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<v Speaker 1>Welcome. This is Marsha for Radio I, and today I

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<v Speaker 1>will be reading National Geographic Magazine dated October twenty twenty five,

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<v Speaker 1>which is donated by the publisher as a reminder, RADIOI

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<v Speaker 1>is reading service intended for people who are blind or

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<v Speaker 1>have other disabilities that make it difficult to read printed material.

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<v Speaker 1>Please join me now for the first article titled Our

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<v Speaker 1>Planet from Above and Below by Marina Koran. By capturing

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<v Speaker 1>the same thing from various different perspectives, a NASA scientist

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<v Speaker 1>and a National Geographic photographer create a whole new way

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<v Speaker 1>of seeing our world. Earlier this year, two photographer friends

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<v Speaker 1>had just finished shooting the Grand Canyon when they began

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<v Speaker 1>discussing what they might capture together next. Don Pettitt was

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<v Speaker 1>eager to train his camera on Madagascar and sent his

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<v Speaker 1>friend Babak Tafreshi a text extolling the beauty of the place.

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<v Speaker 1>Tafreshy didn't disagree. He imagined the famous Baobab trees, with

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<v Speaker 1>their thick trunks and filigreed branches, cast mesmerizingly against a dark,

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<v Speaker 1>star speckled sky. So, even though he was tired from

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<v Speaker 1>a good bit of traveling, he boarded a flight from

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<v Speaker 1>Boston to Paris, and then another to Atta Nonevo, Madagascar's

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<v Speaker 1>capital city, where he stayed overnight before renting a car

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<v Speaker 1>and driving out to the remote realm of the Baobabs,

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<v Speaker 1>a dirt road lined with dozens of the ancient trees.

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<v Speaker 1>Pettitt's journey was simpler. He floated from one room to

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<v Speaker 1>the International Space Station to another towards the windows that

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<v Speaker 1>looked out onto the world. During his seven month mission

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<v Speaker 1>on the ISS, Pettitt, who's been an astronaut for nearly

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<v Speaker 1>thirty years, worked with Tafreshe, a photographer and National Geographic Explorer,

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<v Speaker 1>on an inventive project to photograph the same location or

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<v Speaker 1>phenomenon from two wildly different perspectives, one photographer standing on

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<v Speaker 1>the Earth, the other floating two hundred fifty miles above it. Together,

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<v Speaker 1>they coordinated ten photoshoots across four continents. The result is

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<v Speaker 1>a celestial scrapbook of our planet with spell spellbinding scenes

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<v Speaker 1>that can make you feel grounded and weightless at the

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<v Speaker 1>same time. The pair initially connected not long after Pettit's

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<v Speaker 1>first day on the then newly assembled ISS in two

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<v Speaker 1>thousand three. Pettit, an amateur photographer since sixth grade, had

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<v Speaker 1>brought his digital cameras with him, and he'd used some

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<v Speaker 1>scavenged stage materials to fashion a camera mount that provided

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<v Speaker 1>the stillness necessary to capture the night sky without smears

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<v Speaker 1>of starlight. Pettit, a scientist by training, is among Nassau's

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<v Speaker 1>craftiest astronauts. He once designed a drinking cup to make

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<v Speaker 1>sipping coffee easier in micro gravity. At the time, Tafreshi

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<v Speaker 1>was working as an editor at the Iranian astronomy magazine Nojun.

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<v Speaker 1>He had taken up photography as a teenager, focused on

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<v Speaker 1>the night sky and the national wonders that became visible

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<v Speaker 1>in the absence of light pollution. When Pettitt's pictures reached Earth,

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<v Speaker 1>Tafreshey emailed the astronaut with compliments. Soon they became pen pails.

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<v Speaker 1>Years later, as their correspondence grew into a photo project,

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<v Speaker 1>Pettit and Tafreshy found that it helps to have different

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<v Speaker 1>approaches to telling visual stories about Earth. Pettit, in particular,

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<v Speaker 1>felt a duty to share his orbital vantage point with

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<v Speaker 1>his fellow humans on Earth. You want to share that

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<v Speaker 1>imagery to people that don't necessarily have the wherewithal to

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<v Speaker 1>be there in orbit, Pettit said. Over the course of

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<v Speaker 1>their project, the duel sought to synchronized their photoshoots, which

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<v Speaker 1>required a tremendous amount of planning. They needed to account

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<v Speaker 1>for orbital mechanics. From his perch on the ISS, Pettit

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<v Speaker 1>circled the globe every ninety minutes, racing sunrises and sunsets.

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<v Speaker 1>The trajectory of the space station mattered as well. When

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<v Speaker 1>the pair first started brainstorming potential areas of interest, Tafreshy

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<v Speaker 1>had plenty of ideas. I told him, you know, Iceland

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<v Speaker 1>is great, to Freshy recalled, but the ISS, Pettit replied,

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<v Speaker 1>never flies over Iceland. Earthly considerations influenced the project too.

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<v Speaker 1>Pettitt once once suggested a couple of regions that appeared

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<v Speaker 1>photogenic from hundreds of miles up, but they were along

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<v Speaker 1>the borders of countries in conflict India and Pakistan and

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<v Speaker 1>North and South Korea, so I couldn't travel there because

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<v Speaker 1>of safety matters, to Freshy said. Pettitt meanwhile, had to

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<v Speaker 1>work around his astronaut duties. When you're on station, you've

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<v Speaker 1>got a pretty encompassing day job. Pettit, who has locked

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<v Speaker 1>nearly six hundred days in space across four missions told me,

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<v Speaker 1>you need to make sure that there's a hole in

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<v Speaker 1>your work schedule where you can run to the kubola

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<v Speaker 1>and take a few pictures. Sometimes the universe went easy

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<v Speaker 1>on them. A comet visiting from the edges of the

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<v Speaker 1>Solar System showed up a week after Pettit reached orbit.

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<v Speaker 1>Tafreshe observed the bright object in Puerto Rico, but Pettit

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<v Speaker 1>had the best view without Earth's hazy atmosphere with its

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<v Speaker 1>pesky clouds in the way. Not long after that, a

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<v Speaker 1>major Aurora storm appeared in the skies over to Frayshe's house. Now,

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<v Speaker 1>how convenient, and the photographers captured the event within hours

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<v Speaker 1>of each other, their best timing of the entire endeavor.

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<v Speaker 1>When it comes to the rippling mystical green lights, two

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<v Speaker 1>views are better than one. If you look at the

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<v Speaker 1>same ripple from orbit, you might find that it's actually

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<v Speaker 1>an oval, Pettit said, It's as if they had surrounded

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<v Speaker 1>the shimmering phenomenon, revealing its true nature. While Pettit was

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<v Speaker 1>spared the difficulties that can ruin a photographer's day on

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<v Speaker 1>the ground rainy weather, for example, his cameras would occasionally

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<v Speaker 1>malfunction because of the constant invisible barrage of cosmic radiation,

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<v Speaker 1>and now and again artifacts of astronaut life sneaked into

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<v Speaker 1>his shots. Once Tafrashier was scanned Pett's images of the

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<v Speaker 1>Baldives in the Indian Ocean when he noticed an intriguing

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<v Speaker 1>patch of green in the water and algal bloom. I

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<v Speaker 1>was so excited until I got the next few shots

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<v Speaker 1>and I realized this patch is moving very fast, Afreshi said.

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<v Speaker 1>It turned out to be a weight lifting machine reflected

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<v Speaker 1>in the space station's windows. Every crew member works out

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<v Speaker 1>on this machine for an hour and a half a day.

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<v Speaker 1>Pettitt said he would occasionally ask his colleagues if they

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<v Speaker 1>wouldn't mind turning off the lights and working out in

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<v Speaker 1>the dark just for a few minutes. Not everyone obliged.

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<v Speaker 1>Pettit and Tafreshy both believe that space photography is better

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<v Speaker 1>done by people. There are plenty of satellites that take

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<v Speaker 1>images of Earth from orbit, but often these pictures are

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<v Speaker 1>flat and textureless. Pettitt can play around with light and shadow,

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<v Speaker 1>creating a richer portrait, and an orbital view of Earth

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<v Speaker 1>is more meaningful when there is real emotion behind it.

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<v Speaker 1>Karen Nyberg, and a retired Nassau astronaut, told me that

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<v Speaker 1>she liked photographing the places where she knew her loved

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<v Speaker 1>ones were. I would go over Houston or go over

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<v Speaker 1>when they were visiting upstate New York and feel very

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<v Speaker 1>connected to them because I was only two hundred and fifty

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<v Speaker 1>miles away, just directly above them, Iberg said. And then

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<v Speaker 1>I would actually start to feel kind of this connection

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<v Speaker 1>with people in other places on the Earth that I

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<v Speaker 1>don't know. There's also perhaps a hint of triumph in it.

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<v Speaker 1>Human bodies were not made to be in outer space,

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<v Speaker 1>but there astronauts go, soaking up the wonder and sharing

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<v Speaker 1>it with the rest of us. In more than two

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<v Speaker 1>decades of friendship, Heatitt and Tafreshy have met in person

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<v Speaker 1>only a handful of times. They communicate mostly via text

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<v Speaker 1>and email. They told me they don't really talk about

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<v Speaker 1>their personal lives or get too philosophical. Despite the nature

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<v Speaker 1>of their work, their conversations are the stuff of true

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<v Speaker 1>shutterbug geegree, all about f stops and imaging software. Still,

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<v Speaker 1>they're not just photography buddies. When Taffrisia was robbed in

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<v Speaker 1>sicily and lost most of his equipment. He withheld the

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<v Speaker 1>depressing details from Pettit because he didn't want to worry him,

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<v Speaker 1>explaining to me that it's best practice not to upset

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<v Speaker 1>an astronaut far from home. Pettit gently roused him, saying

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<v Speaker 1>that Tafreshe should be more careful about where he keeps

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<v Speaker 1>his passport, which had been stolen too. The Madagascar shoot

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<v Speaker 1>was their last session before Pettit returned to Earth. The

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<v Speaker 1>region has little artificial light, so Pettitt's shot hinged on

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<v Speaker 1>the very alignment of selestial bodies the presence of a

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<v Speaker 1>full moon to illuminate a landscape shrouded in night time.

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<v Speaker 1>Tafreshe stood in the brush, in the brush, taking in

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<v Speaker 1>the shimmer of the milky Way in the unspoiled sky.

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<v Speaker 1>It was surreal, he said. The evening quiet was punctuated

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<v Speaker 1>by the nocturnal murmurings of unseen wildlife and of villagers

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<v Speaker 1>passing by in carts pulled by mules. From above, Earth

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<v Speaker 1>is a gleaming world with a wispy atmosphere in an

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<v Speaker 1>inky void. From below, it is a tangle of florofauna

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<v Speaker 1>and humanity that as far as we know doesn't exist

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<v Speaker 1>anywhere else. The resulting diptychs present Earth as it truly

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<v Speaker 1>is just another planet and our only home. Next, I

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<v Speaker 1>want to live to be one hundred longevity. Learning from

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<v Speaker 1>the legends. As told to Devon Gordon, these iconic athletes

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<v Speaker 1>were the greatest of all time at what they did.

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<v Speaker 1>So who better? Day asked about getting the most out

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<v Speaker 1>of our bodies as we age. We came in search

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<v Speaker 1>of wisdom, but they gave us something even better, motivation.

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<v Speaker 1>Nadiya Komenich was the first gymnast to achieve a perfect

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<v Speaker 1>ten at the Olympics. While she hasn't competed in over

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<v Speaker 1>forty years, she stays in shape by exercising every day,

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<v Speaker 1>and when she misses the feeling of being a gymnast,

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<v Speaker 1>she heads to the balance beam. Next article from National

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<v Speaker 1>Geographic History Percy Fawcett tragic search for lost city of z.

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<v Speaker 1>Convinced by old documents that a lost civilization lay in

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<v Speaker 1>the Amazon rainforest, Fawcet set out to find it in

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<v Speaker 1>nineteen twenty five. His disappearance sparked a century of speculation

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<v Speaker 1>as to his fate. When the Spanish first ventured into

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<v Speaker 1>the Amazon basin, in the fifteen forties, they recorded indigenous

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<v Speaker 1>accounts of a lost city of fantastic wealth that they

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<v Speaker 1>called El Dorado the Golden Over the centuries, many vain

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<v Speaker 1>attempts were made to locate a lost civilization in the

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<v Speaker 1>Amazon Forest. The last significant attempt to find such a

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<v Speaker 1>culture was undertaken by British explorer Percy Fawcet. Between nineteen

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<v Speaker 1>o six and nineteen twenty four, Fawcet made seven expeditions

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<v Speaker 1>across the Amazon basin, concluding with his doomed quest to

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<v Speaker 1>find the city called z Fawcet was inspired by his

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<v Speaker 1>extensive reading of historical sources, including a mysterious document known

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<v Speaker 1>as Manuscript five twelve. A man of extraordinary mental and

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<v Speaker 1>physical stamina, Fawcet was working at a time when the

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<v Speaker 1>Amazon region was still largely undocumented by Europeans who sought

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<v Speaker 1>to explore its jungles and water wins, seeking ancient cities

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<v Speaker 1>and riches. His disappearance during his search for Ze in

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<v Speaker 1>nineteen twenty five in the Matto Grosso region of Brazil

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<v Speaker 1>continues to intrigue writers and filmmakers yearning to explore. Percy

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<v Speaker 1>Harrison Fawcett was born in eighteen sixty seven in Torquay, Devon,

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<v Speaker 1>the English county that had produced many famous explorers and mariners,

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<v Speaker 1>including Francis Drake and Walter Raleigh. The son of an

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<v Speaker 1>aristocrat who had lost his fortune, Fawcet described his childhood

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<v Speaker 1>as lacking in affection. At age nineteen, he was commissioned

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<v Speaker 1>as a lieutenant in the Royal Artillery and sent out

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<v Speaker 1>to outposts of the British Empire. In nineteen oh one,

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<v Speaker 1>Fawcet joined the Royal Geographical Society of London and traveled

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<v Speaker 1>to Africa as a surveyor in the service of the

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<v Speaker 1>British State, tasked with gathering military intelligence. In nineteen o six,

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<v Speaker 1>he was commissioned by the Society to lead an expedition

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<v Speaker 1>to the Amazon. Arriving in South America was the moment

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<v Speaker 1>his whole life changed. Setting out from La Pause to

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<v Speaker 1>map the vast territory on the border lands of Bolivia

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<v Speaker 1>and Brazil, Faucet often faced hostility from indigenous peoples angered

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<v Speaker 1>by rubber barons who had invaded their lands to extract

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<v Speaker 1>rubber for use in car and train manufacturing. For nearly

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<v Speaker 1>a decade, he roamed the Amazon basin, often the first

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<v Speaker 1>European to record geographical features such as waterfalls. His writing

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<v Speaker 1>gives a sense of the awe he experienced above us

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<v Speaker 1>Rode Rose, the Ricardo Franco Hills, flat topped and mysterious,

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<v Speaker 1>their flanks scarred by deep Quabardin's ravines, they stood like

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<v Speaker 1>a lost forest to their tops, and the imagination could

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<v Speaker 1>picture the last vestiges of an age log vanished. The

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<v Speaker 1>outbreak of World War One interrupted this rich period of exploration,

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<v Speaker 1>forcing him to return to Europe. Although in his fifties,

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<v Speaker 1>Faucet was in peak physical condition and he proved to

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<v Speaker 1>be an outstanding soldier a mysterious manuscript, Fawcett could not

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<v Speaker 1>shake off the allure of South America, however, so when

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<v Speaker 1>the war ended, he returned to Brazil, where he would

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<v Speaker 1>pursue an idea that led him to his last great

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<v Speaker 1>adventures and ultimately his mysterious death. Although Fawcet often relied

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<v Speaker 1>on racist tropes and ideas when he wrote of Brazil's

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<v Speaker 1>indigenous peoples, he also made great efforts to understand their

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<v Speaker 1>customs and languages. He lamented the effects of colonialists greed

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<v Speaker 1>on these societies and became convinced that Spanish and Portuguese

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<v Speaker 1>accounts from the sixteenth and seventeenth centuries of complex civilizations

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<v Speaker 1>in the Rainforest may have had merit. Such accounts mentioned

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<v Speaker 1>very large settlements as well as fine roadways in the interior.

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<v Speaker 1>One document in particular fascinated Fawcet. Known as Manuscript five

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<v Speaker 1>twelve and written in Portuguese, it is purportedly an account

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<v Speaker 1>of adventurers and fortune hunters in fifty three in search

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<v Speaker 1>of precious metals. The adventurers found a ruined city boasting

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<v Speaker 1>monumental buildings, roads, and a plaza, in each corner of

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<v Speaker 1>which is a spire in the style of the Romans.

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<v Speaker 1>Scholars are divided about the manuscript's authenticity. Skeptics consider it

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<v Speaker 1>a forgery. Brazil achieved independence from Portugal in eighteen twenty five,

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<v Speaker 1>It would have been useful for a new and secure

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<v Speaker 1>republic to discover a document that described ancient civilizations in

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<v Speaker 1>its territory, akin to the Great Maya sites in Central America.

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<v Speaker 1>Many at this time, however, accepted the manuscript's authenticity, including Fawcet,

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<v Speaker 1>Already convinced that early accounts of complex civilizations in the

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<v Speaker 1>Rainforest were accurate. He became obsessed with finding such a

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<v Speaker 1>place in search of Z. Although Fawcet was inspired by

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<v Speaker 1>Manuscript five twelve's claim, he never intended to find the

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<v Speaker 1>city it described. The settlement in that document lies supposedly

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<v Speaker 1>in Brazil's northeast. Citing other sources which he did not name,

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<v Speaker 1>Fawcet became convinced that a lost civilization existed in the

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<v Speaker 1>wild central western region of Mato Grosso. He named the

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<v Speaker 1>city Z. In April nineteen twenty five, Facet set out

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<v Speaker 1>from Cuiaba to find it, accompanied by his eldest son,

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<v Speaker 1>Jack and his son's best friend, Raleigh Rimmel. The last

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<v Speaker 1>news from them was in a letter Facet sent to

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<v Speaker 1>his wife, we shall disappear from civilization until next year.

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<v Speaker 1>Imagine us in for us so far untrodden by civilized man.

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<v Speaker 1>And then they really did disappear. Were they killed by

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<v Speaker 1>animals or people? Several expeditions were launched in an attempt

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<v Speaker 1>to clarify what happened, including one headed by Peter Fleming,

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<v Speaker 1>brother of the James Bond character creator Ian Fleming. Many

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<v Speaker 1>of these venturers also ended in tragedy, and none shed

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<v Speaker 1>any light on what happened to Fawcet. In nineteen fifty two,

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<v Speaker 1>anthropologists Orlando Viias announced he had found the bones of

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<v Speaker 1>the explorer and that Calopolo Indians had confessed to killing him. Later,

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<v Speaker 1>forensic analysis showed the remains did not belong to Fawcett.

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<v Speaker 1>Fawcett's story has had an enduring cultural impact. He is

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<v Speaker 1>one of the inspirations for the character Indiana Jones. The

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<v Speaker 1>Walt Disney Company is a main majority owner of National

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<v Speaker 1>Geographic Media. The English Explorer was also the subject of

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<v Speaker 1>David Grand's The Lost City of z a tale of

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<v Speaker 1>deadly obsession in the Amazon, the basis for a twenty

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<v Speaker 1>sixteen feature film. In his book, Grand quotes Kalopolo Indians

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<v Speaker 1>who insist they had not killed Fawcett. They had seen

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<v Speaker 1>the smoke from Fawcett's camp for a few days until

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<v Speaker 1>it stopped. They say he likely died at the hands

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<v Speaker 1>of hostile people in territory to the east. Although the

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<v Speaker 1>mystery of his last days may never be fully resolved,

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<v Speaker 1>Fawcett's quest for a lost city may be at an end.

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<v Speaker 1>In the decade since his disappearance, exploration of northeastern Manto

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<v Speaker 1>Mato Grosso has uncovered the remains of large urban settlements

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<v Speaker 1>now located in Shingu Indigenous park named Kihukugu. The complex

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<v Speaker 1>includes remnants of streets, bridges, and large squares. Modern light

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<v Speaker 1>our scans further suggest that between fifteen hundred and four

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<v Speaker 1>hundred years ago, this part of the Amazon was indeed

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<v Speaker 1>the site of a large settlement. Whilezi's exact itdentity and

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<v Speaker 1>location are still a mystery, Faucet's hunch about a hidden

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<v Speaker 1>ancient city in the region seems to have been correct.

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<v Speaker 1>This article by Jordi Canal Solar Next Phoenician ties to

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<v Speaker 1>an ancient Spanish culture Tartisos. When Phoenician colonists arrived on

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<v Speaker 1>the southern shores of the Iberian Peninsula ninth century BC,

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<v Speaker 1>their contact with the peoples of Kadiz, Seville and Yelva

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<v Speaker 1>sparked a rich, sophisticated society called Tartisos by Sebastian Selestino Perez.

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<v Speaker 1>To this day, historians can't fully explain the mysterious disappearance

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<v Speaker 1>of the thriving ancient society of Tartisos. New questions arise

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<v Speaker 1>as excavations reveal more about the advanced multicultural civilization that

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<v Speaker 1>seemingly vanished over night, rising to power along the southern

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<v Speaker 1>coast of the Iberian Peninsula. Tartisos is believed to have

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<v Speaker 1>strong ties to a group of seafaring traders, the Phoenicians,

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<v Speaker 1>who first arrived in the Iberian Peninsula in the tenth

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<v Speaker 1>century b C. They originally hailed from modern day Lebanon, Syria,

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<v Speaker 1>and northern Israel, and were known across the Mediterranean as

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<v Speaker 1>skilled sailors and expert merchants. Given the name Phoenician by

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<v Speaker 1>the Greeks for the exquisite purple dye they crafted, they

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<v Speaker 1>never created a unified kingdom. Tartisos is believed to be

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<v Speaker 1>the resulting outgrowth of Phoenician culture combined with the indigenous

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<v Speaker 1>culture of peoples living on the Iberian Peninsula. Some scholars

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<v Speaker 1>still believed that Tartisos itself could predate these Phoenician influences,

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<v Speaker 1>and new discoveries continued to fuel the debate legends of Tartisos.

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<v Speaker 1>Tales of Tartizos stretch all the way back to the

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<v Speaker 1>mid seventy century BC. A Greek trader called Colia was

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<v Speaker 1>set sail from his home island of Samos off the

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<v Speaker 1>coast of present day Turkey. He was headed for Egypt,

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<v Speaker 1>but during the voyage, Colaius' ship was surprised by strong

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<v Speaker 1>winds from the east that pushed it westward across the Mediterranean,

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<v Speaker 1>beyond the Pillars of Hercules and into the Strait of Gibraltar.

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<v Speaker 1>Coleas and his fellow soldiers arrived in Tartisos, a commercial

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<v Speaker 1>emporium previously unknown to merchants from Greece. Coleas began to

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<v Speaker 1>trade with the Tartisians and turned a large prophet, mainly

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<v Speaker 1>thanks to the silver over a ton in three quarters

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<v Speaker 1>that he amassed there. This traveler's tail is found in

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<v Speaker 1>Greek historian Herodotus's histories, written in the fifth century BC,

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<v Speaker 1>and although the narrative has no doubt embellished, Herodotus did

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<v Speaker 1>live for a time in Samos, where he may have

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<v Speaker 1>heard of Coleus's adventure. Other classical texts also contained references

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<v Speaker 1>to a town called Tartisos in the lands around the

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<v Speaker 1>Gulf of Cadiz in the southern Iberian Peninsula. From these mentions,

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<v Speaker 1>historians and archaeologists are working to build up a picture

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<v Speaker 1>of this enigmatic civilization steeped in legend Tortisos's beginning. One

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<v Speaker 1>of the most controversial issues has been when Tortissos was founded.

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<v Speaker 1>Until the late twentieth century, most experts believed that Tartisos

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<v Speaker 1>emerged as far back as the Bronze Age. The culture

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<v Speaker 1>was thought to have spread over a large area in

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<v Speaker 1>the southwestern Iberian Peninsula between the settlements of Huelva, Seville,

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<v Speaker 1>and Kadiz the Tartisian's Corps. If so, Tartisos would have

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<v Speaker 1>existed even before the first Phoenician colonies were established in

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<v Speaker 1>the tenth and ninth centuries b C. However, an archaeological excavation,

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<v Speaker 1>as they continue, this hypothesis seems increasingly unlikely. Although some

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<v Speaker 1>authors speak of a period called the Tartisian Late Bronze Age,

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<v Speaker 1>there is little strong evidence to support the existence of

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<v Speaker 1>a defined settlement in the southwestern Peninsula during the twelfth

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<v Speaker 1>and eleventh centuries b C. What may have existed was

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<v Speaker 1>an emerging social organization based on agriculture and the export

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<v Speaker 1>of raw materials from mining. Archaeologists have found evidence of

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<v Speaker 1>a community at nearby Huelva during this period. Artifacts unearthed

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<v Speaker 1>at the site and elsewhere suggest that the community was

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<v Speaker 1>skilled at trading with the Atlantic world. Objects made of

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<v Speaker 1>copper from Weiova have been found as far away as

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<v Speaker 1>France and the British Isles. The well established trading links

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<v Speaker 1>would have helped them profit from the abundant silver mines

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<v Speaker 1>in the area, such as those in Asna Kolar, northwest

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<v Speaker 1>of modern day Seville. Phoenicians in Iberia, these early trading

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<v Speaker 1>communities around the Gulf of Kadiz experienced a profound transformation

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<v Speaker 1>with the rival of the Phoenicians. It was in the

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<v Speaker 1>ninth century b C. The traders from the flourishing cities

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<v Speaker 1>of the eastern Mediterranean settled permanently in the southwest of

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<v Speaker 1>the Iberian Peninsula. Phoenician colonizers started by building temples to

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<v Speaker 1>their gods along the coast. These religious complexes not only

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<v Speaker 1>served spiritual purposes, they also played a key role in

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<v Speaker 1>commerce by providing a neutral space for trading. The temple

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<v Speaker 1>of Melkarte or Hercules near Kadiz seems to have had

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<v Speaker 1>this dual purpose. Very soon the Phoenicians built permanent establishments

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<v Speaker 1>called factories and later the first colonies. One of these

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<v Speaker 1>new city colonies, Cadiz, would become the most important economic

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<v Speaker 1>political and religious center in the region served as the

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<v Speaker 1>main port for exporting silver, tin, and salted fish. These

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<v Speaker 1>mining and yet agricultural products came both from Huelva itself

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<v Speaker 1>and from inland. The Phoenicians brought innovations to the areas.

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<v Speaker 1>They settled iron hybrid animals such as the mule, plant

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<v Speaker 1>species like grapevines and olive trees, the potter's wheel, and

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<v Speaker 1>ceramic kilns. They also introduced the alphabet, an essential element

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<v Speaker 1>for trade. Even the architecture would be influenced. The Phoenicians

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<v Speaker 1>favored orthogonal structures with right angles, which generated a much

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<v Speaker 1>more complex urban layout over the course of the ninth

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<v Speaker 1>and eighth centuries b c. These things would transform the

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<v Speaker 1>economy and way of life of the local peoples. During

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<v Speaker 1>this initial period of colonization, local Iberian communities gradually adapted

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<v Speaker 1>to the presence of the Eastern settlers. Our gaelogists are

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<v Speaker 1>looking for more insight as to how this integration developed,

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<v Speaker 1>but it seems likely that people migrated from inland regions

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<v Speaker 1>to the coastal colonies. Workforce swelled. Miners and farmers arrived,

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<v Speaker 1>as well as the artisans and construction workers needed for

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<v Speaker 1>the new cities, temples, and communication routes. In the Gaudiana

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<v Speaker 1>and Tagus Valleys, the dominant warrior elite may have supplied

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<v Speaker 1>labor in exchange for access to the Phoenicians iron and

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<v Speaker 1>technical innovations. In these inland areas, local traders would have

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<v Speaker 1>provided gold, tin, and agricultural products to the Phoenicians. Although

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<v Speaker 1>the Phoenicians had a huge impact on the colonized territories

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<v Speaker 1>of the Iberian Peninsula, the changes were experienced unevenly in

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<v Speaker 1>sparsely populated areas such as the guaudal Quivier Valley and

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<v Speaker 1>the Bay of Kadiz. The incoming Phoenicians were able to

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<v Speaker 1>found their own cities and incorporate the indigenous population. In Huelva,

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<v Speaker 1>a more established economy and defined social structure already existed,

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<v Speaker 1>rendering Phoenician influence weaker. It was in eighth century BC

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<v Speaker 1>interactions between the Phoenicians, the indigenous communities, and the populations

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<v Speaker 1>of the interior gave rise to the culture now termed Tartisian.

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<v Speaker 1>The word Tartisos first appears in Greek sources in the

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<v Speaker 1>following century. Archaeological evidence contact between Phoenician colonists and indigenous

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<v Speaker 1>peoples of the peninsula sparked remarkable economic development, with work

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<v Speaker 1>for potters, goldsmith's, blacksmiths, builders, stevedores, and sailors. Maritime trade

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<v Speaker 1>defined the society. It was labor intensive about, involving many

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<v Speaker 1>workers to fell trees, build ships, and create vessels such

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<v Speaker 1>as ampheri to move the goods. These changes likely caused

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<v Speaker 1>tensions between the Tartisian communities, who found themselves enjoying new

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<v Speaker 1>lucrative relations with the Phoenicians and other indigenous interior communities

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<v Speaker 1>who also sought to control the new economic resources. Tartisian

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<v Speaker 1>culture saw an evergence of new social groups and a

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<v Speaker 1>much more complex social organization. The society lasted some four

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<v Speaker 1>hundred years. How elites maintained control is not clear. Neither

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<v Speaker 1>Tartisian sites nor tombs provide evidence of much weaponry. Although

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<v Speaker 1>Tartisos had some notable cultural traits, it wasn't a homogeneous

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<v Speaker 1>society and shouldn't be considered a united kingdom let alone

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<v Speaker 1>in empire. Herodotus does mention a kingdom ruled by Arganthonios,

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<v Speaker 1>but is referring to a chief within what the Greeks

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<v Speaker 1>called Tartisos. There would have been other kings or leaders,

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<v Speaker 1>with each ruler maintaining their political independence despite interconnected economic interests.

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<v Speaker 1>This social structure was more heterarchical than hierarchical, involving various

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<v Speaker 1>leaders and a network of power. Mixed marriages between indigenous

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<v Speaker 1>people and Phoenicians consolidated the integration of the two communities.

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<v Speaker 1>This practice would explain the discoveries made in inland areas

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<v Speaker 1>far removed from the Tartisian nucleus, such as the treasures

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<v Speaker 1>of Aliseda and Tallaveria, both in Caraces, and the tomb

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<v Speaker 1>of Casa del Carbio Toledo, which of the rich hordes

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<v Speaker 1>found at these sites came from local workshops and were

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<v Speaker 1>produced by artisans trained in Phoenician goldsmithing techniques. The pieces

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<v Speaker 1>include many motifs of the Phoenician religion, with representations of

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<v Speaker 1>the gods El Baal and Astarte. In Extra Madurura and

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<v Speaker 1>the Tagis Valley, archaeologists have found mixed trousseau in necropoliss

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<v Speaker 1>of the Tartisian nucleus, such as La Congress in El

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<v Speaker 1>Proueto de Santa Maria, Cadiz. They feature both indigenous and

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<v Speaker 1>Phoenician elements. Recently, large Adobe constructions were uncovered beneath a

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<v Speaker 1>tumulus by the Guardiana River, providing more evidence of Tartisian

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<v Speaker 1>culture and architecture mismixing with Phoenician influences. This concludes readings

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<v Speaker 1>from National Geographic Magazine and National Geographic History for today.

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<v Speaker 1>Your reader, husband Marsha, thank you for listening, Keep on

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<v Speaker 1>listening and have a great day.
