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Speaker 2: When your old career gives you lemons throwing some ice

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mix in some vodka. We call it a podcast from

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the Mac of All Trade Studio in Fairport and driven

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by Victor Kreisler, Dots Gee Brahm. It's Billified, the Bill

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Moran Podcast.

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Speaker 1: Hello and welcome. Thanks for getting your pot on. Thanks

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for telling a friend. We're happy because the Bills. I

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don't know if they had a better team that they

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were facing the fid of I don't know. It was

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a shaky start in my mind. We'll have a lot

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of talk this week about it, but they won forty

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to nine in the end. Today I've invited my son

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Jamison in, and I wanted to talk because Jamison's got Jamison.

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He gets upset with me when I say these things,

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but I think he is one of the funniest people

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I know, and I think he is super super creative.

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And one of the things Jamison really likes to do,

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and I always say, like, the more you do it,

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the better you get, and he's getting better and better

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at it is write rap songs and I thought it

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would be an interesting thing to just talk to you about,

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not just the rap music, but basketball, being a kid,

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all this stuff. But let me ask you this your

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creative process when you're writing a rap song, Where do

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the ideas come from? How do you choose your beats?

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And kind of what is the inspiration for you in

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all things? We'll start, I guess with your creative spot process.

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Where do the ideas come from?

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Speaker 3: It depend on like a situation going on in my life.

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Speaker 1: So they're almost autobiographical.

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Speaker 3: Yeah, or mental health recently, But other songs, like my

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aggressive songs, probably stem from anger or problems I have

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with people.

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Speaker 1: Or it's a great way to get it out my past. Yeah.

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Does it feel good when you get it out? Is

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it sort of cathartic?

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Speaker 3: Yeah? I like listening to it after it, so you do.

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That's something that motivates me to finish it too, because

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I'm like, I don't want to listen to this later.

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Speaker 1: So do do you share it with friends? Do you

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put it anywhere?

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Speaker 3: To the people are my close friends? But you kind

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of I publish it, but I'm working on something right now.

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I don't what do you mean I'm working on, Like

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an album, okay, but.

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Speaker 1: I don't know that. Like you seem to keep this

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I'll use the term close to the vest right. You

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seem to kind of keep it quiet. Do a lot

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of your friends? Are they aware?

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Speaker 2: And know?

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Speaker 3: Everybody in my school knows, Like people in my classes

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sing my lyrics and call me JASO.

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Speaker 1: That's gonna feel fa like all the time. That's got

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to feel pretty good. Yeah, that's interesting.

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Speaker 3: I know some really popular rappers from Rochester.

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Speaker 1: Who are some popular rappers because I do K.

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Speaker 3: Nephew, RX Poppy, Little Perko, rich Baby North, you know future. Yeah,

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rich Baby North has signed a future. Little Perko signed

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a little Dirk, you know Little Dirk, whether if you

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don't remember or not. RX K Nephews just made a

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bunch of popular tiktoks on say, with RX Poppy, what else.

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Speaker 1: Do we have?

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Speaker 3: Slump Success is really popular, really used to be really

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popular in the underground, like really crazy popular, like innovated

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a lot of rap and he's only like nineteen.

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Speaker 1: When when you say innovative a lot of raps.

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Speaker 3: Like underground, he made his whole own genre, like what

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it's called rage. It's crazy, but it's not like Crin's

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it's some really good music. It's from Grease. He went

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to Odyssey, but someone I knew threw like a water

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bottle at him one time and he got knocked out.

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Speaker 1: The person that threw it, Yeah, no.

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Speaker 3: Him Swamp the Rapper. So like anytime he talks tough

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on the internet, I always just remember, I'm like, bro,

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you got beat up by my friend one time.

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Speaker 1: Who is your friend?

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Speaker 3: It doesn't matter. I think it's my friend e j

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or Jordan.

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Speaker 1: Okay, Well, why what so?

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Speaker 3: This is kids getting into fights sometimes, dude, it's not bad.

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Everybody has gotten into a fight. You've gotten into fights

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before when you were younger.

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Speaker 1: I know you have.

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Speaker 3: What do you mean you've never gotten into a fight

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when you were younger?

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Speaker 4: Ever?

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Speaker 1: Once?

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Speaker 3: That's a lie.

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Speaker 1: Always a gentleman, okay, always a gentleman.

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Speaker 3: Okay, Well, I know people in the audience have probably

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gotten into fights when they were younger. Yeah, may probably

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recently grown men.

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Speaker 1: That happens and women. I don't like the you worry

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about fights today because you don't know who's holding what else?

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Speaker 3: Why do you roll your eyes because it's like it's

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not gonna happen in school? Maybe in Greece but.

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Speaker 1: Would you like to play any of any of your music?

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That's up to you.

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Speaker 3: When I have with my friend e J.

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Speaker 1: What do you mean your friend J?

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Speaker 3: My friend J.

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Speaker 1: I have a song you collaborated.

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Speaker 3: Yeah, okay, so he's at the beginning and I'm at that.

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Speaker 1: It's okay, you turn it up playing yep, I can

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turn it up right here there it is.

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Speaker 3: Remember all the first part is not me. I'm not

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saying as childe bass.

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Speaker 1: Right.

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Speaker 3: Yeah, you girling in bad as like a clown, you.

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Speaker 4: Man, because we got your base and she ticket photos,

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gives you post on the grounds and me and my bros.

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Speaker 3: Has around like we don't want her. Yeah, all we

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want is arning seeing David. Is that that's all we understand.

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You down to make them, dude, those that's my that's me. Yeah,

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I didn't know about around with you put my make

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all the dress left the bank and the sting. I

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just loves old.

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Speaker 1: I was riding with the beans on the bank though,

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riding with.

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Speaker 4: My band when my wodies in the cut and they're

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gonna show it if I say something know nothing about always.

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Speaker 1: Now I'm gonna bring it down a little bit. Okay,

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Well I do you're right, I get concerned because if

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there's talk of violence in the Yeah, yeah, I mean

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what why.

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Speaker 3: Because there's this stuff I used to be around, not

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by like force to be around. It was definitely my choice.

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I had no business doing that stuff, but it was

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I don't know, I just would hang around those people

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cause was mad at the world. So I was like,

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I need to figure out a way to just channel

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it out and just take all my anger out on

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just not one person, but just almost an entity, like

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just just everything around me. I just want to be

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mad at like just almost hit that. I don't know

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how to explain it, like the universe. I just want

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to punch it with every decision I make. So back then,

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I'll just make every decision I make.

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Speaker 1: Was was when was this all?

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Speaker 3: Right? A couple of years ago, like two three years ago,

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three four years ago? So this was it all started

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when I was like ten, But you were living down

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south then, No, I was in the city, right.

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Speaker 1: But then when you're saying two three years ago you were.

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Speaker 3: In two three four years ago?

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Speaker 1: You were in the South, Yeah, yeah, And you were

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saying there you were hanging out with Yeah, okay, we'll

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leave it there. But I I think there's a we

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can do. Well, you know what, instead of my regular

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close out song, we'll close out with one of yours.

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How's that? Does that sound good? Yeah?

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Speaker 3: Sounds cool?

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Speaker 1: All right?

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Speaker 3: I can't give them a little taste, like just a

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short of my unreleased music, of.

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Speaker 1: Your unreleased music? Is there one that you think would

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be appropriate and not too offensive to anybody or anything?

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And I'm not trying to Yeah, if there is one,

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give a little taste right here, it's gone.

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Speaker 4: Yeah, Yeah, I'm seven, Km'm in the rock. I'm in

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its subid think you know your baby, I'm not feeling

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a lot this time. My first I'm thinking of you

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love with thinking that you're throwing mix things, shoving me

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so crazy.

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Speaker 3: As we're talking this week day. And if not, will

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you be my lady talking to you through the phone.

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It hurt me because you're so far away.

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Speaker 1: I want to book us tickets, think us just go

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fly away or you could come to rock I get

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the whipping, which is right away?

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Speaker 3: Are you playing my face? Baby?

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Speaker 1: Okay? Who's that about this?

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Speaker 3: Girls?

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Speaker 1: Bro to just just in general or it sounds like

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someone specific, just in general, because it sounds like someone

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that doesn't live here, and that you're gonna you want

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her to come here and you want her to fly away?

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Or Okay, all right, well I just heard the lyrics.

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I just heard them. Basketball.

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Speaker 3: I saw Fitch today at work, you did, I talked

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to him, Coach Fitch?

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Speaker 1: Ye? And what are you saying?

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Speaker 3: I wait to see my Kobe's and then I'm welcome

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to the workouts right now anytime?

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Speaker 1: Would you like to do that? Okay, well you should

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consider that. Are you excited about this? I know you

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want to try out? They're a very competitive team at

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your high school. Coach Fitch. Here's my question to you.

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He is the seventeen and under Olympic coach. Coach Fitch.

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Speaker 3: Yeah, he's not gonna be my coach next year either,

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like this season. He won't even he won't be my coach.

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So I'm not worried about him.

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Speaker 1: But he runs the program. Yeah, I guess he runs

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the program and he's around, but he doesn't have the

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time to be the head coach. But trying out? Are

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you excited for this? Are you looking forward to doing

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some preparation for the tryouts?

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Speaker 3: No?

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Speaker 1: Ready, You're just ready and know where I'm going. You know,

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where you're going.

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Speaker 3: I know what I'm going to do.

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Speaker 1: Well. How about balancing like schoolwork and basketball and friends

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and stuff like that? It is difficult, isn't it? Tell

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me more about that? Why is it difficult?

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Speaker 3: Because sometimes you have stress from like friends, and you're

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worried about certain things going on, and people are always

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telling you, well, well, if that's their problem, then that's

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their problem. But I'm not arrogant, and I'm not I'm

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not arrogant, like I'm not just an asshole. So I'm

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gonna be I'm gonna worry about my friends. I'm gonna

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care about my friends sometimes, gonna put my friends ahead

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of schoolwork because sometimes they're more important to me than

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schoolwork is. But basketball, I'm not doing twenty four to seven.

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Speaker 1: So yeah, But I mean, I think a healthy balance

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of all things sometimes though, I mean, it depends on

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what you want. You got to put that first. I mean,

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all discipline is is putting whatever you want most first.

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That's really what it's all about. If you had to

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pick a walkout song, a song you had to walk

259
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out to the court before a big game, what would

260
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that song be. You're walking out to the court and

261
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they go Here comes do I should I call you

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a Jason.

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Speaker 3: Balla jays O'balla anymore?

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Speaker 1: It's just Jason, Oh, just Jason. You shortened that, okay?

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Speaker 3: Why because Balla is gang affiliated and I don't hang

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with those people anymore. So you're trying to get rid

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of that part of me?

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Speaker 1: Got you?

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Speaker 3: All right? I'mnna play two all right?

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Speaker 1: These are your two walkout songs. These would be the

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song two to three, but I won't play the full thing, okay.

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Speaker 3: First one is Tweakers freestyle my wife je bats.

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Speaker 1: I don't want you to play the whole thing, all right,

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drebody back here.

275
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Speaker 3: Look at that.

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Speaker 1: I can't have that on. I can't.

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Speaker 3: All right, well, keep all right, play it, turn it

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back on.

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Speaker 1: I can't have that lyric, all right.

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Speaker 4: And Brian Swiss after it hits me on land Swiss

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cat of City, all right, we was born it right,

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it's the home and the deviould every day.

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Speaker 3: I can't, Yes, you can't.

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Speaker 1: I can't with it. I can't. But but anyway you

285
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would like that song, Give me another one, another walkout song.

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Here comes number nine.

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Speaker 3: It's glad to be over. This is not the so

288
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I was kind of hoping it you were.

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Speaker 1: That's on on eighty Is he head over? It's like

290
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he has a marathon you think ahead and adding a

291
00:14:14,360 --> 00:14:17,399
bus carreras like he has a marathon. Yeah, boy, get

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bread Banarason landing in a gt ara or something in Arizon.

293
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Having an affair. I'm a whole life fair this like

294
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able to do the like one day. Ain't get enough?

295
00:14:29,399 --> 00:14:30,399
Speaker 3: That's your problem.

296
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Speaker 1: Why is it my problem?

297
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Speaker 3: It's not an issue. You're making it an issue.

298
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Speaker 1: While making it an issue because it's my podcast, and

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I think that people will be offended if I let

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that go out. Don't you think no?

301
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Speaker 3: No one cares, dude, literally nobody cares well.

302
00:14:46,919 --> 00:14:49,360
Speaker 1: What they do. Like I can't say it. I would

303
00:14:49,399 --> 00:14:52,200
never say it. Okay, you don't say it.

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Speaker 3: Okay, that doesn't mean that someone who is black and

305
00:14:56,799 --> 00:14:58,799
says it can't say it. Why are you stripping that

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00:14:58,879 --> 00:14:59,519
right away from them.

307
00:14:59,600 --> 00:15:01,399
Speaker 1: I'm not s tripping them right away from them at all.

308
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But they have the right to say it anytime they want.

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I have also have the right to protect what I

310
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think is my business, and I don't I don't you understand.

311
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Speaker 3: That what it's I'm not I'm just gonna keep playing

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my song.

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Speaker 1: What is this now?

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Speaker 3: Is what your fancy? By nine Vicious?

315
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Speaker 1: So this is your another walkout song. It's a name

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for a walkout.

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Speaker 3: You got?

318
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Speaker 4: You got?

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Speaker 1: Who inspires you the most when you're doing music?

320
00:15:45,840 --> 00:15:46,360
Speaker 3: Young Thug?

321
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Speaker 1: Young Thug?

322
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Speaker 3: Why because he's the greatest rapper?

323
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Speaker 1: Thoughts are?

324
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Speaker 3: Why do you say it's the innovator? He innovated the

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00:15:53,039 --> 00:15:57,080
whole generation following him. Oozy anybody low Wayne? I don't

326
00:15:57,120 --> 00:15:59,639
listen tol Wayne by Low Wayne inspired Young Thug, and

327
00:15:59,679 --> 00:16:02,639
then you Thug ran with it and inspired everybody else.

328
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He's a He's the biggest innovator in rap history, point

329
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blank period. And I will die on that hill. It's true.

330
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I can pull up pictures. I can show how he's

331
00:16:12,759 --> 00:16:15,840
also a fashion mogul and has innovated fashion too, and

332
00:16:15,960 --> 00:16:19,720
has just popularized everything and and how his fashion and

333
00:16:19,799 --> 00:16:21,759
what he used to wear ten years ago people are

334
00:16:21,799 --> 00:16:24,399
wearing ten years later now and everything like that. He's

335
00:16:24,559 --> 00:16:26,960
really he's the best. He's the greatest of all time.

336
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No one's ever going to be better than.

337
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Speaker 1: Where is he out of what city?

338
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Speaker 3: Atlanta?

339
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Speaker 1: Atlanta?

340
00:16:30,919 --> 00:16:31,080
Speaker 3: Uh?

341
00:16:32,000 --> 00:16:33,080
Speaker 1: Is he still in Atlanta?

342
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Speaker 3: Probably? I don't know, Okay, let me get another one.

343
00:16:38,000 --> 00:16:41,480
Speaker 1: Well, you hold on a second. I want to flip

344
00:16:41,559 --> 00:16:44,519
the script a little bit here. I'd like you to

345
00:16:44,600 --> 00:16:54,039
explain what adults often misunderstand about teens today. Because it's

346
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hard because you have.

347
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Speaker 3: Because you don't want your kids to make mistakes.

348
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Speaker 1: Right, I mean, and I guess that's kind of true.

349
00:17:01,919 --> 00:17:08,920
Speaker 3: Trying to how do I say, like, trying to manage

350
00:17:08,960 --> 00:17:11,279
their mental health and now that every kid has mental

351
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health problems, some kids just say that, but kids who

352
00:17:14,400 --> 00:17:18,279
really do and the things that they do may may

353
00:17:18,359 --> 00:17:21,279
not be ideal in the parents' eyes, but it's helping

354
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the kid. Just let the kid do it, bro if

355
00:17:23,880 --> 00:17:25,519
they're if they're not dead yet and they haven't been

356
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in trouble yet, and as long as you know how

357
00:17:27,920 --> 00:17:29,640
long they've been doing it, I don't think you should

358
00:17:29,640 --> 00:17:34,160
fuck you should just just jump, just fucking dive and

359
00:17:34,240 --> 00:17:36,079
hug them and just tackle them and just keep them

360
00:17:36,160 --> 00:17:37,519
like that for the rest of their lives and just

361
00:17:37,599 --> 00:17:40,279
fucking shove medicine down their throat.

362
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Speaker 1: Who okay, all right, but what about like, so, what

363
00:17:45,559 --> 00:17:46,640
are you referring.

364
00:17:46,319 --> 00:17:50,160
Speaker 3: To just any kids? No? No, no, no, I understood

365
00:17:50,160 --> 00:17:53,680
their kids too. Yes, some parents are are fine with

366
00:17:53,759 --> 00:17:57,200
that and understand it. And that's mainly younger parents, because you,

367
00:17:57,599 --> 00:18:05,480
your older parents are are so prone to like using

368
00:18:05,680 --> 00:18:09,119
old school methods and and so used to how it

369
00:18:09,279 --> 00:18:11,559
was when you were a kid, and when I was

370
00:18:11,640 --> 00:18:13,400
a kid, and when I was a kid this, and

371
00:18:13,480 --> 00:18:15,640
when I was a kid. Not only referring to you,

372
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I've heard other parents say this.

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Speaker 1: I'm not I'm not taking it personally at all. I'm

374
00:18:20,200 --> 00:18:24,200
just I'm listening to you. But how about your perspective

375
00:18:24,279 --> 00:18:24,799
on school?

376
00:18:25,920 --> 00:18:27,200
Speaker 3: Is it's fine?

377
00:18:27,480 --> 00:18:30,720
Speaker 1: Yeah? And have they sort of it seems like they

378
00:18:31,359 --> 00:18:34,920
have adapted to more of today's team. Do you feel

379
00:18:35,000 --> 00:18:43,920
like that that's necessarily true? Yeah? How about friendships and things? Friendships, music, technology,

380
00:18:44,160 --> 00:18:47,000
all that? I mean, you have more technology and more

381
00:18:47,039 --> 00:18:50,559
information available at your hands than at any point in

382
00:18:50,680 --> 00:18:53,039
the history of human beings.

383
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Speaker 3: As in what as in like why are we? What?

384
00:18:57,279 --> 00:18:58,559
Speaker 1: Like what I'm saying?

385
00:18:58,599 --> 00:19:00,640
Speaker 3: What about friends? What about music? What about Well?

386
00:19:00,680 --> 00:19:03,319
Speaker 1: I'm just asking like in terms of trying to manage

387
00:19:03,359 --> 00:19:06,920
all that stuff. And has anybody ever maybe upset you

388
00:19:07,079 --> 00:19:09,759
over saying something nasty about your music and it kind

389
00:19:09,799 --> 00:19:11,400
of cut you a little bit, you know what I mean?

390
00:19:11,480 --> 00:19:14,759
And emotionally, and I'm just wondering to like, how do

391
00:19:14,799 --> 00:19:17,319
you navigate all that stuff and and keep it real

392
00:19:17,440 --> 00:19:18,720
at the same time, because.

393
00:19:18,480 --> 00:19:20,519
Speaker 3: Sometimes when people are honest, but when people are just

394
00:19:20,720 --> 00:19:23,000
straight up mean about it, and I know what they

395
00:19:23,119 --> 00:19:25,079
listen to and it's not good music. I know I

396
00:19:25,200 --> 00:19:27,039
make good music. And if you don't think I listened

397
00:19:27,119 --> 00:19:28,960
I make good music, then you don't know what I'm

398
00:19:29,000 --> 00:19:31,640
listening to because I'm not only listening to rap music.

399
00:19:31,920 --> 00:19:33,440
Speaker 1: Yeah, I like Mary J.

400
00:19:33,599 --> 00:19:36,079
Speaker 3: Blod's new addition and all that type of stuff. But yeah,

401
00:19:36,759 --> 00:19:40,599
I feel like, if you don't like my music, then

402
00:19:40,599 --> 00:19:42,920
that's your problem. But don't just fuck don't just come

403
00:19:42,960 --> 00:19:44,680
at me with it. Keep that to yourself. You don't

404
00:19:44,720 --> 00:19:46,599
have to tell me you don't like it unless I

405
00:19:46,720 --> 00:19:52,519
ask you. Don't tell me. I don't care for anybody watching.

406
00:19:52,519 --> 00:19:54,680
I don't want them comment to being like this music strives.

407
00:19:54,759 --> 00:19:56,279
Speaker 1: This is your son. I hope you know this is

408
00:19:56,319 --> 00:19:58,599
your son, right, This is your son rapping about this.

409
00:19:58,720 --> 00:20:00,799
Speaker 3: You know this is your son and you raised this.

410
00:20:01,759 --> 00:20:04,799
He knows, Like, shut up, bro go worry about your kid.

411
00:20:04,799 --> 00:20:06,000
He's probably doing drugs.

412
00:20:06,160 --> 00:20:06,599
Speaker 1: Why are you?

413
00:20:07,279 --> 00:20:09,480
Speaker 3: Why do you Why does that make you mad because

414
00:20:09,640 --> 00:20:12,079
because they worry about I feel like adults in some

415
00:20:12,200 --> 00:20:13,960
of your audience, some of your audience don't take this

416
00:20:14,039 --> 00:20:15,279
to heart. If you're taking it to heart, then you

417
00:20:15,359 --> 00:20:20,839
know that I'm talking about you. But it's also immature

418
00:20:20,880 --> 00:20:22,319
to take things to heart as a grown folk.

419
00:20:22,680 --> 00:20:25,960
Speaker 1: But well, it's it's it's a human being, you know,

420
00:20:26,160 --> 00:20:27,279
and sometimes we all get it.

421
00:20:27,319 --> 00:20:29,519
Speaker 3: If you're worrying about feeling and you're trying to talk

422
00:20:29,559 --> 00:20:31,680
to my dad about how I'm being raised and how

423
00:20:31,799 --> 00:20:32,559
I am right now.

424
00:20:32,599 --> 00:20:33,160
Speaker 1: Nobody does.

425
00:20:34,240 --> 00:20:36,839
Speaker 3: It's happened before You're fine, It's happened before you ask

426
00:20:36,920 --> 00:20:38,759
me a question. Do I'm trying to answer it? Okay,

427
00:20:39,880 --> 00:20:41,759
Then you need to go worry about your kid, because

428
00:20:41,759 --> 00:20:43,799
if you're worried about me, that means you're not worrying

429
00:20:43,799 --> 00:20:46,000
about your kid, and that also means that you're a

430
00:20:46,039 --> 00:20:46,519
bad parent.

431
00:20:46,759 --> 00:20:49,160
Speaker 1: Maybe maybe it doesn't mean you're a bad parent, doesn't

432
00:20:49,359 --> 00:20:50,720
It doesn't necessarily if.

433
00:20:50,599 --> 00:20:52,960
Speaker 3: You're trying to talk bad about another I don't think

434
00:20:53,279 --> 00:20:55,799
people talk bad. There have been people who've talked bad

435
00:20:55,839 --> 00:20:58,359
about me in your comments, and they know who they are.

436
00:20:59,200 --> 00:20:59,920
Speaker 1: Oh I haven't seen it.

437
00:21:00,799 --> 00:21:04,279
Speaker 3: You've showed me the comments oh, maybe once a couple

438
00:21:04,359 --> 00:21:08,759
of times. Then focus on yourself, because I'm going to

439
00:21:08,799 --> 00:21:10,599
be doing better than you five years from now.

440
00:21:10,920 --> 00:21:11,799
Speaker 1: I know that for a fact.

441
00:21:11,799 --> 00:21:13,640
Speaker 3: I'm not just one of those kids who say it, okay,

442
00:21:13,680 --> 00:21:16,559
I promise you I'm going to doing better than anybody

443
00:21:16,599 --> 00:21:17,599
who talks about on me right now.

444
00:21:17,680 --> 00:21:21,119
Speaker 1: All right, I look, I do not understand the fuel

445
00:21:21,519 --> 00:21:24,240
like the other thing is. No. I know, but that

446
00:21:24,480 --> 00:21:26,839
obviously hurt you and I and my bad for maybe

447
00:21:26,920 --> 00:21:27,599
sharing that with you.

448
00:21:27,720 --> 00:21:29,680
Speaker 3: But I need you to show me that type of

449
00:21:29,680 --> 00:21:32,359
stuff well that that maybe it'll help me be better

450
00:21:32,519 --> 00:21:34,480
and had something better. I'm way different than I was

451
00:21:34,599 --> 00:21:38,680
last year, and I hope people can see that listening

452
00:21:38,720 --> 00:21:40,279
to me now looking at me now.

453
00:21:40,559 --> 00:21:45,359
Speaker 1: Yes, I think that. I look, you are at a

454
00:21:45,480 --> 00:21:49,240
tough age because there's so much going on. And when

455
00:21:49,240 --> 00:21:51,400
I was starting to say about technology and you said,

456
00:21:51,400 --> 00:21:54,000
what do you mean? I mean, there's so much information

457
00:21:54,279 --> 00:21:58,079
at your fingertips all the time, whether it's right, accurate

458
00:21:58,240 --> 00:22:01,400
or not entertaining or not, it's all there. You can

459
00:22:01,519 --> 00:22:03,920
find anything. You just showed me something that I didn't

460
00:22:03,920 --> 00:22:07,000
even know existed about a guy on a plane. Right

461
00:22:07,240 --> 00:22:09,720
I'm just saying, like it's all right there, And so

462
00:22:10,200 --> 00:22:13,359
you you have a very different world than even your

463
00:22:13,440 --> 00:22:16,920
brothers had because it's all accessible and that's all you've

464
00:22:16,960 --> 00:22:17,480
ever known.

465
00:22:17,799 --> 00:22:20,519
Speaker 3: I had a different word than my brothers. They were

466
00:22:21,240 --> 00:22:23,440
they were what, oh, stay away?

467
00:22:24,119 --> 00:22:27,319
Speaker 1: What is that? I don't even know what that.

468
00:22:27,359 --> 00:22:31,680
Speaker 3: Means, kind of just put into a bubble on certain things.

469
00:22:31,640 --> 00:22:32,799
Speaker 1: I feel like they were.

470
00:22:33,119 --> 00:22:34,720
Speaker 3: Yeah, maybe you feel like they had a way better

471
00:22:34,799 --> 00:22:38,599
life than me. Okay, well you've said that too. You've agreed.

472
00:22:38,839 --> 00:22:40,839
You haven't said it, but you've agreed with me on that.

473
00:22:42,160 --> 00:22:45,440
Speaker 1: I've agreed with you on that.

474
00:22:45,519 --> 00:22:48,440
Speaker 3: I've had a harder life than Jackson and Jordan maybe, and.

475
00:22:48,640 --> 00:22:49,079
Speaker 1: They know that.

476
00:22:49,240 --> 00:22:51,759
Speaker 3: Jordan said it. Jackson's all right, I'm.

477
00:22:51,640 --> 00:22:53,640
Speaker 1: Not That's not what I'm talking about. I'm talking about

478
00:22:53,680 --> 00:22:59,079
the technology and how much is available to you. And

479
00:23:00,079 --> 00:23:02,599
that's something that you've had your whole life.

480
00:23:02,680 --> 00:23:04,119
Speaker 3: Yeah, that's how I figured out how to make music.

481
00:23:04,279 --> 00:23:05,319
Speaker 1: Yeah, I mean it is.

482
00:23:05,440 --> 00:23:06,200
Speaker 3: I make everything.

483
00:23:06,480 --> 00:23:07,079
Speaker 1: What else have you?

484
00:23:07,240 --> 00:23:10,160
Speaker 3: This right here is my studio, Yeah, my headphones and

485
00:23:10,240 --> 00:23:12,480
my phone. I can show you how to make my

486
00:23:12,640 --> 00:23:15,000
songs too. Yeah, I think that would be a good idea.

487
00:23:15,880 --> 00:23:18,519
Maybe I'll show them how I do it do a vlog, no, like,

488
00:23:18,720 --> 00:23:21,279
just now, like, just pull it up real quick, show

489
00:23:21,319 --> 00:23:23,279
me all right, I'll just pull up a song that

490
00:23:23,599 --> 00:23:25,359
haven't showed y'all. I'll show you like a little bit

491
00:23:25,400 --> 00:23:26,759
of it, and now I'll show you how I make it.

492
00:23:27,160 --> 00:23:28,920
All right, it's actually loaded me right in. All right,

493
00:23:28,960 --> 00:23:32,799
So this is blood and buttons. M just play a

494
00:23:32,799 --> 00:23:33,880
little bit of it quick.

495
00:23:36,559 --> 00:23:40,720
Speaker 1: Do you identify yourself like every song? Yeah?

496
00:23:40,880 --> 00:23:43,119
Speaker 3: Like I started doing that and then I ran with

497
00:23:43,200 --> 00:23:44,559
it in my margin's house.

498
00:23:44,799 --> 00:23:49,960
Speaker 1: Okay, but should you? I always make fun of DJ Kalen.

499
00:23:50,440 --> 00:23:54,279
Speaker 3: Everybody likes it. They do, yeah, bro producer tagsj Cod

500
00:23:54,279 --> 00:24:00,119
does it because that's his producer tag. Okay, yeah, and

501
00:24:00,160 --> 00:24:02,559
buns don't want to get on my show.

502
00:24:02,599 --> 00:24:04,559
Speaker 4: I'm found my life just cause is dealt blood and

503
00:24:04,599 --> 00:24:06,960
bunch face coming out can't.

504
00:24:06,799 --> 00:24:08,839
Speaker 1: Fix I'm I thought you were going to show how

505
00:24:08,880 --> 00:24:09,240
you make this.

506
00:24:09,519 --> 00:24:11,640
Speaker 3: I was showing them a little bit. Now show make it. So.

507
00:24:12,279 --> 00:24:16,400
I probably put in four to five to six tracks

508
00:24:18,200 --> 00:24:20,839
and then the beats up top. I'll scream recorder download

509
00:24:20,920 --> 00:24:25,039
it depends, and I'll let me show you what it

510
00:24:25,079 --> 00:24:28,359
looks like raw with no pre set, a preset. I'll

511
00:24:28,440 --> 00:24:32,960
mix it down. So I have a compressor, I have

512
00:24:33,119 --> 00:24:36,480
a noise gate. I have a d sir. I don't

513
00:24:36,480 --> 00:24:36,960
know what that does.

514
00:24:37,200 --> 00:24:40,240
Speaker 1: DSER takes like your high not to your Q.

515
00:24:41,720 --> 00:24:44,359
Speaker 3: And then a graphic EQ. And then I have another

516
00:24:44,519 --> 00:24:48,960
DSER on there my ad libs. I have another ad

517
00:24:49,000 --> 00:24:49,440
lib one.

518
00:24:50,039 --> 00:24:51,519
Speaker 1: I'll show that on why do you do the two

519
00:24:51,640 --> 00:24:52,160
d s ers?

520
00:24:53,519 --> 00:24:56,920
Speaker 3: Because it compresses it down like even more because because

521
00:24:56,920 --> 00:24:59,920
I'm using the headphones, so the headphones are really prone

522
00:25:00,079 --> 00:25:04,359
to the sounds, so listen, like when I say buttons

523
00:25:04,839 --> 00:25:06,440
and I have a ton thrust, you won't really hear

524
00:25:06,559 --> 00:25:10,559
much like watch blood and buns don't want on Nelson Blos.

525
00:25:12,759 --> 00:25:13,480
Speaker 1: Is that the raw?

526
00:25:13,799 --> 00:25:13,839
Speaker 5: No?

527
00:25:14,039 --> 00:25:15,759
Speaker 3: But I'm about to show you you ready, Yeah, this

528
00:25:15,920 --> 00:25:17,640
is with no preset, and what it sounds like with

529
00:25:17,799 --> 00:25:22,400
no preset at all? Okay, yeah, it's Jayson blood and

530
00:25:22,440 --> 00:25:26,319
buzz then one bloods Yeah the buzz.

531
00:25:26,160 --> 00:25:29,160
Speaker 1: Is dope so it almost sounds overmodulated. And then you

532
00:25:29,319 --> 00:25:31,319
go how clear yeah yeah, yeah.

533
00:25:31,960 --> 00:25:34,640
Speaker 3: Blood and buzz don't want no blood bush?

534
00:25:34,720 --> 00:25:38,400
Speaker 1: Yeah, and then when you go through the processor.

535
00:25:38,000 --> 00:25:40,079
Speaker 3: And then let me show you'll one more time after

536
00:25:40,319 --> 00:25:42,200
what it looks like. And I'm gonna pull up a

537
00:25:42,200 --> 00:25:44,839
different track, just real quick, so I can show them

538
00:25:44,880 --> 00:25:48,160
with because that's a I have different presets on different songs.

539
00:25:48,240 --> 00:25:51,440
Talk that mic, because I have different presets on different songs.

540
00:25:51,440 --> 00:25:53,880
I'm going to show y'all another one after this. But

541
00:25:54,200 --> 00:25:57,519
here again is what it sounds like with the preset's

542
00:25:58,319 --> 00:26:01,640
blood and buns. Don't want on Neilson Easy how the

543
00:26:01,720 --> 00:26:04,200
original mic? You can just break that all down. It's

544
00:26:04,279 --> 00:26:07,079
so crazy how that works. This one, I don't know

545
00:26:07,119 --> 00:26:09,799
what I'm gonna call. It's just unreleased. Here's a lot

546
00:26:09,799 --> 00:26:17,640
of people like this one when you ain't on my phone. So,

547
00:26:19,000 --> 00:26:21,359
same preset on the vocals, but I'm using auto tune.

548
00:26:21,599 --> 00:26:24,200
I turned my auto tune to the heaviest but not

549
00:26:24,359 --> 00:26:29,000
to the max, and I use this one is uh

550
00:26:29,319 --> 00:26:37,720
f f n G major but major pentatonic. But my presets.

551
00:26:38,000 --> 00:26:40,799
Let me show you my my it's the same vocal preset.

552
00:26:40,880 --> 00:26:42,559
But now I'm about to show you all my ad

553
00:26:42,680 --> 00:26:45,640
lib one that I use. So this one is called

554
00:26:45,680 --> 00:26:50,319
Angel Libs and it's called it has a noisegate, it

555
00:26:50,400 --> 00:26:54,759
has studio reverb, has an EQ, has a graphic EQ,

556
00:26:55,440 --> 00:26:58,599
and then it has a tech lab b a two

557
00:26:58,680 --> 00:27:01,000
A and it's on come press mode.

558
00:27:01,200 --> 00:27:05,119
Speaker 1: And this is all on what app and everybody has that,

559
00:27:05,359 --> 00:27:06,240
a lot of people have it.

560
00:27:06,319 --> 00:27:09,680
Speaker 3: It's not like garage band. Okay, download it. But I'm

561
00:27:09,680 --> 00:27:12,480
gonna show y'all solo what the add lips sound like,

562
00:27:12,680 --> 00:27:14,839
just so you can you know what I'm saying. Mhm,

563
00:27:15,400 --> 00:27:28,200
this is what that process. Then i'm gonna show you raw.

564
00:27:28,640 --> 00:27:31,720
Speaker 1: Okay, let's hear it raw really bad.

565
00:27:31,920 --> 00:27:38,720
Speaker 3: Probably Yeah.

566
00:27:39,400 --> 00:27:41,279
Speaker 1: How do you choose the beats the backing beat?

567
00:27:41,559 --> 00:27:43,200
Speaker 3: It depends on what I want to sound like. I

568
00:27:43,319 --> 00:27:45,599
like from Alabama, so I like using fat Mag beats

569
00:27:45,720 --> 00:27:46,359
from Alabama.

570
00:27:46,839 --> 00:27:49,920
Speaker 1: Okay, and you can use fat Mag.

571
00:27:49,839 --> 00:27:53,480
Speaker 3: Beats, yes, I can use free free beats.

572
00:27:54,759 --> 00:27:55,119
Speaker 2: All right.

573
00:27:55,920 --> 00:27:59,200
Speaker 3: Now i'm gonna show y'all. I'm gonna show you all

574
00:27:59,200 --> 00:28:05,359
the precept with no beat at all, just acapella. Wo yeah,

575
00:28:06,880 --> 00:28:09,200
y'all kind of get the gist. Now I'm gonna show

576
00:28:09,200 --> 00:28:13,680
you the vocals compost when.

577
00:28:13,559 --> 00:28:15,480
Speaker 5: You ain't on my phone and then you get mad

578
00:28:15,519 --> 00:28:17,160
when I can file a sleeping jeees.

579
00:28:16,960 --> 00:28:21,960
Speaker 3: Get to my dome, so that one, and then we're

580
00:28:22,000 --> 00:28:24,680
gonna turn the pre set off. You remember turned the

581
00:28:24,720 --> 00:28:28,200
beat off too, So it's just my robin. So this

582
00:28:28,440 --> 00:28:31,720
is it when no preset and no beat at all.

583
00:28:32,680 --> 00:28:35,200
Speaker 5: How I'm post file asleep when you ain't on my phone,

584
00:28:35,319 --> 00:28:39,720
then you get turned down. How I'm post file asleep

585
00:28:39,759 --> 00:28:41,839
when you ain't on my phone? Then you get mad

586
00:28:41,880 --> 00:28:43,559
when I go file to sleep and jeees get to

587
00:28:43,680 --> 00:28:44,599
my dome plug.

588
00:28:44,400 --> 00:28:48,200
Speaker 3: Lookie my day you see, and then switched and has.

589
00:28:48,079 --> 00:28:50,720
Speaker 1: A pre set and then you put it on play

590
00:28:50,799 --> 00:28:55,240
play play the original polished like all together, the polish.

591
00:28:55,440 --> 00:29:03,279
Speaker 3: Version, compost asleep when I went on my phone, like

592
00:29:03,400 --> 00:29:05,839
I'm engineering all of my music by myself.

593
00:29:05,960 --> 00:29:06,799
Speaker 1: Yeah, and you love it?

594
00:29:06,960 --> 00:29:07,680
Speaker 3: Yeah, I love doing it.

595
00:29:07,920 --> 00:29:08,119
Speaker 1: Yeah.

596
00:29:08,200 --> 00:29:09,079
Speaker 3: I learned how to do it.

597
00:29:10,680 --> 00:29:13,319
Speaker 1: Just on your own. Yeah, isn't that fun? That's the

598
00:29:13,440 --> 00:29:16,599
technology stuff that I'm talking about that didn't exist now,

599
00:29:16,799 --> 00:29:18,160
not for me, and I don't know that it was

600
00:29:18,319 --> 00:29:20,920
really around when Jackson and Jordan came through.

601
00:29:21,079 --> 00:29:22,640
Speaker 3: I could show you. Wait, let me show you how

602
00:29:22,680 --> 00:29:24,640
much better I've gotten, guys, let me show you my

603
00:29:24,839 --> 00:29:30,119
way old account, Like this isn't even my oldest account. Okay, Like,

604
00:29:30,160 --> 00:29:35,160
look how young I look in the profile picture? Due

605
00:29:35,359 --> 00:29:36,279
fresh off the plane?

606
00:29:37,640 --> 00:29:38,559
Speaker 1: A voice two.

607
00:29:38,799 --> 00:29:41,000
Speaker 3: You'll hear the change of my voice. You probably haven't

608
00:29:41,000 --> 00:29:44,480
even noticed, like, because I've just grown with you. That's

609
00:29:44,480 --> 00:29:46,000
how I've noticed my friends, Like I've grown with my

610
00:29:46,039 --> 00:29:47,960
friends too much. I don't even remember what may I've

611
00:29:48,480 --> 00:29:51,799
like they've always done like this, but I haven't. It's

612
00:29:51,799 --> 00:29:52,480
a lot already.

613
00:29:52,799 --> 00:30:01,799
Speaker 1: Yeah is that you? That's you?

614
00:30:02,119 --> 00:30:04,480
Speaker 3: Yeah? I got this one all right.

615
00:30:18,200 --> 00:30:20,920
Speaker 1: You sound like Justin Bieber, like young when you were

616
00:30:20,920 --> 00:30:22,920
saying you do like, that's all.

617
00:30:22,799 --> 00:30:25,359
Speaker 3: I'll show you. I can't show them my oldest song ever.

618
00:30:25,640 --> 00:30:27,160
Speaker 1: Yes, you can show the oldest song.

619
00:30:27,200 --> 00:30:30,799
Speaker 3: I'm sorry, I'm sorry. Al Right, here's where my oldest

620
00:30:30,920 --> 00:30:32,839
like my old band lab. I'm gonna show them my

621
00:30:32,880 --> 00:30:35,559
oldest song and my oldest band LAB song. So when

622
00:30:35,599 --> 00:30:37,839
I really this was made on a PlayStation party right

623
00:30:37,839 --> 00:30:42,519
now made back smoke, this is boy, and put your

624
00:30:42,599 --> 00:30:45,559
stuff back. I've been talking about the same stuff since

625
00:30:45,599 --> 00:30:48,720
I was ten, So this isn't like just me trying

626
00:30:48,759 --> 00:30:49,680
to be someone who I'm not.

627
00:30:49,799 --> 00:30:51,920
Speaker 1: This is I've been like this ten.

628
00:30:53,440 --> 00:30:57,960
Speaker 3: All right, So this is my oldest said so funny.

629
00:30:59,160 --> 00:31:07,920
This is literally my oldest BAMAP song ever, probably writing

630
00:31:08,079 --> 00:31:15,599
with my dad. You see what I'm saying, Like I've

631
00:31:15,680 --> 00:31:18,559
came a long way yes, I agree, and I agree.

632
00:31:19,240 --> 00:31:21,039
You have seen my most recent song.

633
00:31:21,279 --> 00:31:23,920
Speaker 1: Yes, let me uh, I want to give you a

634
00:31:23,960 --> 00:31:26,960
little quiz. Maybe you can help people out. We hear

635
00:31:28,000 --> 00:31:31,359
slang words from people your age. All right, can you

636
00:31:31,440 --> 00:31:36,400
explain what does it mean when someone says something is

637
00:31:36,640 --> 00:31:38,279
riz like game.

638
00:31:38,319 --> 00:31:41,359
Speaker 3: We don't even say that anymore. You don't say rizporary.

639
00:31:41,359 --> 00:31:43,400
Speaker 1: See. I always thought riz was like charisma.

640
00:31:43,640 --> 00:31:45,799
Speaker 3: That's where it stems from. And you didn't think that. Yeah,

641
00:31:45,839 --> 00:31:46,640
I did found that out.

642
00:31:46,640 --> 00:31:49,400
Speaker 1: It's no, no, no, no, I always thought it was charisma.

643
00:31:49,480 --> 00:31:54,200
Speaker 3: Let me see the paper right here, there's just questions. No,

644
00:31:54,359 --> 00:31:56,799
come here, what is it? Is it questions? Or does

645
00:31:56,880 --> 00:31:57,519
it have the answers?

646
00:31:57,640 --> 00:32:00,680
Speaker 1: No, it doesn't have the answers. You didn't look it up. Why.

647
00:32:00,680 --> 00:32:04,559
I always thought charisma meant riz like meant charisma. That's

648
00:32:04,640 --> 00:32:06,400
what I thought it was. I don't know. I'm just

649
00:32:06,440 --> 00:32:09,720
trying to interpret. Tell me if a friend says that

650
00:32:10,079 --> 00:32:11,559
is fire or that's oh.

651
00:32:11,480 --> 00:32:15,240
Speaker 3: Yeah, that's fire like, that's tough. But in Rochester we

652
00:32:15,319 --> 00:32:16,960
say that's flock like, that's flock.

653
00:32:17,880 --> 00:32:19,279
Speaker 1: Okay, so you don't say fire.

654
00:32:19,400 --> 00:32:21,200
Speaker 3: We say fire and we say flock. That's a New

655
00:32:21,279 --> 00:32:21,720
York term.

656
00:32:21,799 --> 00:32:25,240
Speaker 1: Flock. Okay, that's flock. How about what does it mean

657
00:32:25,359 --> 00:32:27,440
to cap captain you're lying?

658
00:32:27,559 --> 00:32:27,640
Speaker 4: Bro?

659
00:32:28,000 --> 00:32:31,400
Speaker 1: Okay, cap And what's something that's no cap?

660
00:32:31,759 --> 00:32:33,440
Speaker 3: No cap, no lies, no bad.

661
00:32:33,559 --> 00:32:34,920
Speaker 1: Okay no cap so truth?

662
00:32:35,079 --> 00:32:35,240
Speaker 4: Yeah?

663
00:32:35,359 --> 00:32:37,119
Speaker 3: Or like where to my mother? Or like where to

664
00:32:37,200 --> 00:32:40,079
my mom's where to bro? Oh god?

665
00:32:40,880 --> 00:32:41,759
Speaker 1: How about low key?

666
00:32:42,039 --> 00:32:46,119
Speaker 3: Low key? Everybody knows that low key? Like I don't

667
00:32:46,119 --> 00:32:46,680
I don't want.

668
00:32:46,519 --> 00:32:48,920
Speaker 1: To do that, like quietly secretly key.

669
00:32:49,000 --> 00:32:51,599
Speaker 3: That's tough, bro Like, that's slick, tough, like I ain't

670
00:32:51,599 --> 00:32:53,960
gonna lie like I'm basically me He's like, I'm not gonna.

671
00:32:53,759 --> 00:32:58,000
Speaker 1: Lie slide into d MS. Anybody say that in your world?

672
00:32:58,240 --> 00:32:58,440
Speaker 3: Yeah?

673
00:32:58,480 --> 00:33:01,359
Speaker 1: I guess, Yeah. I mean it just means to kind

674
00:33:01,400 --> 00:33:05,880
of get into someone's private messages, right yeah? Yeah took

675
00:33:05,880 --> 00:33:08,640
an ol taken? Now you took an Now you lost?

676
00:33:08,839 --> 00:33:12,359
Yeah you lost. What does it mean when a song

677
00:33:12,599 --> 00:33:15,079
or a moment is called a banger?

678
00:33:15,559 --> 00:33:18,119
Speaker 3: A banger that's fire like the same thing as fire. Like,

679
00:33:18,200 --> 00:33:20,680
that's fire, that's good, that's tough, amazing great. The fact

680
00:33:20,720 --> 00:33:23,680
that I use the definition of banger as fire, it's crazy.

681
00:33:24,039 --> 00:33:31,480
Speaker 1: Okay. How about if someone says sheesh.

682
00:33:31,519 --> 00:33:33,480
Speaker 3: I won't say that anymore. You don't know that wasn't

683
00:33:33,519 --> 00:33:37,279
that's not even lingo. Okay, nobody says that. Alright, I'm

684
00:33:37,359 --> 00:33:38,880
gonna give you I'm the next time, I'm going to

685
00:33:38,920 --> 00:33:39,559
give you lingo.

686
00:33:39,759 --> 00:33:41,279
Speaker 1: All right. How about mid.

687
00:33:41,519 --> 00:33:44,759
Speaker 3: Mid everybody knows that's just that's not even slang mid

688
00:33:44,880 --> 00:33:46,839
like it's mid average average.

689
00:33:47,079 --> 00:33:50,599
Speaker 1: Great, all right, I want to give you ones from

690
00:33:50,640 --> 00:33:51,720
the eighties and nineties.

691
00:33:51,759 --> 00:33:53,039
Speaker 3: We're gonna know what these means, you think?

692
00:33:53,119 --> 00:33:57,119
Speaker 1: So, yeah, all right, rad is People.

693
00:33:56,960 --> 00:33:59,440
Speaker 3: Still say rad like it's fire. That's nowadays we turn

694
00:33:59,519 --> 00:34:00,000
that into fire.

695
00:34:00,240 --> 00:34:03,039
Speaker 1: Okay, good? Uh what does it mean when someone used

696
00:34:03,039 --> 00:34:05,000
to say psych psych?

697
00:34:05,279 --> 00:34:06,519
Speaker 3: We still say psych?

698
00:34:06,640 --> 00:34:11,599
Speaker 1: You do really yessych like just kidding, tricky.

699
00:34:11,719 --> 00:34:13,400
Speaker 3: I don't even know how to use the definition, just

700
00:34:13,440 --> 00:34:15,480
like psych e. Everybody knows what that means.

701
00:34:15,519 --> 00:34:18,320
Speaker 1: Okay psych. Uh, here's one that I don't think you've

702
00:34:18,360 --> 00:34:21,320
ever heard. You can figure it out. I think it

703
00:34:21,400 --> 00:34:24,000
was more of a nineties term, all that in a

704
00:34:24,079 --> 00:34:24,679
bag of chips.

705
00:34:24,719 --> 00:34:26,400
Speaker 3: We still say all that in a bag of chips.

706
00:34:26,519 --> 00:34:28,800
That's a Southern term. Now, like that's a not to

707
00:34:28,840 --> 00:34:30,800
be that guy. You don't think I'm racist, that's a

708
00:34:31,159 --> 00:34:33,559
that's kind of black people term too? Is it urban

709
00:34:33,639 --> 00:34:35,159
a little bit, just a little bit, don't.

710
00:34:34,960 --> 00:34:38,079
Speaker 1: Okay, okay, okay, nobody's getting on nobody's getting on you.

711
00:34:38,400 --> 00:34:44,480
Nobody's getting on you. Bogart sad? What does it mean

712
00:34:44,559 --> 00:34:45,880
to bogart something.

713
00:34:47,440 --> 00:34:49,000
Speaker 3: Like amp it up more than it really is?

714
00:34:49,400 --> 00:34:49,440
Speaker 2: No?

715
00:34:49,800 --> 00:34:51,719
Speaker 1: What is it? This is good? It means to hog it,

716
00:34:52,039 --> 00:34:53,079
to like take all of it.

717
00:34:53,159 --> 00:34:58,360
Speaker 3: Okay, don't that a real term? Like yes, U yes, yes, homie, homie.

718
00:34:58,159 --> 00:35:01,199
Speaker 1: Yeah, you know what that is. It's basically your friend, right.

719
00:35:01,880 --> 00:35:02,000
Speaker 3: Uh?

720
00:35:03,119 --> 00:35:05,800
Speaker 1: How about what does it mean if someone says word

721
00:35:06,280 --> 00:35:07,519
after you said something.

722
00:35:07,360 --> 00:35:09,960
Speaker 3: That's a New York term word? Yeah, like a word

723
00:35:10,119 --> 00:35:11,960
I also said earlier, word of my mom's.

724
00:35:13,079 --> 00:35:15,760
Speaker 1: How about if something is fat? P h a t fat?

725
00:35:15,840 --> 00:35:18,800
Speaker 3: That's fire like, that's tough, that's nice. Lay a fat

726
00:35:18,920 --> 00:35:21,559
rhyme on a beach, s lay that fat down.

727
00:35:23,039 --> 00:35:25,599
Speaker 1: Here's one that I never liked. I never liked this

728
00:35:26,400 --> 00:35:27,920
and it would annoy me. And I can think of

729
00:35:27,960 --> 00:35:28,719
a girl in school.

730
00:35:28,719 --> 00:35:32,280
Speaker 3: You talk to the head, talk to the hand, Yeah,

731
00:35:32,360 --> 00:35:33,559
shut up, talk to my hand.

732
00:35:33,840 --> 00:35:35,199
Speaker 1: Yeah, I'm not listening to you.

733
00:35:35,239 --> 00:35:35,800
Speaker 3: I'm not listening.

734
00:35:36,119 --> 00:35:36,239
Speaker 1: Uh.

735
00:35:36,920 --> 00:35:40,400
Speaker 3: Relaxing, relaxing, say's another way of the same, relaxing but

736
00:35:40,719 --> 00:35:41,280
keeping it cool.

737
00:35:41,360 --> 00:35:43,239
Speaker 1: How about get jiggy getting jiggy with it?

738
00:35:44,880 --> 00:35:47,079
Speaker 3: What come on, bro, we know get jiggy what it means?

739
00:35:47,320 --> 00:35:47,800
Speaker 1: What does it mean?

740
00:35:48,280 --> 00:35:50,559
Speaker 3: Well, get jiggy? Would it coming to the Yes, it can't.

741
00:35:51,320 --> 00:35:54,400
Get jiggy with a community a girl or get jiggy

742
00:35:54,400 --> 00:35:55,239
with it comun're dancing?

743
00:35:55,400 --> 00:35:55,599
Speaker 1: Yeah?

744
00:35:56,960 --> 00:35:57,039
Speaker 3: Uh.

745
00:35:57,360 --> 00:36:01,400
Speaker 1: I always think that you are extremely funny. When do

746
00:36:01,400 --> 00:36:01,880
you want to be?

747
00:36:02,039 --> 00:36:04,199
Speaker 3: Okay? When you make someonant die laughing the network?

748
00:36:04,519 --> 00:36:07,039
Speaker 1: You did? Ye? Tell me about that? Do you mind?

749
00:36:07,800 --> 00:36:08,760
You work at Wegmans.

750
00:36:08,840 --> 00:36:11,920
Speaker 3: So this lady who was like, obviously had some money. Yes,

751
00:36:12,119 --> 00:36:14,199
she was done buying and today we're doing a If

752
00:36:14,239 --> 00:36:17,320
you're going to Wegmans, please go donate or round up

753
00:36:17,440 --> 00:36:21,360
or donate your own specific amount to check Out for Hunger.

754
00:36:21,480 --> 00:36:23,800
One hundred percent of the donations go to check Out

755
00:36:23,840 --> 00:36:26,119
for Hunger and it just is you know what.

756
00:36:26,280 --> 00:36:27,519
Speaker 1: Sounds like, it's that's great.

757
00:36:28,079 --> 00:36:31,599
Speaker 3: So you also get a bingo table, so like, you

758
00:36:31,719 --> 00:36:34,199
check out the amounts and you'll get a prize after

759
00:36:34,440 --> 00:36:38,519
for getting donations for Checkout for Hunger. So this lady

760
00:36:38,639 --> 00:36:40,880
was like, no, I'm fine, And before she left, I

761
00:36:40,960 --> 00:36:42,199
was like I hope you remember that when you go

762
00:36:42,280 --> 00:36:44,480
to sleep at night. And she was dying and she

763
00:36:44,599 --> 00:36:46,000
said thank you for the laugh.

764
00:36:46,039 --> 00:36:49,400
Speaker 1: And I was She said no to check out for hunger.

765
00:36:49,480 --> 00:36:50,800
Speaker 3: And I was like, hope you remember that when you

766
00:36:50,840 --> 00:36:51,559
go to sleep tonight.

767
00:36:51,599 --> 00:36:52,719
Speaker 1: Why would you say that?

768
00:36:52,920 --> 00:36:55,119
Speaker 3: And I was trying to make her laugh laugh, What

769
00:36:55,239 --> 00:36:56,559
did you say in a funny way?

770
00:36:56,719 --> 00:36:56,760
Speaker 1: No?

771
00:36:56,920 --> 00:36:58,320
Speaker 3: I was like, I hope you remember that when you

772
00:36:58,400 --> 00:37:00,960
go to sleep at night. Did She just laughed, Yeah,

773
00:37:01,119 --> 00:37:02,000
she knows I was joking.

774
00:37:02,239 --> 00:37:04,960
Speaker 1: She knew you were joking. Okay. Do you you interact

775
00:37:05,039 --> 00:37:07,079
with the customers pretty if I feel like it? Yeah,

776
00:37:07,079 --> 00:37:08,559
if you feel like it. Are there some that you

777
00:37:08,760 --> 00:37:09,239
just like some.

778
00:37:09,360 --> 00:37:11,000
Speaker 3: Days, I just don't talk to anybody. I'm just trying

779
00:37:11,000 --> 00:37:11,320
to get there.

780
00:37:11,639 --> 00:37:15,039
Speaker 1: Okay, all right, Uh let me give you some scenarios.

781
00:37:15,360 --> 00:37:18,159
Can we do some scenarios because I'm thinking, like, since

782
00:37:18,199 --> 00:37:22,039
you've been there, like you've had to have some funny things,

783
00:37:25,840 --> 00:37:27,719
funny things that have happened with customers.

784
00:37:28,039 --> 00:37:30,480
Speaker 3: Things I've seen, bro, Like what do you what have

785
00:37:30,559 --> 00:37:32,719
you seen? I've seen someone come in not on Halloween

786
00:37:32,800 --> 00:37:35,599
and no wizard's outfit okay, not even like he was

787
00:37:35,679 --> 00:37:38,639
a magician just came in with a cloak. Thousand and

788
00:37:38,800 --> 00:37:40,079
South would be a whole different story.

789
00:37:41,000 --> 00:37:46,239
Speaker 1: What would that be? Never mind? What have you learned

790
00:37:46,239 --> 00:37:48,280
about people just by checking people out?

791
00:37:48,880 --> 00:37:51,360
Speaker 3: I hate them? Oh stop, I hate people now, I

792
00:37:51,440 --> 00:37:53,480
know my mom means, bro, I don't like people. What's

793
00:37:53,519 --> 00:37:55,880
not like going out at night because it's so it's

794
00:37:55,920 --> 00:37:57,280
so peaceful when people aren't around.

795
00:37:57,440 --> 00:38:00,840
Speaker 1: Yeah, so much. But you're so good, you're so quick

796
00:38:00,920 --> 00:38:02,079
on your feet, Like.

797
00:38:02,159 --> 00:38:04,119
Speaker 3: Even that little doesn't mean I want to be around them.

798
00:38:04,280 --> 00:38:08,840
Speaker 1: Exchange with that lady was funny. I don't know. I

799
00:38:08,960 --> 00:38:11,880
just think you're naturally funny with some scenarios.

800
00:38:11,880 --> 00:38:14,000
Speaker 3: Buddy, it's been like a damn near a minute since.

801
00:38:13,880 --> 00:38:16,440
Speaker 1: You've asked, Okay, why do you get all?

802
00:38:16,840 --> 00:38:19,119
Speaker 3: I'm not but you just get off topic. Well, that's

803
00:38:19,199 --> 00:38:19,679
that's me.

804
00:38:20,039 --> 00:38:24,159
Speaker 1: That's how my shows work, all right. Someone shows up

805
00:38:24,639 --> 00:38:29,519
with a great big binder of coupons asking if each

806
00:38:29,639 --> 00:38:32,159
one is still valid from two thousand.

807
00:38:32,480 --> 00:38:34,559
Speaker 3: My manager over and she's gonna then they're gonna go

808
00:38:34,639 --> 00:38:35,119
fix her that.

809
00:38:35,159 --> 00:38:37,239
Speaker 1: I'm not dealing all right, But you wouldn't. You wouldn't.

810
00:38:37,559 --> 00:38:42,159
You wouldn't try to You're not doing it, not dealing

811
00:38:42,199 --> 00:38:43,119
with that okay, but.

812
00:38:43,199 --> 00:38:44,719
Speaker 3: They come with a bunch of coupons and I'm just

813
00:38:44,760 --> 00:38:46,519
gonna scan up my skin and that's not a problem.

814
00:38:46,679 --> 00:38:48,159
Speaker 1: Okay, Yeah, that's not a case.

815
00:38:48,199 --> 00:38:50,079
Speaker 3: It passes the time to like it makes it longer,

816
00:38:50,119 --> 00:38:53,679
so I'm just able to shift goes by faster.

817
00:38:54,800 --> 00:38:57,840
Speaker 1: The customer holds up a strange fruit or vegetable.

818
00:38:57,719 --> 00:38:59,280
Speaker 3: I go to the produce chart, or I call my

819
00:38:59,360 --> 00:39:00,000
manager over.

820
00:39:00,519 --> 00:39:05,039
Speaker 1: Okay and says to you, what even is this?

821
00:39:05,480 --> 00:39:06,119
Speaker 3: That's what they say?

822
00:39:06,320 --> 00:39:10,199
Speaker 1: Yeah, can I eat it raw? What do you? What

823
00:39:10,360 --> 00:39:11,320
do you say to them?

824
00:39:12,800 --> 00:39:14,199
Speaker 3: What the fuck are you gonna do? Cook it?

825
00:39:14,440 --> 00:39:15,639
Speaker 1: Like, I don't know, go.

826
00:39:17,480 --> 00:39:19,039
Speaker 3: I'm gonna call my manager over.

827
00:39:19,360 --> 00:39:21,599
Speaker 1: You are, Yeah, you wouldn't make up a funny story, like,

828
00:39:21,679 --> 00:39:22,360
oh my god.

829
00:39:22,719 --> 00:39:23,519
Speaker 3: I probably would.

830
00:39:24,320 --> 00:39:26,800
Speaker 1: That's what I've done that before, Okay, Like what.

831
00:39:27,159 --> 00:39:29,360
Speaker 3: Like someone gave me their ID for alcohol and my brother,

832
00:39:29,360 --> 00:39:31,119
this is a fake. I can't take it go you

833
00:39:31,360 --> 00:39:34,519
believe They're like what. I'm like, I'm trying. I've done

834
00:39:34,599 --> 00:39:36,760
so many times you have yeah, Or I'll be like

835
00:39:36,840 --> 00:39:38,719
we have the same birthday and they're like really, I'm

836
00:39:38,760 --> 00:39:42,880
like no, okay, but what about.

837
00:39:45,559 --> 00:39:47,079
Speaker 1: Oh my god, we have the same name.

838
00:39:47,199 --> 00:39:51,320
Speaker 3: Really, I've done that and I've been like you see

839
00:39:51,360 --> 00:39:52,239
how you got happy though?

840
00:39:52,400 --> 00:39:53,800
Speaker 1: Yeah? Oh you do say that?

841
00:39:53,920 --> 00:39:55,920
Speaker 3: Yeah, rub it in their face?

842
00:39:56,079 --> 00:39:58,800
Speaker 1: What about? Uh so, how would you do that if

843
00:39:58,840 --> 00:40:00,239
someone came to you and say, can I eat it?

844
00:40:00,360 --> 00:40:03,800
Can I eat this raw? Figure it out? Fight into it,

845
00:40:04,840 --> 00:40:07,440
let's find out together, and you fight it. But if

846
00:40:07,440 --> 00:40:08,480
you've been it and they've been it, no.

847
00:40:08,519 --> 00:40:10,119
Speaker 3: There's been times where I just want to rip open

848
00:40:10,199 --> 00:40:11,920
one of the bags that they have and just eat, bro,

849
00:40:12,039 --> 00:40:14,599
because they get some good stuff. I get tissery chicken.

850
00:40:14,800 --> 00:40:17,119
Speaker 1: Oh yeah, I know you like the rochistory chicken.

851
00:40:17,039 --> 00:40:19,760
Speaker 3: Sometimes, but I just I hate chicken ro tissery chicken,

852
00:40:19,920 --> 00:40:22,559
fried chicken, fried chicken because I don't think people I

853
00:40:22,559 --> 00:40:24,239
don't I need to find a place where they cook

854
00:40:24,280 --> 00:40:25,679
it like how I want it, or just I'm not

855
00:40:25,719 --> 00:40:26,639
a fried chicken person.

856
00:40:27,880 --> 00:40:31,480
Speaker 1: How about the oversharer treats the check out line like

857
00:40:31,559 --> 00:40:32,360
a therapy session.

858
00:40:32,360 --> 00:40:34,079
Speaker 3: I talk to them, Oh my god, we're friends.

859
00:40:34,159 --> 00:40:37,440
Speaker 1: Feeling way too much? Really? Yeah, what happens?

860
00:40:37,599 --> 00:40:39,599
Speaker 3: We'll talk, Bro, We'll talk about everything.

861
00:40:39,840 --> 00:40:41,599
Speaker 1: You do. You ever have to give advice?

862
00:40:42,000 --> 00:40:42,440
Speaker 3: Sometimes?

863
00:40:42,599 --> 00:40:44,559
Speaker 1: What do you say? What advice have you given?

864
00:40:44,840 --> 00:40:46,840
Speaker 3: I don't remember, but I've gotten advice too.

865
00:40:47,119 --> 00:40:47,320
Speaker 1: Yeah.

866
00:40:48,440 --> 00:40:50,320
Speaker 3: Yeah, like what so you know the stickers that you

867
00:40:50,400 --> 00:40:52,280
put on the produce and sometimes it doesn't scan.

868
00:40:52,440 --> 00:40:54,199
Speaker 1: Yeah, I've learned how to figure that out.

869
00:40:54,239 --> 00:40:56,639
Speaker 3: But all right, so after the first number on that

870
00:40:56,760 --> 00:40:59,159
barcode on the sticker is the produce number, so I

871
00:40:59,159 --> 00:41:01,159
can just type that in the scanner's not working and

872
00:41:01,239 --> 00:41:01,840
get the item.

873
00:41:02,039 --> 00:41:06,159
Speaker 1: Okay, how did you learn that from a customer? Really? Did?

874
00:41:06,199 --> 00:41:07,000
They used to work there?

875
00:41:07,119 --> 00:41:07,320
Speaker 3: Yeah?

876
00:41:07,559 --> 00:41:09,719
Speaker 1: Oh, how funny. How nice of them?

877
00:41:09,760 --> 00:41:09,920
Speaker 4: Though?

878
00:41:10,679 --> 00:41:15,039
Speaker 1: That's cool. How about the celebrity wanna be acts like

879
00:41:15,119 --> 00:41:17,719
they're famous and expects to be recognized at the register?

880
00:41:17,920 --> 00:41:21,000
Speaker 3: Never happened. No, but I've been. I've had people like

881
00:41:21,079 --> 00:41:23,320
who are going are getting a bunch of shit? For famous?

882
00:41:23,360 --> 00:41:26,760
People like Cypress Hill. They came in and bought a

883
00:41:26,760 --> 00:41:28,639
bunch of groceries for a Cypres Hill concert.

884
00:41:28,800 --> 00:41:29,239
Speaker 1: How do you know?

885
00:41:29,760 --> 00:41:30,920
Speaker 3: Because they told me they did.

886
00:41:31,480 --> 00:41:33,639
Speaker 1: No, No, I don't know. I mean cypercill could have

887
00:41:33,679 --> 00:41:34,000
been here.

888
00:41:34,039 --> 00:41:35,760
Speaker 3: They told me, I've had a bunch of I've had some.

889
00:41:35,920 --> 00:41:37,519
Speaker 1: Did you say, where are they playing? No?

890
00:41:38,119 --> 00:41:39,880
Speaker 3: They just had to have been around here.

891
00:41:40,440 --> 00:41:43,320
Speaker 1: Oh clearly, But so they the cyper Soil probably has

892
00:41:43,360 --> 00:41:45,760
a rider and they need to fulfill the things on

893
00:41:45,800 --> 00:41:46,039
the right.

894
00:41:46,199 --> 00:41:47,960
Speaker 3: And I work at the same Wegmans I used to

895
00:41:47,960 --> 00:41:49,599
go to when I was a little kid. Yeah, that

896
00:41:49,679 --> 00:41:51,239
was my favorite Wegmans when I was a kid because

897
00:41:51,239 --> 00:41:52,639
of the train around the.

898
00:41:52,760 --> 00:41:56,199
Speaker 1: Like oh yeah, yeah, yeah, yep, I remember that. How

899
00:41:56,199 --> 00:42:02,199
about the customer asked things like can you scan me?

900
00:42:02,400 --> 00:42:04,840
Or can I pay with monopoly money? You ever try

901
00:42:05,039 --> 00:42:06,280
somebody trying to be funny like that?

902
00:42:08,119 --> 00:42:08,159
Speaker 2: No?

903
00:42:09,880 --> 00:42:12,159
Speaker 3: Oh, but I was fucking with some dude. We were

904
00:42:12,199 --> 00:42:15,039
going back and forth. Okay, I just don't remember what

905
00:42:15,119 --> 00:42:15,320
it was.

906
00:42:15,480 --> 00:42:16,440
Speaker 1: Back and forth. Yeah.

907
00:42:16,840 --> 00:42:18,639
Speaker 3: They were like they had kids who go to my

908
00:42:18,719 --> 00:42:20,239
school and I know they're friends, but I don't know

909
00:42:20,360 --> 00:42:22,079
the kid. And they named up a kid and I

910
00:42:22,239 --> 00:42:24,039
was like it was a boy name. I was like

911
00:42:24,199 --> 00:42:27,360
is he and they were like yep, And I was

912
00:42:27,480 --> 00:42:29,239
like I was like, oh, I know who that is.

913
00:42:30,320 --> 00:42:31,880
I'm trying to be funny. If they get offended by

914
00:42:31,920 --> 00:42:33,480
that and going about my line, I'm gonna do what

915
00:42:33,519 --> 00:42:35,119
I want here. Bro, if you don't like it, go

916
00:42:35,239 --> 00:42:35,440
to them.

917
00:42:35,519 --> 00:42:38,480
Speaker 6: Yeah, but why would you want to Why would you

918
00:42:38,519 --> 00:42:41,559
want to offend somebody? I'm not offending anybody but that

919
00:42:41,679 --> 00:42:48,000
could have been offensive. They know they're gay, right, the

920
00:42:48,079 --> 00:42:50,440
hell that offends you out of anything, Dude, you better

921
00:42:50,480 --> 00:42:52,559
get ready for a society because they're not going to

922
00:42:52,599 --> 00:42:53,119
be nice to you.

923
00:42:53,559 --> 00:42:53,800
Speaker 1: Well.

924
00:42:53,960 --> 00:42:57,599
Speaker 3: Look, I feel like slowly society has gotten way worse,

925
00:42:57,800 --> 00:43:00,480
like in quarantine and stuff like that and not say

926
00:43:00,559 --> 00:43:02,199
certain stuff, and now people are going back to just

927
00:43:02,239 --> 00:43:05,280
say whatever they want and nobody cares. No one that's

928
00:43:05,400 --> 00:43:07,800
an eye. There's so many racist people in this on

929
00:43:07,920 --> 00:43:11,360
earth right now. Yeah, I feel like, yes, I know

930
00:43:11,440 --> 00:43:13,400
exactly what you're saying, a lot of racist people.

931
00:43:13,480 --> 00:43:14,800
Speaker 1: How do you feel about that? I don't know.

932
00:43:15,480 --> 00:43:17,840
Speaker 3: What do you mean you're sitting across from I'm just kidding, guys,

933
00:43:18,000 --> 00:43:19,079
it's just trying to know.

934
00:43:19,239 --> 00:43:21,320
Speaker 1: But what how does that make you feel?

935
00:43:21,320 --> 00:43:23,320
Speaker 3: I don't care, I got cared. Don't be around me.

936
00:43:23,360 --> 00:43:25,199
Please don't be racist near me. Please don't bring that

937
00:43:25,280 --> 00:43:26,199
type of energy around me.

938
00:43:26,280 --> 00:43:28,719
Speaker 1: But like, yeah, it does.

939
00:43:28,880 --> 00:43:31,880
Speaker 3: It really doesn't affect me at all, but it just

940
00:43:31,960 --> 00:43:34,239
makes sometimes makes mac them just if they're being just

941
00:43:34,320 --> 00:43:38,280
straight up racist bro, and and you're just literally being

942
00:43:38,360 --> 00:43:41,400
a bigot or or or you're just being mean to

943
00:43:41,480 --> 00:43:46,440
someone and and maybe singling them out for what right?

944
00:43:47,000 --> 00:43:48,159
Speaker 1: Like, why right?

945
00:43:48,800 --> 00:43:51,000
Speaker 3: But maybe if it's a joke, I'll laugh most of

946
00:43:51,079 --> 00:43:55,320
the time, I'll laugh. Okay, I'm gonna laugh at your

947
00:43:55,440 --> 00:43:56,159
racist jokes.

948
00:43:57,920 --> 00:44:01,039
Speaker 1: Too bad? Is it because it's so shocking? Because sometimes it's.

949
00:44:00,920 --> 00:44:02,719
Speaker 3: So shocking, and then sometimes it's funny.

950
00:44:02,800 --> 00:44:06,159
Speaker 1: I know what that means. I know that. Sorry, Well,

951
00:44:06,400 --> 00:44:09,559
sometimes I guess it is. But there's always within.

952
00:44:09,480 --> 00:44:13,239
Speaker 3: Reason, you know it is it's funny sometimes, Bro, Sometimes

953
00:44:13,400 --> 00:44:16,159
racist jokes are funny because there it's the shock some

954
00:44:16,559 --> 00:44:18,440
all right. If there's too much shock value, then it's

955
00:44:18,480 --> 00:44:20,400
not funny. But if there's shock value and it's also

956
00:44:20,519 --> 00:44:25,000
creative and it's that's what makes a joke funny. That's

957
00:44:25,079 --> 00:44:28,320
just how comedy works, not what's functioning in my brain.

958
00:44:28,800 --> 00:44:32,639
I know some people who are liberals and would die

959
00:44:32,800 --> 00:44:35,679
laughing at a racist joke. Don't come at me, bro,

960
00:44:35,960 --> 00:44:36,960
No one's coming at you.

961
00:44:37,199 --> 00:44:37,880
Speaker 1: Why what is this?

962
00:44:38,000 --> 00:44:39,559
Speaker 3: Can you guys tell them to shut up?

963
00:44:39,599 --> 00:44:41,840
Speaker 1: Wait? Why always coming at me?

964
00:44:42,239 --> 00:44:43,440
Speaker 3: You do not think people will be like.

965
00:44:43,480 --> 00:44:45,519
Speaker 1: Oh my god, no, you're fucking.

966
00:44:47,440 --> 00:44:52,440
Speaker 3: Yeah college. No, you laughed at a racist joke. Go

967
00:44:52,639 --> 00:44:54,559
to hell, you're not going to college.

968
00:44:54,880 --> 00:44:56,039
Speaker 1: I don't think that's.

969
00:44:55,920 --> 00:44:58,960
Speaker 3: That's definitely going to be someone's other. Oh my god,

970
00:45:00,559 --> 00:45:05,119
James soon a little baby? What racist? Joke's funny? Yeah,

971
00:45:05,280 --> 00:45:07,079
but you know, we don't, we don't want that.

972
00:45:07,719 --> 00:45:10,000
Speaker 1: Well, I think that the jokes that you're hearing, you know,

973
00:45:10,119 --> 00:45:10,719
they're a joke.

974
00:45:11,159 --> 00:45:12,159
Speaker 3: Yeah, I know they're a joke.

975
00:45:12,199 --> 00:45:16,519
Speaker 1: But yes, right, I understand. I mean I think also

976
00:45:16,639 --> 00:45:20,719
a lot of times they're not racist. They're racial. They're

977
00:45:20,760 --> 00:45:23,920
pointing out our differences. They're pointing out our differences, They're

978
00:45:23,960 --> 00:45:27,679
pointing out stereotypes, they're pointing out different things that we

979
00:45:27,960 --> 00:45:30,960
have come to believe. And there are times where that

980
00:45:31,159 --> 00:45:32,119
is very funny.

981
00:45:32,320 --> 00:45:34,760
Speaker 3: Yes, and I will agree with a lot of the

982
00:45:34,800 --> 00:45:35,440
time it's funny.

983
00:45:35,960 --> 00:45:40,239
Speaker 1: Did you uh how? I know you were a little

984
00:45:40,320 --> 00:45:43,519
upset and coming in here, but how do you think

985
00:45:43,679 --> 00:45:46,239
we did here? We did good? Yeah, why don't you

986
00:45:46,360 --> 00:45:48,800
close it out with one of your songs that you

987
00:45:48,840 --> 00:45:51,119
want to play and we'll wrap it up. And I

988
00:45:51,239 --> 00:45:54,519
appreciate you giving me some some of this time, and uh,

989
00:45:56,360 --> 00:45:59,840
well we'll continue to try to grow together.

990
00:46:00,599 --> 00:46:03,360
Speaker 3: Play my my song after Like, I don't know how

991
00:46:03,480 --> 00:46:05,760
long was it June to September? How many months is that?

992
00:46:06,400 --> 00:46:09,559
June September is about four four month break for music.

993
00:46:10,360 --> 00:46:23,679
Speaker 7: Okay, Chas Chase, Chase off, It's just Chaslow. Ain't Jason Jason, yeah, yeah, yeah.

994
00:46:25,599 --> 00:46:26,920
Speaker 3: Okay, he's okay, he's not.

995
00:46:27,119 --> 00:46:29,199
Speaker 4: I'm gonna call my phone and says she missing, and

996
00:46:29,320 --> 00:46:31,880
she proud of me. I locked myself inside my room

997
00:46:31,960 --> 00:46:32,519
to fix.

998
00:46:32,360 --> 00:46:34,800
Speaker 3: My craft and melodies. I don't even drink.

999
00:46:34,880 --> 00:46:37,360
Speaker 4: Listen time the break wishins and hand the scene when

1000
00:46:37,480 --> 00:46:40,360
I think of us. They played back remedies and Minima breeze.

1001
00:46:40,400 --> 00:46:41,320
I crafted the cold to.

1002
00:46:41,320 --> 00:46:45,719
Speaker 1: Get this greening Jamison or Jaso, it's the morning bank,

1003
00:46:45,880 --> 00:46:47,119
Phil Moran, We'll see you.

1004
00:46:49,039 --> 00:46:51,440
Speaker 4: He ain't in mess with me. I can't talk and

1005
00:46:51,519 --> 00:46:53,880
said no, let us throw that fucking metal to meeting

1006
00:46:53,960 --> 00:46:55,719
to leave. I die so young and the paint is

1007
00:46:55,760 --> 00:46:58,159
going but hers because so is he. Sea died and

1008
00:46:58,239 --> 00:46:59,320
mess my Menzo's mass.

1009
00:46:59,360 --> 00:47:01,119
Speaker 1: Hey, if you're looking for replace, that's more than just

1010
00:47:01,199 --> 00:47:03,719
a market, it's a game changer. You've got to check

1011
00:47:03,760 --> 00:47:05,960
out Palmer's Direct to You market right on nine hundred

1012
00:47:06,000 --> 00:47:09,119
Jefferson Road and Henriette and of course online at palmersdirect

1013
00:47:09,119 --> 00:47:11,480
to you dot com. And here's what I love. You

1014
00:47:11,559 --> 00:47:14,360
can hop on their website not only see the weekly specials,

1015
00:47:14,639 --> 00:47:17,880
but under the learn tab they've got tons of recipes,

1016
00:47:18,000 --> 00:47:20,840
tips and how to guides. And with football season here,

1017
00:47:21,440 --> 00:47:26,079
they're game day reciping roundup, loaded with fun ideas, chicken wings, tips,

1018
00:47:26,280 --> 00:47:29,320
crowd pleasers. You're gonna be the MVP of any watch

1019
00:47:29,440 --> 00:47:32,360
party by going to Palmersdirect to you dot com and

1020
00:47:32,440 --> 00:47:35,239
clicking on the learn tab. And the experts at Palmer's

1021
00:47:35,440 --> 00:47:38,239
they're incredible. I actually learned how to air fry bacon

1022
00:47:38,320 --> 00:47:40,519
from them. Pro tip you lay a piece of bread

1023
00:47:40,559 --> 00:47:43,039
at the bottom to soak up the grease. Brilliant, right,

1024
00:47:43,679 --> 00:47:46,639
it's a Palmer's tip. They've also got guides for busy

1025
00:47:46,719 --> 00:47:49,320
back to school nights and how to properly freeze and

1026
00:47:49,400 --> 00:47:52,119
thaw beef or easy meal preps so dinner doesn't feel

1027
00:47:52,199 --> 00:47:55,360
like we'll scramble. And it's not just recipes. The market

1028
00:47:55,400 --> 00:47:59,760
itself is unbelievable, certified Angus beef, burgers, plump chicken, fresh fish,

1029
00:48:00,079 --> 00:48:03,760
and one of my personal favorites, that Jamaican me crazy coffee.

1030
00:48:03,880 --> 00:48:06,440
Oh it's so good. So whether you shop in person

1031
00:48:06,480 --> 00:48:09,239
at nine hundre Jefferson Road or online at palmersdirecto you

1032
00:48:09,320 --> 00:48:12,360
dot com. You're not just buying groceries. You're getting expert advice,

1033
00:48:12,519 --> 00:48:15,880
fresh food, and a little inspiration to make meal time better.

1034
00:48:16,199 --> 00:48:17,599
That's Palmer's Direct to you market