WEBVTT

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<v Speaker 1>Welcome one and all to another episode of Well it's me,

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<v Speaker 1>It's My Bizarre Adventure.

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<v Speaker 2>That's right, Jeff, jeffs Bizarre Venture, Memi's Bizarre Adventure.

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<v Speaker 1>Excuse me? Who has the microphone right now?

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<v Speaker 3>As?

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<v Speaker 2>Sorry, Jeff. As as hosts, you want to try and

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<v Speaker 2>keep the intro in control, punchy and focused.

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<v Speaker 1>John, I know.

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<v Speaker 2>I know you don't have a lot of experience on podcasts,

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<v Speaker 2>so I'm I maybe.

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<v Speaker 1>Have done upwards of three thousand podcast episodes over my

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<v Speaker 1>supremely uninteresting lifetime.

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<v Speaker 4>Okay, the Kickstand one, So.

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<v Speaker 2>Yeah, yeah, that's really interesting, Jeff, But let me tell

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<v Speaker 2>you it's not showing cool.

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<v Speaker 1>Great to know. Nothing like a vote of confidence to

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<v Speaker 1>get you.

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<v Speaker 5>Off and running.

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<v Speaker 1>Thank you, Lucy, Tam. The Kickstand issue was not a podcast.

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<v Speaker 1>That was a YouTube video that was miscredited to me.

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<v Speaker 1>I'll have you know, check your back of our lore

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<v Speaker 1>at the door. Okay, Yo, that's sick. I'm going to

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<v Speaker 1>use back a log and back of lore for the

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<v Speaker 1>rest of my days. Again.

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<v Speaker 4>Welcome to Drift.

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<v Speaker 1>Wow, Tam, that was low even for you.

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<v Speaker 2>Was that a prophecy or a threat?

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<v Speaker 4>Uh? Neither, We'll find out.

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<v Speaker 1>Okay, Okay, well, the evidence is here in case we

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<v Speaker 1>need it. That's right, it's Jeff Jeff's our adventure time, folks,

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<v Speaker 1>thank you so very much for tuning in. I'm joined

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<v Speaker 1>by three people who I'm not sure like me at all,

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<v Speaker 1>but we'll go around the room and address them nevertheless.

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<v Speaker 1>Lucy James, how are you?

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<v Speaker 5>I'm good?

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<v Speaker 6>We should do like the you know, the start of

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<v Speaker 6>the Code and O'Brien show, where he's like, I'm Tom

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<v Speaker 6>Hanks and I feel ex about being Cod and O'Brien's friend.

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<v Speaker 1>Okay, how do you feel about me being my friend? Lucy?

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<v Speaker 5>Feel pretty positive about being your friend at the moment.

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<v Speaker 5>At the moment, I'll tell everything subject to change.

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<v Speaker 1>Sure, I'll take what I can get. John super eyepatch Wolf,

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<v Speaker 1>how are you pal? How do you feeling about being my friend? Bud?

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<v Speaker 1>Buddy Jeff?

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<v Speaker 2>I feel utterly jubilant at the thought of being your friend.

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<v Speaker 1>Oh okay, things are looking up, only to be thrusted

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<v Speaker 1>into the floor by the more who's saying how do

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<v Speaker 1>you feel? And how do you feel about being my friend? Buddy? Boy?

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<v Speaker 4>I feel tired and I need you to take it down.

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<v Speaker 4>If you're notxious, it's pre nine o'clock here, you've clearly

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<v Speaker 4>been up for a few hours already, and that is

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<v Speaker 4>a privilege when it comes to energy levels. So we

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<v Speaker 4>need you to be more sympathetic to the rest of us.

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<v Speaker 1>I think it's a time zone issue that I can't

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<v Speaker 1>be ill responsible for.

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<v Speaker 4>I mean, you could be a little more considerate being

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<v Speaker 4>in a time zone where you have.

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<v Speaker 2>To Okay, we're closing in at five pm Irish time,

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<v Speaker 2>and I gotta say that is wind down time. So

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<v Speaker 2>again I have to kind of this is another kind

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<v Speaker 2>of like little subtle thing about being a host. You

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<v Speaker 2>want to kind of dial into your guest energy levels,

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<v Speaker 2>and just accordingly, you're kind of flying off the handle

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<v Speaker 2>doing your own thing here.

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<v Speaker 1>Yeah, okay, all right, I will reel it in and

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<v Speaker 1>and so I will simultaneously reel it in and hype

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<v Speaker 1>it up for all of my friends in very different

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<v Speaker 1>time zones peppered throughout the entire planet. We are going

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<v Speaker 1>to recap episodes thirty four, I'm sorry, thirty three and

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<v Speaker 1>thirty four that's sorry, the final two episodes in the

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<v Speaker 1>July fifteenth four parter, which I have to admit at

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<v Speaker 1>the top of your friends, this episode thirteen this part

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<v Speaker 1>three of July fifteenth. I have not been more confused

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<v Speaker 1>by a JoJo's Bizarre Adventure episode than this one. This

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<v Speaker 1>one right here just just chewed me up and spatted

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<v Speaker 1>me out in particular.

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<v Speaker 2>That confused you. I thought it was all pretty pretty straightforward.

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<v Speaker 1>No, no, and I do. I'm trying to be serious,

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<v Speaker 1>I really am. I feel like so many things were

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<v Speaker 1>brought back from past arcs and minor details of storylines,

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<v Speaker 1>and I really could not wrap my head around just

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<v Speaker 1>exactly what we were doing here. If you have not

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<v Speaker 1>been able to tell, I'll be driving this episode where

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<v Speaker 1>we'll be recapping parts three and four of the July fifteenth,

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<v Speaker 1>and I you know, am I gonna butcher some some

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<v Speaker 1>character names it? It's entirely possible. So I'm gonna need

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<v Speaker 1>the help of the group to sort of keep me

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<v Speaker 1>honest here and make sure we're able to get through

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<v Speaker 1>this with as little turbulence as possible. Does that make sense?

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<v Speaker 1>It does.

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<v Speaker 6>I'm also in the the Jeff camp here because I

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<v Speaker 6>started watching it and I went I missed an episode.

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<v Speaker 5>Yeah, I forget where we landed. And also it's been

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<v Speaker 5>like a few weeks since we've recorded here.

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<v Speaker 1>So I guess that's it has been, and thank you

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<v Speaker 1>for staying with us. We're gonna finish up. Diamond is incredible,

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<v Speaker 1>hopefully by the end of the calendar you're here. Excuse me, incredible,

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<v Speaker 1>Diamond is unbreakable. Sorry, all right, see you keep me honest.

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<v Speaker 1>That's how I wanted to go for the rest of

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<v Speaker 1>this fifty minutes or so. All right, we start back up.

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<v Speaker 1>I guess in like the town square where uh, a

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<v Speaker 1>piece of folded up paper was dropped by this new

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<v Speaker 1>villain who's like Enigma, right, that's that's the stand user Enigma. Okay,

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<v Speaker 1>Jo just picks up this this freaking piece of paper,

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<v Speaker 1>starts unfolding it and.

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<v Speaker 4>In Jojo history but.

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<v Speaker 2>No arguments at all.

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<v Speaker 5>This is I've even seen before. I knew it was

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<v Speaker 5>from Jojo.

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<v Speaker 1>This this felt like the dumbass magician. Like nothing on

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<v Speaker 1>the front, nothing on the back. And then all of

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<v Speaker 1>a sudden, out of nowhere, a gun appears to reveal

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<v Speaker 1>itself out the side of a blank piece of paper.

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<v Speaker 1>It then fires directly at Joske.

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<v Speaker 2>Point blank headshot. Incredible. What a what a moment of entertainment,

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<v Speaker 2>What a moment of culture? This bits this is just

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<v Speaker 2>absolutely so okay, please, Jeff Unpacked thrown into layers of

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<v Speaker 2>elation upon this happening.

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<v Speaker 1>When I saw the gun, I was watching it in

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<v Speaker 1>bed with my wife that night, and like she was

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<v Speaker 1>on her phone and I like granted her and I

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<v Speaker 1>shook her and said, you gotta see this. You gotta

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<v Speaker 1>see what's happening here. You gotta look at this fucking

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<v Speaker 1>dumb ass gun coming out of this piece of paper.

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<v Speaker 1>And she laughed. She was just like it was one

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<v Speaker 1>of those like surprising like what like that, and which

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<v Speaker 1>was because that's the right reaction to a thing like that,

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<v Speaker 1>and I'm like, that's what this show is. And then

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<v Speaker 1>she also said, oh wow, the animation has really improved

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<v Speaker 1>since the first time I watched this. I'm like it

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<v Speaker 1>has She's like, it's much more colorful and involved, and

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<v Speaker 1>I'm like, yeah it is. Uh So there's that sort

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<v Speaker 1>of four year gap between watching Jojo, but yeah, I mean, sure,

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<v Speaker 1>she's she's busy, but maybe one day we could figure

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<v Speaker 1>it out.

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<v Speaker 4>Maybe.

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<v Speaker 1>As we wrap here for Diamond is Unbreakable Enigma, and

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<v Speaker 1>again we are we are going through the recap of

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<v Speaker 1>these two episodes with the JoJo's bizarre encyclopedia.

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<v Speaker 4>That's the Are you looking at notes right now?

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<v Speaker 1>Yeah? Ah, of course.

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<v Speaker 4>Okay. I was gonna say, can you tell me the

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<v Speaker 4>name of the stand to use it without looking at

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<v Speaker 4>the notes?

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<v Speaker 1>No, I cannot. I know the last name is Mia Modo.

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<v Speaker 1>I'm looking here, but I'm not going to pronounce this

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<v Speaker 1>person's first name here.

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<v Speaker 4>I really want you to though, uh Torono suke. All right,

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<v Speaker 4>let's move on.

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<v Speaker 1>That was not bad?

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<v Speaker 4>Sure, yeah, well the internet judge know, suk. I just

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<v Speaker 4>want to. I just want to out there to so

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<v Speaker 4>people can come in and such a mean.

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<v Speaker 1>Thing to set me up for failure and then not

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<v Speaker 1>even tell me if I didn't.

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<v Speaker 4>I don't know if it's right.

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<v Speaker 1>I can't remember.

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<v Speaker 2>Let me give you guys a pro strap in for

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<v Speaker 2>pronouncing Japanese names online. Okay, ah, just mute the word

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<v Speaker 2>pronounced in your comments and never worry about it again.

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<v Speaker 4>Yeah.

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<v Speaker 5>I was gonna say, just don't.

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<v Speaker 1>Just don't know.

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<v Speaker 4>Why?

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<v Speaker 1>Why should I not attempt to? That's not that's not fair.

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<v Speaker 1>It's like okay to do that. I was just going

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<v Speaker 1>to call this person.

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<v Speaker 4>Enigma eliminated eight percent of announcements of people dying like

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<v Speaker 4>anytime someone says someone has been pronounced dead, John doesn't

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<v Speaker 4>hear it.

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<v Speaker 2>Only in my YouTube comments section, We're very few, were

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<v Speaker 2>very where, very few people to choose to announce their obituaries.

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<v Speaker 4>Okay, that's a good idea though.

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<v Speaker 1>Okay, back to the town square, back to the gun,

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<v Speaker 1>back to Enigma, back to Joske almost getting shot. So

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<v Speaker 1>apparently there is a situation where the Enigma stand, Right,

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<v Speaker 1>it's a very weak stand. It's described here in the

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<v Speaker 1>wiki and by Enigma himself cannot kill anyone because of

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<v Speaker 1>how weak he is, Right, I really feel when was

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<v Speaker 1>that a.

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<v Speaker 2>Stand that this stand user kind of being like, my

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<v Speaker 2>stands so weak? And what he literally means is it

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<v Speaker 2>can fold people into a piece of paper, but I

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<v Speaker 2>have to tear the piece of paper or destroy the

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<v Speaker 2>piece of paper for them to die. And I gotta say,

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<v Speaker 2>I don't think that's a weak stand. I think my

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<v Speaker 2>dude is being a little modest here.

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<v Speaker 1>Right, Like, if you can kill somebody just by tearing paper,

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<v Speaker 1>that seems like maybe a little op there, right Like?

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<v Speaker 6>Yeah, I also got ready confused because I watched it

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<v Speaker 6>on crunchy roll and the stand is called Mysterioso on there,

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<v Speaker 6>it was like, the fuck is Enigma?

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<v Speaker 1>I guess it's the same meaning, but like.

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<v Speaker 5>I looked it up.

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<v Speaker 6>So Enigma is the electronic musical project and Mysterio so

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<v Speaker 6>is a Thelonious Monk song slash album.

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<v Speaker 1>Oh that's interesting. Okay, well that kind of tracks with

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<v Speaker 1>the naming convention of Jojo. So I guess we can

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<v Speaker 1>let both things fly. Uh, if you're following along, you

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<v Speaker 1>don't remember from the last episode, Enigma is able to

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<v Speaker 1>like enigmas stand praise on uh, fear tells by its victims. Right,

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<v Speaker 1>So like when someone who's potentially Enigma's pray, they exhibit

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<v Speaker 1>a telltale sign of their fear. That is when Enigma

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<v Speaker 1>is able to sort of pounce on the victim. That

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<v Speaker 1>is when he's able to drag you into the folded

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<v Speaker 1>paper dimension.

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<v Speaker 5>Right, How does a gun show fear?

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<v Speaker 4>Like?

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<v Speaker 1>I think it's just an object. He can just store it,

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<v Speaker 1>like now space. Is Joske just scared of guns? Is

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<v Speaker 1>that a thing we're realizing or is this like just ancillary?

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<v Speaker 2>I think he's scared of guns being pointed at him?

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<v Speaker 1>Who isn't.

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<v Speaker 4>The paper doesn't manifest your fear, does it? I don't

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<v Speaker 4>think the paper is just like it's a it's.

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<v Speaker 6>Once he knows your fear, tell he can use that

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<v Speaker 6>to push you in the paper.

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<v Speaker 4>Yeah. Papers are just like little poke balls full of

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<v Speaker 4>ship that he can yes unleas.

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<v Speaker 2>So it's it's like weakening a pokemon to trap it.

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<v Speaker 2>Instead it's showing it. It's worse, it's making it afraid,

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<v Speaker 2>but a much darker game.

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<v Speaker 4>Does that mean that what's inside that paper? Is it

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<v Speaker 4>someone pointing a gun or is it a gun which

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<v Speaker 4>he is now controlling violent paper?

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<v Speaker 2>I think inside that paper is the stand user holding

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<v Speaker 2>a gun push like out of the paper.

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<v Speaker 4>Okay, the stand user or the stand.

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<v Speaker 3>I guess could be the guns. It's got to be

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<v Speaker 3>it's in front of him. Yeah yeah, okay, Nigma doing

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<v Speaker 3>it right like ye. Anyway, through all this, Joeske bites

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<v Speaker 3>his lip right, which is his telltale sign of fear,

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<v Speaker 3>and then it's.

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<v Speaker 2>Capture drawing of him biting his lip like.

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<v Speaker 1>No one draws biting lips the way these guys do, no, uh,

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<v Speaker 1>and then he is then captured, right. So what is

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<v Speaker 1>tough to follow along is like where Joske sort of

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<v Speaker 1>temporarily goes after this happens because again, we we understand

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<v Speaker 1>that like that is showing your fear is how you

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<v Speaker 1>become entrapped, but it is not immediately clear where Joski

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<v Speaker 1>then goes because he also like catches the bullet that

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<v Speaker 1>is fired.

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<v Speaker 2>Is that right, He catches the bullet, but the bullet

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<v Speaker 2>nearly hits him the bullet, so yeah, he catches the bullet,

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<v Speaker 2>and but it's after that that he bites his lip,

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<v Speaker 2>right right, yeah, so catches he beare him all the

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<v Speaker 2>way in.

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<v Speaker 1>The time the bullet is fired from the gun and

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<v Speaker 1>when he catches it could be perhaps when he bites

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<v Speaker 1>his lip in fear.

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<v Speaker 2>Okay, I'm gonna have to review the footage here, because yeah,

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<v Speaker 2>this is there's a lot I don't think going on here.

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<v Speaker 4>I don't remember any bullet catching business.

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<v Speaker 1>Oh he catches a bullet between thumb.

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<v Speaker 5>I thought, uh, his stand catches the bullet.

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<v Speaker 4>Oh maybe yeah.

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<v Speaker 1>Diamond Yeah, a diamonds that's the same thing. That's the

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<v Speaker 1>same thing, same thing, right, Come on, I'm splitting hairs here.

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<v Speaker 1>Joe was under the impression that was trapped in paper,

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<v Speaker 1>but turns out that is not true. Right, that also happened, So.

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<v Speaker 4>He coach he is trapped in paper. But the paper

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<v Speaker 4>he's showing him and saying this is coach is not

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<v Speaker 4>the paper that he's trapped.

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<v Speaker 1>It's a block, got it, Okay's.

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<v Speaker 4>To kind of manipulate.

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<v Speaker 1>Joe Skates then vows that he's going to kill Enigma,

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<v Speaker 1>and through all this it ends with Enigma manifesting a

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<v Speaker 1>taxi out of another sheet of paper, taking him to

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<v Speaker 1>the Mario Grand Hotel.

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<v Speaker 2>I love that bit so much. I it just okay, Yeah,

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<v Speaker 2>you know what, Araki, you could have just have him

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<v Speaker 2>calling a taxi and getting into it. Nope, No, he's

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<v Speaker 2>gonna unfold a giant piece of origami and out of

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<v Speaker 2>it is going to come a taxi with a taxi

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<v Speaker 2>driver pre installed pre installed.

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<v Speaker 4>Those are a bit where he almost gets back out

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<v Speaker 4>of the paper, which was pretty cool.

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<v Speaker 1>Yeah, we're all over the place. Let's not forget that.

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<v Speaker 1>Highway Star is also sort of like witnessing all of this,

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<v Speaker 1>and Highway Star, we know, is like the tattooed sort

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<v Speaker 1>of like punk rock motorcycle guy. Right, that's his that's

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<v Speaker 1>his deal, and and he seems like a temporary ally

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<v Speaker 1>of Joske is sort of like where his current status

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<v Speaker 1>exists have that right, Yes, yeah, okay, and and so

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<v Speaker 1>so Highway Star is uh pursuing enigma and grabs onto

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<v Speaker 1>the taxi. They then arrive at the hotel. Is that correct? No? No,

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00:15:32.399 --> 00:15:37.240
<v Speaker 1>here's what happens. Sorry, sorry, something else, way more important

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<v Speaker 1>happens that I just forgot. Okay, listen to what I

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<v Speaker 1>have to say. So Highway Star realizes that this is

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<v Speaker 1>all like a paper situation, right, and finds Joske and

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<v Speaker 1>Koichi possibly being pulled into a gigantic paper shredder. That's right,

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00:16:05.080 --> 00:16:05.840
<v Speaker 1>that's right correct?

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<v Speaker 5>Wait did we do we miss the explosion bit?

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<v Speaker 1>No, let's see what was that in the car?

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<v Speaker 3>Oh?

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<v Speaker 1>I don't remember that.

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<v Speaker 6>When did you watch this episode this morning and you've

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00:16:20.080 --> 00:16:21.159
<v Speaker 6>got the notes in front of you?

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00:16:22.039 --> 00:16:23.679
<v Speaker 1>Yeah, I don't see the explosion part.

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<v Speaker 6>With the pieces of paper in the backseat of the

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00:16:25.960 --> 00:16:29.399
<v Speaker 6>car and to open it and then it turns into

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<v Speaker 6>the thing.

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00:16:31.879 --> 00:16:34.320
<v Speaker 1>Oh yeah, I'm not it's not it's not that. The

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00:16:34.720 --> 00:16:39.080
<v Speaker 1>description of the shredder is how it comes outlined here.

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<v Speaker 5>It's not the evil shredder attacks.

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<v Speaker 1>Yeah right, yeah, so Highway So I'm sorry you you? Yeah,

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00:16:47.919 --> 00:16:51.600
<v Speaker 1>is Highway Star? Do I have that right?

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<v Speaker 4>Yeah? I believe that.

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<v Speaker 1>Yes, yes, that is correct. Yeah, okay cool. Uh so

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<v Speaker 1>so now explain me. Explained to me the explosion with

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00:17:03.639 --> 00:17:05.079
<v Speaker 1>the paper thing, because I don't remember that. All I

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00:17:05.079 --> 00:17:09.319
<v Speaker 1>remember is there being a gigantic indestructible paper shredder.

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<v Speaker 6>Well, so there's two pieces of paper on the on

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00:17:13.680 --> 00:17:14.839
<v Speaker 6>the backseat of the taxi.

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<v Speaker 1>All right, one's like stuck in the door.

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00:17:17.960 --> 00:17:20.960
<v Speaker 6>There's another one stuck in the door, and then he

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00:17:21.039 --> 00:17:23.640
<v Speaker 6>opens it and it.

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00:17:23.240 --> 00:17:24.119
<v Speaker 5>Exlo what does it do?

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<v Speaker 1>I don't remember an explosion, but I remember they were

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00:17:28.240 --> 00:17:30.960
<v Speaker 1>like they're like one of these papers is a decoy

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00:17:31.000 --> 00:17:33.200
<v Speaker 1>and the other one is the is the is the test?

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<v Speaker 3>No?

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<v Speaker 5>Because start it starts a fire, doesn't it.

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00:17:37.039 --> 00:17:39.559
<v Speaker 6>I watched it yesterday, so my memory is and then

325
00:17:39.559 --> 00:17:40.880
<v Speaker 6>I slept for like twelve hours.

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00:17:40.920 --> 00:17:49.000
<v Speaker 2>So okay, yeah, John the voice everything. So, first of all,

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00:17:49.960 --> 00:17:53.079
<v Speaker 2>on mystery, the first what makes Joe Ka bite his

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00:17:53.200 --> 00:17:58.759
<v Speaker 2>lip is that he watches yu Ya throw Kueechi locked

329
00:17:58.839 --> 00:18:02.960
<v Speaker 2>in the paper dimension in the tar of under the

330
00:18:03.000 --> 00:18:05.480
<v Speaker 2>tires of a speeding car, and there he bites his

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<v Speaker 2>lips and he himself gets sucked into the paper dimension.

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<v Speaker 1>Okay, I wasn't joking when I said at the top

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<v Speaker 1>of this. This was the most confusing episode of JoJo's

334
00:18:17.400 --> 00:18:19.200
<v Speaker 1>Bizarre Adventure I've ever written.

335
00:18:19.480 --> 00:18:21.519
<v Speaker 4>Enigma throws the paper y is on that.

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00:18:21.680 --> 00:18:23.799
<v Speaker 2>I think. What maybe doesn't help a little bit, Jeff,

337
00:18:23.839 --> 00:18:26.440
<v Speaker 2>is that we're jumping back and forth between the Yuya

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00:18:26.519 --> 00:18:31.359
<v Speaker 2>fight and Rohan's strange adventure.

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00:18:32.279 --> 00:18:35.920
<v Speaker 1>Yeah, right right, Rohan is dealing with like a back

340
00:18:36.079 --> 00:18:38.400
<v Speaker 1>enemy this whole time. That's sort of like peppered in

341
00:18:38.440 --> 00:18:39.640
<v Speaker 1>which we'll get to of course.

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<v Speaker 4>Yeah, and there is a course, there is an.

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00:18:42.480 --> 00:18:46.759
<v Speaker 1>Explosion on the car, okay, and and and and so

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00:18:46.839 --> 00:18:48.759
<v Speaker 1>that is involving the two pieces of paper that are

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00:18:48.759 --> 00:18:50.119
<v Speaker 1>in the taxi. Is that what we're saying.

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<v Speaker 2>Yes, So basically, there's one piece of paper on the

347
00:18:53.319 --> 00:18:57.720
<v Speaker 2>back seat of the taxi, and Highways Star assumes that

348
00:18:57.720 --> 00:19:02.000
<v Speaker 2>that's going to be yu Ya. But then in the

349
00:19:02.079 --> 00:19:04.880
<v Speaker 2>in the door of the taxi, there is a second

350
00:19:04.920 --> 00:19:08.319
<v Speaker 2>piece of paper, and in that piece of paper is

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<v Speaker 2>an explosion.

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00:19:10.680 --> 00:19:13.839
<v Speaker 5>Yeah, explosion and a piece of paper.

353
00:19:15.000 --> 00:19:19.279
<v Speaker 4>Okay, and you Yea is not Enigma, Enigma and is

354
00:19:19.359 --> 00:19:25.160
<v Speaker 4>Miyamoto Uya is the one on their side? Ya Ya

355
00:19:25.319 --> 00:19:30.079
<v Speaker 4>is Highway Star, yes, yes, yeah, yeah, yeah, So that's

356
00:19:30.079 --> 00:19:31.559
<v Speaker 4>I believe that's what we know.

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<v Speaker 2>Yes, No, I think I got a bit mixed up there.

358
00:19:34.480 --> 00:19:36.640
<v Speaker 1>Oh okay, I might have said that before you.

359
00:19:37.359 --> 00:19:40.480
<v Speaker 4>The paper is he's trying to trick them into believing

360
00:19:40.519 --> 00:19:44.599
<v Speaker 4>that's what where his friends are trapped in. So he

361
00:19:44.640 --> 00:19:45.519
<v Speaker 4>goes into.

362
00:19:45.680 --> 00:19:51.000
<v Speaker 2>Stars the stand highway star uh, karate chops the explosion,

363
00:19:51.400 --> 00:19:55.319
<v Speaker 2>making it non effective, which is how you deal with

364
00:19:55.359 --> 00:19:58.440
<v Speaker 2>an explosion. I was you ever find an explosion rushing

365
00:19:58.480 --> 00:20:02.079
<v Speaker 2>at you take your favorite martial arts technique and just kind.

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00:20:01.960 --> 00:20:05.119
<v Speaker 4>Of and just it will show to the show to

367
00:20:05.160 --> 00:20:07.359
<v Speaker 4>the fire people that you play hockey, even see how

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00:20:08.519 --> 00:20:09.720
<v Speaker 4>how many of them actually.

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<v Speaker 2>The audio so we'll all describe whatever. Jeff's actually I'm sorry.

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<v Speaker 1>What was the task?

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<v Speaker 4>I said? You know the firemen that you play hockey

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00:20:17.720 --> 00:20:21.759
<v Speaker 4>with that you said earlier? Sure, yeah, yeah, show them

373
00:20:21.799 --> 00:20:23.599
<v Speaker 4>that scene and see how accurate it is.

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00:20:24.559 --> 00:20:27.240
<v Speaker 1>Oh like if that is, like, is this a vifle

375
00:20:27.359 --> 00:20:28.680
<v Speaker 1>tactic in fighting fire?

376
00:20:28.759 --> 00:20:32.920
<v Speaker 4>Yeah, firefighter expert explains.

377
00:20:32.519 --> 00:20:33.759
<v Speaker 2>It could save some lives.

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00:20:33.799 --> 00:20:37.160
<v Speaker 1>Jeff, Yeah, I mean it's it's look, it's educational if

379
00:20:37.200 --> 00:20:40.160
<v Speaker 1>nothing nothing less. I mean, I gotta get that, gotta

380
00:20:40.200 --> 00:20:45.400
<v Speaker 1>get that out there. Okay, God, I'm just trying.

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00:20:45.200 --> 00:20:47.440
<v Speaker 5>To really let's go to the shredder. We'll go to

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00:20:47.480 --> 00:20:47.920
<v Speaker 5>the shredder.

383
00:20:48.799 --> 00:20:52.359
<v Speaker 2>Okay, we could, oh god, but then we would miss

384
00:20:52.400 --> 00:20:55.039
<v Speaker 2>both the scorpions and the acid falling out.

385
00:20:56.519 --> 00:21:01.279
<v Speaker 4>So from that point on, he's trying to uh Memo,

386
00:21:01.480 --> 00:21:05.640
<v Speaker 4>is trying to make you express his fear response by

387
00:21:05.720 --> 00:21:10.880
<v Speaker 4>one using electric the machinery smell, which when he touches

388
00:21:10.920 --> 00:21:15.119
<v Speaker 4>it charges him and electrocutes him. So that doesn't work.

389
00:21:15.680 --> 00:21:18.279
<v Speaker 4>And then he uses like scorpions as well and ascid.

390
00:21:18.440 --> 00:21:20.240
<v Speaker 5>He doesn't know, he doesn't know what the smell is

391
00:21:20.279 --> 00:21:21.160
<v Speaker 5>for scorpions.

392
00:21:21.559 --> 00:21:24.160
<v Speaker 4>Yeah, so then that's when the shredder appears.

393
00:21:24.079 --> 00:21:26.039
<v Speaker 1>After Alright, he's sniffing the whole time.

394
00:21:26.640 --> 00:21:31.160
<v Speaker 4>Yeah, then the Shredder after electricity, it becomes the shredder

395
00:21:31.279 --> 00:21:34.759
<v Speaker 4>and starts shredding the papers.

396
00:21:35.640 --> 00:21:38.160
<v Speaker 2>And just to be clear, we have a shredder that's

397
00:21:38.200 --> 00:21:41.559
<v Speaker 2>been stored in a magical piece of paper that connects

398
00:21:41.559 --> 00:21:44.799
<v Speaker 2>to a pocket dimension which has been unreleased and is

399
00:21:44.880 --> 00:21:49.519
<v Speaker 2>now shredding the paper containing two of our heroes, two

400
00:21:49.599 --> 00:21:53.200
<v Speaker 2>separate pieces of paper containing two separate heroes, Joe Ski

401
00:21:53.799 --> 00:22:00.160
<v Speaker 2>and Koichi, and Yuya is doing his absolute best to

402
00:22:00.440 --> 00:22:04.359
<v Speaker 2>save them, but his stand is not strong enough to

403
00:22:04.400 --> 00:22:09.359
<v Speaker 2>destroy a paper shredder, which in my existence, that's not

404
00:22:09.440 --> 00:22:10.559
<v Speaker 2>a very strong stand in.

405
00:22:10.519 --> 00:22:14.240
<v Speaker 4>That case, No, unless a special paper shredder, it must

406
00:22:14.240 --> 00:22:15.079
<v Speaker 4>be an epsom one.

407
00:22:16.240 --> 00:22:18.519
<v Speaker 1>Yeah, I mean only the best.

408
00:22:18.799 --> 00:22:19.319
<v Speaker 4>Uh.

409
00:22:20.039 --> 00:22:24.359
<v Speaker 1>However, that is where Yuya does express his fear when

410
00:22:24.359 --> 00:22:29.920
<v Speaker 1>he believes that all hope is lost for Joske and Koichi.

411
00:22:30.119 --> 00:22:36.759
<v Speaker 1>He touches his chin and is then taken prisoner by Enigma. Yeah. Okay,

412
00:22:36.920 --> 00:22:41.200
<v Speaker 1>but that's what at all I guess.

413
00:22:41.240 --> 00:22:45.359
<v Speaker 4>So I don't understand how this turns into a hey

414
00:22:45.440 --> 00:22:47.359
<v Speaker 4>like he turns the tides on. This doesn't make any

415
00:22:47.359 --> 00:22:47.920
<v Speaker 4>sense to me.

416
00:22:48.559 --> 00:22:51.200
<v Speaker 2>Okay, because I believe I can explain it.

417
00:22:51.200 --> 00:22:54.000
<v Speaker 1>It has to do with someone closing only one eye,

418
00:22:55.200 --> 00:22:58.960
<v Speaker 1>right John, No? No, okay, sorry, go on.

419
00:22:59.039 --> 00:23:05.000
<v Speaker 2>So now, uh, yu Yah is paper thin, he is

420
00:23:05.039 --> 00:23:08.680
<v Speaker 2>able to reach his hand into the bells of the

421
00:23:08.720 --> 00:23:14.559
<v Speaker 2>paper shredder and unfold joe Ski and Kuechi so that

422
00:23:14.599 --> 00:23:16.559
<v Speaker 2>they are released from the paper dimension.

423
00:23:16.880 --> 00:23:20.000
<v Speaker 4>Yeah, but as the paper is going in, he has

424
00:23:20.000 --> 00:23:22.759
<v Speaker 4>a separate piece of paper with his stand on it.

425
00:23:23.559 --> 00:23:26.599
<v Speaker 4>So and then it cuts to inside the machine and

426
00:23:26.680 --> 00:23:30.279
<v Speaker 4>his stand stand's leg is coming out of the paper,

427
00:23:30.359 --> 00:23:33.680
<v Speaker 4>so it's remanifesting into the normal world to put its

428
00:23:33.680 --> 00:23:37.920
<v Speaker 4>foot on the machinery that moves to the paper shredder,

429
00:23:38.200 --> 00:23:40.440
<v Speaker 4>which then allows him to pull it. Doesn't make a

430
00:23:40.720 --> 00:23:44.319
<v Speaker 4>why is that a stand allowed a half manifest back out.

431
00:23:44.359 --> 00:23:47.160
<v Speaker 1>This is what I'm saying. What is amazing to me

432
00:23:47.200 --> 00:23:50.759
<v Speaker 1>about this is not only the mental gymnastics one must

433
00:23:50.880 --> 00:23:53.799
<v Speaker 1>do to try and wrap their heads around what is

434
00:23:53.839 --> 00:23:57.640
<v Speaker 1>exactly happening. But how did they even like draw this, Like,

435
00:23:57.680 --> 00:24:00.200
<v Speaker 1>how did they even get this together? And all all

436
00:24:00.240 --> 00:24:03.319
<v Speaker 1>agree that like these were the assets that needed to

437
00:24:03.359 --> 00:24:07.119
<v Speaker 1>be drawn and then somehow like string them together. I'm

438
00:24:07.440 --> 00:24:11.960
<v Speaker 1>absolutely flabbergasted that they were able to like make this

439
00:24:12.039 --> 00:24:13.960
<v Speaker 1>sequence even happen.

440
00:24:14.200 --> 00:24:17.440
<v Speaker 4>So like the stand stops the machinery to prevent the

441
00:24:17.519 --> 00:24:21.799
<v Speaker 4>shredding by somehow being able to re manifest itself, which

442
00:24:21.880 --> 00:24:24.519
<v Speaker 4>doesn't make sense because they try and set up earlier

443
00:24:24.599 --> 00:24:29.279
<v Speaker 4>with Joe Skei remanifesting himself like pushing his way back

444
00:24:29.319 --> 00:24:31.200
<v Speaker 4>out of the paper. But the only way he could

445
00:24:31.200 --> 00:24:33.759
<v Speaker 4>do that was because he held onto that piece of

446
00:24:33.839 --> 00:24:37.119
<v Speaker 4>iron that got pulled through from the real world and

447
00:24:37.160 --> 00:24:40.880
<v Speaker 4>then use his own standability to reverse the damage on it,

448
00:24:41.200 --> 00:24:43.960
<v Speaker 4>thus pulling him back into the new to the real world.

449
00:24:44.079 --> 00:24:47.440
<v Speaker 4>So that's a feasible way of him pushing his way

450
00:24:47.839 --> 00:24:51.319
<v Speaker 4>Diamond does. Yeah, but like the Highway Star doesn't do

451
00:24:51.440 --> 00:24:54.039
<v Speaker 4>anything like that. It doesn't have the power to do that.

452
00:24:54.119 --> 00:24:57.519
<v Speaker 4>It's only a power is to pursue to like to

453
00:24:57.599 --> 00:25:02.400
<v Speaker 4>like go fast with footprints. Yeah, exactly, so effectively, there

454
00:25:02.480 --> 00:25:04.240
<v Speaker 4>is no way for this to happen. Like it's just

455
00:25:04.319 --> 00:25:05.160
<v Speaker 4>pure nonsense.

456
00:25:05.640 --> 00:25:09.480
<v Speaker 1>It is the most incoherent I'm just gonna say, I

457
00:25:09.480 --> 00:25:14.920
<v Speaker 1>think this part kind of sucks. Like this came, but

458
00:25:15.559 --> 00:25:16.759
<v Speaker 1>this part of it is.

459
00:25:16.759 --> 00:25:20.519
<v Speaker 4>Like really confusing this episode. Yes, it's like what Yes,

460
00:25:20.759 --> 00:25:22.039
<v Speaker 4>that's what I don't understand why.

461
00:25:22.319 --> 00:25:25.960
<v Speaker 2>I'll say, the interdimensional nature of the paper is not

462
00:25:26.039 --> 00:25:28.680
<v Speaker 2>properly explained to us, but I think some kind of

463
00:25:28.759 --> 00:25:31.880
<v Speaker 2>portal effect is happening. Where is it explained?

464
00:25:33.039 --> 00:25:35.799
<v Speaker 1>Fine, but yeah, how do they do it in them? Okay?

465
00:25:35.960 --> 00:25:39.000
<v Speaker 1>But John what I said at the top. It's also

466
00:25:39.039 --> 00:25:43.039
<v Speaker 1>because Enigma is like introduced in a very sort of

467
00:25:44.880 --> 00:25:47.960
<v Speaker 1>non contextual way, right, Like it's the end of part

468
00:25:48.079 --> 00:25:51.279
<v Speaker 1>two of July fifteenth, when you first understand like, oh wait,

469
00:25:51.680 --> 00:25:55.359
<v Speaker 1>Enigma is someone else who's not Kira and who's not

470
00:25:56.160 --> 00:25:58.640
<v Speaker 1>uh you know, like and it's just like you're like,

471
00:25:58.680 --> 00:26:02.039
<v Speaker 1>what and he's like a paper boy and hype. I

472
00:26:02.119 --> 00:26:02.839
<v Speaker 1>agree with that.

473
00:26:02.960 --> 00:26:05.880
<v Speaker 2>I would have much preferred to say, like you do

474
00:26:06.440 --> 00:26:09.160
<v Speaker 2>Enigma in one part, you do the Tower Guy in

475
00:26:09.200 --> 00:26:14.039
<v Speaker 2>another part, and you do you do the backstand in

476
00:26:14.079 --> 00:26:15.920
<v Speaker 2>a third part, and then maybe a fourth part is

477
00:26:16.119 --> 00:26:19.079
<v Speaker 2>just Kira. But I think they try and intersperse them

478
00:26:19.079 --> 00:26:21.200
<v Speaker 2>throughout these episodes, and I think it's kind of cool

479
00:26:21.279 --> 00:26:23.000
<v Speaker 2>what they're doing, like they really want to convey that

480
00:26:23.039 --> 00:26:25.759
<v Speaker 2>this is all happening on the same day. I think

481
00:26:25.799 --> 00:26:28.519
<v Speaker 2>it makes it stand. It's very hard to follow, especially

482
00:26:28.519 --> 00:26:31.160
<v Speaker 2>considering some of these stands are the most confusing in

483
00:26:31.200 --> 00:26:31.960
<v Speaker 2>the entire show.

484
00:26:32.079 --> 00:26:35.119
<v Speaker 4>I also think most almost every stand that has been

485
00:26:35.200 --> 00:26:38.480
<v Speaker 4>in the last few episodes Enemy Stand has been paper thin.

486
00:26:38.759 --> 00:26:44.079
<v Speaker 4>Not to you know, but I don't think. I feel

487
00:26:44.119 --> 00:26:46.720
<v Speaker 4>like if they spent an episode in any one of

488
00:26:46.759 --> 00:26:49.599
<v Speaker 4>these stands, it would be awful because he just doesn't

489
00:26:49.599 --> 00:26:53.359
<v Speaker 4>have any juice with any of them, Like they Tower

490
00:26:53.440 --> 00:26:54.079
<v Speaker 4>Guy stand.

491
00:26:54.759 --> 00:26:55.759
<v Speaker 1>That is silly.

492
00:26:55.880 --> 00:26:58.480
<v Speaker 4>That was an entire episode and it was pretty terrible,

493
00:26:58.920 --> 00:27:02.920
<v Speaker 4>Like there's no real rules for it created. It's not

494
00:27:02.960 --> 00:27:05.880
<v Speaker 4>like old school humery stuff. It's just like, yeah, what

495
00:27:06.000 --> 00:27:09.160
<v Speaker 4>if I had this. It's like a thought, not an

496
00:27:09.160 --> 00:27:11.880
<v Speaker 4>idea currently, which seems to be a lot of this

497
00:27:12.240 --> 00:27:13.759
<v Speaker 4>whole part.

498
00:27:14.640 --> 00:27:16.880
<v Speaker 1>Yeah, we do have to move on, but I agree,

499
00:27:16.960 --> 00:27:18.880
<v Speaker 1>I think there's a I think they tried to pack

500
00:27:19.079 --> 00:27:21.960
<v Speaker 1>way too much into this four parter, and as a consequence,

501
00:27:22.000 --> 00:27:25.839
<v Speaker 1>were left with a very incoherent scene that basically renders

502
00:27:25.920 --> 00:27:31.559
<v Speaker 1>out with Enigma becoming a book himself and the gang

503
00:27:31.960 --> 00:27:35.559
<v Speaker 1>driving to the Moreial library and just sort of like,

504
00:27:35.799 --> 00:27:36.519
<v Speaker 1>how does he become?

505
00:27:38.240 --> 00:27:44.200
<v Speaker 2>He could just he's so scared by what by what

506
00:27:44.599 --> 00:27:47.680
<v Speaker 2>Crazy Diamond is about to do doing to him that

507
00:27:47.759 --> 00:27:51.319
<v Speaker 2>he turns into multiple pieces of paper and is on

508
00:27:51.680 --> 00:27:56.880
<v Speaker 2>he became Okay, look I'm gonna leave the screenshot explain.

509
00:27:56.599 --> 00:28:00.759
<v Speaker 4>This punched He gets punched hard.

510
00:28:00.759 --> 00:28:03.519
<v Speaker 2>A book with lips and eyes. Yeah, it says he

511
00:28:03.640 --> 00:28:05.799
<v Speaker 2>became a book and is thus unable to fight.

512
00:28:06.079 --> 00:28:09.240
<v Speaker 4>It seems like Crazy Diamond punches him so hard that

513
00:28:09.359 --> 00:28:14.039
<v Speaker 4>he becomes sheets of paper and then is like magic,

514
00:28:14.079 --> 00:28:14.640
<v Speaker 4>clear book.

515
00:28:14.720 --> 00:28:18.039
<v Speaker 2>I don't want to know his stan power goes haywire

516
00:28:18.119 --> 00:28:18.759
<v Speaker 2>as well.

517
00:28:18.839 --> 00:28:22.720
<v Speaker 6>Right, A friend of mine professionally repairs books and binds

518
00:28:22.759 --> 00:28:23.240
<v Speaker 6>them and stuff.

519
00:28:23.279 --> 00:28:24.160
<v Speaker 5>I think it's really cool.

520
00:28:25.000 --> 00:28:25.799
<v Speaker 1>That is very cool.

521
00:28:25.880 --> 00:28:28.039
<v Speaker 5>Those little videos of it on his Instagram. I really

522
00:28:28.079 --> 00:28:28.480
<v Speaker 5>enjoy it.

523
00:28:28.599 --> 00:28:32.279
<v Speaker 1>Okay, please send that along. We'll share it with the audience. Okay.

524
00:28:32.359 --> 00:28:36.480
<v Speaker 1>So anyway, that's the end of Enigma. We do like

525
00:28:36.519 --> 00:28:39.720
<v Speaker 1>a little like recap about like, oh and if you

526
00:28:39.799 --> 00:28:42.799
<v Speaker 1>ask to borrow the book, you can hear screams and

527
00:28:42.839 --> 00:28:44.079
<v Speaker 1>there's a whole bunch of Google.

528
00:28:43.839 --> 00:28:45.200
<v Speaker 5>Oh yeah, but they don't. But they don't let you

529
00:28:45.240 --> 00:28:46.759
<v Speaker 5>take it outside of the library.

530
00:28:46.799 --> 00:28:47.000
<v Speaker 3>I like.

531
00:28:47.119 --> 00:28:49.240
<v Speaker 5>I like that little thing where it was like you

532
00:28:49.240 --> 00:28:50.480
<v Speaker 5>can only read it in the.

533
00:28:50.519 --> 00:28:53.839
<v Speaker 1>Library, a feeble tempt at redeeming the story arc, but

534
00:28:54.240 --> 00:28:58.720
<v Speaker 1>nevertheless falling fairly flat, no pun intended. Let's get back

535
00:28:58.720 --> 00:28:59.319
<v Speaker 1>to Rohan.

536
00:28:59.839 --> 00:29:01.559
<v Speaker 2>If I may, if I may give my take on

537
00:29:01.599 --> 00:29:04.799
<v Speaker 2>this episode, please dog in that it is like it

538
00:29:04.920 --> 00:29:06.599
<v Speaker 2>is a difficult fight to follow.

539
00:29:06.839 --> 00:29:09.599
<v Speaker 1>It's some weak shit. Say it. It's some weak ass shit.

540
00:29:10.039 --> 00:29:12.680
<v Speaker 2>But to me, I'm always going to come to Jojo

541
00:29:12.839 --> 00:29:16.119
<v Speaker 2>for absurd spectacle over tight coherent plotting.

542
00:29:16.559 --> 00:29:19.400
<v Speaker 1>I agree with you, John, but I think it's so

543
00:29:19.720 --> 00:29:24.240
<v Speaker 1>convoluted and needlessly complex. Here, I'm with you. I come

544
00:29:24.279 --> 00:29:28.079
<v Speaker 1>to this show because I want to just be stupefied, right,

545
00:29:28.119 --> 00:29:31.039
<v Speaker 1>I want to be like knocked over the head with nonsense.

546
00:29:31.279 --> 00:29:34.240
<v Speaker 1>But this seemed like why not make them? You know,

547
00:29:34.279 --> 00:29:36.000
<v Speaker 1>it was almost like a car wash of it. When

548
00:29:36.039 --> 00:29:38.480
<v Speaker 1>I just needed to like have one silly thing and

549
00:29:38.519 --> 00:29:40.200
<v Speaker 1>go on, they overloaded it.

550
00:29:40.359 --> 00:29:42.440
<v Speaker 4>The core of these fights are supposed to be a

551
00:29:42.519 --> 00:29:45.799
<v Speaker 4>chess game where every piece is an absurd piece and

552
00:29:46.240 --> 00:29:49.400
<v Speaker 4>every move is an absurd move and impossible. Well, ultimately

553
00:29:49.480 --> 00:29:51.440
<v Speaker 4>there is a back and forth of like, you know,

554
00:29:51.480 --> 00:29:53.200
<v Speaker 4>I move hair, you move hair, and then check me.

555
00:29:54.359 --> 00:29:58.839
<v Speaker 4>There's not a fair. There is no rules underlying any

556
00:29:58.880 --> 00:30:02.319
<v Speaker 4>of these fights. Then there's no like strategic back and forth.

557
00:30:02.359 --> 00:30:05.359
<v Speaker 4>It's just ha ha, I'm a paper now. Actually I'm

558
00:30:05.400 --> 00:30:09.039
<v Speaker 4>not really a paper. Now, you're a book. And it's like,

559
00:30:09.119 --> 00:30:13.599
<v Speaker 4>what the fuck are you? It looks like Heraki just

560
00:30:13.680 --> 00:30:16.200
<v Speaker 4>like absolutely phone this one in.

561
00:30:16.920 --> 00:30:20.480
<v Speaker 1>Iraqi, do any controlled or what do we know about?

562
00:30:20.559 --> 00:30:21.720
<v Speaker 4>I think he needs to do them?

563
00:30:22.359 --> 00:30:26.880
<v Speaker 2>You know what a scary answer, Jeff? I think is nor.

564
00:30:25.880 --> 00:30:26.960
<v Speaker 1>Stone cold sober.

565
00:30:29.519 --> 00:30:30.319
<v Speaker 5>It's like like the.

566
00:30:30.559 --> 00:30:33.279
<v Speaker 6>Family Guy joke about Stephen King and the scary lamp

567
00:30:34.759 --> 00:30:36.960
<v Speaker 6>and they're like, Okay, Stephen, what's next and he goes, oh,

568
00:30:37.000 --> 00:30:40.920
<v Speaker 6>it's a story about this lamb. Sometimes, like I feel

569
00:30:40.920 --> 00:30:42.839
<v Speaker 6>like Iraqi is like look around at his desk.

570
00:30:43.160 --> 00:30:44.279
<v Speaker 5>He's like, what can I do?

571
00:30:44.319 --> 00:30:44.519
<v Speaker 2>Here?

572
00:30:44.880 --> 00:30:47.279
<v Speaker 5>A paper stand? There we go.

573
00:30:47.359 --> 00:30:50.799
<v Speaker 2>There is definitely like a Hideo Kajuma and Wiki.

574
00:30:50.920 --> 00:30:54.160
<v Speaker 4>All right, let's calm down. You don't need to bring

575
00:30:54.200 --> 00:30:54.880
<v Speaker 4>Kajima into this.

576
00:30:56.559 --> 00:30:57.319
<v Speaker 1>No no, no, no no no.

577
00:30:57.680 --> 00:31:00.839
<v Speaker 2>I was relenting. I was relenting, and now I hear some.

578
00:31:02.599 --> 00:31:06.039
<v Speaker 4>Sympthaesis she needs to be there's a reason. All right.

579
00:31:06.160 --> 00:31:09.720
<v Speaker 1>Now I'm back on team John though. Yep, okay, yeah, I'm.

580
00:31:09.519 --> 00:31:14.160
<v Speaker 4>Back your words indeeds I do every day?

581
00:31:14.359 --> 00:31:16.440
<v Speaker 1>Yeah, come on, tell me something I don't know. Let's

582
00:31:16.480 --> 00:31:21.319
<v Speaker 1>go back to Rohan Rohan. However, I say Rohan Rohan whatever.

583
00:31:24.039 --> 00:31:26.880
<v Speaker 1>He's having a he's having a situation with mister back

584
00:31:26.960 --> 00:31:33.519
<v Speaker 1>boy Maso. And uh, if you recall from the previous part, uh,

585
00:31:33.599 --> 00:31:35.839
<v Speaker 1>who's like an I says, he's an architect who wants

586
00:31:35.839 --> 00:31:40.880
<v Speaker 1>to come into the house insurance, right because because Romans

587
00:31:40.920 --> 00:31:43.519
<v Speaker 1>apparently has like half burned down and only in very

588
00:31:43.559 --> 00:31:46.960
<v Speaker 1>specific places and not like the the entirety of the home,

589
00:31:47.079 --> 00:31:52.400
<v Speaker 1>just in very specific spots, as is demonstrated when Massaso

590
00:31:52.559 --> 00:31:58.000
<v Speaker 1>falls through a hole in the second floor hallway which

591
00:31:58.079 --> 00:32:02.799
<v Speaker 1>was covered by which is which is which is a

592
00:32:02.920 --> 00:32:09.000
<v Speaker 1>lah the money pit with Tom Hanks. Right, have you

593
00:32:09.039 --> 00:32:09.920
<v Speaker 1>seen the money Pit?

594
00:32:10.160 --> 00:32:11.799
<v Speaker 2>No, there's an actual pit and money pit.

595
00:32:12.519 --> 00:32:18.400
<v Speaker 1>The money pit. Tom Hanks was in an eighties movie

596
00:32:18.440 --> 00:32:21.759
<v Speaker 1>called The money Pit where he and his wife buy

597
00:32:22.039 --> 00:32:27.240
<v Speaker 1>a fixer upper new home and it's a money pit

598
00:32:27.319 --> 00:32:30.640
<v Speaker 1>because the amount of money that it was required to

599
00:32:30.640 --> 00:32:31.079
<v Speaker 1>fix this.

600
00:32:31.400 --> 00:32:33.319
<v Speaker 2>You know, that's kind of what I thought. But yeah,

601
00:32:33.359 --> 00:32:36.119
<v Speaker 2>I guess the way it led me to believe there's

602
00:32:36.160 --> 00:32:38.759
<v Speaker 2>a literal pit that Tom Hanks traps people in in

603
00:32:38.799 --> 00:32:39.359
<v Speaker 2>that movie.

604
00:32:39.519 --> 00:32:42.680
<v Speaker 1>I mean again, he does fall into the exact like

605
00:32:42.759 --> 00:32:45.480
<v Speaker 1>I can't wait to show you the scene where Tom

606
00:32:45.519 --> 00:32:47.920
<v Speaker 1>Hanks falls through a hole in the floor that is

607
00:32:47.960 --> 00:32:51.960
<v Speaker 1>covered by a rug, and it's the same thing.

608
00:32:52.359 --> 00:32:55.599
<v Speaker 2>And maybe, like Iraqi is so huge on movie movies

609
00:32:55.599 --> 00:32:59.599
<v Speaker 2>that I would say it is nearly definitely where he

610
00:32:59.640 --> 00:33:00.119
<v Speaker 2>got that.

611
00:33:00.680 --> 00:33:02.880
<v Speaker 4>It has to be, I don't think so. I feel

612
00:33:02.920 --> 00:33:05.720
<v Speaker 4>like that he put his whole brain into figuring out

613
00:33:05.720 --> 00:33:09.240
<v Speaker 4>a way of setting up a situation where every Rohan

614
00:33:09.359 --> 00:33:13.079
<v Speaker 4>can came back, and that is what he came up with.

615
00:33:13.559 --> 00:33:17.640
<v Speaker 1>Every stand is named after a seventies or eighties band.

616
00:33:18.279 --> 00:33:23.319
<v Speaker 1>There's no way this eighties obsessed dude did not see

617
00:33:23.359 --> 00:33:24.880
<v Speaker 1>the money Pit and was like, you know, it would

618
00:33:24.880 --> 00:33:27.079
<v Speaker 1>be a funny way to show Rohan for a few.

619
00:33:26.920 --> 00:33:27.440
<v Speaker 2>Of the money Pit.

620
00:33:27.960 --> 00:33:30.640
<v Speaker 4>I mean, there's like one hundred episodes of Looney Tunes

621
00:33:30.640 --> 00:33:31.599
<v Speaker 4>where that's happening.

622
00:33:31.640 --> 00:33:34.279
<v Speaker 1>Like, it's not a UNI. This is the most Looney

623
00:33:34.319 --> 00:33:35.839
<v Speaker 1>Tunes that ship anyway anyway.

624
00:33:35.920 --> 00:33:37.680
<v Speaker 4>And also I looked like he like did it on

625
00:33:37.839 --> 00:33:40.160
<v Speaker 4>purpose because he's like, oh he did.

626
00:33:40.240 --> 00:33:42.000
<v Speaker 2>I think he because he was trying to see the

627
00:33:42.079 --> 00:33:45.279
<v Speaker 2>dudes back, because I think the previous episodes is Rohan

628
00:33:45.400 --> 00:33:47.359
<v Speaker 2>being like, so, how about you showed me that show

629
00:33:47.400 --> 00:33:48.559
<v Speaker 2>me that back, and the.

630
00:33:48.559 --> 00:34:00.519
<v Speaker 1>Guy's like, no, no, no, you don't want that anyway,

631
00:34:01.279 --> 00:34:03.960
<v Speaker 1>Mesaso's stuck in the floor, Rohan fails to notice anything

632
00:34:04.000 --> 00:34:09.079
<v Speaker 1>weird about the dude's back, who starts to like freak

633
00:34:09.199 --> 00:34:13.960
<v Speaker 1>out because he knows his back is exposed. Now, then

634
00:34:15.159 --> 00:34:18.400
<v Speaker 1>we finally get the stand reveal the reason he does

635
00:34:18.400 --> 00:34:20.400
<v Speaker 1>not want anyone to see his back is because of

636
00:34:20.679 --> 00:34:24.599
<v Speaker 1>cheap trick. Another eighties seventies.

637
00:34:26.400 --> 00:34:28.719
<v Speaker 4>I have a question, and this is a very specific

638
00:34:28.800 --> 00:34:30.880
<v Speaker 4>moment that I just need an explanation for.

639
00:34:31.079 --> 00:34:37.079
<v Speaker 1>Let's hear it, buddy, do you have it up the episode?

640
00:34:37.119 --> 00:34:39.480
<v Speaker 2>So there's a moment where he's the episode here, Tom,

641
00:34:39.880 --> 00:34:40.039
<v Speaker 2>is it.

642
00:34:40.039 --> 00:34:41.320
<v Speaker 4>On Netflix or somewhere else?

643
00:34:41.719 --> 00:34:42.639
<v Speaker 1>Crunch, crunch.

644
00:34:42.719 --> 00:34:44.679
<v Speaker 4>Okay, So there's a bit right at the start where

645
00:34:44.719 --> 00:34:48.599
<v Speaker 4>he's trapped in it in the hole and Rohan is

646
00:34:48.639 --> 00:34:51.079
<v Speaker 4>like standing above him and looking at him, and he's drooling.

647
00:34:51.800 --> 00:34:55.400
<v Speaker 1>Yes, right, yes, and then he's like and then it's rabbinous.

648
00:34:55.559 --> 00:34:57.840
<v Speaker 4>And then it cuts to a close up where it's

649
00:34:57.840 --> 00:35:01.679
<v Speaker 4>like panning up his face and he's still drooling, but

650
00:35:01.760 --> 00:35:04.960
<v Speaker 4>then drool lands on his face.

651
00:35:06.880 --> 00:35:08.760
<v Speaker 1>Oh the right, yea, But where does.

652
00:35:08.760 --> 00:35:10.880
<v Speaker 4>That drool come from?

653
00:35:11.119 --> 00:35:13.880
<v Speaker 2>So I think, okay, I'm watching it here, and I

654
00:35:13.920 --> 00:35:18.119
<v Speaker 2>think the implication is that it's this stand hovering over him,

655
00:35:18.199 --> 00:35:19.639
<v Speaker 2>drooling over his shoulder.

656
00:35:19.760 --> 00:35:21.920
<v Speaker 4>But then it cuts to the next The very next

657
00:35:21.960 --> 00:35:25.239
<v Speaker 4>frame is him in a completely different position with no

658
00:35:25.320 --> 00:35:26.119
<v Speaker 4>drawl on his face.

659
00:35:27.880 --> 00:35:31.239
<v Speaker 2>It's it's a little drool. There's right, this is there

660
00:35:31.320 --> 00:35:33.039
<v Speaker 2>is something got cut here.

661
00:35:33.320 --> 00:35:35.920
<v Speaker 4>It looks like someone came and dribbled on him and

662
00:35:35.960 --> 00:35:38.440
<v Speaker 4>then ran off for us a weird I'm with you,

663
00:35:38.920 --> 00:35:40.599
<v Speaker 4>And then it cuts back to him close up and

664
00:35:40.639 --> 00:35:41.639
<v Speaker 4>he's drooling again.

665
00:35:42.239 --> 00:35:45.840
<v Speaker 2>Yep, No, you're right, you're right. Something strange happened here.

666
00:35:46.000 --> 00:35:49.719
<v Speaker 2>There is some such shot substitute for another shot. I

667
00:35:49.719 --> 00:35:52.519
<v Speaker 2>think what's meant to be happening is the stand is

668
00:35:52.559 --> 00:35:54.239
<v Speaker 2>meant to be drooling on him, And I think, then

669
00:35:54.239 --> 00:35:56.159
<v Speaker 2>you're meant to get a shot off the stand. I

670
00:35:56.320 --> 00:35:58.679
<v Speaker 2>wonder if you look in the manga, is there a

671
00:35:58.760 --> 00:36:01.719
<v Speaker 2>panel there where they reveal this that for the first time?

672
00:36:01.840 --> 00:36:02.079
<v Speaker 4>Yeah?

673
00:36:02.119 --> 00:36:07.360
<v Speaker 1>Maybe interesting. Uh okay, that's a really good call out there, Tam.

674
00:36:07.599 --> 00:36:10.039
<v Speaker 1>I had that confusion as well, watching them, like what

675
00:36:10.119 --> 00:36:12.079
<v Speaker 1>is that? Because they show you one frame it looks

676
00:36:12.119 --> 00:36:14.639
<v Speaker 1>so he looks like he's been like possessed in like

677
00:36:14.760 --> 00:36:18.760
<v Speaker 1>ravenous and it's like so weird. We do get cheap

678
00:36:18.960 --> 00:36:22.360
<v Speaker 1>tricks reveal and he's an ugly little spud. He's just

679
00:36:22.360 --> 00:36:23.519
<v Speaker 1>a fucking little.

680
00:36:23.639 --> 00:36:27.119
<v Speaker 5>I love the way he just keeps saying like nick.

681
00:36:27.639 --> 00:36:29.800
<v Speaker 1>Nick, you know, like yeah, he's just like he's like

682
00:36:31.119 --> 00:36:31.800
<v Speaker 1>the photos.

683
00:36:31.880 --> 00:36:34.760
<v Speaker 4>Yeah, it's a speech affectation, which is like he's saying

684
00:36:34.880 --> 00:36:36.480
<v Speaker 4>right at the end of everything.

685
00:36:38.079 --> 00:36:42.199
<v Speaker 1>Uh, it's it's pretty gross. He's pretty gross. Uh. And

686
00:36:42.280 --> 00:36:48.920
<v Speaker 1>Rohan is like obviously demonstrabily upset. He uh sees Massago

687
00:36:49.000 --> 00:36:52.360
<v Speaker 1>basically like his back get ripped off and he's in

688
00:36:52.400 --> 00:36:55.639
<v Speaker 1>a bad way and he's all shitty and shrinking up

689
00:36:55.679 --> 00:36:59.000
<v Speaker 1>into a husk of a human. Uh. And but then

690
00:36:59.159 --> 00:37:02.719
<v Speaker 1>Cheap Trick basically latches onto Rohan's back, and now he

691
00:37:02.960 --> 00:37:07.280
<v Speaker 1>is possessed by the stand and you know, obviously this

692
00:37:07.360 --> 00:37:08.960
<v Speaker 1>little freaks town him to like burn up all his

693
00:37:08.960 --> 00:37:16.280
<v Speaker 1>photos and whatnot. It's upsetting. Rohan has decided that he

694
00:37:16.400 --> 00:37:19.440
<v Speaker 1>has to go out into the world and prevent anyone

695
00:37:19.519 --> 00:37:22.119
<v Speaker 1>from seeing his back because he does not want to

696
00:37:23.239 --> 00:37:28.039
<v Speaker 1>have Cheap Trick possess anyone else, and he now has to.

697
00:37:28.320 --> 00:37:31.599
<v Speaker 1>He now decides that he must go and inform Kiyochi

698
00:37:31.719 --> 00:37:35.920
<v Speaker 1>about Cheap Trick, and that is where Part three of

699
00:37:36.000 --> 00:37:40.800
<v Speaker 1>July fifteenth concludes. Overall, I think we summed it up

700
00:37:40.800 --> 00:37:46.519
<v Speaker 1>fairly well. One of the most incomprehensible episodes of this podcast,

701
00:37:46.519 --> 00:37:49.280
<v Speaker 1>of this I'm sorry of this anime that we've ever witnessed,

702
00:37:49.679 --> 00:37:55.840
<v Speaker 1>and nearly impossible to recap. But nevertheless, there was a

703
00:37:55.920 --> 00:37:56.760
<v Speaker 1>lot going on us.

704
00:37:56.840 --> 00:37:59.559
<v Speaker 5>There was a lot going on, going much to think about.

705
00:38:00.400 --> 00:38:05.079
<v Speaker 1>Yes, nevertheless, we we continue on the final part Part

706
00:38:05.159 --> 00:38:10.599
<v Speaker 1>four of the July fifteenth four parter. Uh. Rohan is

707
00:38:10.639 --> 00:38:14.199
<v Speaker 1>trapped in a situation where he can only get rid

708
00:38:14.320 --> 00:38:15.880
<v Speaker 1>of yes, tim.

709
00:38:16.119 --> 00:38:18.599
<v Speaker 4>I looked at the manga and there's no explanation for

710
00:38:18.679 --> 00:38:21.400
<v Speaker 4>this drawll thing. Oh my god, the drool's in there,

711
00:38:21.679 --> 00:38:25.480
<v Speaker 4>the drawl is in there, but it's on him. But

712
00:38:25.639 --> 00:38:28.599
<v Speaker 4>then it doesn't doesn't as far as I can tell,

713
00:38:28.639 --> 00:38:32.320
<v Speaker 4>there's no shot of drawl landing on his face like

714
00:38:32.360 --> 00:38:33.360
<v Speaker 4>there is at an anime.

715
00:38:34.400 --> 00:38:37.920
<v Speaker 1>Somebody, somebody right in, somebody tweet us explain this if you.

716
00:38:37.880 --> 00:38:40.599
<v Speaker 2>Have, it has to be they were they at some

717
00:38:40.760 --> 00:38:42.760
<v Speaker 2>point in the storyboards for this episode, they're like, you

718
00:38:42.840 --> 00:38:44.320
<v Speaker 2>know what, we should add it in and reveal the

719
00:38:44.360 --> 00:38:46.559
<v Speaker 2>standard here. So okay, But then later on.

720
00:38:46.519 --> 00:38:50.159
<v Speaker 4>Okay, there's a there's a shot of him drawling, and

721
00:38:50.199 --> 00:38:53.239
<v Speaker 4>then there's a shot of his hand on the floor

722
00:38:53.599 --> 00:38:56.760
<v Speaker 4>where there's drops of drawl landing there. So it like

723
00:38:56.920 --> 00:38:58.679
<v Speaker 4>cuts to his hand on the floor where he's like

724
00:38:58.800 --> 00:39:01.960
<v Speaker 4>keels over and he's dribble is like falling onto the ground.

725
00:39:02.559 --> 00:39:05.039
<v Speaker 4>That shot isn't in the anime instead of droll on

726
00:39:05.159 --> 00:39:09.079
<v Speaker 4>his face. For some reason, it's so weird, very weird.

727
00:39:09.360 --> 00:39:11.960
<v Speaker 2>Very much. I think definitely like a storyboard issue or something.

728
00:39:12.760 --> 00:39:18.000
<v Speaker 1>Yeah, a little malfunction. Nevertheless, we continue on. Kuichi shows

729
00:39:18.039 --> 00:39:21.599
<v Speaker 1>up at Rohan's house and Rohan's like, yo, dude, I'm

730
00:39:21.599 --> 00:39:25.599
<v Speaker 1>not joking. There's like this backstand on me. I know

731
00:39:25.679 --> 00:39:27.599
<v Speaker 1>we've been through a lot together. I know I've like

732
00:39:27.719 --> 00:39:30.719
<v Speaker 1>sort of been a shit shitty person to you, but like, please,

733
00:39:30.800 --> 00:39:33.960
<v Speaker 1>my man, like Kuichi, we gotta get me some help.

734
00:39:34.039 --> 00:39:37.599
<v Speaker 1>And Kuichi, it's just like, I don't know, man, I

735
00:39:37.639 --> 00:39:39.840
<v Speaker 1>know we've been through some ship. I know I've seen

736
00:39:40.079 --> 00:39:44.239
<v Speaker 1>a plenty amount of shit myself, but I don't believe

737
00:39:44.280 --> 00:39:45.000
<v Speaker 1>you at all.

738
00:39:45.599 --> 00:39:51.599
<v Speaker 2>And I yeah, I know by this later in the episode,

739
00:39:52.039 --> 00:39:56.039
<v Speaker 2>but the whole train of logic of listen, I came

740
00:39:56.119 --> 00:39:59.639
<v Speaker 2>here to tell you to be careful about enemy stunds.

741
00:40:00.159 --> 00:40:03.400
<v Speaker 2>I'm here, you are joking that you're being attacked by

742
00:40:03.440 --> 00:40:04.840
<v Speaker 2>an enemy. I can't do this.

743
00:40:05.000 --> 00:40:08.000
<v Speaker 5>And it's like this is just too far from me.

744
00:40:08.880 --> 00:40:14.559
<v Speaker 1>It's like Koch he shows him, uh Masazo's like shriveled corpse.

745
00:40:15.000 --> 00:40:15.239
<v Speaker 2>Yep.

746
00:40:15.280 --> 00:40:17.079
<v Speaker 1>He's like, check, get a load of this. Well you

747
00:40:17.159 --> 00:40:20.559
<v Speaker 1>think this came from the sky And he's just like, yeah,

748
00:40:20.679 --> 00:40:22.119
<v Speaker 1>I still don't believe you. Prop me.

749
00:40:22.639 --> 00:40:25.480
<v Speaker 6>Well, were well done on making that one a boy

750
00:40:26.599 --> 00:40:27.440
<v Speaker 6>so insane.

751
00:40:27.960 --> 00:40:32.159
<v Speaker 1>So Koechi has no he'd in no way does Koichi's

752
00:40:32.199 --> 00:40:34.599
<v Speaker 1>personality lend himself to behave the way he does here?

753
00:40:34.760 --> 00:40:36.360
<v Speaker 1>I would I would like to pose it, right.

754
00:40:36.559 --> 00:40:38.519
<v Speaker 5>I think what has happened too much of a heel

755
00:40:38.559 --> 00:40:39.199
<v Speaker 5>turned for him.

756
00:40:39.280 --> 00:40:44.440
<v Speaker 1>It doesn't really, it's so insane. So Koechi leaves and

757
00:40:44.519 --> 00:40:46.840
<v Speaker 1>Rohan's like, oh my god, I gotta go go to

758
00:40:47.599 --> 00:40:51.440
<v Speaker 1>joj ro and the hotel and and basically like get

759
00:40:51.480 --> 00:40:55.280
<v Speaker 1>his help and have to basically get through the entire

760
00:40:55.360 --> 00:40:59.400
<v Speaker 1>town somehow without showing anyone my back because if someone

761
00:40:59.440 --> 00:41:02.239
<v Speaker 1>does seem my back, I die and then they get

762
00:41:02.239 --> 00:41:11.159
<v Speaker 1>possessed by cheap trick exactly. Also, the the that seventies

763
00:41:11.159 --> 00:41:16.079
<v Speaker 1>show theme song right keeping it at the end, they

764
00:41:16.639 --> 00:41:19.440
<v Speaker 1>do that We're all all right, We're all all right.

765
00:41:19.519 --> 00:41:21.280
<v Speaker 1>That's a cheap trick song, I believe as well.

766
00:41:21.800 --> 00:41:27.000
<v Speaker 5>No, I've never seen the seventy show really, but also.

767
00:41:26.880 --> 00:41:28.920
<v Speaker 4>Came on like in the UK are like a really

768
00:41:29.360 --> 00:41:29.960
<v Speaker 4>weird time.

769
00:41:30.480 --> 00:41:32.400
<v Speaker 5>I think it was on Sky. I didn't have that.

770
00:41:32.400 --> 00:41:35.920
<v Speaker 4>I came on Channel four like eight pm when everyone

771
00:41:35.920 --> 00:41:37.360
<v Speaker 4>else was like watching all the ship.

772
00:41:38.800 --> 00:41:42.599
<v Speaker 6>I also vindicated because of Mila Kunis and Ashton Kutscher apparently.

773
00:41:42.199 --> 00:41:47.280
<v Speaker 1>Being there's just a whole bunch of there's a real

774
00:41:47.360 --> 00:41:51.000
<v Speaker 1>hive of the real rotten core at at the center

775
00:41:51.039 --> 00:41:51.639
<v Speaker 1>of that show.

776
00:41:52.159 --> 00:41:54.000
<v Speaker 2>Yeah, I heard like the set of that show was

777
00:41:54.039 --> 00:41:56.559
<v Speaker 2>like not a super fun place to be sometimes as well.

778
00:41:56.679 --> 00:41:59.880
<v Speaker 6>And also Mila Kunis was underage and lied toget the

779
00:42:00.239 --> 00:42:02.840
<v Speaker 6>and then she ends up kissing in Ashton Kusha when

780
00:42:02.880 --> 00:42:05.760
<v Speaker 6>she was like fifteen and he was like nineteen or twenty.

781
00:42:06.360 --> 00:42:08.840
<v Speaker 1>Oh, don't worry, we'll get to plenty of that soon.

782
00:42:09.079 --> 00:42:13.239
<v Speaker 6>Oh yeah, well anyway, not really.

783
00:42:13.679 --> 00:42:18.239
<v Speaker 1>Not really, but but just like equally as troubling, I guess. Anyway,

784
00:42:18.360 --> 00:42:22.119
<v Speaker 1>Rohan is forced back like an absolute freakazoid as he

785
00:42:22.159 --> 00:42:24.960
<v Speaker 1>makes his way to the hotel, making sure that nobody

786
00:42:24.960 --> 00:42:28.760
<v Speaker 1>sees his back. In one instance which I kind of love,

787
00:42:29.039 --> 00:42:32.639
<v Speaker 1>he basically like glues himself to a pedestrian who's crossing

788
00:42:32.639 --> 00:42:36.599
<v Speaker 1>an intersection and uses his stand Heaven's door to like

789
00:42:37.480 --> 00:42:41.119
<v Speaker 1>right into the pedestrian's mind that he cannot turn around.

790
00:42:41.559 --> 00:42:44.079
<v Speaker 2>I love this little sequence. It's so it was fun.

791
00:42:44.159 --> 00:42:45.920
<v Speaker 2>This was so fun, very fun.

792
00:42:47.000 --> 00:42:50.880
<v Speaker 1>This was this was really fun. Rohan eventually gets himself

793
00:42:50.920 --> 00:42:54.320
<v Speaker 1>into an alley where all these cats and dogs are

794
00:42:54.360 --> 00:42:57.280
<v Speaker 1>looking at him and cheap trick is like the cheap

795
00:42:57.440 --> 00:43:01.679
<v Speaker 1>trick is like yo dog. Literally, I can speak to

796
00:43:01.760 --> 00:43:05.239
<v Speaker 1>animals and I can make them fuck you up whenever

797
00:43:05.280 --> 00:43:07.199
<v Speaker 1>I want, and that I tell.

798
00:43:06.960 --> 00:43:09.079
<v Speaker 5>Them that you like killing cats and dogs.

799
00:43:10.000 --> 00:43:12.719
<v Speaker 4>They're eating cats and they're eating the dogs.

800
00:43:13.960 --> 00:43:17.159
<v Speaker 2>I love. I love, just even the absurdity of like Rohan,

801
00:43:17.199 --> 00:43:21.039
<v Speaker 2>there's like nineteen cats and dogs surrounding you. Yeah, and

802
00:43:21.719 --> 00:43:24.000
<v Speaker 2>any of them see your back. It's just I don't know,

803
00:43:24.000 --> 00:43:25.079
<v Speaker 2>it's so funny.

804
00:43:25.400 --> 00:43:27.760
<v Speaker 1>And they're all gonna lunge at you. Just at the

805
00:43:27.880 --> 00:43:30.639
<v Speaker 1>very last moment, I guess struck with some sort of

806
00:43:30.679 --> 00:43:33.960
<v Speaker 1>like sense that maybe the situation he went to investigate

807
00:43:34.360 --> 00:43:40.360
<v Speaker 1>he had it completely wrong. Kochi shows up and freezes

808
00:43:40.480 --> 00:43:44.719
<v Speaker 1>all of the animals using Echos Act three, because don't forget,

809
00:43:44.800 --> 00:43:47.000
<v Speaker 1>that's like the third version of his stand and that's

810
00:43:47.039 --> 00:43:50.119
<v Speaker 1>what he's like. An animal. He's an animal freezer. Now,

811
00:43:50.199 --> 00:43:52.920
<v Speaker 1>don't forget right, don't forget everyone.

812
00:43:53.000 --> 00:43:55.360
<v Speaker 2>At some point, Echoes Act three was meant to like

813
00:43:55.440 --> 00:43:58.079
<v Speaker 2>have an on a Moatopeia part of it, where he

814
00:43:58.159 --> 00:44:01.360
<v Speaker 2>can make things do like the word yeah. He can

815
00:44:01.400 --> 00:44:03.880
<v Speaker 2>make he can make the sound of words and make

816
00:44:03.920 --> 00:44:05.960
<v Speaker 2>them do that. But then at some point that just

817
00:44:06.000 --> 00:44:07.280
<v Speaker 2>became make things heavy.

818
00:44:07.800 --> 00:44:11.079
<v Speaker 1>Yeah. He's like, yeah, you're right, man, You're right. Oh god,

819
00:44:11.119 --> 00:44:15.440
<v Speaker 1>this the arc of the stand is is so spectacularly stupid.

820
00:44:17.039 --> 00:44:20.559
<v Speaker 1>Koichi is like, oh, don't worry Rohanna. You know I

821
00:44:20.639 --> 00:44:22.360
<v Speaker 1>was watching you after you left your house, and I

822
00:44:22.400 --> 00:44:24.480
<v Speaker 1>saw that, and you kept going with the bit of

823
00:44:24.519 --> 00:44:27.119
<v Speaker 1>having no of you not wanting anyone to see her back.

824
00:44:27.159 --> 00:44:29.480
<v Speaker 1>And that's why I believe you now, and I knew

825
00:44:29.519 --> 00:44:32.679
<v Speaker 1>you must have been telling the truth. So that is

826
00:44:32.679 --> 00:44:36.079
<v Speaker 1>why I followed you into this alleyway and rescued rescue

827
00:44:36.079 --> 00:44:41.000
<v Speaker 1>you from all these possessed dogs and cats. He then

828
00:44:41.480 --> 00:44:45.880
<v Speaker 1>shows uh. Koichi is then made aware of Cheap Trick

829
00:44:46.559 --> 00:44:51.400
<v Speaker 1>himself and attempts to use Act three freeze to pry

830
00:44:51.920 --> 00:44:57.079
<v Speaker 1>Cheap Trick off his back, but finds out that once

831
00:44:57.519 --> 00:45:00.800
<v Speaker 1>Cheap Trick is removed, h it's all going to end

832
00:45:00.840 --> 00:45:04.559
<v Speaker 1>in a real bad way. So he abandons this and

833
00:45:04.639 --> 00:45:08.280
<v Speaker 1>they're forced to sort of take on a cheap Trick

834
00:45:08.519 --> 00:45:12.239
<v Speaker 1>with a different strategy. Do you all remember what's about

835
00:45:12.239 --> 00:45:12.880
<v Speaker 1>to happen here?

836
00:45:13.320 --> 00:45:16.400
<v Speaker 4>Yeah, He like shuffles two feet to the left and

837
00:45:16.559 --> 00:45:17.800
<v Speaker 4>unveils as plan.

838
00:45:18.800 --> 00:45:22.440
<v Speaker 1>Which is so really odd. So I found this to

839
00:45:22.519 --> 00:45:25.360
<v Speaker 1>be really stupid but also kind of cool.

840
00:45:25.719 --> 00:45:26.800
<v Speaker 4>I love I love that.

841
00:45:28.400 --> 00:45:29.639
<v Speaker 5>I've completely forgotten about.

842
00:45:29.880 --> 00:45:33.039
<v Speaker 4>Yeah, it's a good execution on like his plan, but

843
00:45:33.119 --> 00:45:36.360
<v Speaker 4>it was like he was literally a foot away from

844
00:45:36.519 --> 00:45:40.599
<v Speaker 4>this point and went through all that three Freeze ship

845
00:45:40.679 --> 00:45:42.079
<v Speaker 4>and could have just been like listening, shut up.

846
00:45:42.559 --> 00:45:44.440
<v Speaker 2>He does kind of do nothing this episode.

847
00:45:44.559 --> 00:45:47.880
<v Speaker 4>He just like shows up injures him, and then carries on.

848
00:45:48.679 --> 00:45:51.159
<v Speaker 1>The cool thing is Koichi. I don't know if Kochi

849
00:45:51.239 --> 00:45:55.920
<v Speaker 1>like also realized where they were geographically in town, right,

850
00:45:56.480 --> 00:45:59.400
<v Speaker 1>but it's very cool how Kochi just like stays still

851
00:45:59.440 --> 00:46:02.800
<v Speaker 1>and is looking forward the whole time, right. And then

852
00:46:02.840 --> 00:46:05.360
<v Speaker 1>that's when I realized what was gonna happen too, because

853
00:46:05.480 --> 00:46:09.159
<v Speaker 1>they show you like the sort of mailbox that was there,

854
00:46:09.199 --> 00:46:12.800
<v Speaker 1>and then immediately I was then transported back to like

855
00:46:12.840 --> 00:46:15.840
<v Speaker 1>this ghost alley where if you look backwards you get

856
00:46:15.880 --> 00:46:18.760
<v Speaker 1>fucked up by like the demon hands, and that's exactly

857
00:46:18.840 --> 00:46:23.800
<v Speaker 1>what happens to a cheap Trick. He cheap Trick turns

858
00:46:23.840 --> 00:46:29.719
<v Speaker 1>around towards Koichi and is sucked into Remy's Alley, which,

859
00:46:29.800 --> 00:46:33.079
<v Speaker 1>if you will remember, is the ghost alley that the

860
00:46:33.199 --> 00:46:36.559
<v Speaker 1>Afterlife lives in. It's the only place in Morea where

861
00:46:36.599 --> 00:46:40.159
<v Speaker 1>this happens, and Morio, sorry, where this happens, and he

862
00:46:40.320 --> 00:46:44.480
<v Speaker 1>is consumed and sent to hell literal hell, as is

863
00:46:44.519 --> 00:46:46.559
<v Speaker 1>written by Heaven's door.

864
00:46:48.000 --> 00:46:50.360
<v Speaker 2>Watch. I would watch like a four hour video essay

865
00:46:50.400 --> 00:46:54.400
<v Speaker 2>of you just explaining the entirety of JoJo's bizarre adventure.

866
00:46:54.679 --> 00:46:55.719
<v Speaker 1>You like how this is going.

867
00:46:55.960 --> 00:46:57.079
<v Speaker 2>Yeah, this is pretty great.

868
00:46:58.199 --> 00:47:02.000
<v Speaker 1>Thanks, Bud, appreciate that. I like that courage. But yeah,

869
00:47:02.039 --> 00:47:05.840
<v Speaker 1>so that's what happened the ghost Dally returns. It's a

870
00:47:05.880 --> 00:47:10.440
<v Speaker 1>callback from earlier in the season, and that's where you

871
00:47:10.480 --> 00:47:13.480
<v Speaker 1>know a Cheap Trick is banished to now Cheap Trick

872
00:47:13.559 --> 00:47:16.960
<v Speaker 1>is also a stand who's like a self contained stand. Right,

873
00:47:17.320 --> 00:47:20.559
<v Speaker 1>Cheap Trick has no human affiliation as far as we're aware.

874
00:47:20.679 --> 00:47:26.920
<v Speaker 1>Parasite is just a parasite stand. Very good, sent to hell,

875
00:47:27.119 --> 00:47:29.000
<v Speaker 1>see you later, get out of here.

876
00:47:29.239 --> 00:47:32.159
<v Speaker 2>And the fact that Rohan writ's going to hell on

877
00:47:32.280 --> 00:47:36.239
<v Speaker 2>him as he does pretty good. That's pretty cool.

878
00:47:36.559 --> 00:47:40.880
<v Speaker 1>Yeah, yeah, pretty cool. We can close the book on

879
00:47:41.760 --> 00:47:47.159
<v Speaker 1>Cheap Trick. Cheap Trick's done zo. We now have to

880
00:47:47.199 --> 00:47:49.800
<v Speaker 1>tidy up this four parter and get back to Kira

881
00:47:50.119 --> 00:47:54.199
<v Speaker 1>because we've abandoned Kira for most of these episodes, and

882
00:47:54.760 --> 00:47:57.280
<v Speaker 1>he's got his own shit that's boiling and is about

883
00:47:57.320 --> 00:48:02.639
<v Speaker 1>to overflow here. He's he's going around town. His nails

884
00:48:02.639 --> 00:48:04.599
<v Speaker 1>are growing like crazy. He can't help it.

885
00:48:04.880 --> 00:48:06.320
<v Speaker 2>Where is nails growing, Jeff?

886
00:48:06.920 --> 00:48:09.280
<v Speaker 1>Because he just needs the murder. He needs the murder

887
00:48:09.400 --> 00:48:13.960
<v Speaker 1>so bad that it's forcing the insatiable need to murder

888
00:48:14.159 --> 00:48:18.000
<v Speaker 1>is forcing his nails to grow faster. And that's that's

889
00:48:18.039 --> 00:48:22.880
<v Speaker 1>like his one sort of like tell it was like, yeah,

890
00:48:22.920 --> 00:48:26.840
<v Speaker 1>he's just good nail boners, and his nail boners must

891
00:48:27.840 --> 00:48:31.079
<v Speaker 1>be satiated by the by the hunger for murder, right,

892
00:48:31.559 --> 00:48:35.239
<v Speaker 1>That's that's what we're what we're talking about. He's on

893
00:48:35.320 --> 00:48:39.480
<v Speaker 1>a train, Kira is uh, going back home from presumably work,

894
00:48:39.679 --> 00:48:42.519
<v Speaker 1>when he's pestered by this like hipster couple, uh, and

895
00:48:42.559 --> 00:48:44.599
<v Speaker 1>he's like sort of annoyed by them, and he's like

896
00:48:45.119 --> 00:48:48.320
<v Speaker 1>he's like, oh, these these yeah, they're like hipsters. They're

897
00:48:48.360 --> 00:48:50.880
<v Speaker 1>like a young couple, you know, on the train or whatever.

898
00:48:50.880 --> 00:48:52.239
<v Speaker 5>Anyone who's young is a hipster.

899
00:48:53.239 --> 00:48:56.719
<v Speaker 1>Yeah, that's how I operate these days. Is that? Okay?

900
00:48:56.760 --> 00:48:57.480
<v Speaker 1>I think that's fair.

901
00:48:58.079 --> 00:49:00.760
<v Speaker 2>Well, yeah, okay, you know I would just call him

902
00:49:00.800 --> 00:49:01.880
<v Speaker 2>a young fashionable couple.

903
00:49:02.199 --> 00:49:05.559
<v Speaker 1>Okay, yeah, I don't. I don't have like pejoratives with hipster.

904
00:49:05.559 --> 00:49:10.760
<v Speaker 1>I don't think hipsters are like necessarily a negative. Yeah, so,

905
00:49:11.360 --> 00:49:14.320
<v Speaker 1>uh he is, uh, he's sort of having like a

906
00:49:14.360 --> 00:49:18.360
<v Speaker 1>bit of a tiff with them, and he accidentally drops

907
00:49:18.400 --> 00:49:20.280
<v Speaker 1>his nail clipper, which is in the shape of a

908
00:49:20.320 --> 00:49:22.639
<v Speaker 1>bowling pin, and that is like weird.

909
00:49:22.880 --> 00:49:24.719
<v Speaker 2>Hero likes bowling or do you.

910
00:49:24.840 --> 00:49:27.639
<v Speaker 6>I don't know, because he likes hands and he likes,

911
00:49:27.679 --> 00:49:29.360
<v Speaker 6>you know, maybe the feeling of things.

912
00:49:31.320 --> 00:49:33.760
<v Speaker 5>Like this hands.

913
00:49:34.159 --> 00:49:36.280
<v Speaker 4>I thought it was like a style of nail clipper,

914
00:49:36.360 --> 00:49:37.360
<v Speaker 4>like the shape.

915
00:49:37.719 --> 00:49:39.559
<v Speaker 2>It is, but there's a bowling ball on it.

916
00:49:40.119 --> 00:49:44.519
<v Speaker 1>But it's certainly a bowling pin shaped. Yes, they even

917
00:49:44.559 --> 00:49:46.119
<v Speaker 1>call it out. They call it out in the.

918
00:49:47.480 --> 00:49:49.480
<v Speaker 4>Work for Oh yeah, I guess.

919
00:49:49.800 --> 00:49:53.079
<v Speaker 1>I guess, nice bowling pin nail clipper, you fucking loser,

920
00:49:53.719 --> 00:49:53.960
<v Speaker 1>you know.

921
00:49:54.000 --> 00:49:57.800
<v Speaker 2>And he's like, it's a little harsh nail clipper or

922
00:49:57.880 --> 00:49:58.360
<v Speaker 2>is it the.

923
00:49:58.239 --> 00:50:00.000
<v Speaker 1>One of first I'm seeing it?

924
00:50:00.079 --> 00:50:00.840
<v Speaker 5>Yeah, the person.

925
00:50:00.639 --> 00:50:05.119
<v Speaker 6>Whose body bowling?

926
00:50:05.320 --> 00:50:08.519
<v Speaker 2>Yeah, yeah, because I love the idea that, like Kira

927
00:50:08.679 --> 00:50:11.199
<v Speaker 2>just likes bowling. I think that's really fun. But I

928
00:50:11.280 --> 00:50:14.039
<v Speaker 2>wonder is it No, this is just another nail tippers

929
00:50:14.079 --> 00:50:15.800
<v Speaker 2>picked up from the house. There is no answer to this,

930
00:50:15.920 --> 00:50:16.960
<v Speaker 2>but it's fun to think about.

931
00:50:17.760 --> 00:50:19.800
<v Speaker 1>Oh. I hope bowling comes back up again. I guess

932
00:50:19.800 --> 00:50:21.320
<v Speaker 1>it sounds like it won't, but we'll see.

933
00:50:21.800 --> 00:50:24.480
<v Speaker 2>Well, we are approaching the final arc here, which unfortunately

934
00:50:24.679 --> 00:50:25.800
<v Speaker 2>is not a bowling tournament.

935
00:50:26.679 --> 00:50:27.920
<v Speaker 1>Look, it could have gone that way.

936
00:50:27.960 --> 00:50:30.840
<v Speaker 4>I'm just saying I'm with them. These bowling pins style

937
00:50:30.880 --> 00:50:33.119
<v Speaker 4>nail clippers are a thing of the past. I've changed

938
00:50:33.239 --> 00:50:34.199
<v Speaker 4>my nail clip a game.

939
00:50:34.440 --> 00:50:35.719
<v Speaker 1>I don't know if you know, all right, good to

940
00:50:35.800 --> 00:50:38.320
<v Speaker 1>know you're we know you're a pioneer.

941
00:50:37.920 --> 00:50:39.280
<v Speaker 5>In that field.

942
00:50:39.840 --> 00:50:43.559
<v Speaker 1>Very good notes, So I don't know. Kira's fucking nails

943
00:50:43.599 --> 00:50:46.239
<v Speaker 1>are like, Yo, you better murder that couple. Uh, you

944
00:50:46.280 --> 00:50:48.119
<v Speaker 1>better follow them home and murder them, or I'm going

945
00:50:48.159 --> 00:50:51.239
<v Speaker 1>to grow really really fast and hard and long, So

946
00:50:51.440 --> 00:50:53.679
<v Speaker 1>please go do that. He follows them back to their

947
00:50:53.719 --> 00:50:58.199
<v Speaker 1>apartment and just like you know, they go into their

948
00:50:58.239 --> 00:51:00.960
<v Speaker 1>apartment and he's right behind them, and he like kicks

949
00:51:01.000 --> 00:51:04.280
<v Speaker 1>the door open and he just marks this guy like

950
00:51:04.519 --> 00:51:05.079
<v Speaker 1>right away.

951
00:51:05.320 --> 00:51:09.400
<v Speaker 2>The time this guy goes from like being completely alive

952
00:51:09.599 --> 00:51:13.360
<v Speaker 2>to just vanished from reality is maybe like five seconds.

953
00:51:13.400 --> 00:51:16.800
<v Speaker 2>And it's so scary, like it's scary. This entire this

954
00:51:16.960 --> 00:51:18.599
<v Speaker 2>entire scene is like kind of terrifying.

955
00:51:18.840 --> 00:51:21.599
<v Speaker 1>I don't think, Kira, I don't think they've demonstrated cure

956
00:51:21.760 --> 00:51:26.000
<v Speaker 1>being as evil as they have in the final like

957
00:51:26.079 --> 00:51:31.119
<v Speaker 1>five minutes. Yeah, he is. He is maniacal and frightening

958
00:51:31.119 --> 00:51:33.320
<v Speaker 1>in a way that is really tough to put into words.

959
00:51:33.760 --> 00:51:38.320
<v Speaker 1>Uh So he totally just vaporizes this dude and then

960
00:51:38.679 --> 00:51:43.519
<v Speaker 1>has the girlfriend on the ground. I believe her name

961
00:51:43.800 --> 00:51:48.239
<v Speaker 1>is Monaco, right, and she's like don't She's like, don't

962
00:51:48.320 --> 00:51:51.280
<v Speaker 1>kill me, don't kill me. She's like screaming, this is

963
00:51:51.320 --> 00:51:54.239
<v Speaker 1>the this is legit horror, Like, this is the this

964
00:51:54.320 --> 00:51:58.039
<v Speaker 1>is scary, so scary, Like, oh my god, don't kill me.

965
00:51:58.119 --> 00:52:01.079
<v Speaker 1>Would you do to my boyfriend? Where is he? It's

966
00:52:01.159 --> 00:52:05.000
<v Speaker 1>just like where to go? What's happening? And he's just like,

967
00:52:05.039 --> 00:52:08.239
<v Speaker 1>what's your name? What's your name? And she and her

968
00:52:08.280 --> 00:52:11.199
<v Speaker 1>mouth is just it's like stuck open because she's just

969
00:52:11.239 --> 00:52:13.800
<v Speaker 1>screaming in horror. It's really really disturbing.

970
00:52:14.239 --> 00:52:16.039
<v Speaker 2>Yeah, you do like a really good job, where like

971
00:52:16.119 --> 00:52:19.119
<v Speaker 2>she can barely understand what she's seeing as.

972
00:52:19.000 --> 00:52:24.639
<v Speaker 1>Well, yes, right exactly, so you know she so she's

973
00:52:24.719 --> 00:52:26.840
<v Speaker 1>like she's like oh, what did you do to him?

974
00:52:26.920 --> 00:52:29.280
<v Speaker 1>Don't kill me? Don't kill me? And then he's like, whoa,

975
00:52:29.280 --> 00:52:34.480
<v Speaker 1>what's your name? And she says Monocco. And then because

976
00:52:34.760 --> 00:52:37.079
<v Speaker 1>because that is the only way I can like somehow

977
00:52:37.119 --> 00:52:41.119
<v Speaker 1>sugarcoat his insanity, like that's that's like making me feel better,

978
00:52:41.400 --> 00:52:46.400
<v Speaker 1>because what this freak does is he puts an ear oujio,

979
00:52:47.039 --> 00:52:50.400
<v Speaker 1>he puts an ear ring on her ear that has

980
00:52:50.719 --> 00:52:57.480
<v Speaker 1>her boyfriend's ear seate and attached to it. Okay, let's

981
00:52:57.519 --> 00:53:02.119
<v Speaker 1>not forget that little gem. While all the while, we

982
00:53:02.199 --> 00:53:09.599
<v Speaker 1>find out that the sun right Hyoto Hyato Kyoto Hyatta

983
00:53:09.679 --> 00:53:15.800
<v Speaker 1>Yato is filming this entire thing slowly and is quietly

984
00:53:16.320 --> 00:53:19.960
<v Speaker 1>gathering all this evidence about who he does not believe

985
00:53:20.000 --> 00:53:22.480
<v Speaker 1>his father is anyways, Like this is not my dad,

986
00:53:22.800 --> 00:53:24.599
<v Speaker 1>my dad, as far as I'm aware, my dad is

987
00:53:24.599 --> 00:53:28.719
<v Speaker 1>not vaporizing people left and right and murdering people. What's

988
00:53:28.800 --> 00:53:33.559
<v Speaker 1>going on? We cut back to Kira interacting with Monaco,

989
00:53:34.000 --> 00:53:37.960
<v Speaker 1>and he just like quietly vaporizes this poor innocent person,

990
00:53:38.280 --> 00:53:42.320
<v Speaker 1>leaving nothing but her hand in his and then he

991
00:53:42.400 --> 00:53:44.639
<v Speaker 1>has like a moment with his hand where he like

992
00:53:45.000 --> 00:53:47.559
<v Speaker 1>rubs it all over his face and he's like I

993
00:53:47.679 --> 00:53:51.920
<v Speaker 1>love hands. Hands hands hands, separate hands are great.

994
00:53:52.320 --> 00:53:57.000
<v Speaker 2>I thought about Kira at this moment. And do you guys,

995
00:53:57.280 --> 00:54:01.039
<v Speaker 2>do you guys watch Conan O'Brien, which ye sure. Have

996
00:54:01.159 --> 00:54:06.719
<v Speaker 2>you ever seen his assistant producer, Jordan Slansky.

997
00:54:06.840 --> 00:54:09.079
<v Speaker 5>Jordan Slansky, Oh my god, Yes.

998
00:54:10.719 --> 00:54:12.760
<v Speaker 6>In the fucking Coffee Machine was one of my favorite

999
00:54:12.800 --> 00:54:14.239
<v Speaker 6>videos on YouTube for so long.

1000
00:54:15.559 --> 00:54:20.360
<v Speaker 2>I think bet Jordan Slansky has a Kira ish vibe.

1001
00:54:22.559 --> 00:54:25.679
<v Speaker 1>That's weird. Okay, I'm gonna have to refamiliarize myself with

1002
00:54:25.760 --> 00:54:27.920
<v Speaker 1>the specificity of that.

1003
00:54:28.480 --> 00:54:30.199
<v Speaker 4>Yeah, I can see what you mean, So.

1004
00:54:30.360 --> 00:54:33.880
<v Speaker 2>I would say specifically the scenes where Kira is like, ah, yes,

1005
00:54:34.519 --> 00:54:38.400
<v Speaker 2>the best katsu sandwich in the village, Like the pleasure

1006
00:54:38.519 --> 00:54:41.199
<v Speaker 2>he takes from, like like the very like nearly kind

1007
00:54:41.280 --> 00:54:45.280
<v Speaker 2>of analytical, near like kind of mechanical approach to I

1008
00:54:45.360 --> 00:54:46.119
<v Speaker 2>enjoy this thing.

1009
00:54:46.639 --> 00:54:47.599
<v Speaker 1>Kira is like this.

1010
00:54:47.760 --> 00:54:50.199
<v Speaker 2>I don't think Jordan Slansky is a serial killer, despite

1011
00:54:50.360 --> 00:54:54.639
<v Speaker 2>whatever Conan says, but it really really reminded me of that.

1012
00:54:54.920 --> 00:54:58.280
<v Speaker 6>I think the younger version I recently, I need to

1013
00:54:58.320 --> 00:54:59.760
<v Speaker 6>go back and listen to that one.

1014
00:55:00.039 --> 00:55:03.679
<v Speaker 4>When he's younger. He definitely has that same like modern

1015
00:55:03.800 --> 00:55:05.719
<v Speaker 4>totally modern day He's a little more.

1016
00:55:05.760 --> 00:55:08.559
<v Speaker 2>When he's older, he gets a bit more curmudgeingly. Yeah,

1017
00:55:08.599 --> 00:55:10.599
<v Speaker 2>it kills the kind of cure vibe a little bit.

1018
00:55:10.679 --> 00:55:12.440
<v Speaker 4>Yeah, but young even if you look at him when

1019
00:55:12.440 --> 00:55:15.719
<v Speaker 4>he's younger, he looks a bit psychotic as well.

1020
00:55:16.079 --> 00:55:18.199
<v Speaker 5>I like the episode. I like the bit of the

1021
00:55:18.199 --> 00:55:19.239
<v Speaker 5>podcast the podcast.

1022
00:55:19.280 --> 00:55:21.840
<v Speaker 6>I like the video where it's just like Conan just

1023
00:55:21.880 --> 00:55:24.159
<v Speaker 6>sits in Jordan's office because he's just not at work

1024
00:55:24.280 --> 00:55:26.440
<v Speaker 6>and he tries to find Yeah, what the fuck he

1025
00:55:26.519 --> 00:55:27.559
<v Speaker 6>does all day?

1026
00:55:28.559 --> 00:55:35.920
<v Speaker 1>That's good, Okay, back to the Apartment of horror. You know,

1027
00:55:35.960 --> 00:55:39.440
<v Speaker 1>he's slapping this severed hand all over all over himself

1028
00:55:39.440 --> 00:55:42.559
<v Speaker 1>and he's like, I love I love women's hands. Yes, yes, yes,

1029
00:55:43.039 --> 00:55:47.760
<v Speaker 1>I'm happy. That is then interrupted by like an overall

1030
00:55:47.800 --> 00:55:50.599
<v Speaker 1>sort of like Spidey sense that he gets no realizing

1031
00:55:50.639 --> 00:55:54.840
<v Speaker 1>he's being recorded. The sun goes like or yeah something

1032
00:55:54.880 --> 00:55:58.639
<v Speaker 1>like that. Yeah, he hears, and he turns around. He realizes, like,

1033
00:55:58.639 --> 00:56:00.599
<v Speaker 1>oh my god, the door has been unlocked this whole time.

1034
00:56:00.679 --> 00:56:03.800
<v Speaker 1>What a careless murderer I am. And he like runs

1035
00:56:03.800 --> 00:56:06.960
<v Speaker 1>out the door and he sees Hyatto running away and

1036
00:56:07.000 --> 00:56:09.119
<v Speaker 1>like is able to zoom in and understand that he's

1037
00:56:09.159 --> 00:56:12.239
<v Speaker 1>like running away with a camera. Uh, and he gets

1038
00:56:12.239 --> 00:56:15.239
<v Speaker 1>freaked out by this, so he decides to just vaporize

1039
00:56:15.239 --> 00:56:18.079
<v Speaker 1>what's left of the girl's hand. That is kind of

1040
00:56:18.119 --> 00:56:20.599
<v Speaker 1>funny where he's just sort of like, I guess we'll

1041
00:56:20.599 --> 00:56:22.000
<v Speaker 1>have to find a new one of these, and he

1042
00:56:22.119 --> 00:56:24.800
<v Speaker 1>just sort of like you know, vaporizes that away and

1043
00:56:25.280 --> 00:56:30.239
<v Speaker 1>gets rid of the evidence. He goes home to his

1044
00:56:30.360 --> 00:56:36.199
<v Speaker 1>house to find out that his fake son, right, because

1045
00:56:36.199 --> 00:56:40.159
<v Speaker 1>he's sort of like body snatching his dad. He's in

1046
00:56:40.199 --> 00:56:43.280
<v Speaker 1>the bath and we see we see the sun. Hyato's

1047
00:56:43.360 --> 00:56:45.639
<v Speaker 1>already taking a bath, right, he's there and he's got

1048
00:56:45.880 --> 00:56:48.559
<v Speaker 1>which I don't understand why he's doing this. He's got

1049
00:56:48.599 --> 00:56:52.280
<v Speaker 1>the freaking tape in like a little bucket in the

1050
00:56:52.360 --> 00:56:55.599
<v Speaker 1>bath with him, Like, buddy, what are you doing? Why

1051
00:56:55.719 --> 00:56:58.360
<v Speaker 1>is why did you bring this into the bath with you?

1052
00:56:58.679 --> 00:56:59.679
<v Speaker 5>Well he doesn't want to let it out.

1053
00:57:00.079 --> 00:57:03.280
<v Speaker 1>Sorry, I know, but like water and electronics, like what

1054
00:57:03.320 --> 00:57:05.800
<v Speaker 1>are we doing? Like this can't end? Well, you're you're

1055
00:57:05.920 --> 00:57:09.559
<v Speaker 1>you're putting too many things in jeopardy by introducing water

1056
00:57:09.920 --> 00:57:12.320
<v Speaker 1>to a videotape. Can we all agree on that?

1057
00:57:12.679 --> 00:57:12.880
<v Speaker 4>Yeah?

1058
00:57:12.880 --> 00:57:14.440
<v Speaker 2>I agreed, agreed, unless.

1059
00:57:14.199 --> 00:57:16.639
<v Speaker 5>Unless it's a fake and it made a copy.

1060
00:57:16.719 --> 00:57:21.599
<v Speaker 1>You know, well, I don't know, we'll find out because man,

1061
00:57:22.039 --> 00:57:24.199
<v Speaker 1>we're we're okay. I'm just letting everyone know we're entering

1062
00:57:24.239 --> 00:57:28.760
<v Speaker 1>real uncomfortable territory the rest of this episode. I I'm

1063
00:57:28.920 --> 00:57:30.239
<v Speaker 1>just you know.

1064
00:57:30.920 --> 00:57:35.440
<v Speaker 4>It's not great. I'm like, also context Japanese culture, the

1065
00:57:35.480 --> 00:57:39.000
<v Speaker 4>idea of like bathing together is very normal.

1066
00:57:40.199 --> 00:57:43.880
<v Speaker 2>Yeah, okay, there's a weird ways look at it, all right,

1067
00:57:43.920 --> 00:57:46.039
<v Speaker 2>but I kind of I'm I'm here, It's okay. It's

1068
00:57:46.079 --> 00:57:49.280
<v Speaker 2>strange to see, like there's there's some bizarre screen grubs.

1069
00:57:49.760 --> 00:57:54.559
<v Speaker 1>Yeah, I'm sure there's some tough angles. We'll call it that.

1070
00:57:54.840 --> 00:57:57.480
<v Speaker 1>I mean Hyatto. How old is Hyato supposed to be?

1071
00:57:58.440 --> 00:57:59.360
<v Speaker 2>Not old enough for this?

1072
00:57:59.719 --> 00:58:03.639
<v Speaker 4>No like or something like that.

1073
00:58:03.679 --> 00:58:06.639
<v Speaker 1>It's ten. I think ten I can deal with from

1074
00:58:06.679 --> 00:58:09.920
<v Speaker 1>that sort of angle that you guys were describing before. Anyway,

1075
00:58:11.440 --> 00:58:16.960
<v Speaker 1>Kira enters the bathroom butt ass naked, and it's basically like, Yo,

1076
00:58:17.079 --> 00:58:20.599
<v Speaker 1>it's been a while since we've bathed together. How about

1077
00:58:20.599 --> 00:58:23.079
<v Speaker 1>I get in there with you, bud, and the Sun

1078
00:58:23.199 --> 00:58:26.159
<v Speaker 1>is freaking out, is like, because he knows this guy

1079
00:58:26.280 --> 00:58:29.880
<v Speaker 1>is like body snatches real dad, he's his murderer, and

1080
00:58:29.920 --> 00:58:34.840
<v Speaker 1>he's freaking out and He's like, oh man, I'm incredibly uncomfortable.

1081
00:58:34.840 --> 00:58:38.559
<v Speaker 1>He's like shaking, you know, he's sweating. Kira's like, what's wrong,

1082
00:58:38.760 --> 00:58:39.280
<v Speaker 1>little guy?

1083
00:58:39.320 --> 00:58:44.000
<v Speaker 2>Why are you une of like genuinely good horror, Like,

1084
00:58:44.039 --> 00:58:49.920
<v Speaker 2>oh yeah, crazy?

1085
00:58:51.000 --> 00:58:52.320
<v Speaker 5>And also you're naked.

1086
00:58:53.239 --> 00:58:59.719
<v Speaker 1>You're naked. Everyone's naked. Everyone's naked, everyone's sweating, everyone's uncomfortable.

1087
00:59:00.400 --> 00:59:04.039
<v Speaker 1>Hyato gets out of the bath and uh that's when

1088
00:59:04.119 --> 00:59:09.079
<v Speaker 1>Kira starts to like start cleaning him, and we are

1089
00:59:09.239 --> 00:59:13.920
<v Speaker 1>we are tipped off that Killer Queen has like explosified

1090
00:59:13.960 --> 00:59:20.559
<v Speaker 1>a strand of Hyatto's hair and explosified. I mean, I'm

1091
00:59:20.760 --> 00:59:23.400
<v Speaker 1>for that. Yeah, Like I think that. I I know it.

1092
00:59:23.400 --> 00:59:25.679
<v Speaker 1>It's a I know it's not a real word. Just

1093
00:59:26.960 --> 00:59:28.679
<v Speaker 1>like it just okay.

1094
00:59:28.840 --> 00:59:30.559
<v Speaker 2>I'm in favor of becoming a real word. I'll just

1095
00:59:30.599 --> 00:59:33.039
<v Speaker 2>also a real nice touch to the scene. When Kira

1096
00:59:33.159 --> 00:59:36.000
<v Speaker 2>first enters the bathroom, his shadow on the floor is

1097
00:59:36.079 --> 00:59:37.760
<v Speaker 2>Killer Queen holding thisng.

1098
00:59:37.480 --> 00:59:38.000
<v Speaker 4>Oh is it?

1099
00:59:38.239 --> 00:59:38.920
<v Speaker 2>Yeah?

1100
00:59:38.960 --> 00:59:40.840
<v Speaker 1>Oh that's cool. Okay, I gotta go back and look

1101
00:59:40.880 --> 00:59:43.199
<v Speaker 1>at that. I like that. I haven't seen enough like

1102
00:59:43.320 --> 00:59:46.039
<v Speaker 1>Killer Queen in the flesh lately, right aside from like

1103
00:59:46.079 --> 00:59:47.800
<v Speaker 1>the logo on his ties and stuff.

1104
00:59:47.880 --> 00:59:50.079
<v Speaker 2>Oh well, buddy, do I have do I have some

1105
00:59:50.199 --> 00:59:51.000
<v Speaker 2>episodes for you?

1106
00:59:51.039 --> 00:59:55.039
<v Speaker 1>I'm gonna be well served. It sounds like, so obviously

1107
00:59:55.119 --> 00:59:59.960
<v Speaker 1>the scene is intense. Everyone's naked. We're seeing like very

1108
01:00:00.239 --> 01:00:03.760
<v Speaker 1>crude drawings of things of privates. It's weird, it's upsetting.

1109
01:00:03.800 --> 01:00:09.159
<v Speaker 1>There's like difficult and uncomfortable angles. But then it gets

1110
01:00:09.159 --> 01:00:11.679
<v Speaker 1>to the point where Hayato has to confront here and say, yo,

1111
01:00:11.800 --> 01:00:14.320
<v Speaker 1>I know you're like this murderer, but I'm also filming

1112
01:00:14.360 --> 01:00:17.199
<v Speaker 1>you from every angle and that's what's happening right now.

1113
01:00:17.480 --> 01:00:19.760
<v Speaker 1>I've got like a foot camera, I've got a camera

1114
01:00:19.800 --> 01:00:23.320
<v Speaker 1>that's coming out of the corner of the bathroom. So

1115
01:00:23.480 --> 01:00:25.760
<v Speaker 1>guess why, Bud you kill me? And it's all on

1116
01:00:25.880 --> 01:00:28.039
<v Speaker 1>tape and the jig is up right.

1117
01:00:29.119 --> 01:00:31.920
<v Speaker 6>But the thing, like he says stupidly, he's like, oh, well,

1118
01:00:32.280 --> 01:00:33.599
<v Speaker 6>someone will find those tapes.

1119
01:00:33.639 --> 01:00:36.880
<v Speaker 5>It's like, well, yeah, dad could find them, Like you haven't.

1120
01:00:36.679 --> 01:00:39.440
<v Speaker 6>Said, oh I've told someone that where the tapes are

1121
01:00:39.480 --> 01:00:40.559
<v Speaker 6>and they're not on site, you.

1122
01:00:40.519 --> 01:00:44.639
<v Speaker 2>Know, Like yeah, you're right. Like if without the Internet

1123
01:00:45.280 --> 01:00:47.519
<v Speaker 2>there is a bit of trouble, like just the flying this.

1124
01:00:47.639 --> 01:00:50.519
<v Speaker 1>Well maybe it's like a CCTV that's going to the

1125
01:00:50.519 --> 01:00:53.719
<v Speaker 1>police who cares. I can believe me, friends, I get

1126
01:00:53.719 --> 01:00:56.639
<v Speaker 1>suspend my disbelief for where these cameras are broadcasting.

1127
01:00:56.960 --> 01:00:59.320
<v Speaker 2>Do you know what bit really just horrifies me from here.

1128
01:00:59.400 --> 01:01:02.639
<v Speaker 2>It's when talks about I'm only gonna blow up his

1129
01:01:02.719 --> 01:01:05.400
<v Speaker 2>head a little. So yeah, so it looks like an accident,

1130
01:01:06.519 --> 01:01:09.760
<v Speaker 2>which is like, it's such a such a nightmare of

1131
01:01:09.760 --> 01:01:10.679
<v Speaker 2>a scene.

1132
01:01:10.400 --> 01:01:13.239
<v Speaker 1>Because he also says that kind of thing happens all

1133
01:01:13.280 --> 01:01:18.519
<v Speaker 1>the time. Yeah. Anyway, these two are at each other's

1134
01:01:18.519 --> 01:01:22.159
<v Speaker 1>throats just in time for the to be continued, arrow

1135
01:01:22.280 --> 01:01:26.280
<v Speaker 1>to enter the screen, and there you have it, the

1136
01:01:26.480 --> 01:01:32.400
<v Speaker 1>thrilling conclusion question mark to uh these four episodes, man,

1137
01:01:32.519 --> 01:01:36.159
<v Speaker 1>I do as uncomfortable as that bathroom scene is, I

1138
01:01:36.199 --> 01:01:40.360
<v Speaker 1>did think Part four on the whole was pretty pretty solid.

1139
01:01:40.360 --> 01:01:41.320
<v Speaker 1>I'm a fan.

1140
01:01:42.159 --> 01:01:44.920
<v Speaker 2>I I mean I enjoyed the both these episodes. I

1141
01:01:44.920 --> 01:01:47.599
<v Speaker 2>think you guys, criticisms of the Part three is fair.

1142
01:01:48.039 --> 01:01:50.199
<v Speaker 2>I really I think there's a lot of good shit

1143
01:01:50.239 --> 01:01:51.960
<v Speaker 2>in this episode. I think the stand battle is much

1144
01:01:51.960 --> 01:01:54.639
<v Speaker 2>more solid, and I think just the horror parts of

1145
01:01:54.760 --> 01:01:58.800
<v Speaker 2>Kira really nail him down as just I just not

1146
01:01:58.800 --> 01:02:01.559
<v Speaker 2>not like just a not a like a dangerous person,

1147
01:02:01.639 --> 01:02:02.800
<v Speaker 2>but like a frightening one.

1148
01:02:03.039 --> 01:02:05.440
<v Speaker 6>Well, think it's a lot of horror with the Rohan

1149
01:02:05.920 --> 01:02:08.760
<v Speaker 6>cheap trick because like just it would spring at you

1150
01:02:08.800 --> 01:02:11.519
<v Speaker 6>the whole time, just enough to drive you mad like that.

1151
01:02:11.599 --> 01:02:14.639
<v Speaker 1>Yeah, yeah, I should also highlight we did see Jodoro

1152
01:02:14.760 --> 01:02:17.639
<v Speaker 1>a good amount these two final episodes, Like we like

1153
01:02:17.679 --> 01:02:19.320
<v Speaker 1>he spoke a little bit. I kind of forgot what

1154
01:02:19.360 --> 01:02:21.320
<v Speaker 1>his voice sounded like, and that was comforting to hear.

1155
01:02:21.840 --> 01:02:25.079
<v Speaker 5>And I don't forget that baby that they've kidnapped still around.

1156
01:02:26.719 --> 01:02:31.280
<v Speaker 1>Dad. Yeah, yeah, there's we We got to see like

1157
01:02:31.519 --> 01:02:33.679
<v Speaker 1>a couple people we had not seen in a while.

1158
01:02:34.280 --> 01:02:37.159
<v Speaker 1>Uh So I thought that was exciting. Always fun to

1159
01:02:37.159 --> 01:02:40.559
<v Speaker 1>see Joseph Joe Starr just being there too, you know

1160
01:02:40.639 --> 01:02:43.679
<v Speaker 1>in the previous just sitting there on the couch with

1161
01:02:43.719 --> 01:02:45.400
<v Speaker 1>Invisible Baby, a.

1162
01:02:45.760 --> 01:02:47.679
<v Speaker 4>Character of the Hangover constantly.

1163
01:02:48.760 --> 01:02:52.840
<v Speaker 1>It's pretty silly, but yeah, there you have it. Uh,

1164
01:02:52.920 --> 01:02:56.239
<v Speaker 1>we are on the precipice of what is almost certainly

1165
01:02:56.519 --> 01:02:59.480
<v Speaker 1>going to be a thrilling conclusion to Diamond is Unbreakable.

1166
01:03:02.360 --> 01:03:05.800
<v Speaker 2>Okay, this is my favorite. Careful here, please, this is

1167
01:03:05.800 --> 01:03:07.880
<v Speaker 2>my favorite ending to a Jojo. I don't know that

1168
01:03:07.960 --> 01:03:11.280
<v Speaker 2>you guys will agree. I think that the show needs

1169
01:03:11.280 --> 01:03:15.199
<v Speaker 2>to hit very hard to justify, like, how like what

1170
01:03:15.360 --> 01:03:17.320
<v Speaker 2>is going to be the conclusion to Kira? How do

1171
01:03:17.400 --> 01:03:19.599
<v Speaker 2>you deal with this problem? And I feel just like

1172
01:03:19.639 --> 01:03:22.440
<v Speaker 2>the general level of elevation and where we go here,

1173
01:03:23.199 --> 01:03:25.519
<v Speaker 2>I love it so much. I don't know if you

1174
01:03:25.559 --> 01:03:26.400
<v Speaker 2>guys will feel the same.

1175
01:03:26.960 --> 01:03:27.400
<v Speaker 1>That's fair.

1176
01:03:27.960 --> 01:03:29.880
<v Speaker 2>I said, this is one of those fights I have

1177
01:03:29.960 --> 01:03:32.679
<v Speaker 2>been excited to watch with you guys since we shared

1178
01:03:32.679 --> 01:03:33.320
<v Speaker 2>this podcast.

1179
01:03:33.400 --> 01:03:35.280
<v Speaker 1>Oh that means a lot. That get that that brings

1180
01:03:35.280 --> 01:03:39.039
<v Speaker 1>me great excitement. I gotta say, I do think they

1181
01:03:39.039 --> 01:03:43.760
<v Speaker 1>did a very narratively smart thing by like just really

1182
01:03:44.320 --> 01:03:47.960
<v Speaker 1>pulling out all the stops for Kira's overall evilness, right,

1183
01:03:48.039 --> 01:03:50.760
<v Speaker 1>Like that stuff is on display here in a very

1184
01:03:50.800 --> 01:03:54.920
<v Speaker 1>meaningful way. And I do think it's like reinvigorated that

1185
01:03:54.920 --> 01:03:58.480
<v Speaker 1>that that villain sort of persona that we needed.

1186
01:03:58.559 --> 01:04:00.880
<v Speaker 2>This is kind of automatically Like I really love about

1187
01:04:00.880 --> 01:04:02.840
<v Speaker 2>it Part four because I feel like the show does

1188
01:04:02.880 --> 01:04:05.119
<v Speaker 2>do a good job of, like, you know, building up

1189
01:04:05.159 --> 01:04:07.760
<v Speaker 2>the town as this really kind of awesome thing with

1190
01:04:07.800 --> 01:04:10.239
<v Speaker 2>all this weird shit like the stones and the library,

1191
01:04:10.280 --> 01:04:12.639
<v Speaker 2>book and the past, the restaurant and all yep. But

1192
01:04:12.719 --> 01:04:16.800
<v Speaker 2>it's like there's just this fucking horrible, horrible evil just

1193
01:04:16.840 --> 01:04:20.000
<v Speaker 2>like buried right in there and I love that. Like

1194
01:04:20.400 --> 01:04:22.480
<v Speaker 2>that to me is part four and like that's what's

1195
01:04:22.519 --> 01:04:25.239
<v Speaker 2>so excited about it. And now in these final episodes,

1196
01:04:25.280 --> 01:04:28.000
<v Speaker 2>like watching what it all comes to, I cannot wait

1197
01:04:28.039 --> 01:04:29.599
<v Speaker 2>to talk to you guys about it next time.

1198
01:04:29.960 --> 01:04:31.599
<v Speaker 1>That's right, the next Yeah, we.

1199
01:04:31.599 --> 01:04:35.079
<v Speaker 2>Should probably say, Jeff, we are looking at I know

1200
01:04:35.119 --> 01:04:36.960
<v Speaker 2>things have been a little hit and missed with the podcast,

1201
01:04:37.039 --> 01:04:39.320
<v Speaker 2>or like in terms of scheduling, we are looking at

1202
01:04:39.320 --> 01:04:40.840
<v Speaker 2>wrapping this up by the end of the year. Is

1203
01:04:40.880 --> 01:04:41.360
<v Speaker 2>that correct?

1204
01:04:41.840 --> 01:04:45.320
<v Speaker 1>That is the plan. You've got another one Bites the

1205
01:04:45.400 --> 01:04:48.880
<v Speaker 1>Dust parts one and two, which will be covered on

1206
01:04:49.000 --> 01:04:52.440
<v Speaker 1>the next episode of Jeff jess Bizarre Adventure, followed by

1207
01:04:52.639 --> 01:04:54.840
<v Speaker 1>the three part We'll do I guess we'll do, Like

1208
01:04:55.480 --> 01:04:57.639
<v Speaker 1>there's a two part of it's called Crazy Diamond is

1209
01:04:57.679 --> 01:05:01.039
<v Speaker 1>Unbreakable Parts one and two, and then the final episode

1210
01:05:01.280 --> 01:05:06.440
<v Speaker 1>Goodbye morio h we will be doing at the end.

1211
01:05:07.360 --> 01:05:11.119
<v Speaker 1>So that so that final podcast episode will cover three

1212
01:05:11.360 --> 01:05:18.000
<v Speaker 1>anime episodes lovely doing business with you all. That's gonna

1213
01:05:18.039 --> 01:05:22.960
<v Speaker 1>do it. I think we will say our goodbyes. John.

1214
01:05:23.199 --> 01:05:24.679
<v Speaker 1>Where can the good people find you?

1215
01:05:25.280 --> 01:05:25.440
<v Speaker 3>Oh?

1216
01:05:25.519 --> 01:05:27.440
<v Speaker 2>You can find me? Many places. But you can find

1217
01:05:27.480 --> 01:05:30.840
<v Speaker 2>me a Twitch dot tv for slash super effectual for

1218
01:05:30.920 --> 01:05:34.960
<v Speaker 2>a stream Mondays and Fridays. Yeah, Mondays and Fridays.

1219
01:05:35.840 --> 01:05:38.280
<v Speaker 1>And you've got a new video that I recommend everyone

1220
01:05:38.320 --> 01:05:43.519
<v Speaker 1>go watch and check out, very good stuff. Thank you. Yes,

1221
01:05:43.880 --> 01:05:44.639
<v Speaker 1>Lucy James.

1222
01:05:44.880 --> 01:05:47.159
<v Speaker 5>Hi, I'm Lucy James Games everywhere.

1223
01:05:47.960 --> 01:05:50.280
<v Speaker 6>I'm enjoying Blue Sky a lot. I'm at Lucy James

1224
01:05:50.320 --> 01:05:51.320
<v Speaker 6>Dog Games over there.

1225
01:05:52.039 --> 01:05:55.239
<v Speaker 2>Oh you know what. I'm also on Blue Sky ipatul sky.

1226
01:05:55.880 --> 01:05:56.119
<v Speaker 1>Yeah.

1227
01:05:56.320 --> 01:05:58.719
<v Speaker 2>It's kind of nice having a social media platform that

1228
01:05:58.760 --> 01:05:59.840
<v Speaker 2>makes you not want to act.

1229
01:06:00.119 --> 01:06:05.159
<v Speaker 1>We die for now, for now, already see the sand

1230
01:06:05.239 --> 01:06:06.079
<v Speaker 1>running out of that hour.

1231
01:06:06.679 --> 01:06:09.760
<v Speaker 2>I got a d M this morning, but okay, that's

1232
01:06:10.320 --> 01:06:12.840
<v Speaker 2>my own fault. I didn't close dms. Saw some fucking

1233
01:06:12.920 --> 01:06:18.199
<v Speaker 2>dark shit closed them. Oh go go, good luck with that.

1234
01:06:18.360 --> 01:06:22.559
<v Speaker 2>John Moore, where we find you.

1235
01:06:22.559 --> 01:06:27.920
<v Speaker 4>Pal, I'm Tom h on everything. I'm on blue dot com,

1236
01:06:28.199 --> 01:06:29.559
<v Speaker 4>which is oh cool.

1237
01:06:30.280 --> 01:06:31.880
<v Speaker 1>I'm gonna do that too. There's a way to like

1238
01:06:32.000 --> 01:06:34.800
<v Speaker 1>make your own domain the representative, just.

1239
01:06:34.760 --> 01:06:36.440
<v Speaker 4>As long as you have your own domain.

1240
01:06:36.480 --> 01:06:40.920
<v Speaker 1>Yeah, there you go, all right, And I'm on Blue

1241
01:06:40.960 --> 01:06:44.000
<v Speaker 1>Sky as well. Uh so look for me there and

1242
01:06:44.320 --> 01:06:49.440
<v Speaker 1>look for me every other place. That I am rapidly exiting,

1243
01:06:50.400 --> 01:06:54.239
<v Speaker 1>so say goodbye before it's closed forever. We'll be back

1244
01:06:54.280 --> 01:06:57.480
<v Speaker 1>with a brand new episode of Jeff Chef's Bizarre Adventure

1245
01:06:57.559 --> 01:07:01.480
<v Speaker 1>in probably a week or two. Sep it glued to

1246
01:07:01.880 --> 01:07:04.880
<v Speaker 1>Giant Bomb Socials will message out when those episodes will

1247
01:07:04.920 --> 01:07:08.119
<v Speaker 1>be available. Until then, thank you so very much for listening.

1248
01:07:08.400 --> 01:07:15.280
<v Speaker 1>We will see you next time. Bye bye bye, Jeff.

1249
01:07:15.360 --> 01:07:19.639
<v Speaker 1>Jeff's Bizarre Adventure is hosted by timoor Hussein, Lucy James, John,

1250
01:07:19.760 --> 01:07:23.360
<v Speaker 1>Super Eye, Patch, Wolf Walsh, and Me Jeff Backlar. Our

1251
01:07:23.400 --> 01:07:26.719
<v Speaker 1>post producer and editor is Jean Luke Sepke. Our logo

1252
01:07:26.800 --> 01:07:29.800
<v Speaker 1>is designed by Justin Vashon and Jesse O'Brien. Thanks so

1253
01:07:29.840 --> 01:07:31.639
<v Speaker 1>much for listening. Enemy
