WEBVTT

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<v Speaker 1>KFI AM six forty. You're listening to Dean Sharp the

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<v Speaker 1>House Whisperer on demand on the iHeartRadio app. You know,

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<v Speaker 1>this very program is also the house Whisper podcast that

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<v Speaker 1>you can listen to anytime, anywhere on demand, hundreds of episodes,

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<v Speaker 1>all searchable by topic. It is your personal home improvement

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<v Speaker 1>reference library on the free iHeart app or wherever your

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<v Speaker 1>favorite podcasts are found. And if you're thinking, hey, that's

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<v Speaker 1>all great, but what we really need is Dean and

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<v Speaker 1>Tina in our house, well you know what you can

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<v Speaker 1>do that too. You can book an in home design

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<v Speaker 1>consult with me and Tea. Just go to house Whisperer

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<v Speaker 1>dot design. All right, it's top of the hour. We're

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<v Speaker 1>going to come back to more insights into antique and

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<v Speaker 1>vintage and retro. But right now I want to go

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<v Speaker 1>back to the phones and I want to talk to Tim. Hey, Tim,

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<v Speaker 1>welcome home.

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<v Speaker 2>Hi there, I need a recommendation. I'm working on a

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<v Speaker 2>nineteen seventies track home in San Diego. We're tearing We're

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<v Speaker 2>gonna tear out all the dry wall on the interior

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<v Speaker 2>of the house. It was a mouse and to get

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<v Speaker 2>rid of all the mice and insulation inside. My question

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<v Speaker 2>would be when I go to re build this place.

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<v Speaker 2>I know house wrap is a great thing, but what

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<v Speaker 2>would you recommend if I'm down to the studs. I

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<v Speaker 2>don't want to take the stucco off the outside because

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<v Speaker 2>it's perfect. What do you think about that?

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<v Speaker 1>Okay, so you're just so your goal is to just

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<v Speaker 1>better waterproof the house or vapor vapor proof the house.

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<v Speaker 1>So what are you looking for for the house wrap?

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<v Speaker 2>Well, just because I'm taking the whole the entire house

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<v Speaker 2>down to the studs, the ceiling, the drywalls coming off,

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<v Speaker 2>the ceiling, the walls, there's nothing going to be left

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<v Speaker 2>but the stucco and the So I just wonder if

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<v Speaker 2>there's you recommend some try to seal it some way

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<v Speaker 2>before I put the dry wall back on and insulate.

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<v Speaker 1>I got you, I got you. Okay. Yeah, so your

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<v Speaker 1>bear stud on the inside, but the outside sheathing, all

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<v Speaker 1>all of that, the sighting, all of that, the stucco,

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<v Speaker 1>it's all staying put. Okay, So from the backside. So yeah,

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<v Speaker 1>a couple of things. One, yeah, if you want to

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<v Speaker 1>do your due diligence on this, uh and uh, you know,

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<v Speaker 1>inspect every exterior wall stud bay. Take a look at

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<v Speaker 1>the condition of the paper that is backing the stucco,

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<v Speaker 1>the back of the stuck stuck the backing on the

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<v Speaker 1>stucco and uh and uh you know, get yourself, I

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<v Speaker 1>mean literally, you can get down and dirty with this.

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<v Speaker 1>You can. You can get yourself a big five gallon

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<v Speaker 1>bucket of like red Guard waterproofing membrane. It is. You

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<v Speaker 1>can find it at the big box store. They're they're

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<v Speaker 1>they're available everywhere nowadays. Red Guard. It's not cheap, but

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<v Speaker 1>it's a wonderful brush on waterproofing membrane. Uh. And what

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<v Speaker 1>you could do is you can backbrush the backside of

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<v Speaker 1>all of that paper, fix any cracks. Uh. And it

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<v Speaker 1>will also go up against the studs and help seal

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<v Speaker 1>things so that every stud bay would essentially be sealed

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<v Speaker 1>unto itself before you reinsulate those walls. And that would

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<v Speaker 1>do an amazing job. Another option, and this is a

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<v Speaker 1>little bit trickier, and you're going to hire a company

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<v Speaker 1>to do this, would be to arrow seal and I

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<v Speaker 1>say arrow e a E R O errow seal the

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<v Speaker 1>house while it's in this state of stripped studs. And

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<v Speaker 1>what happens there is this company will come in. They

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<v Speaker 1>will basically uh uh seal up all the windows and doors.

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<v Speaker 1>They will set up a pressurized fan membrane on one

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<v Speaker 1>of the door exterior door openings, doors or windows, and

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<v Speaker 1>they will pump the house full of pressure. They'll pressurize

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<v Speaker 1>the air inside the house, and they will have these

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<v Speaker 1>basically kind of like fine calking compound emitters, silicone emitters

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<v Speaker 1>in every single room, all spraying and making this very

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<v Speaker 1>fine mist. And what happens is it's kind of like

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<v Speaker 1>I equate it to like you know those cans that

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<v Speaker 1>you use to blow up a tire right that has

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<v Speaker 1>gone flat on the freeway. It's a foam. It goes

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<v Speaker 1>inside the tire and because of the pressure, the foam

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<v Speaker 1>finds the holes and it seals the hole. It's not

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<v Speaker 1>a permanent thing for a tire, but it's the same concept.

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<v Speaker 1>So once they pump the house full of air pressure,

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<v Speaker 1>that air wants to leak out. It wants to leak

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<v Speaker 1>out every hole, every crack, every little thing everywhere. And

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<v Speaker 1>if you simultaneously fill a room with this uh calking

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<v Speaker 1>compound mist, guess what happens. It drives that compound into

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<v Speaker 1>all of those cracks, they build up and you can

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<v Speaker 1>air seal, a rodent seal, bug seal the entire house

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<v Speaker 1>and talk about energy efficiency. That's a great way to go.

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<v Speaker 3>Now.

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<v Speaker 1>You can also if you just want to go Bay

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<v Speaker 1>for Bays stud for stud and do this diyat yourself.

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<v Speaker 1>That's totally totally a thing you can do. But you

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<v Speaker 1>can have a company come in and in one day,

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<v Speaker 1>just a few short hours, boom hit the entire house

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<v Speaker 1>all at once, and have the confidence of knowing that

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<v Speaker 1>man our house, no matter how old it is, it

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<v Speaker 1>is sealed up. And I applaud you for wanting to

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<v Speaker 1>do that at this stage, because you know what, once

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<v Speaker 1>you've stripped down the whole house and you've got all

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<v Speaker 1>of these stud walls bear, now is the time to

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<v Speaker 1>do something exactly like that.

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<v Speaker 2>Tim, Yeah, it looks like it's my one chance to

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<v Speaker 2>do it now. This is still okay. I'm removing all

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<v Speaker 2>the ceiling drywall and insulation from the attic also so

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<v Speaker 2>that pressurized system is still workable like that.

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<v Speaker 1>Yeah, it's workable that way as well. Now. Sometimes some

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<v Speaker 1>people want to put the ceiling lid on Before they

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<v Speaker 1>do that, just be to keep it all in the

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<v Speaker 1>usable air space, But I would call the company and

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<v Speaker 1>talk to them about your your options, you know, as

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<v Speaker 1>far as that goes.

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<v Speaker 2>Okay, that leads me to one more little question about this.

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<v Speaker 2>I'm also going to remove all the roof tile. I'm

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<v Speaker 2>gonna i'd like to put foil faced plywood on the

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<v Speaker 2>roof surface and remove all the roofing and put the

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<v Speaker 2>replace everything with foil fate plywood to keep the heat

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<v Speaker 2>out of the attic. Do you have any thoughts on that?

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<v Speaker 1>Uh, it's it's a great way to go. That Foil

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<v Speaker 1>backing is standard practice now for us new home full

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<v Speaker 1>remodel redo. We wouldn't we would not resheet we I

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<v Speaker 1>mean our company would not resheet a roof without using

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<v Speaker 1>the foil backed OSB sheathing up there, because it really

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<v Speaker 1>does when it comes to infrared. Now, it's just foil

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<v Speaker 1>and so it's not going to be an insulator like

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<v Speaker 1>resisting heat rising up through the house or anything. But

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<v Speaker 1>what the foil does is it knocks out a huge

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<v Speaker 1>chunk of infrared which which brings additional unnecessary heat to

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<v Speaker 1>the attict. So yeah, it is a it is a proven,

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<v Speaker 1>uh proven effective building material that that we use every time.

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<v Speaker 2>Okay, well, appreciate your your help with those two things.

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<v Speaker 1>Thanks all right, Tim, Good luck with all that. Buddy.

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<v Speaker 1>You're you're you're thinking right, you're thinking properly about this.

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<v Speaker 1>You got it all stripped out. Now is the time

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<v Speaker 1>to do some major rehab that helps everything before you

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<v Speaker 1>close all those walls back up. All right, when we

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<v Speaker 1>come back, more of your calls your Home with Dean Sharp,

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<v Speaker 1>the house Whisper.

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<v Speaker 4>You're listening to Home with Dean Sharp on demand from

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<v Speaker 4>KFI Am six forty.

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<v Speaker 1>We're talking antique vintage retro today on the show, just

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<v Speaker 1>giving you tips and some wisdom along the way. How

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<v Speaker 1>to incorporate it, how to handle it, what your options are,

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<v Speaker 1>how to understand it better. We're going to return to that,

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<v Speaker 1>of course in just a bit, but right now taking calls.

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<v Speaker 1>I want to go to the phones. Let's talk to Michael. Hey, Michael,

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<v Speaker 1>welcome home.

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<v Speaker 3>Oh thank you for taking my call. I have a question.

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<v Speaker 3>I have a refrigerating at vacant guest house. If I

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<v Speaker 3>turn off, would I create a problem when I turn

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<v Speaker 3>on later on, like you know, several months from now.

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<v Speaker 1>No, it shouldn't. If if you make sure that you

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<v Speaker 1>have cleaned the inside of that thing to the point

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<v Speaker 1>of sterile keep it, you know, and before you after

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<v Speaker 1>you clean it, before you close it up, you make

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<v Speaker 1>sure you keep the door open and let it dry

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<v Speaker 1>out completely. Because the thing is a refrigerator that has

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<v Speaker 1>been in use, has been used, you know, moisture develops

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<v Speaker 1>inside and then as long as as long as you

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<v Speaker 1>keep the refrigeration on, then that moisture never turns into mold, mildew,

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<v Speaker 1>all of that stuff. But once you've got moisture trapped

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<v Speaker 1>inside this box that is completely sealed up, the moisture

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<v Speaker 1>has zero places to go, and you raise the temperature

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<v Speaker 1>inside that box, you're literally creating a situation where mold

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<v Speaker 1>and mildew, you know, want to grow because it's got

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<v Speaker 1>enough air to do it. And then some people come

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<v Speaker 1>back months later and open it up and find, oh

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<v Speaker 1>my gosh, what did we do. So it can totally

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<v Speaker 1>be done. Totally totally be done. It's not an issue

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<v Speaker 1>of the refrigerator motor at all. Just unplugging and not

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<v Speaker 1>using a fridge that's not a problem. But you just

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<v Speaker 1>got to make sure that it's cleaned up on the inside.

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<v Speaker 1>And some people, by the way, if it's unused, some

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<v Speaker 1>people will prefer to clean it and then just slightly

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<v Speaker 1>prop opened the door so that airflow continues in there

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<v Speaker 1>and it's not completely sealed up. So as long as

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<v Speaker 1>it's clean and dry, no problem unplugging a fridge for

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<v Speaker 1>an extended period of time.

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<v Speaker 3>Okay, I appreciate it. I have another quick question. I

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<v Speaker 3>have we remodeled the kitchen many years ago, and we

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<v Speaker 3>could create a wet bar, but we have not used

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<v Speaker 3>it for many years. I turn the water on. There's

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<v Speaker 3>no water come on. So if I guess, if you

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<v Speaker 3>don't use it, you lose it.

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<v Speaker 1>No, all right, don't don't, don't fool yourself. Okay, okay,

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<v Speaker 1>but yeah, so what has happened. Very likely there's still

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<v Speaker 1>water there. There's still water. So don't think, oh, let's

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<v Speaker 1>just tear this out and just we'll get a saw

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<v Speaker 1>and we'll just cut those pipes off because there's no

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<v Speaker 1>water in them. Oh yes there is, Oh yes there is.

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<v Speaker 1>Here's what happens though. An angle stop. An angle stop

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<v Speaker 1>that's the official name for the valve that's down below

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<v Speaker 1>the sink. Okay, that's the valve that transitions from the

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<v Speaker 1>water in the pipes to the hose that leads up

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<v Speaker 1>to the faucet. Angle stops are notorious for wearing out

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<v Speaker 1>just as they sit in place, because let's face it,

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<v Speaker 1>if you know, in an ideal situation, we turn that

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<v Speaker 1>valve on and you know, maybe twenty thirty years later

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<v Speaker 1>we go back to do we decide to change the

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<v Speaker 1>sink out. That's the first time in thirty years that

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<v Speaker 1>this valve has been operated. So what is most likely

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<v Speaker 1>the case is that the valve is frozen, or even

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<v Speaker 1>though the valve the top a knob is spinning, it's

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<v Speaker 1>not actually closing the valve down, or I should say

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<v Speaker 1>opening the valve up in your case, because you're going

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<v Speaker 1>to it was closed a long time ago and now

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<v Speaker 1>it's just spinning and it's not opening. But I guarantee

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<v Speaker 1>you there's water back there. So what you've got is

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<v Speaker 1>a situation where totally you can completely get rid of

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<v Speaker 1>that wet bar if you want, but if you want

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<v Speaker 1>to reactivate it, you have to shut the maine down

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<v Speaker 1>for the house and actually replace the angle stops so

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<v Speaker 1>that it lets the water through.

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<v Speaker 3>Okay, I appreciate the information, been very helpful. Thank you

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<v Speaker 3>very much.

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<v Speaker 1>Thank you, Michael appreciated. Good luck on all that you're

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<v Speaker 1>doing there. All right, y'all. When we come back, let's

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<v Speaker 1>dive back into antique and vintage and retro. And I've

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<v Speaker 1>still got some more pearls of wisdom for you. Your

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<v Speaker 1>Home with Dean Sharp, the House Whisper.

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<v Speaker 4>You're listening to Home with Dean Sharp on demand from

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<v Speaker 4>KFI AM six forty.

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<v Speaker 1>You are Home with Dean Sharp, the House Whisper. That's me.

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<v Speaker 1>We're talking antique, vintage, retro, nostalgic dec today, and they're

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<v Speaker 1>huge subjects. I mean, each one of those categories is

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<v Speaker 1>a major subject. What I'm doing is sort of introducing

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<v Speaker 1>you to the genre genre. Why are you laughing at me?

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<v Speaker 1>Why does she laugh at me? I know I'm a

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<v Speaker 1>nerd anyway, I'm just introducing you to this stuff today

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<v Speaker 1>and giving you some tips and hopefully some perspective as

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<v Speaker 1>to what you can do if you are one who

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<v Speaker 1>leans towards loving antique, vintage in all storms of nostalgic design.

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<v Speaker 1>So a few more tips for you here, pearls of wisdom.

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<v Speaker 1>One of the things that you should decide right up

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<v Speaker 1>front when you are working on a house and you're thinking, okay,

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<v Speaker 1>what's the effect that we're going to get here. Oddly enough,

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<v Speaker 1>not a lot of people think this through. Decide whether

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<v Speaker 1>you want to create a hundred year old house or

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<v Speaker 1>a new house with one hundred year old design sensibility. Wait,

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<v Speaker 1>isn't that the same thing? No, I'm going to say

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<v Speaker 1>that again. Decide whether what you want to create in

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<v Speaker 1>the end is the look of a of a hundred

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<v Speaker 1>year old house, meaning someone looks at it and says, WHOA,

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<v Speaker 1>this is old, or a brand new house that just

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<v Speaker 1>happens to look like it was built, you know, one

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<v Speaker 1>hundred year old design? Does that make sense? Am I

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<v Speaker 1>making any sense? What's so? The point is this, You

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<v Speaker 1>got a lot of antiques out there, a lot of

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<v Speaker 1>vintage stuff that's distressed. That's like weathered barnwood. There's a

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<v Speaker 1>perfect example. Weathered barnwood is a very vintage look. Right,

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<v Speaker 1>So if you're going for that vibe, then somebody walks

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<v Speaker 1>in and it's like, woh, that thing looks like it's

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<v Speaker 1>a one hundred years old. That's not the case though,

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<v Speaker 1>if you are trying to do a hundred year old

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<v Speaker 1>design motif that looks like it was just built yesterday. Right,

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<v Speaker 1>So you understand what I'm saying, so when that barn

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<v Speaker 1>was built, wherever that weathered barn would come from, when

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<v Speaker 1>that barn was built one hundred and fifty years ago,

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<v Speaker 1>it looked brand spanking new, but it is clearly one

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<v Speaker 1>hundred and fifty year old design and craftsmanship gone into

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<v Speaker 1>the barn. So what you've got to decide is whether

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<v Speaker 1>you want the barn looking brand new circa one hundred

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<v Speaker 1>and fifty years ago, or whether you want the effect

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<v Speaker 1>to be this thing's been sitting here for one hundred

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<v Speaker 1>and fifty years, and you see how weather it is.

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<v Speaker 1>It's got that patina. A brand new nineteen twenties built

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<v Speaker 1>has is a house with no patina, Okay, a house

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<v Speaker 1>who's point and focus is to really give you that Hey,

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<v Speaker 1>look you're in a one hundred year old room. That's

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<v Speaker 1>a room with patina, That's what I'm saying. So that's

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<v Speaker 1>one of the most foundational decisions you make from a

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<v Speaker 1>design perspective before you start acquiring vintage and antique pieces

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<v Speaker 1>for decor, because they need to lean one way or

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<v Speaker 1>the other. Are they fully restored so they look brand

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<v Speaker 1>spank and new, or do they look their age? Okay?

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<v Speaker 1>There you go. Another thing that you're always trying to

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<v Speaker 1>do if you're striking for that to vintage or antique feel.

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<v Speaker 1>And this is regardless of whether you're looking aged or not.

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<v Speaker 1>In the home is to conceal as much twenty first

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<v Speaker 1>century technology as possible. Nothing ruins the effect of a

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<v Speaker 1>vintage room like a big old flat screen TV. Right,

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<v Speaker 1>But I want you to have your TV in your

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<v Speaker 1>vintage living room or family room. I just want you

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<v Speaker 1>to find a creative way of having it there, so

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<v Speaker 1>you go out and get yourself like a Samsung frame

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<v Speaker 1>that is a TV that's specifically designed to look like

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<v Speaker 1>a painting as it hangs there and not being used.

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<v Speaker 1>Or we find a way to hide the TV in

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<v Speaker 1>a cabinet behind bifold doors, whatever the case may be,

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<v Speaker 1>so that when it's not movie night and TV night,

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<v Speaker 1>the room really holds up and holds to its vibe.

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<v Speaker 1>So hiding twenty first century technology is a challenge, but

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<v Speaker 1>a great discipline of craft when it comes to creating

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<v Speaker 1>a new old look. There you go. Craftsmanship in general.

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<v Speaker 1>Craftsmanship in general is the truest vintage element that we

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<v Speaker 1>strive for when we're leaning towards vintage and antique. I

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<v Speaker 1>mean let's face it, the old phrase. You know, they

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<v Speaker 1>don't make them like they used to. I just try

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<v Speaker 1>and imagine a world. I mean, I know, find join

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<v Speaker 1>craftsman today. They are few and far between.

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<v Speaker 2>Now.

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<v Speaker 1>If you live here in southern California, by the way,

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<v Speaker 1>it's on you, because they're out there, they're here, they

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<v Speaker 1>are here. You may not be able to find this

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<v Speaker 1>kind of thing in the middle of the Midwest in

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<v Speaker 1>a small rural town, but you can find it here

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<v Speaker 1>in southern California. So if you're looking for it, you

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<v Speaker 1>got to look beyond the big box stores and the

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<v Speaker 1>big commercial builders. You can find that fine craftsmanship here.

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<v Speaker 1>It's a small pool, but it's here, and so that's

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<v Speaker 1>on you. But I think craftsmanship in general is the

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<v Speaker 1>thing that we missed the most from a bygone era.

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<v Speaker 1>It's almost as if we really enjoy the comedy of

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<v Speaker 1>John Mulaney. He has a bit where he's like, oh,

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<v Speaker 1>you wake up. It's like nineteen ten. You wake up,

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<v Speaker 1>and you're like, oh, it's the olden times, and what

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<v Speaker 1>are we gonna do to there's literally nothing to do.

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<v Speaker 1>There's nothing to do today, and so it's as if

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<v Speaker 1>you have nothing better to do. Than to wake up

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<v Speaker 1>in nineteen ten and do everything slowly with incredible care.

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<v Speaker 1>That is the byproduct of living in olden times. And

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<v Speaker 1>I think that just sort of holds true. I'm sure

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<v Speaker 1>that wasn't the case. I'm sure they had plenty of

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<v Speaker 1>things to do, but it certainly was a time when

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<v Speaker 1>you know, we were up in Solving this week. There

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<v Speaker 1>is a clock store in Solving. I call it a

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<v Speaker 1>clock store. I think it's Renaissance antiques. If you get

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<v Speaker 1>a chance to get to Renaissance antiques, you will be

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<v Speaker 1>blown away if you are a lover of clocks and

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<v Speaker 1>music boxes and antiques in general. They have an exquisite collection.

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<v Speaker 1>But you know, it's the kind of stuff I'm staring

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<v Speaker 1>at a grandfather clock and thinking how long did the

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<v Speaker 1>clockmaker take to make this piece? And the answer is

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<v Speaker 1>usually months and or years, and that is just kind

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<v Speaker 1>of an unheard of thing these days. Right. So, ultimately, craftsmanship,

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<v Speaker 1>the truest vintage element that we're actually going for, that

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<v Speaker 1>puts us right there in that place. And that means

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<v Speaker 1>that when you are handling these things, when you are

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<v Speaker 1>and I don't mean physically handling, I mean your incorporation

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<v Speaker 1>of these elements into your home. Do them with care,

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<v Speaker 1>not slipshod, not just you know, just sort of you know,

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<v Speaker 1>half cocked as you go. Do it with care. Do

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<v Speaker 1>it with care, take time, and do the details right,

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<v Speaker 1>and you will be infinitely rewarded. In the process of

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<v Speaker 1>acquiring vintage, retro and antique things, take the care and

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<v Speaker 1>when it comes to fitting it well in your house,

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<v Speaker 1>research research, research, research, research. You need to become a

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<v Speaker 1>student of not only so you can identify antiques and

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<v Speaker 1>vintage stuff when they come along, but so you understand

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<v Speaker 1>the original intent of what these things were and you

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<v Speaker 1>can incorporate them well and not abuse them as they

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<v Speaker 1>become a part of your home.

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<v Speaker 4>You're listening to Home with Dean Sharp on demand from

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<v Speaker 4>KFI AM six forty.

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<v Speaker 1>Welcome home, Hey, thanks for being with us on the

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<v Speaker 1>program today. Another three hours spent talking about your home,

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<v Speaker 1>all of its potential, all these different facets of things

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<v Speaker 1>that we can do. What was that, Tina, I'm sorry,

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<v Speaker 1>she's mouthing something from and I'm not getting it. Oh yeah, yeah, yeah, yeah,

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<v Speaker 1>when the time comes. Yeah, oh, I thought you were

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<v Speaker 1>reminding me about the video, so you inadvertently did it.

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<v Speaker 1>You did it you reminded me up on social media

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<v Speaker 1>right now, we just did a quick video raising the

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<v Speaker 1>subject of an antique piece. Do you preserve it and

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<v Speaker 1>don't touch it or can you do stuff to it

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<v Speaker 1>and incorporate it into your home and honor it? Does

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<v Speaker 1>it honor it or destroy it? So you got to

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<v Speaker 1>look at the video and you have to make up

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<v Speaker 1>your own mind. We just use an example from our

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<v Speaker 1>little guesthouse bathroom there and you can figure it out.

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<v Speaker 1>That's on all of our soot, well not all of it.

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<v Speaker 1>It's on Facebook, Instagram, TikTok. There you go home with Dean.

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<v Speaker 1>While you're there, why don't you just say howdy and

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<v Speaker 1>maybe also like and follow us or refer us to

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<v Speaker 1>somebody else share share the love, all right, I'm not begging.

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<v Speaker 1>I'm just saying, Okay, last thoughts now on vintage and

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<v Speaker 1>antique for the day, doing that kind of authentic work.

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<v Speaker 1>I touched on it right before the break. I just

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<v Speaker 1>want to underscore this when it comes to doing this,

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<v Speaker 1>you know what, if you have a passion for it,

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<v Speaker 1>then you've just got to dive in and research, research, research, research.

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<v Speaker 1>It all comes down to research and educating yourself along

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<v Speaker 1>the way, and believe me, that is a constant process

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<v Speaker 1>for me. Constant, all right, And I know a lot,

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<v Speaker 1>but I am constant. If there's one thing that absolutely

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<v Speaker 1>everybody could say that is true of Dean is that

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<v Speaker 1>he is just a consummate student when it comes to

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<v Speaker 1>these kinds of things. I don't like calling myself a

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<v Speaker 1>master of anything, but I will proudly tell you that

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<v Speaker 1>I am a student of a lot of things because

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<v Speaker 1>I love learning and if you're going to pull off

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<v Speaker 1>some things, you really really got to understand them from

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<v Speaker 1>down below. I remember back in the very I mean,

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<v Speaker 1>this has been the way it's been for my whole career.

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<v Speaker 1>In the early nineties, I got the first large research

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<v Speaker 1>project that I was ever handled at handed as a designer.

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<v Speaker 1>I was personally in charge as the design director of

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<v Speaker 1>a build. We were building a twelve thousand square foot

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<v Speaker 1>eighteenth century Tuscan villa in Brentwood Park. And long before

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<v Speaker 1>we broke ground, I was a regular fixture at Hennessy

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<v Speaker 1>and Ingles. And if you don't know what Hennessy and

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<v Speaker 1>Ingles is, it is a it's in the arts district downtown.

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<v Speaker 1>It is I still believe the largest art architecture and

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<v Speaker 1>design bookstore in the Western United States, and I was

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<v Speaker 1>like there, it was literally kind of like a hey, dean,

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<v Speaker 1>you just headed back to your table in the back

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<v Speaker 1>yal see. That's how Haffen. I was in there, pouring

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<v Speaker 1>over every detail, every book I could find, every detail

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<v Speaker 1>of eighteenth century Tuscan villa architecture, from cornice to columns, hinges,

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<v Speaker 1>door profiles, you name it. So all of that to

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<v Speaker 1>say that you know authentic construction or restor and the

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<v Speaker 1>integration of antiques and vintage items into all of that.

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<v Speaker 1>It's a tricky thing, right, and when you pull it off, man,

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<v Speaker 1>it's masterful. But you can also just toss something in

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<v Speaker 1>a room without much care and you end up looking

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<v Speaker 1>like a thrift store just with a bunch of dusty

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<v Speaker 1>old antiques lying around. I don't want that for your home, right,

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<v Speaker 1>We're not after that. We're after you know, showstoppers that

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<v Speaker 1>really really add to the character and the story of

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<v Speaker 1>your home. Not even many architects go there. By the way,

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00:25:32.799 --> 00:25:36.359
<v Speaker 1>when it comes to authentic construction and restoration, I think

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<v Speaker 1>the folks who probably do it the very best, and

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00:25:39.279 --> 00:25:45.279
<v Speaker 1>I actually learned this from them, Hollywood set decorators and

419
00:25:45.359 --> 00:25:48.039
<v Speaker 1>production designers. They are the ones that have to go

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<v Speaker 1>in because you know, audiences nowadays so sophisticated that you know,

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00:25:52.759 --> 00:25:58.160
<v Speaker 1>if you accidentally put a nineteen thirty model telephone in

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00:25:58.279 --> 00:26:03.519
<v Speaker 1>a house that's supposed to benineteen twenty seven house these days,

423
00:26:03.559 --> 00:26:06.799
<v Speaker 1>you're gonna get emails, you'd be like, oh, buddy, I

424
00:26:06.960 --> 00:26:11.079
<v Speaker 1>just happened to be a telephone officionado. And you know

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00:26:11.400 --> 00:26:15.480
<v Speaker 1>that's the thing. So I like doing my best to

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00:26:15.559 --> 00:26:18.440
<v Speaker 1>research things to the inth degree so that we can

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00:26:18.480 --> 00:26:22.599
<v Speaker 1>do things as accurately as possible. But at the same time,

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<v Speaker 1>I want to integrate. So I would be the guy

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00:26:24.920 --> 00:26:28.880
<v Speaker 1>to take the right phone for the right era. But

430
00:26:29.160 --> 00:26:34.039
<v Speaker 1>maybe maybe if it's your thing, paint it blue instead of,

431
00:26:34.119 --> 00:26:36.839
<v Speaker 1>you know, to incorporate it onto a blue wall and

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00:26:36.880 --> 00:26:38.960
<v Speaker 1>the blue phone if that's the art piece that we're

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<v Speaker 1>going for. So you know, it all depends on that

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<v Speaker 1>sense of artistic flexibility. Are we trying to just create

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00:26:45.759 --> 00:26:48.839
<v Speaker 1>a museum piece or are we really integrating it to

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00:26:49.079 --> 00:26:51.839
<v Speaker 1>a news story? And there you go, and that's at

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00:26:51.839 --> 00:26:55.519
<v Speaker 1>the heart of what we're talking about today. All right,

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00:26:59.119 --> 00:27:01.720
<v Speaker 1>are you ready for this? Teeny teen is going to

439
00:27:01.799 --> 00:27:04.720
<v Speaker 1>videotape this because we've been putting these up online and

440
00:27:04.759 --> 00:27:09.119
<v Speaker 1>that's always kind of a fun thing. So here is

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<v Speaker 1>my closing thought for you today. Definitely not a masterpiece

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00:27:14.160 --> 00:27:16.559
<v Speaker 1>of master craftsmanship, just a thought, and it's just the

443
00:27:16.559 --> 00:27:18.960
<v Speaker 1>thought I had sitting around the fire this morning. I'm

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00:27:19.000 --> 00:27:23.039
<v Speaker 1>wearing my hoodie that I wore at the holiday show

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00:27:23.519 --> 00:27:28.759
<v Speaker 1>with the shoulders that can display a velcrow patch on

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00:27:28.839 --> 00:27:32.000
<v Speaker 1>each shoulder. You see that there's a little veltrope. I

447
00:27:32.000 --> 00:27:34.799
<v Speaker 1>don't know if it's cool or stupid, honestly, but I'm

448
00:27:34.799 --> 00:27:37.359
<v Speaker 1>having fun with it. And now I have this growing

449
00:27:37.440 --> 00:27:41.200
<v Speaker 1>collection of patches to choose from depending on where my

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00:27:41.279 --> 00:27:43.920
<v Speaker 1>head and hard are at on any given day. Today

451
00:27:44.920 --> 00:27:48.519
<v Speaker 1>we've been talking vintage, which always makes me look forward

452
00:27:48.559 --> 00:27:51.440
<v Speaker 1>and backward at the same time. So today's patches are,

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00:27:52.640 --> 00:27:56.319
<v Speaker 1>let's see here, my favorite childhood memory is my back

454
00:27:56.440 --> 00:27:58.559
<v Speaker 1>not hurting. That's a good one. And then on the

455
00:27:58.640 --> 00:28:01.440
<v Speaker 1>other shoulder, it says be rave enough to suck at

456
00:28:01.519 --> 00:28:05.319
<v Speaker 1>something new, which I think are two great bookends to

457
00:28:05.400 --> 00:28:08.799
<v Speaker 1>what we're talking about today, looking back and looking forward,

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00:28:09.079 --> 00:28:11.880
<v Speaker 1>like it or not, if you're more than twenty years old,

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00:28:12.400 --> 00:28:16.359
<v Speaker 1>you've actually started down the road of becoming vintage. You

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00:28:16.440 --> 00:28:18.640
<v Speaker 1>might only be twenty eight and feeling in the prime

461
00:28:18.720 --> 00:28:20.680
<v Speaker 1>of your youth. But to it, like I said earlier

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00:28:20.680 --> 00:28:24.119
<v Speaker 1>in the show, to a thirteen year old, you're already

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00:28:24.119 --> 00:28:27.359
<v Speaker 1>old and you are headed toward ancient quickly. That's upsetting

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00:28:27.359 --> 00:28:31.200
<v Speaker 1>to me. Oh, our Andrew Caravella, don't worry, buddy, You

465
00:28:31.240 --> 00:28:34.359
<v Speaker 1>and I we're both vintage, by the way, I suck

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00:28:34.559 --> 00:28:37.960
<v Speaker 1>at my back, not hurting. Just for the record, There

467
00:28:38.000 --> 00:28:41.440
<v Speaker 1>you go. There it is. So there's no turning back

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00:28:41.519 --> 00:28:45.359
<v Speaker 1>the clock. But that's okay. It's not the worst thing

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00:28:45.799 --> 00:28:46.720
<v Speaker 1>to be vintage.

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<v Speaker 2>You know.

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00:28:47.279 --> 00:28:50.039
<v Speaker 1>Vintage is a word taken from wine making. It means

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00:28:50.079 --> 00:28:53.839
<v Speaker 1>that time has brought a thing to its full depth

473
00:28:54.039 --> 00:28:57.759
<v Speaker 1>of flavor. Right, So yeah, time has passed, but that's

474
00:28:57.799 --> 00:29:00.839
<v Speaker 1>what you need to make a fine wine. Difference between

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00:29:00.920 --> 00:29:05.400
<v Speaker 1>juice and wine is time. So try not to fear

476
00:29:05.559 --> 00:29:08.920
<v Speaker 1>being a bit vintage. Age has a depth and a

477
00:29:09.039 --> 00:29:12.440
<v Speaker 1>dignity about it. And if we allow time to pry

478
00:29:12.720 --> 00:29:16.519
<v Speaker 1>some of the vanity out of our hands, then instead

479
00:29:16.519 --> 00:29:20.799
<v Speaker 1>of always obsessing with outward youth, there's more room for

480
00:29:20.839 --> 00:29:24.039
<v Speaker 1>the far more important task of becoming inwardly young again.

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<v Speaker 1>So here are my tips. Don't fear growing old, only

482
00:29:28.319 --> 00:29:32.759
<v Speaker 1>fear growing unteachable. Don't fear not being at the center

483
00:29:32.799 --> 00:29:37.920
<v Speaker 1>of things, only fear not finding your own center. Don't

484
00:29:37.960 --> 00:29:44.359
<v Speaker 1>fear growing old, only fear growing unadventurous. Don't fear inflexible joints,

485
00:29:44.480 --> 00:29:49.240
<v Speaker 1>only fear an inflexible mind. Don't fear growing old, only

486
00:29:49.279 --> 00:29:54.599
<v Speaker 1>fear growing sour. Don't fear the presence of gray, only

487
00:29:54.680 --> 00:30:01.000
<v Speaker 1>fear the absence of wonder. Don't fear growing old, only

488
00:30:01.200 --> 00:30:06.559
<v Speaker 1>fear wasting time. Some people have always been old. I

489
00:30:06.599 --> 00:30:10.640
<v Speaker 1>think by that standard, others will never be old. That's

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00:30:10.640 --> 00:30:13.519
<v Speaker 1>who I want to be. That's my hope for you. Today.

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<v Speaker 1>It's the only day we've got. It's the only today

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<v Speaker 1>we have. Let's not waste it. And by the time

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00:30:19.680 --> 00:30:23.039
<v Speaker 1>it's done, we'll all be a little older, or maybe

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00:30:23.079 --> 00:30:26.599
<v Speaker 1>a little younger. It's all up to us live in

495
00:30:26.640 --> 00:30:31.119
<v Speaker 1>the past or build ourselves a beautiful life. Well, you

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<v Speaker 1>all have a great Sunday afternoon, and we will see

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<v Speaker 1>you right back here next week. This has been Home

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<v Speaker 1>with Dean Sharp the House Whisper. Tune into the live

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<v Speaker 1>broadcast on KFI AM six forty every Saturday morning from

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00:30:49.359 --> 00:30:52.279
<v Speaker 1>six to eight Pacific time, and every Sunday morning from

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00:30:52.440 --> 00:30:56.119
<v Speaker 1>nine to noon Pacific time, or anytime on demand on

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00:30:56.200 --> 00:31:00.160
<v Speaker 1>the iHeart radio Apphi
