WEBVTT

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<v Speaker 1>Dark Destinations may be end times Night's creature.

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<v Speaker 2>Why would a few more casually struggle.

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<v Speaker 3>Me because of their blood?

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<v Speaker 2>Will join yours a.

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<v Speaker 4>Radio drama anthology.

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<v Speaker 5>You are wrong how you figure Every mark on Mongo

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<v Speaker 5>is hunting you.

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<v Speaker 4>Down, not you, your partner, he said, I didn't have

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<v Speaker 4>a ray gun.

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<v Speaker 6>Full cast performances set in the haunted corners of the globe.

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<v Speaker 1>Darkness is coming for you. That's the fear that taunts me.

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<v Speaker 7>Dark Destinations by fatherm Alone at Weirdingwaymedia dot.

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<v Speaker 1>Com weird Way.

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<v Speaker 4>Welcome back to Midnight Viewing, the horror anthology podcast, where

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<v Speaker 4>this season we're taking a look at George A. Romero's

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<v Speaker 4>nineteen eighty series Tales from the Dark Side. Daring the

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<v Speaker 4>Midnight view with me are the projection boost.

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<v Speaker 7>Mike White looks like I'm the meanest man on the block.

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<v Speaker 4>Also joining us, of course, the culture cast Chris Statue.

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<v Speaker 1>Ad Kamara got some good for you. Come on.

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<v Speaker 5>This is Michael McDowell right saying the same thing. This beetlejuice.

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<v Speaker 6>No okay, A couple weeks early, Sorry, Michael d who

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<v Speaker 6>then he wrote the thing we're about the Oh okay, Michael.

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<v Speaker 1>McDonald okay, sorry, hold never mind.

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<v Speaker 4>Tonight we're taking a look at two episodes from season one.

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<v Speaker 4>Those are Halloween Candy and The Satanic Piano. Halloween Candy

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<v Speaker 4>is season two episode number five. It originally aired on

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<v Speaker 4>October the twenty seventh, nineteen eighty five. Written by Michael McDowell,

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<v Speaker 4>directed by Tom Savigni, starring Roy Poole and Tim Choked.

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<v Speaker 4>This is a tale of elder abuse at the hands

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<v Speaker 4>of a neglectful son. No, this is the tale of

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<v Speaker 4>a bitter old man who's refusal to participate in trick

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<v Speaker 4>or treating cost him dearly. What did you think of

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<v Speaker 4>this one, Chris?

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<v Speaker 1>Kind of the Lowers?

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<v Speaker 6>I mean, I mean, did we see this already? It's

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<v Speaker 6>point that, yeah, Trick or Treat. The literal first episode

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<v Speaker 6>of this show that we talked about was this episode.

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<v Speaker 6>In a lot of ways, literally the.

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<v Speaker 1>Same thing I did.

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<v Speaker 6>George Romero forget that he wrote that and then wrote this,

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<v Speaker 6>and Ken, I don't understand. I don't know if it's

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<v Speaker 6>any better. I don't know if it's any worse. It's

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<v Speaker 6>still only twenty minutes and that's good.

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<v Speaker 4>But no, Michael mcdonaland Tom Savigni didn't watch the first

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<v Speaker 4>season or all?

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<v Speaker 1>Is that what it is? Okay?

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<v Speaker 6>Right?

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<v Speaker 1>Right? Sorry, they were too busy doing other things.

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<v Speaker 6>They were like, have you guys done like a Halloween

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<v Speaker 6>episode with the guy like a mean guy who gives

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<v Speaker 6>up who.

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<v Speaker 5>Doesn't want to give out candy.

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<v Speaker 6>If he done that yet, wouldn't have been the first

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<v Speaker 6>episode or anything. So it's that is strange. Outside of that,

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<v Speaker 6>I think it's perfectly fine. I don't understand the punishment

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<v Speaker 6>at the end seems.

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<v Speaker 1>A little bit much. It's a lot.

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<v Speaker 6>I mean, he dies and then he sees himself at

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<v Speaker 6>one point. He sees the hallucination of himself dead at

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<v Speaker 6>one point too, which is odd. It's an odd episode,

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<v Speaker 6>and it's a bottle episode. It must have been the

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<v Speaker 6>cheapest goddamn episode of the show that they shot.

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<v Speaker 4>No, because as they put it all into that goblin boy.

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<v Speaker 1>Didn't they?

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<v Speaker 3>How about you?

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<v Speaker 1>About you, Mike, I'm.

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<v Speaker 7>So glad that you said that the main character in

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<v Speaker 7>this is ry Poole, because I thought for sure it

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<v Speaker 7>was Robert's Blossom. I was like, oh, boy, this is

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<v Speaker 7>the youngest I've ever seen Roberts blossom look. And then

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<v Speaker 7>also I was thinking, oh, he's kind of doing his

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<v Speaker 7>role from Home Alone a little bit early, but you know,

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<v Speaker 7>in Home Aloney ends up being a nice guy. In

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<v Speaker 7>this he's just a bastard, and this mister Killop is

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<v Speaker 7>a complete bastard.

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<v Speaker 3>Through and through.

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<v Speaker 7>I really enjoyed this one. I had a great time

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<v Speaker 7>with this episode and just the way that it builds,

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<v Speaker 7>And yeah, it was very similar to that first episode.

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<v Speaker 7>But at the same time, I don't know, I'm trying

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<v Speaker 7>to remember who was our main person in that first one.

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<v Speaker 7>It was somebody good, Barn Hughes, thank you, thank you.

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<v Speaker 7>Oh that's right, mister Merlin himself. And this one, I

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<v Speaker 7>was really glad to see where Poole just get tormented

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<v Speaker 7>the whole way through because he's such a jerk. Reminds

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<v Speaker 7>me my stepdad and his brother. They would give away

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<v Speaker 7>ice cream for Halloween, and like the kids would come

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<v Speaker 7>up and they'd say, oh, you want some ice cream?

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<v Speaker 1>They'd be like, my dad would.

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<v Speaker 7>Take a scoop and just put it right in there.

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<v Speaker 7>So it's right up there with that Goblin candy fu.

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<v Speaker 6>Yeah, this is a real thing that was going on.

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<v Speaker 7>That's a real thing.

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<v Speaker 6>So yeah, I mean I'm more disturbed by that than

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<v Speaker 6>I am anything I watched in this entire episode.

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<v Speaker 5>What in God's name was going on in Detroit Machine.

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<v Speaker 7>I don't know, I don't know. Well, it was the

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<v Speaker 7>same brother that that pied my dad in the face,

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<v Speaker 7>not realizing that when they do that in movies that

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<v Speaker 7>they don't have the metal tin. Basically broke my dad's

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<v Speaker 7>nose in that. But yeah, good times, good family, A rambunch.

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<v Speaker 7>Oh yeah, well it was like a bunch of Catholics.

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<v Speaker 7>What was it, four four girls, three boys, all born

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<v Speaker 7>within like a ten year period.

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<v Speaker 3>There were something to recipe for disaster?

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<v Speaker 1>Oh yeah, kind of give it out candy on Halloween.

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<v Speaker 7>I think they recycled a lot of these costumes. I

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<v Speaker 7>love that the one kid's just carrying around spray paint

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<v Speaker 7>and I'm thinking, that's a little person in that costume.

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<v Speaker 7>I was in almost every single one of these costumes.

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<v Speaker 4>That bunny Rabbit in particular was a bit ewokie. And yeah,

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<v Speaker 4>boy wasn't killed. But when he pulled that canna that

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<v Speaker 4>was like the size of his own arm. I was like,

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<v Speaker 4>this is a good episode, man, but that.

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<v Speaker 5>Don't you spray paint my door either, Get that paint

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<v Speaker 5>away from me.

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<v Speaker 6>Here like, what the fuck is going There's some really

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<v Speaker 6>malicious kids who just, you know, just give them the

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<v Speaker 6>goddamn candy. I don't under I don't understand this. This

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<v Speaker 6>is not rocket science. This is like five dollars of

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<v Speaker 6>candy and your sanity will be restored.

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<v Speaker 5>What are the steaks here? Why are these the steaks?

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<v Speaker 1>Is all I'm asking.

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<v Speaker 6>I love that it's a Halloween story, and I do

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<v Speaker 6>like the steaks because they make sense in terms of

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<v Speaker 6>it being a Halloween story, But like, really, this is

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<v Speaker 6>this guy dies because he doesn't give up Tandy.

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<v Speaker 5>I mean, fucking that's metal as fuck show. Sure, why not?

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<v Speaker 7>Well? And that they managed to stop time and that

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<v Speaker 7>midnight is now forever for this piece of shit. It's like, dude,

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<v Speaker 7>that his son is going to go to jail at

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<v Speaker 7>the end of this episode.

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<v Speaker 3>One thousand percent is that?

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<v Speaker 4>Like they cut away at the end, they cut to

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<v Speaker 4>that corpse, and I thought, oh, they should have overlaid

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<v Speaker 4>the police officers saying so, so we'd like to talk

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<v Speaker 4>to you about your father, would you China's Downtown.

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<v Speaker 6>Have that mannikin or that maquette that these at the end?

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<v Speaker 6>Is is pretty ghoulish on top of everything else. It's

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<v Speaker 6>really it's an unpleasant It's an unpleasant thing to have

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<v Speaker 6>to freeze frame on for a while.

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<v Speaker 1>It's pretty convincing.

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<v Speaker 6>I like, I'm with y'all. I liked this episode. I

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<v Speaker 6>just the steaks are bizarre, and you have the old

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<v Speaker 6>man just getting it and then the sun getting it.

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<v Speaker 6>Is the sun getting it is way worse because that's

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<v Speaker 6>I mean, I guess he's a dick. I don't know,

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<v Speaker 6>they're both dicks. I don't understand. Like everybody in this

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<v Speaker 6>episode is an asshole. That's kind of especially that goblin

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<v Speaker 6>with the glowing eyes that jumps up and down on

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<v Speaker 6>the swing over and over again.

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<v Speaker 7>I mean, father alone, tell me as far as where

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<v Speaker 7>does this fit in terms of creep Show, because the

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<v Speaker 7>goblin reminded me a lot of the creature that lives

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<v Speaker 7>in the box under the stairs, and then the whole

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<v Speaker 7>thing with the bugs. I was reminded of the last

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<v Speaker 7>chapter with E. G. Marshall.

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<v Speaker 1>Yeah.

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<v Speaker 4>Now that's interesting because Tom Savini very famously did not

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<v Speaker 4>want to do anything with their creeping up on You

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<v Speaker 4>segment of Creep Show. He built all those pieces, but

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<v Speaker 4>really didn't want to be involved with the roases at all.

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<v Speaker 4>He hates them, particularly, so when they showed up in

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<v Speaker 4>this I was really surprised that he. I mean, he

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<v Speaker 4>could have done anything he wanted with as far as

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<v Speaker 4>Creepy Crawley's you know, like maggots or whatever, but went

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<v Speaker 4>ahead with the roaches.

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<v Speaker 3>This is what this is three years after Creep Show.

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<v Speaker 7>Okay, yeah, I was hearing some echoes pretty loudly.

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<v Speaker 3>Oh yeah, definitely.

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<v Speaker 4>You know what, not only you weren't just hearing echoes,

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<v Speaker 4>you were seeing echoes because every time they cut to

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<v Speaker 4>an exterior, they keep showing the porch on his house,

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<v Speaker 4>and then they'll cut to the moon, which is a

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<v Speaker 4>beautiful shot of the moon. There are two separate shunts

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<v Speaker 4>because they're both from Creep Show. They're both mathening Creep

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<v Speaker 4>Show makes sense.

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<v Speaker 3>Yeah.

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<v Speaker 7>I like this whole thing too, of how the creature

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<v Speaker 7>kind of is getting into his head and they keep

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<v Speaker 7>doing those flash cuts of the creature and I was like, oh,

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<v Speaker 7>that's really creepy and effective.

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<v Speaker 4>That was probably my favorite part of the episode, where yeah,

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<v Speaker 4>they cut to these flashes of what basically looks like

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<v Speaker 4>an icy version of the Goblin with white eyes and

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<v Speaker 4>white skin, like super close up almost you know, subliminal,

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<v Speaker 4>and I thought that was really artful. Also, when the

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<v Speaker 4>old man finally hits the ground, like the he kind

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<v Speaker 4>of floats to the ground, and you know, for pretty

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<v Speaker 4>ambitious for a twenty two minute episode of this series

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<v Speaker 4>in which that creature was also built by Savini specifically

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<v Speaker 4>for the episode. You know, if you go on IMDb,

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<v Speaker 4>it says that this is the cre fature from Creep Show.

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<v Speaker 4>It is clearly not Fluffy. I don't know how anyone

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<v Speaker 4>could make that fucking mistake. There's so wildly different in appearance. Oh, gentlemen,

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<v Speaker 4>we should rejoice. This episode of Tails from the Dark

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<v Speaker 4>Side makes an official trope for Tails from the dark

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<v Speaker 4>Side now, and that is people jumping backwards right onto something,

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<v Speaker 4>people jumping in reverse up onto something. This is the

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<v Speaker 4>third time, now, right, third time?

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<v Speaker 7>Yeah, no, you're right. When I saw that, I was like, oh,

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<v Speaker 7>didn't we just see that alien do that? And that

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<v Speaker 7>incredible Chuck mcka episode, and before that, Carol Kane did

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<v Speaker 7>it to bud Court.

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<v Speaker 3>So third times the arm.

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<v Speaker 1>Like the term amazing being used here.

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<v Speaker 7>Well, let's say incredible because I still can't quite believe.

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<v Speaker 4>Fair now the episode that this echoes the Trick or

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<v Speaker 4>Treat the first episode of George Ramira that is way

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<v Speaker 4>more easy comics in totally and it's like this horrible

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<v Speaker 4>old mind torturing the townsfolk and then the spirits of

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<v Speaker 4>Halloween coming to Dola justice on him. I'm not so

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<v Speaker 4>sure that this man deserves what he gets here. No,

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<v Speaker 4>he's just a bitter old man who doesn't want to

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<v Speaker 4>participate in Halloween and his son forces him to participate.

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<v Speaker 4>And by the way, the sons listen, you have to

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<v Speaker 4>give out candy or they're gonna you know, they're gonna

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<v Speaker 4>trick the house. You know, are they're gonna eg you

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<v Speaker 4>or who cares? Who cares if they did?

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<v Speaker 7>And I am tired of getting up on that ladder

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<v Speaker 7>and crawling into that tree and taking that toilet paper out.

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<v Speaker 6>Ultimately, this child kills his father because he forces him

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<v Speaker 6>to give out candy.

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<v Speaker 4>Ultimately, No, I honestly think that I wasn't joking when

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<v Speaker 4>I said this is a tale of elder neglect.

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<v Speaker 3>That it is. That's really really it is.

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<v Speaker 4>Yeah, I mean, even to the point what we're saying,

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<v Speaker 4>he pushes the dad to give out the candy, and

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<v Speaker 4>not only that, and this is the I don't think

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<v Speaker 4>this is intended, but it ties in the candy he

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<v Speaker 4>puts in that bowl. It's like it's all Hershey Kisses

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<v Speaker 4>and a few Tootsi rolls, the tiny Tootsi rolls, and

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<v Speaker 4>then a couple of full sized Snickers. So it's don't

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<v Speaker 4>not give out candy because they'll egg the house or

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<v Speaker 4>they'll throw a toilet paper, but we will cause a

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<v Speaker 4>riot in the disparity of choice when you're handing it

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<v Speaker 4>out to the kids. You know these kids are gonna

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<v Speaker 4>go crazy.

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<v Speaker 7>Yeah, yeah, that is so not enough Halloween kid. I

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<v Speaker 7>don't know about you guys, but for me, it's one

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<v Speaker 7>bag for the kids, one bag for me, so it's.

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<v Speaker 1>Got to be a lot more.

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<v Speaker 6>I don't have any kids come to my door sapefully,

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<v Speaker 6>well not thankfully. I would give them candy if they did,

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<v Speaker 6>but my neighborhood is not great for it. But I

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<v Speaker 6>don't think that a goblin would come and kill me

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<v Speaker 6>if I didn't give out candy. Must not be an

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<v Speaker 6>elderly man.

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<v Speaker 4>I believe that that goblin did come, though, and it

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<v Speaker 4>actually got into your house and then it like swatted

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<v Speaker 4>your watch off and broke it and then the left.

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<v Speaker 4>I don't think you would shrug, well, that's over, and

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<v Speaker 4>then just go about your evening. I'm sitting down to

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<v Speaker 4>watch TV now, yeah, I can give you a little

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<v Speaker 4>more shake of exactly. That guy's just so nonchalant about it.

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<v Speaker 4>Oh goblin. What's funny is when it comes back is

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<v Speaker 4>I don't think that's a cop?

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<v Speaker 5>Oh yes, what was it? Dead giveaway? What was the

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<v Speaker 5>dead giveaway?

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<v Speaker 1>Here? It's glowing fucking eyes.

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<v Speaker 6>I would too bad he didn't have a scene where

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<v Speaker 6>he tried to grab the mask off and I was like,

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<v Speaker 6>this is not a mask.

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<v Speaker 1>Where was that scene?

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<v Speaker 3>I would have enjoyed that.

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<v Speaker 4>Actually, Nick Dwell managed to weave in another Tails from

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<v Speaker 4>the Dark Side, not a trope necessarily, but a theme

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<v Speaker 4>the technophobia where he knows he's trapped in a loop

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<v Speaker 4>because he tries to call out to his son and

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<v Speaker 4>gets the time on his road phone and it's just

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<v Speaker 4>the same time over and over. And also, I guess

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<v Speaker 4>this is a sign that it's nineteen eighty five that

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<v Speaker 4>you can get on your rotary phone still and call

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<v Speaker 4>to find out the time.

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<v Speaker 3>Remember doing that, Mike Chris, do you.

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<v Speaker 4>Have any knowledge of ever doing that in your life

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<v Speaker 4>calling the time on your phone now, But.

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<v Speaker 6>I used my phone to call the movies to get

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<v Speaker 6>the movie times, so you know, not far off. I

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<v Speaker 6>was asking for a different kind of time, a more

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<v Speaker 6>specific time.

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<v Speaker 1>One might say, who, welcome to movie phone.

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<v Speaker 5>You have selected Lelo and Stitch rated pg.

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<v Speaker 1>Thirteen.

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<v Speaker 4>Every every time the power would go off in your

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<v Speaker 4>house and be like, fuck, you have to call the

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<v Speaker 4>number and find out it's time.

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<v Speaker 3>It's five twelve. No, wait, five point thirteen. Now that's

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<v Speaker 3>fucking wild.

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<v Speaker 5>Yet No, I didn't have to do that, sor sorry

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<v Speaker 5>guys and weather too.

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<v Speaker 3>Yeah, exactly, I find out what is gonna be like tomorrow.

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<v Speaker 1>Jeez, Louise.

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<v Speaker 7>The phone book was a treasure trove of all of

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<v Speaker 7>these things where you're like, really, that's a service that

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<v Speaker 7>I can call.

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<v Speaker 4>But yeah, they might be giants. The dial along which

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<v Speaker 4>is still going on, still going but it's only on

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<v Speaker 4>the internet now, I think. But it's it's still a

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<v Speaker 4>phone number, but it's an internet number. But you can

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<v Speaker 4>hear much more of the song because they don't have

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<v Speaker 4>the it's not the length of the tape anymore.

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<v Speaker 7>What did they say, Gloria, there must be giants? What

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<v Speaker 7>that's that's the song I miscellaneous tea I skip every

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<v Speaker 7>time as the actual recording of the people who were

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<v Speaker 7>on dial a song.

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<v Speaker 3>Yeah, and we're there for the songs.

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<v Speaker 1>Come on man.

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<v Speaker 3>Yeah.

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<v Speaker 4>Also another thing I noticed the sun in addition to

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<v Speaker 4>his men crimes against his dad, could you replace his

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<v Speaker 4>doorbell please? It sounds like the emergency broadcast system. Every

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<v Speaker 4>time it went off. It was really startling. No wonder

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<v Speaker 4>he doesn't want trick or treaters. The son should just

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<v Speaker 4>put up a sign that says knock, and things might

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<v Speaker 4>co love more smoothly.

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<v Speaker 1>Did this guy.

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<v Speaker 7>Already got the sign that says no trespassers? Religious fanatics?

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<v Speaker 7>I can't remember all the things.

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<v Speaker 1>For service workers or something.

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<v Speaker 4>Yeah, religious fanatics alone, she'd tell us who this guy

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<v Speaker 4>is and why is the sun trying to make him anything?

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<v Speaker 3>But maybe the son should just sit there. They know

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<v Speaker 3>they may have some bullshit thing for him that he

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<v Speaker 3>had to go.

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<v Speaker 6>But you know, all of a sudden, Harry Chapins, Cats

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<v Speaker 6>and the Cradle plays in the background, and I just

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<v Speaker 6>don't have time for you anymore.

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<v Speaker 1>Dad. She the first four cords bell.

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<v Speaker 6>If that's all you have to hear, it's a it's

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<v Speaker 6>fucked up because Yeah, ultimately, the way to save the

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<v Speaker 6>father and the story is for the son to just

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<v Speaker 6>stick around.

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<v Speaker 4>Yeah, Like, I guess that's the ultimate meaning of it.

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<v Speaker 4>Like the sun as he's leaving is your refrigerator has

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<v Speaker 4>no food.

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<v Speaker 3>It's who's fucking fun? All this is that you're great.

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<v Speaker 6>You're leaving him like this too, dude, No, he just

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00:16:04.320 --> 00:16:06.000
<v Speaker 6>dropped off some candy.

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<v Speaker 4>And the father says at one point, like all I

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<v Speaker 4>do is eat. I have nothing else. Get your father

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<v Speaker 4>either into a home or get him into a group

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<v Speaker 4>of something, like, get him a hobby. What is happening here?

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<v Speaker 4>This episode is actually really horrific.

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<v Speaker 1>This episode is deeply upseting.

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<v Speaker 3>God bless Michael mcdelsy when he's really good. He's really good.

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<v Speaker 4>This is it's so subtly under there because this just

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<v Speaker 4>feels like another silly ah And now the Halloween people

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<v Speaker 4>are coming to give teach this old man a lesson

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<v Speaker 4>for not doing the trick or treat thing. No, really,

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<v Speaker 4>it's about this old man who starved to death because

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<v Speaker 4>his son.

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<v Speaker 5>So God on a very special episode on Tales from

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<v Speaker 5>the Dark cent I.

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<v Speaker 7>Got I like there, it's that whole cosmic fate thing,

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<v Speaker 7>you know, just like punishing this guy punishing it. I mean,

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<v Speaker 7>really they do punish the father as well, since he

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<v Speaker 7>is going to go to jail. But I like that. It's, oh,

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<v Speaker 7>you aren't obeying the rules of Halloween, so that the

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<v Speaker 7>cosmos is going to bit you and just set the

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<v Speaker 7>whole record straight, murder you and through your son.

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<v Speaker 4>And if this person has relatives, I think they're having

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<v Speaker 4>a bad night too, Mike.

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<v Speaker 3>I think far reaching the dark side is yeah, yeah.

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00:17:17.240 --> 00:17:17.599
<v Speaker 1>This is no.

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<v Speaker 5>This is a good episode of the show, for sure.

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<v Speaker 1>I agree.

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<v Speaker 4>All right, let's move on to that next episode, which

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<v Speaker 4>is The Satanic Piano. This is season two, episode number six.

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<v Speaker 4>It aired originally on November third, nineteen eighty five. This

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<v Speaker 4>was written by John Harrison from a story by Carl Jacoby,

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<v Speaker 4>directed by John Harrison and starring Michael Warren, Lisa Bonett,

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<v Speaker 4>and Falise or Landy. This is the tale of a

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<v Speaker 4>songwriter struggling with writer's block who's given another worldly instrument

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<v Speaker 4>that can turn his thoughts into music.

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<v Speaker 3>What do you think about this one, Mike?

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<v Speaker 7>He again, pardon me, really enjoyed this one as well.

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<v Speaker 7>I don't know what's going on this week. But I

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<v Speaker 7>just really found this one to be compelling. I like

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<v Speaker 7>the creepy record producer and they find that he's got

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<v Speaker 7>the past and he's been trying all this time to

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<v Speaker 7>basically make a pack with Satan and open up the

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<v Speaker 7>gates to Hell or whatever is in order to do

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<v Speaker 7>his thing, and that I think it would have been

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<v Speaker 7>great if they had a little bit more budget for

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00:18:16.720 --> 00:18:19.039
<v Speaker 7>the actual special effects in here, especially when it comes

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<v Speaker 7>to the piano, the satanic piano of the title. But yeah,

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<v Speaker 7>that it was, and it was odd seeing Lisa Bonet

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<v Speaker 7>in this young role. Of course, I'm more familiar with

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<v Speaker 7>her from The Cosby Show. But then also, you know,

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<v Speaker 7>even why am I banking.

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<v Speaker 5>On high fidelity?

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00:18:37.880 --> 00:18:39.079
<v Speaker 1>No God, no?

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<v Speaker 3>Angel Angel Heart?

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<v Speaker 7>Yeah, I hate high fidelity.

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00:18:44.759 --> 00:18:48.799
<v Speaker 3>Sorry, I'm with you, whatever, whatever.

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<v Speaker 7>Guy Angel Heart. Yes, very reminded me of Angel Heart.

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00:18:51.440 --> 00:18:54.200
<v Speaker 7>And yeah, she just looks kind of trashy in this,

400
00:18:54.400 --> 00:18:55.880
<v Speaker 7>but yeah, I thought she she was.

401
00:18:56.319 --> 00:18:56.799
<v Speaker 1>She does.

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00:18:56.839 --> 00:18:58.680
<v Speaker 7>She looks a little trashy to me, That's all.

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00:18:58.960 --> 00:19:00.319
<v Speaker 1>What that was.

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00:19:00.640 --> 00:19:01.720
<v Speaker 5>And where did that come from?

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00:19:01.880 --> 00:19:04.440
<v Speaker 3>I disagree with that sentiment, all right.

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00:19:04.359 --> 00:19:08.039
<v Speaker 7>But yeah, I enjoyed how this one goes. Then it

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00:19:08.079 --> 00:19:10.039
<v Speaker 7>fills up the twenty two minutes.

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00:19:10.440 --> 00:19:14.440
<v Speaker 3>Pretty darn well, there's a lot going on in this episode. Absolutely, yeah, Chris,

409
00:19:14.480 --> 00:19:15.000
<v Speaker 3>what'd you think?

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00:19:15.279 --> 00:19:16.440
<v Speaker 1>I thought it was interesting.

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00:19:16.599 --> 00:19:18.680
<v Speaker 6>I mean, again, this is kind of part and parcel

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00:19:18.720 --> 00:19:20.720
<v Speaker 6>for some of the things we've had before, where it's

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00:19:21.200 --> 00:19:25.119
<v Speaker 6>the magic and mystery of technology paired with the mystical

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00:19:25.119 --> 00:19:28.519
<v Speaker 6>and the magical, and I think it was an interesting idea.

415
00:19:28.799 --> 00:19:29.759
<v Speaker 1>I don't think.

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00:19:30.039 --> 00:19:32.039
<v Speaker 6>I don't think Michael Warren's given enough to do. I mean,

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00:19:32.119 --> 00:19:34.240
<v Speaker 6>Lisa Bone is in this, and like you mentioned, Mike,

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00:19:34.279 --> 00:19:36.839
<v Speaker 6>I mean she's very young, and she's also not given.

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00:19:36.680 --> 00:19:37.119
<v Speaker 1>Much to do.

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00:19:37.279 --> 00:19:40.240
<v Speaker 6>But I think the idea is interesting that there's this

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00:19:40.759 --> 00:19:43.359
<v Speaker 6>guy who sells her an instrument and then he kidnaps

422
00:19:43.480 --> 00:19:45.319
<v Speaker 6>or he sells her father an instrument, and that he

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00:19:45.400 --> 00:19:48.119
<v Speaker 6>kidnaps her because she's the one who can be his

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00:19:48.160 --> 00:19:50.319
<v Speaker 6>angel of music. I guess to use a phantom of

425
00:19:50.279 --> 00:19:53.759
<v Speaker 6>an opera parlance, so I think it's I think it's fine.

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00:19:54.400 --> 00:19:57.480
<v Speaker 6>I guess for me, it wasn't personally that compelling compared

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00:19:57.519 --> 00:20:00.160
<v Speaker 6>to the last episode, because again, I mean, fausty and

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00:20:00.240 --> 00:20:03.359
<v Speaker 6>bargains are a time a dozen. Father Malone lifts up

429
00:20:03.359 --> 00:20:06.319
<v Speaker 6>his swan tattoo in the frame. I mean, that's what

430
00:20:06.440 --> 00:20:08.440
<v Speaker 6>I thought of when I thought of this episode was

431
00:20:08.559 --> 00:20:11.279
<v Speaker 6>Phantom of the Paradise, which is a much better story

432
00:20:11.319 --> 00:20:13.960
<v Speaker 6>and much more interesting story. And that's kind of what

433
00:20:14.039 --> 00:20:16.640
<v Speaker 6>this made me feel like. But yeah, I don't know.

434
00:20:16.640 --> 00:20:18.759
<v Speaker 6>I enjoyed it for what it was, but definitely some of.

435
00:20:18.680 --> 00:20:21.160
<v Speaker 1>The performances left me wanting more, as it.

436
00:20:21.200 --> 00:20:22.799
<v Speaker 4>Was the first thing I wrote in my notes was

437
00:20:22.799 --> 00:20:25.240
<v Speaker 4>that I keep saying this because it's true. Deals with

438
00:20:25.279 --> 00:20:29.359
<v Speaker 4>the Devil episodes never get old, never they have the

439
00:20:29.480 --> 00:20:32.599
<v Speaker 4>least variety in plot, but they can always be made

440
00:20:32.799 --> 00:20:35.200
<v Speaker 4>to be the most interesting. And I found that to

441
00:20:35.279 --> 00:20:38.720
<v Speaker 4>be this one as well. I loved the continuation of

442
00:20:38.759 --> 00:20:42.200
<v Speaker 4>the technophobia going on through the series here, but made

443
00:20:42.240 --> 00:20:45.079
<v Speaker 4>through music. And I love the design of that fucking piano.

444
00:20:45.200 --> 00:20:45.359
<v Speaker 7>Man.

445
00:20:45.759 --> 00:20:48.319
<v Speaker 4>They've taken the flat part of the piano, the harp

446
00:20:48.359 --> 00:20:51.079
<v Speaker 4>shaped part of the piano. They've stood it upright and

447
00:20:51.119 --> 00:20:53.720
<v Speaker 4>turned it into a circuit board, and a circuit board

448
00:20:53.759 --> 00:20:56.920
<v Speaker 4>with a little window basically into another dimension I guess,

449
00:20:57.319 --> 00:20:59.039
<v Speaker 4>like some sort of swirling vortex.

450
00:20:59.079 --> 00:21:00.720
<v Speaker 3>I loved that. I don't know, I love the design.

451
00:21:01.440 --> 00:21:04.079
<v Speaker 4>It doesn't hurt that John Harrison is himself a composer

452
00:21:04.400 --> 00:21:07.359
<v Speaker 4>and composed the music in here. Have you heard anything

453
00:21:07.400 --> 00:21:10.559
<v Speaker 4>I've said, Chris, there's a whole lot of Day of

454
00:21:10.599 --> 00:21:13.279
<v Speaker 4>the Dead influence here. The score for You the Dead,

455
00:21:13.359 --> 00:21:16.960
<v Speaker 4>like so much of it. And there are two separate

456
00:21:17.000 --> 00:21:19.240
<v Speaker 4>scores going on here because they're dealing with the father

457
00:21:19.240 --> 00:21:22.720
<v Speaker 4>who's trying to write his and then the daughter writing hers.

458
00:21:23.119 --> 00:21:25.720
<v Speaker 4>But they both sound like they came from They the Dead,

459
00:21:25.799 --> 00:21:27.599
<v Speaker 4>like straight out of Day of the Dead.

460
00:21:27.759 --> 00:21:30.400
<v Speaker 7>Well, I liked this song. His song could feels so

461
00:21:30.680 --> 00:21:33.440
<v Speaker 7>cheese and just that like real synth, and I'm like,

462
00:21:33.519 --> 00:21:35.839
<v Speaker 7>oh man, this feels so out of step with the time.

463
00:21:36.160 --> 00:21:37.359
<v Speaker 1>Her song is very beautiful.

464
00:21:37.359 --> 00:21:39.839
<v Speaker 7>But then I kept thinking, what if they're two songs

465
00:21:39.839 --> 00:21:42.039
<v Speaker 7>matched up? Like I kept thinking, what if the two

466
00:21:42.079 --> 00:21:44.119
<v Speaker 7>songs get played at the same time, and that's going

467
00:21:44.200 --> 00:21:47.039
<v Speaker 7>to be like the solution, like both of us together,

468
00:21:47.200 --> 00:21:51.400
<v Speaker 7>we make the music together, my lovely daughter. But unfortunately

469
00:21:51.400 --> 00:21:52.200
<v Speaker 7>that wasn't the case.

470
00:21:52.440 --> 00:21:55.119
<v Speaker 4>You know, it would have been good if that was

471
00:21:55.440 --> 00:21:59.039
<v Speaker 4>the revelation. But then the further revelation is that sound

472
00:21:59.119 --> 00:22:01.200
<v Speaker 4>open some portal to a horrible dimension.

473
00:22:01.519 --> 00:22:02.720
<v Speaker 1>Oh nice, Yeah.

474
00:22:02.559 --> 00:22:05.359
<v Speaker 6>It kind of had to upbeat of an ending that

475
00:22:05.519 --> 00:22:07.480
<v Speaker 6>was kind of I don't know, like all of a sudden,

476
00:22:07.519 --> 00:22:10.160
<v Speaker 6>the show was very nice, and the show hasn't been

477
00:22:10.279 --> 00:22:12.799
<v Speaker 6>nice for a while. I mean, Parlor Floor Front was

478
00:22:13.119 --> 00:22:16.400
<v Speaker 6>pretty mean. I mean Halloween Candy was extremely mean, and

479
00:22:16.480 --> 00:22:19.079
<v Speaker 6>this episode one third of the way gets there. I mean,

480
00:22:19.119 --> 00:22:21.200
<v Speaker 6>the dad's hand is burned and at the end he goes,

481
00:22:21.480 --> 00:22:23.960
<v Speaker 6>you're my music now and I care only about you.

482
00:22:24.079 --> 00:22:26.839
<v Speaker 1>Okay, he learned his lesson. We get it fine. I

483
00:22:26.839 --> 00:22:27.160
<v Speaker 1>don't know.

484
00:22:27.200 --> 00:22:29.720
<v Speaker 6>I was a little disappointed that to your point, Father Malone,

485
00:22:29.720 --> 00:22:31.720
<v Speaker 6>that there wasn't some like at the end in the

486
00:22:31.799 --> 00:22:33.599
<v Speaker 6>day New Maw there was like and they did it

487
00:22:33.680 --> 00:22:37.160
<v Speaker 6>and made it worse and the villain, you know, achieved

488
00:22:37.160 --> 00:22:37.680
<v Speaker 6>his goal.

489
00:22:38.119 --> 00:22:38.559
<v Speaker 1>I don't know.

490
00:22:38.759 --> 00:22:41.480
<v Speaker 5>This is a short form anthology show.

491
00:22:41.839 --> 00:22:45.039
<v Speaker 6>I honestly prefer the bad guys to get a get

492
00:22:45.079 --> 00:22:47.839
<v Speaker 6>one over on the heroes from time to time, and

493
00:22:47.920 --> 00:22:49.759
<v Speaker 6>this show does do that. So it was a little

494
00:22:49.759 --> 00:22:52.480
<v Speaker 6>surprising to give this episode a happy ending as well

495
00:22:52.519 --> 00:22:53.000
<v Speaker 6>as it were.

496
00:22:53.319 --> 00:22:56.480
<v Speaker 4>Do you know what this felt like to me? Bill

497
00:22:56.519 --> 00:22:59.799
<v Speaker 4>and Ted Face? The music clearly.

498
00:23:00.079 --> 00:23:01.599
<v Speaker 5>Interesting, okay, sure.

499
00:23:01.680 --> 00:23:05.640
<v Speaker 4>Where this guy's greatest creative contribution is his daughter, who's

500
00:23:05.720 --> 00:23:08.000
<v Speaker 4>actually got the touch. She's actually got the talent to

501
00:23:08.319 --> 00:23:11.200
<v Speaker 4>make music sort of effortlessly. Everything he's struggling to do

502
00:23:11.279 --> 00:23:14.319
<v Speaker 4>she can do perfectly. But she wouldn't be around without him.

503
00:23:14.359 --> 00:23:16.839
<v Speaker 4>So that's, you know, because that's the lesson learned at

504
00:23:16.839 --> 00:23:18.680
<v Speaker 4>the end of this right with his by the way,

505
00:23:19.079 --> 00:23:21.799
<v Speaker 4>saw this when it aired and hit the state of

506
00:23:21.839 --> 00:23:25.920
<v Speaker 4>his hand after punching into another. It's really horrific. It's

507
00:23:26.039 --> 00:23:30.440
<v Speaker 4>gooey and burned and you can see the bones through it.

508
00:23:30.440 --> 00:23:33.200
<v Speaker 4>It's and on top of which this guy is a

509
00:23:33.240 --> 00:23:36.039
<v Speaker 4>piano man first and foremost, so you know that part

510
00:23:36.039 --> 00:23:37.880
<v Speaker 4>of his life is over never mind.

511
00:23:38.400 --> 00:23:39.000
<v Speaker 3>Yesh.

512
00:23:39.119 --> 00:23:40.119
<v Speaker 1>Yeah, it was a good effect.

513
00:23:40.359 --> 00:23:43.759
<v Speaker 6>Anytime anyone sticks their hand into something gloppy and gloopy

514
00:23:43.799 --> 00:23:45.640
<v Speaker 6>and then pulls it out and it's just destroyed, it's

515
00:23:45.720 --> 00:23:49.200
<v Speaker 6>oh yeah. And then again the instrument of it all. Yeah,

516
00:23:49.240 --> 00:23:50.960
<v Speaker 6>I guess it is like Bill Ye, I've almost forgot

517
00:23:51.000 --> 00:23:54.480
<v Speaker 6>that movie existed. Frankly, It's one of those movies that

518
00:23:54.599 --> 00:23:56.200
<v Speaker 6>just kind of came out and I forgot it existed.

519
00:23:56.240 --> 00:23:58.519
<v Speaker 6>But it does have that kind of that I guess

520
00:23:58.559 --> 00:24:01.240
<v Speaker 6>the framing device to it of my rateus achievement.

521
00:24:00.880 --> 00:24:01.559
<v Speaker 1>Is my child.

522
00:24:01.960 --> 00:24:04.160
<v Speaker 4>The other film it reminds me of was Rock and Rule,

523
00:24:04.200 --> 00:24:06.440
<v Speaker 4>because in that the villain is looking for the perfect

524
00:24:06.519 --> 00:24:09.200
<v Speaker 4>voice to open up a portal to some other you know,

525
00:24:09.720 --> 00:24:15.160
<v Speaker 4>cut through like dimensions. So well, this obviously the contemporary

526
00:24:15.160 --> 00:24:18.400
<v Speaker 4>of that movie and predates The Villain Dead. Yeah, the

527
00:24:18.400 --> 00:24:20.480
<v Speaker 4>Debbie Harry and the Debbie Harry one. What was I

528
00:24:20.480 --> 00:24:21.039
<v Speaker 4>gonna say?

529
00:24:21.359 --> 00:24:23.359
<v Speaker 7>I was saying that it reminds me of The Devil

530
00:24:23.400 --> 00:24:25.400
<v Speaker 7>and Daniel Mouse. I don't know if you remember that

531
00:24:25.799 --> 00:24:30.400
<v Speaker 7>nel the animation one, Yeah, I do, which was used

532
00:24:30.440 --> 00:24:33.279
<v Speaker 7>wonderfully by Bauhaus in one of their songs. It's just

533
00:24:33.599 --> 00:24:37.279
<v Speaker 7>they're so, you know, dark and brooding and stuff, and

534
00:24:37.279 --> 00:24:39.480
<v Speaker 7>then they go ahead and you lose almost the entire

535
00:24:40.000 --> 00:24:42.240
<v Speaker 7>animation inside of one of their songs.

536
00:24:42.599 --> 00:24:45.519
<v Speaker 4>You mentioned the music for the Dad being really cheesy,

537
00:24:45.880 --> 00:24:49.440
<v Speaker 4>that's because that's it's a synth version of a marimba

538
00:24:49.599 --> 00:24:52.640
<v Speaker 4>sort of doing a kind of a Caribbean beat there.

539
00:24:53.880 --> 00:24:57.559
<v Speaker 4>Harrison did most of his work on a Prophet five synthesizer.

540
00:24:57.640 --> 00:24:59.559
<v Speaker 4>He did the entirety of the Creep Show score on

541
00:24:59.599 --> 00:25:02.440
<v Speaker 4>the on on the Prophet five. And if anyone knows,

542
00:25:02.440 --> 00:25:05.400
<v Speaker 4>and I'm and I'm if I'm speaking incorrectly, I'm almost

543
00:25:05.440 --> 00:25:08.640
<v Speaker 4>positive the same is true with this score and the

544
00:25:09.000 --> 00:25:11.920
<v Speaker 4>Day of the Dead score. So so that's one of

545
00:25:11.920 --> 00:25:13.920
<v Speaker 4>the settings on here. Like I said, like you hear

546
00:25:14.119 --> 00:25:17.319
<v Speaker 4>that exactly those sort of same Cynthia Marimbas. You hear

547
00:25:17.400 --> 00:25:19.720
<v Speaker 4>all through Day of the Day anytime something happy is

548
00:25:19.759 --> 00:25:23.359
<v Speaker 4>going on, which isn't frequently in day, but you hear

549
00:25:23.400 --> 00:25:27.200
<v Speaker 4>it there that one.

550
00:25:27.480 --> 00:25:28.960
<v Speaker 1>Zombies they're happy, they're walking.

551
00:25:29.319 --> 00:25:31.599
<v Speaker 4>Oh yeah, no, he does quote thek in Day of

552
00:25:31.640 --> 00:25:33.799
<v Speaker 4>the Day at one point. Yeah, but with yeah, it's

553
00:25:33.920 --> 00:25:36.119
<v Speaker 4>that No, I love that part. The idea, by the way,

554
00:25:36.160 --> 00:25:38.759
<v Speaker 4>that just there's so much going on. This episode is

555
00:25:38.839 --> 00:25:42.880
<v Speaker 4>really packed because just the concept of somebody trying to

556
00:25:42.880 --> 00:25:46.359
<v Speaker 4>put the soul of a pure musician into this satanic

557
00:25:46.440 --> 00:25:49.759
<v Speaker 4>instrument as a weapon of power or something like that.

558
00:25:49.759 --> 00:25:52.640
<v Speaker 4>That's pretty heavy stuff like that, Not to mention the

559
00:25:52.680 --> 00:25:55.440
<v Speaker 4>dynamic between the father and the daughter here and like that.

560
00:25:55.720 --> 00:25:57.799
<v Speaker 4>You know, this guy's getting over the fact that he's

561
00:25:57.880 --> 00:26:00.599
<v Speaker 4>sort of washed up, but you know he has to

562
00:26:00.960 --> 00:26:04.079
<v Speaker 4>sort of solace himself with it with his daughter's talent

563
00:26:04.160 --> 00:26:06.559
<v Speaker 4>and what she's up to a meant to achieve. But

564
00:26:06.839 --> 00:26:11.559
<v Speaker 4>really this episode is a parable about having the right

565
00:26:11.680 --> 00:26:16.359
<v Speaker 4>representation as an artist because this isn't some guy, Jesus sincerely,

566
00:26:16.519 --> 00:26:20.759
<v Speaker 4>this isn't some guy who is like struggling. He in

567
00:26:20.799 --> 00:26:24.000
<v Speaker 4>his own words, says, I sold a million units last year.

568
00:26:24.039 --> 00:26:26.200
<v Speaker 3>He says, true, right, that's true. That's sure in a

569
00:26:26.279 --> 00:26:28.240
<v Speaker 3>nice apartment. He's doing well.

570
00:26:28.519 --> 00:26:31.720
<v Speaker 4>Right, So, for all intents and purposes, this is a

571
00:26:31.720 --> 00:26:33.920
<v Speaker 4>story about him and having a bit of like writer's block,

572
00:26:34.200 --> 00:26:37.400
<v Speaker 4>like where the record company doesn't like the latest tracks

573
00:26:37.400 --> 00:26:38.079
<v Speaker 4>he's given them.

574
00:26:38.119 --> 00:26:41.000
<v Speaker 3>But you know what, he sold a million units last year.

575
00:26:41.039 --> 00:26:41.839
<v Speaker 3>Fuck those guys.

576
00:26:42.119 --> 00:26:45.640
<v Speaker 4>This member's only jacket buttoned down guy when jeans in

577
00:26:45.680 --> 00:26:48.119
<v Speaker 4>a fucking pinky ring comes in. This is his representation.

578
00:26:48.200 --> 00:26:50.039
<v Speaker 4>He's like, well, we're just gonna take whatever they can

579
00:26:50.119 --> 00:26:52.519
<v Speaker 4>give us. Now, can I have a sandwich? I'm like,

580
00:26:52.799 --> 00:26:56.680
<v Speaker 4>fire this man immediately, let me represent you like this.

581
00:26:57.359 --> 00:27:00.079
<v Speaker 6>Yeah, it's life lessons being learned on these episod so

582
00:27:00.200 --> 00:27:02.640
<v Speaker 6>details from the dark side. Don't abuse your parents, and

583
00:27:02.680 --> 00:27:04.799
<v Speaker 6>make sure if you're being represented there they have your

584
00:27:04.799 --> 00:27:05.920
<v Speaker 6>best interest in mind.

585
00:27:07.119 --> 00:27:09.319
<v Speaker 7>Yeah, he's the kind of agent that would have been

586
00:27:09.599 --> 00:27:12.240
<v Speaker 7>funneling all this money into another account and be like,

587
00:27:12.359 --> 00:27:13.480
<v Speaker 7>I don't know what's going on.

588
00:27:13.759 --> 00:27:15.599
<v Speaker 5>He seemed like, oh no, we're just tied up for

589
00:27:15.680 --> 00:27:17.519
<v Speaker 5>funds right now, we just don't want to.

590
00:27:17.480 --> 00:27:21.519
<v Speaker 4>Do yeah, exactly. I don't know that. I did not

591
00:27:21.720 --> 00:27:23.680
<v Speaker 4>understand that part of it. If he had been like

592
00:27:23.720 --> 00:27:25.440
<v Speaker 4>a struggling guy, then it would make a little bit

593
00:27:25.480 --> 00:27:25.960
<v Speaker 4>more sense.

594
00:27:26.000 --> 00:27:29.000
<v Speaker 6>But you know, the little offendi action probably would have

595
00:27:29.039 --> 00:27:31.160
<v Speaker 6>worked a little better here. That Wasn't he like a

596
00:27:31.160 --> 00:27:32.880
<v Speaker 6>struggling comedian. Isn't that the whole thing?

597
00:27:33.440 --> 00:27:33.640
<v Speaker 2>Yeah?

598
00:27:33.680 --> 00:27:35.839
<v Speaker 3>But no, I don't think he needed that.

599
00:27:35.920 --> 00:27:38.240
<v Speaker 4>I think that the sort of washed up guy is fine,

600
00:27:38.240 --> 00:27:41.440
<v Speaker 4>but that unfortunately they set up their own timeline to

601
00:27:41.519 --> 00:27:44.119
<v Speaker 4>be like you said, I sold a million units last year,

602
00:27:44.160 --> 00:27:47.440
<v Speaker 4>if he had sold a million units ten years ago, right,

603
00:27:47.519 --> 00:27:48.960
<v Speaker 4>if this was a little closer to like what we

604
00:27:49.000 --> 00:27:50.680
<v Speaker 4>get in Tails from the Dark Side, the movie that

605
00:27:50.799 --> 00:27:54.720
<v Speaker 4>James remar Lever's vow story where he's like, you know, yeah,

606
00:27:54.759 --> 00:27:56.519
<v Speaker 4>he was a big splash, I don't know how many

607
00:27:56.599 --> 00:27:58.440
<v Speaker 4>years ago, but he ain't been paying the bills with

608
00:27:58.480 --> 00:28:02.559
<v Speaker 4>his arre lately then something. But overall loved it. This

609
00:28:02.640 --> 00:28:05.680
<v Speaker 4>is a double header of fucking greatness here on Tails

610
00:28:05.680 --> 00:28:06.599
<v Speaker 4>from the Dark Side.

611
00:28:06.960 --> 00:28:08.799
<v Speaker 7>I mean, knock me over with a feather. When I

612
00:28:08.839 --> 00:28:09.640
<v Speaker 7>watch these I was.

613
00:28:09.599 --> 00:28:14.400
<v Speaker 5>Like, what wait, No, this This is really good.

614
00:28:14.480 --> 00:28:16.759
<v Speaker 7>This is why I signed up for the show. This

615
00:28:16.920 --> 00:28:18.079
<v Speaker 7>is finally happening.

616
00:28:18.400 --> 00:28:20.279
<v Speaker 6>Felix Tails from the Dark Side has been good for

617
00:28:20.359 --> 00:28:22.119
<v Speaker 6>the most part, though, right I.

618
00:28:22.119 --> 00:28:24.559
<v Speaker 7>Would say that their batting average definitely seems to be

619
00:28:24.640 --> 00:28:26.079
<v Speaker 7>higher than what we've talked about.

620
00:28:25.839 --> 00:28:26.400
<v Speaker 3>In the past.

621
00:28:26.440 --> 00:28:31.920
<v Speaker 7>I mean seventy Yeah, no offense, mister Serling, but yeah,

622
00:28:32.079 --> 00:28:34.640
<v Speaker 7>I'm finding mister Romero handles this a little bit better.

623
00:28:34.880 --> 00:28:35.400
<v Speaker 3>I agreed.

624
00:28:35.920 --> 00:28:38.920
<v Speaker 4>The bad Ones have not felt offensive. I haven't been

625
00:28:39.079 --> 00:28:42.680
<v Speaker 4>mad at any episode. I've just been like, Eh, that

626
00:28:42.799 --> 00:28:45.039
<v Speaker 4>was okay. They could have done something better there, whereas

627
00:28:45.079 --> 00:28:48.079
<v Speaker 4>frequently with Night Callery I was like, fuck you what,

628
00:28:48.319 --> 00:28:50.079
<v Speaker 4>why did you just waste my time with that?

629
00:28:50.359 --> 00:28:52.480
<v Speaker 7>I keep thinking of those people up in the tree

630
00:28:52.599 --> 00:28:54.920
<v Speaker 7>and who was it, David Karenine or whoever that.

631
00:28:55.000 --> 00:28:59.599
<v Speaker 4>Was that was groovy with jar that one put them

632
00:28:59.680 --> 00:29:02.680
<v Speaker 4>up in the trees and these pads, it'd be groovy.

633
00:29:03.160 --> 00:29:06.559
<v Speaker 4>Oh boy, there's the villain in this episode. He has

634
00:29:06.559 --> 00:29:10.680
<v Speaker 4>a line inspiration is such a fickle vamp. I've never

635
00:29:10.720 --> 00:29:14.119
<v Speaker 4>heard a character want to say bitch more on syndicated

636
00:29:14.160 --> 00:29:14.960
<v Speaker 4>television ever.

637
00:29:15.720 --> 00:29:17.680
<v Speaker 3>Vamp. They're just like, oh, can we put in here?

638
00:29:18.359 --> 00:29:19.519
<v Speaker 3>Ample do I guess.

639
00:29:19.400 --> 00:29:21.119
<v Speaker 1>Damp that's a good word.

640
00:29:21.960 --> 00:29:23.200
<v Speaker 3>Anything else about this one?

641
00:29:23.400 --> 00:29:23.640
<v Speaker 1>Jen?

642
00:29:24.119 --> 00:29:25.880
<v Speaker 4>Oh, I do have one more thing. I love a

643
00:29:25.960 --> 00:29:28.119
<v Speaker 4>musical lock, but it's probably not a good idea to

644
00:29:28.160 --> 00:29:31.039
<v Speaker 4>put the notes on the fucking lock, letting everyone know

645
00:29:31.160 --> 00:29:32.319
<v Speaker 4>that it's your musical lock.

646
00:29:33.640 --> 00:29:36.240
<v Speaker 7>Yeah. I did like how our main character had him

647
00:29:36.240 --> 00:29:38.559
<v Speaker 7>memorized after just singing it once and it's like, oh,

648
00:29:38.640 --> 00:29:40.400
<v Speaker 7>Lisa Bonet, it's this all right?

649
00:29:40.440 --> 00:29:40.720
<v Speaker 5>Cool?

650
00:29:40.960 --> 00:29:41.039
<v Speaker 6>Oh.

651
00:29:41.119 --> 00:29:43.720
<v Speaker 4>I have a Lisa Bonet story in nineteen ninety two

652
00:29:43.960 --> 00:29:48.400
<v Speaker 4>when I was a projectionist in Santa Monica. It was

653
00:29:48.559 --> 00:29:51.240
<v Speaker 4>early we had a matinee of something and I had

654
00:29:51.279 --> 00:29:54.400
<v Speaker 4>come downstairs and a girl came out and asked I

655
00:29:54.440 --> 00:29:57.519
<v Speaker 4>would help her find her glasses, and did not recognize

656
00:29:57.519 --> 00:30:00.480
<v Speaker 4>it as Lisa Bonnet. All I saw was who is

657
00:30:00.519 --> 00:30:03.880
<v Speaker 4>this fucking gorgeous human being? And then went in with

658
00:30:03.960 --> 00:30:05.960
<v Speaker 4>her and looked look. Then I found her glass and

659
00:30:06.000 --> 00:30:08.400
<v Speaker 4>like amateur, and we went back into the lobby, went

660
00:30:08.440 --> 00:30:09.599
<v Speaker 4>into the sort of full daylight.

661
00:30:09.680 --> 00:30:11.880
<v Speaker 3>I was like, oh my god, it's Lisa Bonet. She

662
00:30:12.079 --> 00:30:13.559
<v Speaker 3>was luminous.

663
00:30:13.839 --> 00:30:16.160
<v Speaker 4>I mean you see it on the TV or in

664
00:30:16.240 --> 00:30:18.559
<v Speaker 4>movies and stuff like that, but it's one of those

665
00:30:18.599 --> 00:30:21.160
<v Speaker 4>people who they've got the that in factor. They just

666
00:30:21.200 --> 00:30:23.319
<v Speaker 4>fucking light up the room. The other person I met

667
00:30:23.359 --> 00:30:26.160
<v Speaker 4>who had that was Rose McGowan at the same thing,

668
00:30:26.279 --> 00:30:28.319
<v Speaker 4>or met her one day. It was just like Jesus Christ,

669
00:30:28.400 --> 00:30:32.359
<v Speaker 4>like what that like gods walk amongst us? So anyway,

670
00:30:32.640 --> 00:30:33.880
<v Speaker 4>Lisa Bone big fan.

671
00:30:34.279 --> 00:30:35.599
<v Speaker 1>I don't like her with short hair.

672
00:30:35.960 --> 00:30:38.319
<v Speaker 6>I don't think hers like a young child with short

673
00:30:38.319 --> 00:30:40.480
<v Speaker 6>hair is just kind of doesn't look like Lisa Bone.

674
00:30:40.480 --> 00:30:41.440
<v Speaker 1>But I like her a lot.

675
00:30:41.519 --> 00:30:43.440
<v Speaker 6>And apparently the movie that I'm the only one out

676
00:30:43.440 --> 00:30:44.759
<v Speaker 6>of the three of us who likes, and you guys

677
00:30:44.759 --> 00:30:49.559
<v Speaker 6>had a physical reaction to but both of you filmically vomited,

678
00:30:49.680 --> 00:30:51.440
<v Speaker 6>just upsetiphidelity rat.

679
00:30:52.880 --> 00:30:54.640
<v Speaker 1>You guys like John Cusack, What the fuck?

680
00:30:55.160 --> 00:30:57.759
<v Speaker 7>I love John Cusack. I do not like people that

681
00:30:57.839 --> 00:30:58.559
<v Speaker 7>make lists.

682
00:30:59.000 --> 00:31:02.559
<v Speaker 1>That's fair. But you're gonna say you like sell instead.

683
00:31:02.839 --> 00:31:06.000
<v Speaker 4>I'd rather watch the movie Torque again for Lisa Bone

684
00:31:06.000 --> 00:31:07.160
<v Speaker 4>than watch Hypeidella Day.

685
00:31:07.680 --> 00:31:09.200
<v Speaker 3>That's fair, all right.

686
00:31:09.680 --> 00:31:11.880
<v Speaker 4>On the next episode of Midnight Viewing, we'll be taking

687
00:31:11.880 --> 00:31:14.559
<v Speaker 4>a look at two new episodes from season two. Those

688
00:31:14.559 --> 00:31:18.680
<v Speaker 4>are The Devil's Advocate and Distance Signals. Midnight Viewing the

689
00:31:18.680 --> 00:31:21.839
<v Speaker 4>Horror Anthology podcast is a proud member of Weirdingway Media

690
00:31:21.880 --> 00:31:24.240
<v Speaker 4>group and our theme song was composed by HP with

691
00:31:24.279 --> 00:31:27.759
<v Speaker 4>an assist by Donald Rubinstein. Until next time? What are

692
00:31:27.759 --> 00:31:30.240
<v Speaker 4>you working on? Where can people find it? Mike White,

693
00:31:30.359 --> 00:31:31.559
<v Speaker 4>You're never gonna believe.

694
00:31:31.279 --> 00:31:34.599
<v Speaker 7>This, but the same network that this show is on,

695
00:31:34.720 --> 00:31:37.559
<v Speaker 7>weirding Way Media, get a show on there too. You

696
00:31:37.559 --> 00:31:40.160
<v Speaker 7>can hear the head over there. There's a couple of

697
00:31:40.160 --> 00:31:42.559
<v Speaker 7>shows where you can hear my voice. So if you're interested,

698
00:31:42.839 --> 00:31:45.920
<v Speaker 7>come on over to our Weirdingwaymedia dot com. How about you, Chris,

699
00:31:46.160 --> 00:31:49.279
<v Speaker 7>Weirdingwaymedia dot com. You heard it here first, then you

700
00:31:49.319 --> 00:31:50.880
<v Speaker 7>heard it here again. Now you're hearing at me say

701
00:31:50.920 --> 00:31:51.440
<v Speaker 7>the third time.

702
00:31:51.519 --> 00:31:53.039
<v Speaker 1>So there you go. Yeah, weirding Way Media.

703
00:31:53.079 --> 00:31:55.079
<v Speaker 6>That's where all the audio diversions that I work on

704
00:31:55.240 --> 00:31:57.720
<v Speaker 6>can be found. Other than the show that Mike and

705
00:31:57.799 --> 00:31:59.279
<v Speaker 6>I do. That Father Malone is going to be joining

706
00:31:59.359 --> 00:32:00.960
<v Speaker 6>us on very soon called Rank and On Bond, which

707
00:32:00.960 --> 00:32:03.000
<v Speaker 6>can be found on our patreons patroon dot com, slash

708
00:32:03.000 --> 00:32:05.640
<v Speaker 6>culturecost and pagroon dot com slash Projection booth at a

709
00:32:05.680 --> 00:32:07.799
<v Speaker 6>ten dollars level. So that's where you can find that

710
00:32:07.880 --> 00:32:08.599
<v Speaker 6>if you're into it.

711
00:32:08.759 --> 00:32:10.960
<v Speaker 4>That should actually be out when this is coming out.

712
00:32:11.039 --> 00:32:12.799
<v Speaker 4>So yeah, I go over there and check that out.

713
00:32:13.000 --> 00:32:15.480
<v Speaker 4>It's it's me talking about Bond with these guys and

714
00:32:15.799 --> 00:32:17.640
<v Speaker 4>Rich HadAM. It's a lot of fun. It's my one

715
00:32:17.680 --> 00:32:20.960
<v Speaker 4>of my favorite Bond movies. As for me, you know

716
00:32:21.039 --> 00:32:24.640
<v Speaker 4>what they said Weirdingwaymedia dot Com the Midnight Viewing. I'm

717
00:32:24.680 --> 00:32:28.200
<v Speaker 4>also a co host with hp over on the Night

718
00:32:28.240 --> 00:32:31.319
<v Speaker 4>Mister Walters a taxi podcast. Check everything out over there,

719
00:32:31.359 --> 00:32:34.039
<v Speaker 4>and thank you all for joining us here at midnight Viewing.

720
00:32:34.680 --> 00:32:37.079
<v Speaker 4>Until next time, try to enjoy the.

721
00:32:37.079 --> 00:33:17.440
<v Speaker 2>Daylight range as

722
00:33:20.000 --> 00:33:22.640
<v Speaker 6>To
