaker 3>like no, no, Brian and Zachy are talking. Yeah, they

1573
01:23:21.960 --> 01:23:26.039
<v Speaker 3>have opinions. Yeah. Well it's you know, this is kind

1574
01:23:26.039 --> 01:23:29.800
<v Speaker 3>of appropriate that we're even talking about that specifically, because

1575
01:23:29.800 --> 01:23:32.680
<v Speaker 3>I feel like we started Star Wars News probably because

1576
01:23:32.680 --> 01:23:36.720
<v Speaker 3>of this sale yeh, from Lucas to Disney and bringing

1577
01:23:36.760 --> 01:23:41.319
<v Speaker 3>in Kathleen Kennedy right to oversee lucasfilm. And now this

1578
01:23:41.399 --> 01:23:44.640
<v Speaker 3>week we've learned that she will be stepping down maybe

1579
01:23:44.680 --> 01:23:48.720
<v Speaker 3>not what we don't know. Wait, I thought she was retiring.

1580
01:23:48.960 --> 01:23:52.680
<v Speaker 2>It's a moving target because she has said, she has said.

1581
01:23:54.079 --> 01:23:56.680
<v Speaker 2>She herself said I am not retiring.

1582
01:23:56.960 --> 01:23:59.479
<v Speaker 3>I should. It's so funny. The only reason I said

1583
01:23:59.520 --> 01:24:01.199
<v Speaker 3>retires because I had the article in front of me

1584
01:24:01.199 --> 01:24:03.920
<v Speaker 3>and I saw that word not retiring. Of course, because

1585
01:24:03.920 --> 01:24:06.600
<v Speaker 3>she said, yes, she's never going to retire from filmmaking.

1586
01:24:06.600 --> 01:24:09.239
<v Speaker 3>She said she's going to die making movies. But I

1587
01:24:09.319 --> 01:24:16.079
<v Speaker 3>thought she was thinking about bringing someone up into her

1588
01:24:16.239 --> 01:24:19.159
<v Speaker 3>role and she would then show them the ropes, train them,

1589
01:24:19.199 --> 01:24:22.239
<v Speaker 3>and then step down in the near future. Is that

1590
01:24:22.520 --> 01:24:23.960
<v Speaker 3>correct or is that well?

1591
01:24:24.119 --> 01:24:29.399
<v Speaker 2>So that's the that's the confusing aspect of all of this,

1592
01:24:29.520 --> 01:24:32.359
<v Speaker 2>because because essentially what we had was a situation where

1593
01:24:32.640 --> 01:24:37.039
<v Speaker 2>we're earlier this week as we record this, there's a

1594
01:24:37.079 --> 01:24:42.199
<v Speaker 2>guy from Puck News named Matt Baloney who apparently dropped

1595
01:24:42.239 --> 01:24:47.600
<v Speaker 2>some blogoney Brian yes, because he put a very breathless report.

1596
01:24:47.680 --> 01:24:48.119
<v Speaker 3>That's it.

1597
01:24:48.239 --> 01:24:53.479
<v Speaker 2>She's out of here. She's been shown the door. Don't

1598
01:24:53.560 --> 01:24:55.600
<v Speaker 2>let the door hit you. Where the Lord split you,

1599
01:24:57.439 --> 01:25:03.560
<v Speaker 2>That's what Bob Iger said, according to according to Boloney, yeah,

1600
01:25:03.640 --> 01:25:06.039
<v Speaker 2>so so, and then of course this really started making

1601
01:25:06.119 --> 01:25:08.359
<v Speaker 2>making the rounds everywhere. She's out the door, and you know,

1602
01:25:09.039 --> 01:25:12.479
<v Speaker 2>contextualizing this a little bit, you know, for the last

1603
01:25:12.520 --> 01:25:15.319
<v Speaker 2>several years, there are portions of the Internet, I'm gonna

1604
01:25:15.319 --> 01:25:19.039
<v Speaker 2>say the shittiest portions of the Internet which have been

1605
01:25:19.119 --> 01:25:22.199
<v Speaker 2>like Star Wars is woke because Kathleen Kennedy and show

1606
01:25:22.199 --> 01:25:24.560
<v Speaker 2>her the door and whatever. Right, so they were they

1607
01:25:24.560 --> 01:25:31.800
<v Speaker 2>were salivating over this news. However, according to Kathleen Kennedy,

1608
01:25:32.279 --> 01:25:37.399
<v Speaker 2>she's what she's saying is, look, at some point I

1609
01:25:37.479 --> 01:25:40.279
<v Speaker 2>need to think about, well, who's gonna take over. We

1610
01:25:40.319 --> 01:25:42.159
<v Speaker 2>need to have a succession plan in place. It doesn't

1611
01:25:42.159 --> 01:25:48.640
<v Speaker 2>mean I'm retiring anytime soon, I see now. According to her,

1612
01:25:48.680 --> 01:25:51.039
<v Speaker 2>she's like, look, there's no chaos or anything. This is

1613
01:25:51.119 --> 01:25:53.800
<v Speaker 2>just we're just you know, these are this is the

1614
01:25:53.800 --> 01:25:54.880
<v Speaker 2>stuff you do in a company.

1615
01:25:55.159 --> 01:25:57.239
<v Speaker 3>M m. Maybe that's true.

1616
01:25:57.279 --> 01:26:00.000
<v Speaker 2>I don't know. I don't know enough. Brian. I'm I'm

1617
01:26:00.119 --> 01:26:02.680
<v Speaker 2>I'm a naive bumpkin from from the Midwest.

1618
01:26:04.039 --> 01:26:08.880
<v Speaker 3>Well, it feels like a pretty consuming role. She's done

1619
01:26:08.880 --> 01:26:14.279
<v Speaker 3>it for over a decade. I you know, lucasfilm Star

1620
01:26:14.319 --> 01:26:18.399
<v Speaker 3>Wars whatever is not necessarily her her baby, right, so

1621
01:26:18.600 --> 01:26:21.640
<v Speaker 3>it makes sense she was raising George Lucas's baby kind

1622
01:26:21.680 --> 01:26:24.039
<v Speaker 3>of yeah, like bring it in, bringing it into a

1623
01:26:24.039 --> 01:26:28.399
<v Speaker 3>new era. And then uh, you know hand over the reins,

1624
01:26:28.399 --> 01:26:30.319
<v Speaker 3>and like she said, I mean she's a producer. She's

1625
01:26:30.359 --> 01:26:34.079
<v Speaker 3>been producing since freaking Raiders the Lost Arc, right, yeah,

1626
01:26:34.119 --> 01:26:39.119
<v Speaker 3>so I'm sure there's other worlds she wants to to shepherd.

1627
01:26:41.960 --> 01:26:45.720
<v Speaker 2>Yeah, no, no, I don't, I don't. I mean, I

1628
01:26:45.720 --> 01:26:49.800
<v Speaker 2>don't know, and I I think there's the truth is

1629
01:26:49.800 --> 01:26:50.960
<v Speaker 2>probably somewhere in the middle.

1630
01:26:51.039 --> 01:26:53.399
<v Speaker 3>Oh yeah, by the way, Yeah, yeah, yeah, I don't

1631
01:26:53.439 --> 01:26:58.520
<v Speaker 3>mean to sound naive. I mean yeah. I think the

1632
01:26:58.640 --> 01:27:00.039
<v Speaker 3>problem is that.

1633
01:27:01.600 --> 01:27:04.039
<v Speaker 2>Even if she was making some noise about, hey, we

1634
01:27:04.079 --> 01:27:07.199
<v Speaker 2>need to find a succession plan, I think that it's

1635
01:27:07.319 --> 01:27:10.720
<v Speaker 2>very important both for her and for Disney to not

1636
01:27:10.800 --> 01:27:13.840
<v Speaker 2>make it seem like the trolls claimed a scalp.

1637
01:27:14.600 --> 01:27:18.000
<v Speaker 3>Right, And I don't even know that they necessarily did.

1638
01:27:18.039 --> 01:27:19.720
<v Speaker 3>But I'm sure she's probably don't.

1639
01:27:19.680 --> 01:27:21.319
<v Speaker 2>Like it, but they don't. They don't want to give

1640
01:27:21.319 --> 01:27:21.880
<v Speaker 2>the perception.

1641
01:27:22.119 --> 01:27:26.560
<v Speaker 3>Yes, yes, yes, but I'm sure she's probably gained a

1642
01:27:26.600 --> 01:27:28.319
<v Speaker 3>few gray hairs and is like, all right, I did

1643
01:27:28.359 --> 01:27:30.680
<v Speaker 3>what I said I do, and I've accomplished some things

1644
01:27:30.720 --> 01:27:33.239
<v Speaker 3>here that I can be proud of, and you know,

1645
01:27:33.359 --> 01:27:33.920
<v Speaker 3>time to move on.

1646
01:27:34.359 --> 01:27:37.439
<v Speaker 2>Well, that's the thing, right, Like number one, she's done

1647
01:27:37.439 --> 01:27:42.199
<v Speaker 2>the job for what thirteen years now, And I say

1648
01:27:42.239 --> 01:27:44.359
<v Speaker 2>this all the time. I'm like, who the hell would

1649
01:27:44.439 --> 01:27:46.720
<v Speaker 2>want to do this job? I'd say, let's say she

1650
01:27:46.800 --> 01:27:47.600
<v Speaker 2>leaves tomorrow.

1651
01:27:47.920 --> 01:27:51.760
<v Speaker 3>Yeah, everybody is going to be like not it. Yeah,

1652
01:27:51.880 --> 01:27:55.159
<v Speaker 3>you would think, right right, It doesn't matter.

1653
01:27:55.039 --> 01:27:57.119
<v Speaker 2>Who it is. I don't care if it's Dave Feloni

1654
01:27:57.279 --> 01:27:59.960
<v Speaker 2>or John Favreau or George Lucas.

1655
01:28:00.039 --> 01:28:02.840
<v Speaker 3>Yes, yeah, I mean you're just no matter what, you're

1656
01:28:02.880 --> 01:28:04.640
<v Speaker 3>walking in front of a firing squad.

1657
01:28:05.039 --> 01:28:05.640
<v Speaker 2>Yeah, you know.

1658
01:28:06.600 --> 01:28:09.239
<v Speaker 3>Yeah, right, So that that's kind of the issue.

1659
01:28:09.279 --> 01:28:12.479
<v Speaker 2>So in that sense, I think Disney would be like, look,

1660
01:28:12.520 --> 01:28:16.640
<v Speaker 2>stay as long as you want like that, that would

1661
01:28:16.640 --> 01:28:20.640
<v Speaker 2>be my guess. Like, I think, on balance, she has

1662
01:28:20.680 --> 01:28:25.439
<v Speaker 2>She's shepherded the franchise in a decent enough way, and

1663
01:28:25.199 --> 01:28:31.399
<v Speaker 2>not to say that it has been perfect, but I

1664
01:28:31.479 --> 01:28:32.840
<v Speaker 2>you know, just off the top of my head, I

1665
01:28:32.840 --> 01:28:37.079
<v Speaker 2>feel like there have been more more more successes than not.

1666
01:28:38.840 --> 01:28:40.880
<v Speaker 3>Yeah, I think so. I mean, we're we're pretty honest

1667
01:28:41.439 --> 01:28:43.479
<v Speaker 3>about it. You know, there's things we've connected with, there's

1668
01:28:43.520 --> 01:28:46.359
<v Speaker 3>things we haven't. You know, if you really who knows

1669
01:28:46.359 --> 01:28:49.640
<v Speaker 3>how long in history lucasfilm is going to be a thing.

1670
01:28:49.720 --> 01:28:52.199
<v Speaker 3>But if you look at it, let's just say it.

1671
01:28:52.319 --> 01:28:55.199
<v Speaker 3>It'll lasts for oh wow, it probably has lasted for

1672
01:28:55.199 --> 01:28:57.399
<v Speaker 3>fifty years. I was gonna say fifty cause snl. But

1673
01:28:57.760 --> 01:29:00.920
<v Speaker 3>let's say one hundred years. Okay. If Lucas isn't gonna

1674
01:29:00.920 --> 01:29:02.600
<v Speaker 3>be there forever, and you look at as this long,

1675
01:29:02.640 --> 01:29:05.520
<v Speaker 3>long timeline, of course, you'd look at the Lucas years,

1676
01:29:05.560 --> 01:29:08.199
<v Speaker 3>and then you look at the whatever transition is next.

1677
01:29:08.199 --> 01:29:09.560
<v Speaker 3>Of course, there's going to be like a slight little

1678
01:29:09.560 --> 01:29:11.880
<v Speaker 3>dip because people have to what is your identity without

1679
01:29:11.920 --> 01:29:15.279
<v Speaker 3>George Lucas? What is lucasfilm without Lucas? Yeah, right, there's

1680
01:29:15.319 --> 01:29:18.760
<v Speaker 3>gonna be a transition period and then they're gonna figure

1681
01:29:18.760 --> 01:29:21.560
<v Speaker 3>out what works what doesn't. And then in the long

1682
01:29:21.640 --> 01:29:24.000
<v Speaker 3>span of its timeline, of course, it's probably gonna find

1683
01:29:24.000 --> 01:29:26.560
<v Speaker 3>some highs again, probably gonna find some lows again. And

1684
01:29:27.159 --> 01:29:29.720
<v Speaker 3>it's a experiment with other things, and that's just kind

1685
01:29:29.760 --> 01:29:31.800
<v Speaker 3>of the way it goes, you know, with something that's

1686
01:29:31.800 --> 01:29:34.239
<v Speaker 3>going to exist for this long you.

1687
01:29:34.199 --> 01:29:40.159
<v Speaker 2>Know, I'm I'm contextualizing this with last week's news about

1688
01:29:40.560 --> 01:29:45.560
<v Speaker 2>Amazon taking over the James Bond franchise. Yeah, which, by

1689
01:29:45.560 --> 01:29:48.159
<v Speaker 2>the way, if anybody listening to this is interested in

1690
01:29:48.199 --> 01:29:52.239
<v Speaker 2>our thoughts on that. We did an in depth conversation

1691
01:29:52.880 --> 01:29:56.199
<v Speaker 2>for a good half hour on our Patreon feed, So

1692
01:29:56.279 --> 01:29:57.960
<v Speaker 2>if you want to hear our thoughts on that, it's

1693
01:29:58.000 --> 01:29:58.359
<v Speaker 2>a lot.

1694
01:30:00.119 --> 01:30:03.479
<v Speaker 3>Yeah, Zaki especially, he's got feelings because he's he's you know,

1695
01:30:03.640 --> 01:30:06.399
<v Speaker 3>he's big Bond fan. So I was, I was pretty

1696
01:30:06.439 --> 01:30:07.680
<v Speaker 3>interested to hear what you thought about it.

1697
01:30:07.720 --> 01:30:12.520
<v Speaker 2>So, yeah, it's it's easy to sort of just be

1698
01:30:12.600 --> 01:30:15.359
<v Speaker 2>cynical about all of it, right, like it's just more

1699
01:30:15.399 --> 01:30:19.840
<v Speaker 2>corporate product, and and I I hesitate to do that

1700
01:30:19.880 --> 01:30:21.960
<v Speaker 2>because I'm like, well, these are still made by people,

1701
01:30:22.119 --> 01:30:26.319
<v Speaker 2>and I I think it's possible to have people making

1702
01:30:26.359 --> 01:30:30.399
<v Speaker 2>this this corporate product that's compelling and meaningful and whatever. Right,

1703
01:30:30.399 --> 01:30:34.279
<v Speaker 2>I mean, like, you know, the Marvel Universe is this

1704
01:30:34.560 --> 01:30:38.159
<v Speaker 2>big expansive thing, but like it like Kevin Figy is

1705
01:30:38.159 --> 01:30:42.000
<v Speaker 2>still the guy doing it m hm, and you know,

1706
01:30:43.279 --> 01:30:45.880
<v Speaker 2>he doesn't always get on base, but for the most part,

1707
01:30:46.279 --> 01:30:51.439
<v Speaker 2>he's he's kept that thing, you know that they're he's

1708
01:30:51.520 --> 01:30:54.640
<v Speaker 2>kept our interest, you know. Yeah, And and so I

1709
01:30:54.640 --> 01:30:58.560
<v Speaker 2>think it's possible to whether we're talking about Star Wars

1710
01:30:58.680 --> 01:31:03.039
<v Speaker 2>or James Bond, that to find people who care and

1711
01:31:03.960 --> 01:31:06.319
<v Speaker 2>want it to be you know, the best it can be.

1712
01:31:06.800 --> 01:31:09.479
<v Speaker 3>Yeah, I mean I think I'm probably just gonna repeat

1713
01:31:09.520 --> 01:31:11.319
<v Speaker 3>exactly what you said, but like that was sort of

1714
01:31:11.319 --> 01:31:14.560
<v Speaker 3>where I landed with the whole Amazon Bond thing, because yes,

1715
01:31:14.600 --> 01:31:16.319
<v Speaker 3>I do feel a little cynical about it, where it

1716
01:31:16.439 --> 01:31:20.920
<v Speaker 3>just becomes something that used to be owned and curated

1717
01:31:21.119 --> 01:31:24.600
<v Speaker 3>by the people in the family, you know, in the

1718
01:31:24.600 --> 01:31:29.239
<v Speaker 3>families who created it, so they would rather make a

1719
01:31:29.279 --> 01:31:33.319
<v Speaker 3>good movie than have something that hits a certain timeline

1720
01:31:33.359 --> 01:31:37.720
<v Speaker 3>for a good quarterly profit. Right, And so now that

1721
01:31:37.800 --> 01:31:41.680
<v Speaker 3>it's owned by a company that wants to figure out

1722
01:31:41.680 --> 01:31:45.199
<v Speaker 3>how to make their streaming service profitable, you can be

1723
01:31:45.199 --> 01:31:47.640
<v Speaker 3>certain it's going to be exploited to some degree. The

1724
01:31:47.760 --> 01:31:50.039
<v Speaker 3>hope then, is that the people who are put in

1725
01:31:50.159 --> 01:31:53.520
<v Speaker 3>charge of the creative aspects of it really give a

1726
01:31:53.520 --> 01:31:55.520
<v Speaker 3>crap about James Bond. So it's like, all right, well,

1727
01:31:55.520 --> 01:31:56.840
<v Speaker 3>if the show's going to exist, let's make it the

1728
01:31:56.880 --> 01:32:01.199
<v Speaker 3>best darn show possible. Yeah. Right, So I guess both

1729
01:32:01.199 --> 01:32:02.760
<v Speaker 3>can be true. You can be a little cynical about

1730
01:32:02.760 --> 01:32:03.920
<v Speaker 3>it but also kind of hopeful.

1731
01:32:05.359 --> 01:32:10.039
<v Speaker 2>Yeah, And that's a hard place to find yourself, because

1732
01:32:10.359 --> 01:32:12.399
<v Speaker 2>you know, it's just easier to be cynical.

1733
01:32:12.800 --> 01:32:14.800
<v Speaker 3>I think I'm feeling more cynical than I have in

1734
01:32:14.840 --> 01:32:17.239
<v Speaker 3>a long time because I'm getting that well with the

1735
01:32:17.520 --> 01:32:19.880
<v Speaker 3>Bond thing. But I was hearing about like dark, dark,

1736
01:32:20.239 --> 01:32:24.560
<v Speaker 3>stubbly Brian, Yes, yeah, this is a Spider Man three,

1737
01:32:24.680 --> 01:32:29.079
<v Speaker 3>Peter Parker, Brian. What does he say like under his breath?

1738
01:32:29.159 --> 01:32:34.319
<v Speaker 3>Like does he whisper something like cool? Oh yeah, yeah,

1739
01:32:34.560 --> 01:32:37.159
<v Speaker 3>I don't remember, and he's like snaps in a jazz

1740
01:32:37.880 --> 01:32:42.960
<v Speaker 3>trio place. But no, I think when I heard Goonies

1741
01:32:43.039 --> 01:32:47.199
<v Speaker 3>two was actually like in the process of being developed

1742
01:32:47.199 --> 01:32:51.399
<v Speaker 3>at least that was like what the straw that brokes Brian's.

1743
01:32:51.039 --> 01:32:52.920
<v Speaker 2>Back broke inside of you that day?

1744
01:32:53.079 --> 01:32:55.319
<v Speaker 3>Well, I mean look at not that it hasn't already happened.

1745
01:32:55.319 --> 01:32:57.000
<v Speaker 3>I mean you really think about it. I mean Top

1746
01:32:57.039 --> 01:32:59.039
<v Speaker 3>Gun two. If you had said that five years ago,

1747
01:32:59.079 --> 01:33:02.039
<v Speaker 3>you'd be like, stop, just top top two. It doesn't

1748
01:33:02.079 --> 01:33:05.399
<v Speaker 3>need to happen. It can't possibly be good. Like it's locked.

1749
01:33:05.439 --> 01:33:07.800
<v Speaker 3>It's locked in time in the eighties. It's an artifact.

1750
01:33:07.840 --> 01:33:10.920
<v Speaker 3>It can't be replicated. But they did it, you know,

1751
01:33:11.000 --> 01:33:16.560
<v Speaker 3>Maverick's pretty pretty darn good. But it also makes you realize, oh, well,

1752
01:33:16.600 --> 01:33:20.159
<v Speaker 3>then with that success, why wouldn't they do Goonies too.

1753
01:33:20.439 --> 01:33:23.880
<v Speaker 3>Why wouldn't they do? But I get a little weirder

1754
01:33:23.920 --> 01:33:26.920
<v Speaker 3>about Goonies because the thing is, what works about that

1755
01:33:27.000 --> 01:33:32.800
<v Speaker 3>movie is like eighties childhood magic, and you can't like

1756
01:33:32.840 --> 01:33:35.239
<v Speaker 3>they're grown up, they're different. It won't be the same.

1757
01:33:35.680 --> 01:33:38.520
<v Speaker 3>When you do a sequel, you inherently have to undo

1758
01:33:38.600 --> 01:33:40.960
<v Speaker 3>every happy ending you did in the previous movie because

1759
01:33:41.000 --> 01:33:42.720
<v Speaker 3>you need to give them drama. I don't want to

1760
01:33:42.720 --> 01:33:45.960
<v Speaker 3>see how the Goonies kids divorced and unhappy, you know,

1761
01:33:46.119 --> 01:33:47.000
<v Speaker 3>And then you've got that.

1762
01:33:47.600 --> 01:33:50.800
<v Speaker 2>Let me a spoiler, that will for sure be the

1763
01:33:50.840 --> 01:33:52.600
<v Speaker 2>case for at least half of.

1764
01:33:52.560 --> 01:33:55.960
<v Speaker 3>Them, right or yeah, yeah, or one will have spent

1765
01:33:56.000 --> 01:33:58.600
<v Speaker 3>all the treasure in his destitute now, you know. And

1766
01:33:58.640 --> 01:34:00.880
<v Speaker 3>then they're gonna have these kids. And then it's like, really,

1767
01:34:00.880 --> 01:34:04.039
<v Speaker 3>you're gonna really try to recreate Lightning in a bottle

1768
01:34:04.079 --> 01:34:06.119
<v Speaker 3>with this like kid cast that we're all gonna love.

1769
01:34:06.159 --> 01:34:08.640
<v Speaker 3>And it's just a really tall order. I'm not saying

1770
01:34:08.640 --> 01:34:10.079
<v Speaker 3>they can't do it, but it's a tall order. And

1771
01:34:10.119 --> 01:34:13.479
<v Speaker 3>it just made me. People have been saying this for

1772
01:34:13.520 --> 01:34:15.560
<v Speaker 3>a long time, and I've been trying to be Pollyanna

1773
01:34:15.560 --> 01:34:17.760
<v Speaker 3>about it, but it's just like nothing is sacred anymore.

1774
01:34:17.840 --> 01:34:21.000
<v Speaker 3>Nothing is like it's all there to be exploited and

1775
01:34:21.079 --> 01:34:24.520
<v Speaker 3>to make all these companies streaming services stay afloat.

1776
01:34:25.079 --> 01:34:28.439
<v Speaker 2>And then I'm sort of sorry, Brian. Yeah, I'm just

1777
01:34:28.479 --> 01:34:30.319
<v Speaker 2>fascinated by the fact that I'm kind of at a

1778
01:34:30.359 --> 01:34:32.640
<v Speaker 2>more sanguine place about all of this than you are,

1779
01:34:33.319 --> 01:34:35.840
<v Speaker 2>which is new terrain and from this show.

1780
01:34:37.520 --> 01:34:41.119
<v Speaker 3>You know what, though, I it's not like this is

1781
01:34:41.199 --> 01:34:43.359
<v Speaker 3>keeping me up at night or anything, but I'm sort

1782
01:34:43.399 --> 01:34:45.359
<v Speaker 3>of resigned to it. I guess it's.

1783
01:34:45.399 --> 01:34:48.479
<v Speaker 2>Like, see, I reached resignation like a while ago. I

1784
01:34:48.479 --> 01:34:49.680
<v Speaker 2>think that's kind of See.

1785
01:34:49.720 --> 01:34:52.680
<v Speaker 3>Then I will reach sanguine soon. I'm I'm in the

1786
01:34:52.760 --> 01:34:56.399
<v Speaker 3>sort of defeated. Well, that's just the way it is now,

1787
01:34:56.479 --> 01:34:59.960
<v Speaker 3>you know, and we're not gonna that's not entirely true,

1788
01:35:00.039 --> 01:35:03.680
<v Speaker 3>but there's not a lot of new things being created

1789
01:35:04.640 --> 01:35:07.079
<v Speaker 3>so we can have sequels down the line. We're just

1790
01:35:07.159 --> 01:35:10.479
<v Speaker 3>continuing to pummel and exploit everything that already exists and

1791
01:35:10.520 --> 01:35:13.119
<v Speaker 3>everything that's beloved that hasn't been exploited yet, like is

1792
01:35:13.159 --> 01:35:15.880
<v Speaker 3>now you know it's gonna happen. Back to the future,

1793
01:35:15.960 --> 01:35:16.760
<v Speaker 3>it's gonna happen.

1794
01:35:16.960 --> 01:35:19.119
<v Speaker 2>Well, okay, so this is my thought right like like

1795
01:35:19.720 --> 01:35:23.520
<v Speaker 2>two thousand and you know, summer of twenty twelve. One

1796
01:35:23.520 --> 01:35:26.439
<v Speaker 2>thing you knew is that there's not going to be

1797
01:35:27.600 --> 01:35:30.640
<v Speaker 2>any Star Wars without George Lucas says So, there's not

1798
01:35:30.680 --> 01:35:33.119
<v Speaker 2>gonna be any James Bond without the Broccolis say so,

1799
01:35:33.359 --> 01:35:34.880
<v Speaker 2>And there's not gonna be any Back to the Future

1800
01:35:34.960 --> 01:35:39.159
<v Speaker 2>without the Bobs say so. Well, two of those bulwarks

1801
01:35:39.159 --> 01:35:42.720
<v Speaker 2>are now gone. So right now, right now, Back to

1802
01:35:42.760 --> 01:35:46.760
<v Speaker 2>the Future is a load bearing structure in my psyche.

1803
01:35:47.000 --> 01:35:50.119
<v Speaker 3>Yeah, I don't even want to have this pass my lips,

1804
01:35:50.159 --> 01:35:51.319
<v Speaker 3>but also e t.

1805
01:35:53.159 --> 01:35:56.319
<v Speaker 2>But see, I think ET what works in favor of

1806
01:35:56.359 --> 01:35:59.960
<v Speaker 2>that never being revisited is that the re release flop

1807
01:36:00.119 --> 01:36:01.079
<v Speaker 2>so spectacularly.

1808
01:36:03.239 --> 01:36:07.720
<v Speaker 3>Yes, yeah, I don't know why this is such like

1809
01:36:07.760 --> 01:36:10.000
<v Speaker 3>an inside joke between the two of us, but it's

1810
01:36:10.000 --> 01:36:12.119
<v Speaker 3>so true. It is it is. I mean, there's that

1811
01:36:12.119 --> 01:36:14.479
<v Speaker 3>that that Onion article we cite all the time right

1812
01:36:14.479 --> 01:36:19.760
<v Speaker 3>where it's like hed toys forced on uninterested children. Yeah.

1813
01:36:19.800 --> 01:36:23.880
<v Speaker 3>Although my friend Michael Olson literally texted me last night

1814
01:36:23.880 --> 01:36:25.880
<v Speaker 3>as I was walking out of The Brutalist. He wrote

1815
01:36:25.880 --> 01:36:28.840
<v Speaker 3>me this nice long text about showing ET to his

1816
01:36:28.960 --> 01:36:32.840
<v Speaker 3>kids and talking about what he wasn't sure if it

1817
01:36:32.880 --> 01:36:34.880
<v Speaker 3>would work, and they're varying ages. Some of them are

1818
01:36:34.960 --> 01:36:38.079
<v Speaker 3>quite young, and it worked on all of them. He said.

1819
01:36:38.079 --> 01:36:40.920
<v Speaker 3>They all cried, oh sure, I mean my kids love

1820
01:36:40.960 --> 01:36:43.000
<v Speaker 3>eat Yeah, And he said his I think I think

1821
01:36:43.000 --> 01:36:45.000
<v Speaker 3>it was his youngest and he's like, you know, poppatrawl,

1822
01:36:45.079 --> 01:36:46.640
<v Speaker 3>these sorts of things. He said. He turned to his

1823
01:36:46.720 --> 01:36:48.199
<v Speaker 3>dad at the end of the movie and said, that

1824
01:36:48.319 --> 01:36:51.319
<v Speaker 3>was the best movie I've ever seen. Wow, look at that.

1825
01:36:51.520 --> 01:36:53.039
<v Speaker 3>So I was like, all right, all right, maybe they

1826
01:36:53.039 --> 01:36:54.119
<v Speaker 3>don't want the toys.

1827
01:36:54.239 --> 01:36:56.760
<v Speaker 2>C Brian in the corner like mister Miagi at the

1828
01:36:56.880 --> 01:36:57.960
<v Speaker 2>end of the Karate Kid.

1829
01:36:58.079 --> 01:37:01.119
<v Speaker 3>Right. You know what, though I've literally missed it up

1830
01:37:01.159 --> 01:37:04.319
<v Speaker 3>reading that I really did it, I don't know what

1831
01:37:04.359 --> 01:37:06.800
<v Speaker 3>it is that movie imprint printed on me in such

1832
01:37:06.840 --> 01:37:09.960
<v Speaker 3>a powerful way as a child that I just I'm

1833
01:37:09.960 --> 01:37:12.239
<v Speaker 3>really moved hearing that kids are still moved by et

1834
01:37:12.439 --> 01:37:15.199
<v Speaker 3>So absolutely that can be true, and the fact that

1835
01:37:15.199 --> 01:37:17.159
<v Speaker 3>they don't want little action figures of him can also

1836
01:37:17.199 --> 01:37:17.600
<v Speaker 3>be true.

1837
01:37:18.319 --> 01:37:23.119
<v Speaker 2>So no, but but but this is the thing. Look,

1838
01:37:23.279 --> 01:37:27.479
<v Speaker 2>I hate to say this, but if the Broccolis can

1839
01:37:27.560 --> 01:37:32.640
<v Speaker 2>sign over James Bond to me back to the future,

1840
01:37:32.720 --> 01:37:34.640
<v Speaker 2>the clock is ticking, if you'll pardon the pun.

1841
01:37:35.159 --> 01:37:37.399
<v Speaker 3>You know what, though, I thought I just saw an interview.

1842
01:37:37.439 --> 01:37:40.279
<v Speaker 3>Someone emailed it to me. I apologize. I don't remember who,

1843
01:37:40.479 --> 01:37:46.199
<v Speaker 3>but it was the karate kid thing, Cobra Kai. The

1844
01:37:46.239 --> 01:37:49.279
<v Speaker 3>creators of Cobra Kai said they have a pitch. Yeah

1845
01:37:49.279 --> 01:37:49.600
<v Speaker 3>that's right.

1846
01:37:49.680 --> 01:37:53.520
<v Speaker 2>Yeah, the final episode kind of like nods at that.

1847
01:37:53.680 --> 01:37:58.520
<v Speaker 2>Oh really okay in a funny way, which like, look,

1848
01:37:58.680 --> 01:38:01.239
<v Speaker 2>you know that that whoever is in charge at Universal

1849
01:38:01.279 --> 01:38:05.239
<v Speaker 2>whenever it happens, would be chomping at bits to get

1850
01:38:05.319 --> 01:38:09.479
<v Speaker 2>right to get that. Yeah, yeah, back in theaters. And again, look,

1851
01:38:09.720 --> 01:38:12.319
<v Speaker 2>whether it happens or doesn't happen, it's at this point

1852
01:38:12.359 --> 01:38:18.119
<v Speaker 2>I'm like, I rule nothing out. Mm hmmm, because again,

1853
01:38:18.880 --> 01:38:22.640
<v Speaker 2>you know, two of the pillars have already fallen.

1854
01:38:22.479 --> 01:38:24.760
<v Speaker 3>Right, yeah, yeah, it's gonna happen.

1855
01:38:25.279 --> 01:38:26.840
<v Speaker 2>At some point, and you just have to kind of

1856
01:38:26.880 --> 01:38:28.680
<v Speaker 2>find your zen place where you're just like, well, this

1857
01:38:28.760 --> 01:38:30.960
<v Speaker 2>is my version is still there, it's there forever, and

1858
01:38:31.039 --> 01:38:33.479
<v Speaker 2>this new one maybe it'll be good, maybe it won't.

1859
01:38:33.479 --> 01:38:33.640
<v Speaker 2>You know.

1860
01:38:34.560 --> 01:38:37.439
<v Speaker 3>I will say that has been a saving grace for me,

1861
01:38:37.520 --> 01:38:40.000
<v Speaker 3>is that I have reached that with cultural things where

1862
01:38:40.039 --> 01:38:43.960
<v Speaker 3>I yeah, I used to be disheartened by a movie

1863
01:38:43.960 --> 01:38:47.119
<v Speaker 3>like Crystal Skull or something like that. But now, nah,

1864
01:38:47.279 --> 01:38:49.640
<v Speaker 3>I guess maybe you have to experience those things and

1865
01:38:49.680 --> 01:38:51.720
<v Speaker 3>have some time past to realize that the thing you

1866
01:38:51.760 --> 01:38:55.920
<v Speaker 3>love continues. You will always continue to love that thing,

1867
01:38:55.920 --> 01:38:57.720
<v Speaker 3>it will always continue exists, and that can be the

1868
01:38:57.720 --> 01:38:59.359
<v Speaker 3>one you keep going back to. You don't have to

1869
01:38:59.359 --> 01:39:00.359
<v Speaker 3>go to this other stuff.

1870
01:39:01.119 --> 01:39:03.039
<v Speaker 2>I remember, I mean speaking of Karate Kid, I remember

1871
01:39:03.119 --> 01:39:07.239
<v Speaker 2>when the remake came out in twenty ten, Yeah, and folks,

1872
01:39:07.319 --> 01:39:10.279
<v Speaker 2>a lot of folks were upset about that. Yeah, And

1873
01:39:10.399 --> 01:39:12.479
<v Speaker 2>I was one of the few people who was like,

1874
01:39:12.720 --> 01:39:13.840
<v Speaker 2>it's actually not that bad.

1875
01:39:14.000 --> 01:39:15.800
<v Speaker 3>I remember that. I remember that. Yeah.

1876
01:39:16.000 --> 01:39:20.439
<v Speaker 2>Yeah. So you know, when it comes to the whole

1877
01:39:20.439 --> 01:39:23.119
<v Speaker 2>Star Wars of it all, it is like, to me,

1878
01:39:24.439 --> 01:39:27.520
<v Speaker 2>no matter who takes over, what you realize is it's

1879
01:39:27.680 --> 01:39:34.079
<v Speaker 2>like Simpson's Season twenty eight, and it's not. It's not

1880
01:39:34.159 --> 01:39:38.479
<v Speaker 2>season five. It can never be season five, and so

1881
01:39:38.600 --> 01:39:42.039
<v Speaker 2>you have to judge it for what it is and

1882
01:39:42.479 --> 01:39:44.479
<v Speaker 2>either like or dislike it as its own thing, you know.

1883
01:39:44.840 --> 01:39:51.560
<v Speaker 3>Yeah, yeah, and these things are becoming like corporate, you know,

1884
01:39:51.720 --> 01:39:53.880
<v Speaker 3>like I don't know if this is a great comparison,

1885
01:39:53.880 --> 01:39:58.880
<v Speaker 3>but like, yeah, something like Star Wars is almost like McDonald's.

1886
01:39:59.439 --> 01:40:02.520
<v Speaker 3>You know, it's like it's an American institution now, right,

1887
01:40:02.640 --> 01:40:05.119
<v Speaker 3>And so it will continue on and for a minute,

1888
01:40:05.159 --> 01:40:08.840
<v Speaker 3>they might decide they can make milkshakes quicker using chemicals

1889
01:40:08.920 --> 01:40:10.399
<v Speaker 3>or you know, it might not taste quite the same.

1890
01:40:10.399 --> 01:40:13.560
<v Speaker 3>But then someone might go, no, no, we tried that

1891
01:40:13.600 --> 01:40:16.239
<v Speaker 3>and it doesn't feel right. And then you know, and

1892
01:40:16.560 --> 01:40:18.479
<v Speaker 3>then we'll start us an ice cream again. Who knows

1893
01:40:18.479 --> 01:40:21.319
<v Speaker 3>like it's it's not going anywhere. It's going to last

1894
01:40:21.359 --> 01:40:23.199
<v Speaker 3>for a long time, and we will see ups and

1895
01:40:23.239 --> 01:40:25.760
<v Speaker 3>downs because of that. I think you know what to

1896
01:40:25.840 --> 01:40:27.880
<v Speaker 3>deliver that is that is.

1897
01:40:27.800 --> 01:40:31.760
<v Speaker 2>The most hopeful and optimistic place that I think we

1898
01:40:31.800 --> 01:40:32.920
<v Speaker 2>can leave this episode at.

1899
01:40:33.600 --> 01:40:35.880
<v Speaker 3>Well, I do think it's worth mentioning one more thing

1900
01:40:35.920 --> 01:40:40.479
<v Speaker 3>which I didn't realize. Kathleen Kennedy confirmed that there is

1901
01:40:40.560 --> 01:40:42.560
<v Speaker 3>going to be well, I know, I know how this goes,

1902
01:40:47.159 --> 01:40:49.640
<v Speaker 3>but but you know what, I think it's worth saying.

1903
01:40:50.399 --> 01:40:53.760
<v Speaker 3>Sean Levy has a Star Wars movie coming up. Apparently

1904
01:40:53.800 --> 01:40:56.680
<v Speaker 3>that will be the next movie in production after Mandalorian

1905
01:40:56.720 --> 01:40:59.920
<v Speaker 3>and Grogu and apparently it's set to star Ryan Gosling,

1906
01:41:00.920 --> 01:41:05.720
<v Speaker 3>which that's interesting. We talked about that I yeah, yeah,

1907
01:41:05.720 --> 01:41:07.520
<v Speaker 3>I guess so, or maybe I didn't know that that

1908
01:41:07.560 --> 01:41:11.000
<v Speaker 3>had come from her directly, but yeah, you know.

1909
01:41:11.960 --> 01:41:15.159
<v Speaker 2>Yeah, and that's set. That's kind of its own thing.

1910
01:41:15.199 --> 01:41:17.239
<v Speaker 2>It's not a Saga movie. They've still got the ray

1911
01:41:17.920 --> 01:41:20.039
<v Speaker 2>whatever the hell that's gonna end up being happening. And

1912
01:41:20.039 --> 01:41:23.680
<v Speaker 2>then Simon Kinberg m hm. So you know this is

1913
01:41:23.720 --> 01:41:27.640
<v Speaker 2>like a Mangold all right, the Dawn of the Jedi. Think, well,

1914
01:41:27.680 --> 01:41:30.039
<v Speaker 2>there's you know, there's some interesting stuff in the pipeline.

1915
01:41:30.159 --> 01:41:31.399
<v Speaker 2>Let's see what happens. I guess.

1916
01:41:31.600 --> 01:41:34.159
<v Speaker 3>And you know what, though, with the Ray thing, I

1917
01:41:34.199 --> 01:41:38.800
<v Speaker 3>will say this favorably as I've just sort of compared

1918
01:41:38.880 --> 01:41:41.159
<v Speaker 3>you know, this stuff to like mass production and they've

1919
01:41:41.159 --> 01:41:43.960
<v Speaker 3>got to please a corporate overlord and whatever. They could

1920
01:41:44.119 --> 01:41:47.119
<v Speaker 3>very well have just been like, well, we haven't quite

1921
01:41:47.159 --> 01:41:49.119
<v Speaker 3>cracked it, but we told Disney we'd have a ray

1922
01:41:49.199 --> 01:41:52.640
<v Speaker 3>movie by twenty twenty five, so you know, get the

1923
01:41:52.680 --> 01:41:57.119
<v Speaker 3>cameras rolling. But they haven't. Yeah, you know, I hopefully

1924
01:41:57.159 --> 01:42:00.359
<v Speaker 3>they've you know, taken some lessons from certain things and

1925
01:42:00.399 --> 01:42:00.760
<v Speaker 3>been like.

1926
01:42:00.760 --> 01:42:04.239
<v Speaker 2>Hey, we'll do it own trilogy of sequels. Wait, what

1927
01:42:04.960 --> 01:42:06.359
<v Speaker 2>like their own trilogy.

1928
01:42:05.960 --> 01:42:08.279
<v Speaker 3>Of see sure? Yeah, yeah, I mean it's like, all right,

1929
01:42:08.319 --> 01:42:11.680
<v Speaker 3>this isn't working, Like, well, then let's we we won't

1930
01:42:11.800 --> 01:42:14.039
<v Speaker 3>roll cameras till we find it. That's what I hope

1931
01:42:14.239 --> 01:42:17.000
<v Speaker 3>is happening over there. What a concept.

1932
01:42:17.159 --> 01:42:20.560
<v Speaker 2>Yeah, well that's a hopeful place to leave things.

1933
01:42:22.399 --> 01:42:25.680
<v Speaker 3>Actually, I have some unfortunate place, Zachy. God damn it,

1934
01:42:26.199 --> 01:42:28.960
<v Speaker 3>I'm just kidding. Uh yeah, I just I want to

1935
01:42:29.000 --> 01:42:30.199
<v Speaker 3>I want to be in my zen place.

1936
01:42:30.199 --> 01:42:31.560
<v Speaker 2>I don't want to live there for a little while.

1937
01:42:32.359 --> 01:42:33.039
<v Speaker 3>Yeah. Same.

1938
01:42:34.319 --> 01:42:36.880
<v Speaker 2>Uh well, hey, but let's let us know your thoughts

1939
01:42:36.960 --> 01:42:39.880
<v Speaker 2>on on the state of the Star Wars franchise. Should

1940
01:42:39.920 --> 01:42:44.680
<v Speaker 2>Kathleen Kennedy uh get get tossed out all uh jazz

1941
01:42:44.720 --> 01:42:52.920
<v Speaker 2>on fresh prints or you know, maybe uh the have

1942
01:42:53.079 --> 01:42:55.560
<v Speaker 2>have a little bit of time where where she where

1943
01:42:55.600 --> 01:42:59.079
<v Speaker 2>she co heads the studio with with somebody with with

1944
01:42:59.199 --> 01:43:02.119
<v Speaker 2>new ideas, different ideas. Maybe she can handle the you know,

1945
01:43:02.199 --> 01:43:04.760
<v Speaker 2>kind of like what DC has where James Gunn doing

1946
01:43:04.800 --> 01:43:07.399
<v Speaker 2>the creative end and Peter Saffern doing the money in.

1947
01:43:07.920 --> 01:43:10.079
<v Speaker 3>Yeah, maybe maybe maybe something like that.

1948
01:43:10.399 --> 01:43:14.720
<v Speaker 2>Yeah, I do think, you know, Jon Favreau would be

1949
01:43:14.760 --> 01:43:17.079
<v Speaker 2>smart to stay as far away from that job as possible.

1950
01:43:17.199 --> 01:43:19.520
<v Speaker 3>I think so too. I don't know if he wants

1951
01:43:19.560 --> 01:43:22.479
<v Speaker 3>to be like in a boardroom, you know, like I

1952
01:43:22.479 --> 01:43:23.800
<v Speaker 3>want to see him make more movies.

1953
01:43:24.520 --> 01:43:28.119
<v Speaker 2>Yeah, exactly. Now he directed the Mandalorian movie, right, I

1954
01:43:28.319 --> 01:43:31.880
<v Speaker 2>believe so yeah, Okay, Which again, it's weird how that's

1955
01:43:32.079 --> 01:43:34.600
<v Speaker 2>that's this summer? Right, isn't it that this year?

1956
01:43:35.439 --> 01:43:37.720
<v Speaker 3>Isn't it the next one? Oh? In twenty twenty six?

1957
01:43:37.760 --> 01:43:41.319
<v Speaker 2>Now didn't they finished shooting it like four years ago

1958
01:43:41.399 --> 01:43:41.760
<v Speaker 2>or something?

1959
01:43:42.560 --> 01:43:45.039
<v Speaker 3>I don't know. I'm just looking at an article on Kizmoto.

1960
01:43:46.880 --> 01:43:49.279
<v Speaker 2>I mean, I think, look, when it comes to Star Wars,

1961
01:43:49.319 --> 01:43:51.439
<v Speaker 2>I've said it all along, we need to increase the scarcity.

1962
01:43:51.479 --> 01:43:53.159
<v Speaker 2>So that's fine, take take as long as you need.

1963
01:43:53.199 --> 01:43:55.359
<v Speaker 2>But I think the movie is done shooting, so I

1964
01:43:55.359 --> 01:43:57.479
<v Speaker 2>do wonder why they're just kind of sitting on it.

1965
01:43:57.800 --> 01:44:00.760
<v Speaker 3>Yeah. I don't know that's right, but maybe you do.

1966
01:44:00.880 --> 01:44:02.960
<v Speaker 2>If you have thoughts on the delay of the Mandalorian

1967
01:44:02.960 --> 01:44:05.720
<v Speaker 2>and grow Goo, you can email us at moviefilmpodcast at gmail.

1968
01:44:05.520 --> 01:44:07.680
<v Speaker 3>Dot com if you're Jon Favreau and you want to

1969
01:44:07.680 --> 01:44:08.439
<v Speaker 3>tell us why.

1970
01:44:08.600 --> 01:44:10.560
<v Speaker 2>If you want to just han below low, you know,

1971
01:44:11.880 --> 01:44:14.840
<v Speaker 2>let us know, And you can also hit like on

1972
01:44:14.880 --> 01:44:18.039
<v Speaker 2>our Facebook page, John Fabreau, which is Facebook dot com

1973
01:44:18.039 --> 01:44:21.239
<v Speaker 2>slash moviefilm podcast and you can message just there, Brian.

1974
01:44:21.279 --> 01:44:23.600
<v Speaker 2>We also have a Patreon page, Yes we do.

1975
01:44:23.720 --> 01:44:26.680
<v Speaker 3>If you head over to Patreon dot com slash moviefilm

1976
01:44:26.680 --> 01:44:29.840
<v Speaker 3>podcast and hit subscribe for only five dollars a month,

1977
01:44:29.880 --> 01:44:32.159
<v Speaker 3>the price of a cup of coffee at Starbucks, you'll

1978
01:44:32.159 --> 01:44:35.159
<v Speaker 3>find every commentary we've ever done and receive every episode

1979
01:44:35.159 --> 01:44:39.960
<v Speaker 3>in commentary moving forward, absolutely ad free. It's our way

1980
01:44:40.079 --> 01:44:45.039
<v Speaker 3>of offering the most satisfying experience of listening to the

1981
01:44:45.039 --> 01:44:49.239
<v Speaker 3>podcast possible with allout all the ad breaks, and your

1982
01:44:49.239 --> 01:44:51.359
<v Speaker 3>subscription will go a long way and helping to support

1983
01:44:51.600 --> 01:44:54.359
<v Speaker 3>us and help sustain producing the show. So if you're

1984
01:44:54.399 --> 01:44:56.840
<v Speaker 3>interested in able, please head over to Patreon dot com

1985
01:44:56.840 --> 01:44:59.439
<v Speaker 3>slash moviefilm podcast and subscribe.

1986
01:45:00.279 --> 01:45:02.079
<v Speaker 2>There you go, And if you're looking for me online,

1987
01:45:02.079 --> 01:45:03.880
<v Speaker 2>you can find me on social media at Zachie's Corner.

1988
01:45:03.880 --> 01:45:07.199
<v Speaker 2>That's the Aki S Corner. You can also find my

1989
01:45:07.319 --> 01:45:09.680
<v Speaker 2>reviews at the San Francisco Chronicle, also at the Rap

1990
01:45:09.680 --> 01:45:12.079
<v Speaker 2>and ign and Brian, what do you What do you

1991
01:45:12.159 --> 01:45:12.680
<v Speaker 2>have going on?

1992
01:45:13.359 --> 01:45:15.479
<v Speaker 3>As always, you can find episodes I've written, a Puppy Dog,

1993
01:45:15.520 --> 01:45:18.439
<v Speaker 3>Pals and Young Jedi Adventures streaming on Disney Plus.

1994
01:45:19.680 --> 01:45:22.199
<v Speaker 2>There you go, and with that on behalf of my

1995
01:45:22.199 --> 01:45:23.720
<v Speaker 2>partner Brian Holl. My name is Zachie Saw.

1996
01:45:23.760 --> 01:45:25.720
<v Speaker 3>This has been movie film three eleven.

1997
01:45:26.000 --> 01:45:27.199
<v Speaker 2>We'll catch you next time, folks.

1998
01:45:27.199 --> 01:45:37.279
<v Speaker 1>Thanks welcome friends with podcast podcasting time show Jack again Bryan.

1999
01:45:37.520 --> 01:45:41.119
<v Speaker 1>They're talking dot broby Moming Now podcast on b
