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<v Speaker 1>Hello, this is Robbie, creator of Ghost Wax. If you're here,

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<v Speaker 1>you enjoy tales of mystery and the macabre, and we

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<v Speaker 1>wanted to introduce you to a story we think that

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<v Speaker 1>you'll enjoy. 24 years ago, the town of Cold Sparrow disappeared.

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<v Speaker 1>Not destroyed, not abandoned, its people simply vanished. No bodies,

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<v Speaker 1>no explanation. And after decades of investigations, rumors, and conspiracy theories...

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<v Speaker 1>the mystery remains unsolved, until three private investigators, Mace Rhodes,

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<v Speaker 1>Leon Oates, and Phyllis Chambers, are hired to find out

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<v Speaker 1>what really happened. What begins as an investigation into a

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<v Speaker 1>decades-old disappearance soon leads them through the town's buried history,

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<v Speaker 1>strange artifacts, forgotten cults, and the terrifying legacy of something hellish.

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<v Speaker 1>The Gentleman from Hell is a full-cast cinematic horror audio-drama

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<v Speaker 1>about three investigators descending into a mystery where history, the supernatural,

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<v Speaker 1>and something profoundly infernal begin to collide. Some mysteries should

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<v Speaker 1>stay buried. Cold Sparrow is one of them. And now

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<v Speaker 1>we present episode one of The Gentleman from Hell.

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<v Speaker 2>I'm sorry.

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<v Speaker 3>I'm sorry.

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<v Speaker 4>No, they're.

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<v Speaker 2>Not.

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<v Speaker 4>Jen, are you... Confirmed.

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<v Speaker 2>Decide.

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<v Speaker 3>Tonight, on Call of the Weird.

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<v Speaker 5>The enduring mystery of the Cold Sparrow mass disappearance of 1999.

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<v Speaker 5>In a bizarre and chilling case that has perplexed authorities

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<v Speaker 5>and experts for over two decades, the small country town

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<v Speaker 5>of Cold Sparrow experienced one of the largest mass disappearances

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<v Speaker 5>in modern history, leaving behind only unanswered questions and a

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<v Speaker 5>lingering sense of unease. Cold Sparrow, once a quiet and

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<v Speaker 5>unassuming town, found itself at the center of global attention

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<v Speaker 5>24 years ago, when every single one of its inhabitants

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<v Speaker 5>vanished without a trace. Among them was its most conspicuous resident,

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<v Speaker 5>billionaire Benjamin Veers, known for his eccentricities and reclusive lifestyle.

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<v Speaker 5>The disappearance of Veers, along with the entire population, turned

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<v Speaker 5>Cold Sparrow from a mere speck on the map to

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<v Speaker 5>the subject of one of the most baffling mysteries the

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<v Speaker 5>world has ever seen. Despite extensive investigations, the authorities remain

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<v Speaker 5>as baffled today as they were on the day the

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<v Speaker 5>town's population disappeared. Over the years, theories have ranged from

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<v Speaker 5>cult activity to mass kidnapping, but none have brought investigators

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<v Speaker 5>any closer to understanding what happened to.

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<v Speaker 2>The residents of Cold Sparrow.

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<v Speaker 6>The case, which has seen numerous leads and tips over

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<v Speaker 6>the years, none of which have panned out, continues to

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<v Speaker 6>be a source of speculation and intrigue.

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<v Speaker 5>Experts in various.

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<v Speaker 6>Fields have tried to piece together the puzzle, but the

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<v Speaker 6>lack of evidence and the sheer implausibility of the situation

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<v Speaker 6>have left even the most seasoned detectives and researchers at

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<v Speaker 6>a loss. As the years have passed, the story of

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<v Speaker 6>Cold Sparrow.

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<v Speaker 5>Has become something of a legend, a modern-day mystery that

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<v Speaker 5>challenges our understanding of what is possible. The disappearance of

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<v Speaker 5>an entire town, especially one with a figure as enigmatic

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<v Speaker 5>as Benjamin Veer's, remains a haunting reminder of the limits

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<v Speaker 5>of our knowledge and the enduring.

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<v Speaker 6>Power of the unknown. The false door was right where

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<v Speaker 6>Phyllis said it would be. The vault it revealed was massive,

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<v Speaker 6>filled with all sorts of books, cassettes, journals, even what

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<v Speaker 6>looked like some sketchbooks. This was exactly the motherlode we

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<v Speaker 6>were looking for. We traveled a long road to get here,

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<v Speaker 6>to V's mansion. Between this moment And the start of

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<v Speaker 6>the whole thing were a ton of false starts and

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<v Speaker 6>dead ends. A weak soldier through it all. Primarily because

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<v Speaker 6>the money was good and the story was compelling. Which,

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<v Speaker 6>for me, is a prerequisite for taking a job. It's

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<v Speaker 6>hard to pay attention to details when the story's a snoozer.

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<v Speaker 6>And I was getting up in age, so I needed

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<v Speaker 6>to keep things interesting. When I sorted through the spoils,

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<v Speaker 6>I couldn't help but side-eye the surroundings. The place had

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<v Speaker 6>been abandoned for a while, but not long enough to

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<v Speaker 6>take a look of a right and proper haunted mansion.

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<v Speaker 3>And mansion.

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<v Speaker 6>Was an understatement for the place, which is more on

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<v Speaker 6>the order of a castle than anything else. Yet even

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<v Speaker 6>though the aesthetic wasn't sufficiently morose to compel a belief

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<v Speaker 6>in ghosts, there was something to the sprawl of the interior.

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<v Speaker 6>Behind it, maybe. That despite its size, it was keeping

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<v Speaker 6>a secret even bigger than itself. For the first time

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<v Speaker 6>in a string of Blue Mondays, I was about to

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<v Speaker 6>know something of the mind of the guy I'd gone

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<v Speaker 6>through so much trouble to find. I sifted through stacks

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<v Speaker 6>of media looking for something suitable for a proper introduction.

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<v Speaker 6>It took me a bit, but at least some of

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<v Speaker 6>the stuff was dated. I eventually came to a journal mart,

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<v Speaker 6>a brand new chapter. According to the date, it should

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<v Speaker 6>have been written around the same time Ben inherited his

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<v Speaker 6>father's wealth, which was a blind spot I was looking

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<v Speaker 6>to clear up, so perfect place to start. Diary Entry 1.

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<v Speaker 6>The first of any consequence. Despite embracing risks and leveraging

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<v Speaker 6>what I believed to be my talents, my achievements were

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<v Speaker 6>no greater than those of someone who had spent 35

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<v Speaker 6>years idly lying down.

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<v Speaker 7>The only distinction between such a person and me was

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<v Speaker 7>my persistent illusion of hope. I was certain that with

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<v Speaker 7>enough grit, a fleeting opportunity, or perhaps a stroke of luck,

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<v Speaker 7>my moment would come. But it never did. I was

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<v Speaker 7>a writer without a single published work, a man whose

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<v Speaker 7>name faded from memory before it could ever matter. In

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<v Speaker 7>the end, I was nothing more than static, the white

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<v Speaker 7>noise of flesh, blood, and bone. Thirty years of life,

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<v Speaker 7>and my efforts barely caused a ripple, followed by the

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<v Speaker 7>still waters of a sea I never truly dared to cross.

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<v Speaker 7>The letter had lingered on my counter for some time,

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<v Speaker 7>forgotten in a haze of neglect. I usually tossed my

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<v Speaker 7>mail without a second glance. No news was good news,

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<v Speaker 7>even if it meant erasing the news altogether. This letter, though,

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<v Speaker 7>caught my eye. It came from Charlie Prist, Esquire, which

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<v Speaker 7>almost guaranteed it was a bill. But what finally pushed

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<v Speaker 7>me to open it was the handwritten address, a personal

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<v Speaker 7>touch that hinted at either a crafty or cash-strapped lawyer.

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<v Speaker 7>The letter read, Dear Benjamin, I hope this letter finds

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<v Speaker 7>you well. I'm writing to share some important and unexpected

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<v Speaker 7>news regarding your family, which I understand may be difficult

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<v Speaker 7>to receive. Regrettably, your father, Edward, has recently passed away.

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<v Speaker 7>Time often brings changes we cannot foresee, and in the

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<v Speaker 7>wake of his passing, I must inform you that he

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<v Speaker 7>has named you the sole beneficiary of his estate, which

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<v Speaker 7>includes a considerable fortune. Given the estrangement in your relationship,

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<v Speaker 7>I realize this news may stir a range of emotions.

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<v Speaker 7>You may need time to process not only his death,

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<v Speaker 7>but also this sudden change in your circumstances. It's my

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<v Speaker 7>hope that this inheritance might serve as an opportunity to

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<v Speaker 7>reconnect with a part of your father's legacy and offer

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<v Speaker 7>a chance for reflection or healing. As the executor of

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<v Speaker 7>his will, I'm here to guide you through the legal

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<v Speaker 7>process at a pace that feels right for you. If

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<v Speaker 7>you'd like to discuss the details, we can arrange a

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<v Speaker 7>meeting or a phone call, whichever suits you best. Take

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<v Speaker 7>all the time you need, and know that I'm here

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<v Speaker 7>to support you however I can. Sincerely, Charlie Prist.

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<v Speaker 3>Hello, sir.

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<v Speaker 6>Can I help you? Yes.

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<v Speaker 7>My name is Benjamin Viers. I called earlier.

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<v Speaker 2>Yes, of course.

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<v Speaker 6>Please head right through that door.

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<v Speaker 1>Mr.

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<v Speaker 7>Prist is waiting for you. Thank you very much.

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<v Speaker 6>Mr.

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<v Speaker 8>Prist?

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<v Speaker 7>I'm Benjamin Viers. We spoke on the phone.

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<v Speaker 6>Well, hello, Benjamin.

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<v Speaker 2>Benjamin?

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<v Speaker 7>Please, come right in and take a seat, won't you?

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<v Speaker 7>Thank you very much. Please, call me Charlie. You know,

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<v Speaker 7>I hope you don't mind me saying, but you look

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<v Speaker 7>just like your father, right down to the stubble and spectacles.

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<v Speaker 7>I don't mind at all, because I can't say if

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<v Speaker 7>that's a good or bad observation. You see, I didn't

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<v Speaker 7>really know the man, to be quite honest.

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<v Speaker 6>Well.

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<v Speaker 7>To be equally honest, I didn't even know the old

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<v Speaker 7>so-and-so had a son, so we're even. So, what are

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<v Speaker 7>the formalities in a situation like this? Just some signatures,

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<v Speaker 7>here and there. Well, that seems easy enough. There are

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<v Speaker 7>a few things, though. Just stipulations that are odd, but

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<v Speaker 7>by no means troublesome.

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<v Speaker 2>Considering.

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<v Speaker 7>Considering?

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<v Speaker 2>Considering.

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<v Speaker 7>After this, you're damn near the richest man in the county,

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<v Speaker 7>if not the state. Your father was a bit of a, uh, eccentric,

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<v Speaker 7>I guess. He wanted to make sure you stayed in

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<v Speaker 7>the house. You know, lived where he lived. He insisted

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<v Speaker 7>upon it in several places throughout the will. Well, there's

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<v Speaker 7>no problems there. I fully intend on moving into the house.

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<v Speaker 2>Oh, well, that's easy enough then.

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<v Speaker 7>I just thought, well, with the accent and all, I

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<v Speaker 7>left England some time ago. I, um, came here for

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<v Speaker 7>my schooling. Well, there you have it, then. The only

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<v Speaker 7>other thing was that you listened to, um, in private,

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<v Speaker 7>an audio tape that your father left for you. I

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<v Speaker 7>take it that's not customary to the traditional process. Not really,

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<v Speaker 7>but I've heard stranger requests. Anyway, I readied a room

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<v Speaker 7>for you shortly after you phoned, so once we're all

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<v Speaker 7>done with crossing T's and dotting I's, I'll get you

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<v Speaker 7>right in there. That sounds fine. Well then, let's get

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<v Speaker 7>down to business. After you turn the player on, you

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<v Speaker 7>can have a seat right over there on the couch.

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<v Speaker 7>I'll be in my office when you finish. Would you

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<v Speaker 7>like a drink or anything while you listen? No, no,

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<v Speaker 7>that's very kind of you, but would you mind terribly

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<v Speaker 7>if I smoked while I listened?

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<v Speaker 3>Not at all, sir.

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<v Speaker 7>Smoking myself. That's why all the fire detectives have expired batteries.

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<v Speaker 6>Hmm.

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<v Speaker 7>Well, I'll see you shortly then. Yes, sir. It didn't

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<v Speaker 7>take long for the lawyer to start cozying up to me,

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<v Speaker 7>no doubt hoping I'd secure his services as my father had.

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<v Speaker 7>But to be quite honest, I was as ignorant of

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<v Speaker 7>legal formalities as I was of opulence. But I suppose

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<v Speaker 7>I'd learn my way about both in time. There was

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<v Speaker 7>an ominous quality to the moment, waiting to hear my

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<v Speaker 7>father's voice for the first time. I didn't want to

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<v Speaker 7>make a moment out of it, so I simply pushed

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<v Speaker 7>play on the machine and took my seat upon the sofa,

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<v Speaker 7>cigarette in hand.

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<v Speaker 2>My son. You have every right to your apathy and

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<v Speaker 2>or dislike of me. And the fortune I am bequeathing

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<v Speaker 2>to you. All, no doubt, have been well earned. You

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<v Speaker 2>should be aware that, while you know nothing of me,

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<v Speaker 2>I have been watching you. I am aware of your trials.

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<v Speaker 2>It has pained me to leave you to them. Unfortified

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<v Speaker 2>by the good fortune I have known my entire life.

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<v Speaker 2>But I believe wealth is no healthy means by which

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<v Speaker 2>to come into the world. I speak from experience, certainly.

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<v Speaker 2>No good has come from my fortune. Only the cloistered

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<v Speaker 2>obsessions of the idle rich. The doldrums of a will unchallenged.

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<v Speaker 2>But you, my boy... You have vision, and the will

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<v Speaker 2>to see it done. And now you have the means.

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<v Speaker 2>There are no more limitations, Benjamin, save this. You must

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<v Speaker 2>stay in the house for at least one year. There

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<v Speaker 2>are secrets you must learn, so that, in time, you

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<v Speaker 2>will understand.

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<v Speaker 7>As I listened to the voice of my dead father,

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<v Speaker 7>I began to feel strange, mildly dizzy. And there was

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<v Speaker 7>something else, too, in the background of the recording. A murmuring,

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<v Speaker 7>even a chanting, barely perceptible. I assumed it to be

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<v Speaker 7>an artifact of vintage technology.

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<v Speaker 2>But, on this point, we share an experience... A clinical

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<v Speaker 2>desire to understand it all, if only to dispel the

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<v Speaker 2>dread of not knowing. Your most recent manuscript, beneath it all,

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<v Speaker 2>a search for answers, reads as if a page torn

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<v Speaker 2>from my very mind. Though, after inspecting it, I can

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<v Speaker 2>see that your mind is by far the keener between us. Still,

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<v Speaker 2>I can see that my obsessions have become you as well.

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<v Speaker 2>But perhaps, unlike myself, you will acquire some peace with

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<v Speaker 2>them by satisfying them once and for all. This... my

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<v Speaker 2>lost son, is my gift to you, the possibility of

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<v Speaker 2>final clarity. I wish you well on the rest of

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<v Speaker 2>your journey, for if you are listening to this, mine

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<v Speaker 2>has at last come to an end. Farewell, Benjamin. Perhaps

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<v Speaker 2>we will meet again in a world more welcoming than

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<v Speaker 2>this one.

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<v Speaker 7>The first time I'd ever heard my father's voice... And

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<v Speaker 7>all he really had to say to me was, goodbye.

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<v Speaker 4>You gonna keep me in suspense, or you gonna tell

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<v Speaker 4>me what you found?

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<v Speaker 6>About a metric ton of Ben's personal journals, all sorts

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<v Speaker 6>of cassettes and whatnot. Just what Phyllis said they'd be.

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<v Speaker 6>Going through all this stuff's gonna take forever. How's the

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<v Speaker 6>city look?

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<v Speaker 4>You know, you've seen one ghost town, you've seen them all. Though,

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<v Speaker 4>the place does look pretty good for being abandoned as

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<v Speaker 4>long as it has. By the way, I found the

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<v Speaker 4>spot where the FBI set up shop while they collected evidence.

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<v Speaker 4>Probably been gone through by every thrill-seeker and legend-tripper within

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<v Speaker 4>a hundred miles of here. I doubt there's anything left

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<v Speaker 4>to find.

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<v Speaker 6>Yeah, but it does need to check. You never know.

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<v Speaker 6>Not like someone couldn't drop evidence on their way out

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<v Speaker 6>of a crime scene.

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<v Speaker 2>Jesus, Mace. Am I ever going to hear the end

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<v Speaker 2>of that?

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<v Speaker 4>And I wonder who it was that caught Laszlo.

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<v Speaker 2>You or me?

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<v Speaker 6>Yeah, yeah. I never doubted your business acumen for a second. Anyway,

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<v Speaker 6>I'm going to head out and set up the generator.

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<v Speaker 6>Keep an eye out for Phyllis. I told her to

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<v Speaker 6>meet us at the mansion, but the city's set up

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<v Speaker 6>like a maze. I might have even had to consult

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<v Speaker 6>the map a few times myself to find the place.

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<v Speaker 2>Well, she is a psychic, so I'm thinking she'll manage.

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<v Speaker 9>Come on, pick up. Pick up.

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<v Speaker 8>Hello, you've reached Leon Oates of Apex Intelligence Solutions. I'm

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<v Speaker 8>currently unavailable, but please leave a callback number and a

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<v Speaker 8>brief message and I'll be sure to return your call.

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<v Speaker 8>Thank you.

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<v Speaker 7>It's me, Phyllis.

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<v Speaker 9>I must have turned down the wrong road. I can't

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<v Speaker 9>be more than a few minutes away from you two.

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<v Speaker 9>I'm just outside of Cold Sparrow, somewhere in the Pitch

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<v Speaker 9>Pot Woods. Call me back as soon as you get this.

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<v Speaker 9>I don't care if I quit. If I'm going to

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<v Speaker 9>be lost in the woods, I'm at least going to

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<v Speaker 9>have a cigarette. Hurry up, boys. Call me back, won't you?

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<v Speaker 9>What the.

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<v Speaker 6>Is.

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<v Speaker 2>someone.

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<v Speaker 7>out there?

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<v Speaker 2>Jesus! Jesus! Hey, Phyllis.

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<v Speaker 8>Called you as soon as I got the message. Reception

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<v Speaker 8>is garbage out here.

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<v Speaker 9>So I'm realizing that, and once you turn on to

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<v Speaker 9>Pitchpoint Drive, there's no online maps of these other roads. Thus,

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<v Speaker 9>I'm afraid I have no idea where I am.

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<v Speaker 8>Don't sweat it, Phil. I'll find you soon enough. And

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<v Speaker 8>is that a cig I hear you puffing on? I

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<v Speaker 8>thought you'd quit.

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<v Speaker 9>I'm very particular about how I choose to quit things. Now, please,

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<v Speaker 9>just hurry up and come get me, won't you?

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<v Speaker 2>Sure thing.

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<v Speaker 1>I'll be there in a.

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<v Speaker 8>Leon?

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<v Speaker 9>Damn lousy service.

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<v Speaker 2>Phyllis, my dear.

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<v Speaker 9>I have a feeling you're not going to enjoy this one.

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<v Speaker 6>Come on, you.

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<v Speaker 3>That should do it. Hello, water and power.

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<v Speaker 4>Phyllis got herself lost in the woods. Apparently he zigged

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<v Speaker 4>when she should have zagged.

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<v Speaker 2>Headed out to bring her in now.

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<v Speaker 6>So much for being psychic. I got the journey up

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<v Speaker 6>and running, so I'll be inside when you get back.

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<v Speaker 2>Sure thing.

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<v Speaker 4>Be back in just a few.

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<v Speaker 2>Okay.

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<v Speaker 6>The three of us have worked a lot of cases together,

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<v Speaker 6>but nothing like this one. You generally don't see an

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<v Speaker 6>entire ton of people go missing. Not since the lost

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<v Speaker 6>colony of Roanoke, at any rate. Anyway, we were only

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<v Speaker 6>being paid to hunt for the one guy. The rich one.

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<v Speaker 6>Ben Viers. And after the snippet I'd read from one

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<v Speaker 6>of his hidden journals, it was about time I heard

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<v Speaker 6>the guy's actual voice. The mini-cassettes were no particular order,

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<v Speaker 6>so I just swiped the first one that caught my eye.

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<v Speaker 6>It was titled... Existential obsessive.

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<v Speaker 7>Loneliness is the inordinate sum of absences one experiences as

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<v Speaker 7>an outlier. The loss of faith, trust, camaraderie, or even truth.

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<v Speaker 7>I am alone because I cannot make peace with my

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<v Speaker 7>own ignorance. The ignorance that all of us must reckon

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<v Speaker 7>and eventually yield to. I have not, because I cannot.

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<v Speaker 7>My stubbornness is inscribed upon my very genes, or so

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<v Speaker 7>current science would have us all believe. Disorder, they say.

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<v Speaker 7>My need to know more than anyone could, or probably should,

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<v Speaker 7>for that matter. One medicine after the next, and still

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<v Speaker 7>that yawning vacancy. I must know.

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<v Speaker 2>Why? Where do we come from? Why are we even here?

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<v Speaker 2>Where will we go when the sun ceases to rise?

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<v Speaker 2>Is there a heaven? Or, God forbid, a hell?

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<v Speaker 7>The Gentleman from Hell is a Maltopia production. Today's episode

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<v Speaker 7>was written by Mark Anzalone and performed by Stephen Zivick,

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<v Speaker 7>Sam Stark, Aubrey Akers, and Mark Anzalone. Sound editing was

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<v Speaker 7>completed by Stephen Anzalone and script editing was conducted by

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00:28:41.250 --> 00:28:45.289
<v Speaker 7>Walker Kornfeld. Be sure to rate and review us on iTunes, Spotify,

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00:28:45.490 --> 00:28:49.750
<v Speaker 7>or your favorite podcast platform. And follow us on Facebook, Instagram,

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00:28:49.869 --> 00:28:53.049
<v Speaker 7>and Twitter at Meltopia. If you want unique art and

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00:28:53.130 --> 00:28:57.160
<v Speaker 7>animations of Meltopia's stories, visit our YouTube page at or

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00:28:57.180 --> 00:28:59.490
<v Speaker 7>click on the link in the show notes. And for

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00:28:59.529 --> 00:29:03.079
<v Speaker 7>more exclusive content such as additional lore, stories, and

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00:29:03.190 --> 00:29:08.400
<v Speaker 1>Art, be sure to check out our Patreon at www.patreon.com

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<v Speaker 1>forward slash Maltopia.
