1 00:00:00,200 --> 00:00:03,200 Speaker 1: But joining us right now for the first hour. Returning 2 00:00:03,240 --> 00:00:05,519 to the show, are you, uh, sir, are you in 3 00:00:05,559 --> 00:00:08,000 the five timers club yet? Ricky Mapleton is here? Is 4 00:00:08,000 --> 00:00:10,160 this your Is this your fifth time? Oh? Your mic 5 00:00:10,240 --> 00:00:10,519 is down. 6 00:00:10,599 --> 00:00:15,720 Speaker 2: I apologize, I do not know. I'm thinking three or four. 7 00:00:15,919 --> 00:00:17,600 This might be your fourth time on the show. I 8 00:00:17,679 --> 00:00:20,800 might be thinking I was on your television program recently. 9 00:00:20,839 --> 00:00:22,320 That might be why I'm thinking you're in the five 10 00:00:22,359 --> 00:00:24,359 times getting. 11 00:00:24,199 --> 00:00:27,760 Speaker 1: It mixed up? No, because that's me being on your program, 12 00:00:27,800 --> 00:00:29,440 which I had a great time. Of course, on the 13 00:00:29,600 --> 00:00:30,960 Midlife Pop Culture Show, you. 14 00:00:30,879 --> 00:00:33,640 Speaker 2: Have a lot of fans. Oh wow, Yes, they're reached 15 00:00:33,679 --> 00:00:38,320 out and I'm I was, well, that was no. 16 00:00:38,399 --> 00:00:40,960 Speaker 1: I I appreciated it very much. And of course it's 17 00:00:41,000 --> 00:00:43,320 on YouTube if you haven't seen it. And yeah, we 18 00:00:43,359 --> 00:00:45,399 did get a lot of calls that day. And you know, 19 00:00:45,840 --> 00:00:49,200 when you're on this program, usually end up we usually 20 00:00:49,280 --> 00:00:51,320 end up getting a lot of calls. Yeah, it's interesting. 21 00:00:51,520 --> 00:00:54,759 Speaker 2: I appreciate the people that do call. Yes, Yes, it's 22 00:00:54,759 --> 00:00:55,439 a lot of fun. 23 00:00:55,560 --> 00:00:58,560 Speaker 1: Absolutely. The studio line is open six oh three two 24 00:00:58,640 --> 00:01:02,000 five six oh seven six three two five six seven 25 00:01:02,039 --> 00:01:05,079 if you'd like to uh to talk with Ricky Mapleton 26 00:01:05,640 --> 00:01:08,719 and uh, we'll probably you know, people call in, they 27 00:01:08,760 --> 00:01:12,359 request your music, all that kind of stuff. It's by 28 00:01:12,400 --> 00:01:16,120 the way. Uh and and you like to you will 29 00:01:16,159 --> 00:01:18,959 often have well I should let that be a surprise 30 00:01:19,400 --> 00:01:21,719 for for people watching online. Well, you like to hold 31 00:01:21,719 --> 00:01:23,920 things up, and you've got kind of a Bob Dylan 32 00:01:23,920 --> 00:01:24,560 thing going. 33 00:01:24,719 --> 00:01:28,879 Speaker 2: Oh yes, I yes, are you talking about the video 34 00:01:28,920 --> 00:01:31,680 when he was holding up yeah and signs yes. Yes. 35 00:01:31,719 --> 00:01:33,719 I did come across my mind last night as I 36 00:01:33,799 --> 00:01:36,239 was printing out a couple of a couple of things 37 00:01:36,280 --> 00:01:39,959 I I can say about Bob Dylan that already hasn't 38 00:01:39,959 --> 00:01:44,799 been said. It's phenomenal, exactly, phenomenal, exactly one of his maybe, 39 00:01:44,920 --> 00:01:48,439 but he's definitely probably an inspiration to those as well 40 00:01:48,480 --> 00:01:50,000 as an inspiration to a lot of people. 41 00:01:50,159 --> 00:01:53,239 Speaker 1: Sure, sure, no doubt. Oh we have a jeez, we 42 00:01:53,239 --> 00:01:55,879 have a call already. Oh wow, all right, yes, Hi, 43 00:01:55,959 --> 00:01:58,799 welcome to Matt Connorton Unleashed. Who's uh, who's on the line. 44 00:01:58,959 --> 00:02:03,200 Speaker 3: Thank you for taking I call, Matt. I love your show. 45 00:02:03,599 --> 00:02:06,799 A bit of intelligent intellect on the airways. So what 46 00:02:06,879 --> 00:02:09,280 we need and that's what we got from you, mister Conington. 47 00:02:10,520 --> 00:02:14,719 Let me slow down and speak about a big concern 48 00:02:14,800 --> 00:02:21,080 that I have. The way people are speaking today is ridiculous, 49 00:02:21,240 --> 00:02:25,599 preposterous and semantically incorrect. 50 00:02:26,039 --> 00:02:26,960 Speaker 2: If I hear. 51 00:02:28,319 --> 00:02:34,199 Speaker 3: Like like like one more time, I think I'm going 52 00:02:34,240 --> 00:02:38,919 to lose my mind. Matt, Ricky Mapleton, thank you so 53 00:02:39,120 --> 00:02:45,400 much for putting out this new collection of songs directly 54 00:02:46,280 --> 00:02:52,280 referencing today's English grammar in the nightmare it has begun. 55 00:02:53,120 --> 00:02:58,000 Could you please play like like like off of Don't 56 00:02:58,080 --> 00:03:01,800 Count Me Out by Ricky Mapleton? And again, thank you Matt, 57 00:03:02,560 --> 00:03:05,120 keep the music and you intellect alive. 58 00:03:05,560 --> 00:03:06,159 Speaker 2: This is Tom. 59 00:03:06,240 --> 00:03:07,240 Speaker 3: Tom Milson. 60 00:03:10,879 --> 00:03:13,560 Speaker 2: Is a broadcast No no, he's been a long time 61 00:03:13,719 --> 00:03:17,599 caller for a long boy ever since I started getting 62 00:03:17,639 --> 00:03:20,360 any sort of a fan base. He calls it all 63 00:03:20,400 --> 00:03:25,800 the time. And yeah, he's fantastic. I thank you Tom 64 00:03:25,840 --> 00:03:32,159 for calling in. And again, this song is about the 65 00:03:32,599 --> 00:03:36,400 word like. I don't know when it started. 66 00:03:36,879 --> 00:03:39,879 Speaker 1: I do you got, but you can thank our generation. 67 00:03:40,479 --> 00:03:44,000 Speaker 4: Our generation like really really really really like really good like. 68 00:03:44,199 --> 00:03:48,960 Speaker 2: I don't pride myself, but I try to talk semi 69 00:03:49,280 --> 00:03:52,000 intelligently and if I'm going to use the word like 70 00:03:53,159 --> 00:03:57,800 instead of using the word like. Here's the public information 71 00:03:57,840 --> 00:03:59,919 of the day. You're gonna use the word like, don't 72 00:04:00,159 --> 00:04:04,759 use it. Take a breath and don't say anything like 73 00:04:06,000 --> 00:04:08,400 because like when you say like all the time, like 74 00:04:08,680 --> 00:04:11,280 it becomes habit forming and like it sounds ridiculous. 75 00:04:11,400 --> 00:04:14,159 Speaker 4: Oh my god, Yes. 76 00:04:13,439 --> 00:04:17,639 Speaker 2: Yes, is that the maybe that was the the next 77 00:04:17,759 --> 00:04:20,600 form of the next what would that be the next 78 00:04:20,680 --> 00:04:26,439 uh iteration? Iteration or moving into so mutation? So that 79 00:04:26,519 --> 00:04:29,399 was the that was the kind of seed that started 80 00:04:29,439 --> 00:04:30,879 this new project. 81 00:04:30,920 --> 00:04:33,480 Speaker 1: It's a comma really like it's it's a comma like, 82 00:04:33,639 --> 00:04:34,560 that's that's what I say. 83 00:04:34,759 --> 00:04:36,120 Speaker 2: Well, like, could you play this song? 84 00:04:36,319 --> 00:04:36,399 Speaker 5: Like? 85 00:04:37,000 --> 00:04:41,439 Speaker 1: We we absolutely could, we have could and this is 86 00:04:41,480 --> 00:04:43,720 all right, let's give this a listen. Is this the 87 00:04:43,759 --> 00:04:44,839 world radio premiere for this? 88 00:04:44,879 --> 00:04:47,759 Speaker 2: By the way, yes, very yes, Off the off the 89 00:04:47,879 --> 00:04:50,839 uh off the album that Ricky Mapleton now has not 90 00:04:50,959 --> 00:04:56,279 put out music in quite some time. Ever, it's been 91 00:04:56,360 --> 00:04:58,959 a long time a coming a couple of years. Maybe 92 00:04:59,240 --> 00:05:02,360 we got involved in the screamo sports song stuff. Yeah, 93 00:05:02,360 --> 00:05:06,279 but now Ricky Mapleton's peered out and he's taking English 94 00:05:06,360 --> 00:05:09,040 grammar head on, head on, head on. 95 00:05:09,160 --> 00:05:11,920 Speaker 1: All right, let's listen to this. This is called Likes. 96 00:05:12,040 --> 00:05:13,000 Is it the like song? 97 00:05:13,079 --> 00:05:15,519 Speaker 2: Or like like like stop saying like all the time. 98 00:05:16,240 --> 00:05:18,600 There's a lot of likes in that. Okay, enjoy, let's 99 00:05:18,639 --> 00:05:20,759 give it a listen like like like like like like 100 00:05:20,759 --> 00:05:23,639 like like like like like like like like like like 101 00:05:23,639 --> 00:05:27,519 like like like like like like like live, I don't know. 102 00:05:28,240 --> 00:05:32,079 Speaker 6: What you don't saying, like like I don't know where 103 00:05:32,120 --> 00:05:35,600 you've been, like like what your English grandma? 104 00:05:36,040 --> 00:05:37,920 Speaker 2: It is quite a sand. 105 00:05:37,639 --> 00:05:39,879 Speaker 7: Like like like like like like like like like like 106 00:05:39,879 --> 00:05:40,720 like like. 107 00:05:41,040 --> 00:05:45,600 Speaker 8: Stop saying like all the time, like what doesn't feel right, 108 00:05:46,040 --> 00:05:50,000 doesn't sound time like like stop using like like like. 109 00:05:51,720 --> 00:05:54,439 Speaker 2: Stop using like all the. 110 00:05:54,480 --> 00:05:56,959 Speaker 7: Time like like like like like like like like like 111 00:05:56,959 --> 00:05:59,240 like like like like like like like like like like 112 00:05:59,439 --> 00:06:00,839 like like like like. 113 00:06:00,480 --> 00:06:09,879 Speaker 8: Like saying like every time sounds redundant, sounds obscure, stop 114 00:06:10,079 --> 00:06:13,279 using the like all the time. 115 00:06:13,160 --> 00:06:15,959 Speaker 3: Like like like like like like like. 116 00:06:15,839 --> 00:06:21,959 Speaker 8: This like like take a breath, like like like gathery 117 00:06:22,040 --> 00:06:22,639 your thoughts. 118 00:06:22,720 --> 00:06:26,519 Speaker 2: Oh yeah, you don't have to say like all the 119 00:06:26,560 --> 00:06:30,360 time like what like everybody sings. 120 00:06:30,560 --> 00:06:32,759 Speaker 7: Like like like like like like like like like like 121 00:06:32,759 --> 00:06:35,199 like like like like like like like like like like 122 00:06:35,199 --> 00:06:37,600 like like like like like like like like like like 123 00:06:37,600 --> 00:06:39,839 like like like like like like like like like like 124 00:06:39,839 --> 00:06:43,360 like like like like all the time. 125 00:06:44,519 --> 00:06:48,319 Speaker 2: Well, well your thoughts like, is it at. 126 00:06:48,279 --> 00:06:50,319 Speaker 1: Least acceptable to say I like that song? 127 00:06:50,439 --> 00:06:53,279 Speaker 2: Oh, oh my gosh, oh my goodness? 128 00:06:53,480 --> 00:06:54,360 Speaker 1: Is okay? 129 00:06:54,600 --> 00:06:54,920 Speaker 9: Wow? 130 00:06:55,920 --> 00:06:58,079 Speaker 2: That was a better like response than I thought I 131 00:06:58,160 --> 00:07:01,879 was gonna get, like okay, like like like I. 132 00:07:02,199 --> 00:07:07,439 Speaker 1: Like like wow, man, like tell us about uh, don't 133 00:07:07,439 --> 00:07:08,079 count me out? 134 00:07:08,240 --> 00:07:09,839 Speaker 2: Is this a Is this a full album? 135 00:07:09,879 --> 00:07:10,120 Speaker 1: Isn't it? 136 00:07:10,279 --> 00:07:10,519 Speaker 7: Yeah? 137 00:07:10,959 --> 00:07:14,399 Speaker 2: Thirty two and a half songs of inspiration Enjoy. 138 00:07:14,240 --> 00:07:16,360 Speaker 1: Thirty two and a half song So it's like, uh, 139 00:07:16,560 --> 00:07:17,879 like a double album. 140 00:07:19,240 --> 00:07:21,199 Speaker 2: I'm suppose it probably would be. Wow. 141 00:07:21,399 --> 00:07:21,639 Speaker 1: Yeah. 142 00:07:21,720 --> 00:07:24,000 Speaker 2: I mean that's the digital world. Well, I try to 143 00:07:24,040 --> 00:07:26,319 get the most bang for the buck. Yes, on the 144 00:07:26,360 --> 00:07:28,439 digital platform that I released, I would am I saying, 145 00:07:28,600 --> 00:07:33,040 CD baby fantastic. When with these guys for a while, 146 00:07:33,120 --> 00:07:37,360 they get independent artists put music out, yes, and you 147 00:07:37,439 --> 00:07:40,720 get a percentage back and you can make a little 148 00:07:40,879 --> 00:07:42,720 little cash on the side. But don't go in it 149 00:07:42,839 --> 00:07:46,720 thinking you're gonna make any money to survive on uh boy. 150 00:07:46,800 --> 00:07:49,680 But I'm waiting for that big pop right all right, right, 151 00:07:49,800 --> 00:07:52,319 But I do have like five thousand daily listeners or 152 00:07:52,360 --> 00:07:52,800 something like that. 153 00:07:52,920 --> 00:07:54,120 Speaker 1: I see, Oh, that's excellent. 154 00:07:54,160 --> 00:07:57,399 Speaker 2: That's just about like you know, like like yeah, like 155 00:07:57,399 --> 00:08:00,240 like so that's what don't count me out is you know, Yeah, 156 00:08:00,399 --> 00:08:03,040 you get down in life, don't count don't count yourself 157 00:08:03,079 --> 00:08:06,519 out to get get out there and do something fun 158 00:08:06,600 --> 00:08:09,000 like we success the format. Well, it's like like you 159 00:08:09,199 --> 00:08:11,879 enjoy coming in here and doing this stuff. I do 160 00:08:11,920 --> 00:08:15,199 you like you? It's a passion. Yes, you gotta have 161 00:08:15,240 --> 00:08:17,319 a passion. Yes, we're gonna put a car together in 162 00:08:17,360 --> 00:08:18,480 your garage. Passion. 163 00:08:18,560 --> 00:08:21,079 Speaker 1: Great Rod Stewart has a great song about that, like 164 00:08:21,439 --> 00:08:24,560 what Passion by Rod Stewart. 165 00:08:24,920 --> 00:08:25,839 Speaker 2: Oh like that? 166 00:08:26,199 --> 00:08:27,160 Speaker 1: Oh we have another call? 167 00:08:27,319 --> 00:08:30,199 Speaker 2: No way, all right, you bring the callers. 168 00:08:30,279 --> 00:08:32,440 Speaker 1: Let's see. Hi, Welcome to Matt Connorton Unleashed. 169 00:08:32,440 --> 00:08:38,080 Speaker 6: Who is this? 170 00:08:38,080 --> 00:08:41,360 Speaker 2: This is sad, Steve. I'm broken up. 171 00:08:42,159 --> 00:08:43,799 Speaker 6: Everything's falling apart around me. 172 00:08:43,919 --> 00:08:46,080 Speaker 2: No, I don't know what to do. 173 00:08:46,200 --> 00:08:49,039 Speaker 5: I don't know what last time you had the answers 174 00:08:49,200 --> 00:08:54,080 for me, Ricky, Maybe you and Ma can help me through. 175 00:08:54,399 --> 00:08:58,159 Speaker 2: What am I gonna do? That's uh well, Steve, it's okay. 176 00:08:58,240 --> 00:09:01,799 Speaker 1: She'd probably book a hypno therapy session. We'll see there. 177 00:09:01,879 --> 00:09:03,480 Speaker 2: Stevie. Still he's is he gone? 178 00:09:04,159 --> 00:09:04,279 Speaker 7: Uh? 179 00:09:04,399 --> 00:09:05,000 Speaker 1: He hung up? 180 00:09:05,639 --> 00:09:08,720 Speaker 2: Steve. I'm glad you called to reach out to us. 181 00:09:08,799 --> 00:09:10,879 We're not a therapy program, but we do like to 182 00:09:10,919 --> 00:09:14,600 spread the joy and and and and the joy of 183 00:09:14,679 --> 00:09:19,799 being alive. So, Steve, what I'm suggesting that you do is, 184 00:09:19,879 --> 00:09:22,480 I'm gonna play a song for you often New I'm 185 00:09:22,519 --> 00:09:24,960 gonna dedicate it to you, Sad Steve. I want you 186 00:09:25,080 --> 00:09:28,519 to listen to it. Okay, it's called Don't Count Me Out. Actually, 187 00:09:28,559 --> 00:09:32,039 Steve number the title track, title track. Let's dedicate this 188 00:09:32,159 --> 00:09:34,159 to Sad Steven's sad if you can find you, if 189 00:09:34,159 --> 00:09:36,519 he can get back in, Steve, We're gonna give you 190 00:09:36,720 --> 00:09:39,200 the number and callback later in the show and pull 191 00:09:39,240 --> 00:09:42,080 it and pull it together. Young man. Yeah, So here's 192 00:09:42,080 --> 00:09:43,480 the title track, Don't Count Me Out. 193 00:09:43,639 --> 00:09:45,799 Speaker 1: This is like when Casey Kasem would do the long 194 00:09:45,840 --> 00:09:46,799 distance dedication. 195 00:09:47,480 --> 00:09:51,440 Speaker 2: This one goes out to Sad Steve. Sad Steve. This 196 00:09:51,600 --> 00:09:54,960 is Ricky Mableton maccnod and saying cheer up, my friend 197 00:09:56,759 --> 00:10:01,559 is just don't count me out. Often new Ricky Mapleton 198 00:10:02,960 --> 00:10:07,720 album Cheer Up, Be Up. I can't believe I'm doing this. 199 00:10:07,840 --> 00:10:09,279 Dja's rich. 200 00:10:10,840 --> 00:10:16,080 Speaker 3: It is dot Done The Resurgence are Ricky Maple chills 201 00:10:16,840 --> 00:10:18,279 has a god one. 202 00:10:20,919 --> 00:10:21,799 Speaker 2: Don't count me. 203 00:10:21,919 --> 00:10:25,120 Speaker 9: Out, don't count me out. 204 00:10:26,240 --> 00:10:28,960 Speaker 6: I may have been quiet, but now I'm loud. 205 00:10:29,679 --> 00:10:37,320 Speaker 9: Don't count me out. I've got a highest mountains too 206 00:10:37,480 --> 00:10:38,840 coming night for you. 207 00:10:39,840 --> 00:10:43,279 Speaker 8: I've been gone no way too long, but no, I'm 208 00:10:43,320 --> 00:10:45,159 ready to be loud. 209 00:10:46,679 --> 00:10:53,840 Speaker 9: You like it. You gotta keep moving. No time to hesitange. 210 00:10:54,759 --> 00:10:56,840 Speaker 2: Don't come to sell me on name. 211 00:10:57,720 --> 00:11:01,919 Speaker 9: Don't count me out, don't count me out. 212 00:11:03,039 --> 00:11:05,799 Speaker 6: I may have been quiet, but now I'm loud. 213 00:11:06,519 --> 00:11:10,879 Speaker 9: Don't count me out, but I I start running my 214 00:11:11,000 --> 00:11:14,519 by a stone ball. I was cut off from the world. 215 00:11:15,360 --> 00:11:18,360 Speaker 6: I lost all inspiration with. 216 00:11:18,679 --> 00:11:21,960 Speaker 9: Thout your being mal rowing in. Then I got a 217 00:11:22,200 --> 00:11:27,639 new mail box twenty nine ninety five the mother let 218 00:11:27,759 --> 00:11:28,919 if I'm born in it. 219 00:11:30,039 --> 00:11:32,120 Speaker 6: I never felt more alive. 220 00:11:33,080 --> 00:11:37,240 Speaker 9: Don't count me out, don't count me out. 221 00:11:38,399 --> 00:11:41,159 Speaker 2: I may have been quiet, but now I'm loud. 222 00:11:41,879 --> 00:11:48,480 Speaker 9: Don't count me out. Don't count me out, don't count 223 00:11:48,559 --> 00:11:49,000 me out. 224 00:11:50,240 --> 00:11:51,720 Speaker 6: I may be quiet, but. 225 00:11:51,840 --> 00:11:57,879 Speaker 9: Now I'm loud. Don't count me out. Don't count me out. 226 00:11:59,519 --> 00:12:06,600 Don't be out quiet for now. Don't count me out. 227 00:12:33,480 --> 00:12:34,840 Speaker 1: That'll get the blood pumping. 228 00:12:35,279 --> 00:12:36,320 Speaker 2: So don't count me out. 229 00:12:36,440 --> 00:12:38,320 Speaker 1: Ricky Mapleton, that is on. 230 00:12:39,559 --> 00:12:44,600 Speaker 2: That is a very rare Ricky Mapleton song because it 231 00:12:44,720 --> 00:12:48,120 goes over a minute and a half. Oh yes, wow, 232 00:12:48,200 --> 00:12:52,120 I felt like that after I recorded this, I said 233 00:12:52,440 --> 00:12:53,480 three minutes. 234 00:12:54,919 --> 00:12:59,279 Speaker 4: What like that was totally awesome, Like totally cool. 235 00:12:59,519 --> 00:13:00,519 Speaker 2: Did you feel inspired? 236 00:13:00,799 --> 00:13:01,159 Speaker 4: Totally? 237 00:13:01,279 --> 00:13:05,200 Speaker 2: That's what it is about. Right to the max for sure. Wow, 238 00:13:05,320 --> 00:13:09,080 that's gonna be on volume two of overused phrases. There 239 00:13:09,200 --> 00:13:13,559 is there is after I after we released this, a 240 00:13:13,639 --> 00:13:16,480 lot more came flooding in a lot more. Yes for 241 00:13:16,639 --> 00:13:20,200 instant to the max. Yeah, this is so many more. 242 00:13:20,440 --> 00:13:24,840 But like like like we get it, we get it. Well, 243 00:13:25,279 --> 00:13:30,240 thank you for sad Steve again. I hope you're feeling better. 244 00:13:30,399 --> 00:13:31,919 Please call him later on in the show. 245 00:13:32,080 --> 00:13:33,159 Speaker 1: Yeah, I hope he calls back. 246 00:13:35,480 --> 00:13:38,639 Speaker 2: We're on this universe, who create don't be sad Steve. 247 00:13:39,320 --> 00:13:41,840 Speaker 1: I I hope what he calls back he's not crying because. 248 00:13:41,600 --> 00:13:43,320 Speaker 2: That he kind of brought everything down. 249 00:13:43,440 --> 00:13:47,600 Speaker 1: Huh that is uncomfortable. Oh, I'll tell you. Uh, oh 250 00:13:47,679 --> 00:13:49,919 we do have we do have another call. Let's see you. 251 00:13:49,960 --> 00:13:50,360 Speaker 5: This is HI. 252 00:13:50,480 --> 00:13:52,879 Speaker 1: Welcome to Matt Condorton Unleashed. Who's on the line. 253 00:13:54,799 --> 00:13:57,360 Speaker 6: This is DJ today. We're gonna play the new one 254 00:13:57,759 --> 00:13:59,519 by Ricky Mapleton. 255 00:14:00,240 --> 00:14:04,840 Speaker 8: The news hit song Beaten premiered on the Matt Commaton 256 00:14:04,919 --> 00:14:05,960 Show to Flick. 257 00:14:05,759 --> 00:14:07,399 Speaker 6: The Flag and went to sax and make the Mac 258 00:14:07,480 --> 00:14:12,879 to meet the flax. Here's the song. It's called Gucci. 259 00:14:13,480 --> 00:14:17,639 Speaker 2: The song it No, I don't know what this guy 260 00:14:17,759 --> 00:14:19,320 was all about, but thank you for calling and caller. 261 00:14:19,519 --> 00:14:23,399 Speaker 1: He said something about flaxied oil and wanted to play 262 00:14:23,480 --> 00:14:23,840 the song. 263 00:14:24,039 --> 00:14:26,120 Speaker 2: You know, I'm just sure we getting calls. Yeah, what 264 00:14:26,759 --> 00:14:27,200 what did he? 265 00:14:27,559 --> 00:14:27,720 Speaker 8: Well? 266 00:14:28,039 --> 00:14:31,320 Speaker 2: What did he wanted to play a song? Gucci? Yes? Okay, 267 00:14:31,399 --> 00:14:32,840 let me can I do a quick build up to this? 268 00:14:34,279 --> 00:14:38,440 Gucci a lot of sound effects that you can get 269 00:14:38,559 --> 00:14:43,080 on recording platforms. H And we stumbled across this very 270 00:14:43,279 --> 00:14:49,200 funny sounding voice and we kind of plugged it into 271 00:14:49,279 --> 00:14:50,960 this song and it's really fun. 272 00:14:51,039 --> 00:14:53,360 Speaker 1: All right, Well, let's give this a listen. Oh do 273 00:14:53,399 --> 00:14:53,799 you have a. 274 00:14:56,879 --> 00:14:59,799 Speaker 2: Let me see do I? Okay? So this let me 275 00:14:59,879 --> 00:15:04,240 go over this quickly. Yes, okay, the song is gonna 276 00:15:04,240 --> 00:15:07,200 go into It's really not Gucci the songs. What's the dillio? 277 00:15:07,480 --> 00:15:09,759 Speaker 1: Oh? Yes, that's another thing. The young people said, what 278 00:15:09,960 --> 00:15:10,519 the dilio? 279 00:15:10,840 --> 00:15:11,000 Speaker 7: Yes? 280 00:15:11,519 --> 00:15:14,840 Speaker 2: Even but that's yes. But I brought it in in 281 00:15:15,039 --> 00:15:18,440 large font for us visually challenged like myself, and people 282 00:15:18,559 --> 00:15:21,919 can watch this on YouTube. Okay, so we have what's 283 00:15:22,000 --> 00:15:26,639 the dillio. Now that's that's we named the song Gucci. 284 00:15:26,799 --> 00:15:27,000 Speaker 9: Why. 285 00:15:27,159 --> 00:15:30,960 Speaker 2: I don't know, but we're talking about Gucci, cap fire, 286 00:15:31,799 --> 00:15:36,720 no regret, keep it real fire, free will, and now 287 00:15:36,720 --> 00:15:39,320 I added free will on the end of this. Yes, 288 00:15:39,960 --> 00:15:41,000 that's what it's all about. 289 00:15:41,159 --> 00:15:44,480 Speaker 1: Well, to quote Rush, I will choose free will. 290 00:15:44,559 --> 00:15:48,039 Speaker 2: Amen. Yes, all right, let's play some Gucci. 291 00:15:48,639 --> 00:15:52,279 Speaker 1: All right, here it is, this is Gucci, this. 292 00:15:52,320 --> 00:15:54,759 Speaker 6: Is DJ today. We're gonna play the new one. 293 00:15:56,720 --> 00:15:58,440 Speaker 2: Thanks for calling back, but we already heard you one. 294 00:15:58,559 --> 00:16:00,559 Speaker 1: Something's something's gone wrong. 295 00:16:02,000 --> 00:16:03,320 Speaker 2: We did I send you the wrong file? 296 00:16:04,159 --> 00:16:06,600 Speaker 1: No, we were I don't know where you're talking sendy files. 297 00:16:06,600 --> 00:16:08,159 I don't know what you're talking about. No, we were 298 00:16:08,440 --> 00:16:11,080 time traveling, just like we do on Retrospection Radio on 299 00:16:11,120 --> 00:16:13,320 Friday nights. We went back, put it away, We went 300 00:16:13,399 --> 00:16:14,039 back in time. 301 00:16:14,879 --> 00:16:15,960 Speaker 2: Nothing matter with that too. 302 00:16:16,039 --> 00:16:17,240 Speaker 4: I forgot my snow friend. 303 00:16:17,679 --> 00:16:20,799 Speaker 10: All right, you're a dilio mat play the song. Here 304 00:16:20,879 --> 00:16:29,639 we go, Couccie, I all real lit, Yes, sir? 305 00:16:29,879 --> 00:16:37,000 Speaker 6: What the deario? Yes, sir, medio, Rolling. 306 00:16:36,799 --> 00:16:37,279 Speaker 8: With the crew. 307 00:16:37,440 --> 00:16:43,080 Speaker 6: Yeah, we're never in a hurry. What's the Dillio cap Fire, Coucie, 308 00:16:43,200 --> 00:16:49,639 Thirsty living in the moment. Yeah, everything's a story. Yes, 309 00:16:52,519 --> 00:16:53,600 so here's the deer. 310 00:16:53,759 --> 00:16:57,639 Speaker 11: We're living lie real, no regret, no change, just the wild, 311 00:16:57,840 --> 00:17:03,879 free will, what lends we're making, keeping the dirty, keeping 312 00:17:03,960 --> 00:17:04,559 it rail. 313 00:17:04,559 --> 00:17:11,519 Speaker 6: In the Delio, in the Dilio. But what what the Delio? 314 00:17:12,119 --> 00:17:13,839 Where you're going where you've been? 315 00:17:14,640 --> 00:17:18,200 Speaker 11: Yes, sir fi hit off again, gonna road to gun 316 00:17:18,279 --> 00:17:19,160 I get the Mucci. 317 00:17:19,720 --> 00:17:21,960 Speaker 6: That's there, the men, the Ucci, gucjail. 318 00:17:22,200 --> 00:17:22,960 Speaker 3: What the Delio? 319 00:17:24,839 --> 00:17:25,759 Speaker 6: Rolling with the crew. 320 00:17:25,920 --> 00:17:30,440 Speaker 11: Yeah, we're never in a hurle. That's a Dilio cap fire, 321 00:17:30,599 --> 00:17:31,880 Gucci and Thirsty. 322 00:17:34,599 --> 00:17:36,279 Speaker 9: Yeah yeah, yeah, yeah yeah. 323 00:17:36,400 --> 00:17:37,759 Speaker 6: What a Dellio. 324 00:17:44,200 --> 00:17:50,559 Speaker 2: Now that's more in the Ricky Mapleton pocket. Oh yeah, 325 00:17:51,519 --> 00:17:52,759 it's that. Is that the whimmy? 326 00:17:53,279 --> 00:17:57,039 Speaker 4: It sounds just like him, that the Dillio? No, no, 327 00:17:58,160 --> 00:17:59,079 the cute voice. 328 00:17:59,440 --> 00:18:03,400 Speaker 2: Well, it was on a shared file. We did squeech 329 00:18:03,519 --> 00:18:05,839 that up a little bit, that voice and slid it 330 00:18:05,920 --> 00:18:08,799 out a little bit. It was a available loop that 331 00:18:08,839 --> 00:18:10,599 we plugged in at the end and we're like, wow, 332 00:18:10,759 --> 00:18:12,440 what's gonna make the song? At least have a little 333 00:18:12,440 --> 00:18:13,240 bit of a catch to it. 334 00:18:13,960 --> 00:18:14,119 Speaker 7: Now. 335 00:18:15,079 --> 00:18:20,319 Speaker 1: Please, whatever criticisms I may have are purely constructive in nature. 336 00:18:20,400 --> 00:18:22,240 But I have to tell you, at the end of 337 00:18:22,279 --> 00:18:25,440 the song, I did not feel like I was any 338 00:18:25,519 --> 00:18:28,720 closer to understanding what the dilio is than I was 339 00:18:28,799 --> 00:18:32,000 at the beginning of the song. I don't feel that 340 00:18:32,200 --> 00:18:35,720 my questions were answered about the dilio and what is 341 00:18:35,880 --> 00:18:36,359 the dilio? 342 00:18:37,759 --> 00:18:38,680 Speaker 2: That's fascinating. 343 00:18:39,039 --> 00:18:41,160 Speaker 1: Yeah, I mean, I'm just saying, very good point. 344 00:18:43,039 --> 00:18:46,680 Speaker 2: Let's expand off on that for a moment. What is 345 00:18:46,839 --> 00:18:51,119 the dillio? When somebody says what's the dilio, you're asking 346 00:18:51,559 --> 00:18:54,279 what's going on? Oh, what's happening? 347 00:18:54,400 --> 00:18:54,759 Speaker 1: Okay? 348 00:18:55,240 --> 00:18:56,559 Speaker 2: So hey, Matt, what's the dilio? 349 00:18:57,079 --> 00:19:00,359 Speaker 1: Okay? I thought maybe this was some sort of foreign currency, like, 350 00:19:00,559 --> 00:19:04,720 uh oh, interesting, take like, what's the dilio doing compared 351 00:19:04,759 --> 00:19:07,880 to the dollar? You know, how are we looking? 352 00:19:07,960 --> 00:19:08,839 Speaker 2: It's like, what's up? 353 00:19:09,119 --> 00:19:09,480 Speaker 1: Okay? 354 00:19:09,680 --> 00:19:10,599 Speaker 2: What's up? I thought? 355 00:19:10,599 --> 00:19:13,240 Speaker 1: I thought maybe it was a new cryptocurrency or something, 356 00:19:13,359 --> 00:19:16,000 you know, I don't know, you know, get your dilio dollars, 357 00:19:16,599 --> 00:19:17,759 you know, fake money. 358 00:19:19,240 --> 00:19:22,440 Speaker 2: Exist? What's the exchange rate on a dilio dollar? Well, 359 00:19:22,480 --> 00:19:22,799 I don't know. 360 00:19:23,200 --> 00:19:25,720 Speaker 1: I still don't know after listening to the song. But 361 00:19:25,799 --> 00:19:27,640 I think I understand a little bit better now. 362 00:19:27,559 --> 00:19:28,079 Speaker 2: Are you sure? 363 00:19:28,519 --> 00:19:29,920 Speaker 1: I think so? I think? 364 00:19:30,000 --> 00:19:31,680 Speaker 2: So you know what the dilio is? 365 00:19:31,880 --> 00:19:33,039 Speaker 4: Well, I don't sure. 366 00:19:33,240 --> 00:19:34,200 Speaker 2: I don't know that I do. 367 00:19:34,359 --> 00:19:34,720 Speaker 12: Do you know what? 368 00:19:35,759 --> 00:19:37,759 Speaker 4: I think I know what? And I don't know if 369 00:19:37,799 --> 00:19:38,799 he knows what the dilio is? 370 00:19:38,839 --> 00:19:42,880 Speaker 2: What's what? What's what's the very the dilio is? 371 00:19:42,960 --> 00:19:46,440 Speaker 4: Totally what's going on? It's totally like the deal. 372 00:19:46,640 --> 00:19:48,559 Speaker 2: It sounds like a snack good to to me? 373 00:19:48,720 --> 00:19:52,519 Speaker 1: Well, it actually does take a might work. 374 00:19:52,640 --> 00:19:55,119 Speaker 4: That food is his language, so that might work. 375 00:19:55,400 --> 00:19:57,440 Speaker 2: What's see it? Also? 376 00:19:57,519 --> 00:19:59,400 Speaker 1: Unfortunately it sounds like something that if I looked it 377 00:19:59,440 --> 00:20:01,640 up on Urban Dictionary, I might be horrified at what. 378 00:20:02,279 --> 00:20:05,720 Speaker 2: Matt, If you were going to make the diliouh cake 379 00:20:06,079 --> 00:20:09,519 like a funny bonus or a hostess whole ho, what's 380 00:20:09,559 --> 00:20:10,319 what's in the dillio? 381 00:20:10,640 --> 00:20:11,640 Speaker 4: It doesn't make anything? 382 00:20:11,839 --> 00:20:14,599 Speaker 2: Yeah, I don't make it would be your dream? Is 383 00:20:14,640 --> 00:20:17,279 there a healthy dilio? I would hope, So put the 384 00:20:17,359 --> 00:20:17,960 dilio with that? 385 00:20:18,160 --> 00:20:19,640 Speaker 1: Maybe something gluten free? 386 00:20:19,720 --> 00:20:21,640 Speaker 2: What do you what's your thoughts on fire? The word 387 00:20:21,720 --> 00:20:25,200 everybody that's fire. Oh, yes, that's fire. That's it. That 388 00:20:25,319 --> 00:20:27,839 one didn't make the kid believe it or not. No, Well, 389 00:20:28,519 --> 00:20:32,680 so now what do we have for volume two? Fire? Fire, 390 00:20:33,920 --> 00:20:34,680 I don't want to yellow. 391 00:20:35,799 --> 00:20:37,680 Speaker 4: It didn't come out like that. In our day. 392 00:20:37,720 --> 00:20:40,440 Speaker 2: It was fire fire. We were told not to say 393 00:20:40,519 --> 00:20:42,319 that in a movie theater. 394 00:20:43,039 --> 00:20:44,119 Speaker 1: Well, that's that's true. 395 00:20:44,240 --> 00:20:46,319 Speaker 2: Yeah, so it takes on when I first heard the 396 00:20:46,440 --> 00:20:50,240 Z generation talking like, hey, that's fire, I'm like what yeah? 397 00:20:50,480 --> 00:20:50,519 Speaker 5: What? 398 00:20:50,839 --> 00:20:53,160 Speaker 1: Yeah, you want to be careful with that, especially in 399 00:20:53,240 --> 00:20:56,519 certain circumstances. Oh, we do have a call. We'll see Hi. 400 00:20:56,599 --> 00:20:58,319 Welcome to Matt Connorton Unleashed is. 401 00:20:58,319 --> 00:21:03,640 Speaker 12: This Yeah, this is Marvin. Thanks for taking my call today, Matt, 402 00:21:04,400 --> 00:21:08,960 You're welcome. Well, I would like to mellow things out 403 00:21:09,000 --> 00:21:16,319 here on the show and requests a B side a 404 00:21:16,480 --> 00:21:23,000 song called You Stole My check Book. This song comes 405 00:21:23,039 --> 00:21:27,839 from and will remind you of any relationship you had 406 00:21:28,640 --> 00:21:34,279 when your heart was torn out and your checkbook was missing. 407 00:21:35,079 --> 00:21:40,759 Let's reflect the graciousness of life and the hardship that 408 00:21:40,960 --> 00:21:46,200 love can be. This is mellow Marvin thanking Matt Connorton 409 00:21:46,680 --> 00:21:50,920 once again, who, by the way, has an adorable deep 410 00:21:51,400 --> 00:21:52,160 radio voice. 411 00:21:53,920 --> 00:21:54,200 Speaker 1: Thank you? 412 00:21:55,480 --> 00:21:56,319 Speaker 2: What that dilly? 413 00:21:56,440 --> 00:21:56,519 Speaker 5: Yo? 414 00:21:58,400 --> 00:21:59,480 Speaker 1: My voice could be deeper. 415 00:21:59,599 --> 00:22:04,960 Speaker 2: But but you know, people that call that always are 416 00:22:05,079 --> 00:22:05,880 complimenting you. 417 00:22:06,359 --> 00:22:07,400 Speaker 1: Yes, I do like that. 418 00:22:08,079 --> 00:22:11,559 Speaker 2: Yeah wow, and I accept them. I I do accept 419 00:22:12,119 --> 00:22:15,440 what the kids would call your fire. I am your fire. 420 00:22:15,960 --> 00:22:19,240 Speaker 1: Yes, yes, So what did you want to hear? 421 00:22:19,319 --> 00:22:20,000 Speaker 2: What song did we hear? 422 00:22:20,119 --> 00:22:20,160 Speaker 9: So? 423 00:22:20,279 --> 00:22:20,960 Speaker 2: This song? 424 00:22:21,319 --> 00:22:22,440 Speaker 1: Checkbook ship? 425 00:22:22,680 --> 00:22:22,839 Speaker 9: Yeah? 426 00:22:22,839 --> 00:22:23,079 Speaker 2: Okay? 427 00:22:23,200 --> 00:22:25,359 Speaker 1: Well this uh and that's a fallaty by the way, 428 00:22:25,440 --> 00:22:27,400 we don't you should not steal someone strut? 429 00:22:27,599 --> 00:22:27,759 Speaker 7: Yes? 430 00:22:27,960 --> 00:22:30,279 Speaker 2: And who has the check book anyways? Right now? 431 00:22:30,680 --> 00:22:31,559 Speaker 4: I still have one. 432 00:22:31,920 --> 00:22:34,359 Speaker 1: I have one. I never use it, but I do 433 00:22:34,480 --> 00:22:34,799 have one. 434 00:22:35,279 --> 00:22:37,839 Speaker 4: I use it once in a while, very rarely. Yeah, 435 00:22:38,160 --> 00:22:39,160 mostly for birthdays. 436 00:22:41,160 --> 00:22:43,200 Speaker 2: Can I do the whole artist thing? This song is 437 00:22:43,319 --> 00:22:44,880 kind of different than all the other songs? 438 00:22:45,160 --> 00:22:47,359 Speaker 1: Can I do that? Can I? Well? This song? 439 00:22:48,599 --> 00:22:51,759 Speaker 2: This song is different than all the other songs because 440 00:22:53,880 --> 00:22:56,200 Ricky Mapleton steps up and plays the bass on this 441 00:22:56,359 --> 00:22:58,200 one a little bit in my first I haven't played 442 00:22:58,240 --> 00:23:00,759 the bass in a while, I can. I feel it's 443 00:23:00,799 --> 00:23:04,400 more of like a spin doctors, okay, and going on. 444 00:23:04,559 --> 00:23:06,559 I just really liked the way the music came out 445 00:23:06,599 --> 00:23:10,160 on this one. Okay, it's not you know, I don't know. 446 00:23:10,720 --> 00:23:15,599 And it's about relationships. We all have been through, good 447 00:23:15,640 --> 00:23:21,240 and bad. Stealing someone's checkbook is an analogy, obviously. And okay, oh, 448 00:23:21,319 --> 00:23:23,119 but you could steal somebody's check book, and you can 449 00:23:23,160 --> 00:23:26,519 steal somebody's heart. But oh, I just thought that you 450 00:23:26,559 --> 00:23:28,359 can always go to the bank and re order those checks. 451 00:23:28,480 --> 00:23:30,039 Ooh wow, thought of the day. 452 00:23:32,039 --> 00:23:37,400 Speaker 1: That's true. All right, well, let's give this a listen. 453 00:23:37,720 --> 00:23:39,759 This is called this is simply called checkbook. 454 00:23:39,920 --> 00:23:41,920 Speaker 2: Yeah, check book. You stole my checkbook. I think it's 455 00:23:42,000 --> 00:23:44,000 on as check All right, very good. 456 00:23:48,240 --> 00:23:58,000 Speaker 13: I stole your check book. It's your signature, wrote down 457 00:23:58,240 --> 00:23:59,599 a number. 458 00:24:01,839 --> 00:24:07,400 Speaker 14: That will satisfy and pay me back for your wasted lies. 459 00:24:09,920 --> 00:24:17,039 Speaker 6: I stole your check book to buy back my wasted time. 460 00:24:19,079 --> 00:24:22,880 Got a new pair of boots. I'm looking so fine. 461 00:24:29,039 --> 00:24:34,200 Ons will shrink once. We'll sake to care. 462 00:24:34,079 --> 00:24:34,799 Speaker 2: That we drink. 463 00:24:36,039 --> 00:24:39,440 Speaker 6: No time to think feeling right? 464 00:24:40,839 --> 00:24:45,720 Speaker 14: Your rye sight only just one hit. You shut it up, 465 00:24:45,799 --> 00:24:46,920 that daintamite. 466 00:24:56,119 --> 00:24:57,680 Speaker 6: I stole your check book. 467 00:25:00,559 --> 00:25:06,400 Speaker 14: You stole a part of me. I cash out for 468 00:25:06,680 --> 00:25:13,279 both of us. Now I'm set free. Now set free, 469 00:25:17,559 --> 00:25:23,240 but will drink. The boats will sink getting and we drink, 470 00:25:24,519 --> 00:25:27,799 no time to think, feeling. 471 00:25:27,640 --> 00:25:32,960 Speaker 9: Right, you're out of sight. You'll get one chance. 472 00:25:33,039 --> 00:25:34,400 Speaker 2: Do you set off the. 473 00:25:34,640 --> 00:25:35,319 Speaker 6: Time of mind? 474 00:25:36,680 --> 00:25:38,240 Speaker 2: I said tole you the check book. 475 00:25:39,119 --> 00:25:39,839 Speaker 9: You stole a. 476 00:25:39,920 --> 00:25:46,319 Speaker 6: Part of me. I cash out for both of us. 477 00:25:49,119 --> 00:25:50,799 Now I'm set free. 478 00:25:56,079 --> 00:25:58,440 Speaker 1: Fealing some check book. I feel like that's uh, I mean, 479 00:25:58,480 --> 00:26:02,359 that's worse than revenge porns? Really wow? 480 00:26:02,680 --> 00:26:02,920 Speaker 9: Yes? 481 00:26:03,279 --> 00:26:04,799 Speaker 1: Yes, and they're both felonies. 482 00:26:06,880 --> 00:26:12,039 Speaker 2: Yes, why wow? Yes, speechless? It was just hard to do, 483 00:26:12,279 --> 00:26:12,599 all right. 484 00:26:12,599 --> 00:26:14,799 Speaker 1: I was just gonna say that you totally got it 485 00:26:15,200 --> 00:26:17,440 if you are just joining us. Ricky Mapleton is here 486 00:26:17,480 --> 00:26:20,480 with us, live in studio, and we're playing tracks from 487 00:26:20,519 --> 00:26:24,680 the new what is it? Seventy two songs? Oh thirty five, 488 00:26:24,799 --> 00:26:28,880 don't count me out? Currently available? Correct, it's already available. 489 00:26:28,799 --> 00:26:29,960 Speaker 2: One available everywhere. 490 00:26:30,200 --> 00:26:32,440 Speaker 1: Very good, very good. And oh jeez, we have another 491 00:26:32,519 --> 00:26:37,400 call already. Come on, that's a familiar number, actually, Ricky, Oh. 492 00:26:37,720 --> 00:26:40,880 Speaker 5: Steve, call back again. This is this is sad, Steven. 493 00:26:41,880 --> 00:26:45,559 I'm really pulled it together since I listened to don't 494 00:26:45,599 --> 00:26:49,880 calm me out man. Thank you so much, rick Matt, 495 00:26:49,920 --> 00:26:51,799 thank you for having Ricky on. Boy. You guys are 496 00:26:52,640 --> 00:26:59,559 you guys are fantastic? Oh Ricky Mableton, Thank you, don't 497 00:26:59,599 --> 00:27:02,000 calt me out again. It was really I'm not gonna 498 00:27:02,000 --> 00:27:06,359 spiral no good good, positive thoughts, positive thoughts. 499 00:27:06,440 --> 00:27:09,240 Speaker 1: Good, all right? Oh he hung up. 500 00:27:09,319 --> 00:27:10,839 Speaker 2: He still seems he seems. 501 00:27:10,640 --> 00:27:14,160 Speaker 1: Better, better, but he kind of sounds like he's hyperventilating. 502 00:27:15,920 --> 00:27:17,920 Speaker 4: Is important. Yes, one must breathe. 503 00:27:18,200 --> 00:27:26,480 Speaker 2: Yes, yeah, speaking of breathing. Yes, yes, I'm glad he 504 00:27:26,559 --> 00:27:32,640 called back. Yes, I feel that much like bon Jovi, 505 00:27:34,200 --> 00:27:37,119 we have saved the life. 506 00:27:37,440 --> 00:27:37,640 Speaker 1: Yes. 507 00:27:38,079 --> 00:27:40,480 Speaker 2: Yes, do you understand that the reference that I saw 508 00:27:40,519 --> 00:27:42,279 on the news, I guess John bon Joey helps someone 509 00:27:42,319 --> 00:27:43,720 off them off the ledge. 510 00:27:43,799 --> 00:27:45,640 Speaker 1: Yea for those who don't know, For those who don't 511 00:27:45,960 --> 00:27:47,039 actually this video. 512 00:27:46,880 --> 00:27:50,000 Speaker 2: Yeah yeah, John bonastic, fantastic, John bon Jovi. 513 00:27:49,880 --> 00:27:51,559 Speaker 1: Talked to this woman who's about to jump off of 514 00:27:51,599 --> 00:27:54,759 a bridge. I did see a little darkly humorous, but 515 00:27:54,839 --> 00:27:57,079 I did see a funny meme that said it's a 516 00:27:57,079 --> 00:27:58,759 good thing. It was him and not David Lee Roth. 517 00:28:00,039 --> 00:28:03,519 Speaker 2: Wow, you're on You're on fire. You're fire. Fire, I 518 00:28:03,599 --> 00:28:06,200 am on fire, You're fire, you are fired. That's a 519 00:28:06,240 --> 00:28:07,079 delio for for. 520 00:28:07,079 --> 00:28:09,039 Speaker 1: Anyone who doesn't get the joke. Because, of course, Van 521 00:28:09,079 --> 00:28:13,000 Halen did jump might as well, Joe stop. So it's 522 00:28:13,039 --> 00:28:16,119 a it's terrible. It's a good thing, awful. No, it's 523 00:28:16,200 --> 00:28:16,640 a joke. 524 00:28:16,799 --> 00:28:17,599 Speaker 4: It's terrible. 525 00:28:17,640 --> 00:28:20,559 Speaker 1: It's a joke. It's a joke. 526 00:28:20,799 --> 00:28:21,759 Speaker 4: It's not funny. 527 00:28:22,000 --> 00:28:23,240 Speaker 1: I think it's funny. No, it's not. 528 00:28:23,839 --> 00:28:25,079 Speaker 2: It's open for interpretation. 529 00:28:26,759 --> 00:28:31,799 Speaker 1: The story has a happy ending. J save this woman. 530 00:28:35,000 --> 00:28:36,279 Speaker 2: How many songs that I send you over? 531 00:28:36,400 --> 00:28:37,559 Speaker 1: Mat? Is one more? 532 00:28:38,279 --> 00:28:38,559 Speaker 4: I think? 533 00:28:38,680 --> 00:28:41,559 Speaker 1: Uh, I think there might be a couple more. We 534 00:28:41,680 --> 00:28:42,319 do have another call. 535 00:28:42,480 --> 00:28:44,880 Speaker 2: Oh awesome, awesome, Thank you Collins for calling. 536 00:28:44,680 --> 00:28:47,480 Speaker 1: In see you. This is Hi, Welcome to Matt Connerson unleashed? 537 00:28:47,599 --> 00:28:47,759 Speaker 8: Is this? 538 00:28:48,079 --> 00:28:50,079 Speaker 3: Oh? 539 00:28:50,519 --> 00:28:50,799 Speaker 9: Wow? 540 00:28:51,559 --> 00:28:52,400 Speaker 7: This is what? 541 00:28:52,960 --> 00:28:53,319 Speaker 8: Willie? 542 00:28:53,440 --> 00:28:53,680 Speaker 2: Wow? 543 00:28:53,799 --> 00:28:56,759 Speaker 15: Thank you Matt for having me on back Wow on 544 00:28:56,920 --> 00:28:57,279 your show. 545 00:28:58,599 --> 00:28:59,319 Speaker 2: I heard man. 546 00:29:02,680 --> 00:29:06,799 Speaker 15: Put a new album, another inspiring album of songs. I 547 00:29:06,960 --> 00:29:16,200 went wow, wow, Wow. You know Ricky mhm the song 548 00:29:17,039 --> 00:29:21,839 you Gotta look at the Big Picture. What an inspirational, 549 00:29:21,960 --> 00:29:26,880 all encompassing song about how you really gotta look at life? 550 00:29:27,799 --> 00:29:33,359 I went, wow, will it? Can you play that song 551 00:29:33,519 --> 00:29:34,240 for him and Matt? 552 00:29:35,119 --> 00:29:37,440 Speaker 1: Yes? I can think of my call again. 553 00:29:37,880 --> 00:29:42,720 Speaker 2: Of course, long live Mac. I like that, you know, 554 00:29:43,119 --> 00:29:45,400 can I can I have a little backstory about like 555 00:29:46,920 --> 00:29:49,720 you did you recognize that voices. But he's called in 556 00:29:49,880 --> 00:29:50,640 a few times. 557 00:29:50,680 --> 00:29:52,839 Speaker 1: Didn't he call in when I was on your He 558 00:29:52,920 --> 00:29:54,839 made my throat hurt? Didn't he call in? 559 00:29:54,960 --> 00:29:55,119 Speaker 5: When? 560 00:29:56,720 --> 00:29:58,240 Speaker 1: Did he call in when I was on your show? 561 00:29:58,680 --> 00:30:03,279 Speaker 2: Yes? Yes, he started calling in a few years ago, 562 00:30:03,759 --> 00:30:06,559 and he was he had a lot of challenges in 563 00:30:06,680 --> 00:30:09,400 life going on. He lives up in Vermont, I think, 564 00:30:10,039 --> 00:30:12,480 and he's and he's a kind of a I guess, 565 00:30:12,559 --> 00:30:16,079 quote unquote hippie living off the grid, but was really 566 00:30:16,160 --> 00:30:18,400 struggling with a lot of demons on his back. 567 00:30:18,519 --> 00:30:21,759 Speaker 1: And I'm sure he's ad throat surgery. I think it's 568 00:30:22,039 --> 00:30:22,440 I don't know. 569 00:30:22,920 --> 00:30:24,680 Speaker 2: I don't know either I was like an a CDC 570 00:30:24,799 --> 00:30:28,079 cover band or something blew it out. But he's been 571 00:30:28,160 --> 00:30:35,680 calling in and another person that has gotten it together well, 572 00:30:36,279 --> 00:30:39,039 And I'm really happy that he's still calling and keeping 573 00:30:39,119 --> 00:30:42,440 contact with us. Yes, yes, So what did you want 574 00:30:42,440 --> 00:30:42,640 to hear? 575 00:30:42,839 --> 00:30:45,119 Speaker 1: So he requested a song called Big Picture? 576 00:30:45,319 --> 00:30:47,839 Speaker 2: Okay, So this song is about looking at the big picture, 577 00:30:47,880 --> 00:30:53,359 looking above, not looking direct like what's maybe that's what's happening. 578 00:30:53,359 --> 00:30:56,160 If youel a little stress in your life, yes, easy 579 00:30:56,240 --> 00:30:57,920 to get lost in that needs to de spiral. 580 00:30:58,039 --> 00:30:58,599 Speaker 1: We all do it. 581 00:30:58,720 --> 00:31:02,519 Speaker 2: We all we all challenging world. So sometimes if you 582 00:31:02,599 --> 00:31:06,359 look from a bobble down look at the big picture. 583 00:31:06,960 --> 00:31:08,720 Speaker 1: Well, if you look from a down that'd be more 584 00:31:08,799 --> 00:31:11,200 like a bird's eye view. Yes, maybe you should write 585 00:31:11,200 --> 00:31:15,039 a song about that too. Okay, that's three no, but 586 00:31:15,119 --> 00:31:18,319 I I get what you're saying, very very positive, good 587 00:31:18,400 --> 00:31:20,480 good words of wisdom, and yeah, let's take a lot 588 00:31:20,480 --> 00:31:22,039 of This is called big picture. 589 00:31:22,599 --> 00:31:25,880 Speaker 6: End of the day, you gotta look at the big picture. 590 00:31:26,720 --> 00:31:31,079 Speaker 10: Whose phrase is that, at the end of the day 591 00:31:31,319 --> 00:31:33,559 you gotta look at the big picture. 592 00:31:34,400 --> 00:31:35,720 Speaker 2: Who's phrase is that? 593 00:31:37,559 --> 00:31:40,880 Speaker 6: I just want to leave day by day. 594 00:31:42,039 --> 00:31:43,400 Speaker 9: What's the matter with that? 595 00:31:45,000 --> 00:31:48,920 Speaker 6: Do I really have to look at the big picture? 596 00:31:49,799 --> 00:31:51,119 What's wrong with that? 597 00:31:53,480 --> 00:31:57,039 Speaker 11: I just want to be grateful for what I have now, 598 00:31:57,480 --> 00:32:00,759 So please don't tell me to look my thoughts. 599 00:32:01,359 --> 00:32:03,759 Speaker 9: I'm just living for the now. 600 00:32:04,960 --> 00:32:08,400 Speaker 6: The big picture will be there when it's done. 601 00:32:08,559 --> 00:32:12,839 Speaker 12: I want to note who made up the phrase look 602 00:32:12,960 --> 00:32:14,119 at the big picture? 603 00:32:14,880 --> 00:32:15,359 Speaker 9: I don't know. 604 00:32:16,200 --> 00:32:20,200 Speaker 6: I want to note who made up the phrase all 605 00:32:20,480 --> 00:32:23,599 kinda made preacher live for the now? 606 00:32:38,880 --> 00:32:42,440 Speaker 2: Wow, very stripped down? Yes, I think that was this 607 00:32:42,559 --> 00:32:44,519 bass and drum? 608 00:32:44,720 --> 00:32:45,599 Speaker 1: Is that you on the base? 609 00:32:46,559 --> 00:32:46,799 Speaker 15: Yeah? 610 00:32:46,839 --> 00:32:50,599 Speaker 1: I like the baseline little fucking heads asking yes, yes, 611 00:32:50,759 --> 00:32:51,039 thank you. 612 00:32:51,240 --> 00:32:53,880 Speaker 2: I kind of cringed. I I really enjoy when I'm 613 00:32:53,920 --> 00:32:57,759 working with that my friend and doing those and he 614 00:32:57,880 --> 00:33:00,640 gets a lot of overlays and a lot of effects. 615 00:33:00,960 --> 00:33:02,799 Speaker 1: Your friend who remains nameless. 616 00:33:03,000 --> 00:33:08,039 Speaker 2: He's going by DJ C now DJ okay. He's he 617 00:33:08,319 --> 00:33:12,599 is my very good friend and he when he's I'm 618 00:33:12,640 --> 00:33:17,960 black enough to get him into my studio, mini studio 619 00:33:18,039 --> 00:33:20,920 that I have. We we have a good time. We 620 00:33:21,000 --> 00:33:22,359 bust through a lot of stuff trying to make some 621 00:33:22,759 --> 00:33:29,880 fun music. Yes, summer's over. I'm I'm I'm expecting a 622 00:33:30,039 --> 00:33:33,720 call from a long time caller. Do you see an 623 00:33:33,960 --> 00:33:35,400 Agnes on there? 624 00:33:35,839 --> 00:33:36,000 Speaker 5: Oh? 625 00:33:36,680 --> 00:33:39,079 Speaker 1: No, yeah, do you see an Agnes on the I 626 00:33:39,160 --> 00:33:42,319 think I remember Agnes though now, and I assume I. 627 00:33:42,440 --> 00:33:44,039 Speaker 2: Just got off the phone with Agnes a couple of 628 00:33:44,119 --> 00:33:48,079 days ago. And older, lady eyes, you have raspy voice. 629 00:33:47,920 --> 00:33:50,599 Speaker 1: Because nobody under the age of ninety has the name Agnes. 630 00:33:50,920 --> 00:33:54,160 Speaker 2: You know, I know, it's all Kyles. It's all Kyles 631 00:33:54,319 --> 00:33:57,680 and never mind right right where sounds. 632 00:33:57,319 --> 00:33:58,240 Speaker 4: Instead of Agnes? 633 00:33:58,480 --> 00:34:01,640 Speaker 1: Yeah, like, yeah, well you can't. 634 00:34:03,680 --> 00:34:06,960 Speaker 2: She's a very down to earth person. She's she's retired 635 00:34:07,039 --> 00:34:10,400 jury down to earth and unfortunately she's she's quit smoking 636 00:34:10,480 --> 00:34:13,159 it and oh she quit, yes, how she quit? 637 00:34:13,480 --> 00:34:13,599 Speaker 5: Uh? 638 00:34:14,800 --> 00:34:16,800 Speaker 2: She just she it's like you have to quit. 639 00:34:17,480 --> 00:34:17,679 Speaker 1: Yeah. 640 00:34:19,239 --> 00:34:21,360 Speaker 2: I don't know if it's too late, but she doesn't 641 00:34:21,400 --> 00:34:24,119 sound any better. But she's not coughing as much, so 642 00:34:24,239 --> 00:34:24,920 maybe that's a good. 643 00:34:25,079 --> 00:34:27,599 Speaker 1: Oh, this might be her. Actually, let's see who this is. Hi, 644 00:34:27,760 --> 00:34:29,280 Welcome to Matt connorson Unleashed. 645 00:34:29,400 --> 00:34:32,360 Speaker 2: Is this Matt Riggy? 646 00:34:32,519 --> 00:34:36,280 Speaker 15: Thanks for taking my call. This is Ah this from 647 00:34:36,360 --> 00:34:40,400 the community. Get out Riggy with your new release. You 648 00:34:40,639 --> 00:34:43,800 hit the nail right on the head. We are sick 649 00:34:43,880 --> 00:34:47,760 and tired of people coming in our community and jumping 650 00:34:47,880 --> 00:34:53,199 in our pool. They are we get out of our pool, 651 00:34:53,280 --> 00:34:57,079 Get out of my pool. Then we heard your song 652 00:34:57,800 --> 00:35:01,440 and we feel even more connected to you than ever. 653 00:35:02,960 --> 00:35:06,400 Speaker 6: Ladies and gentlemen, get out of my pool. 654 00:35:07,559 --> 00:35:10,920 Speaker 2: Well, Agnes, thank you so much for calling in. 655 00:35:11,199 --> 00:35:11,880 Speaker 1: She hung up. 656 00:35:13,800 --> 00:35:17,679 Speaker 2: The original caller when I when I first went on 657 00:35:17,840 --> 00:35:23,599 this uh calling dream that people would be calling in, 658 00:35:25,440 --> 00:35:30,599 so fabricating it in uh a ka in uh inventing 659 00:35:30,679 --> 00:35:33,000 Agnes or I'll just leave it at that for the 660 00:35:33,039 --> 00:35:33,679 people listening. 661 00:35:34,519 --> 00:35:35,800 Speaker 6: But Agnes uh. 662 00:35:37,360 --> 00:35:38,960 Speaker 2: Went through the same thing that I think a lot 663 00:35:39,039 --> 00:35:42,440 of people go through that own pools now. If you 664 00:35:42,559 --> 00:35:44,079 ever owned a pool, Have you ever had a pool 665 00:35:44,079 --> 00:35:45,079 in your backyard. 666 00:35:44,760 --> 00:35:46,760 Speaker 1: Or I've never I've never owned a pool. 667 00:35:47,159 --> 00:35:49,000 Speaker 2: I mean, do you ever have a pool on your property. 668 00:35:49,440 --> 00:35:50,519 Speaker 1: I've been in a pool? 669 00:35:51,239 --> 00:35:54,039 Speaker 2: Well that let me. I recently was fortunate enough to 670 00:35:54,639 --> 00:35:57,760 purchase the house about nine years ago, okay, and it 671 00:35:58,400 --> 00:36:01,079 came with a pool. Okay, small pool in the back, 672 00:36:01,199 --> 00:36:03,400 not like the Olympic pools that you see in the seventies. 673 00:36:03,519 --> 00:36:03,679 Speaker 3: Right. 674 00:36:04,920 --> 00:36:09,280 Speaker 2: And let me tell you in the wintertime, when my 675 00:36:09,440 --> 00:36:14,039 snowblower broke down, and I see my neighbor across the 676 00:36:14,079 --> 00:36:22,280 street with his beautiful Toro solar powered cop holding, and 677 00:36:22,360 --> 00:36:24,719 I'm out there shoveling because I can't afford a good 678 00:36:24,719 --> 00:36:29,039 snowball and I just broke down. Fine, fine, I'm over it. 679 00:36:29,159 --> 00:36:32,360 Can you tell him over it? This summer and this 680 00:36:32,559 --> 00:36:38,880 summer and last summer, somebody gonna knock him my door. Hey, hey, neighbor, 681 00:36:38,960 --> 00:36:43,159 can we can use your pool? Me and my wife 682 00:36:43,199 --> 00:36:46,880 look at each other like is this really happening? And 683 00:36:47,000 --> 00:36:50,639 I almost said, hey, snowblower guy. I try to live 684 00:36:50,679 --> 00:36:52,920 in a peaceful neighborhood. Yes, but that kind of twirked 685 00:36:52,960 --> 00:36:54,960 me the wrong way. But the carrying their show that 686 00:36:55,039 --> 00:36:59,199 Ricky Mapleton is sure, no problem. Good good opened up 687 00:36:59,239 --> 00:37:00,840 the gate. He comes and he comes in with this. 688 00:37:01,679 --> 00:37:06,639 He comes in with his grandkid and his older son. No, 689 00:37:06,760 --> 00:37:09,119 I got three people in my pool. 690 00:37:09,400 --> 00:37:12,079 Speaker 1: Oh my goodness. He didn't tell you that up front. 691 00:37:12,599 --> 00:37:15,599 Speaker 2: No, And then he did it two more times during 692 00:37:15,679 --> 00:37:20,599 the summer. And much like agnes I wrote, I wrote 693 00:37:20,639 --> 00:37:25,039 this song and rebellion for people that use other people's pools. 694 00:37:25,440 --> 00:37:28,039 And this is the most rock song on this album. 695 00:37:28,840 --> 00:37:32,239 Put your rock and roll on and you see something 696 00:37:32,239 --> 00:37:36,280 that you don't like, it's okay to say, get out 697 00:37:36,320 --> 00:37:39,119 of my pool. All right, let's here it all right, 698 00:37:39,159 --> 00:37:40,199 here's the upper building of. 699 00:37:41,719 --> 00:37:42,000 Speaker 1: All right. 700 00:37:42,039 --> 00:37:42,440 Speaker 9: Here it is. 701 00:37:56,599 --> 00:37:58,440 Speaker 6: You're using all the glory. 702 00:38:00,199 --> 00:38:01,480 Speaker 7: I don't even know you. 703 00:38:03,519 --> 00:38:05,599 Speaker 6: I only see you when it's hot. 704 00:38:05,719 --> 00:38:05,880 Speaker 1: Out. 705 00:38:07,400 --> 00:38:14,639 Speaker 9: Get out of my pool. Get out of my pool. 706 00:38:16,400 --> 00:38:21,119 I don't even know you. Get out of my pool. 707 00:38:22,559 --> 00:38:26,360 Speaker 14: You're using up bubble colorine I've never seen when they're 708 00:38:26,400 --> 00:38:27,920 seven feet of stone aground. 709 00:38:28,239 --> 00:38:31,280 Speaker 6: You're walking around with your beautiful stone blowers. 710 00:38:35,760 --> 00:38:37,360 Speaker 9: Good out of my pool. 711 00:38:38,800 --> 00:38:43,800 Speaker 6: I need your summer fool. I know what makes you truel. 712 00:38:44,679 --> 00:38:48,880 Speaker 9: Why don't you get your own pool? Then you can 713 00:38:49,119 --> 00:38:50,119 be the fool. 714 00:38:51,159 --> 00:38:54,480 Speaker 6: Why don't you just get out of my pool? 715 00:38:55,840 --> 00:38:56,119 Speaker 2: Wow? 716 00:38:56,519 --> 00:39:00,639 Speaker 1: Get out of My Rule by Ricky Mapleton. So Agnes 717 00:39:00,719 --> 00:39:01,239 inspired that. 718 00:39:02,280 --> 00:39:05,880 Speaker 2: Agnes and my neighbor and people that come over. You 719 00:39:06,000 --> 00:39:09,679 know if you have a pool. When you have a pool, 720 00:39:11,239 --> 00:39:13,840 you spend a good amount of time keeping the pool clean, 721 00:39:14,159 --> 00:39:17,000 skimming the pool, vacuum me the pool, checking the pH 722 00:39:17,079 --> 00:39:19,719 of the pool, the chlorine, the pH up, the pH down. 723 00:39:19,880 --> 00:39:23,119 There's a lot that goes in to having a pool. Yes, 724 00:39:24,320 --> 00:39:25,960 so if somebody comes over and says, I want to 725 00:39:25,960 --> 00:39:28,440 get in your pool, you think they could shower a 726 00:39:28,480 --> 00:39:30,239 little bit. They looked a little bit disheveled, like they 727 00:39:30,360 --> 00:39:33,119 just painted their house and then jumped in my pool. 728 00:39:33,400 --> 00:39:33,559 Speaker 8: Right. 729 00:39:34,199 --> 00:39:36,239 Speaker 2: So this is when you have something in life later 730 00:39:36,239 --> 00:39:41,280 and gentleman inspires you go for it. But do something 731 00:39:41,360 --> 00:39:42,519 positive with that energy. 732 00:39:42,840 --> 00:39:43,000 Speaker 5: Right. 733 00:39:43,400 --> 00:39:48,159 Speaker 1: Wow, It's like Billy Ocean. Remember Billy Ocean. He had 734 00:39:48,199 --> 00:39:50,639 that song get out of my dreams, get into my car. 735 00:39:51,119 --> 00:39:52,280 Speaker 2: Well that's kind of sketchy. 736 00:39:52,320 --> 00:39:53,840 Speaker 1: Maybe it should have been get out of my dreams, 737 00:39:53,840 --> 00:39:56,639 get into my pool. You know, because he was inviting 738 00:39:56,880 --> 00:39:57,320 a lady. 739 00:39:58,119 --> 00:39:59,320 Speaker 2: That's kind of yeah. I don't know. 740 00:39:59,480 --> 00:40:01,440 Speaker 1: Well, yeah, you know what I'm saying. So I think 741 00:40:01,480 --> 00:40:03,199 that's you know what I'm saying. That's a nice thing 742 00:40:03,400 --> 00:40:06,880 in that case. But what you're saying is, you know, 743 00:40:07,400 --> 00:40:08,639 something very frustrated. 744 00:40:09,039 --> 00:40:11,079 Speaker 2: Oh but that's an analogy for a lot of stuff. 745 00:40:11,079 --> 00:40:13,599 Get out of my pool, Yes, you know, get out 746 00:40:13,639 --> 00:40:17,079 of my pool? Yes, yes, or like like, you're ruining 747 00:40:17,199 --> 00:40:20,079 my ride. You ever had that re question before? 748 00:40:20,159 --> 00:40:22,320 Speaker 1: Oh? Absolutely right. I mean no one's ever said it 749 00:40:22,360 --> 00:40:25,639 to me, you're ruining my ride, but get out of 750 00:40:25,679 --> 00:40:29,400 my pool. But uh, I'm looking for a track to 751 00:40:29,760 --> 00:40:32,000 for when we close out the segment, because we played 752 00:40:32,039 --> 00:40:32,960 everything that you sent me. 753 00:40:33,079 --> 00:40:34,599 Speaker 2: Yeah, but I what are you think? 754 00:40:34,800 --> 00:40:35,159 Speaker 12: I like this? 755 00:40:35,440 --> 00:40:38,039 Speaker 1: I like this song. You're turning into one of those 756 00:40:39,920 --> 00:40:41,880 before I think I think that was one of my favorites. 757 00:40:41,920 --> 00:40:45,239 We might we might pull but before we run out 758 00:40:45,239 --> 00:40:49,639 of time, remind everybody where they can find uh the 759 00:40:49,760 --> 00:40:50,960 new album. 760 00:40:50,800 --> 00:40:55,039 Speaker 2: Where it is up on YouTube, Spotify and all those 761 00:40:55,119 --> 00:40:59,400 other cool digital platforms that we can fortunately use now. Yes, 762 00:40:59,719 --> 00:41:03,599 because back in the day, back in the day, you 763 00:41:03,679 --> 00:41:06,280 could just stop get music and put it out even 764 00:41:06,320 --> 00:41:08,760 though it's out in a minuscule and you're a small 765 00:41:08,800 --> 00:41:12,480 piece of sand on the beach. At least it's out there, right, 766 00:41:12,880 --> 00:41:14,960 I don't have to get a record contract and get 767 00:41:15,119 --> 00:41:18,360 vinyl and you know what I'm saying, you know, like, 768 00:41:18,719 --> 00:41:21,760 so I feel very fortunate that I'm still kicking and 769 00:41:21,960 --> 00:41:27,920 enjoying the ability to do some some fun audio stuff. 770 00:41:28,119 --> 00:41:30,719 Speaker 1: Yes, you know, yes, well we're glad about that as well. 771 00:41:30,880 --> 00:41:32,480 Speaker 2: So what song did you did you listen? 772 00:41:32,519 --> 00:41:34,719 Speaker 1: Did you like I'm Gonna play? You're turning into one 773 00:41:34,760 --> 00:41:36,519 of those you. 774 00:41:36,519 --> 00:41:38,000 Speaker 2: Want to quick up on that. Are we running out? 775 00:41:38,079 --> 00:41:38,239 Speaker 15: Yeah? 776 00:41:38,320 --> 00:41:42,840 Speaker 2: Yeah, please, you're turning into one of those. Basically, when 777 00:41:42,880 --> 00:41:46,679 you're working with somebody, you're working with them for a 778 00:41:47,039 --> 00:41:51,400 period of time. They get a promotion, they say, oh, 779 00:41:52,199 --> 00:41:55,519 don't worry, we're still gonna be friends, and that tie 780 00:41:55,599 --> 00:41:57,679 gets so tight around their neck and they get so 781 00:41:57,840 --> 00:42:01,239 drunk with power that they turned in to one of 782 00:42:01,519 --> 00:42:05,679 those yes you have experienced that mant oh haven't we all? 783 00:42:05,960 --> 00:42:07,039 Speaker 1: Yes, haven't we all? 784 00:42:07,199 --> 00:42:10,960 Speaker 2: You ain't kid kid a share kid a share No, no, no, 785 00:42:11,400 --> 00:42:13,159 we'll just use the genetic. But we've all we've all 786 00:42:13,239 --> 00:42:16,239 been there. Yes, I'm glad you picked the song on Matt. 787 00:42:16,280 --> 00:42:18,360 Thank you very good. So we'll close out with this. 788 00:42:18,880 --> 00:42:21,519 Speaker 1: Coming up, we've got Eli lev in the second hour. 789 00:42:21,559 --> 00:42:23,760 He's going to join us live in studio. But the 790 00:42:23,800 --> 00:42:25,519 great Ricky Mapleton, thank you for having me. 791 00:42:25,719 --> 00:42:28,559 Speaker 2: Absolutely absolutely don't turn into one of those be a 792 00:42:28,639 --> 00:42:29,039 good person. 793 00:42:29,159 --> 00:42:30,159 Speaker 1: That's right all right here. 794 00:42:30,199 --> 00:42:33,639 Speaker 16: It is used to be one of us, always out 795 00:42:34,840 --> 00:42:37,679 laughing in the great group, sharing stories. 796 00:42:38,960 --> 00:42:40,480 Speaker 2: We talk about dreams. 797 00:42:40,159 --> 00:42:41,719 Speaker 9: Play in all of us. 798 00:42:42,280 --> 00:42:46,360 Speaker 16: But now you're at the office to described because you're 799 00:42:46,880 --> 00:42:51,039 turning in, no turning. 800 00:42:52,119 --> 00:42:52,960 Speaker 9: That's how we go. 801 00:42:54,960 --> 00:42:59,679 Speaker 2: Say that I'm something that you. 802 00:42:59,760 --> 00:43:00,199 Speaker 7: Want a. 803 00:43:02,199 --> 00:43:07,719 Speaker 15: Journey turning into one of those. 804 00:43:13,199 --> 00:43:15,920 Speaker 6: Yeah, yeah, don't do it. 805 00:43:19,239 --> 00:43:26,639 Speaker 16: You hear this message, Yeah, be doing your lost in 806 00:43:26,840 --> 00:43:30,360 those corporates call you will be turning into one of 807 00:43:30,599 --> 00:43:36,280 those find your way back, turn your way back to 808 00:43:36,480 --> 00:43:39,480 yourself your friends that you all do. 809 00:43:41,039 --> 00:43:45,440 Speaker 9: Come on back now, come on back now, use. 810 00:43:45,400 --> 00:43:47,320 Speaker 2: Your power for the good. 811 00:43:48,639 --> 00:43:49,480 Speaker 9: You better be good. 812 00:43:49,519 --> 00:43:53,800 Speaker 1: You better be good. You met. 813 00:43:56,480 --> 00:43:59,400 Speaker 16: Rua to drop down R way to the top that 814 00:44:00,159 --> 00:44:00,920 now you're gonna go. 815 00:44:01,280 --> 00:44:01,840 Speaker 7: Now let's